point of view of narrative essay

Point of View

Point of View Definition

What is point of view? Here’s a quick and simple definition:

Point of view refers to the perspective that the narrator holds in relation to the events of the story. The three primary points of view are  first person , in which the narrator tells a story from their own perspective ("I went to the store");  second person , in which the narrator tells a story about you, the reader or viewer ("You went to the store"); and third person , in which the narrator tells a story about other people ("He went to the store"). Each point of view creates a different experience for the reader, because, in each point of view, different types and amounts of information are available to the reader about the story's events and characters.

Some additional key details about point of view:

• Each different point of view has its own specific qualities that influence the narrative. It's up to the author to choose which point of view is best for narrating the story he or she is writing.
• Second person point of view is extremely rare in literature. The vast majority of stories are written in either the first or third person. 
• You may hear "point of view" referred to simply as "perspective." This isn't wrong, it's just another way of referring to the same thing.

The Three "Modes" of Point of View

Stories can be told from one of three main points of view: first person, second person, or third person. Each of the different modes offers an author particular options and benefits, and the point of view that an author chooses will have a tremendous impact on the way that a reader engages with a story.  

First Person Point of View

In first person point of view, the narrator tells the story from his or her own perspective. You can easily recognize first person by its use of the pronouns "I" or "We." First person offers the author a great way to give the reader direct access to a particular character's thoughts, emotions, voice, and way of seeing the world—their  point of view  about the main events of the story. The choice of which  character gets to have first person point of view can dramatically change a story, as shown in this simple scenario of a thief snatching a lady's purse

• Thief's POV: "I was desperate for something to eat. Judging by her expensive-looking shoes, I figured she could afford to part with her purse."
• Victim's POV: "He came out of nowhere! Too bad for him, though: I only had five dollars in my bag."

Consider also one of the most famous examples of first person point of view, the very first line of Herman Melville's  Moby-Dick :

Call me Ishmael.

Melville uses first person here because he wants to establish a confessional tone for the protagonist. He wants the reader to feel like Ishmael has just sat down next to him on a bar stool, and is about to tell him his life's story. Only first person can have this colloquial and intimate effect. Saying, "His name was Ishmael," for instance, would insert more distance between the reader and the character Ishmael, because the third person narrator would sit between  the reader and Ishmael. First person, in this way, can have the effect of connecting the reader directly with the story.

First Person Point of View and the Protagonist

In a story told in the first person, the character who acts as narrator will often also be the protagonist of the story. However, some stories told from the first person do  not  make the narrator the protagonist:

• First person in which the narrator is the protagonist: In The Catcher in the Rye , the first person narrator Holden Caulfield is the clear protagonist of the story. His voice dominates the story, and the story he tells is his own.
• First person in which the narrator is  not  the protagonist:  The novel The Great Gatsby is narrated by Nick Carraway, but the protagonist of the novel is Jay Gatsby. Nick Carraway tells the story, and the reader is limited to understanding the story through what Nick himself sees, knows, and thinks, but nevertheless the story that Nick tells is not his own but rather Gatsby's.

Second Person Point of View

Second person point of view uses the pronoun "you" to immerse the reader in the experience of being the protagonist. It's important to remember that second person point of view is different from simply addressing the reader. Rather, the second person point of view places the reader "on the playing field" by putting them in the position of the protagonist—the one to whom the action occurs. Few stories are appropriate for such a perspective, but occasionally it is quite successful, as in Jay McInerney's  Bright Lights, Big City , a novel in which the reader is taken on a wild night through Manhattan.

Eventually you ascend the stairs to the street. You think of Plato's pilgrims climbing out of the cave, from the shadow world of appearances toward things as they really are, and you wonder if it is possible to change in this life. Being with a philosopher makes you think.

Of the three points of view, second person is the most rarely used, primarily because it doesn't allow the narrator as much freedom as first person and third person, so it's hard to sustain this style of narration for very long.

Third Person Point of View

In third person point of view, the narrator is someone (or some entity) who is  not  a character in the story being told. Third person point of view uses the pronouns "he," "she," and "they," to refer to all the characters. It is the most common point of view in writing, as it gives the writer a considerable amount of freedom to focus on different people, events, and places without being limited within the consciousness of a single character. Below is an example of dialogue written in third person by Joseph Heller in his novel  Catch-22 :

"What are you doing?" Yossarian asked guardedly when he entered the tent, although he saw at once. "There's a leak here," Orr said. "I'm trying to fix it." "Please stop it," said Yossarian. "You're making me nervous."

The exchange above is narrated by a narrator who is outside the interaction between Yossarian and Orr; such distance is the hallmark of third person point of view.

Third Person and Degree of Distance

The third person mode is unique from first and second person in another way as well: third person has different variants. These variants depend on how far removed the narrator is from the events of the story, and how much the narrator knows about each character:

• Third Person Omniscient Point of View: "Third person omniscient" means that the narrator knows all the thoughts and feelings of every character and can dip in and out of the the internal life of anyone, as needed. Omniscient just means "all-knowing." This type of narrator is more god-like than human, in the sense that their perspective is un limited.
• A story like Young Goodman Brown , which follows one character closely and reports on that character's thoughts and feelings (but not the thoughts and feelings of others), is an example of third person limited point of view. This type of story gives the reader the feeling that they are inside one person's head  without  using first person pronouns like "I."

Alternating Point of View

Many stories are told from alternating points of view—switching between different characters, or even between different modes of storytelling.

• Stories can switch between third person points of view: Many novels switch between different third person points of view. For instance, the chapters of George R.R. Martin's The Song of Ice and Fire books are all named after characters, and each chapter is told from the limited third person point of view of the named character. 
• Stories can switch between first person points of view: William Faulkner's novel As I Lay Dying is structurally similar to the Song of Ice and Fire books in the sense that each chapter is named after a character. However, each chapter is told in the first person by the named character. The Darl chapters are told in the first person by Darl, the Cash chapter are narrated by Cash, the Vardamon chapters by Vardamon, and so on. 
• Stories can even switch between modes of storytelling:  Though less common than other sorts of alternating points of view, some stories can shift not only between different character's points of view, but between actual modes of storytelling. For example, Faulkner's The Sound and the Fury has four parts. The first three parts are all narrated in the first person, with the first part narrated by Benjy, the second part by Quentin, and the third part by Jason. But the fourth part is told in the third person omniscient and follows a bunch of different characters at different times.

Point of View Examples

Every work of literature has a point of view, and so there are essentially endless examples of point of view in literature. The examples below were chosen because they are good examples of the different modes, and in the case of The Metamorphosis the the subtle shift in the nature of the narrator's point of view also shows how an author can play with point of view to suit the themes and ideas of a story.  

Third Person Point of View in Kafka's  Metamorphosis

A great example of third person point of view in literature is the first line from Kafka's  The Metamorphosis . 

As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect.

For the remainder of the book, Kafka follows the protagonist, Gregor Samsa, in a limited third person point of view as he struggles to come to terms with his sudden transformation into an insect. For as long as Gregor remains alive, the third person narrator remains limited by Gregor's own consciousness—the story is told in the third person, but the narrator never knows or sees any more than Gregor himself does. 

However, in the few pages of the story that continue after Gregor dies, the narrator shifts into a third person omniscient point of view , almost as if Gregor's death has freed the narrator in a way not so dissimilar to how his death tragically relieves a burden on his family. 

Point of View in Tolstoy's  Anna Karenina

Leo Tolstoy's  Anna Karenina   is a great example of the omniscient third person point of view. In the novel, the narrator sees and knows all, and moves around between the lives of the different characters, dipping into their internal lives and thoughts, and commenting on the narrative as a whole. In Part 5, Chapter 6, the internal lives of two characters are commented on at once, in the moment of their marriage to one another:

Often and much as they had both heard about the belief that whoever is first to step on the rug will be the head in the family, neither Levin nor Kitty could recall it as they made those few steps. Nor did they hear the loud remarks and disputes that, in the observation of some, he had been the first, or, in the opinion of others, they had stepped on it together.

Point of View in Thoreau's  Walden

Henry David Thoreau's transcendental meditations on isolation were based on his actual lived experience. It makes sense, then, that  Walden  (his account of time spent alone in the woods) is written in the first person point of view :

When I wrote the following pages, or rather the bulk of them, I lived alone, in the woods, a mile away from any neighbor, in a house which I had built myself, on the shore of Walden Pond, in Concord, Massachusetts, and earned my living by the labor of my hands only. I lived there two years and two months. At present I am a sojourner in civilized life again.

What's the Function of Point of View in Literature?

Point of view is the means by which an author relays either one or a multiplicity of perspectives about the events of their story. It is the lens crafted by the writer that allows the reader to see a story or argument unfold. Depending on how much information the writer wants to give the reader, this lens will be constructed differently—or in other words, a different mode of point of view will be chosen:

• If the writer wants the reader to have full access to a particular character's internal life, then they might choose either first person or a closely limited third person point of view.
• If the writer wants the reader to know select bits and pieces about every character, they might choose an omniscient third person point of view.
• If the writer wants the reader to know about the rich internal lives of multiple characters, they might choose an alternating first person point of view.
• Lastly, if the writer wants the reader to feel like they themselves are in the center of the action, they might choose a second person point of view.

Other Helpful Point of View Resources

• The Wikipedia Page on Point of View:  An overview of narration with a focus on literary point of view.
• The Dictionary Definition of Point of View:   A very basic definition of the term point of view.
• Examples of Second Person:  A page with some examples of writing in the less common second person point of view.

• PDFs for all 136 Lit Terms we cover
• Downloads of 1915 LitCharts Lit Guides
• Teacher Editions for every Lit Guide
• Explanations and citation info for 40,355 quotes across 1915 books
• Downloadable (PDF) line-by-line translations of every Shakespeare play
• Protagonist
• Juxtaposition
• Bildungsroman
• Anthropomorphism
• Antimetabole
• Tragic Hero
• Antanaclasis
• Parallelism

The Art of Narrative

Learn to write.

Point of View: The Ultimate Guide

Answer all your questions about how to write in first, second, and third person point of view. Every point of view is covered including how to use tense.

I’ve been staring at my screen for ten minutes trying to come up with a hook that somehow, someway will lead off an article about literary point of view. I’ve come to a definite conclusion: you can’t. To do so would subvert the laws of man, physics and God. It’s impossible. I defy you to try it.

Anyway, let’s talk about POV.  

If you’re a beginning writer you might not think much about point of view. But, you should.

All writers should spend significant time considering what POV they’ll use for a story, and why. POV is as important to a story as is your plot , characters , setting , etc.

What is point of view in writing?

Point of view tells your reader who is important in your story. It affects the relationship your reader builds with your characters. And, if done poorly, the point of view can ruin an otherwise perfect story.

You’d like to avoid that, wouldn’t you? Of course! So, for your consideration, I bring to you the ultimate guide to point of view.

(Is it really the ultimate guide to POV? Probably not, but it makes for a good title, right?)

In this article I will explain every type of POV you could possibly use in your writing, and when to use each one. I’ll also answer all your burning questions about POV. You know the ones you’ve always wondered about but didn’t want to ask.

More importantly, I’ll cover some of the common POV mistakes and how to avoid them.

But first, let’s start with the basics-

Point of view is the term used to describe who the author chooses to tell their story. But really, and more importantly, it’s who your reader is engaging with.

When we talk about point of view we’re talking about the narrator. An author might have the main character or a secondary character speak directly to the reader as if you are reading that character’s journal.

Or, the narrator might not be in the story at all, but a voice above the fray who can describe the action of a story.

The narrator may also know certain characters’ thoughts and feelings about the events unfolding. While some POVs will insert the reader directly into the action of the story.

The point is, point of view is an important consideration for any story, and mistakes in POV can ruin a story. So, it’s important to choose your POV carefully and avoid the common pitfalls.

With that said, let’s discuss the different types of POV, why they are used, and the common POV mistakes that you need to avoid.

What are the different types of point of view?

Point of view can be divided into three categories- first person, second person, and third person. Third person point of view can be broken down further into limited, omniscient, and objective.

All POVs can be written either in the past or present tense.

Let’s take a look at each of these individually.

First Person Point of View

What is First Person Point of View?

You’re the reader and the character is telling you the story. You and the character are like old friends; they’re very open with you about their thoughts and feelings. It’s as if you’re reading their journal. Usually, the perspective character is the main character of the story, but not always.

Take, for instance, The Great Gatsby which is written in the first person, but the perspective character is Nick Caraway. Nick takes part in the events of the story and relays them to the reader, but he is not the main character.

However, this is an exception, not the rule. Your point of view character should be the protagonist unless you have a good reason for them not to be.

You’ll know your reading a story in the first person when you see pronouns like I, me, or my. The character is the narrator, so they will be speaking directly to the reader.  

How to write First Person Point of View

Writing from a first person point of view is a solid choice if your beginning writer. It’s a straightforward perspective that isn’t too difficult to work with. Choose a character, like your protagonist, and write the story as if they are retelling the events to the reader.

If you choose the first person perspective you’ll need to know your character intimately. You want their personality to remain consistent throughout the narrative. That is unless they’re a dynamic character . Even then, changes in the character will need to have a cause that develops from your plot.

Interview your point of view character. Know their background, what their fears are, and what motivates them. The challenge of the first-person perspective is keeping your character’s voice, actions, and reactions consistent and believable.  

In other words, don’t change your character’s personality for the needs of the plot. What does that mean? If your character has been even-keeled and calm throughout the story don’t force them to blow up in anger because you need to inject some tension into a scene.

Know your perspective character, and don’t deviate from the personality that you’ve established, unless that change is earned through the narrative. Your reader will notice otherwise.  

When to use First Person Point of View

There are times when using the first person perspective is axiomatic like when writing a memoir or a personal essay. The first person POV is a good choice for writers who are just starting out. The limited nature of first person will help beginning writers avoid some common POV mistakes such as head-hopping. But, more on that later.

Because of its natural limits, the first person is a good choice if there are details of the plot that you want to hide from the reader. Take the example of an unreliable narrator who is lying about the events of the story. Discovering new information a narrator has kept hidden can be an exciting revelation for your reader.

Or, because your writing from the perspective of one character, the reader can discover story details as your character does. This works to great effect in the genres of mystery, horror, and romance. These genres require the character, and reader to work through the details of an event slowly to discover startling truths.

Lastly, the first person POV is a good choice if you’re writing a small, character-driven plot with a limited cast. However, it’s not the best choice for your epic, world-building fantasy.

Example of First Person Point of View

“I couldn’t forgive him or like him, but I saw that what he had done was, to him, entirely justified. It was all very careless and confused. They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made.”

― F. Scott Fitzgerald, The Great Gatsby

Learn about first-person point of view here!

What is Second Person Point of View?

You, the reader, are now in the story. You are the protagonist. You’re taking part in the action. Not literally, obviously. Not yet anyway. Until some advances in VR second person will remain figurative.

The writer uses pronouns like you and your. In fiction, this is not a very common practice. But, you will find the second person POV a lot in non-fiction works. Instructional texts like cookbooks are written in second-person. Think, “You’ll need to preheat your oven to 450 degrees. ”

Why isn’t Second Person Point of View popular?

The limitation of the second person perspective is that you’re asking your readers to put themselves directly into the story. This takes considerable suspension of disbelief on their part. And, it may put your reader off as they’re not used to reading this kind of narrative.

The second person point of view tells your reader that they are someone they’re not. That the events of the story are happening to them, the reader. It’s a funky style, let’s be honest. Reserved, mostly, for those “choose your adventure” books we read as children.

However, when executed well, this funkiness is the secret strength of the second-person perspective. What better way to encourage your reader to empathize with a character and experience a new perspective.

While not traditional, a story written in the second-person perspective could be a great way to set your work apart from the pack. But, only if you put in the effort to make it work. Know that an editor will ask the question- “Why did you choose second person POV?” If you don’t have an obvious answer, revealed in the text, this may be a weakness.

When it comes to digital storytelling though, second person POV could be the dominant perspective. Maybe we should start practicing…  

Example of Second Person Point of View

“Things happen, people change,’ is what Amanda said. For her that covered it. You wanted an explanation, and ending that would assign blame and dish up justice. You considered violence and you considered reconciliation. But what you are left with is a premonition of the way your life will fade behind you, like a book you have read too quickly, leaving a dwindling trail of images and emotions, until all you can remember is a name.”

― Jay McInerney, Bright Lights, Big City

Third Person Limited Point of View

What is Third Person Limited Point of View?

Take one step above the story. The narrator is no longer in the fray and action. They are on the outside looking in, commenting on the action. The narrator tells the reader what is happening, and what the perspective character is thinking and feeling.

A third person limited perspective means that we are limited (get it?) to a single character at a time. So, it’s like the first person perspective, but rather than a character speaking directly to us, the narrator is telling us what the character is doing, thinking and feeling.

How to write Third Person Limited Point of View

The first thing you want to do is choose a character to limit yourself to. More than likely, this will be your protagonist. You may also switch to another perspective character in your story.

However, don’t switch character perspectives within the confines of a single scene, or even a chapter. In truth, you may want to keep your perspective limited to the same character throughout the narrative.

There are examples of rotating perspective when using third person limited. Authors who do this will change the perspective characters from one character to the next. For clarity, chapters are usually named after the point of view character in that chapter.

How to describe characters in Third Person Limited Point of View

This is a question that comes up when writing from a limited point of view. Character descriptions can be tricky because overtly describing a non-POV character’s emotions would count as a slip in POV. You don’t want that.

Rely on the old adage- show, don’t tell. If a non-POV character is upset then have them slam a door, throw a punch, or break a window. Demonstrate emotion through action, not through adverbs.  

Remember that your narration is limited physically, as well. Your narration can’t describe anything the point of view character isn’t able to see, touch, taste, hear or smell directly. The character’s eyes are your window into the world of the story. Keep this in mind when describing the different aspects of your story.

When to use Third Person Limited Point of View

Much like first person point of view, the third person is used when you want to limit the reader’s perspective. Use this POV when you want your readers to spend time with, and become very familiar with a character or cast of characters. When you want your reader to become attached to your protagonist(s). Third person POV is perfect for your character-driven story arcs.

Choose third person POV over first person when your story has several character arcs to explore. An example would be the Harry Potter series. Sure, Harry is important, but we care about Hermione and Ron too.  

Also, the third person limited POV works well in mysteries, horrors, and crime stories. This is because you can easily hide information from your reader like you can with first person POV.

Because of its versatility, third person limited is the most popular POV in modern fiction. Readers and editors are used to reading in third person limited POV. In most cases, third person limited POV will be a good choice for your story. .  

Example of Third Person Limited Point of View

“For the first time, he heard something that he knew to be music. He heard people singing. Behind him, across vast distances of space and time, from the place he had left, he thought he heard music too. But perhaps, it was only an echo.”

― Lois Lowry, The Giver

Third Person Omniscient Point of View

What is Third Person Omniscient Point of View?

You’re the reader, and the narrator is God. They can give you access to every character’s thoughts and feelings, at the same time. Third person omniscient is like third person limited in that the narrator is separate from the story.

However, the narrator is not limited to one character’s viewpoint when describing the story. The narrator has full knowledge of all the characters and has no preference for any single character. Common pronouns used with third person omniscient are “he,” and “she.”

How to write in Third Person Omniscient Point of View

Third person omniscient can be challenging as you have a lot of characters to keep up with. Each major character will need the same attention from the narrator. It can also be difficult to keep your narrative focused with the POV spread out like this.

Use this perspective to insert your own authorial voice into the narrative. As the narrator, you can comment on the action of the story, or the characters. But, beware that this is not a style of writing that is currently in vogue.

The third person omniscient POV does provide a lot of creative freedom, though. Because of the “God-like” presence of the narrator, you’re not hemmed in by a lot of rules. The author can describe anything that a character is thinking, wearing, doing, seeing, etc.

When to use Third Person Omniscient Point of View

Never. Just kidding, but keep this in mind:

The third person omniscient perspective, while once omnipresent, is not very popular anymore. It’s a good choice if you have a plethora of characters in your story. This is because this perspective gives you the ability to inhabit any character in the story. However, realize this will make developing any single character difficult.

Choose the third person omniscient POV when you have a very strong voice, and you want the narrative commentary to take the center stage of your story.

Example of Third Person Omniscient Point of View  

“A man’s at odds to know his mind cause his mind is aught he has to know it with. He can know his heart, but he don’t want to. Rightly so. Best not to look in there. It ain’t the heart of a creature that is bound in the way that God has set for it. You can find meanness in the least of creatures, but when God made man the devil was at his elbow. A creature that can do anything. Make a machine. And a machine to make the machine. And evil that can run itself a thousand years, no need to tend it.”

― Cormac McCarthy, Blood Meridian, or the Evening Redness in the West

Third Person Objective Point of View

What is Third Person Objective Point of View?

In the third person objective POV, the reader does not have access to any character’s thoughts or feelings. The narrator is completely objective.

How and when to use Third Person Objective POV

Again, show don’t tell.  

With third person objective, a writer will have to convey all the characters’ emotions through action alone. If you’re a beginning writer try and write at least one story in the third person objective POV. It’s good for practice.

In order to master this POV, a writer must be a keen observer of people in the real world. How do people show their emotions- on their face, in their body language, with words?

How does someone demonstrate they’re angry with their boss? A real person wouldn’t act out dramatically. They wouldn’t flip a table or punch a hole in the drywall (hopefully). Because acting like that would get them fired, probably arrested. They may, instead, make a snide remark, purse their lips, or cross their arms.

The point is, people can be very subtle in how they display their inward feelings. Many people do their best to mask emotions. Others act out for attention. As a writer, you should be able to identify these subtle tells and insert them into your story. Especially if you plan on using the third person objective.

Third person objective POV is also useful in non-fiction. A biographer can’t always comment on the thoughts of feelings of their subject. Especially if the subject has been dead for hundreds of years. In that case, they can only convey a sense of emotion through their subject’s words or actions.

Example of Third Person Objective POV

“When a friend of Abigail and John Adams was killed at Bunker Hill, Abigail’s response was to write a letter to her husband and include these words, “My bursting heart must find vent at my pen.”

― David McCullough, John Adams

Present Tense versus Past Tense in Writing

Most authors choose the past tense when writing fiction. However, some writers choose present tense for their stories. Why?  Immediacy is one reason. Like with second person POV, the use of the present tense can pull a reader into a story in a way that feels intimate. They are experiencing the story along with the narrator in real time.

The downside of writing in the present tense is that you’ll be working against the grain. Most stories are told in the past tense, so unless you have a good narrative purpose for using the present tense you should probably avoid it. Without a clear purpose, using the present tense will come off as gimmicky.

But, I’m no expert on this subject and you can find a very informative post on writing in the past tense here .

Example of Present Tense POV

“I can feel Peeta press his forehead into my temple and he asks, ‘So now that you’ve got me, what are you going to do with me?’ I turn into him. ‘Put you somewhere you can’t get hurt.”

― Suzanne Collins, The Hunger Games

Common Point of View mistakes

Head-hopping.

What is head hopping in writing?

Head-hopping is when a writer suddenly changes the viewpoint character without purpose. A story will be narrated from one character’s point of view then that point of view shifts to another character mid-paragraph, or worst mid-sentence.

Head-hopping will leave readers feeling confused and frustrated. It’s a mistake that signals your in the hands of a careless writer. As such, head-hopping should be avoided at all costs.

How to avoid head hopping.

The obvious way to avoid this is to stay in one character’s point of view throughout a story.

If you need to shift perspective wait until a logical point like a scene or chapter break. Think of your character’s viewpoint as a camera lens. The action is being recorded by that single lens. You cannot describe anything that isn’t within the view of that single lens.

When shifting perspective, be sure to establish the change by mentioning the character’s name and something about the setting in your narration. Do this immediately to establish the shift in your reader’s mind.

Here’s an example of how to open a scene that has shifted perspective to a new character:

“Paul glanced at his watch and realized he’d been waiting in the coffee shop for over an hour.”

Who’s the POV character? Paul. Where is he? A coffee shop. What is he doing? Waiting.

Only shift the POV if it serves your narrative. And, establish any shift in POV at the opening of the scene or chapter.

Inconsistent POV

What is an Inconsistent Point of View?

An inconsistent point of view means that the writer is switching point of view throughout the narrative. One scene may be told in the first person and the next scene’s narration switches to the third person omniscient. Like head-hopping, this will confuse your reader.

How to fix Inconsistent Point of View

Choose a point of view and stick to it. If your a first-time writer then the first person is the way to go. The first person point of view limits your opportunities to make mistakes like head-hopping.

Third person limited is the most widely used perspective and one that the modern reader is very comfortable with. Again, like the first person, you’re limited to a single character, and this will ensure a consistent POV.

Familiarize yourself with the rules of each of these POVs. Be mindful of what POV you’ve chosen. If your writing in the third person limited POV, don’t describe something that your POV character couldn’t possibly know.

These mistakes will probably occur in your early drafts and that’s okay. But, planning and outlining is key. As well as purposely choosing your POV. And, most importantly, find good editors! Preferably, fiction writers who are more experienced than you.

Also, don’t shift your point of view unless you have a very good narrative purpose behind the shift. I really can’t say that enough.

Choosing the wrong POV for your story

Choosing the right point of view is vital in effective storytelling. Each POV has its pros and cons. Do you want to tell a story that is an intimate character study? Use the first person. Don’t use the third person omniscient. But, if your book is an epic fantasy that spans multiple worlds or realms, then the third person is the way to go.

POV is also how you tell your reader who is important. If a writer is narrating from a single character’s point of view then the reader will assume that character is important. Using the POV of a character who is not essential to the plot will confuse your reader.

The point is, spend a lot of time thinking about what point of view you’ll use and how it will affect your reader’s experience. This should be part of your pre-writing. POV is not a decision to be taken lightly.

Too many POVs

Using more than one POV character can help give your reader a broad view of your story. It can also be used as a way of slowly revealing important plot points.

I once read a story where the author effectively used POV shifts to explain the same event four times. Each time the new character would have a different perspective on the event, like a game of telephone. It was a clever use of shifting POV.

However, if you’re shifting the POV every chapter or scene for no apparent reason than your reader will get annoyed. POV should indicate an important character. And, shifts in POV should have a narrative purpose behind them.

Choose POV characters for a reason. The reader will feel loyal to a POV character, intuitively. The POV character should have something at stake in the story, or a goal. They should be someone like, oh I don’t know, a protagonist! Or, someone equally important. Who could that be? Hmmm. Maybe, an antagonist ! Don’t give the POV to any old, schlub, though.  

Bottom line- don’t waste time using the POV of a character who isn’t important to your narrative. And, make sure that any shifts in POV are done for a specific narrative purpose. An example would be retelling an event of the story from a new perspective that adds new information the reader didn’t already know.

So, that’s everything I can think of when it comes to POV. Still, have questions? Drop them in the comments and I’ll do my best to answer them. Or check out some of these other great resources on POV!

All About Point of View: Which One Should You Choose?

How to Choose Your Novel’s Point of View

Published by John

View all posts by John

6 comments on “Point of View: The Ultimate Guide”

Excellent post!

Thanks, KM!

• Pingback: Exploring Nonlinear Narratives - The Art of Narrative
• Pingback: A Complete Guide to The Hero's Journey (or The Monomyth) - The Art of Narrative
• Pingback: First Person Point of View: What it is & How to use it - The Art of Narrative
• Pingback: Elements of a Story - The Art of Narrative

Leave a Reply Cancel reply

Copy and paste this code to display the image on your site

Discover more from The Art of Narrative

Subscribe now to keep reading and get access to the full archive.

Type your email…

Continue reading

The Ultimate Narrative Essay Guide for Beginners

A narrative essay tells a story in chronological order, with an introduction that introduces the characters and sets the scene. Then a series of events leads to a climax or turning point, and finally a resolution or reflection on the experience.

Speaking of which, are you in sixes and sevens about narrative essays? Don’t worry this ultimate expert guide will wipe out all your doubts. So let’s get started.

Table of Contents

Everything You Need to Know About Narrative Essay

What is a narrative essay.

When you go through a narrative essay definition, you would know that a narrative essay purpose is to tell a story. It’s all about sharing an experience or event and is different from other types of essays because it’s more focused on how the event made you feel or what you learned from it, rather than just presenting facts or an argument. Let’s explore more details on this interesting write-up and get to know how to write a narrative essay.

Elements of a Narrative Essay

Here’s a breakdown of the key elements of a narrative essay:

A narrative essay has a beginning, middle, and end. It builds up tension and excitement and then wraps things up in a neat package.

Real people, including the writer, often feature in personal narratives. Details of the characters and their thoughts, feelings, and actions can help readers to relate to the tale.

It’s really important to know when and where something happened so we can get a good idea of the context. Going into detail about what it looks like helps the reader to really feel like they’re part of the story.

Conflict or Challenge 

A story in a narrative essay usually involves some kind of conflict or challenge that moves the plot along. It could be something inside the character, like a personal battle, or something from outside, like an issue they have to face in the world.

Theme or Message

A narrative essay isn’t just about recounting an event – it’s about showing the impact it had on you and what you took away from it. It’s an opportunity to share your thoughts and feelings about the experience, and how it changed your outlook.

Emotional Impact

The author is trying to make the story they’re telling relatable, engaging, and memorable by using language and storytelling to evoke feelings in whoever’s reading it.

Narrative essays let writers have a blast telling stories about their own lives. It’s an opportunity to share insights and impart wisdom, or just have some fun with the reader. Descriptive language, sensory details, dialogue, and a great narrative voice are all essentials for making the story come alive.

The Purpose of a Narrative Essay

A narrative essay is more than just a story – it’s a way to share a meaningful, engaging, and relatable experience with the reader. Includes:

Sharing Personal Experience

Narrative essays are a great way for writers to share their personal experiences, feelings, thoughts, and reflections. It’s an opportunity to connect with readers and make them feel something.

Entertainment and Engagement

The essay attempts to keep the reader interested by using descriptive language, storytelling elements, and a powerful voice. It attempts to pull them in and make them feel involved by creating suspense, mystery, or an emotional connection.

Conveying a Message or Insight

Narrative essays are more than just a story – they aim to teach you something. They usually have a moral lesson, a new understanding, or a realization about life that the author gained from the experience.

Building Empathy and Understanding

By telling their stories, people can give others insight into different perspectives, feelings, and situations. Sharing these tales can create compassion in the reader and help broaden their knowledge of different life experiences.

Inspiration and Motivation

Stories about personal struggles, successes, and transformations can be really encouraging to people who are going through similar situations. It can provide them with hope and guidance, and let them know that they’re not alone.

Reflecting on Life’s Significance

These essays usually make you think about the importance of certain moments in life or the impact of certain experiences. They make you look deep within yourself and ponder on the things you learned or how you changed because of those events.

Demonstrating Writing Skills

Coming up with a gripping narrative essay takes serious writing chops, like vivid descriptions, powerful language, timing, and organization. It’s an opportunity for writers to show off their story-telling abilities.

Preserving Personal History

Sometimes narrative essays are used to record experiences and special moments that have an emotional resonance. They can be used to preserve individual memories or for future generations to look back on.

Cultural and Societal Exploration

Personal stories can look at cultural or social aspects, giving us an insight into customs, opinions, or social interactions seen through someone’s own experience.

Format of a Narrative Essay

Narrative essays are quite flexible in terms of format, which allows the writer to tell a story in a creative and compelling way. Here’s a quick breakdown of the narrative essay format, along with some examples:

Introduction

Set the scene and introduce the story.

Engage the reader and establish the tone of the narrative.

Hook: Start with a captivating opening line to grab the reader’s attention. For instance:

Example:  “The scorching sun beat down on us as we trekked through the desert, our water supply dwindling.”

Background Information: Provide necessary context or background without giving away the entire story.

Example:  “It was the summer of 2015 when I embarked on a life-changing journey to…”

Thesis Statement or Narrative Purpose

Present the main idea or the central message of the essay.

Offer a glimpse of what the reader can expect from the narrative.

Thesis Statement: This isn’t as rigid as in other essays but can be a sentence summarizing the essence of the story.

Example:  “Little did I know, that seemingly ordinary hike would teach me invaluable lessons about resilience and friendship.”

Body Paragraphs

Present the sequence of events in chronological order.

Develop characters, setting, conflict, and resolution.

Story Progression: Describe events in the order they occurred, focusing on details that evoke emotions and create vivid imagery.

Example: Detail the trek through the desert, the challenges faced, interactions with fellow hikers, and the pivotal moments.

Character Development: Introduce characters and their roles in the story. Show their emotions, thoughts, and actions.

Example: Describe how each character reacted to the dwindling water supply and supported each other through adversity.

Dialogue and Interactions: Use dialogue to bring the story to life and reveal character personalities.

Example: “Sarah handed me her last bottle of water, saying, ‘We’re in this together.'”

Reach the peak of the story, the moment of highest tension or significance.

Turning Point: Highlight the most crucial moment or realization in the narrative.

Example:  “As the sun dipped below the horizon and hope seemed lost, a distant sound caught our attention—the rescue team’s helicopters.”

Provide closure to the story.

Reflect on the significance of the experience and its impact.

Reflection: Summarize the key lessons learned or insights gained from the experience.

Example: “That hike taught me the true meaning of resilience and the invaluable support of friendship in challenging times.”

Closing Thought: End with a memorable line that reinforces the narrative’s message or leaves a lasting impression.

Example: “As we boarded the helicopters, I knew this adventure would forever be etched in my heart.”

Example Summary:

Imagine a narrative about surviving a challenging hike through the desert, emphasizing the bonds formed and lessons learned. The narrative essay structure might look like starting with an engaging scene, narrating the hardships faced, showcasing the characters’ resilience, and culminating in a powerful realization about friendship and endurance.

Different Types of Narrative Essays

There are a bunch of different types of narrative essays – each one focuses on different elements of storytelling and has its own purpose. Here’s a breakdown of the narrative essay types and what they mean.

Personal Narrative

Description: Tells a personal story or experience from the writer’s life.

Purpose: Reflects on personal growth, lessons learned, or significant moments.

Example of Narrative Essay Types:

Topic: “The Day I Conquered My Fear of Public Speaking”

Focus: Details the experience, emotions, and eventual triumph over a fear of public speaking during a pivotal event.

Descriptive Narrative

Description: Emphasizes vivid details and sensory imagery.

Purpose: Creates a sensory experience, painting a vivid picture for the reader.

Topic: “A Walk Through the Enchanted Forest”

Focus: Paints a detailed picture of the sights, sounds, smells, and feelings experienced during a walk through a mystical forest.

Autobiographical Narrative

Description: Chronicles significant events or moments from the writer’s life.

Purpose: Provides insights into the writer’s life, experiences, and growth.

Topic: “Lessons from My Childhood: How My Grandmother Shaped Who I Am”

Focus: Explores pivotal moments and lessons learned from interactions with a significant family member.

Experiential Narrative

Description: Relays experiences beyond the writer’s personal life.

Purpose: Shares experiences, travels, or events from a broader perspective.

Topic: “Volunteering in a Remote Village: A Journey of Empathy”

Focus: Chronicles the writer’s volunteering experience, highlighting interactions with a community and personal growth.

Literary Narrative

Description: Incorporates literary elements like symbolism, allegory, or thematic explorations.

Purpose: Uses storytelling for deeper explorations of themes or concepts.

Topic: “The Symbolism of the Red Door: A Journey Through Change”

Focus: Uses a red door as a symbol, exploring its significance in the narrator’s life and the theme of transition.

Historical Narrative

Description: Recounts historical events or periods through a personal lens.

Purpose: Presents history through personal experiences or perspectives.

Topic: “A Grandfather’s Tales: Living Through the Great Depression”

Focus: Shares personal stories from a family member who lived through a historical era, offering insights into that period.

Digital or Multimedia Narrative

Description: Incorporates multimedia elements like images, videos, or audio to tell a story.

Purpose: Explores storytelling through various digital platforms or formats.

Topic: “A Travel Diary: Exploring Europe Through Vlogs”

Focus: Combines video clips, photos, and personal narration to document a travel experience.

How to Choose a Topic for Your Narrative Essay?

Selecting a compelling topic for your narrative essay is crucial as it sets the stage for your storytelling. Choosing a boring topic is one of the narrative essay mistakes to avoid . Here’s a detailed guide on how to choose the right topic:

Reflect on Personal Experiences

• Significant Moments:

Moments that had a profound impact on your life or shaped your perspective.

Example: A moment of triumph, overcoming a fear, a life-changing decision, or an unforgettable experience.

• Emotional Resonance:

Events that evoke strong emotions or feelings.

Example: Joy, fear, sadness, excitement, or moments of realization.

• Lessons Learned:

Experiences that taught you valuable lessons or brought about personal growth.

Example: Challenges that led to personal development, shifts in mindset, or newfound insights.

Explore Unique Perspectives

• Uncommon Experiences:

Unique or unconventional experiences that might captivate the reader’s interest.

Example: Unusual travels, interactions with different cultures, or uncommon hobbies.

• Different Points of View:

Stories from others’ perspectives that impacted you deeply.

Example: A family member’s story, a friend’s experience, or a historical event from a personal lens.

Focus on Specific Themes or Concepts

• Themes or Concepts of Interest:

Themes or ideas you want to explore through storytelling.

Example: Friendship, resilience, identity, cultural diversity, or personal transformation.

• Symbolism or Metaphor:

Using symbols or metaphors as the core of your narrative.

Example: Exploring the symbolism of an object or a place in relation to a broader theme.

Consider Your Audience and Purpose

• Relevance to Your Audience:

Topics that resonate with your audience’s interests or experiences.

Example: Choose a relatable theme or experience that your readers might connect with emotionally.

• Impact or Message:

What message or insight do you want to convey through your story?

Example: Choose a topic that aligns with the message or lesson you aim to impart to your readers.

Brainstorm and Evaluate Ideas

• Free Writing or Mind Mapping:

Process: Write down all potential ideas without filtering. Mind maps or free-writing exercises can help generate diverse ideas.

• Evaluate Feasibility:

The depth of the story, the availability of vivid details, and your personal connection to the topic.

Imagine you’re considering topics for a narrative essay. You reflect on your experiences and decide to explore the topic of “Overcoming Stage Fright: How a School Play Changed My Perspective.” This topic resonates because it involves a significant challenge you faced and the personal growth it brought about.

Narrative Essay Topics

50 easy narrative essay topics.

• Learning to Ride a Bike
• My First Day of School
• A Surprise Birthday Party
• The Day I Got Lost
• Visiting a Haunted House
• An Encounter with a Wild Animal
• My Favorite Childhood Toy
• The Best Vacation I Ever Had
• An Unforgettable Family Gathering
• Conquering a Fear of Heights
• A Special Gift I Received
• Moving to a New City
• The Most Memorable Meal
• Getting Caught in a Rainstorm
• An Act of Kindness I Witnessed
• The First Time I Cooked a Meal
• My Experience with a New Hobby
• The Day I Met My Best Friend
• A Hike in the Mountains
• Learning a New Language
• An Embarrassing Moment
• Dealing with a Bully
• My First Job Interview
• A Sporting Event I Attended
• The Scariest Dream I Had
• Helping a Stranger
• The Joy of Achieving a Goal
• A Road Trip Adventure
• Overcoming a Personal Challenge
• The Significance of a Family Tradition
• An Unusual Pet I Owned
• A Misunderstanding with a Friend
• Exploring an Abandoned Building
• My Favorite Book and Why
• The Impact of a Role Model
• A Cultural Celebration I Participated In
• A Valuable Lesson from a Teacher
• A Trip to the Zoo
• An Unplanned Adventure
• Volunteering Experience
• A Moment of Forgiveness
• A Decision I Regretted
• A Special Talent I Have
• The Importance of Family Traditions
• The Thrill of Performing on Stage
• A Moment of Sudden Inspiration
• The Meaning of Home
• Learning to Play a Musical Instrument
• A Childhood Memory at the Park
• Witnessing a Beautiful Sunset

Narrative Essay Topics for College Students

• Discovering a New Passion
• Overcoming Academic Challenges
• Navigating Cultural Differences
• Embracing Independence: Moving Away from Home
• Exploring Career Aspirations
• Coping with Stress in College
• The Impact of a Mentor in My Life
• Balancing Work and Studies
• Facing a Fear of Public Speaking
• Exploring a Semester Abroad
• The Evolution of My Study Habits
• Volunteering Experience That Changed My Perspective
• The Role of Technology in Education
• Finding Balance: Social Life vs. Academics
• Learning a New Skill Outside the Classroom
• Reflecting on Freshman Year Challenges
• The Joys and Struggles of Group Projects
• My Experience with Internship or Work Placement
• Challenges of Time Management in College
• Redefining Success Beyond Grades
• The Influence of Literature on My Thinking
• The Impact of Social Media on College Life
• Overcoming Procrastination
• Lessons from a Leadership Role
• Exploring Diversity on Campus
• Exploring Passion for Environmental Conservation
• An Eye-Opening Course That Changed My Perspective
• Living with Roommates: Challenges and Lessons
• The Significance of Extracurricular Activities
• The Influence of a Professor on My Academic Journey
• Discussing Mental Health in College
• The Evolution of My Career Goals
• Confronting Personal Biases Through Education
• The Experience of Attending a Conference or Symposium
• Challenges Faced by Non-Native English Speakers in College
• The Impact of Traveling During Breaks
• Exploring Identity: Cultural or Personal
• The Impact of Music or Art on My Life
• Addressing Diversity in the Classroom
• Exploring Entrepreneurial Ambitions
• My Experience with Research Projects
• Overcoming Impostor Syndrome in College
• The Importance of Networking in College
• Finding Resilience During Tough Times
• The Impact of Global Issues on Local Perspectives
• The Influence of Family Expectations on Education
• Lessons from a Part-Time Job
• Exploring the College Sports Culture
• The Role of Technology in Modern Education
• The Journey of Self-Discovery Through Education

Narrative Essay Comparison

Narrative essay vs. descriptive essay.

Here’s our first narrative essay comparison! While both narrative and descriptive essays focus on vividly portraying a subject or an event, they differ in their primary objectives and approaches. Now, let’s delve into the nuances of comparison on narrative essays.

Narrative Essay:

Storytelling: Focuses on narrating a personal experience or event.

Chronological Order: Follows a structured timeline of events to tell a story.

Message or Lesson: Often includes a central message, moral, or lesson learned from the experience.

Engagement: Aims to captivate the reader through a compelling storyline and character development.

First-Person Perspective: Typically narrated from the writer’s point of view, using “I” and expressing personal emotions and thoughts.

Plot Development: Emphasizes a plot with a beginning, middle, climax, and resolution.

Character Development: Focuses on describing characters, their interactions, emotions, and growth.

Conflict or Challenge: Usually involves a central conflict or challenge that drives the narrative forward.

Dialogue: Incorporates conversations to bring characters and their interactions to life.

Reflection: Concludes with reflection or insight gained from the experience.

Descriptive Essay:

Vivid Description: Aims to vividly depict a person, place, object, or event.

Imagery and Details: Focuses on sensory details to create a vivid image in the reader’s mind.

Emotion through Description: Uses descriptive language to evoke emotions and engage the reader’s senses.

Painting a Picture: Creates a sensory-rich description allowing the reader to visualize the subject.

Imagery and Sensory Details: Focuses on providing rich sensory descriptions, using vivid language and adjectives.

Point of Focus: Concentrates on describing a specific subject or scene in detail.

Spatial Organization: Often employs spatial organization to describe from one area or aspect to another.

Objective Observations: Typically avoids the use of personal opinions or emotions; instead, the focus remains on providing a detailed and objective description.

Comparison:

Focus: Narrative essays emphasize storytelling, while descriptive essays focus on vividly describing a subject or scene.

Perspective: Narrative essays are often written from a first-person perspective, while descriptive essays may use a more objective viewpoint.

Purpose: Narrative essays aim to convey a message or lesson through a story, while descriptive essays aim to paint a detailed picture for the reader without necessarily conveying a specific message.

Narrative Essay vs. Argumentative Essay

The narrative essay and the argumentative essay serve distinct purposes and employ different approaches:

Engagement and Emotion: Aims to captivate the reader through a compelling story.

Reflective: Often includes reflection on the significance of the experience or lessons learned.

First-Person Perspective: Typically narrated from the writer’s point of view, sharing personal emotions and thoughts.

Plot Development: Emphasizes a storyline with a beginning, middle, climax, and resolution.

Message or Lesson: Conveys a central message, moral, or insight derived from the experience.

Argumentative Essay:

Persuasion and Argumentation: Aims to persuade the reader to adopt the writer’s viewpoint on a specific topic.

Logical Reasoning: Presents evidence, facts, and reasoning to support a particular argument or stance.

Debate and Counterarguments: Acknowledge opposing views and counter them with evidence and reasoning.

Thesis Statement: Includes a clear thesis statement that outlines the writer’s position on the topic.

Thesis and Evidence: Starts with a strong thesis statement and supports it with factual evidence, statistics, expert opinions, or logical reasoning.

Counterarguments: Addresses opposing viewpoints and provides rebuttals with evidence.

Logical Structure: Follows a logical structure with an introduction, body paragraphs presenting arguments and evidence, and a conclusion reaffirming the thesis.

Formal Language: Uses formal language and avoids personal anecdotes or emotional appeals.

Objective: Argumentative essays focus on presenting a logical argument supported by evidence, while narrative essays prioritize storytelling and personal reflection.

Purpose: Argumentative essays aim to persuade and convince the reader of a particular viewpoint, while narrative essays aim to engage, entertain, and share personal experiences.

Structure: Narrative essays follow a storytelling structure with character development and plot, while argumentative essays follow a more formal, structured approach with logical arguments and evidence.

In essence, while both essays involve writing and presenting information, the narrative essay focuses on sharing a personal experience, whereas the argumentative essay aims to persuade the audience by presenting a well-supported argument.

Narrative Essay vs. Personal Essay

While there can be an overlap between narrative and personal essays, they have distinctive characteristics:

Storytelling: Emphasizes recounting a specific experience or event in a structured narrative form.

Engagement through Story: Aims to engage the reader through a compelling story with characters, plot, and a central theme or message.

Reflective: Often includes reflection on the significance of the experience and the lessons learned.

First-Person Perspective: Typically narrated from the writer’s viewpoint, expressing personal emotions and thoughts.

Plot Development: Focuses on developing a storyline with a clear beginning, middle, climax, and resolution.

Character Development: Includes descriptions of characters, their interactions, emotions, and growth.

Central Message: Conveys a central message, moral, or insight derived from the experience.

Personal Essay:

Exploration of Ideas or Themes: Explores personal ideas, opinions, or reflections on a particular topic or subject.

Expression of Thoughts and Opinions: Expresses the writer’s thoughts, feelings, and perspectives on a specific subject matter.

Reflection and Introspection: Often involves self-reflection and introspection on personal experiences, beliefs, or values.

Varied Structure and Content: Can encompass various forms, including memoirs, personal anecdotes, or reflections on life experiences.

Flexibility in Structure: Allows for diverse structures and forms based on the writer’s intent, which could be narrative-like or more reflective.

Theme-Centric Writing: Focuses on exploring a central theme or idea, with personal anecdotes or experiences supporting and illustrating the theme.

Expressive Language: Utilizes descriptive and expressive language to convey personal perspectives, emotions, and opinions.

Focus: Narrative essays primarily focus on storytelling through a structured narrative, while personal essays encompass a broader range of personal expression, which can include storytelling but isn’t limited to it.

Structure: Narrative essays have a more structured plot development with characters and a clear sequence of events, while personal essays might adopt various structures, focusing more on personal reflection, ideas, or themes.

Intent: While both involve personal experiences, narrative essays emphasize telling a story with a message or lesson learned, while personal essays aim to explore personal thoughts, feelings, or opinions on a broader range of topics or themes.

A narrative essay is more than just telling a story. It’s also meant to engage the reader, get them thinking, and leave a lasting impact. Whether it’s to amuse, motivate, teach, or reflect, these essays are a great way to communicate with your audience. This interesting narrative essay guide was all about letting you understand the narrative essay, its importance, and how can you write one.

Order Original Papers & Essays

Your First Custom Paper Sample is on Us!

Timely Deliveries

No Plagiarism & AI

100% Refund

Try Our Free Paper Writing Service

Related blogs.

Connections with Writers and support

Privacy and Confidentiality Guarantee

Average Quality Score

How to Write a Perfect Narrative Essay (Step-by-Step)

By Status.net Editorial Team on October 17, 2023 — 10 minutes to read

• Understanding a Narrative Essay Part 1
• Typical Narrative Essay Structure Part 2
• Narrative Essay Template Part 3
• Step 1. How to Choose Your Narrative Essay Topic Part 4
• Step 2. Planning the Structure Part 5
• Step 3. Crafting an Intriguing Introduction Part 6
• Step 4. Weaving the Narrative Body Part 7
• Step 5. Creating a Conclusion Part 8
• Step 6. Polishing the Essay Part 9
• Step 7. Feedback and Revision Part 10

Part 1 Understanding a Narrative Essay

A narrative essay is a form of writing where you share a personal experience or tell a story to make a point or convey a lesson. Unlike other types of essays, a narrative essay aims to engage your audience by sharing your perspective and taking them on an emotional journey.

• To begin, choose a meaningful topic . Pick a story or experience that had a significant impact on your life, taught you something valuable, or made you see the world differently. You want your readers to learn from your experiences, so choose something that will resonate with others.
• Next, create an outline . Although narrative essays allow for creative storytelling, it’s still helpful to have a roadmap to guide your writing. List the main events, the characters involved, and the settings where the events took place. This will help you ensure that your essay is well-structured and easy to follow.
• When writing your narrative essay, focus on showing, not telling . This means that you should use descriptive language and vivid details to paint a picture in your reader’s mind. For example, instead of stating that it was a rainy day, describe the sound of rain hitting your window, the feeling of cold wetness around you, and the sight of puddles forming around your feet. These sensory details will make your essay more engaging and immersive.
• Another key aspect is developing your characters . Give your readers an insight into the thoughts and emotions of the people in your story. This helps them connect with the story, empathize with the characters, and understand their actions. For instance, if your essay is about a challenging hike you took with a friend, spend some time describing your friend’s personality and how the experience impacted their attitude or feelings.
• Keep the pace interesting . Vary your sentence lengths and structures, and don’t be afraid to use some stylistic devices like dialogue, flashbacks, and metaphors. This adds more depth and dimension to your story, keeping your readers engaged from beginning to end.

Part 2 Typical Narrative Essay Structure

A narrative essay typically follows a three-part structure: introduction, body, and conclusion.

• Introduction: Start with a hook to grab attention and introduce your story. Provide some background to set the stage for the main events.
• Body: Develop your story in detail. Describe scenes, characters, and emotions. Use dialogue when necessary to provide conversational elements.
• Conclusion: Sum up your story, revealing the lesson learned or the moral of the story. Leave your audience with a lasting impression.

Part 3 Narrative Essay Template

• 1. Introduction : Set the scene and introduce the main characters and setting of your story. Use descriptive language to paint a vivid picture for your reader and capture their attention.
• Body 2. Rising Action : Develop the plot by introducing a conflict or challenge that the main character must face. This could be a personal struggle, a difficult decision, or an external obstacle. 3. Climax : This is the turning point of the story, where the conflict reaches its peak and the main character must make a critical decision or take action. 4. Falling Action : Show the consequences of the main character’s decision or action, and how it affects the rest of the story. 5. Resolution : Bring the story to a satisfying conclusion by resolving the conflict and showing how the main character has grown or changed as a result of their experiences.
• 6. Reflection/Conclusion : Reflect on the events of the story and what they mean to you as the writer. This could be a lesson learned, a personal realization, or a message you want to convey to your reader.

Part 4 Step 1. How to Choose Your Narrative Essay Topic

Brainstorming ideas.

Start by jotting down any ideas that pop into your mind. Think about experiences you’ve had, stories you’ve heard, or even books and movies that have resonated with you. Write these ideas down and don’t worry too much about organization yet. It’s all about getting your thoughts on paper.

Once you have a list, review your ideas and identify common themes or connections between them. This process should help you discover potential topics for your narrative essay.

Narrowing Down the Choices

After brainstorming, you’ll likely end up with a few strong contenders for your essay topic. To decide which topic is best, consider the following:

• Relevance : Is the topic meaningful for your audience? Will they be able to connect with it on a personal level? Consider the purpose of your assignment and your audience when choosing your topic.
• Detail : Do you have enough specific details to craft a vivid story? The more detail you can recall about the event, the easier it’ll be to write a compelling narrative.
• Emotional impact : A strong narrative essay should evoke emotions in your readers. Choose a topic that has the potential to elicit some emotional response from your target audience.

After evaluating your potential topics based on these criteria, you can select the one that best fits the purpose of your narrative essay.

Part 5 Step 2. Planning the Structure

Creating an outline.

Before you start writing your narrative essay, it’s a great idea to plan out your story. Grab a piece of paper and sketch out a rough outline of the key points you want to cover. Begin with the introduction, where you’ll set the scene and introduce your characters. Then, list the major events of your story in chronological order, followed by the climax and resolution. Organizing your ideas in an outline will ensure your essay flows smoothly and makes sense to your readers.

Detailing Characters, Settings, and Events

Taking time to flesh out the characters, settings, and events in your story will make it more engaging and relatable. Think about your main character’s background, traits, and motivations. Describe their appearance, emotions, and behavior in detail. This personal touch will help your readers connect with them on a deeper level.

Also, give some thought to the setting – where does the story take place? Be sure to include sensory details that paint a vivid picture of the environment. Finally, focus on the series of events that make up your narrative. Are there any twists and turns, or surprising moments? Address these in your essay, using vivid language and engaging storytelling techniques to captivate your readers.

Writing the Narrative Essay

Part 6 step 3. crafting an intriguing introduction.

To start your narrative essay, you’ll want to hook your reader with an interesting and engaging opening. Begin with a captivating sentence or question that piques curiosity and captures attention. For example, “Did you ever think a simple bus ride could change your life forever?” This kind of opening sets the stage for a compelling, relatable story. Next, introduce your main characters and provide a bit of context to help your readers understand the setting and background of the story.

Part 7 Step 4. Weaving the Narrative Body

The body of your essay is where your story unfolds. Here’s where you’ll present a series of events, using descriptive language and vivid details.

Remember to maintain a strong focus on the central theme or main point of your narrative.

Organize your essay chronologically, guiding your reader through the timeline of events.

As you recount your experience, use a variety of sensory details, such as sounds, smells, and tastes, to immerse your reader in the moment. For instance, “The smell of freshly brewed coffee filled the room as my friends and I excitedly chattered about our upcoming adventure.”

Take advantage of dialogue to bring your characters to life and to reveal aspects of their personalities. Incorporate both internal and external conflicts, as conflict plays a crucial role in engaging your reader and enhancing the narrative’s momentum. Show the evolution of your characters and how they grow throughout the story.

Part 8 Step 5. Creating a Conclusion

Finally, to write a satisfying conclusion, reflect on the narrative’s impact and how the experience has affected you or your characters. Tie the narrative’s events together and highlight the lessons learned, providing closure for the reader.

Avoid abruptly ending your story, because that can leave the reader feeling unsatisfied. Instead, strive to create a sense of resolution and demonstrate how the events have changed the characters’ perspectives or how the story’s theme has developed.

For example, “Looking back, I realize that the bus ride not only changed my perspective on friendship, but also taught me valuable life lessons that I carry with me to this day.”

Part 9 Step 6. Polishing the Essay

Fine-tuning your language.

When writing a narrative essay, it’s key to choose words that convey the emotions and experiences you’re describing. Opt for specific, vivid language that creates a clear mental image for your reader. For instance, instead of saying “The weather was hot,” try “The sun scorched the pavement, causing the air to shimmer like a mirage.” This gives your essay a more engaging and immersive feeling.

Editing for Clarity and Concision

As you revise your essay, keep an eye out for redundancies and unnecessary words that might dilute the impact of your story. Getting to the point and using straightforward language can help your essay flow better. For example, instead of using “She was walking in a very slow manner,” you can say, “She strolled leisurely.” Eliminate filler words and phrases, keeping only the most pertinent information that moves your story forward.

Proofreading for Typos

Finally, proofread your essay carefully to catch any typos, grammatical errors, or punctuation mistakes. It’s always a good idea to have someone else read it as well, as they might catch errors you didn’t notice. Mistakes can be distracting and may undermine the credibility of your writing, so be thorough with your editing process.

Part 10 Step 7. Feedback and Revision

Gathering feedback.

After you’ve written the first draft of your narrative essay, it’s time to gather feedback from friends, family, or colleagues. Share your essay with a few trusted people who can provide insights and suggestions for improvement. Listen to their thoughts and be open to constructive criticism. You might be surprised by the different perspectives they offer, which can strengthen your essay.

Iterating on the Draft

Once you have collected feedback, it’s time to revise and refine your essay. Address any issues or concerns raised by your readers and incorporate their suggestions. Consider reorganizing your story’s structure, clarifying your descriptions, or adding more details based on the feedback you received.

As you make changes, continue to fine-tune your essay to ensure a smooth flow and a strong narrative. Don’t be afraid to cut out unnecessary elements or rework parts of your story until it’s polished and compelling.

Revision is a crucial part of the writing process, and taking the time to reflect on feedback and make improvements will help you create a more engaging and impactful narrative essay.

Frequently Asked Questions

How can i create an engaging introduction.

Craft an attention-grabbing hook with a thought-provoking question, an interesting fact, or a vivid description. Set the stage for your story by introducing the time, place, and context for the events. Creating tension or raising curiosity will make your readers eager to learn more.

What strategies help develop strong characters?

To develop strong characters, consider the following:

• Give your characters distinct traits, strengths, and weaknesses.
• Provide a backstory to explain their actions and motivations.
• Use dialogue to present their personality, emotions, and relationships.
• Show how they change or evolve throughout your story.

How can I make my story flow smoothly with transitions?

Smooth transitions between scenes or events can create a more coherent and easy-to-follow story. Consider the following tips to improve your transitions:

• Use words and phrases like “meanwhile,” “later that day,” or “afterward” to signify changes in time.
• Link scenes with a common theme or element.
• Revisit the main characters or setting to maintain continuity.
• Introduce a twist or an unexpected event that leads to the next scene.

What are some tips for choosing a great narrative essay topic?

To choose an engaging narrative essay topic, follow these tips:

• Pick a personal experience or story that holds significance for you.
• Consider a challenge or a turning point you’ve faced in your life.
• Opt for a topic that will allow you to share emotions and lessons learned.
• Think about what your audience would find relatable, intriguing, or inspiring.

How do I wrap up my narrative essay with a strong conclusion?

A compelling conclusion restates the main events and highlights any lessons learned or growth in your character. Try to end on a thought-provoking note or leave readers with some food for thought. Finally, make sure your conclusion wraps up your story neatly and reinforces its overall message.

• How to Write a Perfect Project Plan? [The Easy Guide]
• How to Write a Thoughtful Apology Letter (Inspiring Examples)
• 5 Main Change Management Models: ADKAR vs Kubler Ross vs McKinsey 7S vs Lewin's vs Kotter’s 8 Step
• How to Write a Performance Improvement Plan (PIP)
• How to Write an Effective Performance Review (Essential Steps)
• How to Write Scope of Work - 7 Necessary Steps and 6 Best Practices

Purdue Online Writing Lab Purdue OWL® College of Liberal Arts

Narrative Essays

Welcome to the Purdue OWL

This page is brought to you by the OWL at Purdue University. When printing this page, you must include the entire legal notice.

Copyright ©1995-2018 by The Writing Lab & The OWL at Purdue and Purdue University. All rights reserved. This material may not be published, reproduced, broadcast, rewritten, or redistributed without permission. Use of this site constitutes acceptance of our terms and conditions of fair use.

What is a narrative essay?

When writing a narrative essay, one might think of it as telling a story. These essays are often anecdotal, experiential, and personal—allowing students to express themselves in a creative and, quite often, moving ways.

Here are some guidelines for writing a narrative essay.

• If written as a story, the essay should include all the parts of a story.

This means that you must include an introduction, plot, characters, setting, climax, and conclusion.

• When would a narrative essay not be written as a story?

A good example of this is when an instructor asks a student to write a book report. Obviously, this would not necessarily follow the pattern of a story and would focus on providing an informative narrative for the reader.

• The essay should have a purpose.

Make a point! Think of this as the thesis of your story. If there is no point to what you are narrating, why narrate it at all?

• The essay should be written from a clear point of view.

It is quite common for narrative essays to be written from the standpoint of the author; however, this is not the sole perspective to be considered. Creativity in narrative essays oftentimes manifests itself in the form of authorial perspective.

• Use clear and concise language throughout the essay.

Much like the descriptive essay, narrative essays are effective when the language is carefully, particularly, and artfully chosen. Use specific language to evoke specific emotions and senses in the reader.

• The use of the first person pronoun ‘I’ is welcomed.

Do not abuse this guideline! Though it is welcomed it is not necessary—nor should it be overused for lack of clearer diction.

• As always, be organized!

Have a clear introduction that sets the tone for the remainder of the essay. Do not leave the reader guessing about the purpose of your narrative. Remember, you are in control of the essay, so guide it where you desire (just make sure your audience can follow your lead).

Narrative Essay with Tips - a Detailed Guide

Defining What Is a Narrative Essay

We can explain a narrative essay definition as a piece of writing that tells a story. It's like a window into someone's life or a page torn from a diary. Similarly to a descriptive essay, a narrative essay tells a story, rather than make a claim and use evidence. It can be about anything – a personal experience, a childhood memory, a moment of triumph or defeat – as long as it's told in a way that captures the reader's imagination.

You might ask - 'which sentence most likely comes from a narrative essay?'. Let's take this for example: 'I could hear the waves crashing against the shore, their rhythm a soothing lullaby that carried me off to sleep.' You could even use such an opening for your essay when wondering how to start a narrative essay.

To further define a narrative essay, consider it storytelling with a purpose. The purpose of a narrative essay is not just to entertain but also to convey a message or lesson in first person. It's a way to share your experiences and insights with others and connect with your audience. Whether you're writing about your first love, a harrowing adventure, or a life-changing moment, your goal is to take the reader on a journey that will leave them feeling moved, inspired, or enlightened.

So if you're looking for a way to express yourself creatively and connect with others through your writing, try your hand at a narrative essay. Who knows – you might just discover a hidden talent for storytelling that you never knew you had!

Meanwhile, let's delve into the article to better understand this type of paper through our narrative essay examples, topic ideas, and tips on constructing a perfect essay.

Types of Narrative Essays

If you were wondering, 'what is a personal narrative essay?', know that narrative essays come in different forms, each with a unique structure and purpose. Regardless of the type of narrative essay, each aims to transport the reader to a different time and place and to create an emotional connection between the reader and the author's experiences. So, let's discuss each type in more detail:

• A personal narrative essay is based on one's unique experience or event. Personal narrative essay examples include a story about overcoming a fear or obstacle or reflecting on a particularly meaningful moment in one's life.
• A fictional narrative is a made-up story that still follows the basic elements of storytelling. Fictional narratives can take many forms, from science fiction to romance to historical fiction.
• A memoir is similar to personal narratives but focuses on a specific period or theme in a person's life. Memoirs might be centered around a particular relationship, a struggle with addiction, or a cultural identity. If you wish to describe your life in greater depth, you might look at how to write an autobiography .
• A literacy narrative essay explores the writer's experiences with literacy and how it has influenced their life. The essay typically tells a personal story about a significant moment or series of moments that impacted the writer's relationship with reading, writing, or communication.

You might also be interested in discovering ' HOW TO WRITE AN AUTOBIOGRAPHY '

Pros and Cons of Narrative Writing

Writing a narrative essay can be a powerful tool for self-expression and creative storytelling, but like any form of writing, it comes with its own set of pros and cons. Let's explore the pros and cons of narrative writing in more detail, helping you to decide whether it's the right writing style for your needs.

• It can be a powerful way to convey personal experiences and emotions.
• Allows for creative expression and unique voice
• Engages the reader through storytelling and vivid details
• It can be used to teach a lesson or convey a message.
• Offers an opportunity for self-reflection and growth
• It can be challenging to balance personal storytelling with the needs of the reader
• It may not be as effective for conveying factual information or arguments
• It may require vulnerability and sharing personal details that some writers may find uncomfortable
• It can be subjective, as the reader's interpretation of the narrative may vary

If sharing your personal stories is not your cup of tea, you can buy essays online from our expert writers, who will customize the paper to your particular writing style and tone.

20 Excellent Narrative Essay Topics and How to Choose One

Choosing a good topic among many narrative essay ideas can be challenging, but some tips can help you make the right choice. Here are some original and helpful tips on how to choose a good narrative essay topic:

• Consider your own experiences: One of the best sources of inspiration for a narrative essay is your own life experiences. Consider moments that have had a significant impact on you, whether they are positive or negative. For example, you could write about a memorable trip or a challenging experience you overcame.
• Choose a topic relevant to your audience: Consider your audience and their interests when choosing a narrative essay topic. If you're writing for a class, consider what topics might be relevant to the course material. If you're writing for a broader audience, consider what topics might be interesting or informative to them.
• Find inspiration in literature: Literature can be a great source of inspiration for a narrative essay. Consider the books or stories that have had an impact on you, and think about how you can incorporate elements of them into your own narrative. For example, you could start by using a title for narrative essay inspired by the themes of a favorite novel or short story.
• Focus on a specific moment or event: Most narrative essays tell a story, so it's important to focus on a specific moment or event. For example, you could write a short narrative essay about a conversation you had with a friend or a moment of realization while traveling.
• Experiment with different perspectives: Consider writing from different perspectives to add depth and complexity to your narrative. For example, you could write about the same event from multiple perspectives or explore the thoughts and feelings of a secondary character.
• Use writing prompts: Writing prompts can be a great source of inspiration if you struggle to develop a topic. Consider using a prompt related to a specific theme, such as love, loss, or growth.
• Choose a topic with rich sensory details: A good narrative essay should engage the senses and create a vivid picture in the reader's mind. Choose a topic with rich sensory details that you can use to create a vivid description. For example, you could write about a bustling city's sights, sounds, and smells.
• Choose a topic meaningful to you: Ultimately, the best narrative essays are meaningful to the writer. Choose a topic that resonates with you and that you feel passionate about. For example, you could write about a personal goal you achieved or a struggle you overcame.

Here are some good narrative essay topics for inspiration from our experts:

• A life-changing event that altered your perspective on the world
• The story of a personal accomplishment or achievement
• An experience that tested your resilience and strength
• A time when you faced a difficult decision and how you handled it
• A childhood memory that still holds meaning for you
• The impact of a significant person in your life
• A travel experience that taught you something new
• A story about a mistake or failure that ultimately led to growth and learning
• The first day of a new job or school
• The story of a family tradition or ritual that is meaningful to you
• A time when you had to confront a fear or phobia
• A memorable concert or music festival experience
• An experience that taught you the importance of communication or listening
• A story about a time when you had to stand up for what you believed in
• A time when you had to persevere through a challenging task or project
• A story about a significant cultural or societal event that impacted your life
• The impact of a book, movie, or other work of art on your life
• A time when you had to let go of something or someone important to you
• A memorable encounter with a stranger that left an impression on you
• The story of a personal hobby or interest that has enriched your life

Narrative Format and Structure

The narrative essay format and structure are essential elements of any good story. A well-structured narrative can engage readers, evoke emotions, and create lasting memories. Whether you're writing a personal essay or a work of fiction, the following guidelines on how to write a narrative essay can help you create a compelling paper:

• Introduction : The introduction sets the scene for your story and introduces your main characters and setting. It should also provide a hook to capture your reader's attention and make them want to keep reading. When unsure how to begin a narrative essay, describe the setting vividly or an intriguing question that draws the reader in.
• Plot : The plot is the sequence of events that make up your story. It should have a clear beginning, middle, and end, with each part building on the previous one. The plot should also have a clear conflict or problem the protagonist must overcome.
• Characters : Characters are the people who drive the story. They should be well-developed and have distinct personalities and motivations. The protagonist should have a clear goal or desire, and the antagonist should provide a challenge or obstacle to overcome.
• Setting : The setting is the time and place the story takes place. It should be well-described and help to create a mood or atmosphere that supports the story's themes.
• Dialogue : Dialogue is the conversation between characters. It should be realistic and help to reveal the characters' personalities and motivations. It can also help to move the plot forward.
• Climax : The climax is the highest tension or conflict point in the story. It should be the turning point that leads to resolving the conflict.
• Resolution : The resolution is the end of the story. It should provide a satisfying conclusion to the conflict and tie up any loose ends.

Following these guidelines, you can create a narrative essay structure that engages readers and leaves a lasting impression. Remember, a well-structured story can take readers on a journey and make them feel part of the action.

Want to Be Like an Expert Writer? 

Order now and let our narrative essay service turn your experiences into a captivating and unforgettable tale

Narrative Essay Outline

Here is a detailed narrative essay outline from our custom term paper writing :

Introduction

A. Hook: Start with an attention-grabbing statement, question, or anecdote that introduces the topic and draws the reader in. Example: 'The sun beat down on my skin as I stepped onto the stage, my heart pounding with nervous excitement.'

B. Background information: Provide context for the story, such as the setting or the characters involved. Example: 'I had been preparing for this moment for weeks, rehearsing my lines and perfecting my performance for the school play.'

C. Thesis statement: State the essay's main point and preview the events to come. Example: 'This experience taught me that taking risks and stepping outside my comfort zone can lead to unexpected rewards and personal growth.'

Body Paragraphs

A. First event: Describe the first event in the story, including details about the setting, characters, and actions. Example: 'As I delivered my first lines on stage, I felt a rush of adrenaline and a sense of pride in my hard work paying off.'

B. Second event: Describe the second event in the story, including how it builds on the first event and moves the story forward. Example: 'As the play progressed, I became more comfortable in my role and connecting with the other actors on stage.'

C. Turning point: Describe the turning point in the story, when something unexpected or significant changes the course of events. Example: 'In the final act, my character faced a difficult decision that required me to improvise and trust my instincts.'

D. Climax: Describe the story's climax, the highest tension or conflict point. Example: 'As the play reached its climax, I delivered my final lines with confidence and emotion, feeling a sense of accomplishment and fulfillment.'

A. Restate thesis: Summarize the essay's main point and how the events in the story support it. Example: 'Through this experience, I learned that taking risks and pushing past my comfort zone can lead to personal growth and unexpected rewards.'

B. Reflection: Reflect on the significance of the experience and what you learned from it. Example: 'Looking back, I realize that this experience not only taught me about acting and performance but also about the power of perseverance and self-belief.'

C. Call to action: if you're still wondering how to write an essay conclusion , consider ending it with a call to action or final thought that leaves the reader with something to consider or act on. Example: 'I encourage everyone to take risks and embrace new challenges because you never know what kind of amazing experiences and growth they may lead to.

You might also be interested in getting detailed info on ' HOW TO WRITE AN ESSAY CONCLUSION '

Narrative Essay Examples

Are you looking for inspiration for your next narrative essay? Look no further than our narrative essay example. Through vivid storytelling and personal reflections, this essay takes the reader on a journey of discovery and leaves them with a powerful lesson about the importance of compassion and empathy. Use this sample from our expert essay writer as a guide for crafting your own narrative essay, and let your unique voice and experiences shine through.

Narrative Essay Example for College

College professors search for the following qualities in their students:

• the ability to adapt to different situations,
• the ability to solve problems creatively,
• and the ability to learn from mistakes.

Your work must demonstrate these qualities, regardless of whether your narrative paper is a college application essay or a class assignment. Additionally, you want to demonstrate your character and creativity. Describe a situation where you have encountered a problem, tell the story of how you came up with a unique approach to solving it, and connect it to your field of interest. The narrative can be exciting and informative if you present it in such fashion.

Narrative Essay Example for High School

High school is all about showing that you can make mature choices. You accept the consequences of your actions and retrieve valuable life lessons. Think of an event in which you believe your actions were exemplary and made an adult choice. A personal narrative essay example will showcase the best of your abilities. Finally, use other sources to help you get the best results possible. Try searching for a sample narrative essay to see how others have approached it.

Final Words

So now that you know what is a narrative essay you might want to produce high-quality paper. For that let our team of experienced writers help. Our research paper writing service offers a range of professional writing services that cater to your unique needs and requirements, from narrative essays to medical personal statement , also offering dissertation help and more.

With our flexible pricing options and fast turnaround times, you can trust that you'll receive great value for your investment. Contact us today to learn more about how we can help you succeed in your academic writing journey. 

Unlock Your Potential with Our Essays!

Order now and take the first step towards achieving your academic goals

What Is A Narrative Essay?

How to start a narrative essay, how to write a good narrative essay, related articles.

Get science-backed answers as you write with Paperpal's Research feature

What is a Narrative Essay? How to Write It (with Examples)

Narrative essays are a type of storytelling in which writers weave a personal experience into words to create a fascinating and engaging narrative for readers. A narrative essay explains a story from the author’s point of view to share a lesson or memory with the reader. Narrative essays, like descriptive essays , employ figurative language to depict the subject in a vivid and creative manner to leave a lasting impact on the readers’ minds. In this article, we explore the definition of narrative essays, list the key elements to be included, and provide tips on how to craft a narrative that captivates your audience.

Table of Contents

What is a narrative essay, choosing narrative essay topics, key elements in a narrative essay, creating a narrative essay outline, types of narrative essays, the pre-writing stage, the writing stage, the editing stage, narrative essay example, frequently asked questions.

Narrative essays are often based on one’s personal experience which allows the author to express himself/herself in compelling ways for the reader. They employ storytelling elements to convey the plot and captivate the reader while disclosing the story’s theme or purpose. The author must always have a purpose or theme in mind when writing a narrative essay. These essays may be assigned to high school students to assess their ability to create captivating stories based on personal experiences, or they may be required as part of a college application to assess the applicant’s personal traits. Narrative essays might be based on true events with minor tweaks for dramatic purposes, or they can be adapted from a fictional scenario. Whatever the case maybe, the goal is to tell a story, a good story!

In narrative essays, the emphasis is not so much on the narrative itself as it is on how you explain it. Narrative essay topics cover a range of experiences, from noteworthy to mundane, but when storytelling elements are used well, even a simple account can have weight. Notably, the skills required for narrative writing differ significantly from those needed for formal academic essays, and we will delve deeper into this in the next section.

You can talk about any narrative, but consider whether it is fascinating enough, has enough twists and turns, or teaches a lesson (It’s a plus if the story contains an unexpected twist at the end). The potential topics for a narrative essay are limitless—a triumphant story, a brief moment of introspection, or a voyage of self-discovery. These essays provide writers with the opportunity to share a fragment of their lives with the audience, enriching both the writer’s and the reader’s experiences. Narrative essay examples could be a write-up on “What has been your biggest achievement in life so far and what did it teach you?” or “Describe your toughest experience and how you dealt with it?”.

While narrative essays allow you to be creative with your ideas, language, and format, they must include some key components to convey the story clearly, create engaging content and build reader interest. Follow these guidelines when drafting your essay:   

• Tell your story using the first person to engage users.
• Use sufficient sensory information and figurative language.
• Follow an organized framework so the story flows chronologically.
• Include interesting plot components that add to the narrative.
• Ensure clear language without grammar, spelling, or word choice errors.

Narrative essay outlines serve as the foundational structure for essay composition, acting as a framework to organize thoughts and ideas prior to the writing process. These outlines provide writers with a means to summarize the story, and help in formulating the introduction and conclusion sections and defining the narrative’s trajectory.

Unlike conventional essays that strictly adhere to the five-paragraph structure, narrative essays allow for more flexibility as the organization is dictated by the flow of the story. The outline typically encompasses general details about the events, granting writers the option to prioritize writing the body sections first while deferring the introduction until later stages of the writing process. This approach allows for a more organic and fluid writing process. If you’re wondering how to start writing a narrative essay outline, here is a sample designed to ensure a compelling and coherent narrative:

Introduction

• Hook/Opening line: The introduction should have an opening/hook sentence that is a captivating quote, question, or anecdote that grabs the reader’s attention.
• Background: Briefly introduce the setting, time, tone, and main characters.
• Thesis statement: State clearly the main theme or lesson acquired from the experience.
• Event 1 (according to occurrence): Describe the first major event in detail. Introduce the primary characters and set the story context; include sensory elements to enrich the narrative and give the characters depth and enthusiasm.
• Event 2: Ensure a smooth transition from one event to the next. Continue with the second event in the narrative. For more oomph, use suspense or excitement, or leave the plot with cliffhanger endings. Concentrate on developing your characters and their relationships, using dialog to bring the story to life.
• Event 3: If there was a twist and suspense, this episode should introduce the climax or resolve the story. Keep the narrative flowing by connecting events logically and conveying the feelings and reactions of the characters.
• Summarize the plot: Provide a concise recap of the main events within the narrative essay. Highlight the key moments that contribute to the development of the storyline. Offer personal reflections on the significance of the experiences shared, emphasizing the lasting impact they had on the narrator. End the story with a clincher; a powerful and thought-provoking sentence that encapsulates the essence of the narrative. As a bonus, aim to leave the reader with a memorable statement or quote that enhances the overall impact of the narrative. This should linger in the reader’s mind, providing a satisfying and resonant conclusion to the essay.

There are several types of narrative essays, each with their own unique traits. Some narrative essay examples are presented in the table below.

How to write a narrative essay: Step-by-step guide

A narrative essay might be inspired by personal experiences, stories, or even imaginary scenarios that resonate with readers, immersing them in the imaginative world you have created with your words. Here’s an easy step-by-step guide on how to write a narrative essay.

• Select the topic of your narrative

If no prompt is provided, the first step is to choose a topic to write about. Think about personal experiences that could be given an interesting twist. Readers are more likely to like a tale if it contains aspects of humor, surprising twists, and an out-of-the-box climax. Try to plan out such subjects and consider whether you have enough information on the topic and whether it meets the criteria of being funny/inspiring, with nice characters/plot lines, and an exciting climax. Also consider the tone as well as any stylistic features (such as metaphors or foreshadowing) to be used. While these stylistic choices can be changed later, sketching these ideas early on helps you give your essay a direction to start.

• Create a framework for your essay

Once you have decided on your topic, create an outline for your narrative essay. An outline is a framework that guides your ideas while you write your narrative essay to keep you on track. It can help with smooth transitions between sections when you are stuck and don’t know how to continue the story. It provides you with an anchor to attach and return to, reminding you of why you started in the first place and why the story matters.

• Compile your first draft

A perfect story and outline do not work until you start writing the draft and breathe life into it with your words. Use your newly constructed outline to sketch out distinct sections of your narrative essay while applying numerous linguistic methods at your disposal. Unlike academic essays, narrative essays allow artistic freedom and leeway for originality so don’t stop yourself from expressing your thoughts. However, take care not to overuse linguistic devices, it’s best to maintain a healthy balance to ensure readability and flow.

• Use a first-person point of view

One of the most appealing aspects of narrative essays is that traditional academic writing rules do not apply, and the narration is usually done in the first person. You can use first person pronouns such as I and me while narrating different scenarios. Be wary of overly using these as they can suggest lack of proper diction.

• Use storytelling or creative language

You can employ storytelling tactics and linguistic tools used in fiction or creative writing, such as metaphors, similes, and foreshadowing, to communicate various themes. The use of figurative language, dialogue, and suspense is encouraged in narrative essays.

• Follow a format to stay organized

There’s no fixed format for narrative essays, but following a loose format when writing helps in organizing one’s thoughts. For example, in the introduction part, underline the importance of creating a narrative essay, and then reaffirm it in the concluding paragraph. Organize your story chronologically so that the reader can follow along and make sense of the story.

• Reread, revise, and edit

Proofreading and editing are critical components of creating a narrative essay, but it can be easy to become weighed down by the details at this stage. Taking a break from your manuscript before diving into the editing process is a wise practice. Stepping away for a day or two, or even just a few hours, provides valuable time to enhance the plot and address any grammatical issues that may need correction. This period of distance allows for a fresh perspective, enabling you to approach the editing phase with renewed clarity and a more discerning eye.

One suggestion is to reconsider the goals you set out to cover when you started the topic. Ask yourself these questions:

• Is there a distinct beginning and end to your story?
• Does your essay have a topic, a memory, or a lesson to teach?
• Does the tone of the essay match the intended mood?

Now, while keeping these things in mind, modify and proofread your essay. You can use online grammar checkers and paraphrase tools such as Paperpal to smooth out any rough spots before submitting it for publication or submission.

It is recommended to edit your essay in the order it was written; here are some useful tips:

• Revise the introduction

After crafting your narrative essay, review the introduction to ensure it harmonizes with the developed narrative. Confirm that it adeptly introduces the story and aligns seamlessly with the conclusion.

• Revise the conclusion and polish the essay

The conclusion should be the final element edited to ensure coherence and harmony in the entire narrative. It must reinforce the central theme or lesson outlined initially.

• Revise and refine the entire article

The last step involves refining the article for consistent tone, style, and tense as well as correct language, grammar, punctuation, and clarity. Seeking feedback from a mentor or colleague can offer an invaluable external perspective at this stage.

Narrative essays are true accounts of the writer’s personal experiences, conveyed in figurative language for sensory appeal. Some narrative essay topic examples include writing about an unforgettable experience, reflecting on mistakes, or achieving a goal. An example of a personal narrative essay is as follows:

Title: A Feline Odyssey: An Experience of Fostering Stray Kittens

Introduction:

It was a fine summer evening in the year 2022 when a soft meowing disrupted the tranquility of my terrace. Little did I know that this innocent symphony would lead to a heartwarming journey of compassion and companionship. Soon, there was a mama cat at my doorstep with four little kittens tucked behind her. They were the most unexpected visitors I had ever had.

The kittens, just fluffs of fur with barely open eyes, were a monument to life’s fragility. Their mother, a street-smart feline, had entrusted me with the care of her precious offspring. The responsibility was sudden and unexpected, yet there was an undeniable sense of purpose in the air , filling me with delight and enthusiasm.

As the days unfolded, my terrace transformed into a haven for the feline family. Cardboard boxes became makeshift cat shelters and my once solitary retreat was filled with purrs and soothing meows. The mother cat, Lily, who initially observ ed me from a safe distance, gradually began to trust my presence as I offered food and gentle strokes.

Fostering the kittens was a life-changing , enriching experience that taught me the true joy of giving as I cared for the felines. My problems slowly faded into the background as evenings were spent playing with the kittens. Sleepless nights turned into a symphony of contented purring, a lullaby filled with the warmth of trust and security . Although the kittens were identical, they grew up to have very distinct personalities, with Kuttu being the most curious and Bobo being the most coy . Every dawn ushered in a soothing ritual of nourishing these feline companions, while nights welcomed their playful antics — a daily nocturnal delight.

Conclusion:

As the kittens grew, so did the realization that our paths were destined to part. Finally, the day arrived when the feline family, now confident and self-reliant, bid farewell to my terrace. It was a bittersweet moment, filled with a sense of love and accomplishment and a tinge of sadness.

Fostering Kuttu, Coco, Lulu, and Bobo became one of the most transformative experiences of my life. Their arrival had brought unexpected joy, teaching me about compassion and our species’ ability to make a difference in the world through love and understanding. The terrace, once a quiet retreat, now bore the echoes of a feline symphony that had touched my heart in ways I could have never imagined.

The length of a narrative essay may vary, but it is typically a brief to moderate length piece. Generally, the essay contains an introductory paragraph, two to three body paragraphs (this number can vary), and a conclusion. The entire narrative essay could be as short as five paragraphs or much longer, depending on the assignment’s requirements or the writer’s preference.

You can write a narrative essay when you have a personal experience to share, or a story, or a series of events that you can tell in a creative and engaging way. Narrative essays are often assigned in academic settings as a form of writing that allows students to express themselves and showcase their storytelling skills. However, you can also write a narrative essay for personal reflection, entertainment, or to communicate a message.

A narrative essay usually follows a three-part structure: – Introduction (To set the stage for the story) – Body paragraphs (To describe sequence of events with details, descriptions, and dialogue) – Conclusion (To summarize the story and reflect on the significance)

Paperpal is an AI academic writing assistant that helps authors write better and faster with real-time writing suggestions and in-depth checks for language and grammar correction. Trained on millions of published scholarly articles and 20+ years of STM experience, Paperpal delivers human precision at machine speed.    

Try it for free or upgrade to  Paperpal Prime , which unlocks unlimited access to Paperpal Copilot and premium features like academic translation, paraphrasing, contextual synonyms, consistency checks, submission readiness and more. It’s like always having a professional academic editor by your side! Go beyond limitations and experience the future of academic writing.  Get Paperpal Prime now at just US$19 a month!  

Related Reads:

Webinar: how to use generative ai tools ethically in your academic writing.

• 7 Ways to Improve Your Academic Writing Process
• Chemistry Terms: 7 Commonly Confused Words in Chemistry Manuscripts
• Empirical Research: A Comprehensive Guide for Academics 

What is a Descriptive Essay? How to Write It (with Examples)

You may also like, what is academic writing: tips for students, what is hedging in academic writing  , how to use ai to enhance your college..., how to use paperpal to generate emails &..., ai in education: it’s time to change the..., is it ethical to use ai-generated abstracts without..., do plagiarism checkers detect ai content, word choice problems: how to use the right..., how to avoid plagiarism when using generative ai..., what are journal guidelines on using generative ai....

Narrative Essay

A narration is simply the telling of a story. Whenever someone recounts an event or tells a story, he or she is using narration. A narration essay recounts an event or tells a story to illustrate an idea. A narration essay may be entertaining or informative.

Five Basic Steps to Writing a Narrative Essay

• Purpose: Why are you telling the story? Every narration must have a point or purpose, usually to entertain or to inform.
• Context: You should establish the context of your narrative early in the essay. You can follow these basic guidelines: who, what, where, when.
• Point of View: A narrative essay may be written in the first-person (I) or third-person (he, she, it) point of view; do not use second person (you). If you were part of the action, the first-person provides the best perspective. If you are relating an event based upon other sources, use the third-person point of view. In some circumstances, you may be forced to choose the point of view (if, for example, you were a witness, but not a participant). Once you have decided upon a point of view, stay consistent with it.
• Details: Include enough details for clarity; however, select only the facts that are relevant.
• Organization: A narrative usually follows a chronological time line; however, you may find flashbacks a creative option as long as the narrative can be clearly followed by the reader. Most narratives are told in the past tense. You should keep tenses consistent.

Thesis Statements for Narrative Essays

To create a thesis statement, combine the claim and the supporting details in one sentence. The direction of your essay can change depending on the pattern in which you organize the supporting details.

Once you have drafted a narrative, it’s always a good idea to ask someone else to read it. And, of course, you yourself will want to review what you have written from the standpoint of a critical reader.

Questions to Keep in Mind When Checking a Narrative

PURPOSE AND AUDIENCE. Does the narrative serve the purpose it is intended to serve? Is it appropriate for its intended audience? Does it need any additional background information or definitions?

THE STORY. Does it consist mainly of actions and events? Do they constitute a plot, with a clear beginning, middle, and end? Is every action in the narrative necessary to the plot? Have any essential actions been left out?

THE POINT. Does the narrative have a clear point to make? What is it? Is it stated explicitly in a thesis? If not, should it be?

ORGANIZATION. Is the storyline easy to follow? Are the events in chronological order? Are there any unintentional lapses in chronology or verb tense? Are intentional deviations from chronology, such as flashbacks, clearly indicated?

TRANSITIONS. Are there clear transitions to help readers follow the sequence of events? Have you checked over each transition to see that it logically connects the adjoining parts of the narrative?

DIALOGUE AND POINT OF VIEW. If there is no dialogue in the narrative, would some direct speech help bring it to life? If there is dialogue, does it sound like real people talking? Is the narrative told from a consistent, plausible point of view?

DETAILS. Does the narrative include lots of concrete details, especially sensory details (visual, olfactory, tactile, and auditory)? Does it show as well as tell?  Can your reader imagine themselves there?

THE BEGINNING. Will the beginning of the narrative get the reader’s attention? How? How well does it set up what follows? How else might the narrative begin?

THE ENDING. How satisfying is it? What does it leave the reader thinking or feeling? How else might the narrative end?

Michael| 2018

This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/4.0/.

Types of Point of View: The Ultimate Guide to First Person and Third Person POV

by Joe Bunting | 72 comments

Free Book Planning Course!  Sign up for our 3-part book planning course and make your book writing easy . It expires soon, though, so don’t wait.  Sign up here before the deadline!

In my experience as an editor, point of view problems are among the top mistakes I see new writers make, and they instantly erode credibility and reader trust. Point of view isn't easy though, since there are so many to choose from: first person point of view, third person limited, third person omniscient, and second person.

What do those even mean? And how do you choose the right one for your story?

All stories are written from a point of view. However, when point of view goes wrong—and believe me, it goes wrong often—you threaten whatever trust you have with your reader. You also fracture their suspension of disbelief.

However, point of view is simple to master if you use common sense.

This post will define point of view, go over each of the major POVs, explain a few of the POV rules, and then point out the major pitfalls writers make when dealing with that point of view.

Table of Contents

Point of View Definition The 4 Types of Point of View The #1 POV Mistake First Person Point of View Second Person Point of View Third Person Limited Point of View Third Person Omniscient Point of View FAQ: Can you change POV in a Series? Practice Exercise

Point of View Definition

The point of view, or POV, in a story is the narrator's position in the description of events, and comes from the Latin word, punctum visus , which literally means point sight. The point of view is where a writer points the sight of the reader.

Note that point of view also has a second definition.

In a discussion, an argument, or nonfiction writing, a point of view is an opinion about a subject. This is not the type of point of view we're going to focus on in this article (although it is helpful for nonfiction writers, and for more information, I recommend checking out Wikipedia's neutral point of view policy ).

I especially like the German word for POV, which is Gesichtspunkt , translated “face point,” or where your face is pointed. Isn't that a good visual for what's involved in point of view? It's the limited perspective of what you show your reader.

Note too that point of view is sometimes called narrative mode or narrative perspective.

Why Point of View Is So Important

Why does point of view matter so much?

For a fiction writer, point of view filters everything in your story. Everything in your story must come from a point of view.

Which means if you get it wrong, your entire story is damaged.

For example, I've personally read and judged thousands of stories for literary contests, and I've found point of view mistakes in about twenty percent of them. Many of these stories would have placed much higher if only the writers hadn't made the mistakes we're going to talk about soon.

The worst part is these mistakes are easily avoidable if you're aware of them. But before we get into the common point of view mistakes, let's go over each of the four types of narrative perspective.

The Four Types of Point of View

Here are the four primary types of narration in fiction:

• First person point of view.  First person perspective is when “I” am telling the story. The character is in  the story, relating his or her experiences directly.
• Second person point of view. The story is told to “you.” This POV is not common in fiction, but it's still good to know (it is  common in nonfiction).
• Third person point of view, limited. The story is about “he” or “she.” This is the most common point of view in commercial fiction. The narrator is outside of the story and relating the experiences of a character.
• Third person point of view, omniscient. The story is still about “he” or “she,” but the narrator has full access to the thoughts and experiences of all  characters in the story. This is a much broader perspective.

I know you've seen and probably even used most of these point of views.

While these are the only types of POV, there are additional narrative techniques you can use to tell an interesting story. To learn how to use devices like epistolary and framing stories, check out our full narrative devices guide here .

Let's discuss each of the four types, using examples to see how they affect your story. We'll also go over the rules for each type, but first let me explain the big mistake you don't want to make with point of view.

The #1 POV Mistake

Do not begin your story with a first person narrator and then switch to a third person narrator. Do not start with third person limited and then abruptly give your narrator full omniscience. This is the most common type of error I see writers make with POV.

The guideline I learned in my first creative writing class in college is a good one:

Establish the point of view within the first two paragraphs of your story.

And above all, don't change your point of view . If you do, it creates a jarring experience for the reader and you'll threaten your reader's trust. You could even fracture the architecture of your story.

That being said, as long as you're consistent, you can sometimes get away with using multiple POV types. This isn't easy and isn't recommended, but for example, one of my favorite stories, a 7,000 page web serial called Worm ,  uses two point of views—first person with interludes of third-person limited—very effectively. (By the way, if you're looking for a novel to read over the next two to six months, I highly recommend it—here's the link to read for free online .) The first time the author switched point of views, he nearly lost my trust. However, he kept this dual-POV consistent over 7,000 pages and made it work.

Whatever point of view choices you make, be consistent. Your readers will thank you!

Now, let's go into detail on each of the four narrative perspective types, their best practices, and mistakes to avoid.

First Person Point of View

In first person point of view, the narrator is in the story and telling the events he or she is personally experiencing.

The simplest way to understand first person is that the narrative will use first-person pronouns like I, me, and my.

Here's a first person point of view example from Herman Melville's  Moby Dick :

Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world

First person narrative perspective is one of the most common POVs in fiction. If you haven't read a book in first person point of view, you haven't been reading.

What makes this point of view interesting, and challenging, is that all of the events in the story are filtered through the narrator and explained in his or her own unique narrative voice.

This means first person narrative is both biased and incomplete, but it can also deliver a level of intimacy other POVs can't.

Other first person point of view examples can be found in these popular novels :

• The Sun Also Rises  by Ernest Hemingway
• Twilight by Stephenie Meyer
• Ready Player One by Ernest Cline
• The Hunger Games  by Suzanne Collins
• The Great Gatsby by F. Scott Fitzgerald
• Jane Eyre by Charlotte Brönte

First Person Narrative is Unique to Writing

There's no such thing as first person in film or theater—although voiceovers and mockumentary interviews like the ones in The Office and Modern Family provide a level of first person narrative in third person perspective film and television.

In fact, the very first novels were written in first person, modeled after popular journals and autobiographies which were first-person stories of nonfiction..

First Person Point of View is Limited

First person narrators are narrated from a single character's perspective at a time. They cannot be everywhere at once and thus cannot get all sides of the story.

They are telling their  story, not necessarily the  story.

First Person Point of View is Biased

In first person novels, the reader almost always sympathizes with a first person narrator, even if the narrator is an anti-hero with major flaws.

Of course, this is why we love first person narrative, because it's imbued with the character's personality, their unique perspective on the world.

The most extreme use of this bias is called an unreliable narrator. Unreliable narration is a technique used by novelists to surprise the reader by capitalize on the limitations of first person narration to make the narrator's version of events extremely prejudicial to their side and/or highly separated from reality.

You'll notice this form of narration being used when you, as the reader or audience, discover that you can't trust the narrator.

For example, Gillian Flynn's Gone Girl  pits two unreliable narrators against one another. Each relates their conflicting version of events, one through typical narration and the other through journal entries. Another example is  Fight  Club , in which *SPOILER* the narrator has a split personality and imagines another character who drives the plot.

Other Interesting Uses of First Person Narrative:

• The classic novel Heart of Darkness is actually a first person narrative within a first person narrative. The narrator recounts verbatim the story Charles Marlow tells about his trip up the Congo river while they sit at port in England.
• William Faulkner's Absalom,  Absalom  is told from the first person point of view of Quentin Compson; however, most of the story is a third person account of Thomas Sutpen, his grandfather, as told to Quentin by Rosa Coldfield. Yes, it's just as complicated as it sounds!
• Salman Rushdie's award-winning  Midnight's Children  is told in first person, but spends most of the first several hundred pages giving a precise third person account of the narrator's ancestors. It's still first person, just a first person narrator telling a story about someone else.

Two Big Mistakes Writers Make with First Person Point of View

When writing in first person, there are two major mistakes writers make :

1. The narrator isn't  likable. Your protagonist doesn't have to be a cliché hero. She doesn't even need to be good. However, she must  be interesting .

The audience will not stick around for 300 pages  listening to a character they don't enjoy. This is one reason why anti-heroes make great first person narrators.

They may not be morally perfect, but they're almost always interesting. (Remember Holden Caulfield in The Catcher in the Rye ?)

2. The narrator tells but doesn't show. The danger with first person is that you could spend too much time in your character's head, explaining what he's thinking and how he feels about the situation.

You're allowed to mention the character's mood, but don't forget that your reader's trust and attention relies on what your character does , not what he thinks about doing.

Second Person Point of View

While not used often in fiction—it is used regularly in nonfiction, song lyrics, and even video games—second person POV is still helpful to understand.

In this point of view, the narrator relates the experiences using second person pronouns like you and your. Thus, you  become the protagonist, you  carry the plot, and your  fate determines the story.

We've written elsewhere about why you should try writing in second person , but in short we like second person because it:

• Pulls the reader into the action of the story
• Makes the story   personal
• Surprises the reader
• Stretches your skills as a writer

Here's an example from the breakout bestseller  Bright Lights, Big City by Jay Mclnerney (probably the most popular example that uses second person point of view):

You have friends who actually care about you and speak the language of the inner self. You have avoided them of late. Your soul is as disheveled as your apartment, and until you can clean it up a little you don't want to invite anyone inside.

Second person narration isn't used frequently, however there are some notable examples of it.

Some other novels that use second person point of view are:

• Remember the Choose Your Own Adventure series? If you've ever read one of these novels where you get to decide the fate of the character (I always killed my character, unfortunately), you've read second person narrative.
• The Fifth Season  by N.K. Jemison
• The opening of The Night Circus by Erin Morgenstern

There are also many experimental novels and short stories that use second person, and writers such as William Faulkner, Nathaniel Hawthorne, and Albert Camus played with the style.

Breaking the fourth wall:

In the plays of William Shakespeare, a character will sometimes turn toward the audience and speak directly to them. In  A Midsummer Night's Dream , Puck says:

If we shadows have offended, think but this, and all is mended, that you have but slumbered here while these visions did appear.

This narrative device of speaking directly to the audience or the reader is called breaking the fourth wall (the other three walls being the setting of the story).

To think of it another way, it's a way the writer can briefly use second person in a first or third person narrative.

It's a lot of fun! You should try it.

Third Person Point of View

In third person narration, the narrator is outside of the story and relating the experiences of a character.

The central character is not the narrator. In fact, the narrator is not present in the story at all.

The simplest way to understand third person narration is that it uses third-person pronouns, like he/she, his/hers, they/theirs.

There are two types of this point of view:

Third Person Omniscient

The all-knowing narrator has full access to all  the thoughts and experiences of all  the characters in the story.

Examples of Third Person Omniscient:

While much less common today, third person omniscient narration was once the predominant type, used by most classic authors. Here are some of the novels using omniscient perspective today.

• War and Peace  by Leo Tolstoy
• Middlemarch  by George Eliot
• Where the Crawdad's Sing by Delia Owens
• The Old Man and the Sea by Ernest Hemingway
• Still Life by Louise Penny (and all the Inspector Gamache series, which is amazing, by the way)
• Gossip Girl by Cecily von Ziegesar
• Strange the Dreamer by Laini Taylor
• Little Women by Louisa May Alcott
• Crazy Rich Asians by Kevin Kwan (one of my favorites!)
• A Wizard of Earthsea by Ursula Le Guin
• Pride and Prejudice by Jane Austen
• More third person omniscient examples can be found here

Third Person Limited

The narrator has only some, if any, access to the thoughts and experiences of the characters in the story, often just to one  character .

Examples of Third Person Limited

Here's an example of a third person limited narrator from  Harry Potter and the Sorcerer's Stone  by J.K. Rowling:

A breeze ruffled the neat hedges of Privet Drive, which lay silent and tidy under the inky sky, the very last place you would expect astonishing things to happen. Harry Potter rolled over inside his blankets without waking up. One small hand closed on the letter beside him and he slept on, not knowing he was special, not knowing he was famous…. He couldn't know that at this very moment, people meeting in secret all over the country were holding up their glasses and saying in hushed voices: “To Harry Potter—the boy who lived!”

Some other examples of third person limited narration include:

• Game of Thrones s eries by George R.R. Martin (this has an ensemble cast, but Martin stays in one character's point of view at a time, making it a clear example of limited POV with multiple viewpoint characters, which we'll talk about in just a moment)
• For Whom the Bell Tolls by Ernest Hemingway
• ​The Way of Kings by Brandon Sanderson
• The Da Vinci Code  by Dan Brown
• The Girl with the Dragon Tattoo by Stieg Larsson
• Ulysses by James Joyce
• Love in the Time of Cholera  by Gabriel Garcia Marquez
• 1984  by   George Orwell
• Orphan Train by   Christina Baker Kline
• Fates and Furies by Lauren Groff

Should You Use Multiple Viewpoint Characters vs. a Single Perspective?

One feature of third person limited and first person narrative is that you have the option of having multiple viewpoint characters.

A viewpoint character is simply the character whose thoughts the reader has access to. This character become the focus of the perspective during the section of story or the story as a whole.

While it increases the difficulty, you can have multiple viewpoint characters for each narrative. For example,  Game of Thrones  has more than a dozen viewpoint characters throughout the series.  Fifth Season has three viewpoint characters. Most romance novels have at least two viewpoint characters.

The rule is to only focus on one viewpoint character at a time (or else it changes to third person omniscient).

Usually authors with multiple viewpoint characters will change viewpoints every chapter. Some will change after section breaks. However, make sure there is  some  kind of break before changing so as to prepare the reader for the shift.

Should You Use Third Person Omniscient or Third Person Limited

The distinction between third persons limited and omniscient is messy and somewhat artificial.

Full omniscience in novels is rare—it's almost always limited in some way—if only because the human mind isn't comfortable handling all the thoughts and emotions of multiple people at once.

The most important consideration in third person point of view is this:

How omniscient are you going to be? How deep are you going to go into your character's mind? Will you read their thoughts frequently and deeply at any chance? Or will you rarely, if ever, delve into their emotions?

To see this question in action, imagine a couple having an argument.

Tina wants Fred to go to the store to pickup the cilantro she forgot she needed for the meal she's cooking. Fred is frustrated that she didn't ask him to pick up the cilantro on the way home from the office, before he had changed into his “homey” clothes (AKA boxer shorts).

If the narrator is fully omniscient, do you parse both Fred and Tina's emotions during each back and forth?

“Do you want to eat ? If you do, then you need to get cilantro instead of acting like a lazy pig,” Tina said, thinking, I can't believe I married this jerk. At least back then he had a six pack, not this hairy potbelly . “Figure it out, Tina. I'm sick of rushing to the store every time you forget something,” said Fred. He felt the anger pulsing through his large belly.

Going back and forth between multiple characters' emotions like this can give a reader whiplash, especially if this pattern continued over several pages and with more than two characters. This is an example of an omniscient narrator who perhaps is a little too comfortable explaining the characters' inner workings.

“ Show, don't tell ,” we're told. Sharing all  the emotions of all  your characters can become distraction. It can even destroy any tension you've built.

Drama requires mystery. If the reader knows each character's emotions all the time, there will be no space for drama.

How do You Handle Third Person Omniscient Well?

The way many editors and many famous authors handle this is to show the thoughts and emotions of only one character per scene (or per chapter).

George R.R. Martin, for example, uses “ point of view characters ,” characters whom he always has full access to understanding. He will write a full chapter from their perspective before switching to the next point of view character.

For the rest of the cast, he stays out of their heads.

This is an effective guideline, if not a strict rule, and it's one I would suggest to any first-time author experimenting with third person narrative. Overall, though, the principle to show, don't tell should be your guide.

The Biggest Third Person Omniscient Point of View Mistake

The biggest mistake I see writers make constantly in third person is  head hopping .

When you switch point of view characters too quickly, or dive into the heads of too many characters at once, you could be in danger of what editors call “head hopping.”

When the narrator switches from one character’s thoughts to another’s  too quickly, it can jar the reader and break the intimacy with the scene’s main character.

We've written about how you can get away with head hopping elsewhere , but it's a good idea to try to avoid going into more than one character's thoughts per scene or per chapter.

Can You Change POV Between Books In a Series?

What if you're writing a novel series? Can you change point of view or even POV characters between books?

The answer is yes, you can, but whether you should or not is the big question.

In general, it's best to keep your POV consistent within the same series. However, there are many examples of series that have altered perspectives or POV characters between series, either because the character in the previous books has died, for other plot reasons, or simply because of author choice.

For more on this, watch this coaching video where we get into how and why to change POV characters between books in a series:

Which Point of View Will You Use?

Here's a helpful point of view infographic to help you decide which POV to use in your writing:

Note that these distances should be thought of as ranges, not precise calculations. A third person narrator could conceivably draw closer to the reader than a first person narrator.

Most importantly, there is no best point of view. All of these points of view are effective in various types of stories.

If you're just getting started, I would encourage you to use either first person or third person limited point of view because they're easy to understand.

However, that shouldn't stop you from experimenting. After all, you'll only get comfortable with other points of view by trying them!

Whatever you choose, be consistent. Avoid the mistakes I mentioned under each point of view.

And above all, have fun!

How about you? Which of the four points of view have you used in your writing? Why did you use it, and what did you like about it? Share in the comments .

Using a point of view you've never used before, write a brief story about a teenager who has just discovered he or she has superpowers.

Make sure to avoid the POV mistakes listed in the article above.

Write for fifteen minutes . When your time is up, post your practice in the Pro Practice Workshop (if you’re not a member yet, you can join here ). And if you post, please be sure to give feedback to your fellow writers.

We can gain just as much value giving feedback as we can writing our own books!

Happy writing!

Joe Bunting

Joe Bunting is an author and the leader of The Write Practice community. He is also the author of the new book Crowdsourcing Paris , a real life adventure story set in France. It was a #1 New Release on Amazon. Follow him on Instagram (@jhbunting).

Want best-seller coaching? Book Joe here.

72 Comments

My book is a memoir so first person is what I chose.

That was my choice for memoir, but am exploring other avenues for better character development.

I hate to be such a nag but isn’t the plural “points of view” and not “point of views”? As in brothers in law and not brother in laws

Joe, excellent post on POV. Probably the best I’ve read. Thanks!

I go for third person deep. In the PoV character’s head, using her unique voice, no author intrusion, no filter words. Am I doing it right? Far from it, but I’ve attended deep writing classes, an it’s easier to pinpoint slips.

Greetings from Greece!

Thanks for sharing this tit bit. I will be looking out for a deep writing class!

When deciding your POV, I strongly believe genre and tense should be considered as well.

Here is my first time ever uploading a “practice.” I chose to try second person, please be kind!

I couldn’t believe it when you called me, waking me from an intense fantasy dream, to tell me that you had been somehow magically transformed overnight into some type of superhero. You cannot blame me if my reaction appeared to be less than awe and more of disbelief and worry for your current state of mind. You will not want me to ask this, but have you started doing drugs? Remember, Freshman Health class, one of the signs to look for was if your friend suddenly changes or acts crazy. Well dude, you are acting more than just a little bit crazy.

Can you really fly? I have been waiting for 15 minutes for you to appear at my bedroom window, and so far nothing. I can envision you, at this very moment, running down the alley and between the houses. You will get to my back gate, jump over, and scurry behind the bushes; all bent over and believing that I can’t see you. When you are sure of your timing and that I have no idea at your mastery, you will jump out and try to convince me that you flew to your location. Please try to remember that I have known you since Kindergarten. Very little about you surprises me anymore, yet you are entertaining.

Although, you did sound different on the phone this morning, you voice had a quality I had never heard before. I would call it confidence. You weren’t trying to convince me that you had a special new talent. You were telling me, informing me.

You need new boots, I know this because I noticed the hole in the bottom of the left one as you slowly descended from the top of my window. Your smile was radiant, your arms crossed confidently across your puffed out chest. You are transformed.

You don’t look peaceful, but you look at peace. Morphine will do that to you. Your flaky, red eyes flutter in your sleep—do you dream, there? “The eyes are the windows to the soul,” so they say; with the curtains drawn, does your gaze turn inward? Do you dream of me amidst the pain, or are you cradled in the gentle embrace of the abyss?

This was your fault, you know; waving that gun in my face, pushing me around; what did you expect?

Certainly not this; no one could have expected this. Dazzling cords of fire springing from the fingertips of your would-be, should-be victim—perhaps it would’ve been wiser to hand over the money—but then, who next? Woudl you have let me go in the first place?

It wasn’t for anything venial, was it? Not for clothes or jewelry—not from what I can tell; you don’t seem the type. But it’s hard to tell. There’s not much left of your clothes, you know.

There’s not much left of you.

They’ll pour maggots over your chest and into your eyes, and flake off the blackness with gentle sponges, and alcohol over everything. That will hurt.

Your hair was so pretty. The doctor says most of it will grow back.

The cops are taking your side, you know. Figures. At least guns don’t burn. I wouldn’t be sticking around if they hadn’t cuffed me to the bed, and set it beside yours—someone in blue has a sick sense of irony.

There are birds fluttering by the windowpane, and whispers of white amidst pastels of blue. Your burns will heal. Mine have only just begun.

Yeah, having superpowers would actually be terrifying. Especially fire. Fire is bad.

I’ve used second-person before, but very rarely, so I went with it, since I’ve used all the points of view you mentioned.

Changing point of view is not only acceptable, it’s quite common. You just italicize it. I don’t know how to do that in a comment, but the general form would be something akin to: He felt around for the plot device. *Damn; I can’t find this thing. Woe is me, I am woe, woe unto me, woe betides me, etc.* He found it. *Huzzah!*

Further, your example for third-person POV includes a sputter of second-person: “the very last place *you* would expect astonishing things to happen.” This is the rhetorical “you,” not an actual pronoun—that is, “you” isn’t referring to anyone—but it still counts.

I think the argument shouldn’t be “never switch POV,” but, rather, “use the turn signal;” that is to say, give the reader an indication that the POV is changing, and why. Italics for brief periods, chapters for changing the individual narrator (you can have lots in one book), etc. Much like turning in traffic, problems generally arise not from the turn, but from the surprise. “Head hopping” is easy to avoid with, for instance, section separators—a vertical space, or a line of three little stars if the space breaks across a page, so that the reader knows a shift is happening. After familiarizing the reader with the mechanism, you can abuse it as much as you want.

Hemingway’s way works too, although I was never a big fan of Hemingway.

P.S. Give away an antique typewriter; brilliant—plenty of nostalgia; tangled ribbons, torn sheets, jammed keys; I can see why you want to inflict it on somebody else!

Wow, that was amazing descriptions. I loved your opening and closing lines as well. You did a great job of setting the dark mood of the story. Very well done.

Great post! It is quite thorough and engaging, and you offered plenty of terrific examples and practical tips.

I tend to write my stories more in the third person POV, I tend to focus on one main character but sometimes try to give some insight on another character’s perspective. The only reason I shy away from first person is because it can be emotionally exhausting to write. The funny thing is my most dramatic story was written in first person (though I did switch between two people) but I felt it would come off stonger in first person rather than third.

I’m not sure I qualify for this practice, because I’ve written in pretty much every POV: My novel is 3rd person deep, my short stories are first person, my articles are second, and my songs cover all of the above plus the others. 🙂 In my book I have several POVs, but I make sure to change the scene completely before changing the person. (Like Jerry Jenkins’/Tim Lahaye’s Left Behind.) I’m not breaking any rules like that, am I? This is a great and informative article that I’ll definitely reference in the future. Thanks for sharing your knowledge!

“Whatsoever ye do, do unto the Glory of God” Reagan

Nice post! Very helpful of keeping them strait. I tend to lean toward first person or third person limited, so I decided to try out second person for the prompt. I also used a dialogue prompt, which is the first line of the story. Here goes nothing!

“The last time I said yes to you, a lot of people died.” You say it low, under your breath, perhaps because you don’t really want him to hear you or perhaps because you don’t want to hear yourself, don’t want to remember that it happened.

“You know,” He reaches out to you, and you pull away, not wanting to touch his hands, hands that could have prevented the deaths of so many, but that have always been so gentle with you. He turns his face to the ground and, you realize, he is just as pained by the memory as you. “You know that I couldn’t have done it.”

“No.” The word comes out all wrong, because of your still upper lip, “You couldn’t have. I knew that then and I know that now.” You lock eyes with him, “Don’t you understand that’s what I’m saying? Don’t you understand that the answer is no?”

“But I can’t…” He grimaces, as though someone has twisted a knife in his gut, “I can’t just let you kill yourself.”

And now it’s your turn to grimace, to feel the pain twisting your stomach into knots. You don’t really know why you do it though. Are you afraid to die? No. That’s not it. You’re afraid for him. For the pain your death will cause him.

“You have to be strong.” You say, “For me.” This time it’s you that reaches out, to lay a hand gently on his shoulder, “You know if I don’t do this, a lot of people will die. Because I know, if I go berserk again, you won’t be able to pull the trigger. And it wouldn’t be fair to ask you to do that anyway. So the answer is no, I won’t let you be my safety net anymore.” His only response is a nod. You slide the hand gently off of his shoulder. That will be your only goodbye. It will be easier that way.

The cup that holds the poison looks normal. Just a regular coffee cup, containing your favorite blend of Colombian roast, and, of course, the substance that will kill you, quickly and painlessly, which is more then you deserve. You are not afraid. You are ready. You pick the cup up off the table and bring it close to your lips but then hesitate, because you see that shining in his eyes, the shining that means he’ll start crying. There is that twisting feeling in your stomach again. Seeing him in pain has always hurt the worst. But you can’t risk it anymore. You can’t let yourself live at the cost of more deaths.

Before you can hesitate, you take a gulp, the coffee burning your throat as it goes down. The room wobbles and you fall, but he catches you, like you knew he would, so that your head doesn’t crack open on the concrete floor.

You are paralyzed, but still conscious, and you know you only have a few seconds before the world grows dark.

He sinks to his knees, cradling you in his arms, like a child. He is no longer holding back his tears. Perhaps because he already thinks you dead.

“I wish,” He says, through sobs and tears and unbecoming bubbles of snot, “I wish you would have said yes.”

He puts his forehead to yours and you feel warm drops of moisture fall on your cheeks. In that moment you, too, wish you had said yes. That things could have been different. That you could have been alive and happy.

But you do not doubt your decision, not in the last seconds that you have breath. Because the last time you said yes to him, a lot of people died and this time, the death tole would be a single, solitary, one.

That was amazing and beautiful and very very emotional. You’ve used second person very effectively! I love it. Did this just come from the top of your head or is there a longer story behind it?

Thanks! It was a sort of top of my head thing. I used this writing prompt and also a dialogue prompt. Also, I’ve been thinking of werwolfs a lot lately for some odd reason (which is what the main character is). The rest of it kinda flowed from there. I’m glad you liked it!

Wonderful story

Not knowing much about POV, I believe I’ve been hedge hopping between them, but appear to prefer Third Person Omniscient, but will have to first discover what that last big word means? Then a re-write may well be called for!

The post is excellent, extending a warm hug of inspiration to the budding writers. I prefer ‘third person omniscient’ POV, with no room for any boredom in my narration.

Peter had his normal “I’m paying attention” look plastered on his face, but his mind was chasing super villains, decimating evil minions with mighty punches that laid ten low at one swipe.

One ear caught, “Good morning, we have a guest speaker this morning, the Rev. Charles Birch, from the 2nd Baptist Church. Rev. Birch will present the creationist side to what we have been studying in the physical sciences. Rev. Birch.”

“Blah … blah … blah,” Peter heard in his public ear but his private ear heard Dr. Daemon spewing his maleficent threats, “Capt. Magnificent, you have no hope of defeating my eco-destroying minions!” On and on it went, Birch preaching “let there be light … the dominion of man over all things … everything in it’s proper order … on the first day God created the second day … and on the third day blah blah blah,” and of course during all of this Dr. Daemon and Capt. Magnificent continued their mighty struggle on the farside of the moon, until Peters public ear heard, “of course the universe can only be 10,000 years old …”

What? What was that his public ear just heard? The Universe is a maximum of 10,000 years old? Peter was now attentive to what the pompous windbag in front of the class was saying.

A single hand raised itself amongst the sea of blank faces.

“Yes, young man?”

“Uh, Rev. Birch, how can the universe be 10,000 years old?”

“Easy uh huh,” Ms. Murphy whispered into the Reverends ear, “yes, Peter, we know the age of the universe from the generations that are recorded in the Bible.”

“But … I was at a dig in Colorado last summer and the rock strata around the fossils …”

“Humph, all conjecture. I believe God made the fossil and the rocks surrounding it ten thousand years ago.”

“All fossils are like that then?”

“Well of course. Given He made the fossils He made the surrounding rock. We only think that it took millions of years.”

Peter’s hand shot up again.

Rev. Birch tried to avoid him, but Peter was a persistent little son of… “Yes?”

“So God’s just a practical joker, creating false evidence to fool the sciences?”

The class was coming out it’s “guest speaker” lethargy, as Peter again had his hand up and spoke before acknowledged, “Does the Bible say what the speed of light is?”

“Well, now I think that has no bearing …”

Susan piped up, adding onto Peter’s question “How can Andromeda be millions of light-years away if the universe is only 10,000 years old?”

“Uh well … Andromeda?”

“No wonder He didn’t have time to save my baby sister if He wasted all that time making fossils look millions of years old,” came a loud, whispered, comment from the back of the room.

Ms. Murphy quickly ushered Rev. Birch from the classroom, and shook his hand in the hall, “Thank you so much for coming. We do appreciate all view points.”

“Who are those kids?” the Reverend asked.

“Oh, the Anderson District Scholars Program. Basically our high school geniuses in sciences and math. It’s required we allow all view points to be presented.”

Interesting. Uh, Gary, how could you have written the story in 15 minutes? Or did you dig up a fossil story you wrote millions of years ago…?

Does it matter?

It took a day and a half to percolate through my gray matter. I then took approximately 15 to 20 minutes to rough it out and get it into Draftin. Then another while, hours, lots of minutes, to get it to where I wanted to post it. Once posted, I’ve gone back and edited it, probably dozens of times, making changes as it has continued to peroclate.

I loved the flashing between reality and a story he is telling himself in his head. That’s me about 90% of the time. lol

I would also just like to add, that all creationists aren’t young earth creationists. There are a lot of different theories. Take the gap theory and theistic evolution for example. Then you have people who take it as a literal six days and others who don’t because of the bible verse that says “a day is like a thousand years and a thousand years is like a day”. Then, there are two different meanings to the word “day” if you look at the translation of the bible from Hebrew to English. So there is argument over which version of the word “day” is being used sense one can be taken literally and the other figuratively. There are literally of books written on these subjects, with Christians arguing amongst themselves over which is right. I have actually meet very few people who think the way the reverend in this story does, especially sense when you go to seminary they teach you how to not look like an idiot in these situations.

I think It’s important to remember when you’re writing Christians (or any group that often gets stereotyped) that they are not stereotypes. I’ve written atheists and it’s really easy just to make them injured people who are angry at God and dissatisfied with life, but that’s just not the reality. A lot of atheists know their stuff and have good reason for their beliefs. The same applies to Christians. If you still want to debunk the Christian in the end, I’m totally cool with it. I would just say, have the Christian have a better argument then “God put the fossils their like that”. Make it harder for your main character to debunk him, create more conflict, and make us cheer him on all the more when he wins.

Just thought that was worth mentioning. All in all, the piece is very well written.

Assumption: Pastors and or reverends have been to seminary. Not true. In the Southern Baptist Convention, at least when I was in the SBC, pastors were not assigned by the convention, nor was any kind of, pre or post graduate, pastoral education required. Pastors were called by the local church, without guidance from the convention, and could easily not even have finished high school. There are many churches that have no affiliation with any established denomination, and therefore call whomever they want as their pastor.

Oh, yes, you handled POV nicely. I’m just the kind of person that will comment on every part of the story. And I’m sorry if the comment was too much, or you didn’t find it helpful. I just tend to say what I think. But for the exercise you did a good job on the POV.

Oh the comment wasn’t too much. After 68 years my hide is pretty tough and criticism I tend to take in a constructive manner and/or with a grain of salt.

But you assumed something in your comment that, in my experience is simply not true. In my experience, the pastors that had graduated college, let alone ever attended seminary were zero. My denomination, at the time, was lucky to have pastors that finished high school.

68 years, wow that’s a lot of time and experience! You have the respect of a young Padawan.

You’re right. I was looking at it from a United Methodist view point (sense that’s the denomination I belong to). Our denomination is pretty strict with schooling and is very organized when it comes to chain of command. I discounted the fact that not all denominations and churches are like mine. My current pastor actually has a PhD and really knows what he’s talking about, so were lucky in that. I’ve also grown up in a home where ignorance isn’t tolerated. We learn about our religion (and everything else we can learn about) and are not victims of blind acceptance.

I’m sorry you had experiences with uneducated pastors. I hope they weren’t all as bad as the one in the story. If they were, then that stinks. And I do realize that there are, sadly, some pastors like the one from your story who don’t have very good arguments when it comes to the science of their faith. But I also hope that people know that all Christians aren’t, to put it frankly, stupid.

Again, assumptions. Christianity was never equated to stupidity, and above all else no attempt to equate uneducated to stupid was ever made. In all those 68 years I have seen incredibly educated people, read that doctorates, that were, above all else, stupid. I have also encountered uneducated people that could best be described as genius.

Birch was, at best, unprepared. His fault, Murphy’s fault, irrelevant, not what I was striving for. It was simply the vehicle used to convey POV switching from character to character. Birch could have been Islamic and quoting the Torah.

I wrote for 20 minutes before I realized it, so here’s what I got.

“Okay, calm down, calm down. You must get a hold of yourself” I murmured frantically to myself, I had to calm down before I blew another hole through the wall, or worse. I sat still on the hard floor, and I still couldn’t believe what had happened, it didn’t make sense at all, but there was evidence of it right before my eyes: a brick wall that now had a wide circle in its middle, still glowing hot from what I had done. Yet it was nothing compared to the silver glow that came from my hands, it felt strange, alien yet oddly comfortable, like I was wearing a glove while sparks coursed throug my arms.

I kept staring at my hands for a long time, trying to find some explanation for what had happened, it couldn’t have been me who did that, I wasn’t that special, I didn’t have some special blood, nor had I gone through any experiment, I didn’t even fit in any origin story of any Super. I was sure of that, I had even taken the tests at the Dome.

“This can’t be happening!” I screamed, letting loose all the emotions I had tried to hold back. “ARGGGHhhh!”

Then, it happened again, the room was bathed again in a silver hue as another silver beam left my hands and destroyed the wall a bit more, leaving behind only one third of what had been an sturdy wall once. That flash had confirmed my fears, this was the reality I had been the one to destroy the wall. I was angry, scared and happy at the same time, these emotions clashing one against the other as I witnessed the destruction I had wrecked in less than 10 minutes.

A grave sound pierced the old room I was in, it sounded like a lament, a sorrowful lament from a strange lonely monster. It only lasted a few seconds, and then, a piece of the roof fell about 5 meters from me. It was followed by another one, and another one bigger than the first two. Soon the whole roof was falling in, and fear once again took a hold of me. I was going to die, I knew I was going to die, buried beneath the rubis of the room.

“I, I don’t want to die” I screamed with all the force of my lungs while I tried to protect my head with my hands, I knew it wasn’t going to be enough, it wasn’t going to be enough if I wanted to live. I want to live. That thought was the last one I had before a surge of power coursed through my body, engulfing my vision in a white blanket before I passed out.

When I woke up, I felt groggy, moving my body was hard, and the air was packed with dust. But I didn’t hurt anywhere, not did I feel like I was buried under something. I slowly made my way to my knees, looking at myself for any sign of injuries, but there was none, in fact except for the dust my clothes were exactly the same as they had been before the fall in.

“This is impossible” I said out loud to no on, but how did this happen? I thought I was done for sure. It was only then that I looked around me and I was shocked for the fifth time that day.

There wasn’t any rubis near me, no for a meter around me. Was that possible? How?

Well done. There are a couple of times where the protagonist is thinking, not speaking. It would help to clarify that like using italics, or at least quoting.

Thanks for the advice- I usually use italics when it comes to thoughts, but I wasn’t sure if they were going to copy that way from writer. So I’ll try to use them next time.

I wrote one short story in the first person POV twenty five years ago. I never tried it again. Since I decided to face my fears, here I go again.

I had just opened my eyes and before I could see clearly, I was standing next to the bed jumping up and down. All of a sudden, i was standing next to the dresser drawer. did I run? I had so much energy. It seemed as if I had four cups of coffee and six energy pills. I looked across the room at the hamper. The hamper was empty and the clothes that were stuffed there were clean and folded. Last night the hamper was full of dirty clothes.. I head a soft voice that sounded like mine. “Esther, you now have super human power. The clothes were washed and folded last night. If you go to the kitchen, there is no longer a pile of dirty dishes. They have all be washed and put away. That’s all I have to say.” “What are you talking about? Who are you?” Suddenly, I was jumping up and down next to my dresser drawer.. I paused and looked into my mirror. I still looked the same. A long braid with a hair pin fastened to the left close to may ear. I did feel energized. At once I felt like I needed or wanted to run. I walked down the stairs toward the front door. The moment that i stepped out. I had dashed down the block, turned to the right and dashed down that block and Paused, standing in right in from of me was me. she looked exactly like me. She had a long braid that was pinned to the side like i did. She was wearing a light tan tee-shirt and black short shorts, blue gym shoes. Just like I am wearing. We both stood there, sweating, jumping up and down as though there were springs.under our shoes. ” Who are you?” ” I just you told you when we were in the house.” Then, she said “I’ll just tell you this much. Let’s race back to the house and up the stairs and stand next to the bed. Whoever get there first wins. “Win what,” “You’ll find out.” she dashed past me to the right. I spun back around so fast that I became dizzy. I dashed down the block and turned left. Before I knew it, I was in the kitchen. Mama was there. I was downstairs sitting at the table with her. “I am impressed. you have fixed breakfast and washed the dishes and I see you have been running.” Thanks mama, I said. Then in my mind and my ear I heard my own voice. There are two Esther. The one who procrastinate and don”t get things done and the one that get things done immediately without being told.. Then mama looked at me and smiled. She never smiles in the morning. but today, she did. She said, well today you cooked the breakfast and washed the dishes without waiting until you got home from school. I like this part of you, Esther. Then, I knew what had happened, KEN Well, there it is. Now, this means that I have used the first person again. I feel okay because, even if it’s terrible. I tried.

My go to POV is 3rd Person, limited.

Oops!! Just realized I completely blew the prompt.

Oh well … back to he drawing board (or computer).

This app helps me understand a lot about the 3d person

The first time it happened took me by surprise. It would anyone wouldn’t it? I was standing in line at the grocery store with my mom. I was tapping my foot to the beat of my own boredom, impatiently waiting for the guy ahead of us to move his cart; which if you ask me he didn’t even need. I added in some finger snaps. 1…2…and…3. The third snap brought with it an echo. When I looked around, I wasn’t in the grocery store anymore. I was in a cave.

I had waited for my eyes to adjust to the dark. The only light that was coming through was a small crack far ahead of me to my left side. I looked down at my feet for a path. Right in front of me the rock I was standing on dropped off into an abyss of black. Behind me stood the edge of the cave. I remember hyperventilating. I was so scared I couldn’t move. I started snapping my fingers again and said out loud, “think, think, think,” matching my snaps to the words in my head. On the third snap, I was back in the grocery store. Police were there talking with my mother. I had been gone a long time.

After that day I tried experimenting with my new formed ability. I started thinking of specific places that I wanted to visit; I wanted to see if I could control it. After a few failed attempts ending up in grungy basements, restaurant cooler storages, and an actor’s cottage, I got a hold of the pattern.

The success of my teleportation was contingent on my ability to breathe evenly. I needed to remain completely calm. When I realized that my ability was never going away, my excitement is what kept me from perfection. Failure after failure brought an increased frustration with myself.

It’s good. You haven’t overdone anything. You’ve shown what happened through your character really well. I particularly like the line “dropped off into an abyss of black.”

This was my attempt at using 2nd person. I rarely use it. Any advice would be appreciated. Thank you 🙂

“Now what can you tell me about God? Anybody? Yes, yes, um Alice?” “Alicia, Miss. God is often described with the three Os. He is omnipotent, all powerful, omnipresent, everywhere and omniscient, all knowing.” You suppress a groan. “Which textbook did she swallow to spew that out?” you whisper to your friend. She giggles quietly. “Shhhh,” she replies. You sigh and put your head on the table. You’ve been stuck in this stuffy classroom for half an hour and you really won’t last for another half. You can practically eat religion in this school.

“Hey you, you, sleepy child,” the teacher says. For a moment you’re confused but then your friend nudges you and you realise the woman is talking to you. ‘Can’t she learn our names?’ you think. “Yes, Miss?” you dare to risk saying. “What can you tell me about God?” she asks. ‘Oh for God’s sake,’ you think before realising the irony. “Um,” you reply. You could almost swear that time was slowing down. Everyone’s eyes turn towards you almost in slow motion before they stop as if frozen. You wish the ground would hurry up and swallow you. It takes you a moment to realise that no one is blinking. “Hello?” you say, hoping you don’t sound like an idiot. Nobody responds. ‘Okay, this is really creepy.’ You poke your friend but she doesn’t move. A bead of sweat trickles down your forehead that has nothing to do with the heat. What is going on? A cold feeling washes over you and you sit back in your seat feeling dizzy. You try to control your breathing but it is rapid and coming in gasps. You glance at the clock only to see that the second hand has stopped moving. Hands clammy, you glare at it willing it to move. Millimetre by millimetre it does. You sigh with relief when everybody’s movement resumes only to find yourself under the scrutiny of 30 pairs of eyes.

“Well?” asks the teacher. Suddenly desperate, you look at the clock and wonder if you can make time go faster.

Who’s point of view;

So there’s this guy, this one guy I never liked, he’s constantly stealing my ideas, getting credit for the success, or if the idea fails, that’s when he throws me under the bus. Oh it’s so aggravating when he takes the words right outta my mouth, when I try to participate in the discussion, he cuts me off, I swear he thinks he knows everything he’s talking about. Oh, yeah and he’s always making an ass out of me, no matter what it is, especially at every work party. This guy thinks he’s so slick, two steps ahead of everyone, but he’s not quick, I know every move he’s gonna make before he makes them. It’s also extremely embarrassing he always seems to wear what I have on, then to hear people say how good he looks, I swear his heads swelling from the compliments. Have you seen him? That car he’s driving, that watch he’s wearing, his house, and kids, and his wife, most people only dream of marrying. He has everything I ever wanted, yet he takes it all for granted, he won’t let anyone else enjoy the spot light, like it’s impossible for him to share it. He never talks to me, which makes it that much more awkward, because I always see him in the bathroom, and every time I wash my hands, there he is, just starring, blocking my reflection. When I try to move, he moves too, it’s so obvious he’s doing it on purpose, but I don’t like drama, quite frankly his demeanor makes me a little nervous. So I just ignore it, I’m starting to wonder if I should report him, but what if the boss thinks I’m jealous? I much rather prefer waiting until the day he quits, or who knows maybe he’ll get fired, I just hope he’s not still here up until the day that I retire.

Until the age of five almost six, I thought everyone could figure out how to walk through walls. The morning my mom was walking me to my first day of school she broke the news to me. Once we reached the first intersection, and we were standing at the corner waiting for the light to change, she first asked me, “Maddy, remember that I mentioned to you every person in the world is unique?” I nodded while I kept my eye on the street light. “and what did I say was so unique about you?” “That I have three freckles on my nose.” “Maddy! Not that but the one thing nobody can tell by looking at you.” I looked up at her and said, “That I am a smart kid and I figured out that walls don’t divide or separate?”

Chapbook 25

Last night I was scared, I had another bad dream I just wanted my mommy there but she was in another room asleep. It was a nightmare, the one I often have, about a monster, who’s over 6ft. He chases me down, grabs me by my hair, thrown me into walls, I don’t know why he’s so angry, he’s even kicked me down the stairs.

I woke up sweating, my eyes filled with tears, and what scared me the most was bruises had appeared. They covered me from head to toe, I couldn’t hide them underneath my clothes. Today I was supposed start my first day of school, but mommy said I couldn’t go.

Back to sleep, I don’t even remember getting ready for bed, I just blacked out, when I woke up a pain filled my head. My dream had some how become real, there was the monster, standing over my body, breathing, and grunting, where is my mommy. Why doesn’t she come and help, why isn’t she protecting me, can’t she hear me if I yell.

Can anyone hear me, why can’t anyone figure it out, I wish my daddy was here, but mommy won’t let him around. When will this nightmare finally end, what will it take for him to leave, one of us dead, or broken and bleeding?

Years have gone by, I’m learning to deal, he’s still in our lives, drinking his meal. He is always mad always drunk, never caring, incapable of feeling love. Beating satisfies a need inside him, one that reminds him he’s alive, he’s in control, that everyone’s beneath him, we do as were told.

My other siblings have dealt with it their own way, my oldest sibling has different personality traits. One minute he’s him, by the next someone else, he swears one day he’ll be free of this hell, and when he does he never wants to see any of us again, he disowns our family, he can’t be my friend. The pain is so much more than anyone should take, it won’t be long from now till one of us breaks.

It finally happened, as I began to prepare my food, cutting up vegetables, trying not to listen to them argue, but low and behold i couldnt ignore the thump, at that very moment I snapped into somebody else.

Someone stronger than who I thought I’d become, with a knife in one hand, and a plan in the other, I made my way to the second floor, and found the that thud was my mother. As the plaster in the wall shaped like her head, I looked for the monster, and seen him covered in red.

Like a bull I charged toward him, digging the knife in his gut, 1,2,3 times ain’t enough. Like the monster he’s always been, courage from his bottle, the pierces in his side didn’t stop him, he was numb from the booze, and like a mad man, he retaliated, nothing could keep him from trying to kill me.

I just woke up from a terrible dream, just to find myself in a worse reality. Laying at the bottom if the stair case, in a puddle of my own blood, flashing lights reassured me help had finally come, but I couldn’t move, my body paralyzed, what had I done? I see my mother screaming she is covered in blood, Then I seen the monster sitting up with tape across his abdomen arms crossed in cuffs, finally he will get what he deserves, but what does this mean or us?

The only girl out of eight kids, the second eldest of the bunch, I thought we stuck together this long, and through such hell, we’d most likely stay together, but only time could tell. If only the words for what’s felt could every truly be spoken, perhaps only then could anyone listening would know just what was dealt, but sometimes you can’t mutter out the words that would allow others to understand what kind of welt gets lashed across a tiny body when beaten with a belt.

Even after hundreds of beatings, thousands of black and blue marks, fractured bones like ribs and wrists, almost on a daily basis. I bet your thinking how the hell does this go on for so long, when a parent allows another adult to enter their home, use them for everything they own, get drunk and stands by as that person takes their angers and frustration out on the innocent lives they should be protecting. When a mother or father chooses a stranger over their own little ducklings. That is how monsters get away with it so long, because an active parent allows it to go on.

The truth is of all the afflictions none bare as much pain as the very thought that a mother could prefer a stranger, a monster, putting her babies in danger, actually acts like she doesn’t see what she did wrong. She won’t acknowledge her errors, and the ultimate worst, the day she would choose another guy over us, again, this guy just another monster, and yet he is her life, treats her like crap, calls her an asset, not as his wife. Let her keep him, and the life she’s made, I have my own daughter now, I will never allow her to grow up this way, I will be nothing like my momster, this is the ultimate promise I make, and would die before I’d ever let it break.

Great piece about a super villain, and how this kind of thing does not happen in a vacuum. Your POV was consistent, first person, but there are places where you need to highlight that these are the thoughts of the protagonist. Italics would work, or even quotes.

I only just came across this site today an I was immediately intrigued. I’ve always been self conscious about my writing but I like the idea of being about to just practice like this and get genuine feedback. Anyway I wrote mine in third person limited, I trying to practice how to use better descriptions without overdoing it and getting to fluffy. Here goes..

I remember the day Melissandra first told me she had superpowers. I would have laughed right then and there if I hadn’t learned to recognize the tension burrowed between her brows. Her pale youthful skin now sagged to that of a woman three times her age. The bags beneath her eyebrows had become so swollen and dark you would have thought she hadn’t slept in weeks. The dark shadows behind her eyes gave way to little life. She hunched over me, her body twitching like little jolts of electricity pulsed through her. In health classes we had often seen videos of the effects of hard drugs on addicts, the way they scratched and clawed, itching to escape their bodies. Could she had gotten herself into hard drugs? No, I definitely would have noticed. This was something worse, as a tenth grader living in the suburbs true terror had never struck me very hard, but the fear that gripped her eyes sent a chill through my spine.

“Mel, is everything okay?” I ask as we push our way through the crowded cafeteria.

Mel leans in close looking over her shoulder with unease checking to see that no one else is listening. She whispers, almost inaudibly.

“I think I have superpowers Suz.”

Laughter roars through my belly, which is quickly stifled by the lifeless expression on her face. I’ve never seen her so afraid.

“I’m sorry, did you say superpowers Mel?” I ask in disbelief.

Her eyes fix on me with a cold hard expression, there’s no laughter in her eyes, no punch line at the end of this story.

She lowers her voice as she begins to explain.

“Last night I went for a climb on Bears Peak. I must of got 150 feet when I lost my footing on the rocks. I was so sure I had all my ropes secured, but as I started to fall nothing caught. In that moment I thought I was going to die. Than, just before my body hit the ground I stopped. My body just suspended, hovering in mid air. It wasn’t long, only a moment, a few seconds at best, but enough time for my body to correct itself and find its footing on the ground.”

I stare at her in bewilderment, she’s not saying what I think she is, is she.

“Suzan!” she exclaims as her eyes show a flicker of light. “Last night I flew.”

I just discovered this site tonight, I like it already. I wrote mine in third person limited.

I remember the day Melissandra first told me she had superpowers. I would have laughed right then and there if I hadn’t learned to recognize the tension burrowed between her brows. Her pale youthful skin now sagged to that of a woman three times her age. The bags beneath her eyes had become so swollen and dark you would have thought she hadn’t slept in weeks. The dark shadows behind her eyes gave way to little life. She hunched over me, her body twitching like little jolts of electricity pulsed through her. In health classes we had often seen videos of the effects of hard drugs on addicts, the way they scratched and clawed, itching to escape their bodies. Could she had gotten herself into hard drugs? No, I definitely would have noticed. This was something worse, as a tenth grader living in the suburbs true terror had never struck me very hard, but the fear that gripped her eyes sent a chill through my spine.

Great article, Joe! I really appreciate the detail you went into. You made the different points of view so clear. The breadth of your knowledge of literature is awesome, and your two graphics were helpful and concise.

Katherine Rebekah, great story! You did the second-person POV seamlessly.

All the best, Deena

Well thanks, Deena. 🙂

My genre is romantic suspense, or romantic thrillers, if you will. I always write third person point of view, omniscient, and steer clear of first person for exactly the reasons you’ve stated above. I find first person too limited and stifling. When I read a novel written in first person I find myself distracted, wondering what the other main character(s) are thinking or feeling. Particuarly in a romance – I don’t want to spend my entire reading experience wondering: Is he feeling the same way way or she on her own here?

Granted, the authors that I habitually read do not typically write in first person, but when they do, I will admit, they’re pretty good at showing me the thoughts and feelings of the other party without actually going into their POV. But, I would say it is a tough thing to accomplish, and only the best writers do.

Any feedback would be nice, thanks!

There are no more villains to fight you. No more evil-doers who wish to challenge your right—the right the people gave you to defend their lives. The monument that watched over the city like an old father is the tribute they built for you. The responsibility that you now stand in. Watching over them. An extraterrestrial guardian.

You look up to see grey clouds swirling, forming some odd shape. You take flight, and burst through the glass pane, as people below begin to chant your name. The clouds merge with one another, swirling in and out of each other. With your vision you can see the faces of the ones you swore to protect, even at the cost of your life. Some are smiles, the faces of those that believe in you—the ones if they could would join you without a second thought. Others had grief-stricken eyes; doubt lined their faces. How could you protect them forever? Surely someone greater than you, stronger than you would destroy everything that you deemed worth saving. Maybe there was someone that could take your place, someone that made all this easier. Hopefully.

No. Your chest bursts out and the veins in your arms feel ready to explode. Your fists clench tighter with each breath. Your eyes narrow. Never will you doubt yourself ever again. A crash of lightning hit a nearby building, signifying your resolve. You charge into the vortex still swallowing the sky. The mass of clouds block your path and out the whirlwind a humanoid shape takes form. You. You face off against yourself. “Of course. A hero’s greatest challenge is his or herself,” you say.

How I hate head-hopping! This is a common mistake my students make – and an easy one that can slip into our drafts. Hence, the importance of revision and beta readers.

Thank you for this thorough discussion of such an important element of story!

The worst limitation I find writing in first person is exactly what Joe pointed out, that you cannot be everywhere at once. I find myself getting frustrated at having to switch POV’s between characters in order to be able to tell the story better and show how different characters are feeling because of certain situations; or in my story’s case: one very sinister character.

But since I’m using my past experiences as a means to write the way I do, I kind of need to stay in first person. It’s both a blessing and a curse.

How interesting that a man who has written a 7000-page story is the author of a bestselling book about writing a short story. 😉

“Tina, what the heck. Put me down.”

“Sorry Charlie, I just ate a spinach salad.”

“Clever, but not humorous. Popeye wouldn’t be so frivolous. What if mom and dad had seen you showing off, or worse, if one of the Dancings is spying on us.”

“You’re no fun, you’re boring and paranoid. Brother or not, I may look for another partner”

“Be my guest. I’ll find someone who takes our mission seriously. Who won’t jeopardize our friends and family out of boredom, and the childish need for attention. Grow up a little. You’re sixteen years old.”

“And, you’re eighteen going on eighty. It’s true what they say about friends and family.”

“Whose they?

“Idiot. They’re the consensus.”

“What does the consensus have to say on the subject?”

“Family is the luck of the draw. Friends are deliberate choices.”

“I’d mention a few of your choices but that won’t get this conversation on track. I, we, need to find out what the Dancings are up to. You need to get close enough to read their daughter’s mind. I’ve got a plan. It could work if you can augment your powers with a dash of maturity.”

My sister Tina and I were abducted a month ago while hiking in the Grand Canyon. If I had the words to describe the aliens or their vessel, I’d share them, but I don’t. They were spirits as much as anything and I may have been sedated somehow. They separated us. Apparently Tina was more qualified for mental and physical superpowers than I was. She can read minds and has the strength of The Hulk. My power is cooler though. My eyes shoot lasers when I squint and concentrate. If it was just a matter of squinting, the neighborhood would be ablaze. My vision is less than perfect. I’ve been squinting for years. Maybe that’s why I got this power? Whatever. If the Dancings are building a dirty bomb in their basement, I may need to set fire to them and their house. Soon maybe. First, I need to know that my suspicions are warranted.

Tina needed to befriend the Dancing’s daughter Tanya, an introvert who spoke to no one at school. If she couldn’t befriend her, Tina at least needed to sit by her at lunch, hopefully to learn something from her thoughts. My sister gets bored easily, so sitting near a person who won’t acknowledge her was going to be a challenge. That’s why I was so irritated with Tina and her circus tricks just now. I’m convinced our neighbors are terrorists. But I can’t just burn their house down. What if somebody died and I was wrong? It was time for my sister to step up and put her powers to good use.

Appreciate the write up Joe. Laura

I am having a lot of difficulty with point of view. For instance, Let’s say you have a Memoir or “Diary” type fiction. You want to it to be from the point of view of the person writing the diary; however, you need your reader to know facts about the characters the speaker interacts with that he couldn’t possible know. (perhaps he just met them, etc.) How can you give the reader information about a person that the speaker deosn’t know yet?

hey, I am in the same boat as you, and I uncovered something called First Person Omniscient, which is– if you are still not away after a year of writing the comment I am replying back to– the character is in first person, still uses “I” and “we” and such, but also knows information about other characters that he/she does not yet know, precisely as what you described in your comment. However, this type of first person is rare, as very few novels and authors decide to use this method. But whatever floats your boat! Hope I helped, even though I am clearly late!

Try second person

One question I have in regards to POV and which to choose, is suppose you’re writing a story about something that’s already happened. The story is being told by the main character in the story, years later after the story is “over” (kind of like in a journal of what happened, how it ended- to a certain point- leaving out what has happened to the main character due to his choices made). But, one of the unique situations is that the main character is not just one person, but a person literally divided into 3 separate selves. He himself is the Present self, the other two are what has already happened (past- alternate choice of reality) and the last one is “what could be if” situation” (future). The main (present) is part of the three, but only knows the whole story after it’s happened and how the other two responded to events as they occurred. How would the story be told in what point of view? Both first and third? I know it probably sounds confusing; so if you’re willing to give me advice and need some clarification I can do that. Thanks.

Amanda stared at herself in the mirror. She lifted her hands and gazed at all of the blood on them. “Why am I not dead?” she asked herself puzzled. “It was a head on collision…with a truck!” she exclaimed to herself in amazement. She turned on her heel and marched to her kitchen and grabbed a large knife. She waved the knife around in the air before placing it on her wrist. “If I can’t make it look like an accident, I guess my parents would have to deal with the fact I wanted to die.” Amanda spat. She winced as the blade dug deep into her delicate flesh and watched her blood flow. But the seconds later it stopped. Blinking, she brought her arm closer to her face and stared at her smooth skin -without a single scratch on it. In disbelief she dropped the knife and ran back into the bathroom and wiped her arm of its blood and confirmed there wasn’t a wound. Desperate, Amanda ran down into the basement and grabbed her father’s rifle. “Heal from this if you can.” Amanda put the point under her chin and pulled the trigger. Everything went black and she felt herself crash to the floor. Moments later, Amanda woke up with a huge headache. “What happened?” she groaned but then gasped when she remembered what she had tried to do. “What is happening to me?!” she cried. “I don’t want to be in this world anymore, let me die!” she screamed. Amanda got up from the floor and shuffled up stairs to take a warm shower. “Maybe drowning would work…”

You forgot deep pov; close third. >:(

Deep POV is still third person limited.

Great write-up! Worth sharing and bookmarking.

As for me, I prefer to write (and read) in either first person or third person limited.

Good article except that the plural of point of view is points of view and NOT point of views! C’mon!

Though I’ve only started writing in earnest this year, POV is a topic that has been pointed out to me again and again concerning my WIP. TODAY, as I go through the comments I received overnight POV is the stumbling block I inadvertently put in my story. I’m consciously employing the third person omniscient POV, but it’s not coming through to my readers. I’ve read this article before and anew and I still don’t get it… I’m doomed.

talented writer, Noddy, mentioned this article . is good read . reread since wanted to make the third person omniscient viewpoint cleaner without head hopping . soon peruse Italo Calvino book written in second person pov to see how a master wrote .

Write two pieces of 750 words. One will be from the point of view of a traveller travelling to a foreign country. The other will be from the point of view of a native of that country who receives that traveller which person do I write form the first person, second person or the third person please help

You know, i had a dream once… I wanted to redo my entire life, I’m getting a divorce from my wife, Scarlett. We have two children, Alex and Maggie, and they’e both seniors in the high school I used to attend. I was driving to Ned’s house one rainy night and saw a man on a bridge. I got out and ran after him. When I got there he jumped, i looked over the edge and then I fell off. I woke up in Ned’s house and looked in the mirror. I was my young self again… I was 17 again.

What about this post is actual, and what part’s a dream? It’s hard to distinguish what dialogue this follows, and what efforts are trying to be accomplished.

Everything about this was my dream… I woke up after i fell and thought, I need some pancakes.

Hi- I’m writing a novel in 3rd omniscient. I struggle with the point of view on a micro level, never dipping into 1st or second person. Here is an example of what I mean is this… ‘While Eunice and Barbara were in the nursery spending a few minutes with the baby boy, Margaret walked away from a group and then grabbed a quick nibble of cheese from the buffet. She continued on to the bar where she picked up a full glass of vodka with a twist of lemon. On her way out the door to the patio, she looked back over her shoulder directly to where Jules stood, as if she had known his position to the inch.’ Does ‘she looked back over her shoulder’ now put the reader in Margaret’s POV???

I could use some advice.

I have a novel focusing on the relationship of two people. This is entirely written in 3rd person limited with occasional internal dialogue.

Initially, this story was focused on one character (A); however, I realised the protagonist was the other character (B). I re-wrote the novel to be inside B’s head, and generally this works *much* better.

Here’s the problem. Although the entire novel is written in 3rd person limited for B, there are several action points within the novel that follows A, not B because there is not much going on with B during this time.

There’s no head hopping or reading of A’s mind in these few scenes, but nothing is happening to B at this point, so narrative-wise, it seems okay to follow A through action (not thought).

So, question 1) because there’s no head hopping, is following A occasionally too distracting for this story? And if so, 2) I’m open to suggestions on how to handle this, because it’s what happens to A in these scenes that changes things.

Very good article. Great examples.

Nice article

Trackbacks/Pingbacks

• Are You Writing From the Right Point of View? - […] Want to know more about POV? See our definitive point of view guide here. […]
• Links To Blog Posts on Writing – September 2015 | Anna Butler - […] Point of View in Writing – Joe Bunting at The Write Practice, with an article that manages to cover…
• Why You Can’t Finish Writing Your Book - […] the Genre? 2. What are the conventions and obligatory scenes for that Genre? 3. What’s the point of view? 4.What are…
• Who’s on First? Exploring Point of View | Dawne Webber - […] I Write in First Person Point of View? @ Editor’s Quill Point of View in Writing @ The Write Practice What…
• Write From The Perspective of a Shoe - […] Seriously, if you want to know everything there is to know about Point Of View, or POV, read Joe’s…
• Last Weeks Writing Links 12/21-12/26 | B. Shaun Smith - […] Point of View in Writing […]
• How to Choose the RIGHT Tense for Your Novel - […] Lights, Big City is notable both for being written in present tense and second-person. While it’s not necessarily something you should use…
• A Matter of Perspective (#0039) | Dominika Lein - […] involving a narrator’s position, then feel free to read these decent articles on the issue; The Write Practice’s Point of…
• Blog – Writer's Thumbprint - […] All of this comes down to POV. The person who did make the movie is telling it from his/her…
• 10 Tips: How to Edit and Improve Your Writing – livewritelovelearn - […] https://thewritepractice.com/point-of-view-guide/ […]
• The Power of Perspective: Understanding Point of View in Creative Writing – The Waterhole - […] to The Write Practice, “Point of View” refers to two things in […]
• Why You Should Consider Writing With an Omniscient Narrator | Creative Writing - […] But before you “stick it to the man” and start drafting your magnum opus in third person omniscient, let’s…
• Point of view guide – LOVE INDIE ROMANCE - […] Point of view guide […]
• POV Rules! - […] https://thewritepractice.com/point-of-view-guide/ […]
• Resources from WW | Elijah - […] Blog Posts: I didn’t read this entire article, but the first third of it seemed very good: https://thewritepractice.com/point-of-view-guide/ These…
• POV | Elijah - […] The Ultimate Point of View Guide: Third Person Omniscient vs. Third Person Limited vs. First Person […]
• Fixing POV Violations - Sun's Golden Ray Publishing - […] Violations (point of view violation). Basically, you have established a point of view for the book (First, Third Close,…
• Bibliography | 網站標題 - […] https://thewritepractice.com/point-of-view-guide/ […]
• Beyond NaNoWriMo: What Do You Do Next? - Story Grid - […] detailed descriptions of the four major types of point of view, read Joe Bunting’s article at The Write Practice.…
• Summer Solstice, New York City by Sharon – Nicholas Hacker's Moorpark College Spring '18 Website - […] [I’m looking at this point-of-view guide from thewritepractice.com to figure out what POV the spea… […]
• Writing Chapter 2: Developing your Opening Hook | Now Novel - […] change of POV: Describe what another character is going through, in an arc linked to the scenario in your…
• How to Publish a Short Story: Write Your First and Second Drafts - […] hopping: Stay in one point of view. There’s not enough time or space in a short to skip […]
• Guest Post - Como Criar Uma Proposta Irresistível - MBFA - […] Tom e perspectiva também usualmente são especificamente analisados. Muitas publicações preferem que você fale em primeira, segunda ou terceira pessoa.…
• Lesson 2: Point Of View – What's right Is Write - […] https://thewritepractice.com/point-of-view-guide/ […]
• How to Write a Book from Multiple Perspectives - […] So if you’re ready for the challenge, here’s how to write a book from multiple perspectives. […]
• How do you develop your plot? – thefictionwritersfriendblog - […] a really good article on Point of View on the Write Practice site. It goes into in more detail…
• Getting to Step 8: Setting the Scenes (Gesichtpunkt) – Short Ramblings - […] your adventure’ books. The other POVs are best suited for my kind of project. (*[2] https://thewritepractice.com/point-of-view-guide/ […]
• P.O.V | The Psychiatrist's Couch - […] https://thewritepractice.com/point-of-view-guide/ […]
• How to Keep Your Point Of View Consistent – by Hannah Green | The Writers College Times - […] Bestselling author Joe Bunting put it best when he said: […]
• How to Leverage Point of View to Power Your Story - […] the purposes of this article, toss out second person and choose between first and third. Each has its strengths…
• How to Leverage Point of View to Power Your Story | rogerpseudonym - […] the purposes of this article, toss out second person and choose between first and third. Each has its strengths…
• Point of View Magic: How to Cast a Spell on Your Readers - […] crucial to understand that EVERY WORD of a story is told through a character’s point of view. If your…
• Henrik Widell – Lektör - […] https://thewritepractice.com/point-of-view-guide/ […]
• Which POV Is Best for Your Story? – Renea Guenther - […] Between Three Different Points of View Writing 101: Choosing the Best Point of View for Your Story The Ultimate…
• Bethany's Best: Writing Point of View & More - Bethany Henry - […] The Ultimate Point of View Guide – The Write Practice […]
• Wie man einen unwiderstehlichen Vorschlag für einen Gastbeitrag macht - […] Perspektive sind dabei auch sehr wichtig. Viele Blogs und Webseiten bevorzugen Artikel, die in der ersten, zweiten oder dritten…
• The Independent – Evila Penonymous - […] Literature reference: [1] […]
• What Is Self-Editing – Writing without Drama - […] https://thewritepractice.com/point-of-view-guide/ […]
• Character Development: Create Characters that Readers Love - […] multiple is a Point of View character. These characters carry the narrative, and in a story told in third…
• What Is an Epilogue? And Is It Okay to Use One in YOUR Book? - […] epilogues that tend to be shorter than other chapters. They are also usually different in tone, point of view,…
• What Is an Epilogue? And Is It Okay to Use One in YOUR Book? – Lederto.com Blog - […] epilogues that tend to be shorter than other chapters. They are also usually different in tone, point of view,…
• 5 Ways to Ruin Your Creative Writing – Books, Literature & Writing - […] Learn more: The Ultimate Point of View Guide: Third Person Omniscient vs. Third Person Limited vs. First Person […]
• What’s the most intriguing writing tip you’ve uncovered from this post? - […] ones is a Point of View character. These characters carry the narrative, and in a story told in third…
• Character Development – Christina's blog - […] ones is a Point of View character. These characters carry the narrative, and in a story told in third…
• Drop a link below if you’ve found anything cool for authors! - […] ones is a Point of View character. These characters carry the narrative, and in a story told in third…
• How to Craft Irresistible Guest Blogging Proposal - […] Tone and perspective are also specifically targeted often. Many publications prefer you speak in the first, second, or third…
• How to Write a Good First Chapter: A Checklist - […] is your story’s point of view? Are you going to choose third person limited, third person omniscient, first person,…
• How to Write a Good First Chapter: A Checklist – Lederto.com Blog - […] is your story’s point of view? Are you going to choose third person limited, third person omniscient, first person,…
• Hit the love button if you like this info! - […] is your story’s point of view? Are you going to choose third person limited, third person omniscient, first person,…
• How will you implement the tips from this post? - […] is your story’s point of view? Are you going to choose third person limited, third person omniscient, first person,…
• Preferred POV and Tense – My Ity Opinion | ItyReadsBooks - […] *Found on The Write Practice […]
• Point of View, or Who’s Telling the Story? – Amanda Down the Rabbit Hole - […] Joe Bunting, “The Ultimate Point of View Guide: Third Person Omniscient vs. Third Person Limited vs. First Person,” https://thewritepractice.com/point-of-view-guide/…
• Mastering Point of View: An In-depth Guide To Better Writing - […] The Ultimate Point of View Guide: Third Person Omniscient vs. Third Person Limited vs. First Person […]
• Welcome to YeahWrite’s Weekly Writing Challenge #484 - YeahWrite - […] sure what that means? Click here. Scroll past the introduction to the First Person banner heading, or read the entire…
• Welcome to YeahWrite’s Weekly Writing Challenge #485 - YeahWrite - […] sure what that means? Click here. Scroll past the introduction to the First Person banner heading, or read the entire…
• Rules and Fiction Writing - LaBine Editorial - […] to dig deeper into POV issues and rules in a later post, but if you’d like to learn more…

Submit a Comment Cancel reply

Your email address will not be published. Required fields are marked *

Submit Comment

Join over 450,000 readers who are saying YES to practice. You’ll also get a free copy of our eBook 14 Prompts :

Popular Resources

Book Writing Tips & Guides Creativity & Inspiration Tips Writing Prompts Grammar & Vocab Resources Best Book Writing Software ProWritingAid Review Writing Teacher Resources Publisher Rocket Review Scrivener Review Gifts for Writers

Books By Our Writers

Now, Take Your Idea and Write a Book!

Enter your email to get a free 3-step worksheet and start writing your book in just a few minutes.

You've got it! Just us where to send your guide.

Enter your email to get our free 10-step guide to becoming a writer.

Get the POV Cheatsheet for Writers

Enter your email for a free cheatsheet for the top two point of views!

You've got it! Just us where to send your book.

Enter your first name and email to get our free book, 14 Prompts.

What Is Narrative Point Of View And Which One Should I Use?

The narrative point of view, in a nutshell, is the perspective through which your story is told—the eyes observing what happens.

Most would say there are three types of viewpoint, but to throw a spanner in the works and for the sake of clarity, I’m going to say there are four. You’ve got first person, second person, third person limited, and third person omniscient . Yes the last two are both third person, but they’re markedly different. 

Below, we look at the definition of each, discuss the advantages and disadvantages to help you choose which one to use, and the key differences between each one.

Choose A Narrative Point Of View

First person, second person, third person limited, third person omniscient, narrative point of view examples, tips on narrative point of view from professional book editors.

If you’d rather a visual explainer, check out this awesome video on narrative point of view:

This is the viewpoint of ‘I’.

“I picked up the sword. I chopped off his toes.”

First person has a present narrator, guiding us through the tale—what they see, think, feel. It’s perhaps the most intimate of all viewpoints, the reader sharing the mind of your point of view (POV) character.

H.P. Lovecraft was a big fan of the first person form, and in my view, was a master of it. The manner in which he tells his tales makes the narrator feel almost invisible. Rarely does he use the word ‘I’. On page one of chapter one of The Call of Cthulhu for example , ‘I’ is used just three times. Prose riddled with a repetitious word of any kind, ‘I’ one example, can disrupt a reader’s flow.

  As with all viewpoints, there are pros and cons. Here’s a few pros :

• The intimate nature of this approach makes it easier to build empathy between the reader and your character. This can be particularly helpful if your character is something of an anti-hero.
• For the reasons set out above, it’s immediately immersive for the reader, the story grabbing them by the collar and pulling them into the action.
• If your story focuses on characters, it’s a great way to shine that stage light right on them.

A few cons, to keep things balanced:

• The narration of the tale is limited to that character. So for example, it may be disruptive for the reader to be told the thoughts of one character, when the tale so far has been through the eyes of another. Your POV character ought instead to infer thoughts and feelings from the body language and facial expressions of others. Unless your story is about mind reading, in which case disregard this entire paragraph.
• When writing with ‘I’ it can be easy to slip into your own voice as opposed to the characters’. Stay vigilant!
• It can be tempting to over-indulge in thought or emotional reflection at the expense of moving the story forwards.
• If your POV character isn’t particularly likeable, engaging or charismatic the reader may lose interest.
• As mentioned above, try to avoid peppering a piece with ‘I’s’. If you’ve got a lot of them, you could try re-arranging sentences to remove them or altering words.

  The second person is the form you’re reading now—the ‘you’s’. The narrator addresses the reader directly, which also gives an intimate feel. It’s quite unusual to see in fiction. It’s a popular form in blogs, for example, because it makes for a more engaging read. I hope.

Literary agent Noah Lukeman in his book on writing The First Five Pages states that “it’s extremely stylistic and nearly impossible to keep up for

more than a page or two.” Sol Stein , master editor, in his book Stein On Writing recommends just shelving this approach altogether (in fiction).

Also referred to as third person subjective, this viewpoint tends to be the default for many writers. 1984 by George Orwell, a very relevant book at the moment, way ahead of its time, is an example of a story written in first person. George R.R. Martin uses it in all books of A Song of Ice and Fire , so too does Raymond Feist in The Riftwar Cycle novels, James Barclay in The Chronicles of the Raven series… we could list until nuclear warfare ends the world, which may not be far off, but we’ve all got better things to do.

Third person limited is similar to first person in that the story follows the perspective of one character, allowing the reader to step inside their mind. Prose is written in the form of ‘he’, ‘she’, and ‘they’, with the tense mainly past, though present sometimes too. Here’s a couple of examples:

“James ceased his commentary as something caught his eye. He turned abruptly, reached out, and yanked a small boy away from Borric’s horse. James lifted the boy off the ground and looked him hard in the eyes.”

Prince of Blood , Raymond Feist.

“Jon blew out the taper he carried, preferring not to risk an open flame amidst so much old dry paper. Instead he followed the light, wending his way down the narrows aisles beneath barrel-vaulted ceilings.”

A Clash of Kings, George R.R. Martin.

Here’s a few advantages to using this viewpoint:

• If you enrich your tale with numerous, interesting and unique viewpoints it’ll serve the story well. It gives you a wider scope to world-build, develop conflict and tension. In busy scenes, such as battles, different viewpoints give you the ability to explain how things are developing across the scene, not just in one section, all the while exploring different emotions and reactions.
• Everyone loves a character that grows from a nobody into a hero, and this perspective is a great way to take the reader on that journey.
• It’s the preferred approach by many contemporary writers and publishers.

  And the disadvantages :

• As with first person, the narration is limited to your POV character. Behaviour can be observed, but thoughts not known.
• Linked to the above, knowledge is restricted to your POV character. For example, if your fantasy huntress has spent her entire life in the woods, with no knowledge of civilization, the narration would seem a bit odd if cities were described.

As with third person limited, the story is still about ‘he’, ‘she’ and ‘they’, but the narrator tells the reader the thoughts and emotions of all, or a large number, of characters. It can be quite a demanding approach, but in the right hands works tremendously. Tolkien was a fan. He tended to stick to the POV’s of a handful of characters—Sam, Frodo, Aragorn (to name a few)—though dips into the minds of others too.

I’d say he falls into the realm of the in between. A blend of both. Adrian Tchaikovsky is another (fantastic) writer who I’d say adopts the same approach. A mix of the two is very useful when describing scenes, places or characters, then once description is done, return to your POV characters.

So why do I keep this and third person limited apart? It’s the styles in which they are written. Omniscient follows an all-knowing narrator, whereas limited follows the tale of one or a few characters. If anything, limited lies closer to first person.

The advantages :

• You can describe your world without restraint, because you are god and you know all. It does not matter if your protagonist has never been somewhere, you can describe it down to the last detail.

The disadvantages :

• It can get quite demanding exploring the thoughts of all or a group of characters. Your story may go from a hundred thousand word piece to a series of encyclopedic volumes. To address this, pick just a handful, like Tolkien.
• Stories told in this form are regarded as quite slow.
• According to Penguin Random House, its fallen out of favour with some publishers, mainly because it’s quite an old fashioned style. Tchaikovsky proves otherwise, mind.
• One of the biggest drawbacks is that this viewpoint tends to ‘tell’ the story, instead of ‘show’ it. See my blog post on showing v telling here .
• The narration can have something of a cold and distant feel, with little emotional depth and weak ties to characters.

What Is The Main Difference Between The Limited and Omniscient Third-Person Narrative Point of View?

The primary distinction between limited and omniscient third-person narrative points of view in fiction writing is the extent of access to characters’ thoughts and the breadth of knowledge conveyed to the reader.

In the limited third-person point of view, the narrator conveys the story from the perspective of a single character, often the protagonist, sometimes the villain or antagonist , such as in John Gardner’s Grendel, which I discuss below. The reader is privy to the thoughts, feelings, and perceptions of this central character, experiencing the world through their eyes. However, knowledge is restricted to what this character knows or can observe.

The narrator in an omniscient perspective possesses a godlike omniscience, knowing the thoughts, emotions, and experiences of all the characters in the story. This vantage point allows the narrator to provide insight into the inner lives of multiple characters, delve into their motivations, and offer a comprehensive understanding of the story’s worldbuilding and universe. In essence, readers gain a panoramic view of the narrative.

It helps to look at some examples of books that adopt different narrative points of view. This is even more important if you’re trying a new viewpoint for the first time. Having that reference point can help no-end.

Here are a smattering of examples:

• “The Catcher in the Rye” by J.D. Salinger: The novel is narrated in the first person by its protagonist, Holden Caulfield, offering an intimate look into his thoughts and experiences.
• “To Kill a Mockingbird” by Harper Lee: Scout Finch serves as the first-person narrator, providing a child’s perspective on the events in the book.
• “Harry Potter” series by J.K. Rowling: The series predominantly employs a third-person limited point of view, following the adventures of Harry Potter while providing insights into his thoughts and emotions.
• “The Hunger Games” by Suzanne Collins: Katniss Everdeen is the central character in this dystopian series, and the narrative is limited to her perspective, giving readers access to her inner world.
• “War and Peace” by Leo Tolstoy: Tolstoy’s epic novel utilizes a third-person omniscient point of view, allowing readers to delve into the thoughts and emotions of multiple characters across a vast canvas of Russian society.
• “Pride and Prejudice” by Jane Austen: Austen employs a third-person omniscient perspective to offer insights into the thoughts and feelings of various characters, particularly Elizabeth Bennet.
• “Choose Your Own Adventure” series by various authors: These interactive books address the reader directly in the second person, allowing them to make choices that impact the course of the story.
• “If on a winter’s night a traveler” by Italo Calvino: This experimental novel employs the second person to engage the reader directly in a complex narrative structure.

The Narrative Point Of View In Grendel by John Gardner

Published in 1971, John Gardner’s novel “Grendel” is a must-read for those seeking a unique take on the classic Beowulf story. What sets this book apart is its innovative use of narrative point of view, offering readers a fresh and thought-provoking perspective on the age-old tale.

Unlike the traditional third-person narratives often found in epic and heroic sagas, Gardner takes a bold step by letting the monster, Grendel, take center stage as the novel’s first-person narrator.

This narrative choice is a game-changer. It allows readers to get inside Grendel’s head, experiencing his thoughts, feelings, and experiences firsthand. Suddenly, the monster isn’t just a mindless antagonist; he’s a complex character with profound existential struggles, deep loneliness, and a quest for meaning in a world that labels him a villain.

The first-person narrative perspective humanizes Grendel and forces us to question conventional notions of good and evil. We see the world through his eyes and understand his motivations.

Lukeman recommends sticking with one viewpoint until reaching a line break. Switching from first to third person within the same passage can be confusing for a reader. He’s very much against switching viewpoint at all, but says that “if you feel compelled to switch, at least do it in a place that will make it less disorientating for the reader.” He asks too why do you feel compelled to switch? Most times it’s down to the POV character lacking something and encourages you to spend more time working on that character.

Related to the above point, Sol Stein says, “The choice of point of view is yours, but once you’ve decided, be sure that you stick to it as if your reader’s experience of the story depended on it. Because it does.”

Which should you use? Stein recommends the one you feel most comfortable with. Try them all, and see for yourself. “… if your work isn’t satisfying you, you can always put the draft aside and re-write it from another point of view. If you’ve used third person, try first.”

For more writing tips and guides , head here.

• Recent Posts

• Mastering Dialogue: The Very Best Tips - January 12, 2024
• The Proven Method Of Writing Short Story Cover Letters - November 10, 2023
• Tips, Advice And Guidance On Writing Villains And Antagonists - November 7, 2023

Related Posts

What Is NaNoWriMo? Get A Complete Understanding

11 Essential Ways To Stop Procrastinating

2 thoughts on “what is narrative point of view and which one should i use”.

Pingback: Sharing is Caring Thursdays #1 | Richie Billing

Pingback: 8 Easy Ways To Improve Your Writing Skills - Richie Billing

Leave a Comment Cancel Reply

Your email address will not be published. Required fields are marked *

Save my name, email, and website in this browser for the next time I comment.

Notify me of follow-up comments by email.

Notify me of new posts by email.

This site uses Akismet to reduce spam. Learn how your comment data is processed .

No thanks, close this box

• Scriptwriting

What is a Narrative Essay — Examples, Format & Techniques

I was in the Amazon jungle the first time I wrote a narrative essay, enlightened and enraptured by the influence of ayahuasca. That’s not true. I’ve never been to South America nor have I ever taken ayahuasca. The purpose of that opening is to show how to craft a narrative essay intro — hook, line, and sinker. Narrative essays rely on hooking the reader, and enticing them to read on. But what is a narrative essay? We’re going to break down everything you need to know about these essays — definition, examples, tips and tricks included. By the end, you’ll be ready to craft your own narrative essay for school or for publication.

What’s a Narrative Essay?

First, let’s define narrative essay.

Narrative essays share a lot of similarities with personal essays, but whereas the former can be fictional or non-fictional, the latter are strictly non-fictional. The goal of the narrative essay is to use established storytelling techniques, like theme , conflict , and irony , in a uniquely personal way.

The responsibility of the narrative essayist is to make the reader feel connected to their story, regardless of the topic. This next video explores how writers can use structural elements and techniques to better engage their readers. 

Personal Narrative Essay Examples With Essay Pro

Narrative essays rely on tried and true structure components, including:

• First-person POV
• Personal inspiration
• Focus on a central theme

By keeping these major tenets in mind, you’ll be better prepared to recognize weaknesses and strengths in your own works.

NARRATIVE ESSAY DEFINITION

What is a narrative essay.

A narrative essay is a prose-written story that’s focused on the commentary of a central theme. Narrative essays are generally written in the first-person POV, and are usually about a topic that’s personal to the writer. Everything in these essays should take place in an established timeline, with a clear beginning, middle, and end. 

Famous Narrative Essay Examples

• Ticker to the Fair by David Foster Wallace
• After Life by Joan Didion
• Here is a Lesson in Creative Writing by Kurt Vonnegut

Narrative Writing Explained

How to start a narrative essay.

When you go to sleep at night, what do you think of? Flying squirrels? Lost loved ones? That time you called your teacher ‘mom’? Whatever it is, that’s what you need to write about. There’s a reason those ideas and moments have stuck with you over time. Your job is to figure out why.

Once you realize what makes a moment important to you, it’s your job to make it important to the reader too. In this next video, Academy Award-nominated filmmaker J. Christian Jensen explains the power of the personal narrative. 

Narrative Writing and the Personal Narrative Essay  •  Video by TEDx Talks

Anything and everything can be the topic of your essay. It could be as benign as a walk to school or as grandiose as a trip to the moon — so long as that narrative exists within reality. Give your thoughts and opinions on the matter too — don’t be afraid to say “this is what I think” so long as it’s supported by storytelling techniques. Remember, never limit yourself as a writer, just keep in mind that certain topics will be harder to make engaging than others.

Narrative Essay Outline

How to write a narrative essay.

First step, game plan. You’re going to want to map out the story from beginning to end, then mark major story beats in your document.

Like all stories, your narrative essay needs a clear beginning, middle, and end. Each section should generally conform to a specifically outlined structure. For reference, check out the outline below.

Narrative Essay Format  •  How to Write a Narrative Essay Step by Step

Make sure to reference back to this outline throughout the writing process to make sure you have all your major beats covered.

Purpose of narrative essay writing

Narrative essays give writers the ability to freely express themselves within the structure of a traditional story. Nearly all universities ask applicants to submit a narrative essay with their formal application. This is done for two reasons: they allow institutions to judge the linguistic and grammar capabilities of its applicants, as well as their raw creative side.

If you’re considering studying creative writing in an undergraduate or graduate program, then you’re going to write A LOT of narrative style essays. This process may seem indomitable; How am I supposed to write hundreds of pages about… me? But by the end, you’ll be a better writer and you’ll have a better understanding of yourself.

One thing that all successful essayists have in common is that they make radical, often defiant statements on the world at large. Think Ralph Waldo Emerson, Virginia Woolf, and Langston Hughes for example.

Being a professional essayist isn’t easy, and it’s near-impossible to be one who makes a lot of money. Many essayists work as professors, editors, and curriculum designers as well. 

This next video features the late, award-winning essayist Brian Doyle. He explains all the things you need to hear when thinking about writing a story.

Narrative Essay Examples “Lecture” via Boston University

We can learn a lot from the way Doyle “opens” his stories. My favorite is how he begins with the statement, “I met the Dalai Lama once.” How can we not be interested in learning more? 

This brings us all the way back to the beginning. Start with a hook, rattle off the line, then reel in the sinker. If you entice the reader, develop a personal plot, and finish with a resolute ending, you’ll have a lot of success in essay writing. 

 Up Next

Narrative essay topics.

We've curated a collection of narrative essay topics that will spark your creativity and bring your experiences to life. Dive into the rich tapestry of your memories, explore the unique threads of your life, and let your narrative unfold.

Up Next: Narrative Essay Topics →

Write and produce your scripts all in one place..

Write and collaborate on your scripts FREE . Create script breakdowns, sides, schedules, storyboards, call sheets and more.

• Pricing & Plans
• Product Updates
• Featured On
• StudioBinder Partners
• The Ultimate Guide to Call Sheets (with FREE Call Sheet Template)
• How to Break Down a Script (with FREE Script Breakdown Sheet)
• The Only Shot List Template You Need — with Free Download
• Managing Your Film Budget Cashflow & PO Log (Free Template)
• A Better Film Crew List Template Booking Sheet
• Best Storyboard Softwares (with free Storyboard Templates)
• Movie Magic Scheduling
• Gorilla Software
• Storyboard That

A visual medium requires visual methods. Master the art of visual storytelling with our FREE video series on directing and filmmaking techniques.

We’re in a golden age of TV writing and development. More and more people are flocking to the small screen to find daily entertainment. So how can you break put from the pack and get your idea onto the small screen? We’re here to help.

• Making It: From Pre-Production to Screen
• What are the 12 Principles of Animation — Ultimate Guide
• What is Pacing in Writing — And Why It’s So Important
• What Does O.S. Mean in a Script & How to Use It
• What Does a Leadman Do in Film — Job Description Explained
• What is a Unit Production Manager — Job and Role Explained
• 1 Pinterest

📕 Studying HQ

How to write a narrative essay step-by-step, tips and examples, carla johnson.

• June 14, 2023
• Essay Topics and Ideas , How to Guides

What You'll Learn

Learn How to write a Narrative Essay Step-by-Step, Tips and Examples

Narrative essays are a type of academic writing in which the writer tells a story from their own experience or point of view. Other types of essays require a lot of research and analysis, but narrative essays are more about telling a story to get a point across. Students and writers like them because they let them express their ideas in a more creative and personal way.

The goal of this article is to help you learn how to write a narrative essay by giving you tips, examples, and ideas for topics . We’ll look at the most important parts of a narrative essay, talk about the different ways to write one, and give you some useful writing tips that will help you create a compelling story. Whether you’re a student who wants to get better grades or a writer who wants to get better at what you do, this article will give you the tools you need to write great narratives.

Learning how to write a narrative essay is important because it helps you improve your writing skills and find a more interesting and meaningful way to say what you want to say. You can connect with your readers on a personal level in a narrative essay by taking them on a journey through your experiences and feelings. By learning how to write a compelling story, you can not only do better in school, but you can also make it easier for people to understand what you are trying to say. So, let’s jump into the world of narrative essays and find out how to tell a good story.

Understanding Narrative Essays

A narrative essay is a type of essay that tells a story from the author’s point of view. It often uses the author’s own experiences and feelings to make a story that is interesting to read. Narrative essays are different from argumentative or analytical essays because they focus more on the art of telling a story than on making a convincing argument or analysis.

There are different kinds of narrative essays, such as personal narratives, fictional narratives, and autobiographical narratives. Most essays are personal narratives, which are often used in creative writing classes or as part of essays for college admissions. Fictional narratives, on the other hand, use fictional characters and settings to tell a story , while autobiographical narratives focus on the author’s own experiences and are often found in memoirs or personal essays.

The most important parts of a narrative essay are a clear introduction that sets the scene for the story, a well-developed plot with a beginning, middle, and end, vivid descriptions that help the reader picture the setting and characters, and a conclusion that ties everything together and leaves the reader with a lasting impression.

Choosing a Topic for Your Narrative Essay

The success of your narrative essay depends on your choice of topic. The first step is to know why you are writing your essay and what you want your readers to learn from it. Are you trying to make them laugh, teach them something, or move them? Once you know what you want to do with your essay, you can start coming up with ideas for it.

One way to choose a topic is to pick something that is meaningful to you. Think about things you’ve done in your life that have changed you in a big way or taught you something important. These experiences can be good or bad, but they should have some meaning for you.

You can also use brainstorming to come up with ideas for your narrative essay. Freewriting is a common method in which you write down everything that comes to mind about a certain subject. This can help you come up with ideas and get your mind working . You can also organize your ideas and find links between them with mind mapping or clustering.

Examples of narrative essay topics include:

1. A significant event in your life that changed your perspective

2. A memorable trip or vacation

3. A childhood memory that had a lasting impact on you

4. Overcoming a personal challenge or adversity

5. A significant achievement or accomplishment

6. An experience that taught you an important life lesson

7. A meaningful relationship or friendship

8. A time when you had to make a difficult decision

9. An experience that challenged your beliefs or values

10. A humorous or embarrassing moment from your life.

By choosing a topic that is meaningful to you and using brainstorming techniques to generate ideas , you can create a compelling narrative essay that engages your readers and helps you achieve your writing goals.

Planning and Preparing to Write a Narrative Essay

You should plan and get ready before you start writing your narrative essay. This means making an outline of the essay , coming up with a thesis statement, developing the plot and characters, setting the scene, and choosing the right point of view.

An important part of planning for a narrative essay is making an outline. The outline should have the beginning, middle, and end of the story, as well as any important points or events you want to include. This will help you stay on track and make sure that the structure of your essay is clear and makes sense. It’s also important to write a thesis statement . This sentence should tell the reader what the story is about and what the main point of the essay is. It should be easy to understand, short, and interesting.

Creating the story and the people in it is another important step. Your narrative essay should have a clear beginning, middle, and end, as well as a central problem or conflict that the main character must solve. The characters should be well-rounded and easy to understand, with clear goals and reasons for what they do.

Creating atmosphere and setting the scene are also important parts of a good narrative essay. Setting should be described in detail, using sensory details to paint a clear picture in the reader’s mind . Care should be taken to make the setting fit the story’s mood and tone.

It’s also important to choose the right point of view. Most narrative essays are written in the first person because it lets the writer use personal experiences and feelings to make the story more real and interesting. But there are also narrative essays that are written from a third-person point of view, which can give a more objective and detached view.

Narrative Essay Outline

I. Introduction  Hook: Start with an intriguing question, a thought-provoking quote, or a vivid description to capture the reader’s interest.   Background information: Provide relevant background details about the time, place, and circumstances surrounding the story you’re about to tell.  Thesis statement: Clearly state the main idea, purpose, or lesson you want to convey through your narrative essay.

II. Body Paragraph  A. Paragraph 1  1. Topic sentence: Introduce the beginning of your story by setting the scene and introducing the main characters.  2. Details and descriptions: Describe the setting in vivid detail, using sensory language to help the reader visualize the environment. Introduce the characters and their personalities, providing physical descriptions and relevant background information.  3. Use descriptive language and figurative devices (e.g., similes, metaphors) to paint a clear picture in the reader’s mind.

 B. Paragraph 2  1. Topic sentence: Smoothly transition to the next sequence of events in your story.  2. Details and descriptions: Narrate the unfolding events, providing specific details about the actions, thoughts, and emotions of the characters involved.  3. Use dialogue and action to create a sense of movement and progress in the story.

 C. Paragraph 3 (and more, if needed)  1. Topic sentence: Introduce the climax or the most crucial part of your story.  2. Details and descriptions: Provide vivid descriptions and sensory details to heighten the tension and build towards the climax.  3. Use techniques like foreshadowing, suspense, and dramatic irony to keep the reader engaged and invested in the story.

III. Conclusion  A. Restate the thesis statement: Remind the reader of the main idea, purpose, or lesson you aimed to convey through your narrative essay.  B. Summarize the key points: Briefly recap the most significant events or details from your story, highlighting their importance or impact.  C. Closing thoughts: Share any final reflections, insights, or lessons learned from the experience you narrated. You can also discuss the broader implications or significance of your story.

Remember, this outline is a flexible guide, and you can adjust it to suit your specific narrative essay. The key is to engage the reader with a well-structured, descriptive, and meaningful story that leaves a lasting impression.

Writing the Narrative Essay

After you’ve thought about and planned your narrative essay, it’s time to start writing. A narrative essay has three main parts: the introduction, the body, and the end.

In the beginning, you hook the reader’s attention and set the scene for the story. You can do this by starting with a quote, a question, or a vivid description of the setting. The thesis statement should also be in the introduction. It tells the reader what the main point of the essay is and what to expect from the rest of the story.

In the main part of the essay , you tell the story. This means describing what happens, who is involved, and what the problem or conflict is that the main character has to solve. The main part of the story should be well-organized, with each paragraph focusing on a different event or part of the story. It should also include details that the reader can feel and dialogue that brings the story to life.

In the ending, you wrap up the story and leave the reader with something they’ll remember. This can be done by thinking about what the main character learned or how the event changed him or her. The ending should also be well-written and give the reader a feeling of completion .

To sum up, to master the art of writing narrative essays, you need to know the different types of narrative essays, how to choose a topic that interests you, and how to plan and get ready to write. It also involves developing the plot and characters, setting the scene, and making the right atmosphere to draw readers into the story. It’s important to start a narrative essay with a strong introduction that grabs the reader’s attention and has a clear thesis statement. The body should be well-organized and include sensory details and dialogue to bring the story to life.

Last, the ending should wrap up the story and leave a lasting impression on the reader. By using these tips and tricks, you can learn how to write great narrative essays and tell great stories.

How to Edit, Proofread and Revise Your Narrative Essay to improve storytelling

Editing and revising are important steps in the writing process that can help you improve the quality and effectiveness of your narrative essay. Here are some tips for editing and revising your work:

– Take a break: Step away from your essay for a few hours or even a day or two to gain a fresh perspective.

– Check for coherence and clarity: Make sure that your ideas are presented in a logical and organized manner, and that your writing is clear and easy to understand.

– Eliminate unnecessary words: Look for any words or phrases that don’t add value to your writing and eliminate them.

– Check for spelling and grammar errors: Use a spell-checker and proofread your work carefully to ensure that there are no errors.

– Read your essay aloud: This can help you catch any awkward phrasing or sentences that need to be revised.

Common mistakes to avoid when editing and revising your narrative essay include:

– Overusing adjectives and adverbs: While descriptive language can help bring your story to life, too much of it can be distracting and take away from the overall impact of your writing.

– Failing to show, not tell: Instead of simply telling readers what happened, show them by using sensory details and vivid descriptions.

– Neglecting to revise the ending: The ending of your narrative essay is just as important as the beginning, so make sure that it wraps up the story effectively and leaves a lasting impression on the reader

Getting feedback from others is also an important part of the editing and revising process . Ask a trusted friend or family member to read your essay and provide feedback. You can also seek feedback from a writing tutor or instructor, or join a writing group to receive constructive criticism and support.

Narrative Essay Examples

To help you better understand the art of narrative essays, here are ten fascinating examples of narrative essays:

1. The Last Day of Her Life” by Robin Marantz Henig

2. “The Fourth State of Matter” by Jo Ann Beard

3. The Death of My Father” by Steve Martin

4. “The Fourth of July” by Audre Lorde

5. “The Chase” by Annie Dillard

6. “The Fourth State of Matter” by Jo Ann Beard

7. “The Best Day of My Life” by Tameka Cage Conley

8. The Raven” by Edgar Allan Poe

9. “The Fourth State of Matter” by Jo Ann Beard

10. “The Night” by Maxine Hong Kingston

Each of these narrative essays is effective in its own unique way, using vivid descriptions, sensory details, and compelling characters to create a powerful story. By analyzing these examples and understanding what makes them effective, you can gain a better understanding of how to write a successful narrative essay.

Narrative Essay Topics

If you’re struggling to come up with a topic for your narrative essay, here are 50 ideas that can help get you started:

1. The first day of college

2. A life-changing event

3. A memorable vacation

4. An experience that taught you a valuable lesson

5. A moment of personal growth or self-discovery

6. Overcoming a fear or phobia

7. A significant accomplishment

8. A time when you faced a difficult decision

9. A childhood memory

10. A relationship that had a significant impact on your life

11. A day you will never forget

12. A moment of true happiness

13. A time when you felt lost or alone

14. A time you had to stand up for yourself or someone else

15. A time when you had to overcome a setback or failure

16. A moment of courage or bravery

17. An experience that changed your perspective on life

18. A time when you had to make a sacrifice

19. A moment of true friendship

20. A time when you felt truly inspired

21. A significant romantic relationship

22. A moment of cultural exchange or immersion

23. An experience that taught you the value of hard work

24. A time when you had to adapt to a new situation

25. A moment of unexpected kindness

26. A time when you had to confront your fears

27. A moment of triumph over adversity

28. A time when you had to make a difficult ethical decision

29. A moment of realization or epiphany

30. A significant family event

31. A time when you had to learn to forgive

32. A moment of unexpected humor

33. A moment of deep sadness or loss

34. A time when you had to confront a personal challenge

35. A moment of true love

36. A time when you had to take a risk

37. An experience that taught you the importance of perseverance

38. A moment of clarity or understanding

39. A time when you had to learn to trust yourself

40. A moment of spiritual or religious significance

41. A time when you had to reconcile with someone

42. A moment of true beauty

43. A time when you had to confront a personal flaw or weakness

44. A moment of inspiration from nature

45. A time when you had to confront a social issue

46. A moment of unexpected grace

47. A time when you had to overcome a physical challenge

48. A moment of true bravery

49. A significant achievement in your life

50. A moment that changed your life forever .

Tips for College Narrative Writing

Writing a narrative essay can be a daunting task for college students, but with the right tips and techniques, you can craft an engaging and memorable piece. A narrative essay is an essay that tells a story, often from a personal experience. It’s a type of essay that allows you to express yourself creatively while still adhering to academic writing standards.

Narrative Essay Definition

Before we dive into the tips, let’s first understand what’s a narrative essay.

• A narrative essay is an essay that tells a story from beginning to end. It’s usually written in the first-person point of view and follows a chronological order. The purpose of a narrative essay is to engage the reader and provide a vivid, descriptive account of an experience or event.
• A narrative essay is a type of essay that tells a story. It’s a personal essay that allows you to share your experiences, thoughts, and emotions with the reader. Narrative essays are often used in college admissions or as part of a personal statement.

Tips for Writing a Narrative Essay

Now that you understand what a narrative essay is, let’s dive into some tips to help you craft a compelling and engaging piece.

1. Choose a Captivating Topic

The first step in writing a narrative essay is to choose a topic that is engaging and meaningful to you. Pick an experience or event that left a lasting impression or taught you an important lesson. A captivating topic will not only make the writing process more enjoyable, but it will also help engage your readers.

2. Show, Don’t Tell

One of the most important tips for narrative writing is to show, rather than tell, your story. Instead of simply stating what happened, use vivid descriptions, sensory details, and dialogue to bring your story to life. This will help your readers feel like they are experiencing the events themselves.

3. Use a Clear Structure

Like any other essay, a narrative essay should have a clear structure, with an introduction, body paragraphs, and a conclusion. The introduction should grab the reader’s attention and set the scene for your story. The body paragraphs should follow a chronological order and provide the details of your experience. The conclusion should bring your story to a satisfying end and tie everything together.

4. Incorporate Literary Devices

To make your narrative essay more engaging and impactful, consider incorporating literary devices such as metaphors, similes, and imagery. These devices can help you convey emotions, create vivid mental pictures, and add depth to your writing.

5. Proofread and Edit

Once you’ve finished writing your narrative essay, it’s important to proofread and edit your work. Check for spelling and grammar errors, as well as clarity and coherence. You may also want to have someone else read your essay and provide feedback.

Writing a narrative essay can be a rewarding and creative experience for college students. By following these tips and using the techniques mentioned, you can craft a compelling and engaging story that not only showcases your writing skills but also provides a glimpse into your personal experiences and growth.

Example of a Narrative Essay

Read more on narrative paper example

In conclusion , mastering the art of writing a narrative essay involves understanding the different types of narrative essays, choosing a topic that resonates with you, and planning and preparing your writing.

It also involves developing the plot and characters, setting the scene, and creating the right atmosphere to draw readers into the story. Editing and revision are important steps in the writing process, and seeking feedback from others can help improve the quality and effectiveness of your writing.

With the help of the 50 narrative essay topics and the tips and techniques provided in this article, you can practice and perfect the art of writing a compelling narrative essay. Remember, the key to success is to practice, revise, and refine your writing skills until you become a skilled and confident storyteller.

FAQs about Narrative Essays

Here are some frequently asked questions about narrative essays:

1. What is a narrative essay?

A narrative essay is a type of essay that tells a story from the author’s perspective, often drawing on personal experiences and emotions to create a compelling narrative.

2. What are the elements of a narrative essay?

The elements of a narrative essay include a clear introduction that sets the stage for the story, a well-developed plot with a beginning, middle, and end, vivid descriptions that help the reader visualize the setting and characters, and a conclusion that ties everything together and leaves a lasting impression on the reader.

3. How do I choose a topic for a narrative essay ?

Choosing a topic for a narrative essay involves understanding the purpose of your essay, choosing a topic that resonates with you, and using brainstorming techniques to generate ideas.

4. What is the structure of a narrative essay?

The structure of a narrative essay typically includes an introduction, body, and conclusion, with each part serving a distinct purpose in telling the story.

5. What is the difference between a narrative essay and a descriptive essay?

While both narrative and descriptive essays use vivid language to create a compelling story, the main difference is that a narrative essay tells a story from the author’s perspective, while a descriptive essay focuses on describing a particular person, place, or thing in detail.

Start by filling this short order form order.studyinghq.com

And then follow the progressive flow. 

Having an issue, chat with us here

Cathy, CS. 

New Concept ? Let a subject expert write your paper for You​

Have a subject expert write for you now, have a subject expert finish your paper for you, edit my paper for me, have an expert write your dissertation's chapter, popular topics.

Business StudyingHq Essay Topics and Ideas How to Guides Samples

• Nursing Solutions
• Study Guides
• Free Study Database for Essays
• Privacy Policy
• Writing Service 
• Discounts / Offers 

Study Hub: 

• Studying Blog
• Topic Ideas 
• How to Guides
• Business Studying 
• Nursing Studying 
• Literature and English Studying

Writing Tools  

• Citation Generator
• Topic Generator
• Paraphrasing Tool
• Conclusion Maker
• Research Title Generator
• Thesis Statement Generator
• Summarizing Tool
• Terms and Conditions
• Confidentiality Policy
• Cookies Policy
• Refund and Revision Policy

Our samples and other types of content are meant for research and reference purposes only. We are strongly against plagiarism and academic dishonesty. 

Contact Us:

📧 [email protected]

📞 +15512677917

2012-2024 © studyinghq.com. All rights reserved

Narrative Essay

Definition of narrative essay.

A narrative essay is a type of essay that has a single motif , or a central point, around which the whole narrative revolves. All incidents, happenings, and characters revolve around a single motif presented in the narrative. A narrative essay is similar to a simple five-paragraph essay, in that it has the same format. It is only different in that it is a narrative, having characters, incidents, and dialogues.

Difference Between a Narrative Essay and a Short Story

A narrative essay has a specific format, specific aspects to discover, and a specific motif. It revolves around that motif set by the writer prior to writing the essay. A short story , however, is different from a narrative essay in that it does not revolve around a pre-set motif, and that it does not have a specific format. Also, a short story always leaves readers at a critical juncture with the desire to discover more. In contrast , a narrative essay ends when the readers are fully satisfied. They do not wish to read anymore or do not want to discover anymore.

Elements of a Narrative Essay

A narrative essay has three required elements: character , theme , and dialogue :

Characters are an important part of a narrative essay. Even if the essay is autobiographical in nature, the person writing the essay is a character involving some other characters who act, behave, and do like all other characters presented in stories and novels .

Theme or Motif

A narrative essay revolves around a theme or a motif. This theme or motif is presented in its thesis statement, which breaks it down into three distinct pieces of evidence . These three distinct pieces of evidence are then further elaborated through characters in body paragraphs .

Dialogue is used to capture the conversation between characters. In a narrative essay, dialogue is the third important element, without which the characters lose their worth and liveliness.

How to Choose a Topic for Narrative Essay

There are four major steps to choosing the topic of a narrative essay:

• Choose a theme or thematic strand around which to weave a story.
• Outline the character, events, and happenings.
• Think about the conversation of the characters and place them in a setting and plot
• Synchronize the characters with the plot and the setting to see if they integrate with each other.

MLA and APA Formats in Narrative Essay

MLA and APA are used in all types of essays. However, APA is mostly used in social sciences, while MLA is used in humanities. Whereas the application of MLA in a narrative is concerned, it is used in the format, intext citation , and in the Works Cited page. The first page comprises the student’s name, class, tutor’s name, and date with the topic of the essay given after all of them. However, in APA, all this information appears on the cover page. Similarly, both MLA and APA differ in intext citation, with MLA having only the author’s name and page without any comma. In contrast, APA has the author’s name as well as page number with a comma and ‘p’ with a period before the number of the page, such as (Hardy, p. 45). Regarding the sources, MLA shows Works Cited page at the end, while APA shows Reference at the end.

Reflective Narrative Essay

As the name suggests, a reflection narrative is an essay that presents the reflections of a person who is writing that essay. He takes an incident from his life and gives it an organization on the pattern of an essay with a narrative having a beginning, middle, and an end. The essay may or may not have moral lessons, which does not make a lot of difference if the experiences carry the deeper meaning. What matters is that the writer reflects on his own life, taking out some significant moment to make it a storied essay or a narrative essay with a theme in it.

Examples of Narrative Essays in Literature

Example #1:  new directions (by maya angelou).

“Annie, over six feet tall, big-boned, decided that she would not go to work as a domestic and leave her “precious babes” to anyone else’s care. There was no possibility of being hired at the town’s cotton gin or lumber mill, but maybe there was a way to make the two factories work for her. In her words, “I looked up the road I was going and back the way I come, and since I wasn’t satisfied, I decided to step off the road and cut me a new path.” She told herself that she wasn’t a fancy cook but that she could “mix groceries well enough to scare hungry away and keep from starving a man.”

This paragraph is an example from a narrative essay of Maya Angelou. She has described how a girl looks, and how she behaves. She has also written direct dialogues to show that it is a narrative.

Example #2: Saturday Evening Post (by Russell Baker)

“When I burst in that afternoon she was in conference with an executive of the Curtis Publishing Company. She introduced me. He bent low from the waist and shook my hand. Was it true as my mother had told him, he asked, that I longed for the opportunity to conquer the world of business? My Mother replied that I was blessed with a rare determination to make something of myself. ‘That’s right,’ I whispered. ‘But have you got the grit, the character, the never-say-quit spirit it takes to succeed in business?’ My Mother said I certainly did.”

In this piece from a narrative essay by Russell Baker of the famed Saturday Evening Post , the author has fully described the efforts of his mother by her dialogue. Both character and dialogue are very clear.

Example #3: Only Daughter (by Sandra Cisneros)

“Once several years ago, when I was just starting out my writing career, I was asked to write my own contributor’s note for an anthology I was part of, I wrote: ‘ I am the only daughter in a family of six sons. That explains everything.’ “Well, I’ve thought about that ever since, and yes, it explains a lot to me, but for the reader’s sake I should have written: ‘I am the only daughter in a Mexican family of six sons.’ Or even: ‘I am the only daughter of a Mexican father and a Mexican-American mother.’ Or: ‘I am the only daughter of a working-class family of nine.’ All of these had everything to do with who I am today.”

In this essay, the author has given a full description of a daughter – how she looks and how she behaves.

Function of Narrative Essay

A narrative essay describes people, presents their conversations, and narrates their experiences to teach lessons to readers. In fact, it is like a story, but different in that it is weaved around a motif. A motif is given before the incidents of the essay. Readers become aware of this single theme, central idea, or motif once they go through the essay. Its major aim is to provide information about life experiences and lessons learned from those experiences.

Synonyms of Narrative Essay

Some of the words closely related to the narrative essay are reflective account, chronicle, chronology , and historical narrative. However, these words cannot be interchangeably used to replace this title.

Related posts:

• Narrative Poem
• Elements of an Essay
• Definition Essay
• Descriptive Essay
• Types of Essay
• Analytical Essay
• Argumentative Essay
• Cause and Effect Essay
• Critical Essay
• Expository Essay
• Persuasive Essay
• Process Essay
• Explicatory Essay
• An Essay on Man: Epistle I
• Comparison and Contrast Essay

Post navigation

• Literary Terms

Narrative Essay

I. what is a narrative essay.

By definition, a narrative is a series of connected events – in other words, a story. An essay is a piece of writing that focuses on a specific topic. So, a narrative essay is a piece of writing that focuses on a particular story. In practice, a narrative essay is a story about a personal experience.

These essays examine how certain events affect a person’s emotions, beliefs, and outlook on life. The writer narrates an event that they lived through, and describes the experience from their personal point of view.

A narrative essay is a useful tool that invites readers into a story and shows how an event has affected a person.

II. Examples of Narrative Essays

Narrative essays can focus on any event in a person’s life. A strong narrative essay will be about an important event, one that had a significant impact on the author’s life. Some examples of the kinds of topics that a narrative essay might explore are the experiences of:

• Moving to a new place, school, or job
• Events that lead to a new understanding about life
• Overcoming challenging obstacles
• Time spent during a favorite activity
• Being involved in a large movement, such as a charity event or political protest

In fact, some narrative essays have become famous for their influence on their readers.

Narrative of the Life of Frederick Douglass , by Frederick Douglass, is an essay that told of the author’s life in slavery. The essay tells how he overcame the challenging obstacle of escaping from slavery and starting life over as a free man. Abolitionists (anti-slavery activists) used Fredrick Douglas’s narrative essay to educate Americans about why they must end slavery.

Walden , by Henry David Thoreau, is a narrative essay about the author’s experience living in a cabin by Walden Pond for two years. He wrote about events he had while he was alone in nature, and he explained how these events led him to a new understanding about life, people, and society . The essay quickly became popular among people who were curious about reconnecting with nature.

III. Types of Narrative Essays with Topics

A memoir is an essay in which a person writes about a period in their life. The events typically cover years – even decades. A person might write a memoir in order to share an experience like the topic examples below.

• raising and training a puppy
• explaining the history of a company
• experience of learning to play a sport

b. Reflection

A reflection is a short narrative that focuses on a single event. A writer may choose to reflect on a book they just finished, their visit to a zoo, or their high school graduation. The reflection should focus on the writer’s reactions to the event, and may include a self-evaluation. Reflections can also be as informal or formal, like the topic examples below.

Sample Topics

• a journal entry of your school day
• a college entrance essay that describes an accomplishment
• a self-evaluation after playing a sport for a season

c. Personal Experience as a Participant

A narrative essay of this type is written by a person who was personally involved in an event and wants to share their experience. There is more information included in this narrative essay than in a reflection. It is also more focused on details describing the event, and less on the writer’s self-evaluation. Below are some examples for topics.

• living through a natural disaster
• participating in a school play
• new experiences on a family vacation

d. Personal Experience as an Observer

This kind of narrative essay includes journalism and reporting. It is the least personal of these types, and may not be written in first-person point-of-view (‘I’ or ‘we’). Take a look at the sample topics.

• war correspondents giving an update
• sports writers commenting on a game
• historians describing a past event

IV. Parts of Narrative Essays

A. personal point-of-view.

A strong narrative essay lets the reader know who the author is as a person. It reveals the author’s opinions, hopes, and beliefs. The reader should be able to gain insights into the author’s personality in a way that is similar to a reader getting to know a character in a work of fiction.

b. A clearly connected series of events

Without events, there is no narrative. A narrative essay is organized around a number of events. These events are linked through cause-and-effect or action- consequence.

c. Descriptive detail

A narrative essay is a personal experience, and should give the reader a feeling of being ‘there’ as the events unfold. The author will use multi-sensory descriptions (such as sights, sounds, and smells) and pay attention to details in order to ‘show’ the story to the reader.

d. Growth or change as a result of a climactic event

Readers of a narrative essay should be able to identify the most significant event in the story. This event is the climax of the narrative. The climax should lead the narrator (and the reader) to an insight or realization that causes a major change for him or her.

V. How to write a Narrative Essay

A. outline the events of the narrative.

Decide which part of the narrative is the climax, and which part contains an insight or lesson. These parts will be the focus of your essay. Organize the other events in the narrative to support this focus.

In Frederick Douglas’ essay, the climax might be the event in which he finally escapes to the north. Meanwhile, learning how to read and the new knowledge that he gains from reading would be on the outline as important events in the narrative.

b. Describe each event with precise sensory description

Focus on details that relate to your personal experiences. For instance, if the place is very important in the narrative, include details about the setting (place and time). If people play a big role in your narrative essay, take the time to describe how they look and what personality traits they have.

In his essay, Douglass uses details to describe the plantations, their locations, and several events that he witnessed as a child slave. His descriptions almost help readers imagine or picture the places and events in their minds.

c. Describe your role in each of the events

Explain how you felt and what you wanted. Describe how the events affected you emotionally.

In his essay, Douglass also describes how some of the cruel events that he witnessed scared him, as well as the happiness he felt when he was moved to live with and met the Aulds. This also helps the audience understand Douglass as a slave.

d. Identify the significance

Identify the significance of these events on your beliefs, feelings, or world view from where you stand today.

For Douglass, learning how to read was one of the most significant events in his life; it allowed him to learn and understand the injustices of slavery, which lead him to escape and become a leader in the abolitionist movement.

e. The events in the narrative should connect clearly

When you revise, be sure that the events in the narrative connect clearly and have smooth transitions between them

Your conclusion should help the reader understand the importance of your narrative essay.

Douglass concludes his essay by sharing his experience after the escape, like finding a job, and most importantly, speaking at an anti-slavery meeting. This shows the importance of how his experiences lead him to become a speaker for the abolitionist cause.

List of Terms

• Alliteration
• Amplification
• Anachronism
• Anthropomorphism
• Antonomasia
• APA Citation
• Aposiopesis
• Autobiography
• Bildungsroman
• Characterization
• Circumlocution
• Cliffhanger
• Comic Relief
• Connotation
• Deus ex machina
• Deuteragonist
• Doppelganger
• Double Entendre
• Dramatic irony
• Equivocation
• Extended Metaphor
• Figures of Speech
• Flash-forward
• Foreshadowing
• Intertextuality
• Juxtaposition
• Literary Device
• Malapropism
• Onomatopoeia
• Parallelism
• Pathetic Fallacy
• Personification
• Point of View
• Polysyndeton
• Protagonist
• Red Herring
• Rhetorical Device
• Rhetorical Question
• Science Fiction
• Self-Fulfilling Prophecy
• Synesthesia
• Turning Point
• Understatement
• Urban Legend
• Verisimilitude
• Essay Guide
• Cite This Website

Narrative Essays: Types, Features, Format, and Writing Tips

A narrative essay is a story told from a personal point of view. Narrative essays test your creativity and ability to tell a story in an interesting manner. You are not merely expected to narrate your experience; rather, you should narrate it in a way that will engage your audience. The aim is to move the audience and arouse their emotions, ensuring that they laugh, empathize, get annoyed, afraid, or happy, among others.

• 1 What is a Narrative Essay?
• 2 Our Sample Narrative Essays
• 3 Why Write a Narrative Essay?
• 4.1 Three Main Sections
• 4.2 Use of Sensory Language
• 4.3 Use of Dialogue
• 4.4 Chronological Order
• 4.5 Historical Present Tense
• 5.1 Autobiographical Narrative Essay
• 5.2 Descriptive Narrative Essay
• 6.1 Choose a topic
• 6.2 Start writing
• 6.3 Edit your essay
• 6.4 Proofread your final essay
• 6.5 Prices Starting At:
• 7.1 Introduction
• 7.3 Conclusion
• 8 Tips for Writing a Good Comparative Essay
• 9 Narrative Essay Topics

What is a Narrative Essay?

A narrative essay is a real or imagined story. Real narrative essays are based on personal experiences. Imagined narrative essays are based on the writer’s thoughts, creativity, and ability to create a lifelike experience. Since this type of essay is based on personal experience, writers are allowed to write in the first person (use of the pronoun ‘I’).

Our Sample Narrative Essays

Before you place your order, you may want to sample some of the example narrative essays written by our experienced narrative essay writers to gauge the quality of our writing.

From Strangers to Lovers  (Format: APA 7)

The End of the World  (Format: MLA)

Why Write a Narrative Essay?

Unlike other essay types, the main idea behind narrative essays is to tell a story. Writers are not required to analyze facts, provide evidence, make critiques, or persuade readers. It is up to the readers to make their own conclusions.

Narrative essays allow writers to exercise their creativity fully. Sometimes, the challenge is compressing an entire story into a few words. Most narrative essays have a word count of approximately 500 words.

Features of a Narrative Essay

Three main sections.

Like other essay types, narrative essays have an introduction, a body, and a conclusion. What sets narrative essays apart from other essays is that the body has several parts. The body must have a clear plot, the story’s characters, setting, conflict, and the story’s climax/conflict resolution. The essay must also have the author’s point of view.

Use of Sensory Language

Narrative essay writers aim to create lifelike experiences in the story. This calls for the use of sensory language, which allows the reader to visualize the author’s ideas. The writer needs to consider which sensory details are important for a particular story. For instance, when writing about a haunted house, the writer should ensure that their choice of words appeals to ears and eyes. When writing about an experience they had in a restaurant, the sensory details to focus on would be taste and smell.

Use of Dialogue

Dialogue is a sure way of capturing your readers’ attention. Dialogue makes the story real and interesting. It enables the reader to immerse themselves in the story and momentarily forget that they are reading it. The story’s characters are the main drivers of dialogue in a narrative essay. Dialogue adds variety to the story since it allows the writer to shift from narrating the story to taking the readers to the story’s actual setting, albeit imaginary.

Chronological Order

It is easy for your reader to follow your story when you organize events in the order in which they occurred. This calls for the use of transition words, such as first, second, next, then, and finally. These words make it easy for the reader to follow the story.

Sometimes, writers choose to employ flashbacks or foreshadowing. This means that they do not necessarily narrate the story’s events in the order in which they occurred. These techniques are deliberate shifts in the story’s chronology with the aim of piquing the reader’s interest and creating suspense.

Narrative essays that stick to the story’s order of events are known as linear narratives. Contrarily, those that shift the story’s chronology are referred to as non-linear narratives.

Historical Present Tense

A narrative essay recounts past events as if they were happening in the present. As such, the use of the historical past and present tenses is important. The historical present describes past events as if they were happening now. Like other essays, the present and past tenses are also ordinarily used in narrative essays.

Types of Narrative Essays

Autobiographical narrative essay.

Just like an autobiography, autobiographical essays are real. The writer gives an account of what actually happened in their life.  This type of narrative essay places great emphasis on the actual occurrences and not the little details that would be captured in a descriptive narrative essay.

Descriptive Narrative Essay

The author uses vivid descriptions to relay their experience or memory with the aim of evoking the reader’s various senses. With descriptive narrative essays, the writer also seeks to tell their story in the simplest words possible. The story can be real or imagined, which allows the writer to exercise a lot of creativity.

How to Start Writing a Narrative Essay

Choose a topic.

Settle on a topic and then collect information about it. The topic should not be mundane or one that is overly done. A good starting point would be drawing inspiration from a real-life experience and crafting a captivating story out it. Ensure you stick to a specific theme and remain coherent.

Tips for Choosing a Good Topic

When asked to write a narrative essay, you will enjoy the flexibility that this essay type offers since you can write about almost any aspect of life, real or imagined.

Sometimes, your professor will assign you a specific topic to write about. Other times, you will be given an essay prompt that allows you to choose a topic you prefer.

Specific topics include writing about:

• A life-changing experience.
• Your discovery of a cure for a disease.

Prompts can be open-ended, such as writing about:

• Your first teacher.
• Your first time on a plane.

Interesting stories take unexpected turns along the way, which compels your audience and sustains their interest. Narrative essays are also an opportunity to showcase your personality and what you think about life. When writing a narrative essay for admission into school, ensure your story illustrates your qualities, such as empathy, hard work, resilience, and motivation, among others.

Choosing a topic is a mere starting point. Often, you will think of new ideas along the way that you did not anticipate. The story may take a different but interesting turn, which often sees students changing their essay topic eventually.

Start writing

This entails drafting an essay outline. Essentially, your story should have a three-part plot that has a setting, central point and focus of the essay (climax), and a conclusion. An outline helps you foresee where to incorporate twists and turns, where to add more details, where to add more spice, and where to end the story, among others.

Edit your essay

The editing stage looks out for structure, style, and content errors. As such, ensure your essay has a smooth flow, is void of repetitions, is simple, and is easy to understand.

Proofread your final essay

This stage focuses on the small details such as spelling, grammar, and punctuation errors.

Prices Starting At:

PLAN - PRICE

Description

High School

Format of a Narrative Essay

Introduction.

The first paragraph of a narrative essay is the introductory paragraph. It gives the essay’s background information as well as the writer’s main purpose for writing the essay. This paragraph sets the essay’s scene. The reader should be able to tell the essay’s setting, be it geographical, cultural, or historical setting, among others. The introductory paragraph also carries the essay’s thesis statement (e.g., I never attached so much value to online learning until the Covid-19 pandemic struck the world). A thesis statement gives the reader a brief overview of the essay’s key argument. It should not discuss the details; instead, it should give the reader a general idea in such a way that their interest in the topic is aroused. Ensure your introductory paragraph also has a hook that will capture the reader’s attention right from the start. A hook can be a famous quote related to your topic, an intriguing statement, or a question.

The essay’s body should have at least three paragraphs, although they can be more.

Body paragraph 1: the rising action (i.e., what leads to the main events in the story).

Body paragraph 2: the actual occurrence/essay’s climax

Body paragraph 3: the falling action/what happens after the actual occurrence.

The conclusion is a summary of the essay’s main points. Be careful not to repeat everything already discussed. Only focus on the major points to avoid redundancy. Remember to restate your essay’s statement (e.g., institutions, teachers, and parents should embrace online learning since it allows for the continuity of education in the wake of pandemics).

Tips for Writing a Good Comparative Essay

Involve your audience : A narrative essay must engage the audience as much as possible. As a writer, you should go beyond telling the story and recreate what actually happened. This requires the use of words that appeal to the reader’s sensory and visual senses.

A clear plot : Ensure you have a clear plot. The reader should be able to tell who the characters are and what the story’s setting is. Besides the plot, a narrative essay should have a climax.

Keep it simple : The simpler the wording, the easier it is for the reader to understand your story. Avoid complex word choices and focus on telling your story in the simplest words possible.

Leave out unnecessary details : Narrative essays require writers to use vivid descriptions. However, do not overuse vivid descriptions. Focus on describing what is important and leave out unnecessary details.

Minimize references : Narrative essays are often stories from personal experience. As such, the use of references is not necessary. However, you still need to credit sources if you used them in your essay.

Use the first person : Avoid writing in the second person. As mentioned earlier, the use of the first-person pronoun ‘I’ is acceptable when writing narrative essays. Strive to write the story from your own point of view.

The thesis statement does not have to be concrete : Your introductory paragraph should have a thesis statement, just like most essays. However, the thesis statement does not need to be concrete for this type of essay. At this point, you may be wondering if a thesis statement is necessary. Yes, it is! As much as the story is about you, the audience should be able to learn something from it. The narrative should have a universal meaning that the reader can relate with.

Narrative Essay Topics

Sometimes, your professor will give you a topic for your narrative essay. However, you might need to pick your own topic sometimes.

You can get essay topic ideas by:

• Thinking about personal experiences
• Searching the internet
• Watching the news on TV
• Thinking about your hobbies, favorite movies, novels, et cetera
• Taking a walk where you can brainstorm and come up with ideas

If you cannot think about a good topic, you can place an order on WritingElites.net and we will save the day for you!

Below are some good essay topics you can consider for your narrative essay:

• My first day at school
• The day you watched your favorite football team play live
• An embarrassing moment
• A blind date
• An encounter with racism
• Getting lost in a new city
• A life-changing experience
• A day you lived in another planet
• Your discovery of a cure for a disease
• Life in a remote village that has 30 hours in a day

Related Posts

We only provide original, non-plagiarized papers. We never recycle, reuse, or resell papers. Placing an order on our website is safe, private and anonymous.

Reading Worksheets, Spelling, Grammar, Comprehension, Lesson Plans

Narrative Point of View

What is narrative point of view.

(View all literary devices )

Authors don’t speak to us directly in literary works. They use an intermediary device called a narrator. Narrative point of view is the perspective of that narrator.

• First person narrative point of view occurs when the narrator is telling the story. “Call me Ismael,” the first line of Melville’s novel,  Moby Dick,  reveals that the story will be in first person point of view. Occasionally, a literary work can have a first person plural narrative, as in William Faulkner’s “A Rose for Emily,” in which the entire town (“we”) narrates.
• In third person limited point of view, the narrator is separate from the main character but sticks close to that character’s experience and actions. The reader doesn’t know anything that the character could not know, nor does the reader get to witness any plot events when the main character isn’t there.
• Third person omniscient point of view, on the other hand, features a god-like narrator who is able to enter into the minds and action of all the characters. Some authors, like Jack London and Leo Tolstoy, even enter the minds of animals!

Generally speaking, the more distance the narrator has from the characters, the more reliable the point of view is to present the story truthfully. First person narratives, which filter all information through a character who might be insane or have limited intelligence, are notoriously unreliable.

How Do You Identify Point of View in Writing?

First person singular and plural points of view are easy to figure out; you simply look for the pronouns “I” or “we.” The tricky part is differentiating between limited and omniscient third person narrative point of view.

Questions to ask yourself:  Does the narrative follow more than one character’s story? Do you learn what more than one character is thinking? Do several characters’ perspectives contribute to your understanding of themes and plot events?

If the answer to any of these questions is “yes,” the point of view is probably third person omniscient.

Examples of Narrative Point of View

1. “The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge.” — first person point of view in Edgar Allen Poe’s “The Cask of Amontillado.”

2. “The boy, crouched on his nail keg at the back of the crowded room, knew he smelled cheese, and more: from where he sat he could see the ranked shelves close-packed with the solid, squat, dynamic shapes of tin cans whose labels his stomach read, not from the lettering which meant nothing to his mind but from the scarlet devils and the silver curve of fish – this, the cheese which he knew he smelled and the hermetic meat which his intestines believed he smelled coming in intermittent gusts momentary and brief between the other constant one, the smell and sense just a little of fear because mostly of despair and grief, the old fierce pull of blood.”

This passage from William Faulkner’s story “Barn Burning” is a good example of third person limited point of view. The reader experiences the scene, in which the boy’s father is being tried for arson in a makeshift court, strictly through the child’s eyes. Notice that the boy is illiterate.

3. “Everyone else said of her: ‘She is such a good mother. She adores her children.’ Only she herself, and her children themselves, knew it was not so. They read it in each other eyes.”

This passage from D. H. Lawrence’s “The Rocking Horse Winner” is third person omniscient narration; the reader sees the thoughts of both the mother and her children.