Table of Contents

How to Write a Great Opening Sentence

Examples of great first sentences (and how they did it), how to write a strong opening sentence & engage readers (with examples).

opening sentence for essay

“I’ve never met you, but I’m gonna read your mind.”

That’s the opening line to The Scribe Method . It does what great opening sentences should: it immediately captures the reader’s attention. It makes them want to read more.

The purpose of a good opening line is to engage the reader and get them to start reading the book. That’s it.

It’s a fairly simple idea, and it works very well—but there are still a lot of misconceptions about book openings .

Many first-time Authors think they have to shock the reader to make them take note.

That’s not true. There are many ways to hook a reader that don’t require shocking them.

I also see Authors who think the purpose of the first paragraph is to explain what they’ll talk about in the book .

Not only is that wrong, it’s boring.

Readers can sense bullshit a mile away, so don’t try to beat them over the head with shock. Don’t give them a tedious summary. Don’t tell your life story. Don’t go into too much detail.

Use your first sentence to connect to the reader and make them want to keep reading.

This guide will help you write a great opening line so you can establish that authenticity and connection quickly.

Everyone knows some of the great opening lines from fiction novels:

  • “Call me Ishmael.” – Herman Melville, Moby Dick​​​​
  • “Happy families are all alike; every unhappy family is unhappy in its own way.” – Leo Tolstoy, Anna Karenina
  • “Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.” – Gabriel García Márquez, One Hundred Years of Solitude
  • “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way—in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.” – Charles Dickens, A Tale of Two Cities

The common thread between these opening lines is that they create a vivid first impression. They make the reader want to know more.

They’re punchy, intriguing, and unexpected.

The first words of a nonfiction book work the same way. You want to create an emotional connection with the reader so they can’t put the book down.

In some ways, nonfiction Authors even have an advantage. They’re writing about themselves and their knowledge while having a conversation with the reader.

They can establish the connection even more immediately because they don’t have to set a fictional scene. They can jump right in and use the first person “I.”

Let’s go back to The Scribe Method ‘s opening paragraph:

I’ve never met you, but I’m gonna read your mind. Not literally, of course. I’m going to make an educated guess about why you want to write a book.

When you read that, at a minimum, you’re going to think, “All right, dude, let’s see if you really know why I want to write a book .” And you’re going to keep reading.

At best, you’re going to think, “Wow. He’s inside my head right now.” And you’re going to keep reading.

In both cases, I’ve managed to create an emotional connection with the reader. Even if that emotion is skepticism, it’s enough to hook someone.

So where do you start when you’re writing your book ? How do you form that connection?

The best hooks usually start in the middle of the highest intensity.

In other words, lead with the most emotional part of the story.

If you’re starting your book with a story about how you got chased by the police, don’t begin with what you had for breakfast that day. Start with the chase.

A good hook might also be a question or a claim—anything that will elicit an emotional response from a reader.

Think about it this way: a good opening sentence is the thing you don’t think you can say, but you still want to say.

Like, “This book will change your life.”

Or, “I’ve come up with the most brilliant way anyone’s ever found for handling this problem.”

Your opening sentence isn’t the time for modesty (as long as you can back it up!).

You want to publish a book for a reason . Now’s your chance to show a reader why they should want to read it.

That doesn’t mean you have to be cocky. You just have to be honest and engaging.

When you’re trying to come up with a great opening line, ask yourself these 3 things:

  • What will the audience care about, be interested in, or be surprised by?
  • What is the most interesting story or inflammatory statement in your book?
  • What do you have to say that breaks the rules?

The best opening lines are gut punches.

They summarize the book, at least in an oblique way. But they’re not dry facts. They’re genuine, behind-the-scenes glimpses into a human life. They establish who you are and what you’re about, right from the beginning.

Human beings respond to genuine connection. That means being vulnerable. You have to break down any barriers that you might usually keep around you.

That’s one of the hardest things to do as an Author, but it makes for a great book.

Reading about perfection is boring, especially because we all know there’s no such thing.

In the next section, I’ll go through examples of great first sentences and explain why they work.

Every one of these strategies helps create an instant, authentic connection with readers. You just have to pick the one that makes the most sense for your book.

1. Revealing Personal Information

When most people think about comedian Tiffany Haddish, they think of a glamorous celebrity.

They don’t think about a kid who had trouble in school because she had an unstable home life, reeked of onions, and struggled with bullying.

From the first line of her book, Tiffany reveals that you’re going to learn things about her that you don’t know—personal things.

I mean, really personal.

The book’s opening story concludes with her trying to cut a wart off her face because she was teased so much about it (that’s where the “unicorn” nickname came from).

That level of personal connection immediately invites the reader in. It promises that the Author is going to be honest and vulnerable, no holds barred.

This isn’t going to be some picture-perfect memoir. It’s going to be real, and it’s going to teach you something.

And that’s what forms a connection.

2. Mirroring the Reader’s Pain

Geoffrey and I chose this opening sentence because it let readers know right away that we know their pain.

Not only that, we knew how to fix it .

If a reader picked up the book and didn’t connect to that opening line, they probably weren’t our target audience.

But if someone picked it up and said, “This is exactly what I want to know!” we already had them hooked.

They would trust us immediately because we proved in the first sentence that we understood them.

In this sentence, Geoffrey and I are positioned as the experts. People are coming to us for help.

But you can also mirror your reader’s pain more directly. Check out this example from Jennifer Luzzato’s book, Inheriting Chaos with Compassion :

That’s a gut punch for anyone. But it’s an even bigger one for Jennifer’s target audience: people who unexpectedly lose a loved one and are left dealing with financial chaos.

Jennifer isn’t just giving the reader advice.

She’s showing that she’s been through the pain. She understands it. And she’s the right person to help the reader solve it.

3. Asking the Reader a Question

Readers come to nonfiction books because they want help solving a problem.

If you picked up a book about team-building, culture, and leadership, you likely want answers to some questions.

Daniel Coyle’s book shows the reader, right off the bat, that he’s going to give you answers.

His question also isn’t a boring, how-do-organizations-work type of question.

It’s compelling enough to make you keep reading, at least for a few more sentences. And then ideally, a few sentences, pages, and chapters after that.

Starting with a question is often a variation on tactic number 2.

If the reader picked up your book hoping to solve a certain problem or learn how to do something, asking them that compelling question can immediately show them that you understand their pain.

It can set the stage for the whole book.

You can also pique the reader’s interest by asking them a question they’ve never thought about.

Nicholas Kusmich ‘s book Give starts with the question,

It’s a unique question that hooks a reader.

But the answer still cuts straight to the heart of his book: “Both entrepreneurs and superheroes want to use their skills to serve people and make the world a better place.”

The unexpected framing gives readers a fresh perspective on a topic they’ve probably already thought a lot about.

4. Shock the Reader

I said in the intro to this post that you don’t have to shock the reader to get their attention.

I never said you couldn’t .

If you’re going to do it, though, you have to do it well.

This is the best opening to a book I’ve ever read. I’m actually a dog person, so this shocked the hell out of me. It was gripping.

As you read, the sentence starts making more sense, but it stays just as shocking. And you can’t help but finish the page and the chapter to understand why. But my God, what a way to hook a reader (in case you are wondering, the dogs were licking up blood from dead bodies and giving away the soldiers’ positions to insurgents. They had to kill the dogs or risk being discovered).

I read this opening sentence as part of an excerpt from the book on Business Insider .

I plowed through the excerpt, bought the book on Kindle, canceled two meetings, and read the whole book.

5. Intrigue the Reader

If you don’t read that and immediately want to know what the realization was, you’re a force to be reckoned with.

People love reading about drama, screw-ups, and revelations. By leading with one, Will immediately intrigues his readers.

opening sentence for essay

They’ll want to keep reading so they can solve the mystery. What was the big deal?

I’m not going to tell you and spoil the fun. You’ll have to check out Will’s book to find out.

There are other ways to be intriguing, too. For example, see the opening line to Lorenzo Gomez’ Cilantro Diaries :

Again, the Author is setting up a mystery.

He wants the reader to rack his brain and say, “Well, if it’s not the famous stuff, what is it?”

And then, when Lorenzo gets to the unexpected answer—the H-E-B grocery store—they’re even more intrigued.

Why would a grocery store make someone’s top-ten list, much less be the thing they’d miss most?

That kind of unexpected storytelling is perfect for keeping readers engaged.

The more intrigue you can create, the more they’ll keep turning the pages.

6. Lead with a Bold Claim

There are thousands of books about marketing. So, how does an Author cut through the noise?

If you’re David Allison, you cut right to the chase and lead with a bold claim.

You tell people you’re going to change the world. And then you tell them you have the data to back it up.

If your reader is sympathetic, they’re going to jump on board. If they’re skeptical, they’re still going to want to see if David’s claim holds up.

Here’s the thing, though: only start bold if you can back it up.

Don’t tell someone you’re going to transform their whole life and only offer a minor life hack. They’ll feel cheated.

But if you’re really changing the way that people think about something, do something, or feel about something, then lead with it.

Start big. And then prove it.

7. Be Empathetic and Honest

One Last Talk is one of the best books we’ve ever done at Scribe. And it shows right from the first sentence.

Philip starts with a bold claim: “If you let it, this book will change your life.”

But then he gives a caveat: it’s not going to be fun.

That’s the moment when he forms an immediate connection with the reader.

Many Authors will tell their readers, “This book will change your life. It’s going to be incredible! Just follow these steps and be on your way!”

Not many Authors will lead with, “It’s going to be worth it, but it’s going to be miserable.”

By being this upfront about the emotional work the book involves, Philip immediately proves to his readers that he’s honest and empathetic.

He understands what they’re going to go through. And he can see them through it, even if it sucks.

One piece of advice we give at Scribe is to talk to your reader like you’re talking to a friend.

Philip does that. And it shows the reader they’re dealing with someone authentic.

8. Invite the Reader In

Joey starts the book by speaking directly to the reader.

He immediately creates a connection and invites the reader in. This makes the book feel more like a conversation between two people than something written by a nameless, faceless Author.

The reason this tactic works so well is because Joey’s whole book is about never losing a customer.

He immediately puts the book’s principles into action.

From the first sentence, Joey’s demonstrating exactly what the reader is there to learn.

The Scribe Crew

Read this next.

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How to Write a Motivational Book: How Self-Help Leaders Turn Wisdom into Written Word

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Sentence Starters: Ultimate List to Improve Your Essays and Writing

Ashley Shaw

Ashley Shaw

How to start a sentence

This blog post is going to be about … No. Too boring.

Today, I am going to talk to you about ... No. Too specific.

This is a blog post for all writers ... Nope. Too generic.

Has this ever been you while writing? I get it. Writing a good sentence can be hard, and when you have to string a whole lot of them together, the task can become daunting. So what do you do?

From the first sentence you write to the very last, you want each one to show your style and motivate your reader to keep reading. In this post, we are going to think about how you start your sentences.

sentence starter tip

What Is a Good Sentence Starter for an Essay Introduction?

What is a good sentence starter for a body paragraph, 25 useful transitions, can i repeat a sentence starter, how can i rephrase "in conclusion".

The first paragraph of a paper can make or break your grade. It is what gets your audience into the topic and sets the whole stage. Because of this, it is important to get your readers hooked early.

The first sentence of a paper is often called the hook. It shouldn’t be anything ordinary. It should have strong language and be a little surprising, with an interesting fact, story, statistic, or quote on the topic.

Because it is designed to pull the reader in and surprise them a little, it is often good to avoid pre-written sentence starter examples when writing your hook. Just get into it here, and worry about the flow later.

Here are some examples:

Spider webs were once used as bandages.

I taught myself to read when I was three. At least, that’s the story my parents tell.

Recent studies suggest that the average person lies at least once in every conversation.

“The world is bleeding and humans wield the knife,” or so says environmental scientist So Andso.

(P.S. Except for example 1, which is true, I just made all of these up to demonstrate my point. So, please don’t quote me on these!)

Once you jump right in with your hook, it is time to start working on ways to move sentences along. Here is where you may need some sentence starter examples.

In your first paragraph, you basically want to connect your hook to your thesis. You’ll do this with a few sentences setting up the stage for your topic and the claim you will make about it. To do that, follow the tips found in the next section on body paragraphs and general sentence starter tips.

Many of the tips I am about to discuss can be used anywhere in a paper, but they are especially helpful when writing body paragraphs.

Let’s start with one of the most important types of sentence starter in essay writing: transition words.

How Do I Use Transitions in an Essay?

Definition of Transitions

If you want to start writing terrific sentences (and improve your essay structure ), the first thing you should do is start using transition words.

Transition words are those words or phrases that help connect thoughts and ideas. They move one sentence or paragraph into another, and they make things feel less abrupt.

The good thing about transition words is that you probably know a lot of them already and currently use them in your speech. Now, you just need to transition them into your writing. (See what I did there?)

Before we get into examples of what a good transition word is, let’s look at a paragraph without any transitions:

I went to the store. I bought bacon and eggs. I saw someone I knew. I said hello. I went to the cashier. They checked me out. I paid. I got my groceries. I went to my car. I returned home.

Yikes! That is some boring writing. It was painful to write, and I am sure it is even worse to read. There are two reasons for this:

  • I start every sentence with the same word (more on this later)
  • There are no signposts showing me how the ideas in the paragraph connect.

In an essay, you need to show how each of your ideas relate to each other to build your argument. If you just make a series of statements one after the other, you’re not showing your instructor that you actually understand those statements, or your topic.

How do we fix this? Transition words. Roughly 25% of your sentences should start with a transition word. If you can hit that number in your essay, you’ll know that you’ve made meaningful steps towards demonstrating your understanding.

Of course, hitting that number isn’t enough—those transitions need to be meaningful. Let’s look at the different types of transitions and how you can use them.

What Are Words Like First , Next , and Last Called?

You probably already use some transitions in your essays. For example, if you start a paragraph with firstly , you’ve used a transition word. But transitions can do so much more!

Here are 25 common transitional words and phrases that you could use in your essay:

  • Additionally / In Addition
  • Alternatively / Conversely
  • As a result of
  • At this time
  • Consequently
  • Contrary to
  • First(ly), Second(ly), etc.
  • In contrast
  • Nonetheless
  • On the other hand
  • Particularly / In particular
  • In other words

Common Transitional Words

This list isn’t exhaustive, but it is a good start.

These words show different types of relationships between ideas. These relationships fall into four main categories: Emphasis , Contrast , Addition , and Order .

What Are Emphasis Transition Words?

These phrases are used when you want to highlight a point. Examples from my above list include clearly , particularly , and indeed . Want to see some more? Follow my bolded transitions: Undoubtedly , you understand now. It should be noted that you don’t need to worry.

How Do You Use Addition Transitions?

These words add on to what you just said. These are words like along with , moreover , and also . Here are some more: Not only are you going to be great at transitions after this, but you will also be good at writing sentences. Furthermore , everyone is excited to see what you have to say.

How Can I Use Transitions to Contrast Ideas?

This is the opposite of addition, and you use it when you want to show an alternative view or to compare things. Examples from my list include words like nonetheless , contrary to , and besides .

Here are some more: Unlike people who haven’t read this article, you are going to be really prepared to write great sentences. Even so , there is still a lot more about writing to learn.

How Do I Order Ideas in My Essay?

A good first step is using order transition words.

This set of transitions helps mark the passage of time or gives an order to events. From the list, think of things like first and finally . Now for some extras: At this time yesterday , you were worried about starting sentences. Following this , though, you will be an expert.

The four types of transitions

Now that you get the concept of transitions, let’s go back to that poorly written paragraph above and add some in to see what happens:

This morning , I went to the store. While I was there, I bought bacon and eggs. Then I saw someone I knew. So I said hello. After that , I went to the cashier. At that time , they checked me out. First , I paid. Next , I got my groceries. Following that , I went to my car. Finally , I returned home.

(Notice the use of commas after most of these transitions!)

This isn’t the best paragraph I’ve ever written. It still needs a lot of work. However, notice what a difference just adding transitions makes. This is something simple but effective you can start doing to make your sentences better today.

If you want to check your transition usage, try ProWritingAid’s Transitions report . You’ll see how many of each type of transition word you've used so you can pin-point where you might be losing your reader.

prowritingaid transitions report for essay

Sign up for a free ProWritingAid account to try it out.

What Are Some Linking Phrases I Can Use in My Essay?

As well as individual words, you can also use short phrases at the beginning of your sentences to transition between ideas. I just did it there— "As well as individual words" shows you how this section of the article is related to the last.

Here are some more phrases like this:

As shown in the example,

As a result of this,

After the meeting,

While this may be true,

Though researchers suggest X,

Before the war began,

Until we answer this question,

Since we cannot assume this to be true,

While some may claim Y,

Because we know that Z is true,

These short phrases are called dependent clauses . See how they all end with a comma? That's because they need you to add more information to make them into complete sentences.

  • While some may claim that chocolate is bad for you, data from a recent study suggests that it may have untapped health benefits .
  • Since we cannot assume that test conditions were consistent, it is impossible to reach a solid conclusion via this experiment .
  • As a result of this, critics disagree as to the symbolism of the yellow car in The Great Gatsby .

The bolded text in each example could stand on its own as a complete sentence. However, if we take away the first part of each sentence, we lose our connection to the other ideas in the essay.

These phrases are called dependent clauses : they depend on you adding another statement to the sentence to complete them. When you use a sentence starter phrase like the ones above in your writing, you signal that the new idea you have introduced completes (or disrupts) the idea before it.

Note: While some very short dependent clauses don’t need a comma, most do. Since it is not wrong to use one on even short ones (depending on the style guide being used), it is a good idea to include one every time.

Definition of a dependent clause

Along with missing transitions and repeating sentence structure, another thing that stops sentences from being great is too much repetition. Keep your sentences sharp and poignant by mixing up word choices to start your sentences.

You might start your sentence with a great word, but then you use that same word 17 sentences in a row. After the first couple, your sentences don’t sound as great. So, whether it is varying the transitional phrases you use or just mixing up the sentence openers in general, putting in some variety will only improve your sentences.

ProWritingAid lets you know if you’ve used the same word repeatedly at the start of your sentences so you can change it.

ProWritingAid's Repetition Report

The Repeats Report also shows you all of the repeats in your document. If you've used a sentence starter and then repeated it a couple of paragraphs down, the report will highlight it for you.

Try the Repeats Report with a free ProWritingAid account.

Now that you have your introduction sentences and body sentences taken care of, let’s talk a little about conclusion sentences. While you will still use transitions and clauses as in the body, there are some special considerations here.

Your conclusion is what people will remember most after they finish reading your paper. So, you want to make it stand out. Don’t just repeat yourself; tell them what they should do with what you just told them!

Use the tips from above, but also remember the following:

Be unique. Not only should you vary the words you use to start different sentences, but you should also think outside of the box. If you use the same conclusion sentence starter everyone else is using, your ideas will blend in too.

Be natural. Some of the best writing out there is writing that sounds natural. This goes for academic writing, too. While you won’t use phrases like "at the end of the day" in essay writing, stilted phrases like "in conclusion" can disrupt the flow you’ve created earlier on.

Here are some alternatives to "in conclusion" you could use in an essay:

  • To review, ... (best for scientific papers where you need to restate your key points before making your final statement)
  • As has been shown, ...
  • In the final analysis, ...
  • Taking everything into account, ...
  • On the whole, ...
  • Generally speaking, ...

If you’re looking for more ways to rephrase "in conclusion," take a look at our complete list of synonyms you can use.

in conclusion alternatives

There may not be a set word or words that you can use to make your sentences perfect. However, when you start using these tips, you’ll start to see noticeable improvement in your writing.

If you’ve ever heard people talk about pacing and flow in academic writing, and you have no idea what they mean or how to improve yours, then this is your answer. These tips will help your writing sound more natural, which is how you help your ideas flow.

Take your writing to the next level:

20 Editing Tips From Professional Writers

20 Editing Tips from Professional Writers

Whether you are writing a novel, essay, article, or email, good writing is an essential part of communicating your ideas., this guide contains the 20 most important writing tips and techniques from a wide range of professional writers..

opening sentence for essay

Be confident about grammar

Check every email, essay, or story for grammar mistakes. Fix them before you press send.

Ashley Shaw is a former editor and marketer/current PhD student and teacher. When she isn't studying con artists for her dissertation, she's thinking of new ways to help college students better understand and love the writing process.

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36 Engaging opening sentences for an essay

Last Updated on July 20, 2022 by Dr Sharon Baisil MD

An essay’s opening sentence has a tremendous impact on the reader. It doesn’t matter if you’re writing an argumentative essay, a personal narrative, or a research paper; how your text begins will affect its tone and topic. You can write about anything as long as it is relevant to your thesis—starting with an engaging opening sentence may be the difference between a successful and unsuccessful essay.

An introduction is the first section of any paper that allows you to introduce your thesis and provide an overview of your argument or discussion. A good introduction should grab your audience’s attention and entice them to read on, summarising what you’re trying to say concisely. It’s a good idea to think of your introduction as a hook, writing an opening sentence that will leave your reader wanting more.

Writing a thesis statement is the first thing you need to do when planning your paper. Although there are multiple strategies for creating a thesis statement, you must express yourself clearly and answer three simple questions: What is the main idea of my essay? Why is it important? How do I plan to prove it in a paper?

There are countless ways to begin an essay or a thesis effectively. As a start, here are 36 introductory strategies accompanied by examples from a wide range of professional writers.

1. “Is it possible to be truly anonymous online?”

This is an engaging opening sentence because it immediately poses a problem that the reader will likely want answered. It’s also interesting that this question applies directly to internet usage, something everybody has experience with. The subject of the opening sentence is “online anonymity,” which allows the writer to discuss two related concepts.

2. “I was shocked to awake one morning to find I had turned into a snail.”

The opening sentence immediately grabs the reader’s attention with its play on words, leaving them unsure if it’s meant as a joke. It continues to entertain by combining an unlikely image (a person turning into a snail) with waking up more common. The sentence also establishes the essay’s tone, which is humorous and personal.

3. “I didn’t want to study abroad.”

This opening sentence immediately intrigues the reader because it presents an opinion that contradicts what would be expected in this type of assignment. The writer then follows with a statement about their decision to study abroad, discussing the reasons for this choice and explaining their position on the matter.

4. “The three dogs had been barking for over an hour before my neighbor finally came out to investigate.”

This opening sentence introduces a narrative about something that happened in the past, starting with dogs barking at night. The next sentence provides background information by revealing that the neighbor came out after an hour and then reasons for this delay. The fact that the writer does not reveal why this is significant until later on makes the opening sentence even more effective because it keeps the reader engaged with what will happen next.

5. “I have always been interested in fashion.”

This opening sentence immediately sets the topic for the entire paper by discussing interest in fashion. It also establishes the tone, clearly portraying the writer’s voice while informing the audience about their personal experience with the subject matter.

6. “I remember when I first realized I didn’t have a home.”

This opening sentence begins a personal narrative about a time before moving out of their family home when the writer realized they didn’t live there anymore. It uses flashbacks to set up the rest of the essay by showing what happened before they moved out and how this made them feel.

7. “When I was in middle school, my dad told me not to get into fights.”

This opening sentence establishes a relationship between the writer and the subject of their essay, creating a more personal tone. It also establishes an expectation for what will be discussed by telling something that happened in the past. The sentence ends with a twist, so it’s more interesting than just stating something that was told to them, making this opening sentence effective.

8. “When I first sat down to write this essay, I was absolutely certain of the thesis.”

This opening sentence immediately introduces conflict because it tells about something that didn’t occur as expected. It also implies that there will be an alternate solution or angle for this paper that will be explored in the following paragraphs. The vocabulary (like “absolutely”) suggests more certainty in this opening paragraph than presented, making it interesting to read.

9. “I remember the first time I killed a man.”

This opening sentence offers an unexpected statement that intrigues the reader and immediately draws them into the essay, wanting to know more about what happened. This type of sentence is called a gripping opener because it does just that. The sentence is also effective because it creates suspense and anticipation in the reader’s mind about what will happen next in this story .

10. “There are two sides to every story: my side and your side.”

This opening sentence introduces a topic that will be revisited multiple times throughout the essay, making it effective for an introduction. It also creates a sense of mystery about the two sides and how they relate to each other, which will be resolved later on once it becomes clear that there are three sides.

11. “I should start this essay by introducing myself.”

This opening sentence includes an explanation for why this paragraph is being written (to introduce oneself) before it ends with a question (“who am I?”). This is effective because it gets the reader to think critically about who the writer is and what they want to say. It also permits them to stop reading after this sentence if they don’t feel like it, making it one of the less intimidating opening sentences.

12. “At the age of seven, I knew my life was going to be amazing.”

This opening sentence establishes a confident, optimistic tone by mentioning something that happened in the past. It also implies that the writer had this positive outlook before anything particularly special happened to them yet, which will likely be mentioned later on, making it more interesting to read.

13. “I don’t know when I lost my sense of excitement for learning.”

This opening sentence presents a conflict that the writer will likely try to resolve in this essay, which gives the reader something to look forward to. It also establishes voice by expressing how they feel about their education so far and suggesting what could be done about it.

14. “Coming home after a long day of school and work is like walking into a warzone.”

This opening sentence creates a sense of conflict that will likely be discussed later on and establishes voice because it shows the writer’s attitude towards their environment. It provides an example of why this subject has been brought up by describing what happens during this “warzone” of a day.

15. “I’ve always loved school.”

This opening sentence is effective because it provides an example of how their life used to be before the issue was introduced (in the next few sentences), making it more interesting to read. It also creates a sense of nostalgia about how good things used to be, making it more engaging.

16. “I feel like I’m losing my mind.”

This opening sentence is effective because it creates a voice by describing the writer’s experience and establishes conflict, so the reader knows what to expect in this essay. It provokes an emotional response in the reader, making them more interested.

17. “On day two of our honeymoon, my wife passed out.”

This opening sentence creates suspense by mentioning what happens before revealing why this is significant. It also establishes conflict because it implies that the writer’s wife’s health will be an issue throughout the essay. This leads to a likely discussion about whether or not they should continue their honeymoon, making it engaging for the reader.

18. “I’m a college student, and I hate it.”

This opening sentence establishes conflict for the rest of the essay because it implies that something negatively affects their education. It also establishes voice by showing what they think about being a student and how they feel about college so far, which makes it more interesting to read.

19. “The first time I heard the word ‘stan’ was when Eminem released his song in 2000 by the same name.”

This opening sentence establishes conflict for what will likely be discussed later on and also creates a sense of nostalgia because it takes the reader back to a significant point in recent history that they might remember (rare for essays). It also establishes voice because it shows the writer’s knowledge about rap music.

20. “I used to hate when people asked me what I wanted to be when I grew up because I never knew how to answer them.”

This opening sentence helps the reader understand why this essay was written to tie into their own experiences. It also establishes conflict by revealing something that the writer used to be troubled by. It also makes them seem relatable because everyone has problems with their future at one point or another.

21. “All my life, I’ve been told I was destined for greatness.”

This opening sentence establishes that the writer had difficulties in their life despite being seen as destined for greatness so far. It also creates a sense of conflict because it implies that they will have to convince the reader otherwise, making it more interesting to read.

22. “My friend once told me that I should never say ‘I’m just being honest when discussing our differences, but I always do.”

This opening sentence creates conflict by showing the reader that there is always tension between the writer and their friend because of this issue. It also establishes voice because it shows how honest they are about their differences, which makes them more relatable. This makes it engaging for the reader to read on.

23. “I’ve never been one to keep my emotions bottled up, and now that I’m pregnant, that’s been amplified.”

This opening sentence establishes emotion from the writer because it shows that they are uncomfortable keeping their emotions to themselves and continue to do so even when they become pregnant. It also creates a sense of conflict because the reader will probably wonder how this lack of emotional inhibition might affect them later on.

24. “The first time I read ‘To Kill a Mockingbird,’ it changed my life.”

This opening sentence grabs the reader’s attention and shows what impact this book has had on the writer so far. It also establishes how passionate the writer is towards literature and makes them more relatable because many people have been affected by great works of literature in some way. This is engaging for the reader to read on.

25. “As I walked out of class one day, my professor asked me what I wanted to do with my future.”

This opening sentence establishes conflict by showing that there was a time when the writer did not have an answer to this question despite being capable of doing anything in their mind. It also establishes voice by showing that the writer can stand up for themselves when pushed and makes them seem more relatable because everyone struggles with thinking about their future at some point or another. This is engaging for the reader to continue reading.

26. “I’ve always been taught that it’s impolite to talk about money, but I want to share my experience with you.”

This opening sentence establishes voice by showing that the writer does not abide by this code of conduct because they believe it’s more important to be open and honest. It also creates a sense of conflict so that the reader might have their own contrasting opinions, which will create tension while reading. This is engaging for the reader to continue reading.

27. “Growing up, I never liked math, and it wasn’t until college that I realized why.”

This opening sentence establishes voice because it shows how passionate the writer was about their dislike of math despite not knowing why. It also creates conflict because they will have to explain their reasoning to the reader, which makes it more interesting to read, and it is engaging for the reader to read on.

28. “There are so many factors that go into determining how much someone should be paid, but I believe that everyone deserves equal pay.”

This opening sentence establishes conflict because the writer believes in something that not many people support, and they will have to explain their reasoning. It also establishes voice because it shows that the writer is passionate about this belief and makes them more relatable for other people who share the same opinion. This is engaging for the reader to read on.

29. “Many things have been said about Millennials, but no one has asked us what we think.”

This opening sentence creates a sense of conflict because the reader might be wondering what this person thinks as a Millennial. It also establishes voice by using “us” to show that they are not alone in their beliefs and makes them seem more relatable. This is engaging for the reader to read on.

30. “I finally found a job that I love, and as it turns out, it’s located in a city that has been my dream destination since I was little.”

This opening sentence establishes voice because it shows how the writer feels about their new job and makes them sound passionate about their work which makes the reader want to read on. This is engaging for the reader to continue.

31. “It was the summer of 2001 when I first came across an anime dubbed in French.”

This opening sentence establishes voice through personal experience and makes it relatable because many people have watched their favorite movies or shows in another language. It also creates a sense of conflict by making the reader wonder why they continued watching even though they didn’t understand much of what was being said. This is engaging for the reader to read on.

32. “For years, I thought my life was perfect, until one day when I realized that there’s nothing more important than your mental health.”

This opening sentence establishes voice by showing that the writer used to have this belief but then had a heart change, making them more relatable because everyone’s beliefs change over time. It also creates a sense of conflict by questioning what the reader believes about their mental health, which will make them want to continue reading. This is engaging for the reader to read on.

33. “As children, it’s easy to dream about becoming an astronaut or a firefighter, but I never imagined that my greatest passion would be writing.”

This opening sentence establishes voice by showing how the writer is passionate about what they are currently doing. It also creates a sense of conflict because the reader may have different interests, making it more interesting to read. This is engaging for the reader to continue reading on.

34. “If you would’ve asked me a few months ago, I wouldn’t have said that my life was perfect. However, after some time and perspective, I’m grateful for the twists and turns.”

This opening sentence establishes voice by showing how this person’s perspective has changed over time. It also creates a sense of conflict because it questions what the reader thinks and makes them want to read on. This is engaging for the reader to read on.

35. “Everyone has goals in life, whether it’s saving up enough money to buy a house or finally writing that book.”

This opening sentence establishes conflict because it questions the reader’s goals and shows how they may be different from the writer’s. It also creates a sense of connection because many people share the same goals and make them want to keep reading. This is engaging for the reader to read on.

36. “I’m not sure if I’ve ever told you this, but my favorite show as a child was A Little Princess.”

This opening sentence establishes voice by showing that the writer shares a secret and makes them sound like they’re talking directly to someone. It also creates a sense of conflict because it’s difficult to imagine that the reader doesn’t know this information and makes them want to read on. This is engaging for the reader to read on.

Final Words

To conclude, there are countless ways to begin an essay or a thesis effectively. These 36 opening sentences for an essay are just a few examples of how to do so. There is no “right way” to start, but it will become easier to find your voice and style as you continue writing and practicing. Good luck!

Harvard University

Purdue University

Royal Literary Fund- Essay Writing Guide

University of Melbourne

Amherst College

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How to Write an Essay Introduction (with Examples)   

essay introduction

The introduction of an essay plays a critical role in engaging the reader and providing contextual information about the topic. It sets the stage for the rest of the essay, establishes the tone and style, and motivates the reader to continue reading. 

Table of Contents

What is an essay introduction , what to include in an essay introduction, how to create an essay structure , step-by-step process for writing an essay introduction , how to write an introduction paragraph , how to write a hook for your essay , how to include background information , how to write a thesis statement .

  • Argumentative Essay Introduction Example: 
  • Expository Essay Introduction Example 

Literary Analysis Essay Introduction Example

Check and revise – checklist for essay introduction , key takeaways , frequently asked questions .

An introduction is the opening section of an essay, paper, or other written work. It introduces the topic and provides background information, context, and an overview of what the reader can expect from the rest of the work. 1 The key is to be concise and to the point, providing enough information to engage the reader without delving into excessive detail. 

The essay introduction is crucial as it sets the tone for the entire piece and provides the reader with a roadmap of what to expect. Here are key elements to include in your essay introduction: 

  • Hook : Start with an attention-grabbing statement or question to engage the reader. This could be a surprising fact, a relevant quote, or a compelling anecdote. 
  • Background information : Provide context and background information to help the reader understand the topic. This can include historical information, definitions of key terms, or an overview of the current state of affairs related to your topic. 
  • Thesis statement : Clearly state your main argument or position on the topic. Your thesis should be concise and specific, providing a clear direction for your essay. 

Before we get into how to write an essay introduction, we need to know how it is structured. The structure of an essay is crucial for organizing your thoughts and presenting them clearly and logically. It is divided as follows: 2  

  • Introduction:  The introduction should grab the reader’s attention with a hook, provide context, and include a thesis statement that presents the main argument or purpose of the essay.  
  • Body:  The body should consist of focused paragraphs that support your thesis statement using evidence and analysis. Each paragraph should concentrate on a single central idea or argument and provide evidence, examples, or analysis to back it up.  
  • Conclusion:  The conclusion should summarize the main points and restate the thesis differently. End with a final statement that leaves a lasting impression on the reader. Avoid new information or arguments. 

opening sentence for essay

Here’s a step-by-step guide on how to write an essay introduction: 

  • Start with a Hook : Begin your introduction paragraph with an attention-grabbing statement, question, quote, or anecdote related to your topic. The hook should pique the reader’s interest and encourage them to continue reading. 
  • Provide Background Information : This helps the reader understand the relevance and importance of the topic. 
  • State Your Thesis Statement : The last sentence is the main argument or point of your essay. It should be clear, concise, and directly address the topic of your essay. 
  • Preview the Main Points : This gives the reader an idea of what to expect and how you will support your thesis. 
  • Keep it Concise and Clear : Avoid going into too much detail or including information not directly relevant to your topic. 
  • Revise : Revise your introduction after you’ve written the rest of your essay to ensure it aligns with your final argument. 

Here’s an example of an essay introduction paragraph about the importance of education: 

Education is often viewed as a fundamental human right and a key social and economic development driver. As Nelson Mandela once famously said, “Education is the most powerful weapon which you can use to change the world.” It is the key to unlocking a wide range of opportunities and benefits for individuals, societies, and nations. In today’s constantly evolving world, education has become even more critical. It has expanded beyond traditional classroom learning to include digital and remote learning, making education more accessible and convenient. This essay will delve into the importance of education in empowering individuals to achieve their dreams, improving societies by promoting social justice and equality, and driving economic growth by developing a skilled workforce and promoting innovation. 

This introduction paragraph example includes a hook (the quote by Nelson Mandela), provides some background information on education, and states the thesis statement (the importance of education). 

This is one of the key steps in how to write an essay introduction. Crafting a compelling hook is vital because it sets the tone for your entire essay and determines whether your readers will stay interested. A good hook draws the reader in and sets the stage for the rest of your essay.  

  • Avoid Dry Fact : Instead of simply stating a bland fact, try to make it engaging and relevant to your topic. For example, if you’re writing about the benefits of exercise, you could start with a startling statistic like, “Did you know that regular exercise can increase your lifespan by up to seven years?” 
  • Avoid Using a Dictionary Definition : While definitions can be informative, they’re not always the most captivating way to start an essay. Instead, try to use a quote, anecdote, or provocative question to pique the reader’s interest. For instance, if you’re writing about freedom, you could begin with a quote from a famous freedom fighter or philosopher. 
  • Do Not Just State a Fact That the Reader Already Knows : This ties back to the first point—your hook should surprise or intrigue the reader. For Here’s an introduction paragraph example, if you’re writing about climate change, you could start with a thought-provoking statement like, “Despite overwhelming evidence, many people still refuse to believe in the reality of climate change.” 

Including background information in the introduction section of your essay is important to provide context and establish the relevance of your topic. When writing the background information, you can follow these steps: 

  • Start with a General Statement:  Begin with a general statement about the topic and gradually narrow it down to your specific focus. For example, when discussing the impact of social media, you can begin by making a broad statement about social media and its widespread use in today’s society, as follows: “Social media has become an integral part of modern life, with billions of users worldwide.” 
  • Define Key Terms : Define any key terms or concepts that may be unfamiliar to your readers but are essential for understanding your argument. 
  • Provide Relevant Statistics:  Use statistics or facts to highlight the significance of the issue you’re discussing. For instance, “According to a report by Statista, the number of social media users is expected to reach 4.41 billion by 2025.” 
  • Discuss the Evolution:  Mention previous research or studies that have been conducted on the topic, especially those that are relevant to your argument. Mention key milestones or developments that have shaped its current impact. You can also outline some of the major effects of social media. For example, you can briefly describe how social media has evolved, including positives such as increased connectivity and issues like cyberbullying and privacy concerns. 
  • Transition to Your Thesis:  Use the background information to lead into your thesis statement, which should clearly state the main argument or purpose of your essay. For example, “Given its pervasive influence, it is crucial to examine the impact of social media on mental health.” 

opening sentence for essay

A thesis statement is a concise summary of the main point or claim of an essay, research paper, or other type of academic writing. It appears near the end of the introduction. Here’s how to write a thesis statement: 

  • Identify the topic:  Start by identifying the topic of your essay. For example, if your essay is about the importance of exercise for overall health, your topic is “exercise.” 
  • State your position:  Next, state your position or claim about the topic. This is the main argument or point you want to make. For example, if you believe that regular exercise is crucial for maintaining good health, your position could be: “Regular exercise is essential for maintaining good health.” 
  • Support your position:  Provide a brief overview of the reasons or evidence that support your position. These will be the main points of your essay. For example, if you’re writing an essay about the importance of exercise, you could mention the physical health benefits, mental health benefits, and the role of exercise in disease prevention. 
  • Make it specific:  Ensure your thesis statement clearly states what you will discuss in your essay. For example, instead of saying, “Exercise is good for you,” you could say, “Regular exercise, including cardiovascular and strength training, can improve overall health and reduce the risk of chronic diseases.” 

Examples of essay introduction 

Here are examples of essay introductions for different types of essays: 

Argumentative Essay Introduction Example:  

Topic: Should the voting age be lowered to 16? 

“The question of whether the voting age should be lowered to 16 has sparked nationwide debate. While some argue that 16-year-olds lack the requisite maturity and knowledge to make informed decisions, others argue that doing so would imbue young people with agency and give them a voice in shaping their future.” 

Expository Essay Introduction Example  

Topic: The benefits of regular exercise 

“In today’s fast-paced world, the importance of regular exercise cannot be overstated. From improving physical health to boosting mental well-being, the benefits of exercise are numerous and far-reaching. This essay will examine the various advantages of regular exercise and provide tips on incorporating it into your daily routine.” 

Text: “To Kill a Mockingbird” by Harper Lee 

“Harper Lee’s novel, ‘To Kill a Mockingbird,’ is a timeless classic that explores themes of racism, injustice, and morality in the American South. Through the eyes of young Scout Finch, the reader is taken on a journey that challenges societal norms and forces characters to confront their prejudices. This essay will analyze the novel’s use of symbolism, character development, and narrative structure to uncover its deeper meaning and relevance to contemporary society.” 

  • Engaging and Relevant First Sentence : The opening sentence captures the reader’s attention and relates directly to the topic. 
  • Background Information : Enough background information is introduced to provide context for the thesis statement. 
  • Definition of Important Terms : Key terms or concepts that might be unfamiliar to the audience or are central to the argument are defined. 
  • Clear Thesis Statement : The thesis statement presents the main point or argument of the essay. 
  • Relevance to Main Body : Everything in the introduction directly relates to and sets up the discussion in the main body of the essay. 

opening sentence for essay

Writing a strong introduction is crucial for setting the tone and context of your essay. Here are the key takeaways for how to write essay introduction: 3  

  • Hook the Reader : Start with an engaging hook to grab the reader’s attention. This could be a compelling question, a surprising fact, a relevant quote, or an anecdote. 
  • Provide Background : Give a brief overview of the topic, setting the context and stage for the discussion. 
  • Thesis Statement : State your thesis, which is the main argument or point of your essay. It should be concise, clear, and specific. 
  • Preview the Structure : Outline the main points or arguments to help the reader understand the organization of your essay. 
  • Keep it Concise : Avoid including unnecessary details or information not directly related to your thesis. 
  • Revise and Edit : Revise your introduction to ensure clarity, coherence, and relevance. Check for grammar and spelling errors. 
  • Seek Feedback : Get feedback from peers or instructors to improve your introduction further. 

The purpose of an essay introduction is to give an overview of the topic, context, and main ideas of the essay. It is meant to engage the reader, establish the tone for the rest of the essay, and introduce the thesis statement or central argument.  

An essay introduction typically ranges from 5-10% of the total word count. For example, in a 1,000-word essay, the introduction would be roughly 50-100 words. However, the length can vary depending on the complexity of the topic and the overall length of the essay.

An essay introduction is critical in engaging the reader and providing contextual information about the topic. To ensure its effectiveness, consider incorporating these key elements: a compelling hook, background information, a clear thesis statement, an outline of the essay’s scope, a smooth transition to the body, and optional signposting sentences.  

The process of writing an essay introduction is not necessarily straightforward, but there are several strategies that can be employed to achieve this end. When experiencing difficulty initiating the process, consider the following techniques: begin with an anecdote, a quotation, an image, a question, or a startling fact to pique the reader’s interest. It may also be helpful to consider the five W’s of journalism: who, what, when, where, why, and how.   For instance, an anecdotal opening could be structured as follows: “As I ascended the stage, momentarily blinded by the intense lights, I could sense the weight of a hundred eyes upon me, anticipating my next move. The topic of discussion was climate change, a subject I was passionate about, and it was my first public speaking event. Little did I know , that pivotal moment would not only alter my perspective but also chart my life’s course.” 

Crafting a compelling thesis statement for your introduction paragraph is crucial to grab your reader’s attention. To achieve this, avoid using overused phrases such as “In this paper, I will write about” or “I will focus on” as they lack originality. Instead, strive to engage your reader by substantiating your stance or proposition with a “so what” clause. While writing your thesis statement, aim to be precise, succinct, and clear in conveying your main argument.  

To create an effective essay introduction, ensure it is clear, engaging, relevant, and contains a concise thesis statement. It should transition smoothly into the essay and be long enough to cover necessary points but not become overwhelming. Seek feedback from peers or instructors to assess its effectiveness. 

References  

  • Cui, L. (2022). Unit 6 Essay Introduction.  Building Academic Writing Skills . 
  • West, H., Malcolm, G., Keywood, S., & Hill, J. (2019). Writing a successful essay.  Journal of Geography in Higher Education ,  43 (4), 609-617. 
  • Beavers, M. E., Thoune, D. L., & McBeth, M. (2023). Bibliographic Essay: Reading, Researching, Teaching, and Writing with Hooks: A Queer Literacy Sponsorship. College English, 85(3), 230-242. 

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Related Reads:

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  • How to Cite Social Media Sources in Academic Writing? 
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Anne R. Allen's Blog... with Ruth Harris

Writing about writing. Mostly.

April 28, 2018 By Anne R. Allen 53 Comments

How to Write a Great First Sentence—with 22 Inspiring Examples

How to Write a Great First Sentence—with 22 Inspiring Examples

First sentences from classic and contemporary literature analyzed.

by Ruth Harris

No matter what genre you write, your first sentence is a seduction. It can be in the form of an invitation. A declaration. A tease. A promise. A jolt. A shock.

You must be shameless and your first sentence must be irresistible. It must induce curiosity and promise the answer to an urgent question.

You must do whatever you can to lure your reader into the web you’ve woven by writing a sentence so provocative and so powerful that s/he is compelled to continue.

You’re the master of ceremonies and in your first sentence you must present yourself and your book with confidence and authority. If you’ve written a thriller, your first sentence must promise thrills. If you’ve written a romance, your first sentence must promise romance.

Just like a nothingburger cover or a  meh  blurb, a clunky or poorly-conceived first sentence that’s inconsistent with your genre, will turn readers off and cause them to skip your book.

Whether you’re writing fiction or non-fiction, romance or sci fi, a thriller or a mystery, the first sentence of your book must achieve one goal: compel the reader to read on.

Stephen King has said that he spends “months and years” creating that first line. He goes on to say: “An opening line should invite the reader to begin the story. It should say: Listen. Come in here. You want to know about this.”

The question is, how do we accomplish all this in one sentence? From  Moby Dick ’s “ Call me Ishmael”  to  Charles Dickens’  “ It was the best of times, it was the worst of times ,” some first sentences have become famous classics. So, too, Jane Austen’s “ It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.”

A deeper look into the breadth of masterful first sentences offers a wide array of the ways writers draw readers into their stories and inspiring examples of how much information can be conveyed in a single sentence.

The First Person Introduction.

In a memoir or a novel written in the first person, the author puts himself in the mind of the central character and, in one way or another, tells us that we are about to get the real deal. No BS here, the sentence promises, just the honest, unvarnished truth about someone we want to know more about.

Sylvia Plath uses the first sentence of  The Bell Jar , to establish the nervous, dark mood that hovers over the character and the story. Her story begins—

“It was a queer, sultry summer, the summer they electrocuted the Rosenbergs, and I didn’t know what I was doing in New York.”

Plath’s use of the word  electrocuted  provides an unexpected jolt and mention of the  Rosenbergs  sets a time (June 1953).  Sultry summer  sets an uncomfortable season,  New York  establishes a place, and the final phrase conveys the uncertainty of a young woman struggling to find an identity and a place in life.

Vladimir Nabokov uses the first nine words of  Lolita  to convey the note of obsessive erotic desire that pulses through the entire novel.

“Lolita, light of my life, fire of my loins.”

Nabokov begins by naming the object of his passion, the word  light  expresses her transformative influence on the narrator, the word  loins  promises that we will be reading a story about sex, and the repetition of the letter  l  creates the feeling of an incantation.

In  Ghostwriters In The Sky , Book 1 of The Camilla Randall Mysteries, Anne uses her first sentence to introduce the MC, locate the place (the subway can only mean NYC), and refer to the season (sweaty indicates hot, most likely summer).

“The subway car was so crowded I couldn’t tell which one of the sweaty men pressing against me was attached to the hand now creeping up my thigh.”

The phrase “creeping up my thigh” indicates a level of unwanted personal attention which places the character in an uncomfortable, if rather ludicrous situation—a theme that will be repeated in different variations throughout the novel.

In  Catcher In the Rye , J.D. Salinger uses an effective but contradictory combination of bravado and vulnerability to establish a unique voice as he introduces us to preppy Holden Caulfield.

“If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth. 

We read on because Salinger’s confessional tone makes us want to know more about his  lousy childhood  and find out why he doesn’t feel like going into it.

The Third Person Introduction.

In  Goldfinger , Ian Fleming introduces 007 in the first sentence.

“James Bond, with two double bourbons inside him, sat in the final departure lounge of Miami airport and thought about life and death.”

Fleming has told us in only a few words that his MC is a drinking man, one who travels, and one who contemplates the larger questions of existence. Where, we wonder, is Bond going, what is he going to do once he gets there, and why does he need to down  two double bourbons  before he boards his flight?

In  The Hobbit , JRR Tolkien simply tells us where his MC lives, but in such a startling way that we feel compelled to read on.

“In a hole in the ground there lived a hobbit.”

A hobbit? A story about a creature who lives in a hole? Who or what is this hobbit and why does he live in a hole. Curious, we read on.

I introduce DeeDee Dahlen, the MC in  Love And Money , Book 1 of the Park Avenue Series with a brief, declarative sentence.

“Her name was DeeDee Dahlen and she was famous from the day she was born.”

How can a newly-born infant be famous?, the reader wonders. What rewards—and penalties—does unasked-for celebrity impose? What secrets and scandal will shadow her future?—urgent questions that will reverberate throughout the entire novel.

Graham Greene, in  Brighton Rock , compels us to want to know more.

“Hale knew, before he had been in Brighton three hours, that they meant to murder him.”

Who are the ‘they?’ we wonder. And what has Hale done? Why do ‘they’ want to kill him?

Gabriel Garcia Marquez begins  One Hundred Years of Solitude  with this famous sentence—

“Many years later, as he faced the firing squad, Colonel Aureliano Buendia was to remember that distant afternoon when his father took him to discover ice.”

The author uses a shocking situation—a man facing a firing squad—plus a long-ago memory to pique our curiosity. Who is the Colonel and what had he done that he ends up facing a firing squad? What was there about the discovery of ice that it has lodged so forcefully in his memory? Compelling questions to which we must find the answer and, thus, we continue to read.

Whether classic literature, hard-boiled pulp fiction, or cyberpunk scifi, the first sentence establishes a theme that will continue throughout the story. If the book does not follow through on the promise of that first sentence, the disappointed reader will feel cheated.

In his first sentence, Leo Tolstoy in  Anna Karenina  tells us that we are about to read a story about an unhappy family.

“All happy families are alike; each unhappy family is unhappy in its own way.”

Why, we ask ourselves, are they unhappy? What has happened to them and what will they do? Powerful questions the reader wants answered.

James Matthew Barrie establishes the theme of  Peter Pan  with a brief, declarative statement.

“All children, except one, grow up.”

Which child, we wonder. Why not? And what will happen to a child who doesn’t grow up?

A far different theme is set by Franz Kafka in his posthumously published 1925 novel,  The Trial.

Someone must have slandered Josef K., for one morning, without having done anything truly wrong, he was arrested.

Kafka’s first sentence thrusts us immediately into the MC’s waking nightmare of terror and paranoia that will be sustained throughout the story.

William Gibson’s  Neuromancer  was the first novel to win the Nebula Award, the Philip K. Dick Award, and the Hugo Award. The chilling first sentence, said to have been written at the last minute, sets the novel’s theme of a burnt-out computer hacker adrift in a dystopian near future governed by artificial intelligence.

“The sky above the port was the color of television, tuned to a dead channel.”

Hunter S Thompson, starts his novel,  Fear and Loathing in Las Vegas , by establishing a place, a mood, and a theme (a disenchanted retrospective look at the 1960s) in the first sentence.

“We were somewhere around Barstow on the edge of the desert when the drugs began to take hold.”

A Tease, a Shock, a Jolt.

A skillfully written first sentence containing a tease, a shock or a jolt can introduce a character, establish a tone or a setting, and dare the reader not to continue.

The first sentence of  Nineteen Eighty-Four,  George Orwell’s dystopian novel, often considered one of the best one hundred books of the 20 th  Century, tells us immediately that something—time itself—is awry in a future world of Big Brother, doublethink and government surveillance.

“It was a bright cold day in April, and the clocks were striking thirteen.”

Joe Konrath pulls us right into the action in the first sentence of his mystery thriller,  Dirty Martini , Book 4 of the Jacqueline “Jack” Daniels Mystery series.

“No security cameras this time, but he still has to be careful.”

What is he doing, we wonder? In his first sentence, Konrath lets us know that whatever it is, it’s something he’s done before. Something risky, perhaps dangerous, and, even though experienced, he still has to be careful. Of what? Of whom?

In his legal thriller,  The Firm , John Grisham uses his first sentence to tell us that this unnamed and mysterious senior partner will indeed find something to dislike about Mitchell Y. McDeere who, the word  résumé  indicates, is being considered for a job.

“The senior partner studied the résumé for the hundredth time and again found nothing he disliked about Mitchell Y. McDeere, at least not on paper.”

What kind of job, we wonder, and what will the senior partner find to dislike? Grisham’s tease promises evil doings and the reader is lured on.

In  L.A. Confidential,  James Ellroy’s first sentence introduces a main character, sets a theme, and tells us exactly what we are about to read. Ellroy uses a knowledgable tone and vernacular language to let us know that he knows what he’s talking about.

“An abandoned auto court in the San Berdoo foothills; Buzz Meeks checked in with ninety-four thousand dollars, eighteen pounds of high-grade heroin, a 10-gauge pump, a .38 special, a .45 automatic, and a switchblade he’d bought off a pachuco at the border—right before he spotted the car parked across the line: Mickey Cohen goons in an LAPD unmarked, Tijuana cops standing by to bootsack his goodies, dump his body in the San Ysidro River.”

Dennis Lehane, in his short story,  Until Gwen  pulls us in with the use of the second person combined with the promise of drugs and sex.

“Your father picks you up from prison in a stolen Dodge Neon, with an 8-ball of coke in the glove compartment and a hooker named Mandy in the back seat.”

The Rule Breakers.

Although writers are often cautioned about starting a book with a character’s dream, that rule was effectively broken in the classic first sentence of Daphne DuMaurier’s famous gothic mystery,  Rebecca .

“Last night I dreamt I went to Manderley again.”

Marie Force begins her Gansett Island romance,  Meant For Love , with a reference to a dream.

“The dream was always the same, the last perfect moment before life as Jenny Wilks knew it changed forever.”

Both dreams refer to emotionally significant aspects of the characters’ pasts. The reader wonders why the unidentified first-person narrator of  Rebecca  dreams of a place and Jenny Wilks of a “perfect” life now gone forever. The authors use dreams to provoke interest in their characters and in the events of the story to come.

The passive tense is usually considered to be another no-no. Charles McCarry, in  TheTears Of Autumn, considered to be one of the best espionage thrillers of the 20 th  Century, uses the passive tense to introduce American intelligence officer, Paul Christopher, who is investigating the assassination of John F. Kennedy.

“Paul Christopher had been loved by two women who could not understand why he had stopped writing poetry.”

McCarry’s elegant use of the passive tense to introduce his MC sets the theme of the book: an exploration of glittering promise that results in the wreckage of unintended consequences—the end of poetry and the end of Camelot.

Your first sentence is your opportunity to let your creativity shine. Whether you decide to go for a tease or a jolt, a theme or a rule breaker, a first person or third person introduction, remember what Mom always said: You never have a second chance to make a first impression.

For more info on beginnings, Anne and I have both opined about first chapters. For  Anne’s take . For  Ruth’s take .

by Ruth Harris (@RuthHarrisBooks) April 29, 2018

What about you, scriveners? Do you have a favorite first line? Do you find your first line hard to write? (I usually write mine last.) Do you have a dynamite first line for a book you haven’t written yet? 

This week Anne is Poisoning People for Fun and Profit again. This time she’s talking about Gelsemium , a pretty plant that may be growing in your own backyard. And is so deadly it’s the drug of choice of many professional assassins. It also nearly killed Arthur Conan Doyle.

BOOK OF THE WEEK

The Chanel Caper new cover

OPPORTUNITY ALERTS

Central Coasters: Don’t miss the “Writers in Action: From Idea to Publication” Workshop  on May 19th! 1-day workshop by Sisters in Crime, Central Coast at the PG&E Energy Center in San Luis Obispo. Should be a lot of fun. Here’s a link to the application form and lunch menu.

Red Hen Press annual Nonfiction Contest.    $25 entry FEE. $1,000 prize and publication by the prestigious Red Hen Press. They’re looking for an essay collection, memoir, or book of narrative nonfiction. Florencia Ramirez will judge. Using the online submission system, submit a manuscript of at least 150 pages.  Deadline April 30

CRAFT Literary Short Story contest. $20 FEE .  Short fiction up to 6000 words. $2000 first prize; the two runners-up will receive $500 and $300, respectively. plus publication in CRAFT  Literary Magazine. Deadline April 30th.

Mad Scientist Journal: Battling in All Her Finery.  Genre : Speculative fiction stories about women leaders in any field.  Payment : 2 cents/word.  Deadline: April 30, 2018.

13 Imprints of Big 5 publishers who take unagented submissions. From the good people at Authors Publish Magazine.

Supernatural Fiction Award : $1000 prize + publication in The Ghost Story magazine. Not just ghost stories. Any paranormal story welcome. 1500-10,000 words   $20 entry fee. Deadline April 30 th .

Prophecy Creek Book Award for Speculative Fiction . Prize $1,000 and publication by Hidden River Publishing.  Any length novel that includes elements of science fiction, supernatural fiction, or fantasy. $22 fee. Deadline May 15.

Smokelong Quarterly Flash Fiction contest. $13 Fee.  Under 1000 words. Nominates for Pushcart. Must never have been published (including on blogs.) $1500 prize plus publication. Runner-up prizes, too. Deadline May 20th. 

Nowhere Spring Travel Writing Contest   $10 Fee.  800-5000 words showing a powerful sense of place: Fiction or nonfiction. Previous publication okay. $1000 prize plus publication in Nowhere magazine. Deadline May 31st

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About Anne R. Allen

Anne writes funny mysteries and how-to-books for writers. She also writes poetry and short stories on occasion. Oh, yes, and she blogs. She's a contributor to Writer's Digest and the Novel and Short Story Writer's Market.

Her bestselling Camilla Randall Mystery RomCom Series features perennially down-on-her-luck former socialite Camilla Randall—who is a magnet for murder, mayhem and Mr. Wrong, but always solves the mystery in her quirky, but oh-so-polite way.

Anne lives on the Central Coast of California, near San Luis Obispo, the town Oprah called "The Happiest City in America."

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April 29, 2018 at 10:27 am

I didn’t fully appreciate the importance of the first line until after my first book. I am proud of the first lines of the next three books, especially the two that say so much about the character. Those are excellent examples and a good breakdown as to why they work. Knowing that is half the struggle.

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April 29, 2018 at 12:54 pm

Alex—Thanks! Congratulations on your quality first lines….knowing what and where the target is makes it so much easier to score!

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April 29, 2018 at 11:10 am

Couldn’t agree more Ruth, and it’s one of my favorite topics to cover with aspiring authors on the library-circuit. It’s one of those things a newish writer hasn’t truly considered, but they light up when you show examples like these gems (we overlap with several!). I would suggest there’s also the out-and-out lunatic opening to consider, like Ian Banks who set the bar pretty high with his opening to “The Crow Road” (1992):

“It was the day my grandmother exploded.”

Tell me who’s going to put that one back on the rack!

April 29, 2018 at 12:56 pm

Will—Love the Ian Banks first line. Thanks for the great addition!

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April 29, 2018 at 11:28 am

Excellent! I particularly like the constellation of 1st person examples: Plath, Nabokov, Salinger, & Allen! Well-chosen, indeed. And, as I am big-idea person more than an analytical person, I love seeing these split into categories — I simply wouldn’t think to do that to these fine examples, but it helps me conceptualize it all. Thanks again.

April 29, 2018 at 12:59 pm

CS—Thanks and happy to hear my category breakdown helped. There are infinite ways to write a great first sentence!

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April 29, 2018 at 1:39 pm

I love the topic you chose for today, Ruth, and the way you take a close, illuminating look at each one. Thanks so much for the insight.

I think you had one or two short story first lines in the mix, and I’m glad for that.(I write short stories.) I think an awesome first line is every bit as important in short stories. (Last line too.)

Tolstoy’s Anna Kerenina first line is also an example of what I think has the potential to be powerful: A truism, or a simple philosophical (sort of) statement. He certainly nails it with this one!

An article on great last lines would be a fascinating complement to this one.

April 29, 2018 at 4:32 pm

Tricia—thanks! Yes, the Dennis Lehane first sentence was from a short story. First sentences matter!

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April 29, 2018 at 2:35 pm

My favourite opening line is from J.G. Ballard’s ‘High-Rise’:

“Later, as he sat on his balcony eating the dog, Dr Robert Laing reflected on the unusual events that had taken place within this huge apartment building during the previous three months.”

It sets tone, character, place…and the opportunity to decline an invitation to proceed.

April 29, 2018 at 4:34 pm

Patricia—that’s just great! Thanks!

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April 29, 2018 at 3:44 pm

I used my favorite first line in an email signature that earned me a visit from the President of the college; he never made me take it down, but I knew somebody had asked about it nonetheless. From James Crumley’s Last Good Kiss: “When I finally caught up with Abraham Trahearne, he was drinking beer with an alcoholic bulldog named Fireball Roberts in a ramshackle joint just outside of Sonoma, California, drinking the heart right out of a fine spring afternoon.” I can smell that wasted, lost afternoon, I know the likes of Abraham Trahearne right up front, and one day I’m going to name my new bulldog Fireball Roberts.

April 29, 2018 at 4:38 pm

Ruthie—thanks for another fabulous first line! Wonder if anyone would name a kitten Fireball Roberts? Nah, don’t think so. 😉

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April 29, 2018 at 4:35 pm

Sorry to be picky, but there are two typos in this article…which, by the way, is great. This a wonderful collection of first lines, some of which I’ve never seen before. ‘auto court’, I think, rather than ‘auto cout’ – although maybe this is a type of area I’ve not come across before! And Mr Grisham gets spelt as Grosham at one point….

April 29, 2018 at 4:47 pm

Mcrow—Thanks for your eagle eye! I wondered about “cout” but that’s how it came up in my research so I decided to go with it. Maybe a regionalism? Grissom is just a plain vanilla typo. (As I type this, tho, autocorrect turns it into Grissom.) lol

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April 30, 2018 at 8:53 am

This is such a great post. I love to look at the first line of a book. It really does either pull you in … or not. I really liked ““All children, except one, grow up.” I’ve never read the book. Maybe now I will. I always try to write a first line or at least the first few lines in a way that the reader will wonder what’s going to happen next and what’s going on. Thanks for this.

April 30, 2018 at 11:24 am

Patricia—thanks for the kind words. First lines are well worth the effort.:)

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April 30, 2018 at 10:01 am

First lines are tough and hard to make appealing to a large group of people–even within our own genres.

One I like is: This is the way the world ends – not with a band or a whimper, but with zombies breaking down the back door. – Hollowland by Amanda Hocking

I love the call back to Eliot with a fantasy twist.

April 30, 2018 at 11:27 am

HR—thanks for another good example and fine analysis!

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April 30, 2018 at 5:48 pm

Thanks so much for this insightful look into first lines, Ruth. A good reminder to go over some of my old favs and revisit first lines in particular. 🙂

May 1, 2018 at 6:11 am

Dg—appreciate your kind words. Have fun with your old faves!

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April 30, 2018 at 6:41 pm

Thanks for this article! I was inspired to re-check out some first lines. I’m pretty happy with the first lines of my two fantasy novels…the second one took a long time. The whole first chapter and especially the first paragraph went through a dozen false starts before I managed to like one I tried. But the first line of Stephen King’s “The Gunslinger” is wonderful–and it must be, as it begins not only a novel, but an epic seven-book series. The line: “The man in black fled across the desert, and the gunslinger followed.”

May 1, 2018 at 6:15 am

Fred—*only* a dozen tries? Wow! Speedy. ;-). Thanks for the excellent Stephen King addition. Much appreciated!

May 6, 2018 at 4:32 pm

Not really speedy. I had it published about twenty-two years after I finished the first draft. I’m finishing a paranormal romance and beginning a fantasy series. Thanks to your article I re-examined, and changed, the first sentence of each one. And of course I may do so again before I’m finished. My thanks to you and Anne both for all these great helpful blogs.

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May 1, 2018 at 6:47 am

Wow, those are some great first lines. I’ve always found first lines hard to write and this post has really motivated me to make sure the promise I’m making to my audience is there inside it.

One of my favorite first lines is from the manga Fullmetal Alchemist (English Translation):

“Teachings that do not speak of pain have no meaning…for humankind cannot gain anything without first giving something in return.”

May 1, 2018 at 7:25 am

Amy—happy to hear the post helped. 🙂 thanks,too, for the excellent addition to our first lines!

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May 1, 2018 at 7:30 am

I often write my first lines after the first draft. Rather, I should say, I “rewrite” my first line a gazillion times after the first draft. Great post, Ruth. Thanks for the inspiration!

May 1, 2018 at 11:06 am

Sue—yes! It’s not the writing. It’s the rewriting. + the revisions. Facts of life! 😉

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May 1, 2018 at 10:17 pm

I love, love, love first sentences. I’ve written hundreds of them! If only I had completed stories to go with all with my first lines….heavy sigh. Enjoyed the post.

May 2, 2018 at 4:13 am

Tammy—ditto and thanks. Maybe find the love for second sentences? 😉

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May 6, 2018 at 8:26 am

A great article, Anne.

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May 6, 2018 at 12:20 pm

Robbie–The thanks go entirely to Ruth. Not only did she write the piece. but she chose the image this time too. I thought it was perfect!

May 6, 2018 at 4:52 pm

Robbie—glad to learn you enjoyed the post!

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May 6, 2018 at 10:31 am

3 greatest are from Moby Dick, Old Man and Sea and Tale of 2 Cities. Oh, and that “In the beginning…” one is pretty famous too.

May 6, 2018 at 1:10 pm

Carl—thanks for the suggestions. We should also add “once upon a time.” 🙂

May 7, 2018 at 3:55 am

Yes, of course !

May 6, 2018 at 4:50 pm

Fredwaiss—22 years? Definitely not speedy! I stand corrected. 🙂 Pleased to learn the post encouraged you to go back and review your first lines. Anne and I work with the goal of helping writers avoid the mistakes we made!

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May 8, 2018 at 12:23 pm

Great post, thanks! It was a dark and stormy night…?????

May 8, 2018 at 12:52 pm

M. L.—Perfecto! A truly worthy addition! 🙂

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May 8, 2018 at 1:08 pm

Great article Ruth! I have a harder time with LAST lines but reading this reminded me of an unread book I peeked at while unpacking last week that made me want to sit in the pile boxes to keep reading:

“Even before I push the fucking door open I know.” First line of IN SIGHT OF THE STARS by Gae Polisner.

I’m a little envious of that opening…

May 8, 2018 at 2:06 pm

Eldonna—Thanks. 🙂 Thanks, too, for adding another great first sentence!

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May 10, 2018 at 3:17 pm

What a fun post – and great comments with more first lines – love it! Thanks for this.

My favorite for description is from IN COLD BLOOD by Truman Capote because of the contrast with the title:

“The village of Holcomb stands on the high wheat plains of western Kansas, a lonesome area that other Kansans call ‘out there.’ ”

and my favorite for ‘you had me at the first line’ (technically, 3 sentences, they could have been separated by commas… but it would change the rhythm) still, it got me and I read this one, then pretty much all his other books in a 2-month binge. It’s in STRAIGHT by Dick Francis:

“I inherited my brother’s life. Inherited his desk, his business, his gadgets, his enemies, his horses and his mistress. I inherited my brother’s life, and it nearly killed me.”

May 10, 2018 at 5:58 pm

Msmartha—Thanks for the kind words—and for two great suggestions! I recall a lengthy dick Francis binge, too. 🙂

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June 3, 2018 at 3:09 pm

I don’t have a favorite first line, sorry! I opened an email from you and saw this as title as one of your previous posts and was intrigued. Fantastic post! I’m starting my new WIP today and you’ve inspired me to nail down that first line of my WIP. Thanks!

June 3, 2018 at 4:16 pm

Fiona—Ruth Harris here. Glad you enjoyed the post! Even happier to learn it was inspiring. Good luck with your great first sentence!

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October 7, 2018 at 3:21 pm

“If there were a way, if I could, I would write this book in sign language.” Ruth Sidranski’s first line in her memoir entitled In Silence.

October 7, 2018 at 4:48 pm

Katherine—excellent! Thank you.

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October 28, 2019 at 8:58 am

I read and try to write romance. This is my favorite opening line from a romance novel, The Best Man by Kristan Higgins:

“On a beautiful day in June, in front of literally half the town, wearing a wedding dress that made her look like Cinderella and holding a bouquet of perfect pink roses, Faith Elizabeth Holland was left at the altar.”

It was my first book by Kristan Higgins, but I can assure you it wasn’t my last!

October 28, 2019 at 10:24 am

Dena Jo—Wonderful! Thanks for a great addition to the list of compelling first lines. Appreciated! 🙂

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November 21, 2019 at 6:54 am

First lines–yes! I waffled when I started to write my first book. (A fantasy novel based on a D&D scenario I wrote.) I decided to self-publish it after an agent who had taken me on tried to get me to publish with a publisher who asked for a lot of money. At least it was a lot to me. I was proud of that book, but it took far too long to get to the story proper. I wrote part 2 of the series and published it. Then I found a publisher for my next book, who wanted to take on my previously published books, so I took the opportunity of rewriting the beginning. I cut at least the first 4 chapters and began where the protagonist and his friends were given their quest. A much better beginning,I think.

November 21, 2019 at 1:34 pm

V.M.—Thanks for the great comment! Sounds like you’re on the right track by cutting your early chapters and starting with the quest. And yes, indeed, sometimes getting a book right does take “too long.” Frustrating but worth it!

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June 19, 2020 at 5:30 am

so I wrote a first paragraph and I was hoping that someone might help me with critiquing it “You know that every time I peek my head through this window and see the tower, my heart fills with uneasiness, how it pokes into the sky here in Paris and is quite the centerpiece in the culture. Of course, I was talking about the Eiffel tower, the looming feeling I get measures to about the amount you get when you see the corpse of a person next to a puddle of blood with a 15mm Occitane Pistol floating along slowly to a sewer pipe. When you know whatever caused it can just peek out and get you too, slide its fingers along the side of the trigger, and in seconds your years of life have come to an end. ” by the way, Occitane is a region in France, in the book I am writing it also holds a secret underground gun producing factory.

June 19, 2020 at 6:26 am

Noah—Thanks for taking the time to comment. Anne and I do not offer critique services, but wish you the best of luck with your book.

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August 15, 2021 at 4:10 pm

Here’s the first sentence of my second novel, plus the short one that follows:

“Who was that,” Greg asked as he and Josie drove home from the folk dance, “the fiddler, singing, at the end? You know him?” Jealousy tainted his question.

It seems to set up the emotional tension that permeates the book.

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Sat / act prep online guides and tips, how to start a college essay perfectly.

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College Essays

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If you've been sitting in front of a blank screen, unsure of exactly how to start a personal statement for college, then believe me—I feel your pain. A great college essay introduction is key to making your essay stand out, so there's a lot of pressure to get it right.

Luckily, being able to craft the perfect beginning for your admissions essay is just like many other writing skills— something you can get better at with practice and by learning from examples.

In this article, I'll walk you through exactly how to start a college essay. We'll cover what makes a great personal statement introduction and how the first part of your essay should be structured. We'll also look at several great examples of essay beginnings and explain why they work, how they work, and what you can learn from them.

What Is the College Essay Introduction For?

Before we talk about how to start a college essay, let's discuss the role of the introduction. Just as your college essay is your chance to introduce yourself to the admissions office of your target college, your essay's beginning is your chance to introduce your writing.

Wait, Back Up—Why Do Colleges Want Personal Statements?

In general, college essays make it easier to get to know the parts of you not in your transcript —these include your personality, outlook on life, passions, and experiences.

You're not writing for yourself but for a very specific kind of reader. Picture it: your audience is an admissions officer who has read thousands and thousands of essays. This person is disposed to be friendly and curious, but if she hasn't already seen it all she's probably seen a good portion of it.

Your essay's job is to entertain and impress this person, and to make you memorable so you don't merely blend into the sea of other personal statements. Like all attempts at charm, you must be slightly bold and out of the ordinary—but you must also stay away from crossing the line into offensiveness or bad taste.

What Role Does the Introduction Play in a College Essay?

The personal statement introduction is basically the wriggly worm that baits the hook to catch your reader. It's vital to grab attention from the get-go—the more awake and eager your audience is, the more likely it is that what you say will really land.

How do you go about crafting an introduction that successfully hooks your reader? Let's talk about how to structure the beginning of your college essay.

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How to Structure a Personal Statement Introduction

To see how the introduction fits into an essay, let's look at the big structural picture first and then zoom in.

College Essay Structure Overview

Even though they're called essays, personal statements are really more like a mix of a short story and a philosophy or psychology class that's all about you.

Usually, how this translates is that you start with a really good (and very short) story about something arresting, unusual, or important that happened to you. This is not to say that the story has to be about something important or unusual in the grand scheme of things—it just has to be a moment that stands out to you as defining in some way, or an explanation of why you are the way you are . You then pivot to an explanation of why this story is an accurate illustration of one of your core qualities, values, or beliefs.

The story typically comes in the first half of the essay, and the insightful explanation comes second —but, of course, all rules were made to be broken, and some great essays flip this more traditional order.

College Essay Introduction Components

Now, let's zero in on the first part of the college essay. What are the ingredients of a great personal statement introduction? I'll list them here and then dissect them one by one in the next section:

  • A killer first sentence: This hook grabs your readers' attention and whets their appetite for your story.
  • A vivid, detailed story that illustrates your eventual insight: To make up for how short your story will be, you must insert effective sensory information to immerse the reader.
  • An insightful pivot toward the greater point you're making in your essay: This vital piece of the essay connects the short story part to the part where you explain what the experience has taught you about yourself, how you've matured, and how it has ultimately shaped you as a person.

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How to Write a College Essay Introduction

Here's a weird secret that's true for most written work: just because it'll end up at the beginning doesn't mean you have to write it first. For example, in this case, you can't know what your killer first sentence will be until you've figured out the following details:

  • The story you want to tell
  • The point you want that story to make
  • The trait/maturity level/background about you that your essay will reveal

So my suggestion is to work in reverse order! Writing your essay will be much easier if you can figure out the entirety of it first and then go back and work out exactly how it should start.

This means that before you can craft your ideal first sentence, the way the short story experience of your life will play out on the page, and the perfect pivoting moment that transitions from your story to your insight, you must work out a general idea about which life event you will share and what you expect that life event to demonstrate to the reader about you and the kind of person you are.

If you're having trouble coming up with a topic, check out our guide on brainstorming college essay ideas . It might also be helpful to read our guides to specific application essays, such as picking your best Common App prompt and writing a perfect University of California personal statement .

In the next sections of this article, I'll talk about how to work backwards on the introduction, moving from bigger to smaller elements: starting with the first section of the essay in general and then honing your pivot sentence and your first sentence.

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How to Write the First Section of Your College Essay

In a 500-word essay, this section will take up about the first half of the essay and will mostly consist of a brief story that illuminates a key experience, an important character trait, a moment of transition or transformation, or a step toward maturity.

Once you've figured out your topic and zeroed in on the experience you want to highlight in the beginning of your essay, here are 2 great approaches to making it into a story:

  • Talking it out, storyteller style (while recording yourself): Imagine that you're sitting with a group of people at a campfire, or that you're stuck on a long flight sitting next to someone you want to befriend. Now tell that story. What does someone who doesn't know you need to know in order for the story to make sense? What details do you need to provide to put them in the story with you? What background information do they need in order to understand the stakes or importance of the story?
  • Record yourself telling your story to friends and then chatting about it: What do they need clarified? What questions do they have? Which parts of your story didn't make sense or follow logically for them? Do they want to know more, or less? Is part of your story interesting to them but not interesting to you? Is a piece of your story secretly boring, even though you think it's interesting?

Later, as you listen to the recorded story to try to get a sense of how to write it, you can also get a sense of the tone with which you want to tell your story. Are you being funny as you talk? Sad? Trying to shock, surprise, or astound your audience? The way you most naturally tell your story is the way you should write it.

After you've done this storyteller exercise, write down the salient points of what you learned. What is the story your essay will tell? What is the point about your life, point of view, or personality it will make? What tone will you tell it with? Sketch out a detailed outline so that you can start filling in the pieces as we work through how to write the introductory sections.

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How to Write the First Sentence of Your College Essay

In general, your essay's first sentence should be either a mini-cliffhanger that sets up a situation the reader would like to see resolved, or really lush scene-setting that situates your audience in a place and time they can readily visualize. The former builds expectations and evokes curiosity, and the latter stimulates the imagination and creates a connection with the author. In both cases, you hit your goal of greater reader engagement.

Now, I'm going to show you how these principles work for all types of first sentences, whether in college essays or in famous works of fiction.

First Sentence Idea 1: Line of Quoted Direct Speech

"Mum, I'm gay." ( Ahmad Ashraf '17 for Connecticut College )

The experience of coming out is raw and emotional, and the issue of LGBTQ rights is an important facet of modern life. This three-word sentence immediately sums up an enormous background of the personal and political.

"You can handle it, Matt," said Mr. Wolf, my fourth-grade band teacher, as he lifted the heavy tuba and put it into my arms. ( Matt Coppo '07 for Hamilton College )

This sentence conjures up a funny image—we can immediately picture the larger adult standing next to a little kid holding a giant tuba. It also does a little play on words: "handle it" can refer to both the literal tuba Matt is being asked to hold and the figurative stress of playing the instrument.

First Sentence Idea 2: Punchy Short Sentence With One Grabby Detail

I live alone—I always have since elementary school. ( Kevin Zevallos '16 for Connecticut College )

This opener definitely makes us want to know more. Why was he alone? Where were the protective grown-ups who surround most kids? How on earth could a little kid of 8-10 years old survive on his own?

I have old hands. ( First line from a student in Stanford's class of 2012 )

There's nothing but questions here. What are "old" hands? Are they old-looking? Arthritic? How has having these hands affected the author?

There was no possibility of taking a walk that day. (Charlotte Bronte, Jane Eyre )

There's immediately a feeling of disappointment and the stifled desire for action here. Who wanted to go for a walk? And why was this person being prevented from going?

First Sentence Idea 3: Lyrical, Adjective-Rich Description of a Setting

We met for lunch at El Burrito Mexicano, a tiny Mexican lunch counter under the Red Line "El" tracks. ( Ted Mullin '06 for Carleton College )

Look at how much specificity this sentence packs in less than 20 words. Each noun and adjective is chosen for its ability to convey yet another detail. "Tiny" instead of "small" gives readers a sense of being uncomfortably close to other people and sitting at tables that don't quite have enough room for the plates. "Counter" instead of "restaurant" lets us immediately picture this work surface, the server standing behind it, and the general atmosphere. "Under the tracks" is a location deeply associated with being run down, borderline seedy, and maybe even dangerous.

Maybe it's because I live in Rhinelander, Wisconsin, where Brett Favre draws more of a crowd on Sunday than any religious service, cheese is a staple food, it's sub-zero during global warming, current "fashions" come three years after they've hit it big with the rest of the world, and where all children by the age of ten can use a 12-gauge like it's their job. ( Riley Smith '12 for Hamilton College )

This sentence manages to hit every stereotype about Wisconsin held by outsiders—football, cheese, polar winters, backwardness, and guns—and this piling on gives us a good sense of place while also creating enough hyperbole to be funny. At the same time, the sentence raises the tantalizing question: maybe what is because of Wisconsin?

High, high above the North Pole, on the first day of 1969, two professors of English Literature approached each other at a combined velocity of 1200 miles per hour. (David Lodge, Changing Places )

This sentence is structured in the highly specific style of a math problem, which makes it funny. However, at the heart of this sentence lies a mystery that grabs the reader's interest: why on earth would these two people be doing this?

First Sentence Idea 4: Counterintuitive Statement

To avoid falling into generalities with this one, make sure you're really creating an argument or debate with your counterintuitive sentence. If no one would argue with what you've said, then you aren't making an argument. ("The world is a wonderful place" and "Life is worth living" don't make the cut.)

If string theory is really true, then the entire world is made up of strings, and I cannot tie a single one. ( Joanna '18 for Johns Hopkins University )

There's a great switch here from the sub-microscopic strings that make up string theory to the actual physical strings you can tie in real life. This sentence hints that the rest of the essay will continue playing with linked, albeit not typically connected, concepts.

All children, except one, grow up. (J. M. Barrie, Peter Pan )

In just six words, this sentence upends everything we think we know about what happens to human beings.

First Sentence Idea 5: The End—Making the Rest of the Essay a Flashback

I've recently come to the realization that community service just isn't for me. ( Kyla '19 for Johns Hopkins University )

This seems pretty bold—aren't we supposed to be super into community service? Is this person about to declare herself to be totally selfish and uncaring about the less fortunate? We want to know the story that would lead someone to this kind of conclusion.

Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice. (Gabriel García Márquez, One Hundred Years of Solitude )

So many amazing details here. Why is the Colonel being executed? What does "discovering" ice entail? How does he go from ice-discoverer to military commander of some sort to someone condemned to capital punishment?

First Sentence Idea 6: Direct Question to the Reader

To work well, your question should be especially specific, come out of left field, or pose a surprising hypothetical.

How does an agnostic Jew living in the Diaspora connect to Israel? ( Essay #3 from Carleton College's sample essays )

This is a thorny opening, raising questions about the difference between being an ethnic Jew and practicing the religion of Judaism, and the obligations of Jews who live outside of Israel to those who live in Israel and vice versa. There's a lot of meat to this question, setting up a philosophically interesting, politically important, and personally meaningful essay.

While traveling through the daily path of life, have you ever stumbled upon a hidden pocket of the universe? ( First line from a student in Stanford's class of 2012 )

There's a dreamy and sci-fi element to this first sentence, as it tries to find the sublime ("the universe") inside the prosaic ("daily path of life").

First Sentence Idea 7: Lesson You Learned From the Story You're Telling

One way to think about how to do this kind of opening sentence well is to model it on the morals that ended each Aesop's fable . The lesson you learned should be slightly surprising (not necessarily intuitive) and something that someone else might disagree with.

Perhaps it wasn't wise to chew and swallow a handful of sand the day I was given my first sandbox, but it seemed like a good idea at the time. ( Meagan Spooner '07 for Hamilton College )

The best part of this hilarious sentence is that even in retrospect, eating a handful of sand is only possibly an unwise idea—a qualifier achieved through that great "perhaps." So does that mean it was wise in at least some way to eat the sand? The reader wants to know more.

All happy families are alike; each unhappy family is unhappy in its own way. (Leo Tolstoy, Anna Karenina )

This immediately sets readers to mentally flip through every unhappy family they've ever known to double-check the narrator's assertion. Did he draw the right conclusion here? How did he come to this realization? The implication that he will tell us all about some dysfunctional drama also has a rubbernecking draw.

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How to Write a Pivot Sentence in Your College Essay

This is the place in your essay where you go from small to big—from the life experience you describe in detail to the bigger point this experience illustrates about your world and yourself.

Typically, the pivot sentence will come at the end of your introductory section, about halfway through the essay. I say sentence, but this section could be more than one sentence (though ideally no longer than two or three).

So how do you make the turn? Usually you indicate in your pivot sentence itself that you are moving from one part of the essay to another. This is called signposting, and it's a great way to keep readers updated on where they are in the flow of the essay and your argument.

Here are three ways to do this, with real-life examples from college essays published by colleges.

Pivot Idea 1: Expand the Time Frame

In this pivot, you gesture out from the specific experience you describe to the overarching realization you had during it. Think of helper phrases such as "that was the moment I realized" and "never again would I."

Suddenly, two things simultaneously clicked. One was the lock on the door. (I actually succeeded in springing it.) The other was the realization that I'd been in this type of situation before. In fact, I'd been born into this type of situation. ( Stephen '19 for Johns Hopkins University )

This is a pretty great pivot, neatly connecting the story Stephen's been telling (about having to break into a car on a volunteering trip) and his general reliance on his own resourcefulness and ability to roll with whatever life throws at him. It's a double bonus that he accomplishes the pivot with a play on the word "click," which here means both the literal clicking of the car door latch and the figurative clicking his brain does. Note also how the pivot crystallizes the moment of epiphany through the word "suddenly," which implies instant insight.

But in that moment I realized that the self-deprecating jokes were there for a reason. When attempting to climb the mountain of comedic success, I didn't just fall and then continue on my journey, but I fell so many times that I befriended the ground and realized that the middle of the metaphorical mountain made for a better campsite. Not because I had let my failures get the best of me, but because I had learned to make the best of my failures. (Rachel Schwartzbaum '19 for Connecticut College)

This pivot similarly focuses on a "that moment" of illuminated clarity. In this case, it broadens Rachel's experience of stage fright before her standup comedy sets to the way she has more generally not allowed failures to stop her progress—and has instead been able to use them as learning experiences. Not only does she describe her humor as "self-deprecating," but she also demonstrates what she means with that great "befriended the ground" line.

It was on this first educational assignment that I realized how much could be accomplished through an animal education program—more, in some cases, than the aggregate efforts of all of the rehabilitators. I found that I had been naive in my assumption that most people knew as much about wildlife as I did, and that they shared my respect for animals. ( J.P. Maloney '07 for Hamilton College )

This is another classically constructed pivot, as J.P. segues from his negative expectations about using a rehabilitated wild owl as an educational animal to his understanding of how much this kind of education could contribute to forming future environmentalists and nature lovers. The widening of scope happens at once as we go from a highly specific "first educational assignment" to the more general realization that "much" could be accomplished through these kinds of programs.

Pivot Idea 2: Link the Described Experience With Others

In this pivot, you draw a parallel between the life event that you've been describing in your very short story and other events that were similar in some significant way. Helpful phrases include "now I see how x is really just one of the many x 's I have faced," "in a way, x is a good example of the x -like situations I see daily," and "and from then on every time I ..."

This state of discovery is something I strive for on a daily basis. My goal is to make all the ideas in my mind fit together like the gears of a Swiss watch. Whether it's learning a new concept in linear algebra, talking to someone about a programming problem, or simply zoning out while I read, there is always some part of my day that pushes me towards this place of cohesion: an idea that binds together some set of the unsolved mysteries in my mind. ( Aubrey Anderson '19 for Tufts University )

After cataloging and detailing the many interesting thoughts that flow through her brain in a specific hour, Aubrey uses the pivot to explain that this is what every waking hour is like for her "on a daily basis." She loves learning different things and finds a variety of fields fascinating. And her pivot lets us know that her example is a demonstration of how her mind works generally.

This was the first time I've been to New Mexico since he died. Our return brought so much back for me. I remembered all the times we'd visited when I was younger, certain events highlighted by the things we did: Dad haggling with the jewelry sellers, his minute examination of pots at a trading post, the affection he had for chilies. I was scared that my love for the place would be tainted by his death, diminished without him there as my guide. That fear was part of what kept my mother and me away for so long. Once there, though, I was relieved to realize that Albuquerque still brings me closer to my father. ( Essay #1 from Carleton College's sample essays )

In this pivot, one very painful experience of visiting a place filled with sorrowful memories is used as a way to think about "all the other times" the author had been to New Mexico. The previously described trip after the father's death pivots into a sense of the continuity of memory. Even though he is no longer there to "guide," the author's love for the place itself remains.

Pivot Idea 3: Extract and Underline a Trait or Value

In this type of pivot, you use the experience you've described to demonstrate its importance in developing or zooming in on one key attribute. Here are some ways to think about making this transition: "I could not have done it without characteristic y , which has helped me through many other difficult moments," or "this is how I came to appreciate the importance of value z, both in myself and in those around me."

My true reward of having Stanley is that he opened the door to the world of botany. I would never have invested so much time learning about the molecular structure or chemical balance of plants if not for taking care of him. ( Michaela '19 for Johns Hopkins University )

In this tongue-in-cheek essay in which Michaela writes about Stanley, a beloved cactus, as if "he" has human qualities and is her child, the pivot explains what makes this plant so meaningful to its owner. Without having to "take care of him," Michaela "would never have invested so much time learning" about plant biology. She has a deep affinity for the natural sciences and attributes her interest at least partly to her cactus.

By leaving me free to make mistakes and chase wild dreams, my father was always able to help ground me back in reality. Personal responsibilities, priorities and commitments are all values that are etched into my mind, just as they are within my father's. ( Olivia Rabbitt '16 for Connecticut College )

In Olivia's essay about her father's role in her life, the pivot discusses his importance by explaining his deep impact on her values. Olivia has spent the story part of her essay describing her father's background and their relationship. Now, she is free to show how without his influence, she would not be so strongly committed to "personal responsibilities, priorities and commitments."

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College Essay Introduction Examples

We've collected many examples of college essays published by colleges and offered a breakdown of how several of them are put together . Now, let's check out a couple of examples of actual college essay beginnings to show you how and why they work.

Sample Intro 1

A blue seventh place athletic ribbon hangs from my mantel. Every day, as I walk into my living room, the award mockingly congratulates me as I smile. Ironically, the blue seventh place ribbon resembles the first place ribbon in color; so, if I just cover up the tip of the seven, I may convince myself that I championed the fourth heat. But, I never dare to wipe away the memory of my seventh place swim; I need that daily reminder of my imperfection. I need that seventh place.

Two years ago, I joined the no-cut swim team. That winter, my coach unexpectedly assigned me to swim the 500 freestyle. After stressing for hours about swimming 20 laps in a competition, I mounted the blocks, took my mark, and swam. Around lap 14, I looked around at the other lanes and did not see anyone. "I must be winning!" I thought to myself. However, as I finally completed my race and lifted my arms up in victory to the eager applause of the fans, I looked up at the score board. I had finished my race in last place. In fact, I left the pool two minutes after the second-to-last competitor, who now stood with her friends, wearing all her clothes.

(From "The Unathletic Department" by Meghan '17 for Johns Hopkins University )

Why Intro Sample 1 Works

Here are some of the main reasons that this essay's introduction is super effective.

#1: It's Got a Great First Sentence

The sentence is short but still does some scene setting with the descriptive "blue" and the location "from my mantel." It introduces a funny element with "seventh place"—why would that bad of a showing even get a ribbon? It dangles information just out of reach, making the reader want to know more: what was this an award for? Why does this definitively non-winning ribbon hang in such a prominent place of pride?

#2: It Has Lots of Detail

In the intro, we get physical actions: "cover up the tip," "mounted the blocks," "looked around at the other lanes," "lifted my arms up," and "stood with her friends, wearing all her clothes." We also get words conveying emotion: "mockingly congratulates me as I smile," "unexpectedly assigned," and "stressing for hours." Finally, we get descriptive specificity in the precise word choice: "from my mantel" and "my living room" instead of simply "in my house," and "lap 14" instead of "toward the end of the race."

#3: It Explains the Stakes

Even though everyone can imagine the lap pool, not everyone knows exactly what the "500 freestyle" race is. Meghan elegantly explains the difficulty by describing herself freaking out over "swimming 20 laps in a competition," which helps us to picture the swimmer going back and forth many times.

#4: It Has Great Storytelling

We basically get a sports commentary play-by-play here. Even though we already know the conclusion—Meghan came in 7th—she still builds suspense by narrating the race from her point of view as she was swimming it. She's nervous for a while, and then she starts the race.

Close to the end, she starts to think everything is going well ("I looked around at the other lanes and did not see anyone. 'I must be winning!' I thought to myself."). Everything builds to an expected moment of great triumph ("I finally completed my race and lifted my arms up in victory to the eager applause of the fans") but ends in total defeat ("I had finished my race in last place").

Not only that, but the mildly clichéd sports hype is hilariously undercut by reality ("I left the pool two minutes after the second-to-last competitor, who now stood with her friends, wearing all her clothes").

#5: It Uses a Pivot Sentence

This essay uses the time expansion method of pivoting: "But, I never dare to wipe away the memory of my seventh place swim; I need that daily reminder of my imperfection. I need that seventh place." Coming last in the race was something that happened once, but the award is now an everyday experience of humility.

The rest of the essay explores what it means for Meghan to constantly see this reminder of failure and to transform it into a sense of acceptance of her imperfections. Notice also that in this essay, the pivot comes before the main story, helping us "hear" the narrative in the way she wants us to.

Sample Intro 2

"Biogeochemical. It's a word, I promise!" There are shrieks and shouts in protest and support. Unacceptable insults are thrown, degrees and qualifications are questioned, I think even a piece of my grandmother's famously flakey parantha whizzes past my ear. Everyone is too lazy to take out a dictionary (or even their phones) to look it up, so we just hash it out. And then, I am crowned the victor, a true success in the Merchant household. But it is fleeting, as the small, glossy, plastic tiles, perfectly connected to form my winning word, are snatched out from under me and thrown in a pile with all the disgraced, "unwinning" tiles as we mix for our next game of Bananagrams. It's a similar donnybrook, this time ending with my father arguing that it is okay to use "Rambo" as a word (it totally is not).

Words and communicating have always been of tremendous importance in my life: from silly games like Bananagrams and our road-trip favorite "word game," to stunted communication between opposing grandparents, each speaking a different Indian language; from trying to understand the cheesemonger behind the counter with a deep southern drawl (I just want some Camembert!), to shaping a script to make people laugh.

Words are moving and changing; they have influence and substance.

From an Essay by Shaan Merchant ‘19 for Tufts University

Why Intro Sample 2 Works

Let's take a look at what qualities make this essay's introduction particularly memorable.

With the first sentence, we are immediately thrust into the middle of the action —into an exciting part of an argument about whether "biogeochemical" is really a word. We're also immediately challenged. Is this a word? Have I ever heard it before? Does a scientific neologism count as a word?

#2: It Shows Rather Than Tells

Since the whole essay is going to be about words, it makes sense for Shaan to demonstrate his comfort with all different kinds of language:

  • Complex, elevated vocabulary, such as "biogeochemical" and "donnybrook"
  • Foreign words, such as "parantha" and "Camembert"
  • Colorful descriptive words, such as "shrieks and shouts," "famously flakey, "whizzes past," and "hash it out"
  • "Fake" words, such as "unwinning" and "Rambo"

What's great is that Shaan is able to seamlessly mix the different tones and registers these words imply, going from cerebral to funny and back again.

#3: It Uses a Pivot Sentence

This essay uses the value-extraction style of pivot: "Words and communicating have always been of tremendous importance in my life." After we see an experience linking Shaan's clear love of his family with an interest in word games, he clarifies that this is exactly what the essay will be about—using a very straightforward pivoting sentence.

#4: It Piles On Examples to Avoid Vagueness

The danger of this kind of pivot sentence is slipping into vague, uninformative statements, such as "I love words." To avoid making a generalization the tells us nothing, the essay builds a list of examples of times when Shaan saw the way that words connect people: games ("Bananagrams and our road-trip favorite ‘word game,'"), his mixed-language family ("grandparents, each speaking a different Indian language"), encounters with strangers ("from trying to understand the cheesemonger"), and finally the more active experience of performing ("shaping a script to make people laugh").

But the essay stops short of giving so many examples that the reader drowns. I'd say three to five examples is a good range—as long as they're all different kinds of the same thing.

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The Bottom Line: How to Start a College Essay

The college essay introduction should hook your reader and make her want to know more and read more.

Good personal statement introductions will contain the following features:

  • A killer first line
  • A detailed description of an experience from your life
  • A pivot to the bigger picture, in which you explain why and how this experience has shaped you, your point of view, and/or your values.

You don't have to write the introduction first, and you certainly don't have to write your first sentence first . Instead, start by developing your story by telling it out loud to a friend. You can then work on your first sentence and your pivot.

The first sentence should either be short, punchy, and carry some ambiguity or questions, or be a detailed and beautiful description setting an easily pictured scene. The pivot, on the other hand, should answer the question, "How does the story you've told connect to a larger truth or insight about you?"

What's Next?

Wondering what to make of the Common Application essay prompts? We have the complete list of this year's Common App prompts with explanations of what each is asking as well as a guide to picking the Common App prompt that's perfect for you .

Thinking of applying to the University of California system? Check out our detailed guide on how to approach their essay prompts and craft your ideal UC essay .

If you're in the middle of the essay-writing process, you'll want to see our suggestions on what essay pitfalls to avoid .

Working on the rest of your college application? Read what admissions officers wish applicants knew before applying .

Want to improve your SAT score by 160 points or your ACT score by 4 points?   We've written a guide for each test about the top 5 strategies you must be using to have a shot at improving your score. Download them for free now:

Anna scored in the 99th percentile on her SATs in high school, and went on to major in English at Princeton and to get her doctorate in English Literature at Columbia. She is passionate about improving student access to higher education.

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'Whack at Your Reader at Once': Eight Great Opening Lines

Examples of How to Begin an Essay

  • Writing Essays
  • Writing Research Papers
  • English Grammar
  • Ph.D., Rhetoric and English, University of Georgia
  • M.A., Modern English and American Literature, University of Leicester
  • B.A., English, State University of New York

In "The Writing of Essays" (1901), H.G. Wells offers some lively advice on how to begin an essay :

So long as you do not begin with a definition you may begin anyhow. An abrupt beginning is much admired, after the fashion of the clown's entry through the chemist's window. Then whack at your reader at once, hit him over the head with the sausages, brisk him up with the poker, bundle him into the wheelbarrow, and so carry him away with you before he knows where you are. You can do what you like with a reader then, if you only keep him nicely on the move. So long as you are happy your reader will be so too.

Good Opening Lines for Essays

In contrast to the leads seen in Hookers vs. Chasers: How Not to Begin an Essay , here are some opening lines that, in various ways, "whack" the reader at once and encourage us to read on.

  • I hadn't planned to wash the corpse. But sometimes you just get caught up in the moment. . . . (Reshma Memon Yaqub, "The Washing." The Washington Post Magazine , March 21, 2010)
  • The peregrine falcon was brought back from the brink of extinction by a ban on DDT, but also by a peregrine falcon mating hat invented by an ornithologist at Cornell University. . . . (David James Duncan, "Cherish This Ecstasy." The Sun , July 2008)
  • Unrequited love, as Lorenz Hart instructed us, is a bore, but then so are a great many other things: old friends gone somewhat dotty from whom it is too late to disengage, the important social-science-based book of the month, 95 percent of the items on the evening news, discussions about the Internet, arguments against the existence of God, people who overestimate their charm, all talk about wine, New York Times editorials, lengthy lists (like this one), and, not least, oneself. . . . (Joseph Epstein, "Duh, Bor-ing." Commentary , June 2011)
  • Before the 19th century, when dinosaur bones turned up they were taken as evidence of dragons, ogres, or giant victims of Noah's Flood. After two centuries of paleontological harvest, the evidence seems stranger than any fable, and continues to get stranger. . . . (John Updike, "Extreme Dinosaurs." National Geographic , December 2007)
  • During menopause, a woman can feel like the only way she can continue to exist for 10 more seconds inside her crawling, burning skin is to walk screaming into the sea--grandly, epically, and terrifyingly, like a 15-foot-tall Greek tragic figure wearing a giant, pop-eyed wooden mask. Or she may remain in the kitchen and begin hurling objects at her family: telephones, coffee cups, plates. . . . (Sandra Tsing Loh, "The Bitch Is Back." The Atlantic , October 2011)
  • There is a new cell-phone ring tone that can't be heard by most people over the age of twenty, according to an NPR report. The tone is derived from something called the Mosquito, a device invented by a Welsh security firm for the noble purpose of driving hooligans, yobs, scamps, ne'er-do-wells, scapegraces, ruffians, tosspots, and bravos away from places where grownups are attempting to ply an honest trade. . . . (Louis Menand, "Name That Tone." The New Yorker , June 26, 2006)
  • Only a sentence, casually placed as a footnote in the back of Justin Kaplan's thick 2003 biography of Walt Whitman, but it goes off like a little explosion: "Bram Stoker based the character of Dracula on Walt Whitman." . . . (Mark Doty, "Insatiable." Granta #117, 2011)
  • I have wonderful friends. In this last year, one took me to Istanbul. One gave me a box of hand-crafted chocolates. Fifteen of them held two rousing, pre-posthumous wakes for me. . . . (Dudley Clendinen, "The Good Short Life." The New York Times Sunday Review , July 9, 2011)

What Makes an Opening Line Effective

What these opening lines have in common is that all have been reprinted (with complete essays attached) in recent editions of The Best American Essays , an annual collection of crackling good reads culled from magazines, journals, and websites.

Unfortunately, not all the essays quite live up to the promise of their openings. And a few superb essays have rather pedestrian introductions . (One resorts to the formula, "In this essay, I want to explore . . ..") But all in all, if you're looking for some artful, thought-provoking, and occasionally humorous lessons in essay writing, open any volume of The Best American Essays .

  • Hookers vs. Chasers: How Not to Begin an Essay
  • How to Begin an Essay: 13 Engaging Strategies
  • Write an Attention-Grabbing Opening Sentence for an Essay
  • What Are the Different Types and Characteristics of Essays?
  • Examples of Great Introductory Paragraphs
  • A Guide to Using Quotations in Essays
  • The Difference Between an Article and an Essay
  • 50 Great Topics for a Process Analysis Essay
  • What Is a Compelling Introduction?
  • The Essay: History and Definition
  • Writers on Writing: The Art of Paragraphing
  • First-Person Point of View
  • The Title in Composition
  • Development in Composition: Building an Essay
  • Bad Essay Topics for College Admissions
  • What Is Colloquial Style or Language?

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Your chance of acceptance, your chancing factors, extracurriculars, how do i choose a strong opening sentence for my college essay.

I want to make sure my college essay starts off strong and grabs the reader's attention. How do I come up with a captivating opening sentence? Any tips or examples would be greatly appreciated!

Great question! A strong opening sentence is indeed crucial to grabbing the reader's attention and setting the stage for your college essay. To create an impactful opening sentence, consider beginning with a story, a question, or a statement that generates curiosity.

One strategy is to start with an anecdote that highlights an experience related to the subject you plan to discuss. By doing this, you'll immerse the reader in your narrative. For example:

'As I plunged into the icy water, I realized how important it was to push my boundaries and face my fears.'

Alternatively, you could open with a question to engage the reader and set the tone for the essay. For instance:

'What does it take to turn an ordinary meal into a culinary adventure?'

Another approach involves using a thought-provoking statement that piques the reader's interest:

'If I were ever asked to describe myself in one word, it wouldn't be one word at all: it'd be a mathematical constant.'

Remember to be authentic and creative with your opening sentence. Good luck with your college essay!

About CollegeVine’s Expert FAQ

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Narrative Essays

Narrative: The spoken or written account of connected events; a story

Narrative Introductions

The introduction of a narrative essay sets the scene for the story that follows. Interesting introductions—for any kind of writing—engage and draw readers in because they want to know more.

Since narratives tell a story and involve events, the introduction of a narrative quite often starts in the middle of the action in order to bring the reader into the story immediately, as shown in examples 1, 3, and 5 below. Other effective introductions briefly provide background for the point of the story—often the lesson learned—as in 4 below and the first example on the reverse side.

Below are some strategies for writing effective openings. Remember your introduction should be interesting and draw your reader in. It should make your audience want to read more. If it's a person , begin with a description of the person and then say why that person mattered. If it's an event , begin with the action or begin by reflecting back on why the event mattered, then go into the narrative.

  • "Potter...take off!" my coach yelled as I was cracking yet another joke during practice.
  • Why do such a small percentage of high school athletes play Division One sports?
  • It was a cold, rainy night, under the lights on the field. I lined up the ball on the penalty line under the wet grass. After glancing up at the tied score, I stared into the goalkeeper's eyes.
  • My heart pounds in my chest. My stomach full of nervous butterflies. I hear the crowd talking and names being cheered.
  • Slipping the red and white uniform over my head for the first time is a feeling I will never forget.
  • "No football." Those words rang in my head for hours as I thought about what a stupid decision I had made three nights before.
  • "SNAP!" I heard the startling sound of my left knee before I ever felt the pain.
  • According to the NCAA, there are over 400,000 student-athletes in the United States.

Narrative Story

  • Unified: Ensure all actions in your story develop a central idea or argument.
  • Interesting: Draw your readers into your scene(s), making them feel as if they're experiencing them first-hand.
  • Coherent: Indicate changes in time, location, and characters clearly (even if your story is not chronological).
  • Climactic: Include a moment (the climax) when your ending is revealed or the importance of events is made clear.
  • Remember the 5 W's : Who? What? When? Where? Why?
  • Write vividly : Include significant sensory information in the scene (sight, sound, touch, smell, taste) to make readers feel they are there
  • Develop " Thick Descriptions "

Clifford Geertz describes thick descriptions as accounts that include not only facts but also commentary and interpretation . The goal is to vividly describe an action or scene, often through the use of metaphors, analogies, and other forms of interpretation that can emote strong feelings and images in your readers' minds.

"The flatness of the Delta made the shack, the quarters, and the railroad tracks nearby seem like some tabletop model train set. Like many Mississippi shacks, this one looked as if no one had lived there since the birth of the blues. Four sunflowers leaned alongside a sagging porch. When the front door creaked open, cockroaches bigger than pecans scurried for cover [...] walls wept with mildew."

—from Bruce Watson's Freedom Summer

Narrative Checklist

  • Does the story have a clear and unifying idea? If not, what could that idea be?
  • If the story doesn't include a thesis sentence, is the unifying idea of the story clear without it?
  • Is the story unified, with all the details contributing to the central idea?
  • Is the story arranged chronologically? If not, is the organization of ideas and events still effective and clear?
  • Do the transitions show the movement from idea to idea and scene to scene?
  • Are there enough details?
  • Is there dialogue at important moments?
  • Is there a climax to the story—moment at which the action is resolved or a key idea is revealed?

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  21. Welcome to the Purdue Online Writing Lab

    Mission. The Purdue On-Campus Writing Lab and Purdue Online Writing Lab assist clients in their development as writers—no matter what their skill level—with on-campus consultations, online participation, and community engagement. The Purdue Writing Lab serves the Purdue, West Lafayette, campus and coordinates with local literacy initiatives.