essay competition october 2023

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Best Essay Writing Contests in 2024

Showing 51 contests that match your search.

Narratively 2023 Memoir Prize

Narratively

Genres: Essay, Humor, Memoir, and Non-fiction

Narratively is currently accepting submissions for their 2023 Memoir Prize. They are looking for revealing and emotional first-person nonfiction narratives from unique and overlooked points of view. The guest judge is New York Times bestselling memoirist Stephanie Land.

Additional prizes:

$1,000 and publication

💰 Entry fee: $20

📅 Deadline: November 30, 2023 (Expired)

Anthology Travel Writing Competition 2024

Anthology Magazine

Genres: Essay, Non-fiction, and Travel

The Anthology Travel Writing Competition is open to original and previously unpublished travel articles in the English language by writers of any nationality, living anywhere in the world. We are looking for an engaging article that will capture the reader’s attention, conveying a strong sense of the destination and the local culture. Max 1000 words.

💰 Entry fee: $16

📅 Deadline: November 30, 2024

100 Word Writing Contest

Tadpole Press

Genres: Essay, Fantasy, Fiction, Flash Fiction, Humor, Memoir, Mystery, Non-fiction, Science Fiction, Science Writing, Thriller, Young Adult, Children's, Poetry, Romance, Short Story, Suspense, and Travel

Can you write a story using 100 words or less? Pieces will be judged on creativity, uniqueness, and how the story captures a new angle, breaks through stereotypes, and expands our beliefs about what's possible or unexpectedly delights us. In addition, we are looking for writing that is clever or unique, inspires us, and crafts a compelling and complete story. The first-place prize has doubled to $2,000 USD.

2nd: writing coach package

💰 Entry fee: $15

📅 Deadline: April 30, 2024 (Expired)

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Lazuli Literary Group Writing Contest

Lazuli Literary Group

Genres: Essay, Fiction, Poetry, Short Story, Flash Fiction, Non-fiction, Novella, and Script Writing

We are not concerned with genre distinctions. Send us the best you have; we want only for it to be thoughtful, intelligent, and beautiful. We want art that grows in complexity upon each visitation; we enjoy ornate, cerebral, and voluptuous phrases executed with thematic intent.

Publication in "AZURE: A Journal of Literary Thought"

📅 Deadline: March 24, 2024 (Expired)

International Voices in Creative Nonfiction Competition

Vine Leaves Press

Genres: Essay, Memoir, Non-fiction, and Novel

Small presses have potential for significant impact, and at Vine Leaves Press, we take this responsibility quite seriously. It is our responsibility to give marginalized groups the opportunity to establish literary legacies that feel rich and vast. Why? To sustain hope for the world to become a more loving, tolerable, and open space. It always begins with art. That is why we have launched this writing competition.

Book publication

💰 Entry fee: $25

📅 Deadline: July 01, 2024

Artificial Intelligence Competition

New Beginnings

Genres: Essay, Non-fiction, Science Fiction, Science Writing, and Short Story

There is no topic relating to technology that brings more discussion than artificial intelligence. Some people think it does wonders. Others see it as trouble. Let us know your opinion about AI in this competition. Include experiences you have had with AI. 300-word limit. Winners will be selected January 1, 2024. Open to anyone, anywhere.

Publication

💰 Entry fee: $5

📅 Deadline: December 15, 2023 (Expired)

Tusculum Review Nonfiction Chapbook Prize

The Tusculum Review

Genres: Essay and Non-fiction

A prize of $1,000, publication of the essay in The Tusculum Review’s 20th Anniversary Issue (2024), and creation of a limited edition stand-alone chapbook with original art is awarded. Editors of The Tusculum Review and contest judge Mary Cappello will determine the winner of the 2024 prize.

📅 Deadline: June 15, 2024

Jane Austen Society of North America Essay Contest

Jane Austen Society of North America

Genres: Children's and Essay

JASNA conducts an annual student Essay Contest to foster the study and appreciation of Jane Austen's works in new generations of readers. Students world-wide are invited to compete for scholarship awards in three divisions: high school, college, and graduate school.

$1,000 scholarship

Two nights’ lodging for JASNA’s Annual General Meeting

📅 Deadline: June 02, 2022 (Expired)

Military Anthology: Partnerships, the Untold Story

Armed Services Arts Partnership

Genres: Essay, Fiction, Flash Fiction, Humor, Memoir, Non-fiction, Poetry, and Short Story

Partners are an integral aspect of military life, at home and afar, during deployment and after homecoming. Partnerships drive military action and extend beyond being a battle buddy, wingman, or crew member. Some are planned while others arise entirely unexpectedly. Spouses, family, old or new friends, community, faith leaders, and medical specialists all support the military community. Despite their importance, the stories of these partnerships often go untold. This anthology aims to correct that: We will highlight the nuances, surprises, joy, sorrow, heroism, tears, healing power, and ache of partnerships. We invite you to submit the story about partnerships from your journey, so we can help tell it.

$500 Editors' Choice award

$250 for each genre category (prose, poetry, visual art)

📅 Deadline: March 01, 2024 (Expired)

International Essay Competition 2023/24

Avernus Education

Genres: Essay

Welcome to our prestigious International Essay Competition. At Avernus Education, we are thrilled to provide a platform for young minds to showcase their prowess in Medicine, Engineering, Law, Economics, Psychology, History and Politics. These varied subject categories underscore the importance of interdisciplinary study, a crucial foundation for future leaders in our increasingly interconnected world. Winners receive an exclusive Avernus Education Scholarship worth over £5000 - granting them free entrance to our exclusive summer camp at Oxford University! Outstanding Runners Up receive 5 hours worth of Credits for Avernus Education courses, conferences and tutoring services.

100% Scholarship Award to our Oxford University Summer Programme (worth £5995)

Partial scholarship

📅 Deadline: February 19, 2024 (Expired)

A Very Short Story Contest

Gotham Writers Workshop

Genres: Essay, Fantasy, Fiction, Flash Fiction, Humor, Memoir, and Non-fiction

Write a great short story in ten words or fewer. Submit it to our contest. Entry is free. Winner of the bet gets a free Gotham class.

Free writing class from Gotham Writers Workshop.

📅 Deadline: May 31, 2024

Journalism Competition 2024

Write the World

What are the most important issues taking place close to home? Perhaps a rare bird sighting near your town? Or a band of young people in your province fighting for access to higher education? This month, immerse yourself in a newsworthy event inside the borders of your own country, and invite us there through your written reporting.

Best entry: $100

Runner up: $50 | Best peer review: $50

📅 Deadline: July 22, 2024

National Essay Contest

U.S. Institute of Peace

This year, AFSA celebrates the 100th anniversary of the United States Foreign Service. Over the last century, our diplomats and development professionals have been involved in groundbreaking events in history – decisions on war and peace, supporting human rights and freedom, creating joint prosperity, reacting to natural disasters and pandemics and much more. As AFSA looks back on this century-long history, we invite you to join us in also looking ahead to the future. This year students are asked to explore how diplomats can continue to evolve their craft to meet the needs of an ever-changing world that brings fresh challenges and opportunities to the global community and America’s place in it.

Runner-up: $1,250

📅 Deadline: April 01, 2024 (Expired)

swamp pink Prizes

Genres: Essay, Fiction, Non-fiction, Poetry, and Short Story

From January 1st to January 31st, submit short stories and essays of up to 25 pages or a set of 1-3 poems. Winners in each genre will receive $2,000 and publication.

📅 Deadline: January 31, 2024 (Expired)

Personal Essay Competition 2024

Genres: Essay and Memoir

We want to hear about an experience in your life, rife with characters and description and conflict and scene… but we also want to hear how you make sense of this experience, how it sits with you, and why it has surfaced as writing. Open a window into your life and invite your readers to enter.

📅 Deadline: June 24, 2024

Creative Nonfiction Prize

Indiana Review

Genres: Essay, Fiction, and Non-fiction

Send us one creative nonfiction piece, up to 5000 words, for a chance at $1000 + publication. This year's contest will be judged by Lars Horn.

📅 Deadline: March 31, 2024 (Expired)

Indignor Play House Annual Short Story Competition

Indignor House Publishing

Genres: Fiction, Flash Fiction, Short Story, Crime, Essay, Fantasy, Horror, Humor, Memoir, Mystery, Non-fiction, Novella, Poetry, Romance, Science Fiction, Thriller, and Young Adult

Indignor House Publishing is proud to announce that our annual writing competition (INDIGNOR PLAYHOUSE Short Story Annual Competition) is officially open with expected publication in the fall of 2024. Up to 25 submissions will be accepted for inclusion in the annual anthology.

2nd: $250 | 3rd: $150

Brink Literary Journal Award for Hybrid Writing

Genres: Essay, Fantasy, Fiction, Humor, Memoir, Non-fiction, Poetry, Science Writing, and Short Story

The Brink Literary Journal Award for Hybrid Writing will be administered to the winner of a literary contest designed to champion innovative hybrid and cross-genre work.

💰 Entry fee: $22

📅 Deadline: February 16, 2024 (Expired)

African Diaspora Awards 2024

Kinsman Avenue Publishing, Inc

Genres: Essay, Fiction, Flash Fiction, Non-fiction, Poetry, and Short Story

Up to $1000 in cash prizes for the African Diaspora Award 2024. African-themed prose and poetry wanted. Top finalists are published in Kinsman Quarterly’s magazine and the anthology, “Black Butterfly: Voices of the African Diaspora.”

Publication in anthology, "Black Butterfly: Voices of the African Diaspora" and print and digital magazine

📅 Deadline: June 30, 2024

NOWW 26th International Writing Contest

Northwestern Ontario Writers Workshop (NOWW)

Open to all writers in four categories: poetry, short fiction, creative nonfiction, and critical writing.

2nd: $100 | 3rd: $50

💰 Entry fee: $7

📅 Deadline: February 29, 2024 (Expired)

Great American Think-Off

New York Mills Regional Cultural Center

The Great American Think-Off is an exhibition of civil disagreement between powerful ideas that connect to your life at the gut level. The Cultural Center, located in the rural farm and manufacturing town of New York Mills, sponsors this annual philosophy contest.

Rigel 2024: $500 for Prose, Poetry, Art, or Graphic Novel

Sunspot Literary Journal

Genres: Essay, Fiction, Flash Fiction, Memoir, Non-fiction, Novel, Novella, Poetry, Script Writing, and Short Story

Literary or genre works accepted. Winner receives $500 plus publication, while runners-up and finalists are offered publication. No restrictions on theme or category. Closes: February 29. Entry fee: $12.50. Enter as many times as you like through Submittable or Duotrope

$500 + publication

Runners-up and finalists are offered publication

💰 Entry fee: $12

World Historian Student Essay Competition

World History Association

The World Historian Student Essay Competition is an international competition open to students enrolled in grades K–12 in public, private, and parochial schools, and those in home-study programs. Membership in the World History Association is not a requirement for submission. Past winners may not compete in the same category again.

📅 Deadline: May 01, 2024 (Expired)

Atlas Shrugged Essay Contest

Ayn Rand Institute

Atlas Shrugged is a mystery story, not about the murder of a man’s body, but about the murder—and rebirth—of man’s spirit. We seek exceptional essays of up to 1600 words that analyze its themes and ideas. High school to graduate students worldwide are invited to participate.

📅 Deadline: June 14, 2024

Share Your Story

FanStory.com Inc.

Write about an event in your life. Everyone has a memoir. Not an autobiography. Too much concern about fact and convention. A memoir gives us the ability to write about our life with the option to create and fabricate and to make sense of a life, or part of that life.

💰 Entry fee: $10

📅 Deadline: August 13, 2024

Literary and Photographic Contest 2023-2024

Hispanic Culture Review

Genres: Essay, Fiction, Memoir, Non-fiction, and Poetry

As we move forward we carry our culture wherever we go. It keeps us alive. This is why we propose the theme to be “¡Hacia delante!”. A phrase that means to move forward. This year we ask that you think about the following questions: What keeps you moving forward? What do you carry with you going into the future? How do you celebrate your successes, your dreams, and your culture?

Publication in magazine

📅 Deadline: February 07, 2024 (Expired)

The Letter Review Prize for Unpublished Books

The Letter Review

Genres: Crime, Essay, Fantasy, Fiction, Flash Fiction, Horror, Humor, Memoir, Mystery, Non-fiction, Novel, Novella, Poetry, Romance, Science Fiction, Science Writing, Short Story, Thriller, and Young Adult

Free to enter. Seeking 0-5000 word (poetry: 15 pgs) excerpts of unpublished books (Fiction, Poetry, Nonfiction), including most self-published and indie-published works. 2-4 Winners (publication of extract is optional). We Shortlist 10-20 writers. Open to writers from anywhere in the world, with no theme or genre restrictions. Judged blind.

Optional Publication of Excerpt, Letter of Recommendation

Bacopa Literary Review Annual Writing Contest

Writers Alliance of Gainesville

Bacopa Literary Review’s 2024 contest is open from March 4 through April 4, with $200 Prize and $100 Honorable Mention in each of six categories: Fiction, Creative Nonfiction, Flash Fiction, Free Verse Poetry, Formal Poetry, and Visual Poetry.

📅 Deadline: May 02, 2024 (Expired)

Irene Adler Prize

Lucas Ackroyd

I’ve traveled the world from Sweden to South Africa, from the Golden Globes to the Olympic women’s hockey finals. I’ve photographed a mother polar bear and her cubs and profiled stars like ABBA, Jennifer Garner and Katarina Witt. And I couldn’t have done it without women. I’ve been very fortunate, and it’s time for me to give back. With the Irene Adler Prize, I’m awarding a $1,000 scholarship to a woman pursuing a degree in journalism, creative writing, or literature at a recognized post-secondary institution.

2x honorable mentions: $250

📅 Deadline: May 30, 2024

Hispanic Culture Review Contest 2022-2023

Genres: Essay, Fiction, Non-fiction, Poetry, Short Story, and Flash Fiction

As the Uruguayan writer Eduardo Galeano once said, "the best that the world has is in the many worlds that the world contains." Therefore, this year we invite you to reflect on the following questions: How do you or your community celebrate these connections? How do you value those experiences with those people who leave a mark on your life? 1 work will be awarded in each category: 1) photography & visual arts, 2) poetry, and 3) narrative/essay/academic investigation.

$100 for photography, poetry, and essay winners

💰 Entry fee: $0

📅 Deadline: February 01, 2023 (Expired)

Vocal Challenges

Genres: Essay, Fiction, Memoir, Non-fiction, and Short Story

Enter themed storytelling contests to put your creativity to the test and be in with a chance of winning cash prizes and more. To submit, you'll need to sign up for a monthly fee of $9.99, or $4.99/month for 3 months.

$1,000 — $5,000

📅 Deadline: March 07, 2024 (Expired)

Berggruen Prize Essay Competition

Berggruen Institute

The Berggruen Prize Essay Competition, in the amount of $25,000 USD for the English and Chinese language category respectively, is given annually to stimulate new thinking and innovative concepts while embracing cross-cultural perspectives across fields, disciplines, and geographies. Inspired by the pivotal role essays have played in shaping thought and inquiry, we are inviting essays that follow in the tradition of renowned thinkers such as Jean-Jacques Rousseau, Michel de Montaigne, and Ralph Waldo Emerson.

Publication in Noema Magazine

Killer Nashville Silver Falchion Award

Killer Nashville

Genres: Crime, Essay, Fantasy, Fiction, Humor, Memoir, Mystery, Non-fiction, Novel, Poetry, Science Fiction, Script Writing, Short Story, and Thriller

The Killer Nashville Silver Falchion Award is committed to discovering new writers, as well as superlative books by established authors and, upon discovery, sharing those writers and their works with new readers. There are a large number of both fiction and non-fiction categories you can enter.

💰 Entry fee: $79

The Hudson Prize

Black Lawrence Press

Each year Black Lawrence Press will award The Hudson Prize for an unpublished collection of poems or prose. The prize is open to new, emerging, and established writers.

💰 Entry fee: $28

Aurora Polaris Creative Nonfiction Award

Trio House Press

Genres: Essay, Memoir, and Non-fiction

We seek un-agented full-length creative nonfiction manuscripts including memoir, essay collections, etc. 50,000 - 80,000 words.

📅 Deadline: May 15, 2024

Discover the finest writing contests of 2024 for fiction and non-fiction authors — including short story competitions, essay writing competitions, poetry contests, and many more. Updated weekly, these contests are vetted by Reedsy to weed out the scammers and time-wasters. If you’re looking to stick to free writing contests, simply use our filters as you browse.

Why you should submit to writing contests

Submitting to poetry competitions and free writing contests in 2024 is absolutely worth your while as an aspiring author: just as your qualifications matter when you apply for a new job, a writing portfolio that boasts published works and award-winning pieces is a great way to give your writing career a boost. And not to mention the bonus of cash prizes!

That being said, we understand that taking part in writing contests can be tough for emerging writers. First, there’s the same affliction all writers face: lack of time or inspiration. Entering writing contests is a time commitment, and many people decide to forego this endeavor in order to work on their larger projects instead — like a full-length book. Second, for many writers, the chance of rejection is enough to steer them clear of writing contests. 

But we’re here to tell you that two of the great benefits of entering writing contests happen to be the same as those two reasons to avoid them.

When it comes to the time commitment: yes, you will need to expend time and effort in order to submit a quality piece of writing to competitions. That being said, having a hard deadline to meet is a great motivator for developing a solid writing routine.

Think of entering contests as a training session to become a writer who will need to meet deadlines in order to have a successful career. If there’s a contest you have your eye on, and the deadline is in one month, sit down and realistically plan how many words you’ll need to write per day in order to meet that due date — and don’t forget to also factor in the time you’ll need to edit your story!

For tips on setting up a realistic writing plan, check out this free, ten-day course: How to Build a Rock-Solid Writing Routine.

In regards to the fear of rejection, the truth is that any writer aspiring to become a published author needs to develop relatively thick skin. If one of your goals is to have a book traditionally published, you will absolutely need to learn how to deal with rejection, as traditional book deals are notoriously hard to score. If you’re an indie author, you will need to adopt the hardy determination required to slowly build up a readership.

The good news is that there’s a fairly simple trick for learning to deal with rejection: use it as a chance to explore how you might be able to improve your writing.

In an ideal world, each rejection from a publisher or contest would come with a detailed letter, offering construction feedback and pointing out specific tips for improvement. And while this is sometimes the case, it’s the exception and not the rule.

Still, you can use the writing contests you don’t win as a chance to provide yourself with this feedback. Take a look at the winning and shortlisted stories and highlight their strong suits: do they have fully realized characters, a knack for showing instead of telling, a well-developed but subtly conveyed theme, a particularly satisfying denouement?

The idea isn’t to replicate what makes those stories tick in your own writing. But most examples of excellent writing share a number of basic craft principles. Try and see if there are ways for you to translate those stories’ strong points into your own unique writing.

Finally, there are the more obvious benefits of entering writing contests: prize and publication. Not to mention the potential to build up your readership, connect with editors, and gain exposure.

Resources to help you win writing competitions in 2024

Every writing contest has its own set of submission rules. Whether those rules are dense or sparing, ensure that you follow them to a T. Disregarding the guidelines will not sway the judges’ opinion in your favor — and might disqualify you from the contest altogether. 

Aside from ensuring you follow the rules, here are a few resources that will help you perfect your submissions.

Free online courses

On Writing:

How to Craft a Killer Short Story

The Non-Sexy Business of Writing Non-Fiction

How to Write a Novel

Understanding Point of View

Developing Characters That Your Readers Will Love

Writing Dialogue That Develops Plot and Character

Stop Procrastinating! Build a Solid Writing Routine

On Editing:

Story Editing for Authors

How to Self-Edit Like a Pro

Novel Revision: Practical Tips for Rewrites

How to Write a Short Story in 7 Steps

Reedsy's guide to novel writing

Literary Devices and Terms — 35+ Definitions With Examples

10 Essential Fiction Writing Tips to Improve Your Craft

How to Write Dialogue: 8 Simple Rules and Exercises

8 Character Development Exercises to Help You Nail Your Character

Bonus resources

200+ Short Story Ideas

600+ Writing Prompts to Inspire You

100+ Creative Writing Exercises for Fiction Authors

Story Title Generator

Pen Name Generator

Character Name Generator

After you submit to a writing competition in 2024

It’s exciting to send a piece of writing off to a contest. However, once the initial excitement wears off, you may be left waiting for a while. Some writing contests will contact all entrants after the judging period — whether or not they’ve won. Other writing competitions will only contact the winners. 

Here are a few things to keep in mind after you submit:

Many writing competitions don’t have time to respond to each entrant with feedback on their story. However, it never hurts to ask! Feel free to politely reach out requesting feedback — but wait until after the selection period is over.

If you’ve submitted the same work to more than one writing competition or literary magazine, remember to withdraw your submission if it ends up winning elsewhere.

After you send a submission, don’t follow it up with a rewritten or revised version. Instead, ensure that your first version is thoroughly proofread and edited. If not, wait until the next edition of the contest or submit the revised version to other writing contests.

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• Writing Tips

7 Essay Writing Contests to Look Out For in 2023

• 7-minute read
• 28th December 2022

Essay contests are not only a great way to exercise your essay-writing skills but also an awesome way to win cash prizes, scholarships, and internship or program opportunities. They also look wonderful on college applications as awards and achievements.

In this article, you’ll learn about 7 essay writing contests to enter in 2023. Watch the video below, or keep reading to learn more.

1. Tom Howard/John H. Reid Fiction & Essay Contest 

Deadline: Now–April 30, 3023

Who may enter:

This is an international contest for people of all ages (except for residents of Syria, Iran, North Korea, Crimea, Russia, and Belarus due to US government restrictions).

Contest description:

●  The contest is organized by Winning Writers, located in MA, USA.

●  They accept stories and essays on any theme, up to 6,000 words each. This contest defines a story as any short work of fiction and an essay as any short work of nonfiction.

●  Your stories and essays must be submitted in English.

●  You may submit published or unpublished work.

Entry fee: USD 22 per entry

●  Story: First Prize is USD 3,000.

●  Essay: First Prize is USD 3,000.

●  10 Honorable Mentions will receive USD 300 each (any category).

●  The top 12 entries will be published online.

Official website

Please visit the competition’s official website for more information on judges and submissions.

2. 2023 Calibre Essay Prize 

Deadline: Now–January 15, 2023, 11:59 pm

Who may enter: All ages and any nationality or residency are accepted.

●  This contest is hosted by the Australian Book Review.

●  Your essay must be between 2,000 and 5,000 words.

●  You may submit nonfiction essays of all kinds, e.g., personal, political, literary, or speculative.

●  You may enter multiple essays but will need to pay separate fees for each one.

●  Your essay must be unpublished.

Entry fee: AU 30 for non-members

Prize: AU 7,500

Official website:

For more information on this contest, please visit its official website.

3. John Locke Institute Essay Competition 

Deadline: June 30, 2023

●  Students from any country.

●  Students aged 15 to 18 years by the competition deadline.

●  Students aged 14 years or younger by the competition deadline are eligible for the Junior prize.

●  The contest is organized by the John Locke Institute.

●  Your essay cannot exceed 2,000 words.

●  There are seven subjects or categories for essay submissions: Philosophy, Politics, Economics, History, Psychology, Theology, and Law.

Entry fee: Free to enter

●  The best overall essay winner receives an honorary John Locke Fellowship, which comes with a USD 10,000 scholarship to attend one or more summer schools or gap year courses.

●  There is also a prize for the best essay in each category. The prize for each winner of a subject category and the Junior category is a scholarship worth USD 2,000 toward the cost of a summer program.

●  All winning essays will be published on the Institute’s website.

For more information about this competition and the John Locke Institute, please visit the official website . Also, be sure to check out our article on all you need to know about this contest.

4. The American Foreign Service Association 2023 Essay Competition 

Deadline: April 3, 2023

●  Students in grades 9–12 in any of the 50 states, DC, the US territories, or if they are US citizens or lawful permanent residents attending high school overseas.

●  Students attending a public, private, or parochial school.

●  Home-schooled students.

●  Your essay should be 1,000–1,500 words.

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●  You will select a country or region in which the United States Foreign Service has been involved at any point since 1924 and describe how the Foreign Service was successful or unsuccessful in advancing American foreign policy goals – including promoting peace – in this country or region and propose ways in which it might continue to improve those goals in the coming years.

●  Your essay should follow MLA guidelines.

●  Your essay should use a variety of sources.

●  The first-place winner receives USD 2,500, a paid trip to the nation’s capital from anywhere in the U.S. for the winner and their parents, and an all-expense-paid educational voyage courtesy of Semester at Sea.

●  The runner-up receives USD 1,250 and full tuition to attend a summer session of the National Student Leadership Conference’s International Diplomacy program.

Please visit the American Foreign Service website for more information.

5. The Jane Austen Society of North America (JASNA) 2023 Essay Contest 

Deadline: Mid-February 2023–June 1, 2023

Who may enter: High school (including homeschooled), college, and graduate students worldwide.

●  The 2023 essay contest topic is marriages and proposals.

●  High school students may focus on Pride and Prejudice only or bring in other Austen works.

●  Undergraduate and graduate students should discuss at least two Austen novels of their choice.

●  Your essay must be in MLA format and 6 to 8 pages (not including your Works Cited page).

●  Your essay must be written in English.

●  First place wins a USD 1,000 scholarship.

●  Second place wins a USD 500 scholarship.

●  Third place wins a USD 250 scholarship.

●  Winners will also receive one year of membership in JASNA, publication of their essays on this website, and a set of Norton Critical Editions of Jane Austen’s novels.

For more information and submission guidelines, please visit JASNA’s official website .

6. 2023 Writing Contest: Better Great Achievements by EngineerGirl

Deadline: February 1, 2023

●  Students in Grades 3–12. If international or homeschooled, please select your grade level based on if you were attending a public school in the U.S.

●  This contest is organized by EngineerGirl.

●  Students should write a piece that shows how female or non-white engineers have contributed to or can enhance engineering’s great achievements.

●  You should choose one of the 20 Greatest Engineering Achievements of the 20th Century as a topic and explore the technologies developed in the last century and the new ones being developed today. Make sure to follow the specific guidelines for your grade level.

●  Essays should be 650–750 words based on your grade level.

●  Please visit the contest’s website to see specific requirements based on your grade.

Winners in each grade category will receive the prizes listed below:

●  First-place winners will be awarded USD 500.

●  Second-place entries will be awarded USD 250 .

●  Third-place entries will be awarded USD 100 .

For more information and submission guidelines, please visit the official website .

7. World Historian Student Essay Competition

Deadline: May 1, 2023

Who may enter: Students enrolled in Grades K–12 in public, private, and parochial schools and home-study programs worldwide.

●  Your essay must address the following issue: In what way has the study of world history affected my understanding of the world in which I live?

●  Your essay should be 1,000 words.

Prizes: USD 500

For more information and submission requirements, please visit the contest’s official website.

Essay contests are a great way to expand your writing skills, discuss a topic that is important to you, and earn prize money and opportunities that will be great for you in the long term. Check out our articles on writing thesis statements, essay organization, and argumentative writing strategies to ensure you take first place every time.

If you need help with your essays and would like to make sure that every comma is in place, we will proofread your first 500 words for free !

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The Best Student Writing Contests for 2023-2024

Help your students take their writing to the next level.

When students write for teachers, it can feel like an assignment. When they write for a real purpose, they are empowered! Student writing contests are a challenging and inspiring way to try writing for an authentic audience— a real panel of judges —and the possibility of prize money or other incentives. We’ve gathered a list of the best student writing contests, and there’s something for everyone. Prepare highly motivated kids in need of an authentic writing mentor, and watch the words flow.

1.  The Scholastic Art & Writing Awards

With a wide range of categories—from critical essays to science fiction and fantasy—The Scholastic Awards are a mainstay of student contests. Each category has its own rules and word counts, so be sure to check out the options  before you decide which one is best for your students.

How To Enter

Students in grades 7-12, ages 13 and up, may begin submitting work in September by uploading to an online account at Scholastic and connecting to their local region. There are entry fees, but those can be waived for students in need.

2.  YoungArts National Arts Competition

This ends soon, but if you have students who are ready to submit, it’s worth it. YoungArts offers a national competition in the categories of creative nonfiction, novel, play or script, poetry, short story, and spoken word. Student winners may receive awards of up to $10,000 as well as the chance to participate in artistic development with leaders in their fields.

YoungArts accepts submissions in each category through October 13. Students submit their work online and pay a $35 fee (there is a fee waiver option).

3. National Youth Foundation Programs

Each year, awards are given for Student Book Scholars, Amazing Women, and the “I Matter” Poetry & Art competition. This is a great chance for kids to express themselves with joy and strength.

The rules, prizes, and deadlines vary, so check out the website for more info.

4.  American Foreign Service National High School Essay Contest

If you’re looking to help students take a deep dive into international relations, history, and writing, look no further than this essay contest. Winners receive a voyage with the Semester at Sea program and a trip to Washington, DC.

Students fill out a registration form online, and a teacher or sponsor is required. The deadline to enter is the first week of April.

5.  John F. Kennedy Profile in Courage Essay Contest

This annual contest invites students to write about a political official’s act of political courage that occurred after Kennedy’s birth in 1917. The winner receives $10,000, and 16 runners-up also receive a variety of cash prizes.

Students may submit a 700- to 1,000-word essay through January 12. The essay must feature more than five sources and a full bibliography.

6. Bennington Young Writers Awards

Bennington College offers competitions in three categories: poetry (a group of three poems), fiction (a short story or one-act play), and nonfiction (a personal or academic essay). First-place winners receive $500. Grab a poster for your classroom here .

The contest runs from September 1 to November 1. The website links to a student registration form.

7. The Princeton Ten-Minute Play Contest

Looking for student writing contests for budding playwrights? This exclusive competition, which is open only to high school juniors, is judged by the theater faculty of Princeton University. Students submit short plays in an effort to win recognition and cash prizes of up to $500. ( Note: Only open to 11th graders. )

Students submit one 10-page play script online or by mail. The deadline is the end of March. Contest details will be published in early 2024.

8. Princeton University Poetry Contest for High School Students

The Leonard L. Milberg ’53 High School Poetry Prize recognizes outstanding work by student writers in 11th grade. Prizes range from $100 to $500.

Students in 11th grade can submit their poetry. Contest details will be published this fall.

9. The New York Times Tiny Memoir Contest

This contest is also a wonderful writing challenge, and the New York Times includes lots of resources and models for students to be able to do their best work. They’ve even made a classroom poster !

Submissions need to be made electronically by November 1.

10.  Nancy Thorp Poetry Contest

The deadline for this contest is the end of October. Sponsored by Hollins University, the Nancy Thorp Poetry Contest awards prizes for the best poems submitted by young women who are sophomores or juniors in high school or preparatory school. Prizes include cash and scholarships. Winners are chosen by students and faculty members in the creative writing program at Hollins.

Students may submit either one or two poems using the online form.

11.  The Patricia Grodd Poetry Prize for Young Writers

The Patricia Grodd Poetry Prize for Young Writers is open to high school sophomores and juniors, and the winner receives a full scholarship to a  Kenyon Review Young Writers Workshop .

Submissions for the prize are accepted electronically from November 1 through November 30.

12. Jane Austen Society Essay Contest

High school students can win up to $1,000 and publication by entering an essay on a topic specified by the Jane Austen Society related to a Jane Austen novel.

Details for the 2024 contest will be announced in November. Essay length is from six to eight pages, not including works cited.

13. Rattle Young Poets Anthology

Open to students from 15 to 18 years old who are interested in publication and exposure over monetary awards.

Teachers may choose five students for whom to submit up to four poems each on their behalf. The deadline is November 15.

14. The Black River Chapbook Competition

This is a chance for new and emerging writers to gain publication in their own professionally published chapbook, as well as $500 and free copies of the book.

There is an $18 entry fee, and submissions are made online.

15. YouthPlays New Voices

For students under 18, the YouthPlays one-act competition is designed for young writers to create new works for the stage. Winners receive cash awards and publication.

Scroll all the way down their web page for information on the contest, which accepts non-musical plays between 10 and 40 minutes long, submitted electronically. Entries open each year in January.

16. The Ocean Awareness Contest

The 2024 Ocean Awareness Contest, Tell Your Climate Story , encourages students to write their own unique climate story. They are asking for creative expressions of students’ personal experiences, insights, or perceptions about climate change. Students are eligible for a wide range of monetary prizes up to $1,000.

Students from 11 to 18 years old may submit work in the categories of art, creative writing, poetry and spoken word, film, interactive media and multimedia, or music and dance, accompanied by a reflection. The deadline is June 13.

17. EngineerGirl Annual Essay Contest

Each year, EngineerGirl sponsors an essay contest with topics centered on the impact of engineering on the world, and students can win up to $500 in prize money. This contest is a nice bridge between ELA and STEM and great for teachers interested in incorporating an interdisciplinary project into their curriculum. The new contest asks for pieces describing the life cycle of an everyday object. Check out these tips for integrating the content into your classroom .

Students submit their work electronically by February 1. Check out the full list of rules and requirements here .

18. NCTE Student Writing Awards

The National Council of Teachers of English offers several student writing awards, including Achievement Awards in Writing (for 10th- and 11th-grade students), Promising Young Writers (for 8th-grade students), and an award to recognize Excellence in Art and Literary Magazines.

Deadlines range from October 28 to February 15. Check out NCTE.org for more details.

19. See Us, Support Us Art Contest

Children of incarcerated parents can submit artwork, poetry, photos, videos, and more. Submissions are free and the website has a great collection of past winners.

Students can submit their entries via social media or email by October 25.

20. The Adroit Prizes for Poetry & Prose

The Adroit Journal, an education-minded nonprofit publication, awards annual prizes for poetry and prose to exceptional high school and college students. Adroit charges an entry fee but also provides a form for financial assistance.

Sign up at the website for updates for the next round of submissions.

21. National PTA Reflections Awards

The National PTA offers a variety of awards, including one for literature, in their annual Reflections Contest. Students of all ages can submit entries on the specified topic to their local PTA Reflections program. From there, winners move to the local area, state, and national levels. National-level awards include an $800 prize and a trip to the National PTA Convention.

This program requires submitting to PTAs who participate in the program. Check your school’s PTA for their deadlines.

22. World Historian Student Essay Competition

The World Historian Student Essay Competition is an international contest open to students enrolled in grades K–12 in public, private, and parochial schools, as well as those in home-study programs. The $500 prize is based on an essay that addresses one of this year’s two prompts.

Students can submit entries via email or regular mail before May 1.

23. NSHSS Creative Writing Scholarship

The National Society of High School Scholars awards three $2,000 scholarships for both poetry and fiction. They accept poetry, short stories, and graphic novel writing.

Apply online by October 31.

Whether you let your students blog, start a podcast or video channel, or enter student writing contests, giving them an authentic audience for their work is always a powerful classroom choice.

If you like this list of student writing contests and want more articles like it, subscribe to our newsletters to find out when they’re posted!

Plus, check out our favorite anchor charts for teaching writing..

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Competitions in STEM, ELA and the arts, and more! Continue Reading

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Essay Writing Contests: The Ultimate List of 2024

Did you know that the very first recorded essay contest can be traced back to the early 16th century, initiated by none other than the renowned philosopher and essayist Michel de Montaigne? In 1580, Montaigne published his collection of essays titled 'Essais,' which not only marked a pivotal moment in the evolution of the essay as a literary form but also contained an implicit challenge to his readers. He encouraged them to engage with his ideas and respond by writing their own essays, essentially laying the groundwork for what we now recognize as essay contests.

Fast forward to the vibrant year of 2024, and this tradition of writing competitions has evolved into a global phenomenon, offering emerging writers from all walks of life a captivating platform to share their thoughts, emotions, and narratives with the world.

In this article, our essay writer will review essay writing contests, presenting you with an exclusive selection of the most promising opportunities for the year ahead. Each of these competitions not only provides a stage to demonstrate your writing prowess but also offers a unique avenue for personal growth, self-expression, and intellectual exploration, all while competing for impressive writing awards and well-deserved recognition.

Top Essay Writing Contests in 2024

If you enjoy expressing your thoughts and ideas through writing, you're in for a treat. Essay writing competitions in 2024 offer you a chance to do just that and win some great prizes in the process. We've put together a list of contests specially designed for students like you. These contests cover various interesting essay topics , giving you a unique opportunity to showcase your writing skills and potentially earn cash prizes or scholarships. So, let's jump right into these fantastic opportunities.

2024 International Literary Prize by Hammond House Publishing

The 2024 Writing Competition beckons writers with over £3000 in cash prizes, publication opportunities in anthologies, and a chance to participate in a televised Award Ceremony. Sponsored by the University Centre Grimsby, this annual contest, now in its eighth year, draws entries from approximately 30 countries worldwide. Entrants can vie for prizes across four categories, gaining exposure at the televised award ceremony and receiving expert feedback at the annual literary festival.

And if you're determined to learn how to overcome writer's block for this contest, we have a wealth of expert tips and strategies to guide you through the process!

Deadline: 30th September 2024

• 1st Prize: £1000
• 2nd Prize: £100
• 3rd Prize: £50

Ready to Break Free From Essay Stress?

Let our writing wizards rescue your grades with a tailor-made essay that'll make your professors do a double-take!

International Voices in Creative Nonfiction Competition by Vine Leaves Press

Vine Leaves Press welcomes writers worldwide, prioritizing voices from marginalized communities such as BIPOC, LGBTQ+, and individuals with chronic illnesses or disabilities, among others. Submissions, which must be in English and previously unpublished, are accepted from February 1, 2024, until July 1, 2024. Manuscripts can be either narrative (50,000 – 80,000 words) or experimental (at least 100 pages), adhering to specific formatting guidelines, including anonymity to ensure impartial judging. Each submission requires a $25 entry fee via Submittable, and multiple entries are allowed. Entries will be judged based on originality, creativity, writing quality, and adherence to genre, with finalists announced in October 2024, shortlisted in January 2025, and winners in March 2025.

Deadline: July 01, 2024

• The winner will receive a cash prize of $1000.
• Publication of the winning manuscript will occur in 2026 by Vine Leaves Press.
• Runners-up will also be considered for publication.

Solas Awards by Best Travel Writing

The Solas Awards, continuing a tradition since 1993, celebrate travel stories that inspire. They're looking for engaging tales that capture the essence of exploration, whether funny, enlightening, or adventurous. Winners may get published and join a community of fellow storytellers. Entries in essay, non-fiction, and travel genres are welcome with a $25 submission fee.

Deadline: September 21, 2024

• $1,000 Gold
• $750 Silver
• $500 Bronze

Vocal Challenges by Creatd

Vocal, in partnership with Voices in Minor (ViM), announces a creator-led challenge in celebration of International Women's Day, open to all Vocal creators. Participants are invited to write a 600-800 word piece about a woman who has inspired them for International Women's Day in the Year of the Dragon 2024. Submissions must adhere to specific length criteria and can be of any genre or format. Vocal will review entries and create a shortlist, from which ViM will select two co-grand prize winners and ten runners-up.

Deadline: Mar 12, 2024

• 2 Co-Grand Prizes: $200
• 10 Runners-up: $20

Cambridge Re:think Essay Competition 2024

The Re:think Essay Competition welcomes students aged 14 to 18 worldwide to participate in crafting essays under 2000 words, following MLA 8 citation style, with submissions undergoing plagiarism and AI checks. Essay prompts cover diverse themes, such as the role of women in STEM , provided by distinguished professors from prestigious institutions like Harvard, Brown, UC Berkeley, Cambridge, Oxford, and MIT. To maintain anonymity during review, submissions should be in PDF format without personal details.

Deadline : 10th May, 2024

• Gold: $150 cash, $500 CCIR scholarship, digital certificate, interview, Cambridge invite.
• Silver: $100 cash, $300 CCIR scholarship, digital certificate, interview, Cambridge invite.
• Bronze: $50 cash, $200 CCIR scholarship, digital certificate, interview, Cambridge invite.

The Hudson Prize by Black Lawrence Press

Each year, Black Lawrence Press presents The Hudson Prize, inviting submissions for an unpublished collection of poems or prose. This competition is open to writers at all stages of their careers, offering the winner book publication, a $1,000 cash prize, and ten copies of the published book. Entries are read blind by a panel of editors, requiring manuscripts to adhere to specific formatting guidelines, including pagination and font choice. Poetry manuscripts should be 45-95 pages, while prose manuscripts should range from 120-280 pages.

Deadline : March 31, 2024

• Top prize $1,000

Irene Adler Prize by Lucas Ackroyd

Introducing The Irene Adler Prize essay writing contest, offering a $1,000 US scholarship to the winner, with up to two $250 awards for honorable mentions. Open to women pursuing bachelor’s, master’s, or Ph.D. degrees in journalism, creative writing, or literature worldwide, regardless of age. Unlike previous years, this year's competition welcomes applicants from any country. The application period runs from January 30, 2024, to May 30, 2024, with no late submissions accepted. Each application requires a 500-word essay on one of five provided prompts and a completed entry form, both submitted via email.

Deadline : May 30, 2024

• 2x honorable mentions: $250

100 Word Writing Contest by Tadpole Press

With a doubled first-place prize of $2,000 USD, participants are invited from all corners of the globe, regardless of age, gender, or nationality. Pen names are accepted, and winning entries will be published under those names. Previously published pieces are also welcome, with no restrictions. Any genre is accepted, with the theme centered around creativity. Each entry must be 100 words or less, including the title.

Deadline : April 30, 2024

• 1st place: $2,000 USD.
• 2nd place: Writing coaching package valued at $450 USD.
• 3rd place: Developmental and diversity editing package valued at $250 USD.

African Diaspora Awards 2024 by Kinsman Avenue Publishing, Inc

The African Diaspora Award 2024 seeks original works from Afro-descendants, including short stories, flash fiction, essays, poetry, or visual art. Winners can earn up to $1000 USD and publication in Kinsman Quarterly and "Black Butterfly: Voices of the African Diaspora." Submissions reflecting cultural themes are due by June 30, 2024. Authors retain copyrights, and entrants must be 18 or older. No plagiarism is allowed, and Kinsman Quarterly employees cannot enter. Various genres are accepted with specific word count limits.

Deadline : June 30, 2024

• Grand Prize: $1000 cash and publication in Kinsman Quarterly & anthology.
• 1st Runner Up: $300 cash and publication 
• 2nd Runner Up: $200 cash and publication 
• 3rd Runner Up: $50 cash and publication
• Top 6 Finalists: $25 Amazon gift card and publication 
• 6 Honorary Mentions: Publication in Kinsman Quarterly & anthology.

Work-In-Progress (WIP) Contest by Unleash Press

The Unleash WIP Award 2024 offers $500, feedback, coaching, and a feature in Unleash Lit to help writers with their book projects in fiction, nonfiction, or poetry. All writers can apply. So, if you're looking for resources like free Harvard online courses to hone your writing skills, consider entering this competition. Submissions of the first 25 pages and answers to questions are due by July 15, 2024. Multiple entries are okay, but follow the rules, especially keeping your submission anonymous. Unleash also welcomes previously self-published works.

Deadline : July 15, 2024

• Top prize: $500
• Additional prizes: Coaching, interview, and editorial support

Aurora Polaris Creative Nonfiction Award by Trio House Press

Open to all writers, the poetry manuscripts should be 48-70 pages, and the prose manuscripts should be up to 80,000 words. Submissions must be from U.S. residents and must be original works. AI-generated submissions and translations are not eligible. Manuscripts should be sent as a single Word doc. or docx. file with no identifying information, and a cover letter with bio and contact details should be uploaded separately.

Deadline: May 15, 2024

• $1,000, publication, and 20 books

Poetry & Spoken Word Competition 2024 by Write the World

Young writers aged 13 to 19.5 are invited to enter this upcoming competition, with submissions of 50 to 500 words. Inspired by Audrey Lorde's words and the power of poetry, participants are encouraged to craft original poems or spoken word pieces advocating for change and self-expression. Winners, including top prizes for written and recorded performances, will be announced on June 14. Malika Booker, a renowned British poet, serves as the guest judge. To enter, writers should sign up on Write the World, respond to the prompt, and submit their final entries before the deadline.

Deadline : May 27, 2024

• Best entry: $100
• Best Peer Review: $50

Killer Nashville Silver Falchion Award

The Killer Nashville essay writing contests seek to uncover new talent and recognize outstanding works by established authors, aiming to introduce their works to a broader audience. With numerous fiction and non-fiction categories available, writers have the opportunity to showcase their talent across a wide range of genres. The top prize includes a $250 award, and entry requires a fee of $79. Genres eligible for entry encompass crime, essay, fantasy, fiction, humor, memoir, mystery, non-fiction, novel, poetry, science fiction, script writing, short story, and thriller.

Deadline : June 15, 2024

• Top prize: $250

Journalism Competition 2024 by Write the World

In this upcoming competition, young writers aged 13 to 19.5 are invited to participate, with entries ranging from 400 to 1000 words. Participants are tasked with exploring and reporting on significant events within their own country, fostering a deeper understanding of local issues. Optional draft submissions for expert review are available until July 8, with feedback returned to writers by July 12. Winners will be announced on August 9. To enter, writers must sign up for a free account on Write the World, respond to the prompt, and submit their final entries before the deadline.

Deadline : July 22, 2024

National Essay Contest by U.S. Institute of Peace

This year, AFSA is celebrating the 100th anniversary of the United States Foreign Service. They've been involved in important events throughout history, like making decisions about war and peace, supporting human rights, and responding to disasters. Now, AFSA wants students to think about the future of diplomacy. They're asking students to imagine how diplomats can adapt to the changing world and its challenges. It's a chance for students to explore how diplomacy can continue to make a difference in the world.

Deadline : April 01, 2024

• Top prize: $2,500
• Additional prizes: Runner-up: $1,250

In 2023, the world of writing competitions offers a diverse tapestry of opportunities for writers across the globe. From exploring the depths of nature to delving into the mysteries of microfiction, these competitions beckon with enticing prizes and platforms for your creative voice. So, pick your favorite, sharpen your pen, and embark on a journey of literary excellence!

Unlock the Essay Enchantment!

Our expert wordsmiths are standing by, wands at the ready, to craft your essay masterpiece. No potions, just perfect prose!

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THE QUEEN'S COMMONWEALTH ESSAY COMPETITION

Since 1883, we have delivered The Queen's Commonwealth Essay Competition, the world's oldest international schools' writing competition. Today, we work to expand its reach, providing life-changing opportunities for young people around the world.

ENTER THE QCEC 2024

The Queen’s Commonwealth Essay Competition 2024 is now live!

Find out more about this year’s theme

'Our Common Wealth' and make sure to enter by 15 May 2024!

140 years of The Queen’s Commonwealth Essay Competition

The Queen’s Commonwealth Essay Competition (QCEC) is the world’s oldest international writing competition for schools and has been proudly delivered by the Royal Commonwealth Society since 1883. 

ABOUT THE COMPETITION 

An opportunity for young Commonwealth citizens to share their thoughts, ideas and experiences on key global issues and have their hard work and achievement celebrated internationally.

Frequently Asked Questions for the Competition. Before contacting us please read these.

MEET THE WINNERS 

In 2023 we were delighted to receive a record-breaking 34,924 entries, with winners from India and Malaysia. Read their winning pieces as well as those from previous years.

TERMS AND CONDITIONS

Terms and Conditions for entrants to The Queen’s Commonwealth Essay Competition. Please ensure you have thoroughly read them before submitting your entry.

Submissions for Equilibrium are now open! The Semester 2 regular deadline is May 12th, 2024.

Harker Oeconomia

Harvard international economics essay competition, description.

The 2023 Harvard International Economics Essay Contest is sponsored by the Harvard Undergraduate Economics Association (HUEA) in conjunction with the Harvard College Economics Review (HCER). This essay competition is open to high school students of any year and is a fantastic opportunity to demonstrate an accomplished level of writing and understanding of economic theory. Through the contest, student competitors hone their academic and professional skills and exhibit their knowledge to future employers and academic programs.  Competitors must construct a convincing argument using economic theory and real-world examples.  Winning essays will be published in the Harvard Economics Review and will be available for the greater Harvard community to read. Essays should focus on argumentation supported with facts and references, although data-based support is also welcome.

Bookings Open for Online Summer Courses

Watch our Explainer Video

How Our Essay Competition Works

Submit your entry.

Research and write your essay and then submit it, along with your references, via our short form below.

Entries close at 9pm UK time on 15th April 2024 !

Awards Ceremony

All shortlisted entrants and their parents and teachers will be invited to attend our Awards Ceremony in May 2024, where the winners will be announced.

Over £100,000 Worth of Academic Prizes

Free Conference place

The first thousand students who are successfully shortlisted will be awarded a free place at one of our OxBright Conferences (worth £95) in the autumn. Alternatively, you can put this credit towards an Online Course or Online Internship .

All shortlisted entrants and their parents and teachers will be invited to attend our online Awards Ceremony in May 2024, where the winners will be announced.

Matilda Winner, History, 2023

I’m both thrilled and flabbergasted at the outcome of the competition.

Winning this competition undoubtedly made me feel much more confident in researching and writing in my field from now on, opening a lot of new doors for me!

Regina Winner, Psychology, 2023

I’m very happy and grateful to win such a meaningful competition. I truly learned a lot.

My advice to anyone considering entering is to try to think deeper and further about your chosen topic.

Alex Winner, Philosophy, 2023

Frequently Asked Questions

Entering the essay competition, how will entering the oxbright essay competition help me in the future, why do you run an essay competition.

OxBright is about giving students the edge to help them to succeed, find their purpose and make a difference in the world.

We think it’s the greatest time to be alive, but we’re aware that young people face challenges their predecessors didn’t. We’re passionate about encouraging students to be optimistic about the future by being active thinkers interested in collaborating to create a better future for the long-term. You can read more about this in our Worldview .

Our essay competition combines these two elements – encouraging students to think actively about the future, and giving them tools to help them to succeed.

Who can enter?

Anyone can enter – the only eligibility criteria is that you must be aged between 15-18. You don’t need to have previously joined an OxBright programme in order to take part.

Kindly be aware that to be eligible to take up any of the free places offered as prizes, such as our online courses/internships, winning students must be between the ages of 15 and 18 at the commencement of the programme.

Can I write more than one essay?

Sorry, we only accept one essay per student in each Essay Competition. This is due to the volume of essays we receive.

Can I enter jointly with a friend?

No, we can only accept entries from individuals, and it’s important to make sure that your work is entirely your own.

Is there a fee to enter the OxBright Essay Competition?

No, the essay competition is completely free to enter.

When is the entry deadline?

The deadline has been extended, and is now the 15th April 2024, at 9pm.

Are you connected to any university?

No, OxBright is an independent education organisation which is not connected to any university.

Where can I see the results of the Essay Competition 2023?

You can see the results of our previous Essay Competition, including the winning essay in full, here .

Writing Your Essay

What are the subject categories i can enter for, how long should my essay be.

There are three parts to the essay:

• Essay title: the title of your essay can be up to 100 characters long, including spaces
• Essay: your essay can have up to 3,800 characters , including spaces (this is about 500 words). This includes everything you write, like the main text and in-text citations. In-text citations are little notes you put in your essay to show where your information came from. For example, if you quote something from a book by John Smith, you would add (Smith, 2010, p. 50) right after the quote. These citations are part of your word count, so make sure to include them
• References: as for references, there’s no word limit – you can include as many as you need! These are important for showing where your information came from. Please use the Harvard Referencing Style for your references (you can find how to do this in the guidelines provided here ). This won’t count towards your essay character limit, so please list all the sources you used

What are the evaluation criteria?

We’ll be assessing essays on the following criteria:

• Fluency of written English
• Relevance to the question
• Creativity and originality of ideas
• Use of evidence or examples
• Relevance to the OxBright Worldview

Should I use references?

Please make sure to include references to your sources, using the Harvard Referencing Style (guidelines here ).

What makes a good essay?

Make sure to read our criteria carefully (you can find it in the FAQ above).

We want essays that are thoroughly researched, packed with examples and solid evidence. What really catches our attention are essays with unique analysis. So, we’re not just interested in essays that simply describe things – we want your thoughts, analysis, and fresh ideas.

Don’t forget, it’s crucial to use and mention trustworthy sources for the evidence you provide.

Do you accept personal or descriptive essays?

We’re looking for clear, concise and compelling answers to the question above, written and formatted in an academic style. Please don’t submit personal essays or creative writing samples.

What Happens Next?

When will i hear the results.

We’ll be in touch within two weeks of your entry to let you know whether or not you’ve been shortlisted (all entrants who meet our core standards of relevance and coherence will be shortlisted).

All shortlisted entrants and their parents and teachers will be invited to our Awards Ceremony in May 2024, when the winners in each subject category will be announced.

How are essays assessed?

You can read about the criteria we use to assess your essay in the FAQ above (“What are the evaluation criteria?”).

Essays are assessed using our proprietary system which combines a mixture of technology and personal assessment. Essays which are deemed to be plagiarised or be written by AI will be rejected and our decision on this is final.

There are two stages to our assessment process:

Shorlisting Our first stage assessment reviews whether the essay is relevant and coherent. If so, your essay will be shortlisted, you will be offered a free place at an OxBright Conference and you will be invited to the Awards Ceremony.

Awards Shortlised essays are then given further assessment by our panel. This includes a review of the References. In the application form, we ask for a the name of a teacher who is familiar with your academic work. If your essay is nominated for an Award, we will ask this teacher to confirm that the essay was genuinely written by you.

What are the prizes?

Please click here for more information about the prizes and awards.

Why is the overall prize a place at Oxford Scholastica in 2025, not 2024?

Will i receive feedback.

Unfortunately, due to the volume of entries received, we are unable to provide feedback on essays.

Does everyone who enters get a free place at a Conference?

The first thousand students to who make a valid submission and are shortlisted will be invited to attend an OxBright Conference of their choice, free of charge (worth £95). Conference subjects include Business, Medicine, Law and Psychology. It is optional to attend a Conference.

Alternatively, you’ll be able to choose to apply the £95 credit toward another programme with us.

Does everyone receive a certificate?

Only students who win one of the awards receive a certificate. Certificates are issued in online format.

Do you publish the names of the award winners?

Yes, award winners will be published on our website after the Awards Ceremony.

How can I pass on some feedback about the essay competition?

2023 Essay Contest Now Open: Ideas Have Consequences

The Buckley Institute is proud to announce that the 2023 essay contest for U.S. high school students and Yale undergraduates is  officially open .

The annual essay contest is comprised of one competition for American high school students and another for Yale undergraduates. 

The first, second, and third place winners in both competitions will win $1,000, $500, or $250 respectively and be invited to the Buckley Institute’s annual conference in New Haven on December 1 to receive their awards. 

The 2023 essay contest submission deadline is Sunday, October 22 at 11:59pm. This year’s essay contest asks students to respond to the following quote from Richard Weaver’s  Ideas Have Consequences , published 75 years ago, and answer the question below:

Certainly there is no more innocent-seeming form of debauchery than the worship of comfort; and, when it is accompanied by a high degree of technical resourcefulness, the difficulty of getting people not to renounce it but merely to see its consequences is staggering. The task is bound up, of course, with that of getting principles accepted again, for, where everything ministers to desire, there can be no rebuke of comfort. As we endeavor to restore values, we need to earnestly point out that there is no correlation between the degree of comfort enjoyed and the achievement of a civilization. On the contrary, absorption in ease is one of the most reliable signs of present or impending decay.

In his book  Ideas Have Consequences , excerpted above, Richard Weaver argues that “absorption in ease is one of the most reliable signs of present or impending decay.” Weaver wrote in 1948 but America has only become wealthier and more comfortable since. Has an obsession with opulence and comfort put America on a path to decay or has America’s unprecedented wealth allowed it to flourish?

See the full submission guidelines  here .

Essay  COMPETITION

2024 global essay prize, registrations are now open all essayists must register  here  before friday 31 may, 2024.

The John Locke Institute encourages young people to cultivate the characteristics that turn good students into great writers: independent thought, depth of knowledge, clear reasoning, critical analysis and persuasive style. Our Essay Competition invites students to explore a wide range of challenging and interesting questions beyond the confines of the school curriculum.

Entering an essay in our competition can build knowledge, and refine skills of argumentation. It also gives students the chance to have their work assessed by experts. All of our essay prizes are judged by a panel of senior academics drawn from leading universities including Oxford and Princeton, under the leadership of the Chairman of Examiners, former Cambridge philosopher, Dr Jamie Whyte.

The judges will choose their favourite essay from each of seven subject categories - Philosophy, Politics, Economics, History, Psychology, Theology and Law - and then select the winner of the Grand Prize for the best entry in any subject. There is also a separate prize awarded for the best essay in the junior category, for under 15s.

Q1. Do we have any good reasons to trust our moral intuition?

Q2. Do girls have a (moral) right to compete in sporting contests that exclude boys?

Q3. Should I be held responsible for what I believe?

Q1. Is there such a thing as too much democracy?

Q2. Is peace in the West Bank and the Gaza Strip possible?

Q3. When is compliance complicity?

Q1. What is the optimal global population?  

Q2. Accurate news reporting is a public good. Does it follow that news agencies should be funded from taxation?

Q3. Do successful business people benefit others when making their money, when spending it, both, or neither?

Q1. Why was sustained economic growth so rare before the later 18th century and why did this change?

Q2. Has music ever significantly changed the course of history?

Q3. Why do civilisations collapse? Is our civilisation in danger?

Q1. When, if ever, should a company be permitted to refuse to do business with a person because of that person’s public statements?

Q2. In the last five years British police have arrested several thousand people for things they posted on social media. Is the UK becoming a police state?

Q3. Your parents say that 11pm is your bedtime. But they don’t punish you if you don’t go to bed by 11pm. Is 11pm really your bedtime?

Q1. According to a study by researchers at four British universities, for each 15-point increase in IQ, the likelihood of getting married increases by around 35% for a man but decreases by around 58% for a woman. Why?

In the original version of this question we misstated a statistic. This was caused by reproducing an error that appeared in several media summaries of the study. We are grateful to one of our contestants, Xinyi Zhang, who helped us to see (with humility and courtesy) why we should take more care to check our sources. We corrected the text on 4 April. Happily, the correction does not in any way alter the thrust of the question.

Q2. There is an unprecedented epidemic of depression and anxiety among young people. Can we fix this? How?

Q3. What is the difference between a psychiatric illness and a character flaw?

Q1. “I am not religious, but I am spiritual.” What could the speaker mean by “spiritual”?

Q2. Is it reasonable to thank God for protection from some natural harm if He is responsible for causing the harm?

Q3. Does God reward those who believe in him? If so, why?

JUNIOR prize

Q1. Does winning a free and fair election automatically confer a mandate for governing?

Q2. Has the anti-racism movement reduced racism?

Q3. Is there life after death?

Q4. How did it happen that governments came to own and run most high schools, while leaving food production to private enterprise? 

Q5. When will advancing technology make most of us unemployable? What should we do about this?

Q6. Should we trust fourteen-year-olds to make decisions about their own bodies? 

ENTRY REQUIREMENTS & FURTHER DETAILS

Please read the following carefully.

Entry to the John Locke Institute Essay Competition 2024 is open to students from any country.

Registration  

Only candidates who registered before the registration deadline of Friday, 31 May 2024 may enter this year's competition. To register, click here .  

All entries must be submitted by 11.59 pm BST on  the submission deadline: Sunday, 30 June 2024 .  Candidates must be eighteen years old, or younger, on that date. (Candidates for the Junior Prize must be fourteen years old, or younger, on that date.)

Entry is free.

Each essay must address only one of the questions in your chosen subject category, and must not exceed 2000 words (not counting diagrams, tables of data, endnotes, bibliography or authorship declaration). 

The filename of your pdf must be in this format: FirstName-LastName-Category-QuestionNumber.pdf; so, for instance, Alexander Popham would submit his answer to question 2 in the Psychology category with the following file name:

Alexander-Popham-Psychology-2.pdf

Essays with filenames which are not in this format will be rejected.

The candidate's name should NOT appear within the document itself. 

Candidates should NOT add footnotes. They may, however, add endnotes and/or a Bibliography that is clearly titled as such.

Each candidate will be required to provide the email address of an academic referee who is familiar with the candidate's written academic work. This should be a school teacher, if possible, or another responsible adult who is not a relation of the candidate. The John Locke Institute will email referees to verify that the essays submitted are indeed the original work of the candidates.

Submissions may be made as soon as registration opens in April. We recommend that you submit your essay well in advance of th e deadline to avoid any last-minute complications.

Acceptance of your essay depends on your granting us permission to use your data for the purposes of receiving and processing your entry as well as communicating with you about the Awards Ceremony Dinner, the academic conference, and other events and programmes of the John Locke Institute and its associated entities.  

Late entries

If for any reason you miss the 30 June deadline you will have an opportunity to make a late entry, under two conditions:

a) A late entry fee of 20.00 USD must be paid by credit card within twenty-four hours of the original deadline; and

b) Your essay must be submitted  before 11.59 pm BST on Wednesday, 10 July 2024.

To pay for late entry, a registrant need only log into his or her account, select the relevant option and provide the requested payment information.

Our grading system is proprietary. Essayists may be asked to discuss their entry with a member of the John Locke Institute’s faculty. We use various means to identify plagiarism, contract cheating, the use of AI and other forms of fraud . Our determinations in all such matters are final.

Essays will be judged on knowledge and understanding of the relevant material, the competent use of evidence, quality of argumentation, originality, structure, writing style and persuasive force. The very best essays are likely to be those which would be capable of changing somebody's mind. Essays which ignore or fail to address the strongest objections and counter-arguments are unlikely to be successful .

Candidates are advised to answer the question as precisely and directly as possible.

The writers of the best essays will receive a commendation and be shortlisted for a prize. Writers of shortlisted essays will be notified by 11.59 pm BST on Wednesday, 31 July. They will also be invited to London for an invitation-only academic conference and awards dinner in September, where the prize-winners will be announced. Unlike the competition itself, the academic conference and awards dinner are not free. Please be aware that n obody is required to attend either the academic conference or the prize ceremony. You can win a prize without travelling to London.

All short-listed candidates, including prize-winners, will be able to download eCertificates that acknowledge their achievement. If you win First, Second or Third Prize, and you travel to London for the ceremony, you will receive a signed certificate. 

There is a prize for the best essay in each category. The prize for each winner of a subject category, and the winner of the Junior category, is a scholarship worth US$2000 towards the cost of attending any John Locke Institute programme, and the essays will be published on the Institute's website. Prize-giving ceremonies will take place in London, at which winners and runners-up will be able to meet some of the judges and other faculty members of the John Locke Institute. Family, friends, and teachers are also welcome.

The candidate who submits the best essay overall will be awarded an honorary John Locke Institute Junior Fellowship, which comes with a US$10,000 scholarship to attend one or more of our summer schools and/or visiting scholars programmes. 

The judges' decisions are final, and no correspondence will be entered into.

R egistration opens: 1 April, 2024.

Registration deadline: 31 May, 2024. (Registration is required by this date for subsequent submission.)

Submission deadline: 30 June, 2024.

Late entry deadline: 10 July, 2024. (Late entries are subject to a 20.00 USD charge, payable by 1 July.)

Notification of short-listed essayists: 31 July, 2024.

Academic conference: 20 - 22 September, 2024.

Awards dinner: 21 September, 2024.

Any queries regarding the essay competition should be sent to [email protected] . Please be aware that, due to the large volume of correspondence we receive, we cannot guarantee to answer every query. In particular, regrettably, we are unable to respond to questions whose answers can be found on our website.

If you would like to receive helpful tips  from our examiners about what makes for a winning essay or reminders of upcoming key dates for the 2024  essay competition, please provide your email here to be added to our contact list. .

Thanks for subscribing!

The John Locke Institute's Global Essay Prize is acknowledged as the world's most prestigious essay competition. 

We welcome tens of thousands of submissions from ambitious students in more than 150 countries, and our examiners - including distinguished philosophers, political scientists, economists, historians, psychologists, theologians, and legal scholars - read and carefully assess every entry. 

I encourage you to register for this competition, not only for the hope of winning a prize or commendation, and not only for the chance to join the very best contestants at our academic conference and gala ceremony in London, but equally for the opportunity to engage in the serious scholarly enterprise of researching, reflecting on, writing about, and editing an answer to one of the important and provocative questions in this year's Global Essay Prize. 

We believe that the skills you will acquire in the process will make you a better thinker and a more effective advocate for the ideas that matter most to you.

I hope to see you in September!

Best wishes,

Jamie Whyte, Ph.D. (C ANTAB ) 

Chairman of Examiners

Q. I missed the registration deadline. May I still register or submit an essay?

A. No. Only candidates who registered before 31 May will be able to submit an essay. 

Q. Are footnote s, endnotes, a bibliography or references counted towards the word limit?

A. No. Only the body of the essay is counted. 

Q. Are in-text citations counted towards the word limit? ​

A. If you are using an in-text based referencing format, such as APA, your in-text citations are included in the word limit.

Q. Is it necessary to include foo tnotes or endnotes in an essay? ​

A. You  may not  include footnotes, but you may include in-text citations or endnotes. You should give your sources of any factual claims you make, and you should ackn owledge any other authors on whom you rely.​

Q. I am interested in a question that seems ambiguous. How should I interpret it?

A. You may interpret a question as you deem appropriate, clarifying your interpretation if necessary. Having done so, you must answer the question as directly as possible.

Q. How strict are  the age eligibility criteria?

A. Only students whose nineteenth birthday falls after 30 June 2024 will be eligible for a prize or a commendation. In the case of the Junior category, only students whose fifteenth birthday falls after 30 June 2024 will be eligible for a prize or a commendation. 

Q. May I submit more than one essay?

A. Yes, you may submit as many essays as you please in any or all categories.

Q. If I am eligible to compete in the Junior category, may I also (or instead) compete in another category?

A. Yes, you may.

Q. May I team up with someone else to write an essay?  

A. No. Each submitted essay must be entirely the work of a single individual.

Q. May I use AI, such as ChatGPT or the like, in writing my essay?

A. All essays will be checked for the use of AI. If we find that any content is generated by AI, your essay will be disqualified. We will also ask you, upon submission of your essay, whether you used AI for  any  purpose related to the writing of your essay, and if so, you will be required to provide details. In that case, if, in our judgement, you have not provided full and accurate details of your use of AI, your essay will be disqualified. 

Since any use of AI (that does not result in disqualification) can only negatively affect our assessment of your work relative to that of work that is done without using AI, your safest course of action is simply not to use it at all. If, however, you choose to use it for any purpose, we reserve the right to make relevant judgements on a case-by-case basis and we will not enter into any correspondence. 

Q. May I have someone else edit, or otherwise help me with, my essay?

A. You may of course discuss your essay with others, and it is perfectly acceptable for them to offer general advice and point out errors or weaknesses in your writing or content, leaving you to address them.

However, no part of your essay may be written by anyone else. This means that you must edit your own work and that while a proofreader may point out errors, you as the essayist must be the one to correct them. 

Q. Do I have to attend the awards ceremony to win a prize? ​

A. Nobody is required to attend the prize ceremony. You can win a prize without travelling to London. But if we invite you to London it is because your essay was good enough - in the opinion of the First Round judges - to be at least a contender for First, Second or Third Prize. Normally the Second Round judges will agree that the short-listed essays are worth at least a commendation.

Q. Is there an entry fee?

A. No. There is no charge to enter our global essay competition unless you submit your essay after the normal deadline, in which case there is a fee of 20.00 USD .

Q. Can I receive a certificate for my participation in your essay competition if I wasn't shortlisted? 

A. No. Certificates are awarded only for shortlisted essays. Short-listed contestants who attend the award ceremony in London will receive a paper certificate. If you cannot travel to London, you will be able to download your eCertificate.

Q. Can I receive feedba ck on my essay? 

A. We would love to be able to give individual feedback on essays but, unfortunately, we receive too many entries to be able to comment on particular essays.

Q. The deadline for publishing the names of short-listed essayists has passed but I did not receive an email to tell me whether I was short-listed.

A. Log into your account and check "Shortlist Status" for (each of) your essay(s).

Q. Why isn't the awards ceremony in Oxford this year?

A. Last year, many shortlisted finalists who applied to join our invitation-only academic conference missed the opportunity because of capacity constraints at Oxford's largest venues. This year, the conference will be held in central London and the gala awards dinner will take place in an iconic London ballroom. 

TECHNICAL FAQ s

Q. The system will not accept my essay. I have checked the filename and it has the correct format. What should I do?  

A. You have almost certainly added a space before or after one of your names in your profile. Edit it accordingly and try to submit again.

Q. The profile page shows my birth date to be wrong by a day, even after I edit it. What should I do?

A. Ignore it. The date that you typed has been correctly input to our database. ​ ​

Q. How can I be sure that my registration for the essay competition was successful? Will I receive a confirmation email?

A. You will not receive a confirmation email. Rather, you can at any time log in to the account that you created and see that your registration details are present and correct.

TROUBLESHOOTING YOUR SUBMISSION

If you are unable to submit your essay to the John Locke Institute’s global essay competition, your problem is almost certainly one of the following.

If so, please proceed as indicated.

1) PROBLEM: I receive the ‘registrations are now closed’ message when I enter my email and verification code. SOLUTION. You did not register for the essay competition and create your account. If you think you did, you probably only provided us with your email to receive updates from us about the competition or otherwise. You may not enter the competition this year.

2) PROBLEM I do not receive a login code after I enter my email to enter my account. SOLUTION. Enter your email address again, checking that you do so correctly. If this fails, restart your browser using an incognito window; clear your cache, and try again. Wait for a few minutes for the code. If this still fails, restart your machine and try one more time. If this still fails, send an email to [email protected] with “No verification code – [your name]” in the subject line.

SUBMITTING AN ESSAY

3) PROBLEM: The filename of my essay is in the correct format but it is rejected. SOLUTION: Use “Edit Profile” to check that you did not add a space before or after either of your names. If you did, delete it. Whether you did or did not, try again to submit your essay. If submission fails again, email [email protected] with “Filename format – [your name]” in the subject line.

4) PROBLEM: When trying to view my submitted essay, a .txt file is downloaded – not the .pdf file that I submitted. SOLUTION: Delete the essay. Logout of your account; log back in, and resubmit. If resubmission fails, email [email protected] with “File extension problem – [your name]” in the subject line.

5) PROBLEM: When I try to submit, the submission form just reloads without giving me an error message. SOLUTION. Log out of your account. Open a new browser; clear the cache; log back in, and resubmit. If resubmission fails, email [email protected] with “Submission form problem – [your name]” in the subject line.

6) PROBLEM: I receive an “Unexpected Error” when trying to submit. SOLUTION. Logout of your account; log back in, and resubmit. If this resubmission fails, email [email protected] with “Unexpected error – [your name]” in thesubject line. Your email must tell us e xactly where in the submission process you received this error.

7) PROBLEM: I have a problem with submitting and it is not addressed above on this list. SOLUTION: Restart your machine. Clear your browser’s cache. Try to submit again. If this fails, email [email protected] with “Unlisted problem – [your name]” in the subject line. Your email must tell us exactly the nature of your problem with relevant screen caps.

READ THIS BEFORE YOU EMAIL US.

Do not email us before you have tried the specified solutions to your problem.

Do not email us more than once about a single problem. We will respond to your email within 72 hours. Only if you have not heard from us in that time may you contact us again to ask for an update.

If you email us regarding a problem, you must include relevant screen-shots and information on both your operating system and your browser. You must also declare that you have tried the solutions presented above and had a good connection to the internet when you did so.

If you have tried the relevant solution to your problem outlined above, have emailed us, and are still unable to submit before the 30 June deadline on account of any fault of the John Locke Institute or our systems, please do not worry: we will have a way to accept your essay in that case. However, if there is no fault on our side, we will not accept your essay if it is not submitted on time – whatever your reason: we will not make exceptions for IT issues for which we are not responsible.

We reserve the right to disqualify the entries of essayists who do not follow all provided instructions, including those concerning technical matters.

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Our 2023-24 Student Contest Calendar

Here are 10 challenges to help us celebrate our 25th anniversary — including one open to both teachers and teenagers.

By The Learning Network

Our annual Contest Calendar is probably the single most powerful thing we publish all year. Teachers tell us they plan their classes around our challenges, and tens of thousands of teenagers across the globe participate by creating narratives, profiles, opinion pieces and reviews, podcasts, videos, illustrations and photo essays.

For us, these contests are an honor and a joy to host. We love learning from young people — about what moves them and makes them mad, what intrigues and confuses and delights and defines them.

Every summer, we tinker with our offerings to keep them fresh, and we’ve made some significant changes this time around.

To start, in August, The Learning Network will celebrate its 25th anniversary, and we’re marking it by running our first-ever challenge that is open to our full audience, both teachers and teenagers. We hope together you’ll help us tell a rich story about what it’s like to be in high school in 2023.

Like educators all over, we’ve been spurred by the advent of generative artificial intelligence to make creative tweaks to our offerings. This year, we’re putting more emphasis on the parts of the composing process that are, well, human. A glance at the 10 descriptions below might show you that elements like voice, point of view, reflection, making connections and building community are more central than ever. We’ve invented new contests and updated old ones, and we’ll be emphasizing process as well as product throughout. We also have a full writing curriculum to help support this work.

If you need a little encouragement to participate, we recommend two pieces. Students might start with “ ‘I Was Enough’: How I Stopped Trying to Sound Smart and Found My Genuine Writing Voice ,” by a teenager who reflects on how our competitions helped her grow. If you are a teacher, our reader-submitted 10 Reasons to Send Student Work Out Into the World might be compelling — especially, perhaps, reason number 10.

To download a PDF version of this contest calendar, click here . Questions? Scroll to the bottom of this post to learn more, write to us at [email protected] or post a comment here.

Aug. 16-Oct. 4, 2023

What High School Is Like in 2023: A Multimedia Challenge for Teachers and Teens

What can you show or tell us that might help explain what it’s like to be an educator or a student in a secondary school right now?

We’re inviting you to contribute to a collective portrait of what it means to be in high school today, told by those living it.

All who work in any capacity in a secondary school, or are students over 13 in one, are invited to document, reflect and express themselves on any aspect, big or small, of their experience there. We want to know what’s hard, but we also want to know where and how you find meaning and joy.

As with our original Coming of Age contest — the blueprint for this effort — you can submit writing or images, audio or video. You can send us artifacts, such as photos from your camera roll, or create something new. And you can work alone or in a group, with others your age or across ages, roles and even schools. Each submission must be accompanied by a short artist’s statement.

Here are the contest rules and submission form , and here are 15 questions and a step-by-step guide that can help you brainstorm ideas.

Update, Jan. 4: Winners have been announced!

Oct. 4-Nov. 1, 2023

My Tiny Memoir: Our 100-Word Personal Narrative Contest

Can you tell a meaningful and interesting true story from your life in just 100 words? That’s the challenge we posed to teenagers last fall with our 100-Word Personal Narrative Contest, a storytelling form popularized by Modern Love’s Tiny Love Stories . The answer, we discovered, was a resounding yes, so we’re bringing it back for Year 2.

Here are this year’s rules and guidelines . For more inspiration, read the work of last year’s winners , or follow this step-by-step guide for participating .

Update, Jan. 17: Winners have been announced!

Nov. 1-Dec. 6, 2023

Teenagers as Critics: Our Review Contest

Review a book, movie, restaurant, album, theatrical production, video game, dance, TV show or art exhibition, with advice from New York Times critics to help.

This year’s rules and guidelines follow last year’s with one big change: Anything you choose to review must have debuted this year. (That means not that you watched a movie, read a book or heard an album for the first time this year, but that the work premiered in 2023.)

To see how it’s done, take a look at the work of last year’s winners and visit our related step-by-step guide for writing a review .

Update Feb. 8: Winners have been announced!

Dec. 6, 2023-Jan. 10, 2024

Thinking Made Visible: Our One-Pager Challenge

We’re once again ending the fall semester with an invitation that we hope is accessible and fun for students across the curriculum: Make a one-pager in response to any article, video, graph, photo essay or podcast published in The New York Times in 2023 (or early 2024).

Here are the rules and guidelines. Let our step-by-step guide walk you through the process, and the work of these winners inspire you.

To help you find content you will enjoy, we have also curated a collection of free links to over 75 pieces about young people published across sections of NYTimes.com this fall.

Update, March 7: Winners have been announced!

Jan. 10-Feb. 14, 2024

How to … : An Informational Writing Contest

Following the example of the long-running Tip column from The New York Times Magazine, write a short description of how to do (almost) any task in 400 words or fewer.

As long as your topic is appropriate for a family newspaper, you can explain whatever you like, including tasks that Tip has already taken on. But you must find, interview and quote one expert on the subject throughout your piece.

Here are the rules and guidelines. Our step-by-step guide will walk you through the process, and our writing prompt can help you come up with an original topic.

Update, April 2: Winners have been announced!

Feb. 14-March 20, 2024

Where We Are: Photo Essays About Community

Inspired by the immersive New York Times series Where We Are , which focuses on young people and the spaces where they create community, we invite students to work alone or with others to make photo essays about the communities that interest them.

You can document any kind of offline community you like and feature people of any age. Then tell us about it by sending six to eight images with captions and a short introduction.

Feb. 28-March 27, 2024

Playing With Words: Our Vocabulary Video Contest

Produce a 15-second video about the meaning of one of our recent Words of the Day .

Here are the rules and guidelines , which are the same as last year’s except for one detail: You can work only with words published in our W.O.T.D. column between June 1, 2023, and Feb. 28, 2024.

For inspiration, take a look at the work of past winners .

March 13-May 1, 2024

Open Letters: Our New Opinion Writing Contest

Our Student Editorial Contest ran for a decade, and we received truly extraordinary work , but it’s time for a refresh. This year, we’re asking you to draw on the same skills and passions to make your case, but this time in the form of an open letter.

An open letter is a published letter of protest or appeal usually addressed to an individual, group or institution but intended for the general public. Think of the many “Dear Taylor Swift” open letters you can find online and on social media: Sure, they’re addressed to Ms. Swift, but they’re really a way for the writer to share opinions and feelings on feminism, or ticket sales, or the music industry, or … the list goes on.

As you might already know if you’ve read Martin Luther King’s famous Letter From Birmingham Jail , an open letter is a literary device. Though it seems on the surface to be intended for just one individual or group, and therefore usually reads like a personal letter (and can make readers feel they are somehow “listening in” on private thoughts), it is really a persuasive essay addressed to the public. This recent letter signed by over 1,000 tech leaders about the dangers of A.I. , this funny 2020 letter addressed to Harry and Meghan , and this video letter from young Asian-Americans to their families about Black Lives Matter are all examples of the tradition.

Now we’re inviting you to try it yourself. Write your own open letter, in 460 words or fewer, to anyone you like on any issue you care about, as long as it is also appropriate and meaningful for a general Times audience.

Here are the rules and guidelines , as well as a step-by-step guide and a related writing prompt to help you get started.

April 17-May 15, 2024

Live! Audio Stories: Our Podcast Contest

Make an original podcast of five minutes or less that informs or entertains listeners.

Here are this year’s rules and guidelines . For inspiration, listen to the work of past winners and visit the related writing unit .

June 7-Aug. 16, 2024

Updated! Voice and Choice: Our Summer Reading Contest

Updated, April 18: As we have for 14 years now, we’ll be asking you to tell us what got your attention in The Times and why. But this year, each week students can enter as they always have by submitting a short written response — or they can make a video up to 90 seconds long.

All School Year

Our Conversation Challenge for Weekly Current Events

We invite students to react to the news via our daily writing prompts , and each week, we publish a selection of their comments in a roundup for the world to read . We will also give a shout-out to new schools that join the conversation.

A Few More Details About Our Contests

Why do we run so many contests? We believe in student voice. We want young people to be active content creators, not just consumers. And we’re proud to offer places where they can create for an authentic audience of students, teachers, parents and other readers from around the world.

Here are more details:

The work students send us is always considered by our staff and other experts , including Times journalists, as well as educators from partner organizations or professional practitioners in a related field. Judging for our contests is blind. That means we see only the entries themselves, not student names or schools, when we make our decisions.

Winners get their work published on The Learning Network. Some may also be featured in a special section of the print New York Times.

Anyone who submits to our contests retains the copyright for the work, even after we publish it.

About two months after each contest closes, we’ll announce the winners, runners-up and honorable mentions. We usually celebrate dozens of students each time.

On the day each contest begins, we will add a link here, on this page, to the contest announcement so students and teachers can submit entries. All contests except Summer Reading begin and end on Wednesdays.

Students can enter as many contests as they want, but they can submit only one entry per contest. Our Summer Reading Contest, however, offers a fresh opportunity to submit each week for 10 weeks.

Students’ entries must be original and fundamentally their own. An entry must not be published elsewhere at the time of submission, including in a school newspaper, on a radio station’s website or in a literary magazine.

All of our contests are open to students around the world ages 13 to 19 who are in middle school or high school, except “What High School is Like in 2023,” which is open only to secondary students. College students cannot submit entries. However, high school students (including high school postgraduate students) who are taking one or more college classes can participate. Students attending their first year of a two-year CEGEP in Quebec can also participate. In addition, students ages 19 or under who have completed high school but are taking a gap year or are otherwise not enrolled in college can participate. Note: The children and stepchildren of New York Times employees are not eligible to enter these contests, nor are students who live in the same household as those employees.

Want to make sure you never miss a contest announcement? Sign up for our free weekly newsletter , or follow us on Twitter and Facebook .

We can’t wait to see what you’ll create this year!

• 2023 Contest Results
• 2023 Psychology Essay Contest
• 2022 Contest Results
• 2022 Psychology Essay Contest
• Submission Guidelines

SoT Psychology Essay Contest

Topic   the al-psychology connection: exploring the lmpact of artificial lntelligence on mental health, therapy, and well-being.  , students are asked to write an essay (up to 1,500 words) to address the following five points:.

Discuss the Al-Psychology Connection: Exploring the lmpact of Artificial lntelligence on Mental Health, Therapy, and Well-being.

• Discuss how this problem impacts a specific group of people. Personal or more general examples are encouraged.
• Describe one way that the study of psychology can help you and others understand an aspect of individual cognition, behavior or development related to this problem. You must state, describe, and provide an example relating to at least one specific concept in psychology.
• Discuss one way in which the study of psychology can help you understand an aspect of social relations or influences related to this problem. You must state, describe, and provide an example relating to at least one specific concept in psychology.
• Discuss one way in which a concept in psychology can help inform a solution to this systemic problem. You must state, describe, and provide an example relating to at least one specific concept in psychology.

Submissions must:

• Address the essay prompts provided above
• The work must be written in English
• The work must be completed individually, not in teams or groups
• Include citations from credible, peer-reviewed sources
• Plagiarism is prohibited. The top essays will be submitted to Turnitin.com before awards are decided and essays with evidence of plagiarism will be eliminated from the competition

Submission format requirements:

• Times New Roman, 12-point type, double-spaced
• Include the title, author information on the cover page, and an abstract of no more than 250 words.
• In-text citation in APA format and a references list. For more information, please consult the Publication Manual of the American Psychological Association (7th ed.).
• MS Word Format Only

Eligibility and Rules

oEntry Requirements

Entry is open to students from any country and any school. Candidates must be 18 years old, or younger, on the date of the submission deadline.

Key Dates​ ​

Submission deadline - 15th, August, 2023

Award Announcement - 1st, October, 2023

200 RMB. All income will be used for project operations and other non-profit activities.

Awards First Prize 500 RMB

Second Prize 300 RMB

Third Prize 200RMB

Honorable Mention

Scoring Rubric

Formatting and Language

An essay of no more than 1,500 words (Cover page, abstract, and reference page do not count toward word limit)

• A cover page specifying the title and author information.
• An abstract of 120-250 words.
• In-text citations in correct APA format.
• A reference page in correct APA format.
• Free of grammar mistakes

Accurately identify and describe the origin and current situation of a problem of public mental health

Provide Coherent and consistent line of reasoning

Use at least one specific concept in Psychology to support your point

Accurately and clearly discuss one way to inform a solution to this problem.

Academic Committee

Article Contents

Brain 2023 essay competition.

• Article contents
• Figures & tables
• Supplementary Data

Masud Husain, Brain 2023 essay competition, Brain , Volume 146, Issue 7, July 2023, Page 2657, https://doi.org/10.1093/brain/awad160

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The response to our inaugural essay competition last year was remarkable. The impressive quality of submissions and diversity of subjects considered by the authors—who included researchers, clinicians, patients, carers, as well as people who have no immediate link to neurology—was extraordinary. The thoughtful and sometimes moving nature of those essays have encouraged us to launch a new competition this year.

We seek writing that stimulates, provokes and makes our readers reflect. We emphasize that essays for Brain are NOT scientific articles. Nor are they academic pieces, but rather writing that provides a broader perspective on life for the general reader. Essays do NOT have to focus on neurological topics or the brain but they should make our readers reflect. They can be opinionated, entertaining or amusing, but most importantly, they should be enlightening, illuminating some aspect of the human condition, and written well.

The best submissions will be published in our Essay section, highlighted on Brain’s website and social media, and made freely available to all readers. Last year’s winning essay was published in the January 2023 issue of Brain, while the two runners-up had their submissions published in February and March of the journal.

What are we looking for in an essay? Aldous Huxley famously began the Preface to his Collected Essays (1960) with: ‘What is true of the novel is only a little less true for the essay. For, like the novel, the essay is a literary device for saying almost everything about almost anything’. According to Huxley, essays often focus either on the personal or autobiographical; or the objective or factual; or the abstract and universal. ‘Most essayists are at home and at their best in the neighbourhood of only one.’ However, he concluded: ‘The most richly satisfying essays are those which make the best not of one, not of two, but of all the three worlds in which it is possible for the essay to exist. Freely, effortlessly, thought and feeling move … from the personal to the universal, from the abstract back to the concrete, from the objective datum to the inner experience’.

We want an essay to be a coherent, carefully crafted piece of writing that aspires to achieve all these elements, providing an absorbing experience that stays with our readers long after they have enjoyed the text.

If you’re interested to submit an essay, or know someone who does, please read the following carefully :

This competition is open to anyone who would like to write an essay.

Essays have a limit of 2000 words. Please provide a word count at the end of the text.

Essays do not have an abstract but must have an introductory paragraph (∼100 words) to set the scene or summarize the contents for the reader.

Ideally, they don’t have subheadings but could have breaks within the text to divide up sections.

To reiterate, Essays are NOT scientific articles or academic texts. They do not have to cover neurological topics. They are supposed to stimulate, provoke and make our readers reflect.

If necessary, you can add up to 10 references, but Essays don’t have to have any references.

Please consider adding up to two images, ideally without copyright, to accompany your text.

Submit your text to the Brain pre-submission email address: [email protected]

Please DO NOT put your name, affiliation or any other information that can identify you anywhere on the text. Submissions will be judged by a panel that is blind to who you are or where you come from.

Only one submission per author is allowed.

All the information you need is provided here—if you read the text carefully. Please don’t send in further questions about the competition.

Deadline for submission: 15 October 2023.

We’re very much looking forward to reading your essays.

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January 25th, 2024, lseupr annual essay competition 2023: first place essay.

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Estimated reading time: 10 minutes

“The management of Artificial Intelligence technology should be the biggest priority for the international community.” To what extent do you agree?

The erosion of multilateralism since the turn of the century has been characterised by visceral geopolitical tensions and socio-economic struggles. A cascade of crises facing the international community continues to unfold at the precipice of a technological revolution, yet none of these threaten to permanently redefine the social contract as much as Artificial Intelligence (AI). Recognising the breadth and gravity of AI’s underlying issues, the shortfall in its global governance and also its potential benefits underscore its paramount importance over other priorities. AI exhibits an ever-growing capability to transform our societies , catalysing change on multiple fronts. However, it stands at a pivotal juncture, as inherent structural weaknesses risk undermining its benefits and unravelling the fabric of our society. In the midst of a permacrisis (Brown, El-Erian and Spence, 2023), its management requires undivided attention to engineer a new era of radical abundance. 

The range of risks of unregulated AI is extensive and threatens to inflict irreversible consequences. Politically, it can harm democratic discourse, as the increased proliferation of misinformation has the potential to manipulate viewpoints and empower autocracies (Guterres, 2022). Ethical concerns also come to the fore, as AI is a technology that can perpetuate existing biases in data sets, driving increased unregulated discrimination. Social tension and anti-establishment support will further ensue if the predicted large-scale job displacement is not mitigated by economic equity. Re-skilling and re-distribution strategies will need to be elevated to the forefront of domestic policies to recognise the profound change in work brought by AI (Jones, Bucsher, Wallace, 2023). On the topic of shifting power dynamics, experts warn that Big Tech might become increasingly influential non-state actors in the international sphere (Chow, Perrigo, 2023) as ‘super firms – hubs of wealth and knowledge’ (Szczepański, 2019). The data they gather and optimize through AI can exploit consumers’ information and violate their privacy to drive higher profits (Acemoglu, 2021). What is even more concerning is that AI could introduce unprecedented security vulnerabilities. Malicious actors could circumvent safety protocols to execute cyber-attacks at scale, and use ‘drug-discovery tools to build chemical weapons’ (Centre for AI Safety, 2023) and, in more extreme scenarios, possess the ability to autonomously identify and select targets (Boden, 2023). Finally, another reason to prioritize the management of AI is to ensure that the future increase in energy required by this power-hungry technology is carefully optimized and sourced renewably. 

Having outlined the extent of the risks, a significant issue also looms over how to craft AI’s international governance . Large-scale debates and policy proposals continue to percolate throughout international institutions on this issue. While ‘Recommendations on the Ethics of AI’ (UNESCO, 2021) and AI principles (OECD, 2019) have been put forward, G7 leaders have recognised that regulatory responses are not ‘keeping pace’ (G7, 2023). While the EU AI Act (2023) is making the most significant steps toward a fair and ethical legislation¹ , effective management remains reliant on urgent multilateral collaboration. The Centre for AI Safety (2023) has even called for a moratorium to arrest the development of new models until appropriate restrictions are put in place in order to avoid drastic consequences coming to fruition. Current regulations are clearly not adequate to effectively manage the potential downside, thus highlighting further the need to prioritise AI’s management. 

Despite the prevailing dystopian narrative, another reason why we should give precedence to global AI governance also comes from the positive “explosion in improvement of the human condition’ that it can ignite (Lowcock, 2023). Predicted to boost the global economy by over fifteen trillion dollars by 2030 (PwC, 2023) after years of low productivity since the global financial crisis, AI can revolutionise myriad sectors. The healthcare industry will benefit from faster detection of diseases, more personalised treatments, and advancements in medicines. The World Economic Forum (2023) also highlighted how progress in AI could transform education systems and make them more equitable, providing tailored teaching with virtual tutors (Kopp, Thomsen, 2023). Furthermore, through removing repetitive activities, job automation (cited more often as a negative outcome of AI implementation) will allow the workforce to invest time in more fulfilling activities and acquire new skills to prolong careers.  Perhaps the shorter work weeks envisaged by John Maynard Keynes almost one hundred years ago (Keynes, 1930) could become a reality if the rewards of economic growth, driven by enhanced productivity, are fairly redistributed. Crucially, AI will also unlock solutions to combat climate change and solve water shortages, preserving communities and saving lives in a more sustainable world (Victor, 2019). Evidently the prioritisation of AI’s management will have the broadest repercussions on fundamental existential issues. 

In conclusion, the complex challenge of AI technology’s management must be at the forefront of the international community’s agenda. The urgent necessity for a new governance framework to preserve humans’ autonomy as free agents, before we even begin to consider AI’s mitigation and optimisation, is clear. At this critical threshold, what fundamentally elevates the management of AI to such prominence is the unpredictability of its transformation, the risk of its misuse and the breadth of its opportunities. 

¹ On 14 June 2023, the European Parliament reached a conclusive standpoint on the AI Act. The Act assigned AI applications to four risk categories: unacceptable, high, limited and minimal. As the level of risk increases, so do the legal obligations.

by Niccolo Silvestri, King’s College School Wimbledon

Reference List

(All sites accessed between 13 September – 9 October 2023) 

Acemoglu, D. 2021, “ Harms of AI” , Department of Economics, Massachusetts  Institute of Technology, [Online]. Available at:  https://economics.mit.edu/sites/default/files/publications/Harms%20of%20AI.pdf 

Boden, M. A. 2017, “ Mapping the Future of AI ” Project Syndicate, [Online]. Published on Feb 23, 2017. Available at: https://www.project syndicate.org/commentary/artificial-intelligence-no-singularity-by-margaret-a–boden 2017-02 

Brown, G., El-Erian, M. and Spence, M. 2023. “ Permacrisis: A Plan to Fix a  Fractured World ”. London: Simon & Schuster UK. 

Chow, A., Perrigo, B. 2023, “ The AI Arms Race Is Changing Everything ” Times  Online, [Online], 17th February. Available at: https://time.com/6255952/ai-impact chatgpt-microsoft-google/ 

European Parliament. (2023, June 8). “ EU AI Act: First Regulation on Artificial  Intelligence ” Available at:  https://www.europarl.europa.eu/news/en/headlines/society/20230601STO93804/eu ai-act-first-regulation-on-artificial-intelligence 

Guterres, A. 2023, “ Secretary-General’s remarks to the Security Council on Artificial  Intelligence ” [Online]. Available at:  https://www.un.org/sg/en/content/sg/speeches/2023-07-18/secretary-generals remarks-the-security-council-artificial-intelligence 

Jones, K., Bucsher, M., Wallace, J. 2022, “ Challenges of AI, 2022 ” Chatham House,  [Online]. Available at: https://www.chathamhouse.org/2022/03/challenges-ai 

Keynes, J. M. (1930). “ Economic Possibilities for our Grandchildren ” The Nation and  Athenæum. [Online] Available at:  https://www.economicsnetwork.ac.uk/archive/keynes_persuasion/Economic_Possibil ities_for_our_Grandchildren.htm 

Kopp, W., & Thomsen, B. S. (2023, May 1). “ AI Can Accelerate Students’ Holistic  Development and Teaching Fulfillment ”. Available at:  https://www.weforum.org/agenda/2023/05/ai-accelerate-students-holistic development-teaching-fulfilling. 

Lowcock, M. 2023, “ The World’s Most Beautiful Picture “, Talk at KCS Wimbledon,  5th October. 

OECD. 2019, “ OECD AI Principles Overview ” [Online]. Available at: https://oecd.ai/en/ai-principles.

PwC (2023) ‘ Exploiting the AI Revolution: PwC’s Global Artificial Intelligence Study ‘  [Online] Available at: https://www.pwc.com/gx/en/issues/data-and analytics/publications/artificial-intelligence-study.html. 

Szczepański, M. 2019, “ Economic impacts of artificial intelligence (AI) ” European  Parliamentary Research Service, [Online]. Available at:  https://www.europarl.europa.eu/RegData/etudes/BRIE/2019/637967/EPRS_BRI(201 9)637967_EN.pdf 

Victor, D. G. (2019). “ How Artificial Intelligence Will Affect the Future of Energy and  Climate ”. Brookings Institution. Available at: https://www.brookings.edu/articles/how artificial-intelligence-will-affect-the-future-of-energy-and-climate/ 

UNESCO. 2021, “ Recommendations on the Ethics of Artificial Intelligence ” [Online].  Available at: https://unesdoc.unesco.org/ark:/48223/pf0000381137 

Bibliography

Ahuja, A. 2023, “ The dark side of using AI to design drugs ” Financial Times, [Online],  18th March. Available at: https://www.ft.com/content/43102ee8-bee0-4803-bc51- 4a313f04d550 

Afina, Y., & Buchser, M. 2023, “ AI Governance Must Balance Creativity with  Sensitivity ” [Expert Comment]. Published on 7 June 2023. Available at:  https://www.chathamhouse.org/2023/06/ai-governance-must-balance-creativity sensitivity 

Allen, D. 2023, “ Artificial Intelligence is Developing at an Alarming Rate. Tech  Leaders Want an Immediate Pause ” YouTube video, Published on 30 Mar 2023.  Available at: https://www.youtube.com/watch?v=OjHmJ84tfu8 

Bjorkegren, D. 2023, “ Artificial Intelligence for the Poor: How to Harness the Power of AI in the Developing World ” Foreign Affairs, [Online]. Available at:  https://www.foreignaffairs.com/world/artificial-intelligence-poor. 

Bellingham, J. 2023, “ How AI Can Help Combat Climate Change ” [Online].  Published Mar 7. Available at: https://hub.jhu.edu/2023/03/07/artificial-intelligence combat-climate change/#:~:text=AI%20is%20one%20tool%20that,part%20of%20the%20model%20s ystem 

Candelon, F., Charme di Carlo, R., De Bondt, M., & Evgeniou, T. 2021, “ AI  Regulation Is Coming ” Harvard Business Review, [Online]. Published in the Magazine (September–October 2021). Available at: https://hbr.org/2021/09/ai regulation-is-coming 

Chiappini, L. 2023, “ The geopolitical effect of artificial intelligence: the implications on human rights and democracy ” Mondo Internazionale, [Online]. Available at:  https://mondointernazionale.org/en/focus-allegati/the-geopolitical-effect-of-artificial intelligence-the-implications-on-human-rights-and-democracy 

Daws, R. 2023, “ UK deputy PM warns UN that AI regulation is falling behind advances ” AINEWS, [Online]. Available at: https://www.artificialintelligence news.com/2023/09/22/uk-deputy-pm-warns-un-ai-regulation-falling-behind advances/ 

Economist. 2023, “ How to worry wisely about artificial intelligence ” The Economist,  [Online]. Available at: https://www.economist.com/leaders/2023/04/20/how-to-worry wisely-about-artificial-intelligence 

Elliott, L. 2023, “ AI Will End the West’s Weak Productivity and Low Growth. But Who  Exactly Will Benefit? ” The Guardian, [Online]. Published on Fri 7 Apr 2023. Available  at: https://www.theguardian.com/commentisfree/2023/apr/07/ai-artificial-intelligence west-weak-productivity-low-growth 

Fioretos, O., & Tallberg, J. (2020). Abstract from “ Politics and Theory of Global  Governance ” International Theory. Available at:  https://www.cambridge.org/core/journals/international-theory/article/politics-and theory-of-global-governance/F0F84DAB9F9A441915507F4B4A3BF514 

Hunt, T. 2023, “ Here’s Why AI May Be Extremely Dangerous—Whether It’s  Conscious or Not ” Scientific American, [Online]. Available at:  https://www.scientificamerican.com/article/heres-why-ai-may-be-extremely dangerous-whether-its-conscious-or-not/ 

Iniguez, S. 2021, “ Will Our Computer Overlords Be Good or Evil? (Hobbes vs.  Rousseau) ” Linkedin.com, [Online]. Available at: https://www.linkedin.com/pulse/our computer-overlords-good-evil-santiago-iniguez 

Inderfurth, K. 2023, “ The government should make AI a top priority ” Washington  Post Online, [Online], 28th July. Available at:  https://www.washingtonpost.com/opinions/2023/07/28/government-ai-top-priority 

Korinek, A., & Stiglitz, J. E. (2018). Artificial Intelligence and Its Implications for  Income Distribution and Unemployment . In The Economics of Artificial Intelligence:  An Agenda (pp. 349-390). National Bureau of Economic Research, [Online].  Retrieved from https://ideas.repec.org/h/nbr/nberch/14018.html 

Lee, A. T.-G. 2023, “ Leviathan and Cybernetics ” [Online], Sublation Magazine, 24  February. Available at: https://www.sublationmag.com/post/leviathan-and cybernetics 

Loeffler, J. 2019, “ Bentham, Hobbes, and the Ethics of Artificial Intelligence ”  Interesting Engineering. [Online]. Available at:  https://interestingengineering.com/innovation/bentham-hobbes-and-the-ethics-of artificial-intelligence

Marr, B. 2023, “ The 15 biggest risks of artificial intelligence ” Forbes, [Online].  Available at: https://www.forbes.com/sites/bernardmarr/2023/06/02/the-15-biggest risks-of-artificial-intelligence 

Monbiot, G. 2017, “ George Monbiot: how do we get out of this mess? ” The Guardian  Online, [Online], 9th September. Available at:  https://www.theguardian.com/books/2017/sep/09/george-monbiot-how-de-we-get out-of-this-mess 

Muggah, R., & Szabó, I. 2023, “ Artificial Intelligence Will Entrench Global Inequality ”  Foreign Policy, [Online]. Published May 29, 2023. Available at:  https://foreignpolicy.com/2023/05/29/ai-regulation-global-south-artificial-intelligence/ 

Mytton, D. (2023, February 27). Influencing the Carbon Emissions of AI . [Online] Available at: https://www.devsustainability.com/p/influencing-carbon-emissions-of-ai 

Ní Aoláin, F. 2023, “ Alarming misuse of high-risk technologies in global fight against terrorism, says UN expert ” United Nations Website, [Online]. Available at:  https://www.ohchr.org/en/press-releases/2023/03/alarming-misuse-high-risk technologies-global-fight-against-terrorism-says 

Pissarides, C. 2023, “ The More I Study AI, the More Optimistic I Get About the  Labour Market ” [Online]. LSE Business Review, 18 September. Available at: https://blogs.lse.ac.uk/businessreview/2023/09/18/christopher-pissarides-the-more-i study-ai-the-more-optimistic-i-get-about-the-labour-market/ 

Reis, L. 2023, “ 4 Geopolitical Risks of the Rise of Artificial Intelligence (AI) for the  Global Security ” The Atlas Report, [Online]. Available at: https://atlas-report.com/4- geopolitical-risks-of-the-rise-of-artificial-intelligence-ai-for-the-global-security 

Reuel, A. and Marcus, G. 2023, “ The world needs an international agency for artificial intelligence, say two AI experts ” The Economist, [Online]. Available at: https://www.economist.com/by-invitation/2023/04/18/the-world-needs-an international-agency-for-artificial-intelligence-say-two-ai-experts 

Rotman, D. 2022, “ How to Solve AI’s Inequality Problem ” [Online]. Available at:  https://www.technologyreview.com/2022/04/19/1049378/ai-inequality-problem/ 

Shapiro, J., & Cota, J. 2023, “ An Overview of Global AI Regulation and What’s Next ”  Progressive Policy Institute, [Online]. Published on 03 August 2023. Available at:  https://www.progressivepolicy.org/blogs/an-overview-and-of-global-ai-regulation-and whats-next/ 

Soral, S. 2023, “ The Industrial Revolution for Human Intellect ” Deloitte Website.  Available at: https://www2.deloitte.com/uk/en/pages/consulting/articles/sulabh-on ai.html 

“ The Role of Multilateral Cooperation in Shaping AI Governance ” YouTube video,  The Institute of World Politics, Published on 25 May 2023. Presented by Mr.  Mohammed Motiwala. Available at: https://www.unesco.org/en/artificial intelligence/recommendation-ethics 

LSE Festival: People and Change. 2023. “ How is AI Changing the World? ” [Talk].  Hosted by LSE Festival: People and Change. 17 June 2023, London School of  Economics. Speakers: Dr. Christine Chow, Dr. Thomas Ferretti, Dr. Giulia Gentile,  Professor Michael Wooldridge. Chair: Ayse Gizem Yasar. Available at: https://www.lse.ac.uk/Events/LSE-Festival/2023/events/20230617/ai

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LSEUPR School Essay Competition 2022

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PETROLEUM & NATURAL GAS SENIOR STAFF ASSOCIATION OF NIGERIA

(pengassan), national essay competition 2023, about the competition.

The PENGASSAN National Essay Competition is a stimulating, encouraging and social responsibility initiative of PENGASSAN to drive the development of creative writing amongst secondary school students. It is billed to generate interest in writing amongst secondary school students at a time when many are being dissuaded from academic and writing proficiency. It is a strategic initiative to drive creativity, deep reflective and critical thought, and increase in the ability to leverage yet unexplored areas of our day-to-day life.

IMPORTANT DATES

Winners will be announced here, the successful participants of the 3rd stage of the competition will be announced on october 6 th,  2023 and  presented their prizes on the 11th october, 2023 at the pengassan energy and labour summit dinner taking place at congress hall, transcorp hilton hotel abuja, finalists emerge in the two categories (js1 & ss1).

After a diligent marking session by our team of experienced professionals, we have shortlisted the students below as the finalist in both categories for the 2023 PENGASSAN Essay Competition

Essay Topics

The competition’s essay topics by category

(Category 1)

“The role of Gas Utilization in Creating a Greener Nigeria”

Preamble: Write an essay discussing how the use of natural gas can contribute to a more sustainable and environmentally friendly future in Nigeria. Explain the benefits of using natural gas for energy generation and its impact on reducing air pollution. Provide examples of how gas utilization can help in everyday life and make Nigeria a cleaner place to live. 

(Category 2)

“Navigating the Challenges and Opportunities of Petroleum Downstream Deregulation in Nigeria”.

Preamble: In recent years, Nigeria has embarked on the path of petroleum downstream deregulation to encourage competition and efficiency in the energy sector. Write an essay analyzing the advantages and disadvantages of petroleum downstream deregulation in Nigeria. Discuss the potential impacts on consumers, the economy, and the environment. Explore strategies and policies that can ensure a smooth transition towards a more sustainable and equitable energy future in light of deregulation.

Winners will be awarded prizes based on their category

FIRST PRIZE

Competition Guidelines, eligibility, and method of delivery

Eligibility and Guidelines

Both categories will be allotted different topics to write upon. Interested participants must be a JSS 1 or SSS1 by the start date of the new 2023/2024 academic session.

• No entry fee is required
• The competition is strictly for senior secondary school students in the 36 states and the FCT, in Nigeria
• All entries must be original works, in English. Each entrant may submit only one essay
• All entries are final. No revisions are accepted. Plagiarism and off-topic material will result in disqualification
• Entries should not have been previously published in professional media
• Entries must be from 400 to 800 words in length for SS1 and from 200 to 400 for JSS1
• Students are allowed to write on a piece of paper and scan to upload on the website

Participants are expected to reside in one of the 36 states or the Federal Capital of Nigeria. Thus, the essay will be open to participants from every state in each geopolitical zone.

Overseas participation is not permitted.

Selection Process

Stage 1: The first stage is the general stage where every participant for each category submits an essay based on our given topics for grading. Each participant is required to research his or her topic and write accordingly. Plagiarism is an automatic disqualification. Participants will have a total of 2 weeks in this stage. Markers will be selected from each geo political zone and the scripts will be swapped among them. After marking, a set of judges will scrutinize their scripts to ensure marking was done appropriately. After which, the best 100 essays (for each category) will be selected and successful candidates will be notified and invited for the second stage.

Markers will be selected from each geo-political zone.

Stage 2: At this stage, successful candidates will be invited to specific centres at each geo-political zone for another round of essay writing. This writing stage will be coordinated by our state coordinators. The scripts will be marked and the best 20 candidates for each category will be shortlisted for the final round of the competition. New topics will be given to the students.

Stage 3: Successful candidates will progress to the final stage where they will be invited and subjected to another round of essay writing with new essay topics. From this stage, the six (6) winners for each category will emerge and they will be invited to Abuja for the award ceremony.

Award Ceremony : The award ceremony will be held at the PENGASSAN Energy and Labour Summit Dinner taking place at Congress Hall, Transcorp Hilton Hotel Abuja.

• Competition Guidelines
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• Discover the Global Goals: Nature and Me
• Results 2022-2023
• Essay Collection 2022-2023
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• Results 2021-2022
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Macao-wide English Essay Competition

Foster high-level thinking, explore global topics, strengthen writing skills, gain confidence, great opportunity, enrich your education by developing a global perspective.

The Macau-wide English Essay Competition is a platform for students to showcase their thoughts, creative ideas, and written communication skills. Learn about the United Nations’ Sustainable Development Goals, challenge yourself, and make a difference in your community!

Competition Theme

This year's theme is "nature and me".

What is our role and relationship with nature and how does it relate to The 2030 Agenda? What is your vision of a sustainable world and what can you and your community do to achieve this vision?

The dates for the upcoming third edition of the Macao-wide English Essay Competition has been announced. Click the link for more information. 

[ UPDATED ]  The results are ready! Click the link below

Community Outreach

Thank you for joining discover the global goals: nature and me online disucssion..

The event provided opportunities to learn more about the SDGs through a panel discussion and attendees found out more about the Macao-wide English Essay Competition. Thank you for being part of an important community disucssion. 

Essay Collection

Winning works will be published in an essay collection at the end of the competition.

The collection will be available online on the website and offline in print media.  By embracing the voices of student stakeholders in the society, we hope to encourage the Macao community to build a more sustainable and resilient future together.

Global Dialogue

Meec is proud to be recognized by urban october.

Hosted by UN Habitat, Urban October is an opportunity for everyone to be part of the conversation about the urban challenges and opportunities created by the rapid change in our cities, towns, and communities. Macao-wide English Essay Competition is proud to be recognized as an event advocating change as a part of Urban October, World Habitat Day, and World Cities Day.

2023-2024 Judging Panel

We thank all the judges for their time and expertise. Judges are listed alphabetically, by given name.

Andreia Ramos

Researcher Institute of Science and Environment University of Saint Joseph

Science Communicator Standing Committee Member, Science and Technology Libraries Section, International Federation of Library Associations and Institutions

Calvin Hou Kuan Cheong

Vice President Macau Model United Nations Promotion Association

Camila Mungói

Member Macau Institute of Corporate Social Responsibility

Dr. Carlos Noronha

Vice President of Administrative Council Macau Institute of Corporate Social Responsibility

Managing Director Macao Association for the Advancement of English Language Teaching

Dr. Carry Mak

Member of Administrative Council Macau Institute of Corporate Social Responsibility

Danny Leung

Policy Advisor Natural Sciences and Engineering Research Council of Canada

Desmond Yap

2022-23 President Professional and Graduates Toastmasters Club

Dr. Felipe Bacalso

Adjunct Assistant Professor Faculty of Religious Studies and Philosophy, University of Saint Joseph

Herbert Lee

English Instructor Creator of Writing Breakthrough System

José Carlos Matias

Director Macau Business Media

Jose Weng-Chou Wong

Associate Professor in Faculty of Hospitality and Tourism Management Macau University of Science and Technology Vice President Macao Tourism and Hospitality Association

Senior Instructor English Language Centre, Faculty of Arts and Humanities, University of Macau

Dr. Laurie Baker-Malungu

Adjunct Associate Professor University of Saint Joseph

Lisa Wong Un

Vice President Language Exchange & Culture Promotion Association

Vice Director General Youth Association of 'The Women’s General Association of Macau'

Minerva Zhang

Architect / Interactive Designer / Technologist

Chairman Macao Tertiary Sector Promotion Association

Chairperson Society of Food & Environmental Health (Macao)

Dr. Scarlett Zhang

Vice President of Supervisory Council Macau Institute of Corporate Social Responsibility

English Language Teacher Hou Kong Middle School

Tiffany Chui

Associate Public Information Officer United Nations

Dr. Tony Wei

Prefect of Studies CCC Kei Yuen College Adjunct Lecturer Curriculum and Instruction Faculty of Education Chinese University of Hong Kong

Trinayani Goswami

President Language Exchange & Culture Promotion Association

Vivien Chan

Executive Board Member Macao Education Development Research Association

2020-21 District 89 Director Toastmasters International

Event Organizers

Macau Professional Speaking Association

Macau speech professionals association, co-organizers.

Language Exchange & Culture Promotion Association

Society of Food & Environmental Health

Sustainable Development Association

Society of Food & Environmental Health

United Nations University Institute in Macau

Platinum Sponsor

Macao Foundation

Gold sponsors.

3UP Digital

Banco Nacional Ultramarino, S.A.

British Chamber of Commerce in Macao

Empress Jewellery

Silver sponsor.

Henry Fok Foundation

The Macao Water Supply Company Ltd.

Award ceremony venue supporter.

Macao Science Center

Silver Sponsors

Media partners.

Good News Macau

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Association for Study and Innovation

Best Buddies Macao

Chinese Youth Advancement Association

General Association of Chinese Students of Macao

GreenFriends Macau

Macao Library & Information Management Association

Macao Tourism and Hospitality Association

Macao Youth Media  Association

Macau Association for the Advancement of Diversified Development

Macau for Waste Reduction

Macau Institute for CSR in Greater China

Macau Model United Nations Promotion Association

Macau Ricci Institute

Professional & Graduates Toastmasters Club

Sin Meng Youth Committee

The Macau Psychology Association

Youth Association of 'The Women’s General Association of Macau'

Zero Distance Cooperative

 Macao Meteorological and Geophysics Bureau

Association for Study and Innovation​

Best buddies macao association.

Macao Library & Information Management Association​

Macao Youth Media Association

Professional and Graduates Toastmasters Club

Youth Association of 'The Women's General Association of Macau'

United Nations Sustainable Development Goals

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Competitive Prize Contests 2024

The Lipson Program George Morey Richardson Latin Translation Prize Philo Sherman Bennett Prize in Political Science Owen D. Young Prize in International Relations Thomas G. Rosenmeyer Greek Translation Prize Dorothy Rosenberg Memorial Prize in Lyric Poetry Elizabeth Mills Crothers Prize in Literary Composition Emily Chamberlain Cook Prize in Poetry Roselyn Schneider Eisner Prizes Florence Mason Palmer Prize Ina Coolbirth Memorial Poetry Prize Lili Fabilli and Eric Hoffer Essay Prize Nicola de Lorenzo Prize in Music Composition Anne and Benjamin Goor Prize in Jewish Studies

The Prizes Program at UC Berkeley ( [email protected] ) is an important forum for rewarding creative expression and scholarly achievement by Berkeley’s finest students. Winners receive both recognition and a cash prize, which is coordinated with the winner’s financial aid package.

Below you will find all of Berkeley’s Prize contests. Please note the criteria of each contest before entering.

Note: Prize contest entries need to be submitted, via our online submission form before 4 p.m. on the contest deadline (listed on the chart below). See the General Rules for Competitive Prizes for complete submission information. Please click on the contest names below for specific details about each prize.

The Lipson Program

The Leslie Lipson Program at UC Berkeley is intended to encourage undergraduate students to study humanistic values and their practical application for individuals, societies, and states.

The program consists of the Lipson Essay Prize, the Lipson Scholarship, and the Lipson Research Grant.

Leslie Lipson Biography. The Leslie Lipson Program is endowed in memory of Professor Leslie Lipson, who taught political theory and comparative government at Berkeley for 33 years. As a professor, Lipson’s first love was the undergraduate curriculum, and undergraduate students twice selected him as the best teacher in the Department of Political Science. Berkeley honored Lipson in 1980 with the Berkeley Citation, for individuals of extraordinary achievement in their field who have given outstanding service to the campus. Lipson’s books include The Great Issues of Politics, which has been published in ten editions, translated into numerous foreign languages, and used in introductory political science courses across the country; and his seminal work, The Ethical Crises of Civilization, in which he analyzed the historical developments in world civilizations that have resulted in both better and worse ethical choices. “Humanistic values are the fundamental values of good and evil, right and wrong, just and unjust, as carried out by individuals and societies in service of or against humanity” (Leslie Lipson).

Lipson Essay Prize

The Leslie Lipson Scholarship and Prize Fund (“the Fund’) will assist deserving financially needy undergraduate students enrolled at the University of California, Berkeley, and is open to students  regardless of race, color, national origin, or religion.  The Fund is dedicated to educating outstanding undergraduate students in humanistic values and to provide the means to conduct research concerning those values.

All recipients of Leslie Lipson Prize, Scholarship and Research Awards will be known as Leslie Lipson Scholars. Lipson Prize winners will receive a scholarship only if they are scholarship eligible and demonstrate financial need as determined by the Financial Aid Office. The Fund will provide all or a portion of their need-based scholarship. Recipients of the scholarship may also be eligible for the Research Award to conduct research during the summer between their scholarship terms.

Candidates shall apply at the end of the fall semester of their freshman or sophomore years, and recipients will be selected by the end of the spring semester of the year in which they apply. 

Successful candidates are awarded the Lipson Prize in spring and Lipson Scholarships will be awarded for their sophomore through senior years for those who apply as freshmen, and for the junior and senior years for those who apply as sophomores.

Eligibility

To be eligible for the Lipson Essay Prize, students need to be eligible freshmen or sophomores and have a minimum 3.0 grade-point average (GPA). Students from any field of study are welcome to apply. Essays will be reviewed by the Lipson Committee, and the committee may award prizes for all Scholarship Winners.

Submissions need to be submitted via our online submission form by January 17th, 2025  at 4 PM.

2023-2024 Lipson Scholarship Program Essay Topics

Please choose one topic.

• Currently it is often said that democracy in America is at a crossroads, in terms of its very ability to exist. Do you agree or disagree? What are the causes of such a disintegration, if indeed that is occurring?
• As famously stated by Daniel Patrick Moynihan, “You are entitled to your own opinions, but not to your own facts .” Has “red” and “blue” tribalism in current American culture now made it difficult, or even impossible, for people of different parties and persuasions to agree on what is reality or what is “true”?
• Is America in danger of becoming an authoritarian state? Are American democratic institutions, as embodied by our three branches of government, strong enough to defeat peaceably an armed threat of civil war?
•  What response to terrorism is consistent with and upholds humanistic values?
• Should there be any limits on political speech at universities? If you believe there should be limits, what would those be and how would they be enforced?
• Explain the persistence of anti-semitism over the centuries and why there is a resurgence today.

Prize Amounts

A prize of $10,000 is awarded to students who submit winning essays on one of six topics related to humanistic values.

• Essays shorter or longer than the recommended amount will not be disadvantaged by sole virtue of their length
• 12-point font; double-spaced with one-inch margins; numbered pages
• Last 4 digits of your student identification (SID) number in top-right corner of every page
• You may submit only one essay per calendar year
• Your submissions need to be anonymous; please do not include your name

Please submit via our online submission form.

Competitive Prizes Online Submission

2023-24: Victoria Fan, "The Center Will Not Hold: The State of Democracy"; Sophia Martinez, "How Echo Chambers and Algorithms Have Led Americans Away from a Universal Truth"; Zoe Lodge, "Sense and Desensitivity: Polarization is Destroying the Fabric of American Political Culture"; Carmen Berry, "When Feelings Become Fact: Climate Change Denialism as a Symptom of Political Mistrust"; Grace Camperi, "In the Cave of Political Tribalism"; Connor Eubank,  "State of Terror: The Ethical Cost of Legitimizing State Terrorism"; Alex Lewis Richter, " Countering Forever Wars: A Framework for Just & Unjust Counterterrorism Operations"; Alkis Loannis Toutziaridis,  "Rights and Resistance: The Dual Front in Counter-Terrorism Strategy"; Viraj Roy Gupta, "Untangling the Hydra: Combatting the Many Faces of Anti-Semitism"; Guanjie Cheng, "A Historical Journey Through the Persistence of Anti-Semitism”; Chloe Sabrina Zitsow, " Money, Money, Money: How the Myth of Jews and Finances Drives Antisemitism"

2022-23: Peyton Koch, "The Democracy Camel:  Has the Final Straw"; Irina Velitskaya, "The Consequences Are Clear: Social Media and the History of Human Innovation"; Agodi Okoroafor, "What do the Wealthiest 1% owe the 99%?"; Julia Gignac, "From Imperfect Progress by Unsatisfying Compromise"; Hy Nguyen, " An Invisible Hand plaguing our economy: The economics behind the Medical-Industrial Complex"; Ashley Kim, "BeReal… Let’s Be Real"; Keshwanth Babu Puligulla, "Agree to Disagree: An Examination of Political and Cultural Polarization"

2021-22:  Madeleine (Maddi) Wong, "America MMXXII: The Return of Democracy- An Attack on De Jure and De Facto Democracy through the Jeopardization of Civil Rights"; Margaux Bauerlein,"Social Trust and Negative Liberty: Free to Be Me (and Suffer for It)"

2020–21: Stephan Dai, "Lies and Internet Posts, Evidence that Brandenburg’s Toast?"; Aleeza Adnan, Alxander Fung, Emma Gerson, Valmic Muking, "Culture Warn’t: The Imaginary War the 1% Wants us to Fight"; Vyoma Raman, Deborah Le-En Tan

2019–20: Evan Juan, "The Obligation of a Human Right to Health"; Aditya Varma, "American E(conomics) X(clusion) C(hurch) E(xpansion) P(rogress) T(echnology)-ionalism"; Max Zhang, "Sleeping at the Wheel"

2018–19: Hannah Herrick, "The Persistence of Racism through Colorblindness"; Vedant Kajaria, "A Consummate Relationship with Anarchy"; Karen Lee, "Condemned to Condemn"; Tara Madhav "American Democracy, Racism and the State of Exception"; Kathleen Navas, "Psychological Basis and Modern Impact of Racism on Society"; Wyatt Singh, "The Second Coming: A Century Later, W.B. Yeats' Words Are Still Relevant"; Sharon Marie Vaz, "Yeats' Spiritus Mundi and its Relevance to 2019"; Leo Zlimen, "Our Own Phantom World"

2017–18: David Olin, "The Spirit and the Machine", Nicholas Pingitore, "Wandering with Walden", Evan Schwartz, "Arguments for Disobeying Trump's order for a Preemptive Nuclear Strike: Echoes from the Nuremberg Tribunal", Talia Wenger, "How Artificial Intelligence Re-Ignites the Human Spirit"

2016–17: Alexander Casendio, "Is democracy in general, as a form of government, currently broken on an international basis?"; Daniel Rosenthal,"What are the reasons for the cultural and political polarizations in the U.S. and what is its impact on humanistic values. Is this only a national trend, or is it an issue internationally?"; Thomas Lee Kadie,"The Licensing of Right-Wing Populism"

2015–16: 1st prize: Liya Nahusenay, "Islamophobia: A Detrimental Misnomer"; Neel Somani, "Contemporary Stereotyping: Exploring the Seduction of Bias"; 2nd prize: Nina Djukic, "A Rare Drought Rain"; Suleman Khan, "The Government That Cried Wolf: Refugees and National Security"; Olivia Maigret. "The Complicity of Religion in Terrorism"

2014–15: Carter Bryce Keeling, "The People's Climate March"; Ismael Farooqui, "The Invisible Hand: The results of wealth accumulation in a democracy"; Joprdan Hyatt-Miller, "The Logic of Violence"; James Rosenberg, "Legal Accountability for Torture: Preserving a Nation of Rights and Values"; Zijing Song, "One Oligarchy, Under God"

2013–14: Elizabeth Carroll, "A Nation of Suspects: Modern Surveillance and the Right to Privacy"; Wenyan He, "The Bilateral Nature of Ethics in Economic Inequality"; Taylor Madigan, "A Rawlsian Approach to Economic Inequality"; Sharada Narayan, "The Politics of Political Ethics"; Zijing Song, "The State of Obama's Union"

2012–13: Pierre Bourbonnais, "No Excuses for Lying"; Apruva Govande, "Emotional Bridges through Empathy"; Adithyavairavan Murali, "War on Terror: The Great Game of Education, Economics and Human Dignity"; Seth Victor, "The Lies and Unethical Nature of the War on Terror"

2011–12: Adam Susaneck, "How Party Stratification Leads to Duopoly as Ideology Establishing Elections as a Script Creating Not Deadlock, Livelock!"

2010–11: Ayden Parish, "Fundamentalism, Church and State"; Timothy Borjian, "The Problems with American Exceptionalism"

2009–10: Jasmine L. Segall, "Ethical Implications of Anonymous Methods of Modern Warfare"; Spreeha Debchaudhury, "We the People: A Colorful Portrayal"

2008–09: Alexander Setzepfandt, "Optimism: Breaking Free from the Unethical Behavior of Others"; Anirudh Narla, "The Triumph of Grey: The Importance of Indeterminacy and Complexity in Black and White"

2007–08: Danielle Rathje, "Fair Trade and Global Responsibility"; Keith Browner Brown, "Factoring in Humanity: The Failure of Population Control"

2006–07: Andrina Tran, "Varieties of Morality: William James, Pragmatism and Freedom "

2005–06: Erica Mu, "Dismantling Torture: An Examination of the United States at a Political and Ethical Crossroads"; Jillian Marks, "Torture: An Analysis of Its Evils"; Alexander H. Lau, "Revealing Racial Bias: A Case for Affirmative Action"

2004–05: Jacqueline Nader "The Greatest Danger of Our Time"; Yanpei Chen, "Morality and Political Discourse"; Charles Lin, "Avoiding a Tragedy: Reconciling International Interests in the Atmospheric Commons"

2003–04: No award given

2002–03: Jennifer Greenburg, "Women's Participation in Post-Apartheid Reform"; Sebastian Petty, "Back to the Land: Institutional Forms of Community Supported Agriculture"; Tina Sang, "Chinese Household Registration System"

2001–02: Susan Tche, "Effects of the New World Economy on Post-Embargo Vietnam"

2000–01: Cynthia Houng, "Sustainable Development? Towards a New Synthesis of Environment Ethics and Philosophy"; Joseph Kim, "Does Absentee Voting Have Anti-Social Effects on Voters?"; Pha Lo, "The Hmong of Laos: Cultural Perspectives on Implementing a Global Agenda"

Lipson Scholarship

The Lipson Scholarship, established in 2001, is a need-based scholarship awarded up to a scholar’s full financial need per year and is only available to eligible students who submit winning essays for the Lipson Essay Prize.

To receive the Lipson Scholarship, students must win the Lipson Essay Prize and be a freshman or sophomore when they apply. The Lipson Scholarship will fund the costs of the scholars’ sophomore through senior years at UC Berkeley for those who apply as freshmen, and the costs of the scholars’ junior and senior years for those who apply as sophomores, based on their financial need as determined by the Financial Aid and Scholarships Office. 

Lipson Research Grant

The third component of the Lipson Program, which is optional, is the Lipson Research Grant (established in 2001).

Lipson Scholars who wish to do research in greater depth have the opportunity to apply for funds to support their own original research project. Scholars will undertake such projects during the summer. Scholars selected for the Lipson Research Grant will receive a $5,000 stipend for summer living expenses so that they may devote their time to their summer research project; an additional $250 will be awarded in the fall semester after the scholar submits a paper about his or her summer project. Lipson Research Grant recipients may decide to develop the paper further into an honors thesis, or even a graduate-level dissertation. Projects must relate to humanistic values and their implementation, and might, for example, address such topics as human rights issues, bio-ethics, the impact on developing societies of global capitalism, or environmental concerns in the 21st century. Students will receive further details about this research opportunity following their selection as Lipson Scholars. While the Lipson Research Grant is optional, it is an important part of the Lipson Program.

• Previous Research Projects add Summer 2012 Ayden Parish: Prototype Theory and the Categorization of Autism Jasmine Segall: Microfinance: Interest Rates and Social Performance in the United States and Guatemala

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George Morey Richardson Latin Translation Prize

The Richardson Latin Translation Prize is open to all UC Berkeley students. A first-place prize and second-place prize are awarded for the best translation of classical English into Ciceronian Latin.

History of the Prize: The Richardson Latin Translation Prize was established through the will of George Morey Richardson of Berkeley, dated May 16, 1896: “I give and devise to The Regents of the University of California, two lots or parcels of land, situated in Highland Trust, Oakland Township, Alameda County, State of California, to expend the income there or from the proceeds thereof, when sold, for an annual prize known as the ‘Richardson Latin Translation Prize,’ to be awarded to undergraduates (later to include graduate students) of the University of California for the best translation of classical English into Ciceronian Latin.” The prize was established in 1896.

Please review the General Rules for Competitive Prizes .

Contest deadline is January 17th, 2025  at 4 PM.

2023-2024 George Morey Richardson Latin Translation English Passage

2023–24: No award given

2022–23: Claire Healy ($2,000)

2021–22: No award given

2020–21: 1st prize: Joshua Benjamins ($1,900)

2019–20: 1st prize: Daniel Squire ($1,000); 2nd prize: Joshua Benjamins ($800)

2018–19: 1st prize: Daniel Squire ($1,000); 2nd prize: Joshua Benjamin ($500)

2017–18: 1st prize: Daniel Squire ($1,500)

2016–17: 1st prize: Daniel Squire ($1,400)

2015–16: 1st prize: Michael Zellmann-Rohrer ($1,000); 2nd prize: Daniel Squire ($400)

2014–15: 1st prize: Michael Zellman-Rohrer ($1,000); 2nd prize: Tom Recht ($500)

2013–14: 1st prize: Michael Zellmann-Rohrer ($1,500)

2012–13: 1st prize: Jared Hudson and Michael Zellman-Rohrer ($750 each)

2011–12: 1st prize: Michael Zellman–Rohrer ($2,000)

2010–11: 1st prize: Jared Hudson ($1,500); 2nd prize: Thomas Hendrickson ($500)

2009–10: 1st prize: Jared Hudson ($2,000)

2008–09: 1st prize: Jared Hudson ($1,500); 2nd prize: Antonia Pham Young ($500)

2007–08: 1st prize: Jared Hudson and Boris Rodin ($1,000 each)

2006–07: 1st prize: Jared Hudson ($2,000)

2005–06: 1st prize: Wilson Shearin ($1,500); 2nd prize: Kurt Lampe ($500)

2004–05: 1st prize: Kurt Lampe ($2,000)

2003–04: 1st prize: William Michal Short ($1,500); 2nd prize: J. C. Geissmann ($500)

2002–03: 1st prize:William Short ($2,000) 2001–02: 1st prize: Jon Christopher Geissmann ($1,000)

2000–01: 1st prize: Dylan Sailor ($1,000)

1999–00: 1st prize: Dylan Sailor ($1,000); 2nd prize: Amir Baghdadchi ($500)

1998–99: 1st prize: Dylan Sailor ($500)

1997–98: 1st prize: Dylan Sailor ($500)

Philo Sherman Bennett Prize in Political Science

The Philo Sherman Bennett Prize in Political Science is awarded for the best essay encompassing some aspect of politics other than international relations.

The prize is open to both graduates and undergraduates.

History of the Prize: Philo Sherman Bennett’s 1905 will stated: “I give and bequeath to Wm. J. Bryan of Lincoln the sum of ten thousand dollars ($10,000.00), in trust, however, to pay to twenty-five colleges or universities, to be selected by him, the sum of four hundred ($400.00) each, said sum of four hundred dollars ($400.00) to be invested by each college receiving the same and the annual proceeds used for a prize for the best essay discussing the principal of free government.” The Regents Minutes of August 8, 1905 recite the following: “Mr. Wm. Jennings Bryan informed the University that he was glad to leave the decision by the college authorities the details of the Bennett Essay Prize…”

Contest deadline is December 13th , 2024  at 4 PM.

2023–24: Alyssa Rene Heinze and Eero Samuel Arum ($1,500 each)

2022–23: Teoman Tecan ($2,500)

2021–22: Kristin Zuhone ($1,000)

2020–21:  Joseph Rodriquez and Shterna Friedman ($2,500 each) 

2019–20: Shterna Friedman and Julia Goddard ($2250 each)

2018–19: Shterna Friedman ($4500)

2017–18: Kristin Zuhone ($1000)

2016–17: No prize awarded

2015–16: Jeremy Cynamon ($1,000)

2014–15: Jeremy Cynamon ($1,000)

2013–14: Samuel Garrett Zeitlin ($1,000)

2012–13: Samuel Garrett Zeitlin ($1,000)

2011–12: Jeremy Pilaar ($1,000)

2010–11: Sang-Hwa Sara Lee and Alyssa Beltran ($500 each)

2009–10: Huan Gao and Mikhail Guttentag ($500 each)

2008–09: Daniel Katz ($1,000)

2007–08: Daniel Katz ($1,000 )

2006–07: Nan Zhang ($1,000)

2005–06: Caitlin Rose Fox-Hodess ($1,000)

2004–05: Caitlin Rose Fox-Hodess ($1,000)

2002–03: No award given

2001–02: Anthony Chen ($1,000)

2000–01: Tony Chen ($2,000)

1999–00: Robert S. Taylor ($1,500)

1998–99: Daniel Ho ($1,000)

1997–98: James Abrams ($1,000)

Owen D. Young Prize in International Relations

The Owen D. Young Prize in International Relations is awarded for the best essay dealing with some aspect of international relations.

A minimum of 4,000 words is required with a maximum word limit of 5,000 words. Open to undergraduates only.

History of the Prize: From the Regents’ Minutes of October 10, 1933: “Mr. Owen D. Young delivered the Charter Day Address in Berkeley on March 24, 1930, returned to the Regents his honorarium as such speaker and in addition donated the sum of $250. This was intended to be used for three prizes … to undergraduate students registered in the colleges at Berkeley … who offered the best three essays on the topic, ‘What can a college student do to further good understanding among the nations and thereby promote peace?’ Mr. Young, on June 2, 1931, [amended] the conditions of this … contest, [whereby] the remainder of his donation, to wit, $900, be set up as a permanent fund, the income therefrom to be devoted to an annual prize for the best essay on some aspect of international relations. The Committee on Prizes is authorized to change the topic of the essay from time to time as they may see fit to do so.” The Owen D. Young Prize was established in 1958.

2022–23: Caitlin Barotz ($800)

2021–22: Dil Sen ($1,400)

2 020–21: Francis (Siyuan) Chen and Kaitlyn Lombardo ($600 each)

2019–20: Rosemary Yin ($1,500)

2018–19: Will Alexander and Kevin Klyman ($700 each)

2017–18: 1st prize: Sarah O'Farrell ($700); 2nd prize: Justin DesRochers and Janani Mohan ($350 each)

2016–17: Suleman Khan ($1,000)

2015–16: Madison Chapman and William Michael Morrow ($750 each)

2014–15: Cameron Silverberg ($1,500)

2013–14: Caroline McCloskey ($1,500)

2012–13: Michelle Chern ($1,500)

2011–12: Maya Yizhaky ($1,500)

2010–11: Lauren Benichou ($1,500)

2009–10: Kenneth Tsang ($1,500)

2008–09: Timothy Barry ($1,500)

2007–08: No award given

2006–07: Ben Narodick ($1,200)

2005–06: Helen Hsueh ($1,200)

2004–05: No award given

2003–04: Miya Keren ($500)

2002–03: Jeff Lindemyer ($500)

2001–02: Albert Ofrecio ($500)

2000–01: No award given

1999–00: Daniel Ho ($500)

1998–99: Christopher Maier ($500)

1997–98: No entries received

Thomas G. Rosenmeyer Greek Translation Prize

The Thomas G. Rosenmeyer Greek Translation Prize is awarded to a graduate or undergraduate for the best translation of classical English into an appropriate classical Greek style.

Appropriate styles include those of Plato and of the classical Attic orators, but other styles appropriate to the content are not excluded, such as the style of Herodotus, or even verse composition. The selection will normally be formal English prose and will be 350 to 500 words in length.

History of the Prize: The Rosenmeyer Prize was established in 1995.

2023-2024 Thomas G. Rosenmeyer Greek Translation English Passage

2022–23: No award given

2021–22:  No award given

2020–21: Joshua Benjamins ($750)

2019–20: Joshua Benjamins and Daniel Squire ($1,500 each)

2018–19: Daniel Squire ($2,500)

2017–18: Daniel Squire ($1,000)

2016–17: Daniel Squire ($1,400)

2015–16: Michael Zellmann-Rohrer ($1,000)

2014–15: 1st prize: Tom Recht ($750); 2nd prize: Michael Zellman-Rohrer ($250)

2013–14: Tom Recht and Michael Zellmann-Rohrer ($500 each)

2012–13: Tom Recht and Michael Zellmann-Rohrer ($500 each)

2011–12: Tom Recht ($700); Michael Zellmann-Rohrer ($300)

2010–11: Tom Recht and Michael Zellmann-Rohrer ($500 each)

2009–10: Tom Recht ($1,000)

2008–09: Boris Rodin ($750); Honorable Mention: Joel Street ($250)

2007–08: Nardini Pandey ($500)

2006–07: Boris Rodin Maslov ($500)

2005–06: Boris Rodin Maslov ($500)

2004–05: Boris Rodin ($500)

2003–04: William Michael Short ($500)

2002–03: Jon Christopher Geissmann ($500)

2001–02: W. H. Shearin ($500)

2000–01: Dylan Sailor ($500)

1999–00: Dylan Sailor ($500)

1998–99: Dylan Sailor ($500)

1997–98: Dylan Sailor ($500)

Dorothy Rosenberg Memorial Prize in Lyric Poetry

The Dorothy Rosenberg Memorial Prize in Lyric Poetry will be awarded for composition of the best original unpublished lyric poem. Each entrant may submit only one poem; the length should not exceed thirty lines. A lyric poem is a poem that sings. It is usually quite short. When the poem is read aloud, it should inspire and delight by its heartfelt thought and feeling and the beauty of its language.

History of the Prize

When Dorothy Rosenberg died, her husband, Professor Marvin Rosenberg, established a fund to award this prize in her name.

Contest deadline is December 13th , 2024

2023-24: Noah Warren, William James Davidson and Mary Mussman ($1,000 each)

2022-23: Emily Peng, Landon Kramer ($1,500 each)

2021-22: Mary Mussman ($1,500), Annabelle Lampson ($1,000) and John James ($1,000)

2020-21: Mary Wilson($2,000), John James ($1,500) and Mary Mussman ($1,200)

2019–20: Yujane Chen and Aurelia Cojocaru ($3000)

2018–19: Lydia Liu ($3000)

2017–18: Selden Cummings, Nina Djukic, Anthony Tucci-Berube, Claire Marie Stancek, Jennifer Lorden ($1040)

2016–17: Julie Lee, Kaisle Hill, Brianna Alleyne, Katrina Hall, undergraduate winners; Evan Klavon, graduate winner ($840 each)

2015–16: Alani Hicks-Bartlett ($1,000); Evan Bauer, Raj Bhargava, Ismael Farooqui, Carter Bryce Keeling, and Alan Xu ($800 each)

2014–15: Christopher Miller and Mary Wilson, graduate winners ($1,000 each); Lillian Berger, Andrew David King, and S. Carlota Salvador Megias, undergraduate winners ($1,000 each)

2013–14: Jane Gregory, graduate winner ($2,000); Andrew David King, undergraduate winner ($2,000)

2012–13: Rachel Trocchio, graduate winner ($850); Laura Ferris, Andrew David King, Larry Narron, and Claire Tuna, undergraduate winners ($850 each)

2011–12: Samuel Garrett Zeitlin, graduate winner ($2,400); Bryce Thronburg, undergraduate winner ($2,400)

2010–11: Jane Gregory, graduate winner ($1,600); Taylor Hickok and Kayla Krut, undergraduate winners ($1,600 each)

2009–10: Gillian Osborne, graduate winner ($1,000); 1st prize, undergraduate: Anna Reeser ($2,000), 2nd prize, undergraduate: Steven Lance ($1,500), 3rd prize, undergraduate: Emma Tome ($1,000), Honorable Mention: Teresa Jimenez ($500)

2008–09: Matthew Melnicki and Alani Hicks-Bartlett graduate winners ($2,000 each); 1st prize, undergraduate: Steven Lance ($2,000); Honorable Mention: Joe Cadora ($1,000)

2007–08: Kate Klonowski and Matthew Melnicki ($2,000 each)

2006–07: Colin Dingler, graduate winner ($2,000); James May, undergraduate winner ($2,000); Honorable Mention: Marisa Libbon

2005–06: Michael Nicholson and Elizabeth Young ($1,000 each); Honorable Mention: Diana Y. Chien

2004–05: Edgar Garcia ($500)

2003–04: Edgar Garcia ($200)

2002–03: Michael Heinrich ($200)

2001–02: Lily Dwyer ($100)

2000–01: Emily Beall ($100)

1999–00: Mandy Kahn ($100)

1998–99: Caetlin Benson-Allott ($100)

1997–98: Kimberly Johnson ($100)

Elizabeth Mills Crothers Prize in Literary Composition

The Elizabeth Mills Crothers Prize in Literary Composition is awarded for excellence of composition in poetry, story writing, drama, or another field of literary composition. Judging is based on excellence of composition. Open to all graduate and undergraduate students.

This fund was accepted by the Regents on August 13, 1929. The Corpus thereof, in the amount of $3,000, was, by Judge George E. Crothers, pursuant to an agreement dated October 13, 1921, between Judge Crothers and the late Maria Elizabeth Mills, transferred to Mrs. Mills for the support of a fellowship in music in Mills College. This agreement provided that upon the death of Mrs. Mills the fund should pass to the Regents to support the Elizabeth Mills Crothers Prize in Literary Composition at the University of California.

2023-24: Aleeza Adnan ($1,200), Ayesha Asad, Mina Choi and Maisie Wiltshire-Gordon ($600 each)

2022-22: Nina Djukic ($1,500), Sophia Egert-Smith, Mary Mussman ($750 each)

2021-22: Drew Kiser ($1,000); Ryan Lackey ($500)

2020–21: Jennifer Tamayo ($900); Ryan Lackey, Noah Warren, Nessa Ordukhani, Mary Mussman ($500 each)

2019–20: Lucy Eaton ($1,000); Mary Mussman, Noah Warren, Sabrina Jaszi ($650 each)

2018–19: Clara Jimenez, Mary Mussman, Tessa Rissacher, Noah Warren ($750 each)

2017–18: 1st Prize: Mary Wilson ($2000); 2nd Prize: Evan Bauer, Selden Cummings, Nina Djukic, Zachary Kiebach($800 each)

2016–17: 1st prize: Rosetta Young ($600); 2nd prize: Jesslyn Whittell ($400); 3rd prize: Shelby Gregg ($300); Finalists: Sheryl Barbera and Khamillah Zimmer ($250 each); Honorable Mention: Mary Wilson, Laura Ferris, Hannah Ling, Julia Apffel, Evan Bauer, Sean Dennison, and Balark Mallik ($100 each)

2015–16: 1st prize: Carter Bryce Keeling ($2,000); 2nd prize: Claire Marie Stancek ($1,000); 3rd prize: Rachel King ($1,000); Finalists: Roxanne Forbes, Griffin Morin-Tornheim, Leah Tyus, and Anthony Williams ($250 each)

2014–15: 1st prize: Andrew David ($2,500); 2nd prize: Stanford Shoor ($500); 3rd prize: Rachel Trocchio ($500); 4th prize: Mary Wilson ($500)

2013–14: 1st prize: Ismail Muhammad ($1,500); 2nd prize: Manjing Zhang ($1,000); 3rd prize: Jessica Cox ($750); 4th prize: Tara Fatemi ($500); 5th prize: Michael A. Shaw ($250)

2012–13: Allison Berke, Cora Bernard, Myles Parker Osborne, Kayla Krut, and Eli Wirtschafter ($800 each)

2011–12: 1st prize: Gabriel Thibodeau ($1,500); 2nd prize: Kayla Krut ($1,000); 3rd prize: Yi (Jenny) Xie and Zoe Pollak ($750 each)

2010–11: Kelsa Trom and Tom Recht ($150 each)

2009–10: Faith Gardner, Angelene Smith, David Krolikoski, and Natalie Tsang ($800 each)

2008–09: Mia You ($600); Angelene Smith, Jennifer Reimer, Thomas Gamburg and Natalie Tsang ($350 each)

2007–08: Joseph Cadora, Jude Dizon, Adrienne Johnson and Nalini Rae G Sareen ($250 each)

2006–07: Martine Charnow, Zachary Tomaszewski, and Sara Lahue ($300 each)

2005–06: Geoffrey Greer ($500); Joseph Scalici, Jacqueline Palhegy, Keleigh Friedrich, Trevor Adrian, Emi Ikkanda ($150 each)

2004–05: Jacqueline Palhegy ($500); Leslie MacMillan, Erica Kidder Jensen and Edgar Garcia ($150 each)

2003–04: 1st prize: Bernice Santiago and Katherine Willett ($350 each); 2nd prize: Brandelyn Castine ($200); 3rd prize: Roger Porter ($100)

2002–03: Winners for poetry: Ellen Samuels ($250), Rachel Teukolsky ($175), Laura Wetherington ($175); Winners for Prose: James Ramey ($250), Maria Elena Howard ($150)

2001–02: Jennifer Hasa and Soyoung Jung ($1,000 each)

2000–01: Jennifer Ahn and Karen Lee ($1,000 each)

1999–00: 1st prize: Azin Arefi-Anbarani and Matthew Gleeson ($900 each)

1998–99: 1st prize: Bruce Maritano, Benjamin Russack, Caleb Smith, Frank B. Wilderson III, and Lin Zou ($300 each)

1997–98: 1st prize: Jennifer Stroud ($500); 2nd prize: Asali Solomon ($300); 3rd prize: Bryce Maritano ($200); runner-up: Michael Holt and Yuval Sharon ($100 each)

1996–97: 1st prize: Caleb Smith ($400); 2nd prize: Anh Bui ($200); 3rd prize: Asali Solomon and Julia Cho ($175 each); 4th prize: Ola Metwally ($150)

1995–96: 1st prize: Judy Kemelman ($300); 2nd prize: Amy Graff and Karin Spirn ($250 each); 3rd prize: Viet Nguyen and Hamilton Tran ($200 each); 4th prize: Philip Huynh and Bryan Malessa ($150 each)

1994–95: 1st prize: Cynthia Lin ($500); 2nd prize: Elizabeth Scarboro and Karin Spirn ($350 each); 3rd prize: Lysley Tenorio, Lyn Dilorio, and Jack Wooster ($200 each); 4th prize: Cat Dale and Jessica Hahn ($100 each)

Emily Chamberlain Cook Prize in Poetry

The Emily Chamberlain Cook Prize in Poetry is awarded for the most outstanding single unpublished poem.

Both graduate and undergraduate students are free to write up to 26 lines in length, in any meter, and upon any subject. Up to four winners may be chosen at the judge’s discretion.

Yale University Professor Albert S. Cook, formerly on the UC Berkeley faculty, endowed this prize with $1,000. As noted in the August 10, 1909, minutes of the Regents of the University of California, Professor Cook specified that “it is highly desirable” that the prize be awarded “for a poem which reflects honor upon the University, when viewed in the light of the best precedents furnished by England and this country.” Professor Cook further specified that “the University shall be free at any time to reprint the poem as it may choose.”

2023–24: Nina Alessandra Djukic ($1,200), Mary Mussman and Naima Karczmar ($500 each)

2022–23: Mary Mussman, Jessica Laser, and Andy Choi ($400 each)

2021–22: Annabelle Lampson ($800), John James, and Noah Warren ($600 each)

2020–21: Lamiya Gulamhusein, Dominique Salapare, Madelyn Peterson, and Max Kaisler ($625 each)

2019–20: Jennifer Tamayo, Max Kaisler, Lashon A. Daley and Noah Warren ($600 each)

2018–19: Mary Mussman, Mary Wilson, and Dylan Furcall ($800 each)

2017–18: Daniel Benjamin, Anthony Tucci-Berube ($1,100 each)

2016–17: Mary Wilson and Mary Mussman ($1,100 each)

2015–16: 1st prize: Rachel Trocchino ($1,400); 2nd prize: Nathaniel Dolton-Thornton ($700)

2014–15: 1st prize: Andy Nguy ($1,000); 2nd prize: Yaul Perez-Stable Husni ($600); 3rd prize: Alani Hicks Bartlett ($500)

2013–14: 1st prize: Jennifer Lorden, Clint Anderson, Lisa Levin, Michael Shaw ($500 each)

2012–13: 1st prize: Evan Klavon ($1,000); 2nd prize: Rachel Trocchio ($500); Honorable Mention: Andrew David King and Allison Yates ($250 each)

2011–12: Darius Carrick, Andrew David King, Pamela Glazier, and Vanessa Ing ($350 each)

2010–11: Laura Ferris, Kathryn Hindenlang, Tara Phillips, and Patricia Yen ($525 each)

2009–10: Joe Cadora, Ashley Lystne, Eamon O'Connor, and Gillian Osborne ($550 each)

2008–09: Natasha Arora, Pamela Krayenbuhl, Steven Lance, and Craig Perez ($500 each)

2007–08: Meredith Higgins and Clifford Mak ($150)

2006–07: Hillary Gravendyk, Jeremy Graves, Marisa Libbon, and Yosefa Raz ($300 each)

2005–06: Olivia Friedman ($300)

2004–05: Edgar Garcia, Dorian Gesler, and Shanyin Chang ($300 each)

2003–04: Ellen Samuels , Laura Wetherington, Christine Harrison, and Jessica Zychowicz ($300 each)

2002–03: Kimberly Johnson ($300)

2001–02: Sandra Lim, Marisa Libbon, Yasmin Golan, & Lynley Lys ($300 each)

2000–01: Emily Beall ($600), David Ruderman ($400), Jasmine Bina ($200)

1999–00: Julie Anderson, Ben Chaika, Elizabeth Hillman, and Kimberly Johnson ($300 each)

1998–99: 1st prize: Kimberly Johnson ($500); 2nd prize: Gibson Fay-LeBlanc ($500)

1997–98: 1st prize: Nadia Nurhussein ($300); runners-up: Emily Abendroth, Robyn Brooks, Delphine Hwang, and Padraig Riley ($150 each)

Roselyn Schneider Eisner Prizes

In 1963, Samuel Marks established an endowment of $250,000 for the advancement of the arts on the Berkeley campus, in memory of his stepdaughter, Roselyn Schneider Eisner, an artist and sculptor. The Chancellor’s Advisory Committee on the Arts recommended the money be used to establish prizes in each of the Creative Arts.

Photo Imaging

The Eisner Prizes in Photo-Imaging are open to all UC Berkeley graduates and undergraduates of any major.

Contest deadlines vary. Please check the Prizes and Honors home page for this prize’s deadline.

• Eisner Photo-Imaging Prize Rules add Please review the General Rules for Competitive Prizes . Additional rules for the Eisner Photo-Imaging Prize contest are listed below. Submission link: Competitive Prizes Submission You may submit 1 to 3 black-and-white or color images. Submissions must be anonymous. Include the last  four digits of your student ID number on your file name and the total number of photographic images you're entering (e.g., "#1234 1 of 3," "#1234 2 of 3," "#1234 3 of 3"). Submissions may show either a body of work or 3 photos exploring 3 different themes. Judges will look for the artistic dimensions of the photos presented, including the creative uses of color ( tone values if you are showing black and white prints), lighting, graphic composition and framing .

Film and Video

The Eisner Prizes in Film and Video contest is open to both graduates and undergraduates in any department.

One to three films may be submitted, but the judges will only view up to 30 minutes of film for each applicant.

Contest deadlines vary. Please check the Prizes and Honors page for this prize’s deadline.

• Eisner Film and Video Prize Rules add Please review the General Rules for Competitive Prizes . The Eisner Film and Video Prize contest also has additional rules listed below. Students can submit films as a Quicktime file on a flash/thumb drive or via a working URL on either Youtube or Vimeo. The applicant must make sure the URL is open and working, and that the thumb drive is both PC and MAC compatible You may submit 1 – 3 entries but are encouraged to submit only your best work. All film submissions must be in finished form, ready for public exhibition. Unfinished works or work-in-progress will not be considered. At least one submission must have been made during the period of your enrollment as a student on the Berkeley campus. Judges will not view more than 30 minutes of film or video. All submissions must be of the entire film, excerpts will not be accepted for consideration. To be eligible, you need to be enrolled full-time in a degree-granting program for at least one regular semester of the academic year (not including Summer Sessions). Filing for a degree does not constitute enrollment for that academic year. Visiting students are not eligible to apply for prizes. A previous winner of this contest may not enter the following year. Film or video submissions must be labeled with the last four digits of the entrant's student ID (SID) number, the film's title, running time and the original format of the entry (16mm, VHS, URL, thumb drive file. etc.). Also, a brief (one paragraph, typewritten) film description should accompany the submission. The maker's name must not appear on the entry or on the film credits. The Prizes Office, 210 Sproul Hall, will hold film and video entries for pickup until mid-May.

The Eisner Prizes in Poetry and Prose contests are open to all UC Berkeley graduates and undergraduates in any department.

Prose submissions may include novels, plays, or a collection of short stories. Prose submissions should be a substantial body of work with a representative 20–30 pages earmarked. Poetry submissions should be a collection of poems with a minimum of 25 pages to a maximum of 40 pages. Entries must be paginated, stapled and include a table of contents and a title page. This contest may contain submissions that have won in other contests in previous years. However, entries to these contests must consist of a majority of new work not having previously won in any campus contest or simultaneously submitted elsewhere.

Contest deadlines vary. Please check the Prizes and Honors home page for this prize's deadline.

2023–24: Poetry: Andrew David King ($3,000), John James ($1,500) and Noah Warren ($1,500)

Prose: Andrew David King ($1,250) and Maisie Wiltshire-Gordon ($1,250)

2022–23: Poetry: Andrew David King ($3,000), Mary Mussman ($2,000) and Noah Warren ($1,000)

Prose: Landon Kramer ($2,000) and Andy Choi ($2,000)

2021–22: Poetry: Mary Mussman ($3,000), Noah Warren ($1,500) and John James ($1,500)

Prose: No Prizes awarded

2020–21: Poetry: Jennifer Tamayo ($5000)

2019–20: Poetry: Christian Nagler ($5000)

Prose: Elodie Townsend and Sabrina Jaszi ($2,500 each)

2018–19: Poetry: Dylan Cox and Mary Wilson ($5000 each)

Prose: No Prizes Awarded

2017–18: Poetry: Shonushka Sawant ($3000) and Daniel Benjamin ($2000)

Prose: Clair Marie Stancek and Zackary Kiebach ($2,500 each)

2016–17: Poetry: 1st prize: Sahvanna Mazon ($3,000); 2nd prize: Shonushka Sawant ($2,000)

Prose: Zackary Kiebach ($2,000)

2015–16: Poetry: 1st prize: David A. Hernandez ($3,000); 2nd prize: Nathaniel Dolton-Thornton ($2,000)

Prose: Emma Rosenbaum ($2,000)

2014–15: Poetry: Christopher Patrick Miller and Claire Marie Stancek ($2,500 each)

Prose: Andrew David King and Natasha Von Kaenel ($2,500 each)

2013–14: Poetry: Kristopher Kersey, Julia Tianjiao Wang, and David Vandeloo ($2,000 each);

Prose: Andrew David King ($4,000)

2012–13: Poetry: Rebecca Gaydos, Andrew David King, and Ryan Tucker ($2,000 each);

Prose: Kelly Clancy and Rosetta Young ($2,000 each)

2011–12: Poetry: Christopher P. Miller and Yosefa Raz ($3,000 each);

Prose: Brian J. Loo and Leila Mansouri ($2,000 each)

2010–11: Poetry: Rachel Beck, Jane Gregory, S Christopher Miller, and Swati Rana ($2,500 each);

Prose: No award given

2009–10: Poetry: Steven Lance, Gillian Osborne, and Lynn Xu ($2,000 each);

Prose: Nina Estreich and Danica Li ($2,000 each)

2008–09: Poetry: Gillian Osborne and Lijia Xie ($3,000 each);

Prose: 11 entries; Joe Cadora ($4,000)

2007–08: Poetry: Hillary Gravendyk and Chad Vogler ($5,000 each);

Prose: 4 entries; No award given

2006–07: Poetry: Elizabeth Marie Young and Margaret Ronda ($2,500 each);

Prose: Melissa Fall ($5,000)

2005–06: Poetry: Hilary Gravendyk Burrill ($6,000);

Prose: Elaine Castillo and Mark Massoud ($2,000 each)

2004–05: Poetry: Margaret Ronda and Tung-Hui Hu ($2,500 each);

Prose: 1st prize: Neil Colin Satterlund ($3,000); 2nd prize: Katherine Ann Willett ($2,000); Honorable Mention: Dorothy Couchman

2003–04: Poetry: 1st prize: Jennifer Scappetone ($3,000); 2nd prize: Lynn Ziyu Xu ($2,000);

Prose: 1st prize: Elaine Castillo ($2,500); 2nd prize: Ellen Samuels ($2,500)

2002–03: Poetry: Timothy Wood, Julie Carr, and Warren Liu ($2,000 each);

Prose: Elaine Castillo and Frank B. Wildersn III ($2,000 each)

2001–02: Poetry: Jessica Fisher ($3,000) and Anne Walker ($2,000);

Prose: Yekaterina Kosova ($3,000) and Lucia Facone ($2,000)

2000–01: Poetry: 1st prize: Brian Glaser ($3,000); 2nd prize: Jennifer Scappettone ($2,000); Honorable Mention: Ellen Samuels;

Prose: 1st prize: Ann Simon ($3,000); 2nd prize: Yuval Sharon ($2,000); Honorable Mention: Jose Alaniz

1999–00: Poetry: Jessica Fisher, Nadia Nurhussein, and Anne F. Walker ($1,400 each);

Prose: Jose Alaniz and Karen A. Lee ($1,400 each)

1998–99: Poetry: Kim Johnson and Roxana Popescu ($2,333 each);

Prose: Damion Searls ($2,333)

1997–98: Poetry: Ola Metwally, Mathew Struthers, and Karen An-Hwei Lee ($2,333 each);

Prose: Chris Minter ($2,333)

Florence Mason Palmer Prize

The Florence Mason Palmer Memorial Prize is awarded for the best essay of up to 5,000 words dealing with some aspect of international relations.

Open to women undergraduates only.

Established in 1958.

2023–24: Catherine Regan and Sabreen Nuru ($2,500 each)

2022–23:  Caitlin Barotz ($3,000)

2020–21: 1st prize: Kaitlyn Lombardo 2nd prize: Jordan Webb ($3,000 each) ; Honorable Mention: Nawal Seedat and Tara Madhav ($1,500 each)

2019–20: 1st prize: Esther Smith ($4000); Honorable Mention: Nicole Mendoza and Tara Madhav ($2000 each)

2018–19: 1st prize: Sarah Sheets ($4000); 2nd prize: Adriana Weiss and Negeen Khandel ($1000 each)

2017–18: 1st prize: Sarah O'Farrell ($1000); 2nd prize: Lily Greenberg Call and Janani Mohan ($600 each)

2016–17: Zijing Song ($750)

2015–16: Shruthi Gopal ($1,000)

2014–15: 1st prize: Simrit Dhillon ($750); 2nd prize: Mikaela Rear and Lucy Song ($500 each)

2013–14: 1st prize: Tali Gires and Melody Alemansour ($750 each); 2nd prize:  Rebecca Moon and Carina Tai ($500 each)

2012–13: Naomi Egel ($2,500)

2011–12: 1st prize: Jamie Andreson ($2,500); 2nd prize: Maya Yizhaky ($1,500); 3rd prize: Sara Lee ($1,000)

2010–11: No award given

2009–10: 3rd prize only: Ryan Cohen ($500)

2008–09: 1st prize:  Roushani Mansoor, Sarah Weiner, and Lauren Powell ($1,500 each)

2006–07: 1st prize:  Hasina Badani ($2,000)

2005–06: 1st prize:  Elizabeth Mattiuzzi and Julia Gin ($2,500 each)

2004–05: 1st prize: Nancy Si-Ming Liu ($3,000); 2nd prize: Gabriela Maguire ($2,000)

2003–04: 1st prize: Henluen Wang ($300); 2nd prize: Deepa D. Shah ($200)

2002–03: 1st prize: Kristina Kempkey ($300); 2nd prize: Lily Bradley ($200)

2001–02: 1st prize: Whitney Ward ($500)

1999–00: 1st prize: Aeryn Seto ($2,300)

1998–99: 1st prize: Arianne Chernock ($1,000)

1997–98: 2nd prize only: Kathleen Mikulis ($800)

Ina Coolbrith Memorial Poetry Prize

The Ina Coolbrith Memorial Poetry Prize is awarded for the best unpublished poem or group of poems by an undergraduate student at University of California campuses, University of the Pacific, Mills College, Stanford University, Santa Clara University, and St. Mary’s College.

Each participating school may submit three entries to UC Berkeley to compete in the overall contest. For information regarding the submission instructions for other campuses, read Information for Other Participating Campuses below.

On March 18, 1933, a fund of $1,000 contributed by various donors was offered to the Regents for a poetry prize in memory of Ina Coolbrith, Poet Laureate of the State of California. The Ina Coolbrith Memorial Fund was accepted by the Regents on May 11, 1933.

Please review the General Rules for Competitive Prizes (for Berkeley students).

Ina Donna Coolbrith (1841–1928)

Born Josephine Donna Smith, oldest daughter of Don Carlos and Agnes Coolbrith Smith, in Nauvoo, Illinois, March 10, 1841, she entered California through the Beckwourth Pass in a covered wagon train in 1852. Her first poems were published in the Los Angeles Times in 1854. After a brief and tragic marriage at 17, and the death of her child, she moved in the 1860s to San Francisco, where she worked as a journalist on the Overland Monthly . Later she was librarian of the Mechanics Institute Library and the Bohemian Club library, and was the first librarian of the Oakland Public Library. She lost her San Francisco home and all her possessions in the earthquake and fire of 1906. Through the generosity of the best-known California writers of the day, another home was built on Russian Hill, where she lived until the infirmities of age led her to share the home of her niece in Berkeley in 1923. She died there on February 29, 1928.

Ina Coolbrith received many honors, including Poet Laureate of the State of California. She was the first person asked to write a Commencement Ode for the University of California and the first woman member of San Francisco's Bohemian Club. In 1924, Mills College awarded her an honorary Master of Arts degree; as a young woman she had attended Mills, known at the time as Benicia College for Women. On the day of her funeral the Legislature adjourned in her memory and afterward named a 7,900-foot peak near Beckwourth Pass "Mount Ina Coolbrith."

Ina Coolbrith corresponded with Tennyson, Whittier, Longfellow, and Lowell, and was close friends with Mark Twain, Bret Harte, Gertrude Atherton, Joaquin Miller, Charles Warren Stoddard, and William Keith. Jack London called her his "literary mother." Isadora Duncan recalled in her memoirs "the beauty and fire of the poet's eyes."

At the Panama-Pacific International Exposition in 1915 she was appointed President of the Congress of Authors and Journalists. At the Exposition a formal presentation of a laurel wreath was made to her by Dr. Benjamin Ide Wheeler, president of the University of California, and the Board of Regents, with the title "loved, laurel-crowned poet of California."

Some of Ina Coolbrith's most powerful poems were written after her 80th birthday. Her published works include A Perfect Day and Other Poems , Songs from the Golden Gate , and the posthumously published Wings of Sunset .

Each participating campus may submit three entries selected from submissions on their campus. An entry may be a single poem or a group of poems. While the judging to select the overall contest winners rotates from campus to campus, each campus must first forward its entries to UC Berkeley by the contest deadline. The overall contest judge will receive the entries from Berkeley in early February and will be asked to select the contest winners by early March.

The poems need to be typewritten. Include the following information in the upper-right corner of each manuscript:

The last four digits of the student’s campus identification number

The name of the contest

Write entrant information on a separate sheet and include the following:

Local address

Permanent address

Phone number

Email address

Last four digits of student’s campus identification number

Contest name

Title of poem(s)

Since manuscripts cannot be returned and may go astray in the mail, please retain a duplicate.

Winning manuscripts are filed in the University Archives at the Bancroft Library on the UC Berkeley campus.

Entries may be sent to:

Coordinator, Committee on Prizes

Undergraduate Scholarships, Prizes, and Honors

210 Sproul Hall #1964

University of California

Berkeley, CA 94720

[email protected]

(5l0) 642-6888

2021–22: No prize given

2020–21: No prize given

2019–20: 1st prize: Anthony DiCarlo, UC Davis ($600); 2nd prize: Jessica Pham, UCLA ($400); 3rd prize: Rhiannon Wilson, UCLA ($100); Honorable Mention : Jona Peters, Mills College

2018–19: 1st prize: Maia Vicek, Miles College ($1250); Honorable Mentions: Avery Ardent, UC San Diego ($250); Amanda Vong, UC Santa Cruz ($250); Cu Fleshman, UC Irvine ($250)

2017–18: 1st prize: Riley O'Connell, Santa Clara University ($500); 2nd prize: Steffi Pressesky, UC Santa Cruz ($250); 3rd prize Monica Pereles, UC Merced ($250)

2016–17: Serena Balk, UC San Diego; Delphine Candland, UCLA; Kevin Alexander Perez, UC Santa Cruz ($300 each)

2015–16: 1st prize: Nathaniel Dolton-Thornton, UC Berkeley ($500); 2nd prize: Conor MacKenzie Kelly, UC Santa Cruz ($300); 3rd prize: Taelor Ramos, Mills College ($200)

2014–15: 1st prize: Christian Gella, UC San Diego ($1,100); 2nd prize: Katherine Duckworth, Mills College, Antony Fangary, UC Davis, Michelle Felmlee-Gartner, St. Mary's College, and Nilufal Karimi, UC San Diego ($100 each)

2013–14: 1st prize: Claire Bresnahan, Mills College, and Terry Taplin, St. Mary's College ($200 each); 2nd prize: Zoe Goldstein, UCLA, and Olivia Mertz, Mills College ($150 each); 3rd prize: Sabrina Barreto, Santa Clara University, Andrew David King, UC Berkeley, and Desmond Vanderfin, St. Mary's College ($100 each)

2012–13: 1st prize: Jacquelin Balderrama, UC Riverside ($400); 2nd prize: Laura Isabella Sylvan, Santa Clara University ($300); 3rd prize: Sabrina Barreto, Santa Clara University, Molly LaFleur, UC Santa Cruz; and Jacob Minasian, St. Mary's College ($100 each)

2011–12: 1st prize: John Liles, UCSD ($300); 2nd prize: Danni Gorden, UC Berkeley, and Ainsley Kelly, Santa Clara University ($200 each); 3rd prize: Andrew David King, UC Berkeley, Gabriel Malikian, UCLA, April Peletta, UCLA, and Kevin Zambrano, UCSB ($75 each)

2010–11: 1st prize: Nathan McClain, UCLA ($400); 2nd prize: Todd McClintock, UC Davis ($300); 3rd prize: Lynn Wang, UC Irvine and Kazumi Chin, UC Riverside, ($150 each); UC Berkeley winners: Kathryn Hindenlang and Christine Deakers

2009–10: 1st prize: Wesley Holtermann, UCSB ($400); 2nd prize: Katrina Kaplan, UC Berkeley, and Briony Gylgayton, UC Davis ($150) each; 3rd prize: Angela Eun Ji Koh, UCI, Isabelle Avila, UC Merced, and Jared Sandusky-Alford, UC Berkeley, ($100 each)

2008–09: 1st prize: Steven Lance, UC Berkeley ($400); 2nd prize: Esteban Ismael Alvarado, UC Riverside, and Marianna Tekosky, UCLA ($200 each); 3rd prize: Eden Orlando, UCSC, and Kevin Eldridge, UC Riverside, ($100 each)

2007–08: 1st prize: Katie Quarles, UCSC ($300); 2nd R. XiXi Hu, UCLA ($200)

2006–07: Julia Jackson, Mills College ($500)

2005–06: Athena Nilssen, UCLA and Crystal Reed, UCSB ($200 each); Honorable Mention: Renee K. Nelson, UCSC ($100)

2004–05: 1st prize: Jennifer Liou, UCI ($250); 2nd prize: Neil Ferron, Santa Clara University ($150); 3rd prize: Laura Mattingly, UCSC ($100)

2003–04: 1st prize: Jamie Michele Gill, UC Davis, and Laura Wetherington, UC Berkeley ($150 each); 2nd prize: Olivia Friedman, UC Berkeley, and Tina Sohaili, UCI ($100 each)

2002–03: 1st prize: Amaranth Borsuk, UCLA ($300); 2nd prize: Christina Ross, UC Irvine ($200)

2001–02: 1st prize: Kristen Holden, UCSC ($250); 2nd prize: Pepper Luboff, UC Berkeley ($150); 3rd prize: Yasmin Golan, UC Berkeley ($100)

2000–01: 1st prize: Hannah Love, Mills College ($300), 2nd prize: Elsie Rivas, Santa Clara University ($200), Allyson Seal and John Cross, UCLA ($50 each)

1999–00: Francesca Hersh, UCSC, Maggi Michel, UCLA, Aeryn Seto, UC Berkeley, Virginia Whitney Weigand, UC Davis ($100 each)

1998–99: 1st prize: Gareth S. Lee, Santa Clara University, ($250); 2nd prize: Kristen Robertson, Mills College ($150); 3rd prize: Jasmine Donahaye, UC Berkeley ($100)

1997–98: 1st prize: Emma Marxer, Mills College ($150); 2nd prize: E. Tracy Grinnell, Mills College ($100); 3rd prize: Ronald Laran, UC Davis, Lisa Visendi, St. Mary's, and Shannon Welch, UCSC ($50 each); Honorable Mention: Laura-Marie Taylor, UCSB

Lili Fabili and Eric Hoffer Essay Prize

The Lili Fabilli and Eric Hoffer Essay Prize is awarded for the best essays of 500 words or fewer on a topic chosen by the Committee on Prizes.

The contest is open to students, faculty, and staff of the UC Berkeley campus of the University of California. Prizes awarded to faculty and staff are paid through the Berkeley payroll system and taxes are taken out of the disbursement.

Chat GPT: savior or curse?

In a letter dated April 13, 1970, Eric Hoffer wrote to the Regents of the University of California: "I intend to give to the Berkeley campus of the University of California at least $10,000 in July 1970. The income of the fund shall be devoted to providing an annual prize or prizes for 500-word essays written by students, faculty, or staff at the Berkeley campus of the University. The sole criteria for the prizes shall be originality of thought and excellence in writing. This fund shall be known as the Lili Fabilli and Eric Hoffer Essay Prize." Hoffer felt very strongly that every idea could be expressed in a few words. Hoffer's own remarks follow:

2023–24: Ryan Lackey ($3,000), Annie Foo ($2,000) and Mary Mussman ($1,000) 

2022–23: 1st prize: Ryan Lackey ($3,000); 2nd prize: Bryan Jones ($2,000); 3rd prize: Andrew Kiser ($1,000)

2021–22:  1st prize: Ryan Lackey and Mary Mussman ($3000 each); 2nd prize: ($2000)

2020–21:  1st prize: Alex Brostoff ($3000); 2nd prize: Alysu Liu ($2000); 3rd prize: Michael Papias  ($1000); 4th prize: Drew Kiser, Landon Iannamico and Roshonda Walker ($500 each)

2019–20: 1st Prize: Rebecca Brunner and Marcelo Garzo ($2000 each); 2nd Prize: Jordan Diac Depasquale and Bryan K Jones ($1000 each); 3rd Prize: Luisa M. Giulianetti, Ryan Lackey, Isaac Engelberg and Laura Marostica ($500 each)

Topic: Confidence Without Attitude

2018–19: 1st prize: Elliott Lewis ($1000 each); Sourabh Harihar, Justin Hudak, Tara Madhav, Max Stevenson, Charlie Tidmarsh ($600 each); 3rd prize: Lily Call, Evan Cui, Rudraveer Vinay Reddy ($200 each)

Topic: The End of Civil Discourse?

2017–18: 1st prize: Katherine Beniger, Alexandra Maloney, JaVonte Morris-Wilson, David Olin, Jack Sadler ($700 each); 2nd prize: Maggie Mead, Ishani Joshi ($300 each); 3rd prize: Evan Bauer, Irina Popescu, Hideyasu Kurose, Rudraveer Reddy ($225 each)

Topic: Is Free Speech Free? 

2016–17: 1st prize: Maura Nolan, Evan Bauer, Luis Edward Tenorio, Noah Whiteman ($650 each); 2nd prize: Kristina Chan, Ariana Lightner, Brit Moller, Irina Popescu, Michele Rabkin ($250 each); 3rd prize: Bryan Jones, William McGregor, Carter Keeling ($100 each)

Topic: Advice to the new Chancellor

2015–16: Evan Bauer, Eric Dasmalchi, Natya Dharmosetio, Paige M. Johnson, Mihir Joshi, Pawanjot Kaur, Peiting Carrie Li, William McGregor (staff), Phillip Merlo, and Sharada Narayan ($500)

Topic: A Public University

2014–15: Alexandra Kopel, Bruno Mikanowski, and Carolyn Winter/ Staff ($1,500 each)

Topic: Carillon Ringing 

2013–14: Andrew David King and Ramona del Pozo ($1,000 each)

Topic: What I Don't Know

2012–13: 51 entries; Lindsay Bergstrom (staff), Timothy Borjian, Pierre Bourbonnais, Kelly Clancy, Gail Ford (staff), and Leah Romm ($800 each)

Topic: Gravity

2011–12: Kathy Bradley (staff), Joe Homer, Alex Setzepfandt (staff), and Sara Thoi ($1,000 each)

Topic: Persuade Me

2010–11: 1st prize: Shareena Samson (staff) ($1,200); 2nd prize: Patricia Argueza, Jing "Jonathan" Wong, and Alina Xu ($600 each)

Topic: The End of Civility

2009–10: Bryan Jones (staff), Salman Qasim, and Viola Tang ($1,650 each)

Topic: Whose University?

2008–09: Linda Finch-Hicks (staff), Jacob Mikanowski, Kofi Boakye, and Jeremy Suizo ($750 each)

Topic: Rock, Paper, Scissors

2007–08: Joseph Cadora, Jacob Mikanowski, and Xialou Ning ($1,000 each)

Topic: In Defense of Sloth

2006–07: Samuel E. Pittman ($1,500) and Xiaolu Ning ($1,500)

Topic: Whatever You Say, Say Nothing

2005–06: Karen Sullivan, Jacqueline Palhegyi, and Zachary Gordon ($1,000 each)

Topic: Looking Forward to Looking Back

2004–05: Erin Cooper, Lawrence Ruth (staff), and Sandra Wulff (staff) ($1,000 each)

Topic: What I'd Really Like to Do Is...

2003–04: 1st prize: Casey Dominguez ($1,000); 2nd prize: Ken Prola ($750); 3rd prize: Ana Martinez ($500); 4th prize: Sarang Dalal and Michele Rabkin ($375 each)

Topic: What Were They Thinking?

2002–03: 1st prize: Ana Martinez and Michael Rancer (staff) ($750 each); 2nd prize: Julie Rodriguez (staff) and Carol Wood (staff) ($500 each)

Topic: Self-Deception: Benefits and Consequences

2001–02: Eric Walton, Joanne Sandstrom (staff), Joseph Kim, Nellie Haddad (staff) ($750 each); Honorable Mentions: Jimmy Tran, Carol Wood (staff), Lynley Lys, and Karen Lam

Topic: If Only

2000–01: Zack Rogow ($1,000); Ken Chen, Cassandra Dunn, Zachary Gordon, and Pat Soberanis ($800 each)

Topic: Are Books Dead?

1999–00: Casey Knudsen ($1,000); Amanda Cundiff, Eric McGhee, Serban Nacu, and Sissel Waage ($500 each)

Topic: Networks

1998–99: 1st prize: Kathryn Renee Albe, Paul Klein, Joanne Palamountain, Sissel Waage, and Zack Rogow ($500 each)

Topic: Brushstrokes

1997–98: 1st prize: Virginia Matzek ($1,250); 2nd prize: Dominic Ang ($750)

Topic: Where There Is Light . . .

1996–97: Kathy Gether

Topic: Hello 2000

1995–96: 1st prize: Anna Moore (staff) and Maureen Morley (staff) ($1,000 each)

Topic: Fired With Enthusiasm

1994–95: 1st prize: Chris Haight (staff) and Reed Evans ($1,000 each)

Topics: A Moment's Notice and How Beautiful

1993–94: 1st prize: Roberto Landazuri ($1,000); 2nd prize: Ingrid Zommers and Jim Lake (staff) ($500 each)

Topic: What's Next?

1992–93: 1st prize: Steve Tillis, Letitia Carper (staff), David Krogh (staff), and David Schweidel (staff) ($250 each)

Topic: What an Original Idea!

1991–92: 1st prize: Christopher Galvin and Steve Tillis ($700 each); 2nd place: Celia Carlson and William Corley ($300 each)

Topic: What a Century!

1990–91: 1st prize: Michael Ditmore; 2nd prize: Daniel Lee; 3rd prize: Shirley Hodgkinson and Ramah Commanday

Topic: The Sin of Cain

1989–90: 1st prize: Tim Edwards; 2nd prize: Paul Jaminet, David Krogh, and Joanne Sandstrom

Topic: The Thankful/The Thankless

1988–89: 1st prize: Ramah Commanday; 2nd prize: Kathy Newman and George Huang

Topic: Smoldering Embers

1987–88: 1st prize: John Nebrhass, Kathy Newman, Anthony Robinson-While, and William Webber

Topic: Presidential Campaigns

1986–87: 1st prize: John Hatton; 2nd prize: Dave Erickson and Stuart Wald

Topic: Hair Shirts

1985–86: 1st prize: Charlotte Redemann; 2nd prize: Doris Lynch

Topic: Patterns

1984–85: 1st prize: Kirin Narayan; 2nd prize: Benjamin Watson; Honorable Mention: Christie McCarthy (staff), Carol Pitts, and Helen Workman (staff)

Topic: Pets and Animals

1983–84: 1st prize: Debra Cooper; 2nd prize: Donald Green; Honorable Mention: Elizabeth Anderson, Ann Elliott, Christine Feldhorn, Andrew Lunt, Ellen Nakashima, Thomas Simmons, Alan Stephen, and Monica Zorovich

Topic: California

1982–83: 1st prize: Richard Reinhardt; 2nd prize: Susan E. Bailey

Topic: Trees

1981–82: 1st prize: Lizbeth L. Hasse; 2nd prize: Barry Taxman. Essay prizes without a topic awarded to: 1st prize: Professor David Littlejohn; 2nd prize: Matthew M. Neal; Honorable Mention: Joanne Sandstrom and Jeffrey Norris Klink

Topic: Our Most Over-Valued Institution

1980–81: Christopher Rayner and Jennifer L. Walden ($250 each)

Topic: Should California Be Split into Two States?

1979–80: Richard Ogar ($500)

Topic: Should Public Laws Regulate Private Vice?

1978–79: No award given

Topic: Where Should Humankind Go Next?

1977–78: Paul Chernoff ($500)

Topic: In What Additional Field Should a Nobel Prize Be Awarded?

1976–77: S.M. Blair ($500)

Topic: Should There Be Olympic Games in the Future?

1975–76: Jeffrey Lewis Gold ($500)

Topic: What Image or Figure Redefining and Symbolizing the American Dream Can We Offer in 1976?

1974–75: S.M. Blair ($500)

Topic: What Is the Place of Grade Winning in an Education?

1973–74: Ingrid Maidel Krohn ($500)

Topic: How Do We Change Our Attitudes in the Face of Diminishing Natural Resources?

1972–73: John Thomas Gage ($500)

Topic: Is Zero Population Growth an Invasion of Privacy or a Collective Necessity?

1971–72: Leslie Morris Golden ($500)

Topics: F.S.M., People's Park, and Cambodia: Whither the Direction and What Are the Functions of the Contemporary University?

1970–71: Bryan Louis Pfaffenberger ($500)

Topic: The Modern City: Survival or Suicide?

Nicola de Lorenzo Prize in Music Composition

The Nicola De Lorenzo Prize in Music Composition is awarded for the best original completed musical composition.

The prize competition is open to both graduate and undergraduate students of any major. The composition is required to be a piece composed during your matriculation at UC Berkeley. Submit a score and, if possible, a recording of the composition. For music that is not notated (such as fixed media pieces, improvised performances, and so on), submit a recording with a note about the work and why it is not notated. All entries will be judged blind—your name should not appear on recordings or scores.

The Nicola De Lorenzo Prize in Music Composition was established in 1958.

2023–24: Eda Er and Owen Klein ($1,500 each)

2022–23: Alfred Jimenez, Dionysius Nataraja, Owen Klein ($1,000 each)

2021–22: Andrew Harlan, Alfred Jimenez ($2,000 each), Leo W. Yang ($500)

2020 –21: No award given

2019–20: Hwa-Chan Yu, Maija Hynninen, James Stone, Curtis Dahn ($1125)

2018–19: Selim Goncu, James Stone, Clara Olivares, Jeremy Wexler, Maija Hynninen ($1000)

2017–18: Oren Boneh, Selim Goncu, Antonio Juan Marcos Cavazos, Trevor Van de Velde ($1000)

2016–17: 1st Prize: Lily Chen ($1,200); 2nd Prize: Scott Rubin,Selim Gonchu ($800); 3rd Prize: Kayla Cashetta ($700)

2015–16: 1st prize: Antonio Juan-Marcos Cavazos ($1,000); 2nd prize: Ursula Kwong-Brown, Jeremy Wexler, Hwa-Chan Yu, and Zhoushu Herakleitos Ziporyn ($500); 3rd prize: Kayla Cashetta, and Scott Rubin ($250)

2014–15: 1st prize: Amadeus Regucera ($2,500); 2nd prize: Lily Chen ($1,000)

2013–14: 1st prize: Lily Chen ($1,750); 2nd prize: Amadeus Regucera ($1,250); 3rd prize: Andrew V. Ly ($500)

2012–13: 1st prize: Matthew Schumaker ($3,000); 2nd prize: Thatchatham Silsupan ($1,000); 3rd prize: Jose Rafael Valle Gomes da Costa ($500)

2011–12: 1st prize: Javier Jimmy Lopez and Amadeus Regucera ($1,300 each); 2nd prize: Thatchatam Silsupan, Matthew Goodheart, and Sivan Eldar ($800 each)

2010–11: 1st prize: Javier Jimmy Lopez ($1,000); 2nd prize: David Coll, Robin Estrada, Jen Wang, Daniel Cullen ($750 each); 3rd prize: Nils Bultmann, Matt Schumaker ($500 each)

2009–10: 1st prize: Amadeus Regucera ($2,000); 2nd prize: Evelyn Ficarra and Heather Frasch ($1,200 each); 3rd prize: Gabrielle Angeles ($600)

2008–09: 1st prize: Matthew Goodheart ($2,000); 2nd prize Amadeus Regucera, David Coll and Robin Estrada ($1,000 each)

2007–08: 1st prize: Robert Yamasato and Heather Frasch ($2,000 each); 2nd prize: Jimmy Lopez ($1,000)

2006–07: 1st prize: Aaron Einbond, Robert Yamasato, and Mason Bates ($1,666 each)

2005–06: 1st prize: Mason Bates and Aaron Einbond ($2,500 each)

2004–05: 1st prize: Yiorgos Vassilandonakis and Mason Bates ($2,000 each); 2nd prize: Aaron Einbond ($1,000)

2003–04: 1st prize: Fernando Benadon ($750); 2nd prize: Jean Ahn, David Bithell and Brian Kane ($250 each)

2002–03: 1st prize: Reynold Tharp ($750) and Mason Bates ($750)

2001–02: 1st prize: Keeril Makan ($750); 2nd prize: Mason Bates, Brian Kane, and Philipp Blume ($250 each)

1999–00: 1st prize: Brian Current ($700); 2nd prize: Fernando Benadon, Dmitri Tymoczko, and Michael Zbyszyriski ($600 each)

1998–99: 1st prize: Fernando Benadon, Brian Current, Keeril Makan, and Dmitri Tymoczko ($500 each)

1997–98: 1st prize: Eitan Steinberg ($800); 2nd prize: Keeril Makan ($700); 3rd prize: Reynold Tharp ($500)

Anne and Benjamin Goor Prize in Jewish Studies

The Anne and Benjamin Goor Prize in Jewish Studies is awarded annually to two graduate and two undergraduate students for essays on research in any area of Jewish Studies.

Creative works are not eligible. The essays must have been written after the previous year’s submission deadline and must have been written while the authors are registered students in good standing at UC Berkeley. For those years in which one or more prizes are not awarded, the prize money shall be made available for prize augmentation or additional prizes in another year, as recommended by the judges. There may be no more than two winning submissions by a single student.

The Benjamin Goor Prize in Jewish Studies was established in 1977 in memory of Benjamin Goor by his wife, Anne, to support programs and research in Jewish Studies. In 2005, upon the occasion of Anne’s death, the prize was renamed the Anne and Benjamin Goor Prize in Jewish Studies. Anne and Benjamin Goor were an integral part of the Jewish community in Phoenix, during and after World War II. During the war, their home was a kosher Shabbat and Passover haven for servicemen stationed at nearby bases. Anne was active in synagogue activities, B’nai B’rith Women, and Hadassah, serving as chapter president. She received many awards for her contributions to these organizations.

The Goor Prize is administered by Center for Jewish Studies. 

2021–22: Juliette Rosenthal, graduate winner and Meghana Kumar, undergraduate winner ($2,000)

2020–21: Oren Yirmiya, graduate winner ($1,500) and Wyatt Grauman, undergraduate winner ($1,500)

2019–20: Chloe Piazza, graduate winner and Walker Laughlin, undergraduate winner ($2,000)

2018–19: Yael Segalovits Eshel and Jennifer Stover-Kemp ($1,500); Gilad Barach, Sarah Goldwasser, and Andrew Kuznetsov ($1,000)

2017–18: Zachary Handler, Alexis Polevoi, Alan Elbaum, Sheer Ganor ($1,500)

2016–17: Balark Mallik, Jennifer Kemp, Danny Luzon, Simone Stirner ($1,000)

2015–16: Danny Luzon and Raphael Magarik, graduate winners ($1,000); Nathan Wexler, undergraduate winner ($1,000)

2014–15: Sheer Ganor and Danny Luzon, graduate winners ($2,000); no undergraduate winners selected

2013–14: Nicholas Baer and Anna Elena Torres, graduate winners ($1,000); Elijah Granet and Lisa Levin, undergraduate winners ($1,000)

2012–13: Noah Greenfied and Eyal Bassan, graduate winners ($1,000); no undergraduate winner selected

2011–12: Shira Wilkof and Celina Piser, graduate winners ($475); no undergraduate winner selected

2010–11: Alex Hendricks and Cameron McKee, undergraduate winners ($475); no graduate winner selected

2009–10: Yosefa Raz, graduate winner ($475); Judah Mirvish, undergraduate winner ($475)

2008–09: Zehavit Stern and Benjamin Wurgaft, graduate winners ($475); no undergraduate winner selected

2006–07: Noam Manor and Maya Barzilai, graduate winners ($475); Stephanie Robin Grossman, undergraduate winner ($475)

2005–06: Amos Bitzan and Samuel Thrope, graduate winners ($475); Rachel Wamsley, undergraduate winner ($475)

2004–05: Naomi Shulman, graduate winner; no undergraduate winner selected

2003–04: Lital Levy, graduate winner ($475); David Singer, undergraduate winner ($475)

2002–03: Benjamin Wurgaft and Lital Levy ($475)

2001–02: Rachel Havrelock, graduate winner ($475); Tara Sage Wilstein, undergraduate winner, ($475)

2000–01: Adriana Valencia, Lital Levy, and Lena Salameh shared $475 prize

1999–00: No award given

1998–99: Adriane B. Leveen and Lital Levy, graduate winners ($475); Jack Draper, undergraduate winner ($475)

1997–98: Gil Hochberg and Shachar Pinsker ($475)

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Medill senior wins 2024 Howell Essay Contest

Aaron boorstein’s winning essay critiques reporting on hospital explosion.

EVANSTON, ILL. – Aaron Boorstein (BSJ24) was named the 2024 winner of the Walter S. and Syrena M. Howell Essay Competition offered to Medill students. The annual contest challenges students to discuss “truth gone awry,” in the context of news gathering and dissemination. Boorstein will be awarded $4,000.

Boorstein’s submission, “Broken News, Breaking Trust: The Consequences of Unverified Reporting in the Al-Ahli Arab Hospital Coverage” reviews news reports from Oct. 17, 2023, about an explosion at a hospital in Gaza. Several news organizations initially identified cause as an Israeli airstrike and later had to revise the reporting when the cause could not be verified.

“I wrote about the initial coverage of the Al-Ahli Arab Hospital explosion because it exemplifies the consequences of journalism institutions hastily breaking news at accuracy’s expense,” said Boorstein. “While this trend satisfies the economic and social demands of the competitive digital news cycle, it severely undermines journalistic integrity and media trust.”

The contest was judged by a panel of faculty members from the Medill School of Journalism, Media, Integrated Marketing Communications

“The judges were impressed by Aaron’s thoughtful essay,” said one of the panelists. “As he wrote, ‘News outlets should use language that refrains from attributing specific actions or blame to parties involved in unfolding situations, ensuring transparency and preventing the presentation of unsubstantiated claims as facts.’

“…His show-don’t-tell’ examples and his concrete suggestions for the industry made him worthy of the 2024 prize.”

Related Medill News

Medill sophomore wins 2022 Howell Essay Contest

Medill rising senior wins 2023 Howell Essay Contest

Pulitzer winner Robert Samuels to address Medill convocation

Knox County students honored for winning statewide contest

K NOXVILLE, Tenn. (WATE) — Tennessee Secretary of State Tre Hargett honored two Knox County students for winning the statewide 2023 civics essay contest.

The contest was open to public, private, charter or homeschoolers in Grades K through 12. Two essays from each school and each grade level were submitted featuring the theme ‘Why Civility Matters.’

“Congratulations to Jasmine Smith and Nancy Claire Johnson on their first and third-place finishes in the 2023 Civics Essay Contest,” said Secretary Hargett. “They demonstrate the future of our great state is bright.”

Smith, a student from Knoxville Montessori School, placed first in the sixth to eighth grade category. Johnson, a student from Farragut Intermediate School, placed third in the third through fifth grade category.

The students visited the state capitol on March 21 to receive their awards. Both also earned TNStars 529 College Savings Program scholarships.

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