good titles for autobiography

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50 Eye-Catching Autobiography Titles (+ How to Write Your Own)

POSTED ON Oct 12, 2023

Written by Shannon Clark

You’ve written your life story. 

You’ve laid your heart bare before the world

So, what’s the best title for your one-of-a-kind masterpiece?

“____________: An Autobiography”?

Seriously, unless you’re a household name, using “autobiography” as part of your title might not work in your favor, but not to worry. You don’t have to be famous to write an autobiography , but you do need a title that will grab a buyer's attention, so they know your book is worth a second look.

Don't like it?

The purpose of this article is to break down what makes a standout autobiography title and the process for creating your own. 

Need autobiography titles? Let's dive in!

The secret sauce for writing an amazing book title.

The process of creating an autobiography book title that gets noticed starts with a marketer's mindset.

Yes, it all boils down to strategic book positioning in the marketplace. Creativity is a big part of it, but that’s a small part of the bigger picture. After all, if your book doesn't get in front of the people who would be most likely to read it, you can't change lives with the content inside!

Unlike fiction books or other types of nonfiction books (e.g. business books or textbooks) where there’s a specific category or genre expectation, autobiographies play by their own set of rules—the more creative the better. 

How to think like a marketer when creating your title

If you are self-publishing your book, then you’re probably already aware that marketing is a key component of your book’s success, but what is marketing exactly? 

The American Marketing Association defines marketing as

Marketing is the activity, set of institutions, and processes for creating, communicating, delivering, and exchanging offerings that have value for customers, clients, partners, and society at large. 

When marketing your book, knowing how to write a good book title matters, because, along with your cover, it’s the first thing a potential buyer sees (reads) before making a buying decision. A casual search for “autobiography” on Amazon pulled up over 700,000 results. This doesn’t mean that every book belongs in the category, but it’s still a lot of books.

You might be asking how you get your book to rise to the top of search results.

Start with a great title. 

Here are some best practices:

• Make your title relevant – You can never go wrong with a title that reflects the theme of your book . This will clue buyers into what to expect. You can also go with a significant statement or quote drawn directly from your story. Clever titles also work, but try to stay away from the cheesy ones that confuse buyers.
• Appeal to your ideal audience’s needs – Every book is not for everyone. Target a specific reader type when creating your title. For example, meteorologist and television personality Ginger Zee titled her book Natural Disasters. This title works well for her because her book’s content is about the unpredictable “storms” of life she has faced and she also covers storms in her reporting. 
• Stay away from clickbait – Or anything that leads readers to believe your book is about one thing but it’s something else. This only frustrates readers and could potentially lead to bad reviews. 
• Use a primary keyword in your title if it fits – First Gen by Alejandra Campoverdi and Cooked by Jeff Henderson include keyword(s) that are relevant to buyer searches. 
• Invite the reader into your story – This can be done by asking a question like the autobiography title What Are You Doing Here? by Baroness Floella Benjamin. Or, create an image in their mind like The Ugly Cry by Danielle Henderson or The Last Black Unicorn by Tiffany Haddish. 

Hint: Keep it short. According to Amazon, “Customers are more likely to skim past long titles (over 60 characters). There are exceptions to the rules. You’ll see some in the list that follows.

Don’t forget about writing a subtitle for your book . They are optional but a great way to add a splash of flavor. 

50 eye-catching autobiography titles that inspire

After an exhaustive search in the autobiography categories of the top online book retailers, I selected 50 incredible autobiography titles as a starting point for creating an amazing title for your autobiography. Note: Memoir titles listed under the autobiography category are included in the list.

Autobiography titles about celebrities

• What Are You Doing Here? – Baronness Floella Benjamin
• Tis Herself – Maureen O’Hara
• F inding Me by Viola Davis
• Not That Fancy: Simple Lessons on Living, Loving, Eating, and Dusting Off Your Boots By Reba McEntire
• Live Wire: Long-Winded Short Stories by Kelly Ripa
• Thicker than Water by Kerry Washington
• We Were Dreamers by Simu Liu
• Enough Already: Learning to Love the Way I Am Today by Valerie Bertinelli
• Just as I am by Cicely Tyson
• A Promised Land by Barack Obama
• Making It So by Patrick Stewart
• Inside Out by Demi Moore
• In Pieces by Sally Field
• The Last Black Unicorn by Tiffany Haddish
• Boldly Go: Reflections on a Life of Awe and Wonder by William Shatner
• Troublemaker: Surviving Hollywood and Scientology by Leah Remini
• Look Out for the Little Guy! By Scott Lang
• I Can’t Make This Up: Life Lessons by Kevin Hart, Neil Strauss
• No Time Like the Future: An Optimist Considers Mortality by Michael J. Fox
• Scenes from My Life by Michael K. Williams
• The Way I Heard It by Mike Rowe
• I Came as a Shadow – John Thompson

Autobiography titles about authors

• I Know Why the Caged Bird Sings  by Maya Angelou
• Lit by Mary Karr

Autobiography titles about family

• The Glass Castle by Jeannette Walls
• Mott Street by Ava Chin
• The Girl in the Middle by Anais Granofsky
• All You Can Ever Know by Nicole Chung
• The Ugly Cry by Danielle Henderson

Autobiography titles about immigration, culture, and race

• Good Morning, Hope: A True Story of Refugee Twin Sisters and Their Triumph over War, Poverty, and Heartbreak by Argita Zalli, and Detina Zalli 
• Negroland by Margo Jefferson
• First Gen by Alejandra Campoverdi
• Between the World and Me by Ta-Nehisi Coates
• The Best We Could Do by Thi Bui
• Heart of Fire: An Immigrant Daughter’s Story – Mazie K. Hirono
• The Girl Who Smiled Beads by Clementine Wamariya, Elizabeth Weil

Autobiography titles about beating the odds

• Cooked by Jeff Henderson
• The Pale-Faced Lie by David Crow
• Thunder Dog: The True Story of a Blind Mann, His Guide Dog, and the Triumph of Trust by Michael Hingson and Susy Flory
• When the Tears Dry by Meredith Hawkins
• Reaching for the Moon by Katherine Johnson
• 80 Percent Luck, 20 Percent Skill: My Life as a WWII Navy Ferry Pilot by Ralph T. Alshouse

Autobiography titles about faith

• Like a River: Finding the Faith and Strength to Move Forward After Loss and Heartache by Granger Smith
• The Barn by David Hill
• All My Knotted-Up Life by Beth Moore

Autobiography titles about journalists, reporters, and media

• Natural Disaster: I Cover Them. I am One by Ginger Zee
• Going There by Katie Couric
• Rough Draft by Kati Tur
• The Long Loneliness by Dorothy Day

Use a free tool to generate your own autobiography title

You obviously can't use these published autobiography titles for your own book – but you can use our free book title generator to come up with suggestions that you could use.

It's really easy to use, and instantly gives you an unlimited amount of working titles – or even final titles – to use for your book!

1. Select nonfiction for the book’s genre in the drop-down menu

2. Fill in the details

For the next question, if you have a book description, type “yes” and add your description in the text box.

If you don’t have a description yet, answer “no” and fill out the questions. Eventually, you will need to write a book description , but this is often something our authors do after they complete their manuscript .

3. Click “generate”

That's it! Get ready for some unique autobiography book title suggestions. Remember, if you don't like the one that you see, you can continue to generate as many as you'd like.

Final thoughts

Your autobiography title can be the difference between someone scrolling past your book on Amazon or stopping to read a sample. Whatever title you choose, remember that it’s just as much about you as your reader. Make them want to read your story by giving them something unique that piques their interest. 

You can also look for inspiration in other genres. For example, some memoir book titles could also lend well to an autobiography – like What My Bones Know by Stephanie Foo. Intriguing, isn't it? Don't limit yourself!

Are you ready to take the next steps with your autobiography? We have a professional publishing team ready to guide you through the book development process. 

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39 spicy titles for my memoir or yours

Constructing the memoir of your life can be a truly grueling process. The most crucial element to consider, of course, is the enticing title. The stakes are incredibly high  — with the wrong label, your entire life could be inaccurately represented. For widespread applicability, I have laid out options for some niche lifestyles.

For the foodie:

• BuzzFeed, what kind of cheese am I?
• What to expect when you’re expecting a food baby
• DTF: Down to feast?
• I’m eating fries in my parked car
• I’m just here for the cake
• I almost just ate something healthy
• The art of consuming Domino’s pizza
• And then they gave me an oatmeal raisin cookie…
• Boba for the soul
• Coffee and carbs: A delicacy like no other
• How did I get food on my forehead, again?
• I put too much Kraft parmesan on my spaghetti
• Are you going to finish that?

For the risqué:

• I asked for a water cup and filled it with Coke
• “This is my face. I’m not mad”: The plight of RBF
• Nobody cares
• Is it better to roast or to toast?
• Sugar, spice and everything nice or sarcasm, Pepsi and everything sexy?
• Do I want bangs, or should we just talk about my feelings?
• Sorry, Mom.
• “I’m 29. I can finally play a high schooler on TV. Thank you, Jackson Stewart”: On starting my Disney career later in life
• I did a thing, and I’m not sorry
• Goal Digger
• I turned off my autocorrect, and I only journal in pen: A baddie’s guide to writing
• Trial and lots of error

For the hot mess:

• I never really know what’s going on
• I’m late, and I’m sweating
• Still in bed
• Call me again in 3-5 business days
• Sorry, I couldn’t hear you over my internal monologue
• “I think I just said the funniest thing ever”: The story of my delusional comedy career
• I haven’t changed my sheets in like a year.
• Floor-seat mentality with a nosebleed budget
• I wasn’t gonna cry in Starbucks though, yk?
• Do I look like an Android user?
• Rock my Crocs off
• “Sorry, my Uber is here”: A beginner’s guide to exiting swiftly from awkward situations
• Crap, I really need to finish my memoir

Okay, maybe these titles don’t reflect your life story in their simplicity, but hopefully they made you smile a bit.

For more stream of consciousness musings, contact Alanna Flores at alanna13 ‘at’ stanford.edu.

Alanna Flores '22 is a Managing Editor of The Grind. Contact her at alanna13 'at' stanford.edu.

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10 memoir title ideas and why they work so well

Sometimes, memoir titles come to you in a flash of inspiration, sometimes they need to be painfully extracted, one tortuous word after another. Sometimes, titles come before books. Sometimes, they only make themselves known to you after you’ve finished writing.

In this article, we’re going to review a range of memoir titles, and give you some prompts for coming up with memoir title ideas for your own books.

Good memoir titles should entice or intrigue the reader, evoke a sense or spirit of the book, and give readers a hint as to the tone of the story they’re going to read. A good memoir title can help sell a book, a bad one can sink it.

So how do you come up with a good memoir title for your book?

Good memoir titles come in many shapes and sizes

From snappy single-word memoir titles, to fragments of phrases, and snippets of conversation, there is no one-size-fits-all. There are occasional trends towards certain types of title – single-word titles ( Becoming, Arranged, Ghosted, Educated ) have been big, but the autobiography and memoir market has space for all kinds of titles. So don’t worry about trying to fit your title into a particular style.

To help you think up the best and most appropriate title for your memoir, here are some good memoir titles, grouped into types, drawn from books published in the last few years.

Single word memoir titles

There’s a trend for single word memoir titles, like Educated (Tara Westover), Toast (Nigel Slater), Redeemable (Erwin Jones), Stumped (Richard Harrison) and the most famous one-word memoir title of recent times, Becoming by Michelle Obama.

If you’re considering single word memoir titles, consider using active verbs like fighting, running, winning to give that sense of action and forward motion.

The ‘I told you I could eat a frog’ type memoir titles

Fragments of speech drawn from your manuscript can make for interesting titles.

One of my favourite examples of this approach is No One Round Here Reads Tolstoy (Mark Hodkinson). It’s a very elegant example of how a few carefully chosen words can really sum up the ethos, feel, and intentions of a whole book.

Why Be Happy When You Could Be Normal? by Jeanette Winterson is the question her mother asked her when she learnt that her daughter was a lesbian. Again, that one line of speech sums up so much about that book. Just like fiction, memoirs often hinge on a point of conflict, and that question provides conflict in spades.

The familiar expression (or variation on a familiar expression) memoir titles

A popular device is to take a well-worn expression or saying as inspiration. Often, these kinds of titles subvert our expectations.

Just Ignore Him by Alan Davies suggests how a seemingly innocuous phrase can have a darker subtext.

Must Try Harder by Paula McGuire takes that old remark, beloved of school teachers, and uses it as a springboard for a book about how she fought against mediocrity.

Puntastic memoir titles

Me:Moir (by Vic Reeves, born James Moir) could just be the best title for a memoir of all time.

Wishful Drinking by Carrie Fisher is a nice play on wishful thinking.

The confrontational title

A shocking or confrontational title will make potential readers notice your book.

I’m Glad My Mom Died by Jenette McCurdy is an arresting, confrontational, title that pulls no punches. The title leaves readers in no doubt that this is going to be an uncompromising memoir, and coupled with the cover image, a blackly comical one.

Positive and aspirational memoir titles

Many writers use their memoirs to show how they’ve overcome some trial or adversity, and in doing so, write with one eye on helping their readers. If you’re writing an unashamedly positive book, then you need an equally positive or aspirational title to go with it.

Some good examples:

Find A Way by Diana Nyad

Forward by Abby Wambach

Yes Please by Amy Poelher

And how about A Hope More Powerful Than the Sea: One Refugee’s Incredible Story of Love, Loss, and Survival  by Melissa Fleming. It’s a biography, not a memoir, but how beautiful is that title?

Intriguing memoir titles…

It’s hard to beat Hitler, Stalin, Mum and Dad by Daniel Finkelstein as a title that conjures up so many questions that you want to dip in and find out the answers straightaway.

Clickbait memoir titles

Stephen Moffatt, the writer of the BBCs Sherlock and Doctor Who talked about slutty episode titles that drew viewers in. It can be a good approach to memoirs too.

I’m going to nominate a book I worked on called Sex, Suicide and Serotonin (Debbie Hampton) in this category, for obvious reasons.

The defining moment

Some stories are all leading up to one event, or inspired by the ramification of an event. In those cases, it makes sense to use that event as the basis of your title. Some books that do that include:

Wave by Sonali Deraniyagala

When Breath Becomes Air by Paul Kalanithi

Play on the contrasts

You can sum up the whole expanse of your memoir’s emotional or topical range by bringing out the extremes in your title. The expression ‘rags to riches’ is the obvious example of that kind of thinking.

Some memoirs that play with contrasts in their title are:

A Tale of Love and Darkness by Amos Oz

Slow Days, Fast Company by Eve Babitz

Memoir titles: the suffix and sub-title

Very often memoir writers will add the explanatory suffix – a memoir – to make it clear what a reader is going to get.

As well as the suffix, some memoirists add a sub-title to give extra context and meaning to the title. If you’ve chosen a subtly engaging memoir title, then your sub-title can give a bit more context.

Let’s say you’re going to call your memoir, Drowning Not Waving , you could add in an explanatory sub-title: Reflections of a Frazzled Father !

Or perhaps you want to write a book about surviving a difficult childhood. You don’t want to write a conventional ‘misery memoir’ but your publisher thinks that being known as a misery memoir might make your book more marketable. You can use your sub-title to hit that part of the market without compromising your intentions. For example: Unbroken: Not Just Another Misery Memoir .

Love, Interrupted by Simon Thomas features the sub-title: Navigating Grief One Day at a Time . The job of the sub-title in this case is to give potential readers a sense of what the book is about. Anyone hoping for a memoir going into detail on his days on Blue Peter or as a Sky Sports presenter will appreciate straightaway that this is a very different kind of book.

Another benefit of the memoir sub-title is that it gives you some key words to play with, which is useful for anyone trying to promote and market a book.

Memoir title ideas often come late in into the writing process

If the perfect memoir title hasn’t come to you before or during the writing process, don’t panic.

It makes sense that it should be easier to think up a title after you’ve finished writing your manuscript. At the start of the process, you have the freedom of knowing your book can be anything. But that freedom can be more of a distraction. Generally, when you work out a structure and start to shape the book, you’ll impose limitations on it, which will help you see the core of the book more clearly. And the clearer your vision gets, the easier it will be to come up with interesting and appropriate memoir title ideas.  

You may also find that if you started out with an idea of what you wanted your memoir title to be, it doesn’t actually fit the book you’ve written. So don’t be afraid of abandoning a title if it doesn’t work for you anymore.

Some prompts to help you come up with more memoir title ideas

Some writers rely on ‘free writing’ – they start with a blank page and write whatever comes into their head when they think about their life story. If that doesn’t give them ready-made titles, it can spark ideas that lead to titles.

If you’re still struggling to come up with a good memoir title, here are a few more ideas:

• As you were writing, did any themes loom larger for you than others? Any turns of phrase that kept cropping up?
• What do people always say about you? Are there any particular words or phrases they use to describe you? Could one of those work as your title?
• Could you go with a comic contrast, e.g. Punctual (for somebody who is known for being late).
• Are there are any things that people have said to you – or about you – that have really inspired you, challenged you, infuriated you, or spurred you on?

Too many memoir title ideas?

If you end up with too many good ideas for your memoir title, test your title ideas out with your friends and family. Is there a consensus on which titles work better than others? Do you find that, as you suggest the ideas, you start to feel more passionate about one of them?

If you still can’t decide, do a mock up of your cover, with the different title options. Sometimes, seeing an idea on the page can really help clarify your thoughts.

And don’t forget to Google your preferred title, to make sure it’s not already out there. Having a book with the same title as one that’s already been published isn’t very helpful when it comes to publicising and promoting your book, and selling it.

Let’s write the memoir, then worry about what to call it!

If you’re confident you’ve got a life story you want to tell, I’m confident we’ll find the perfect memoir title for it. Get in touch via my contact form if you’re looking for a ghostwriter to write your memoir – and we’ll give it the title that fits.

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Hey there, looking to get started on your autobiography but stuck on what to call it? Don’t worry, we’ve got your back! Choosing the perfect name for your life story can be tough, but it’s also a fun and important decision. So, grab a cup of coffee and get ready to brainstorm some awesome autobiography name ideas!

Table of Contents

Choosing a memorable autobiography name, reflecting your personal journey in the title, incorporating key themes and milestones, using humor or wit to engage readers, seeking feedback and suggestions from others, in conclusion.

When it comes to choosing a memorable name for your autobiography, there are a few things to consider. The title of your life story should be captivating, intriguing, and reflective of the journey you’ve been through. It’s the first thing people will see when they come across your book, so it’s important to make it memorable.

One approach to creating an autobiography name is to brainstorm keywords or phrases that encapsulate the essence of your story. Think about the major themes, events, or turning points in your life, and try to distill them into a few impactful words. Consider using **metaphors or symbolism** to convey deeper meanings and emotions. It’s also helpful to evoke a sense of curiosity or mystery with the title, sparking interest in potential readers.

Another strategy is to draw inspiration from literature, poetry, or famous quotes that resonate with your life experiences. **Quoting a meaningful line** from a favorite book or poem can add a layer of depth and resonance to your autobiography title. Additionally, incorporating personal mottos or mantras that have guided you through life can lend authenticity and significance to the name of your book.

For **creativity and impact**, consider experimenting with wordplay, alliteration, or unconventional phrasing. A catchy, unique title can make your autobiography stand out and pique curiosity. Remember to also consider the marketability and resonance of the title, as it will play a major role in attracting potential readers. By taking the time to consider these factors, you can create a memorable autobiography name that truly captures the essence of your life story.

Are you ready to share your personal journey with the world? Choosing the perfect title for your autobiography is crucial in capturing the essence of your story. Your title should reflect the unique experiences, challenges, and triumphs that have shaped you into the person you are today. Here are some tips and ideas for creating an impactful and meaningful title that truly represents your personal journey:

### Tips for When brainstorming ideas for your autobiography title, consider the following tips to ensure it resonates with your readers:

– **Think about the central theme**: What is the main message or theme of your life story? Is it resilience, love, overcoming adversity, or personal growth? – **Use imagery**: Incorporate vivid imagery that reflects key moments or symbols from your life that have had a significant impact on your journey. – **Highlight your unique perspective**: What sets your story apart from others? Emphasize what makes your experiences and insights distinctive and valuable.

### Autobiography Title Ideas Here are some creative and inspiring title ideas to spark your imagination and help you craft the perfect name for your autobiography:

| Title Ideas | Description | |—————————-|————————————————–| | Unbreakable Spirit | A powerful and evocative title reflecting resilience and strength. | | From Struggle to Strength | Capture the essence of overcoming obstacles and personal growth. | | In My Own Words | Emphasize the personal and intimate nature of your story. | | The Road Less Traveled | Highlight the unique and unconventional path of your journey. |

Find a title that resonates with you and captures the heart of your personal narrative. Taking the time to reflect and choose the perfect name for your autobiography will ensure that your story is told in a compelling and authentic way.

When it comes to choosing a name for your autobiography, it’s important to incorporate key themes and milestones from your life. These elements help to tell your unique story and make your book memorable to readers. Whether you’re focusing on a specific event, a personal journey, or an overarching theme, the title of your autobiography should encapsulate the essence of your life story.

One approach to brainstorming autobiography name ideas is to reflect on significant milestones and themes in your life. Consider the following prompts to help spark inspiration for your autobiography title: – What are the defining moments or turning points in your life? – What themes or patterns have been recurring throughout your journey? – What unique experiences or challenges have shaped your perspective and identity?

By incorporating these key themes and milestones into your autobiography title, you can create a compelling and meaningful representation of your life story. Remember to choose a title that resonates with you and accurately captures the essence of your unique narrative. Embrace creativity and authenticity as you explore different autobiography name ideas that reflect the depth and richness of your personal journey.

When it comes to choosing a name for your autobiography, it’s essential to create a title that is engaging, memorable, and reflective of your personality and experiences. One way to capture readers’ attention is to use humor or wit in your autobiography title. Incorporating humor into the title can make it more relatable and appealing to a wider audience, while adding wit can add a clever and thought-provoking element.

Here are some ideas for autobiography names that use humor or wit to engage readers:

• “Laughing Through the Tears: My Life Story” – This title combines humor and emotion, drawing readers in with the promise of both lighthearted moments and poignant reflections.
• “The Chronicles of Awkwardness: A Memoir” – Using humor to acknowledge the inherent awkwardness of life can resonate with readers who can relate to the challenges and humorous moments that come with navigating through life.
• “Sarcastic and Sassy: My Journey to Self-Discovery” – This title employs wit and humor to convey a bold and confident narrative, appealing to readers who appreciate a sharp sense of humor.

Are you in the process of writing your autobiography and in need of a catchy and captivating name? Naming your autobiography is a crucial step in the publishing process. A well-thought-out title can pique the interest of potential readers and encapsulate the essence of your life story. If you’re currently brainstorming autobiography name ideas, we’re here to help.

can provide valuable insights and fresh perspectives that you may not have considered. It’s always beneficial to gather input from a diverse group of people to ensure that your autobiography name resonates with a wide audience. Whether you’re a first-time author or a seasoned writer, feedback from others can make a significant impact on the success of your book. Here are some suggestions for soliciting feedback and suggestions for your autobiography name:

– Reach out to friends, family, and colleagues who know you well – Join writing groups or forums and participate in discussions about autobiography titles – Utilize social media platforms to conduct polls and gather opinions from a broader audience – Attend book clubs or literary events to engage with avid readers and gather feedback By , you can gain valuable insights that will help you choose a compelling and memorable name for your autobiography. Your book deserves a title that truly captures the essence of your life story, and the input of others can help you achieve that goal. So, don’t be afraid to reach out and ask for feedback – the perfect autobiography name may be just a suggestion away.

Q: I’m struggling to come up with a catchy title for my autobiography. Any tips? A: Yes, think about the main theme or message of your autobiography and try to capture that in a few words.

Q: Can I use a quote as the title of my autobiography? A: Of course! A meaningful quote can make a great title for your autobiography and give it a personal touch.

Q: How long should my autobiography title be? A: It should be relatively short and punchy, ideally no more than a few words or a brief phrase.

Q: What if I can’t think of anything good? A: Don’t stress too much about it – sometimes a simple, straightforward title can be just as effective as a clever or creative one.

Q: Should I include my name in the title? A: It’s up to you! Including your name can make the autobiography feel more personal, but it’s not necessary.

Q: Can I ask friends and family for title ideas? A: Absolutely! Getting input from others can help you brainstorm and come up with something that truly resonates with you.

Q: Are there any common themes or phrases used in autobiography titles? A: Yes, many autobiographies use phrases like “My Story” or “Life and Times of [Name]” but feel free to get creative and come up with something unique to you.

So if you’re considering writing your own autobiography, choosing the perfect title is an important first step. Whether you decide to go with a catchy phrase or a meaningful quote, make sure it reflects the essence of your life story. Hopefully, the ideas we’ve shared here have sparked some inspiration for your own memoir title. Happy writing!

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How to Create Killer Autobiography Titles: Tips and Examples

Writing an autobiography can be a great journey of self-discovery and even a kind of therapy. But how do you boil down years of experiences and pages and pages of text into a single, captivating title that will draw in your reading audience and somehow seem to summarize the “plot” of your life? This question can be a deeply challenging one for many authors.. Let’s start by answering two questions.

Q: Why is it so important to take the time to come up with interesting autobiographical titles?

A: The answer is simple. A good title gives the reader an idea of what your story is about and prepares them for the journey. Dedicate time to coming up with a list of appealing titles, and see how well they seem to fit with the story that you’re trying to tell.

Q: Do you need to have a title before you start writing?

A: It’s up to you. Some writers prefer to create a title for their autobiographies well before penning the first pages of their first drafts. Having the title creates a framework for their writing.. But this isn’t everybody’s way of doing things. Many authors prefer to write and let the title emerge from the writing. In short, whether you start out with a title or pick one after you’ve written the last words on the last page is completely up to you.

If you think that now is the best time to think about autobiography title ideas, here’s some advice and helpful tips to help you choose the best one.

Develop Autobiography Ideas

This section will be helpful for those authors who are only at the beginning of the writing process. However, if you have already written something, answering these questions will still help you improve your writing and perhaps help you look at your draft with fresh eyes.

• Come up with the main theme . As you are going to share the story, it should have a core theme that will tie the scenes and memories from your life into a meaningful whole.
• Think about your future reader. Now you might consider your prospective audience. Perhaps you’ll want to consider the values and interests of that audience. Knowing your future readers could help you promote your book, define your style, find appropriate examples from your life, and help your writing to keep a consistent tone and focus.
• Define the reason. First of all, to find the core idea of your autobiography, ask yourself why you are writing an autobiography in the first place. What is it that you want people to know? 

So, WHY? Here are some autobiography topics to look at:

• Share an inspiring or unusual story that happened in your life.
• Promote your values, beliefs, and principles.
• Tell the story of your career path in a particular company or business you have worked for.
• Praise your parents, friends, beloved, or any other person that has significantly influenced your life.
• Spread valuable lessons that you have learned.
• Glorify God and tell your own story about your relationship with God.
• Show off your cultural background, traditions, and events that have influenced your cultural identity.
• Simply record your life story and understand its place in the universe.
• Relate your biggest mistake and how it influenced your life.

Grab Readers’ Attention with Catchy Autobiographical Titles

Let’s face the fact that the first thing your prospective reader will see is the book title and cover. That’s why it’s important to hook readers’ attention with something touching, intriguing, comical, or breathtaking. Here are some of the most engaging autobiographical topics that are more likely to be appreciated by readers.

Self-criticism . The power to draw conclusions and admit mistakes is a sign of a strong personality. Your reflections on your faults can  make for an attractive and spicy autobiographical title. Include this in your title to make it more appealing to the reader.

E.g. “Self-Made Man: One Woman’s Journey into Manhood and Back Again” by Norah Vincent 

Controversial notes. If you have done something that is unusual, that isn’t the norm for your community, or that is generally surprising and unique , it could also help you produce a fascinating title. 

E.g. “The Year of Living Biblically: One Man’s Humble Quest to Follow the Bible as Literally as Possible” by A.J. Jacobs 

Brief ideas. The more clever and direct the words you choose, the more appealing the title will be. Try to pack the main idea of your autobiography into one or two words.

E.g. “Born a Crime” by Trevor Noah, “Educated” by Tara Westover 

Evocative emotions . If your personality is unknown to the reader, you have a gap to fill. Add vivid descriptions and evocative mental images to immediately involve the reader in the journey you’re about to take them on.

E.g. “The Color of Water: A Black Man’s Tribute to His White Mother” by James McBride

Match Title for Autobiography about Yourself with Overall Tone

Let’s say you are writing a lighthearted and funny autobiography with a lot of humor and allegory. Then a humorous title will clearly signal to the reader what to expect. After all,the title and book cover are the first things the prospective reader sees.

A more serious or dramatic autobiography could do with a title  that’s a bit deeper or more profound in tone. Don’t mislead the reader, a cheerful title for a story about tragedy and obstacles will only disappoint the reader.

Types of Creative Autobiography Title: Ideas and Examples

You can get inspired by existing autobiography titles. Use an online bookstore such as Amazon to find autobiographies from other writers. Jot down the most interesting and appealing words and phrases. Think how you can base your own title on your findings.

Here are the most common types of autobiographies titles:

Word-emblem. It may be the main event or influential person in your story. Also, it may be a symbol, turning point, or something powerful.

Paradox . If your story is about opposing forces or events, you can turn it into a title.

Evocative words. How can you describe the main theme of your story in one to two words? You can add subtitles if you wish to add depth to the title.

Metaphorical/literal phrase. It may be a phrase from the text that characterizes the main idea of your autobiographical story.

Your name. This type is more common for historical personalities or celebrities who are well-known to the general public. But there is no prohibition on adding your name to autobiography titles. Just add a subtitle to provide more details about yourself for the reader and an eye-catching book cover for the best results.

Humor. If your story is about something positive and light-hearted or perhaps well-packed with self-deprecating jokes, why not go for a humorous title?

Try AI Title Generators to Get Autobiography Title Ideas

You can ask an AI chatbot like ChatGPT or Copy.ai to give you advice and sample topics to choose from. When you write a detailed description of what your autobiography is about, including the main theme and events you get the best results.

We recommend using artificial intelligence services with caution however. Use it as inspiration and as a source of ideas. Mix, rewrite, or develop something yourself from the titles offered.

Ask for Advice on Your Autobiographies Titles

Write down the greatest autobiography title ideas on a sheet of paper. Ask someone  close to you to take a look at it and give you their honest, detailed feedback. You can ask friends, relatives, coworkers, and other people you trust and whose opinions you value.

There are also a lot of literary forums, communities, and groups who are ready to help you with not only your title, but also to evaluate your autobiography draft. 

Reddit. Here are some popular subreddits for writers:

• r/logophilia
• r/writerchat
• r/selfpublish

Twitter. You can ask for advice in a topical Twitter feed like #WritingCommunity.

NaNoWriMo. It’s a great writer’s community of writers with more than 20 years of experience. This non-profit organization is free and has a lot of active members. You can visit their forum to ask for advice, get feedback, and much more.

Do’s and Don’ts to Create the Best Title for Autobiography about Yourself

• Stick to what it means for you. You can add vivid descriptions and even some fiction (but preferably be honest about it) to your autobiography, but you need to express what matters to you in the title.
• Ask your friends and family for advice. Write down the best title variants and share them with your close ones for feedback.
• Be patient. It may take a long time to come up with a really catchy autobiography title. Just leave yourself enough time to sith with your ideas if you’re not quite sure yet.
• Keep it short and concise. On the one hand, you can create a long title with a subtitle. But keep in mind that it should be easy to read and understand. That’s why you should aim for short and sweet.

Don’ts

• Use puns. Maybe, you have already found autobiographies that have puns in titles and even got inspired. Most of the time these titles don’t work well for the general public.
• Offensive humor. Funny titles are great, but try not to go too far. Carefully pick words so as not to denigrate parts of your potential audience, even if the funny words are really only referring to yourself.
• Use misleading titles. The autobiography title should give your reader a grasp of what to expect in the book (while leaving some room for the imagination).
• Include generic titles. Make an investigation and make sure that your title hasn’t already been taken by another book, movie, or other work.

Wrapping Up

We hope that you are now well-armed with these working tips to help you find your perfect autobiography title. Stay sincere, grab the reader’s attention, and focus on your experiences to make it shine. Don’t rush. When people dedicate time to coming up with their autobiographies titles they’re more likely to find something to attract their people’s attention and this can make the difference between an autobiography being read or passed up!. 

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Crafting Your Legacy: Compelling Memoir Title Ideas & Best Practices

Memoirs are powerful tools for preserving personal histories, sharing life lessons, and inspiring others through one’s unique experiences. Yet, before a reader even glimpses the first page, they are drawn in by one crucial element—the memoir’s title. Your title is the gateway to your story, the promise of the journey ahead, and a glimpse into the essence of your narrative.

In this blog post, we’ll explore the art of crafting compelling memoir titles and offer some best practices to guide you through the process. We’ll help you answer the question of how to make a good title for a story.

The Art of Crafting a Compelling Memoir Title Ideas

• Capture the Essence: Your memoir title ideas should encapsulate the heart of your story. Think about the central themes, emotions, or lessons you want to convey. Consider what makes your story unique and strive to distill that essence into a few well-chosen words.
• Embrace Emotion: Great memoirs are emotionally resonant. When thinking about good memoir titles, your book title should reflect the emotional journey of your narrative. Whether it’s joy, resilience, heartbreak, or redemption, convey the predominant emotion in your memoir through your title.
• Keep It Concise: A concise title is easier to remember and more visually appealing. Aim for brevity while still conveying the essence of your story. A long, convoluted title can be off-putting and may not stick in a reader’s mind.
• Evoke Curiosity: A compelling memoir title should pique the reader’s curiosity. It should leave them with questions, enticing them to delve deeper into your story. Consider posing a question or using an intriguing phrase that demands exploration.
• Use Metaphor and Symbolism: Metaphors and symbolism can add depth and layers to your title. They can hint at the underlying themes or events in your memoir, providing readers with a richer understanding of your story.
• Consider Wordplay: Wordplay, like alliteration or puns, can make your title more memorable and fun. However, be cautious not to overdo it, as it can detract from the seriousness of your memoir’s content.
• Seek Feedback: Don’t hesitate to seek feedback from friends, family, or writing peers. Their perspectives can provide valuable insights and help you refine your title. Who knows, maybe one of your family or friends will suggest good memory book title ideas!

At StorySavor, we understand that choosing the perfect title for your life story can be a challenging but rewarding process. How to title your story is a question that resonates deeply with us, and we’re here to guide you through it. Your life is a tapestry of experiences, emotions, and moments that deserve a title that does justice to the richness of your narrative. When it comes to how to title your story, we believe in capturing the essence of your journey, inspiring curiosity, and leaving a lasting imprint on your readers’ hearts.

Memoir Title Ideas for Inspiration

If you’re looking for creative autobiography title ideas, we’ve included a list of good book titles and what makes them so effective!

• Unbroken Bonds: A Memoir of Family and Forgiveness: This title suggests themes of family dynamics and the healing power of forgiveness.
• Chasing Shadows: A Journey through Grief and Redemption: Evoking imagery of pursuit and transformation, this title hints at a story of loss and personal growth.
• Notes from the Wild: A Woman’s Solo Adventure: This title combines intrigue with empowerment, promising an adventurous memoir.
• Threads of Resilience: Stitching Life’s Challenges into Triumph: Metaphorical and empowering, this title suggests a story of resilience and overcoming adversity.
• Echoes of Yesterday: A Memoir of Love and Loss: This title invokes nostalgia and the passage of time, hinting at a poignant tale of love and its inevitable trials.
• Beyond the Horizon: Navigating Life’s Uncharted Waters: A title that suggests a journey into the unknown and the pursuit of personal growth and discovery.
• From Broken to Whole: A Journey of Self-Discovery: This title communicates transformation and self-acceptance, promising a powerful memoir of personal growth.

Hopefully some of these creative autobiography title ideas were able to demonstrate clever ways to incorporate your story and theme into the book’s title.

Best Practices for Crafting an Effective Memoir Title Ideas

Selecting the perfect titles for a book about your life is a deeply personal and meaningful endeavor. It’s a chance to encapsulate the essence of your unique journey in just a few words, to offer readers a glimpse into your world. Your life’s story deserves a title that not only reflects its most pivotal moments but also resonates with the emotions, lessons, and experiences that have shaped you.

Here are some best practices to follow:

• Research Existing Titles: Before finalizing your title, research existing memoir titles to ensure yours stands out and isn’t too similar to others. You want your memoir to be distinctive.
• Test Your Title: Share your title with a select group of people and gather feedback. Ask them what emotions or themes the title evokes and whether it piques their interest.
• Consider SEO: If you plan to market your memoir online, consider search engine optimization (SEO). Ensure that your title contains relevant keywords that potential readers might search for. Good memoir titles are more than just catchy, they can also drive internet traffic!
• Stay True to Your Story: While it’s important to craft a compelling title, it should also authentically represent your memoir. Avoid sensationalism or exaggeration that misrepresents your narrative.
• Stay Open to Change: Don’t be afraid to revisit and revise your title as you progress in your writing. Sometimes, the perfect title reveals itself as your memoir evolves.
• Seek Professional Guidance: If you’re struggling to come up with a title or want expert assistance, consider consulting a professional editor or a biography writing services company experienced in crafting compelling memoir titles.

Captivating Cover Photos and Memorable Memoir Title Ideas: A Winning Combination

When it comes to crafting a compelling biography, one often-underestimated aspect is how to design a good book cover. A well-designed book cover serves as the initial point of contact between your story and potential readers, making it crucial to get it right. So, how to design a good book cover? First, consider the essence of the biography and its central themes. This understanding will help you choose colors, imagery, and fonts that resonate with the narrative. Second, strive for visual simplicity and clarity, ensuring that the cover conveys the book’s message at a glance. A good book cover should be both eye-catching and informative. Lastly, invest in a skilled designer who can bring your vision to life, as professional design expertise can make all the difference in creating a book cover that not only grabs attention but also communicates the essence of your biography effectively. In the world of biography writing, knowing how to design a good book cover is the gateway to capturing the interest of your target audience and inviting them to explore the fascinating life story within.

They say, “Don’t judge a book by its cover,” but when it comes to memoirs, the cover is often your first chance to make an unforgettable impression. In the world of biography writing, we understand the immense power that a compelling cover photo, coupled with a well-chosen memoir title, can have in getting people interested in reading your book. Let’s explore how this dynamic duo can work wonders for your memoir and give you some book cover inspo!

• The Visual Hook: Humans are inherently visual creatures. Our eyes are naturally drawn to striking and intriguing images. Your memoir’s cover photo is your visual hook, the image that can stop someone in their tracks and make them want to explore your story further. Whether it’s a captivating portrait of the author, a symbolic image, or a scene from your life, the cover photo sets the stage for the narrative within. You can even flip through old picture books for some book cover inspo – select the images that capture you the second you see them!
• Emotional Resonance: Crafting great memoir book cover ideas is all about evoking emotions and connecting with readers on a personal level. Your memoir’s title may hint at the emotions within, but the cover photo amplifies this effect. It can convey the essence of your story, the era in which it’s set, or the central theme, instantly resonating with potential readers on an emotional level.
• Storytelling in a Snapshot: Your memoir title may capture the essence of your story in words, but the cover photo accomplishes this in a single image. It’s a visual representation of your narrative that provides a sneak peek into the world readers will step into when they open your book. It’s like a snapshot of your life’s most compelling moments, inviting readers to explore the full album within.
• Intrigue and Curiosity: Just as a compelling memoir title sparks curiosity, so does a thought-provoking cover photo. It leaves readers with questions, encouraging them to open the book and uncover the answers. When these two elements work in harmony, you create an irresistible curiosity gap that draws readers in. Following this step alone sets a good memoir book cover idea from a bad one!
• Branding and Recognition: A memorable cover photo and memoir title can become part of your personal brand as an author. Think of iconic memoirs like “The Diary of Anne Frank” with its diary cover or “Steve Jobs” with a simple but powerful black-and-white portrait. These images have become synonymous with the stories they tell and the authors who wrote them.
• Online Visibility: In today’s digital age, your memoir will likely be discovered online. A captivating cover photo paired with a memorable memoir title can make your book stand out in online searches, social media posts, and e-bookstores. It’s the combination that ensures your memoir gets noticed in a crowded virtual marketplace.
• A Lasting Impression: Ultimately, the goal of your memoir is to leave a lasting impression on your readers. When they see your book on a shelf or a website, you want them to remember it, to be drawn to it, and to feel compelled to read it. A compelling cover photo and a good memoir title can achieve just that.

In conclusion, crafting a compelling memoir title is an art form that requires thought, creativity, and a deep understanding of your own story. It is your first opportunity to connect with readers, offering them a glimpse into the profound and transformative journey you are about to take them on. By following the best practices and seeking inspiration from successful titles, you can ensure that your memoir title not only grabs attention but also resonates with the core of your narrative, leaving a lasting impact on your readers’ hearts and minds.

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Memoir Revolution

Tell your story – change the world.

How to Pick the Best Title for Your Memoir

by Jerry Waxler

Read Memoir Revolution to learn why now is the perfect time to write your memoir.

When you write your memoir, you turn great swatches of your life into prose. You search for a narrative arc, psychological insights and dramatic tension in paragraph after paragraph, and page after page. But when you write a title, you must think like a poet, condensing the entire journey into a few words. To ensure your title has the maximum impact, microscope in on the phrase, searching for just the right meanings, hopefully spiced with a hint of ambiguity or mysterious depth.

Authors stare at the sky of their minds, hoping some pattern will jump out at them. But before making a decision, consider all the work a title has to do. A great title helps potential readers buy the book, love it to the last page and then recommend it to friends. To learn more, look at your own buying, reading, and recommending behavior to see the effect other titles have had on you.

The Title Is the First Line of Marketing

If a book’s title tickles my interest, I move to the next step. I look at the blurb or description and read reviews online. If still curious, I look up the author’s home page, blogs and social media. However, I continue to rely on the title as the centerpiece for all this interest.

Many factors play in my mind when I glance at a title. Is it fun? Is it somber? Is it cryptic? Sonia Marsh states in an interview about her memoir Freeways to Flipflops , readers want to go on an interesting journey. She believed that if her title had highlighted her son’s emotional problems, readers might have anticipated a bummer. Who wants to pay for that? By selecting a title with a more interesting visual image, Sonia Marsh made it easier to love the book.

Sometimes the title slows down my purchasing decision. Reading Lolita In Tehran by Azar Nafisi is a good example. Years ago I read Vladimir Nabakov’s book, Lolita , about a creepy man who coerced a little girl into sex. I had no interest in pursuing this topic, so despite repeated recommendations, I rejected the memoir.

The Title Guides You Through the Journey

Reading a book is like entering a contract with the author, and the terms of that contract are summarized in the terse few words of the title. Every time a reader sits down to read, the title goes through their mind, evoking an image that pulls them back into the story.

Just as the name of the “Big Dipper” helps stargazers imagine the shape of disconnected points of light, an effective title helps readers link together clues into the shape of a story that hangs together along a central premise.

For example, when I read Seven Wheelchairs by Gary Presley about life after polio, every time I picked it up, my throat constricted, remembering that we would resume the search for meaning in a life on wheels.

I knew The Man Who Couldn’t Eat by Jon Reiner would be about a man who had to stop eating in order to survive an attack of Crohn’s disease. Through his year of physical and emotional agony, the absence of food continued to play a central role.

Queen of the Road by Doreen Orion was about a married middle-aged couple who took a year off to travel around the United States in an RV. That title evoked a hint of playful irony, conjuring the image of a woman sitting on the “throne” of the passenger seat, ruler of all she surveyed.

Sometimes the subtitle serves this central purpose. Every time I picked up the memoir Anatolian Days and Nights: A Love Affair With Turkey by Joy Stocke and Angie Brenner, I accompanied the two authors on a love affair with a place, an unusual experience that is highlighted in the subtitle.

Sonia Marsh’s title Freeways to Flipflops provided a perfect link through the dynamics of the story. Every time I thought of the book, I visualized this urban family trying to make sense of life on the beach.

Write Pick a memoir off your shelf and think about what you thought before you read it, and what you thought after. Were you attracted by the title? Throughout the book, were you satisfied that the title steered you well?

The Title Lingers After Closing

After we close the book for the last time, we continue to associate the story with its title. So when you look for the best possible title, consider the image it will leave. The title should haunt readers, please them, and continue to evoke images. Ideally, the title should roll off the reader’s tongue when friends ask for a recommendation.

For example, Slash Coleman’s memoir Bohemian Love Diaries implies a series of passionate romances. The word Bohemian has delicious implications that remind me of my youthful dreams of returning to pre-war Europe, and of living life according to my own fantasy, not someone else’s rules.

Glass Castle by Jeannette Walls raises a haunting, image, somewhere between a child’s innocent hope for the future and an almost sinister reminder of her father’s mentally incompetent ability to fulfill those hopes.

Freeways to Flipflops leaves a perfect after-image. It’s easy to remember, evokes clean, strikingly compelling images of the crossing between two worlds. And it’s fun to remember the two metaphors. I want to tell friends about it partly because the title is so much fun.

When I finally picked up Azar Nafisi’s memoir, Reading Lolita in Tehran , I enjoyed a delicious weaving of life and literature. In addition, it provided a fascinating analogy between the way Humbert Humbert treated Lolita, as his “thing” and the way Islamists dehumanized the women of Iran as their “things.” Nafisi’s intense personal experience, coupled with the profound analogies she drew from literature helped me understand these powerful cultural dynamics. As a bonus, Nafisi’s love for literature took me so far into the mind of Vladimir Nabakov I feel like we have become good friends. I now recommend the book, but I completely empathize if you decide to pass. Click here to read my post on the memoir.

Ask the Story to Reveal its Own Title

If you don’t yet have a title for your own memoir, keep a list of whatever comes to mind, and meanwhile reserve your main focus on crafting your story. Perhaps the story itself will reveal a powerful title. With continued revision, the story becomes more real and accessible to your own mind. Every time you attempt to answer the question “what is your memoir about” you will find yourself inching closer and closer to a concept that satisfies your authentic intention as well as creating curiosity in potential readers.

Turn words over in your mind, and then try them out with friends and fellow writers. Eventually you will be able to explain the scope of your entire story in a catchy, meaningful phrase, a creative achievement that symbolizes to you and your future readers all the creative effort you have poured into turning your life into a story.

Writing Prompt Free-write a descriptions of the journey taken by the main character, or ask a good friend to ask you what the book is about and try to explain it. Vary these synopses, looking for the overall lesson of the book, or some powerful transition, or a metaphor that keeps coming to mind, or something about a main character, main desire, or something about the time and place. Use these brainstorming session to reveal the power in characters and situations. Each possible synopsis might provide you with just the right phrase or idea to act as the guide post for the life of the book. Will it entice a reader, guide them through the journey, and leave them with an image after they close it that they would want to share with a friend?

Sonia Marsh’s Home Page Freeways to Flipflops (Kindle Version)

Notes My own memoir titled Thinking My Way to the End of the World hints at the philosophical intensity with which I approached my Coming of Age. My self help book for writers “Four Elements for Writers” accurately described the contents, but it didn’t make sense until after you finished reading it. After revising it, I arrived at a new title “How to Become a Heroic Writer” to indicate the goal of reading it.

Sometimes the title appears from nowhere. Early in the design of my book about the surge of popular interest in memoirs, the title Memoir Revolution popped into my mind. It felt good to me and when I mentioned my working title to writers and even agents they said “Nice title.” So I kept it.

For brief descriptions and links to all the posts on Memory Writers Network, click here.

To order Memoir Revolution about the powerful trend to create, connect, and learn, see the Amazon page for eBook or Paperback .

8 thoughts on “ How to Pick the Best Title for Your Memoir ”

Another thought-provoking post Jerry. I remember when “Eat, Pray, Love” first came out, how people could not remember the title. It only made sense after reading the memoir. There are so many trends, for example, three-word titles, then one-word titles are popular.

Jerry, thanks for an informative and educational post. As I draft, I have a working title but already know it likely will not win the end of the day, I’m finished contest. You’ve cleared up a few mysteries for me.

My favorite title ever is Wild. When I first picked that book up off the local store’s shelf I had never heard of it, but the title and the photo of her shoe caught my attention and inspired my purchase. I only hope I can do the same one day with my title for my memoir. Meanwhile I have lots to worry about besides the title since I am a long way from completion.

Hi Sonia, Sherrey, and Lori, Thanks for your comments. The challenge for us entrepreneurial writers is that even though we have consumed books for years, we have rarely been involved in producing them. As a result many of the details of production zoom up on the horizon. “Hey, I have to learn that!” This is why in the new community-based publishing environment, we have to stick together, learn together, swap lessons and observations. This mass creativity makes writing a memoir so intriguing in so many different ways.

Jerry, What luck to happen upon your article and site. I’ve finished my memoir and have been looking for a title since I began writing it five years ago. All those I come with believe it or not– taken: Like, Something of Myself ( Kipling!), and A Woman’s Grasp (though by an unknown, she had climbed a mountain!) So, I’m always going back to square one. Now, with your comments, I have more of a strategy. Thank you. JMK

Congratulations Judith. What a wonderful achievement. Now to the next step. I love all the hard creative work that goes into writing a memoir and attempting with all one’s might to do it right! I’m glad you found some good ideas in my blog about how to proceed. Your dilemma is fascinating. I ought to write a post about what to do if your title sounds too much like another… someday. Just so you know, titles are not copyrighted, so legally you are free to reuse them. But of course you also want readers to think about YOUR book when they think of the title.

Best wishes, Jerry

I can’t get the thought out of my mind that I need to change the title of my book. Starting out I chose, Truth Dripping Red because it was the truth of Jesus Christ love for me as He shed his blood on Calvary that produced forgiveness and a host of other things that has helped me in daily life. Forgiveness is the core of my book…it’s the core of my life. This phrase stick with me daily, I do not have to feel love to give love because of Jesus love for me. Just reading this post helps me to realize I can change the title midway in book which is where I am on even at the end. What freedom that gives me because I am at a very hard part of the story that has caused much troubled thoughts to rise up in my mind. Thank you for the information and I am going to do as suggested, get back to writing and let the title set till it pops in my mind.

Writing a memoir is truly a journey, with a desire for the creative goal, and then all the obstacles that get in the way. On that long journey naturally we might learn and overcome. It is exciting to know how you have embraced this challenge and keep pushing through the obstacles. Thank you so much for letting me know my article helped you on that journey.

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Forever Young Autobiographies

Learn how to create life stories so unique memories live on for future generations

How to write a book title: Catchy headlines and good book titles

7 amazing secrets to writing book titles (PLUS catchy titles examples)

What are the first words your reader sees when they pick up your book?

The cover titles.

These headlines are short but powerful.

They entice and intrigue your reader to turn the page.

I have written thousands of headlines as a daily print newspaper print editor .

I know what sings and what falls flat.

Want to  write  no-stress, catchy headlines for an  autobiography  cover and chapters?

Keep reading for my favourite tips and tricks.

How to write a book title basics

A book cover includes: a lead headline (title), secondary headline (subhead) and often a book description (label).

The lead headline is one or a few words in large font to command attention.

The smaller second headline is longer and gives the lead context.

The third, if needed, describes the book: an autobiography, a memoir, a biography, a novel etc.

Inside, chapters take a title or number or both.

I like to include a chapter headline to engage the reader to keep going.

Related article – How to create a memorable autobiography cover

7 secret weapons

The following is not a definitive guide on how to write a book title but headline writing strategies I use the most.

These are my most favourite tactics.

Use them to write attention-grabbing cover and chapter titles or even start a story intro.

1. Play it straight

The play-it-straight title or headline is your ultimate fall back. 

You are not trying to be tricky or fancy.

Simply tell the story in a few words accurately.

Aim to include a noun (name) and a verb (action word).

For example  My Twenty-five Years in Provence  by Peter Mayle and  Child of the Holocaust  by Jack Kuper.

2. Rhyme time

Some people can do this exceptionally well. 

It helps to have a name to start with and work up.

I like to put these names or words into a rhyme search engine like  Rhymes.net .

It comes up with many rhyming words of various syllables.

This is definitely a headline trick you can have fun with!

A rhyme title example is  Not Quite Not White  by Sharmila Sen.

3. Play on words

This is my No. 1 strategy on how to write a book title.

Most cover and chapter titles can be jazzed up with a play on words.

Usually I look to play with a headline verb.

Often you can re-angle a saying to link to the person and story.

A great example is musician   Jimmy Barnes’s award-winning memoir  Working Class Boy .

This title is a play on the name of his song  Working Class Man .

Use the library or internet to find puns and sayings to play with.

Lately I’ve been using this  online cliche list .

Related article – Book review: Working Class Boy by Cold Chisel’s Jimmy Barnes

4. Use a name 

Names are an obvious choice for a life-story cover.

It is amazing how simple and effective this can be.

Often it is a no-brainer for a cover title.

A great example is  Johnathan Thurston: The Autobiography . 

Names personalise a story from the outset and are extremely relatable.

Related article –  Book review: Johnathan Thurston – The Autobiography, with James Phelps

5. Ask a question

Asking a question in a headline or title sparks instant reader interaction.

It demands participation.

Hopefully positive participation!

But beware questions can backfire.

This will happen if a question can be easily answered or dismissed by your reader.

Use sparingly for maximum power.

A good question example is biography  Do Oysters Get Bored?  by Rozanna Lilley.

Enormously effective but again, best in moderation.

Amazing for emotive and powerful stories.

Why re-invent the wheel: you already have your headline in your story.

The trick is to uncover it!

Make the quote the first headline.

It can be explained further with the second headline.

Quote example  When We Were Very Rich  by Isabel Donnollan.

Related article –  Case study: Surprise find inspires biography of a late mother

7. Intrigue

This can be created by using a combination of the above techniques.

Use one word or many.

Can be helpful to make reference to a book or chapter’s theme.

An example is Tara Westover’s memoir  Educated .

Also  Trouserless Under the News Desk  by Mike Higgins.

Related article – Book review: Educated by historian Tara Westover

Related article –  Case study: New memoir by Channel 7 news anchor and blood cancer survivor Mike Higgins

Final say on how to write a book title

There are many creative tactics for how to write a book title or super chapter title.

Next time you are scratching for a headline try: telling the story, using rhymes, playing with words, use a name, a question, a quote or create intrigue.

I’ve just finalised the cover of my  grandmother’s  autobiography.

Stay tuned for which headline strategies we used.

Happy writing!

The  first step  to write a life-story book doesn’t have to be daunting. Watch my FREE video training to quickly sketch out a chapter mud map and get writing!  Sign up here  or use the form below.

What are some of your favourite book titles or headlines? Or what ‘how to write a book title’ tactic are you going to try? I’d love to hear from you! Drop me an  email  or leave a reply in the comments section at the end of this article.

Get in touch

Got a question or idea for an article? You can let me know  here !

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Sign up  here  to get instant notifications when new material is published.

This article first appeared on the  website Forever Young Autobiographies.com .

Saturday, May 3, 2014

69 awesome and awful autobiography titles.

8 comments:

LOL: Hitch-22

Soulacoaster: The Diary of Me (R. Kelly) Brothas Be, Yo Like George, Ain't That Funkin' Kinda Hard on You?: A Memoir (George Clinton)

larger than life [eddie large]

Thanks for this list. It gave me the idea to create the best Autobiography Quotes. Keep up with the good work!

this helped me a lot with homework

Wow.great post.

lolol very punny !

What’s in a Name? 8 Helpful Tips for Finding the Best Title for Your Memoir

Home » Blog » What’s in a Name? 8 Helpful Tips for Finding the Best Title for Your Memoir

WHAT’S IN A NAME? 8 HELPFUL TIPS FOR FINDING THE BEST TITLE FOR YOUR MEMOIR

“A good title is the title of a successful book.” — Raymond Chandler

As the renowned American minister Frank Crane once said, “Next, in importance to books are their titles.”

Indeed, while a book’s content is its most significant attribute, a bad title can do a book a huge disservice. After all, readers judge books by both cover and title.

If an author wants their memoir to have a chance, they must first give it a good title.

But what makes a title “good”?

In this article, we will explore eight helpful tips for finding the best title for your memoir.

8 Helpful Tips for Finding the Best Title for Your Memoir

Tip #1: Keep it Simple

Frequently, authors feel tempted to incorporate outlandish titles for their books. The aim is to shock and awe would-be readers.

The rationale is to pique readers’ curiosity just enough to give their books a chance. However, this strategy can backfire quite easily.

Firstly, an extravagant title, especially for a memoir, may not convey the subject’s personality appropriately. Consequently, it may build an inaccurate image.

Secondly, over-the-top titles may not necessarily reflect the book’s content. Therefore, readers might misunderstand the memoir’s general message. As a result, readers may choose to pass on it.

Consider this example:

The Wild and Unforgettable Life of the One and Only John Doe.

The title above is certainly eye-catching. Nevertheless, it fails to express what the book represents. After all, would readers be truly interested in this character’s remarkable life?

As Leonardo DaVinci famously put it, “Simplicity is the ultimate sophistication.”

Opting for a title such as “ An Extraordinary Life Journey by John Doe ” better communicates an essential element: John Doe’s life was an extraordinary journey. As such, readers can expect to go on a journey as they read the book.

In the end, readers can expect to come away with a singular experience.

Tip #2: Focus on Tone

Often, titles miss the mark by not settling on the memoir’s tone . After all, memoirs can have a myriad of tones. Some are solemn; others are hopeful. Some memoirs are serious, while others are fun and playful. Therefore, the title must match the book’s tone.

Emerging from the Shadows: A Journey from Obscurity to Prominence.

What tone does this title convey?

Initially, one might assume the title signals an inspirational story. Hence, readers would assume the memoir is filled with stories about overcoming struggles.

However, if readers find a collection of disjointed anecdotes masquerading as humor, they may find the book disappointing at best.

Ideally, a memoir’s title must give the reader a good sense of the book’s overall tone. In the example above, perhaps a less serious title would serve the book best.

Consider this possibility:

How I Made It: My Journey to the Top of the Mountain.

In this version, the reader can glean an inspirational story. However, the title is less solemn and more lighthearted. Thus, the memoir’s contents would better match its title.

The renowned Israeli writer Etgar Keret summarizes this by stating, “I think tone gives birth to the story.”

Undoubtedly, giving a title the wrong tone does a major disservice to the project’s entire purpose.

Tip #3: Choose A One- or Two-Part Title

Most book titles nowadays consist of two parts. This practice is highly common in the nonfiction domain. Many authors believe it is necessary since it enables them to narrow down on the book’s precise contents.

As for memoirs, they are seemingly in the middle of the fiction and nonfiction domains. On the one hand, memoirs are factual. On the other, they are artwork. As a result, authors must ask themselves, “Is my book more art or more fact?” The answer to this question would reveal the way to go.

Memoirs scripted as novels should consider a one-part title. For instance:

A Memorable Walk Through Life.

In this one-part title, the author looks to communicate an artistic rendition of the subject’s life. As such, readers can expect facts wrapped up in colorful prose.

Now, consider this alternative:

Great Business Leaders: The Life of Jane Doe.

This two-part title indicates that Jane Doe was a great business leader. Therefore, readers can expect a more journalistic, matter-of-fact approach with this memoir. Indeed, this title resonates much more like a nonfiction title than a novel.

Like tone, a one- or two-part title must accurately reflect the book’s purpose. Serious works benefit more from a two-part title, whereas creative narratives do well with a unique one-part title.

Tip #4: Tell the Truth

Telling the truth pertains to accurately representing the book’s core message.

Unfortunately, some authors believe that using misleading titles will translate into more sales. Their rationale focuses on enticing readers. Once readers pick up a copy, the sale goes through, and the money is in the bank.

However, word gets around quickly. Consequently, misleading titles will kill book sales in a heartbeat.

Some authors also use salacious titles to drive public interest. The expectation that builds on such titles may initially drive sales. However, the book had better deliver on its title. Otherwise, the disappointment could leave the book dead in the water.

Consider this title:

The Secret Life of King John Doe: The Untold Tales.

A title this scandalous suggests a collection of titillating stories never heard before. As such, the book needs to deliver. Anything short of outrageous stories will miss the mark.

Additionally, a shortage of “untold” stories would certainly kill the book’s momentum.

Motivational speaker and bestselling author Larry Winget offers this insight:

“I write titles that are confrontational. I write titles that make people want to pick up a book and find out more about it. I write good books; I write great titles though.”

A “great” title on a “good” book may come up short. Ideally, authors should strive for a great title on a great book. That aim is possible when the title accurately represents the book’s contents.

Tip #5: Get to the Point

There is nothing more counterproductive than an ambiguous title.

An ambiguous title defeats a memoir’s purpose by confusing the reader. After all, an unclear title makes it hard for the reader to ascertain the book’s contents.

An Amazing Life Story.

The title above, while certainly poetic, does not tell the reader what the story contains. Consequently, the reader may not feel compelled to pick up a copy of the book.

In contrast, a well-crafted title would make it much easier for the reader’s curiosity to kick in.

Book publishing consultant Nancy Peske offers this succinct tidbit: “Think about word combinations that capture the heart and soul of your story.”

Indeed, the aim is to capture the memoir’s heart and soul. For that to happen, however, the writer must be clear on what that heart and soul are.

Memoir writers must understand the message they want to transmit. Often, this message gets lost in a sea of anecdotes. Thus, the title can serve as a guiding beacon for the writing process.

With the above example, a two-part title can help drill the point home. Consider this alternative:

An Amazing Life Story: Success in the Face of Disability.

This alternate title indicates the memoir’s message. The reader can expect to find an inspirational story of someone who overcame their disabilities to find success in life.

Tip #6: Do the Research

Inspiration can hit at any time. And a great title can suddenly appear when least expected.

However, there is one catch: The amazing title you just came up with may already be taken by someone else.

Undoubtedly, coming up with a great title is the first step in any great book. Nevertheless, it is crucial to do a cursory online search to determine if the title already exists.

In the worst cases, the title is already in use, or another very similar form of it. Therefore, there is a need to change the title to avoid copyright issues.

On top of that, there is another more compelling reason to check out memoir titles. Book publishers tend to frown upon book titles that are too similar to that of another already published book.  

When this happens, publishers are often quick to change the book’s title, especially if they like the content. This situation could lead to unwanted conflict between author and publisher.

Thus, it is best to do away with all the drama. Once again, Nancy Peske offers this insightful piece of advice: “Let’s say a quick Internet search reveals that no one has used your memoir title except perhaps for one article and certainly not for a book. That’s a good sign that you have or are close to having a terrific title for your memoir!”  

An original book title is crucial to a great memoir’s success.

Tip #7: Don’t Forget About Marketing

At its core, a title is a book’s first line of marketing . Naturally, a great title will drive sales. In contrast, a bad title may hold sales back. When sales are a primary objective, a great title is an essential tool.

Seasoned memoir veteran Jerry Wexler provides this highly useful reflection: “If a book’s title tickles my interest, I move to the next step. I look at the blub or description and read reviews online. If still curious, I look up the author’s home page, blogs, and social media. However, I continue to rely on the title as the centerpiece for all this interest.”

This reflection pinpoints the importance of a book’s title. Readers do not focus on reviews, comments, or even visit an author’s website unless the book title somehow appeals to them.

It should not come as a surprise to see interest dwindle due to a bad title. Of course, great reviews may rekindle interest. However, good comments may not be enough to overcome a bad title.

Great titles usually have a catchy component to them. That component often comes from somewhere in the book.

When authors struggle to come up with a title, they can resort to the text itself. It is quite common to find some phrase or line that encompasses the memoir’s spirit. As such, authors should not be afraid to borrow from their own ideas.

Tip #8: Create a Personal Connection

Undoubtedly, generic book titles will derail any momentum a book can generate.

A title such as The Life Story of Jane Doe is as bland as it gets.

Needless to say, titles such as these do little to forge a personal connection with the reader.

A personal connection should also emerge with the author.

After all, this is the author telling their story through their voice.

As a result, the title must materialize from within the author.

Jerry Wexler has this to say about the personal connection a memoir can create in the reader:

“After we close the book for the last time, we continue to associate the story with its title. So, when you look for the best possible title, consider the image it will leave. The title should haunt readers, please them, and continue to evoke images. Ideally, the title should roll off the reader’s tongue when friends ask for a recommendation.”

This savvy piece of advice encapsulates the purpose of a superb title. When a title creates a personal connection, it will “haunt” readers well after they have finished the book. In some cases, their connection may last a lifetime.

Something deeply personal such as Uphill Battle: How I Beat the Most Challenging Enemy of my Life has the potential to strike an extremely personal chord with readers. The outcome may well be a profound link between reader and author.

International bestselling author J.K. Rowling once said, “I do believe something very magical can happen when you read a good book.”

Of course, this quote goes beyond the obvious connection with the magical theme of her books. This quote underscores how significant a book can become in a person’s life.

All of that begins with a great title. A great title should not just be a piece of great marketing copy. It should also be a personal message the author wants to communicate to their readers.

A creative narrative should explore a unique one-part title. This title should encompass the very essence of the book’s message. By the same token, a more solemn memoir should consider a two-part title. The title would then provide enough material to entice the reader’s curiosity.

Ultimately, great titles boil down to sharing the author’s internal passion. With such efforts, the title can haunt the reader well after flipping through to the last page.

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2 thoughts on “ What’s in a Name? 8 Helpful Tips for Finding the Best Title for Your Memoir ”

I have been reading posts regarding this topic and this post is one of the most interesting and informative one I have read. Thank you for this!

Thanks, Charles! We are happy that our blog was helpful.

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How to Pick a Great Title and Cover Photo for Your Memoir

Your memoir is the story of your life, complete with all its twists, turns, ups, downs, surprises and triumphs. It’s an important book , both to you personally and to the friends and family who will read it in the years to come.

To celebrate the launch of the BookMaker - our unique in-house platform that we use to create all of our personalised biographies - we are opening up a free version of our questionnaire and book Cover Creator tool so that you can have make a start on putting your story together. 

That’s why it’s smart to spend some time thinking about the first things a reader will see when they pick up your book: the title and cover photo.

These two things together should sum up your story, while also inviting the reader to open the cover and dive into the narrative of your life. That’s no small job! So how can you go about selecting the perfect title and photograph to present your book to the world?

Whether your memoir is 5,000 words or 50,000, the title has to encapsulate it all. Here are some tips for making that happen:

Keep It Simple

It’s tempting to try to cram all the highlights from your memoir into your title. After all, you want to draw in your reader with all the most exciting parts of your story, right?

With a title, though, you should aim to capture the feel of your book without giving everything away. Keep your title relatively short, and focus it on a single concept or idea. StoryTerrace memoirs Reflections at 80, Born Different and Totally Driven are all great examples of titles that sum up a story without any risk of spoilers.

" When it comes to a title, the simplest and most obvious is always best, something that sums up the essence of your story and feels familiar to your loved ones. Much like the photo you choose for your front cover, the title will have often been with you throughout your life ...  " - StoryTerrace Editor Beth Williams

Match the Tone

What’s the tone of your memoir? Is your book about a life full of laughter, or is it about overcoming challenges? Will it make readers laugh or bring tears to their eyes?

The tone of your title should match the tone of your memoir, so that readers know what kind of journey they’re about to embark on. If your book is funny, make your title amusing too — but avoid a jokey title if your memoir is more serious or inspiring.

A Two-Parter?

You want your title to sound good, but you also want it to tell readers what to expect. Packing both into a short title can be a difficult task. So why not break your title in two?

Start with something punchy and short, then add a longer explanation. Patricia Coburn did this with her StoryTerrace memoir, Between Barbed Wire: Melodies of Survival & Songs of Forgiveness .

Find Inspiration

If you’re stuck for ideas, take a look at the titles of the books on your bookshelf. Which ones do you like the sound of? Jot them down and see if you can adapt them to fit your story.

Of course, when writing your memoirs with StoryTerrace, you don’t have to brainstorm alone! Ask your ghost writer to help you craft the perfect title.

Your Cover Image

Now that you’ve got your title, you need the perfect cover photo to accompany it. But how do you pick the right one from what might be hundreds of photographs on hand?

“ A great cover always starts with a meaningful photo. Often you will have loved and cherished this photo your whole life ...  ”

StoryTerrace Editor Beth Williams

Portrait or Landscape?

Most books are laid out in portrait rather than landscape; that is, they are typically taller than they are wide. Does this mean it’s always better to choose a portrait picture for the cover rather than a landscape one?

Yes and no. If you want your picture to occupy the entire cover, a portrait image is ideal, but landscape photographs can also be used. Designers can crop images, supplement them with other elements, or even wrap them around the entire cover.

So while it’s good to keep the orientation of your photo in mind, don’t worry too much if it’s not book-shaped. The most important thing is to make sure it’s evocative and high-quality.

A High-Quality Image

You want your chosen image to look great when reproduced in print. That means having a high resolution — a high number of pixels or Dots Per Inch (DPI). 600DPI is a good resolution to aim for.

That’s easy if you’re scanning in an old photograph  — just select a resolution of 600DPI or higher on your scanner. Some old digital photographs, on the other hand, might be too small or too low-resolution to look good on the cover of your book. These might be better off on one of the interior pages instead.

Action and Drama

Once you’ve narrowed down your selection to a few high-quality images. Great! Now you’ll want to pick one that is dramatic, interesting and lively.

If your cover image is a picture of you, you might consider choosing an image in which you’re laughing, or a picture taken on a particularly momentous day in your life. You might even select an old photo that evokes a feeling of happiness or nostalgia.

Particularly if looking through pictures of yourself, it can be difficult to “read” the mood of an image. Showing your shortlist of pictures to friends and family (or to your StoryTerrace ghost writer) can help you work out which one suits your memoir best.

Still stuck for ideas? Why not take a look at these inspirational covers , or take a look at your own bookshelf for some ideas of what looks good when it comes to a cover image.

Help Is at Hand

If your head is buzzing with ideas for great titles or cover photos for your memoir, great! But don’t worry if you’re still having trouble. You can bounce ideas off your StoryTerrace ghost writer or consult the design team at StoryTerrace for help with selecting an outstanding cover photo.

In fact, StoryTerrace is here to help you at every stage of the memoir-writing process. Our goal is to help you put your story into a book that you can be proud of — title and cover image included.

If you would like to make a start on your life story, you can create a free account on our BookMaker platform, to access our life story questionnaire and design your very own book cover - for free!

The link to sign up for free: www.storyterrace.com/free-questionnaire 

Are you thinking about writing your memoirs? Do you already have some ideas? Get in touch to arrange a chat with our friendly team to see how we can help. Or  join our mailing list for more expert guidance from our in-house team!

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The New York Times

Books | the 50 best memoirs of the past 50 years, the 50 best memoirs of the past 50 years.

By THE NEW YORK TIMES JUNE 26, 2019

The New York Times’s book critics select the most outstanding memoirs published since 1969.

Click the star icon to create and share your own list of favorites or books to read.

Fierce Attachments

Vivian gornick, farrar, straus & giroux, 1987.

“I remember only the women,” Vivian Gornick writes near the start of her memoir of growing up in the Bronx tenements in the 1940s, surrounded by the blunt, brawling, yearning women of the neighborhood, chief among them her indomitable mother. “I absorbed them as I would chloroform on a cloth laid against my face. It has taken me 30 years to understand how much of them I understood.”

When Gornick’s father died suddenly, she looked in the coffin for so long that she had to be pulled away. That fearlessness suffuses this book; she stares unflinchingly at all that is hidden, difficult, strange, unresolvable in herself and others — at loneliness, sexual malice and the devouring, claustral closeness of mothers and daughters. The book is propelled by Gornick’s attempts to extricate herself from the stifling sorrow of her home — first through sex and marriage, but later, and more reliably, through the life of the mind, the “glamorous company” of ideas. It’s a portrait of the artist as she finds a language — original, allergic to euphemism and therapeutic banalities — worthy of the women that raised her. — Parul Sehgal

I love this book — even during those moments when I want to scream at Gornick, which are the times when she becomes the hypercritical, constantly disappointed woman that her mother, through her words and example, taught the author to be. There’s a clarity to this memoir that’s so brilliant it's unsettling; Gornick finds a measure of freedom in her writing and her feminist activism, but even then, she and her mother can never let each other go. —  Jennifer Szalai

Gornick’s language is so fresh and so blunt; it’s a quintessentially American voice, and a beautiful one. The confidence of her tone in “Fierce Attachments” reminds me of the Saul Bellow who wrote, in the opening lines of “The Adventures of Augie March,” “I have taught myself, free-style, and will make the record in my own way.” — Dwight Garner

Buy this book

The Woman Warrior

Maxine hong kingston, alfred a. knopf, 1976.

This book is more than four decades old, but I can’t think of another memoir quite like it that has been published since. True stories, ghost stories, “talk stories” — Maxine Hong Kingston whirs them all together to produce something wild and astonishing that still asserts itself with a ruthless precision.

The American-born daughter of Chinese immigrants, Kingston navigates a bewildering journey between worlds, each one stifling yet perforated by inconsistencies. There’s the Chinese village of Kingston’s ancestors, where girls learn the song of the warrior woman while being told they are destined to become a wife and a slave. There’s the postwar California of her childhood, where she has to unlearn the “strong and bossy” voices of the Chinese women in her family in favor of an “American-feminine” whisper. There’s Mao’s revolution, which is supposed to upend the old feudal system that kept her female ancestors trapped in servitude (if they weren’t victims of infanticides as unwanted baby girls) but also imposes its own deadly cruelty, preventing her parents from returning home.

The narrative undulates, shifting between ghost world, real world and family lore. It can be deadpan and funny, too. The young Kingston resolves to become a lumberjack and a newspaper reporter. Both worthy ambitions, but I’m thankful she wrote this indelible memoir instead. — Jennifer Szalai

Alison Bechdel

Houghton mifflin harcourt, 2006.

Alison Bechdel’s beloved graphic novel is an elaborately layered account of life and artifice, family silence and revelation, springing from her father’s suicide. He was a distant man who devoted himself to the refurbishment of his sprawling Victorian home — and to a hidden erotic life involving young men. The title comes from the abbreviation of the family business — a funeral home — but it also refers to the dual funhouse portrait of father and daughter, of the author’s own queerness.

It’s a sexual and intellectual coming-of-age story that swims along literary lines, honoring the books that nourished Bechdel and her parents and seemed to speak for them: Kate Millet, Proust, Oscar Wilde, theory, poetry and literature. “Fun Home” joins that lineage, an original, mournful, intricate work of art. — Parul Sehgal

The Liars’ Club

Viking, 1995.

This incendiary memoir, about the author’s childhood in the 1960s in a small industrial town in Southeast Texas, was published in 1995 and helped start the modern memoir boom. The book deserves its reputation. You can almost say about Mary Karr’s agile prose what she says about herself at the age of 7: “I was small-boned and skinny, but more than able to make up for that with sheer meanness.”

As a girl, Karr was a serious settler of scores, willing to bite anyone who had wronged her or to climb a tree with a BB gun to take aim at an entire family. Her mother, who “fancied herself a kind of bohemian Scarlett O’Hara,” had a wild streak. She was married seven times, and was subject to psychotic episodes. Her father was an oil refinery worker, a brawling yet taciturn man who came most fully alive when telling tall stories, often in the back room of a bait shop, with a group of men called “The Liars’ Club.”

This is one of the best books ever written about growing up in America. Karr evokes the contours of her preadolescent mind — the fears, fights and petty jealousies — with extraordinary and often comic vividness. This memoir, packed with eccentrics, is beautifully eccentric in its own right. — Dwight Garner

For generations my ancestors had been strapping skillets onto their oxen and walking west. It turned out to be impossible for me to “run away” in the sense other American teenagers did. Any movement at all was taken for progress in my family.

—Mary Karr, “The Liar’s Club”

Christopher Hitchens

Twelve, 2010.

This high-spirited memoir traces the life and times of this inimitable public intellectual, who is much missed, from his childhood in Portsmouth, England, where his father was a navy man, through boarding school, his studies at Oxford and his subsequent career as a writer both in England and the United States.

Christopher Hitchens was a man of the left but unpredictable (and sometimes inscrutable) politically. “Hitch-22” demonstrates how seriously he took the things that really matter: social justice, learning, direct language, the free play of the mind, loyalty and holding public figures to high standards.

This is a vibrant book about friendships, and it will make you want to take your own more seriously. Hitchens recounts moments with friends that include Martin Amis, Salman Rushdie and the poet James Fenton. There is a lot of wit here, and bawdy wordplay, and accounts of long nights spent drinking and smoking. Hitchens decided to become a student of history and politics, he writes, after the Cuban missile crisis. “If politics could force its way into my life in such a vicious and chilling manner, I felt, then I had better find out a bit more about it.” He was a force to contend with from the time he was in short pants. “I was probably insufferable,” he concedes. — Dwight Garner

Read the critics discuss the process of putting together the list.

Men We Reaped

Jesmyn ward, bloomsbury, 2013.

“Men’s bodies litter my family history,” the novelist Jesmyn Ward writes in this torrential, sorrowing tribute to five young black men she knew, including her brother, who died in the span of four years, lost to suicide, drugs or accidents. These men were devoured by her hometown, DeLisle, Miss. — called Wolf Town by its first settlers — “pinioned beneath poverty and history and racism.”

Ward tells their stories with tenderness and reverence; they live again in these pages. Their fates twine with her own — her dislocation and anguish, and later, the complicated story of her own survival, and isolation, as she is recruited to elite all-white schools. She is a writer who has metabolized the Greeks and Faulkner — their themes course through her work — and the stories of the deaths of these men join larger national narratives about rural poverty and racism. But Ward never allows her subjects to become symbolic. This work of great grief and beauty renders them individual and irreplaceable. — Parul Sehgal

Random House, 1995

It’s Vidal, so you know the gossip will be abundant, and top shelf. Scores will be settled (with Anaïs Nin, Charlton Heston, Jacqueline Kennedy Onassis, his mother), conquests enumerated (Jack Kerouac), choice quips dispensed. “At least I have a style,” Truman Capote once sniped at him. “Of course you do,” Vidal responded soothingly. “You stole it from Carson McCullers.”

It was a rangy life — one that took him into the military, politics, Hollywood, Broadway — and he depicts it with the silky urbanity you expect. What comes as a shock is the book’s directness and deep feeling — its innocence.

It’s a love story, at the end of the day. Vidal had a lifelong companion but remained passionately compelled by a beautiful classmate, his first paramour, Jimmie, who died at 19, shot and bayoneted while sleeping in a foxhole on Iwo Jima. He is the phantom that has haunted Vidal’s long, eventful life. “Palimpsest” is a book full of revelations.

“By choice and luck, my life has been spent reading other people’s books and making sentences for my own,” Vidal writes. Our great luck, too. — Parul Sehgal

Giving Up the Ghost

Hilary mantel, a john macrae book/henry holt & company, 2003.

As a poor Catholic girl growing up in the north of England, Hilary Mantel was an exuberant child of improbable ambition, deciding early on that she was destined to become a knight errant and would change into a boy when she turned 4.

Her mesmerizing memoir reads like an attempt to recover the girl she once was, before others began to dictate her story for her. At the age of 7, looking about the garden, she saw an apparition, perhaps the Devil. She thought it was her fault, for allowing her greedy gaze to wander. Her stepfather was bullying, judgmental, condescending; anything Mantel did seemed to anger him. As a young woman, she started to get headaches, vision problems, pains that coursed through her body, bleeding that no longer confined itself to that time of the month. The doctors told her she was insane.

The ghost she is giving up in the title isn’t her life but that of the child she might have had but never will. Years of misdiagnoses culminated in the removal of her reproductive organs, barnacled by scar tissue caused by endometriosis. Her body changed from very thin to very fat. Mantel, perhaps best known for her novels “Wolf Hall” and “Bring Up the Bodies,” writes about all of this with a fine ear and a furious intelligence, as she resurrects phantoms who “shiver between the lines.” — Jennifer Szalai

I used to think that autobiography was a form of weakness, and perhaps I still do. But I also think that, if you’re weak, it’s childish to pretend to be strong.

—Hilary Mantel, “Giving Up the Ghost”

A Childhood

Harry crews, harper & row, 1978.

This taut, powerful and deeply original memoir covers just the first six years of this gifted novelist’s life, but it is a nearly Dickensian anthology of physical and mental intensities.

Harry Crews grew up in southern Georgia, not far from the Okefenokee Swamp. His father, a tenant farmer, died of a heart attack before Crews was 2. His stepfather was a violent drunk. When Crews was 5, he fell into a boiler of water that was being used to scald pigs. His own skin came off, he writes, “like a wet glove.” When he recovered from this long and painful ordeal, he contracted polio so severely that his heels drew back tightly until they touched the backs of his thighs. He was told, incorrectly, that he would never walk again. “The world that circumscribed the people I come from,” he writes, “had so little margin for error, for bad luck, that when something went wrong, it almost always brought something else down with it.”

Crews sought solace in the Sears, Roebuck catalog, the only book in his house besides the Bible. He began his career as a writer by making up stories about the people he saw there. These humans didn’t have scars and blemishes like everyone he knew. “On their faces were looks of happiness, even joy, looks that I never saw much of in the faces of the people around me.” — Dwight Garner

Dreams From My Father

Barack obama, times books/random house, 1995.

Barack Obama’s first book was published a year before he was elected to the Illinois senate and long before his eight years in the White House under the unrelenting gaze of the public eye. “Dreams From My Father” is a moving and frank work of self-excavation — mercifully free of the kind of virtue-signaling and cheerful moralizing that makes so many politicians’ memoirs read like notes to a stump speech.

Obama recounts an upbringing that set him apart, with a tangle of roots that didn’t give him an obvious map to who he was. His father was from Kenya; his mother from Kansas. Obama himself was born in Hawaii, lived in Indonesia for a time, and was largely raised by his mother and maternal grandparents, after his father left for Harvard when Obama was 2.

“I learned to slip back and forth between my black and white worlds,” he writes, “understanding that each possessed its own language and customs and structures of meaning, convinced that with a bit of translation on my part the two worlds would eventually cohere.” To see what held his worlds together was also to learn what kept them apart. This is a book about the uses of disenchantment; the revelations are all the more astonishing for being modest and hard-won. — Jennifer Szalai

Philip Roth

Simon & schuster, 1991.

Philip Roth’s book is a Kaddish to his father, Herman Roth, who developed a benign brain tumor at 86. Surgery was not an option, and Herman became immured in his body, which “had become a terrifying escape-proof enclosure, the holding pen in a slaughterhouse.”

“Patrimony,” which won the National Book Critics Circle Award, is written plainly, without any flourishes — just the unbearable facts of a father’s decline, the body weakening, the vigorous mind dimming. It’s the rough stuff of devotion. Roth adopts care of his increasingly difficult father and witnesses his rapid decline, admonishing himself: “You must not forget anything.”

“He was always teaching me something,” Roth recalls of his father. He never stopped. In this book, Roth offers a moving tribute to the man but also a portrait almost breathtaking in its honesty and lack of sentimentalism, so truthful and exact that it is as much a portrait of living as dying, son as father. “He could be a pitiless realist,” Roth writes of Herman, proudly. “But I wasn’t his offspring for nothing.” — Parul Sehgal

I had seen my father’s brain, and everything and nothing was revealed. A mystery scarcely short of divine, the brain, even in the case of a retired insurance man with an eighth-grade education from Newark’s Thirteenth Avenue School.

—Philip Roth, “Patrimony”

All God’s Dangers: The Life of Nate Shaw

Theodore rosengarten, alfred a. knopf, 1974.

This indelible book, an oral history from an illiterate black Alabama sharecropper, won the National Book Award in 1975, beating a lineup of instant classics that included “The Power Broker,” Robert Caro’s biography of Robert Moses; Bob Woodward and Carl Bernstein’s “All the President’s Men”; Studs Terkel’s “Working”; and Robert M. Pirsig’s “Zen and the Art of Motorcycle Maintenance.” Unlike these other books, “All God’s Dangers” has largely been forgotten. It’s time for that to change.

This book’s author, Theodore Rosengarten, was a Harvard graduate student who went to Alabama in 1968 while researching a defunct labor organization. Someone suggested he speak with Shaw, whose real name was Ned Cobb. What emerged from Cobb’s mouth was dense and tangled social history, a narrative that essentially takes us from slavery to Selma from the point of view of an unprosperous but eloquent and unbroken black man.

Reading it, you will learn more about wheat, guano, farm implements, bugs, cattle killing and mule handling than you would think possible. This is also a dense catalog of the ways that whites tricked and mistreated blacks in the first half of the 20th century. “Years ago I heard that Abraham Lincoln freed the colored people,” Cobb says, “but it didn’t amount to a hill of beans.” About his white neighbors, he declares, “Any way they could deprive a Negro was a celebration to ’em.” This book is not always easy reading, but it is the real deal, an essential American document. — Dwight Garner

Lives Other Than My Own

Emmanuel carrère. translated from the french by linda coverdale., metropolitan books/henry holt & company, 2011.

You begin this memoir thinking it will be about one thing, and it turns into something else altogether — a book at once more ordinary and more extraordinary than any first impressions might allow.

Emmanuel Carrère starts with the 2004 tsunami in Sri Lanka — he was there, vacationing with his girlfriend. But that’s just the first 50 pages. Then he turns to the story of his girlfriend’s sister, a small-town judge who’s dying of cancer, and her friendship with another judge, who also has cancer. Carrère’s girlfriend chides him for thinking that such unpromising material offers him some sort of golden storytelling opportunity: “They don’t even sleep together — and at the end, she dies,” she says to him. “Have I got that straight? That’s your story?”

She does have it straight, but there’s so much more to it. Carrère weaves in his own experiences, coming up against his own limitations, his own prejudices, his own understanding of what defines a meaningful life. His sentences are clean, never showy; he writes about himself through others in a way that feels both necessarily generous and candidly — which is to say appropriately — narcissistic.

Whenever I try to describe this memoir — and I do that often, since it’s a book I don’t just recommend but implore people to read — I feel like I’m trying to parse a magic trick. — Jennifer Szalai

A Tale of Love and Darkness

Amos oz. translated from the hebrew by nicholas de lange., harcourt, 2004.

This memoir was born from a long silence, written 50 years after Amos Oz’s mother killed herself with sleeping pills, when he was 12, three months before his bar mitzvah. The resulting book is both brutal and generous, filled with meandering reflections on a life’s journey in politics and literature.

The only child of European Jews who settled in the Promised Land, Oz grew up alongside the new state of Israel, initially enamored of a fierce nationalism before becoming furiously (and in one memorable scene, rather hilariously) disillusioned. As a lonely boy, Oz felt unseen by his awkward father and confounded by his brilliant and deeply unhappy mother. She taught him that people were a constant source of betrayal and disappointment. Books, though, would never let him down. Hearing about what happened to those Jews who stayed in Europe, the young Oz wanted to become a book, because no matter how many books were destroyed there was a decent chance that one copy could survive.

Oz says he essentially killed his father by moving to a kibbutz at 15 and changing his name. But his father lives on in this memoir, along with Oz’s mother — not just in his recollections of her, but in the very existence of this book. She was the one who captivated him with stories that “amazed you, sent shivers up your spine, then disappeared back into the darkness before you had time to see what was in front of your eyes.” — Jennifer Szalai

This Boy’s Life

Tobias wolff, the atlantic monthly press, 1989.

“Our car boiled over again just after my mother and I crossed the Continental Divide.” So begins Tobias Wolff’s powerful and impeccably written memoir of his childhood in the 1950s, a classic of the genre that has lost none of its power.

Divorced mother and son had hit the road together, fleeing a bad man, trying to change their luck and maybe get rich as uranium prospectors. The author’s wealthy and estranged father was absent. Soon his mother linked up with a man named Dwight (never trust a man named Dwight) who beat young Wolff, stole his paper route money and forced him to shuck horse chestnuts after school for hours, until his hands were “crazed with cuts and scratches” from their sharply spined husks. Wolff became wild in high school, a delinquent and a petty thief, before escaping to a prep school in Pennsylvania. His prose lights up the experience of growing up in America during this era. He describes going to confession and trying to articulate an individual sin this way: “It was like fishing a swamp, where you feel the tug of something that at first seems promising and then resistant and finally hopeless as you realize that you’ve snagged the bottom, that you have the whole planet on the other end of your line.” — Dwight Garner

A Life’s Work

Rachel cusk, picador, 2002.

Rachel Cusk writes about new motherhood with an honesty and clarity that makes this memoir feel almost illicit. Sleepless nights, yes; colic, yes; but also a raw, frantic love for her firstborn daughter that she depicts and dissects with both rigor and amazement.

As many readers as there are who love “A Life’s Work” as much as I do, I know others who have been put off by its steely register, finding it too denuded, shorn of warmth and giddiness — those very things that help make motherhood such an enormous experience, and not just a grueling one. But whenever I read Cusk’s book, I am irrevocably pulled along in its thrall, constantly startled by her observations — milk running “in untasted rivulets” down her baby’s “affronted cheek”; pregnancy literature that “bristles with threats and the promise of reprisal” — and her willingness to see her experience cold.

Or, at least, to try to, because what becomes clear is that it’s impossible for Cusk to hold on to her old self. The childless writer who could compartmentalize with ease and take boundaries for granted has to learn an entirely new way of being. Embedded in Cusk’s chiseled sentences are her attempts to engage with a roiling vulnerability. None of the chipper, treacly stuff here; motherhood deserves more respect than that. — Jennifer Szalai

J.M. Coetzee

Viking, 1997.

The Nobel Prize-winning J.M. Coetzee is one of those novelists who rarely give interviews, and when he does, he’s like the Robert Mueller of the literary world — reticent, discreet and quietly insistent that his books should speak for themselves.

Coetzee, in other words, is taciturn in the extreme. Yet he has also written three revealing volumes about his life — “Boyhood,” “Youth” and “Summertime.” The first, “Boyhood,” is most explicitly and conventionally a memoir, covering his years growing up in a provincial village outside of Cape Town. The child of Afrikaner parents who had pretensions to English gentility, he was buttoned-up and sensitive, desperate to fit into the “normal” world around him but also confounded and repulsed by it. He noticed how his indolent relatives clung to their privileged position in South Africa’s brutal racial hierarchy through cruelty and a raw assertion of power. Out in the world, he lived in constant fear of violence and humiliation; at home he was cosseted by his mother and presided like a king.

The memoir is told in the third-person present tense, which lends it a peculiar immediacy. Coetzee is free to observe the boy he once was without the interpretive intrusions that come with age; he can remain true to what he felt then, rather than what he knows now. His recollections are stark and painfully intimate: “He feels like a crab pulled out of its shell, pink and wounded and obscene.” — Jennifer Szalai

Harcourt Brace Jovanovich, 1974

“The book is already a period piece,” the legendary travel writer Jan Morris opens her memoir. “It was written in the 1970s, and is decidedly of the 1970s.” It might be of its time but it is also ardent, musical, poetic and full of warm humor — a chronicle of ecstasies. Best remembered as one of the first accounts of gender transition, “Conundrum” is a study of home in all its forms — of finding home in one’s body, of Morris’s native Wales, of all the cities she possesses by dint of loving them so fiercely.

We are carried from her childhood, in the lap of a family militantly opposed to conformity, to her long career as a reporter in England and Egypt. She went everywhere, met everyone: Che Guevara (“sharp as a cat in Cuba”), Guy Burgess (“swollen with drink and self-reproach in Moscow”). It’s an enviably full life, with a long marriage, four children and Morris’s determinedly sunny disposition and ability to regard every second of her life, however difficult — especially if difficult — as a species of grand adventure.

She chafes at the notion of “identity” (“a trendy word I have long distrusted, masking as it often does befuddled ideas and lazy thinking”). It is thrilling to watch her arrive at an understanding of a sense of self and language that is her own, bespoke. “To me gender is not physical at all, but is altogether insubstantial,” she writes. “It was a melody that I heard within myself.” — Parul Sehgal

I did not query my condition, or seek reasons for it. I knew very well that it was an irrational conviction — I was in no way psychotic, and perhaps not much more neurotic than most of us; but there it was, I knew it to be true, and if it was impossible then the definition of possibility was inadequate.

—Jan Morris, “Conundrum”

Sonali Deraniyagala

Alfred a. knopf, 2013.

Sonali Deraniyagala was searching the internet for ways to kill herself when one click led to another and she was staring at a news article featuring pictures of her two young sons. The boys had died not long before — victims of the 2004 tsunami in Sri Lanka, which also killed Deraniyagala’s husband and her parents. She herself survived by clinging to a branch.

“Wave” is a meticulous account of derangement — of being so undone by grief that life becomes not just impossible but terrifying. She recalls stabbing herself with a butter knife. She couldn’t look at a flower or a blade of grass without feeling a sickening sense of panic. Reading this book is like staring into the abyss, only instead of staring back it might just swallow you whole.

This, believe it or not, is why you should read it — for Deraniyagala’s unflinching account of the horror that took away her family, and for her willingness to lay bare how it made her not only more vulnerable but also, at times, more cruel. Her return to life was gradual, tentative and difficult; she learned the only way out of her unbearable anguish was to remember what had happened and to keep it close. — Jennifer Szalai

Always Unreliable: Unreliable Memoirs, Falling Towards England and May Week Was in June

Clive james, picador, 2004.

The Australian-born critic, poet, memoirist, novelist, travel writer and translator Clive James isn’t as well known in America as he is in England, where he’s lived most of his adult life. Over there, cabdrivers know who James is: the ebullient man who hosted many comic and erudite television programs over the years. We have no one quite like him over here: Think Johnny Carson combined with Edmund Wilson.

James is the author of five memoirs, to which many readers have a cultlike devotion. The first three — “Unreliable Memoirs,” “Falling Towards England” and “May Week Was in June” — have been collected into one volume, “Always Unreliable,” and they are especially incisive and comic. In a preface to the first book, James dealt a truth few memoirists will admit: “Most first novels are disguised autobiographies. This autobiography is a disguised novel.” He’s an admitted exaggerator, but nonetheless he’s led a big life.

He was born in 1939 and grew up with an absent father, a Japanese prisoner of war. Released, his father died in a plane crash on his way home when James was 5. The author fully relives his adolescent agonies (“you can die of envy for cratered faces weeping with yellow pus”) and his rowdy troublemaking years. Later volumes take him to London and then to Cambridge University, where he edits Granta, the literary magazine, dabbles in theater (“It was my first, cruel exposure to the awkward fact that the arts attract the insane”) and gets married. He is never less than good company. — Dwight Garner

Travels With Lizbeth

Lars eighner, st. martin’s press, 1993.

Lars Eighner’s memoir contains the finest first-person writing we have about the experience of being homeless in America. Yet it’s not a dirge or a Bukowski-like scratching of the groin but an offbeat and plaintive hymn to life. It’s the sort of book that releases the emergency brake on your soul. Eighner spent three years on the streets (mostly in Austin, Tex.) and on the road in the late 1980s and early 1990s, after suffering from migraines and losing a series of jobs. The book he wrote is a literate and exceedingly humane document.

On the streets, he clung to a kind of dignity. He refused to beg or steal. He didn’t care for drugs; he barely drank. “Being suddenly intoxicated in a public place in the early afternoon,” he writes, “is not my idea of a good time.” He foraged for books and magazines as much as food, but an especially fine portion of this book is his writing about dumpster-diving. There’s the jarring impression that every grain of rice is a maggot. About botulism, he writes: “Often the first symptom is death.” There is something strangely Emersonian, capable and self-reliant, in his scavenging. “I live from the refuse of others,” he declares. “I think it a sound and honorable niche.” — Dwight Garner

Day after day I could aspire, within reason, to nothing more than survival. Although the planets wandered among the stars and the moon waxed and waned, the identical naked barrenness of existence was exposed to me, day in and day out.

—Lars Eighner, “Travels With Lizbeth”

Little, Brown & Company, 2015

The photographer Sally Mann’s memoir is weird, intense and uncommonly beautiful. She has real literary gifts, and she’s led a big Southern-bohemian life, rich with incident. Or maybe it only seems rich with incident because of an old maxim that still holds: Stories happen only to people who can tell them.

Like Mary Karr, Mann as a child was a scrappy, troublemaking tomboy, one who grew into a scrappy, troublemaking, impossible-to-ignore young woman and artist. She was raised in Virginia by sophisticated, lettered parents. When she grew too wild, they sent her away to a prep school in Vermont where, she writes, “I smoked, I drank, I skipped classes, I snuck out, I took drugs, I stole quarts of ice cream for my dorm by breaking into the kitchen storerooms, I made out with my boyfriends in the library basement, I hitchhiked into town and down I-91, and when caught, I weaseled out of all of it.”

This memoir recounts some of the Southern gothic elements of her parents’ lives. This book is heavily illustrated, and traces her growth as an artist. It recounts friendships with Southern artists and writers such as Cy Twombly and Reynolds Price. Her anecdotes have snap. About his advanced old age, in a line that is hard to forget, Twombly tells the author that he is “closing down the bodega for real.” But this story is entirely her own. — Dwight Garner

Country Girl

Edna o’brien, little, brown and company, 2013.

The enormously gifted Irish writer Edna O’Brien was near the red-hot center of the Swinging ’60s in London. She dropped acid with her psychiatrist, R.D. Laing. Among those who came to her parties were Marianne Faithfull, Sean Connery, Princess Margaret and Jane Fonda. Richard Burton and Marlon Brando tried to get her into bed. Robert Mitchum succeeded after wooing her with this pickup line: “I bet you wish I was Robert Taylor, and I bet you never tasted white peaches.”

O’Brien was born in a village in County Clare, in the west of Ireland, in 1930. This earthy and evocative book also traces her youth and her development as a writer. Her small family was religious. Her father was a farmer who drank and gambled; her mother was a former maid. She has described her village, Tuamgraney, as “enclosed, fervid and bigoted.” O’Brien didn’t attend college. She moved to Dublin, where she worked in a drugstore while studying at the Pharmaceutical College at night. She began to read literature, and she wondered: “Why could life not be lived at that same pitch? Why was it only in books that I could find the utter outlet for my emotions?” This memoir has perfect pitch. — Dwight Garner

Marjane Satrapi. Translated from the French by Mattias Ripa and Blake Ferris.

Pantheon, 2003.

At the age of 6, Marjane Satrapi privately declared herself the last prophet of Islam. At 14, she left Iran for a boarding school in Austria, sent away by parents terrified of their outspoken daughter’s penchant for challenging her teachers (and hypocrisy wherever she sniffed it out). At 31, she published “Persepolis,” in French (it was later translated into English by Mattias Ripa and Blake Ferris), a stunning graphic memoir hailed as a wholly original achievement in the form.

There’s still a startling freshness to the book. It won’t age. In inky shadows and simple, expressive lines — reminiscent of Ludwig Bemelmans’s “Madeline” — Satrapi evokes herself and her schoolmates coming of age in a world of protests and disappearances (and scoring punk rock cassettes on the black market).

The revolution, the rise of fundamentalism, a brutal family history of torture, imprisonment and exile are conveyed from a child’s perspective and achieve a stark, shocking impact. — Parul Sehgal

Margo Jefferson

Pantheon, 2015.

The motto was simple in Margo Jefferson’s childhood home: “Achievement. Invulnerability. Comportment.” Her family was part of Chicago’s black elite. Her father was the head pediatrician at Provident, America’s oldest black hospital; her mother was a socialite. They saw themselves as a “Third Race, poised between the masses of Negroes and all classes of Caucasians.” Life was navigated according to strict standards of behavior and femininity. Jefferson writes of the punishing psychic burden of growing up feeling that she was a representative for her race and, later, of nagging, terrifying suicidal impulses.

Jefferson won a Pulitzer Prize in 1995 for her book reviews in The New York Times. “Negroland” is an extended form of criticism that dances between a history of social class to a close reading of her mother’s expressions; the information calibrated in a brow arched “three to four millimeters.”

The prose is blunt and evasive, sensuous and ascetic, doubting and resolute — and above all beautifully skeptical of the genre, of the memoir’s conventions, clichés and limits. “How do you adapt your singular, willful self to so much history and myth? So much glory, banality, honor and betrayal?” she asks. This shape-shifting, form-shattering book carves one path forward. — Parul Sehgal

25 More Great Memoirs

Presented in Alphabetical Order by Author

Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys.

Viv albertine, thomas dunne books/st. martin’s press, 2014.

Viv Albertine participated in the birth of punk in the mid-1970s. She was in a band with Sid Vicious before he joined the Sex Pistols. She dated Mick Jones while he was putting together his new band, the Clash. She could barely play guitar, yet she became the lead guitarist for the Slits. Her memoir is wiry and fearless. It contains story after story about men who told her she couldn’t do things that she did anyway. Her life up to the breakup of the Slits occupies only half of the book. There’s a lot of pain in the second section: loneliness, doubt, a bad marriage, cancer, depression. Throughout, this account has an honest, lo-fi grace.

Martin Amis

Talk miramax books/hyperion, 2000.

In this memoir, the acclaimed author of “London Fields,” “Money” and other novels decided, he writes, “to speak, for once, without artifice.” The entertaining, loosely structured result is movingly earnest and wickedly funny. It includes a portrait, both cleareyed and affectionate, of the author’s father, the comic novelist and poet Kingsley Amis. In addition, “Experience” offers more vivid and harrowing writing about dental problems than you might have thought one person capable of producing.

Slow Days, Fast Company

Alfred a. knopf, 1977.

The Los Angeles-born glamour girl, bohemian, artist, muse, sensualist, wit and pioneering foodie Eve Babitz writes prose that reads like Nora Ephron by way of Joan Didion, albeit with more lust and drugs and tequila. “Slow Days, Fast Company” and “Eve’s Hollywood,” the book that preceded it, are officially billed as fiction, but they are mostly undisguised dispatches from her own experiences in 1970s California. Reading her is like being out on the warm open road at sundown, with what she called “4/60 air-conditioning” — that is, going 60 miles per hour with all four windows down. You can feel the wind in your hair.

Russell Baker

Congdon & weed, 1982.

Russell Baker’s warm and disarmingly funny account of his life growing up in Depression-era America has garnered comparisons to the work of Mark Twain. The book quickly became a beloved best seller when it was published, and went on to win the Pulitzer Prize for biography. Baker was born into poverty in Virginia in 1925. He was 5 years old when his father, then 33, fell into a diabetic coma and died. The author’s strong, affectionate mother is a major presence in the book. Baker, a longtime humorist and columnist for The New York Times, died in January at 93.

Kafka Was the Rage

Anatole broyard, carol southern books/crown publishers, 1993.

Anatole Broyard, a longtime book critic and essayist for The New York Times, died in 1990 of prostate cancer. What he had finished of this memoir before his death mostly concerned his time living in the West Village after World War II. “A war is like an illness,” he writes, “and when it’s over you think you’ve never felt so well.” He writes about the vogue for psychoanalysis, his experience opening a used-book store and, primarily, his formative relationship with the artist Sheri Martinelli (her pseudonym in the book is Sheri Donatti). The book was truncated, but the writing in it is brilliant and often epigrammatic: “I just want love to live up to its publicity.”

Between the World and Me

Ta-nehisi coates, spiegel & grau, 2015.

Ta-Nehisi Coates’s book, in the form of a letter to his son, is a scalding examination of his own experience as a black man in America, and of how much of American history has been systemically built on exploiting and committing violence against black bodies. Inspired by a section of James Baldwin’s “The Fire Next Time” that was addressed to the author’s nephew, Coates’s book is a powerful testimony that will continue to have a profound impact on discussions about race in America.

The Year of Magical Thinking

Joan didion, alfred a. knopf, 2005.

Joan Didion, so long an exemplar of cool, of brilliant aloofness, showed us her unraveling in this memoir about the sudden death of her husband of 40 years, the writer John Gregory Dunne, and the frightening illness of her daughter, Quintana. It’s a troubled, meditative book, in which Didion writes of what it feels like to have “cut loose any fixed idea I had ever had about death, about illness, about probability and luck, about good fortune and bad.”

Barbarian Days

William finnegan, penguin press, 2015.

This account of a lifelong surfing obsession won the Pulitzer Prize in biography. William Finnegan, a longtime staff writer for The New Yorker, recalls his childhood in California and Hawaii, his many surfing buddies through the years and his taste for a kind of danger that approaches the sublime. In his 20s, he traveled through Asia and Africa and the South Pacific in search of waves, living in tents and cars and cheap apartments. One takes away from “Barbarian Days” a sense of a big, wind-chapped, well-lived life.

Personal History

Katharine graham, alfred a. knopf, 1997.

Katharine Graham’s brilliant but remote father, Eugene Meyer, capped his successful career as a financier and public servant by buying the struggling Washington Post in 1933 and nursing it to health. Graham took command of the paper in 1963, and steered it through the Watergate scandal and the end of Richard Nixon’s presidency, among other dramas. Her autobiography covers her life from childhood to her command of a towering journalistic institution in a deeply male-dominated industry. Her tone throughout is frank, self-critical, modest and justifiably proud.

Thinking in Pictures

Temple grandin, doubleday, 1995.

Memoirs are valued, in part, for their ability to open windows onto experiences other than our own, and few do that as dramatically as Temple Grandin’s “Thinking in Pictures.” Grandin, a professor of animal science who is autistic, describes the “library” of visual images in her memory, which she is constantly updating. (“It’s like getting a new version of software for the computer.”) As Oliver Sacks wrote in an introduction to the book, “Grandin’s voice came from a place which had never had a voice, never been granted real existence, before.”

Autobiography of a Face

Lucy grealy, houghton mifflin, 1994.

When she was 9 years old, Lucy Grealy was stricken with a rare, virulent form of bone cancer called Ewing’s sarcoma. She had radical surgery to remove half of her jaw, and years of radiation and chemotherapy, and recovered. She then endured a sense of disfigurement and isolation from other children. She became an accomplished poet and essayist before dying at 39 in 2002. Although entitled to self-pity, Grealy was not given to it. This memoir is a moving meditation on ugliness and beauty. Grealy’s life is the subject of another powerful memoir, Ann Patchett’s “Truth & Beauty,” which recounts the friendship between the two writers.

Dancing With Cuba

Alma guillermoprieto. translated from the spanish by esther allen., pantheon, 2004.

Alma Guillermoprieto was a 20-year-old dance student in 1969, when Merce Cunningham offered to recommend her for a teaching job at the National Schools of the Arts in Havana. This memoir is her account of the six months she spent there, a frustrating and fascinating time that opened her eyes to the world beyond dance. Eventually, political turmoil, piled on top of loneliness, youthful angst and assorted romantic troubles, led the author to the edge of a nervous breakdown. This remembrance is a pleasure to read, full of humanity, sly humor, curiosity and knowledge.

Minor Characters

Joyce johnson, houghton mifflin, 1983.

Joyce Johnson was 21 and not long out of Barnard College when, in the winter of 1957, Allen Ginsberg set her up on a blind date with Jack Kerouac, who was 34 and still largely unknown. Thus began an off-and-on relationship that lasted nearly two years, during which time “On the Road” was published, leading to life-altering fame — not only for Kerouac but many of his closest friends. Johnson’s book about this time is a riveting portrait of an era, and a glowing introduction to the Beats. It’s a book about a so-called minor character who, in the process of writing her life, became a major one.

The Memory Chalet

Penguin press, 2010.

The historian Tony Judt, who was known for his incisive analysis of current events and his synthesizing of European history in books like “Postwar,” wrote this book of autobiographical fragments after he was stricken with amyotrophic lateral sclerosis and had become “effectively quadriplegic.” He would think back over his life in the middle of the night, shape those memories into stories and dictate them to an assistant the next day. “The Memory Chalet,” the resulting unlikely artifact, ranges over Judt’s boyhood in England; the lives of his lower-middle-class Jewish parents; life as a student and fellow at King’s College, Cambridge, in the 1960s and early ’70s; and his life in New York City, where he eventually settled and taught.

Kiese Laymon

Scribner, 2018.

The most recently published entry on this list of 50 books, Kiese Laymon’s “Heavy” details the author’s childhood in Mississippi in the 1980s and his relationship with his alternately loving and abusive mother, who raised him on her own. It’s full of sharp, heart-rending thoughts about growing up black in the United States, and his fraught relationship with his body — Laymon’s weight has severely fluctuated over the years, a subject he plumbs with great sensitivity. This is a gorgeous, gutting book that’s fueled by candor yet freighted with ambivalence. It’s full of devotion and betrayal, euphoria and anguish.

Priestdaddy

Patricia lockwood, riverhead books, 2017.

Patricia Lockwood, an acclaimed poet, weaves in this memoir the story of her family — including her Roman Catholic priest father, who received a special dispensation from the Vatican — with the crisis that led her and her husband to live temporarily under her parents’ rectory roof. The book, consistently alive with feeling, is written with elastic style. And in Lockwood’s father, Greg, it has one of the great characters in nonfiction: He listens to Rush Limbaugh while watching Bill O’Reilly, consumes Arby’s Beef ’n Cheddar sandwiches the way other humans consume cashews and strides around in his underwear. Hilarious descriptions — of, to take one example, Greg’s guitar playing — alternate with profound examinations of family, art and faith.

H Is for Hawk

Helen macdonald, grove press, 2015.

When we meet Helen Macdonald in this beautiful and nearly feral book, she’s in her 30s, with “no partner, no children, no home.” When her father dies suddenly on a London street, it steals the floor from beneath her. Obsessed with birds of prey since she was a girl, Macdonald was already an experienced falconer. In her grief, seeking escape into something, she began to train one of nature’s most vicious predators, a goshawk. She unplugged her telephone. She told her friends to leave her alone. Nearly every paragraph she writes about the experience is strange in the best way, and injected with unexpected meaning.

The Color of Water

James mcbride, riverhead books, 1996.

This complex and moving story, which enjoyed a long run on best-seller lists, is about James McBride’s relationship with his mother, Ruth, the daughter of a failed itinerant Orthodox Jewish rabbi. She fervently adopted Christianity and founded a black Baptist church in the Red Hook section of Brooklyn with McBride’s father. The book is suffused with issues of race, religion and identity, and simultaneously transcends those issues to be a story of family love and the sheer force of a mother’s will.

Angela’s Ashes

Frank mccourt, scribner, 1996.

“When I look back on my childhood I wonder how I survived at all,” Frank McCourt writes near the beginning of his Pulitzer Prize-winning memoir. His parents had immigrated to New York, where McCourt was born, but soon moved back to Ireland, where they hoped relatives could help them with their four children. Having returned, they experienced crushing poverty. The book did perhaps more than any other to cement the 1990s boom in memoir writing — and reading. It features a Dickensian gallery of schoolmasters, shopkeepers and priests, in addition to McCourt’s unforgettable family.

Cockroaches

Scholastique mukasonga. translated from the french by jordan stump., archipelago books, 2016.

Thirty-seven of Scholastique Mukasonga’s family members were massacred in the Rwandan genocide in the spring of 1994, when the Hutu majority turned on their Tutsi neighbors, killing more than 800,000 people in 100 days. “Cockroaches” is Mukasonga’s devastating account of her childhood and what she was able to learn about the slaughter of her family. (“Cockroach” was the Hutu epithet of choice for the Tutsis.) It is a compendium of unspeakable crimes and horrifically inventive sadism, delivered in an even, unwavering tone.

Keith Richards

Little, brown & company, 2010.

In “Life,” the Rolling Stones guitarist writes with uncommon candor and immediacy — with the help of the veteran journalist James Fox — about drugs and his run-ins with the police; about the difficulties of getting and staying clean; and about the era when rock ’n’ roll came of age. He spares none of his thoughts, good and bad, about Mick Jagger. He also describes the spongelike love of music that he inherited from his grandfather, and his own sense of musical history — his reverence for the blues and R&B masters he has studied his entire life.

A Life in the Twentieth Century

Arthur schlesinger jr., houghton mifflin company, 2000.

Arthur Schlesinger Jr., a prizewinning historian who served in John F. Kennedy’s White House, here writes about the first 33 years of his life, from his birth in 1917 — the year the United States entered World War I — to 1950 and the beginnings of the Cold War. The son of an acclaimed historian, Schlesinger was born into great privilege. He went on a yearlong trip around the world between graduating from prep school and attending Harvard. This book has incisive things to say about the large themes of world history, including isolationism and interventionism, and about many other subjects besides, including the films of the 1930s.

Edmund White

Ecco/harpercollins publishers, 2006.

“My Lives” is broken into chapters whose headings follow a clever formula: “My Shrinks,” “My Mother,” “My Father,” “My Hustlers” ... But these seemingly narrow-focus, time-hopping slices add up to a robust autobiography. Edmund White’s portraits of his parents and their lives before him are novelistic; his writing about his own sexual experiences is exceedingly candid. Reviewing the book for The Guardian, the novelist Alan Hollinghurst said that “no other writer of White’s eminence has described his sexual life with such purposeful clarity.”

Why Be Happy When You Could Be Normal?

Jeanette winterson, grove press, 2012.

This memoir’s title is the question Jeanette Winterson’s adoptive mother asked after discovering her daughter was a lesbian. Winterson’s mother loomed over her life, as she looms over this book. In a quiet way she is one of the great horror mothers of English-language literature. When she was angry with her daughter, she would say, “The Devil led us to the wrong crib.” This memoir’s narrative includes Winterson’s search for her birth mother and the author’s self-invention, her intellectual development. The device of the trapped young person saved by books is a hoary one, but Winterson makes it seem new, and sulfurous.

Close to the Knives

David wojnarowicz, vintage, 1991.

David Wojnarowicz, who died at 37 in 1992, was a vital part of the East Village art scene of the 1980s that also produced Keith Haring, Jenny Holzer, Jean-Michel Basquiat and others. He was a painter, photographer, performance artist, AIDS activist and more — including writer. This work of hard-living autobiography is written in a flood of run-on sentences, and in a tone of almost hallucinatory incandescence. A typical sentence begins: “I remember when I was 8 years old I would crawl out the window of my apartment seven stories above the ground and hold on to the ledge with 10 scrawny fingers and lower myself out above the sea of cars burning up Eighth Avenue ...”

Share your picks on social media or email them to yourself as a reading list.

Designed and produced by Kevin Zweerink, Erica Ackerberg, and John Williams

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How To Come Up With Autobiography Titles

When you write a story about yourself, one of the most difficult aspects of the creative process isn’t putting in the stories you want to tell. It’s coming up with a title for that story. Knowing how to come up with autobiography titles that are good is a skill set that requires some practice to get right. The first title you think up isn’t always the best title – but it could be.

Let’s go through the creation process step by step so that you can figure out that great title for your story today.

#1. No puns. Just don’t do it.

You’ll find a lot of autobiographies have incorporated puns as part of the title. From Wink Martindale’s Winking at Life to Tori Spelling’s sTORI Telling , a bad pun creates a negative first impression for many readers. Just be simple and straight forward with the title based on the stories you’ve told. If you were a war veteran, a good title might be The Battles I’ve Fought and Won .

#2. Humor can backfire on you.

Humor within a title for an autobiography can be a good thing. Take Joe Namath’s autobiography title for example: I Can’t Wait Until Tomorrow ‘Cause I Get Better Looking Every Day . The humor fits with the public personality that Namath has always presented. It’s a good fit. If you can come up with a humorous title that fits your personality, then roll with it.

What you shouldn’t do is try to force the humor on others. When Russell Brand released his autobiography, it was titled My Booky Wook . Not as impressive.

#3. Describe what is important to you.

Ultimately your autobiography has one key point that you’re trying to make. It’s more than a collection of stories. It’s a commentary about what you’ve learned in life. What is that one key lesson that you’re trying to make? Or are there several key points that are being made? Figure that out and you may just have the title for your autobiography. A good example of this comes from Nelson Mandela and his autobiography Long Walk to Freedom .

But that key point needs to be interesting. There must be a purpose communicated to the reader that they will have a valuable experience from reading your autobiography. Peter Marshall’s autobiography Back Stage With the Original Hollywood Square doesn’t quite make that grade.

#4. Capture the attention of the reader.

There are three ways that you can effectively capture the attention of a reader with an autobiography title.

• Be self-deprecating. If you take your biggest fault and make it your title, then the humble reflection will be something that will attract people to your autobiography.
• Be controversial. One of the best examples of this method comes from Charles Grodin: It Would Be So Nice If You Weren’t Here . If you’ve done something that isn’t socially acceptable, it might make for a great title.
• Be concise. You can’t get much shorter than the title of Katherine Hepburn’s autobiography: Me . If you can make your title be three words or less, then it will generally be more memorable to the reader who is interested in picking it up.

#5. Be evocative with your descriptions.

This is one of the benefits of being a relatively unknown person when writing an autobiography. You can choose a very descriptive title that brings about evocative mental images for the reader involved. Many of these “unknowns” have become reading staples in our society today. Think about stories like Girl, Interrupted or Reading Lolita in Tehran and then think about what you’ve done that could create similar emotions.

#6. Test out your titles with trusted friends and family.

In this final step, you’ll first want to come up with 3-5 titles that you’d be happy having for your autobiography based on the steps above. Then take those titles and test them out with your family and friends. See which ones they prefer. Have them give you one answer. Ask as many people as you like because the goal is to trim your titles down to 2 from this process.

Then take those two titles to everyone you know. Create a poll on Facebook or Twitter. Ask people for email feedback. Ask them to choose one title from the two. If the results are solidly in favor of one title, then that’s what you’ll call your autobiography. If the results are mixed, then go back to the 3-5 titles and ask again. If you still have mixed results, come up with 3-5 new titles and try again.

A good autobiography title goes a long way

Although a bad autobiography title won’t kill your story off completely, it won’t do it any favors. A good title can entice more people to read your stories. Follow these steps and you’ll know how to come up with autobiography titles that are great as soon as today.

If you’ve found these tips on picking an autobiography title useful, check out these further resources:

Biography vs autobiography what is the best autobiography layout memoir vs autobiography 9 great autobiography writing tips how to publish an autobiography.

This 47-page mini-ebook gives you everything you need to start writing your own autobiography, including:

–Developing an overall theme

–Outlining your autobiography

–Choosing a winning title

–Best autobiography layouts

–Autobiography marketing strategy and more!

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Shaping Your Legacy: How to Write a Compelling Autobiography

• The Speaker Lab
• March 12, 2024

Table of Contents

Ever thought about how your life story would read if it were a book? Writing an autobiography is like creating a map of your personal journey, each chapter representing milestones that shaped you. But where do you start and how can you ensure the tale holds interest?

This guide will help unravel those questions by delving into what makes an autobiography stand out, planning techniques to keep your narrative on track, writing tips for engaging storytelling, and even ethical considerations when revealing private aspects of your life.

We’ll also touch on refining drafts and navigating publishing options. By the end of this read, you’ll be equipped with all the insights you need to create a compelling autobiography!

Understanding the Essence of an Autobiography

An autobiography provides a comprehensive view of one’s life journey from birth to the present day. Imagine climbing into a time machine where every chapter represents different eras in your life. The goal of an autobiography is to allow readers to explore a factual, chronological telling of the author’s life.

Autobiographies aren’t merely catalogues of events, however; they need soulful introspection too. Think about why certain episodes mattered more than others and how those experiences influenced your perspectives or decisions later on.

You’ll also want to infuse emotional honesty, allowing yourself vulnerability when recalling both triumphant milestones and painful obstacles. Authenticity creates connections between authors and their audience, so let them see real human emotions behind every word written.

Distinguishing Features Of An Autobiography

The unique thing about autobiographies is they are first-person narratives . This allows readers to experience everything through your eyes, as if they’re living vicariously through you. From triumphs to trials, each page unravels another layer of who you are.

While memoirs are also first-person narratives of a person’s life, there are different from autobiographies. In a memoir, the author focuses on a particular time period or theme in their life. If you’d rather skip the details and dates needed for an autobiography and focus more on emotional truths, you might consider writing a memoir.

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Pre-Writing Stage: Planning Your Autobiography

The planning stage is a crucial part of writing your autobiography. It’s where you map out the significant events in your life, establish a timeline, and identify who will be reading your story.

Selecting Key Life Events

To start, you need to pinpoint key moments that have shaped you. While you will include plenty of factual details in your autobiography, you won’t include every single one. Rather, you’ll be spending the majority of your autobiography focusing on the transformative experiences that defined your life journey. After all, an autobiography is not just a catalogue of events; it’s also an exploration into what these experiences meant to you.

Establishing A Timeline

Next up is establishing a timeline for your narrative flow. Since you’re writing an autobiography, it’s important to first map out your story chronologically so that you can keep your events straight in your mind. MasterClass has several suggestions for key elements you might want to include in your timeline.

Identifying Your Audience

Finding out who’ll read your book helps shape its tone and style. Self-Publishing School says understanding whether it’s for close family members or broader public can guide how personal or universal themes should be presented.

While this process might feel overwhelming initially, take time with this stage. Good planning sets solid foundations for creating an engaging autobiography.

Writing Techniques for an Engaging Autobiography

If you’re on the journey to pen down your life story, let’s dive into some techniques that can help transform it from a simple narrative into a riveting read. An engaging autobiography is more than just facts and dates—it’s about weaving your experiences in such a way that they captivate readers.

Incorporating Dialogue

The first technique involves incorporating dialogue. Rather than telling your audience what happened, show them through conversations. It lets the reader experience events as if they were there with you. As renowned author Stephen King suggests , dialogue is crucial in defining a the character of a person (including yourself).

Using Vivid Descriptions

Vivid descriptions are another effective tool in creating an immersive reading experience. But remember: overdoing it might overwhelm or bore the reader, so find balance between being descriptive and concise.

Narrative Techniques

Different narrative techniques can also enhance storytelling in autobiographies. For instance, foreshadowing creates suspense; flashbacks provide deeper context; and stream of consciousness presents thoughts as they occur naturally—a powerful way to share personal reflections.

All these writing tools combined will give you a gripping account of your life journey—one where every turn of page reveals more layers of depth and dimensionality about who you are as both character and narrator.

Structuring Your Autobiography for Maximum Impact

Deciding on the right structure for your autobiography is essential to ensure your book captivates readers and keeps them engaged.

The first step towards structuring your autobiography effectively is deciding whether to organize it chronologically or thematically. A chronological approach takes readers on a journey through time, letting each event unfold as you experienced it. On the other hand, a thematic approach revolves around central themes that have defined your life—think resilience, ambition or transformation—and might jump back and forth in time.

Creating Chapters

An effective way to manage the vast amount of information in an autobiography is by dividing it into chapters. Each chapter should be structured around a specific time frame (if you’re opting for chronological order) or theme (if taking the thematic approach). The key here isn’t necessarily sticking rigidly to these categories but using them as guides to help shape and direct your narrative flow.

Crafting Compelling Beginnings and Endings

A strong beginning pulls people into your world while an impactful ending stays with them long after they’ve closed the book—a little like how memorable speeches often start with something surprising yet relatable and end leaving audiences pondering over what they’ve heard. So consider starting off with something unexpected that gives insight into who you are rather than birthplace/date details right away. For endings, look at wrapping up major themes from throughout the book instead of simply closing out on latest happenings in your life.

Remember, structuring an autobiography is as much about the art of storytelling as it is about chronicling facts. Use structure to draw readers in and take them on a journey through your life’s highs and lows—all the moments that made you who you are today.

Ethical Considerations When Writing an Autobiography

When penning your life story, it’s important to respect privacy and handle sensitive issues well. Because let’s face it, writing about others in our lives can be a slippery slope. We need to tread carefully.

Respecting Privacy: Telling Your Story Without Invading Others’

The first thing we have to consider is the right of privacy for those who cross paths with our narrative journey. While they might play crucial roles in our stories, remember that their experiences are their own too.

A good rule of thumb is to get explicit consent before mentioning anyone extensively or revealing sensitive information about them. In some cases where this isn’t possible, anonymizing details or using pseudonyms could help maintain privacy while keeping the essence of your story intact. Author Tracy Seeley sheds more light on how one should handle such situations responsibly.

Navigating Sensitive Topics With Care

Sensitive topics often make for compelling narratives but dealing with them requires tact and empathy. You’re walking a tightrope, balancing honesty and sensitivity, a fall from which can lead to hurt feelings or even legal troubles.

An excellent way around this dilemma would be by focusing on how these experiences affected you personally rather than detailing the event itself. Remember, your autobiography is an opportunity to share your life experiences, not just a platform for airing grievances or settling scores.

Maintaining Honesty: Your Authentic Self Is the Best Narrator

Above all else, stay truthful when writing your autobiography, both when you’re writing about sensitive topics and even when you’re not. While it can be tempting to bend the facts so that your audience sees you in a more positive light, maintaining honesty is the best thing you can do for yourself.

Editing and Revising Your Autobiography

Your initial draft is finished, but the job isn’t done yet. Editing and revising your autobiography can feel like a daunting task, but it’s essential for creating a polished final product.

The Importance of Self-Editing

You may feel that you have written your autobiography perfectly the first time, but there are always ways to make it better. The beauty of self-editing lies in refining your story to make sure it resonates with readers. You’re not just fixing typos or grammar mistakes; you’re looking at structure, flow, and consistency. Essentially you’re asking yourself: does this piece tell my life story in an engaging way?

Inviting Feedback from Others

No matter how meticulous we are as writers, our own work can sometimes evade us. Inviting feedback from others is invaluable during the revision process. They provide fresh eyes that can spot inconsistencies or confusing parts that may have slipped past us.

Hiring a Professional Editor

If you’re serious about publishing your autobiography and making an impact with your words, hiring a professional editor can be worth its weight in gold. An editor won’t just fix errors—they’ll help streamline sentences and enhance readability while respecting your unique voice.

Remember to approach editing and revising with patience—it’s part of the writing journey. Don’t rush through it; give each word careful consideration before moving onto publication options for your autobiography.

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Publishing Options for Your Autobiography

Once you’ve spent time and energy creating your autobiography, the following challenge is to make it available for others. But don’t fret! There are numerous options available for releasing your work.

Traditional Publishing Houses

A conventional path many authors take is partnering with a traditional publishing house . These industry giants have extensive resources and networks that can help boost the visibility of your book. The process may be competitive, but if accepted, they handle everything from design to distribution—letting you focus on what matters most: telling your story.

Self-Publishing Platforms

If you want more control over every aspect of publication or seek a faster route to market, self-publishing platforms like Amazon Kindle Direct Publishing (KDP), offer an accessible alternative. With this option, you manage all aspects including cover design and pricing ; however, it also means greater responsibility in promoting your book.

Bear in mind that both options have their own pros and cons, so consider them carefully before making any decisions.

Marketing Your Autobiography

Now that you’ve crafted your autobiography, it’s time to get the word out. You need a plan and strategy.

Leveraging Social Media

To start with, use your social platforms as launching pads for your book. Sites like Facebook , Twitter, and especially LinkedIn can help generate buzz about your work. And don’t underestimate the power of other platforms like Instagram and TikTok when trying to reach younger audiences. Whatever social platform you use, remember to engage with followers by responding to comments and questions about the book.

Organizing Book Signings

A physical event like a book signing not only provides readers with a personal connection but also generates local publicity. Consider partnering up with local independent stores or libraries, which are often open to hosting such events.

Securing Media Coverage

Contacting local newspapers, radio stations or even bloggers and podcasters in your field can provide much-needed visibility for your work. It might seem intimidating at first, but who better than you knows how important this story is?

FAQs on How to Write an Autobiography

How do i start an autobiography about myself.

To kick off your autobiography, jot down significant life events and pick a unique angle that frames your story differently.

What are the 7 steps in writing an autobiography?

The seven steps are: understanding what an autobiography is, planning it out, using engaging writing techniques, structuring it effectively, considering ethics, revising thoroughly, and exploring publishing options.

What are the 3 parts of an autobiography?

An autobiography generally has three parts: introduction (your background), body (major life events), and conclusion (reflections on your journey).

What is the format for writing an autobiography?

The usual format for autobiographies involves chronological or thematic structure with clear chapters marking distinct phases of life.

Writing an autobiography is a journey, a trek exploring the unique narrative of your life. Together, we’ve covered how to plan effectively, select key events, and set timelines.

Once you’re all set to write, you now have the techniques you need for engaging storytelling, including vivid descriptions and dialogues. You also learned about structuring your story for maximum impact and navigating sensitive topics while maintaining honesty.

Last but not least, you learned editing strategies, publishing options, and effective ways of promoting your book.

Now you know more than just how to write an autobiography. You know how to craft a legacy worth reading!

• Last Updated: March 22, 2024

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How to come up with book title ideas.

Need an original book title, and fast? We got you. Here are 8 ways to come up with book title ideas. 

1. Start free writing to find keywords

Write absolutely anything that comes into your head: words, phrases, names, places, adjectives — the works. You’ll be surprised how much workable content comes out from such a strange exercise.

2. Experiment with word patterns

Obviously, we’re not advocating plagiarism, but try playing around with formats like:

“The _____ of _______”

“______ and the _____”

These will work for certain genres, though they are by no means the only patterns you can play around with. Have you noticed how many blockbuster thrillers these days feature the word “woman” or “ girl” somewhere in the title?

3. Draw inspiration from your characters 

If your central character has a quirky name or a title (like Doctor or Detective) you can definitely incorporate this into your book title. Just look at Jane Eyre, Percy Jackson, or Harry Potter, for instance — working with one or more or your characters’ names is a surefire way to get some title ideas down. Equally, you can add a little detail, like Thomas Hardy’s Jude the Obscure, to add a little color to a name and make it title-worthy.

4. Keep your setting in mind

Is your book set somewhere particularly interesting or significant? Even if your title isn’t just where the action takes place (like Middlemarch by George Eliot), it’s something to have in the back of your mind. You can include other details, like The Wizard of Oz by L. Frank Baum or Picnic at Hanging Rock by Joan Lindsay, to give your readers a sense of action and character, as well as setting (which tend to be linked).

5. Look for book title ideas in famous phrases 

Think Harper Lee’s To Kill A Mockingbird here — this is a central symbol and significant piece of dialogue in the novel. It’s enigmatic (what does it even mean? Is it a warning? An instruction?) and makes us really sit up when these words appear in the text itself. Try and think of your inspiration for writing your book or sum up your central theme in a few words, and see if these inspire anything.

6. Analyze the book titles of other books

You might be surprised at how many books refer to other works in their titles ( The Fault in Our Stars by John Green comes from Shakespeare’s Julius Caesar , and Steinbeck’s Of Mice and Men takes its inspiration from a Robert Burns poem). Going this route allows authors to use an already beautiful and poetic turn of phrase that alludes to a theme in their own book. From Ernest Hemingway’s For Whom the Bell Tolls to Philip Pullman’s His Dark Materials , so many books have used this technique that might also work for you.

7. Don’t forget the subtitle

In non-fiction publishing, there’s a trend of evocative or abstract titles, followed by a subtitle that communicates the content (and is packed with delicious keywords that the Amazon search engine can’t resist). This is also another way to get around long titles — and to add a little panache to an otherwise dry subject matter. In the United States, it’s also quite common to have “A Novel” as a subtitle (if, you know, it’s a novel). In the United Kingdom, this practice is much rarer.

8. Generate a book name through a book title generator

If you’ve gone through all of the above and are still wringing out your brain trying to come up with the golden formula — fear not! There are other ways to get the cogs whirring and inspiration brewing, such as title generators.

And speaking of cogs whirring, let us present you with the...

15 best book titles of all time

Witty, eye-catching, memorable — these famous book titles have it all. Without further ado, here are 15 best book titles you can take inspiration from.

• I Know Why The Caged Bird Sings by Maya Angelou
• East of Eden by John Steinbeck
• The Sun Also Rises by Ernest Hemingway
• Do Androids Dream of Electric Sheep? by Philip K. Dick
• The Curious Incident of the Dog in the Night-Time by Mark Haddon
• Cloudy with a Chance of Meatballs by Judi Barrett
• Pride and Prejudice and Zombies by Seth Grahame-Smith
• The House of Mirth by Edith Wharton
• Are You There, Vodka? It's Me, Chelsea by Chelsea Handler
• And Then There Were None by Agatha Christie
• Their Eyes Were Watching God by Zora Neale Hurston
• The Devil Wears Prada by Lauren Weisberger
• Brave New World by Aldous Huxley
• Bury My Heart at Wounded Knee by Dee Brown
• The Man Who Was Thursday by G.K. Chesterton

Looking for even more story title ideas?

If you’re agonizing over your book title, you’re not alone! Some of the best book titles today emerged only after much teeth gnashing. The Sun Also Rises was once titled Fiesta ; Pride and Prejudice was once First Impressions . Then there was F. Scott Fitzgerald, who reportedly took forever to think of a good title. He ultimately discarded a dozen ( Gold-Hatted Gatsby , The High-Bouncing Lover , and Trimalchio in West Egg included) before reluctantly picking The Great Gatsby .

So it’s tough out there for a novelist, which is why we built this generator: to try and give you some inspiration. Any of the titles that you score through it are yours to use. We’d be even more delighted if you dropped us the success story at [email protected] ! If you find that you need even more of a spark beyond our generator, the Internet’s got you covered. Here are some of our other favorite generators on the web:

Fantasy Book Title Generators : Fantasy Name Generator , Serendipity: Fantasy Novel Titles

• Sci-Fi Novel Title Generators : Book Title Creator , Story Title Generator

Romance Book Title Generators : Romance Title Generator

Crime Book Title Generators : Tara Sparling’s Crime Thriller Titles , Ruddenberg’s Generator

Mystery Novel Title Generators : The Generator .

Or if you think that generators are fun and all — but that you’d rather create your own book title? Great 👍 Kick off with this post, which is all about how to choose your book title . And once you've got the words down, make sure you capitalize your title correctly .

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How To Write an Autobiography 2024 (Tips, Templates, & Guide)

Your life story has value, merit, and significance. You want to share it with the world, but maybe you don’t know how .

Here’s how to write an autobiography:

Write an autobiography by creating a list of the most important moments, people, and places in your life. Gather photos, videos, letters, and notes about these experiences. Then, use an outline, templates, sentence starters, and questions to help you write your autobiography .

In this article, you are going to learn the fastest method for writing your autobiography.

We are going to cover everything you need to know with examples and a free, downloadable, done-for-you template.

What Is an Autobiography?

Table of Contents

Before you can write an autobiography, you must first know the definition.

An autobiography is the story of your life, written by you. It covers the full span of your life (at least, up until now), hitting on the most significant moments, people and events.

When you write your autobiography, you write an intimate account of your life.

What Should I Include In an Autobiography?

If you are scratching your head, baffled about what to include in your autobiography, you are not alone.

After all, a big part of how to write an autobiography is knowing what to put in and what to leave out of your life story. Do you focus on every detail?

Every person? Won’t your autobiography be too long?

A good way to think about how to write an autobiography is to use the Movie Trailer Method.

What do movie trailers include?

• High emotional moments
• The big events
• The most important characters

When you plan, organize, and write your autobiography, keep the Movie Trailer Method in mind. You can even watch a bunch of free movie trailers on YouTube for examples of how to write an autobiography using the Movie Trailer Method.

When wondering what to include in your autobiography, focus on what would make the cut for a movie trailer of your life:

• Most important people (like family, friends, mentors, coaches, etc.)
• Significant events (like your origin story, vacations, graduations, life turning points, life lessons)
• Emotional moments (When you were homeless, when you battled a life-threatening condition, or when you fell in love)
• Drama or suspense (Did you make it into Harvard? Did your first surgery go well? Did your baby survive?)

Autobiography Structure Secrets

Like any compelling story, a well-structured autobiography often follows a pattern that creates a logical flow and captures readers’ attention.

Traditionally, autobiographies begin with early memories, detailing the writer’s childhood, family background, and the events or people that shaped their formative years.

From here, the narrative typically progresses chronologically, covering major life events like schooling, friendships, challenges, achievements, career milestones, and personal relationships.

It’s essential to weave these events with introspective insights.

This allows readers to understand not just the what, but also the why behind the author’s choices and experiences.

Towards the end, an effective autobiography often includes reflections on lessons learned, changes in perspective over time, and the wisdom acquired along life’s journey.

Example of the Structure:

• Introduction: A gripping event or anecdote that gives readers a hint of what to expect. It could be a pivotal moment or challenge that defines the essence of the story.
• Childhood and Early Memories: Recounting family dynamics, birthplace, cultural background, and memorable incidents from early years.
• Adolescence and Discovering Identity: Experiences during teenage years, challenges faced, friendships formed, and personal evolutions.
• Pursuits and Passions: Describing education, early career choices, or any particular hobby or skill that played a significant role in the author’s life.
• Major Life Events and Challenges: Chronicles of marriage, parenthood, career shifts, or any significant setbacks and how they were overcome.
• Achievements and Milestones: Celebrating major accomplishments and recounting the journey to achieving them.
• Reflections and Wisdom: Sharing life lessons, changes in beliefs or values over time, and offering insights gained from lived experiences.
• Conclusion: Summarizing the journey, contemplating on the present state, and sharing hopes or aspirations for the future.

How To Write an Autobiography Quickly: Strategies & Templates

Want the quickest way to organize and write your autobiography in record time? You can literally write your autobiography in 7 days or less with this method.

The secret is to use done-for-you templates.

I have personally designed and collected a series of templates to take you from a blank page to a fully complete Autobiography. I call this the How to Write an Autobiography Blueprint.

And it’s completely free to download right from this article. 🙂

In the How to Write an Autobiography Blueprint, you get:

• The Autobiography Questions Template
• The Autobiography Brainstorm Templates
• The Autobiography Outline Template

Here is an image of it so that you know exactly what you get when you download it:

How To Write an Autobiography: Step-by-Step

When you sit down to write an autobiography, it’s helpful to have a step-by-step blueprint to follow.

You already have the done-for-you templates that you can use to organize and write an autobiography faster than ever before. Now here’s a complete step-by-step guide on how to maximize your template.

• Brainstorm Ideas
• Order your sections (from medium to high interest)
• Order the ideas in each section (from medium to high interest)
• Write three questions to answer in each section
• Choose a starter sentence
• Complete a title template
• Write each section of your by completing the starter sentence and answering all three questions

Brainstorm Your Autobiography

The first step in writing your autobiography is to brainstorm.

Give yourself time and space to write down the most significant people, events, lessons, and experiences in your life. The templates in the How to Write an Autobiography Blueprint provide sections for you to write down your brainstormed ideas.

This will help you organize your ideas into what will become the major sections of your book.

These will be:

• Y our most significant events and experiences.
• The people who impacted you the most.
• The challenges you have overcome.
• Your achievements and successes.
• The lessons you have learned.

The “other” sections on the second page of the Brainstorm template is for creating your own sections or to give you more space for the sections I provided in case you run out of space.

As I brainstorm, I find asking myself specific questions really activates my imagination.

So I have compiled a list of compelling questions to help you get ideas down on paper or on your screen.

Order Your Sections (From Medium to High Interest)

The next step is to order your main sections.

The main sections are the five (or more) sections from your Brainstorm templates (Significant events, significant people, life lessons, challenges, successes, other, etc). This order will become the outline and chapters for your book.

How do you decide what comes first, second or third?

I recommend placing the sections in order of interest. Ask yourself, “What’s the most fascinating part of my life?”

If it’s a person, then write the name of that section (Significant People) on the last line in the How to Write an Autobiography Outline Template. If it’s an experience, place the name of that section (Significant Events) on the last line.

For example, if you met the Pope, you might want to end with that nugget from your life. If you spent three weeks lost at sea and survived on a desert island by spearfishing, that is your ending point.

Then complete the Outline by placing the remaining sections in order of interest. You can work your way backward from high interest to medium interest.

If you are wondering why I say “medium to high interest” instead of “low to high interest” it is because there should be no “low interest” parts of your autobiography.

But wait, what if you met the Pope AND spent three weeks lost at sea? How do you choose which one comes first or last?

First of all, I want to read this book! Second, when in doubt, default to chronological order. Whatever event happened first, start there.

Here is an example of how it might look:

Order The Ideas in Each Section (From Medium To High Interest)

Now, organize the ideas inside of each section. Again, order the ideas from medium to high interest).

Within your “Significant People” section, decide who you want to talk about first, second, third, etc. You can organize by chronological order (who you met first) but I recommend building to the most interesting or most significant person.

This creates a more compelling read.

Keep in mind that the most significant person might not be the most well-known, most famous, or most popular. The most significant person might be your family member, friend, partner, or child.

It comes down to who shaped your life the most.

So, if your “significant people list” includes your dad, a famous social media influencer, and Mike Tyson, your dad might come last because he had the biggest significance in your life.

Write Three Questions to Answer in Each Section

Ok, you’ve done the heavy lifting already. You have the major sections organized and outlined.

Next on your autobiography to-do list is to choose and write down three questions you are going to answer in each section. You can write your questions down in the provided “boxes” for each section on the template outline (or on another piece of paper.

This is easier than it might seem.

Simply choose one of the sample autobiography questions below or create your own:

• Why did I choose this person/event?
• What does this person/event mean to me?
• How did I meet this person?
• Where did it happen?
• When did it happen?
• Why did it happen?
• How did it happen?
• What is the most interesting part?
• How did I feel about this person or event?
• How do I feel now?
• Why does this person or event matters to me?
• How did this person or event change my life?
• What is the most challenging part?
• How did I fail?
• How did I succeed?
• What did I learn?

Questions are the perfect way to write quickly and clearly. I LOVE writing to questions. It’s how I write these blog posts and articles.

Choose a Starter Sentence

Sometimes the hardest part of any project is knowing how to start.

Even though we know we can always go back and edit our beginnings, so many of us become paralyzed with indecision at the starting gate.

That’s why I provided sample starter sentences in your How to Write an Autobiography Blueprint.

Here are the story starters:

• I began writing this book when…
• Of all the experiences in my life, this one was the most…
• I’ve been a…
• My name is…
• Growing up in…
• It wasn’t even a…
• It all started when…
• I first…
• I was born…

Keep in mind that you do not need to begin your book with one of these story starters. I provide them simply to get you going.

The key is to not get bogged down in this, or any, part of writing your autobiography. Get organized and then get writing.

Complete a Title Template

At the top of the How to Write an Autobiography Outline is a place for you to write your book title.

Some authors struggle forever with a title. And that’s ok. What’s not ok is getting stuck. What’s not ok is if coming up with your title prevents you from finishing your book.

So, I provided a few title templates to help juice your creativity.

Just like the story starters, you do not need to use these title templates, but you certainly can. All you need to do is fill in the title templates below and then write your favorite one (for now) at the top of your outline. Presto! You have your working title.

You can always go back and change it later.

How to Write an Autobiography Title templates:

• [Your Name]: [Phrase or Tag Line]
• The [Your Last Name] Files
• Born [Activity]: A [Career]’s Life
• The Perfect [Noun]: The Remarkable Life of [Your Name]

Examples using the Templates:

• Christopher Kokoski: Blog Until You Drop
• The Kokoski Files
• Born Writing: A Blogger’s Life
• The Perfect Freelancer: The Remarkable Life of Christopher Kokoski

Write Your Autobiography

You have your outline. You have your title, templates, and sentence starters. All that is left to do is write your autobiography.

However, you can use tools like Jasper AI and a few other cool tricks to craft the most riveting book possible.

This is the easy way to remarkable writing.

Check out this short video that goes over the basics of how to write an autobiography:

How To Write an Autobiography (All the Best Tips)

Now that you are poised and ready to dash out your first draft, keep the following pro tips in mind:

• Be vulnerable. The best autobiographies share flaws, faults, foibles, and faux pas. Let readers in on the real you.
• Skip the boring parts. There is no need to detail every meal, car ride, or a gripping trip to the grocery store. Unless you ran into the Russian Mafia near the vegetables or the grocery store is perched on the side of a mountain above the jungles of Brazil.
• Keep your autobiography character-driven . This is the story of YOU!
• Be kind to others (or don’t). When writing about others in your story, keep in mind that there may be fallout or backlash from your book.
• Consider a theme: Many autobiographies are organized by theme. A perfect example is Becoming . Each section of the book includes “becoming” in the title. Themes connect and elevate each part of the autobiography.
• Write your story in vignettes (or scenes). Each vignette is a mini-story with a beginning, middle, and end. Each vignette builds. Each vignette should be described in rich sensory language that shows the reader the experience instead of telling the reader about the experience. Each vignette is immersive, immediate, and intimate.
• Include snippets of dialogue. Use quotation marks just like in fiction. Show the dialogue in brief back-and-forth tennis matches of conversation. Remember to leave the boring parts out!
• Choose a consistent tone. Some autobiographies are funny like Bossy Pants by Tina Fey. Others are serious such as Open by Andre Agassi. Your story (like most stories) will likely include a mix of emotions but choose an overall tone and stick with it.
• Don’t chronicle, captivate . Always think about how to make each section, each chapter, each page, each paragraph, and each sentence more compelling. You want to tell the truth, but HOW you tell the truth is up to you. Create suspense, conflict, and mystery. Let drama linger until it becomes uncomfortable. Don’t solve problems quickly or take away tension right away.

How Do I Format an Autobiography?

Most autobiographies are written in the first person (using the pronouns I, me, we, and us).

Your autobiography is written about you so write as yourself instead of pretending to be writing about someone else.

Most autobiographies are also written in chronological order, from birth right up to your current age, with all the boring parts left out. That doesn’t mean you can’t play around with the timeline.

Sometimes it’s more interesting to start at a high moment, backtrack to the beginning and show how you got to that high moment.

Whatever format you choose, be intentional, and make the choice based on making the most compelling experience possible for your readers.

How Long Should an Autobiography Be?

There are no rules to how long an autobiography should be but a rough guideline is to aim for between 200 and 400 pages.

This will keep your book in line with what most readers expect for books in general, and will help get your book traditionally published or help with marketing your self-published book.

How To Write a Short Autobiography

You write a short autobiography the same way that you write a long autobiography.

You simply leave more out of the story.

You cut everything down to the bones. Or you choose a slice of your life as you do in a memoir. This often means limiting the people in your book, reducing the events and experiences, and shrinking your story to a few pivotal moments in your life.

How To Start an Autobiography

The truth is that you can start your autobiography in any number of ways.

Here are four common ways to begin an autobiography.

• Start at the beginning (of your life, career or relationship, etc.)
• Start at a high moment of drama or interest.
• Start at the end of the story and work backward
• Start with why you wrote the book.

Good Autobiography Titles

If you are still stuck on titling your autobiography, consider going to Amazon to browse published works. You can even just Google “autobiographies.”

When you read the titles of 10, 20, or 50 other autobiographies, you will start to see patterns or get ideas for your own titles. (HINT: the title templates in the Autobiography Blueprint were reverse-engineered from popular published books.

Also, check out the titles of the full autobiography examples below that I have included right here in this article.

Types of Autobiographies

There are several different kinds of autobiographies.

Each one requires a similar but slightly nuanced approach to write effectively. The lessons in this article will serve as a great starting point.

Autobiography Types:

• Autobiography for School
• Autobiography Novel
• Autobiography for a Job
• Short Autobiography
• Autobiography for Kids

Therefore, there is actually not just one way to write an autobiography.

Memoir vs. Autobiography: Are They The Same?

It’s common to feel confused about a memoir and an autobiography. I used to think they were the same thing.

But, nope, they’re not.

They are pretty similar, which is the reason for all the confusion. A memoir is the story of one part of your life. An autobiography is the story of your full life (up until now).

What Is the Difference Between an Autobiography and a Biography?

An autobiography is when you write about your own life. A biography, on the other hand, is when you write the story of someone else’s life.

So, if I write a book about the life of the President, that’s a biography.

If the President writes a story about his or her own life, that’s an autobiography.

What Not To Include In an Autobiography

Autobiographies are meant to be a snapshot of our lives that we can share with others, but there are some things that are best left out.

Here are three things you should avoid including in your autobiography:

1) Anything That Readers Will Skip

Your life may not be filled with non-stop excitement, but that doesn’t mean you need to include every mundane detail in your autobiography.

Stick to the highlights and leave out the low points.

2) Character Attacks on Others

It’s okay to discuss conflicts you’ve had with others, but don’t use your autobiography as a platform to attack someone’s character.

Keep it civil and focus on your own experiences and how they’ve affected you.

3) Skipping Highlights

Just because something embarrassing or painful happened to you doesn’t mean you should gloss over it in your autobiography.

These are the moments that shape us and make us who we are today, so don’t skip past them just because they’re uncomfortable.

By following these simple tips, you can ensure that your autobiography is interesting, honest, and engaging.

How To Write an Autobiography: Autobiography Examples

I have always found examples to be extremely instructive. Especially complete examples of finished products. In this case, books.

Below you will find examples of published autobiographies for adults and for kids. These examples will guide you, motivate you and inspire you to complete your own life story.

They are listed here as examples, not as endorsements, although I think they are all very good.

The point is that you don’t have to agree with anything written in the books to learn from them.

Autobiography Examples for Adults

• A Promised Land (Autobiography of Barack Obama)
• If You Ask Me: (And of Course You Won’t) (Betty White)
• It’s a Long Story: My Life (Willie Nelson)
• Stories I Only Tell My Friends: An Autobiography (Rob Lowe)
• Becoming (Michelle Obama)

Autobiography Examples for Kids

• This Kid Can Fly: It’s About Ability (NOT Disability) (Aaron Philips)
• Bee Fearless: Dream Like a Kid (Mikaila Ulmer)

Final Thoughts: How To Write An Autobiography

Thank you for reading my article on How to Write an Autobiography.

Now that you know all of the secrets to write your book, you may want to get it published, market it, and continue to upskill yourself as an author.

In that case, read these posts next:

• Can Anyone Write A Book And Get It Published?
• The Best Writing Books For Beginners 2022 (My 10 Favorites)
• Why Do Writers Hate Adverbs? (The Final Answer)
• How To Write a Manifesto: 20 Ultimate Game-Changing Tips

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The life and music of Amy Winehouse, through the journey of adolescence to adulthood and the creation of one of the best-selling albums of our time. The life and music of Amy Winehouse, through the journey of adolescence to adulthood and the creation of one of the best-selling albums of our time. The life and music of Amy Winehouse, through the journey of adolescence to adulthood and the creation of one of the best-selling albums of our time.

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