angel thesis song

Zankoku na Tenshi no These

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" A Cruel Angel's Thesis "  (残酷な天使のテーゼ, Zankoku na Tenshi no Tēze ? , " Zankoku na Tenshi no These " in Japan) is the theme song of the popular anime Neon Genesis Evangelion performed by Yoko Takahashi . It is used as the opening to the series, and two instrumental versions of it are played in the final episode, " Take care of yourself. " These are "The Heady Feeling of Freedom" and "Good, or Don't Be", scored for violin, piano, and guitar. "The Heady Feeling of Freedom" is a somber and reflective piece for bowed strings and guitar, while "Good, or Don't Be" is played to a light piano and guitar tone. A similar version can also be heard during the intermission between the two parts of Evangelion: Death and Rebirth .

The single was released on October 25, 1995 with the part number KIDA-116 and it also reached a peak rank 17 in the Oricon album database, appearing in the ranks 61 times.

Unlike what is commonly assumed, this song was written without any involvement from the show's creators. [1] Anno originally wanted to use an excerpt from Borodin's Polovtsian Dances in the opening, but the producers did not approve of this and instead decided to use a J-Pop song, which eventually resulted in the creation of "A Cruel Angel's Thesis". The lyricist, Neko Oikama had next to no knowledge of the show. Oikama simply skimmed through a proposal of the show (possibly Neon Genesis Evangelion Proposal ) and watched unfinished versions of two episodes on fast forward, only serving to broadly "fit" the anime after the fact. [2] [3] [4] Oikama took inspiration for the title from the manga A Cruel God Reigns . [5] She said the lyrics "become a legend" were originally "become a weapon". She was orientated that the show was "difficult and philosphical". Oikama described it as: "older women", "mothers" and "14-year-old boys and girls", and decided to make it about the perspective of a mother when her child "leaves the nest". [6] The original song included a male chorus, which was cut at director Hideaki Anno's request in order to "emphasize maternal affection". [7] The writing process for Episode:01 took as long as six months, [8] and the opening sequence was not yet finished. [9] [10] Singer Yoko Takahashi was also brought in relatively haphazardly and had no knowledge of the series, and would only see the opening featuring her voice when it aired on TV. [11] She had also first met Anno on the day of recording. [12]

• 1.1 TV Size
• 1.2 Full Size
• 4 External Links
• 5 References

TV Size [ ]

Full size [ ].

[13]

During the instrumental break in the middle of the song, a chorus can be heard. The lyrics to the chorus are not in Japanese, nor in any other recognizable language. According to the January 1996 issue of Newtype magazine, the lyrics can be phonetically transliterated into Japanese as 「ファリィア。セタ(or セパ）メッソ。ファリィア。トゥスェ」 "Fariya. Seta (or sepa) messo. Fariya. Tuse" , and they are supposedly written in an untranslated language passed down from ancient times. One could entertain the possibility that they are written in the same language as that of the Dead Sea Scrolls . [14]

See Also [ ]

• " Zankoku na Tenshi no These 2009 VERSION "
• " Zankoku na Tenshi no These MATSURI SPIRIT "

External Links [ ]

• 「残酷な天使のテーゼ」MUSIC VIDEO（HDver.）/Zankoku na Tenshi no Te-ze“The Cruel Angel's Thesis” at King Records' YouTube channel

References [ ]

• ↑ "Producer Ootsuki said he allowed Anno to do whatever he wanted in the anime except for the theme music. Ootsuki was particular about the theme and handled the music staff by himself. No anime staff, even Anno, met the music staff, he said." - Yuko Miyamura, BS AnimeYAWA
• ↑ “My manager got the job, we had a quick meeting lasting about 30 minutes, skim-read the proposal and watched two episodes on fast-forward. And with that I was told ‘so, yeah, just write whatever you want!’, and finished the song [lyrics] in about two hours. Sorry to burst your bubble, guys!” https://soranews24.com/2015/01/08/a-cruel-angels-thesis-took-just-two-hours-to-write-says-evangelion-lyricist-neko-oikawa
• ↑ "I hadn't watch Eva and wrote it in 2 hours. I don't even know what the story is or who is fighting who." https://twitter.com/otakucalendarjp/status/1356542049751687171
• ↑ She also professed that she didn't know much about Neon Genesis Evangelion when she first wrote the song, and she still hasn't watched the series. "It's a finished job, so [I'm] not really [interested]," she said. When she wrote the song, the anime hadn't been finished yet and she only had the proposal and the first two or three minutes to go by. "It wasn't even colored. I wrote the song, and my job was done. I wrote it in about two hours." - https://www.animenewsnetwork.com/interest/2021-02-03/lyricist-neko-oikawa-shares-how-she-was-scammed-out-of-her-evangelion-royalty-money/.169084
• ↑ https://web.archive.org/web/20160830224921/http://news.livedoor.com/article/detail/11939169
• ↑ https://www.sankei.com/west/news/161228/wst1612280011-n1.html
• ↑ Refrain of Evangelion OST Booklet, 2003.
• ↑ 2nd JUNE interview
• ↑ Notenki Memoirs
• ↑ According to Hidenori Matsubara during the Animazement 2015 convention, "the song was created before they even got done with animation for the opening theme. Strangely enough, the song manage to go along with the opening animation."
• ↑ Yoko Takahashi Performs Neon Genesis Evangelion Theme, “A Cruel Angel’s Thesis,” to Excited Crowd at Anime Expo 2015 in LA
• ↑ —When was your first meeting with Mr. Anno? "It was on the day of recording. As I said earlier, when I entered the studio before anyone else to get ready, even while I couldn't afford, a man dressed in black and wearing sandals suddenly appeared. I didn't know who it was, but I just said hi, and he was actually Mr. Anno (Hideaki). It was a shocking encounter (laughs)." - Yoko Takahashi: EVANGELION FINALLY (2020)
• ↑ https://www.animelyrics.com/anime/eva/ngetnshi.jis
• ↑ http://www.mars.dti.ne.jp/~yato/eva/ura.htm
• 2 Rei Ayanami
• 3 Kaworu Nagisa

A Cruel Angel's Thesis

A Cruel Angel's Thesis is the opening theme song for the series Neon Genesis Evangelion , composed by Hidetoshi Sato and sung by Yoko Takahashi . The lyrics are by Neko Oikawa while the arrangement is by Toshiyuki Omori. The song also has the distinction of taking first place in the JASRAC Awards. [1]

This song was written with relatively limited involvement from Hideaki Anno and the production staff, being handled by producer Toshimichi Otsuki . [2] Anno originally wanted to use an excerpt from Borodin's Polovtsian Dances in the opening, but the producers did not approve of this and instead decided to use a J-Pop song, which eventually resulted in the creation of this song by Neko Oikawa.

Oikawa apparently had very little knowledge of the show, which was under production at the time with the episodes not having been colored. According to tweets and interviews, Oikawa went through a proposal of the show (possibly Neon Genesis Evangelion Proposal ) and watched two unfinished episodes on fast-forward, only serving to broadly "fit" the anime after the fact [3] [4] The writing process for Episode 01 took as long as six months, [5] and the opening sequence was not yet finished. [6] [7] The original song included a male chorus, which was cut at director Hideaki Anno's request in order to "emphasize maternal affection". [8]

Oikawa states that she took inspiration for the title from the manga A Cruel God Reigns . [9] Among other statements, Oikawa said the lyrics "become a legend" were originally "become a weapon" and that she decided to make the song about the perspective of a mother when her child "leaves the nest." [10]

Original Japanese Lyrics: Neko Oikawa

Translation Notes

1 This was translated by Takayama Miyuki and these are the translator's notes:

• young boy, become the legend! : The word "shinwa" actually means "myth" ("legend" would be "densetsu"), but I think it sounds better as "legend."
• with surging, hot pathos : "Atsui" (hot) can also mean "intense, passionate." "Pathos" is "the quality or power in life or art of evoking a feeling of pity or compassion; pity; suffering; sorrow."
• Embracing this sky [universe] and shining : "Sora" (sky) is the reading given for the kanji for "uchuu" (universe).
• has any meaning : The kanji used for the "a" in "aeta" is not the normal kanji used in "au" (to meet). It's the first kanji in "ouse" (encounter, tryst) and has more of a connotation of meeting by fate or being brought together by fate, not just meeting. (Interestingly, a dictionary I have gives the meaning of "au," when written with this kanji, as "to meet (with drama or pathos)")
• for learning freedom : The "watashi wa sou" is probably "watashi wa sou omou." And "bible" in this case isn't referring to *the* Bible. "Bible" can also mean "guide book, how-to book, a book valued for its use as a reference," like in "a handyman's bible," or "a bird-watcher's bible."

2 This is the translation found on the U.S. release of Evangelion by ADV.

3 The instrumental section contains chanted non-Japanese lyrics in Yoko Takahashi 's version and a few others, while other versions of the song have a purely instrumental section. The January 1996 issue of Newtype magazine transcribed Takahashi's lyrics in this section as "Fariya. Seta(or sepa) messo. Fariya. Tuse." which they speculate is from the fictional language of the Dead Sea Scrolls. Alternatively, an EvaGeeks forum discussion suggests that the lyrics may be "Faria? Será mesmo? Faria? Eu sei!" which is in the Portuguese language. Since the word "Faria" is usually used in a similar way as the English word "would", those lines could be interpreted as someone doubting something or someone else. There has never been any official information on the actual lyrics or their meaning, if any.

• ↑ http://www.animenewsnetwork.com/news/2011-05-25/songs-from-evangelion-other-anime-win-jasrac-awards
• ↑ From the animania blog report on the March 28, 2005 NHK Anime Yawa talk show (translation by animania) - Otsuki said he allowed Anno to do whatever he wanted in the anime except for the theme music. Otsuki was particular about the theme and handled the music staff by himself, going as far as to claim that no anime staff, even Anno, met the music staff (apparently contradicted by Oikawa's statements). - Yuko Miyamura, BS AnimeYAWA
• ↑ “My manager got the job, we had a quick meeting lasting about 30 minutes, skim-read the proposal and watched two episodes on fast-forward. And with that I was told ‘so, yeah, just write whatever you want!’, and finished the song [lyrics] in about two hours. Sorry to burst your bubble, guys!” http://soranews24.com/2015/01/08/a-cruel-angels-thesis-took-just-two-hours-to-write-says-evangelion-lyricist-neko-oikawa
• ↑ "It wasn't even colored. I wrote the song, and my job was done. I wrote it in about two hours." Anime News Network interview with Neko Oikawa
• ↑ 2nd JUNE interview
• ↑ Notenki Memoirs
• ↑ According to Hidenori Matsubara during the Animazement 2015 convention, "the song was created before they even got done with animation for the opening theme. Strangely enough, the song manage to go along with the opening animation."
• ↑ Refrain of Evangelion OST Booklet, 2003.
• ↑ https://web.archive.org/web/20160830224921/http://news.livedoor.com/article/detail/11939169
• ↑ https://www.sankei.com/west/news/161228/wst1612280011-n1.html
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Yoko Takahashi - The Cruel Angel's Thesis (残酷な天使のテーゼ) [Zankoku na Tenshi no Thesis] English Translation Lyrics

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The Cruel Angel's Thesis English Translation

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Like a cruel angel, young boy, become a legend!

A blue wind is now knocking at the door to your heart, And yet you are merely gazing at me and smiling. Something gently touches, you’re so intent on seeking it out, That you can’t even see your fate yet, with such innocent eyes.

But someday I think you’ll find out that what’s on your back Are wings that are for heading for the far-off future.

The cruel angel’s thesis will soon take flight through the window, With surging hot pathos, if you betray your memories. Embracing this universe and shining, young boy, become a legend!

Sleeping for a long time in the cradle of my love The morning is coming when you alone will be called by a messenger of dreams. Moonlight reflects off the nape of your slender neck. Stopping time all throughout the world, I want to confine them, but…

So if two people being brought together by fate has any meaning, I think that it is a “bible” for learning freedom.

The cruel angel’s thesis. The sorrow then begins. You held tight to the form of life when you woke up from that dream. You shine brighter than anyone else. Young boy, become a legend!

People create history while weaving love. Even knowing I’ll never be a goddess, or anything like that, I live on.

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Yoko Takahashi - The Cruel Angel's Thesis English Translation

Yoko Takahashi - Zankoku na Tenshi no Thesis English Translation

Yoko Takahashi - 残酷な天使のテーゼ English Translation

Neon Genesis Evangelion Opening Theme English Translation

Shinseiki Evangelion Opening Theme English Translation

残酷な天使のように　少年よ神話になれ

蒼い風がいま　胸のドアを叩いても 私だけをただ見つめて微笑んでるあなた そっとふれるもの　もとめることに夢中で 運命さえまだ知らない　いたいけな瞳

だけどいつか気付くでしょう　その背中には 遥か未来めざすための羽根があること

残酷な天使のテーゼ　窓辺からやがて飛び立つ ほとばしる熱いパトスで　思い出を裏切るなら この宇宙(そら)を抱いて輝く　少年よ神話になれ

ずっと眠ってる　私の愛の揺りかご あなただけが夢の使者に呼ばれる朝がくる 細い首筋を　月あかりが映してる 世界中の時を止めて閉じこめたいけど

もしもふたり逢えたことに意味があるなら 私はそう　自由を知るためのバイブル

残酷な天使のテーゼ　悲しみがそしてはじまる 抱きしめた命のかたち　その夢に目覚めたとき 誰よりも光を放つ　少年よ神話になれ

人は愛をつむぎながら歴史をつくる 女神なんてなれないまま　私は生きる

残酷な天使のテーゼ　窓辺からやがて飛び立つ ほとばしる熱いパトスで　思い出を裏切るなら この宇宙を抱いて輝く　少年よ神話になれ

Yoko Takahashi『The Cruel Angel's Thesis』Official Music Video

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Neon Genesis Evangelion

• A Cruel Angel's Thesis Opening Theme Song

“A Cruel Angel’s Thesis” is a J-Pop song that was used as the opening theme for the anime Neon Genesis Evangelion . Together with the anime series, this opening theme become an iconic song within the anime and otaku community in the 90’s and is still popular today.

It was originally performed by Yoko Takahashi, who also released the song as her eleventh single. This single was released under the Starchild record label on October 25th, 1995. A “director’s edit” of the track was also later released with Neon Genesis Evangelion Original Soundtrack on December 6th, 1995.

Producer: Toshimichi Otsuki

Composition: Hidetoshi Sato

Arrangement: Toshiyuki Omori

Lyricist: Neko Oikawa

Vocalist: Yoko Takahashi

According to notes released with one of the soundtrack albums, director Hideaki Anno stated that he originally wanted to use a classical piece of music as the opening theme of Neon Genesis Evangelion , although this idea was scrapped in favor of a more upbeat, J-Pop style of song. This decision was made because it was agreed that using a classical piece of music may be considered unusual and confuse viewers. Before the final version of the song was completed, a male chorus was supposed to be included, but was later cut to emphasize a feeling of maternal affection.

When lyrics were being made for the song, Oikawa mentioned in a Twitter post that writing the lyrics only took two hours of work. She says that, after a thirty minute meeting with her manager, she was simply given free rein to write the lyrics however she pleased. Oikawa quickly skimmed through the proposal for the song, watched two episodes of the anime while fast-forwarding through it, then began her writing process. Many fans were surprised by this and, at the end of this tweet, Oikawa humorously apologizes for ruining everyone’s dreams by making the process seem so trivial.

The production of the single was lead by Toshimichi Otsuki from King Records (the company that created the Starchild label). Otsuki notes that he has never met either the lyricist or composer and that they all had little knowledge about Neon Genesis Evangelion .

Although the original release of the song occurred in October of 1995, “A Cruel Angel’s Thesis” has been re-arranged, re-released, and covered by other artists countless times. The following list is a highlight of the various versions of “A Cruel Angel’s Thesis” that have been released throughout the years:

Shiro Sagisu created two separate instrumental versions of the song as background music for the Finale of Neon Genesis Evangelion . These two tracks are titled “The Heady Feeling of Freedom” and “Good, or Don’t Be”. The former is a piece with a slower, reflective tone and features strings playing the melody while guitar and electric piano play harmony. The latter piece is much more upbeat and has its melody alternating between piano and guitar.

A re-release of the song was recorded by Takahashi in 2009 to celebrate the release of the second installment of the Evangelion Rebuild series, Evangelion: 2.0 You Can (Not) Advance .

Heavy metal bands Animetal and Eizo Japan (both sung by Eizo Sakamoto) released covers of the song on their respective albums ( Animetal Marathon V and EIZO Japan 2 ).

Voice actors and actresses of the main characters have performed covers for “A Cruel Angel’s Thesis” as well: Kotono Mitsuishi ( Misato Katsuragi ), Megumi Hayashibara ( Rei Ayanami ), Megumi Ogata ( Shinji Ikari ), and Yuko Miyamura ( Asuka Langley Soryu ).

Initially, record sales for “A Cruel Angel’s Thesis” peaked at 500,000 units and its popularity only grew as Neon Genesis Evangelion became a hit. While the single peaked at 17th place Oricon’s album database, it would go on to appear a total of 61 times in the charts throughout the years. In 2003, the song remained on the charts for 41 weeks and peaked at 9th place while the 2009 re-release performed by Takahashi appeared for 14 weeks and peaked at 22nd place. In 2014, the RIAJ (Recording Industry Association of Japan) gave “A Cruel Angel’s Thesis” a Million certification, which is roughly equivalent to a Platinum certification for an album in the West.

Lyric Controversy

In an instrumental section between verses, a vocal chant can be heard. These words are not Japanese and their origin and meaning have been debated for years. The chant in question is the following (romanized from Japanese spelling): “Fariya. Seta (sometimes Sepa) messo. Fariya. Tuse” According to an article by Newtype Magazine, these lyrics may be a phonetic translation of words that originate from a dead language that was once used in ancient times. If this is true, then it would be impossible for these words to have any meaning today, as no person alive today could translate them.

King Records Japan

A Cruel Angel's Thesis'took just two hours to write says Evangelion lyricist Neko Oikawa

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