can you write an autobiography in third person

How to Write a Biography in Third Person About Yourself

Lauren turnbull.

Writing an autobiography in the third person can be a challenging creative writing exercise as well as a practical necessity for career development. Many companies expect you to write in third person when you describe your accomplishments. This manner of writing helps to focus the subject matter while giving your work a professional tone. Whether you are writing about yourself for work or just stretching your creative muscles, writing an autobiography in the third person prompts personal reflection as you take note of your interests, dreams and accomplishments.

Write the objective of your autobiography at the top of a notebook page. The objective of a professional autobiography is to explain your experience; an informal autobiography explains your personal history or interests.

List your attributes, awards, interests and accomplishments. Minimize environmental distractions such as the television or radio and review old resumes to spark your memory.

Ask your friends or family to tell you about your attributes or history. Getting another person's perspective helps to remove subjectivity from the evaluation process. Add their input to your list.

Edit your list using your autobiography's objective as a guide. Delete or modify interests, accomplishments or facts that do not support or relate to your main point. Needless details can distract and mislead readers.

Organize your attributes list in a logical progression, such as chronological.

Write an outline of your autobiography using your organized attributes list. Divide your chronological outline into a beginning, middle and end. Your autobiography should progress from past accomplishments to present goals or interests. Set your outline aside.

Write your name and "is" to start a new paragraph in the third-person voice. Pretend you are writing about another person.

Write your beginning, middle and end paragraphs using your outline as a guide. Include a few personal details such as hobbies to reduce formality. Add details such as professional experience to make your work more formal.

Edit your writing for consistent tone and review your piece for grammatical errors. Ask another person to read your work to evaluate its flow and grammar.

About the Author

Lauren Turnbull has been a freelance writer and photographer since 2005, specializing in science, government, politics and community development topics. Her work has been featured in "The Raven" literary magazine and Pratt Institute's "Gateway" newsletter. Turnbull has a Bachelor of Fine Arts in film from the Pratt Institute's College of Art and Design.

Related Articles

How to Write a Career Autobiography

How to Write a Simple Personal Biography

How to Write Funeral Tributes

How to Write a Cover Letter in High School

How to Make Bagging Groceries Sound Good on a Resume

Sample of How to Write an Autobiography

How to Write an Essay on Who Influenced My Life

How to Tell About Yourself in a Brief Bio

How to Write a Life Experience Portfolio for College

How to Write a Personal Statement in 200-300 Words

How to Write a Good Career Goal Narrative

How Do I Cite Previous Work Written by Myself & Reference...

How to Write an Intellectual Biography for Graduate...

How to Create a Brag Sheet

How to Write an Autobiography for a Portfolio

How to Write a Letter to Someone You Haven't Seen in...

How to Write a Self-Descriptive Essay

How to Write Essays About a Challenging Problem & How...

How to Write an Informative Summary

How to Write a Literature Report

Regardless of how old we are, we never stop learning. Classroom is the educational resource for people of all ages. Whether you’re studying times tables or applying to college, Classroom has the answers.

• Accessibility
• Terms of Use
• Privacy Policy
• Copyright Policy
• Manage Preferences

© 2020 Leaf Group Ltd. / Leaf Group Media, All Rights Reserved. Based on the Word Net lexical database for the English Language. See disclaimer .

• How to Cite
• Language & Lit
• Rhyme & Rhythm
• The Rewrite
• Search Glass

How to Write a Biography in the Third Person

A biography is written in the third person to introduce an individual in a professional capacity. It should showcase your career experience, background and expertise yet be as succinct as possible. Third-person biographies are vital for writers and are meant to give readers a peek at them on a personal level as well as insight into their writing history.

Think of your life as though you were someone else and not yourself. This will help in enabling you to more easily write your biography in the third person and will bring to mind the more interesting aspects of yourself that you will want to include.

Decide on a few aspects of your life you want to write about in the biography. Focus on including anything that is relevant to your career, education and another areas of your life that gives readers insight into your personality, such as a hobby.

Write a few short paragraphs to keep your biography succinct and to the point. Use your full name in the first sentence, and refer to yourself by just your first name or as "he" or "she" in the sentences that follow.

Proofread your biography. Edit any mistakes you notice, and rewrite any awkward sentences to make them better. Use the spell-checking function on your word processing program as well. Have another person look over your biography so that fresh eyes can proofread it.

Things You'll Need

• Absolute Write: Building a Better Biography
• How to Write an Attention-Grabbing Professional Bio

Renee Gerber has over 14 years of editorial experience and is an editor for a sports website. She has published several articles on pro-wrestling at BleacherReport.com and other websites. She obtained a Bachelor of Arts degree in journalism at Baruch College in 2001 and is enrolled in a program to obtain a certificate in digital design.

How To Write an Autobiography 2024 (Tips, Templates, & Guide)

Your life story has value, merit, and significance. You want to share it with the world, but maybe you don’t know how .

Here’s how to write an autobiography:

Write an autobiography by creating a list of the most important moments, people, and places in your life. Gather photos, videos, letters, and notes about these experiences. Then, use an outline, templates, sentence starters, and questions to help you write your autobiography .

In this article, you are going to learn the fastest method for writing your autobiography.

We are going to cover everything you need to know with examples and a free, downloadable, done-for-you template.

What Is an Autobiography?

Table of Contents

Before you can write an autobiography, you must first know the definition.

An autobiography is the story of your life, written by you. It covers the full span of your life (at least, up until now), hitting on the most significant moments, people and events.

When you write your autobiography, you write an intimate account of your life.

What Should I Include In an Autobiography?

If you are scratching your head, baffled about what to include in your autobiography, you are not alone.

After all, a big part of how to write an autobiography is knowing what to put in and what to leave out of your life story. Do you focus on every detail?

Every person? Won’t your autobiography be too long?

A good way to think about how to write an autobiography is to use the Movie Trailer Method.

What do movie trailers include?

• High emotional moments
• The big events
• The most important characters

When you plan, organize, and write your autobiography, keep the Movie Trailer Method in mind. You can even watch a bunch of free movie trailers on YouTube for examples of how to write an autobiography using the Movie Trailer Method.

When wondering what to include in your autobiography, focus on what would make the cut for a movie trailer of your life:

• Most important people (like family, friends, mentors, coaches, etc.)
• Significant events (like your origin story, vacations, graduations, life turning points, life lessons)
• Emotional moments (When you were homeless, when you battled a life-threatening condition, or when you fell in love)
• Drama or suspense (Did you make it into Harvard? Did your first surgery go well? Did your baby survive?)

Autobiography Structure Secrets

Like any compelling story, a well-structured autobiography often follows a pattern that creates a logical flow and captures readers’ attention.

Traditionally, autobiographies begin with early memories, detailing the writer’s childhood, family background, and the events or people that shaped their formative years.

From here, the narrative typically progresses chronologically, covering major life events like schooling, friendships, challenges, achievements, career milestones, and personal relationships.

It’s essential to weave these events with introspective insights.

This allows readers to understand not just the what, but also the why behind the author’s choices and experiences.

Towards the end, an effective autobiography often includes reflections on lessons learned, changes in perspective over time, and the wisdom acquired along life’s journey.

Example of the Structure:

• Introduction: A gripping event or anecdote that gives readers a hint of what to expect. It could be a pivotal moment or challenge that defines the essence of the story.
• Childhood and Early Memories: Recounting family dynamics, birthplace, cultural background, and memorable incidents from early years.
• Adolescence and Discovering Identity: Experiences during teenage years, challenges faced, friendships formed, and personal evolutions.
• Pursuits and Passions: Describing education, early career choices, or any particular hobby or skill that played a significant role in the author’s life.
• Major Life Events and Challenges: Chronicles of marriage, parenthood, career shifts, or any significant setbacks and how they were overcome.
• Achievements and Milestones: Celebrating major accomplishments and recounting the journey to achieving them.
• Reflections and Wisdom: Sharing life lessons, changes in beliefs or values over time, and offering insights gained from lived experiences.
• Conclusion: Summarizing the journey, contemplating on the present state, and sharing hopes or aspirations for the future.

How To Write an Autobiography Quickly: Strategies & Templates

Want the quickest way to organize and write your autobiography in record time? You can literally write your autobiography in 7 days or less with this method.

The secret is to use done-for-you templates.

I have personally designed and collected a series of templates to take you from a blank page to a fully complete Autobiography. I call this the How to Write an Autobiography Blueprint.

And it’s completely free to download right from this article. 🙂

In the How to Write an Autobiography Blueprint, you get:

• The Autobiography Questions Template
• The Autobiography Brainstorm Templates
• The Autobiography Outline Template

Here is an image of it so that you know exactly what you get when you download it:

How To Write an Autobiography: Step-by-Step

When you sit down to write an autobiography, it’s helpful to have a step-by-step blueprint to follow.

You already have the done-for-you templates that you can use to organize and write an autobiography faster than ever before. Now here’s a complete step-by-step guide on how to maximize your template.

• Brainstorm Ideas
• Order your sections (from medium to high interest)
• Order the ideas in each section (from medium to high interest)
• Write three questions to answer in each section
• Choose a starter sentence
• Complete a title template
• Write each section of your by completing the starter sentence and answering all three questions

Brainstorm Your Autobiography

The first step in writing your autobiography is to brainstorm.

Give yourself time and space to write down the most significant people, events, lessons, and experiences in your life. The templates in the How to Write an Autobiography Blueprint provide sections for you to write down your brainstormed ideas.

This will help you organize your ideas into what will become the major sections of your book.

These will be:

• Y our most significant events and experiences.
• The people who impacted you the most.
• The challenges you have overcome.
• Your achievements and successes.
• The lessons you have learned.

The “other” sections on the second page of the Brainstorm template is for creating your own sections or to give you more space for the sections I provided in case you run out of space.

As I brainstorm, I find asking myself specific questions really activates my imagination.

So I have compiled a list of compelling questions to help you get ideas down on paper or on your screen.

Order Your Sections (From Medium to High Interest)

The next step is to order your main sections.

The main sections are the five (or more) sections from your Brainstorm templates (Significant events, significant people, life lessons, challenges, successes, other, etc). This order will become the outline and chapters for your book.

How do you decide what comes first, second or third?

I recommend placing the sections in order of interest. Ask yourself, “What’s the most fascinating part of my life?”

If it’s a person, then write the name of that section (Significant People) on the last line in the How to Write an Autobiography Outline Template. If it’s an experience, place the name of that section (Significant Events) on the last line.

For example, if you met the Pope, you might want to end with that nugget from your life. If you spent three weeks lost at sea and survived on a desert island by spearfishing, that is your ending point.

Then complete the Outline by placing the remaining sections in order of interest. You can work your way backward from high interest to medium interest.

If you are wondering why I say “medium to high interest” instead of “low to high interest” it is because there should be no “low interest” parts of your autobiography.

But wait, what if you met the Pope AND spent three weeks lost at sea? How do you choose which one comes first or last?

First of all, I want to read this book! Second, when in doubt, default to chronological order. Whatever event happened first, start there.

Here is an example of how it might look:

Order The Ideas in Each Section (From Medium To High Interest)

Now, organize the ideas inside of each section. Again, order the ideas from medium to high interest).

Within your “Significant People” section, decide who you want to talk about first, second, third, etc. You can organize by chronological order (who you met first) but I recommend building to the most interesting or most significant person.

This creates a more compelling read.

Keep in mind that the most significant person might not be the most well-known, most famous, or most popular. The most significant person might be your family member, friend, partner, or child.

It comes down to who shaped your life the most.

So, if your “significant people list” includes your dad, a famous social media influencer, and Mike Tyson, your dad might come last because he had the biggest significance in your life.

Write Three Questions to Answer in Each Section

Ok, you’ve done the heavy lifting already. You have the major sections organized and outlined.

Next on your autobiography to-do list is to choose and write down three questions you are going to answer in each section. You can write your questions down in the provided “boxes” for each section on the template outline (or on another piece of paper.

This is easier than it might seem.

Simply choose one of the sample autobiography questions below or create your own:

• Why did I choose this person/event?
• What does this person/event mean to me?
• How did I meet this person?
• Where did it happen?
• When did it happen?
• Why did it happen?
• How did it happen?
• What is the most interesting part?
• How did I feel about this person or event?
• How do I feel now?
• Why does this person or event matters to me?
• How did this person or event change my life?
• What is the most challenging part?
• How did I fail?
• How did I succeed?
• What did I learn?

Questions are the perfect way to write quickly and clearly. I LOVE writing to questions. It’s how I write these blog posts and articles.

Choose a Starter Sentence

Sometimes the hardest part of any project is knowing how to start.

Even though we know we can always go back and edit our beginnings, so many of us become paralyzed with indecision at the starting gate.

That’s why I provided sample starter sentences in your How to Write an Autobiography Blueprint.

Here are the story starters:

• I began writing this book when…
• Of all the experiences in my life, this one was the most…
• I’ve been a…
• My name is…
• Growing up in…
• It wasn’t even a…
• It all started when…
• I first…
• I was born…

Keep in mind that you do not need to begin your book with one of these story starters. I provide them simply to get you going.

The key is to not get bogged down in this, or any, part of writing your autobiography. Get organized and then get writing.

Complete a Title Template

At the top of the How to Write an Autobiography Outline is a place for you to write your book title.

Some authors struggle forever with a title. And that’s ok. What’s not ok is getting stuck. What’s not ok is if coming up with your title prevents you from finishing your book.

So, I provided a few title templates to help juice your creativity.

Just like the story starters, you do not need to use these title templates, but you certainly can. All you need to do is fill in the title templates below and then write your favorite one (for now) at the top of your outline. Presto! You have your working title.

You can always go back and change it later.

How to Write an Autobiography Title templates:

• [Your Name]: [Phrase or Tag Line]
• The [Your Last Name] Files
• Born [Activity]: A [Career]’s Life
• The Perfect [Noun]: The Remarkable Life of [Your Name]

Examples using the Templates:

• Christopher Kokoski: Blog Until You Drop
• The Kokoski Files
• Born Writing: A Blogger’s Life
• The Perfect Freelancer: The Remarkable Life of Christopher Kokoski

Write Your Autobiography

You have your outline. You have your title, templates, and sentence starters. All that is left to do is write your autobiography.

However, you can use tools like Jasper AI and a few other cool tricks to craft the most riveting book possible.

This is the easy way to remarkable writing.

Check out this short video that goes over the basics of how to write an autobiography:

How To Write an Autobiography (All the Best Tips)

Now that you are poised and ready to dash out your first draft, keep the following pro tips in mind:

• Be vulnerable. The best autobiographies share flaws, faults, foibles, and faux pas. Let readers in on the real you.
• Skip the boring parts. There is no need to detail every meal, car ride, or a gripping trip to the grocery store. Unless you ran into the Russian Mafia near the vegetables or the grocery store is perched on the side of a mountain above the jungles of Brazil.
• Keep your autobiography character-driven . This is the story of YOU!
• Be kind to others (or don’t). When writing about others in your story, keep in mind that there may be fallout or backlash from your book.
• Consider a theme: Many autobiographies are organized by theme. A perfect example is Becoming . Each section of the book includes “becoming” in the title. Themes connect and elevate each part of the autobiography.
• Write your story in vignettes (or scenes). Each vignette is a mini-story with a beginning, middle, and end. Each vignette builds. Each vignette should be described in rich sensory language that shows the reader the experience instead of telling the reader about the experience. Each vignette is immersive, immediate, and intimate.
• Include snippets of dialogue. Use quotation marks just like in fiction. Show the dialogue in brief back-and-forth tennis matches of conversation. Remember to leave the boring parts out!
• Choose a consistent tone. Some autobiographies are funny like Bossy Pants by Tina Fey. Others are serious such as Open by Andre Agassi. Your story (like most stories) will likely include a mix of emotions but choose an overall tone and stick with it.
• Don’t chronicle, captivate . Always think about how to make each section, each chapter, each page, each paragraph, and each sentence more compelling. You want to tell the truth, but HOW you tell the truth is up to you. Create suspense, conflict, and mystery. Let drama linger until it becomes uncomfortable. Don’t solve problems quickly or take away tension right away.

How Do I Format an Autobiography?

Most autobiographies are written in the first person (using the pronouns I, me, we, and us).

Your autobiography is written about you so write as yourself instead of pretending to be writing about someone else.

Most autobiographies are also written in chronological order, from birth right up to your current age, with all the boring parts left out. That doesn’t mean you can’t play around with the timeline.

Sometimes it’s more interesting to start at a high moment, backtrack to the beginning and show how you got to that high moment.

Whatever format you choose, be intentional, and make the choice based on making the most compelling experience possible for your readers.

How Long Should an Autobiography Be?

There are no rules to how long an autobiography should be but a rough guideline is to aim for between 200 and 400 pages.

This will keep your book in line with what most readers expect for books in general, and will help get your book traditionally published or help with marketing your self-published book.

How To Write a Short Autobiography

You write a short autobiography the same way that you write a long autobiography.

You simply leave more out of the story.

You cut everything down to the bones. Or you choose a slice of your life as you do in a memoir. This often means limiting the people in your book, reducing the events and experiences, and shrinking your story to a few pivotal moments in your life.

How To Start an Autobiography

The truth is that you can start your autobiography in any number of ways.

Here are four common ways to begin an autobiography.

• Start at the beginning (of your life, career or relationship, etc.)
• Start at a high moment of drama or interest.
• Start at the end of the story and work backward
• Start with why you wrote the book.

Good Autobiography Titles

If you are still stuck on titling your autobiography, consider going to Amazon to browse published works. You can even just Google “autobiographies.”

When you read the titles of 10, 20, or 50 other autobiographies, you will start to see patterns or get ideas for your own titles. (HINT: the title templates in the Autobiography Blueprint were reverse-engineered from popular published books.

Also, check out the titles of the full autobiography examples below that I have included right here in this article.

Types of Autobiographies

There are several different kinds of autobiographies.

Each one requires a similar but slightly nuanced approach to write effectively. The lessons in this article will serve as a great starting point.

Autobiography Types:

• Autobiography for School
• Autobiography Novel
• Autobiography for a Job
• Short Autobiography
• Autobiography for Kids

Therefore, there is actually not just one way to write an autobiography.

Memoir vs. Autobiography: Are They The Same?

It’s common to feel confused about a memoir and an autobiography. I used to think they were the same thing.

But, nope, they’re not.

They are pretty similar, which is the reason for all the confusion. A memoir is the story of one part of your life. An autobiography is the story of your full life (up until now).

What Is the Difference Between an Autobiography and a Biography?

An autobiography is when you write about your own life. A biography, on the other hand, is when you write the story of someone else’s life.

So, if I write a book about the life of the President, that’s a biography.

If the President writes a story about his or her own life, that’s an autobiography.

What Not To Include In an Autobiography

Autobiographies are meant to be a snapshot of our lives that we can share with others, but there are some things that are best left out.

Here are three things you should avoid including in your autobiography:

1) Anything That Readers Will Skip

Your life may not be filled with non-stop excitement, but that doesn’t mean you need to include every mundane detail in your autobiography.

Stick to the highlights and leave out the low points.

2) Character Attacks on Others

It’s okay to discuss conflicts you’ve had with others, but don’t use your autobiography as a platform to attack someone’s character.

Keep it civil and focus on your own experiences and how they’ve affected you.

3) Skipping Highlights

Just because something embarrassing or painful happened to you doesn’t mean you should gloss over it in your autobiography.

These are the moments that shape us and make us who we are today, so don’t skip past them just because they’re uncomfortable.

By following these simple tips, you can ensure that your autobiography is interesting, honest, and engaging.

How To Write an Autobiography: Autobiography Examples

I have always found examples to be extremely instructive. Especially complete examples of finished products. In this case, books.

Below you will find examples of published autobiographies for adults and for kids. These examples will guide you, motivate you and inspire you to complete your own life story.

They are listed here as examples, not as endorsements, although I think they are all very good.

The point is that you don’t have to agree with anything written in the books to learn from them.

Autobiography Examples for Adults

• A Promised Land (Autobiography of Barack Obama)
• If You Ask Me: (And of Course You Won’t) (Betty White)
• It’s a Long Story: My Life (Willie Nelson)
• Stories I Only Tell My Friends: An Autobiography (Rob Lowe)
• Becoming (Michelle Obama)

Autobiography Examples for Kids

• This Kid Can Fly: It’s About Ability (NOT Disability) (Aaron Philips)
• Bee Fearless: Dream Like a Kid (Mikaila Ulmer)

Final Thoughts: How To Write An Autobiography

Thank you for reading my article on How to Write an Autobiography.

Now that you know all of the secrets to write your book, you may want to get it published, market it, and continue to upskill yourself as an author.

In that case, read these posts next:

• Can Anyone Write A Book And Get It Published?
• The Best Writing Books For Beginners 2022 (My 10 Favorites)
• Why Do Writers Hate Adverbs? (The Final Answer)
• How To Write a Manifesto: 20 Ultimate Game-Changing Tips

2 thoughts on “How To Write an Autobiography 2024 (Tips, Templates, & Guide)”

Pingback: How To Write Like Danielle Steel - CHRISTOPHER KOKOSKI

Pingback: How Many Characters Should A Book Have? - CHRISTOPHER KOKOSKI

Comments are closed.

Shaping Your Legacy: How to Write a Compelling Autobiography

• The Speaker Lab
• March 12, 2024

Table of Contents

Ever thought about how your life story would read if it were a book? Writing an autobiography is like creating a map of your personal journey, each chapter representing milestones that shaped you. But where do you start and how can you ensure the tale holds interest?

This guide will help unravel those questions by delving into what makes an autobiography stand out, planning techniques to keep your narrative on track, writing tips for engaging storytelling, and even ethical considerations when revealing private aspects of your life.

We’ll also touch on refining drafts and navigating publishing options. By the end of this read, you’ll be equipped with all the insights you need to create a compelling autobiography!

Understanding the Essence of an Autobiography

An autobiography provides a comprehensive view of one’s life journey from birth to the present day. Imagine climbing into a time machine where every chapter represents different eras in your life. The goal of an autobiography is to allow readers to explore a factual, chronological telling of the author’s life.

Autobiographies aren’t merely catalogues of events, however; they need soulful introspection too. Think about why certain episodes mattered more than others and how those experiences influenced your perspectives or decisions later on.

You’ll also want to infuse emotional honesty, allowing yourself vulnerability when recalling both triumphant milestones and painful obstacles. Authenticity creates connections between authors and their audience, so let them see real human emotions behind every word written.

Distinguishing Features Of An Autobiography

The unique thing about autobiographies is they are first-person narratives . This allows readers to experience everything through your eyes, as if they’re living vicariously through you. From triumphs to trials, each page unravels another layer of who you are.

While memoirs are also first-person narratives of a person’s life, there are different from autobiographies. In a memoir, the author focuses on a particular time period or theme in their life. If you’d rather skip the details and dates needed for an autobiography and focus more on emotional truths, you might consider writing a memoir.

Free Download: 6 Proven Steps to Book More Paid Speaking Gigs in 2024​

Download our 18-page guide and start booking more paid speaking gigs today!

Pre-Writing Stage: Planning Your Autobiography

The planning stage is a crucial part of writing your autobiography. It’s where you map out the significant events in your life, establish a timeline, and identify who will be reading your story.

Selecting Key Life Events

To start, you need to pinpoint key moments that have shaped you. While you will include plenty of factual details in your autobiography, you won’t include every single one. Rather, you’ll be spending the majority of your autobiography focusing on the transformative experiences that defined your life journey. After all, an autobiography is not just a catalogue of events; it’s also an exploration into what these experiences meant to you.

Establishing A Timeline

Next up is establishing a timeline for your narrative flow. Since you’re writing an autobiography, it’s important to first map out your story chronologically so that you can keep your events straight in your mind. MasterClass has several suggestions for key elements you might want to include in your timeline.

Identifying Your Audience

Finding out who’ll read your book helps shape its tone and style. Self-Publishing School says understanding whether it’s for close family members or broader public can guide how personal or universal themes should be presented.

While this process might feel overwhelming initially, take time with this stage. Good planning sets solid foundations for creating an engaging autobiography.

Writing Techniques for an Engaging Autobiography

If you’re on the journey to pen down your life story, let’s dive into some techniques that can help transform it from a simple narrative into a riveting read. An engaging autobiography is more than just facts and dates—it’s about weaving your experiences in such a way that they captivate readers.

Incorporating Dialogue

The first technique involves incorporating dialogue. Rather than telling your audience what happened, show them through conversations. It lets the reader experience events as if they were there with you. As renowned author Stephen King suggests , dialogue is crucial in defining a the character of a person (including yourself).

Using Vivid Descriptions

Vivid descriptions are another effective tool in creating an immersive reading experience. But remember: overdoing it might overwhelm or bore the reader, so find balance between being descriptive and concise.

Narrative Techniques

Different narrative techniques can also enhance storytelling in autobiographies. For instance, foreshadowing creates suspense; flashbacks provide deeper context; and stream of consciousness presents thoughts as they occur naturally—a powerful way to share personal reflections.

All these writing tools combined will give you a gripping account of your life journey—one where every turn of page reveals more layers of depth and dimensionality about who you are as both character and narrator.

Structuring Your Autobiography for Maximum Impact

Deciding on the right structure for your autobiography is essential to ensure your book captivates readers and keeps them engaged.

The first step towards structuring your autobiography effectively is deciding whether to organize it chronologically or thematically. A chronological approach takes readers on a journey through time, letting each event unfold as you experienced it. On the other hand, a thematic approach revolves around central themes that have defined your life—think resilience, ambition or transformation—and might jump back and forth in time.

Creating Chapters

An effective way to manage the vast amount of information in an autobiography is by dividing it into chapters. Each chapter should be structured around a specific time frame (if you’re opting for chronological order) or theme (if taking the thematic approach). The key here isn’t necessarily sticking rigidly to these categories but using them as guides to help shape and direct your narrative flow.

Crafting Compelling Beginnings and Endings

A strong beginning pulls people into your world while an impactful ending stays with them long after they’ve closed the book—a little like how memorable speeches often start with something surprising yet relatable and end leaving audiences pondering over what they’ve heard. So consider starting off with something unexpected that gives insight into who you are rather than birthplace/date details right away. For endings, look at wrapping up major themes from throughout the book instead of simply closing out on latest happenings in your life.

Remember, structuring an autobiography is as much about the art of storytelling as it is about chronicling facts. Use structure to draw readers in and take them on a journey through your life’s highs and lows—all the moments that made you who you are today.

Ethical Considerations When Writing an Autobiography

When penning your life story, it’s important to respect privacy and handle sensitive issues well. Because let’s face it, writing about others in our lives can be a slippery slope. We need to tread carefully.

Respecting Privacy: Telling Your Story Without Invading Others’

The first thing we have to consider is the right of privacy for those who cross paths with our narrative journey. While they might play crucial roles in our stories, remember that their experiences are their own too.

A good rule of thumb is to get explicit consent before mentioning anyone extensively or revealing sensitive information about them. In some cases where this isn’t possible, anonymizing details or using pseudonyms could help maintain privacy while keeping the essence of your story intact. Author Tracy Seeley sheds more light on how one should handle such situations responsibly.

Navigating Sensitive Topics With Care

Sensitive topics often make for compelling narratives but dealing with them requires tact and empathy. You’re walking a tightrope, balancing honesty and sensitivity, a fall from which can lead to hurt feelings or even legal troubles.

An excellent way around this dilemma would be by focusing on how these experiences affected you personally rather than detailing the event itself. Remember, your autobiography is an opportunity to share your life experiences, not just a platform for airing grievances or settling scores.

Maintaining Honesty: Your Authentic Self Is the Best Narrator

Above all else, stay truthful when writing your autobiography, both when you’re writing about sensitive topics and even when you’re not. While it can be tempting to bend the facts so that your audience sees you in a more positive light, maintaining honesty is the best thing you can do for yourself.

Editing and Revising Your Autobiography

Your initial draft is finished, but the job isn’t done yet. Editing and revising your autobiography can feel like a daunting task, but it’s essential for creating a polished final product.

The Importance of Self-Editing

You may feel that you have written your autobiography perfectly the first time, but there are always ways to make it better. The beauty of self-editing lies in refining your story to make sure it resonates with readers. You’re not just fixing typos or grammar mistakes; you’re looking at structure, flow, and consistency. Essentially you’re asking yourself: does this piece tell my life story in an engaging way?

Inviting Feedback from Others

No matter how meticulous we are as writers, our own work can sometimes evade us. Inviting feedback from others is invaluable during the revision process. They provide fresh eyes that can spot inconsistencies or confusing parts that may have slipped past us.

Hiring a Professional Editor

If you’re serious about publishing your autobiography and making an impact with your words, hiring a professional editor can be worth its weight in gold. An editor won’t just fix errors—they’ll help streamline sentences and enhance readability while respecting your unique voice.

Remember to approach editing and revising with patience—it’s part of the writing journey. Don’t rush through it; give each word careful consideration before moving onto publication options for your autobiography.

What Type Of Speaker Are You?

Click below to discover your Speaker Archetype and how to start getting booked and paid to speak!

Publishing Options for Your Autobiography

Once you’ve spent time and energy creating your autobiography, the following challenge is to make it available for others. But don’t fret! There are numerous options available for releasing your work.

Traditional Publishing Houses

A conventional path many authors take is partnering with a traditional publishing house . These industry giants have extensive resources and networks that can help boost the visibility of your book. The process may be competitive, but if accepted, they handle everything from design to distribution—letting you focus on what matters most: telling your story.

Self-Publishing Platforms

If you want more control over every aspect of publication or seek a faster route to market, self-publishing platforms like Amazon Kindle Direct Publishing (KDP), offer an accessible alternative. With this option, you manage all aspects including cover design and pricing ; however, it also means greater responsibility in promoting your book.

Bear in mind that both options have their own pros and cons, so consider them carefully before making any decisions.

Marketing Your Autobiography

Now that you’ve crafted your autobiography, it’s time to get the word out. You need a plan and strategy.

Leveraging Social Media

To start with, use your social platforms as launching pads for your book. Sites like Facebook , Twitter, and especially LinkedIn can help generate buzz about your work. And don’t underestimate the power of other platforms like Instagram and TikTok when trying to reach younger audiences. Whatever social platform you use, remember to engage with followers by responding to comments and questions about the book.

Organizing Book Signings

A physical event like a book signing not only provides readers with a personal connection but also generates local publicity. Consider partnering up with local independent stores or libraries, which are often open to hosting such events.

Securing Media Coverage

Contacting local newspapers, radio stations or even bloggers and podcasters in your field can provide much-needed visibility for your work. It might seem intimidating at first, but who better than you knows how important this story is?

FAQs on How to Write an Autobiography

How do i start an autobiography about myself.

To kick off your autobiography, jot down significant life events and pick a unique angle that frames your story differently.

What are the 7 steps in writing an autobiography?

The seven steps are: understanding what an autobiography is, planning it out, using engaging writing techniques, structuring it effectively, considering ethics, revising thoroughly, and exploring publishing options.

What are the 3 parts of an autobiography?

An autobiography generally has three parts: introduction (your background), body (major life events), and conclusion (reflections on your journey).

What is the format for writing an autobiography?

The usual format for autobiographies involves chronological or thematic structure with clear chapters marking distinct phases of life.

Writing an autobiography is a journey, a trek exploring the unique narrative of your life. Together, we’ve covered how to plan effectively, select key events, and set timelines.

Once you’re all set to write, you now have the techniques you need for engaging storytelling, including vivid descriptions and dialogues. You also learned about structuring your story for maximum impact and navigating sensitive topics while maintaining honesty.

Last but not least, you learned editing strategies, publishing options, and effective ways of promoting your book.

Now you know more than just how to write an autobiography. You know how to craft a legacy worth reading!

• Last Updated: March 22, 2024

Explore Related Resources

Learn How You Could Get Your First (Or Next) Paid Speaking Gig In 90 Days or Less

We receive thousands of applications every day, but we only work with the top 5% of speakers .

Book a call with our team to get started — you’ll learn why the vast majority of our students get a paid speaking gig within 90 days of finishing our program .

If you’re ready to control your schedule, grow your income, and make an impact in the world – it’s time to take the first step. Book a FREE consulting call and let’s get you Booked and Paid to Speak ® .

About The Speaker Lab

We teach speakers how to consistently get booked and paid to speak.  Since 2015, we’ve helped thousands of speakers find clarity, confidence, and a clear path to make an impact.

Get Started

Let's connect.

[email protected]

Copyright ©2023 The Speaker Lab. All rights reserved.

How To Write An Autobiography: A Detailed & Comprehensive Guide

• March 28, 2022

When contemplating how to write an autobiography, many people are led to assume that it’s simple. It’s just your own life story, put through the writing process. However, when writing your own autobiography, you may find that the writing process is a little more complicated than just starting with your birth and telling the story of your own life up to the present moment.

A person’s life is more than just the big events, and it’s seldom ever a solitary story. There are life lessons that need to be included. Family members and their impact on you are a part of autobiography writing as well. If you want to write an autobiography, you have to be conscious of your life story, as a tale that built the person you are, not just a string of events.

This article will help you figure out how to write an autobiography so that it’s not just the story of your own life but a personal story that others can relate to, find inspiration in, and learn from.

What is an Autobiography?

An autobiography is more than just the life story of someone. The person’s life being described is your own; therefore, it is far more personal than a novel or work of fiction. It is essential to stay truthful when recalling your own memories. The slightest deviation in honesty is a slippery slope and can quickly take you from autobiography writing to fiction writing.

How An Autobiography is Different from a Biography

A biography is the telling of someone else’s life. You choose someone, such as a family member, a friend, or a famous person, and you tell the story of his or her own life while leaving your own story out of it. A biography takes a large amount of research and expertise regarding the subject’s life story and events that they lived through. An autobiography works in the same fashion, but it’s the story of you. You are the ultimate expert in your own life. Therefore, there’s not much research to be done.

Another significant difference between autobiographical writing and biographical writing is the voice that is used. When you write an autobiography, you want to use first-person writing. You are telling the story of you. Therefore you should tell it from your own point of view.

On the other hand, biographies should always be written from a third-person point of view. Third-person is using “he, she, they, them.” You were not there, you did not witness the events you are writing about, and therefore, you should be telling the story from an outsider’s viewpoint.

How an Autobiography is Different from a Memoir

A memoir tells your own story, but not your entire life story. Often written to convey a specific message, a memoir includes snippets and anecdotes that occur throughout your entire life. Still, it’s not the detailed story of a life in its entirety. Both of these types of writing are done in the first-person point of view. First-person uses pronouns such as “I, we, and us.”

For example, if you were to write a memoir about how 9/11 affected you personally, you might write about your life the year that the attack occurred. You may even give some bits of information about your childhood, your career, or your family life from before the event. Then you would provide details and focus on 9/11 itself and what you did and were doing that day. Later, you might skip ahead and give stories from your life about how it changed you, but you wouldn’t tell the story of your entire life.

Future Tense in an Autobiography

The future tense is tricky when it comes to writing. Most autobiographies recall events that have already occurred in a step-by-step process. This process takes the reader from the beginning to another point in the not-so-distant past or right up to the present.

The end is often written in the present tense, but most of the time, the story stops there. Basic principles of tense apply if you decide to speculate or include your hopes, dreams, or fears for the future.

Tips on How to Write an Autobiography

Your own autobiography should include details that encompass your life from birth to the present. When the writing process begins, you should write in the past tense to let the readers know that the events you are writing about have already occurred.

When you get to the present day, remember to switch your tense to the present tense so that the readers understand that you are discussing where you are in your life now. Mistakes in tense usage can be fixed in the first draft revision, but it’s best to try to get yourself in the habit of switching tenses as you go from the past events to the present day when you write an autobiography.

The following are other important tips about what content to include that will help you learn how to write an engaging and well-executed autobiography.

Autobiography Questions

Below are some autobiography questions that can guide you when writing about your life story:

• What has motivated you to write an autobiography?
• Who made a significant impact or influence in your life?
• Who are the people who surround you?
• What are the remarkable memories you have? 
• Did anyone not support you on your journey and you proved them wrong?
• What inspires you?
• What demotivates you?
• What do you consider the best time in your life?
• What quote best depicts and summarizes your life?
• How would you describe yourself?
• What kind of family relationships do you have?
• What moments in life do you feel like you could be truly proud of yourself?
• What do you think are some of your flaws?
• What do you desire to have in the future/where would you like to be?
• What do you do to upskill, and in which field would you like to focus your energy?
• What are your set of principles and personal values?
• How have your values defined who you are today?
• What is your dream career path?
• Have you advocated for something?
• If there was one thing you wanted everyone to know about you, what would it be?

Your Background

It’s essential to start by telling your readers where you’re from, when you were born, and who your family members are when you write an autobiography. 

This does not mean that you need to include how long your mother was in labor (unless the story of your birth is a particularly interesting one), what the hospital room number was, how much you weighed, how long you were, and what you scored on the Apgar test. Those are details that are nice to include in your baby book, but almost no one is interested in those details but you and your mom.

What you should include is where you were born (city, state, country), a story or two about a family member who meant a lot to you when you were a child or teenager, what your educational background was like, what kind of kid you were, and what your family life was like.

Keeping it general and sticking to just a few personal stories and anecdotes is enough. If you want to know how to write an autobiography that doesn’t bore the reader to tears or sleep within the first few pages, keep the details specific to significant events in your childhood, and keep the more drab and general stories to yourself.

Write About Hardship or Failure

While it may not be the most glamorous of life events you have experienced, writing about hard times, failure, and times of struggle help the reader relate to you, feel empathy and care about the story of your life. 

Making your life seem perfect simply because writing about something that didn’t work out, hurt you, or made you unpopular because you see it as embarrassing will only hurt you in the long run because the reader will not be engaged.

When you go back and read your first draft, ask yourself if what you have written will touch anyone who has struggled similarly to you. If not, go back and rewrite it to include at least a few stories of hard times.

Come Up with a Catchy and Compelling Title

Autobiographical writing doesn’t have to be boring, and neither should your title. Steer clear of titles such as; Jane Doe: An Autobiography. Unless you’re famous, you’re not compelling anyone to pick it up and read it. Equally boring is; Jane Doe: The Story of my Life.

Try to come up with something catchy and engaging when you come up with the title. Readers are more likely to read an autobiography written by someone with a witty or smart title than someone who didn’t have the writing skills or creativity to create something more original.

Instead, try for something like; A Beautiful Disaster: The Story of Jane Doe. This title denotes that you don’t take yourself too seriously, but you respect and love yourself while admitting that your life can sometimes be a mess.

You don’t even need to have your name in your title if you have a catchy title. Take this example into consideration; Hot Mess Express: The Story of One Tired Mom. This sort of title is fun, funny, and will catch the attention of mothers, especially those with young children.

Significant Events

When considering how to write an autobiography, keep in mind that significant events in your life should always be included. When you write an autobiography, you are looking for points in your personal story that impacted you and helped to shape you into the person that you are now.

Maybe that was a move across the country, the death of someone close to you, finding love, or your first kiss. Perhaps it was being the first person in your family to go to college, starting your own business, or the birth of your first child.

Be sure to include the less wonderful but still significant events in your life, as well. Things like your first heartbreak, divorce, the loss of a job, poverty you experienced, or trauma that compelled you to rise above your station and seek help to gain self-improvement or lessons learned from these experiences.

Have a Central Idea

What is the most important thing you want to say to the reader with this story? Is it that you started out with nothing and rose up to success? Is it that you had success and lost it all? Maybe it’s that love and dedication to family are more important than success in a career or climbing a social ladder.

Whatever your central idea, identify it and then figure out how you can put it in autobiography format.

The Steps Involved to Write an Autobiography

When thinking of how to write an autobiography, consider that the writing process begins in much the same way that it does with any sort of writing. You should consider following the following steps if you want to learn how to write an autobiography effectively.

Create an Autobiographical Outline

Just like any literary work, you should have an outline. After you have taken some time to reflect on what you want to include, get it written down in autobiography outline form. Include all of the parts of your life that you think you might want to incorporate, and then separate them into categories, focusing on what you think will be of medium to high interest to a reader.

What is meant by “medium to high interest” is that the events are significant enough to garner enough interest for the reader. That they will feel compelled to continue reading to see what happened to you next or how you got through an event or part of your life that you describe.

Do Your Homework

Just because you know what happened to you, and you have the general information and experiences from things like your childhood, it doesn’t mean that you have the knowledge to write it well.

If you don’t know how to describe the setting, society in the era you’re writing about, and the culture, it will seem that you don’t know how to write an autobiography, and readers will start to lose interest.

Look into things like the area you grew up in and what life was like in that area when you were a child. Get a family history from members of your family, such as where your family originated from, what your parents and grandparents did for a living, and any other significant information you may need that you don’t know about the people from whence you came.

Complete the First Draft

Your first draft may not be very clean, and it will most likely have things in it that need to be cut out. You may get too wordy talking about specific periods of your life and may not supply enough story to others. You won’t know until you get that first draft under your belt.

Once you complete this draft, take some time off and let the work sit. Taking a break before revisiting puts distance between yourself and your story, and you’re far more likely to be able to come at the revision process in an open-minded matter once you have that distance.

Revise and Rewrite

As with any writing that you do, whether it’s an autobiography, novel, personal essay, research paper, or news article, you have to revise your work. Proofread, fix simple and obvious mistakes, and add to the things that need more description while cutting out the unnecessary parts.

Once you have fixed grammar mistakes and taken the story from what looks like a personal diary to a narrative account of your life experiences, you can start writing the next draft. Make sure to determine your desired writing style before you rewrite, and make sure that the content matches that style.

How to Properly Structure an Autobiography

Whether you’re writing a full-length book or an autobiographical essay, you still have to have structure to your writing. While an autobiographical essay is shorter, the structure is much the same. The following are some tips that will help you figure out how to write an autobiography format that works well.

Write in Chronological Order

While it’s perfectly fine for a novel to have a timeline that skips and jumps around, the best way to tell a good story of your own experiences and personal memories is to do so in chronological order or the order in which things happened.

The very beginning of your autobiography should cover your birth, then childhood, then education, then young adulthood, on up to the present moment. This creates a timeline of each significant personal experience that is easy to follow and doesn’t confuse the reader.

Don’t Fictionalize Names or Places

Professional writers of fiction often create characters based on people they know or even themselves. They give these characters fake names and personas and rename towns and businesses so as not to make the writing too personal. All the details of the real people may be present, but when you write fiction, you have the freedom to change things.

An autobiography covers actual events, so the writing needs to be honest. If you grew up in Toledo, Ohio, say that. Don’t make up the name of a town. If you grew up with a mother named Tess, say that. Don’t give her a fake name. Being truthful about your family and your life is essential. You’re not the only character in this story, and it’s unfair and not suitable to misrepresent a setting or person in your life.

Add Family Photos or Other Personal Touches

The most compelling television episodes are the ones in which there is a strong story and a strong visual to accompany it. You can create an effect very close to this by including photos, artwork, letters shared by people close to you, and more. Just be sure that you ask for and are granted permission before you do this, especially if the photos are used to identify weak moments in your life for any reason.

Be Thorough in Describing Pivotal Moments

Significant moments in life that occur, such as academic achievements, turning points, and the things that build up to a story arc for you, need to be built up in a way that creates both interest and intrigue for your reader. Include details like how negative experiences shaped your understanding or outlook on things or how you learned to be completely free of stress because of how stressful and frantic your life used to be.

These things make up the critical elements in what amounts to a full life. And being completely transparent and thorough in the telling of it gives the reader the freshest possible perspective, especially if you acknowledge as the writer that you are reflecting upon the story you’re telling, as you tell it.

The Final Draft When Writing an Autobiography

So you’ve completed all of the steps mentioned above, and you’ve worked out your outline, title, and other details that seem small but are incredibly important. Now it’s time to write the final draft so that your favorite story, the story of you, can become someone else’s favorite story.

The Last Revision

Once you have completed that final draft , you still need to go back and ensure that everything you wanted and needed to include is present and accounted for. Clarity is sometimes an issue when a person is trying to figure out how to write an autobiography. Try reading your story aloud, and if it makes sense to someone else or even to you as you read it with your own voice, then it’s probably thorough enough.

Make Sure the Title Agrees with the Content

The last thing you want is a misleading title. Make sure that the title goes along with your autobiography’s overall tone and message.

For example, if you wrote a sad story about heartache and loss of hope, don’t title your story: Little Miss Sunshine: The Story of One Woman from the Midwest. Be sure that the mood, message, and tone align with the title you have decided on. If they don’t fit, it’s much easier to change the title than the mood and tone of the story.

Autobiography Format

Below we have outlined the format that you can utilize when writing an autobiography:

• Title – It should reflect what your life story conveys or what it is like to be you.
• Dedication – This section states whom you would like to dedicate your autobiography.
• Table of Contents – It helps your readers to locate specific parts of your autobiography.
• Acknowledgments – This is where you express your gratitude to the people who have helped you on your journey.
• Foreword – It highlights the purpose of the autobiography.
• Introduction – This provides a glimpse of who you are as the author, and if this is effective, the reader will continue reading your book.
• Body Section – This is where the events in your life are chronologically narrated, along with all the necessary details. It can contain many headings and subheadings.
• Conclusion – This is where you share all your revelations and successes, while also referencing your own personal experiences.
• Memorabilia – You may include significant pictures or any other objects that have impacted your life.
• Index – It helps the reader browse through your autobiography by using main keywords or concept words.

Leave a Comment Cancel Reply

Your email address will not be published. Required fields are marked *

Save my name, email, and website in this browser for the next time I comment.

Sign up to our newsletter!

Related articles

120 Motivational Quotes About Writing To Inspire A New Writer Like You

How To Register A Kindle On Amazon To Enjoy Your Ebooks In 4 Easy Ways

How To Market A Self-Published Book And Be Profitable In 9 Easy Ways

• Willow Tenny
• Writing Prompts
• Writing Tools
• Shop For Articles

How to Write in 3rd Person About Yourself

Table of Contents

It can be tricky to write in 3rd person about yourself, but with a bit of practice and some helpful tips, you’ll be able to do it like a pro. In this blog post, we’ll discuss some dos and don’ts for writing in 3rd person about yourself, as well as provide a few examples to help get you started. So whether you’re struggling to find the right words or just want to switch things up a bit, keep reading for some helpful advice on how to write in 3rd person about yourself.

What is 3rd person point of view, and why use it?

When you write in third person point of view, you are writing as a third-party observer. You can write about other people and events as if you were writing a story. The third-person point of view is often used in fiction writing, but it can also be used in non-fiction writing, such as biography or journalism. One advantage of the third-person point of view is that it allows you to write in a more objective and impartial voice .

This can be helpful when you are writing about controversial topics or sensitive subjects. Another advantage of the third-person point of view is that it gives you the flexibility to move between different characters’ perspectives.

This can be useful for exploring the different sides of a complex issue. However, one downside of the third-person point of view is that it can make your writing feel less personal and intimate. If you want your writing to have a more personal tone, you might consider writing in the first or second-person point of view.

How to write in 3rd person about yourself

When writing in the third person about yourself, use your name or pronouns such as “he,” “she,” “it,” or “they.” For example, you might say, “She always tries to be on time for her appointments.” You can also use a third-person point of view to describe other people in your life, such as family members or friends. Just be sure to use the correct pronoun when referring to them.

If you’re not sure which pronoun to use, try reading your sentence out loud and seeing which one sounds natural. You can also consult a grammar guide or ask a friend for help. When in doubt, it’s always better to err on the side of caution and use the pronoun that is less likely to offend or be misinterpreted.

Writing in the third person about yourself can feel a bit strange at first. However, there are a few simple tips you can follow to help you get started.

First, think about how you would describe yourself if you were writing about someone else. What words would you use to describe your personality and appearance?

What kind of things do you like to do in your spare time? Once you have a good sense of how you would like to be seen by others, it will be easier to start writing in the third person.

Another helpful tip is to read your work aloud after you have written it. This will help you to catch any instances where you accidentally slip into first or second-person point of view. With a little practice, writing in the third person about yourself will become second nature.

Examples of 3rd person writing about oneself

In writing, the third person point of view is when the writer uses pronouns like “he,” “she,” or “it,” as opposed to first-person (“I”) or second person (“you”). Third-person writing can be either limited, meaning that the writer includes only information known by the character, or omniscient, meaning that the writer can include information about anyone or anything. Examples of third-person writing about oneself might include: 

– She isn’t sure why she decided to go into teaching. 

– He always gets nervous before a big presentation. 

– It wasn’t until after she had kids that she realized how important family is. 

In each of these examples, the speaker uses third-person pronouns to talk about themselves. This type of writing can help create distance between the writer and their subject matter, making it easier to be objective. It can also make writing more engaging for readers, who feel like they are observing someone else’s story unfold.

Dos and don’ts for writing in 3rd person about yourself

When writing in the third person about yourself, remember that you are still the subject of your writing. You should avoid using overly technical or jargon-filled language. Instead, opt for clear and concise writing that will be easy for readers to follow.

Stay consistent with the point of view you have chosen throughout your writing. If you switch back and forth between the first, second, and third person, it will be confusing for readers and make your writing less effective.

Finally, don’t be afraid to use pronouns like “I” or “me” occasionally. This can help to add a more personal touch to your writing and make it feel less detached.

When used correctly, writing in the third person about yourself can be an excellent way to add depth and interest to your work. Just be sure to keep these dos and don’ts in mind, and you’ll be on your way to writing like a pro.

Final tips for mastering 3rd person point of view

Now that you know the basics of writing in the third person about yourself, it’s time to put your skills to the test. Here are a few final tips to help you get started:

– Start by brainstorming a list of topics or ideas you would like to write about. 

– Once you have a topic, try writing a sentence or two in the third person about it. 

– If you get stuck, try reading your work aloud to see if you are slipping into first or second-person point of view.

With a little practice, you’ll be writing in the third person like a pro in no time!

How to Find Your Writing Voice

How to write a cover letter.

When it comes to writing, Willow Tenny is a true pro. She has a wealth of experience in SEO copywriting and creative writing, and she knows exactly what it takes to produce quality content. On her blog, Willow Writes, Willow shares top writing strategies with both beginners and experienced writers.

Related Posts

Sharper Words, Bigger Impact: A Writer’s Guide to Pointed Copywriting

Crafting Poems with an Allusion: Enhance Your Verse

Protagonist vs Antagonist: Story Roles Explained

Novel vs Book: Key Differences Explained

Exploring Situational Archetypes in Literature

Authority Content: Boost Your Brand’s Trust

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Save my name, email, and website in this browser for the next time I comment.

• AI Writing (7)
• Angel Numbers (1)
• Publishing (3)
• Spirituality (1)
• Writing Jobs (6)
• Writing Prompts (4)
• Writing Tips (43)
• Writing Tools (3)

So Mote It Be: A deeper look into the meaning and usage of this phrase.

Conversational Style Writing Examples

How to Write a Personal Narrative [in 10 Easy Steps]

• Writing Tips

How to Write in the Third Person

You may have heard someone talking about third person POV in an English class or on a writers’ panel. What does it mean? POV stands for point of view, and any piece of prose writing has one. The point of view helps anchor the reader, and it makes the text easier to understand. Even in a story that doesn’t appear to come from a particular character’s voice, we can still assign the narration a point of view. When the point of view isn’t yours (second person) or mine (first person), then we call it third person narration. In this article, we’ll give you some tips to help you learn to write this way.

Your writing, at its best

Compose bold, clear, mistake-free, writing with Grammarly's AI-powered writing assistant

Avoid First Person

First person emphasizes the subjective point of view, and you can easily identify this writing style through the use of the pronouns “I” and “me”. Imagine an autobiography. The narrator explains his or her life by using phrases like this one: “I was born in a small town.” In a biography, written by another person, the text might read: “She was born in a small town.” That’s the difference between first person and third person. In first person, the narrator is the main character or, if not the main character, a character in the action. On the other hand, when a book is written in the third person, the story does not come from the point of view of a character. Instead, the writing describes things that happen to other people, characters besides the writer or the reader. 

First person writing can be identified by the use of the following pronouns:

Avoid Second Person

Second person narration comes from the point of view of the reader. A second person point of view can often be found in the self-help or how-to genres, as well as in choice-based adventure books. “Choose Your Own Adventure® gamebooks began life in 1979 as the first publishing effort of a new division at Bantam Books focused on younger readers,” according to Chooseco LLC . Today, 265 million books have been published in this style. Let’s look at the summary of one of these books for a memorable example of second person narration:

“ You are a mountain climber, headed to the Himalayas to find proof that the mysterious yeti really exists. When your best friend Carlos goes missing from base camp, the fate of the expedition is in your hands.” — The Abominable Snowman 

We added the bold font above to draw attention to some important pronouns. It’s easy to identify second person narration because it features second person pronouns:

What Is Third Person?

When a piece of writing does not assume the perspective of either the reader or the writer, it’s written in the third person point of view. Third person narratives have three distinct styles, known as third person objective, third person omniscient, and third person limited omniscient. You can recognize all three of these points of view through the use of third person pronouns, which include:

Third Person Objective

Imagine a history essay or a science article, written by a distant and neutral third party. The writer does not attempt to explain the perspective of any character; instead, he or she reports on the events with dispassion. If any opinions made their way into the text, they are properly attributed to the source. 

Congressman Smith said, “X, Y, Z.” His constituent disagreed, arguing A. 

The author of a third person objective article would never presume to speak for another person’s inner thoughts. Instead, the writer aims to present the facts and events in an orderly way, attributing the actions and dialogue to the proper characters. 

This writing style is frequently used in academic writing and professional writing, but it can be used by fiction writers as well. As long as the author does not place thoughts inside the heads of characters, third person objective can work for any style of prose writing. If a writer wanted the reader to understand a character’s emotional state, he or she would have to make reference to body language, facial expression, and dialogue; otherwise, the character’s thoughts would remain opaque. The internal monologue of any character remains off limits from the objective point of view. 

Third Person Omniscient

The third person omniscient point of view frequently appears in fiction writing. With this style, an all-knowing narrator has the ability to get inside any character’s head. That’s why an omniscient point of view can be thought of as “head-hopping.” The narrator has knowledge of everything. The characters have nowhere to hide—even their most intimate thoughts may be plumbed. Personal opinions and internal dialogue are all fair game, for any of the characters. In this style of writing, you can expect to see different points of view. As a reader, you can expect to know more about the different characters than the characters know about each other. 

Third Person Limited Omniscient

Sometimes a writer engages a third person perspective, but they elevate one character above the rest. The writer may expound on that character’s thoughts, inner dialogue, and perspective. The focal character for the third person limited point of view is often called the viewpoint character. Typically, the viewpoint character is a main character in the story. The writer provides the reader with comprehensive access to this character’s thoughts, but all the other characters must be understood through actions, gestures, and dialogue. The reader must get by with limited information, since they rely on what the viewpoint character knows. 

Still, the reader does not go “inside the head” of the viewpoint character completely. Rather than writing from the main character’s perspective in the first person point of view, the writer maintains a third person writing style. Without using first person pronouns, the author explores the thoughts of a single character. The narrator describes she and her, not I and me. 

She worried that she would be late, but didn’t bother to tell her sister. 

In the example above, the reader understands what the viewpoint character is thinking. On the other hand, the sister cannot read the viewpoint character’s thoughts. Likewise, the reader is not privy to the sister’s thoughts. 

The omniscient limited and omniscient POV appear most commonly in creative writing. In general terms, third person objective or first person would be a more common choice for essays, articles, and nonfiction books. 

Blending Perspectives

Now that you know the conventions for writing in first person, second person, third person objective, third person limited, and third person limited omniscient, you may want to revisit some of your favorite works of literature. Try to figure out their points of view, and think about why the author picked that perspective. 

In your research, you may come across some books that defy categorization. Moby Dick by Herman Melville and Ulysses by James Joyce come to mind. Both books shift between third person and first person narration. Many fiction writers, especially modernist writers, flout convention by using a number of different narrative styles within the same work. 

In creative writing, you should feel free to break the rules. Just be sure to understand the rules as you break them!

• https://examples.yourdictionary.com/examples-of-point-of-view.html
• https://www.britannica.com/art/novel/Narrative-method-and-point-of-view
• https://www.dictionary.com/e/1st-person-vs-2nd-person-vs-3rd-person-pov/
• https://www.merriam-webster.com/words-at-play/point-of-view-first-second-third-person-difference
• https://www.cyoa.com/

Kari Lisa Johnson

I’m an award-winning playwright with a penchant for wordplay. After earning a perfect score on the Writing SAT, I worked my way through Brown University by moonlighting as a Kaplan Test Prep tutor. I received a BA with honors in Literary Arts (Playwriting)—which gave me the opportunity to study under Pulitzer Prize-winner Paula Vogel. In my previous roles as new media producer with Rosetta Stone, director of marketing for global ventures with The Juilliard School, and vice president of digital strategy with Up & Coming Media, I helped develop the voice for international brands. From my home office in Maui, Hawaii, I currently work on freelance and ghostwriting projects.

Recent Posts

Amen Meaning: Here’s What It Means and How To Use It

Gentrification Meaning: Here’s What It Means and How To Use It

Blasphemy Meaning: Here’s What It Means and How To Use It

AOC Meaning: Here’s What It Means and How To Use It

VIDEO COURSE

Finish your draft in our 3-month master class. Sign up now to watch a free lesson!

Learn How to Write a Novel

Finish your draft in our 3-month master class. Enroll now for daily lessons, weekly critique, and live events. Your first lesson is free!

Guides • Perfecting your Craft

Last updated on Nov 10, 2022

Third Person Point of View: The ‘He Said, She Said’ Narrative Style

Third person point of view is narrative style in which the narrator refers to all characters using the pronouns he , she , or they . An example of a sentence written in third person would be: 

She sat in the café waiting for her food to arrive. “What is taking so long?” she thought.

Writers can zero in on individual characters using third person limited , or zoom out and tell the story in third person omniscient , where the narrator is an all-knowing figure. Your POV choice will depend on what kind of story you want to tell, as you’ll discover in the next two posts in this series!

Here, however, we’ll simply cover everything you need to know about third person as a whole, and why writers might choose to use it over first or second person perspectives.

FREE COURSE

Understanding Point of View

Learn to master different POVs and choose the best for your story.

Third person stories often have a wider scope

First and second person stories are great for their immediacy, placing the reader right in the action. However, can be restrictive if you want readers to see the bigger picture. Complex stories with a large primary cast often benefit from a narrator who can swiftly move between characters and locations instead of being tethered to your viewpoint character. An example would be George R.R. Martin’s Song of Ice and Fire series, an epic fantasy series sprawling in scope that features an entire chorus of POV characters. 

With each chapter break, Martin shifts to a new viewpoint character (while staying in third person), allowing him to span vast gaps in the geography of his world and give insight into each character’s personality.

The morning had dawned clear and cold, with a crispness that hinted at the end of summer. They set forth at daybreak to see a man beheaded, twenty in all, and Bran rode among them, nervous with excitement. This was the first time he had been deemed old enough to go with his lord father and his brothers to see the king's justice fine. It was the ninth year of summer, and the seventh of Bran's life.

The man had been taken outside a small holdfast in the hills. Robb thought he was a wildling, his sword sworn to Mance Rayder, King-beyond-the-Wall. It made Bran's skill prickle to think of it.

A Game of Thrones , George R.R. Martin

Martin’s third person narrator has the flexibilty to play this scene through the eyes of a nervously excited seven-year-old while also revealing useful expositional details like the idea of a “King-beyond-the-Wall” and Westeros’s decade-long gaps between winters.

Of course, one could argue that it’s possible to write a sprawling novel written from multiple first-person perspectives. But having an enormous cast all narrating in first person can be confusing, and would put a lot of pressure on the writer to sustain multiple convincing character voices. 

(Psst! For more help with characterization when dealing with a large chorus of characters, you can check out our free character profile resource below.)

FREE RESOURCE

Reedsy’s Character Profile Template

A story is only as strong as its characters. Fill this out to develop yours.

While third person narration can allow the reader a great deal of intimacy with viewpoint characters, there are added benefits to staying out of your protagonist’s head.

It’s great for intrigue and suspense

One challenge of writing in first person is knowing how to toe the line between what your narrator knows and what they should reveal. Third person adds a little more distance, making it easier to flesh out main characters or move the story along without divulging information you wish to reveal later on.

This lends itself particularly well to thriller and mystery novels, where some holding back certain bits of exposition is essential to heightening the suspense. It can also be useful when writing any kind of novel that wants to deploy backstory or character history at a time when it can have maximum impact.

On the other hand, the third person isn’t just great for characters keeping secrets from the reader. An all-knowing narrator can also be useful for creating dramatic irony , revealing details that the characters don’t know themselves. For example, in the final act of Shakespeare’s Romeo and Juliet, Romeo discovers Juliet’s body. Unwilling to live in a world without the girl he has loved (for all of five days), he downs a vial of poison.

Come, bitter conduct, come, unsavoury guide!

Thou desperate pilot, now at once run on

The dashing rocks thy sea-sick weary bark!

Here’s to my love. O true apothecary,

Thy drugs are quick. Thus with a kiss I die.

— Romeo and Juliet (Act V, Scene III), William Shakespeare

At this point, the audience knows that Juliet is not dead — but merely sedated in a ploy to escape her family. The gulf between what the audience or reader knows and what the character knows creates an almost unbearable tension, bringing the story to its climax as Juliet awakens to discover her beloved’s corpse beside her.

Of course, dramatic irony can also be deployed more light-heartedly — for example, in comedies of error where humor is driven by a character misinterpreting the world around them. And speaking of understanding the world…

GET ACCOUNTABILITY

Meet writing coaches on Reedsy

Industry insiders can help you hone your craft, finish your draft, and get published.

Third person can help you build up your world

A third person point of view can be a great choice when your story requires a certain amount of descriptive worldbuilding. Whilst first and second person narrators certainly talk about their environment, third person narratives can offer a more natural way to include worldbuilding exposition, especially when extended passages of description might be required. 

A first person narrator probably might not take the time to intricately describe something they’ve seen a thousand times. If you live in a world where society is ruled by a giant brain from outer space, you probably wouldn’t pause your story to arbitrarily explain the backstory of ‘President Lobularr the Cruel.' But a third person narrator will have no limits to what they might want to zero in on at any point in the story.

Though an all-seeing narrator gives writers the freedom to reveal setting and backstory in any way they see fit, don’t forget that one of the effective ways to draw readers into a setting is by showing how a character experiences that world. For example, in this passage from The Vanishing Half , author Brit Bennett describes a humid Louisiana rainstorm from the perspective of her protagonist, Desiree.

Instead of telling the reader that “it was a hot, rainy day,” this passage employs several “showing” devices, including strong verbs and sensory descriptions (“the sky hung heavy and hot,” “water splattering against their ankles”). Bennett evokes one of Desiree’s memories packed with specificity — the girls duck under “eaves” rather than just roofs, and the word “shrieked” conjures a very particular sound. The result practically drops the reader next to Desiree as she braids her daughter’s hair, half-lost in a ripple of nostalgia. 

Written in third person, this passage is just as intimate and personal as it would have been were being narrated directly by Desiree, once again showing the versatility of this viewpoint.

Want to learn more about "show, don't tell"? You can check out our free 10-day course all about this golden rule of writing — it's useful for more than just third person narratives.

Show, Don't Tell

Master the golden rule of writing in 10 five-minute lessons.

It’s a viewpoint that doesn’t distract from the narrative

In its enduring popularity, third person narratives have become the default mode of storytelling around the world, pre-dating even thelikes of Homer (the epic poet, not the animated nuclear engineer). As a result of its long and impressive history, this viewpoint has thebenefit of instant familiarity.

Starting a story in third person helps readers settle in right away, rather than asking them to adjust to the particular voice of a first-person narrator or the unusual directness of second person . Ever found a story’s first chapter hard to settle into? This may be because of an unconventional narrative style or unanswered questions about who is doing the talking distracting you. Third person narratives are relatively easy to get into the swing of.

Which POV is right for your book?

Take our quiz to find out! Takes only 1 minute.

While many writers are keen to develop an utterly unique way of writing, most of the time, readers aren’t looking for something particularly experimental or opaque. In that way, the third person can be a writer’s best friend — a straightforward, versatile, and easily digestible narrative perspective that has stood the test of time.

And with that, we've concluded our post on third person point of view and how to write it! For more in-depth guidance on the two different styles of third person, limited and omniscient, be sure to check out the next couple of posts in this series.

In those posts, you’ll learn even more about which type of third person would best suit your own project, plus bonus tips on how to write in third person — to help you create a story that will be enjoyed by many more than three people, as it were.

Join a community of over 1 million authors

Reedsy is more than just a blog. Become a member today to discover how we can help you publish a beautiful book.

We made a writing app for you

Yes, you! Write. Format. Export for ebook and print. 100% free, always.

1 million authors trust the professionals on Reedsy. Come meet them.

Enter your email or get started with a social account:

• PRO Courses Guides New Tech Help Pro Expert Videos About wikiHow Pro Upgrade Sign In
• EDIT Edit this Article
• EXPLORE Tech Help Pro About Us Random Article Quizzes Request a New Article Community Dashboard This Or That Game Popular Categories Arts and Entertainment Artwork Books Movies Computers and Electronics Computers Phone Skills Technology Hacks Health Men's Health Mental Health Women's Health Relationships Dating Love Relationship Issues Hobbies and Crafts Crafts Drawing Games Education & Communication Communication Skills Personal Development Studying Personal Care and Style Fashion Hair Care Personal Hygiene Youth Personal Care School Stuff Dating All Categories Arts and Entertainment Finance and Business Home and Garden Relationship Quizzes Cars & Other Vehicles Food and Entertaining Personal Care and Style Sports and Fitness Computers and Electronics Health Pets and Animals Travel Education & Communication Hobbies and Crafts Philosophy and Religion Work World Family Life Holidays and Traditions Relationships Youth
• Browse Articles
• Learn Something New
• Quizzes Hot
• This Or That Game New
• Train Your Brain
• Explore More
• Support wikiHow
• About wikiHow
• Log in / Sign up
• Education and Communications
• Editing and Style

How to Write in Third Person

Last Updated: March 27, 2024 Fact Checked

This article was co-authored by Alicia Cook . Alicia Cook is a Professional Writer based in Newark, New Jersey. With over 12 years of experience, Alicia specializes in poetry and uses her platform to advocate for families affected by addiction and to fight for breaking the stigma against addiction and mental illness. She holds a BA in English and Journalism from Georgian Court University and an MBA from Saint Peter’s University. Alicia is a bestselling poet with Andrews McMeel Publishing and her work has been featured in numerous media outlets including the NY Post, CNN, USA Today, the HuffPost, the LA Times, American Songwriter Magazine, and Bustle. She was named by Teen Vogue as one of the 10 social media poets to know and her poetry mixtape, “Stuff I’ve Been Feeling Lately” was a finalist in the 2016 Goodreads Choice Awards. There are 7 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 1,135,722 times.

Writing in third person can be a simple task, with a little practice. For academic purposes, third person writing means that the writer must avoid using subjective pronouns like “I” or “you.” For creative writing purposes, there are differences between third person omniscient, limited, objective, and episodically limited points of view. Choose which one fits your writing project.

Writing in Third Person Academically

• Third person helps the writing stay focused on facts and evidence instead of personal opinion.

• Third person pronouns include: he, she, it; his, her, its; him, her, it; himself, herself, itself; they; them; their; themselves.
• Names of other people are also considered appropriate for third person use.
• Example: “ Smith believes differently. According to his research, earlier claims on the subject are incorrect.”

• First person pronouns include: I, me, my, mine, myself, we, us, our, ours, ourselves. [3] X Research source
• The problem with first person is that, academically speaking, it sounds too personalized and too subjective. In other words, it may be difficult to convince the reader that the views and ideas being expressed are unbiased and untainted by personal feelings. Many times, when using first person in academic writing, people use phrases like "I think," "I believe," or "in my opinion."
• Incorrect example: “Even though Smith thinks this way, I think his argument is incorrect.”
• Correct example: “Even though Smith thinks this way, others in the field disagree.”

• Second person pronouns include: you, your, yours, yourself. [4] X Research source
• One main problem with second person is that it can sound accusatory. It runs to risk of placing too much responsibility on the shoulders of the reader specifically and presently reading the work.
• Incorrect example: “If you still disagree nowadays, then you must be ignorant of the facts.”
• Correct example: “Someone who still disagrees nowadays must be ignorant of the facts.”

• Indefinite third person nouns common to academic writing include: the writer, the reader, individuals, students, a student, an instructor, people, a person, a woman, a man, a child, researchers, scientists, writers, experts.
• Example: “In spite of the challenges involved, researchers still persist in their claims.”
• Indefinite third person pronouns include: one, anyone, everyone, someone, no one, another, any, each, either, everybody, neither, nobody, other, anybody, somebody, everything, someone.
• Incorrect example: "You might be tempted to agree without all the facts."
• Correct example: “ One might be tempted to agree without all the facts.”
• This is usually done in an attempt to avoid the gender-specific “he” and “she” pronouns. The mistake here would be to use the “they” pronoun with singular conjugation. [5] X Research source
• Incorrect example: “The witness wanted to offer anonymous testimony. They was afraid of getting hurt if their name was spread.”
• Correct example: “The witness wanted to offer anonymous testimony. They were afraid of getting hurt if their name was spread.”

Writing in Third Person Omniscient

• For instance, a story may include four major characters: William, Bob, Erika, and Samantha. At various points throughout the story, the thoughts and actions of each character should be portrayed. These thoughts can occur within the same chapter or block of narration.
• Writers of omniscient narratives should be conscious of “head-hopping” — that is, shifting character perspectives within a scene. While this does not technically break the rules of Third Person Omniscience, it is widely considered a hallmark of narrative laziness.

• In a sense, the writer of a third person omniscient story is somewhat like the “god” of that story. The writer can observe the external actions of any character at any time, but unlike a limited human observer, the writer can also peek into the inner workings of that character at will, as well.
• Know when to hold back. Even though a writer can reveal any information they choose to reveal, it may be more beneficial to reveal some things gradually. For instance, if one character is supposed to have a mysterious aura, it would be wise to limit access to that character's inner feelings for a while before revealing his or her true motives.

• Do not use first person and second person points of view in the narrative or descriptive portions of the text.
• Correct example: Bob said to Erika, “I think this is creepy. What do you think?”
• Incorrect example: I thought this was creepy, and Bob and Erika thought so, too. What do you think?

Writing in Third Person Limited

• The thoughts and feelings of other characters remain an unknown for the writer throughout the duration of the text. There should be no switching back and forth between characters for this specific type of narrative viewpoint.
• Unlike first person, where the narrator and protagonist are the same, third person limited puts a critical sliver of distance between protagonist and narrator. The writer has the choice to describe one main character’s nasty habit — something they wouldn’t readily reveal if the narration were left entirely to them.

• In other words, do not use first person pronouns like “I,” “me,” “my,” “we,” or “our” outside of dialog. The main character's thoughts and feelings are transparent to the writer, but that character should not double as a narrator.
• Correct example: “Tiffany felt awful after the argument with her boyfriend.”
• Correct example: “Tiffany thought, “I feel awful after that argument with my boyfriend.”
• Incorrect example: “I felt awful after the argument with my boyfriend.”

• Note that the writer can offer insight or guesses regarding the thoughts of other characters, but those guesses must be presented through the perspective of the main character.
• Correct example: “Tiffany felt awful, but judging by the expression on Carl's face, she imagined that he felt just as bad if not worse.”
• Incorrect example: “Tiffany felt awful. What she didn't know was that Carl felt even worse.”

• Correct example: “Tiffany watched from the window as Carl walked up to her house and rang the doorbell.”
• Incorrect example: “As soon as Tiffany left the room, Carl let out a sigh of relief.”

Writing in Episodically Limited Third Person

• Limit the amount of pov characters you include. You don't want to have too many characters that confuse your reader or serve no purpose. Each pov character should have a specific purpose for having a unique point of view. Ask yourself what each pov character contributes to the story.
• For instance, in a romance story following two main characters, Kevin and Felicia, the writer may opt to explain the inner workings of both characters at different moments in the story.
• One character may receive more attention than any other, but all main characters being followed should receive attention at some point in the story.

• Multiple perspectives should not appear within the same narrative space. When one character's perspective ends, another character's can begin. The two perspectives should not be intermixed within the same space.
• Incorrect example: “Kevin felt completely enamored of Felicia from the moment he met her. Felicia, on the other hand, had difficulty trusting Kevin.”

• In a novel-length work, a good time to switch perspective is at the start of a new chapter or at a chapter break.
• The writer should also identify the character whose perspective is being followed at the start of the section, preferably in the first sentence. Otherwise, the reader may waste too much energy guessing.
• Correct example: “Felicia hated to admit it, but the roses Kevin left on her doorstep were a pleasant surprise.”
• Incorrect example: “The roses left on the doorstep seemed like a nice touch.”

• For instance, if Kevin had a talk with Felicia's best friend about Felicia's feelings for him, Felicia herself would have no way of knowing what was said unless she witnessed the conversation or heard about it from either Kevin or her friend.

Writing in Third Person Objective

• There does not need to be a single main character to focus on. The writer can switch between characters, following different characters throughout the course of the narrative, as often as needed.
• Stay away from first person terms like “I” and second person terms like “you” in the narrative, though. Only use first and second person within dialog.

• Imagine that you are an invisible bystander observing the actions and dialog of the characters in your story. You are not omniscient, so you do not have access to any character's inner thoughts and feelings. You only have access to each character's actions.
• Correct example: “After class, Graham hurriedly left the room and rushed back to his dorm room.”
• Incorrect example: “After class, Graham raced from the room and rushed back to his dorm room. The lecture had made him so angry that he felt as though he might snap at the next person he met.”

• Correct example: “When no one else was watching her, Isabelle began to cry.”
• Incorrect example: “Isabelle was too prideful to cry in front of other people, but she felt completely broken-hearted and began crying once she was alone.”

• Let the reader draw his or her own conclusions. Present the actions of the character without analyzing them or explaining how those actions should be viewed.
• Correct example: “Yolanda looked over her shoulder three times before sitting down.”
• Incorrect example: “It might seem like a strange action, but Yolanda looked over her shoulder three times before sitting down. This compulsive habit is an indication of her paranoid state of mind.”

Examples of Third Person POV

Expert Q&A

You Might Also Like

• ↑ https://stlcc.edu/student-support/academic-success-and-tutoring/writing-center/writing-resources/point-of-view-in-academic-writing.aspx
• ↑ http://studysupportresources.port.ac.uk/Writing%20in%20the%20third%20peson.pdf
• ↑ http://www.grammar-monster.com/glossary/third_person.htm
• ↑ https://www.grammarly.com/blog/use-the-singular-they/
• ↑ Alicia Cook. Professional Writer. Expert Interview. 11 December 2020.
• ↑ https://www.merriam-webster.com/words-at-play/point-of-view-first-second-third-person-difference
• ↑ https://ojs.library.dal.ca/YAHS/article/viewFile/7236/6278

About This Article

To write in third person, refer to people or characters by name or use third person pronouns like he, she, it; his, her, its; him, her, it; himself, herself, itself; they; them; their; and themselves. Avoid first and second person pronouns completely. For academic writing, focus on a general viewpoint rather than a specific person's to keep things in third person. In other types of writing, you can write in third person by shifting your focus from character to character or by focusing on a single character. To learn more from our Literary Studies Ph.D., like the differences between third person omniscient and third person limited writing, keep reading the article! Did this summary help you? Yes No

• Send fan mail to authors

Reader Success Stories

Jul 31, 2016

Did this article help you?

Jean Scicluna

Jan 31, 2021

Nov 4, 2016

Karen Evans

Aug 5, 2016

Oct 20, 2016

Featured Articles

Trending Articles

Watch Articles

• Terms of Use
• Privacy Policy
• Do Not Sell or Share My Info
• Not Selling Info

Get all the best how-tos!

Sign up for wikiHow's weekly email newsletter

Free Book: The 2024 Guide to Manuscript Publishers 285+ Traditional Publishers. No Agent Required. Get Your Free Copy Here.

Written by Emily Harstone July 28th, 2016

How to Write a Good Third Person Biographical Statement

When you read submission guidelines, which vary from literary journal to literary journal, almost all of them will require that you include a brief biographical statement (or bio). Usually they require that the bio is in the third person and to be 50 words or less.

These bios are tricky to write.It is hard to describe ones life using 50 words or less. And frankly, you are better off not doing it. The editor of the journal does not care if you have been twice divorced, and neither does the reading public.

I am all for including one or two personal details, but I prefer that they relate indirectly to your writing. For example when I was submitting a lot of geographically themed poems I included the line “Emily Harstone just moved for the 18th time”.

Another fact worth considering including is what you actually do for a living. Most writers don’t write for a living. They do something else to pay the bills. Mentioning what that is can easily add complexity to your bio. Although it might affect the way your submission is considered. For example mentioning that you are a lawyer in your bio would have a different effect than mentioning that you are a stripper.

Most writers focus the bulk of their (very short) bio on writing. This is often a good thing. Although that can be tricky too. The biggest pitfalls is just mentioning the same things as every other writer. For example I once scanned through a literary journal and every single contributor’s bio included the fact that they had an MFA (a Masters of Fine Arts degree).  The schools they attended varied, but that single fact repeated over and over again got to me. Right after reading all of those bios, I removed the fact that I have an MFA from my bio.

The other issue is mentioning too many literary journals that you have been published in. When you are first starting out this seems like a good problem to have. And once your work has been published, you should include some of the most recent or prestigious journals in your biographical statement.

However, you should not include all of them, that would just be overwhelming and also boring. As a general rule of thumb I never include the names of more than 5 literary journals. Usually I limit it to three.

Some authors don’t bother mentioning the names of all the literary journals they have been published in. Their bios instead they say something like this “Their work has been published in over a hundred literary journals.”  If you are just starting out, that sounds impressive, but quality is much more important than quantity when it comes to literary journals. It would be much better to name the three best literary journals you have been published in than to refer to all one hundred (or more).

Below are two examples of biographical statements of less than 50 words, one contains journal names, one does not.

Sample Bio 1:

Maria Smith resides in the rural Pacific Northwest. Her work has appeared or is forthcoming in numerous places, including: Tin House , The Liner, and Echolocation , and the anthology Tidelines. Her second chapbook Pancakes for Dinner is forthcoming in 2014 from Hawthorne Press.

Sample Bio 2:

Joshua Thomas is a poet, editor, and recovering New Yorker who now lives in Idaho. Joshua once wrote a sonnet every hour for twenty-four hours straight. He loves to hike, cook, and read.

My personal ideal for a good bio is to mention one interesting personal fact. And then focus the rest of the bio on the area where writing and life intersect. I always include a link to my website as part of my bio. That way readers who like my writing can learn more about me (and possibly purchase a book or two).

Once I write a bio I am happy with, I use it for about a year. I submit the same bio with most of my submissions.  After a year has passed, I write a new one.

Remember, it is important to keep in mind who is seeing the bio. First the editor sees it (if they do blind submissions the editor might not see your bio till right before the issue published), and then the readers of the literary journals.

You want your bio to be short, professional, and to appeal to both the editors and the readers. I know that might seem like a tough task, but it gets a lot easier with time and practice.

We Send You Publishers Seeking Submissions.

Sign up for our free e-magazine and we will send you reviews of publishers seeking short stories, poetry, essays, and books.

Subscribe now and we'll send you a free copy of our book Submit, Publish, Repeat

Enter Your Email Address:

April 24, 2024

Free Talk: The Fourteen Choices of a Poem (With Darren C. Demaree)

A confirmation has been sent to your email address. This includes the Zoom link. If you do not see an email from us, please check your spam folder. If you still don’t see it, please email [email protected] and we will send you the Zoom link directly.

Attend live on

March 15, 2024

The Art of Memoir: How Exploring Your Theme Can Make the Writing Process Easier

Available to watch right now, completely free.

April 22, 2024

55 Traditional Children’s Book Publishers Seeking Submissions (No Agent Required)

All of the publishers on this list publish children’s books. Some just publish picture books, some publish only middle-grade fiction, and some publish a wide variety of genres aimed at adults as well. Some are looking for educational work, others are open to anything. A number of these publishers are large and established. Others are…

April 18, 2024

New Frontier: Now Accepting Manuscript Submissions

A small publisher with good distribution. No agent required.

New Critique: Now Seeking Submissions

Seeking poetry, fiction, drama, reviews, and essays.

The Other Side of the Desk: Caitlin Jans

An interview with the co-founder and editor of Authors Publish.

• Entire Site Manuscript Publishers Literary Journals Search

A little something about you, the author. Nothing lengthy, just an overview.

• 180 Literary Journals for Creative Writers
• 182 Short Fiction Publishers
• Authors Publish Magazine
• Back Issues
• Confirmation: The Authors Publish Introduction to Marketing Your Book
• Download “How to Publish Your Book!”
• Download Page: How to Market Your Novel on Facebook
• Download Page: Self-Publishing Success – 8 Case Studies
• Download Page: Submit, Publish, Repeat
• Download Page: Submit, Publish, Repeat –– 4th Edition
• Download Page: Submit, Publish, Repeat: 3rd Edition
• Download Page: The 2015 Guide to Manuscript Publishers
• Download Page: The Unofficial Goodreads Author Guide
• Download: “The Authors Publish Compendium of Writing Prompts”
• Download: Get Your Book Published
• Download: The Authors Publish Compendium of Writing Prompts
• Emily Harstone
• Free Book: 8 Ways Through Publisher’s Block
• Free Books from Authors Publish Press
• Free Lecture & Discussion: Senior Book Publicist Isabella Nugent on Setting Yourself Up for Success
• Free Lecture from Kim Addonizio: Make a Book – Shaping Your Poetry Manuscript
• Free Lecture: Everyday Activities to Improve Your Writing
• Free Lecture: How to Publish Your Writing in Literary Journals
• Free Lecture: How to Write a Book that Keeps Readers Up All Night
• Free Lecture: How to Write Layered Stories that Keep Readers Glued to the Page with Nev March
• Free Lecture: Introduction to Diversity Reading for Authors
• Free Lecture: Passion, Professionalized – How to Build an Authentic & Thriving Writing Career
• Free Lecture: The Art of Book Reviewing — How to Write & Get Paid for Book Reviews
• Free Lecture: The Art of Fresh Imagery in Poetry
• Free Lecture: The Art of the Zuihitsu with Eugenia Leigh
• Free Lecture: The Magic of Productivity – How to Write Effortlessly and Quickly
• Free Lecture: Write Like a Wild Thing – 6 Lessons on Crafting an Unforgettable Story
• Free Lectures from Award Winning Authors & Publishing Professionals
• How to Promote Your Book
• How to Revise Your Writing for Publication, While Honoring Your Vision as an Author
• How to Write a Dynamic Act One ‒ A Guide for Novelists
• How to Write With Surprising Perspectives — What Dutch Masters Can Teach Us About Telling Stories
• Lecture: How to Keep Readers Glued to Every Page of Your Book with Microplotting
• Lecture: How to Publish Your Creative Writing in Literary Journals
• Lecture: How to Write a Memoir that Wins Over Readers and Publishers
• Lecture: How to Write Opening Pages that Hook Readers and Publishers
• Lecture: How to Write Romance Novels Readers Will Love
• Lecture: The Art of Collaboration With Vi Khi Nao
• Lecture: The Art of Poetic Efficiency – Strategies for Elevating Your Prose and Poetry
• Lecture: The First Twenty Pages
• Lecture: The Magic of Metaphor – How to Create Vivid Metaphors that Can Transform Your Writing
• Lecture: Tips and Tricks for Revising Your Manuscript to Make It Shine
• Lecture: Writing from Dreams
• Lecture: Writing to Save the World with Danté Stewart
• New Front Page
• Now Available: The 2017 Guide to Manuscript Publishers
• Now Available: The 2018 Guide to Manuscript Publishers
• Office Hours With Ella Peary
• Poem to Book: The Poet’s Path to a Traditional Publisher
• Privacy Policy
• Random Prompt
• River Woman, River Demon Pre-Order Event: Discussing Book Marketing With Jennifer Givhan and Her Book Publicist, Isabella Nugent
• Submit to Authors Publish Magazine
• Submit, Publish, Repeat: 2023 Edition
• Taming the Wild Beast: Making Inspiration Work for You
• Test Live Stream
• Thank You for Attending the Lecture
• Thank You For Subscribing
• The 2018 Guide to Manuscript Publishers — 172 Traditional Book Publishers
• The 2019 Guide to Manuscript Publishers – 178 Traditional Book Publishers
• The 2023 Guide to Manuscript Publishers – 280 Traditional Book Publishers
• The Art of Narrative Structures
• The Authors Publish Guide to Children’s and Young Adult Publishing – Second Edition
• The Authors Publish Guide to Manuscript Submission
• The Authors Publish Guide to Manuscript Submission (Fifth Edition)
• The Authors Publish Guide to Memoir Writing and Publishing
• The Authors Publish Quick-Start Guide to Flash Fiction
• The First Twenty Pages
• The Six Month Novel Writing Plan: Download Page
• The Writer’s Workshop – Office Hours with Emily Harstone
• How to Add a Document to a Discussion
• How to Mark All of the Lessons in a Thinkific Course “Complete”
• How to Navigate a Thinkific Course
• How to Start a Discussion on Thinkific
• How to Upload an Assignment in Thinkific
• We Help Authors Find the Right Publisher for Their Books
• Welcome to Authors Publish: We Help Writers Get Published
• Work With Us
• Writing from the Upside Down – Stranger Things, Duende, & Subverting Expectations
• Your Book On The Kindle!
• February 2024
• January 2024
• December 2023
• November 2023
• October 2023
• September 2023
• August 2023
• February 2023
• January 2023
• December 2022
• November 2022
• October 2022
• September 2022
• August 2022
• February 2022
• January 2022
• December 2021
• November 2021
• October 2021
• September 2021
• August 2021
• February 2021
• January 2021
• December 2020
• November 2020
• October 2020
• September 2020
• August 2020
• February 2020
• January 2020
• December 2019
• November 2019
• October 2019
• September 2019
• August 2019
• February 2019
• January 2019
• December 2018
• November 2018
• October 2018
• September 2018
• August 2018
• February 2018
• January 2018
• December 2017
• November 2017
• October 2017
• September 2017
• August 2017
• February 2017
• January 2017
• December 2016
• November 2016
• October 2016
• September 2016
• August 2016
• February 2016
• January 2016
• December 2015
• November 2015
• October 2015
• September 2015
• August 2015
• February 2015
• January 2015
• December 2014
• November 2014
• October 2014
• September 2014
• August 2014
• February 2014
• January 2014
• December 2013
• November 2013
• October 2013
• September 2013
• August 2013
• Calls for Submissions 92
• Case Studies 9
• Completly ready unscheduled article 3
• Issue Two Hundred Twenty Two 1
• Issue Eight 4
• Issue Eighteen 5
• Issue Eighty 6
• Issue Eighty-Eight 6
• Issue Eighty-Five 6
• Issue Eighty-Four 5
• Issue Eighty-Nine 7
• Issue Eighty-One 6
• Issue Eighty-Seven 4
• Issue Eighty-Six 6
• Issue Eighty-Three 5
• Issue Eighty-Two 4
• Issue Eleven 5
• Issue Fifteen 4
• Issue Fifty 6
• Issue Fifty Eight 6
• Issue Fifty Five 6
• Issue Fifty Four 5
• Issue Fifty Nine 5
• Issue Fifty One 6
• Issue Fifty Seven 5
• Issue Fifty Six 6
• Issue Fifty Three 4
• Issue Fifty Two 6
• Issue Five 4
• Issue Five Hundred 3
• Issue Five Hundred Eight 3
• Issue Five Hundred Eighteen 5
• Issue Five Hundred Eleven 5
• Issue Five Hundred Fifteen 4
• Issue Five Hundred Fifty 4
• Issue Five Hundred Fifty Eight 4
• Issue Five Hundred Fifty Five 4
• Issue Five Hundred Fifty Four 5
• Issue Five Hundred Fifty Nine 4
• Issue Five Hundred Fifty One 4
• Issue Five Hundred Fifty Seven 4
• Issue Five Hundred Fifty Six 3
• Issue Five Hundred Fifty Three 4
• Issue Five Hundred Fifty Two 5
• Issue Five Hundred Five 4
• Issue Five Hundred Forty 5
• Issue Five Hundred Forty Eight 4
• Issue Five Hundred Forty Five 4
• Issue Five Hundred Forty Four 5
• Issue Five Hundred Forty Nine 4
• Issue Five Hundred Forty One 4
• Issue Five Hundred Forty Seven 4
• Issue Five Hundred Forty Six 4
• Issue Five Hundred Forty Three 3
• Issue Five Hundred Forty Two 3
• Issue Five Hundred Four 4
• Issue Five Hundred Fourteen 6
• Issue Five Hundred Nine 4
• Issue Five Hundred Nineteen 4
• Issue Five Hundred One 5
• Issue Five Hundred Seven 4
• Issue Five Hundred Seventeen 3
• Issue Five Hundred Seventy 1
• Issue Five Hundred Six 4
• Issue Five Hundred Sixteen 5
• Issue Five Hundred Sixty 2
• Issue Five Hundred Sixty Eight 4
• Issue Five Hundred Sixty Five 3
• Issue Five Hundred Sixty Four 4
• Issue Five Hundred Sixty One 3
• Issue Five Hundred Sixty Seven 4
• Issue Five Hundred Sixty Six 4
• Issue Five Hundred Sixty Three 4
• Issue Five Hundred Sixty Two 4
• Issue Five Hundred Ten 3
• Issue Five Hundred Thirteen 3
• Issue Five Hundred Thirty 4
• Issue Five Hundred Thirty Eight 4
• Issue Five Hundred Thirty Five 3
• Issue Five Hundred Thirty Four 3
• Issue Five Hundred Thirty Nine 3
• Issue Five Hundred Thirty One 4
• Issue Five Hundred Thirty Seven 4
• Issue Five Hundred Thirty Six 4
• Issue Five Hundred Thirty Three 4
• Issue Five Hundred Thirty Two 4
• Issue Five Hundred Three 4
• Issue Five Hundred Twelve 3
• Issue Five Hundred Twenty 5
• Issue Five Hundred Twenty Eight 4
• Issue Five Hundred Twenty Five 3
• Issue Five Hundred Twenty Four 4
• Issue Five Hundred Twenty Nine 4
• Issue Five Hundred Twenty One 3
• Issue Five Hundred Twenty Seven 4
• Issue Five Hundred Twenty Six 4
• Issue Five Hundred Twenty Three 3
• Issue Five Hundred Twenty Two 4
• Issue Five Hundred Two 4
• Issue Forty 4
• Issue Forty Eight 5
• Issue Forty Five 6
• Issue Forty Four 6
• Issue Forty Nine 6
• Issue Forty One 4
• Issue Forty Seven 5
• Issue Forty Six 6
• Issue Forty Three 5
• Issue Forty Two 5
• Issue Four 5
• Issue Four Hundred 3
• Issue Four Hundred Eight 2
• Issue Four Hundred Eighteen 4
• Issue Four Hundred Eighty 4
• Issue Four Hundred Eighty Eight 4
• Issue Four Hundred Eighty Five 5
• Issue Four Hundred Eighty Four 3
• Issue Four Hundred Eighty Nine 4
• Issue Four Hundred Eighty One 4
• Issue Four Hundred Eighty Seven 3
• Issue Four Hundred Eighty Six 4
• Issue Four Hundred Eighty Three 4
• Issue Four Hundred Eighty Two 3
• Issue Four Hundred Eleven 3
• Issue Four Hundred Fifteen 3
• Issue Four Hundred Fifty 3
• Issue Four Hundred Fifty Eight 4
• Issue Four Hundred Fifty Five 4
• Issue Four Hundred Fifty Four 4
• Issue Four Hundred Fifty Nine 4
• Issue Four Hundred Fifty One 3
• Issue Four Hundred Fifty Seven 4
• Issue Four Hundred Fifty Six 4
• Issue Four Hundred Fifty Three 4
• Issue Four Hundred Fifty Two 4
• Issue Four Hundred Five 4
• Issue Four Hundred Forty 4
• Issue Four Hundred Forty Eight 3
• Issue Four Hundred Forty Five 3
• Issue Four Hundred Forty Four 4
• Issue Four Hundred Forty Nine 3
• Issue Four Hundred Forty One 3
• Issue Four Hundred Forty Seven 3
• Issue Four Hundred Forty Six 3
• Issue Four Hundred Forty Three 2
• Issue Four Hundred Forty Two 5
• Issue Four Hundred Four 3
• Issue Four Hundred Fourteen 4
• Issue Four Hundred Nine 5
• Issue Four Hundred Nineteen 4
• Issue Four Hundred Ninety 4
• Issue Four Hundred Ninety Eight 4
• Issue Four Hundred Ninety Five 3
• Issue Four Hundred Ninety Four 4
• Issue Four Hundred Ninety Nine 3
• Issue Four Hundred Ninety One 3
• Issue Four Hundred Ninety Seven 3
• Issue Four Hundred Ninety Six 4
• Issue Four Hundred Ninety Three 4
• Issue Four Hundred Ninety Two 5
• Issue Four Hundred One 3
• Issue Four Hundred Seven 3
• Issue Four Hundred Seventeen 3
• Issue Four Hundred Seventy 4
• Issue Four Hundred Seventy Eight 4
• Issue Four Hundred Seventy Five 4
• Issue Four Hundred Seventy Four 4
• Issue Four Hundred Seventy Nine 4
• Issue Four Hundred Seventy One 5
• Issue Four Hundred Seventy Seven 4
• Issue Four Hundred Seventy Six 3
• Issue Four Hundred Seventy Three 3
• Issue Four Hundred Seventy Two 4
• Issue Four Hundred Six 4
• Issue Four Hundred Sixteen 3
• Issue Four Hundred Sixty 3
• Issue Four Hundred Sixty Eight 4
• Issue Four Hundred Sixty Five 5
• Issue Four Hundred Sixty Four 4
• Issue Four Hundred Sixty Nine 2
• Issue Four Hundred Sixty One 3
• Issue Four Hundred Sixty Seven 4
• Issue Four Hundred Sixty Six 4
• Issue Four Hundred Sixty Three 4
• Issue Four Hundred Sixty Two 4
• Issue Four Hundred Ten 3
• Issue Four Hundred Thirteen 3
• Issue Four Hundred Thirty 3
• Issue Four Hundred Thirty Eight 3
• Issue Four Hundred Thirty Five 4
• Issue Four Hundred Thirty Four 3
• Issue Four Hundred Thirty Nine 4
• Issue Four Hundred Thirty One 4
• Issue Four Hundred Thirty Seven 4
• Issue Four Hundred Thirty Six 4
• Issue Four Hundred Thirty Three 3
• Issue Four Hundred Thirty Two 3
• Issue Four Hundred Three 4
• Issue Four Hundred Twelve 3
• Issue Four Hundred Twenty 3
• Issue Four Hundred Twenty Eight 3
• Issue Four Hundred Twenty Five 3
• Issue Four Hundred Twenty Four 4
• Issue Four Hundred Twenty Nine 3
• Issue Four Hundred Twenty One 3
• Issue Four Hundred Twenty Seven 4
• Issue Four Hundred Twenty Six 3
• Issue Four Hundred Twenty Three 4
• Issue Four Hundred Twenty Two 4
• Issue Four Hundred Two 3
• Issue Fourteen 4
• Issue Nine 5
• Issue Nineteen 4
• Issue Ninety 5
• Issue Ninety-Eight 3
• Issue Ninety-Five 4
• Issue Ninety-Four 4
• Issue Ninety-Nine 3
• Issue Ninety-one 6
• Issue Ninety-Seven 2
• Issue Ninety-Six 3
• Issue Ninety-Three 5
• Issue Ninety-Two 4
• Issue Nintey-Three 1
• Issue One 5
• Issue One Hundred 4
• Issue One Hundred Eight 3
• Issue One Hundred Eighteen 3
• Issue One Hundred Eighty 3
• Issue One Hundred Eighty Eight 3
• Issue One Hundred Eighty Five 3
• Issue One Hundred Eighty Four 3
• Issue One Hundred Eighty Nine 3
• Issue One Hundred Eighty One 4
• Issue One Hundred Eighty Seven 3
• Issue One Hundred Eighty Six 3
• Issue One Hundred Eighty Three 3
• Issue One Hundred Eighty Two 3
• Issue One Hundred Eleven 3
• Issue One Hundred Fifteen 4
• Issue One Hundred Fifty 3
• Issue One Hundred Fifty Eight 3
• Issue One Hundred Fifty Five 2
• Issue One Hundred Fifty Four 3
• Issue One Hundred Fifty Nine 4
• Issue One Hundred Fifty One 2
• Issue One Hundred Fifty Seven 3
• Issue One Hundred Fifty Six 4
• Issue One Hundred Fifty Three 2
• Issue One Hundred Fifty Two 6
• Issue One Hundred Five 3
• Issue One Hundred Forty 3
• Issue One Hundred Forty Eight 4
• Issue One Hundred Forty Five 4
• Issue One Hundred Forty Four 2
• Issue One Hundred Forty Nine 4
• Issue One Hundred Forty One 3
• Issue One Hundred Forty Seven 3
• Issue One Hundred Forty Six 4
• Issue One Hundred Forty Three 4
• Issue One Hundred Forty Two 3
• Issue One Hundred Four 4
• Issue One Hundred Fourteen 4
• Issue One Hundred Nine 3
• Issue One Hundred Nineteen 5
• Issue One Hundred Ninety 3
• Issue One Hundred Ninety Eight 3
• Issue One Hundred Ninety Five 4
• Issue One Hundred Ninety Four 3
• Issue One Hundred Ninety Nine 4
• issue One Hundred Ninety One 3
• Issue One Hundred Ninety Seven 2
• Issue One Hundred Ninety Six 3
• Issue One Hundred Ninety Three 3
• Issue One Hundred Ninety Two 3
• Issue One Hundred One 3
• Issue One Hundred Seven 3
• Issue One Hundred Seventeen 3
• Issue One Hundred Seventy 4
• Issue One Hundred Seventy Eight 3
• Issue One Hundred Seventy Five 3
• Issue One Hundred Seventy Four 3
• Issue One Hundred Seventy Nine 3
• Issue One Hundred Seventy One 4
• Issue One Hundred Seventy Seven 2
• Issue One Hundred Seventy Six 3
• Issue One Hundred Seventy Three 3
• Issue One Hundred Seventy Two 2
• Issue One Hundred Six 3
• Issue One Hundred Sixteen 4
• Issue One Hundred Sixty 4
• Issue One Hundred Sixty Eight 4
• Issue One Hundred Sixty Five 3
• Issue One Hundred Sixty Four 3
• Issue One Hundred Sixty Nine 3
• Issue One Hundred Sixty One 4
• Issue One Hundred Sixty Seven 3
• Issue One Hundred Sixty Six 2
• Issue One Hundred Sixty Three 4
• Issue One Hundred Sixty Two 4
• Issue One Hundred Ten 4
• Issue One Hundred Thirteen 4
• Issue One Hundred Thirty 4
• Issue One Hundred Thirty Eight 3
• Issue One Hundred Thirty Five 4
• Issue One Hundred Thirty Four 7
• Issue One Hundred Thirty Nine 4
• Issue One Hundred Thirty One 4
• Issue One Hundred Thirty Seven 3
• Issue One Hundred Thirty Six 4
• Issue One Hundred Thirty Three 4
• Issue One Hundred Thirty Two 5
• Issue One Hundred Three 3
• Issue One Hundred Twelve 2
• Issue One Hundred Twenty 4
• Issue One Hundred Twenty Eight 4
• Issue One Hundred Twenty Five 3
• Issue One Hundred Twenty Four 4
• Issue One Hundred Twenty Nine 4
• Issue One Hundred Twenty One 4
• Issue One Hundred Twenty Seven 4
• Issue One Hundred Twenty Six 4
• Issue One Hundred Twenty Three 5
• Issue One Hundred Twenty Two 3
• Issue One Hundred Two 3
• Issue Seven 4
• Issue Seventeen 5
• Issue Seventy 5
• Issue Seventy-Eight 6
• Issue Seventy-Five 7
• Issue Seventy-Four 6
• Issue Seventy-Nine 6
• Issue Seventy-One 6
• Issue Seventy-Seven 6
• Issue Seventy-Six 6
• Issue Seventy-Three 5
• Issue Seventy-Two 6
• Issue Six 4
• Issue Six Hundred Thirty Four 1
• Issue Sixteen 5
• Issue Sixty 7
• Issue Sixty Eight 6
• Issue Sixty Five 5
• Issue Sixty Four 5
• Issue Sixty Nine 6
• Issue Sixty One 5
• Issue Sixty Seven 6
• Issue Sixty Six 6
• Issue Sixty Three 5
• Issue Sixty Two 6
• Issue Ten 5
• Issue Thirteen 5
• Issue Thirty 7
• Issue Thirty Eight 4
• Issue Thirty Five 3
• Issue Thirty Four 6
• Issue Thirty Nine 5
• Issue Thirty One 5
• Issue Thirty Seven 5
• Issue Thirty Six 4
• Issue Thirty Three 7
• Issue Thirty Two 1
• Issue Thirty Two 5
• Issue Three 5
• Issue Three Hundred 3
• Issue Three Hundred and Eighty 4
• Issue Three Hundred and Sixty Five 2
• Issue Three Hundred Eight 4
• Issue Three Hundred Eighteen 3
• Issue Three Hundred Eighty Eight 4
• Issue Three Hundred Eighty Five 4
• Issue Three Hundred Eighty Four 4
• Issue Three Hundred Eighty Nine 4
• Issue Three Hundred Eighty One 4
• Issue Three Hundred Eighty Seven 4
• Issue Three Hundred Eighty Six 3
• Issue Three Hundred Eighty Three 4
• Issue Three Hundred Eighty Two 3
• Issue Three Hundred Eleven 3
• Issue Three Hundred Fifteen 4
• Issue Three Hundred Fifty 4
• Issue Three Hundred Fifty Eight 4
• Issue Three Hundred Fifty Five 3
• Issue Three Hundred Fifty Four 4
• Issue Three Hundred Fifty Nine 3
• Issue Three Hundred Fifty One 3
• Issue Three Hundred Fifty Seven 3
• Issue Three Hundred Fifty Six 3
• Issue Three Hundred Fifty Three 3
• Issue Three Hundred Fifty Two 3
• Issue Three Hundred Five 3
• Issue Three Hundred Forty 3
• Issue Three Hundred Forty Eight 3
• Issue Three Hundred Forty Five 3
• Issue Three Hundred Forty Four 3
• Issue Three Hundred Forty Nine 3
• Issue Three Hundred Forty One 4
• Issue Three Hundred Forty Seven 3
• Issue Three Hundred Forty Six 3
• Issue Three Hundred Forty Three 3
• Issue Three Hundred Forty Two 3
• Issue Three Hundred Four 3
• Issue Three Hundred Fourteen 3
• Issue Three Hundred Nine 3
• Issue Three Hundred Nineteen 4
• Issue Three Hundred Ninety 3
• Issue Three Hundred Ninety Eight 3
• Issue Three Hundred Ninety Five 3
• Issue Three Hundred Ninety Four 3
• Issue Three Hundred Ninety Nine 3
• Issue Three Hundred Ninety One 3
• Issue Three Hundred Ninety Seven 4
• Issue Three Hundred Ninety Six 4
• Issue Three Hundred Ninety Three 4
• Issue Three Hundred Ninety Two 5
• Issue Three Hundred One 3
• Issue Three Hundred Seven 3
• Issue Three Hundred Seventeen 3
• Issue Three Hundred Seventy 3
• Issue Three Hundred Seventy Eight 3
• Issue Three Hundred Seventy Five 3
• Issue Three Hundred Seventy Four 3
• Issue Three Hundred Seventy Nine 4
• Issue Three Hundred Seventy One 3
• Issue Three Hundred Seventy Seven 3
• Issue Three Hundred Seventy Six 4
• Issue Three Hundred Seventy Three 3
• Issue Three Hundred Seventy Two 3
• Issue Three Hundred Six 4
• Issue Three Hundred Sixteen 3
• Issue Three Hundred Sixty 3
• Issue Three Hundred Sixty Eight 3
• Issue Three Hundred Sixty Four 4
• Issue Three Hundred Sixty Nine 3
• Issue Three Hundred Sixty One 4
• Issue Three Hundred Sixty Seven 5
• Issue Three Hundred Sixty Six 5
• Issue Three Hundred Sixty Three 4
• Issue Three Hundred Sixty Two 3
• Issue Three Hundred Ten 3
• Issue Three Hundred Thirteen 3
• Issue Three Hundred Thirty 2
• Issue Three Hundred Thirty Eight 4
• Issue Three Hundred Thirty Five 2
• Issue Three Hundred Thirty Four 3
• Issue Three Hundred Thirty Nine 3
• Issue Three Hundred Thirty One 2
• Issue Three Hundred Thirty Seven 4
• Issue Three Hundred Thirty Six 3
• Issue Three Hundred Thirty Three 3
• Issue Three Hundred Thirty Two 3
• Issue Three Hundred Three 3
• Issue Three Hundred Twelve 3
• Issue Three Hundred Twenty 3
• Issue Three Hundred Twenty Eight 4
• Issue Three Hundred Twenty Five 3
• Issue Three Hundred Twenty Four 4
• Issue Three Hundred Twenty Nine 4
• Issue Three Hundred Twenty One 3
• Issue Three Hundred Twenty Seven 3
• Issue three hundred twenty six 2
• Issue Three Hundred Twenty Three 4
• Issue Three Hundred Twenty Two 3
• Issue Three Hundred Two 4
• Issue Thrity Five 1
• Issue Twelve 4
• Issue Twenty 5
• Issue Twenty Eight 5
• Issue Twenty Five 4
• Issue Twenty Four 4
• Issue Twenty Nine 4
• Issue Twenty One 5
• Issue Twenty Seven 3
• Issue Twenty Six 4
• Issue Twenty Three 4
• Issue Twenty Two 5
• Issue Two 4
• Issue Two Hundred 4
• Issue Two Hundred Eight 3
• Issue Two Hundred Eighteen 1
• Issue Two Hundred Eighty 2
• Issue Two Hundred Eighty Eight 3
• Issue Two Hundred Eighty Five 3
• Issue Two Hundred Eighty Four 3
• Issue Two Hundred Eighty Nine 2
• Issue Two Hundred Eighty One 4
• Issue Two Hundred Eighty Seven 3
• Issue Two Hundred Eighty Six 4
• Issue Two Hundred Eighty Three 2
• Issue Two Hundred Eighty Two 3
• Issue Two Hundred Eleven 3
• Issue Two Hundred Fifteen 3
• Issue Two Hundred Fifty 3
• Issue Two Hundred Fifty Eight 3
• Issue Two Hundred Fifty Five 3
• Issue Two Hundred Fifty Four 3
• Issue Two Hundred Fifty Nine 2
• Issue Two Hundred Fifty One 3
• Issue Two Hundred Fifty Seven 2
• Issue Two Hundred Fifty Six 3
• Issue Two Hundred Fifty Three 1
• Issue Two Hundred Fifty Two 3
• Issue Two Hundred Five 3
• Issue Two Hundred Forty 3
• Issue Two Hundred Forty Eight 3
• Issue Two Hundred Forty Five 2
• Issue Two Hundred Forty Four 3
• Issue Two Hundred Forty Nine 3
• Issue Two Hundred Forty One 3
• Issue Two Hundred Forty Seven 3
• Issue Two Hundred Forty Six 2
• Issue Two Hundred Forty Three 1
• Issue Two Hundred Forty Two 2
• Issue Two Hundred Four 2
• Issue Two Hundred Fourteen 3
• Issue Two Hundred Nine 3
• Issue Two Hundred Nineteen 3
• Issue Two Hundred Ninety 3
• Issue Two Hundred Ninety Eight 4
• Issue Two Hundred Ninety Five 2
• Issue Two Hundred Ninety Four 3
• Issue Two Hundred Ninety Nine 3
• Issue Two Hundred Ninety One 4
• Issue Two Hundred Ninety Seven 4
• Issue Two Hundred Ninety Six 3
• Issue Two Hundred Ninety Three 4
• Issue Two Hundred Ninety Two 3
• Issue Two Hundred One 3
• Issue Two Hundred Seven 3
• Issue Two Hundred Seventeen 3
• Issue Two Hundred Seventy 3
• Issue Two Hundred Seventy Eight 3
• Issue Two Hundred Seventy Five 3
• Issue Two Hundred Seventy Four 3
• Issue Two Hundred Seventy Nine 3
• Issue Two Hundred Seventy One 2
• Issue Two Hundred Seventy Seven 3
• Issue Two Hundred Seventy Six 3
• Issue Two Hundred Seventy Three 3
• Issue Two Hundred Seventy Two 3
• Issue Two Hundred Six 3
• Issue Two Hundred Sixteen 3
• Issue Two Hundred Sixty 3
• Issue Two Hundred Sixty Eight 3
• Issue Two Hundred Sixty Five 4
• Issue Two Hundred Sixty Four 3
• Issue Two Hundred Sixty Nine 3
• Issue Two Hundred Sixty One 3
• Issue Two Hundred Sixty Seven 3
• Issue Two Hundred Sixty Six 3
• Issue Two Hundred Sixty Three 6
• Issue Two Hundred Sixty Two 3
• Issue Two Hundred Ten 2
• Issue Two Hundred Thirteen 4
• Issue Two Hundred Thirty 4
• Issue Two Hundred Thirty Eight 4
• Issue Two Hundred Thirty Five 4
• Issue Two Hundred Thirty Four 3
• Issue Two Hundred Thirty Nine 2
• Issue Two Hundred Thirty One 2
• Issue Two Hundred Thirty Seven 2
• Issue Two Hundred Thirty Six 4
• Issue Two Hundred Thirty Three 3
• Issue Two Hundred Thirty Two 3
• Issue Two Hundred Three 3
• Issue Two Hundred Twelve 3
• Issue Two Hundred Twenty 3
• Issue Two Hundred Twenty Eight 4
• Issue Two Hundred Twenty Five 3
• Issue Two Hundred Twenty Four 4
• Issue Two Hundred Twenty Nine 3
• Issue Two Hundred Twenty One 4
• Issue Two Hundred Twenty Seven 2
• Issue Two Hundred Twenty Six 4
• Issue Two Hundred Twenty Three 2
• Issue Two Hundred Twenty Two 3
• Issue Two Hundred Two 3
• No Fee Contest 1
• One Hundred Forty Seven 1
• Letter from the Editor 8
• Always open to submissions 40
• Anthology 4
• Chapbooks 2
• Creative Non Fiction 263
• Electronic 4
• Fiction 385
• Paying Market 50
• Translation 3
• Academic 16
• Accept Previously Published Work 1
• All Genres 29
• Chick Lit 5
• Children's Books 113
• Christian 29
• Cookbooks 15
• Gift Books 15
• Graphic Novel 6
• Historical Fiction 19
• Literary Fiction 64
• New Adult 4
• Non Fiction 178
• Offers Advances 8
• Paranormal 15
• Science Fiction 58
• Self Help 7
• Southern Fiction 2
• Speculative Fiction 8
• Women's Fiction 17
• Young Adult 79
• Issue Four 1
• Issue Six 1
• Issue Three 1
• Issue Two 1
• Publishing Guides 76
• Publishing Industry News 1
• Quote of the Week 78
• Self Publishing 22
• Issue One Hundred Ninety One 1
• Special Issue 354
• Success Stories 6
• The Authors Publish Fund for Literary Journals 1
• The Other Side of the Desk 5
• Uncategorized 106
• Writing Prompt 85

About Us: We're dedicated to helping authors build their writing careers. We send you reviews of publishers accepting submissions, and articles to help you become a successful, published, author. Everything is free and delivered via email. You can view our privacy policy here. To get started sign up for our free email newsletter .

Is Your Artist Statement Written in First or Third Person?

There is no overseer of the perfect artist statement and bio that is going to come get you for not adhering to rules that never existed. Breathe a sigh of relief.

You can’t go wrong unless you have a bunch of typos, use poor grammar, or don't align your tenses.

[ The Successful Artist's Guide to Writing Your Artist Statement ]

Here are some guidelines for which tenses to use and when when you're writing your artist statement and bio.

Your Artist Bio

Your bio is about you and your artistic accomplishments. It is not your life story.

It is written in the third person (otherwise, it would be an autobiography). It helps to think of it as your résumé in paragraph form.

Write it in reverse chronological order, acknowledging that your most important accomplishments are those that are most recent. You can open a bio with a short paragraph summarizing your current work. This can be taken from your statement and reworked for the bio format.

Your Artist Statement

In contrast to your bio, which is about your accomplishments, your statement is about your work —the current direction of your work, not the history of how you got to this point. It’s your opportunity to define a body of work before others respond to the work and define it for you.

Your statement—because it is a statement —is written in first person. It is not the definitive statement about your work forever and ever because your work changes. You must allow your statement to get better and to grow along with your art.

My litmus test for a good statement is that it makes me want to quit reading and look at the artist’s work again. Otherwise, it’s just a bunch of words.

Exception for Websites

I believe, however, that there is an exception to the “bio in the 3rd person” rule. And that’s when the information is on your website.

It's perfectly okay to combine your statement with your bio on an About the Artist page and write everything in 3rd person. If you separate them, don’t call your statement a statement because a statement should be in 1st person. Statements come from an individual’s lips, pens, or fingertips.

It’s also perfectly okay to do the same and write everything in 1st person. In fact I kind of prefer that About pages for artists are written in 1st person because, let's face it, everyone knows you wrote it anyway. It's weird to talk about yourself in 3rd person. I’m kind of a stickler (or try to learn and get better) about correct grammar.

I prefer that a bio in 1st person is called About Me. As I said, though, no one is going to lock you up for breaking my guidelines. Praise the lord!

This article was first published on October 9, 2007. It has been updated with original comments left intact.

• Alyson Stanfield
• December 11, 2019

Share this post

Your mailing list is your #1 marketing asset.

A transcript with the 3 lists every artist should have + a 3-page assessment for understanding the health of your list. FREE with opt-in.

8 thoughts on “Is Your Artist Statement Written in First or Third Person?”

Thank you for this article. After reading it I went to my blog and realized I had only a one line bio! I’m having such a hard time trying to write about myself.

“You can’t go wrong unless you have a bunch of type-os, use poor grammar, or are otherwise sloppy.” Alyson, you forgot spelling!. Typos, sloppy writing and poor grammar are red flags for me whether on blogs or websites yet I sometimes reread my own writing with a great big “Aarggh!” There may not be a great overseer, but your info will be less effective for your readers. I do agree that bios can be either first or third person if care is taken not to mix them and that the statement should be first person. However, for a combination, the ‘third person’ biographer can easily ‘quote’ the first person artist’s statement.

I wrote my online bio in the first person, but I titled it “About Daniel Sroka”: http://www.danielsroka.com/biography.php I agree, the grammar makes me cringe. But I did it for the kids.. I mean, the search engines. As the title for the page (in an H1 tag) I wanted to make sure that the search engines scanned the concept “About Daniel Sroka” instead of the more generic, but grammatically-correct “About me”. Does it really make a difference? I’m not sure, but it was worth a try.

Judy K: Read the book BRAG! It’s linked in my left column and is wonderful in helping you tell your story. Annette: Good point. Dan: Never hurts!

Hi Alyson, I was writing my first ever grant application and had finished the resume (first I had written since my ’20s) – using your guidelines for help. Then I turned to tweak my bio and artist statement – which I have had and been making changes on for years … took a deep breath, and – oh, let’s check the email again before I dive in. Lo and behold .. an marketing newsletter from you titled “writing your bio and artist statement”! Pretty cool … so I read what you wrote before I tweaked. Thank you! ~ Diane Clancy http://www.dianeclancy.com/blog

Thanks for providing this information. I am writing an article for the newsletter of our local art league about writing a bio. I have been doing research to make sure I have my facts straight. First person or third person has been confusing to me in the past. This clears things up. I am constantly revising my husbands bio. I am now trying to add statements about each work to make his website more interesting and informative to visitors. http://www.PaulKeysar.com

Pingback: Art Marketing Action: Work On Your Biography — Art Biz Blog

Pingback: Art Marketing Action: Tweak your About page — Art Biz Blog

Leave a Comment Cancel Reply

Your email address will not be published. Required fields are marked *

Your Artist Mailing List: Rethinking + Assessing

Get a transcript of episode 182 of The Art Biz (Rethinking Mailing Lists for Artists) followed by a 3-page worksheet to evaluate the overall health and usage of the 3 types of artist lists.

Where can we send it? 

To ensure delivery, please triple check your email address.

You’ll also receive my regular news for your art business.

Privacy + Terms