feminism essays

5 Essays About Feminism

On the surface, the definition of feminism is simple. It’s the belief that women should be politically, socially, and economically equal to men. Over the years, the movement expanded from a focus on voting rights to worker rights, reproductive rights, gender roles, and beyond. Modern feminism is moving to a more inclusive and intersectional place. Here are five essays about feminism that tackle topics like trans activism, progress, and privilege:

“Trickle-Down Feminism” – Sarah Jaffe

Feminists celebrate successful women who have seemingly smashed through the glass ceiling, but the reality is that most women are still under it. Even in fast-growing fields where women dominate (retail sales, food service, etc), women make less money than men. In this essay from Dissent Magazine, author Sarah Jaffe argues that when the fastest-growing fields are low-wage, it isn’t a victory for women. At the same time, it does present an opportunity to change the way we value service work. It isn’t enough to focus only on “equal pay for equal work” as that argument mostly focuses on jobs where someone can negotiate their salary. This essay explores how feminism can’t succeed if only the concerns of the wealthiest, most privileged women are prioritized.

Sarah Jaffe writes about organizing, social movements, and the economy with publications like Dissent, the Nation, Jacobin, and others. She is the former labor editor at Alternet.

“What No One Else Will Tell You About Feminism” – Lindy West

Written in Lindy West’s distinct voice, this essay provides a clear, condensed history of feminism’s different “waves.” The first wave focused on the right to vote, which established women as equal citizens. In the second wave, after WWII, women began taking on issues that couldn’t be legally-challenged, like gender roles. As the third wave began, the scope of feminism began to encompass others besides middle-class white women. Women should be allowed to define their womanhood for themselves. West also points out that “waves” may not even exist since history is a continuum. She concludes the essay by declaring if you believe all people are equal, you are a feminist.

Jezebel reprinted this essay with permission from How To Be A Person, The Stranger’s Guide to College by Lindy West, Dan Savage, Christopher Frizelle, and Bethany Jean Clement. Lindy West is an activist, comedian, and writer who focuses on topics like feminism, pop culture, and fat acceptance.

“Toward a Trans* Feminism” – Jack Halberstam

The history of transactivsm and feminism is messy. This essay begins with the author’s personal experience with gender and terms like trans*, which Halberstam prefers. The asterisk serves to “open the meaning,” allowing people to choose their categorization as they see fit. The main body of the essay focuses on the less-known history of feminists and trans* folks. He references essays from the 1970s and other literature that help paint a more complete picture. In current times, the tension between radical feminism and trans* feminism remains, but changes that are good for trans* women are good for everyone.

This essay was adapted from Trans*: A Quick and Quirky Account of Gender Variability by Jack Halberstam. Halberstam is the Professor of American Studies and Ethnicity, Gender Studies and Comparative Literature at the University of Southern California. He is also the author of several books.

“Rebecca Solnit: How Change Happens” – Rebecca Solnit

The world is changing. Rebecca Solnit describes this transformation as an assembly of ideas, visions, values, essays, books, protests, and more. It has many layers involving race, class, gender, power, climate, justice, etc, as well as many voices. This has led to more clarity about injustice. Solnit describes watching the transformation and how progress and “ wokeness ” are part of a historical process. Progress is hard work. Not exclusively about feminism, this essay takes a more intersectional look at how progress as a whole occurs.

“How Change Happens” was adapted from the introduction to Whose Story Is it? Rebecca Solnit is a writer, activist, and historian. She’s the author of over 20 books on art, politics, feminism, and more.

“Bad Feminist” extract – Roxane Gay

People are complicated and imperfect. In this excerpt from her book Bad Feminist: Essays , Roxane Gay explores her contradictions. The opening sentence is, “I am failing as a woman.” She goes on to describe how she wants to be independent, but also to be taken care of. She wants to be strong and in charge, but she also wants to surrender sometimes. For a long time, she denied that she was human and flawed. However, the work it took to deny her humanness is harder than accepting who she is. While Gay might be a “bad feminist,” she is also deeply committed to issues that are important to feminism. This is a must-read essay for any feminists who worry that they aren’t perfect.

Roxane Gay is a professor, speaker, editor, writer, and social commentator. She is the author of Bad Feminist , a New York Times bestseller, Hunger (a memoir), and works of fiction.

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About the author, emmaline soken-huberty.

Emmaline Soken-Huberty is a freelance writer based in Portland, Oregon. She started to become interested in human rights while attending college, eventually getting a concentration in human rights and humanitarianism. LGBTQ+ rights, women’s rights, and climate change are of special concern to her. In her spare time, she can be found reading or enjoying Oregon’s natural beauty with her husband and dog.

Essay on Feminism

500 words essay on feminism.

Feminism is a social and political movement that advocates for the rights of women on the grounds of equality of sexes. It does not deny the biological differences between the sexes but demands equality in opportunities. It covers everything from social and political to economic arenas. In fact, feminist campaigns have been a crucial part of history in women empowerment. The feminist campaigns of the twentieth century made the right to vote, public property, work and education possible. Thus, an essay on feminism will discuss its importance and impact.

Importance of Feminism

Feminism is not just important for women but for every sex, gender, caste, creed and more. It empowers the people and society as a whole. A very common misconception is that only women can be feminists.

It is absolutely wrong but feminism does not just benefit women. It strives for equality of the sexes, not the superiority of women. Feminism takes the gender roles which have been around for many years and tries to deconstruct them.

This allows people to live freely and empower lives without getting tied down by traditional restrictions. In other words, it benefits women as well as men. For instance, while it advocates that women must be free to earn it also advocates that why should men be the sole breadwinner of the family? It tries to give freedom to all.

Most importantly, it is essential for young people to get involved in the feminist movement. This way, we can achieve faster results. It is no less than a dream to live in a world full of equality.

Thus, we must all look at our own cultures and communities for making this dream a reality. We have not yet reached the result but we are on the journey, so we must continue on this mission to achieve successful results.

Impact of Feminism

Feminism has had a life-changing impact on everyone, especially women. If we look at history, we see that it is what gave women the right to vote. It was no small feat but was achieved successfully by women.

Further, if we look at modern feminism, we see how feminism involves in life-altering campaigns. For instance, campaigns that support the abortion of unwanted pregnancy and reproductive rights allow women to have freedom of choice.

Moreover, feminism constantly questions patriarchy and strives to renounce gender roles. It allows men to be whoever they wish to be without getting judged. It is not taboo for men to cry anymore because they must be allowed to express themselves freely.

Similarly, it also helps the LGBTQ community greatly as it advocates for their right too. Feminism gives a place for everyone and it is best to practice intersectional feminism to understand everyone’s struggle.

Get the huge list of more than 500 Essay Topics and Ideas

Conclusion of the Essay on Feminism

The key message of feminism must be to highlight the choice in bringing personal meaning to feminism. It is to recognize other’s right for doing the same thing. The sad part is that despite feminism being a strong movement, there are still parts of the world where inequality and exploitation of women take places. Thus, we must all try to practice intersectional feminism.

FAQ of Essay on Feminism

Question 1: What are feminist beliefs?

Answer 1: Feminist beliefs are the desire for equality between the sexes. It is the belief that men and women must have equal rights and opportunities. Thus, it covers everything from social and political to economic equality.

Question 2: What started feminism?

Answer 2: The first wave of feminism occurred in the late nineteenth and early twentieth centuries. It emerged out of an environment of urban industrialism and liberal, socialist politics. This wave aimed to open up new doors for women with a focus on suffrage.

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Essays About Feminism: Top 5 Examples Plus Prompts

When writing essays about feminism, there are a lot of aspects you can focus on. We have collected some of the best essay examples with prompts. 

Feminism is a socio-political movement that is about fighting for equal rights and opportunities for all genders. While many point its beginnings to the women’s rights movements in the 19th century, when women were liberated and finally allowed to vote, feminist thinking can actually be traced back to as early as the late 14th century with the works of French writer Christine De Pizan , touted the first feminist philosopher. 

Today, the definition of feminism has expanded to end discrimination, oppression and stereotyping of all genders from all walks of life. It aims to make radical reforms to eliminate cultural norms and push the legislation of equality-supporting laws. 

Because feminism is a widely relevant topic, you may be asked to write an essay about feminism either as a student or a professional. However, it may be difficult to find a starting point given the broad spectrum of areas in which feminism is found relevant. 

For help with your essays, check out our round-up of the best essays on feminism to provide inspiration:

1. Men Explain Things to Me by Rebecca Solnit

2. bad feminist by roxane gay, 3. civic memory, feminist future by lidia yuknavitch, 4. trickle-down feminism by sarah jaffe, 5. emily ratajkowski explores what it means to be hyper feminine by  emily ratajkowski , 1. definition of feminism, 2. does feminism still matter in the workplace, 3. would you consider yourself a feminist, 4. historical evolution of feminism, 5. criticisms against feminism, 6. how can we achieve gender equality , 7. who are the feminists in your community and what are they fighting for.

“The battle with Men Who Explain Things has trampled down many women — of my generation, of the up-and-coming generation we need so badly, here and in Pakistan and Bolivia and Java, not to speak of the countless women who came before me and were not allowed into the laboratory, or the library, or the conversation, or the revolution, or even the category called human. 

Solnit starts with amusing narratives of real-life experiences with men who have critiqued her books wrongly. Solnit points out that men’s arrogance and tendency to explain things to women, thinking they know better, have forced women into silence and weakened their credibility even in places where their voices are crucial – such as in the court stand when women testify to being raped. Solnit, thus, emphasizes that the fight against mansplainers is important to the feminist movement. For more, check out these articles about feminism .

“I want to be independent, but I want to be taken care of and have someone to come home to. I have a job I’m pretty good at. I am in charge of things. I am on committees. People respect me and take my counsel. I want to be strong and professional, but I resent how hard I have to work to be taken seriously, to receive a fraction of the consideration I might otherwise receive. Sometimes I feel an overwhelming need to cry at work, so I close my office door and lose it.”

Gay reveals a series of secrets that make her believe she is a “bad feminst.” At first, she had tried to hide her fondness for men, fashion and thuggish rap, among many other things that gave her joy but went against the ideal feminist image etched in the mind of many. Eventually, Gay embraces the “mess of contradictions” that she is, proudly owning the label of a “bad feminist” while she speaks up on issues critical to the feminist movement and debunks myths on the unrealistic standards surrounding the sisterhood.

“​​There is no photo for what my father did to his daughters. It came into our bodies as a habit of being, a structure of consciousness, a way of life. Maybe it is akin to feeling discovered and conquered and colonized. Maybe the first colonizations are of the bodies of women and children, and from there they extend like the outstretched hand of a man grabbing land. Cultures.”

Yuknavitch highlights her rage against “fathers” both in her personal life and in each political administration that she survived. Yuknavitch described how these fathers and father images try to take control of others’ bodies and lives and crush others’ spirits. In her confrontation and memory of such men, however, Yuknavitch also learned to create art and find her feminist purpose.

“Women may be overrepresented in the growing sectors of the economy, but those sectors pay poverty wages. The public sector job cuts that have been largely responsible for unemployment remaining at or near 8 percent have fallen disproportionately on women (and women of color are hit the hardest). Those good union jobs disappear, and are replaced with a minimum-wage gig at Walmart—and even in retail, women make only 90 percent of what men make.”

Jaffe gives an in-depth view of the gains and impasse in the fight to improve women’s working opportunities. She stresses that women’s breakthroughs in the workplace may not always be a cause for celebration if these do not translate to long-term and more concrete changes for women to be treated better in the workplace. Jaffe encouraged feminists to continue organizing themselves to focus on solutions that can address the continued low wages of women, gender pay gaps and the minimal choice of professions offered to women.

“I often think about this. Why, as a culture, do we insist on separating smart and serious from sexy? Give women the opportunity to be whatever they want and as multifaceted as they can be.”

American model Ratajkowski writes a candid memoir on what it means to be hyper feminine in a society that represses and shames sexuality. She recounts how a misogynistic culture heavily influenced her early adventures on exploring her feminine side, how she took it to her advantage and turned being “sexy” into her strength. Ratajkowski also reveals how she feels about feminism today and women, in general, having their own decision and choices.

Writing Prompts on Essays about Feminism 

For more help in picking your next essay topic, check out these seven essay prompts that can get you started:

Feminism is largely believed to be women’s fight against the patriarchy. Could it be a fight against all forms of oppression, discrimination, objectification and stereotyping? Could it be something more? You may even investigate some common myths about feminism. You might be interested in our list of adjectives for strong women .

Now that several women are climbing to the top of corporate ladders, have the right to vote and could get a doctorate, does feminism remain relevant? 

Your article can explore the continued challenges of women in the workplace. You may also interview some working women who have faced obstacles toward certain goals due to discrimination and how they overcame the situation.

This would tie in closely to the topic on the definition of feminism. But this topic adds value and a personal touch as you share the reasons and narratives that made you realize you are or are not a feminist. 

A common misconception is that only women can be feminists. 

The First Wave of feminism started in the 19th century as protests on the streets and evolved into today’s Fourth Wave where technologial tools are leveraged to promote feminist advocacies. Look at each period of feminism and compare their objectives and challenges.

While feminism aims to benefit everybody, the movement has also earned the ire of many. Some people blame feminism for enabling hostility towards men, promiscuity and pornography, among others. You can also touch on the more controversial issue on abortion which feminists fight for with the popularizd slogan “My body, my choice.” You can discuss the law of abortion in your state or your country and what feminist groups have to say about these existing regulations.

Gender equality is pursued in various fields, especially where women have had little representation in the past. One example is the tech industry. Choose one sector you relate closely with and research on how gender equality has advanced in this area. It may be fun to also interview some industry leaders to know what policy frameworks they are implementing, and what will be their strategic direction moving forward. 

Everyone surely knows a handful of feminists in their social media networks. Interview some friends and ask about feminist projects they have worked on or are working on. Of course, do not forget to ask about the outcomes or targets of the project and find out who has benefitted from the cause. Are these mothers or young women? 

WRITING TIPS: Before you head on to write about feminism, check out our essay writing tips so you can have a struggle-free writing process. 

If writing an essay still feels like a lot of work, simplify it. Write a simple 5 paragraph essay instead

Yna Lim is a communications specialist currently focused on policy advocacy. In her eight years of writing, she has been exposed to a variety of topics, including cryptocurrency, web hosting, agriculture, marketing, intellectual property, data privacy and international trade. A former journalist in one of the top business papers in the Philippines, Yna is currently pursuing her master's degree in economics and business.

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Women, Gender, and Families of Color

This essay is part of our online special issue honoring bell hooks

bell hooks: Feminism as the Transformational Work of Love

By Elizabeth Ann Bartlett

In her groundbreaking essay “Feminism: A Transformational Politic,” bell hooks boldly declares, “Embedded in the commitment to feminist revolution is the challenge to love” (hooks 1989, 26).  These words, and her recognition of love as the defining quality of feminism, resonated with me immediately and drew me deeply to her work. This was the message I had found so compelling in the work of other resistance writers and in my own deep desire for justice in the world. Popular misconceptions of feminism have miscast feminism as a hatred of men, a resentful complaint, and/or a desire for equal access to power and position in the patriarchal, capitalist hierarchy. But the feminism I know and love works toward the transformation of systems of domination and oppression to a world of justice, solidarity, and love. This is the feminism bell hooks articulated so well.

Hooks defined feminism as “a struggle to end sexist oppression . . . [that] is necessarily a struggle to eradicate the ideology of domination that permeates Western culture” (hooks 1984, 24). As such, it requires a commitment to restructure society to one that prioritizes people over profit. Feminism demands that we expand our concerns to the collective, recognizing that our commitment to fighting oppressions extends well beyond our own lives to any and all who are oppressed (hooks 1984). Thus, it requires a generous love toward the lives and well-being of all. Hooks knew love to be the foundation that sustains the work of creating a world without domination. She emphasized that every great movement for social justice has been grounded in love as a transformative force. “It was always love that created the motivation for profound inner and outer transformation. Love was the force that empowered folks to resist domination and create new ways of living and being in the world” (hooks 2013 , 194-195).

With this work of ending domination as the centerpiece of feminist commitment comes the recognition that none of us is immune from acts of domination. As Audre Lorde reflected, “What woman here is so enamored of her own oppression that she cannot see her heelprint upon another woman’s face?” (Lorde 1984,132). Recognizing that we all have the capacity to oppress and dominate, hooks challenged each of us to examine our own participation in systems of domination. This “ongoing, critical self-examination and reflection about feminist practice, about how we live in the world” (hooks 1989,24) is one of the hallmarks of feminism. While essential, to be of use in the transformation of domination, it must be accompanied by incumbent action. Feminist solidarity requires that we each take responsibility for recognizing and rectifying those instances in which our actions contribute to the oppression and domination of others, as well as of ourselves, and that we continually make the effort to reduce our participation in all systems of domination—parent/child, racism, sexism, classism, heterosexism, imperialism. For hooks, this is the very work of love. As she writes, “When women and men understand that working to eradicate patriarchal domination is a struggle rooted in the longing to make a world where everyone can live fully and freely, then we know our work to be a gesture of love” (hooks 1989,27). Conversely, as she reiterates so often in her work, “Anytime we do the work of love, we are doing the work of ending domination” (hooks 2009, 248).

The love that hooks invokes is demanding. As she says, it entails accepting “the fullness of our humanity, which then allows us to recognize the humanity of others” (hooks 2013, 198). That is not such an easy task. It requires us to recognize not only the goodness in those we cast as “the enemy,” but also our own shortcomings. As one of her inspirations, Sam Keen, writes, “When I know my shadow, I know that ‘they’ are like me. . . . [Those] I cast into the category of aliens are fellow humans who, like myself, are faulted, filled with contradictory impulses of love and hate, generosity, and the blind will to survive . . . ” (Keen 1983, 150). It is this recognition that galvanizes our refusal to engage in acts of domination, even against those who have oppressed and dominated us. It enables us instead, in hooks’s words, to “engage a practice of loving kindness, forgiveness, and compassion” (hooks 2013, 198). 

Much of hooks’s work centered around defining and refining the meaning and practice of love in action in the world, culminating in her book All About Love. In it she articulates a feminist vision of society shaped by this ethic of love, in which citizens and neighbors value and protect the common good—a notion that seems to have disappeared from our national consciousness and will as of late, but that we sorely need in this time. How very different our society could be if we as a nation, as a world, lived by this love ethic. As hooks writes, “If all public policy was created in the spirit of love”—which for her required care, respect, honesty, commitment—“we would not have to worry about unemployment, homelessness, schools failing to teach children, or addiction” (hooks 2000, 98). And, I would add public health, health care for all, poverty, childcare, structural racism, the school to prison pipeline, gun violence, environmental destruction, and climate change. The list could go on and on. Imagine it: public policy created in the spirit of love. Hooks challenged us to do more than imagine; she inspires us to do the daily hard and rewarding work of creating this society and these relationships based in love.

This is the work of transformational love. This is the work of feminism. To that end, I conclude with hooks’s charge to us all: “Let us draw upon that love to heighten our awareness, deepen our compassion, intensify our courage, and strengthen our commitment” (hooks 1989, 27).

hooks, bell. 1984. Feminist Theory: From Margin to Center. Boston: South End Press.

___. 1989. Talking Back: Thinking Feminist, Thinking Black. Boston: South End Press.

___.  2000. All About Love: New Visions. New York: William Morrow & Co.

___.  2009. “Lorde: The Imagination of Justice.” In I Am Your Sister: Collected and Unpublished Writings of Audre Lorde , edited by Rudolph P. Byrd, Johnnetta Betsch Cole, and Beverly Guy-Sheftall, 242-248. New York: Oxford U. Press.

___. 2013. Writing Beyond Race: Living Theory and Practice. New York: Routledge.

Keen, Sam. 1983. The Passionate Life: Stages of Loving. San Francisco: Harper & Row.

Lorde, Audre. 1984. Sister Outsider: Essays and Speeches by Audre Lorde. Trumansburg, NY: Crossing Press.

Elizabeth Ann Bartlett , Ph.D., is Professor Emerita of Women, Gender, and Sexuality Studies at the University of Minnesota Duluth, where she taught in the Political Science and WGSS departments for forty years. She is the author of numerous books and articles, including Rebellious Feminism: Camus’s Ethic of Rebellion and Feminist Thought, Making Waves: Grassroots Feminism in Duluth and Superior, and Journey of the Heart: Spiritual Insights on the Road to a Transplant. She has been active in feminist, peace and justice, Indigenous rights, and climate justice movements, and she currently serves as a spiritual companion. 

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18 Essential Feminist Reads, According to 6 Feminist Authors

As the great bell hooks stated, “feminism is for everybody.” Indeed, every person on earth is affected by the patriarchy in some way—though certainly, some more so than others. Thanks to the work of renowned professor Kimberlé Crenshaw, society has begun to understand the myriad ways in which race, class, sexual orientation, and other individual characteristics intersect to aggravate oppression. But the point is, we are all tasked with the responsibility of creating a new, just reality in which sexism and oppression have no place.

So where to begin when seeking to learn the ins and outs of the feminist movement? And what books can someone turn to when yearning to go deeper into its implications? To help us chart a way forward, we asked six feminist authors—across a wide array of backgrounds and literary genres—to share a few of the books they regard as essential reading for understanding both the myriad manifestations of the female experience and the sustained importance of feminism. Here are their suggested must-reads —in their own words.

Kate Baer, Author of What Kind of Woman and I Hope This Finds You Well

Bad Feminist by Roxane Gay : By now, most have heard of writer, feminist, and cultural critic Roxane Gay. Known for her funny, insightful, and moving essays, her reach is ever expanding and necessary. This book in particular has become my go-to recommendation for anyone searching for memoir, humor, or essays on intersectional feminism. Gay also stands out for her acceptance of imperfection, noting, “I am a bad feminist. I would rather be a bad feminist than no feminist at all.” [It’s a] phenomenal read.

Feminism Is for Everybody by bell hooks: This book should be required reading for every high school student, every first-time mother and father, every woman, and every man. Pair it with Chimamanda Ngozi Adichie’s We Should All Be Feminists , and you’ll find the perfect place to start if you’re interested in feminist studies and [desire to be] well-read on the subject. This book is literally for everyone.

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Diving Into the Wreck: Poems 1971-1972 by Adrienne Rich: Reading any Adrienne Rich is like taking a shot of feminine rage—it leaves a burning in your belly and a face flushed with indignation. This collection in particular calls the reader to examine how both men and women contribute to a harmful patriarchy. “You worship the blood you call it hysterical bleeding / you want to drink it like milk / you dip your finger into it and write / you faint at the smell of it / you dream of dumping me into the sea.” To know Rich’s poetry is to know the power of language.

I Know Why the Caged Bird Sings by Maya Angelou: Angelou’s 1969 autobiography turned American classic is perhaps one of our country’s most important reads on racism, sexism, and identity. Not only is this book a master class on prose, it gives readers a poignant and nuanced look into the upbringing of a remarkable American woman. Incredible and worth a reread if it’s been a decade or two.

Leah Thomas , Author of The Intersectional Environmentalist

All About Love by bell hooks: This is one of the most transformational books I’ve read, which explores the question “What is love?,”—love for ourselves, for others, for society. For Black women living in a patriarchal society built on racism, learning to love ourselves is a revolutionary act. Taking the time to assess generational trauma and unhealthy relational dynamics, [working toward] receiving healthy love between ourselves, our communities, and others is crucial to promoting a society rooted in love vs. oppression. bell hooks is a feminist icon, and this book demonstrates how love can be a healing tool for not only ourselves, but society as a whole.

Their Eyes Were Watching God by Zora Neale Hurston: Black feminism flows throughout this book, even though it’s not explicitly stated. But the experiences of the main character, Janie, demonstrate the struggles of Black women navigating both gender-based and racial discrimination and their ongoing quest for respect, rights, and dignity in the U.S. It also touches on colorism and lateral oppression, dynamics that occur within a minority group; through Janie’s struggles and experiences, she gets closer and closer to expressing her independence and finding empowerment in a patriarchal and racist society.

Rebecca Solnit, Author of Men Explain Things to Me and Recollections of My Nonexistence

Women and Power by Mary Beard: Mary Beard’s “The Public Voice of Women” [from] her small volume Women and Power is a great summary of the history of the problem of unequal voices—unequal in who is allowed to speak, who is listened to, who is believed and respected—all central to questions of inequality.

Woman and Nature: The Roaring Inside Her by Susan Griffin: Susan Griffin’s furious, lyrical Woman and Nature: The Roaring Inside Her still gives us valuable ways to think about gender in relationship to speed, technology, violence, domestic animals, to all the metaphors and analogies that stitch our world together in often-constricting ways.

How to Raise a Feminist Son by Sonora Jha: I love Sonora Jha’s How to Raise a Feminist Son because it addresses something really important, that how we raise children to see themselves, others, and the world is a central act in making a better world, and so feminism is taking place in a billion tiny acts every day, everywhere.

Know My Name by Chanel Miller: Chanel Miller’s memoir Know My Name describes how an act of violence and violation against an individual can ripple through dozens of lives, how the legal system often serves as a long episode of punishment and degradation following the original attack, and how a young woman can find her voice and use it to define herself, reach out to others, and claim the power she deserves.

Gabriela García, Author of Of Women and Salt

The Selected Works of Audre Lorde edited by Roxane Gay: I first encountered Audre Lorde’s essays and speeches as a young woman coming into my own feminist politic, particularly Sister Outsider , often quoted but sometimes divorced of its radical underpinnings. But I’d never read her essays alongside her poetry as in this new collection, and I was struck by the resonances between them—how theory grounded in the communal makes way for poetics of yearning, seething, loving that is painstakingly personal yet grounded in collaborative liberation and care.

Diving Into the Wreck by Adrienne Rich: I turn to Adrienne Rich’s poems often, and almost half a century after its publication, Diving Into the Wreck still strikes me as an utterly relevant exploration of both patriarchal power and mythology, and the complicated contours of feminine interiority. Rich explored varied territory–motherhood, the figure of daughter-in-law, the mechanical processing of a sexual assault by a cop–with language that was precise, incisive, and nuanced; the poems in this collection yield new insights each time I revisit.

Angela Garbes, Author of Like a Mother: A Feminist Journey Through the Science and Culture of Pregnancy and Essential Labor: Mothering as Social Change (Forthcoming May 2022)

Minor Feelings by Cathy Park Hong: Reading Minor Feelings in early 2020, just after it was published, I experienced the rare, intense pleasure of realizing, with each page, that it would be canonical to me. Here was the confusion, hypervigilance, desire, and pride and painful self-awareness that defines my (I thought) illegible, private journey into consciousness excised and biopsied with microscopic precision. Each essay is specific to Hong's experience as a Korean American woman, but as a Filipina American I am equally included and implicated. Here too, is anger—anger Asian women are not publicly entitled to, that increasingly threatens to consume us—finally directed outward, sublimated into powerful, destabilizing art.

“Welfare is a Women’s Issue,” essay by Johnnie Tillmon: Since the 1960s, mainstream American feminism has preached satisfaction and self-expression through work outside the home, a “lean-in” approach that values personal growth and gain. The beneficiaries have primarily been white women, as this empowerment has relied on outsourcing domestic labor to women of color at low wages. We hear a lot about Betty Friedan and The Feminine Mystique but far less about women such as Johnnie Tillmon and the National Welfare Rights Organization who, working at the same time, developed a platform for a Guaranteed Adequate Income to benefit all Americans. This essay, published in Ms. Magazine in 1972, shows that true feminism—inclusive and aimed at capitalist patriarchy’s root—can change everything. That, in Tillmon’s words, “Maybe it is we poor welfare women who will really liberate women in this country.”

“Uses of the Erotic: The Erotic as Power,” from Sister Outsider , by Audre Lorde: “ As women, we have come to distrust that power which rises from our deepest and nonrational knowledge,” Lorde writes. “Uses of the Erotic” instantly clarified something I had always suspected as a young woman: that the feeling of being “too much,” too emotional, too dark, too big, too sensitive, was not actually a problem. That it may actually be my great power. This essay is a loving, sensual invitation for all of us to see that we are not in conflict with ourselves, but with a culture that insists we'd be better off without our bodies. It’s true that all of Sister Outsider is essential reading, but I recommend doubling down and going deep on “Uses of the Erotic,” a short essay so densely packed with provocations and dares to live a full, embodied, and pleasurable physical life that I still marvel at it—and Lorde’s power—with every reading.

Zaina Arafat, Author of You Exist Too Much

Master of the Eclipse , Etel Adnan: The stories in Lebanese poet Etel Adnan’s Master of the Eclipse subversively resist an ingrained patriarchy through romantic relationships and female friendships. What results is a cauldron of displacement, nostalgia, love, and loss, all manifested in the trajectories of empowered female characters.

Meaty: Essays by Samantha Irby: This book, like so much of Irby’s work, delves into the unruly and at times uncooperative female body, along with love of food. By unabashedly displaying societally deemed “shameful” acts and realities, Irby empowers us to do the same, and to embrace our own bodily chaos and appetites.

Chloe Caldwell, The Red Zone: A Love Story (forthcoming April 2022): The necessity and urgency of The Red Zone made me wonder how I—or any woman—had lived so long without it. Through the lens of PMDD [premenstrual dysphoric disorder] and the female body, Caldwell refracts every issue imaginable, from relationships to hormones to queerness to stepmotherhood to blended families, all with hilarity, intimacy, and depth. Feeling seen by this book is an understatement; it’s a survival guide.

Feminism Essay: How to Write a Powerful Paper on Women’s Rights

A feminism essay or paper takes an in-depth look at what the word means, how women have been historically treated and the work still to be done toward equality.

A feminist essay can examine women’s rights from the perspective of several different disciplines, such as gender studies, history and sociology.

Regardless of your topic, writing a feminist essay requires you to be well informed on the topic and knowledgeable about your resources, so you can provide accurate facts and persuasive arguments to support your ideas.

Read on for a step-by-step breakdown of how to write a strong essay about feminism.

Define the topic for your feminism essay

To define your topic, first, start with defining feminism and its many facets.

Feminism is defined as the political, economic and social equality of all genders; however, it has come to mean much more than that.

For instance, there are now intersectional feminists who study issues related to race and sexual orientation alongside those related to gender.

There are also two waves of feminism.

First Wave feminism focused mainly on women’s suffrage, voting rights and reproductive rights while Second Wave feminism encompassed these topics while adding societal changes like workplace discrimination and rape culture.

Feminist movements often focus on specific marginalized groups such as trans people, Black Lives Matter activists and queer folks.

To help you narrow down your definition of feminism and decide which topics will best suit your needs, ask yourself a few questions.

What is my definition of feminism? What issue would I like to explore? Is this issue restricted to gender? What does my definition allow me to explore? What does my definition limit me from exploring?

Once you answer these questions, you’ll know which area best suits your topic and what information should go into each paragraph.

Researching the Topic For your feminism essay

This step is perhaps the most important part of writing a powerful feminist essay.

You need to gather facts and statistics about your topic, but don’t stop there!

Find articles, essays and interviews with experts in the field to get perspectives that are both traditional and outside the box.

Sometimes looking up just one source can change your entire understanding of something; always try to read multiple perspectives before making any conclusions.

Additionally, pay attention to sources because not all are created equal.

Some may be biased, some may contain factual inaccuracies and some may not even use credible sources at all.

The only way to tell if a resource is credible or not is by evaluating the author’s credentials (e.g., their academic background), whether they cite their sources properly and the opinions of other scholars in the field.

If a scholarly article was published in a peer-reviewed journal, chances are good that the writer’s statements are based on sound evidence and expert opinion.

However, if the article was published elsewhere, do your research to make sure the writer is qualified and can back up their claims.

Create an outline for your Feminism paper

An outline for your Feminine paper should have the following parts: introduction, argument, conclusion, and bibliography.

The introduction should be a brief overview of what you are going to be talking about in the essay.

Arguments should consist of your points as they relate to feminism. The conclusion should summarize your points and draw conclusions from them.

The bibliography is where you will list all sources used in the paper.

Remember the outline is not necessarily set in stone – feel free to change it if you want.

For example, if you think that two paragraphs would work better than one paragraph then by all means do so.

A good Feminine essay outline should not be detailed; instead, it is meant to highlight the topics which are going to be covered in the essay.

You can also use subheadings within your body paragraphs to help make things clearer or give more information when necessary.

Remember, there are no right or wrong ways to create an outline, just what works best for you!

Writing Your feminist essay Argument

There are many ways to structure your argument depending on the nature of your topic and style of the essay.

It is important to remember that a solid introduction and conclusion are the foundation of your essay, and without them, you won’t be able to establish your thesis.

In the introduction, you want to give your reader a broad idea of what you’re going to be discussing in the essay and why it matters.

Remember, though, that introductions are short- keep your brief.

An effective feminism essay argues in favour of women’s rights while providing examples of how women are currently disadvantaged.

A simple essay may argue that feminism is necessary to fight against gender inequality, while a more complex essay might argue that feminism is necessary in order to dismantle patriarchy.

Be sure to address your topic, include examples, and provide a thesis statement in your introduction and conclusion.

The body of the essay about feminism will be divided into three paragraphs.

The first should cover the definition of feminism and provide context for the following paragraphs.

The second paragraph should introduce an example of how women are currently being disadvantaged, while the third paragraph will discuss solutions to these problems.

For example, in the first paragraph, you could talk about the definition of feminism and mention that it includes fighting for gender equality.

The second paragraph could mention some issue like male violence against women and child marriage that is happening around the world. The third paragraph could then be dedicated to possible solutions to these problems.

For example, you could talk about campaigns like HeForShe and UN Women’s call to end violence against women and girls.

It is important to know that when you are citing resources, you must also include a bibliography as well as citations within the text of your paper so readers know where they can find more information.

Hitting the Right Tone

Once you’ve written your essay, take a few moments to reflect on your tone.

This is the final check to make sure that your paper is being communicated in the appropriate manner.

One easy way to determine your tone is to ask yourself who you are talking to and what they already know about the subject.

For instance, someone who has never heard of feminism would be reading this article from a very different perspective than someone who has spent years studying feminist theory.

The former may have a lot of questions about the topic and its implications, while the latter is likely to be more familiar and comfortable with the language.

This means that you’ll have to approach your writing in two different ways, tailoring your argument to your audience’s level of knowledge.

Think carefully about whether or not you’re using too much jargon or speaking too broadly, and make adjustments accordingly. You want to strike the right balance between accessible and academic writing. When people start reading your essay, their minds should light up with understanding; if they don’t understand something immediately, you need to find a way to explain it more clearly or change your word choice.

Tips for Writing a College Feminism Essay

Write strong introductions and conclusions

The introduction of the feminist essay should be informative, yet concise.

This is your chance to inform the reader of your thoughts and reasoning.

Do not feel obligated to present every detail, just enough to tell the story you wish to share.

Give an explanation of what you plan to say in the rest of your essay.

Next, conclude by bringing back your point one last time and summarizing the main points of your argument.

This is your opportunity to touch on the importance of feminism and remind the reader of what you’re trying to accomplish.

Consider your tone

It is essential to consider the tone of your essay, which refers to the attitude that a writer takes towards their subject. Tones are usually classified in terms of formal and informal or objective and subjective.

The formal tone is more reserved, with less personal input on the author’s part.

This tone is often seen in research papers and thesis papers.

The informal tone, on the other hand, is more conversational and casual. This tone is found in blogs, news articles, and editorials.

The formal tone is typically preferred in scholarly essays due to the seriousness of the subject matter.

However, both styles can be used effectively depending on your purpose and intended audience.

If you use the wrong tone in your essay it might sound preachy or off-putting to your readers.

Keep sentences simple, clear and concise

One important element of your essay is sentence structure.

Avoid unnecessarily complicated or difficult sentences. Your writing will be much easier to read if you keep things straightforward and concise.

There are times when complex sentences are appropriate, but only when it serves your purpose.

Generally speaking, simpler sentences are better as they help readers connect better with what you’re trying to say.

A feminism essay’s sentences should be as direct and clear as possible. Using short, to-the-point sentences helps the reader better understand your point of view.

This doesn’t mean you should avoid using long sentences occasionally, just be mindful of what you’re saying.

Too many big words or sentences that are too complicated won’t make your essay more credible.

In general, you want to convey your ideas in a clear and engaging manner. Make it easy on your reader!

Use the active voice and descriptive verbs

It’s a good idea to mix the active voice with passive sentences, especially when you’re telling a story or describing events.

Active voice, in essence, is where the subject of the sentence is doing the action that is expressed in the verb.

Passive voice, on the other hand, places more emphasis on what happens to someone or something rather than who does it.

Feminist papers should be written in an active voice because it focuses on what the subject is doing rather than what is happening to them.

This is crucial for avoiding ambiguity and confusing language.

Use concrete language

One way to improve your writing style is by using specific language and examples.

Concrete language relates more closely to objects, actions, and details that people can see or experience.

For example, instead of saying I wanted, try I wanted.

Specifics are always better than vague statements that may cause misunderstanding.

In feminist writing, the focus is on the woman and how she has to break down barriers in order to succeed.

As a result, language should be specific and accurate.

Address counterarguments

One of the goals of a persuasive feminist essay is to convince the reader that your position is correct.

This means you must acknowledge any valid arguments against your viewpoint and provide a response. This response could include evidence, logical explanations, or qualifications.

You also need to show that you’ve considered all aspects of your topic before making any claims about it. This is necessary in order to present a fair and balanced perspective on the subject.

Provide sources

One of the most common mistakes in an essay is not citing your sources.

Citing your sources is one way to back up what you are arguing or stating.

It gives credibility to your argument while demonstrating that you are informed about the topic.

One important way you need to cite your sources is by listing them at the end of your essay.

Doing so also allows readers who are interested in knowing more about your topic easy access to relevant information.

It’s true that some writers prefer to use footnotes, but it is generally accepted that the referencing system used at the end of your paper is the preferred method.

Avoid sexist language

Sexist language refers to words and phrases used primarily to refer to either women or men.

Examples of sexism include referring to a group of men as gentlemen, calling women sweethearts, or asking someone when they’re going to start a family.

Avoid these types of language in your writing because it is offensive and dismissive. Instead, replace gendered language with gender-neutral terms.

This will help to create a less biased and therefore, more effective essay.

A few ideas of gender-neutral terms to use in place of feminine language include driver, employee, human being, and student.

The tone and language you choose should be a reflection of your intended audience. To do this, you have to know what your audience is looking for.

Men are typically more interested in facts, figures, and straight talk whereas women are more receptive to emotional stories that make the point.

This means that if you’re writing a feminist essay on a political issue such as health care, you might want to take the latter approach. This strategy is more likely to lead to a successful essay.

Proofread, proofread, proofread!

Once you’re sure your paper has addressed all of these points and that it is perfect, it’s time to proofread your essay.

This step will help you ensure that there are no typographical or grammatical errors.

Even one typo can take away from what you’re saying and ultimately detract from your argument.

To check for mistakes, print out your essay then read it aloud to yourself, using different voices for different parts of the writing if possible.

This will help you catch any misspellings, misuse of punctuation and other mistakes that can otherwise be difficult to spot.

Next, ask a friend or colleague to proofread your essay for you.

Their opinion is often more objective than yours and this way you can be confident that your essay is the best it can be.

Feminine essay topics Examples

Essay topics for a feminist essay can be based on a wide range of issues.

For example, how feminism is perceived in America, the impact of feminism on male and female relationships, or the role of feminism in politics.

Here is a list of a few essay topics that a writer might consider, in order to write a powerful paper on the rights of women:

• What is your opinion of feminism and its effect on society?
• What does feminism mean to you?
• What is the feminist movement today, and where is it headed?
• Do feminists fight only for the rights of females, or are they working to protect everyone’s rights?
• Why is it important for girls to embrace feminism?
• How has feminism helped you personally?
• Why is it important for boys to become feminists too?
• When did you first become aware of the feminist movement, and why was this moment so significant to you?
• You’ve said that feminism is about fighting for the rights of both males and females. Could you elaborate on what this entails?
• In your own experience, which types of struggles have been the most challenging to overcome, and which ones have been the easiest?
• Explain the importance of feminism to a woman’s daily life.
• Explain the importance of feminism to a man’s daily life.
• Would you like to live in a world without any form of discrimination?
• Which is more important – personal happiness, or fighting for the rights of others?
• In your opinion, is achieving equal rights worth the struggle?
• If someone asked you to define feminism in just one sentence, what would you say?
• What advice do you have for young people who want to know how to get involved with the feminist movement?
• Discuss some ways that men can support their wives’ goals and dreams.
• Is sexism against men an issue as well as sexism against women?
• What are some long-term goals of the feminist movement, such as equality at home and work, or improved health care access?
• Who should we thank for getting us this far in the feminist movement, and what do we need to thank them for?
• What does feminism mean to you, and how has it impacted your life?

Writing a Feminine essay Final remarks

Feminine papers are usually focused on specific aspects of feminism, and arguments for the rights of women.

Topics for a feminine paper could include the effect of feminism on American culture, the significance of feminism to female relationships, and the role feminism plays in politics.

There is a wide variety of different feminist essay topics so writers can choose whichever topic suits them best.

Whether readers are interested in looking at how feminism is portrayed in popular culture, the effects of feminism on femininity and masculinity, or exploring ways to join the movement themselves there will be something here for every type of audience member.

Finally, always follow your professor’s specific instructions for writing this kind of paper.

Some professors may ask students to discuss ideas from readings in class, while other instructors may require students to use certain resources.

It is a good idea to follow the guidelines of the instructor because if not, the student may end up receiving a lower grade for violating these instructions

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Feminist Philosophy

This entry provides an introduction to the feminist philosophy section of the Stanford Encyclopedia of Philosophy (SEP). Overseen by a board of feminist philosophers, this section primarily takes up feminist philosophy of the twentieth and twenty-first century. It has three subsections of entries (as can be seen in Table of Contents under “feminist philosophy”): (1) approaches to feminist philosophy, (2) feminist interventions in philosophy, and (3) feminist philosophical topics. By “approaches to feminist philosophy” we mean the main philosophical approaches such as analytic, continental, psychoanalytic, pragmatist, and various intersections. We see these as methodologies that can be fruitfully employed to engage philosophically isssues of feminist concern. The second group of entries, feminist interventions in philosophy, includes entries on how feminist philosophers have intervened in and begun to transform traditional philosopical areas such as aesthetics, ethics, the history of philosophy, metaphysics, and political philosophy. Entries in the third group, feminist philosophical topics, take up concepts and matters that traditional philosophy has either overlooked or undertheorized, including autonomy, the body, objectification, sex and gender, and reproduction. In short, this third group of entries shows how feminist philosophers have rendered philosophical previously un-problematized topics, such as the body, class and work, disability, the family, human trafficking, reproduction, the self, sex work, and sexuality. Entries in this third group also show how a particularly feminist lens refashions issues of globalization, human rights, popular culture, race and racism, and science. Following a brief overview of feminism as a political and intellectual movement, we provide an overview of these three parts of the feminist section of the SEP.

In addition to the feminist philosophy section of the SEP, there are also a number of entries on women in the history of philosophy, for example, on Mary Wollstonecraft , Mary Astell , Jane Addams , Rosa Luxemburg , Simone de Beauvoir , Iris Murdoch , and others. Additionally, dozens of other entries throughout the SEP discuss facets of feminist philosophy, including, to name just a handful, the entries on global justice , respect , contemporary Africana philosophy , multiculturalism , privacy , and Latinx philosophy .

• 1. Introduction
• 2. What is Feminism?

3. Approaches to Feminism

4. interventions in philosophy, 5. topics in feminism, other internet resources, related entries, 1. what is feminism.

Broadly understood, feminism is both an intellectual commitment and a political movement that seeks an end to gender-based oppression. Motivated by the quest for social justice, feminist inquiry provides a wide range of perspectives on cultural, economic, social, and political phenomena. It identifies and evaluates the many ways that some norms have been used to exclude, marginalize, and oppress people on the basis of gender, as well as how gendered identities have been shaped to conform and uphold the norms of a patriarchal society. In so doing, it tries to understand the roots of a system that has been prevalent in nearly all known places and times. It also explores what a just society would look like.

While less frequently than one would think, throughout history women have rebelled against repressive structures. It was not until the late 19th century that feminism coalesced into a movement. In the mid-1800s the term feminism was still used to refer to “the qualities of females.” After the First International Women’s Conference in Paris in 1892, the term feminism , following the French term féministe , was used regularly in English for a belief in and advocacy of equal rights for women based on the idea of the equality of the sexes. Hence the term feminism in English is rooted in the mobilization for women’s suffrage in Europe and the United States during the late nineteenth and early twentieth century.

As a term, feminism has many different uses and its meanings are often contested. For example, some writers use the term to refer to a historically specific political movement in the United States and Europe; other writers use it to refer to the belief that there are injustices against women, though there is no consensus on the exact list of these injustices. Some have found it useful, if controversial, to think of the women’s movement in the United States as occurring in “waves.” The wave model has some virtues, but it also tends to overlook a great deal of heterogeneity of thought in any given moment. It works well enough for what is thought of as the first wave, identified as the period from the mid-nineteenth century until the passage of the Nineteenth Amendment in 1920. This first wave focused on the struggle to achieve basic political rights. According to the wave model, feminism in the United States waned after women achieved voting rights, to be revived in the late 1960s and early 1970s as “second wave” feminism. In this second wave, the model holds, feminists pushed beyond the early quest for political rights to fight for greater equality across the board, e.g., in education, the workplace, and at home. But in actuality, many feminists during this time were focusing on more than equality. Like the first wave, many of the leaders of the second wave of feminism were white women seeking equal rights. But also, as in the first wave, other voices emerged, broadening the movement. The second wave came to include women of different identities, ethnicities, and orientations. In addition to calling for equal political rights, they called for greater equality across the board, e.g., in education, the workplace, and at home. Transformations of feminism beginning in the 1990s have resulted in a “third wave.” Third Wave feminists often critique earlier feminists for their lack of attention to the differences among women due to class, ethnicity, nationality, religion, and race (see Breines 2002; Springer 2002), and emphasize “identity” as a site of gender struggle. (For more information on the “wave” model and each of the “waves,” see the subsection on Waves of Feminism in the Other Internet Resources section.)

Some feminist scholars object to identifying feminism in terms of waves on the grounds that doing so eclipses differences within each wave as well as continuity of feminist resistance to male domination throughout history and across cultures. In other words, feminism is not confined to a few (white) women in the West over the past century or so. Moreover, even considering only relatively recent efforts to resist male domination in Europe and the United States, the emphasis on “First” and “Second” Wave feminism ignores the ongoing resistance to male domination between the 1920s and 1960s and the resistance outside mainstream politics, particularly by women of color and working class women (Cott 1987). The wave model also cannot account for theoretical work taking place between waves, for example, of the tremendous work done by Simone de Beauvoir in her groundbreaking book of 1949, The Second Sex . Because of these many limitiations of the wave model, the feminist section of the SEP makes little use of it.

Although the term feminism has a history in English linked with women’s activism from the late nineteenth century to the present, it is useful to distinguish feminist ideas or beliefs from feminist political movements, for even in periods where there has been no significant political activism around women’s subordination, individuals have been concerned with and theorized about justice for women. So, for example, it makes sense to ask whether Plato was a feminist, given his view that some women should be trained to rule ( Republic , Book V), even though he was an exception in his historical context (see, e.g., Tuana 1994). Overall, feminism can be understood as not only a social movement but also a set of beliefs, concepts, and theories that seek to analyze, diagnose, and identify solutions to the manifold injustices that people suffer on account of gendered norms. Broadly understood, this is feminism as a intellectual movement. The SEP feminist section aims to chronicle and explain the various theories, concepts, and philosophical tools that feminist philosophers have developed.

Much has been made of the methodological differences or “divides” between various philosophical traditions, namely analytic and continental, but also pragmatist and psychoanalytic. But throughout these entries the reader will find a continuity of descriptions on the meaning of feminism, even with the heterogeneity of the philosophical methodologies these entries’ authors employ. The entry on feminist ethics, written by the analytic feminist philosopher Kathryn Norlock, describes that field in a way that is agreeable to almost any feminist philosopher:

Feminist Ethics aims “to understand, criticize, and correct” how gender operates within our moral beliefs and practices (Lindemann 2005, 11) and our methodological approaches to ethical theory. More specifically, feminist ethicists aim to understand, criticize, and correct: (1) the binary view of gender, (2) the privilege historically available to men, and/or (3) the ways that views about gender maintain oppressive social orders or practices that harm others, especially girls and women who historically have been subordinated along gendered dimensions including sexuality and gender-identity. (entry on feminist ethics , introduction)

Likewise, the entry on feminist perspectives on power, written by the critical theorist Amy Allen, proposes the idea that “although any general definition of feminism would no doubt be controversial, it seems undeniable that much work in feminist theory is devoted to the tasks of critiquing gender subordination, analyzing its intersections with other forms of subordination such as racism, heterosexism, and class oppression, and envisioning prospects for individual and collective resistance and emancipation.” (entry on feminist perspectives on power , introduction)

Even with general overall shared commitments about the meaning of feminism, numerous differences among feminist philosophers do show up in the array of arenas outlined in this section of the SEP. Some of these may be due to different methodological approaches (whether, for example, continental or analytic), but others show up because of different ontological commitments (such as the category of woman) and beliefs about what kind of political and moral remedies should be sought.

Nonetheless, over the decades there has been a lot of frustration, perhaps because as philosophers these feminist theorists often want to get to the (one) truth of the matter, for example, what is “a woman”? What is freedom? What is autonomy? Yet so far any search for a unified or unifying theory of feminism has yet to bear fruit. Consider the seemingly unproblematic claim that feminism is a commitment to women’s equal rights. Perhaps it is, but framing it this way comes with its own presuppositions. The first is that feminism is committed to a liberal model of politics. Although most feminists would probably agree that there is some sense of rights on which achieving equal rights for women is a necessary condition for feminism to succeed, most would also argue that this would not be sufficient. This is because women’s oppression under male domination rarely if ever consists solely in depriving women of political and legal rights, but also extends into the structure of our society and the content of our culture, and the workings of languages and how they shape perceptions and permeate our consciousness (e.g., Bartky 1988, Postl 2017). A second presupposition is that there is some clear and universal definition of what it is to be a woman. The SEP entry, Feminist Perspectives on Sex and Gender, gives a rich overview of what is problematic about this supposition. Any attempt to define “woman,” according to Judith Butler, is also an attempt to exclude some from that category. More recently this debate shows up in discussions about nonbinary and trans people. Previously, it showed up in suppositions that the typical subject of feminism was white and middle class. While feminism would be easier to theorize if it were clear who its subject is, any attempt to define it runs into trouble. (see the entry on feminist perspectives on trans issues )

Is there any point, then, in asking what feminism is? Rather than looking for a unified field theory of feminism, perhaps feminism can be identified as an engagement precisely where there are contradictions over questions of freedom, identity, and agency. These contradictions are not just logical ones but also historical ones. For example, the question of women’s political equality to men arose precisely at those historical moments when “all men” came to be deemed as equal (McAfee 2021). During the French Revolution, the French settled the matter by saying that “men” meant men and not women. In the American Revolution, “men” was not so clearly gendered but it was certainly raced as white. Equality becomes an issue precisely where there is a disjunct between what seems to be the case normatively and what is happening empirically. Questions about the category of women arise in the context of political diversity and biological malleability, where peoples of many cultures mingle and sexual or gender identity can be altered. Feminist debates over pornography and sex work become heated in the context, respectively, of a free press and economic precarity. In short, feminist inquiry arises in the context of disagreement and contradiction and it produces new ways of approaching issues and asking questions. Thus, that it lacks a cohesive set of answers may be beside the point.

In sum, “feminism” is an umbrella term for a range of views about injustices against women. There are disagreements among feminists about the nature of justice in general and the nature of sexism, in particular, the specific kinds of injustice or wrong women suffer; and the group who should be the primary focus of feminist efforts. Nonetheless, feminists are committed to bringing about social change to end injustice against women, in particular, injustice against women as women.

2. Feminist Scholarship

Contemporary feminist philosophical scholarship emerged in the 1970s as more women began careers in higher education, including philosophy. As they did so, they also began taking up matters from their own experience for philosophical scrutiny. These scholars were influenced both by feminist movements in their midst as well as by their philosophical training, which generally was anything but feminist. Until about the 1990s, one could not go to graduate school to study “feminist philosophy.” While students and scholars could turn to the writings of Simone de Beauvoir or look back historically to the writings of “first wave” feminists like Mary Wollstonecraft, most of the philosophers writing in the first decades of the emergence of feminist philosophy brought their particular training and expertise to bear on analyzing issues raised by the women’s liberation movement of the 1960s and 1970s, such as abortion, affirmative action, equal opportunity, the institutions of marriage, sexuality, and love. Additionally, feminist philosophical scholarship increasingly focused on the very same types of issues taken up by mainstream philosophers.

Feminist philosophical scholarship begins with attention to women, and to limitations on their roles and locations and the ways they were valued or devalued. It developed further by considering gender in less binary terms as well as recognizing that gender is only one fact of the complex interactions among class, race, ability, and sexuality. Feminist scholarship asks how attention to these might transform feminist philosophy itself. From here we move to the realm of the symbolic and how it constructs “the feminine.” How is the feminine instantiated and constructed within the texts of philosophy? What role does it play in forming, either through its absence or its presence, the central concepts of philosophy?

Feminist philosophers brought their philosophical tools to bear on these questions. Since these feminist philosophers employed the philosophical tools they knew best and found most promising, feminist philosophy began to emerge from all the traditions of Western philosophy prevalent at the end of the twentieth century, including analytic, continental, and classical American philosophy. While the thematic focus of their work was often influenced by the topics and questions highlighted by these traditions, the larger shared feminist concerns often create as much commonality as difference. Hence, a given question could be taken up and addressed from an array of views in ways that are sometimes divergent and at other times complementary.

As an historically male discipline, many of the leading philosophical journals and societies did not recognize much feminist scholarship as properly philosophical. In response, feminist scholars began founding their own journals and organizations. The first leading feminist journal, Hypatia: A Journal of Feminist Philosophy , was founded in 1982 as a venue for feminist philosophical scholarship. It embraced a diversity of methodological approaches in feminist philosophy, publishing work from a variety of traditions. Feminist scholarship in each of these traditions is also advanced and supported though scholarly exchange at various professional societies, including the Society for Women in Philosophy, founded in the United States in 1972. Additionally, the Society for Analytical Feminism, founded in 1991, promotes the study of issues in feminism by methods broadly construed as analytic, to examine the use of analytic methods as applied to feminist issues, and to provide a means by which those interested in analytical feminism can meet and exchange ideas. The journal philo SOPHIA was established in 2005 to promote continental feminist scholarly and pedagogical development. The Society for the Study of Women Philosophers was established in 1987 to promote the study of the contributions of women to the history of philosophy. Similar organizations and journals on many continents continue to advance scholarship in feminist philosophy. Often a feminist philosophical society will publish its own journal, just as the International Network on Feminist Approaches to Bioethics publishes the International Journal of Feminist Approaches to Bioethics. While the discipline of philosophy in the West remains predominantly white and male, feminist journals and scholarship continues to proliferate.

Important feminist philosophical work has emerged from all the current major philosophical traditions, including analytic philosophy, continental philosophy, and American pragmatist philosophy. It is also emerging from other new areas of inquiry, such as Latin American thought, which arises out of the context of colonialism. Entries in the SEP under the heading “approaches to feminism” discuss the impact of these traditions and constellations of thought on feminist scholarship. The subsection also addresses how some work, such as psychoanalytic feminism, bridges two or more traditions. The editors of the feminist section of the SEP see these different traditions as a rich array of methodologies rather than “continental divides.” The array reflects a variety of beliefs about what kinds of philosophy are both fruitful and meaningful. The different methodologies bring their own ways of asking and answering questions, along with constructive and critical dialogue with mainstream philosophical views and methods and new topics of inquiry.

As the SEP continues to grow, we anticipate that this subsection on approaches to feminism will expand to address other traditions, including Black feminism. But for now, here are links to entries in this subsection:

• analytic feminism
• continental feminism
• Latin American feminism
• pragmatist feminism
• intersections between pragmatist and continental feminism
• intersections between analytic and continental feminism
• psychoanalytic feminism

Though not included along with these in the table of contents, another relevant approach can be found in the entry on gender in Confucian philosophy .

All these approaches share a set of feminist commitments and an overarching criticism of institutions, presuppositions, and practices that have historically favored men over women. They also share a general critique of claims to universality and objectivity that ignore male-dominated theories’ own particularity and specificity. Feminist philosophies of almost any philosophical orientation will be much more perspectival, historical, contextual, and focused on lived experience than their non-feminist counterparts. Unlike mainstream philosophers who can seriously consider the philosophical conundrums of brains in a vat, feminist philosophers always start by seeing people as embodied. Feminists have also argued for the reconfiguration of accepted structures and problems of philosophy. For example, feminists have not only rejected the privileging of epistemological concerns over moral and political concerns common to much of philosophy, they have argued that these two areas of concern are inextricably intertwined. Part 2 of the entry on analytic feminism lays out other areas of commonality across these various approaches. For one, feminist philosophers generally agree that philosophy is a powerful tool for, as Ann Garry states in that entry, “understanding ourselves and our relations to each other, to our communities, and to the state; to appreciate the extent to which we are counted as knowers and moral agents; [and] to uncover the assumptions and methods of various bodies of knowledge.” As such, philosophy is also a powerful tool for understanding how gender itself has been constructed, that is, why and to whose benefit it is to construct some people as lesser and less capable than others. Along these lines, feminist philosophers are keenly attuned to male biases at work in the history of philosophy, such as those regarding “the nature of woman” and supposed value neutrality, which on inspection is hardly neutral at all. Claims to universality, feminist philosophers have found, are usually made from a very specific and particular point of view, contrary to their manifest assertions. Another orientation that feminist philosophers generally share is a commitment to normativity and social change; they are never content to analyze things just as they are but instead look for ways to overcome oppressive practices and institutions.

Such questioning of the problems of mainstream approaches to philosophy has often led to feminists using methods and approaches from more than one philosophical tradition. As Ann Garry notes in Part 3 of the entry on analytic feminism (2017), it is not uncommon to find analytic feminists drawing on non-analytic figures such as Beauvoir, Foucault, or Butler; and because of their motivation to communicate with other feminists, they are more motivated than other philosophers “to search for methodological cross-fertilization.” Moreover, feminist philosophers are generally inclined to incorporate the perspectives of all those who have been oppressed.

Even with their common and overlapping orientations, the differences between the various philosophical approaches to feminism are significant, especially in terms of styles of writing, influences, and overall expectations about what philosophy can and should achieve. Analytic feminist philosophy tends to value analysis and argumentation, though anyone trained in philosophy does so as well. Continental feminist theory puts more emphasis on interpretation and deconstruction, and pragmatist feminism values lived experience and exploration. Coming out of a post-Hegelian tradition, both continental and pragmatist philosophers usually suspect that “truth,” whatever that is, emerges and develops historically. They tend to share with Nietzsche the view that truth claims often mask power plays. Yet where continental and pragmatist philosophers are generally wary about notions of truth, analytic feminists tend to argue that the way to “counter sexism and androcentrism is through forming a clear conception of and pursuing truth, logical consistency, objectivity, rationality, justice, and the good.” (Cudd 1996: 20).

These differences and intersections play out in the ways that various feminists engage topics of common concern. One key area of intersection, noted by Georgia Warnke, is the appropriation of psychoanalytic theory, with Anglo-American feminists generally adopting object-relations theories and continental feminists drawing more on Lacan and contemporary French psychoanalytic theory, though this is already beginning to change as it becomes clearer that continental psychoanalytic theory is also interested, via Julia Kristeva and Melanie Klein, in object-relations theory (see the entry on intersections between analytic and continental feminism ). The importance of psychoanalytic approaches is also underscored in Shannon Sullivan’s entry on intersections between pragmatist and continental feminism . Given the importance of psychoanalytic feminism for all three traditions, a separate essay on this approach to feminist theory is included in this section.

No topic is more central to feminist philosophy than sex and gender, but even here many variations on the theme flourish. Where analytic feminism, with its critique of essentialism, holds the sex/gender distinction practically as an article of faith (see the entry on feminist perspectives on sex and gender and Chanter 2009), continental feminists tend to suspect either (1) that even the supposedly purely biological category of sex is itself socially constituted (Butler 1990 and 1993) or (2) that sexual difference itself needs to be valued and theorized (see especially Cixous 1976 and Irigaray 1974).

Despite the variety of different approaches, styles, societies, and orientations, feminist philosophers’ commonalities are greater than their differences. Many will borrow freely from each other and find that other orientations contribute to their own work. Even the differences over sex and gender add to a larger conversation about the impact of culture and society on bodies, experience, and pathways for change.

Philosophers who are feminists have, in their work in traditional fields of study, begun to change those very fields. The Encyclopedia includes a range of entries on how feminist philosophies have intervened in conventional areas of philosophical research, areas in which philosophers often tend to argue that they are operating from a neutral, universal point of view (notable exceptions are pragmatism, poststructuralism, and some phenomenology). Historically, philosophy has claimed that the norm is universal and the feminine is abnormal, that universality is not gendered, but that all things feminine are not universal. Not surprisingly, feminists have pointed out how in fact these supposed neutral enterprises are in fact quite gendered, namely, male gendered. For example, feminists working on environmental philosophy have uncovered how practices disproportionately affect women, children, and people of color. Liberal feminism has shown how supposed universal truths of liberalism are in fact quite biased and particular. Feminist epistemologists have called out “epistemologies of ignorance” that traffic in not knowing. Across the board, in fact, feminist philosophers are uncovering male biases and also pointing to the value of particularity, in general rejecting universality as a norm or goal.

Entries under the heading of feminist interventions include the following:

• feminist aesthetics
• feminist bioethics
• feminist environmental philosophy
• feminist epistemology and philosophy of science
• feminist ethics
• feminist history of philosophy
• liberal feminism
• feminist metaphysics
• feminist moral psychology
• feminist philosophy of biology
• feminist philosophy of language
• feminist philosophy of law
• feminist philosophy of religion
• feminist political philosophy
• feminist social epistemology

Feminist critical attention to philosophical practices has revealed the inadequacy of dominant philosophical tropes as well as the need to turn philosophical attention to things that had previously gone unattended. For example, feminists working from the perspective of women’s lives have been influential in bringing philosophical attention to the phenomenon of care and care-giving (Ruddick 1989; Held 1995, 2007; Hamington 2006), dependency (Kittay 1999), disability (Wilkerson 2002; Carlson 2009), women’s labor (Waring 1999; Delphy 1984; Harley 2007), the devaluation of women’s testimonies (see the entry on feminist epistemology and philosophy of science ), and scientific bias and objectivity (Longino 1990). In doing so they have revealed weaknesses in existing ethical, political, and epistemological theories. More generally, feminists have called for inquiry into what are typically considered “private” practices and personal concerns, such as the family, sexuality, and the body, in order to balance what has seemed to be a masculine pre-occupation with “public” and impersonal matters. Philosophy presupposes interpretive tools for understanding our everyday lives; feminist work in articulating additional dimensions of experience and aspects of our practices is invaluable in demonstrating the bias in existing tools, and in the search for better ones.

Feminist explanations of sexism and accounts of sexist practices also raise issues that are within the domain of traditional philosophical inquiry. For example, in thinking about care, feminists have asked questions about the nature of the self; in thinking about gender, feminists have asked what the relationship is between the natural and the social; in thinking about sexism in science, feminists have asked what should count as knowledge. In some such cases, mainstream philosophical accounts provide useful tools; in other cases, alternative proposals have seemed more promising.

In the sub-entries included under “feminism (topics)” in the Table of Contents to this Encyclopedia , authors survey some of the recent feminist work on a topic, highlighting the issues that are of particular relevance to philosophy. These entries are:

• feminist perspectives on argumentation
• feminist perspectives on autonomy
• feminist perspectives on class and work
• feminist perspectives on disability
• feminist perspectives on globalization
• feminist perspectives on objectification
• feminist perspectives on power
• feminist perspectives on rape
• feminist perspectives on reproduction and the family
• feminist perspectives on science
• feminist perspectives on sex and gender
• feminist perspectives on sex markets
• feminist perspectives on the body
• feminist perspectives on the self
• feminist perspectives on trans issues

See also the entries in the Related Entries section below.

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• Narayan, Uma and Sandra Harding (eds.), 2000, De-centering the Center: Philosophy for a Multicultural, Postcolonial, and Feminist World , Bloomington, IN: Indiana University Press.
• Nussbaum, Martha C., 1995, “Human Capabilities, Female Human Beings”, in Women, Culture and Development: A Study of Human Capabilities , Martha Nussbaum and Jonathan Glover (eds), Oxford: Oxford University Press, 61–104.
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• O’Connor, Peg, 2008, Morality and Our Complicated Form of Life: Feminist Wittgensteinian Metaethics , University Park, PA: Penn State Press.
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• –––, 1989, Justice, Gender, and the Family , New York: Basic Books.
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• Postl, Gertrude, 2017, “Language, Writing, and Gender Differences”, in Garry et al. 2017: 293–302.
• Reagon, Bernice Johnson, 1983, “Coalition Politics: Turning the Century”, in Home Girls: A Black Feminist Anthology , Barbara Smith (ed.), New York: Kitchen Table: Women of Color Press, 356–368.
• Robinson, Fiona, 1999, Globalizing Care: Ethics, Feminist Theory, and International Affairs , Boulder, CO: Westview Press.
• Rowe, C., 2012, Plato, Republic , translated, with an introduction and notes, New York: Penguin Books.
• Rubin, Gayle, 1975, “The Traffic in Women: Notes on the ’Political Economy’ of Sex”, in Towards an Anthropology of Women , Rayna Rapp Reiter (ed.), New York: Monthly Review Press, 157–210.
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• Salamon, Gayle, 2010, Assuming a Body: Transgender and Rhetorics of Mutuality , New York: Columbia University Press.
• Scheman, Naomi, 1993, Engenderings: Constructions of Knowledge, Authority, and Privilege , New York: Routledge.
• Schneir, Miriam, 1972, Feminism: The Essential Historical Writings , New York: Vintage Books.
• ––– (ed.), 1994, Feminism in Our Time: The Essential Writings, World War II to the Present , New York: Vintage Books.
• Schott, Robin May, 2003, Discovering Feminist Philosophy , Lanham, MD: Rowman & Littlefield.
• Schwartzman, Lisa H., 2006, Challenging Liberalism: Feminism as Political Critique , University Park, PA: Pennsylvania State University Press.
• Scott, Joan W., 1988, “Deconstructing Equality-Versus-Difference: Or the Uses of Poststructuralist Theory for Feminism”. Feminist Studies , 14(1): 33–50. doi:10.2307/3177997
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• Shrage, Laurie J., 2009, You’ve Changed: Sex Reassignment and Personal Identity , New York: Oxford University Press.
• Silvers, Anita, David Wasserman, Mary Mahowald, 1999, Disability, Difference, Discrimination: Perspectives on Justice in Bioethics and Public Policy , Lanham, MD: Rowman & Littlefield.
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• –––, 1990a, Throwing Like a Girl and Other Essays in Feminist Philosophy and Social Theory , Bloomington, IN: Indiana University Press.
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How to cite this entry . Preview the PDF version of this entry at the Friends of the SEP Society . Look up topics and thinkers related to this entry at the Internet Philosophy Ontology Project (InPhO). Enhanced bibliography for this entry at PhilPapers , with links to its database.

Resources listed below have been chosen to provide only a springboard into the huge amount of feminist material available on the web. The emphasis here is on general resources useful for doing research in feminist philosophy or interdisciplinary feminist theory, e.g., the links connect to bibliographies and meta-sites, and resources concerning inclusion, exclusion, and feminist diversity. The list is incomplete and will be regularly revised and expanded. Further resources on topics in feminism such as popular culture, reproductive rights, sex work, are available within each sub-entry on that topic.

• Feminist Theory Website
• Women and Social Movements in the US: 1600–2000
• The Path of the Women’s Rights Movement: Detailed Timeline 1848–1997
• Documents from the Women’s Liberation Movement (Duke Univ. Archives)
• Documenting Difference: An Illustrated & Annotated Anthology of Documents on Race, Class, Gender & Ethnicity in the United States
• Race, Gender, and Affirmative Action Resource Page

Associations

• The Society for Women in Philosophy (SWIP)
• Association for Feminist Ethics and Social Theory (FEAST)
• Feminist Epistemology, Metaphysics, Methodology, and Science Studies (FEMMSS) http://femmss.org/
• Feminist Theory Website (Introduction)
• philoSOPHIA: A Feminist Society
• Society for Analytical Feminism
• The Society for the Study of Women Philosophers

“Waves” of Feminism

• “Waves of Feminism” by Jo Freeman (1996).
• Winning the Vote (Western NY Suffragists).
• Amendments to the US Constitution: 13th, 14th, 15th, 18th, 19th, 21st
• NOW’s 1966 Statement of Purpose
• “The Women’s Liberation Movement: Its Origins, Structures, and Ideals” by Jo Freeman (1971).

Feminism and Class

Marxist, socialist, and materialist feminisms.

• WMST-L discussion of how to define “Marxist feminism” Aug 1994)
• Marxist/Materialist Feminism (Feminist Theory Website)
• A Marxist Feminist Critique

Feminist Economics

• Feminist Economics (Feminist Theory Website)
• International Association for Feminist Economics
• International Center for Research on Women

Women and Labor

• Rights for Working Women
• United States Department of Labor
• United States Department of Labor: Audience – Women , a shortcut to information and services the Department of Labor (DOL) offers for women.

Feminism and Disability

• Center for Research on Women with Disabilities (CROWD)

Feminism, Human Rights, Global Feminism, and Human Trafficking

• Global Feminism (Feminist Majority Foundation)
• NOW and Global Feminism
• Sisterhood is Global Institute
• Polaris Project
• Not For Sale Campaign
• Human Trafficking Search website

Feminism and Race/Ethnicity

General resources.

• Office of the Gender and Women’s Studies Librarian (U. Wisconsin)
• Women of Color Web Sites (WMST-L)

African-American/Black Feminisms and Womanism

• Feminism and Black Womanist Identity Bibliography (Univ. of Illinois at Urbana-Champaign Library)
• Black Feminist/Womanist Works: A Beginning List (WMST-L)

Asian-American and Asian Feminisms

• American Women’s History: A Research Guide (Asian-American Women)
• South Asian Women’s Studies Bibliography (UC Berkeley)
• Journal of South Asia Women’s Studies

Chicana/Latina Feminisms

• Chicano/a Latino/a Movimientos

American Indian, Native, Indigenous Feminisms

• Native American Studies Program (Dartmouth College)

Feminism, Sex, Sexuality, Transgender, and Intersex

• Sallie Bingham Center for Women’s History and Culture (Duke Special Collections)

affirmative action | communitarianism | contractarianism | discrimination | egalitarianism | equality | equality: of opportunity | exploitation | feminist philosophy, approaches: Latin American feminism | feminist philosophy, interventions: epistemology and philosophy of science | feminist philosophy, interventions: ethics | feminist philosophy, interventions: history of philosophy | globalization | homosexuality | identity politics | justice: as a virtue | justice: distributive | legal rights | liberalism | Mill, Harriet Taylor | Mill, John Stuart | multiculturalism | parenthood and procreation | race

Acknowledgments

Over many revisions, thanks go to Ann Garry, Heidi Grasswick, Elizabeth Harman, Elizabeth Hackett, Serene Khader, Ishani Maitra, Ásta Sveinsdóttir, Leslee Mahoney, and Anita Superson.

Copyright © 2023 by Noëlle McAfee < noelle . c . mcafee @ emory . edu > Ann Garry Anita Superson Heidi Grasswick Serene Khader

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Democracy Is Feminist

A ugust 26, 2023 marks the 50th anniversary of Women’s Equality Day . Proposed in 1971 by Bella Abzug , the formidable feminist organizer and federal lawmaker from New York, and passed as a joint resolution by Congress in 1973, Women’s Equality Day recognizes the fight for women’s suffrage and hard won ratification of the 19th Amendment.

Around the time Women’s Equality Day was first envisioned, Abzug joined forces with other leaders and activists—Gloria Steinem, Shirley Chisolm, and Fannie Lou Hamer among them—to form the National Women’s Political Caucus (NWPC). Through both endeavors they sought to acknowledge that political representation belongs at the center of the quest for gender justice—and, according to the NWPC archives , that “legal, economic, and social equity would come about only when women were equally represented among the nation’s political decision-makers.”

Historically, women in the United States have participated voraciously in civic life, registering and voting at higher rates than men in every presidential election since 1980. Black women show up at the polls and in voter mobilization efforts in even greater numbers, with turnout rates of upward of 66% in 2020. In July 1972, Steinem wrote for the newly launched Ms . magazine, “Black women come out stronger on just about every feminist issue, whether it is voting for a woman candidate, ending violence and militarism, or believing that women are just as rational as men and have more human values.”

The same article by Steinem forecasted, “We’ve been delivering our votes [and] now women want something in return. Nineteen seventy-two is just the beginning …” And in many ways, it was. That year, the Equal Rights Amendment (ERA) handily passed the U.S. Senate and seemed destined for swift ratification. Chisolm’s public service—as the first Black Congresswoman, followed by her groundbreaking 1972 presidential campaign—altered the discourse about whether “White Male Only” remained a qualifier to lead the nation. And by January 1973, the Supreme Court decided Roe v. Wade, affirming a constitutional right to abortion.

Read More: Women's Equality Day Is a Reminder That the Fight for Women’s Rights Didn’t End With the 19th Amendment

Fast forward half a century, and Vice President Kamala Harris shattered the White House glass ceiling. Women’s overall leadership on Capitol Hill has continued to climb, reaching an all-time high in the 118th Congress—just over 28% (149 members). In the House, women broke records in the 2022 midterms, with 124 now serving, 27 of whom are Black and 18 are Latin. Women now comprise nearly a third of all legislators and elected executives, including a record 12 serving as governor.

And still, the U.S. remains far from achieving fully representative governance compared to women’s actual population footprint; this is especially so for women of color. The U.S.  pales  in comparison to women’s political authority in much of the world, too, including among peer democracies.

As for the other advances on the 1972 agenda? The ERA remains unfinished business and is still not enshrined in the Constitution. And Roe was overturned on June 24, 2022 by the Supreme Court’s new conservative supermajority in Dobbs v. Jackson Women’s Health Organization .

Backlash to the ERA, and the very text of the Dobbs decision, crudely distort the principles undergirding Women’s Equality Day and the goals of the NWPC. Justice Samuel Alito, who authored the majority opinion for Dobbs , claimed women’s political advancement itself is an antidote to the Court’s reversal of a fundamental right. Of this, he wrote, “Women are not without electoral or political power. It is noteworthy that the percentage of women who register to vote and cast ballots is consistently higher than the percentage of men who do so.”

Yes, women are now doing exactly that: running for office on, and voting consistently, overwhelmingly, and successfully for abortion rights everywhere the issue has appeared on the ballot since Dobbs . But there are obvious flaws in Justice Alito’s appeal to women’s electoral and political power—and, for that matter, to the NWPC’s founding documents—suggesting gender parity alone should be a singular or even sufficient metric for achieving feminist goals.

It is exponentially hard to out-run and out-vote anti-democratic maneuvers like partisan gerrymandering, voter suppression—or, as we just saw in Ohio, an attempt to raise the threshold for winning a citizen-led ballot initiative as a way to stymie abortion rights. (The Ohio measure was soundly defeated on August 8 in a special election.) These are not examples of one-off transgressions or piecemeal degradation of our democratic systems, but rather deliberate and systemic mechanisms for defying the popular will. It is why decidedly anti-feminist policy outcomes persist, like book bans in the name of parental rights or the maddening inability to advance common sense gun safety measures. It is how 14 state legislatures succeeded in outlawing abortion since Dobbs , despite public polling in favor of abortion rights reaching record highs .

Women’s Equality Day was initially a way to express the belief that, as noted in public policy scholars Zoe Marks and Erica Chenoweth's 2023 article in Ms . , a democracy in which "half the population is subordinated—politically, socially, economically—is not a true democracy at all." 50 years later, we must be clear that women’s autonomy, well-being, and rights are inextricably tied to the integrity and durability of our democratic systems.

As we look ahead, two states , Michigan and Minnesota, offer hope. Both have committed to reforms that increase voter participation, fair representation, and direct democracy; in turn, both have seen feminist priorities thrive, from codifying reproductive care and establishing green energy goals, to expanding paid family leave and protecting trans youth.

As we trace the 50-year arc of Women’s Equality Day, among the lessons we might glean today: women’s voices and votes surely matter, transformative change is possible—and the fight for robust democracy is, at its core, a central and urgent feminist goal.

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Feminism, Capitalism, and Critique

Essays in Honor of Nancy Fraser

• Banu Bargu 0 ,
• Chiara Bottici 1

Department of Politics, New School for Social Research, New York, USA

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Department of Philosophy, New School for Social Research, New York, USA

• Offers contributions from leading thinkers across disciplines of philosophy, political science, sociology, gender studies, and economics
• Examines the work of Nancy Fraser, one of the most prominent critical theorists today, through meditations on such themes as capitalism, feminism, and modalities of critique that have defined her research trajectory
• Presents original analyses of the role of women, gender, and sexuality in the recent capitalist crisis

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Table of contents (15 chapters)

Front matter, introduction.

• Banu Bargu, Chiara Bottici

From Socialist Feminism to the Critique of Global Capitalism

• Richard J. Bernstein

Debates on Slavery, Capitalism and Race: Old and New

• Robin Blackburn

Feminism, Capitalism, and the Social Regulation of Sexuality

• Johanna Oksala

Capitalism’s Insidious Charm vs. Women’s and Sexual Liberation

• Cinzia Arruzza

The Long Life of Nancy Fraser’s “Rethinking the Public Sphere”

• Jane Mansbridge

Feminism, Ecology, and Capitalism: Nancy Fraser’s Contribution to a Radical Notion of Critique as Disclosure

• María Pía Lara

Recognition, Redistribution, and Participatory Parity: Where’s the Law?

• William E. Scheuerman

(Parity of) Participation – The Missing Link Between Resources and Resonance

• Hartmut Rosa

Curbing the Absolute Power of Disembedded Financial Markets: The Grammar of Counter-Hegemonic Resistance and the Polanyian Narrative

• Alessandro Ferrara

Hegel and Marx: A Reassessment After One Century

• Axel Honneth

Crisis, Contradiction, and the Task of a Critical Theory

• Rahel Jaeggi

What’s Critical About a Critical Theory of Justice?

• Rainer Forst

Beyond Kant Versus Hegel: An Alternative Strategy for Grounding the Normativity of Critique

Nancy fraser and the left: a searching idea of equality.

• Eli Zaretsky

Back Matter

• Frankfurt school
• civil disobedience
• redistribution
• recognition
• participation
• intersectionality
• public sphere
• counterpublics
• neoliberalism
• subjectivity
• externalities

Chiara Bottici

Banu Bargu is Associate Professor of Politics at the New School for Social Research, USA.  She is the author of  Starve and Immolate: The Politics of Human Weapons  (2014), which received APSA’s First Book Prize given by the Foundations of Political Theory section and was named an Outstanding Academic Title for 2015 by Choice.

Chiara Bottici is Associate Professor of Philosophy at the New School for Social Research, USA. She is the author of  Imaginal Politics: Images beyond Imagination and The Imaginary  (2014),  A Philosophy of Political Myth  (2007), and  Uomini e stati. Percorsi di un'analogia  (2004), which was published in English as  Men and States  (2009). 

Book Title : Feminism, Capitalism, and Critique

Book Subtitle : Essays in Honor of Nancy Fraser

Editors : Banu Bargu, Chiara Bottici

DOI : https://doi.org/10.1007/978-3-319-52386-6

Publisher : Palgrave Macmillan Cham

eBook Packages : Political Science and International Studies , Political Science and International Studies (R0)

Copyright Information : The Editor(s) (if applicable) and The Author(s) 2017

Hardcover ISBN : 978-3-319-52385-9 Published: 03 August 2017

Softcover ISBN : 978-3-319-84893-8 Published: 03 August 2018

eBook ISBN : 978-3-319-52386-6 Published: 24 July 2017

Edition Number : 1

Number of Pages : VIII, 323

Topics : Political Theory , Democracy , Feminism , Critical Theory , Political Philosophy , Political Sociology

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✍️Essay on Feminism for Students: Samples 150, 250 Words

• Updated on  
• Nov 2, 2023

In a society, men and women should be considered equal in every aspect. This thought is advocated by a social and political movement i.e. feminism . The word feminism was coined by the French Philosopher Charles Fourier in 1837. He was known for his strong belief in equal rights for women as men in every sector, be it the right to vote, right to work, right to decide, right to participate in public life, right to own property, etc. Feminism advocates the rights of women with respect to the equality of gender . There are different types of feminism i.e. liberal, radical, Marxist, cultural, and eco-feminism. Stay tuned and have a look at the following sample essay on feminism!

Also Read: Popular Struggles and Movements

Essay on Feminism 150 Words

India is a land of diversity of which 52.2% are women as per an estimate for the year 2023. This doesn’t mean that every woman is getting basic fundamental rights in society. We should not neglect the rights of women and treat them as a weaker sex. Women are equally strong and capable as men. To advocate this thought a movement called Feminism came into existence in 1837. Feminism is a movement that advocates the equality of women in social, political, and economic areas. 

India is up eight notches in #WorldEconomicForum ’s annual gender ranking. And Iceland is #1 for women, again, for the 14th year in a row. @namitabhandare ’s newsletter, #HTMindtheGap looks at why. Plus the week’s other gender stories https://t.co/9Fen6TaEnb Subscribe here… pic.twitter.com/r6XfFMINO0 — Hindustan Times (@htTweets) June 25, 2023

Traditionally, women were believed to stay at home and there were severe restrictions imposed on them. They were not allowed to go out, study, work, vote, own property, etc. However, with the passage of time, people are becoming aware of the objective of feminism. Any person who supports feminism and is a proponent of equal human rights for women is considered a feminist. 

Feminism is a challenge to the patriarchal systems existing in society. Despite this strong movement burning in high flames to burn the orthodox and dominant culture, there are still some parts of the world that are facing gender inequality. So, it is our duty to make a world free of any discrimination. 

Essay on Feminism 250 Words

Talking about feminism in a broader sense, then, it is not restricted only to women. It refers to the equality of every sex or gender. Some people feel offended by the concept of feminism as they take it in the wrong way. There is a misconception that only women are feminists. But this is not the case. Feminists can be anyone who supports the noble cause of supporting the concept of providing equal rights to women.

Feminism is not restricted to single-sex i.e. women, but it advocates for every person irrespective of caste, creed, colour, sex, or gender. As an individual, it is our duty to help every person achieve equal status in society and eradicate any kind of gender discrimination . 

Equality helps people to live freely without any traditional restrictions. At present, the Government of India is also contributing to providing equal rights to the female sector through various Government schemes like Beti Bachao Beti Padhao, Pradhan Mantri Mahila Shakti Kendra, One Stop Center, and many more. 

Apart from these Government policies, campaigns like reproductive rights or abortion of unwanted pregnancy also give women the right to choose and lead their life without any external authority of a male. 

Feminism has also supported the LGBTIQA+ community so that people belonging to this community could come out and reveal their identity without any shame. The concept of feminism also helped them to ask for equal rights as men and women. Thus, it could be concluded that feminism is for all genders and a true feminist will support every person to achieve equal rights and hold a respectable position in society.

Check Out: Women Equality Day

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Feminism is a movement which has gained momentum to advocate against gender discrimination. It supports the thought that women should get equal rights as men in society.

The five main principles of feminism are gender equality, elimination of sex discrimination, speaking against sexual violence against women, increasing human choice and promoting sexual freedom.

The main point of feminism is that there should be collective efforts to end sexism and raise our voices against female sex exploitation. It is crucial to attain complete gender equality and remove any restrictions on the female sex.

For more information on such interesting topics, visit our essay writing page and follow Leverage Edu .

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Hi, I am Kajal, a pharmacy graduate, currently pursuing management and is an experienced content writer. I have 2-years of writing experience in Ed-tech (digital marketing) company. I am passionate towards writing blogs and am on the path of discovering true potential professionally in the field of content marketing. I am engaged in writing creative content for students which is simple yet creative and engaging and leaves an impact on the reader's mind.

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Home › Post-Feminism: An Essay

Post-Feminism: An Essay

By NASRULLAH MAMBROL on October 25, 2017 • ( 2 )

It must first be stated that there is no agreement about how postfeminism can be defined and consequently definitions essentially contradict each other in what they say about the term. At its most straightforward, the prefix ‘post’ in this context appears to mean ‘going beyond’ or ‘superseding’: it could therefore be seen as a confident announcement that feminism has achieved its key aims and that there is full equality for all women and a blurring of the boundaries between traditional ascriptions of gender. Given that a brief scrutiny of our current social formation does not support this view, we might, however, imagine that a post-feminist position is one formulated due to dissatisfaction with existing feminist politics and is to be located in an entirely new area or set of propositions altogether. Part of this dissatisfaction might be an awareness that even in its heyday, second wave feminism did not achieve its aim of speaking to the majority of women.

Either of these definitions seems possible and the notion of superseding or going beyond has been widely utilised in popular culture, and to some extent in academic discourse. Given that ‘feminism’ remains within the term post-feminism, albeit problematised by the prefix of ‘post’, this illustrates that ‘feminism is portrayed as a territory over which various women have to fight to gain their ground; it has become so unwieldy as a term that it threatens to implode under the weight of its own contradictions’ ( Whelehan 2000 : 78). The ‘post’ is not the end of feminism : actually feminism is constantly to be picked over only to be rapidly set aside again or dismissed as old hat. For Myra Macdonald , ‘post-feminism takes the sting out of feminism’ ( 1995 : 100); it removes the politics and claims the territory of self-empowerment.

There are some more complex and challenging definitions of the term and according to writers such as Sopia Phoca who co-produced an introductory guide to it, ‘post-feminism is considered as a different manifestation of feminism – not as being anti-feminist’ (quoted in Ashby 1999: 34) and as being associated with the development of post-Lacanian psychoanalysis , French feminism and post-structuralist theory , suggesting perhaps a permanent fracturation between second wave-style personal politics and ‘high’ theory. Ann Brooks (1997), however, would argue that it is not a question of depoliticising feminism, but of marking a conceptual shift between the ‘old’ and the ‘new’ – from a model based on equality, to debates around the revivified and theorised concept of difference. For Brooks the term ‘post-feminism’ ‘is now understood as a useful conceptual frame of reference encompassing the intersection of feminism with a number of other anti-foundational movements including postmodernism, post-structuralism and post-colonialism’ ( Brooks 1997 : 1).

Other critics would argue that the ‘post’ prefix added to modernism , structuralism or colonialism seems to unproblematically connote the ‘going beyond’ both spatially and chronologically that has occurred in modern theory; yet Brooks asserts that post-feminism used in this theoretical context signifies feminism ’s maturity. She reflects that rather than ‘post’ meaning going beyond or breaking with, in these contexts it means ‘a process of ongoing transformation and change’ (Brooks 1997: 1). Other kinds of ‘rebranding’ for feminism of course include the use of ‘third wave’ feminism where again the prefix is used to imply key shifts in the meaning of ‘feminism’ itself and in this theoretically-informed definition of post-feminism there might be seen to be common ground between third wave and post-feminism, although third wavers would certainly reject any suggestion that feminism is over. Brooks herself acknowledges the way post-feminism is associated with a negative portrayal of feminism in the mass media – particularly in the way the rhetoric of post-feminism is summoned in the backlash against feminism (see also Faludi 1992 ).

One of the reasons it is argued that the move to post-feminism is essential is because of the influence of postmodern thinking which refuses the ‘grand narrative’ of gender difference, so that it becomes increasingly impossible to lay claim to the identity ‘woman’, because of the impact of ‘difference’ theories and the contestation of knowledges about how ‘woman’ is constructed. Ann Brooks ’s version of post-feminism puts ‘woman’ under erasure; of course one could argue that this denies any political agency to a feminist who cannot lay claim to that identity, ‘modernist’ as it is, suggesting as it does a retreat to the self and ultimately the individualist framing of identity so favoured by enlightenment liberalism. The category ‘woman’, no matter how unsatisfactory as a means to summon up the wealth and diversity of women’s experiences and identities, allows at least a space to lay claim to a wealth of shared experiences (gendered pay differentials, the impact of sexual violence, the relationship of nation to gender for instance) which permits a collective oppositional response to injustices against women.

For critics who are still happy to call themselves ‘feminist’ without any prefixes, such a model of feminism does not readily allow for an acknowledgement of some highly productive shifts in feminism since the 1970s. Feminist politics has not remained static, and many of the central issues, so radical in the 1970s, are now accepted as part of mainstream politics. As Sylvia Walby notes, ‘Who would now call someone who believes in equal pay feminist? Yet before 1975 this was not law and was controversial’ ( 1997 : 163). Rene Denfeld , in her critique of second wave feminism, The New Victorians , bears this out when she points out that while the next generation has problems with the epithet ‘feminist’, they have no problem supporting the principles of equal pay and educational opportunities (Denfeld 1995: 4). For Denfeld this change from broad support of feminism to scepticism and alienation is a response to a change in the terms of second wave feminism itself: ‘It has become bogged down in an extremist moral and spiritual crusade that has little to do with women’s lives. It has climbed out on a limb of academic theory that is all but inaccessible to the uninitiated . . . feminism has become as confining as what it pretends to combat’ (Denfeld 1995: 5). Denfeld is pointing to widely aired anxieties that feminism has become just one more arcane theory – stemming from what she perceives to be a majority of cultural feminist writers creating and delivering women’s studies curricula in American universities, containing an alleged anti-male agenda. It is as if she actually doesn’t want to dismiss feminism but rather to take it ‘back’ from whoever she feels has stolen it. The irony is that ‘post-feminism’ from both Phoca and Wright’s and Brooks’s perspective is in many ways just such another ‘inaccessible’ theory for the uninitiated.

Tania Modleski is more concerned that while ‘woman’ is being put under erasure in the debates about difference, conceptual shifts such as the ‘men in feminism’ debate (a debate about whether men should call themselves feminists or be feminist critics independently of women) might make women disappear from feminism altogether. Talking about one particular anthology of ‘male feminist’ criticism she observes that ‘[i]n an unusually strong post-feminist irony, the final essay of this volume which banishes women from its list of contributors is a complaint about the way heterosexual men have become invisible within feminism!’ ( Modleski, 1991: 12). Modleski’s dissection of post-feminism in the critical sphere in many ways anticipates Susan Faludi ’s arguments in Backlash where it is the appropriation of the language of feminism which is seen to be used against itself in popular culture. Modleski’s combination of questioning theory and using examples of popular film, television and news, suggests that this appropriation goes much deeper and, she would argue, drives us straight back to male-centred discourse and critical authority.

There is still the accusation that second wave feminism failed to cede the hegemony of white middle-class heterosexual women to other groups of women, and there is clearly some truth in this claim. But nonetheless it is clear that many feminists (particularly at the level of grassroots politics) did acknowledge the common links between different sites of oppression; and the growth in political and critical perspectives by women of colour, working-class women and lesbians suggests that for them the struggle is not over. One can think of key voices in black American feminism, such as bell hooks and Patricia Hill Collins who emphatically lay claim to ‘feminism’ as a term which still has political resonance, and this suggests that not all proponents of feminist discourse are ready yet to cede the ground to post-feminism, but would rather address the gaps, in the belief that there might be some consensus about what feminism can do.

Source: Fifty Key Concepts in Gender Studies Jane Pilcher and Imelda Whelehan Sage Publications, 2004.

FURTHER READING Ann Brooks (1997) gives a fairly comprehensive account of what ‘postfeminism’ means in a theoretical context; for those still struggling with French feminism, post-structuralism and Lacan. Phoca and Wright (1999) offer a crisp and concise account, liberally using illustrations and graphic narrative. Modleski (1991) and Faludi (1992) offer challenges which provide illuminating comparison.

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Tags: Ann Brooks , Backlash: The Undeclared War Against American Women , Feminism , Feminism without women , Imelda Whelehan , Introducing Postfeminism , Literary Theory , Myra Macdonald , Overloaded: Popular Culture and the Future of Feminism , Patricia Hill Collins , postfeminism , Rene Denfeld , Representing Women: Myths of Femininity in the Popular Media , second wave feminism , Susan Faludi , Sylvia Walby , Tania Modleski , The New Victorians , The New Victorians: A Young Woman's Challenge to the Old Feminist Order

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The Case Against Contemporary Feminism

By Jia Tolentino

It’s the same with feminism as it is with women in general: there are always, seemingly, infinite ways to fail. On the one hand, feminism has never been more widely proclaimed or marketable than it is now. On the other hand, its last ten years of mainstream prominence and acceptability culminated in the election of President Donald Trump. (The Times published an essay at the end of December under the headline “ Feminism Lost. Now What? ”) Since November 9th, the two main arguments against contemporary feminism have emerged in near-exact opposition to each other: either feminism has become too strict an ideology or it has softened to the point of uselessness. On one side, there is, for instance, Kellyanne Conway, who, in her apparent dislike of words that denote principles, has labelled herself a “post-feminist.” Among those on the other side is the writer Jessa Crispin, who believes that the push to make feminism universally palatable has negated the meaning of the ideology writ large.

Crispin has written a new book-length polemic on the subject, called “Why I Am Not a Feminist,” in which she offers definitions of feminism that are considerably more barbed than the earnest, cheeky slogans that have become de rigueur—“The future is female,” for example, as Hillary Clinton  declared  in her first video statement since the election, or “Girls just want to have fun-damental rights,” or “Feminism is the radical notion that women are people.” The dissidence at the root of these catchphrases has been obscured by their ubiquity on tote bags and T-shirts, and for Crispin the decline of feminism is visible in how easy the label is to claim. Feminism, she tells us, has become a self-serving brand popularized by C.E.O.s and beauty companies, a “fight to allow women to participate equally in the oppression of the powerless and the poor.” It’s a “narcissistic reflexive thought process: I define myself as feminist and so everything I do is a feminist act.” It’s an “attack dog posing as a kitten,” and—in what might be Crispin’s most biting entry—a “decade-long conversation about which television show is a good television show and which television show is a bad show.”

Crispin is the founder of Bookslut , a literary Web site that she started, in 2002, when she was a full-time employee at Planned Parenthood, in Austin, Texas. (She was ahead of the word-reclamation curve that culminated in the Slutwalk marches, which were first held in 2011.) After accumulating a modest but enthusiastic following, Crispin closed down Bookslut in 2016, with minimal ceremony. “I didn’t want to become a professional,” she told Vulture, adding, “I just don’t find American literature interesting. I find MFA culture terrible. Everyone is super-cheerful because they’re trying to sell you something, and I find it really repulsive.” Crispin is happy to take the contrarian stance, particularly within spheres that lend themselves to suppressive positivity. The point of “Why I Am Not a Feminist” isn’t really that Crispin is not a feminist; it’s that she has no interest in being a part of a club that has opened its doors and lost sight of its politics—a club that would, if she weren’t so busy disavowing it, invite Kellyanne Conway in.

The effect of the catchy title stands regardless. Crispin’s argument is bracing, and a rare counterbalance; where feminism is concerned, broad acceptability is almost always framed as an unquestioned good. “Somewhere along the way toward female liberation, it was decided that the most effective method was for feminism to become universal,” Crispin writes. And the people who decided this “forgot that for something to be universally accepted, it must become as banal, as non-threatening and ineffective as possible.” Another, and perhaps less fatalistic, way of framing the matter: feminism is a political argument of such obvious reason and power that it has been co-opted as an aesthetic and transformed into merchandise by a series of influential profiteers.

Crispin notes, accurately, that feminism’s history has been marked by a “small number of radical, heavily invested women who did the hard work of dragging women’s position forward, usually through shocking acts and words,” and that the “majority of women benefited from the work of these few, while often quickly trying to disassociate themselves from them.” Reading that second line, I immediately thought of an irksome scene in Megyn Kelly’s memoir , in which Kelly tells Sheryl Sandberg that she’s not a feminist, and Sandberg—whose entire feminist initiative is based on making the movement palatable to people like Kelly, and whose awkward accommodation of the Trump Administration should surprise no one—“passed no judgment” on Kelly’s distaste for the term. Crispin mostly focusses on younger and newer feminists, castigating them as selfish and timid, afraid of the second wave. They make Andrea Dworkin into a scapegoat, she writes; they “distance themselves from the bra-burning, hairy-armpitted bogeywomen.”

Here, and in some other places where Crispin’s argument requires her to take a precise measure of contemporary feminism, she—or this book’s production schedule—can’t quite account for the complexity of the times. From 2014 to 2016, I worked as an editor at Jezebel, a site that, when it was founded, in 2007, helped to define online feminism—and served ever afterward as a somewhat abstracted target for women who criticized contemporary feminism from the left. These critics didn’t usually recognize how quickly the center is always moving, and Crispin has the same problem. Much of what she denounces—“outrage culture,” empowerment marketing , the stranglehold that white women have on the public conversation—has already been critiqued at length by the young feminist mainstream. Her imagined Dworkin-hating dilettante, discussing the politics of bikini waxing and “giving blow jobs like it’s missionary work,” has long been passé. It’s far more common these days for young feminists to adopt a radical veneer. Lena Dunham’s newsletter sells “ Dismantle the Patriarchy ” patches; last fall, a Dior runway show included a T-shirt reading, “We Should All Be Feminists.” (The shirt is not yet on sale in the United States; it reportedly costs five hundred and fifty euros in France .) The inside threat to feminism in 2017 is less a disavowal of radical ideas than an empty co-option of radical appearances—a superficial, market-based alignment that is more likely to make a woman feel good and righteous than lead her to the political action that feminism is meant to spur.

The most vital strain of thought in “Why I Am Not a Feminist” is Crispin’s unforgiving indictment of individualism and capitalism, value systems that she argues have severely warped feminism, encouraging women to think of the movement only insofar as it leads to individual gains. We have misinterpreted the old adage that the personal is political, she writes—inflecting our personal desires and decisions with political righteousness while neatly avoiding political accountability. We may understand that “the corporations we work for poison the earth, fleece the poor, make the super rich more rich, but hey. Fuck it,” Crispin writes. “We like our apartments, we can subscribe to both Netflix and Hulu, the health insurance covers my SSRI prescription, and the white noise machine I just bought helps me sleep at night.”

That this line of argument seems like a plausible next step for contemporary feminism reflects the recent and rapid leftward turn of liberal politics. Socialism and anti-capitalism, as foils to Donald Trump’s me-first ideology, have taken an accelerated path into the mainstream. “Why I Am Not a Feminist” comes at a time when some portion of liberal women in America might be ready for a major shift—inclined, suddenly, toward a belief system that does not hallow the “markers of success in patriarchal capitalism . . . money and power,” as Crispin puts it. There is, it seems, a growing hunger for a feminism concerned more with the lives of low-income women than with the number of female C.E.O.s.

The opposing view—that feminism is not just broadly compatible with capitalism but actually served by it—has certainly enjoyed its share of prominence. This is the message that has been passed down by the vast majority of self-styled feminist role models over the past ten years: that feminism is what you call it when an individual woman gets enough money to do whatever she wants. Crispin is ruthless in dissecting this brand of feminism. It means simply buying one’s way out of oppression and then perpetuating it, she argues; it embraces the patriarchal model of happiness, which depends on “having someone else subject to your will.” Women, exploited for centuries, have grown subconsciously eager to exploit others, Crispin believes. “Once we are a part of the system and benefiting from it on the same level that men are, we won’t care, as a group, about whose turn it is to get hurt.”

A question of audience tugs at “Why I Am Not a Feminist.” It seemed, at points, as though anyone who understands the terms of Crispin’s argument would already agree with her. I also wondered how the book might land if Hillary Clinton had won—if the insufficiently radical feminism Crispin rails against had triumphed rather than absorbed a staggering blow. Instead, her book arrives at a useful and perhaps unexpected cultural inflection point: a time when political accommodation appears fruitless, and when, as Amanda Hess noted in the _Times Magazine _this week, many middle-class white women have marched in closer proximity to far-left ideas than perhaps they ever would have guessed. Exhortations to “transform culture, not just respond to it” are what many of us want to hear.

Of course, this being a polemic, there’s not much space given to how , exactly, the total disengagement with our individualist and capitalist society might be achieved. “Burn it down”—another nascent feminist slogan—is generally received as an abstract, metaphorical directive. The final chapter of Crispin’s book, titled “Where We Go From Here,” is four pages. In an earlier section of “Why I Am Not a Feminist,” Crispin rails against feminist flippancy toward men, writing, “It is always easier to find your sense of value by demeaning another’s value. It is easier to define yourself as ‘not that,’ rather than do an actual accounting of your own qualities and put them on the scale.” I agree.

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“ A collection of essays spanning politics, criticism, and feminism from one of the most-watched young cultural observers of her generation, Roxane Gay. ‘Pink is my favorite color. I used to say my favorite color was black to be cool, but it is pink, all shades of pink. If I have an accessory, it is probably pink. I read Vogue, and I ’ m not doing it ironically, though it might seem that way. I once live-tweeted the September issue. ’ In these funny and insightful essays, Roxane Gay takes us through the journey of her evolution as a woman (Sweet Valley High) of color (The Help) while also taking readers on a ride through culture of the last few years (Girls, Django in Chains) and commenting on the state of feminism today (abortion, Chris Brown). The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture. Bad Feminist is a sharp, funny, and spot-on look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better. ”

Gay, Roxane.  Bad Feminist: Essays . New York: Harper Perennial, 2014.

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Trina Robbins, Creator and Historian of Comic Books, Dies at 85

Obsessed with comics from a young age, she was a pioneer in a male-dominated field and later documented the contributions of other women.

By Gavin Edwards

Trina Robbins, who as an artist, writer and editor of comics was a pioneering woman in a male-dominated field, and who as a historian specialized in books about female cartoonists, died on Wednesday in San Francisco. She was 85.

Her death, in a hospital, was confirmed by her longtime partner, the superhero comics inker Steve Leialoha , who said she had recently suffered a stroke.

In 1970, Ms. Robbins was one of the creators of It Ain’t Me Babe, the first comic book made exclusively by women. In 1985, she was the first woman to draw a full issue of Wonder Woman, and a full run on a Wonder Woman series, after four decades of male hegemony. And in 1994, she was a founder of Friends of Lulu, an advocacy group for female comic-book creators and readers.

Before she devoted her life to comics and to the women who make them, Ms. Robbins was an accomplished clothes designer and seamstress in the 1960s, outfitting music stars like Donovan and David Crosby. She became a notable figure in the hippie communities of New York City and San Francisco, and in Los Angeles she caught the eye of Joni Mitchell.

The first verse of Ms. Mitchell’s song “Ladies of the Canyon,” featured on her 1970 album of the same name, is a portrait of Ms. Robbins:

Trina wears her wampum beads She fills her drawing book with line Sewing lace on widow’s weeds And filigree on leaf and vine.

Trina Perlson was born on Aug. 17, 1938, in Brooklyn, the younger of two daughters of Jewish immigrants from what was then Russia but is now Belarus. Her father, Max Bear Perlson, worked as a tailor until Parkinson’s disease forced him to retire; her mother, Elizabeth (Rosenman) Perlson, was a second-grade teacher.

At a young age, Trina became obsessed with comic strips and comic books, gravitating to female characters like Brenda Starr, Patsy Walker and Millie the Model . A particular favorite was the fashion plate Katy Keene , who inspired Trina to make dresses for her own paper dolls.

She also drew comics: In her 2017 memoir, “Last Girl Standing,” Ms. Robbins wrote, “My wonderful mother brought home from school an endless supply of 8½” by 11” Board of Education paper and No. 2 pencils, from which I would chew off the erasers.”

When she began high school, her mother told her that it was time to abandon comics, and Trina complied, shifting her obsession to science fiction. In her senior year, she wrote and costumed a sci-fi play called “Twenty Years Later.”

After one year at Queens College, she moved to Los Angeles, where she posed nude for pinup magazines in the erroneous belief that doing so would lead to a movie career. In 1962, she married Paul Jay Robbins, a magazine editor; they divorced in 1966. During that time she “locked herself in a room with an electric sewing machine,” she was quoted as saying in “Dirty Pictures,” Brian Doherty’s 2022 book about underground comics; she was soon making dresses, which she sold at craft and Renaissance fairs.

Ms. Robbins befriended members of the Byrds and the Doors and moved between the coasts. In New York City, she opened a clothing boutique on East Fourth Street in Manhattan called Broccoli, a name inspired by a claim she had made, while high, that she could communicate with vegetables.

When she read the alternative newspaper The East Village Other, she was captivated by its surreal comic strips and realized that the doodles she had been making could be comics, too. As a lark, she illustrated, in Aubrey Beardsley style, a one-panel cartoon about a teenage hippie named Suzi Slumgoddess and slipped it under the door of the paper’s office. To her surprise, it was printed, launching her career as an underground cartoonist.

Ms. Robbins became a regular contributor to The East Village Other, making comic strips that doubled as advertisements for Broccoli. She often rendered her characters like the dolls that had captivated her as a child, and her strips mined the contrast between that innocent style and taboo-breaking subject matter. When the paper published a comics tabloid called Gothic Blimp Works in 1969, she contributed a strip about having sex with a lion.

Her comics about sex were often playful — the two-page strip “One Man’s Fantasy,” for example, was about a man captured by a group of attractive women, who force him to make a tuna fish sandwich. But she found that many male cartoonists were threatened by any hint of feminism.

Ms. Robbins was repulsed by the dark material in Robert Crumb’s comics and the way the underground scene followed his lead. “Rape and humiliation — and later, torturing and murdering women — didn’t seem funny to me,” she wrote in her memoir. “The guys told me I had no sense of humor.”

Ms. Robbins was responsible for the first publication of some notable cartoonists in The East Village Other, including Vaughn Bode and Justin Green , but she took particular pride in the women’s anthologies she edited and co-edited, and in their explicitly feminist content: It Ain’t Me Babe Comix, Wimmen’s Comix and the erotic Wet Satin.

She also designed the famously skimpy outfit for Vampirella , a female vampire who appeared in black-and-white comics beginning in 1969 — although her design was not as skimpy as the costume later became. “The costume I originally designed for Vampi was sexy, but not bordering on obscene,” Ms. Robbins told the Fanbase Press website in 2015. “I will not sign a contemporary Vampirella comic. I explain, that is not the costume I designed.”

Along with Mr. Leialoha, her partner since 1977, she is survived by Casey Robbins, her daughter with her fellow cartoonist Kim Deitch; a granddaughter; and her sister, Harriet Nadel.

After the underground comics scene declined, Ms. Robbins took on more mainstream work. When DC Comics approached her to work on Wonder Woman, she chose to draw the character in a classic Golden Age style.

She also wrote and drew Meet Misty , a 1985-86 mini-series for Marvel Comics, aimed at girls, about a teenage soap opera actress who was the niece of Millie the Model. Although the series generated fan mail, it didn’t sell well enough to have its six-issue run extended; Ms. Robbins believed that male comic-shop owners had ordered as few copies as possible. She then wrote and drew a similar title for Eclipse Comics, California Girls, which lasted eight issues in 1987 and 1988.

She also wrote more than a dozen prose books, including “Pretty in Ink: North American Women Cartoonists 1896-2013” (2013) and “Flapper Queens: Women Cartoonists of the Jazz Age” (2020).

“Trina didn’t just support women,” Shary Flenniken , who created the “Trots and Bonnie” strip for National Lampoon, said in an interview; “she unearthed the history of all these women cartoonists who had never been talked about.”

While Ms. Robbins was happy to have male readers, she knew all too well that the comics industry was full of men making comics for other men, and her goal was to reach a female audience.

“Any time there was talk about integrating the industry more or getting comics to girls, that was Trina’s crusade,” the comics journalist and editor Heidi MacDonald told Vulture.com in 2018. “She didn’t want to be alone, didn’t want to be the only woman in the room.”

An earlier version of this obituary misstated Ms. Robbins’s age. She was 85, not 84. (As the obituary correctly notes, she was born on Aug. 17, 1938.)

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