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  • Extended Essay (EE)
  • 1. Teachers: START HERE
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Possible Changes to all Extended EssaysDuring the IB virtual conference (Oct 18-22, 2021), it was indicated that changes would be taking place in a number of subjects. These are designated for first teaching in 2022, 2023, and 2024. However, the changes do NOT affect the newly-implemented syllabus in music. Although NO official date has been given for the Extended Essay (a core component of the diploma programme for...

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IB Music EE examples

Filter exemplars, to what extent does angelo badalamenti rely on the use of leitmotif and idée fixe in the soundtrack of twin peaks (focusing on the example of laura palmer’s theme) to support characterisation, how has teresa teng’s tianmimi (sweet) been informed by stylistic conventions of older chinese music, want to get full marks for your ee allow us to review it for you 🎯, to what extent is the progressive rock music of muse and queen influenced by the compositional techniques of the baroque, classical and romantic periods, how does hector berlioz demonstrate a virtuosic and unique approach to the orchestration of his major works, symphonie fantastique and harold en italie, music ee - beethoven's sonatas, fast track your coursework with mark schemes moderated by ib examiners. upgrade now 🚀.

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How to Write a Music Extended Essay? IB Tutors Guide

An outline serves as a roadmap for your Music extended essay.

Luke MacQuoid

Hey there, future IB scholars! If you’re reading this, you’re knee-deep in selecting a subject for your extended essay . Let’s focus on a subject close to my heart and many others. I will guide you through writing a Music extended essay in this article. From my experience, it’s an enriching venture, and I’ll give you the nitty-gritty on how to ace it according to general IB criteria.

What is a Music Extended Essay?

Hold on because we’re about to get to the point. In the IB curriculum , a Music extended essay is more than just a book report or a summary. According to the general IB curriculum, this is a research project in which you will investigate, evaluate, and argue a specific topic in Music.

The development of musical genres, for example, or the stylistic aspects of a particular time or artist, are all possible topics. Your goal is to provide new perspectives on your selected topic. For example, you may choose a topic like Beethoven’s works but approach it from a perspective that has yet to be well researched in academic literature. Essentially, your article has the potential to add to existing intellectual discussions.

Why Choose Music for Your Extended Essay?

Let’s look at why this subject is so exciting for an extended essay. To begin with, Music is much more than a collection of sounds or melodies. It serves as a reflection of a diverse spectrum of human experiences and historical events. As a result, when you write an extended essay in Music, you interact with a subject tied to various areas, including Sociology, History, and Psychology.

But don’t be deceived; this is no stroll in the park. A Music extended essay requires much investigation. It is more than just listening to your favorite songs; it also includes reading scientific papers, evaluating sheet music, and comprehending music theory.

Getting Started with Music Extended Essay

Starting your Music extended essay assignment might be intimidating, but don’t worry. On the way, you are not alone. Breaking this process into smaller, doable steps will make it more approachable. Here’s how to get started on the right foot.

Tips on Topic Selection

Choosing a topic for your Music extended essay might be like standing at a buffet with so many great selections that it’s difficult to pick just one! It is the first significant stumbling block in your writing process. The golden guideline for selecting a topic is simple but invaluable: go with what interests you. I can also give you some other helpful tips:

  • Keep in mind that you have a word restriction. Please choose a topic that is not so wide that you cannot effectively cover it, but also avoid ones that are so narrow that you will struggle to complete your essay.
  • Consult with your advisor before deciding on a topic . They can offer significant insights and guide you toward relevant resources.
  • While drawing inspiration from previously published extended essays or academic work is OK, strive to add something fresh.
  • Before settling on a topic, conduct preliminary research to ensure you have adequate material to work with.
  • The ideal themes allow you to weave in your personal experiences or viewpoints, giving the essay a distinct flavor.
  • Consider the contemporary significance of your issue. Is it anything that people are discussing? Is it connected to more prominent cultural or historical themes?

Your enthusiasm for the subject will feed your motivation during the long hours of research and writing, turning the process into an adventure rather than a work. Furthermore, a passionate tone will make your work more memorable to your readers. By the way, you can find lots of great extended essay Music topics in our blog.

Formulating Research Question

In the academic world, a well-defined research question is a beacon that guides your entire essay. From my experience, the mistake students often make is formulating either an overly broad or an extremely narrow issue. A general question could lead you into an abyss of endless information, while a very focused one might leave you scraping the barrel for content. 

Striking the right balance is essential. To do so, consult various sources — academic articles, interviews with experts, and the like — to refine your question. It’s not just about finding the correct answer; it’s also about asking the right question.

Where Can I Find Ideas for Music Extended Essays?

Ah, searching for that perfect essay topic can be a challenge. Your essay must be original, relevant, and uphold academic standards. When it comes to music essays, the opportunities are infinite. Where can you find inspiration for a captivating work? Let me offer some tips from my experience.

The best topics for a Music extended essay are ones you're already passionate about.

School Library and Online Catalogs

The old-school library, believe it or not, is a goldmine. Academic books, journal articles, and periodicals can offer excellent perspectives that spark interest. Don’t underestimate the power of a good bibliographic search; sometimes, the best ideas come from academic texts.

Academic Journals

Musicology journals and publications are packed with cutting-edge research and can be a fantastic source of ideas. Studies on everything from the role of Music in cultural movements to the evolution of specific genres could be great fodder for your extended essay.

Media Platforms and Documentaries

A well-produced documentary or an in-depth article from a reputable media outlet can provide a different angle that academic publications may not cover. Discussions about the social impact of Music, profiles of influential artists, or the science of musical tones are all excellent topics for an essay.

Talk to Your Music Teacher

Sometimes, the best resources are people, not publications. Your music teacher likely has a wealth of knowledge and could provide suggestions tailored to your interests and the course requirements. Teachers are generally keen to help students who show initiative.

Class Notes and Textbooks

Please pay attention to your class materials; they’re an invaluable resource. Previous topics discussed in class could offer avenues for more profound research. Textbooks often cover broad themes and can serve as a springboard for more specialized study.

Online Communities and Forums

Websites and online communities dedicated to music studies can be surprisingly helpful. You can find a wide range of ideas and resources shared by students and scholars alike. But do remember to cross-reference any information you gather online with credible academic sources.

Your Playlist

Lastly, don’t underestimate your taste. Sometimes, the best topics are those you’re already passionate about. Love classical Music? Research its therapeutic effects. More of a hip-hop fan? Consider researching its social and political impact.

Structuring Your Music Extended Essay

The structure helps you as a writer and lets the reader grasp your essay. Following a well-planned strategy increases your chances of meeting the IB criteria, and let’s be honest, who doesn’t want that top grade? So, let’s break down the major elements of your IB music extended essay.

Introduction: The Opening Act

Your introduction should begin with a hook — a compelling sentence or fact that grabs the reader’s attention. Remember, first impressions are essential.

Summarize your paper’s central argument or point in one or two sentences. This statement should provide a glimpse into the heart of your argument and let the reader know what to expect.

Main Body: The Heart of the Matter

Begin with a strong topic sentence that outlines what this section will cover. Then, continue to support your claims with facts and arguments. It is where your research shines!

Similar to the first section, outline and support your main points. Vary your sentence structure to keep the reader engaged, and use transition words to guide them through your argument.

Again, introduce your point clearly and support it with well-researched facts and arguments. This section should also flow naturally into your closing remarks.

music extended essay guidelines

Need help with your IB extended essay?

From research and analysis to structuring and editing, our skilled mentors will be by your side, helping you craft an exceptional extended essay that not only meets the wordcount and stringent IB criteria but also reflects your passion for selected IB group .

Analysis: The Composer’s Breakdown

What does the evidence point to? Here’s your chance to show how all the dots connect. Remember that for every argument, there is a counterargument. Acknowledge opposing views and refute them with your research.

Conclusion: The Final Note

Refrain from introducing new information here; summarize what has been discussed in the essay. Highlight your findings and their implications.

End with a bang! Discuss the broader implications of your findings and what future studies could focus on. It will leave your readers with something to think about. Wrap up your essay with a statement that reinforces your main points.

Bibliography: Credit Where Credit Is Due

Cite all the resources you used, following the IB citation guidelines. It adds credibility to your work and shows that your arguments are well-supported.

So there you have it, folks! A comprehensive guide to writing a top-notch Music extended essay . Remember, this is a significant undertaking that will require time, effort, and a lot of love for your subject. As someone who has been through the IB path, I can assure you it’s worth every bit of the struggle.

If you still find yourself hungry for more, our blog has many articles to quench your thirst for knowledge further. Trust me, the more informed you are, the easier the writing process becomes.

So, what are you waiting for? Grab your favorite playlist, and let’s get cracking on that Music extended essay! And remember, our experienced IB writers are always ready to help you .

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Luke MacQuoid has extensive experience teaching English as a foreign language in Japan, having worked with students of all ages for over 12 years. Currently, he is teaching at the tertiary level. Luke holds a BA from the University of Sussex and an MA in TESOL from Lancaster University, both located in England. As well to his work as an IB Examiner and Master Tutor, Luke also enjoys sharing his experiences and insights with others through writing articles for various websites, including extendedessaywriters.com blog

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music extended essay guidelines

Topics for Music Extended Essay

Topics for Music Extended Essay

The Extended Essay is an essential part of your IB Music course . As someone who has experienced the ups and downs of the International Baccalaureate (IB) program, I’d like to share some insights that will brighten your path to writing a compelling Music Extended Essay. Let’s look at how to choose the best topics to ensure that your essay resonates with both your interests and the IB criteria.

What Is a Music Extended Essay?

Firstly, understanding what qualifies as a Music Extended Essay is crucial. Essentially, it’s a 4,000-word research paper where you research a topic of your choice in depth. From my experience, this is more than just a lengthy assignment. It’s an opportunity to express your passion for music and to contribute to your understanding of it in a structured academic format. In this essay, you are expected to engage with the subject creatively and analytically, demonstrating your ability to synthesize complex ideas and themes in music.

The Music Extended Essay challenges students to develop critical thinking, research, and academic writing skills, all within music study. Depending on your interests and the available resources, it invites you to dig into specific areas such as music theory, history, culture, technology, or even performance practice. The goal is to form a coherent argument or narrative that reflects your inquiry and findings.

Moreover, the essay is an excellent way for students to research a potential career path in musicology, ethnomusicology, music education, or any music-related field. It can also serve as a stepping stone for those planning to pursue higher education in music. Choosing a topic that resonates with your long-term goals can be particularly beneficial.

Popular Music Extended Essay Topics to Consider

There are several avenues you can research when it comes to selecting your Music Extended Essay topics. Below are a few categories to consider.

Analytical Topics

Analyzing a specific genre or style can be immensely rewarding. For instance, examining the evolution of baroque music through its compositions offers historical insight and a deep analytical challenge. Similarly, a comparative analysis between two pieces from classical and modern periods can highlight how compositional philosophies have transformed over time.

Cultural Influence Topics

The music reflects culture. Researching how a particular culture has influenced modern music genres provides a fascinating intersection of musicology and sociology. For example, the impact of African rhythms on American jazz music is a topic rich with resources and research potential.

Technical Topics

If you are inclined towards the technical aspects, consider topics like musical notation’s evolution or technology’s role in modern music production. These topics cater to those interested in the mechanics of music and integrate well with technological developments.

Topics for Music Extended Essay

IB Music Extended Essay Topics and Research Questions

Choosing the right topic is very important. In my opinion, it should spark your interest and be viable enough to research thoroughly. Here are some topics for the Music Extended Essay you can consider:

  • The Evolution of Opera in the 20th Century . How did opera evolve in response to political and social changes in the 20th century?
  • The Influence of Jazz on Modern Popular Music . In what ways has jazz influenced the development of modern popular music genres?
  • The Role of Technology in Music Production . How has the introduction of digital technology changed the production techniques in the music industry?
  • The Impact of Beethoven’s Compositions on Romantic Music . How did Beethoven’s innovations inspire the music composition styles of the Romantic period?
  • Music as a Tool for Social Change . How has music been used for social change in a specific historical context?
  • The Development of Electronic Music in Europe . What key factors contributed to the rise of electronic music in Europe during the late 20th century?
  • Gender Dynamics in Classical Music . How have gender dynamics affected female composers’ recognition and performance opportunities in the classical music genre?
  • The Musical Exchange between Africa and Latin America . What are the key characteristics of the musical crossover between African and Latin American traditions?
  • The Preservation of Indigenous Music Traditions . How are indigenous music traditions being preserved and transformed in the modern world?
  • The Psychological Impact of Music in Films . How does music influence emotional and psychological responses in film audiences?
  • The Commercialization of Hip-Hop . How has the commercialization of hip-hop affected its artistic integrity and cultural roots?
  • Classical Music’s Influence on Modern Soundtracks . How have classical music elements been integrated into modern film and video game soundtracks?
  • Synesthesia and Music Perception . How does synesthesia affect the creation and perception of music among artists and audiences?
  • The Socio-Political Context of Punk Rock . How did punk rock reflect the socio-political sentiments of the youth in the 1970s and 1980s?
  • Music Therapy and Mental Health . How effective is music therapy in treating mental health disorders compared to traditional therapeutic methods?
  • The Revival of Vinyl Records in the Digital Age . Why has vinyl experienced a resurgence in popularity despite the convenience of digital music?
  • The Cross-Cultural Impact of The Beatles . How did The Beatles influence music styles across cultures during the 20th century?
  • Music Censorship and Political Expression . How has music censorship been used to suppress political dissent in various countries?
  • The Influence of Scandinavian Folk Music on Modern Jazz . What are the specific elements of Scandinavian folk music that have been integrated into modern jazz compositions?
  • The Role of Music in Religious Practices . How does music enhance or alter the spiritual experiences in different religious practices worldwide?
  • Music and Identity in the African Diaspora . How has music played a role in shaping the identity and community dynamics of the African diaspora?
  • The Development of K-Pop and Its Global Influence . What factors have contributed to the global rise of K-pop, and how has it impacted international music trends?
  • The Evolution of Musical Theatre . How has musical theatre evolved in artistic approaches and themes since the early 20th century?
  • Rap Music as a Form of Modern Storytelling . How is storytelling manifested in rap music, and what themes are most prevalent in contemporary works?
  • The Relationship Between Dance and Music in Ballet . How do music and dance interact to create a narrative in classical ballet performances?
  • The Effects of Music on Cognitive Development . How does exposure to music affect cognitive development in children and adolescents?
  • The Role of Women in the Development of Blues Music . What have female artists contributed to the development of blues music, and how has their presence influenced the genre?
  • The Impact of Streaming Services on Music Consumption . How have streaming services changed people’s music consumption and impacted the music industry?
  • Regional Music Styles and Their Evolution in the United States . How have specific regional music styles in the United States evolved over the 20th century?
  • The Use of Music in Advertising and Branding . How is music strategically used in advertising to influence consumer behavior and brand perception?
  • Influence of Baroque Music on Contemporary Pop Song Structures . How have compositional techniques from Baroque music influenced modern pop song structures?
  • Music in Video Games: Improving Player Experience . How does music influence player engagement and emotional response in video games?
  • Folk Music Revival in the 21st Century . What factors are driving the revival of folk music in the 21st century?
  • The Evolution of Jazz in Asia . How has jazz evolved in Asia, and what influences have shaped its development in this region?
  • Reggae as a Vehicle for Political and Social Commentary . How has reggae music contributed to political and social discourse in Caribbean societies?
  • Impact of Artificial Intelligence on Music Composition . What impact is artificial intelligence having on the process of music composition?
  • The Sitar’s Influence in Western Music. How has the sitar influenced Western music genres since the 1960s?
  • Hip-Hop and Global Youth Culture . How has hip-hop music influenced youth culture globally?
  • Music and Memory: How Music Affects Recall and Emotion . How does music affect memory recall and emotional states in humans?
  • The Role of Classical Music in Contemporary Cinema . How is classical music used in contemporary cinema to enhance narrative and emotional depth?
  • Ethnomusicology: Indigenous Music and Its Modern Adaptations . How have indigenous musical forms been adapted to modern music across various cultures?
  • The Economics of Music Festivals . What economic impacts do music festivals have on local communities?
  • The Role of Music in Therapy and Rehabilitation . How is music used in therapy and rehabilitation settings, and what are its benefits?
  • Analyzing the Rise of Female Conductors in Classical Music . What factors contribute to the rise of female conductors in the traditionally male-dominated field of classical music?
  • The Influence of Music on Fashion and Lifestyle . How does music influence fashion and lifestyle trends among young adults?
  • The Cultural Significance of Reggaeton in Latin America . How has reggaeton influenced social and cultural dynamics in Latin America?
  • The Role of Women in the Development of Electronic Music . How have female artists shaped the evolution of electronic music?
  • The Musical Legacy of The Beatles in Non-Western Countries . How has the music of The Beatles been adopted and adapted in non-Western cultures?
  • The Influence of Indigenous Australian Music on Contemporary Artists . How have contemporary Australian artists incorporated elements of Indigenous music into their works?
  • Music and Memory: Nostalgia in Music . How does music evoke nostalgia, and what are its psychological impacts?
  • The Impact of Legal Issues on Music Sampling . How have legal challenges regarding music sampling influenced the creative process in the music industry?
  • Jazz Music’s Evolution Through Migratory Patterns . How have migratory patterns influenced the evolution of jazz music in different regions of the United States?
  • The Role of Music in Enhancing Brand Identity . How do businesses use music to enhance their brand identity and consumer experience?
  • The Shift from Rock to Pop in Mainstream Music . What factors have contributed to the shift in popularity from rock to pop music over the past decades?
  • Music as a Cultural Diplomacy Tool . How is music used in cultural diplomacy to foster international relations?

According to general IB criteria, a well-chosen topic is one with sufficient resources, allowing you to make a detailed analysis. Additionally, it’s beneficial to choose a topic that offers a clear scope for argumentation and reflection.

Don’t let the stress of the IB curriculum hold you back.

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With these insights and topic ideas, you are better prepared to write your Music Extended Essay. Remember, this is your chance to shine in the IB Music course by presenting a well-researched, analytically sound, and passionately written paper. Good luck, and let the music guide your pen! Also, our IB writers are always ready to help you with an Extended Essay.

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Sat / act prep online guides and tips, the complete ib extended essay guide: examples, topics, and ideas.

International Baccalaureate (IB)

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IB students around the globe fear writing the Extended Essay, but it doesn't have to be a source of stress! In this article, I'll get you excited about writing your Extended Essay and provide you with the resources you need to get an A on it.

If you're reading this article, I'm going to assume you're an IB student getting ready to write your Extended Essay. If you're looking at this as a potential future IB student, I recommend reading our introductory IB articles first, including our guide to what the IB program is and our full coverage of the IB curriculum .

IB Extended Essay: Why Should You Trust My Advice?

I myself am a recipient of an IB Diploma, and I happened to receive an A on my IB Extended Essay. Don't believe me? The proof is in the IBO pudding:

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If you're confused by what this report means, EE is short for Extended Essay , and English A1 is the subject that my Extended Essay topic coordinated with. In layman's terms, my IB Diploma was graded in May 2010, I wrote my Extended Essay in the English A1 category, and I received an A grade on it.

What Is the Extended Essay in the IB Diploma Programme?

The IB Extended Essay, or EE , is a mini-thesis you write under the supervision of an IB advisor (an IB teacher at your school), which counts toward your IB Diploma (learn more about the major IB Diploma requirements in our guide) . I will explain exactly how the EE affects your Diploma later in this article.

For the Extended Essay, you will choose a research question as a topic, conduct the research independently, then write an essay on your findings . The essay itself is a long one—although there's a cap of 4,000 words, most successful essays get very close to this limit.

Keep in mind that the IB requires this essay to be a "formal piece of academic writing," meaning you'll have to do outside research and cite additional sources.

The IB Extended Essay must include the following:

  • A title page
  • Contents page
  • Introduction
  • Body of the essay
  • References and bibliography

Additionally, your research topic must fall into one of the six approved DP categories , or IB subject groups, which are as follows:

  • Group 1: Studies in Language and Literature
  • Group 2: Language Acquisition
  • Group 3: Individuals and Societies
  • Group 4: Sciences
  • Group 5: Mathematics
  • Group 6: The Arts

Once you figure out your category and have identified a potential research topic, it's time to pick your advisor, who is normally an IB teacher at your school (though you can also find one online ). This person will help direct your research, and they'll conduct the reflection sessions you'll have to do as part of your Extended Essay.

As of 2018, the IB requires a "reflection process" as part of your EE supervision process. To fulfill this requirement, you have to meet at least three times with your supervisor in what the IB calls "reflection sessions." These meetings are not only mandatory but are also part of the formal assessment of the EE and your research methods.

According to the IB, the purpose of these meetings is to "provide an opportunity for students to reflect on their engagement with the research process." Basically, these meetings give your supervisor the opportunity to offer feedback, push you to think differently, and encourage you to evaluate your research process.

The final reflection session is called the viva voce, and it's a short 10- to 15-minute interview between you and your advisor. This happens at the very end of the EE process, and it's designed to help your advisor write their report, which factors into your EE grade.

Here are the topics covered in your viva voce :

  • A check on plagiarism and malpractice
  • Your reflection on your project's successes and difficulties
  • Your reflection on what you've learned during the EE process

Your completed Extended Essay, along with your supervisor's report, will then be sent to the IB to be graded. We'll cover the assessment criteria in just a moment.

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We'll help you learn how to have those "lightbulb" moments...even on test day!  

What Should You Write About in Your IB Extended Essay?

You can technically write about anything, so long as it falls within one of the approved categories listed above.

It's best to choose a topic that matches one of the IB courses , (such as Theatre, Film, Spanish, French, Math, Biology, etc.), which shouldn't be difficult because there are so many class subjects.

Here is a range of sample topics with the attached extended essay:

  • Biology: The Effect of Age and Gender on the Photoreceptor Cells in the Human Retina
  • Chemistry: How Does Reflux Time Affect the Yield and Purity of Ethyl Aminobenzoate (Benzocaine), and How Effective is Recrystallisation as a Purification Technique for This Compound?
  • English: An Exploration of Jane Austen's Use of the Outdoors in Emma
  • Geography: The Effect of Location on the Educational Attainment of Indigenous Secondary Students in Queensland, Australia
  • Math: Alhazen's Billiard Problem
  • Visual Arts: Can Luc Tuymans Be Classified as a Political Painter?

You can see from how varied the topics are that you have a lot of freedom when it comes to picking a topic . So how do you pick when the options are limitless?

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How to Write a Stellar IB Extended Essay: 6 Essential Tips

Below are six key tips to keep in mind as you work on your Extended Essay for the IB DP. Follow these and you're sure to get an A!

#1: Write About Something You Enjoy

You can't expect to write a compelling essay if you're not a fan of the topic on which you're writing. For example, I just love British theatre and ended up writing my Extended Essay on a revolution in post-WWII British theatre. (Yes, I'm definitely a #TheatreNerd.)

I really encourage anyone who pursues an IB Diploma to take the Extended Essay seriously. I was fortunate enough to receive a full-tuition merit scholarship to USC's School of Dramatic Arts program. In my interview for the scholarship, I spoke passionately about my Extended Essay; thus, I genuinely think my Extended Essay helped me get my scholarship.

But how do you find a topic you're passionate about? Start by thinking about which classes you enjoy the most and why . Do you like math classes because you like to solve problems? Or do you enjoy English because you like to analyze literary texts?

Keep in mind that there's no right or wrong answer when it comes to choosing your Extended Essay topic. You're not more likely to get high marks because you're writing about science, just like you're not doomed to failure because you've chosen to tackle the social sciences. The quality of what you produce—not the field you choose to research within—will determine your grade.

Once you've figured out your category, you should brainstorm more specific topics by putting pen to paper . What was your favorite chapter you learned in that class? Was it astrophysics or mechanics? What did you like about that specific chapter? Is there something you want to learn more about? I recommend spending a few hours on this type of brainstorming.

One last note: if you're truly stumped on what to research, pick a topic that will help you in your future major or career . That way you can use your Extended Essay as a talking point in your college essays (and it will prepare you for your studies to come too!).

#2: Select a Topic That Is Neither Too Broad nor Too Narrow

There's a fine line between broad and narrow. You need to write about something specific, but not so specific that you can't write 4,000 words on it.

You can't write about WWII because that would be a book's worth of material. You also don't want to write about what type of soup prisoners of war received behind enemy lines, because you probably won’t be able to come up with 4,000 words of material about it. However, you could possibly write about how the conditions in German POW camps—and the rations provided—were directly affected by the Nazis' successes and failures on the front, including the use of captured factories and prison labor in Eastern Europe to increase production. WWII military history might be a little overdone, but you get my point.

If you're really stuck trying to pinpoint a not-too-broad-or-too-narrow topic, I suggest trying to brainstorm a topic that uses a comparison. Once you begin looking through the list of sample essays below, you'll notice that many use comparisons to formulate their main arguments.

I also used a comparison in my EE, contrasting Harold Pinter's Party Time with John Osborne's Look Back in Anger in order to show a transition in British theatre. Topics with comparisons of two to three plays, books, and so on tend to be the sweet spot. You can analyze each item and then compare them with one another after doing some in-depth analysis of each individually. The ways these items compare and contrast will end up forming the thesis of your essay!

When choosing a comparative topic, the key is that the comparison should be significant. I compared two plays to illustrate the transition in British theatre, but you could compare the ways different regional dialects affect people's job prospects or how different temperatures may or may not affect the mating patterns of lightning bugs. The point here is that comparisons not only help you limit your topic, but they also help you build your argument.

Comparisons are not the only way to get a grade-A EE, though. If after brainstorming, you pick a non-comparison-based topic and are still unsure whether your topic is too broad or narrow, spend about 30 minutes doing some basic research and see how much material is out there.

If there are more than 1,000 books, articles, or documentaries out there on that exact topic, it may be too broad. But if there are only two books that have any connection to your topic, it may be too narrow. If you're still unsure, ask your advisor—it's what they're there for! Speaking of advisors...

body-narrow-crack-stuck-cc0-pixabay

Don't get stuck with a narrow topic!

#3: Choose an Advisor Who Is Familiar With Your Topic

If you're not certain of who you would like to be your advisor, create a list of your top three choices. Next, write down the pros and cons of each possibility (I know this sounds tedious, but it really helps!).

For example, Mr. Green is my favorite teacher and we get along really well, but he teaches English. For my EE, I want to conduct an experiment that compares the efficiency of American electric cars with foreign electric cars.

I had Ms. White a year ago. She teaches physics and enjoyed having me in her class. Unlike Mr. Green, Ms. White could help me design my experiment.

Based on my topic and what I need from my advisor, Ms. White would be a better fit for me than would Mr. Green (even though I like him a lot).

The moral of my story is this: do not just ask your favorite teacher to be your advisor . They might be a hindrance to you if they teach another subject. For example, I would not recommend asking your biology teacher to guide you in writing an English literature-based EE.

There can, of course, be exceptions to this rule. If you have a teacher who's passionate and knowledgeable about your topic (as my English teacher was about my theatre topic), you could ask that instructor. Consider all your options before you do this. There was no theatre teacher at my high school, so I couldn't find a theatre-specific advisor, but I chose the next best thing.

Before you approach a teacher to serve as your advisor, check with your high school to see what requirements they have for this process. Some IB high schools require your IB Extended Essay advisor to sign an Agreement Form , for instance.

Make sure that you ask your IB coordinator whether there is any required paperwork to fill out. If your school needs a specific form signed, bring it with you when you ask your teacher to be your EE advisor.

#4: Pick an Advisor Who Will Push You to Be Your Best

Some teachers might just take on students because they have to and aren't very passionate about reading drafts, only giving you minimal feedback. Choose a teacher who will take the time to read several drafts of your essay and give you extensive notes. I would not have gotten my A without being pushed to make my Extended Essay draft better.

Ask a teacher that you have experience with through class or an extracurricular activity. Do not ask a teacher that you have absolutely no connection to. If a teacher already knows you, that means they already know your strengths and weaknesses, so they know what to look for, where you need to improve, and how to encourage your best work.

Also, don't forget that your supervisor's assessment is part of your overall EE score . If you're meeting with someone who pushes you to do better—and you actually take their advice—they'll have more impressive things to say about you than a supervisor who doesn't know you well and isn't heavily involved in your research process.

Be aware that the IB only allows advisors to make suggestions and give constructive criticism. Your teacher cannot actually help you write your EE. The IB recommends that the supervisor spends approximately two to three hours in total with the candidate discussing the EE.

#5: Make Sure Your Essay Has a Clear Structure and Flow

The IB likes structure. Your EE needs a clear introduction (which should be one to two double-spaced pages), research question/focus (i.e., what you're investigating), a body, and a conclusion (about one double-spaced page). An essay with unclear organization will be graded poorly.

The body of your EE should make up the bulk of the essay. It should be about eight to 18 pages long (again, depending on your topic). Your body can be split into multiple parts. For example, if you were doing a comparison, you might have one third of your body as Novel A Analysis, another third as Novel B Analysis, and the final third as your comparison of Novels A and B.

If you're conducting an experiment or analyzing data, such as in this EE , your EE body should have a clear structure that aligns with the scientific method ; you should state the research question, discuss your method, present the data, analyze the data, explain any uncertainties, and draw a conclusion and/or evaluate the success of the experiment.

#6: Start Writing Sooner Rather Than Later!

You will not be able to crank out a 4,000-word essay in just a week and get an A on it. You'll be reading many, many articles (and, depending on your topic, possibly books and plays as well!). As such, it's imperative that you start your research as soon as possible.

Each school has a slightly different deadline for the Extended Essay. Some schools want them as soon as November of your senior year; others will take them as late as February. Your school will tell you what your deadline is. If they haven't mentioned it by February of your junior year, ask your IB coordinator about it.

Some high schools will provide you with a timeline of when you need to come up with a topic, when you need to meet with your advisor, and when certain drafts are due. Not all schools do this. Ask your IB coordinator if you are unsure whether you are on a specific timeline.

Below is my recommended EE timeline. While it's earlier than most schools, it'll save you a ton of heartache (trust me, I remember how hard this process was!):

  • January/February of Junior Year: Come up with your final research topic (or at least your top three options).
  • February of Junior Year: Approach a teacher about being your EE advisor. If they decline, keep asking others until you find one. See my notes above on how to pick an EE advisor.
  • April/May of Junior Year: Submit an outline of your EE and a bibliography of potential research sources (I recommend at least seven to 10) to your EE advisor. Meet with your EE advisor to discuss your outline.
  • Summer Between Junior and Senior Year: Complete your first full draft over the summer between your junior and senior year. I know, I know—no one wants to work during the summer, but trust me—this will save you so much stress come fall when you are busy with college applications and other internal assessments for your IB classes. You will want to have this first full draft done because you will want to complete a couple of draft cycles as you likely won't be able to get everything you want to say into 4,000 articulate words on the first attempt. Try to get this first draft into the best possible shape so you don't have to work on too many revisions during the school year on top of your homework, college applications, and extracurriculars.
  • August/September of Senior Year: Turn in your first draft of your EE to your advisor and receive feedback. Work on incorporating their feedback into your essay. If they have a lot of suggestions for improvement, ask if they will read one more draft before the final draft.
  • September/October of Senior Year: Submit the second draft of your EE to your advisor (if necessary) and look at their feedback. Work on creating the best possible final draft.
  • November-February of Senior Year: Schedule your viva voce. Submit two copies of your final draft to your school to be sent off to the IB. You likely will not get your grade until after you graduate.

Remember that in the middle of these milestones, you'll need to schedule two other reflection sessions with your advisor . (Your teachers will actually take notes on these sessions on a form like this one , which then gets submitted to the IB.)

I recommend doing them when you get feedback on your drafts, but these meetings will ultimately be up to your supervisor. Just don't forget to do them!

body-bird-worm-cc0-pixabay

The early bird DOES get the worm!

How Is the IB Extended Essay Graded?

Extended Essays are graded by examiners appointed by the IB on a scale of 0 to 34 . You'll be graded on five criteria, each with its own set of points. You can learn more about how EE scoring works by reading the IB guide to extended essays .

  • Criterion A: Focus and Method (6 points maximum)
  • Criterion B: Knowledge and Understanding (6 points maximum)
  • Criterion C: Critical Thinking (12 points maximum)
  • Criterion D: Presentation (4 points maximum)
  • Criterion E: Engagement (6 points maximum)

How well you do on each of these criteria will determine the final letter grade you get for your EE. You must earn at least a D to be eligible to receive your IB Diploma.

Although each criterion has a point value, the IB explicitly states that graders are not converting point totals into grades; instead, they're using qualitative grade descriptors to determine the final grade of your Extended Essay . Grade descriptors are on pages 102-103 of this document .

Here's a rough estimate of how these different point values translate to letter grades based on previous scoring methods for the EE. This is just an estimate —you should read and understand the grade descriptors so you know exactly what the scorers are looking for.

Here is the breakdown of EE scores (from the May 2021 bulletin):

How Does the Extended Essay Grade Affect Your IB Diploma?

The Extended Essay grade is combined with your TOK (Theory of Knowledge) grade to determine how many points you get toward your IB Diploma.

To learn about Theory of Knowledge or how many points you need to receive an IB Diploma, read our complete guide to the IB program and our guide to the IB Diploma requirements .

This diagram shows how the two scores are combined to determine how many points you receive for your IB diploma (3 being the most, 0 being the least). In order to get your IB Diploma, you have to earn 24 points across both categories (the TOK and EE). The highest score anyone can earn is 45 points.

body-theory-of-knowledge

Let's say you get an A on your EE and a B on TOK. You will get 3 points toward your Diploma. As of 2014, a student who scores an E on either the extended essay or TOK essay will not be eligible to receive an IB Diploma .

Prior to the class of 2010, a Diploma candidate could receive a failing grade in either the Extended Essay or Theory of Knowledge and still be awarded a Diploma, but this is no longer true.

Figuring out how you're assessed can be a little tricky. Luckily, the IB breaks everything down here in this document . (The assessment information begins on page 219.)

40+ Sample Extended Essays for the IB Diploma Programme

In case you want a little more guidance on how to get an A on your EE, here are over 40 excellent (grade A) sample extended essays for your reading pleasure. Essays are grouped by IB subject.

  • Business Management 1
  • Chemistry 1
  • Chemistry 2
  • Chemistry 3
  • Chemistry 4
  • Chemistry 5
  • Chemistry 6
  • Chemistry 7
  • Computer Science 1
  • Economics 1
  • Design Technology 1
  • Design Technology 2
  • Environmental Systems and Societies 1
  • Geography 1
  • Geography 2
  • Geography 3
  • Geography 4
  • Geography 5
  • Geography 6
  • Literature and Performance 1
  • Mathematics 1
  • Mathematics 2
  • Mathematics 3
  • Mathematics 4
  • Mathematics 5
  • Philosophy 1
  • Philosophy 2
  • Philosophy 3
  • Philosophy 4
  • Philosophy 5
  • Psychology 1
  • Psychology 2
  • Psychology 3
  • Psychology 4
  • Psychology 5
  • Social and Cultural Anthropology 1
  • Social and Cultural Anthropology 2
  • Social and Cultural Anthropology 3
  • Sports, Exercise and Health Science 1
  • Sports, Exercise and Health Science 2
  • Visual Arts 1
  • Visual Arts 2
  • Visual Arts 3
  • Visual Arts 4
  • Visual Arts 5
  • World Religion 1
  • World Religion 2
  • World Religion 3

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music extended essay guidelines

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IB Extended Essay (EE)

  • Extended Essay Main Page
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  • World Religions
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US - Extended Essay Guide: Music

  • Class of '25 EE Deadline Calendar
  • 2024 EE Deadline Calendar
  • Examples of Extended Essays
  • Computer Science
  • Design Technology
  • Global Politics
  • Studies in Lang. and Lit. (Group 1)
  • Studies in Lang. and Lit. (Group 2)
  • Mathematics
  • Sports, Exercise, and Health Science
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  • Print and eBooks
  • Web Resources
  • Searching Tips
  • Referencing and citing
  • Notetaking Advice
  • Tools and Strategies to Narrow Your Topic
  • Supervisor Support

Music Overview

  • Music: Subject Specific Guidance An extended essay (EE) in music gives students an opportunity to undertake in-depth research into a topic in music of genuine interest to them. Music—as a form of expression in diverse contexts, with intent, purpose and meaning—should be at the heart of the essay. It must focus on particular pieces of music, experienced by the student through: recordings score study or performances and concerts. The student is required to embark on a systematic, disciplined and imaginative investigation of musical works. The basis of that investigation, for the purpose of the EE, is musical analysis. The outcome of the investigation should be a structured and coherent piece of writing in the form of an academic research paper. It requires: an analytical research approach, based on both primary and secondary sources formal language, including the use of appropriate subject terminology meticulous presentation. Students also need to display: knowledge and understanding of their chosen musical context and genre critical thinking in relation to their topic through reasoned arguments, discussion, interpretation and evaluation. Students do not have to be enrolled in the Diploma Programme music course to write an EE in music. However, they must be familiar with the different aspects and requirements of the course.
  • Music: Subject Specific Guide
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  • Next: Psychology >>
  • Last Updated: Oct 30, 2023 11:30 AM
  • URL: https://libguides.zis.ch/ee2024

Extended Essay Essentials

  • Individuals and Societies
  • Interdisciplinary
  • Mathematics

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What's in this guide?

Text: Stay inspired. Never stop creating. on a white background with swirls of color

In this guide, you will find essential documents for writing the EE in the following subjects

Visual Arts

Essential documents include Subject Specific Guidelines and Sample Essays for each course.

Introduction to the EE in Arts

From the Guide:

An extended essay (EE) in the arts gives students an opportunity to undertake an in-depth investigation into a topic within an arts subject of particular interest to them.

The EE must demonstrate in-depth understanding of the subject matter studied. This should be shown in the form of:

  • a coherent analysis and interpretation of their chosen area in relation to a posed research question
  • the testing and validation of the research and consideration of its effect on the practice of the investigated area of the arts
  • development and exploration of its effect on the practice of the investigated area of the arts
  • development and exploration in a disciplined and imaginative way of an area of study specifically appropriate to the curriculum area chosen
  • a link to a practical dimension.

The research outcome should always include a link with a practical dimension. Where relevant and possible, students may wish to consult practitioners and professionals, such as performers, directors, researchers, writers, designers, painters, sculptors, composers or critics; or they may wish to visit theatres, galleries, museums and arts centres.

For a longer general overview of an arts-related EE, see The arts: An introduction . This document contains information on:

  • Topic Selection
  • Literature Review
  • The Research Question
  • Research Methods
  • A Framework for the EE in Arts

decorative image: film related items

  • Film Subject Specific Guidelines - A short guide on how to write the Film EE
  • Score Reports - See what students did (and did not do well) in these short reports from the chief examiner.
  • Sample Papers - Read sample EE papers provided by IB and see how they scored.
  • Film Subject Specific Guidelines
  • 2018 Film Score Report
  • 2021 Film Score Report

decorative image: various images of music scores and instruments

  • Music Subject Specific Guidelines - A short guide on how to write the Music EE
  • Sample Papers  - Read sample EE papers provided by the IB and see how they scored.
  • Music Subject Specific Guidelines
  • 2018 Music Score Report
  • 2021 Music Score Report

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  • Film Subject Specific Guidelines  - A short guide on how to write the Theatre EE
  • Score Reports  - See what students did (and did not do) well in these short reports from the chief examiner.
  • Sample Papers  - Read sample EE papers provided by IB and see how they scored.
  • Theatre Subject Specific Guidelines
  • 2018 Theater Score Report
  • 2021 Theater Score Report

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  • Visual Arts Subject Specific Guidelines  - A short guide on how to write the Visual Arts EE
  • Sample Papers  - Read sample EE papers provided by IB and see how they scored
  • Visual Arts Subject Specific Guidelines
  • 2018 Visual Arts Score Reports
  • 2021 Visual Arts Score Report
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  • Last Updated: Mar 26, 2024 1:52 PM
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IB Extended Essay: Assessment Criteria

  • Research Questions
  • Past Essays
  • Notes & Outlines
  • Works Cited Page
  • In-Text Citations
  • Assessment Criteria
  • Reflections
  • Supervisor Info
  • Net Valley Library This link opens in a new window

music extended essay guidelines

Score Descriptors for each Criterion:

  • A - Focus and Method
  • B - Knowledge and Understanding
  • C - Critical Thinking
  • D - Presentation
  • E - Engagement

Printable: Full Rubric  for all subjects

To view details for your SUBJECT, open the correct page below.

  • Choose "Interpreting the EE Assessment Criteria" on the sidebar to see how to score well in YOUR subject area

music extended essay guidelines

Language & literature (language A)

Language acquisition (language B)

Mathematics

Visual Arts

World Studies

Business Management

Grade Boundaries

music extended essay guidelines

What's Expected?

  • A: Focus/Method
  • B: Knowledge
  • C: Critical Thinking
  • D: Presentation
  • E: Engagement
  • A: Focus and Method (6 marks)
  • B: Knowledge and Understanding (6 marks)
  • C: Critical Thinking (12 marks)
  • D: Presentation (4 marks)
  • E: Engagement (6 marks)
  • Total marks possible: 34 (see grade boundaries below)
  • Printable:  Full Rubric
  • Printable: A3 size with details
  • Printable:  Details for each criterion , via the Oxford guide

music extended essay guidelines

Criterion A:  Focus and Method (6 points)

What It Means:   This criterion focuses on the topic, the research question and the methodology. It assesses the explanation of the focus of the research (this includes the topic and the research question), how the research will be undertaken, and how the focus is maintained throughout the essay.

Questions to ask:  

  • Does this essay meet the requirements for the subject for which you are registering it?
  • Is your research question stated as a question?
  • Have you explained how your research question relates to the subject that you selected for the extended essay?
  • Have you given an insight into why your area of study is important?
  • Is your research question feasible within the scope of the task? Could your research question be “answered” or it is too vague?
  • Did you refer to your research question throughout the essay (not only in the introduction and conclusion)?
  • Did you explain why you selected your methodology?
  • Are there other possible methods that could be used or applied to answer your research question? How might this change the direction of your research?
  • If you stated a particular methodology in the introduction of your essay, or specific sources, have you used them?
  • Are there any references listed in the bibliography that were not directly cited in the text?

(Source: Susan Trower, via West Sound Academy)

music extended essay guidelines

Criterion B:  Knowledge and Understanding (6 points)

What It Means:   This criterion assesses the extent to which the research relates to the subject area/discipline used to explore the research question; or in the case of the world studies extended essay, the issue addressed and the two disciplinary perspectives applied; and additionally, the way in which this knowledge and understanding is demonstrated through the use of appropriate terminology and concepts.

  • Have you explained how your research question relates to a specific subject you selected for the extended essay?
  • Have you used relevant terminology and concepts throughout your essay as they relate to your particular area of research?
  • Is it clear that the sources you are using are relevant and appropriate to your research question?
  • Do you have a range of sources, or have you only relied on one particular type, for example internet sources?
  • Is there a reason why you might not have a range? Is this justified?

music extended essay guidelines

(Source: Oxford EE manual, p. 110)

music extended essay guidelines

Criterion C:  Critical Thinking (12 points)

What It Means:   This criterion assesses the extent to which critical thinking skills have been used to analyze and evaluate the research undertaken.

  • Have you made links between your results and data collected and your research question?
  • If you included data or information that is not directly related to your research question have you explained its importance?
  • Are your conclusions supported by your data?
  • If you found unexpected information or data have you discussed its importance?
  • Have you provided a critical evaluation of the methods you selected?
  • Have you considered the reliability of your sources (peer-reviewed journals, internet, and so on)?
  • Have you mentioned and evaluated the significance of possible errors that may have occurred in your research?
  • Are all your suggestions of errors or improvements relevant?
  • Have you evaluated your research question?
  • Have you compared your results or findings with any other sources?
  • Is there an argument that is clear and easy to follow and directly linked to answering your research question, and which is supported by evidence? Are there other possible methods that could be used or applied to answer your research question? How might this change the direction of your research?

music extended essay guidelines

(Source: Oxford EE Manual p. 111)

Handy Links:

  • Presentation One Pager  via Catalina Bordoy
  • Presentation Checklist
  • Sample Title page   (see below - top half of the page)

music extended essay guidelines

Criterion D:  Presentation ( 4 points)

What It Means:   This criterion assesses the extent to which the presentation follows the standard format expected for academic writing and the extent to which this aids effective communication.

  • Have you read and understood the presentation requirements of the extended essay?
  • Have you chosen a font that will be easy for examiners to read on-screen?
  • Is your essay double-spaced and size 12 font?
  • Are the title and research question mentioned on the cover page?
  • Are all pages numbered?
  • Have you prepared a correct table of contents?
  • Do the page numbers in the table of contents match the page numbers in the text?
  • Is your essay subdivided into correct sub-sections, if this is applicable to the subject?
  • Are all figures and tables properly numbered and labelled?
  • Does your bibliography contain only the sources cited in the text?
  • Did you use the same reference system throughout the essay?
  • Does the essay have less than 4,000 words?
  • Is all the material presented in the appendices relevant and necessary?
  • Have you proofread the text for spelling or grammar errors?

Criterion E: Engagement

  • Three reflections (best after meeting with your supervisor)
  • 500 words TOTAL (100 + 150 + 250?)
  • Reflections are done in Managebac on your Reflection space
  • See the "Reflections" tab above for prompts to write about

music extended essay guidelines

(Source: Oxford EE Manual p.135)

music extended essay guidelines

(Source: Oxford EE Manual p.133)

  • Sample Reflections
  • Full chapter on Reflections from the Oxford Guide

Criterion E:  Engagement (6 points)

What It Means:   This criterion assesses the student’s engagement with their research focus and the research process. It will be applied by the examiner at the end of the assessment of the essay, after considering the student’s RPPF (Reflections on planning and progress form).

  • Have you demonstrated your engagement with your research topic and the research process?
  • Have you highlighted challenges you faced and how you overcame them?
  • Will the examiner get a sense of your intellectual and skills development?
  • Will the examiner get a sense of your creativity and intellectual initiative?
  • For prompts to deepen your reflections, go  here  and then to the bottom of the page
  • Presentation Quick Guide
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  • Next: Reflections >>
  • Last Updated: Apr 9, 2024 9:39 AM
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Extended Essay: Step 2. Educate yourself!

  • Extended Essay- The Basics
  • Step 1. Choose a Subject
  • Step 2. Educate yourself!
  • Using Brainstorming and Mind Maps
  • Identify Keywords
  • Do Background Reading
  • Define Your Topic
  • Conduct Research in a Specific Discipline
  • Step 5. Draft a Research Question
  • Step 6. Create a Timeline
  • Find Articles
  • Find Primary Sources
  • Get Help from Experts
  • Search Engines, Repositories, & Directories
  • Databases and Websites by Subject Area
  • Create an Annotated Bibliography
  • Advice (and Warnings) from the IB
  • Chicago Citation Syle
  • MLA Works Cited & In-Text Citations
  • Step 9. Set Deadlines for Yourself
  • Step 10. Plan a structure for your essay
  • Evaluate & Select: the CRAAP Test
  • Conducting Secondary Research
  • Conducting Primary Research
  • Formal vs. Informal Writing
  • Presentation Requirements
  • Evaluating Your Work

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Books and papers - Britannica ImageQuest

Your Reading List

Other important reading for EE writers is on this page :

IB Assessment Criteria

IB Extended Essay Subject Guides (first exams 2018)   (for almost all subjects available for Extended essays)

Notes - Britannica ImageQuest

Once you have decided on a subject, you need to set up your RRS (Researcher's Reflection Space)

The RRS is where you will record what you are reading, writing, and thinking about your essay.  It's best to set it up right at the start!  See Step 3. Researcher's Reflection Space (RRS)

  • Global Politics
  • Literature & Performance
  • Mathematics
  • Language & Literature
  • Visual Arts

Grace Smith WSA '20

Here's your reading list:

  • IB EE Subject Guide - Dance, 2018

Course-Guiding Information for Extended Essay Writers - Dance

World flags - Britannica ImageQuest

Interested in writing a Global Politics Extended Essay?

  • IB EE Subject Guide - Global Politics, 2018

Course-Guiding Information for Extended Essay Writers - Global Politics

Choosing a Global Politics Extended Essay Research Question - IB Mastery

The Global Politics Extended Essay Structure - IB Mastery

Gregory Peck reading To Kill a Mockingbird

  • IB EE Subject Guide - Literature and Performance, 2018

Course-Guiding Information for Extended Essay Writers - Literature and Performance

Mathematics signs and symbols - Britannica ImageQuest

Mathematics EE: An Introduction

  • IB EE Subject Guide - Mathematics, 2018

Shelf of books - Britannica ImageQuest

IB EE Subject Guide - Language and Literature - 2018

Course-Guiding Information for Extended Essay Writers - Language and Literature

Comedy and tragedy masks - Britannica ImageQuest

  • IB EE Subject Guide - Theatre, 2018
  • Theatre EE Guidelines

Course-Guiding Information for Extended Essay Writers - Theatre

Artist's palette - Britannica ImageQuest

IB EE Subject Guide - Visual Arts

Course-Guiding Information for Extended Essay Writers - Visual Arts

music extended essay guidelines

IB Ethical Guidelines

Twelve-step plan for researching the extended essay - step 2.

2.  Educate yourself. Read the following materials:  the assessment criteria, relevant subject-specific chapter of the Extended Essay guide, the IB's ethical guidelines and other associated policies where relevant, such as those relating to animal experiments

music extended essay guidelines

IB EE Subject Guides (first exams 2018)

  • IB EE Subject Guide - Biology, 2018
  • IB EE Subject Guide - Chemistry, 2018
  • IB EE Subject Guide - Classical Languages, 2018
  • IB EE Subject Guide - Design Technology, 2018
  • IB EE Subject Guide - Film, 2018
  • IB EE Subject Guide - Geography, 2018
  • IB EE Subject Guide - History, 2018
  • IB Language Acquisition EE - An Introduction, 2018
  • IB EE Subject Guide - Language Acquisition, 2018
  • IB Mathematics EE - An Introduction, 2018
  • IB EE Subject Guide - Music, 2018
  • IB EE Subject Guide - Philosophy, 2018
  • IB EE Subject Guide - Physics, 2018
  • IB EE Subject Guide - Sports, Exercise and Health Science (SEHS) , 2018
  • IB EE Subject Guide - Studies in Language and Literature, 2018
  • IB EE Subject Guide - Visual Arts, 2018

Interdisciplinary EE subjects

  • IB EE Subject Guide - Environmental Systems and Societies, 2018
  • IB EE Subject Guide - World Studies, 2018

See the World Studies Extended Essay guide for more information on this option.

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Extended Essay (IB): Choosing a subject and topic

  • The Inquiry Process
  • EE Seminar 1
  • EE Seminar 2
  • IT Workshop 1
  • EE Investigation Days
  • EE Writing Days
  • Choosing a subject and topic
  • Developing a line of inquiry
  • Finding and selecting sources
  • Working with ideas
  • Expressing your ideas
  • Using ManageBac
  • Supervisor resources
  • Who can help?

music extended essay guidelines

For your EE you have the freedom to focus on almost any topic and you will write your own question to answer.  However, your topic must fit into a single DP subject (unless you choose to write an interdisciplinary essay, such as a World Studies EE that covers a topic “of contemporary global significance” and is likely to encompass two subject areas).

Given the academic challenge and level expected of an EE, you are strongly advised to choose a subject that you are currently studying, preferably at Higher Level.

Introduction to the Extended Essay

music extended essay guidelines

What is the Extended Essay?

  • Compulsory element of the core, along with TOK and CAS
  • Inquiry-based research project resulting in an essay of up to 4,000 words
  • Topic of your choice, but must be based in a DP subject * and meet subject-specific requirements
  • You are strongly encouraged to do your essay in one of your HL subjects

*It is possible, under certain circumstances, to combine two subjects and do a World Studies essay but we do not currently recommend this.

What do I need to do?

music extended essay guidelines

This guide is just to get your thinking started.

You are going to be spending nine months on your Extended Essay - it is very important to choose a topic that actually interests you, or it is going to be a very long nine months...

Good preparation is much more effective for finding inspiration than last minute panic!

CALVIN AND HOBBES © Watterson. Reprinted with permission of ANDREWS MCMEEL SYNDICATION.  All rights reserved.

How do I choose a subject?

Thought bubble image

  • Think about your interests outside the classroom then check whether they might fit into any IB subject areas.
  • Think about your IB subjects, particularly your HL subjects. Which would (and wouldn't) you enjoy exploring in more depth?
  • Make a list of the topics (for one or more different subject areas) that you have enjoyed in that subject area and a list of topics you haven’t covered but wish you had. You might want to chat to your teachers or have a look in your textbooks.
  • Think about any career aspirations you might have, or any ideas for further study, and they could point you in a direction.

Now have a look at the Subject Group Overviews , below, to see what an EE in that group might involve. It is worth comparing a couple of different subject groups.

Subject Group Overviews

  • Group 1: Studies in language and literature
  • Group 2: Language acquisition (incl. Classical Languages)
  • Group 3: Individuals and societies
  • Group 4: Experimental sciences
  • Group 5: Mathematics
  • Group 6: The Arts
  • Interdisciplinary essays

music extended essay guidelines

  • Category 1 Studies of one or more literary works originally written in the language in which the essay is presented.
  • Category 2 Studies of a literary work or works originally written in the language of the essay compared with one or more literary works originally written in another language. (The work originally written in another language may be studied in translation.)
  • Category 3 Studies in language based on one or more texts originally produced in the language in which the essay is presented.

Students and teachers must indicate at the point of upload which category of essay they are submitting."

From: IBO (2020) Extended Essay: Studies in language and literature

MFL Books

Students working on a language acquisition EE must demonstrate an in-depth understanding of the language, culture and society or literature studied. This understanding must be shown in the form of:

  • an analysis of a cultural context or a specific text OR
  • an analysis of trends in the culture studied and the impact of a cultural change on the form or use of the language OR
  • an analysis and comparison of literary texts.

For those undertaking a classical Greek or Latin EE, the focus is on demonstrating an understanding of a relevant or significant aspect of the language, literature and civilization of ancient Greece or Rome."

From: IBO (2020) Extended Essay: Language acquisition including classical languages

Note that you may not do your EE in a language you are studying at ab initio level .

music extended essay guidelines

The individuals and societies EE is intended to encourage the systematic and critical study of:

  • human experience and behaviour
  • physical, economic and social environments
  • the history and development of social and cultural institutions.

Students’ choice of topic should enable them to recognize that the content and methodologies of the subjects are contestable and that their study requires critical thinking.

Students must have sufficient grounding in the subject under which they submit their essay: reading a textbook or consulting an encyclopedia while writing the EE will not compensate for a lack of proper background knowledge."

From: IBO (2020) Extended Essay: Individuals and societies

Note: The IB considers Environmental Systems and Societies EEs to be interdisciplinary, so materials for these can be found under the Interdisciplinary essays tab, above.

music extended essay guidelines

"An extended essay (EE) in the sciences gives students an opportunity to apply a range of skills while researching a topic of personal interest in the field. Students working on a science EE must demonstrate an in-depth analysis of the subject matter studied, be it biology, chemistry, computer science, design technology, physics or sports, exercise and health science. This understanding must be shown in the form of a research paper involving a wellformulated research question. Students should be advised that while there is overlap between the subjects, their study should reflect one specific science area. For example:

  • biology—dealing with living organisms and life processes
  • chemistry—dealing with the composition, characterization and transformation of substances

...The nature of the topic under investigation should be different for each subject area and students should be careful if they undertake essays that may blur the boundaries between two science subjects. For example, when studying the pH of a body of water, students may investigate the chemicals responsible for the observed pH (chemistry), or the effect of the pH on the biota (biology)."

From: IBO (2020) The Sciences: an introduction from Extended Essay: The sciences

music extended essay guidelines

  • the applicability of mathematics to solve both real and abstract problems
  • the beauty of mathematics, as in, for instance, geometry or fractal theory
  • the elegance of mathematics in the proving of theorems as in, for example, number theory
  • the origin and subsequent development of a branch of mathematics over a period of time, measured in tens, hundreds or thousands of years
  • the links between different branches of mathematics, or the way that branch of mathematics has been born, or has flourished, as a result of technology.

Students should be advised on the importance of formulating logical and coherent reasons for selecting a particular topic for the EE, the need to identify a well-thought-out research question and the requirement to search for the mathematical problems that require a solution. Students must be advised that mathematical research is a long-term and open-ended exploration of a set of related mathematical problems that are based on personal observations. The answers to these problems connect to and build upon each other over time."

From: IBO (2020) Extended Essay: Mathematics

music extended essay guidelines

  • a coherent analysis and interpretation of their chosen area in relation to a posed research question
  • the testing and validation of the research and consideration of its effect on the practice of the investigated area of the arts
  • development and exploration in a disciplined and imaginative way of an area of study specifically appropriate to the curriculum area chosen
  • a link to a practical dimension.

Each subject area poses its own unique set of challenges. Therefore, the approach to the topic of investigation should reflect the particular methodology most appropriate to the arts subject being studied. Students should have logical and coherent reasons for selecting a particular topic for their essay, a well-thought out research question and an approach that allows them to develop a reasoned argument.

...While there may be overlap between the subjects in the arts and common approaches, the research topic must clearly relate to one specific arts area. If a student chooses a research area that blurs the boundaries between two arts subjects, they must ensure that their essay’s emphasis clearly lies within the arts subject for which they are submitting it. Crucially, the topic selected should reflect each student’s particular interest and enthusiasm within that subject area."

From: IBO (2020) Extended Essay: The arts

music extended essay guidelines

For example, in literature and performance, students focus on the nature of the relationships that occur between a chosen text and its adaptation for performance; in world studies an issue of contemporary global significance is explored through the lenses of two subjects ; and in environmental systems and societies the interaction and integration of natural environmental systems and human societies are explored

Students undertaking one of these options must demonstrate a solid understanding of their area of research, taking a fully integrated approach. This examination must be shown in the form of:

  • a coherently written and structured essay that effectively addresses an area of research, taking an interdisciplinary approach
  • bringing together concepts, methods and approaches from across different subjects
  • the development and exploration of an area of study specifically appropriate to the interdisciplinary choice

The most critical stage in preparing for the EE is the formulation of a logical and coherent rationale for selecting a particular topic for the extended essay, a topic that offers enough scope to provide material for a substantial essay , and the development of ideas around the topic and research question that examine existing views and argue against them."

From: IBO (2020) Interdisciplinary essays: an introduction from Extended Essay: Interdisciplinary essays

We do not recommend undertaking an EE in World Studies. If you choose to do so anyway, make sure that you consider very carefully whether your topic would fit the requirements of a single subject discipline instead. It can be challenging to juggle the requirements of two different subjects while undertaking a piece of academic research like this for the first time, particularly if you do not currently study one or both of the subjects.

Note that the Treatment of the Topic section of the Subject Guide for World Studies says that:

"It is expected that students will have a good grounding in at least one of the Diploma Programme subjects used in the EE.

If they are unfamiliar with a discipline used, they must access its syllabus so that they can identify the concepts, terminology and modes of thinking required for their EE. (Many IB syllabuses contain lists of key concepts.)"

This means that whether or not you are currently studying either or both of the subject areas your World Studies EE is based in  you will need to use DP Level concepts, terminology and modes of thinking appropriate to both subject areas.

Subject Specific Guidance

Use the links below to explore the Subject-Specific Guidance for your chosen subject. Note that it is very important to use the side navigation menu to make sure you have read ALL the relevant guidance (see example for Biology, below).

music extended essay guidelines

You MUST read the subject-specific guidance before completing your Supervisor Application Form, and reread it before completing your Research Proposal Log. You might find it helpful to take notes using the Using the Subject-Specific Guidelines table.

Electronic versions of these can be found at the top right hand side of this page (follow links). If you wish to submit your handwritten version to ManageBac, you may upload a (legible!) photograph.

Ethical guidelines

You must address the IB ethical guidelines in your Research Proposal and follow them throughout the EE process. Some Subject Guides will contain specific ethical guidelines for that subject, but here are some general guides you might need to refer to:

Extended essays from previous years

Past essays

It can be really useful at this stage to look at essays from previous Oakham students, to see what kinds of topics they investigated and what their final essays looked like. These are upstairs in the library and can be looked at while you are here.

Please remember:

  • These are all the essays from past Oakhamians and they were awarded a range of grades (which are recorded on the contents pages). They are not a set of examples of 'good' essays or even 'good' titles.
  • There have been several rule changes in the past, most notably in 2018, so make sure you are aware of the current rules.

You may take photographs of individual pages (such as the contents pages). You may not photograph or photocopy whole essays.

How do I choose a topic?

Go back to your brainstormed list of topics from the first session:

  • Eliminate any that you don’t really want to write about and focus on the rest.
  • Use the ideas on the mind map below to examine these topics and decide which might be worth further exploration. You might choose to make a mind map like this for some of your topics.

music extended essay guidelines

Before deciding on a topic you should do some preliminary research to see what information is out there. Make a few brief notes as you go.

  • General internet browsing: You could begin with some freestyle internet searching on a broad topic that interests you. Search for your topic online, give yourself an hour to follow links and see where they take you – keeping an EE focus, of course!
  • Subscription Databases : While you will almost certainly search the databases extensively for your research once you have chosen a topic, you can also browse them to help you to chose one. See the ' Browsing our subscription databases ' box below for advice on the best ones to choose for this. Using the subscription databases to help you to choose a topic also means that you are guaranteed to be able to find high quality information on that topic.
  • Talk to your teachers, friends and family

Put your notes away, forget about what you have read for a few days, then see what you remember.  This time and distance is important as it is likely that you will remember what is of most interest to you, and so the angle you should develop.

Aim to have three suggestions for topic areas you might like to explore for your EE to explore further before making a decision .

Browsing our subscription databases

You are likely to have used our databases in the past to search for information on specific topics, but many of them are also excellent when browsing for ideas. I have made some suggestions below. You will need to access them from the list on our Subscription Databases page (using the log in information given if you are not on the school network).

music extended essay guidelines

An excellent series of ebooks providing a short, academic introduction to a wide range of topics. Choose 'Browse by subject' from the menu bar to explore them (or use the excellent search facility if you know which topic you are interested in).

music extended essay guidelines

An online encyclopaedia that you can trust and cite! Choose 'Advanced' then 'Explore: Articles' to browse Britannica in a range of different subject areas.

music extended essay guidelines

Hodder Education Magazines

Although aimed at A-level students, browsing these Review magazines may be a good way to identify a broad topic of interest. After you log-in, you can choose to search the whole database or choose a specific subject and browse/search within it.

music extended essay guidelines

Other, subject-specific resources

  • Art: Oxford Art
  • Drama: Drama Online
  • Economics: Financial Times and Gale Newspaper Collection
  • English literature: Connell Guides, EBSCO Literary Reference Centre, emagazine and MASSOLIT (a video-based resource)
  • Music: Naxos Music Library, Oxford Music
  • Politics: Financial Times and Gale Newspaper Collection 

Using the Subject Specific Guidelines

music extended essay guidelines

This table will help you work with the Subject-Specific Guidelines as you choose your topic. You are not required to submit this form to your supervisor, but you might find it helpful when filling in your Supervisor Application Form and Research Proposal.

AI Prompt Catcher

music extended essay guidelines

  • AI Prompt Catcher Example

This Prompt Catcher  must  be completed if you are using AI tools as part of your initial research.  Since examiners cannot access the exact AI-generated content subsequently, you must cite and reference the tool in your essay and include a copy of the Prompt Catcher containing the generated content and the prompt you used to generate it in an appendix.

Annotated bibliography

music extended essay guidelines

This resource will help you to keep track of all the different sources you find. Once you start working with each source in more detail, you will also need a tool like the Investigative Journal to organise your notes.

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The IB Extended Essay: Subject Guides & documents you need

  • Details of the EE
  • Topic ideas and research Questions
  • Subject Guides & documents you need
  • Writing a research paper

IB Assessment Criteria

  • Presentation Requirements Information on formatting the extended essay, covering: word counts (what is included and what is NOT included), illustrations, tables, footnotes and endnotes, appendices and specimen materials. Covers essays submitted in November 2018 and forward (IB Guide 2018).
  • Required Elements of the Extended Essay List and description of the six required elements of the final extended essay work that is to be submitted for extended essays for November 2018 and forward (IB Guide 2018).
  • Assessment objectives and criteria for the extended essay - first exams 2018 Assessment objectives and criteria for students submitting extended essays, beginning with the Class of 2018.
  • Assessment of the EE - Advice for Students Use this list to help you think about the five assessment criteria for the EE and whether you have addressed the expectations within your essay.
  • Assessment Grade Descriptors for the Extended Essay, 2018 A list of the qualitative grade descriptors for the Extended Essay, grades A through E. IB senior examiners will use these descriptors to set the boundaries (i.e., grade) the extended essay beginning in May 2018.

Subject Guides

  • Biology Extended Essay Subject Guide
  • Chemistry Extended Essay Subject Guide
  • Dance Extended Essay Subject Guide
  • Design Technology Extended Essay Subject Guide
  • Economics Extended Essay Guide
  • Film Extended Essay Subject Guide
  • Geography Extended Essay Subject Guide
  • History Extended Essay Subject Guide
  • Language acquisition: An introduction to EE
  • Language Acquisition Extended Essay Subject Guide
  • Mathematics: An introduction to the EE
  • Mathematics Extended Essay Subject Guide
  • Music Extended Essay Subject Guide
  • Physics Extended Essay Subject Guide
  • Sports, Exercise and Health Science (SEHS) Extended Essay Subject Guide
  • Studies in Language and Literature Extended Essay Subject Guide
  • Theatre Extended Essay Subject Guide
  • Visual Arts Extended Essay Subject Guide

IB Ethical Guidelines

  • Academic Honesty, 2018 IB EE Guide Guidance on producing accurate references and a bibliography is a skill that students should be seeking as part of the extended essay writing process, covering: bibliography, citations, referencing (both traditional and online sources), using electronic sources, using online encyclopedias and other similar information websites, use of computer programs, and reliance on external sources.
  • Academic Honesty in the IB Educational Context Discusses the importance in the IB of making academic honesty a school priority, provides a framework for identifying aspects of academic honesty in the various courses in the IB Diploma Programme.
  • Effective Citing and Referencing Explains why citations are needed, what needs to be cited, when citations are necessary, and how to cite, and also provides a list of citation definitions, a documentation checklist, and a chart showing the elements to be included in a reference.
  • Ethical Guidelines for Extended Essays Research and Fieldwork Explicit guidance from the IB on any research or fieldwork undertaken as a part of an Extended Essay.
  • Guidelines for the Use of Animals in IB World Schools These guidelines from IB set out the parameters for the acceptable inclusion of animals in an IB World School.

music extended essay guidelines

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music extended essay guidelines

The Unpunished: How Extremists Took Over Israel

After 50 years of failure to stop violence and terrorism against Palestinians by Jewish ultranationalists, lawlessness has become the law.

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Ronen Bergman

By Ronen Bergman and Mark Mazzetti

  • May 16, 2024

This story is told in three parts. The first documents the unequal system of justice that grew around Jewish settlements in Gaza and the West Bank. The second shows how extremists targeted not only Palestinians but also Israeli officials trying to make peace. The third explores how this movement gained control of the state itself. Taken together, they tell the story of how a radical ideology moved from the fringes to the heart of Israeli political power.

By the end of October, it was clear that no one was going to help the villagers of Khirbet Zanuta. A tiny Palestinian community, some 150 people perched on a windswept hill in the West Bank near Hebron, it had long faced threats from the Jewish settlers who had steadily encircled it. But occasional harassment and vandalism, in the days after the Oct. 7 Hamas attack, escalated into beatings and murder threats. The villagers made appeal after appeal to the Israeli police and to the ever-present Israeli military, but their calls for protection went largely unheeded, and the attacks continued with no consequences. So one day the villagers packed what they could, loaded their families into trucks and disappeared.

Listen to this article, read by Jonathan Davis

Who bulldozed the village after that is a matter of dispute. The Israeli Army says it was the settlers; a senior Israeli police officer says it was the army. Either way, soon after the villagers left, little remained of Khirbet Zanuta besides the ruins of a clinic and an elementary school. One wall of the clinic, leaning sideways, bore a sign saying that it had been funded by an agency of the European Union providing “humanitarian support for Palestinians at risk of forcible transfer in the West Bank.” Near the school, someone had planted the flag of Israel as another kind of announcement: This is Jewish land now.

Such violence over the decades in places like Khirbet Zanuta is well documented. But protecting the people who carry out that violence is the dark secret of Israeli justice. The long arc of harassment, assault and murder of Palestinians by Jewish settlers is twinned with a shadow history, one of silence, avoidance and abetment by Israeli officials. For many of those officials, it is Palestinian terrorism that most threatens Israel. But in interviews with more than 100 people — current and former officers of the Israeli military, the National Israeli Police and the Shin Bet domestic security service; high-ranking Israeli political officials, including four former prime ministers; Palestinian leaders and activists; Israeli human rights lawyers; American officials charged with supporting the Israeli-Palestinian partnership — we found a different and perhaps even more destabilizing threat. A long history of crime without punishment, many of those officials now say, threatens not only Palestinians living in the occupied territories but also the State of Israel itself.

A roadblock near a Palestinian village.

Many of the people we interviewed, some speaking anonymously, some speaking publicly for the first time, offered an account not only of Jewish violence against Palestinians dating back decades but also of an Israeli state that has systematically and increasingly ignored that violence. It is an account of a sometimes criminal nationalistic movement that has been allowed to operate with impunity and gradually move from the fringes to the mainstream of Israeli society. It is an account of how voices within the government that objected to the condoning of settler violence were silenced and discredited. And it is a blunt account, told for the first time by Israeli officials themselves, of how the occupation came to threaten the integrity of their country’s democracy.

The interviews, along with classified documents written in recent months, reveal a government at war with itself. One document describes a meeting in March, when Maj. Gen. Yehuda Fox, the head of Israel’s Central Command, responsible for the West Bank, gave a withering account of the efforts by Bezalel Smotrich — an ultraright leader and the official in Prime Minister Benjamin Netanyahu’s government with oversight over the West Bank — to undermine law enforcement in the occupied territory. Since Smotrich took office, Fox wrote, the effort to clamp down on illegal settlement construction has dwindled “to the point where it has disappeared.” Moreover, Fox said, Smotrich and his allies were thwarting the very measures to enforce the law that the government had promised Israeli courts it would take.

This is a story, pieced together and told in full for the first time, that leads to the heart of Israel. But it begins in the West Bank, in places like Khirbet Zanuta. From within the village’s empty ruins, there is a clear view across the valley to a tiny Jewish outpost called Meitarim Farm. Built in 2021, the farm has become a base of operations for settler attacks led by Yinon Levi, the farm’s owner. Like so many of the Israeli outposts that have been set up throughout the West Bank in recent years, Meitarim Farm is illegal. It is illegal under international law, which most experts say doesn’t recognize Israeli settlements in occupied land. It is illegal under Israeli law, like most settlements built since the 1990s.

Few efforts are made to stop the building of these outposts or the violence emanating from them. Indeed, one of Levi’s day jobs was running an earthworks company, and he has worked with the Israel Defense Forces to bulldoze at least one Palestinian village in the West Bank. As for the victims of that violence, they face a confounding and defeating system when trying to get relief. Villagers seeking help from the police typically have to file a report in person at an Israeli police station, which in the West Bank are almost exclusively located inside the settlements themselves. After getting through security and to the station, they sometimes wait for hours for an Arabic translator, only to be told they don’t have the right paperwork or sufficient evidence to submit a report. As one senior Israeli military official told us, the police “exhaust Palestinians so they won’t file complaints.”

And yet in November, with no protection from the police or the military, the former residents of Khirbet Zanuta and five nearby villages chose to test whether justice was still possible by appealing directly to Israel’s Supreme Court. In a petition, lawyers for the villagers, from Haqel, an Israeli human rights organization, argued that days after the Oct. 7 Hamas attack, a raiding party that included settlers and Israeli soldiers assaulted village residents, threatened murder and destroyed property throughout the village. They stated that the raid was part of “a mass transfer of ancient Palestinian communities,” one in which settlers working hand in hand with soldiers are taking advantage of the current war in Gaza to achieve the longer-standing goal of “cleansing” parts of the West Bank, aided by the “sweeping and unprecedented disregard” of the state and its “de facto consent to the massive acts of deportation.”

The Supreme Court agreed to hear the case, and the relief the villagers are seeking — that the law be enforced — might seem modest. But our reporting reveals the degree to which decades of history are stacked against them: After 50 years of crime without punishment, in many ways the violent settlers and the state have become one.

Separate and Unequal

The devastating Hamas attacks in Israel on Oct. 7, the ongoing crisis of Israeli hostages and the grinding Israeli invasion and bombardment of the Gaza Strip that followed may have refocused the world’s attention on Israel’s ongoing inability to address the question of Palestinian autonomy. But it is in the West Bank where the corrosive long-term effects of the occupation on Israeli law and democracy are most apparent.

A sample of three dozen cases in the months since Oct. 7 shows the startling degree to which the legal system has decayed. In all the cases, involving misdeeds as diverse as stealing livestock and assault and arson, not a single suspect was charged with a crime; in one case, a settler shot a Palestinian in the stomach while an Israel Defense Forces soldier looked on, yet the police questioned the shooter for only 20 minutes, and never as a criminal suspect, according to an internal Israeli military memo. During our review of the cases, we listened to recordings of Israeli human rights activists calling the police to report various crimes against Palestinians. In some of the recordings, the police refused to come to the scene, claiming they didn’t know where the villages were; in one case, they mocked the activists as “anarchists.” A spokesman for the Israeli National Police declined to respond to repeated queries about our findings.

The violence and impunity that these cases demonstrate existed long before Oct. 7. In nearly every month before October, the rate of violent incidents was higher than during the same month in the previous year. And Yesh Din, an Israeli human rights group, looking at more than 1,600 cases of settler violence in the West Bank between 2005 and 2023, found that just 3 percent ended in a conviction. Ami Ayalon, the head of Shin Bet from 1996 to 2000 — speaking out now because of his concern about Israel’s systemic failure to enforce the law — says this singular lack of consequences reflects the indifference of the Israeli leadership going back years. “The cabinet, the prime minister,” he says, “they signal to the Shin Bet that if a Jew is killed, that’s terrible. If an Arab is killed, that’s not good, but it’s not the end of the world.”

Ayalon’s assessment was echoed by many other officials we interviewed. Mark Schwartz, a retired American three-star general, was the top military official working at the United States Embassy in Jerusalem from 2019 to 2021, overseeing international support efforts for the partnership between Israel and the Palestinian Authority. “There’s no accountability,” he says now of the long history of settler crimes and heavy-handed Israeli operations in the West Bank. “These things eat away at trust and ultimately the stability and security of Israel and the Palestinian territories. It’s undeniable.”

How did a young nation turn so quickly on its own democratic ideals, and at what price? Any meaningful answer to these questions has to take into account how a half-century of lawless behavior that went largely unpunished propelled a radical form of ultranationalism to the center of Israeli politics. This is the history that is told here in three parts. In Part I, we describe the origins of a religious movement that established Jewish settlements in the newly won territories of Gaza and the West Bank during the 1970s. In Part II, we recount how the most extreme elements of the settler movement began targeting not only Palestinians but also Israeli leaders who tried to make peace with them. And in Part III, we show how the most established members of Israel’s ultraright, unpunished for their crimes, gained political power in Israel, even as a more radical generation of settlers vowed to eliminate the Israeli state altogether.

Many Israelis who moved to the West Bank did so for reasons other than ideology, and among the settlers, there is a large majority who aren’t involved in violence or other illegal acts against Palestinians. And many within the Israeli government fought to expand the rule of law into the territories, with some success. But they also faced harsh pushback, with sometimes grave personal consequences. Prime Minister Yitzhak Rabin’s efforts in the 1990s, on the heels of the First Intifada, to make peace with Yasir Arafat, chairman of the Palestine Liberation Organization, gave rise to a new generation of Jewish terrorists, and they ultimately cost him his life.

The disagreement over how to handle the occupied territories and their residents has bred a complex and sometimes opaque system of law enforcement. At its heart are two separate and unequal systems of justice: one for Jews and another for Palestinians.

The West Bank is under the command of the I.D.F., which means that Palestinians are subject to a military law that gives the I.D.F. and the Shin Bet considerable authority. They can hold suspects for extended periods without trial or access to either a lawyer or the evidence against them. They can wiretap, conduct secret surveillance, hack into databases and gather intelligence on any Arab living in the occupied territory with few restrictions. Palestinians are subject to military — not civilian — courts, which are far more punitive when it comes to accusations of terrorism and less transparent to outside scrutiny. (In a statement, the I.D.F. said, “The use of administrative detention measures is only carried out in situations where the security authorities have reliable and credible information indicating a real danger posed by the detainee to the region’s security, and in the absence of other alternatives to remove the risk.” It declined to respond to multiple specific queries, in some cases saying “the events are too old to address.”)

According to a senior Israeli defense official, since Oct. 7, some 7,000 settler reservists were called back by the I.D.F., put in uniform, armed and ordered to protect the settlements. They were given specific orders: Do not leave the settlements, do not cover your faces, do not initiate unauthorized roadblocks. But in reality many of them have left the settlements in uniform, wearing masks, setting up roadblocks and harassing Palestinians.

All West Bank settlers are in theory subject to the same military law that applies to Palestinian residents. But in practice, they are treated according to the civil law of the State of Israel, which formally applies only to territory within the state’s borders. This means that Shin Bet might probe two similar acts of terrorism in the West Bank — one committed by Jewish settlers and one committed by Palestinians — and use wholly different investigative tools.

In this system, even the question of what behavior is being investigated as an act of terror is different for Jews and Arabs. For a Palestinian, the simple admission of identifying with Hamas counts as an act of terrorism that permits Israeli authorities to use severe interrogation methods and long detention. Moreover, most acts of violence by Arabs against Jews are categorized as a “terror” attack — giving Shin Bet and other services license to use the harshest methods at their disposal.

The job of investigating Jewish terrorism falls to a division of Shin Bet called the Department for Counterintelligence and Prevention of Subversion in the Jewish Sector, known more commonly as the Jewish Department. It is dwarfed both in size and prestige by Shin Bet’s Arab Department, the division charged mostly with combating Palestinian terrorism. And in the event, most incidents of settler violence — torching vehicles, cutting down olive groves — fall under the jurisdiction of the police, who tend to ignore them. When the Jewish Department investigates more serious terrorist threats, it is often stymied from the outset, and even its successes have sometimes been undermined by judges and politicians sympathetic to the settler cause. This system, with its gaps and obstructions, allowed the founders of groups advocating extreme violence during the 1970s and 1980s to act without consequences, and today it has built a protective cocoon around their ideological descendants.

Some of these people now run Israel. In 2022, just 18 months after losing the prime ministership, Benjamin Netanyahu regained power by forming an alliance with ultraright leaders of both the Religious Zionism Party and the Jewish Power party. It was an act of political desperation on Netanyahu’s part, and it ushered into power some truly radical figures, people — like Smotrich and Itamar Ben-Gvir — who had spent decades pledging to wrest the West Bank and Gaza from Arab hands . Just two months earlier, according to news reports at the time, Netanyahu refused to share a stage with Ben-Gvir, who had been convicted multiple times for supporting terrorist organizations and, in front of television cameras in 1995, vaguely threatened the life of Rabin, who was murdered weeks later by an Israeli student named Yigal Amir.

Now Ben-Gvir was Israel’s national security minister and Smotrich was Israel’s finance minister, charged additionally with overseeing much of the Israeli government’s activities in the West Bank. In December 2022, a day before the new government was sworn in, Netanyahu issued a list of goals and priorities for his new cabinet, including a clear statement that the nationalistic ideology of his new allies was now the government’s guiding star. “The Jewish people,” it said, “have an exclusive and inalienable right to all parts of the land of Israel.”

Two months after that, two Israeli settlers were murdered in an attack by Hamas gunmen near Huwara, a village in the West Bank. The widespread calls for revenge, common after Palestinian terror attacks, were now coming from within Netanyahu’s new government. Smotrich declared that “the village of Huwara needs to be wiped out.”

And, he added, “I think the State of Israel needs to do it.”

Birth of a Movement

With its overwhelming victory in the Arab-​Israeli War of 1967, Israel more than doubled the amount of land it controlled, seizing new territory in the West Bank, the Gaza Strip, the Sinai Peninsula, the Golan Heights and East Jerusalem. Now it faced a choice: Would the new land become part of Israel or be bargained away as part of a future Palestinian state? To a cadre of young Israelis imbued with messianic zeal, the answer was obvious. The acquisition of the territories animated a religious political movement — Gush Emunim, or “Bloc of the Faithful” — that was determined to settle the newly conquered lands.

Gush Emunim followers believed that the coming of the messiah would be hastened if, rather than studying holy books from morning to night, Jews settled the newly occupied territories. This was the land of “Greater Israel,” they believed, and there was a pioneer spirit among the early settlers. They saw themselves as direct descendants of the earliest Zionists, who built farms and kibbutzim near Palestinian villages during the first part of the 20th century, when the land was under British control. But while the Zionism of the earlier period was largely secular and socialist, the new settlers believed they were advancing God’s agenda.

The legality of that agenda was an open question. The Geneva Conventions, to which Israel was a signatory, forbade occupying powers to deport or transfer “parts of its own civilian population into the territory it occupies.” But the status of the territory was, in the view of many within and outside the Israeli government, more complex. The settlers sought to create what some of them called “facts on the ground.” This put them into conflict with both the Palestinians and, at least putatively, the Israeli authorities responsible for preventing the spread of illegal settlements.

Whether or not the government would prove flexible on these matters became clear in April 1975 at Ein Yabrud, an abandoned Jordanian military base near Ofra, in the West Bank. A group of workers had been making the short commute from Israel most days for months to work on rebuilding the base, and one evening they decided to stay. They were aiming to establish a Jewish foothold in Judea and Samaria, the Israeli designation for the territories that make up the West Bank, and they had found a back door that required only the slightest push. Their leader met that same night with Shimon Peres, then Israel’s defense minister, who told the I.D.F. to stand down. Peres would treat the nascent settlement not as a community but as a “work camp” — and the I.D.F. would do nothing to hinder their work.

Peres’s maneuver was partly a sign of the weakness of Israel’s ruling Labor party, which had dominated Israeli politics since the country’s founding. The residual trauma of the Yom Kippur War in 1973 — when Israel was caught completely by surprise by Egyptian and Syrian forces before eventually beating back the invading armies — had shaken citizens’ belief in their leaders, and movements like Gush Emunim, directly challenging the authority of the Israeli state, had gained momentum amid Labor’s decline. This, in turn, energized Israel’s political right.

By the late 1970s, the settlers, bolstered in part by growing political support, were expanding in number. Carmi Gillon, who joined Shin Bet in 1972 and rose by the mid-1990s to become its director, recalls the evolving internal debates. Whose responsibility was it to deal with settlers? Should Israel’s vaunted domestic security service enforce the law in the face of clearly illegal acts of settlement? “When we realized that Gush Emunim had the backing of so many politicians, we knew we shouldn’t touch them,” he said in his first interview for this article in 2016.

One leader of the ultraright movement would prove hard to ignore, however. Meir Kahane, an ultraright rabbi from Flatbush, Brooklyn, had founded the militant Jewish Defense League in 1968 in New York. He made no secret of his belief that violence was sometimes necessary to fulfill his dream of Greater Israel, and he even spoke of plans to buy .22 caliber rifles for Jews to defend themselves. “Our campaign motto will be, ‘Every Jew a .22,’” he declared. In 1971, he received a suspended sentence on bomb-making charges, and at the age of 39 he moved to Israel to start a new life. From a hotel on Zion Square in Jerusalem, he started a school and a political party, what would become Kach, and drew followers with his fiery rhetoric.

Kahane said he wanted to rewrite the stereotype of Jews as victims, and he argued, in often vivid terms, that Zionism and democracy are in fundamental tension. “Zionism came into being to create a Jewish state,” Kahane said in an interview with The Times in 1985, five years before he was assassinated by a gunman in New York. “Zionism declares that there is going to be a Jewish state with a majority of Jews, come what may. Democracy says, ‘No, if the Arabs are the majority then they have the right to decide their own fate.’ So Zionism and democracy are at odds. I say clearly that I stand with Zionism.”

A Buried Report

In 1977, the Likud party led a coalition that, for the first time in Israeli history, secured a right-wing majority in the country’s Parliament, the Knesset. The party was headed by Menachem Begin, a veteran of the Irgun, a paramilitary organization that carried out attacks against Arabs and British authorities in Mandatory Palestine, the British colonial entity that preceded the creation of Israel. Likud — Hebrew for “the alliance” — was itself an amalgam of several political parties. Kach itself was still on the outside and would always remain so. But its radical ideas and ambitions were moving closer to the mainstream.

Likud’s victory came 10 years after the war that brought Israel vast amounts of new land, but the issue of what to do with the occupied territories had yet to be resolved. As the new prime minister, Begin knew that addressing that question would mean addressing the settlements. Could there be a legal basis for taking the land? Something that would allow the settlements to expand with the full support of the state?

It was Plia Albeck, then a largely unknown bureaucrat in the Israeli Justice Ministry, who found Begin’s answer. Searching through the regulations of the Ottoman Empire, which ruled Palestine in the years preceding the British Mandate, she lit upon the Ottoman Land Code of 1858, a major effort at land reform. Among other provisions, the law enabled the sultan to seize any land that had not been cultivated by its owners for a number of years and that was not “within shouting distance” of the last house in the village. It did little to address the provisions of the Geneva Convention, but it was, for her department, precedent enough. Soon Albeck was riding in an army helicopter, mapping the West Bank and identifying plots of land that might meet the criteria of the Ottoman law. The Israeli state had replaced the sultan, but the effect was the same. Albeck’s creative legal interpretation led to the creation of more than 100 new Jewish settlements, which she referred to as “my children.”

At the same time, Begin was quietly brokering a peace deal with President Anwar Sadat of Egypt in the United States at Camp David. The pact they eventually negotiated gave the Sinai Peninsula back to Egypt and promised greater autonomy to Palestinians in the occupied territories in return for normalized relations with Israel. It would eventually win the two leaders a joint Nobel Peace Prize. But Gush Emunim and other right-wing groups saw the accords as a shocking reversal. From this well of anger sprang a new campaign of intimidation. Rabbi Moshe Levinger, one of the leaders of Gush Emunim and the founder of the settlement in the heart of Hebron, declared the movement’s purposes on Israeli television. The Arabs, he said, “must not be allowed to raise their heads.”

Leading this effort would be a militarized offshoot of Gush Emunim called the Jewish Underground. The first taste of what was to come arrived on June 2, 1980. Car bombs exploded as part of a complex assassination plot against prominent Palestinian political figures in the West Bank. The attack blew the legs off Bassam Shaka, the mayor of Nablus; Karim Khalaf, the mayor of Ramallah, was forced to have his foot amputated. Kahane, who in the days before the attack said at a news conference that the Israeli government should form a “Jewish terrorist group” that would “throw bombs and grenades to kill Arabs,” applauded the attacks, as did Rabbi Haim Druckman, a leader of Gush Emunim then serving in the Knesset, and many others within and outside the movement. Brig. Gen. Binyamin Ben-Eliezer, then the top I.D.F. commander in the West Bank, noting the injuries suffered by the Palestinian mayors under his watch, said simply, “It’s a shame they didn’t hit them a bit higher.” An investigation began, but it would be years before it achieved any results. Ben-Eliezer went on to become a leader of the Labor party and defense minister.

The threat that the unchecked attacks posed to the institutions and guardrails of Jewish democracy wasn’t lost on some members of the Israeli elite. As the violence spread, a group of professors at Tel Aviv University and Hebrew University in Jerusalem sent a letter to Yitzhak Zamir, Israel’s attorney general. They were concerned, they wrote, that illegal “private policing activity” against the Palestinians living in the occupied territories presented a “threat to the rule of law in the country.” The professors saw possible collusion between the settlers and the authorities. “There is a suspicion that similar crimes are not being handled in the same manner and some criminals are receiving preferential treatment over others,” the signatories to the letter said. “This suspicion requires fundamental examination.”

The letter shook Zamir, who knew some of the professors well. He was also well aware that evidence of selective law enforcement — one law for the Palestinians and another for the settlers — would rebut the Israeli government’s claim that the law was enforced equally and could become both a domestic scandal and an international one. Zamir asked Judith Karp, then Israel’s deputy attorney general for special duties, to lead a committee looking into the issue. Karp was responsible for handling the most delicate issues facing the Justice Ministry, but this would require even greater discretion than usual.

As her team investigated, Karp says, “it very quickly became clear to me that what was described in the letter was nothing compared to the actual reality on the ground.” She and her investigative committee found case after case of trespassing, extortion, assault and murder, even as the military authorities and the police did nothing or performed notional investigations that went nowhere. “The police and the I.D.F. in both action and inaction were really cooperating with the settler vandals,” Karp says. “They operated as if they had no interest in investigating when there were complaints, and generally did everything they could to deter the Palestinians from even submitting them.”

In May 1982, Karp and her committee submitted a 33-page report, determining that dozens of offenses were investigated insufficiently. The committee also noted that, in their research, the police had provided them with information that was incomplete, contradictory and in part false. They concluded that nearly half the investigations opened against settlers were closed without the police conducting even a rudimentary investigation. In the few cases in which they did investigate, the committee found “profound flaws.” In some cases, the police witnessed the crimes and did nothing. In others, soldiers were willing to testify against the settlers, but their testimonies and other evidence were buried.

It soon became clear to Karp that the government was going to bury the report. “We were very naïve,” she now recalls. Zamir had been assured, she says, that the cabinet would discuss the grave findings and had in fact demanded total confidentiality. The minister of the interior at the time, Yosef Burg, invited Karp to his home for what she recalls him describing as “a personal conversation.” Burg, a leader of the pro-settler National Religious Party, had by then served as a government minister in one office or another for more than 30 years. Karp assumed he wanted to learn more about her work, which could in theory have important repercussions for the religious right. “But, to my astonishment,” she says, “he simply began to scold me in harsh language about what we were doing. I understood that he wanted us to drop it.”

Karp announced she was quitting the investigative committee. “The situation we discovered was one of complete helplessness,” she says. When the existence of the report (but not its contents) leaked to the public, Burg denied having ever seen such an investigation. When the full contents of the report were finally made public in 1984, a spokesman for the Justice Ministry said only that the committee had been dissolved and that the ministry was no longer monitoring the problem.

A Wave of Violence

On April 11, 1982, a uniformed I.D.F. soldier named Alan Harry Goodman shot his way into the Dome of the Rock mosque in Jerusalem, one of the most sacred sites for Muslims around the world. Carrying an M16 rifle, standard issue in the Israeli Army, he killed two Arabs and wounded many more. When investigators searched Goodman’s apartment, they found fliers for Kach, but a spokesman for the group said that it did not condone the attack. Prime Minister Begin condemned the attack, but he also chastised Islamic leaders calling for a general strike in response, which he saw as an attempt to “exploit the tragedy.”

The next year, masked Jewish Underground terrorists opened fire on students at the Islamic College in Hebron, killing three people and injuring 33 more. Israeli authorities condemned the massacre but were less clear about who would be held to account. Gen. Ori Orr, commander of Israeli forces in the region, said on the radio that all avenues would be pursued. But, he added, “we don’t have any description, and we don’t know who we are looking for.”

The Jewish Department found itself continually behind in its efforts to address the onslaught. In April 1984, it had a major breakthrough: Its agents foiled a Jewish Underground plan to blow up five buses full of Palestinians, and they arrested around two dozen Jewish Underground members who had also played roles in the Islamic College attack and the bombings of the Palestinian mayors in 1980. But only after weeks of interrogating the suspects did Shin Bet learn that the Jewish Underground had been developing a scheme to blow up the Dome of the Rock mosque. The planning involved dozens of intelligence-gathering trips to the Temple Mount and an assessment of the exact amount of explosives that would be needed and where to place them. The goal was nothing less than to drag the entire Middle East into a war, which the Jewish Underground saw as a precondition for the coming of the messiah.

Carmi Gillon, who was head of Shin Bet’s Jewish Department at the time, says the fact that Shin Bet hadn’t learned about a plot involving so many people and such ambitious planning earlier was an “egregious intelligence failure.” And it was not the Shin Bet, he notes, who prevented the plot from coming to fruition. It was the Jewish Underground itself. “Fortunately for all of us, they decided to forgo the plan because they felt the Jewish people were not yet ready.”

“You have to understand why all this is important now,” Ami Ayalon said, leaning in for emphasis. The sun shining into the backyard of the former Shin Bet director was gleaming off his bald scalp, illuminating a face that looked as if it were sculpted by a dull kitchen knife. “We are not discussing Jewish terrorism. We are discussing the failure of Israel.”

Ayalon was protective of his former service, insisting that Shin Bet, despite some failures, usually has the intelligence and resources to deter and prosecute right-wing terrorism in Israel. And, he said, they usually have the will. “The question is why they are not doing anything about it,” he said. “And the answer is very simple. They cannot confront our courts. And the legal community finds it almost impossible to face the political community, which is supported by the street. So everything starts with the street.”

By the early 1980s, the settler movement had begun to gain some traction within the Knesset, but it remained far from the mainstream. When Kahane himself was elected to the Knesset in 1984, the members of the other parties, including Likud, would turn and leave the room when he stood up to deliver speeches. One issue was that the continual expansion of the settlements was becoming an irritant in U.S.-Israel relations. During a 1982 trip by Begin to Washington, the prime minister had a closed-door meeting with the Senate Committee on Foreign Relations to discuss Israel’s invasion of Lebanon that year, an effort to force out the P.L.O. that had been heavy with civilian casualties. According to The Times’s coverage of the session, Senator Joseph R. Biden Jr. of Delaware, then in his second term, had an angry exchange with Begin about the West Bank, telling him that Israel was losing support in this country because of the settlements policy.

But Israeli officials came to understand that the Americans were generally content to vent their anger about the issue without taking more forceful action — like restricting military aid to Israel, which was then, as now, central to the country’s security arrangements. After the Jewish Underground plotters of the bombings targeting the West Bank mayors and other attacks were finally brought to trial in 1984, they were found guilty and given sentences ranging from a few months to life in prison. The plotters showed little remorse, though, and a public campaign swelled to have them pardoned. Foreign Minister Yitzhak Shamir also made the case for pardoning them, saying they were “excellent, good people who have erred in their path and actions.” Clemency, Shamir suggested, would prevent a recurrence of Jewish terrorism.

In the end, President Chaim Herzog, against the recommendations of Shin Bet and the Justice Ministry, signed an extraordinary series of pardons and commutations for the plotters. They were released and greeted as heroes by the settler community, and some rose to prominent positions in government and the Israeli media. One of them, Uzi Sharbav, now a leader in the settlement movement, was a speaker at a recent conference promoting the return of settlers to Gaza.

In fact, nearly all the Jews involved in terror attacks against Arabs over the past decades have received substantial reductions in prison time. Gillon, the head of the Jewish Department when some of these people were arrested, recalls the “profound sense of injustice” that he felt when they were released. But even more important, he says, was “the question of what message the pardons convey to the public and to anyone who ever thinks about carrying out acts of terror against Arabs.”

Operational Failures

In 1987, a series of conflicts in Gaza led to a sustained Palestinian uprising throughout the occupied territories and Israel. The First Intifada, as it became known, was driven by anger over the occupation, which was then entering its third decade. It would simmer for the next six years, as Palestinians attacked Israelis with stones and Molotov cocktails and launched a series of strikes and boycotts. Israel deployed thousands of soldiers to quell the uprising.

In the occupied territories, reprisal attacks between settlers and Palestinians were an increasing problem. The Gush Emunim movement had spread and fractured into different groups, making it difficult for Shin Bet to embed enough informants with the settlers. But the service had one key informant — a man given the code name Shaul. He was a trusted figure among the settlers and rose to become a close assistant to Rabbi Moshe Levinger, the Gush Emunim leader who founded the settlement in Hebron.

Levinger had been questioned many times under suspicion of having a role in multiple violent attacks, but Shaul told Shin Bet operatives that they were seeing only a fraction of the whole picture. He told them about raids past and planned; about the settlers tearing through Arab villages, vandalizing homes, burning dozens of cars. The operatives ordered him to participate in these raids to strengthen his cover. One newspaper photographer in Hebron in 1985 captured Shaul smashing the wall of an Arab marketplace with a sledgehammer. As was standard policy, Shin Bet had ordered him to participate in any activity that didn’t involve harm to human life, but figuring out which of the activities wouldn’t cross that line became increasingly difficult. “The majority of the activists were lunatics, riffraff, and it was very difficult to be sure they wouldn’t hurt people and would harm only property,” Shaul said. (Shaul, whose true identity remains secret, provided these quotes in a 2015 interview with Bergman for the Israeli Hebrew-language paper Yedioth Ahronoth. Some of his account is published here for the first time.)

In September 1988, Rabbi Levinger, Shaul’s patron, was driving through Hebron when, he later said in court, Palestinians began throwing stones at his car and surrounding him. Levinger flashed a pistol and began firing wildly at nearby shops. Investigators said he killed a 42-year-old shopkeeper, Khayed Salah, who had been closing the steel shutter of his shoe store, and injured a second man. Levinger claimed self-defense, but he was hardly remorseful. “I know that I am innocent,” he said at the trial, “and that I didn’t have the honor of killing the Arab.”

Prosecutors cut a deal with Levinger. He was convicted of criminally negligent homicide, sentenced to five months in prison and released after only three.

Shin Bet faced the classic intelligence agency’s dilemma: how and when to let its informants participate in the very violent acts the service was supposed to be stopping. There was some logic in Shin Bet’s approach with Shaul, but it certainly didn’t help deter acts of terror in the West Bank, especially with little police presence in the occupied territories and a powerful interest group ensuring that whoever was charged for the violence was released with a light sentence.

Over his many years as a Shin Bet mole, Shaul said, he saw numerous intelligence and operational failures by the agency. One of the worst, he said, was the December 1993 murder of three Palestinians in an act of vengeance after the murder of a settler leader and his son. Driving home from a day of work in Israel, the three Palestinians, who had no connection to the deaths of the settlers, were pulled from their car and killed near the West Bank town Tarqumiyah.

Shaul recalled how one settler activist proudly told him that he and two friends committed the murders. He contacted his Shin Bet handlers to tell them what he had heard. “And suddenly I saw they were losing interest,” Shaul said. It was only later that he learned why: Two of the shooters were Shin Bet informants. The service didn’t want to blow their cover, or worse, to suffer the scandal that two of its operatives were involved in a murder and a cover-up.

In a statement, Shin Bet said that Shaul’s version of events is “rife with incorrect details” but refused to specify which details were incorrect. Neither the state prosecutor nor the attorney general responded to requests for comment, which included Shaul’s full version of events and additional evidence gathered over the years.

Shaul said he also gave numerous reports to his handlers about the activities of yet another Brooklyn-born follower of Meir Kahane and the Jewish Defense League: Dr. Baruch Goldstein. He earned his medical degree at Albert Einstein College of Medicine in the Bronx and in 1983 immigrated to Israel, where he worked first as a physician in the I.D.F., then as an emergency doctor at Kiryat Arba, a settlement near Hebron.

In the years that passed, he gained the attention of Shin Bet with his eliminationist views, calling Arabs “latter-day Nazis” and making a point to visit the Jewish terrorist Ami Popper in prison, where he was serving a sentence for the 1990 murder of seven Palestinians in the Tel Aviv suburb Rishon LeZion. Shaul said he regarded Goldstein at the time as a “charismatic and highly dangerous figure” and repeatedly urged the Shin Bet to monitor him. “They told me it was none of my business,” he said.

‘Clean Hands’

On Feb. 24, 1994, Goldstein abruptly fired his personal driver. According to Shaul, Goldstein told the driver that he knew he was a Shin Bet informer. Terrified at having been found out, the driver fled the West Bank immediately. Now Goldstein was moving unobserved.

That evening marked the beginning of Purim, the festive commemoration of the victory of the Jews over Haman the Agagite, a court official in the Persian Empire and the nemesis of the Jews in the Old Testament’s Book of Esther. Right-wing Israelis have often drawn parallels between Haman and Arabs — enemies who seek the annihilation of Jews. Goldstein woke early the next day and put on his I.D.F. uniform, and at 5:20 a.m. he entered the Cave of the Patriarchs, an ancient complex in Hebron that serves as a place of worship for both Jews and Muslims. Goldstein carried with him his I.D.F.-issued Galil rifle. It was also the Muslim holy month of Ramadan, and on that morning hundreds of Muslims crowded the hall in prayer. Goldstein faced the worshipers and began shooting , firing 108 rounds before he was dragged down and beaten to death. The massacre killed 29 Muslim worshipers and injured more than 100.

The killings shocked Israel, and the government responded with a crackdown on extremism. Kach and Kahane Chai, the two political organizations most closely affiliated with the Kahanist movement, were outlawed and labeled terrorist groups, as was any other party that called for “the establishment of a theocracy in the biblical Land of Israel and the violent expulsion of Arabs from that land.” Rabin, in an address to the Knesset, spoke directly to the followers of Goldstein and Kahane, who he said were the product of a malicious foreign influence on Israel. “You are not part of the community of Israel,” he said. “You are not partners in the Zionist enterprise. You are a foreign implant. You are an errant weed. Sensible Judaism spits you out. You placed yourself outside the wall of Jewish law.”

Following the massacre, a state commission of inquiry was appointed, headed by Judge Meir Shamgar, the president of the Supreme Court. The commission’s report, made public in June 1994, strongly criticized the security arrangements at the Cave of the Patriarchs and examined law-enforcement practices regarding settlers and the extreme right in general. A secret appendix to the report, containing material deemed too sensitive for public consumption, included a December 1992 letter from the Israeli commissioner of police, essentially admitting that the police could not enforce the law. “The situation in the districts is extremely bleak,” he wrote, using the administrative nomenclature for the occupied territories. “The ability of the police to function is far from the required minimum. This is as a result of the lack of essential resources.”

In its conclusions, the commission, tracing the lines of the previous decade’s Karp report, confirmed claims that human rights organizations had made for years but that had been ignored by the Israeli establishment. The commission found that Israeli law enforcement was “ineffective in handling complaints,” that it delayed the filing of indictments and that restraining orders against “chronic” criminals among the “hard core” of the settlers were rarely issued.

The I.D.F. refused to allow Goldstein to be buried in the Jewish cemetery in Hebron. He was buried instead in the Kiryat Arba settlement, in a park named for Meir Kahane, and his gravesite has become an enduring place of pilgrimage for Jews who wanted to celebrate, as his epitaph reads, the “saint” who died for Israel with “clean hands and a pure heart.”

A Curse of Death

One ultranationalist settler who went regularly to Goldstein’s grave was a teenage radical named Itamar Ben-Gvir, who would sometimes gather other followers there on Purim to celebrate the slain killer. Purim revelers often dress in costume, and on one such occasion, caught on video, Ben-Gvir even wore a Goldstein costume, complete with a fake beard and a stethoscope. By then, Ben-Gvir had already come to the attention of the Jewish Department, and investigators interrogated him several times. The military declined to enlist him into the service expected of most Israeli citizens.

After the massacre at the Cave of the Patriarchs, a new generation of Kahanists directed their anger squarely at Rabin for his signing of the Oslo agreement and for depriving them, in their view, of their birthright. “From my standpoint, Goldstein’s action was a wake-up call,” says Hezi Kalo, a longtime senior Shin Bet official who oversaw the division that included the Jewish Department at that time. “I realized that this was going to be a very big story, that the diplomatic moves by the Rabin government would simply not pass by without the shedding of blood.”

The government of Israel was finally paying attention to the threat, and parts of the government acted to deal with it. Shin Bet increased the size of the Jewish Department, and it began to issue a new kind of warning: Jewish terrorists no longer threatened only Arabs. They threatened Jews.

The warnings noted that rabbis in West Bank settlements, along with some politicians on the right, were now openly advocating violence against Israeli public officials, especially Rabin. Extremist rabbis issued rulings of Jewish law against Rabin — imposing a curse of death, a Pulsa Dinura , and providing justification for killing him, a din rodef .

Carmi Gillon by then had moved on from running the Jewish Department and now had the top job at Shin Bet. “Discussing and acknowledging such halakhic laws was tantamount to a license to kill,” he says now, looking back. He was particularly concerned about Benjamin Netanyahu and Ariel Sharon, who were stoking the fury of the right-wing rabbis and settler leaders in their battles with Rabin.

Shin Bet wanted to prosecute rabbis who approved the religiously motivated death sentences against Rabin, but the state attorney’s office refused. “They didn’t give enough importance back then to the link between incitement and legitimacy for terrorism,” says one former prosecutor who worked in the state attorney’s office in the mid-1990s.

Shin Bet issued warning after warning in 1995. “This was no longer a matter of mere incitement, but rather concrete information on the intention to kill top political figures, including Rabin,” Kalo now recalls. In October of that year, Ben-Gvir spoke to Israeli television cameras holding up a Cadillac hood ornament, which he boasted he had broken off the prime minister’s official car during chaotic anti-Oslo demonstrations in front of the Knesset. “We got to his car,” he said, “and we’ll get to him, too.” The following month, Rabin was dead.

Conspiracies

Yigal Amir, the man who shot and killed Rabin in Tel Aviv after a rally in support of the Oslo Accords on Nov. 4, 1995, was not unknown to the Jewish Department. A 25-year-old studying law, computer science and the Torah at Bar-Ilan University near Tel Aviv, he had been radicalized by Rabin’s efforts to make peace with Palestinian leaders and had connections to Avishai Raviv, the leader of Eyal, a new far-right group loosely affiliated with the Kach movement. In fact, Raviv was a Shin Bet informant, code-named Champagne. He had heard Amir talking about the justice of the din rodef judgments, but he did not identify him to his handlers as an immediate danger. “No one took Yigal seriously,” he said later in a court proceeding. “It’s common in our circles to talk about attacking public figures.”

Lior Akerman was the first Shin Bet investigator to interrogate Amir at the detention center where he was being held after the assassination. There was of course no question about his guilt. But there was the broader question of conspiracy. Did Amir have accomplices? Did they have further plans? Akerman now recalls asking Amir how he could reconcile his belief in God with his decision to murder the prime minister of Israel. Amir, he says, told him that rabbis had justified harming the prime minister in order to protect Israel.

Amir was smug, Akerman recalls, and he did not respond directly to the question of accomplices. “‘Listen,” he said, according to Akerman, “I succeeded . I was able to do something that many people wanted but no one dared to do. I fired a gun that many Jews held, but I squeezed the trigger because no one else had the courage to do it.”

The Shin Bet investigators demanded to know the identities of the rabbis. Amir was coy at first, but eventually the interrogators drew enough out of him to identify at least two of them. Kalo, the head of the division that oversaw the Jewish Department, went to the attorney general to argue that the rabbis should be detained immediately and prosecuted for incitement to murder. But the attorney general disagreed, saying the rabbis’ encouragement was protected speech and couldn’t be directly linked to the murder. No rabbis were arrested.

Days later, however, the police brought Raviv — the Shin Bet operative known as Champagne — into custody in a Tel Aviv Magistrate Court, on charges that he had conspired to kill Rabin, but he was released shortly after. Raviv’s role as an informant later came to light, and in 1999, he was arrested for his failure to act on previous knowledge of the assassination. He was acquitted on all charges, but he has since become a fixture of extremist conspiracy theories that pose his failure to ring the alarm as evidence that the murder of the prime minister was due not to the violent rhetoric of the settler right, or the death sentences from the rabbis, or the incitement by the leaders of the opposition, but to the all-too-successful efforts of a Shin Bet agent provocateur. A more complicated and insidious conspiracy theory, but no less false, was that it was Shin Bet itself that assassinated Rabin or allowed the assassination to happen.

Gillon, the head of the service at the time, resigned, and ongoing inquiries, charges and countercharges would continue for years. Until Oct. 7, 2023, the killing of the prime minister was considered the greatest failure in the history of Shin Bet. Kalo tried to sum up what went wrong with Israeli security. “The only answer my friends and I could give for the failure was complacency,” he wrote in his 2021 memoir. “They simply couldn’t believe that such a thing could happen, definitely not at the hands of another Jew.”

The Sasson Report

In 2001, as the Second Intifada unleashed a wave of Palestinian suicide bombings against Israeli civilians, Ariel Sharon took office as prime minister. The struggling peace process had come to a complete halt amid the violence, and Sharon’s rise at first appeared to mark another victory for the settlers. But in 2003, in one of the more surprising reversals in Israeli political history, Sharon announced what he called Israel’s “disengagement” from Gaza, with a plan to remove settlers — forcibly if necessary — over the next two years.

The motivations were complex and the subject of considerable debate. For Sharon, at least, it appeared to be a tactical move. “The significance of the disengagement plan is the freezing of the peace process,” his senior adviser Dov Weisglass told Haaretz at the time. “And when you freeze that process, you prevent the establishment of a Palestinian state.” But Sharon was also facing considerable pressure from President George W. Bush to do something about the ever-expanding illegal settlements in the West Bank, which were a growing impediment to any regional security deals. In July 2004, he asked Talia Sasson, who had recently retired as the head of the special tasks division in the state attorney’s office, to draw up a legal opinion on the subject of “unauthorized outposts” in the West Bank. His instructions were clear: Investigate which Israeli government agencies and authorities were secretly involved in building the outposts. “Sharon never interfered in my work, and neither was he surprised by the conclusions,” Sasson said in an interview two decades later. “After all, he knew better than anyone what the situation was on the ground, and he was expecting only grave conclusions.”

It was a simple enough question: Just how had it happened that hundreds of outposts had been built in the decade since Yitzhak Rabin ordered a halt in most new settlements? But Sasson’s effort to find an answer was met with delays, avoidance and outright lies. Her final report used careful but pointed language: “Not everyone I turned to agreed to talk with me. One claimed he was too busy to meet, while another came to the meeting but refused to meaningfully engage with most of my questions.”

Sasson found that between January 2000 and June 2003, a division of Israel’s Construction and Housing Ministry issued 77 contracts for the establishment of 33 sites in the West Bank, all of which were illegal. In some cases, the ministry even paid for the paving of roads and the construction of buildings at settlements for which the Defense Ministry had issued demolition orders.

Several government ministries concealed the fact that funds were being diverted to the West Bank, reporting them under budgetary clauses such as “miscellaneous general development.” Just as in the case of the Karp Report two decades earlier, Sasson and her Justice Ministry colleagues discovered that the West Bank was being administered under completely separate laws, and those laws, she says, “appeared to me utterly insane.”

Sasson’s report took special note of Avi Maoz, who ran the Construction and Housing Ministry during most of this period. A political activist who early in his career spoke openly of pushing all Arabs out of the West Bank, Maoz helped found a settlement south of Jerusalem during the 1990s and began building a professional alliance with Benjamin Netanyahu, who was then the Israeli ambassador to the United Nations and would soon go on to his first term as prime minister. Years later, Maoz would be instrumental in ensuring Netanyahu’s political survival.

“The picture that emerges in the eye of the beholder is severe,” Sasson wrote in her report. “Instead of the government of Israel deciding on the establishment of settlements in the territories of Judea and Samaria, its place has been taken, from the mid-1990s and onward, by others.” The settlers, she wrote, were “the moving force,” but they could not have succeeded without the assistance of “various ministers of construction and housing in the relevant periods, some of them with a blind eye, and some of them with support and encouragement.”

This clandestine network was operating, Sasson wrote, “with massive funding from the State of Israel, without appropriate public transparency, without obligatory criteria. The erection of the unauthorized outposts is being done with violation of the proper procedures and general administrative rules, and in particular, flagrant and ongoing violation of the law.” These violations, Sasson warned, were coming from the government: “It was state and public agencies that broke the law, the rules, the procedures that the state itself had determined.” It was a conflict, she argued, that effectively neutered Israel’s internal checks and balances and posed a grave threat to the nation’s integrity. “The law-enforcement agencies are unable to act against government departments that are themselves breaking the law.”

But, in an echo of Judith Karp’s secret report decades earlier, the Sasson Report, made publicly available in March 2005, had almost no impact. Because she had a mandate directly from the prime minister, Sasson could have believed that her investigation might lead to the dismantling of the illegal outposts that had metastasized throughout the Palestinian territories. But even Sharon, with his high office, found himself powerless against the machine now in place to protect and expand the settlements in the West Bank — the very machine he had helped to build.

All of this was against the backdrop of the Gaza pullout. Sharon, who began overseeing the removal of settlements from Gaza in August 2005, was the third Israeli prime minister to threaten the settler dream of a Greater Israel, and the effort drew bitter opposition not only from the settlers but also from a growing part of the political establishment. Netanyahu, who had served his first term as prime minister from 1996 to 1999, and who previously voted in favor of a pullout, resigned his position as finance minister in Sharon’s cabinet in protest — and in anticipation of another run for the top job.

The settlers themselves took more active measures. In 2005, the Jewish Department of Shin Bet received intelligence about a plot to slow the Israeli withdrawal from Gaza by using 700 liters of gasoline to blow up vehicles on a major highway. Acting on the tip, officers arrested six men in central Israel. One of them was Bezalel Smotrich, the future minister overseeing civilian affairs in the West Bank.

Smotrich, then 25, was detained and questioned for weeks. Yitzhak Ilan, one of the Shin Bet officers present at the interrogation, says he remained “silent as a fish” throughout — “like an experienced criminal.” He was released without charges, Ilan says, in part because Shin Bet knew putting him on trial might expose the service’s agents inside Jewish extremist groups, and in part because they believed Smotrich was likely to receive little punishment in any case. Shin Bet was very comfortable with the courts when we fought Palestinian terrorism and we got the heavy punishments we wanted, he says. With the Jewish terrorists it was exactly the opposite.

When Netanyahu made his triumphant return as prime minister in 2009, he set out to undermine Talia Sasson’s report, which he and his allies saw as an obstacle to accelerating the settlement campaign. He appointed his own investigative committee, led by Judge Edmond Levy of the Supreme Court, who was known to support the settler cause. But the Levy report, completed in 2012, did not undermine the findings in the Sasson Report — in some ways, it reinforced them. Senior Israeli officials, the committee found, were fully aware of what was happening in the territories, and they were simply denying it for the sake of political expediency. The behavior, they wrote, was not befitting of “a country that has proclaimed the rule of law as a goal.” Netanyahu moved on.

A NEW GENERATION

The ascent of a far-right prime minister did little to prevent the virulent, anti-government strain inside the settler movement from spreading. A new generation of Kahanists was taking an even more radical turn, not only against Israeli politicians who might oppose or insufficiently abet them but against the very notion of a democratic Israeli state. A group calling itself Hilltop Youth advocated for the total destruction of the Zionist state. Meir Ettinger, named for his grandfather Meir Kahane, was one of the Hilltop Youth leaders, and he made his grandfather’s views seem moderate.

Their objective was to tear down Israel’s institutions and to establish “Jewish rule”: anointing a king, building a temple in place of the Jerusalem mosques sacred to Muslims worldwide, imposing a religious regime on all Jews. Ehud Olmert, who served as Israeli prime minister from 2006 to 2009, said in an interview that Hilltop Youth “genuinely, deeply, emotionally believe that this is the right thing to do for Israel. This is a salvation. This is the guarantee for Israel’s future.”

A former member of Hilltop Youth, who has asked to remain anonymous because she fears speaking out could endanger her, recalls how she and her friends used an illegal outpost on a hilltop in the West Bank as a base to lob stones at Palestinian cars. “The Palestinians would call the police, and we would know that we have at least 30 minutes before they arrive, if they arrive. And if they do arrive, they won’t arrest anyone. We did this tens of times.” The West Bank police, she says, couldn’t have been less interested in investigating the violence. “When I was young, I thought that I was outsmarting the police because I was clever. Later, I found out that they are either not trying or very stupid.”

The former Hilltop Youth member says she began pulling away from the group as their tactics became more extreme and once Ettinger began speaking openly about murdering Palestinians. She offered to become a police informant, and during a meeting with police intelligence officers in 2015, she described the group’s plans to commit murder — and to harm any Jews that stood in their way. By her account, she told the police about efforts to scout the homes of Palestinians before settling on a target. The police could have begun an investigation, she says, but they weren’t even curious enough to ask her the names of the people plotting the attack.

In 2013, Ettinger and other members of Hilltop Youth formed a secret cell calling itself the Revolt, designed to instigate an insurrection against a government that “prevents us from building the temple, which blocks our way to true and complete redemption.”

During a search of one of the group’s safe houses, Shin Bet investigators discovered the Revolt’s founding documents. “The State of Israel has no right to exist, and therefore we are not bound by the rules of the game,” one declared. The documents called for an end to the State of Israel and made it clear that in the new state that would rise in its place, there would be absolutely no room for non-Jews and for Arabs in particular: “If those non-Jews don’t leave, it will be permissible to kill them, without distinguishing between women, men and children.”

This wasn’t just idle talk. Ettinger and his comrades organized a plan that included timetables and steps to be taken at each stage. One member even composed a training manual with instructions on how to form terror cells and burn down houses. “In order to prevent the residents from escaping,” the manual advised, “you can leave burning tires in the entrance to the house.”

The Revolt carried out an early attack in February 2014, firebombing an uninhabited home in a small Arab village in the West Bank called Silwad, and followed with more arson attacks, the uprooting of olive groves and the destruction of Palestinian granaries. Members of the group torched mosques, monasteries and churches, including the Church of the Multiplication of the Loaves and Fishes on the banks of the Sea of Galilee. A police officer spotted Ettinger himself attacking a herd of sheep belonging to an Arab shepherd. He stoned a sheep and then slaughtered it in front of the shepherd, the officer later testified. “It was shocking,” he said. “There was a sort of insanity in it.”

Shin Bet defined the Revolt as an organization that aimed “to undermine the stability of the State of Israel through terror and violence, including bodily harm and bloodshed,” according to an internal Shin Bet memo, and sought to place several of its members, including Ettinger, under administrative detention — a measure applied frequently against Arabs.

The state attorney, however, did not approve the request. The U.N. Office for the Coordination of Humanitarian Affairs (OCHA) documented 323 incidents of violence by settlers against Palestinians in 2014; Palestinians were injured in 107 of these incidents. By the following year, the Revolt escalated the violence by openly advocating the murder of Arabs.

The Shin Bet and the police identified one of the prominent members of the Revolt, Amiram Ben-Uliel, making him a target of surveillance. But the service failed to prevent the wave of violence that he unleashed. On the night of July 31, 2015, Ben-Uliel set out on a killing spree in a central West Bank village called Duma. Ben-Uliel prepared a bag with two bottles of incendiary liquid, rags, a lighter, a box of matches, gloves and black spray paint. According to the indictment against him, Ben-Uliel sought a home with clear signs of life to ensure that the house he torched was not abandoned. He eventually found the home of Reham and Sa’ad Dawabsheh, a young mother and father. He opened a window and threw a Molotov cocktail into the home. He fled, and in the blaze that followed, the parents suffered injuries that eventually killed them. Their older son, Ahmad, survived the attack, but their 18-month-old toddler, Ali, was burned to death.

It was always clear, says Akerman, the former Shin Bet official, “that those wild groups would move from bullying Arabs to damaging property and trees and eventually would murder people.” He is still furious about how the service has handled Jewish terrorism. “Shin Bet knows how to deal with such groups, using emergency orders, administrative detention and special methods in interrogation until they break,” he says. But although it was perfectly willing to apply those methods to investigating Arab terrorism, the service was more restrained when it came to Jews. “It allowed them to incite, and then they moved on to the next stage and began to torch mosques and churches. Still undeterred, they entered Duma and burned a family.”

Shin Bet at first claimed to have difficulty locating the killers, even though they were all supposed to be under constant surveillance. When Ben-Uliel and other perpetrators were finally arrested, right-wing politicians gave fiery speeches against Shin Bet and met with the families of the perpetrators to show their support. Ben-Uliel was sentenced to life in prison, and Ettinger was finally put in administrative detention, but a fracture was spreading. In December 2015, Hilltop Youth members circulated a video clip showing members of the Revolt ecstatically dancing with rifles and pistols, belting out songs of hatred for Arabs, with one of them stabbing and burning a photograph of the murdered toddler, Ali Dawabsheh. Netanyahu, for his part, denounced the video, which, he said, exposed “the real face of a group that poses danger to Israeli society and security.”

American Friends

The expansion of the settlements had long been an irritant in Israel’s relationship with the United States, with American officials spending years dutifully warning Netanyahu both in public and in private meetings about his support for the enterprise. But the election of Donald Trump in 2016 ended all that. His new administration’s Israel policy was led mostly by his son-in-law, Jared Kushner, who had a long personal relationship with Netanyahu, a friend of his father’s who had stayed at their family home in New Jersey. Trump, in a broader regional agenda that lined up perfectly with Netanyahu’s own plans, also hoped to scuttle the nuclear deal with Iran that Barack Obama had negotiated and broker diplomatic pacts between Israel and Arab nations that left the matter of a Palestinian state unresolved and off the table.

If there were any questions about the new administration’s position on settlements, they were answered once Trump picked his ambassador to Israel. His choice, David Friedman, was a bankruptcy lawyer who for years had helped run an American nonprofit that raised millions of dollars for Beit El, one of the early Gush Emunim settlements in the West Bank and the place where Bezalel Smotrich was raised and educated. The organization, which was also supported by the Trump family, had helped fund schools and other institutions inside Beit El. On the heels of the Trump transition, Friedman referred to Israel’s “alleged occupation” of Palestinian territories and broke with longstanding U.S. policy by saying “the settlements are part of Israel.”

This didn’t make Friedman a particularly friendly recipient of the warnings regularly delivered by Lt. Gen. Mark Schwartz, the three-star general who in 2019 arrived at the embassy in Jerusalem to coordinate security between the Israeli government and the Palestinian Authority. A career Green Beret who had combat deployments in Afghanistan and Iraq and served as deputy commander of the Joint Special Operations Command, the military task force with authority over U.S. counterterrorism special missions units, Schwartz wasn’t short on Middle East experience.

But he was immediately shocked by the landscape of the West Bank: settlers acting with impunity, a police force that was essentially nonexistent outside the settlements and the Israeli Army fanning the tensions with its own operations. Schwartz recalls how angry he was about what he called the army’s “collective punishment” tactics, including the razing of Palestinian homes, which he viewed as gratuitous and counterproductive. “I said, ‘Guys, this isn’t how professional militaries act.’” As Schwartz saw it, the West Bank was in some ways the American South of the 1960s. But at any moment the situation could become even more volatile, resulting in the next intifada.

Schwartz is diplomatic when recalling his interactions with Friedman, his former boss. He was a “good listener,” Schwartz says, but when he raised concerns about the settlements, Friedman would often deflect by noting “the lack of appreciation by the Palestinian people about what the Americans are doing for them.” Schwartz also discussed his concerns about settler violence directly with Shin Bet and I.D.F. officials, he says, but as far as he could tell, Friedman didn’t follow up with the political leadership. “I never got the sense he went to Netanyahu to discuss it.”

Friedman sees things differently. “I think I had a far broader perspective on acts of violence in Judea and Samaria” than Schwartz, he says now. “And it was clear that the violence coming from Palestinians against Israelis overwhelmingly was more prevalent.” He says he “wasn’t concerned about ‘appreciation’ from the Palestinians; I was concerned by their leadership’s embrace of terror and unwillingness to control violence.” He declined to discuss any conversations he had with Israeli officials.

Weeks after Trump lost the 2020 election, Secretary of State Mike Pompeo traveled to Israel for a trip that delivered a number of gifts to Netanyahu and the settler cause. He announced new guidelines requiring that goods imported to the United States from parts of the West Bank be labeled “Made in Israel.” And he flew by helicopter to Psagot, a winery in the West Bank, making him the first American secretary of state to visit a settlement. One of the winery’s large shareholders, the Florida-based Falic family, have donated millions to various projects in the settlements.

During his lunchtime visit, Pompeo paused to write a note in the winery’s guest book. “May I not be the last secretary of state to visit this beautiful land,” he wrote.

A Settler Coalition

Benjamin Netanyahu’s determination to become prime minister for an unprecedented sixth term came with a price: an alliance with a movement that he once shunned, but that had been brought into the political mainstream by Israel’s steady drift to the right. Netanyahu, who is now on trial for bribery and other corruption charges, repeatedly failed in his attempts to form a coalition after most of the parties announced that they were no longer willing to join him. He personally involved himself in negotiations to ally Itamar Ben-Gvir’s Jewish Power party and Bezalel Smotrich’s Religious Zionism Party, making them kingmakers for anyone trying to form a coalition government. In November 2022, the bet paid off: With the now-critical support of the extreme right, Netanyahu returned to office.

The two men ushered into power by this arrangement were some of the most extreme figures ever to hold such high positions in an Israeli cabinet. Shin Bet had monitored Ben-Gvir in the years after Yitzhak Rabin’s murder, and he was arrested on multiple charges including inciting racism and supporting a terrorist organization. He won acquittals or dismissals in some of the cases, but he was also convicted several times and served time in prison. During the Second Intifada, he led protests calling for extreme measures against Arabs and harassed Israeli politicians he believed were insufficiently hawkish.

Then Ben-Gvir made a radical change: He went to law school. He also took a job as an aide to Michael Ben-Ari, a Knesset member from the National Union party, which had picked up many followers of the Kach movement. In 2011, after considerable legal wrangling around his criminal record, he was admitted to the bar. He changed his hairstyle and clothing to appear more mainstream and began working from the inside, once saying he represented the “soldiers and civilians who find themselves in legal entanglements due to the security situation in Israel.” Netanyahu made him minister of national security, with authority over the police.

Smotrich also moved into public life after his 2005 arrest by Shin Bet for plotting road blockages to halt the Israeli withdrawal from Gaza. He made Shin Bet’s Jewish Department a frequent target of criticism, complaining that it was wasting time and money investigating crimes carried out by Jews, when the real terrorists were Palestinians. His ultraright allies sometimes referred to the Jewish Department as Hamakhlaka Hayehudit — the Hebrew phrase for the Gestapo unit that executed Hitler’s Final Solution.

In 2015, while campaigning for a seat in the Knesset, Smotrich said that “every shekel invested in this department is one less shekel invested in real terrorism and saving lives.” Seven years later, Netanyahu made him both minister of finance and a minister in the Ministry of Defense, in charge of overseeing civilian affairs in the West Bank, and he has steadily pushed to seize authority over the territory from the military. As part of the coalition deal with Netanyahu, Smotrich now has the authority to appoint one of the senior administrative figures in the West Bank, who helps oversee the building of roads and the enforcement of construction laws. The 2022 election also brought Avi Maoz to the Knesset — the former housing-ministry official whom Talia Sasson once marked as a hidden hand of Israeli government support for illegal settlements. Since then, Maoz had joined the far-right Noam party, using it as a platform to advance racist and homophobic policies. And he never forgot, or forgave, Sasson. On “International Anti-Corruption Day” in 2022, Maoz took to the lectern of the Knesset and denounced Sasson’s report of nearly two decades earlier, saying it was written “with a hatred of the settlements and a desire to harm them.” This, he said, was “public corruption of the highest order, for which people like Talia Sasson should be prosecuted.”

Days after assuming his own new position, Ben-Gvir ordered the police to remove Palestinian flags from public spaces in Israel, saying they “incite and encourage terrorism.” Smotrich, for his part, ordered drastic cuts in payments to the Palestinian Authority — a move that led the Shin Bet and the I.D.F. intelligence division to raise concerns that the cuts would interfere with the Palestinian Authority’s own efforts to police and prevent Palestinian terrorism.

Weeks after the new cabinet was sworn in, the Judea and Samaria division of the I.D.F. distributed an instructional video to the soldiers of a ground unit about to be deployed in the West Bank. Titled “Operational Challenge: The Farms,” the video depicts settlers as peaceful farmers living pastoral lives, feeding goats and herding sheep and cows, in dangerous circumstances. The illegal outposts multiplying around the West Bank are “small and isolated places of settlement, each with a handful of residents, a few of them — or none at all — bearing arms, the means of defense meager or nonexistent.”

It is the settlers, according to the video, who are under constant threat of attack, whether it be “penetration of the farm by a terrorist, an attack against a shepherd in the pastures, arson” or “destruction of property” — threats from which the soldiers of the I.D.F. must protect them. The commander of each army company guarding each farm must, the video says, “link up with the person in charge of security and to maintain communications”; soldiers and officers are encouraged to cultivate a close and intimate relationship with the settlers. “The informal,” viewers are told, “is much more important than the formal.”

The video addresses many matters of security, but it never addresses the question of law. When we asked the commander of the division that produced the video, Brig. Gen. Avi Bluth, why the I.D.F. was promoting the military support of settlements that are illegal under Israeli law, he directly asserted that the farms were indeed legal and offered to arrange for us to tour some of them. Later, a spokesman for the army apologized for the general’s remarks, acknowledged that the farms were illegal and announced that the I.D.F. would no longer be promoting the video. This May, Bluth was nonetheless subsequently promoted to head Israel’s Central Command, responsible for all Israeli troops in central Israel and the West Bank.

In August, Bluth will replace Maj. Gen. Yehuda Fox, who during his final months in charge of the West Bank has seen a near-total breakdown of law enforcement in his area of command. In late October, Fox wrote a letter to his boss, the chief of Israel’s military staff, saying that the surge of Jewish terrorism carried out in revenge for the Oct. 7 attacks “could set the West Bank on fire.” The I.D.F. is the highest security authority in the West Bank, but the military’s top commander put the blame squarely on the police — who ultimately answer to Ben-Gvir. Fox said he had established a special task force to deal with Jewish terrorism, but investigating and arresting the perpetrators is “entirely in the hands of the Israeli police.”

And, he wrote, they aren’t doing their jobs.

‘Only One Way Forward’

When the day came early this January for the Supreme Court to hear the case brought by the people of Khirbet Zanuta, the displaced villagers arrived an hour late. They had received entry permits from the District Coordination Office to attend the hearing but were delayed by security forces before reaching the checkpoint separating Israel from the West Bank. Their lawyer, Quamar Mishirqi-Assad, noting that their struggle to attend their own hearing spoke to the essence of their petition, insisted that the hearing couldn’t proceed without them. The judges agreed to wait.

The villagers finally were led into the courtroom, and Mishirqi-Assad began presenting the case. The proceedings were in Hebrew, so most of the villagers were unable to follow the arguments that described the daily terrors inflicted by settlers and the glaring absence of any law-enforcement efforts to stop them.

The lawyers representing the military and the police denied the claims of abuse and failure to enforce the law. When a judge asked what operational steps would be in place if villagers wanted to return, one of the lawyers for the state said they could already — there was no order preventing them from doing so.

The next to speak was Col. Roi Zweig-Lavi, the Central Command’s Operations Directorate officer. He said that many of these incidents involved false claims. In fact, he said, some of the villagers had probably destroyed their own homes, because of an “internal issue.” Now they were blaming the settlers to escape the consequences of their own actions.

Colonel Zweig-Lavi’s own views about the settlements, and his role in protecting them, were well known. In a 2022 speech, he told a group of yeshiva students in the West Bank that “the army and the settlements are one and the same.”

In early May, the court ordered the state to explain why the police failed to stop the attacks and declared that the villagers have a right to return to their homes. The court also ordered the state to provide details for how they would ensure the safe return of the villagers. It is now the state’s turn to decide how it will comply. Or if it will comply.

By the time the Supreme Court issued its rulings, the United States had finally taken action to directly pressure the Netanyahu government about the violent settlers. On Feb. 1, the White House issued an executive order imposing sanctions on four settlers for “engaging in terrorist activity,” among other things, in the West Bank. One of the four was Yinon Levi, the owner of Meitarim Farm near Hebron and the man American and Israeli officials believe orchestrated the campaign of violence and intimidation against the villagers of Khirbet Zanuta. The British government issued its own sanctions shortly after, saying in a statement that Israel’s government had created “an environment of near-total impunity for settler extremists in the West Bank.”

The White House’s move against individual settlers, a first by an American administration, was met with a combination of anger and ridicule by ministers in Netanyahu’s government. Smotrich called the Biden administration’s allegations against Levi and others “utterly specious” and said he would work with Israeli banks to resist complying with the sanctions. One message that circulated in an open Hilltop Youth WhatsApp channel said that Levi and his family would not be abandoned. “The people of Israel are mobilizing for them,” it said.

American officials bristle when confronted with the question of whether the government’s actions are just token measures taken by an embattled American president hemorrhaging support at home for his Israel policy. They won’t end the violence, they say, but they are a signal to the Netanyahu government about the position of the United States: that the West Bank could boil over, and it could soon be the latest front of an expanding regional Middle East war since Oct. 7.

But war might just be the goal. Ehud Olmert, the former Israeli prime minister, said he believes that many members of the ultraright in Israel “want war.” They “want intifada,” he says, “because it is the ultimate proof that there is no way of making peace with the Palestinians and there is only one way forward — to destroy them.”

Additional reporting by Natan Odenheimer.

Top photograph: A member of a group known as Hilltop Youth, which seeks to tear down Israel’s institutions and establish ‘‘Jewish rule.’’ Photograph by Peter van Agtmael/Magnum, for The New York Times.

Read by Jonathan Davis

Narration produced by Anna Diamond

Engineered by David Mason

Peter van Agtmael is a Magnum photographer who has been covering Israel and Palestinian territories since 2012. He is a mentor in the Arab Documentary Photography Program.

Ronen Bergman is a staff writer for The New York Times Magazine, based in Tel Aviv. His latest book is “Rise and Kill First: The Secret History of Israel’s Targeted Assassinations,” published by Random House. More about Ronen Bergman

Mark Mazzetti is an investigative reporter based in Washington, D.C., focusing on national security, intelligence, and foreign affairs. He has written a book about the C.I.A. More about Mark Mazzetti

Our Coverage of the Israel-Hamas War

News and Analysis

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Secretary of State Antony Blinken warned that recent gains in getting desperately needed humanitarian aid  to people in the Gaza Strip risked being undone by the fighting in southern Gaza.

The Biden administration has told Congress that it intends to move forward with a plan for the United States to sell more than $1 billion in new weapons to Israel .

PEN America’s Boiling Point: As it cancels events amid criticism of its response to the Israel-Hamas war, PEN America faces questions  about when an organization devoted to free speech for all should take sides.

A Key Weapon: When President Biden threatened to pause some weapons shipments to Israel if it invaded Rafah, the devastating effects of the 2,000-pound Mark 84 bomb  were of particular concern to him.

A Presidential Move: Ronald Reagan also used the power of American arms to influence  Israeli war policy. The comparison underscores how much the politics of Israel have changed in the United States since the 1980s.

Netanyahu’s Concerns: Prime Minister Benjamin Netanyahu of Israel, under pressure from all sides, is trying to reassure his many domestic, military and diplomatic critics. Here’s a look at what he is confronting .

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  1. 💌 Music extended essay example. How to Write an Extended Essay: from

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  1. How to WRITE LONGER MUSIC with the REPS METHOD

  2. How to write an excellent Extended Essay Abstract

  3. Study Music for Essay Writing

  4. Concentration music for writing essays and reports I concentration music for working fast

  5. How To Write IB Extended Essay? Tips From A Top-Scoring Student

  6. Advanced Music Theory

COMMENTS

  1. Extended essay

    The extended essay is an independent, self-directed piece of research, finishing with a 4,000-word paper. One component of the International Baccalaureate® (IB) Diploma Programme (DP) core, the extended essay is mandatory for all students. Read about the extended essay in greater detail. You can also read about how the IB sets deadlines for ...

  2. DP Music: Extended Essay (EE)

    Possible Changes to all Extended EssaysDuring the IB virtual conference (Oct 18-22, 2021), it was indicated that changes would be taking place in a number of subjects. These are designated for first teaching in 2022, 2023, and 2024. However, the changes do NOT affect the newly-implemented syllabus in music. Although NO official date has been given for the Extended Essay (a core component of ...

  3. IB Music EE examples

    EE Music C. Fast track your coursework with mark schemes moderated by IB examiners. Upgrade now 🚀. Promoted. Advertise with Clastify. High scoring IB Music Extended Essay examples. See what past students did and make your Music EE perfect by learning from examiner commented examples!

  4. PDF IB MUSIC: Extended Essay Assessment Criterion A: Focus and Method 6

    BIOLOGY. All extended essays are externally assessed by examiners appointed by the IBO. All extended essays are marked on a scale from 0 to 34. For each criterion, examiners are instructed to identify the level descriptor that is most appropriate (i.e. the best match) for the extended essay under consideration.

  5. Music Extended Essay

    In the IB curriculum, a Music extended essay is more than just a book report or a summary. According to the general IB curriculum, this is a research project in which you will investigate, evaluate, and argue a specific topic in Music. The development of musical genres, for example, or the stylistic aspects of a particular time or artist, are ...

  6. Topics for Music Extended Essay: Ideas for IB Students

    The Music Extended Essay challenges students to develop critical thinking, research, and academic writing skills, all within music study. Depending on your interests and the available resources, it invites you to dig into specific areas such as music theory, history, culture, technology, or even performance practice.

  7. The Complete IB Extended Essay Guide: Examples, Topics, and Ideas

    References and bibliography. Additionally, your research topic must fall into one of the six approved DP categories, or IB subject groups, which are as follows: Group 1: Studies in Language and Literature. Group 2: Language Acquisition. Group 3: Individuals and Societies. Group 4: Sciences. Group 5: Mathematics.

  8. PDF International Baccalaureate Extended Essay

    the planning, research and writing process. intended to help students with the development of their extended essay and. to allow them the opportunity to consider the effectiveness of their choices, to re-examine their ideas and to decide whether changes are needed. Forms for RRS (informal) and required RPPs (20-30 minute meetings) aims to help ...

  9. PDF Ib Extended Essay Guide

    IB mission statement The International Baccalaureate aims to develop inquiring, knowledgeable and caring young people who help to create a better and more peaceful world through intercultural understanding and respect.

  10. PDF A Student Guide To Writing the Extended Essay

    The extended essay contributes to the overall diploma score through the award of points in conjunction ... (Music) Could the diplomatic consequences of the Gaza Flotilla Raid of 2010 have been lessened or avoided? ... (See owl.english.purdue.edu for guidelines on formatting Works Cited pages. Generally, use MLA format for literature and the ...

  11. Tanglin LibGuides: IB Extended Essay (EE): Music

    Excellent Extended Essays - Music. An analysis of Wes Montgomery's and Pat Martino's interpretations of "Impressions" by John Coltrane (2011) An investigation into the similarities and differences between Zapin Arab and Zapin Melayu (2012) What is the influence of African rhythm on early Jazz music? (2014)

  12. US

    An extended essay (EE) in music gives students an opportunity to undertake in-depth research into a topic in music of genuine interest to them. Music—as a form of expression in diverse contexts, with intent, purpose and meaning—should be at the heart of the essay. It must focus on particular pieces of music, experienced by the student through:

  13. Arts

    An extended essay (EE) in the arts gives students an opportunity to undertake an in-depth investigation into a topic within an arts subject of particular interest to them. ... Music Subject Specific Guidelines - A short guide on how to write the Music EE; Score Reports - See what students did (and did not do well) in these short reports from ...

  14. Assessment Criteria

    Criterion B: Knowledge and Understanding (6 points) What It Means: This criterion assesses the extent to which the research relates to the subject area/discipline used to explore the research question; or in the case of the world studies extended essay, the issue addressed and the two disciplinary perspectives applied; and additionally, the way in which this knowledge and understanding is ...

  15. Extended Essay: Step 2. Educate yourself!

    A guide to the research and writing process required for students completing the IB Extended Essay. Read these: the assessment criteria, relevant subject-specific chapter of the EE guide, the IB's ethical guidelines and other associated policies where relevant, such as those relating to animal experiments.

  16. Extended Essay (IB): Choosing a subject and topic

    "An extended essay (EE) in the arts provides students with an opportunity to undertake an in-depth investigation into a topic of particular interest to them. Students working on an arts EE must demonstrate in-depth analysis of the subject matter studied, be it dance, film, music, theatre or visual arts.

  17. Tips and Guidelines for writing the Music extended essay

    Tips for writing a Music Extended Essay. 1. Use Current Sources. 2. Contact Companies. 3. Stick to the Topic on Business Management. 4. Edit and proofread your essay.

  18. The IB Extended Essay: Subject Guides & documents you need

    Guidance on producing accurate references and a bibliography is a skill that students should be seeking as part of the extended essay writing process, covering: bibliography, citations, referencing (both traditional and online sources), using electronic sources, using online encyclopedias and other similar information websites, use of computer programs, and reliance on external sources.

  19. PDF Language acquisition, including classical languages

    An extended essay (EE) in language acquisition or classical languages gives students the opportunity to pursue their interest in language. Students working on a language acquisition EE must demonstrate an in-depth understanding of the language, culture and society or literature studied. This understanding must be shown in the form of:

  20. PDF IB WORLD STUDIES: Extended Essay Assessment Criterion A: Focus and

    Criterion A: Focus and Method - 6 points possible. The student should identify an issue (topic) of global significance and examine it through one or more local manifestations. The significance and importance of the global issue must be established in the introduction (this might take rather longer than in other subjects).

  21. PDF Music extended essay

    Extended essay The range and suitability of the work submitted As in every session, there was a wide range of achievement in the EE submissions. The range of the work was in general from satisfactory to good. Some essays lacked academic rigor, creativity, enga gement, and commitment.

  22. Find out how to write an extended essay excellently

    Step 1: Always start with your extended essay requirements. It will help you to narrow things down and take notes to use further in your writing. Step 2: Define your subject and draft your research outline. Submit up to three ideas to determine the best one. Step 3: Create your writing timeline.

  23. How Extremist Settlers Took Over Israel

    Judith Karp led a 1982 internal government investigation that found Israeli authorities unwilling or unable to confront settler crimes. "We were very naïve," she now recalls. Peter van ...