phd design architecture

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Ph.D. in Architecture

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History, Theory, and Society

The Ph.D. in architecture is a research degree appropriate for those seeking careers in teaching and scholarship in architecture and its related areas, or in roles in government or professional consultation that require depth in specialization and experience in research.

The Program

Berkeley’s Ph.D. program in architecture is interdisciplinary in outlook, reaching into the various disciplines related to architecture and incorporating substantial knowledge from outside fields. Students admitted to this program carry out a program of advanced study and research, both on the basis of formal class work and of individual investigation. Work centers on three related fields of study, the major field (the basis for the dissertation), and one-to-two minor fields, at least one of which must be from a discipline outside architecture.

Fields of Study

The Ph.D. degree emphasizes course work and supervised independent research in one of the following areas of study:

• Building Science, Technology and Sustainability (BSTS)
• History, Theory and Society (HTS)

Major fields outside these fields or combinations thereof may also be proposed at the time of admission.

Course work is individually developed through consultation with an academic adviser. Outside fields of study may take advantage of the University’s varied resources. Recent graduates have completed outside fields in anthropology, art history, business administration, city and regional planning, computer science, various engineering fields, psychology, women’s studies, geography and sociology.

The following are members of the Ph.D faculty, broken into one of two offered areas of study. Please also review the current list of all faculty in the Architecture Department for other faculty and specialities. A sampling of faculty research is described on the faculty research projects page.

Building Science, Technology and Sustainability

Requirements

The Ph.D. program in architecture is governed by the regulations of the University Graduate Division and administered by the departmental Ph.D. committee. Specific degree requirements include:

• A minimum of two years in residence.
• Completion of a one-semester course in research methods.
• Satisfaction of a foreign language requirement for those in the History, Theory and Society.
• Completion of one-to-two outside fields of study.
• A written qualifying examination, followed by an oral qualifying examination.
• A dissertation.

Course requirements for the degree include:

• 2023-2024 BSTS Ph.D. Handbook [PDF]
• 2023-2024 HTS Ph.D. Handbook [PDF]
• 2022-2023 BSTS Ph.D. Handbook [PDF]
• 2022-2023 HTS Ph.D. Handbook [PDF]
• 2021-2022 BSTS Ph.D. Handbook [PDF]
• 2021-2022 HTS Ph.D. Handbook [PDF]

Ph.D. Alumni List

• Ph.D. Alumni — Building Science, Technology and Sustainability
• Ph.D. Alumni — History, Theory, and Society

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Ph.D. in Architecture

• dissertations

The PHD in Architecture addresses the development of modern architectural form and ideas as they have been affected by social, economic, and technological change. In broad terms, it encompasses the relations between the profession, practice, civil institutions, and the society at large.

As a doctoral program, it is oriented toward the training of scholars in the field of architectural history and theory. Its structure reflects a dual understanding of the scholar’s role in the discipline at large: as a teacher and as a researcher making an original contribution to the field, with an emphasis on expanding and reinterpreting disciplinary knowledge in a broad intellectual arena. Course requirements are therefore designed to give entering students a solid foundation in historical knowledge and theoretical discourse, with sufficient flexibility to spark and support individual research agendas. The program’s focus is on the history and theory of modern and contemporary architecture and urbanism in an international and cross-cultural context, from the mid-eighteenth century to the present. Within this, a wide range of research is supported through the varied expertise of the faculty and through strong relationships with other departments throughout the university and beyond.

The Ph.D. in Architecture is a program within the Graduate School of Architecture, Planning and Preservation (GSAPP) while the actual degree is granted by the Graduate School of Arts and Sciences (GSAS).

Admission for 2024

• The application deadline for 2024 admissions was January 4, 2024 and is now closed.
• For additional information on the application process and requirements, please see the GSAS website.

Lucia Allais Barry Bergdoll (Art History) Ateya Khorakiwala Reinhold Martin Mary McLeod Felicity Scott Mark Wigley Mabel Wilson

Affiliated Faculty

Zeynep Celik Alexander Anooradha Iyer Siddiqi

All students entering the PhD program in Architecture receive two Residence Units of Advanced Standing, having entered with a master’s degree in architecture, architectural history, or a related field. As such, students must complete the M.Phil. degree within three years from initial registration and the Ph.D. within eight years from initial registration.

Year 1: Students begin required coursework, including language proficiencies Year 2: Students complete required coursework and language proficiencies; begin required teaching apprenticeship Year 3: Students complete required teaching apprenticeship; complete M.Phil. Examination (by mid-February); and defend the Dissertation Prospectus (by early May) Year 4+: Students research, write, and defend the doctoral dissertation

At least once each semester, students should meet individually with the director of the program or with their program or dissertation adviser. Students are assigned a program advisor in the first year, the duties of which are assumed by their dissertation advisor in the third year. Students must have acquired a dissertation advisor by the seventh week of their sixth semester. Students are allowed to change both their program and dissertation advisers during the course of their studies.

All students are expected to meet the requirements of Satisfactory Academic Progress as stipulated by the Graduate School of Arts & Sciences. Renewal of student funding packages each year is dependent upon their maintaining good academic and administrative standing .

Students are required to spend four semesters in residence during which time they are expected to take thirteen courses (39 credit points), of which at least eight must be taken for a letter grade. The remaining five courses can be taken for R credit. The required academic course work breaks down into the four sections described below. In addition to the doctoral colloquia and doctoral seminars, five further classes should be seminars (not lecture courses). At least six of the thirteen courses should be taken with faculty from the Ph.D. in Architecture committee. It is assumed that these thirteen courses will be spread out approximately evenly over the first four semesters of study, although students can complete a larger number of courses in the first year to accommodate teaching requirements in the second year.

For any course in which a student receives an incomplete, the student must complete all outstanding coursework before the beginning of the next academic year. To remain in good standing with the program, students cannot hold more than one incomplete at any time. Students must complete all incomplete coursework prior to taking their M.Phil. examination.

Section 1: Doctoral Colloquia All students are required to take two doctoral colloquia in the fall semester and at least two doctoral seminars in the spring semester over the four-semester sequence. Three of these must be taken for a letter grade.

Section 2: Architectural History/Theory To complete distribution requirements, students will be required to take graduate-level courses from the following areas of study:

• One pre-1750 (Western or non-Western)
• Two courses either in Eighteenth-Century Architecture and Theory or Nineteenth-Century Architecture and Theory

At least half of the syllabus must address these time frames for a course to satisfy the requirement. At the discretion of the program director, these requirements may be modified for students who have had previous, relevant graduate-level courses.

Section 3: Social and Critical Studies Students should take at least one course outside of Architecture and Art History. Representative departments in the Graduate School of Arts and Sciences with an emphasis on comparative historical and critical studies include: African American and African Diaspora Studies, Anthropology, East Asian Languages and Cultures, English and Comparative Literature, Germanic Language and Literature, History, Latin American and Iberian Cultures, Middle Eastern, South Asian and African Studies, Philosophy, and Political Science, or within relevant University Centers and Institutes. The specific topic and the choice of faculty will be decided in consultation with the student’s program adviser or the director of the program.

Section 4: Electives Remaining coursework is completed through elective courses in students’ areas of interest, the selection of which should be decided in consultation with the student’s program adviser or the director of the program.

The four-semester program has been designed to give doctoral candidates sufficient training for the M.Phil. examination, with a special emphasis on the ability to teach classes in modern architectural and urban development and its relationship to parallel developments in material history and contemporary thought. Students must complete their M.Phil. (generals) examination no later than their sixth semester in the program.

The M.Phil. qualifying examination is divided into three interrelated sections:

Three revised coursework papers, chosen to reflect the student’s research interests and abilities

Two essays written in response to specific questions formulated by the examining committee, one essay pertaining to the major field and one to the minor field. Students will receive two questions pertaining to the major field but only answer one of them.

The oral examination

The qualifying exam will be divided into major and minor fields. These fields are to be determined in consultation with the program faculty supervising the exam. The major field should be fairly broad and involve cross-cultural comparisons and/or cover at least a century in time. The minor field should focus on another topic, historical or theoretical in character, distinct from the major field. Students must consult the relevant supervising faculty in deciding on their major and minor fields.

The examining committee will be comprised of three members, two covering the major field and one covering the minor field. At least two members of the examining committee should be drawn from the Ph.D. committee or from the program’s associated faculty. Each student prepares the two bibliographies in consultation with these faculty and distributes final versions of the bibliographies one month prior to the oral examination. Each member of the committee will be responsible for one question, which the student receives a week after submitting the bibliographies. The papers are to be completed in a two-week period and submitted at least one week prior to the oral examination. The oral exam consists of discussion of the submitted essays, the coursework papers, and the bibliographies.

To receive the degree of M.Phil. students must complete the required coursework, the M.Phil. exam, the required four semesters of teacher training, and must have demonstrated proficiency in two languages other than English.

After successfully completing the qualifying examination, each student defends his or her dissertation proposal before a faculty committee, composed of the student’s dissertation adviser, who must be on the list of approved Architecture Doctoral Dissertation Advisors , and two other readers, at least one of whom should be from the list of Architecture dissertation advisors or associated faculty. Defense of the dissertation prospectus must take place before the end of the sixth semester.

The student will then be free to pursue the research topic independently, in ongoing consultation with the dissertation adviser. It is expected that the dissertation be completed approximately two to three years after approval of the topic. Since all students come into the program with Advanced Standing, students must complete the dissertation within eight years of entering the program, approved Leaves of Absence notwithstanding.

The dissertation must be submitted four weeks before the dissertation defense. A copy is to be provided for each member of the examining committee. This committee consists of five people, at least three of whom are approved as a dissertation advisor in Architecture or the associated faculty. At least one member of the committee must be from outside GSAPP. The student is granted the Ph.D. upon defending the dissertation successfully and depositing the final copy in accordance with University regulations.

For more information on the Ph.D. dissertation, refer to the GSAS Dissertation Toolkit .

• For information on Ph.D. student employee compensation and benefits, click here .
• For information on available resources for parents, click here .
• For more information on the GSAPP PhD Travel, Conference, and Exhibition Participation Support program, click here .

Spring 2024 Courses

Related events, other architecture programs at gsapp.

MA & PhD in Architecture

Ucla architecture and urban design offers two academic graduate degrees: the master of arts in architecture (ma) and doctor of philosophy in architecture (phd)..

The programs produce students whose scholarship aims to provoke and operate within architecture’s public, professional, and scholarly constituencies. Both programs are supported by the Standing Committee, made up of five faculty members: Michael Osman (interim program director), Cristóbal Amunátegui , Dana Cuff , Samaa Elimam , and Ayala Levin . A number of visiting faculty teach courses to expand the range of offerings.

Applications for the MA/PhD program (Fall 2024 matriculation) are completed via the UCLA Application for Graduate Admission , and are due January 6, 2024. Candidates will be notified of decisions in March 2024; admitted candidates who wish to accept the offer of matriculation must submit their Statement of Intent to Register (SIR) by April 15, 2024.

All MA and PhD students are required to enroll in a two-year colloquium focused on methods for writing, teaching, and researching in the field of architecture. The six courses that constitute the colloquium train students in the apparatus of academic scholarship. Over the two-year sequence, students produce original research projects and develop skills in long-format writing.

Research Opportunities

The intellectual life of the students in the MA and PhD programs are reinforced by the increasing number of opportunities afforded to students through specialized faculty-led research projects. These include cityLAB-UCLA and the Urban Humanities Institute .

MA in Architecture

This program prepares students to work in a variety of intellectual and programmatic milieus including historical research, cultural studies, and interdisciplinary studies with particular emphasis on connections with geography, design, art history, history of science and literary studies, as well as studio and design based research.

Beyond the core colloquium, MA students take a series of approved courses both at UCLA AUD and across campus. The MA program is a two-year degree, culminating in a thesis. The thesis is developed from a paper written by the student in their coursework and developed in consultation with the primary advisor and the standing committee. In addition to courses and individual research, students often participate in collective, project-based activities, including publications, symposia and exhibitions.

The program is distinguished by its engagement with contemporary design and historical techniques as well by the unusual balance it offers: fostering great independence and freedom in the students’ courses of study while providing fundamental training in architectural scholarship.

Recent MA Theses

• Jacqueline Meyer, “Crafting Utopia: Paolo Soleri and the Building of Arcosanti.”
• Joseph Maguid, “The Architecture of the Videogame: Architecture as the Link Between Representational and Participatory Immersion.”
• Meltem Al, “The Agency of Words and Images in the Transformation of Istanbul: The Case of Ayazma.”
• Courtney Coffman, “Addressing Architecture and Fashion: On Simulacrum, Time and Poché.”
• Joseph Ebert, “Prolegomena to a Poiesis of Architectural Phenomenology.”
• Jamie Aron, “Women Images: From the Bauhaus Weaving Workshop to the Knoll Textile Division.”
• Gustave Heully, “Moldy Assumptions.”
• Brigid McManama, “Interventions on Pacoima Wash: Repurposing Linear Infrastructure into Park Spaces.”

MA Typical Study Program

Phd in architecture.

This program prepares students to enter the academic professions, either in architectural history, architectural design, or other allied fields. PhD students are trained to teach courses in the history and theory of architecture while also engaging in studio pedagogy and curatorial work. In addition to the colloquium, PhD students take a series of approved courses both at UCLA Architecture and Urban Design and across campus. They select these courses in relation to their own research interests and in consultation with their primary advisor. The priorities for selection are breadth of knowledge and interdisciplinary experience that retains a focused area of expertise. To this end, the students identify Major and Minor Fields of study. The Minor Field is generally fulfilled by satisfactorily completing three courses given by another department and the Major Field by five courses offered by UCLA Architecture and Urban Design.

Once coursework is completed, PhD students move to the Comprehensive Exam, Qualifying Exam, and the writing of a dissertation, and final defense, if deemed appropriate by the doctoral committee. In the transition from coursework to exams, PhD students work on one paper beyond its original submission as coursework. The paper begins in the context of a departmental seminar, but often continues either in the context of an independent study, summer mentorship, or a second seminar with faculty consent. Upon the research paper’s acceptance, students begin preparing for their comprehensive exam. Before their third year, students must also satisfactorily complete three quarters of language study or its equivalent according to University standards. The particular language will be determined in consultation with the Standing Committee. The Comprehensive Exam is administered by at least two members of the Standing Committee and at most one faculty member from another Department at UCLA, also a member of the Academic Senate.

The Comprehensive Exam tests two fields: the first covers a breadth of historical knowledge—300 years at minimum—and the second focuses on in-depth knowledge of a specialization that is historically and thematically circumscribed. Students submit an abstract on each of these fields, provide a substantial bibliography, and prepare additional documentation requested by their primary advisor. These materials are submitted to the committee no less than two weeks before the exam, which occurs as early as the end of the second year. Students are encouraged to complete the Comprehensive Exam no later than the end of their third year of study.

The Comprehensive Exam itself consists of two parts: an oral component that takes place first, and then a written component. The oral component is comprised of questions posed by the committee based on the student’s submitted materials. The goal of the exam is for students to demonstrate their comprehensive knowledge of their chosen field. The written component of the exam (which may or may not be waived by the committee) consists of a written response to a choice of questions posed by the committee. The goal of this portion of the exam is for students to demonstrate their research skills, their ability to develop and substantiate an argument, and to show promise of original contribution to the field. Students have two weeks to write the exam. After the committee has read the exam, the advisor notifies the student of the committee’s decision. Upon the student’s successful completion of the Comprehensive Exam, they continue to the Qualifying Exam.

Students are expected to take the Qualifying Exam before the beginning of the fourth year. The exam focuses on a dissertation prospectus that a student develops with their primary advisor and in consultation with their PhD committee. Each student’s PhD committee consists of at least two members of the Standing Committee and one outside member from another department at the University (and a member of the Faculty Senate). Committees can also include faculty from another institution. All committees are comprised of at least three members of UCLA Academic Senate. The prospectus includes an argument with broad implications, demonstrates that the dissertation will make a contribution of knowledge and ideas to the field, demonstrates mastery of existing literature and discourses, and includes a plan and schedule for completion.

The PhD dissertation is written after the student passes the qualifying exam, at which point the student has entered PhD candidacy. The dissertation is defended around the sixth year of study. Students graduating from the program have taken posts in a wide range of universities, both in the United States and internationally.

Recent PhD Dissertations

• Marko Icev, "Building Solidarity: Architecture After Disaster and The Skopje 1963 Post-Earthquake Reconstruction." ( Read )
• Anas Alomaim, "Nation Building in Kuwait, 1961-1991."
• Tulay Atak, “Byzantine Modern: Displacements of Modernism in Istanbul.”
• Ewan Branda, “Virtual Machines: Culture, telematique, and the architecture of information at Centre Beaubourg, 1968–1977.”
• Aaron Cayer, "Design and Profit: Architectural Practice in the Age of Accumulation"
• Per-Johan Dahl, “Code Manipulation, Architecture In-Between Universal and Specific Urban Spaces.”
• Penelope Dean, “Delivery without Discipline: Architecture in the Age of Design.”
• Miriam Engler, “Gordon Cullen and the ‘Cut-and-Paste’ Urban Landscape.”
• Dora Epstein-Jones, “Architecture on the Move: Modernism and Mobility in the Postwar.”
• Sergio Figueiredo, “The Nai Effect: Museological Institutions and the Construction of Architectural Discourse.”
• Jose Gamez, “Contested Terrains: Space, Place, and Identity in Postcolonial Los Angeles.”
• Todd Gannon, “Dissipations, Accumulations, and Intermediations: Architecture, Media and the Archigrams, 1961–1974.”
• Whitney Moon, "The Architectural Happening: Diller and Scofidio, 1979-89"
• Eran Neuman, “Oblique Discourses: Claude Parent and Paul Virilio’s Oblique Function Theory and Postwar Architectural Modernity.”
• Alexander Ortenberg, “Drawing Practices: The Art and Craft of Architectural Representation.”
• Brian Sahotsky, "The Roman Construction Process: Building the Basilica of Maxentius"
• Marie Saldana, “A Procedural Reconstruction of the Urban Topography of Magnesia on The Maeander.”
• David Salomon, “One Thing or Another: The World Trade Center and the Implosion of Modernism.”
• Ari Seligmann, “Architectural Publicity in the Age of Globalization.”
• Zheng Tan, “Conditions of The Hong Kong Section: Spatial History and Regulatory Environment of Vertically Integrated Developments.”
• Jon Yoder, “Sight Design: The Immersive Visuality of John Lautner.”

A Sampling of PhD Alumni and Their Pedagogy

Iman Ansari , Assistant Professor of Architecture, the Knowlton School, Ohio State University

Tulay Atak , Adjunct Associate Professor, Pratt School of Architecture

Shannon Starkey , Associate Professor of Architecture, University of San Diego

Ece Okay , Affiliate Research, Université De Pau Et Des Pays De L'adour

Zheng Tan , Department of Architecture, Tongji University

Pelin Yoncaci , Assistant Professor, Department Of Architecture, Middle East Technical University

José L.S. Gámez , Interim Dean, College of Arts + Architecture, UNC Charlotte

Eran Neuman , Professor, School of Architecture, Tel Aviv University

Marie Saldana , Assistant Professor, School of Interior Architecture, University of Tennessee - Knoxville

Sergio M. Figueiredo , Assistant Professor, Eindhoven University of Technology

Rebecca Choi , Assistant Professor of Architecture History, School of Architecture, Tulane University

Will Davis , Lecturer in History, Theory and Criticism, Department of Architecture, National University of Singapore

Maura Lucking , Faculty, School of Architecture & Urban Planning, University of Wisconsin - Milwaukee

Kyle Stover , Assistant Professor, School of Architecture, Montana State University

Alex Maymind , Assistant Professor of Architecture and Director of Undergraduate Studies in Architecture, University of Minnesota

Gary Riichirō Fox , visiting faculty member at Southern California Institute of Architecture (SCI-Arc) and lecturer at USC School of Architecture

Randy Nakamura , Adjunct Professor, College of Arts and Sciences, University of San Francisco

Aaron Cayer , Assistant Professor of Architecture History, School of Architecture + Planning, University of New Mexico

Whitney Moon , Associate Professor of Architecture, School of Architecture & Urban Planning, University of Wisconsin - Milwaukee

Todd Gannon , Professor of Architecture, the Knowlton School, Ohio State University

Dora Epstein Jones , Professor of Practice, School of Architecture, the University of Texas at Austin

Sarah Hearne , Assistant Professor, College of Architecture and Planning, University of Colorado Denver

PhD Typical Study Program

*The choice of language to fulfill this requirement must be discussed with the Ph.D. Standing Committee

Our Current PhD Cohort

AUD's cohort of PhD candidates are leaders in their fields of study, deepening their scholarship at AUD and at UCLA while sharing their knowledge with the community.

Adam Boggs is a sixth year Ph.D candidate and interdisciplinary artist, scholar, educator and Urban Humanist. His research and teaching interests include the tension between creativity and automation, craft-based epistemologies, and the social and material history of architecture at the U.S.-Mexico border. He holds a BFA in Sculpture Cum Laude from the Ohio State University, and an MFA in Visual Art from the State University of New York at Purchase College. Prior to joining the doctoral program at UCLA he participated in courses in Architecture (studio and history) at Princeton University and Cornell University. His dissertation analyzes the history of indigenous labor during the Mexican baroque period to form a comparative analysis with the 20th century Spanish revival architecture movement in Southern California and how the implementation of the style along the U.S.-Mexico border might function as a Lefebvrian “thirdspace” that disrupts binary thinking. In Spring 2024 he will teach an undergraduate seminar course at AUD on the history of architecture at the U.S.-Mexico border as part of the CUTF program.

Hanyu Chen is a second-year doctoral student at UCLA AUD. Her research focuses on the intersection between (sub)urban studies, heritage conservation, and the genders of the space. Specifically, it concerns the dynamics of genders in (sub)urban areas and how these dynamics are conserved as heritage. Born and raised in China for her first 18 years, Hanyu chose the conservation of comfort stations in China as her master's thesis at the University of Southern California, where she earned her master’s degree in Heritage Conservation and officially started her journey in architecture. Her thesis discusses the fluidity and genders of comfort stations and how they survive in contemporary China’s heritage conservation policies.

Hanyu also holds a Bachelor of Science degree in AMS (Applied Mathematics and Statistics) and Art History from Stony Brook University.

Yixuan Chen

Yixuan Chen is an architectural designer and a first-year doctoral student in the Department of Architecture and Urban Design at UCLA. Driven by an impulse to demystify both the grand promises and trivial familiarities of architecture, her research embarks on the notion of everydayness to elucidate the power dynamics it reveals. She investigates the conflicts between these two ends and focuses on modernization across different times and places.

Prior to joining UCLA AUD, she was trained as an architect and graduated from the University of Nottingham's China Campus with a first-class honors degree. Her graduation project “Local Culture Preservation Centre,” which questioned the validity of monumental architecture in the climate crisis, was nominated for the RIBA President's Medal in 2016.

She also holds a Master of Arts degree with distinction in Architectural History from the Bartlett School of Architecture, University College London. Her dissertation, “Shijing, on the Debris of Shijing,” explores the vanishing shijing places, or urban villages, where rural migrant workers negotiate their urban identity in Chinese cities, revealing shifting power relations. Additionally, she authored an article in Prospectives Journal titled "Architectural Authorship in ‘the Last Mile,’" advocating for a change to relational architectural authorship in response to the digital revolution in architecture.

Pritam Dey is an urban designer and second-year doctoral student at UCLA AUD. His research interest lies at the intersection of colonial urbanism, sensorial history, and somatic inquiries. His architecture thesis investigated the crematorium and temple as sensorial infrastructure, and was presented at World Architecture Congress at Seoul in 2017. Previously Dey worked in the domain of urban design, specifically informal markets, as a shaper of urbanism in Indian cities. Prior to joining the AUD doctoral program, his past research focused on investigating the role of informal and wholesale markets in shaping up urbanity in the Indian city cores and co-mentored workshops on Urbanity of Chitpur Road, Kolkata with ENSAPLV, Paris which was both exhibited at Kolkata and Paris. He also co-mentored the documentation of the retrospective landscape of Hampi with the support of ENSAPLV and French Embassy. His investigations on the slums of Dharavi title ‘The tabooed city’ was published in the McGill University GLSA Research series 2021 under the theme: the city an object or subject of law?

An urban designer and architect, Pritam Dey pursued his post graduation from School of planning and Architecture, Delhi. During his academic tenure at SPA, he was the recipient of 2018 Design Innovation Center Fellowship for Habitat design allowing him to work on the social infrastructure for less catered communities in the Sub Himalayan Villages. In 2022 He mentored a series of exhibitions on the theme of Water, Mountains and Bodies at Ahmadabad.

He was the 2022-23 Urban Humanities Initiatives Fellow at UCLA and recipient of 2023 UCLA Center for India and South Asia fellowship for his summer research.

Carrie Gammell

Carrie Gammell is a doctoral candidate working at the intersection of architectural history, property law, and political economy. Her research focuses on claims, investments, and intermediary organizations in the United States, from the Homestead Act of 1862 to the Housing Act of 1934.

Carrie is also a Senior Research Associate at cityLAB UCLA, where she studies state appropriations for California community college student housing. In the past, she contributed to Education Workforce Housing in California: Developing the 21st Century Campus, a report and companion handbook that provides a comprehensive overview of the potential for land owned by school districts to be designed and developed for teachers and other employees.

Prior to joining AUD, Carrie worked as an architectural designer in Colombia and the United States, where she built a portfolio of affordable housing, multi-family residential, and single-family residential projects as well as civic and cultural renovations and additions. She holds a Bachelor of Architecture from Rice University and a Master in Design Studies (Critical Conservation) from the Harvard Graduate School of Design.

Anirudh Gurumoorthy

Anirudh Gurumoorthy is a PhD candidate at UCLA AUD. His dissertation, tentatively titled (Un)Certain Tropics and the Architecture of Certain Commodities, 1803-1926, focuses on the spatial and environmental histories of natural history/sciences in the long-nineteenth century as it related to the political economy of empire within South Asia. He is interested in the ways the materiality of commodity extraction and production contends with how, where, and why certain ‘tropical’ animals, vegetables, and minerals are attributed with a metropolitan sense of ‘value’. Moving from the United States to Britain (and back) through various parts of the Indian Ocean world as markets for singular forms of ice, rubber, and cattle form, peak, and collapse, the dissertation ultimately aims to reveal interconnected spatial settings of knowledge, control, regulation, display, and labor where knowledge systems, technical limits, human and nonhuman action/inaction, differentiated senses of environments and value continually contend with each other to uphold the fetishes of the world market. Gurumoorthy holds a B.Arch. from R.V. College of Architecture, Bangalore, and an M.Des in the History and Philosophy of Design and Media from the Harvard Graduate School of Design.

Chi-Chia Hou

Chi-Chia Hou is a doctoral candidate in his sixth year at UCLA AUD. His working dissertation, “New Frontier: Architecture and Service 1893-1960,” explores his interest in architecture and wealth, changing ideas of profit and management, and social scientific discourses for measuring work and worker, self and others, and values of landed property.

His research locates moments of theorizing methodologies to manage income-generating properties in schools of agriculture, home economics, and hotel studies. The schools taught their students theories, while instilling the imminence of faithful direction of oneself, of self-as-property. The pedagogies, existing beyond the purview of Architecture, were of immense architectural consideration.

Chi-Chia Hou took a break from school in the previous academic year to learn from his daughter and has now returned to school to learn from his brilliant cohorts.

Adam Lubitz

Adam Lubitz is an urban planner, heritage conservationist, and doctoral student. His research engages the intersection of critical heritage studies and migration studies, with an emphasis on how archival information can inform reparations. His community-based research has been most recently supported by the Columbia GSAPP Incubator Prize as well as the Ziman Center for Real Estate and Leve Center for Jewish Studies at UCLA.

Prior to joining AUD, Adam worked at World Monuments Fund within their Jewish Heritage Program, and taught GIS coursework at Barnard College. His master's thesis applied field research with experimental mapping techniques in the old town of a municipality in Palestine. Adam holds MS degrees in Historic Preservation and Urban Planning from Columbia University and a BA in Urban Studies from New College of Florida.

José Monge is a PhD candidate in the Department of Architecture and Urban Design. His dissertation, titled Maritime Labor, Candles, and the Architecture of the Enlightenment (1750-1872) , focuses on the role that whale-originated illuminants, specifically spermaceti candles and oil, played in the American Enlightenment as an intellectual project and the U.S. as a country. By unravelling the tension between binaries such as intellectual and manual labor–the consumers that bought these commodities and the producers that were not able to afford them–the project understands architecture as a history of activities that moved from sea to land and land to sea, challenging assumptions about the static “nature” of architecture.

Kurt Pelzer

Kurt Pelzer is a fourth-year PhD candidate at UCLA AUD. Their research explores the relational histories, material flows, and politics of land in and beyond California in the long nineteenth century during the United States parks, public lands, and conservation movements.

Their current scholarship traces the settler possession and exhibitionary display of a Giant Sequoia (Sequoiadendron giganteum) in the 1850s; an act that contested the ways Miwok peoples ancestral to California's Sierra Nevada knew and related to life and land. Their broader interests include histories of colonialism and capitalism in the Americas, environmental history, and Blackness and Indigeneity as a methodological analytic for political solidarities and possibilities.

Prior to arriving at UCLA, Pelzer worked at the San Francisco Museum of Modern Art in the Architecture and Design Curatorial Department participating in exhibitions, programming, and collections work. Pelzer completed a Master of Advanced Architectural Design in the History, Theory, and Experiments program from California College of the Arts in San Francisco, and earned their Bachelor's degree in Landscape Architecture from the College of Design at Iowa State University.

Shota Vashakmadze

Email Shota Vashakmadze

Shota Vashakmadze is a sixth-year PhD candidate at UCLA AUD. His dissertation traces the conjoined histories of architectural computing, environmental design, and professional practice in the late 20th century, adopting critical approaches to architecture’s technical substrates—the algorithms, softwares, and user protocols of computation—to examine their social and political dispositions. In his scholarship and pedagogy, he aims to situate forms of architectural labor within the profession’s ongoing acculturation to environmental crisis. Most recently, he has been leading the development of the interdisciplinary “Building Climates” cluster, a year-long course sequence at UCLA, and co-organizing an initiative dedicated to fostering discourse on climate change and architecture, including a two-day conference entitled “Architecture After a Green New Deal.”

His research has been supported by the Canadian Centre for Architecture and appeared in journals including Architectural Theory Review , The Avery Review, and Pidgin Magazine. He is currently completing a contribution to a collection on landscape representation and a chapter for an edited volume on architecture, labor, and political economy.

Shota holds an MArch from Princeton University and has a professional background in architecture, landscape, and software development. Before coming to UCLA, he researched methods for designing with point cloud data and wrote Bison, a software plugin for landscape modeling.

Alexa Vaughn

Alexa Vaughn (ASLA, FAAR) is a first year PhD student in Architecture + Urban Design and a Eugene V. Cota-Robles Fellow , from Long Beach, California. She is a Deaf landscape designer, accessibility specialist, consultant, and recent Fellow of the American Academy in Rome (2022-23). She is a visionary speaker, thought leader, prolific writer and researcher, and the author of “ DeafScape : Applying DeafSpace to Landscape,” which has been featured in numerous publications.

Her professional work is centered upon designing public landscapes with and for the Deaf and disabled communities, applying legal standards and Universal Design principles alongside lived experience and direct participation in the design process. She is an expert in designing landscapes for the Deaf community (DeafScape) and in facilitation of disabled community engagement. Prior to joining the A+UD program, Alexa worked for several landscape architecture firms over the course of six years, including OLIN and MIG, Inc.

Through a disability justice lens, her dissertation will seek to formally explore the historical exclusionary and inaccessible design of American urban landscapes and public spaces, as well as the response (activism, policy, and design) to this history through the present and speculative future. She will also actively take part in activist- and practice-based research with cityLAB and the Urban Humanities Institute .

Alexa holds both a BA in Landscape Architecture (with a minor in Conservation and Resource Studies) and a Master’s degree in Landscape Architecture (MLA) from the University of California, Berkeley, with specialization in accessible and inclusive design. Much of her work can be found at www.designwithdisabledpeoplenow.com and on Instagram: @DeafScape.

Yashada Wagle

Yashada Wagle is a third year PhD student in Critical Studies at UCLA AUD, and a recipient of the department's Moss Scholarship. Her research focuses on imperial environmental-legislative regimes in British colonial India in the late nineteenth century. She is interested in exploring questions around the histories of spaces of extraction and production as they network between the metropole and the colony, and their relationship with the conceptions of laboring bodies therein. Her master's thesis focused on the Indian Forest Act of 1865, and elucidated the conceptualization of the space of the ‘forest’ through the lenses of its literary, legislative, and biopolitical trajectories, highlighting how these have informed its contemporary lived materiality.

Wagle holds a Bachelor in Architecture (BArch) from the Savitribai Phule Pune University in India, and a Master in Design Studies (History and Philosophy of Design and Media) from the Harvard Graduate School of Design. She was previously a Research Fellow at the Kamla Raheja Vidyanidhi Institute for Architecture and Environmental Studies (KRVIA) in Mumbai, India.

In her spare time, Wagle enjoys illustrating and writing poetry, some of which can be found here .

Dexter Walcott

Dexter Walcott is a registered architect currently in his fifth year with the Critical Studies of Architecture program at UCLA. His research focuses on the Latrobe family and early nineteenth century builders in the Mississippi and Ohio river valleys. He is interested in the role of the built environment in histories of labor, capitalism, steam-power, and industry.

Born and raised in Hong Kong, Joy is a fifth-year PhD student in architecture history. Her research explores geology as antiquity from early 19th – 20th century British colonial Hong Kong and China. She holds a B.A. in Comparative Literature with a focus in German from Middlebury College in 2017, and is a graduate of The New Normal program at Strelka Institute, Moscow in 2018. Previously, she has taught in the Department of Architecture at University of Hong Kong, as well as the Department of Design at Hong Kong Polytechnic University.

After working as a curatorial assistant at Tai Kwun Contemporary in 2019, she has continued the practice of art writing and translation, collaborating with many local Hong Kong artists as well as international curators such as Raimundas Malašauskas. In her spare time, she practices long-distance open water swimming. In 2022, she completed a 30km course at the South of Lantau Island, Hong Kong.

The MA and PhD programs welcome and accept applications from students with a diverse range of backgrounds. These programs are designed to help those interested in academic work in architecture develop those skills, so we strongly encourage that you become familiar with fundamental, celebrated works in the history and theory of architecture before entering the program.

Applicants to the academic graduate programs must hold a Bachelor’s degree, or the foreign equivalent. All new students must enter in the fall quarter. The program is full-time and does not accept part-time students.

Applications for the MA and PhD programs (Fall 2024 matriculation) will be available in Fall 2023, with application deadline of January 6, 2024; please revisit this page for updates. Accepted candidates who wish to enroll must file an online Statement of Intent to Register (SIR) by April 15, 2024.

How to Apply

Applying to the MA and PhD programs is an online process via the UCLA Application for Graduate Admission (AGA).

Completing the requirements will take some time, so we strongly recommend logging in to the AGA in advance to familiarize yourself with the site and downloading the documents and forms you will need to complete your application.

You can also download this checklist to make sure you have prepared and submitted all the relevant documents to complete your application.

Your Statement of Purpose is a critical part of your application to the MA and PhD programs. It is your opportunity to introduce yourself and tell us about your specific academic background, interests, achievements, and goals. Our selection committee use it to evaluate your aptitude for study, as well as consideration for merit-based financial support.

Your statement can be up to 1500 words in length. Below are some questions you might want to consider. You don’t need to answer every question; just focus on the elements that are most relevant to you.

• What is your purpose in applying to the MA or PhD program? Describe your area(s) of research interest, including any areas of concentration and specialization.
• What experiences have prepared you for this program? What relevant skills have you gained from these experiences? Have your experiences led to specific or tangible outcomes that would support your potential to contribute to this field (e.g. performances, publications, presentations, awards or recognitions)?
• What other information about your past experience might help the selection committee in evaluating your suitability for this program? E.g. research, employment, teaching, service, artistic or international experiences through which you have developed skills in leadership, communication, project management, teamwork, or other areas.
• Why is UCLA Architecture and Urban Design the best place for you to pursue your academic goals?
• What are your plans for your career after earning this degree?

Your Personal Statement is your opportunity to provide additional information to help the selection committee evaluate your aptitude for study. It will also be used to consider candidates for UCLA Graduate Division fellowships related to diversity. You can read more about the University of California Diversity Statement here .

Your statement can be up to 500 words in length. Below are some questions you might want to consider. You don’t need to answer every question; just focus on the elements that are most relevant to you.

• Are there educational, personal, cultural, economic, or social experiences, not described in your Statement of Purpose, that have shaped your academic journey? If so, how? Have any of these experiences provided unique perspective(s) that you would contribute to your program, field or profession?
• Describe challenge(s) or barriers that you have faced in your pursuit of higher education. What motivated you to persist, and how did you overcome them? What is the evidence of your persistence, progress or success?
• How have your life experiences and educational background informed your understanding of the barriers facing groups that are underrepresented in higher education?
• How have you been actively engaged (e.g., through participation, employment, service, teaching or other activities) in programs or activities focused on increasing participation by groups that have been historically underrepresented in higher education?
• How do you intend to engage in scholarly discourse, research, teaching, creative efforts, and/or community engagement during your graduate program that have the potential to advance diversity and equal opportunity in higher education?
• How do you see yourself contributing to diversity in your profession after you complete your academic degree at UCLA Architecture and Urban Design?

A Curriculum Vitae (résumé of your academic and professional experience) is recommended but not required.

Applicants must upload a scanned copy of the official transcripts from each college or university you have attended both in the U.S. and abroad. If you are accepted into the program you will be required to submit hard copies. These can either be sent directly from each institution or hand-delivered as long as they remain in the official, signed, sealed envelopes from your college or university. As a general rule, UCLA Graduate Division sets a minimum required overall grade-point average of 3.0 (B), or the foreign equivalent.

As of this Fall 2023 cycle, the GRE is NOT required as part of your application to UCLA AUD. No preference will be given to those who choose to submit GRE scores as part of their application.

However, if you do take the GRE exam and wish to include it as part of your application: More information on this standardized exam can be found at www.ets.org/gre . In addition to uploading your GRE scores, please direct ETS to send us your official score sheets. Our ETS codes for the GRE are below:

UCLA Architecture and Urban Design Institution Code: 4837 Department Code: 4401

We recommend you take the exam at least three weeks before the application deadline as it usually takes 2-3 weeks for ETS to send us the test scores.

If you have received a Bachelor’s degree in a country where the official language of instruction and primary spoken language of daily life is not English, you must submit either a Test of English as a Foreign Language (TOEFL) or an International English Language Testing System (IELTS). Exempt countries include Australia, Barbados, Canada, Ireland, Jamaica, New Zealand and the United Kingdom. This is a requirement that is regardless of your visa or citizenship status in the United States.

To be considered for admission to the M.Arch. program, international students must score at least a 92 on the TOEFL or a 7 on the IELTS exam. Because processing, sending, and receiving TOEFL and IELTS scores can take several weeks, international students must schedule their exam no later than October 31 in order to meet UCLA deadlines. TOEFL scores must be sent to us directly and uploaded as part of the online submission. Our ETS codes for the TOEFL are below:

UCLA Architecture and Urban Design Institution Code: 4837 Department Code: 12

If your score is less than 100 on the TOEFL or 7.5 on the IELTS, you are also required to take the English as a Second Language Placement Examination (ESLPE) on arrival at UCLA. The results of this test will determine any English as a Second Language (ESL) courses you need to take in your first term of residence. These courses cannot be applied towards your minimum course requirements. As such, you should expect to have a higher course load than students not required to take ESL courses.

If you have earned a degree or completed two years of full-time college-level coursework in the following countries, your TOEFL / IELTS and ESLPE requirements will be waived: U.S., U.K., Canada (other than Quebec), Australia, and New Zealand. Please provide official transcripts to demonstrate course completion. Unfortunately, we cannot accept any other documentation to demonstrate language proficiency.

Three (3) letters of recommendation are required. These letters should be from individuals who are familiar with your academic and professional experiences and can evaluate your capacity to successfully undertake graduate studies at UCLA. If you do not have an architecture background please note that we are looking for letters that evaluate your potential as a graduate student, not necessarily your architecture experience.

Letters of recommendation must be sent electronically directly to UCLA by the recommender. When logged in, you can enter the name and email address of each of your recommenders. They will be contacted by email with a request to submit a letter on your behalf. You can track which letters have and have not been received. You can also send reminders to your recommenders to send their letters.

Writing samples should illustrate an applicant’s capacities for research, analytical writing and scholarly citation. Texts may include seminar papers, theses, and/or professional writing.

Please complete and submit the Department Supplement Form to confirm your intention to apply to the MA or PhD program.

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Introduction

Past dissertations, forms and resources.

The doctoral program in Architecture currently offers two tracks of study: History and Theory of Architecture, and Ecosystems in Architectural Sciences. Both tracks aim to educate teachers capable of effectively instructing future architects in their own field and its manifold connections with the culture at large. The program forges a unique combination of professional knowledge with a historical and analytical grasp of architecture, deepening awareness of the field’s current state and the critical issues it faces.

The History and Theory track provides sound training in historical study and historiography, and cultivates understanding of intellectual trends that inform the reception and role of architecture in the world at large. It prepares candidates for careers in university teaching, cultural advocacy and administration, museum curatorship, and publishing, among others. Students draw on a wide range of disciplines including, but not limited to, the history of science and technology, social and political history, media theory, as well as the fine arts, literature, and popular culture.

The Ecosystems in Architectural Sciences track provides preparation in interdisciplinary scientific inquiry, qualifying students to incorporate scientific methods into experimental design frameworks in order to research and develop novel material and informational ecosystems. Students in this track engage in research related to the behaviors of living ecosystems, emphasizing their interconnection with the built environment.

Joan Ockman, Director of Doctoral Studies

Ateya Khorakiwala Granularities: Concrete and the “Gray Architecture” of Grain Storage in 1960s and 70s India

Albena yaneva the craft of architectural archiving, eeva-liisa pelkonen in conversation with nicola suthor untimely moderns: how 20th century architecture reimagined the past, current candidates and students, publications by current and graduated phd students.

Echo’s Chambers: Architecture and the Idea of Acoustic Space

University of pittsburgh press.

Avant-Garde as Method: Vkhutemas and the Pedagogy of Space, 1920-1930

Babel’s Present

Standpunkte dokumente.

Perspecta 46

Aaron tobey and jia weng win 2023 carter manny awards for writing and research, cea phd student phoebe mankiewicz wins lafargeholcim award for indoor plant module, tim altenhof (ph.d. ‘18) wins theron rockwell field prize for his dissertation “breathing space: the architecture of pneumatic beings”, david turturo.

Caryatid: Architecture and the Framing of Bodies (2022). View dissertation.

Theodossios Issaias

Architectures of the Humanitarian Front, 1915-1930: The American Red Cross and the Refugee Settlement Commission of the League of Nations (2021). View dissertation.

A Theory of Common Form in Aesthetic Perception (2019). Abstract.

Skender Luarasi

Where Do You Stop? A Critical Inquiry into Style, Geometry, and Parametricism in History (2018). Abstract.

Tim Altenhof

Breathing Space: The Architecture of Pneumatic Beings (2018). Abstract.

Teaching Architecture to the Masses: Vkhutemas and the Pedagogy of Space, 1920-1930 (2017). Abstract

Surry Schlabs

Waiting for Architecture: John Dewey and the Limits of Modern Art (2017). Abstract.

Kyle Dugdale

Architecture After the Death of God: Uriel Birnbaum’s Der Kaiser und derArchitekt (2015). Abstract.

Joseph Clarke

The Architectural Discourse of Reverberation, 1750-1900 (2014). Abstract.

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Graduate Research Assistant and Teaching Fellow Experience

Master’s degree, required courses, history and theory track.

551a, Ph.D. Seminar I 1 credit. (Required in, and limited to, Ph.D. first year, fall term.) This seminar centers on a thorough examination of fundamental ideas of historiography, centering on Rome and exploring aspects of geology, culture, mapping, site development, the establishment of institutions, and the construction of buildings across several millennia, as well as a study of literature on the urbs and its worldwide impact. Faculty

552b, Ph.D. Seminar II 1 credit. (Required in, and limited to, Ph.D. first year, spring term.) This seminar centers on concepts of history and their application to architecture from Jacob Burckhardt to the present and a close reading of historiographic theories, including ethnography, modernity, and the emergence of the profession of architecture in the light of present-day critique. Faculty

553a, Ph.D. Seminar III 1 credit. (Required in, and limited to, Ph.D. second year, fall term.) Seminar content to be announced. Faculty

554b, Ph.D. Dissertation Preparation 1 credit. (Required in, and limited to, Ph.D. second year, spring term.) Ph.D. tutoring in preparation for oral examinations and formulation of a thesis topic. Faculty

Required Courses, Ecosystems in Architectural Sciences Track

558a, Ph.D. Seminar: Ecosystems in Architecture I 1 credit. (Required in, and limited to, Ph.D. first year, fall term.)

559b, Ph.D. Seminar: Ecosystems in Architecture II 1 credit. (Required in, and limited to, Ph.D. first year, spring term.)

568a, Ph.D. Seminar: Ecosystems in Architecture III 1 credit. (Required in, and limited to, Ph.D. second year, fall term.)

569b, Ph.D. Seminar: Ecosystems in Architecture IV 1 credit. (Required in, and limited to, Ph.D. second year, spring term.)

History and Theory 4

Urbanism and landscape 1.

Ph.D. in Architecture

The PhD in Architecture (PhD-Arch) program at Carnegie Mellon advances interpretive, critical and contextual perspectives on the built environment and spatial design. The program offers students an interdisciplinary platform to investigate built environment cultures, practices and politics across a range of historical and geographical contexts.

Nida Rehman

Assistant Professor & PhD-Arch Track Chair

Program Overview

The PhD in Architecture (PhD-Arch) program at Carnegie Mellon advances interpretive, critical and contextual perspectives on the built environment and spatial design. Bringing together methods in history of architecture, urban studies, critical spatial practices, environmental humanities, digital humanities, environmental justice and community-oriented research, the program offers students an interdisciplinary platform to investigate built environment cultures, practices and politics across a range of historical and geographical contexts.

The intellectual foundation of the program is informed by Carnegie Mellon Architecture’s commitments to racial and spatial justice in architectural epistemology, pedagogy and practice. The program builds on and extends the foundational work in the school in the area of community-oriented urban design and research and is supported by the wide-ranging expertise and resources in the school and across the university, particularly in the arts and humanities.

Admission Information

Program Curriculum

Learn more about the PhD-Arch curriculum below.

PhD-Arch Curriculum

Program Faculty

For more information about the PhD-Arch program, please contact track chair Nida Rehman .

Erica Cochran Hameen

Assistant Professor, DEI Director & DDes Track Chair

Stefan Gruber

Associate Professor, MUD Track Chair & RCI Director

Kai Gutschow

Associate Professor & Associate Head for Design Ethics

Associate Professor

Francesca Torello

Special Faculty

Admissions Resources

Are you a current student looking for resources? Handbooks, procedures and other information can be found on the Student Resources page .

Doctor of Philosophy in Architecture and Design Research, Architecture Track

Ph.D., based at Main Campus + WAAC

Degree Tracks within the Ph.D. in Architecture and Design Research program

There are two major tracks within the Ph.D. in Architecture and Design Research degree program, each of which has topical areas. The requirements for the tracks vary slightly, but both provide significant flexibility for each student to develop a plan of study consistent with his or her academic goals. The two tracks are Architecture and Design Research.

Architecture Track

The Architecture track within the Ph.D program in Architecture and Design Research includes research topics in Architectural Representation and Education, Architectural History and Theory, Historic Preservation, and Computing and Representation.

The Architecture track will share resources on the Blacksburg Campus and the Washington-Alexandria Architecture Center in the National Capital Region (NCR). At the latter location, students can make use of the many research libraries available in the Washington, DC area, including the Library of Congress, National Building Museum library, American Institute of Architects Library, CASVA, Smithsonian Institution, the Dumbarton Oaks Library and many privately-owned architectural archives to develop their topics in architectural representation.

Design Research Track

The Design Research track within the Ph.D. program in Architecture and Design Research primarily operates on the Blacksburg campus. Principal focus areas within the Design Research track are Building Science, Interior Design, Industrial Design, and Landscape Architecture. Other areas of study include those outlined in the  MS degree , History/Theory/Criticism, Health and Wellness Design, Social Impact Design, Biodesign, and Design Technology. Over the past fifteen years, the number of students and diversity of research activities in the Design Research track has steadily grown resulting in an internationally recognized program. Admission to the program is highly competitive with only a few admissions offered each year.

Architectural Acoustics focus

The Architectural Acoustics focus within the architecture program at Virginia Tech engages acoustics under the umbrella of design. The program encourages students to bring issues of room acoustics, speech privacy, and noise control into their design studios and into their careers, and involves students in individually-tailored rigorous research in the field.

Architectural Acoustics students are encouraged to integrate their class work with their design studio work. Academic study centers around understanding the relationship between the built world and sound, calculating and predicting acoustic performance of spaces, and executing acoustic measurements (impulse response, reverberation time, background noise, and sound transmission loss). The College’s Architectural Acoustics Laboratory houses equipment capable of taking acoustic measurements in rooms, simulating acoustic environments and analyzing the acoustic character of computer-modeled and scale-modeled rooms.

Those interested in learning more about the curriculum, discussing the body of research investigated, or speaking with students who have completed their study in architectural acoustics are encouraged to contact Prof. Michael Ermann by email or at 540.231.1225.

The faculty are seeking to admit a highly selective group of students who have master’s degrees in closely allied fields, such as Architecture, Environmental Design, Building Science, Landscape Architecture, Architecture History and Theory, Interior Design, and Industrial Design. In addition to the application requirements of the Virginia Tech Graduate School and those pertaining to all graduate programs within the School of Architecture and School of Design, applicants to the Ph.D. degree in Architecture and Design Research must submit a portfolio and a 2,500-word statement of research focus. Students are encouraged to contact members of the faculty with whom their interests and research focus area align.

Degree Requirements for the Ph.D. in Architecture and Design Research:

The Graduate School requires each Ph.D. student to complete 90 semester hours of graduate study and dissertation.

All students, regardless of area of specialization, are required to complete a sequence of specific Architecture and Design Seminars. A two-semester sequence seminar will focus primarily on epistemology and the nature of discipline and practice of architecture, viewed in the context of architecture and the allied fields. Students will also enroll in a continuing seminar course required every semester of residence. In these seminars, Ph.D. students, the School faculty involved with the graduate program, and possible guests present their own research for critical review and feedback. The Ph.D. students in the Architecture track must also pass a test of reading ability in a foreign language related to their selected topics (native languages and English do not fulfill this requirement).

In addition, all students must complete a special Research Methods course organized by area of specialization. At the approval of the student’s advisory committee, the course may be also taken in the other area of specialization or outside of the school.

Related links

Information regarding admission to Graduate Programs in Architecture

Graduate Architecture Program Policies

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Phd in architecture.

The Doctor of Philosophy in Architecture is for those who wish to make significant scholarly contributions to the discipline, discourse, and research of architecture. The Program trains individuals for productive academic careers in the teaching of architecture as well as with educational institutions, research centers, cultural and governmental organizations, and professional practices engaged in research that seek to benefit from advanced scholarship and creative research.  

*The name of this course will be updated in syllabi for Fall 2024

Curriculum overview

• required and elective courses, 
• required examinations, and 
• written texts that conclude course work, examinations and which are used to present a student’s research work and acquired writing skills.

Ph.D. students must complete a minimum of 20 course units, pass a Qualifying examination, a Candidacy examination, two Language examinations, complete two Teaching Fellow requirements, and complete and defend a Dissertation.  

During the first year of course work, all Ph.D. students are required to enroll in the following courses: 

• ARCH 8110: Architectural Theory and Techniques is a course that explores the current state of architectural scholarship, with an emphasis on primary materials in architectural theory and history, and technology.  
• ARCH 8120: Architectural Research Methods explores research methods across historical, technological, and design discourse as they relate to advanced projects in the field. 
• ARCH 8130: Qualifying Research is a ‘designated elective’ whereby the student pursues a graduate course, or Independent Study in ARCH or across the university, that relates to or expands on their specific subject matter. The course that will ‘count’ for 8130 is chosen in consultation with the Chair of the Graduate Group or the student’s advisor, if already chosen.

During the second year of course work, students are required to take the following courses: 

• ARCH 8510: Field Bibliography consists of an Independent Study course with a chosen faculty member of the Graduate Group (the student’s advisor, future committee member, or approved faculty member), focused on the preparation of the student’s Field Bibliography in the context of the Candidacy Exam.
• ARCH 8520: Dissertation Proposal consists of an Independent Study course with a chosen faculty member of the Graduate Group (the student’s advisor, future committee member, or approved faculty member), focused on the completion of the student’s Dissertation Proposal, in preparation for the Candidacy Exam.

Franca Trubiano    Associate Professor of Architecture Chair, Graduate Group in Architecture [email protected]

Architecture

DAAP » Academic Programs » School of Architecture and Interior Design » PhD in Architecture

Why study Architecture?

University of Cincinnati’s Ph.D. Program in Architecture is a post-professional degree program of advanced theoretical studies in architecture with a focus on the acquisition of critical skills related to architectural production, both built and theoretical. It is intended primarily for students already in possession of a graduate degree in architecture or a related field such as interior design, planning, or landscape architecture. The Ph.D. program is an outgrowth of the university’s longstanding MS Program in Architecture, whose focus has traditionally been on architectural history, theories, and criticism as they relate to architectural practice. The program exposes students to a range of concepts in the field and fosters the ability to question and assess the built environment and the documents that relate to it.

In addition to a common core consisting of coursework in architectural theories and research methods, students complete courses in a minor field, demonstrate mastery of a major with the qualifying exam, and successfully defend a dissertation proposal in the third year, qualifying for candidacy and achieving ABD (“all but dissertation”) status. Students research, write and defend the dissertation in the final years of the program. With faculty members with technical expertise in human and environmental factors, computation, parametric design, and robotics in addition to the program’s traditional strengths in history, theory, and criticism,  the program can accommodate a range of student interests. The major exam is a multi-day written examination based on a reading list agreed upon among the committee members.

To fulfill the minor requirement, students may propose an individual course of study, supervised by a professor other than the dissertation chair, or they may choose from among a number of approved graduate certificates offered by the university. Popular options include Historic Preservation; Urban Design; Women’s, Gender, and Sexuality Studies; and Data Analytics. 

Admission Requirements

Students applying to the Ph.D. Program in Architecture should have completed a Master's degree in architecture or a related field prior to matriculation. Students with an undergraduate degree or with an unrelated graduate degree must instead apply for the MS Program in Architecture. Some students enter the Ph.D. program directly from the MS program. These students retain their credits from their MS studies and enter the Ph.D. program at an advanced phase commensurate with their completed studies.

Unofficial transcript(s) from all colleges/universities attended are required. Official transcripts are not required during the admissions process, and only unofficial transcripts are required for the application. Applicants should not send official transcripts until they are offered admission and confirm enrollment to the university. For complete transcript requirements, please view the Transcript Submission Policy webpage.

A portfolio of design, art, or other graphic work is optional. The portfolio is an opportunity to demonstrate your design abilities, artistic talents, or other information you deem pertinent to your application. The content does not have to be architectural if your background is in another discipline. Written project statements to accompany visual work are helpful. Portfolios are submitted online.  We do not accept hard copies of portfolios.

Three letters of recommendation from persons who are in a position to evaluate your abilities and your potential for success as a graduate student are required. There is no standard form to fill out; instead, based on the information you provide in your application, recommenders will be emailed instructions on the process for submitting letters of recommendation. 

A summary of your academic and professional experiences is required.

A two-page statement of your interest in graduate study in architecture is required. This should be a concise, articulate presentation of your academic and career goals, and any specific interests you have in architectural topics for graduate research and design. It should reflect your prior intellectual and professional engagement with these issues, and may also provide some additional perspective on the work illustrated in the portfolio.

Students applying to the Ph.D. program must submit one or two writing samples demonstrating the ability to conduct scholarly research and examine theoretical concepts. The essays can expand on the areas of research interest or on any topic.

Applicants to the Ph.D. Program in Architecture must demonstrate a commitment to the critical study of architecture and related design fields, including interior design, urban design, and landscape architecture. Prior education or working experience in architecture or a related field is desirable. Excellent writing skills and an interest in theoretical research are essential. Students whose English writing or speaking skills are not adequate for the demands of the curriculum must enroll in advanced, graduate-level English as a Second Language coursework prior to, and sometimes in tandem, with program coursework.

The Ph.D. Program in Architecture prepares researchers, educators, and practitioners for advanced scholarly, pedagogic, and professional work in architecture and related fields. Most graduates of the program become full-time professors or practitioners of architecture. Other career opportunities include historic preservation, public policy, curating, journalism, and institutional administration.

Because UC’s Ph.D. Program in Architecture has a small number of students, we are able to facilitate one-on-one student and faculty advising and collaboration. Students work with their faculty to develop their research and writing skills and they publish and present their work in national and international venues. While the program does not have separate tracks for students pursuing technical research, program faculty members assist students in identifying coursework and campus resources to develop the necessary competencies. All entering students have the opportunity to consult with multiple members of the Ph.D. Program faculty and with the program coordinator to determine appropriate elective coursework and dissertation committee composition.

• The city of Cincinnati, once called the "Queen City of the West" by Henry Wadsworth Longfellow, provides an excellent array of cultural resources for students who intend to pursue a degree in the visual arts. It offers the energy and assets of a larger city, along with quiet neighborhoods steeped in rich traditions. Cincinnati offers live music venues that range from top-notch symphony and opera companies to a growing pop and rock community. Home to the Cincinnati Art Museum, the Taft Museum and the Contemporary Arts Center, the city also enjoys the presence of numerous art galleries and a strong support system among practicing artists. Cincinnati is situated within driving distance of Chicago, Pittsburgh, Atlanta and New York City, allowing DAAP students to take advantage of the rich cultural resources of these cities as well.
• UC's College of Design, Architecture, Art, and Planning (DAAP) is one of the most comprehensive colleges of its type in the country. A collection of nationally respected design and art programs is housed in a unique and educationally stimulating architectural setting. Architecture students have opportunities to enroll in courses in a range of related disciplines and to participate in interdisciplinary studios or special projects.
• UC’s emphasis on interdisciplinary studies facilitates interaction with counterparts in other schools of the College of Design, Art, Architecture, and Planning as well as other colleges such as the Engineering, Arts and Sciences, Medicine, and the College Conservatory of Music. Such interdisciplinary studies should be planned in consultation with PhD Program faculty members and approved by the Ph.D. Program coordinator.
• Eligible students accepted to the Ph.D. Program in Architecture may compete for a limited number of scholarships and assistantships. All students are required to participate in a teaching practicum as part of the program, and many are chosen for paid teaching assistantships in the latter years of the program. Students are also eligible to work in campus jobs for up to 20 hours per week when classes are in session and 40 hours during vacations.
• The DAAP college library has an outstanding collection of books, periodicals and visual resources supporting architecture, planning, design, art history and related subjects. Access to library holdings is provided by an automated online catalog, UCLID, which provides access to the University of Cincinnati Library information database, and through OhioLINK, the holdings of other academic libraries throughout Ohio.
• The Computer Graphics Center is a state-of-the-art university facility with hardware that includes PCs, Macs, and peripherals such as scanners, plotters and digital video-editing suites. Students have access to sophisticated graphics equipment and receive hands-on instruction to augment the use of laptops in the classroom.
• The college supports a Rapid Prototyping Center, which is the home of state-of-the-art equipment that allows students to create communication aids for their work. Using CAD (computer-aided design) models, students are able to create physical models using three basic methods: 3-D printing, large format laser-cutting and CNC (computer numeric control) devices.

For applicants whose native language is not English, a TOEFL (Test of English as a Foreign Language) score of at least 100 iBT (600 paper) or an IELTS score of at least 7.0 is common and is typically our minimum. The university requires minimum scores of 80 on the TOEFL and 6.5 on the IELTS. Applicants with scores below the campus minimums will not reach the Ph.D. in Architecture admissions committee for review. Students whose scores are above the campus minimum but below the Ph.D. in Architecture Program standards, or students whose English writing or speaking ability does not meet program expectations, will be considered on a case-by-case basis, however, they must agree to take graduate-level ELS coursework and possibly other courses as a condition of acceptance.

• Guide: Ph.D 2019
• Guide: Ph.D 2018
• Guide: Ph.D 2017

Application Deadlines

Early Admission

General Admission

ALL applicants must apply by January 10th . 

The application process begins with an online UC Graduate Application . Supplemental materials are to be submitted online through the application process.

New students are admitted for the fall semester. We will notify successful candidates by April 15. An offer of admission may be withdrawn if a candidate does not accept within six weeks of our offer.

In general, the program offers neither deferrals nor admission in semesters other than fall, however individual requests for admission deferrals and for spring semester admission may be considered on a case-by-case basis depending on the specific nature of the request and the ability of the program administration to accommodate it.

The architecture program of the University of Cincinnati has been accredited by the National Architectural Accrediting Board (NAAB) continuously since 1948, and its courses satisfy requirements maintained by various state architectural registration boards.

In the United States, most state registration boards require a degree from an accredited professional degree program as a prerequisite for licensure. The NAAB, which is the sole agency authorized to accredit U.S. professional degree programs in architecture, recognizes three types of degrees: the bachelor of architecture, the master of architecture, and the doctor of architecture. A program may be granted a 8-year, 3-year, or 2-year term of accreditation, depending on the extent of its conformance with established educational standards. University of Cincinnati’s Ph.D. program in Architecture is not an accredited professional degree.

Contact Information

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• Architecture, Construction and Building Trade

Program Code: 23DOC-ARCH-PHD

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PhD in Architecture

The Ph.D. in Architecture offers candidates opportunities to develop and deepen their education in 3 important ways:

• Enhancing research and analytical skills with rigorous methods of inquiry and synthesis;
• Acquiring advanced knowledge specific to their area(s) of inquiry through comprehensive scholarly investigations and distinguished documentation; and
• Developing the ability to communicate knowledge in a clear and eloquent manner.

To realize this goal, the faculty has made a commitment to create, along with doctoral students, a climate in which scholarship and creativity can flourish. Underlying the advanced study of architecture at KU is an ethic regarding architectural inquiry and architectural practice; one that sustains the question, “What ought we do as architects and researchers to enhance the quality of life on this planet?” Examples of inquiry at KU that exemplify this underlying question are

• Progressive models of practice embracing evidence-based design and design-build practices;
• Affordable housing with a sensitive aesthetic;
• Material investigations to create more affordable and sustainable building practices;
• Rigorous evaluations of built artifacts to inform better design practice;
• Translation of empirical findings of person-place interaction research into design guidelines; and
• Critical perspectives on human settlement patterns.

Our research is founded on an ethical position. We are not involved in research simply to generate knowledge for its own sake but rather to improve the human condition through more thoughtful built form. The overall focus is on developing understanding that may inform the critical delivery processes by which humane architecture is created.

Note : Contact your department or program for more information about the Research and Skills and Responsible Scholarship requirement for doctoral students.

This degree requires a minimum of 49 credits and is for students seeking to enhance the body of knowledge in the discipline of architecture. Because of this desire, Ph.D. students at KU are viewed as colleagues and collaborators with our faculty and as such, as valuable resources. The degree prepares students for careers in academia, consulting, practice-based research, or work in the public sector.

Concentration Areas

The Architecture, Culture, and Behavior concentration investigates the social, cultural, political, and psychological dimensions of designed environments within a broad interdisciplinary framework, using a range of qualitative and quantitative methodological approaches. Within this concentration, students could inquire into a variety of research questions related to diverse types of architectural, urban, and geographical settings. Research topics may include, among others, issues related to: architectural education; housing and community designs; social justice in design; psychological aspects in designed environments ; programming and post-occupancy evaluation of designed environments; nexus between organizational culture and space; architectural and urban morphology; social aspects in sustainable design; cultural heritage preservation and management; traditional settlement studies; urban design and development; and international development and globalization.

Students are highly encouraged to pursue advanced theory and methodology courses offered in the fields of humanities and social sciences, in addition to those offered in the School of Architecture & Design in order to develop an interdisciplinary intellectual context for their research inquiries. 

The faculty members serving on the committees of our students in this area are:

• Dr. Hui Cai
• Dr. Nisha Fernando
• Dr. Farhan Karim
• Dr. Marie-Alice L’Heureux
• Dr. Mahbub Rashid
• Dr. Kapila Silva
• Prof. Kent Spreckelmeyer, D. Arch., FAIA

A list of recommended courses for our students in Architecture, Culture, & Behavior:

• ABSC 798: Conceptual Foundations of Behavior Analysis
• ABSC 831: Science of Human Behavior
• ABSC 935: Experimental Foundations of Applied Behavior Analysis
• ANTH 695: Cultural Ecology
• ANTH 732: Discourse Analysis
• ANTH 775: Seminar in Cultural Anthropology
• ANTH 783: Doing Ethnography
• ANTH 788: Symbol Systems
• ANTH 794: Material Culture
• C&T 907: Critical Pedagogies
• ELPS 777: Problems in Contemporary Educational Theory
• ELPS 831: Sociology of Education
• ELPS 871: Introduction to Qualitative Research
• ELPS 948: Research in Education Policy and Leadership
• EVRN 620: Environmental Politics and Policy
• EVRN 656: Ecosystem Ecology
• EVRN 701: Climate Change, Ecological Change, and Social Change
• EVRN 720: Topics in Environmental Studies
• GEOG 670: Cultural Ecology
• GEOG 751: Analysis of Regional Development
• GEOG 772: Problems in Political Geography
• GEOG 773: Humanistic Geography
• GIST 701: Approaches to International Studies
• GIST 702: Globalization
• HIST 898: Colloquium in Material Culture and History
• HIST 901: Research Seminar in Global History
• HWC 775: Advanced Study in the Body and Senses
• ISP 814: Decolonizing Narratives
• PHIL 622: Philosophy of Social Science
• PHIL 850: Topics in Recent Philosophy
• POLS 961: The Politics of Culturally Plural Societies
• POLS 978: Advanced Topics in International Relations Theory
• POLS 981: Global Development
• PSYC 693: Multivariate Analysis
• PSYC 790: Statistical Methods in Psychology I
• PSYC 791: Statistical Methods in Psychology II
• PSYC 818: Experimental Research Methods in Social Psychology
• PSYC 882: Theory and Method for Research of Human Environments
• PUAD 836: Introduction to Quantitative Methods
• PUAD 937: Qualitative Methods in Public Administration
• SOC 803: Issues in Contemporary Theory
• SOC 804: Sociology of Knowledge
• SOC 812: Analytic Methods in Sociology
• SOC 813: Field Methods and Participant Observation
• SOC 875: The Political Economy of Globalization
• SW 730: Human Behavior in the Social Environment
• SW 847: Grant Writing and Fundraising
• SW 979: Methods of Qualitative Inquiry
• SW 981: Advance Quantitative Research Methods
• SW 988: Mixing Methods in Social science Research
• WGSS 600: Contemporary Feminist Political Theory
• WGSS 801: Feminist Theory
• WGSS 802: Feminist Methodologies

Growing evidence has demonstrated strong links between the built environment and human health and wellness. The Health & Wellness program at the school of Architecture & Design at the University of Kansas, including both the professional program and the PhD concentration, is one of the strongest programs in the nation that is dedicated to research and design education about environments for health and wellness. It is built on close collaborations between an interdisciplinary team of faculty, affiliated professionals, and several academic and research programs (including the University of Kansas Center for Sustainability, Gerontology Center at the Life Span Institute, Health Policy and Management at the School of Medicine and School of Nursing, and Civil, Environmental and Architectural Engineering at School of Engineering).

The goal of the concentration is to use evidence-based design approaches to study the impacts of design on human health and wellness. The scope varies at multiple scales, from object, to room, to building and site, to entire communities.

This concentration provides students with the theoretical, technical and applied knowledge and skills to prepare them for academic and professional careers to promote human wellness in a variety of building types (e.g. healthcare, senior care, office, education, recreation). The curriculum focuses on developing skills in quantitative and qualitative research on health-related design. In addition, PhD students may also consider participating in the seven-month health and wellness professional internship, which is currently offered in the professional program.

Some topics that students may investigate in this program are:

• Inpatient and ambulatory healthcare facilities
• Environments for special populations
• Natural or built environments that enhance human wellness
• Environments that support healthy and productive workplaces
• Neighborhoods that improve the physical, social and cultural health of the community
• Prof. Kent Spreckelmeyer, D.Arch, Emeritus FAIA
• Frank Zilm, D.Arch, FAIA
• Dr. Herminia Machry

Recommended Health and Wellness courses include:

• ARCH 600: Evidence-based Design in Healthcare Facilities
• ARCH 731: Architecture of Health

Some other courses currently offered to health and wellness professional program may be available to PhD students:

• ARCH 807: Healthy and Sustainable Environments Internship
• ARCH 692: Documentation (in conjunction with ARCH 807)
• ARCH 808: Healthy and Sustainable Environments Capstone Studio

The Building Performance & Design Computation concentration examines the crossroads of building science (lighting, acoustics, thermal, energy conservation, air quality) and design. Studies in this area seek to advance knowledge improving building occupant well-being and environmental sustainability through optimized building design. Research may require both quantitative and qualitative research methodologies, often involving both physical testing and numerical simulation of the built environment.

Courses within the department are augmented by courses offered in other university units such as engineering, psychology, planning, and computer science. 

• Dr. Dilshan Remaz Ossen 
• Dr. Francesco Carota
• Dr. Gustavo Garcia do Amaral 
• Dr. Jae Chang
• Dr. Hongyi Cai
• Dr. Hugo Sheward
• Dr. Keith Van de Riet
• Dr. Tzu-Chieh Kurt Hong
• Dr. Xiaobo Quan

A list of recommended courses for our students in Building Performance & Design Computation:

• ARCE 650: Illumination Engineering
• ARCE 660: Building Thermal Science
• ARCE 750: Daylighting
• ARCE 751: Advanced Lighting Design
• ARCE 752: Lighting Measurement and Design
• ARCE 760: Automatic Controls for Building Mechanical Systems
• ARCE 764: Advanced Thermal Analysis of Buildings
• SW 847: Grant-writing and Fundraising
• UBPL 738: Environmental Planning Techniques

The aim of History Theory and Criticism concentration is to produce cutting-edge scholarship in the field of architectural history, philosophy and theory. The courses in this concentration offers a wide ranges of topics that includes architectural historiography, discourse analysis, analytical methodology, critical survey of architectural history around the globe, and the emerging issues that set the current philosophical and disciplinary debates. Allied faculty members and research students investigates the socio, political, philosophical and material context of architecture to understand the broader shifts of the discipline and its impact on society, and vice versa over time. The main goal of this research cluster is to identify and use novel research methods in architectural history and theory to understand the relationship among changing social dynamics, evolving technology, and built environment. 

Students are highly encouraged to pursue advanced theory and methodology courses offered in the fields of humanities and social sciences, in addition to those offered in the School of Architecture, Design, and Planning, in order to develop an interdisciplinary intellectual context for their research inquiries.

A list of recommended courses for our students in History, Theory, & Criticism in Architecture

• ARCH 540: Global History of Architecture I
• ARCH 541: Global History of Architecture II
• ARCH 542: History of Architecture III
• ARCH 600: Spaces of Poverty
• ARCH 600: Postcolonial Architecture
• ARCH 600: HyperHistory: Digital technology and architectural historiography
• ARCH 600: History of American Architecture
• ARCH 600: Global Cities
• ARCH 600: Theory of Vernacular Architecture
• ARCH 630: Theory and Context of Architecture
• ARCH 665: History of Urban Design.
• UBPL 522: History of the American City I
• UBPL 722: History of the American City II
• HIST 302/303: The Historian's Craft
• HIST 303: Sin Cities
• HIST 660: Biography of a City
• HA 305/505: Introduction to Islamic Art and Architecture
• HA 536: Islamic Art and Architecture in Africa
• HA 310: The Art and Architecture of Florence and Paris
• HA 311: The Art and Architecture of the British Isles
• HA 508: The Italian Renaissance Home

Program Details

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The Bartlett School of Architecture

Architectural Design MPhil/PhD

The first programme of its kind in the UK, Architectural Design MPhil/PhD invites candidates to combine designing and writing to develop their architectural research.

This doctoral programme encourages the development of architectural research through the creative combination of designing and writing. The Architectural Design thesis consists of projects and texts that share a research theme and have a productive relationship. The projects may be drawn, written, filmed, constructed, or make use of whatever media is appropriate to the research subject. Integrating varied research methods, the thesis emphasises the creative interdependence of drawing, writing, and building in the development of innovative practices and theories of architecture.

The first architectural design programme in the UK, this programme was established in 1995, with the first candidate graduated in 2000. Since then, there have been over 80 further graduates. Candidates can study full-time or part-time, depending upon individual circumstances.

View the UCL Prospectus page for this programme

Developed through individual research investigations and supported by regular tutorials with a principal and a secondary supervisor, an Architectural Design thesis integrates design projects and a text of around 60,000 words. Stimulated by the 500-year history of the architectural book and the many forms it has taken globally, over 30 graduates have had their thesis published as an authored book.

In their first year, candidates are registered as MPhil students, but are then expected at the end of that year (or second year if part-time) to upgrade to PhD status. A full-time candidate is expected to complete the PhD in three to four years, whilst a part-time candidate completes theirs in five to seven years.

Within The Bartlett School of Architecture, the Architectural Design MPhil/PhD programme has a longstanding, fruitful association with the Architectural and Urban History and Theory MPhil/PhD programme. Every year the programme collectively organise a series of regular seminars and events:

Research Introductions

Initial presentations by new MPhil students.

Research Conversations

In-depth seminars to meet the criteria for upgrade from MPhil to PhD status.

Research Projects

An annual PhD conference and exhibition with international critics as respondents, so that students can present and discuss work-in-progress.  Read the PhD Research Projects publications on Issuu

Candidates also have the option of auditing taught modules from the Architectural History MA , led by Professor Peg Rawes, or the Landscape Architecture MA/MLA , led by Professor Laura Allen and Professor Mark Smout.

Supervisors

The programme draws upon the wide range of research expertise offered at The Bartlett School of Architecture. Supervisors are selected depending on the student’s specific research area. The principal doctoral supervisor is within The Bartlett School of Architecture, while the subsidiary supervisor can be from The Bartlett or another UCL department, including anthropology, medicine, or fine art, for example. The intention is for doctoral subjects and supervisions to be as broad as the discipline of architecture and to connect research to related disciplines to foster productive and rewarding collaborations. The school also has a fruitful association with the doctoral programme at the Royal Academy of Music. 

To discuss a potential Architectural Design MPhil/PhD, it is recommended that you read the profile of the principal supervisor with whom you would like to work and email them a research proposal. Alternatively, you may contact the Programme Director.

Current supervisors

Professor Peter Bishop Application of urban design and urban planning theory; incremental urbanism; temporary uses and installations; role of conservation in distorting urban change; role of other stakeholders and political forces outside the design process in the construction of the built environment.            Professor Iain Borden History of modern architecture; urbanism and urban culture; skateboarding, graffiti and urban arts; public space; experiences of architecture; film, photography and other urban representations; critical theory and cultural studies.

Roberto Bottazzi The aesthetic, spatial and philosophical impact of digital technologies on architecture and urbanism.

Professor Eva Branscome Architecture as evidence of contested histories; Historic urban environments and their tangible and intangible heritage; Modern architecture in Europe; Migration of ideas and people and how this is readable within the urban fabric; Cities as complex cultural constructions; Gender as it affects the subdivision and use of built spaces; Domesticity; Museums, exhibition design and curatorial practice; Avant-garde art and renegade urban art forms such as street art; Performance spaces; Photography as a medium between architecture and culture.

Professor Barbara Campbell-Lange Projects that imaginatively unfold notions of event, object and unbuilt environment; that think otherly about discipline and category, politics, technologies and philosophies; that evolve verbal with non-verbal methodologies; that explore ancient and contemporary (minimalist) composition in the arts and humanities.   Professor Ben Campkin Histories, theories and practices of urbanism and urbanisation. Transdisciplinary urbanism and experimental methods of urban research, publication and public engagement. Urban night spaces, cultures and governance. London’s history and built environment; contemporary urban policy and practice in London. Queer space, architecture and architectural histories; heritage associated with Lesbian, Gay, Bisexual, Trans and Queer populations.

Professor Mario Carpo  History of architectural theory and history of cultural technologies, with focus on the early modern period (the Vitruvian tradition and the Italian Renaissance, from Alberti to Vignola) and on contemporary digital design theory (1990 to the present).

Dr Megha Chand Inglis  History and theory of architectural practices in and from the Indian subcontinent, and more broadly the Global South; the play of relations between 'the west' and the 'non-west;' the colonial encounter; Indian temple building communities; the 'non-modern' in global architectural modernity; epistemological vantages in design and production; the politics of technology; subaltern building communities; knowledge production; relations between texts and contemporary architecture; diasporic cultures of building and place making; migrant labour in the global diaspora; postcolonial theory and approaches.    Professor Nat Chard Architecture and indeterminacy; relationship between ideas and technique in architectural representation and manufacture; experimental practices in architecture; developing methods of drawing and making as a means of architectural research.             Professor Marjan Colletti   Digital design and digital theory; experimental building and urban design; innovative CAD/CAM fabrication technologies; neo-baroque and exuberant synthetic and syncretic design techniques.             Professor Marcos Cruz Innovative environments, utilization of bacteria and algae, computation, bio-technology and synthetic biology.

Dr Edward Denison Histories and theories of modernism and modernity outside ’The West'. Africa, Eastern Europe, Asia, especially China and Chinese encounters with modernity domestically and/or globally. Colonialism, post-colonialism, and globalisation. Cultural heritage and critical approaches to urban heritage. Community engagement/campaigning and neighbourhood planning.    Professor Murray Fraser Architectural design; design research; architectural history and theory; cultural studies; architecture and globalisation; cross-cultural influences; cultural identity; urbanism.   Professor Stephen Gage Time-based architecture; architecture that interacts with people and the external environment; architecture and performance.

Dr Sam Griffiths Theories and methods for researching and writing the historical relationship between urban populations and their built environments; the spatial cultures of industrial cities, suburbs and high streets; urban manufacturing; architecture as chronotope in realist fiction and historical writing; space syntax as an interdisciplinary approach to research in the humanities and social sciences. 

Dr Kostas Grigoriadis Multi-material / functionally graded material design and fabrication; advanced computational design and computational fluid dynamics simulations in architecture; generative design (topology optimisation); embodied energy of multi-material building parts; digital theory; epistemology of computer simulations in architectural design (EOCS); cognitive theory (Material Engagement Theory and conceptual blending).

Peter Guillery London's buildings and topography of the 16th to 21st centuries, especially housing, industrial buildings and vernacular architecture.

Dr Sean Hanna   Spatial cognition; mathematical and computational modelling of spatial and social relationships; individual and collective creativity; machine learning and intelligence; complexity and big data.   Dr Penelope Haralambidou Practice-led research; spatial culture; cinematic architecture; architectural essay film; digital animation and craft; immersive technologies; fine art; music; allegory, narrative and storytelling; histories and theories of perception, memory, imagination and spatial representation; optics, linear perspective, stereoscopy and the politics of visuality; architecture and play; feminist utopias; female spatial imagination; medieval illuminated manuscripts; Christine de Pizan; Marcel Duchamp.

Dr Jan Kattein

Dr Chris Leung   Prototyping through digital modelling, simulation, fabrication and instrumented testing as a modus operandi for design research; timber construction and sustainable approaches to the design of timber buildings; passive low-energy actuator technologies (phase-transitioning waxes, thermo-bimetals, shape memory alloys) for environmental control in buildings; digital and hybrid digital-analogue control systems for facade systems; solar energy; passive cooling with optically selective radiators; embodied mechanical logic; advanced manufacturing processes e.g. design for multi-material polymer printing.   Professor Yeoryia Manolopoulou Architectural design and theory; design research methods; architecture and experience; collaborative, aleatoric and performative design; dialogic architecture; place, material practices and building; pedagogic settings; theories of embodied mind, action and environment; the architectural score; practices of drawing; architecture’s intersection with art, anthropology and neuroscience.

Dr Clare Melhuish Anthropology of architecture, the built environment and urban processes; ethnography of architectural practice; urban and architectural visual and material culture; postcolonial urbanism; critical urban heritage; modern(ist) architecture and planning in London; French modern(ist) architecture and planning; Arab cities; Caribbean urbanism; universities and urban regeneration; education spaces and the city;  participatory and community-led planning; anthropology of home and domestic space; ethnographic methodologies.

Dr Shaun Murray Architectural research through design. Agency of architectural drawing in process and result, ecological thinking, and field theory relations. Histories, theories, and futures of communicating architecture through the inter-relations of designing ecologies. Ecology, landscape, geology, and material dynamics in relation to site through mappings and choreographies. Surrealism and Correalism in architecture. Adapting buildings to occupants through reflexive design in architecture and technology. Hybrid methods of communicating architecture, transdisciplinary approaches, non-linear and non-reductionist modes.

Dr Luke Pearson Architecture and videogames; the design of virtual worlds; worldbuilding practices; digital pop culture; game design and game aesthetics; game engine technologies; digital animation; speculative and utopian architectural design; immersive technologies; new media art; imaginative drawing; comics, science fiction and anime.

Professor Alan Penn Urban research at the scale between the building and the city; design of complex buildings and their relations to organisations (i.e. hospitals, laboratories and offices); development of computing for architecture; urban pollution dispersal; virtual reality applications for the built environment; simulation of social phenomena and urban growth and change.        Professor Barbara Penner Tourism; American hotels, resorts, and commercial architecture; gender and space; domesticity; consumerism; bathrooms and infrastructure; inclusive urbanism; appropriate technology.             Professor Sophia Psarra Architecture narrative and fiction, geometry of architecture and urban space; conceptual order, spatial morphology and spatial experience; the formation of spatial meaning in architecture and symbolic languages across different media; architectural theory; the morphology of cities in relation to processes of industrialisation, de-industrialisation and innovation; spatial design of complex buildings and its relation to society and organisations; computer modelling and visualisation.        Professor Peg Rawes Climatic, planetary and ecological practices; environmental aesthetics, poetics theory and practices; feminist, intersectional and decolonial theory and practices; histories and theories of vulnerability, wellbeing and care; political and ecological critiques of computation.

Professor Jane Rendell Gender/feminist theory and architecture; art, architecture and urban interventions; critical spatial theory and practice; creative/critical subjectivity and positionality in writing or site-writing; psychoanalysis and space; public space, cultural identity and narrative.     

Harriet Richardson Architectural history and heritage; medical buildings; development of hospital planning and design; post-war hospital architecture in Scotland; National Health Service; urban history; Scottish Architecture

Dr David Roberts Mobilising histories and futures of social housing in London; developing action research with community groups under threat from urban policy; empowering ethical built environment pedagogy and practice; devising socially engaged site-specific performance; nurturing forms of collaboration and collectivity; extending architectural history and design education to young people.

Dr Tania Sengupta Postcolonial and transcultural studies; colonial, post-colonial/contemporary architecture and urban history (non-western worlds, especially South Asia); postcolonial identities in western contexts. For non-western contexts: architectures of governance; provincial identity and rural-urban relationships; spatial cultures of domesticity; material and spatial cultures; global, local and scalar relationships in architecture/ urbanism; everyday spaces and practices.  

Professor Bob Sheil Architecture and design through production, experimental design, prototyping, making, fabrication, craft, innovative technology, digital practice, digital manufacturing, assembly, materials, modelling, transgression from drawing to making, 3D scanning.

Professor Mark Smout Design-based approach to architecture, landscape (urban and rural) and climate change via political, technological and artistic disciplines.

Dr Nina Vollenbröker Programme Director Aural diversity and deafness. Disability and bodily difference. Institutional spaces including hospitals and specialist schools. Early modernist Austrian and German architecture. Spaces of home, especially in the context of migration and long-term mobility. Intersections of material culture, photography, and space. Quilts and textiles. Manuscript diaries and oral histories.

Professor Tim Waterman Landscape studies, landscape architecture, landscape history; imaginaries—moral, social, ecological, radical, and utopian; democracy, citizenship, justice, and the right to landscape; taste, manners, customs, and commons; food and foodways; utopian studies; urban and rural studies; sustainability and regenerative design.

Dr Robin Wilson  The architectural media (especially the architectural journals of the 20th century); architectural photography; architectural criticism; arts-based and performative methods of spatial research; curatorship and architecture; utopian theory.

Oliver Wilton Architectural design, environmental design, and sustainability. Architecture, construction, industrial and environmental histories. Physical prototyping, digital simulation, and architecture performance. Developing simple new forms of construction. Architecture lifecycle, industrial symbiosis, inhabitation and related resource systems, circular metabolism. Biogenic materials, seasonality, and microclimate augmentation. 

Dr Fiona Zisch Cognitive architecture / neuroarchitecture; spatial cognition; cognitive ecologies; neurophilosophy; radical embodiment; embodied knowledge and intuition; cyberfeminism; technology, interaction, performance; movement, choreography.

Stamatis Zografos Critical heritage studies; urban memory and archives; cultural studies; intersections of architecture/conservation and psychoanalysis; fire, urbanism and precarity; urban violence; destruction and evolution/regeneration.

Research Proposal

The research proposal is crucial to our decision on your application since it demonstrates your ability to identify and articulate an independent line of research inquiry. In not more than 2000 words, you should explain the subject of your proposed research, the questions you hope to answer, why you think this knowledge will be of value, your intended method, and the sources you will use.       As an original contribution to knowledge, a PhD thesis must identify and discuss an identifiable field of research, critique its principal works and texts, and indicate how the thesis is an original departure from and/or development of this research field. Additionally, research by Architectural Design thesis has two inter-related elements of equal importance—a project and a text—that share a theme and a productive relationship, which must all be discussed in your research proposal. You should show that you have the ability and experience to carry out the research, and are familiar with the context, literature, and appropriate methods of research. Please offer a working title for your research and a select bibliography of key works.      It may be helpful to structure your proposal under the following headings:  

• Working Title  
• Research Project - broken down under the following headings: Subject/Aims/Key Research Questions/Academic Context/Methods (1500 words)  
• Feasibility/Ability to complete - preparation to conduct research and previous experience (500 words)  
• Select bibliography of key works (primary and secondary)  

   In addition, we request a C.V., a portfolio of design or other practice–led work or a link to your website (if applicable). 

Application Guidance

The Bartlett School of Architecture, UCL, currently has no deadline for submission of applications for admission to the PhD programmes. Postgraduate research students can commence their study at certain dates during the academic year, so are not restricted to a September start date unlike postgraduate taught students. However, please note we will not be processing any applications in August and September for entry within the same academic year. During university breaks of Summer, Christmas, Easter, and in reading weeks in November (06–10 November 2023) and February (12–16 February 2024), slower responses can be expected. Please be reminded that the formal admissions process can be a lengthy one, between 2-3 months.   If you are considering applying for a scholarship, we ask you to familiarise yourself with all relevant guidance and allow sufficient time (6-8 months at least) ahead of deadlines. In many cases, our scholarship schemes require applicants to have submitted their UCL admission application prior to applying. Please submit admission applications at least two months in advance of scholarship deadlines.  We will, for example, not process admission applications in November or December for applications that depend on scholarship deadlines in January; these admission applications must be submitted by the end of October.   Additionally, some scholarships may require a reference from your potential UCL supervisor. It is important to note that to request a reference, you must have had prior ongoing and positive conversations with a supervisor for them to be able to recommend you in good faith. Requests for references from potential supervisors should be made at the same time as formal applications for admission to the PhD programme and last-minute requests will not be considered. Please note that while scholarship applications require a reference letter from your potential supervisor, PhD applications require two independent references.  

The Architectural Design doctorate is a means to learn from the past, reassess the present, and speculate on future models of architectural practice and discourse. 

Doctoral graduates have gone on to pursue careers in a wide variety of fields, from architectural, design and art practice to curatorial positions. Students have also progressed into academic roles at both The Bartlett and other higher education establishments, including:

• Architectural Association School of Architecture
• African Futures Institute
• University of Cyprus
• Dalhousie University
• University of Innsbruck
• Rice University
• Royal College of Art
• Royal Danish Academy of Architecture, Design, Conservation
• University of Oxford
• University of Sheffield

Programme Director and Departmental Tutor:  Dr Nina Vollenbröker Programme Coordinators:  Stelios Giamarelos  and  Stamatis Zografos Programme Administrator:  Emmy Thittanond

• Daniel James Wilkinson, The Sculptor-Architect: drawings, models and bozzetti after Michelangelo, PhD, 2021.
• Natalia Romik, (Post)-Jewish Architecture of Memory within former Eastern European Shtetls, PhD, 2018: public programme in the evening in Józefów Biłgorajski. 
• Nerea Amorós Elorduy, East African Refugee Camps as Learning Assemblages: The built environment as an educational resource for encamped young children in the East African Rift, PhD, 2018: mural-making process on the first and second walls of Kiziba refugee camp maternelle. 
• Richard Beckett, Architecture as a Landscape for Beneficial Microbial Interactions: Probiotic Ceramic Wall Components_1.
• Thomas Pearce, An Architecture of Parallax. Design Research Between Speculative Historiography and Experimental Fabrication.
• Natalia Romik, (Post)-Jewish Architecture of Memory within former Eastern European Shtetls, PhD, 2018: the walk with JAD, image from the collection of the Contemporary Art Centre Kronika in Bytom.  
• Natalia Romik, (Post)-Jewish Architecture of Memory within former Eastern European Shtetls, PhD, 2018: the Nomadic Shtetl Archive in the market square in Kock.
• Richard Beckett, Architecture as a Landscape for Beneficial Microbial Interactions: Indoor Microbiome Sampling.
• Richard Beckett, Architecture as a Landscape for Beneficial Microbial Interactions: Probiotic Ceramic Wall Components_2.

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Doctor of Philosophy

By choosing to study a Doctor of Philosophy at UNSW, you can make a significant, original contribution to knowledge and understanding in the arts, humanities, or social sciences.

A PhD in Arts, Design & Architecture will provide you with advanced specialist research training and expert knowledge in an international context. It will open doors to academic research and professional roles nationally and internationally.

Constructing your thesis

You'll demonstrate excellent research skills by producing a high-quality thesis in your field of interest. Your research will be supervised by scholars who are progressive thinkers, creators and national leaders in their fields.

Your thesis will provide evidence of your independent investigation and summarise the research you've completed over three to four years.

You'll be considered an integral part of the Arts, Design & Architecture research community and can mix with a diverse grouping of enquiring and adventurous scholars.

The minimum length of candidature is 3-years and the maximum length is 4-years.

Candidates are required to submit a thesis for examination not exceeding 100,000 words in length.

Research areas

We offer supervision in a wide range of subject and research areas that contribute to the faculty's research strengths. UNSW Arts, Design & Architecture encourages interdisciplinary collaboration within the faculty and across the university.

Find a research supervisor

Entry requirements

Admission to the Doctor of Philosophy degree requires one of the following qualifications:

a completed undergraduate degree with Honours 2-1 or equivalent (for example, at UNSW, this is graded as distinction level or 75%+)

a completed Masters by Research degree or equivalent postgraduate qualification that includes a substantial research component written as an academic thesis, awarded at or above distinction level or equivalent

in exceptional circumstances, sufficient evidence of research experience that demonstrates exceptional research skills and the ability to undertake the proposed research program.

All applicants must meet the  English language entry requirements  of the university.

Art, Design & Media

Built Environment

Built Environment (practice-based PhD)

Creative Practice

Indigenous Studies

Social Sciences

School of Architecture

College of design.

Design Computation

Design Computation explores the theoretical and practical basis of design as a computational premise. The possibility of design is viewed through the lens of the history and theoretical foundations of fields as diverse as computer science, mathematics, AI, logic, and cybernetics. 

Research Areas

Shape Computation

Parametric Design

Digital Heritage

Building Information Systems

Performance Informatics

Research labs, shape computation lab, associated centers, digital building lab, simtigrate design lab, ipat | institute of people and technology, institute for robotics and intelligent machines.

• Academics >
• Graduate Programs >
• Multidisciplinary Programs >

Master of Science in Architecture + Master of Science in Media Architecture

• UB Directory

International Media Architecture Master Studies (IMAMS)

The International Media Architecture Master Studies (IMAMS) program offered by the University at Buffalo and the Bauhaus-Universität Weimar is a two-year Masters program providing students with an international perspective on the emerging field of Media Architecture.

Program of study for University at Buffalo Students

The Double Degree Master’s Program in Media Architecture provides students an opportunity to study Media Architecture across two internationally recognized programs at the University at Buffalo, SUNY and the Bauhaus-Universität Weimar . Students will normally spend one academic year at each institution and will be awarded two separate, nationally recognized Master’s degree certificates (BUW (M.Sc. Master of Science in Media Architecture) / UB (M.S. Master of Science in Architecture)) after successful completion of the program with a minimum of 2 Academic years.

General Study plan:

Students start with their 1st semester at their home university. The next two semesters they study at the partner university. The final semester with the Master thesis they study at their home university again. General course language is English. The Master’s thesis is written and presented in English language.

1st Semester: Foundation

The foundation semester provides an introduction to the theory and practice of Media Architecture. Basic concepts in the design and analysis of architectonic and medial space are introduced through structured projects developed in the context of the design studio. Coordinated seminars and workshops address core competencies and skills, both intellectual and practical. This semester is designed to give students entering the program with different academic backgrounds a common platform for their studies in Media Architecture.

2nd Semester: Expansion

Following the foundation semester, students cross the Atlantic and continue their studies at the respective partner institution. This semester provides the student with the opportunity to both broaden and deepen their knowledge and understanding of the field through a combination of studio projects, coordinated seminars and workshops. The intention of the expansion semester is to diversify the perspectives by which the student apprehends the field.

3rd Semester: Pre-thesis

During the Pre-thesis semester, students conduct research on a specific topic that they will pursue for their Master's Thesis. Research is organized around seminars, workshops and independent study. Student progress reviews are conducted periodically throughout this semester by a committee consisting of a faculty member at the current institution together with a faculty member from the home institution via videoconference. This semester focuses on the development of a Thesis Proposal and culminates with the presentation of this proposal.

4th Semester: Thesis

Students then return across the Atlantic to their home institution and the program culminates with the production of a Master’s Thesis project during the final semester. Students work independently with a dedicated faculty member at each institution. Coursework includes seminars and workshops complementing the Thesis investigation. The semester culminates with a public presentation and defense of the Thesis with 2 faculty members (1 from each partner institution) participating via remote telematic sessions.

Students spend one year at each institution and are awarded two separate, nationally recognized degrees: the Master of Science in Architecture (MS) from the University at Buffalo and the Master of Science in Media Architecture (MS) from the Bauhaus-Universität Weimar. Located two hours from Berlin by train, the Bauhaus offers courses in a variety of subjects including Media Art, Media Culture, Media Design, Media Systems, Media Architecture, Public Art and New Artistic Strategies, among others. Building on the robust tradition of the Bauhaus movement of the 20th century, the school has a long-standing reputation for supporting an eagerness to experiment, openness, creativity, a close link to industrial practice and an international perspective. Courses are offered predominantly in English, and an intensive German language course for non-native speakers is available to all students participating in the program.

A limited number of scholarships covering travel expenses between Buffalo and Weimar are available on a competitive basis.

Interested in a IMAMS Dual Degree?

Would you like to learn more.

Contact: Kevin P. Donovan Director of Graduate Recruitment 129 Hayes Hall 716-829-5224 [email protected]

Iowa State architecture students win national hospital design competition

AMES, Iowa — Students from the Iowa State University College of Design took home top awards in the American College of Healthcare Architects (ACHA)’s inaugural student design competition .

Participants were challenged to design a Critical Access Hospital for a rural, medically underserved community. They were encouraged to explore design solutions that promote patient-centered care, utilize sustainable building practices and integrate seamlessly into the surrounding community.

Fifth-year architecture students Emily Drennen Hatch, from Plano, Texas, and Ryan VerMulm, from Hartley, won first place for their “Tall Pines Medical Center–Hualapai Nation” project, which focused on the needs of a rural, indigenous population and included an interior aesthetic that incorporates natural materials and plants.

Hamid Akhtarkavan, who graduated with his master of architecture from Iowa State in December 2023, received an honorable mention for his “The Beating Heart of the Desert, Bisbee, Arizona” project.

“We were incredibly impressed by the creativity and thoughtfulness of the student submissions,” Ann Adams, president of ACHA, said in announcing the awards. “The winning designs demonstrate a deep understanding of the complex issues facing rural healthcare and offer promising solutions for the future.”

The winners will be recognized in July at the American Institute of Architects/ACHA Summer Leadership Summit.

Iowa State’s winning projects were part of a fall 2023 studio course created specifically for the competition and taught by Cameron Campbell, associate professor of architecture and interim department chair,  with significant involvement by Daejin Kim, assistant professor of interior design.

“Some of the schools we competed with have entire programs focused on healthcare design,” Campbell said. “If our students can compete successfully at the national level, it means we’re doing the right thing.”

That success was bolstered by in-kind support from architecture firms Invision and Shive-Hattery, which provided behind-the-scenes-tours of Critical Access Hospitals they’d worked on, guest lectures in classes and critiques of student work, Campbell said.

A community-owned space

The purpose of a Critical Access Hospital is to serve rural, underinsured or uninsured communities. Hatch and VerMulm first researched marginalized communities and ultimately chose to design their facility for the Hualapai Nation in the desert Southwest.

The two also researched innovative ways to treat behavioral health crises and how to make a hospital feel like a community-owned space. Both VerMulm and Hatch are proud of their commitment to innovation when designing Tall Pines Medical Center.

“My biggest takeaway is that we must always challenge what ‘standard practice’ tells us to do, because we are designing for a community that has unique people with different needs,” VerMulm said.

“This studio experience taught me a lot about pushing ideas and knowing when to ask why,” Hatch said.

“Especially in behavioral healthcare, I found myself asking why specific programs or systems didn’t exist and why traditional hospital architecture can sometimes feel copy-paste even when it isn’t. Being able to ask why certain rules exist and how we can reshape our thinking regarding architecture will propel me forward in my career,” she said.

A healing oasis

Akhtarkavan drew inspiration for his project from the adobe-based architecture prevalent in the Bisbee, Arizona, area and aimed to create a healing oasis in the desert landscape.

“Central to the design is the integration of a verdant healing garden, traditional architectural elements and innovative geometric principles aimed at fostering a sense of belonging, promoting physical activity and enhancing mental well-being,” Akhtarkavan said.

What he enjoyed most about being involved in the studio was the emphasis on teamwork, hands-on learning and innovative design solutions, he said.

“Working closely with peers from diverse backgrounds and receiving guidance from experienced professionals at Invision and Shive-Hattery allowed me to push the boundaries of conventional thinking and approach design challenges with creativity and ingenuity,” he said.

Exploring healthcare design careers

Akhtarkavan now works as an architect for Iowa State’s Department of Civil, Construction and Environmental Engineering. When they graduate in May, both Hatch and VerMulm plan to seek their professional architecture licensure and continue exploring healthcare design.

“Because of this studio and my other experiences with the healthcare design field over the last year, I am considering moving toward healthcare design in my professional career,” VerMulm said.

“I believe that the work Emily and I did was valuable and could really help people dealing with physical or mental health issues, and it is exciting to know that I may be able to help others who are struggling.”

Ultimately, the students’ experience with the ACHA design competition enabled them to take risks and put their learning to work.

“That’s the joy in academic projects — we get to draw inspiration from existing products or ideas and push their limits beyond what is currently possible or accepted in practice,” Hatch said.

— by Lindsey Giardino

Hamid Akhtarkavan, MArch Graduate, [email protected] Emily Drennen Hatch, Fifth-year Student, Architecture, [email protected] Ryan VerMulm. Fifth-year Student, Architecture, [email protected] Cameron Campbell, Associate Professor and Interim Department Chair, Architecture, [email protected] Heather Sauer, Director of Strategic Communications, College of Design, 515-294-9289, [email protected]

• Architecture

Applicants to the PhD program must have completed a four-year Bachelor of Arts or Bachelor of Science degree. A professional degree in architecture, landscape architecture, or urban planning is recommended but not necessary. For students planning to pursue the Architectural Technology track within the PhD program, a background in architecture and/or engineering is required. For more information, please contact  Professor Ali Malkawi .

To be eligible for admission, applicants must also show evidence of promising academic work in their field of interest or in closely related fields. Students from outside the United States must demonstrate an excellent command of spoken and written English. Applicants from underrepresented and historically marginalized communities are particularly welcome and highly encouraged to apply. To attend a virtual information session, click here .

All applicants must indicate a proposed major area of study at the time of their initial application. These proposed areas of study should be congruent with the interests and expertise of at least one Graduate School of Design faculty member associated with the PhD program.

While the GRE is not required for admission, applications must include the following:

• Unofficial transcript(s).
• Three letters of recommendation.
• A statement of purpose that gives the admissions committee a clear sense of the student’s intellectual interests and strengths and conveys their research interests and qualifications.
• A short personal statement.
• A writing sample or samples (totalling no more than 20 pages, not including references). This can be a paper written for a course, journal article, and/or thesis excerpt. The writing sample should preferably focus on a subject related to architecture, landscape architecture, or urban planning.
• Please note that unless a specific justification is provided by the applicant, design portfolios are not typically considered as part of the application.

Applications to the PhD program in Architecture, Landscape Architecture and Urban Planning are received through the Harvard Kenneth C. Griffin Graduate School of Arts and Sciences. For more information on the application process, requirements, and its timeline, visit their website .

If you have additional questions, please contact Margaret Moore de Chicojay , the PhD program administrator and a key point of contact for incoming and current students.

Harvard Griffin GSAS and Harvard GSD do not discriminate against applicants or students on the basis of race, color, national origin, ancestry or any other protected classification.

The Art of Architecture

"We must learn to understand humanity better so that we can create an environment that is more beneficial to people, more rewarding, more pleasant to experience." - John Portman Jr.

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Thursday, January 22, 2015

An inside look: the magnificent moscow metro.

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Centers of gravity, not black holes:experts discuss new moscow metro stations, united kingdom architecture news - jan 22, 2015 - 10:42   4544 views.

In 2015 Moscow will see a wide range of new capital transportation facilities, and their design is just as important. We asked four jury members of the recent design competition for metro stations Solntsevo and Novoperedelkino to tell us more about this aspect.

Erken Kagarov, Vice President of The Academy of the Graphic Design, art director of “Art. Lebedev Studio”:

“Being a designer, first of all I did my best to evaluate the visual aspect of the offered solutions. Besides that it was important for me to see something new and original. Otherwise, why bother organizing a competition?

As for the results of the contest, I am under the impression that we tried to get everything at once, and that was a mistake. The winning projects are quite expressive and not too expensive. Unfortunately, they are not at all ground-breaking. If we take a look at the history of Moscow metro and the work of one of its best creators, Alexey Dushkin, we’ll see that he was constantly inventing and reinventing certain techniques and materials: he was the first one to use stainless steel to decorate Mayakovskaya, he came up with the idea of columns lit from below for Kropotkinskaya, he put up stained-glass panels underground, where the sun doesn’t ever shine, on Novokuznetskaya...... Continue Reading

> via  archsovet.msk.ru

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30 Best universities for Mechanical Engineering in Moscow, Russia

Updated: February 29, 2024

• Art & Design
• Computer Science
• Engineering
• Environmental Science
• Liberal Arts & Social Sciences
• Mathematics

Below is a list of best universities in Moscow ranked based on their research performance in Mechanical Engineering. A graph of 269K citations received by 45.8K academic papers made by 30 universities in Moscow was used to calculate publications' ratings, which then were adjusted for release dates and added to final scores.

We don't distinguish between undergraduate and graduate programs nor do we adjust for current majors offered. You can find information about granted degrees on a university page but always double-check with the university website.

1. Moscow State University

For Mechanical Engineering

2. Bauman Moscow State Technical University

3. National Research University Higher School of Economics

4. Moscow Aviation Institute

5. N.R.U. Moscow Power Engineering Institute

6. National Research Nuclear University MEPI

7. National University of Science and Technology "MISIS"

8. Moscow Institute of Physics and Technology

9. Moscow State Technological University "Stankin"

10. RUDN University

11. Moscow Polytech

12. Moscow State University of Railway Engineering

13. Finance Academy under the Government of the Russian Federation

14. Moscow Medical Academy

15. Russian State University of Oil and Gas

16. mendeleev university of chemical technology of russia.

17. Russian National Research Medical University

18. Plekhanov Russian University of Economics

19. National Research University of Electronic Technology

20. Moscow State Pedagogical University

21. Russian Presidential Academy of National Economy and Public Administration

22. State University of Management

23. Moscow State Institute of International Relations

24. Russian State Geological Prospecting University

25. russian state agricultural university.

26. New Economic School

27. Moscow State Technical University of Civil Aviation

28. Russian State University for the Humanities

29. Russian State Social University

30. Moscow State Linguistic University

Universities for Mechanical Engineering near Moscow

Engineering subfields in moscow.

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Bachelor of Architectural Design

Take your first steps towards becoming an architect with the Bachelor of Architectural Design. Work in design studios with some of the best teachers in Australia, and use drawings, models, prototypes and structures to express your design ideas.

UQ's Bachelor of Architectural Design is all about practical and creative learning through design studios. You'll do hands-on construction at multiple scales, using progressively more complex materials and forms.

Design studios mimic what it's like to work at local and international design firms. They're also a lot of fun. Studios are usually organised around a project, and you'll investigate and present your design concept in front of your peers and experts at the end of semester.

Working hands-on with paper, card, clay and foam will give you the confidence to experiment with architectural form. You’ll also have opportunities to make models using laser cutters and 3D printers, construct furniture and prototypes, and even work on small buildings using our workshop facilities.

You'll gain a rich understanding of international cultures and develop skills in communication, teamwork and leadership. You'll learn about built environments and communities, construction documentation, people and places, and environmental factors.

Our teachers can offer links with local industry and international perspectives, and aim to strike a balance between creative and practical learning. When you graduate, you can progress into the Master of Architecture to finish your training.

Program highlights

• Access the latest design technologies, innovative processes and a wealth of architectural resources.
• Receive advice and guidance from real architects working in the field and go on industry and site visits.
• Impact communities through international study tours and learn how to address the challenges facing tomorrow's cities.
• Progress into the Master of Architecture, which is accredited by all state and territory architect registration boards.

Top 5 in Australia for architecture

ERA Outcomes 2018

47 in the world for civil and structural engineering

QS World University Rankings 2024

How you'll learn

Your learning experiences are designed to best suit the learning outcomes of the courses you choose.

• Overseas study
• Laboratory work

What you'll study

At UQ, degrees are called 'programs' and subjects are called 'courses'. Here's a sample of the courses you could study in this program:

• Architectural Design 1: Form and Space
• Architecture in the Western Tradition
• Buildings in History and Culture
• Building Materials: Properties, Principles and Applications

See courses and program structure

Career possibilities

Our programs prepare you for your first job and beyond. Here are some of the careers you could be on your way to:

• Interior designer
• Environmental graphic designer
• Furniture designer
• Urban designer
• Property developer
• Product designer
• Wayfinding designer
• Change manager
• Fashion designer

Graduate salary

Architecture & building (undergraduate)

compared.edu.au

Mid-career salary

Urban Designer

payscale.com

Next steps after graduation

On completion of the Bachelor of Architectural Design, you will be able to start your career as a junior designer in an architectural practice, draftsperson, building designer or 3D visualisation artist.

Following the completion of your Bachelor of Architectural Design, your next step to becoming a registered architect is with UQ’s Master of Architecture.

To be able to practice architecture in Australia, you must join a state or territory registration board. To be eligible to register, you first have to:

• Progress into the Master of Architecture.
• Complete 2 years of professional experience.
• Pass the Architectural Practice Exam.

Professional memberships

When you graduate, you may be eligible for memberships with the following professional organisations. Contact the organisation to find out how to become a member.

• Australian Institute of Architects

Professional registration

When you graduate, you may be eligible for registration with the following professional organisations. Contact the organisation to find out how to register.

• Board Of Architects Of Queensland

I would recommend future students take risks and have the courage to explore new and different avenues, whether it be doing things differently to others in their projects, or following a unique career path or even taking the opportunity to travel overseas.

The design ethos at UQ was the biggest attraction for me. I really wanted to be immersed in design and absorb as much as I could. This has been the basis for my growth and career progression over many years.

I loved the studio-based learning element of my study at UQ. I met lifelong friends there and we had so much in common that we became pretty much inseparable. Working together in that creative and practical environment helped us learn to collaborate.

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Entry requirements, prerequisites.

See equivalent subjects

Queensland Year 12 (or equivalent) General English subject (Units 3 & 4, C)

Minimum entry score

Select where you studied and your qualification to see the minimum entry score you need to be considered for this program.

Use the minimum entry score as a guide. Your score must be at least equivalent to the required Australian Year 12 ATAR score. Entry requirements are subject to change.

Equivalent subjects

Entry score threshold.

These are the lowest adjusted scores we made an offer to in Semester 1, 2024. Entry scores are based on the most recent Semester 1 intake and are updated in April each year. Meeting the entry score threshold doesn't guarantee admission.

Guarantee your place at UQ: If you meet our guaranteed minimum ATAR  you could secure an offer for your preferred program.

English language requirements

IELTS overall 6.5; reading 6; writing 6; speaking 6; listening 6. For other English Language Proficiency Tests and Scores approved for UQ

TOEFL iBT (including Paper Edition) - Overall 87, listening 19, reading 19, writing 21 and speaking 19.

PTE Academic - Overall Score of 64 and 60 in all sub bands.

BE - A minimum overall grade of 4 plus a minimum grade of C in all macro skills.

CES - Overall 176 and 169 in all sub bands.

OET is not accepted.

There are other ways to meet the English language requirements. For some programs, additional conditions apply.

Learn how to meet the English language requirements

Student visas

International students who are accepted into full-time study in the Bachelor of Architectural Design are eligible to apply for an Australian student visa (subclass 500).

There are a number of requirements you must satisfy before a visa is granted, including the Genuine Student (GS) requirement.

Learn more about student visas

Entry score range

This table shows the range of entry scores for recent secondary students offered a place in the B Architectural Design for Semester 1, 2024

Learn more about adjustments

Need help meeting the entry requirements?

We can help you meet the minimum entry score, subject prerequisites or English language requirements for your preferred program.

If you haven't studied the prerequisites or need to improve your entry score, we can help.

Learn about pathway options

Additional application information

Accreditation and recognition of architecture programs is jointly conducted by the Board of Architects of Queensland and the Australian Institute of Architects. The Architects Accreditation Council of Australia (AACA) maintains a listing of all accredited courses in Australia.

Fees and Scholarships

Indicative annual fee.

Approximate yearly cost of tuition (16 units). Your fees will vary according to your selected courses and study load. Fees are reviewed each year and may increase.

Fee information for 2025 is not yet available. Fee information displayed is for 2024.

Learn more about undergraduate fees

Approximate yearly cost of tuition (16 units). Your fees will vary according to your study load. Fees are reviewed each year and may increase.

AUD $47,200

Additional costs.

• There may be additional course costs associated with travel or materials.
• Books, technical notes etc (approx $150)
• Consumables, paper, pens etc (approx $100-200)
• Courses that include a field trip component may incur additional costs to cover transport, accommodation and food.
• Some courses may incur additional costs such as piano accompaniment.

Government assistance

Financial aid.

As an international student, you might be eligible for financial aid – either from your home country, or from the Australian Government.

Learn more about financial aid

Domestic places in the Bachelor of Architectural Design are Commonwealth Supported. This means the cost of your education is shared between you and the Australian Government.

Instead of tuition fees, Commonwealth Supported students pay what are called student contribution amounts.

HECS-HELP is an Australian Government loan scheme to assist eligible students with the cost of their student contribution amounts.

Learn more about HECS-HELP

Centrelink support

The Australian Government offers a number of income-support payments to eligible Australian university students.

Learn about Centrelink payments for students

Scholarships

You may be eligible for more than 100 scholarships, including:

How to apply

Applying online.

If your senior schooling is from outside Australia, you can submit your application to UQ. Or, if you prefer, you can use an  approved UQ agent in your country .

The program code for the Bachelor of Architectural Design is  2293 .

Find out more about applying for undergraduate study

If your senior schooling is from Australia

Submit your application to the Queensland Tertiary Admissions Centre if you're an international student who is currently studying:

• Australian Year 12 (in Australia or another country), or
• the International Baccalaureate in Australia.

The QTAC code for the Bachelor of Architectural Design is  711202 .

Applying through QTAC

All domestic applications should be submitted to the Queensland Tertiary Admissions Centre (QTAC).

The QTAC code for the Bachelor of Architectural Design is 711202 .

Find out more about applying for undergraduate study

Important dates

If you’re studying Year 12 in Australia ,  go to the QTAC website  to check the closing date for this program. 

If you’re applying to UQ , the closing date for this program is: 

• To commence study in semester 1 - November 30 of the previous year.

To learn more about UQ dates, including semester start dates,  view the Academic Calendar . 

To check the closing date for this program, go to the QTAC website .

To learn more about UQ dates, including semester start dates, view the Academic Calendar .

Admissions schemes

Applying to university can be both exciting and daunting, which is why we’ve tried to make the process as simple as we can.

We have several schemes in place to improve your chances of getting a place at UQ.

Learn more about admission schemes

Pathway options

A rank or score doesn’t determine your potential.

If you're not offered a place in your first-choice program – or if you don't meet the entry requirements – you still have a number of options.

Learn more about pathway options

Aboriginal and Torres Strait Islander applicants

For support with applying – or if you have any questions about university life – get in touch with our Aboriginal and Torres Strait Islander Studies Unit.

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PhD students earn major NSF graduate research fellowships

Three Electrical, Computer and Energy Engineering graduate students have received 2024 National Science Foundation (NSF) Graduate Research Fellowships for their promising quantum and metameterial antennas research.  

This year, the NSF awarded 27 students from CU Boulder , including 18 from the College of Engineering and Applied Science with the 2024 graduate research fellowship, a prestigious award recognizing students in a wide variety of STEM disciplines, exploring some of the most pressing issues of our time. 

Each recipient will receive three years of financial support, including an annual stipend of $37,000, as well as professional development and research opportunities.

Aliza Siddiqui

Advisor: Joshua Combes Lab: Combes Group

Bio: Siddiqui is a first-year PhD student with a research concentration in Quantum Engineering and Architecture. She graduated from Louisiana State University, home of the Tigers, with a degree in computer science.

My proposal involves creating a new benchmarking/testing framework for the next generation of error-corrected quantum computers. Given the noise of physical qubits, recent work has suggested combining the state of several physical qubits to create a logical qubit. I will collaborate with Dr. Josh Combes and Sandia National Labs for my PhD. Through this work, the quantum community will have a tool-kit that will help us determine how well a quantum computer performs, diagnose what and where the issues are and create solutions to realize full-scale, error-corrected quantum systems. 

Dylan Meyer

Advisor: Scott Diddams Lab: Frequency Comb & Quantum Metrology Lab

Bio: Meyer is a first-year PhD student in the FCQM group. He received his undergraduate degree from the University of Alabama in Electrical Engineering.

My research proposal is the development of highly stable and robust millimeter wave time and frequency (T&F) transfer, supporting T&F transfer between atomic clocks. T&F transfer is used to create clock networks that are essential for positioning and navigation, such as GPS and essential infrastructure like the Internet and power grid. These technologies support up to $1 billion dollars of trade and financial transactions a day. In addition, these clock networks are capable of fundamental science experiments capable of probing new and exciting questions related to physics and geodesy.

Advisors:  Cody Scarborough and Robert MacCurdy Lab Groups:  EMRG and MAClab

Bio:  Pham received their Bachelor's and Master's degrees in Electrical & Computer Engineering from the University of Oklahoma, where he conducted research on RF filters. After graduating, he worked for 3 years in industry as an RF engineer developing radar systems. He will begin his PhD this fall 2024. 

My research proposal is on the application of multi-material additive manufacturing techniques for metamaterial antennas. Metamaterial antennas are capable of more sophisticated capabilities and unique form-factors compared to conventional antennas. By leveraging multi-material additive manufacturing, there are more degrees-of-freedom for the shape and composition of the metamaterials. This research would enhance the design flexibility and capabilities of next-generation antennas to meet the growing performance demands of future wireless systems.

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Events See all →

Investigating homelessness.

Kelly Writers House, 3805 Locust Walk

Earth Week 2024

This is a campuswide week of events, lectures, and volunteer opportunities designed to educate and inspire action related to environmental justice, climate, and nature-based solutions. This year’s theme is Restore & Regenerate.

Various locations

Take Our Children to Work Day

Excellence in Graduate Teaching Reception

5:00 p.m. - 6:30 p.m.

Penn Graduate Student Center, 3615 Locust Walk

Campus & Community

Class of 2024 President’s Engagement, Innovation Prize winners announced

Three prize-winning teams will design and undertake post-graduation projects that make a positive, lasting difference in the world..

University of Pennsylvania Interim President J. Larry Jameson today announced the recipients of the 2024 President’s Engagement and Innovation Prizes. Awarded annually, the Prizes empower Penn undergraduate students to design and undertake post-graduation projects that make a positive, lasting difference in the world. Each Prize-winning project will receive $100,000, as well as a $50,000 living stipend per team member. The Prizes are the largest of their kind in higher education. All Prize recipients collaborate with a Penn faculty mentor.

Five fourth-year students were named recipients of the 2024 President’s Engagement Prize. They are Simran Rajpal and Gauthami Moorkanat for Educate to Empower and Anooshey Ikhlas, Brianna Aguilar, and Catherine Hood for Presby Addiction Care Program. Fourth-year students Yash Dhir and Rahul Nambiar have received the President’s Innovation Prize for their project, Jochi .

“The 2024 recipients of the President’s Engagement and Innovation Prize all combine the highest levels of academic excellence with strong service-minded missions,” said Jameson. “Educate to Empower, Presby Addiction Care Program, and Jochi exemplify Penn’s founding ethos: to pursue knowledge for knowledge’s sake and to use it to do good in the world. I congratulate each of our Prize winners and look forward to seeing their ventures thrive.”

The 2024 prize recipients—selected from an applicant pool of 68—will spend the next year implementing the following projects:

• Simran Rajpal and Gauthami Moorkanat for Educate to Empower: Rajpal, a biology and health and societies double major in the   College of Arts and Sciences from Chester Springs, Pennsylvania, and Moorkanat, a biochemistry major in the College from Stirling, New Jersey, will work to identify and dismantle barriers to breast cancer screenings in marginalized communities through education and resources at community centers in Philadelphia. They are mentored by Leisha Elmore , an assistant professor of surgery at the University of Pennsylvania Perelman School of Medicine and chief of breast surgery at Penn Presbyterian Medical Center .    
• Anooshey Ikhlas, Brianna Aguilar, and Catherine Hood for Presby Addiction Care Program: Ikhlas, a neuroscience major in the College of Art and Sciences from Raynham, Massachusetts; Aguilar, a medical sociology major in the College from West Haven, Connecticut; and Hood, a health and societies major in the College from West Greenwich, Rhode Island, will focus on implementing a volunteer program at Penn Presbyterian Medical Center aimed at addressing challenges encountered by individuals with substance use disorders during hospitalization. The Presby Addiction Care Program team is mentored by Jeanmarie Perrone, professor of emergency medicine in Penn’s Perelman School of Medicine and founding director of the Penn Medicine Center for Addiction Medicine and Policy.   
• Yash Dhir and Rahul Nambiar for Jochi: Dhir, a systems science and engineering major in the School of Engineering and Applied Science from London, and Nambiar, an applied science in computer science major in Penn Engineering from Dubai, will grow an online ed-tech management platform that improves the educational experience of students with learning differences, such as ADHD, dyslexia, and executive functioning deficits, and that helps foster greater efficiency and engagement by teachers and administrators in supporting these students. They are mentored by Amanda Antico, capstone director of the Education Entrepreneurship Program in the Graduate School of Education .

This year’s finalists also included fourth-years Sindhuja Uppuluri for Project StreetGuard; Himanshi Verma and Nikita Patel for Refugee Health Empowerment Initiative; Kiln Chen, Caroline Li, and Angela Shen for The Jendela Project; Julianna Cimillo, Turner Halle, Melissa Nong, and Ethan Markwalter for Panbo; and Chiadika Eleh, Liam Pharr, Joey Wei, Isaac Kim, and Venkatesh Shenoy for See-Rynge.

“These prize-winning projects exemplify the enterprising spirit of our Penn students,” said Provost John L. Jackson Jr. “They are all addressing critical challenges in inventive new ways, from ensuring equity and access in health care to improving treatments for substance use disorders to expanding educational resources for those with learning differences. We are indebted to their outstanding faculty advisors and to the staff of the Center for Undergraduate Research and Fellowships , who worked closely with them to develop their ideas into these inspiring initiatives.”

The Prizes are supported by Trustee Emerita Judith Bollinger and William G. Bollinger, in honor of Ed Resovsky; Trustee Emerita Lee Spelman Doty and George E. Doty Jr.; Trustee Emeritus James S. Riepe and Gail Petty Riepe; Trustee David Ertel and Beth Seidenberg Ertel; Wallis Annenberg and the Annenberg Foundation; and an anonymous donor.

Picturing artistic pursuits

Penn celebrates operation and benefits of largest solar power project in Pennsylvania

Solar production has begun at the Great Cove I and II facilities in central Pennsylvania, the equivalent of powering 70% of the electricity demand from Penn’s academic campus and health system in the Philadelphia area.

Education, Business, & Law

Investing in future teachers and educational leaders

The Empowerment Through Education Scholarship Program at Penn’s Graduate School of Education is helping to prepare and retain teachers and educational leaders.

Arts, Humanities, & Social Sciences

‘The Illuminated Body’ fuses color, light, and sound

A new Arthur Ross Gallery exhibition of work by artist Barbara Earl Thomas features cut-paper portraits reminiscent of stained glass and an immersive installation constructed with intricately cut material lit from behind.

25 years of ‘LOVE’

The iconic sculpture by pop artist Robert Indiana arrived on campus in 1999 and soon became a natural place to come together.

perforated metalized membrane coats MAD's amazing walk triangular installation in milan

Mad architects releases ‘amazing walk’ for milan design week.

MAD Architects , in collaboration with Amazon , present the ‘Amazing Walk’ installation for Milan Design Week 2024 at FuoriSalone 2024 as part of the INTERNI Cross Vision event exhibition . The installation will be open to the public from April 15th to 28th in the Cortile della Farmacia dell’Università degli Studi di Milano, featuring a selection of home furnishing and design products available on Amazon.it.

The ‘Amazing Walk’ walk-through installation offers visitors a sensory journey within a unique setting, where the geometric mountain-like formation reflects on a body of water. Visitors will have the opportunity to walk along a suspended path over the water, symbolically representing customers’ exploration journey of products of their interest. As visitors traverse the mountain, they will experience an immersive journey, exploring a wide selection of home products, furnishings, lighting, smart home devices, and technological accessories, ranging from affordable to premium offerings.

walk-through mountain-like structure reflects on water

The ‘Amazing Walk’ lets visitors take an inspirational walk through the exploration of products for home, furniture, lighting, smart home, and technology accessories available on Amazon.it . Through a vision that goes beyond what is shown, MAD Architects has conceived the mountain as a structure capable of transporting the visitor into a dimension to be explored. In this evocative context, the arcades of the Cortile della Farmacia are reflected on a mirror of water, transforming the installation into an unexpected journey. A play of angles and heights conveys the beauty of a non-place, while the surrounding environment contains and enhances the installation.

As evening falls, the scenery changes, as lights and fog emphasize the blurred boundaries of the work’s different materials, making it ethereal, suspended, precious. The mountain consists of 150 structural triangles made of natural aluminum, all of uniform dimensions and covered with a micro-perforated metalized membrane commonly used for architectural facades. This membrane (Microperforated Membrane, SOLTIS FT 381 – Serge Ferrari) is used in two colors: silver-metallic and milk green, and is 100% recyclable. Visitors can also interact with the installation through an interaction design project developed by Studio AIRA.

In addition to discovering the products on display inside the installation and the relevant information thanks to QR codes leading to the product pages on Amazon.it, it will also be possible to explore through a series of screens integrated within the exhibition area the services to improve product search, selection, and delivery functions, as well as the company’s commitment to enhancing Made in Italy and Second Hand and Climate Pledge Friendly products.

the installation, devoid of internal columns, reflects the shape of mountains

as night falls, lights and mist gently blur the edges of materials, making ‘Amazing Walk’ appear floating

project info:

name: The Amazing Walk

architect: MAD architects  |  @madarchitects

lead architect: Ma Yansong | @mayansong_mad

associate partner: Andrea D’Antrassi | @andrea_dantrassi

design team: Ma Yansong, Dang Qun, Yosuke Hayano, Andrea D’Antrassi, Giovanni Colombara, Alessandro Fisalli, Paolo Pirri, Gianluca Rovere, Luca Genualdo

realization: Amazon Italia | @amazon.it

partners: Amazon.it, Interni

structure: Maco Technology

lighting design: Artemide

interaction design: Studio AIRA

fog effect: Nephos Swiss Fog

composite film: Giovanardi

sound design: Valerio Baiocchi

TV: LG Electronics

tablet & PC: Samsung Mobile Experience

audio: Samsung Audio Video

photography: Moreno Maggi video: Amazon Photos

location: Cortile della Farmacia, Milan, Italy

dates:  April 15th to 28th, 2024

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