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Examples of research proposals

How to write your research proposal, with examples of good proposals.

Research proposals

Your research proposal is a key part of your application. It tells us about the question you want to answer through your research. It is a chance for you to show your knowledge of the subject area and tell us about the methods you want to use.

We use your research proposal to match you with a supervisor or team of supervisors.

In your proposal, please tell us if you have an interest in the work of a specific academic at York St John. You can get in touch with this academic to discuss your proposal. You can also speak to one of our Research Leads. There is a list of our Research Leads on the Apply page.

When you write your proposal you need to:

• Highlight how it is original or significant
• Explain how it will develop or challenge current knowledge of your subject
• Identify the importance of your research
• Show why you are the right person to do this research
• Research Proposal Example 1 (DOC, 49kB)
• Research Proposal Example 2 (DOC, 0.9MB)
• Research Proposal Example 3 (DOC, 55.5kB)
• Research Proposal Example 4 (DOC, 49.5kB)

Subject specific guidance

• Writing a Humanities PhD Proposal (PDF, 0.1MB)
• Writing a Creative Writing PhD Proposal (PDF, 0.1MB)
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Writing a research proposal

Guidelines on preparing a thesis proposal to support your application.

These guidelines are intended to assist you in developing and writing a thesis proposal. Applications for admission to a research degree cannot be dealt with unless they contain a proposal.

Your proposal will help us to make sure that:

• The topic is viable
• That the department can provide appropriate supervision and other necessary support
• You have thought through your interest in and commitment to a piece of research
• You are a suitable candidate for admission

The process of producing a proposal is usually also essential if you need to apply for funding to pay your fees or support yourself whilst doing your research. Funding bodies will often need to be reassured that you are committed to a viable project at a suitable university.

The research proposal – an outline

Your proposal should be typed double-spaced, if possible, and be between 1,000 and 2,000 words. Your PhD proposal can be added under the 'Supporting Documents' section of the Postgraduate Applications Online System .

Your proposal should contain at least the following elements:

• A provisional title
• A key question, hypothesis or the broad topic for investigation
• An outline of the key aims of the research
• A brief outline of key literature in the area [what we already know]
• A description of the topic and an explanation of why further research in the area is important [the gap in the literature - what we need to know]
• Details of how the research will be carried out, including any special facilities / resources etc. which would be required and any necessary skills which you either have already or would need to acquire [the tools that will enable us to fill the gap you have identified]
• A plan and timetable of the work you will carry out

For more detailed information on each element of your research proposal, see our extended guidance document .

Three additional points:

• Try to be concise. Do not write too much – be as specific as you can but not wordy. It is a difficult balance to strike.
• Bear in mind that the proposal is a starting point. If you are registered to read for a PhD you will be able to work the proposal through with your supervisor in more detail in the early months.
• Take a look at the Department’s staff profiles, research centres, and research clusters. Can you identify possible supervisors and intellectual support networks within the Department?

Examples of Successful PhD Proposals

• PhD sample proposal 1
• PhD sample proposal 2
• PhD sample proposal 3
• PhD sample proposal 4
• PhD sample proposal 5
• PhD sample proposal 6
• PhD sample proposal 7
• PhD sample proposal 8

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Research Proposals

• the research topic briefly outline the area and topic of your research.
• the research context relate your proposed research to other work in its field or related fields, and indicate in what ways your research will differ; you might mention monographs on the subject, as well as important theoretical models or methodological exemplars. This is a chance to show your understanding of the background against which your research will be defined.
• the contribution you will make this is your chance to show how you have arrived at your position and recognised the need for your research, and what it is that makes it both new and important; you should indicate what areas and debates it will have an impact on, what methodological example it sets (if appropriate) – in short how it contributes to knowledge and to the practice of our subject. Give examples of the sort of evidence you might consider, and of the questions it might help you to raise. Show that you are already thinking about the area in detail and not only in outline.
• your methods in some cases there will be little to say here, but if there is something striking about your methodology, you should explain it.
• the sources and resources you will use you should delimit your field of enquiry, showing where the project begins and ends; in certain cases, Cambridge will have unique collections and resources of central relevance to your project, and you should mention these.
• how the project will develop you might indicate some of the possible ways in which the project could develop, perhaps by giving a broader or narrower version depending on what materials and issues you uncover

You should ask yourself how your work might change the present state of scholarship in your field, and whether the topic is well suited to the resources provided at Cambridge. Even for MPhil courses we generally aim to admit not just those who propose a sensible topic, but those who have the potential to modify the present paradigms of research in their field. Most students, though, refine their research topics after they arrive in the light of what they discover or of advice from their supervisor, so you need not feel that you are inscribing your future in tablets of stone as you compose your proposal.

You may find it helpful to look at the following examples of successful research proposals.

It is vital that you show that your research is necessary. It is not enough that it happens to interest you. You should make clear that it will be of use and interest to others working in your field, or on a particular author, or indeed in neighbouring fields. You should show how your work will make a contribution to knowledge and to the practice of our subject.

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Oxford PhD Proposal Sample: The Best Proposal

An Oxford PhD proposal sample, like Oxford personal statement examples , should give you an idea of how to structure and write your own PhD proposal, which is a key element of how to get into grad school . Should you pursue a master's or PhD , you should know that, with few exceptions, all graduate programs require that applicants submit a research proposal. It can vary in length (usually between 1,000 and 3,000 words) and must outline your main research goals and methods and demonstrate your facility with the topic. The almost 35,000 applications Oxford received in a recent year should give you some idea of how competitive getting into a master's or PhD program is.

Writing a stellar proposal is important to make your application stand out, so, to that end, this article will show you an expert-approved Oxford PhD proposal sample based on the actual requirements of an Oxford graduate program. 

>> Want us to help you get accepted? Schedule a free strategy call here . <<

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Article Contents 11 min read

Oxford phd proposal sample.

PhD Program : DPhil in Migrant Studies

Research Proposal Length: minimum 2000 - maximum 3000 words

To: Matthew J. Gibney, Professor of Politics and Forced Migration

Name: Adrian Toews

Title: Wired and Hungry Masses: Social Media, Migrants and Cultural Bereavement in the Digital Sphere

Proposed Research Topic: Does social media help migrants cross the cultural barriers of their adopted home and succeed in helping them preserve touchstones of their home culture? 

Abstract: The ascendance of social media platforms has increased and, strangely, decreased interconnectedness among disparate groups in society. But, while social media has been implicated, rightly, as a catalyst for the rise of disinformation, hate speech, and other anti-social behaviors, I would argue that its ubiquity and prevalence provide those experiencing cultural bereavement with a more-effective coping mechanism, as social media is able to replicate, in a non-physical space, the culturally specific mechanisms they know and which, prior to digital communications, could not be replicated in new, adopted countries and cultures.

Objective: I want to present social media as an informal networking tool, expressive outlet, and cultural road map with which migrants who are experiencing cultural bereavement can engage for two specific reasons: 1) to assuage the grief that accompanies anyone who has left their homeland as a migrant or refugee, and 2) to help them assimilate into their new identity by giving them a window into the cultural norms and practices of their new country or culture. 

Wondering if you should go to grad school? Watch this video:

An Oxford PhD proposal sample like this one is only one version of what a proposal can look like, but it should contain at least these basic elements. You should know how to choose a PhD topic at this point in your career, but if you still feel like you need help, then you can hire PhD admission consultants to help you choose your topic and research interests.

Above all, you should know why you want to do a PhD . Answering this question first will be effective in helping you ultimately decide on a program, which can then make it easier for you to write any number of different doctorate-related texts, such as a PhD motivation letter and a statement of intent .

Understanding your true motivations, passions, and research interests is doubly important when pursuing a PhD since you do not want to invest so much time and resources in a subject you are only partially interested in. If you can honestly answer why you want to pursue a PhD, you can then take concrete steps toward defining your research goals and how they can be fulfilled by the program you choose.

Your Oxford PhD proposal should adhere to the requirements set forth by the program you wish to enter. Regardless of your discipline or field, almost all PhD programs at Oxford require that you submit a research proposal of between 2,000 and 3,000 words. 

A statement of intent is another type of essay that applicants are often asked to submit to graduate schools. It involves talking about your past academic experiences and achievements, what you intend to do in graduate school, and why you want to go there. A PhD proposal, on the other hand, contains no personal details or experiences.

Instead, a PhD proposal should be a focused, concrete road map built around a specific research question. In your proposal, you list the theoretical approaches that you are going to use, research methods, past scholarship on the same topic, and other investigative tools to answer this question or present evidence from this research to support your argument. 

A statement of purpose is another common essay that graduate school applicants must submit. The line between a statement of purpose and a statement of intent is a fine one, but the line between a statement of purpose and a PhD proposal is much more prominent, and there is no mistaking the two. So, you should not read over graduate school statement of purpose examples to learn how to write a PhD proposal.

A statement of purpose can also be research-focused, but in an undefined way. A PhD proposal combines theory and practice and requires that you demonstrate your knowledge of proper scientific research, investigative methods, and the existing literature on your topic. 

You should include a title page where you list your name, the program you are applying to, and a title for your research project. You should address it to a specific faculty member, who can perhaps, if they agree, show you how to prepare for a thesis defense . The proposal itself should include an abstract, an overview of the existing scholarship on your topic, research questions, methods, and a bibliography listing all your sources. 

The usual length of PhD proposals is between 1,000 and 3,000 words, but your program may have different requirements, which you should always follow. 

There are up to 350 different graduate programs at Oxford, all with their own particular requirements, so the university does not set forth a universal set of requirements for all graduate programs. Many of these programs and their affiliated schools offer students advice on how to write a PhD proposal, but there are few, if any, stated requirements other than the implied ones, which are that you have familiarity with how to conduct graduate-level research and are knowledgeable in the field you are researching. 

A majority of programs do, yes. There are always exceptions, but a fundamental part of pursuing a PhD involves research and investigation, so it is normal for any PhD program to require that applicants write a PhD proposal. 

It is quite possible for your research interests and direction to change during your research, but you should not be discouraged. Graduate programs understand that these things happen, but you should still do your best to reflect the current state of research on your topic and try to anticipate any changes or sudden shifts in direction while you research. 

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English and Comparative Literary Studies

Sample dissertation proposal.

Below is an example of a successful MA dissertation proposal. Note particularly the robust referencing, and the way in which the author has already done preparatory work in the field so that clear areas of critical enquiry have already been formulated.

Modernist Poetics and the Acquisition of the Other Tongue

I will reconsider the role that multilingualism plays in modernist poetry, and particularly Ezra Pound’s, by moving away from a text-based model – in which the poem is understood primarily as translation, appropriation or montage of another language’s representative texts – and towards a more author-centric one, in which the poem documents the lived experience of knowing multiple languages, each of which transcends the finite set of words and texts that its author knows. I hope that my work will extend Robert Stark’s recent assertion that Pound acquired poetic style as if it were a foreign language, but by paying attention to the more literal encounters with foreign languages that make this simile possible. However, in contrast to Stark’s model of ‘apprenticeship’, Steven Yao has argued that modernism marked the point at which mastering the source language stopped being a prerequisite for a literary translator: thus, the different ways in which Pound translated or incorporated Chinese texts into English works over the course of his career, or used original ‘handy language’ in Italian alongside quotations, may represent different heuristic approaches to a code that still remained somehow impenetrable. ‘Barbarism and onomatopoeia’, rather than forming the comfortable pair of terms sometimes used by Stark, might define a driving tension in Pound’s verse practice, between seeing another language as pure sound and as the product of another culture incompletely understood.

Mutlu Konuk Blasing’s Lyric Poetry will be an important source: although she focuses almost exclusively on the role of the mother tongue, and uses it to justify lyric’s untranslatability, many of the phenomena which she associates with first language acquisition, such as the delay in recognising phonemes, are also relevant to second language acquisition. I also hope to move beyond Blasing’s cognitive and psychoanalytic approaches, to position Pound within a broader cultural history of language acquisition theory: texts to investigate may include the prose treatises by Dante that he admired, and contemporary reflections on language-learning by Leo Spitzer. I expect to offer a reading of Cantos LXXII and LXXIII (perhaps alongside T S Eliot’s early French poems) in light of this investigation, as possible oversights in Blasing’s argument.

Both Blasing’s and Stark’s monographs are bound up in questions of genre definition which deserve further consideration. I intend to develop the arguments of those critics, such as Simon Jarvis, who have questioned whether Blasing’s arguments define lyric poetry alone. How might language acquisition also be important for a definition of epic, especially in light of its traditional association with nation-building and Wai Chee Dimock’s recent vision of the genre as a carrier of foreign lexis? If, for Blasing, lyric ‘dramatises’ the struggle to enter a language-speaking community, is it more fully dramatised in a text such as Pound’s Elektra, where traumatic experience is manifested in a conflation of American vernacular and untranslated Greek?

Here, it may be fruitful to compare Pound’s choral dramas to Eliot’s: Murder in the Cathedral, for example, updates English vernacular drama, but by incorporating a ‘babbling’ chorus who imitate classical tragedy. While I expect the changes in Pound’s practice over the course of his career to provide the structure for my final project, I look forward to paying attention to points of comparison with other, less canonical modernists. These could include Hope Mirrlees’s use of montage to search for a ‘holophrase’ in Paris; Basil Bunting’s insistence on a regional vernacular, but against a backdrop of international cultural references; and the artificial languages of Futurist and Dada sound art, which work both to reject subjectivity and forge international communities.

Critical Bibliography

Arrowsmith, Richard Rupert, Modernism and the Museum: Asian, African and Pacific Art and the London Avant-Garde (Oxford: Oxford University Press, 2010).

(ed.) Bates, Catherine, The Cambridge Companion to the Epic (Cambridge: Cambridge University Press, 2010) [essays by Freccero, Whittier-Ferguson and Merchant].

Blasing, Mutlu Konuk, Lyric Poetry: The Pleasure and the Pain of Words (Princeton and Oxford: Princeton University Press, 2007).

Dimock, Wai Chee, Through Other Continents: American Literature Across Deep Time (Princeton and Oxford: Princeton University Press, 2006).

Ellis, Rod, Second Language Acquisition (Oxford: Oxford University Press, 1997).

Hart, Matthew, Nations of Nothing but Poetry: Modernism, Transnationalism and Synthetic Vernacular Writing (Oxford and New York: Oxford University Press, 2010).

Jarvis, Simon, ‘The melodics of long poems’, Textual Practice 24.4 (2010).

Kenner, Hugh, The Pound Era (Berkeley and Los Angeles: University of California Press, 1971).

Moody, A David, Ezra Pound: Poet, I: The Young Genius, 1885-1920 (Oxford: Oxford University Press, 2007).

North, Michael, The Dialect of Modernism: Race, Language and Twentieth-Century Literature (Oxford: Oxford University Press, 1998).

Patterson, Ian, ‘Time, Free Verse, and the Gods of Modernism’ in Tradition, Translation, Trauma: The Classic and the Modern, eds. Jan Parker and Timothy Mathews (Oxford: Oxford University Press, 2011) [and other essays in this volume].

Scott, Clive, Literary Translation and the Rediscovery of Reading (Cambridge: Cambridge University Press, 2012) [and earlier works by Scott].

Spitzer, Leo, ‘Learning Turkish’, tr. Tülay Atak, PMLA 126.3 (2011).

Stark, Robert, Ezra Pound’s Early Verse and Lyric Tradition: A Jongleur’s Apprenticeship (Edinburgh: Edinburgh University Press, 2012).

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Writing a research proposal

The research proposal is the main way in which we evaluate the quality of your research plans. You should aim to make your proposal about 1500-2000 words long.

Your proposal should include the following:

The title indicates the overall question or topic of the PhD. It should include any key concepts, empirical focus, or lines of inquiry that you aim to pursue, and it should be concise and descriptive. You can normally discuss changes in the title with your supervisor(s) should you be successful but it is important to try to choose a clear and engaging title.

Research questions

What are the questions or problems for politics or international relations that you are trying to understand and solve? In explaining these, it will be helpful to spell out what else we need to know in order to understand why you are framing the problem this way.

Research aims

In answering these questions, what will your research project do? What will it shed light on or help us to understand that we don’t really understand better?

Contribution

Why this project? Explain why your project is interesting, what its broader implications are, and – if you think this is relevant – why you are particularly well placed to tackle it. It is also valuable to reflect on who has worked on the topic before and to provide a brief literature review. Are there any good approaches to the topic, or particular articles or books, that you are drawing on or bad ones you want to push back against?

What are the sources you plan to use to answer your research questions? These will vary according to the nature of your research but may include study of particular texts, interviews, published or unpublished data, archival or policy documents, or field site visits, among others. Try to be as specific as you can and assess the possibility of access to relevant sources.

This includes thinking about the research methods you will use to analyse empirical sources (e.g., sampling, survey or interview design, data collection, discourse analysis) but may also include setting out the kind of theoretical framework you will employ or your approach to history or political ideas. What prior knowledge and skills do you bring to the project? What extra training may you need?

Structure and timetable

Include a provisional chapter structure and timetable to completion, covering the three years of the full-time programme or six years of the part-time programme, as appropriate.

To help you with your application here are some examples of PhD proposals which were successful in obtaining funding:  PhD sample research proposal 1 (PDF , 96kb) PhD sample research proposal 2 (PDF , 79kb) PhD sample research proposal 3 (PDF , 197kb)

Apply for a PhD now

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Literature Review Example/Sample

Detailed Walkthrough + Free Literature Review Template

If you’re working on a dissertation or thesis and are looking for an example of a strong literature review chapter , you’ve come to the right place.

In this video, we walk you through an A-grade literature review from a dissertation that earned full distinction . We start off by discussing the five core sections of a literature review chapter by unpacking our free literature review template . This includes:

• The literature review opening/ introduction section
• The theoretical framework (or foundation of theory)
• The empirical research
• The research gap
• The closing section

We then progress to the sample literature review (from an A-grade Master’s-level dissertation) to show how these concepts are applied in the literature review chapter. You can access the free resources mentioned in this video below.

FAQ: Literature Review Example

Literature review example: frequently asked questions, is the sample literature review real.

Yes. The literature review example is an extract from a Master’s-level dissertation for an MBA program. It has not been edited in any way.

Can I replicate this literature review for my dissertation?

As we discuss in the video, every literature review will be slightly different, depending on the university’s unique requirements, as well as the nature of the research itself. Therefore, you’ll need to tailor your literature review to suit your specific context.

You can learn more about the basics of writing a literature review here .

Where can I find more examples of literature reviews?

The best place to find more examples of literature review chapters would be within dissertation/thesis databases. These databases include dissertations, theses and research projects that have successfully passed the assessment criteria for the respective university, meaning that you have at least some sort of quality assurance. 

The Open Access Thesis Database (OATD) is a good starting point. 

How do I get the literature review template?

You can access our free literature review chapter template here .

Is the template really free?

Yes. There is no cost for the template and you are free to use it as you wish. 

Psst… there’s more!

This post is an extract from our bestselling short course, Literature Review Bootcamp . If you want to work smart, you don't want to miss this .

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Writing the Literature Review for the Proposal

Posted by Rene Tetzner | Oct 11, 2021 | PhD Success | 0 |

3.2 Writing the Literature Review for the Proposal

The literature review you write for your proposal should be a more formal document than the preliminary reviews you may have written as you first read your key sources (see Section 2.1.3), although you can certainly make use of those initial reviews as you draft the formal review. The literature review for your proposal will in most cases also be the first draft of the literature review that will serve as the second chapter of your completed thesis (see Section 1.2.2 and Section 4.3). The review can instead be combined with other parts of the thesis (the introduction, for instance) or be presented more gradually throughout the thesis in association with relevant ideas, methods and results as they arise. In some cases, a student’s engagement with previous research can be established very briefly in a short section of the thesis that provides some background on what has already been done in an area and simply clarifies why the student’s topic and approach are valuable and interesting.

If a separate chapter is required, which will be the case for many theses, the chapter should give readers an accurate and thorough idea of previous scholarship on the topic, problem or phenomenon under investigation; it should summarise and interpret the content of each relevant source; it should evaluate each source critically with regard to the methods used, results achieved and conclusions reached by its author(s); it should reveal what you believe to be the gaps, misconceptions and limitations associated with the existing scholarship as a whole; and it should indicate how your research will provide what is lacking, establish new perspectives and move beyond the traditional limitations. Some of this may have been mentioned briefly in your proposal introduction, but in the literature review you need to discuss these matters in greater detail, make it absolutely clear where your work fits into the larger picture and set the stage for using key sources later in the thesis.

Even a chapter-length literature review for a doctoral thesis often does not need to be completely comprehensive – including, that is, every piece of scholarship ever written on your topic – unless your university, department or thesis committee insists on this or one of the goals of your thesis is specifically to provide a complete review of all scholarship in the area. You should, however, be familiar with all the scholarship dealing with the topic, problem or phenomenon you explore, and if very little has previously been written on it, you should no doubt include all the available scholarship in your review and perhaps even go beyond that to related areas that might enhance your research. Yet it is more likely that you will have to narrow your scope rather than broadening it, since most effective literature reviews are at least somewhat selective.

The criteria for selection vary from thesis to thesis because they are based not only on the specific research topic, but on the aims and objectives of the thesis, as well as on any research questions and hypotheses formulated and used in the thesis. So there will probably be one or more key themes that form the backbone of your discussion, providing both structure and direction, with each of the sources you review considered specifically and often exclusively in terms of those themes and your own thoughts about them. Without key ideas and a focus of this sort to guide your journey through numerous different sources, a literature review can quickly become an excessively long and disorganised trail of summaries and critiques that are more or less relevant to your thesis.

Although approaches to writing a literature review vary enormously depending on the thesis topic and methodology, a practical way to start is with a brief explanation of the topic, problem or phenomenon and a general statement about scholarship in the area (abundant, scarce, outdated, recent, limited in origin and approach, and so on) before moving on to particular sources. The first source you review should be a key one, whether it is the first piece written on the topic or simply the first one relevant to your thesis, and it should establish a position from which you can proceed. Let us say, for instance, that the thesis topic focuses on the ability of marginal commentary in medieval manuscripts to teach the researcher something about the readers of those manuscripts.

The first source reviewed will likely (and ideally should) take a strong position on or establish a tradition of thought about the topic, which in early scholarship on manuscripts would probably be to dismiss the importance of marginal annotations altogether (the Victorians, for instance, simply trimmed them off to ‘clean up’ medieval manuscripts when rebinding them). The sources reviewed after this initial source might trace a chronological path of the development of approaches to marginalia and their usefulness in research on readership and reception until arriving at works published in the twenty-first century that take the comments of medieval readers very seriously indeed and explore via those comments medieval conceptions of education, self-knowledge, heresy, gender and many other fascinating topics.

A chronological approach of the kind I have just described can often be effective in providing an extra layer of organisation or, perhaps more accurately, in tracing a meaningful route through complicated and sometimes slippery territory (the distinction between primary and secondary sources might also prove useful, on which see Section 7.1, as might that between theoretical and experimental studies). In the sciences, recent publications (usually those published within the last decade or two) are often prioritised, and some thesis committees will want the literature review to focus on recent scholarship only. No source is too old to be considered if it is important to your research, however, and if you are tracing the history of an idea or approach (one may, for example, want to go all the way back to medieval texts to see what they had to say about marginalia) or if very early sources are central because they establish a long tradition of thought relevant to your topic, they should definitely be included in your review. You need not treat every source you review in the same detail: some might require thorough summaries and a considerable amount of interpretation and discussion (those that significantly overlap your own research should receive such treatment, for instance), whereas others can simply be mentioned in passing or in groups or by focussing only on a couple of key points. The members of your thesis committee, your supervisor in particular, will almost certainly be able to assist you in deciding which sources should or should not be included and which among them might or might not require detailed treatment, as well as suggesting sources of which you may not be aware.

How you might best deal with each source may also change, however, as the results of your research mount up and you discover that you need to emphasise slightly different ideas and approaches than you originally envisioned. Remember that the literature review for the proposal is a draft that can be revisited and revised as necessary, which is not to say that it should be written or presented in an informal way. Like all parts of the proposal, it should be written in correct scholarly English and make consistent use of the editorial guidelines or style guide your department recommends or you and your supervisor have agreed upon, including complete and accurate references (for more information on formal English, formatting and style, and references, see Chapters 5–7). A literature review often closes with a brief summary, especially if the review is a long one, and a statement (or restatement) regarding how your thesis will contribute to the body of scholarship on the topic, problem or phenomenon. Finally, please note that neither ‘the literatures’ nor ‘the researches’ is an appropriate way of referring to the body of literature or scholarship dedicated to a particular topic, problem or phenomenon; ‘articles,’ ‘studies,’ ‘conferences,’ ‘papers’ and ‘books’ are all acceptable in the plural, but when using ‘the literature’ or ‘the research’ to describe such a body of work, the singular is the correct form.

Why PhD Success?

To Graduate Successfully

This article is part of a book called "PhD Success" which focuses on the writing process of a phd thesis, with its aim being to provide sound practices and principles for reporting and formatting in text the methods, results and discussion of even the most innovative and unique research in ways that are clear, correct, professional and persuasive.

The assumption of the book is that the doctoral candidate reading it is both eager to write and more than capable of doing so, but nonetheless requires information and guidance on exactly what he or she should be writing and how best to approach the task. The basic components of a doctoral thesis are outlined and described, as are the elements of complete and accurate scholarly references, and detailed descriptions of writing practices are clarified through the use of numerous examples.

The basic components of a doctoral thesis are outlined and described, as are the elements of complete and accurate scholarly references, and detailed descriptions of writing practices are clarified through the use of numerous examples. PhD Success provides guidance for students familiar with English and the procedures of English universities, but it also acknowledges that many theses in the English language are now written by candidates whose first language is not English, so it carefully explains the scholarly styles, conventions and standards expected of a successful doctoral thesis in the English language.

Individual chapters of this book address reflective and critical writing early in the thesis process; working successfully with thesis supervisors and benefiting from commentary and criticism; drafting and revising effective thesis chapters and developing an academic or scientific argument; writing and formatting a thesis in clear and correct scholarly English; citing, quoting and documenting sources thoroughly and accurately; and preparing for and excelling in thesis meetings and examinations. 

Completing a doctoral thesis successfully requires long and penetrating thought, intellectual rigour and creativity, original research and sound methods (whether established or innovative), precision in recording detail and a wide-ranging thoroughness, as much perseverance and mental toughness as insight and brilliance, and, no matter how many helpful writing guides are consulted, a great deal of hard work over a significant period of time. Writing a thesis can be an enjoyable as well as a challenging experience, however, and even if it is not always so, the personal and professional rewards of achieving such an enormous goal are considerable, as all doctoral candidates no doubt realise, and will last a great deal longer than any problems that may be encountered during the process.

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Rene Tetzner

Rene Tetzner's blog posts dedicated to academic writing. Although the focus is on How To Write a Doctoral Thesis, many other important aspects of research-based writing, editing and publishing are addressed in helpful detail.

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