m auditorium mumbai case study

Interior Design Ideas and Architecture | Designs & Ideas on HomeDoo

Modern architectural design ideas: m-auditorium by planet 3 studios architecture, india.

Designed by Planet 3 Studios Architecture, the M-Auditorium is a fine example of acoustic and sound quality for a 300-seater capacity in Mumbai, India.

M-Auditorium, a 300-seater gallery designed by Planet 3 Studios Architecture stands based on the study of sound waves and acoustics in the heart of Mumbai, India. This design of the auditorium works on the principle of sound travelling through an enclosed space, reflected by select materials such as the acoustical wood, foam board and sound reverberating sheets presenting some great design ideas to spectators.

In aid of the design, simulations of wave patterns and experimental case studies brought about a breakthrough for a better and improved quality of sound that travels uniformly and lies evenly distributed over the entire stretch of space. As a result, the spatial aspect revolving around the gallery seating slope, the ceiling sound reflectors along with the use of materials bring about the desired upshot for the auditorium.

Every inch of the space in the auditorium stands thoroughly checked for external soundproof barriers and has a low scale ratio for the reverberation. Even more, the auditorium uses state-of-the -art suspended ceiling systems, sound insulation panels for the walls and efficient lighting units, all the way from the centre stage to the rear end of the seat aisle.

In the light of all these spatial and material add-ons, the contoured curve of the ceiling creates an interesting dimension to the seating gallery. Furthermore, the use of dual tone colours such as bright orange and sober Gray for the seats, arranged in a V-shaped pattern create a contrasting ambience to the symmetrical seating.

Overall, the auditorium highlights the effective use of technology and explorative side of the sound waves in a more feasible and realisable approach. The use of controlled lighting, sound reflectors, light deflectors, sound absorbent materials and expertise means of spatial design empowered the quality of the auditorium design. In essence, the auditorium displays a thought-provoking design, with a well-planned and innovative style.

Photos By : Mrigank Sharma

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Auditorium, Navi Mumbai, India

CONCEPT: The auditorium has been designed as a shell within a shell to provide an insulative layer between the interior and exterior. The function of the peripheral space is twofold: it provides a sound buffer from outside noise, increasing the quality of acoustics within the auditorium and it provides a thermal insulation barrier between the interior and exterior, reducing the air-conditioning loads and increasing the building energy efficiency. The building design responds to the solar orientation and capitalizes on it to conserve energy. The foyer and lobbies are situated on the south side with a floor to ceiling glazed facade so that they receive maximum natural light and there is reduced reliance on electrical lighting. The facade design has a prominent slant to afford shade to the foyer to reduce the heat ingress caused by solar gain which is complemented by an overhanging roof to amplify the effect. The large glazed facade is un-characteristic of a building with such a function but the architects decided that since it was a multi-functional building for the community it was necessary to have an open and inviting entrance, thus re-defining the typology. This 860-seater project includes integral sustainable design solutions that have been considered holistically to ensure that the building performs at maximum efficiency. PROGRAMME ELEMENTS: The programme of the building includes two primary groups of spaces - backstage and front of house. The two different programme spaces have been designed with different characteristics to refer to their function and user groups. The front of house has been designed with the auditorium guests in mind and therefore has attractive and ambient spaces that offer occasion to socialize. The asymmetry of the foyer draws attention to the spaces created and highlights playfulness in the architecture that reflects the informal activities that occur within. The internal balconies offer spill over spaces from the auditorium that overlook the entrance foyer. These inter-spatial links create a hive of excitement pre and post show because of the open and collective atmosphere. The backstage rooms have been designed with functionality and performers in mind, these rooms are efficiently arranged to reduce circulation interference and provide necessary private access routes for stage support and performers. The auditorium itself is designed with acoustics as a top priority. The design of the walls and ceiling are angular to deflect the sound waves in different directions so that there is no interference and the sound quality is high in all areas of the audience. The architects have specified acoustic wood panels for their resonant properties that allow voices to be amplified to the rear seats. The shape of the auditorium also encourages the sound to amplify to the rear seats thus ensuring that all members of the audience receive superior sound quality. The auditorium has been designed as a multi-functional space that can be acoustically modified depending on the performance. For performances with electrically amplified acoustics, that do not require resonance from the walls, dampening curtains can be drawn to adjust the space suitably. SUSTAINABLE DESIGN: The roof of the building has been designed with multi-layered aluminum finish metal roofing that is lightweight and highly insulative which gives it excellent sustainability credentials. A photo-voltaic array is planned for the roof installation which will deliver green power to the building and majority of lights will be high efficiency LEDs to reduce power demand. Specialized VFDs are specified for water-cooled chillers for air-conditioning, all secondary pumps, AHUs and motors respectively. CONCLUSION: The building comes with a low impact on the environment as a result of the architects commitment to superior environmental design. The architects hope that they will have an influence in improving the locality and community of Airoli whilst simultaneously positively effecting the wider environment.

Site - 2900 sq.mt; Built-up- 13,000 sq.mt; Auditorium Seating- 860

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Case Study NCPA Mumbai (National Centre for the Performing Arts)

Ncpa mumbai address:-, climate:- hot and humid, jamshed bhabha theatre.

(Seating capacity: 1109 Seats)

Seating Capacity

Total capacity 1109 seats.

Auditorium Fixtures & Fittings

Seat color:- Blue

• The seating at all the five theatres was arranged keeping in mind the acoustics and purpose of each auditorium (music, dance, plays, etc).
• The NCPA was built on land reclaimed from the sea.
• The Jamshed Bhabha Theatre boasts of a 100-year-old staircase in the foyer. Made of high-quality Carrara marble, it was shipped from Italy and originally belonged to the Petit Hall in Malabar Hill. When the hall was demolished 50 years ago, it was donated by the Petit family to the NCPA. It remained in NCPA’s warehouse for 40 years, after which it was re-assembled and added to the foyer.
• The NCPA has an extensive library of music and books. The Stuart-Liff library has 11,000 LPs and 6,000 books on opera and concerts. The NCPA library has an archival section that features 5,000 hours of audio recordings and 1,000 videotapes and studio recordings.
• The Tata Theatre boasts of a movable pipe organ (the only one in the city), which was fully restored in 2013 at a cost of Rs 22 lakh. It is mounted on a platform and stored backstage with the proper climate-controlled system.
• The Tata Theatre has an AC plant located in the basement (approximately 30-feet below sea level) to prevent the noisy machinery from interfering with acoustics.
• The Tata Theatre also has pyramid pop-up structures on the ceiling, which ensure that sound is evenly distributed and prevents hotspots (extremely high or low sound level) in the auditorium.
• The Little Theatre is attached to an audio studio where archiving of studio recordings were done.
• The musical auditoriums are designed in such a way that they require no additional amplification. Till the ‘90s, use of microphones was not allowed here.
• The auditorium doors are thick and filled with sand to prevent airborne noise from entering the hall.
• The Tata Theatre was designed by American architect Philip Johnson, renowned for his postmodern structures; and acoustician Cyril Harris, who has worked on prominent concert halls and auditoriums such as the Metropolitan Opera, USA.
• At the Jamshed Bhabha Theatre, every seat is optimal to view the performance. At the Experimental Theatre, opt for the center seats. At Tata Theatre, you can see clearly even from the last row.

Tata Theatre (Seating capacity: 1010Seats)

Experimental theatre.

(Seating capacity:  285  Seats)

Godrej Dance Theatre

(Seating capacity: 185 Seats)

Little Theatre

(Seating capacity: 114 Seats)

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Royal Opera House, Mumbai: India’s only surviving opera house

Acclaimed as Mumbai’s Cultural Crown Jewel, the Royal Opera House is reminiscent of the city’s past glory as a cultural hub. Constructed during the British Raj , it is the only surviving opera house in the country and has been awarded a certificate of merit in the 2017 UNESCO Asia-Pacific awards in Cultural heritage preservation.

The beginning of the 20th century marked the peak of the artistic , social and cultural spirit of the city of Bombay. The inauguration of the Royal Opera House in 1911 by King George V, manifested this change in the cultural dynamics as the area surrounding the Opera House bloomed with music schools , residences of vocalists and musicians, Baroque settings and cobbled street; portraying a different city altogether, indubitably known as ‘Bombay the Beautiful’.

A Baroque Beauty

The idea of a performance theatre was originally envisaged in 1908 by Maurice Bandmann, a Calcutta-based entertainer and Jahangir Framji Karaka, a Parsi businessman and philanthropist. Constructed in Baroque style, the Royal Opera House was indeed an architectural splendour with Italian balustrades, Corinthian columns, marble statues, ornamented gold ceilings, Minton tiled flooring and crystal chandeliers.

The design intent of the Opera House was to reflect the visual characteristics of buildings in the Fort area which were in contrast to the congested and densely packed vernacular buildings lined along the inner streets of the surrounding area. Thus, the Royal Opera house was built using an amalgamation of European architectural style bestowed with Indian features.

When it opened in 1916, The opera house served as a stage for operas and plays performed by British and American companies that could be enjoyed by only a privileged few, elite Indians and British officials. It later opened its doors to Indian theatre as well and continued as a platform for live performances like operas, plays, musical acts for decades. 

Legends like Prithviraj Kapoor, Bal Gandharva, Bapu Pendharkar, Master Dinanath have performed there. As the popularity of cinema grew in the 1930s, the Opera house was turned into a cinema hall in addition to being used as a set for films.

It continued as a movie theatre for many years until it was finally shut down in the 1990s since it had become economically unviable.

The Royal Opera House, Mumbai that gave identity to an entire area was on the verge of falling into disrepair, disuse and was also listed in the World Monuments Fund list of endangered buildings. The owners of the building, the royal family of Gondal decided to restore it rather than letting it relegate it to history.

The restoration work was commissioned to Abha Narain Lambah, a conservation architect. The process took over six long years aiming to regain the structural stability, refurbish the original structure and retain the ornate interiors with modern interventions to meet current standards of safety and comfort.

Not only were the original features restored like the side balconies, baroque plaster ceilings but an extra effort and attention was put to reopen the venue as a state-of-the-art performance theatre. Sound design, acoustics, air conditioning, fire-fighting systems, electric work, stagecraft and mechanics were upgraded while retaining the spatial integrity of the interiors.

Reminiscing its past glory

The idea was to recreate the original Baroque design of the opera house which had been re-plastered, re-painted and renovated over the years, changing the original style and colours . In certain cases, the latter layers of renovation and plasterwork were removed to unfold the original detailing while in other cases, parts were recreated as the original after referring to old records. 

The restored building features a 575-seater, three levelled auditorium with an orchestra pit, revamped to its past grandeur. The interiors are gilded in an ivory, white and gold colour palette with red carpets archetypal to a grand opera house. The ceiling has been restored to its original baroque style with intricate detailing, foliage patterns and magnificent crystal chandeliers. 

The royal boxes and side balconies have also been refitted. A tribute to performing arts, its resplendent past can be seen all around, in the ornate facades, lavish colours and opulent interiors.

Revival of cultural spirit

Ever since its completion in 2016, The Royal Opera, Mumbai house has regained its title as the ‘theatre-de-luxe of the East’ and has outshined itself to embrace an all-new generation of patrons, with a variety of concerts, talk shows, stand up comedies, theatre and art in addition to music , food and drinks. 

Walking through The Opera House is like walking back in time, reliving the old city of Bombay, rich in culture and art. The horse-ridden carriages and cobbled streets have been replaced by cars and paved streets but the people inside the Royal Opera house are bound to be teleported to a different era. Thus, the Royal Opera house has once again flourished as a cultural hub, a piece of heritage that was gifted back to the city. It has not only impacted the urban landscape but has also revived the lost charm and buzz of the surroundings by bringing new life to it.

Surabhi is a student of architecture and is trying to figure out how she can contribute to the field and society. She finds architectural writing as an escape to a world full of possibilities and hope. Her curiosity, zest to learn, explore and share, is what keeps her going.

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Mumbai Case Study

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• Visitor Center

CSMVS - Visitor Centre at the Prince of Wales Museum / RMA Architects

• Curated by ArchDaily
• Architects: RMA Architects
• Year Completion year of this architecture project Year:  2011
• Photographs Photographs: Rajesh Vora , Edmund Sumner

Text description provided by the architects. A Visitor Centre located at the entrance of the Prince of Wales Museum, a Grade I heritage structure in Mumbai.  The contemporary structure expands upon the footprint of a previously existing multipurpose hall, and is a part of an expansion plan for this prestigious urban landmark.  The centre fulfills various programmatic functions, ranging from the integration of baggage collection and storage, to ticketing and security, as well as a museum shop, two hundred seat auditorium, and rest rooms.

A lightweight, stainless steel clad elliptical roof creates a covered verandah for circulation, integrating disparate visitor programs into a consolidated and modest, yet contemporary form.  Glass and metal surfaces exist as a visual counterpoint to stout basalt stone of local heritage structures.  Reflective material planes create a paradoxical visual poetry in which archaic forms of the adjacent museum are recast and distorted in a new perspective.

The pre-defined footprint is organically punctured by existing trees that project through openings in the roof, yielding localized deviations in the otherwise low-key scale spaces.  Integration of natural textures with modern means and materials further expands the defining narrative of the centre, that of a culturally meaningful intervention within a monumental historic context. 

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Address: mumbai, maharashtra, india.

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M Auditorium

For the design of this 300 seat auditorium in Central Mumbai, we decided to study sound, the very element that the space has to engage with. A contoured volume rendered in wood faced acoustical board acts to engage sound in a way that it carries from the stage, right to the back of the auditorium without perceptible drop in intensity. Contouring creates a sculpted feel on the ceiling and the walls and a dramatic sense of space inside.

View of auditorium

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Case Study | LBHS College, Mumbai | Green Building Architecture

LBHS is an architecture college situated in the suburbs of Mumbai, in India. It is a prime example of Green Building  Architecture . The city of Bombay is a bit crowded, and as such, land is at a premium. So, the location provides enough space for expansion and providing sufficient infrastructure to students.

This project is special because it has implemented many energy-saving devices and techniques to make it one of the first green building designs in India. From light sensors for auto-switching of lights, to water recycling, use of solar arrays and use of earth air tunnels, this project has done everything. It is a very interesting case study. The designers have aimed at developing an semi-autonomous building, almost self-sufficient building complex.

It is inferred that such buildings reduce environmental impacts, increase security, and lower costs of ownership.

Segmentation of Space

This project is spread into a vast area. The available space is divided into public and semi-public zones.

Auditorium, Restaurant and Exhibition halls requiring services are placed adjacent to the service road. Amphitheater , the main interaction hub, is placed centrally orienting in the North-West direction to capture the wind flow. This keeps the open-air amphitheater cool in the evening with a gentle North-Western breeze.

It is located near the entrance and given a formal outlook for usage reasons. There is an entire buffer floor for flexibility. Open spill-over areas around it provide a comprehensive view of the stage.

Exhibition Block

There are three large halls at different levels which are used to exhibit various things and host architecture fairs from time to time. Sit-out serves as an interaction space at the rear side of the block. The open-air exhibition has a retractable covering around the edges. Considering the rains and heavy winds in the Konkan area, tensile material has been chosen for roofing for the exhibition halls..

Eco-friendly Roof

Green, eco-friendly roof insulates the conference block, auditorium and exhibition block from external weather and temperature, thus saving energy costs over the long term. Shading, evapo-transpiration and filtering are functions of the green roof infrastructure.

Provision of Earth Air Tunnel

Another interesting feature of this college is an Earth Air Tunnel to cool down temperatures during the summer season, in order to reduce energy costs.

Earth- air tunnels may be considered as special types of wind towers connected to an underground tunnel. The cooling process is based on the fact that the temperature a few meters below the ground is almost constant throughout the year. A wind tower is connected to the underground tunnel, which runs from the bottom of the wind tower to the basement of the building. The wind tower catches the wind which is forced down the tower into the tunnel. The temperature of the tunnel, being lower than that of the ambient temperature, cools the air before it is circulated into the living space. Source: http://www.learn.londonmet.ac.uk/packages/clear/thermal/buildings/passive_system/earth_air_tunnel.html

Water Recycling

In order to reduce water consumption, this project has implemented “water recycling” at the site. The recycled water is probably used for watering the gardens maintained by the college.

Solar Cell Arrays

Surprisingly, the college generates electricity with the help of 32 Solar Cell Arrays. There is not enough data to understand how this generated power is utilized and how it affects their power bills.

Air Conditioning by Gas-fired Ammonia absorption Chillers

The entire college is air-conditioned, and this unit provides air  conditioning at a very low cost. Infact, it uses 75% less power than a comparable conventional air conditioning unit.

Light Sensors

These guys don’t have to worry about switching off the light when they exit the rooms. There are movement sensors in important places which can detect the presence of people, which regulates the light switches. Incredible… I wonder if it actually works.

This is a very interesting case study. Many interesting and mature techniques have been used to reduce energy consumption and reduce dependence of the college on the grid.

17 thoughts on “Case Study | LBHS College, Mumbai | Green Building Architecture”

It’s such a great work, your case study is really good, keep up the good work.

Great design and for as long as it’s getting greener and greener I’m loving it! Thanks for sharing.

Hello, I am from LBH College of Architecture and was part of the team that designed the structure that this case study is for. May I ask for the source where you got these drawings from? Also the exact purpose of these case studies? As far as I am aware, these drawings are not on the public domain.

Hi Shantanu,

This case study was an entry for some Architecture design competition. I liked the concept very much so have put them up on my blog. There are very few Green Building concepts adopted in India. This is one of those rare projects. Its worth sharing…

even with the price drop, solar cells are still quite expensive if you want to get more than 500 Watts `

Solar panels are expensive but are energy efficient. The benefits of installing solar panels are greater than the expense of their installation in terms of long run.

really knowledge filled information given in all the case studies

Could you please provide some article on rain water harvesting.

Hello Manoj, Check out this article on Rain water harvesting. This will surely be of help to you.

Rain water harvesting

laxmi : hi, m final yr student my thesis topic institution of hotel management could u plz guide wt all importnt in case stdy nd sm points on dat nd

Hello Laxmi, Check out this site: http://www.architecture-student.com

Article regarding conducting casestudy. This will be very useful. How to conduct a casestudy?

How to carry on Thesis Project?

Let me know if you need any further help..

hey , m 5th yr student ,doing my thesis on architecture college.am looking for good case studies with relevant drawings..could you plz help me ,from where i can get the information

Hello Sushmita,

Check out the links below. These could be of help to you. Architecture Encyclopedia Thesis Guide

If you need any further guidance, do not hesitate to contact me. All the best! Tc.

hey, m a 5th yr architecture student doing my thesis on “centre of dramatic arts”..can u plz help me with the case studies and significant literature.thank you !!

Hello Dikshya,

Check out the following link. This will be of help to you. Thesis Project Guide

There are several articles in the above mentioned category which will help you guide your way through your thesis project. If you have any queries, you can use the comment section below the articles…

All the best! Cheers 🙂

Hello, i m rishabh and m also an architecture student and i m doing my thesis on science college…please any case study with proper plans and location will be very helpful….!!!

Hello Rishabh,

For a proper casestudy, you must shortlist a couple of Science Colleges that match with your criteria and conduct a live casestudy. This is the only way you will learn.

Also, visit http://www.architecture-student.com

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