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The King's Speech

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The King's Speech

Winner of four Oscars® including "Best Picture" and "Best Actor," The King's Speech is based on the true story of King George VI's quest to find his voice. Starring Colin Firth, Geoffrey Rush, and Helena Bonham Carter.

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After the death of his father King George V (Michael Gambon of HARRY POTTER AND THE HALF-BLOOD PRINCE) and the scandalous abdication of King Edward VIII (Guy Pearce of MEMENTO), Bertie (Academy-Award®-winner Colin Firth) who has suffered from a debilitating speech impediment all his life, is suddenly crowned King George VI of England. With his country on the brink of war and in desperate need of a leader, his wife, Elizabeth (Golden-Globe®-nominee Helena Bonham Carter), the future Queen Mother, arranges for her husband to see an eccentric speech therapist, Lionel Logue (Academy-Award®-winner Geoffrey Rush). After a rough start, the two delve into an unorthodox course of treatment and eventually form an unbreakable bond. With the support of Logue, his family, his government and Winston Churchill (Timothy Spall of SWEENEY TODD), the King will overcome his stammer and deliver a radio-address that inspires his people and unites them in battle. Winner of four Oscars® including "Best Picture" and "Best Actor," The King's Speech is based on the true story of King George VI's quest to find his voice.

Cast and crew

Colin Firth

Geoffrey Rush

Helena Bonham Carter

Derek Jacobi

Robert Portal

Richard Dixon

Paul Trussell

Adrian Scarborough

Andrew Havill

Charles Armstrong

Roger Hammond

Calum Gittins

Jennifer Ehle

Dominic Applewhite

Ben Wimsett

Freya Wilson

Ramona Marquez

David Bamber

Jake Hathaway

Michael Gambon

Patrick Ryecart

Teresa Gallagher

Simon Chandler

Claire Bloom

David Seidler

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The True Story Behind "The King's Speech"

"The King's Speech" is a 2010 dramatic biographical film, recounting the friendship between King George VI of England and his Australian speech therapist, Lionel Logue. The film also covers Edward VIII's 1936 abdication, and George VI's subsequent coronation and shouldering of responsibility during World War II. George VI ultimately must conquer his stammer to assist and guide Britain during the war.

As a film, "The King's Speech" takes a few liberties with the historical timeline and in regards to simplifying certain characters. One element historians took particular umbrage with was the depiction of Winston Churchill . However, overall it is fairly faithful to the historical record. For one thing, George VI really did have a speech impediment since the age of eight, and Lionel Logue did work with him for several years. They did stay friends until they both died. Certain scenes, such as George VI's coronation, were praised for their accurate recapturing of the feel of the 1930s.

The main concept the film changed was simply adding drama to certain scenes, such as the speech announcing war with Germany towards the end. It also condensed the historical timeline significantly, shortening events. This was mostly done for the sake of keeping the narrative moving. Overall, however, " The King's Speech " is a fairly accurate, heartwarming rendering of George VI and Lionel Logue's friendship.

Prince Albert had a stutter as a child

Prince Albert, later George VI, developed a stutter when he was eight that he carried through to his early adult life. His parents were not terribly affectionate with him, and he was susceptible to tears and tantrums – traits he also carried through his adult years, writes Biography . Given that many of his public duties required speeches, Albert needed to – and worked tirelessly – to fix his stammer with multiple doctors and therapists, writes Stuttering Help . He wasn't successful with any speech therapies until he worked with elocutionist and informal speech therapist Lionel Logue, beginning in the 1920s.

When Logue saw the then-Duke of York give a speech, he said to his son, "He's too old for me to manage a complete cure. But I could very nearly do it. I'm sure of that." (via Stuttering Help ). He was right, and his positive attitude helped the duke recover from previous failures that had made him believe the problem caused him to be mentally deficient instead of simply physically injured. Despite how long they worked together, the duke's speech issues had more to do with how held his jaw and pronounced words; the result was that his stammer was mainly cleared up in a matter of months as opposed to years.

Lionel Logue was a self-taught speech therapist

Lionel Logue was an Australian speech therapist who, not being formally trained, used methods he had discovered and created on his own. He worked as an elocutionist first, but fell into helping Australian World War I veterans with speech defects, writes The ASHA Leader . No one else was doing what he was with the veterans, and speech therapy and audiology programs didn't even get off the ground until the 1940s (via UNC Health Sciences Library ). Logue was even a founder of the College of Speech Therapists.

Just before World War I, Logue worked a variety of jobs as a teacher of elocution and drama, theater manager, and reciter of Shakespeare and Dickens (via Speech Language Therapy's Caroline Bowen, a speech language pathologist ). Logue worked with patients on their speech, but also on confidence and the self-belief that they could accomplish what they set out to do. He was empathetic with his patients, and learned from each case he worked on. Logue originally tried out as an actor, and as a result, his manner was somewhere between a teacher and an artist. He was serious about his life's work and resolved to avoid cheapening it by writing a book about his efforts with the king.

Logue began working with Prince Albert in 1926

Elizabeth, the Duchess of York, first encouraged her husband to work with Lionel Logue, though the meeting as depicted in the film between Elizabeth and Logue likely didn't happen (via Logue and Conradi's "The King's Speech" ). Logue thus began working with the Duke of York in October 1926, soon after he opened his London practice on Harley Street. Logue first diagnosed the Duke with, according to CNN , acute nervous tension and the habit of closing the throat, which caused him to clip words out.

Logue met with him daily for the next two or three months (in advance of a visit to Australia), and his stammer was gone (for the most part) within that time frame; it didn't take years of treatment (via Speech Language Therapy ). Unlike in the film, in reality, the Duke and Logue weren't necessarily aiming for complete fluency. However, they did continue to work together for the next two decades, mainly on the royal's speeches.

Logue worked with Albert for over 15 years

Though the film condenses the timeline to make it seem as though everything takes place over just a few years, Logue and Albert worked together for decades (via CNN ). "The King's Speech" begins in 1925 with the close of the British Empire Exhibition, which would be historically accurate, but time simply speeds by until the film depicts the abdication of Edward VIII in 1936 and later the outbreak of war in 1939 in just a few hours; it doesn't really feel as though a decade and a half have passed.

Regardless, Logue and the duke worked together on speeches even after the duke had mostly mastered his stammer. Lionel Logue's methods were unorthodox and primarily self-taught. He never specifically said what course of treatment he worked on with the duke, saying, according to The ASHA Leader : "...on the matter of Speech Defects, when so much depends on the temperament and individuality, a case can always be produced that can prove you are wrong. That is why I won't write a book." Much of the ideas for the therapy sessions depicted in the film come from Logue's diaries (though plenty of the dialogue was invented), which were inherited by his grandson Mark. They were used in the film, though the director only saw them late in the film's production.

Any sort of therapy is inherently individual, not to mention personal (via Psychiatric Times ). It's no wonder that Logue decided to avoid writing about his work.

Wallis Simpson was a more complex person than the film indicates

King Edward VIII was crowned in January 1936 and abdicated in December of the same year in order to marry Wallis Simpson , who had been twice divorced (via History ). His younger brother was proclaimed king the next day. The film is sympathetic to George VI and Elizabeth, and Wallis Simpson is cast as a vaguely Nazi-supporting villain; there is little depth to her character. However, her life and motivations were shrouded in rumors from the British upper classes and the media.

The upper classes, who learned about the Edward-Wallis romance before the British media, in particular saw her as an uncouth American divorcee, and had a hard time figuring out why Edward wanted to be with her. When the media did find out, in December 1936, she was both ruined and revered by them, according to History Extra . However, after moving overseas more-or-less permanently she faded from the spotlight. Her unfortunate reputation from the nobles stuck with her.

Ultimately, George VI didn't allow his brother and sister-in-law, who had moved to France, to be productive for the royal family; they asked multiple times for jobs and were denied (via History Extra ). Awful rumors followed Wallis Simpson even past her death in the 1980s, including one that stated she would do anything to become queen of England. Though it's clear both on and off screen that she and Elizabeth disliked each other, Wallis was more than a king-stealing villain.

Churchill was actually opposed to Edward VIII's abdication

One major element of the film that historians had trouble with is Churchill's abrupt support of George VI, writes Daily History . In real life, he encouraged Edward VIII not to abdicate in 1936, and remained a supporter of the royal, believing something could be worked out without having to resort to abdication. George VI and Elizabeth didn't fully support Churchill later in life due to his actions during the abdication. However, Churchill was later knighted by Elizabeth II (via Biography ).

This element is likely written as such for the film due to the writers having a hard time writing someone as beloved as Churchill with actual flaws. The writers of "Saving Mr. Banks" had a similar issue with Walt Disney and his flaws. As a result, it is one of the only concrete historical aspects that left historians scratching their heads in confusion. Everything else that is changed in the film is mainly done for the sake of adaptation, drama, and the good of the narrative. This change seems to be for the sake of preserving Churchill's reputation. Considering the film's lead-up of events to World War II, and Churchill's role in Britain's survival, it isn't that surprising.

King George VI's coronation was less fraught than the film depicts

Logue worked with George VI on his coronation speech in 1937. Five days afterward, the king wrote a heartfelt thank you letter for the assistance (via Tatler ), attributing the success to Logue's "expert supervision and unfailing patience." Just as in the film, Logue and his wife are seated in the royal box, so high up that Myrtle Logue needed to use opera glasses in order to see, writes CNN .

However, by this time, the king had mostly mastered his speech impediment, and the dramatic scene in the film with Logue and St. Edward's chair is likely fictional. It was written for the sake of the narrative of George VI realizing he does have a voice. Reality isn't necessarily so cinematic, and after weeks of working on the speech with Logue, George VI delivered it flawlessly. Regardless, according to Daily History , the film accurately conveys the atmosphere of the 1930s and the coronation of a new king. In reality, the king and Logue likely didn't have the same miscommunication as they do in the film, and it is doubly heartwarming that Logue and his wife were seated with the royal family, just because of the services Logue had rendered the new king.

Logue was more deferential to his royal patient

Geoffrey Rush's portrayal is much more animated than Logue likely was in reality. Logue certainly addressed Prince Albert respectfully, and the scenes of swearing in Logue's office are likely invented. Logue also never referred to the prince by a nickname, much less one used exclusively by the family. They were friends in real life, but their relationship was more realistically distant.

According to CNN , the letters Logue wrote to the king are addressed to "Your Royal Highness". On the other hand, the king signed his letters with his first name, indicating a measure of friendship between the two men. Logue also apparently allowed George VI to set treatment goals due to his position. Though they did end up being friends, Logue never forgot who exactly his patient was, and treated him accordingly (via Daily History ). Historical films always add heart-to-heart speeches between people which probably never actually happened but work for the sake of drama and the narrative. "The King's Speech" is no exception.

The speech announcing war with Germany was less dramatic

Lionel Logue further assisted George VI during the 1939 speech when he announced Britain was at war with Germany. However, Logue wasn't actually in the room with him, as the film depicts, and only wrote notes on places for the king to pause to collect himself when speaking or on which words to stress, according to CNN . Keep in mind that by this point in time, 13 years after meeting Logue, the king had essentially mastered his stammer. George VI also stood to give the speech, though photographs show him in full military uniform and sitting down.

Lionel Logue's diaries also answered a previously unknown question about the speech that was added to the film. George VI stammered on some of the W's in the speech, and according to a comment he made to Logue, it was so the people would recognize him, writes CNN .

The film turns the event into a climactic event, as a culmination of the years of work the king and Logue have put into his affliction – and which the audience has just watched on screen for the past two hours. Also, though it is unlikely the information was revealed at this exact time in real life, the character of Winston Churchill tells the king just before this speech that he, too, was a stammerer as a child, writes The Lancet . This element is true, though it is positioned for the sake of cinematic drama.

George and Logue's friendship didn't fracture over credentials

In the film, coronation preparations pause when the archbishop of Canterbury, Cosmo Lang, mentions that Logue doesn't have any formal training. Not having known this beforehand, George VI becomes outraged and only calms after Logue provokes him into speaking without stammering, causing him to realize that he actually can speak accurately. This entire element is invented for the film, presumably for the sake of drama (and humor).

By this point, the two men had known each other for over a decade and were friends. Though their relationship was primarily professional, in scouting out Logue's help, the king must have understood his credentials and it didn't bother him; after all, he worked with Logue, voluntarily, for decades (via Daily History ). Logue's formality likely kept their friendship professional enough that they probably had few personal disagreements.

Logue and the king wrote letters back and forth for years; the earlier letters were signed "Albert" and the later letters "George" by the king, according to CNN , indicating a measure of friendship that was likely meted out to few people. When Logue asked the king in 1948 if he would serve as patron of the College of Speech Therapists, George VI immediately agreed and it became known as the Royal College of Speech Therapy, writes The ASHA Leader .

The film has an obvious pro-George VI bias

Due to being written from a historical perspective, "The King's Speech" supports George VI, Logue, Elizabeth, and even Winston Churchill as characters and historical figures much more than it does George V, Edward VIII, or Wallis Simpson. The film has an agenda and a narrative it set out to tell: the story of how George VI overcame his stammer and led a nation successfully through a war.

According to The Gazette , the film's textual inclusion of Logue's appointment as a Member of the Royal Victorian Order is accurate. The king appreciated his services enough to reward him with a title for them, and this element certainly adds to the theme of friendship the film is so fond of.

In another interesting example of bias, however, the film omits Edward VIII's Nazi sympathies entirely, though Simpson is written to seem like an outsider to the royals. This was likely done for the sake of Edward's surviving family, though it was a slightly odd omission considering the context of the film. Edward isn't cast as a villain, however, he doesn't quite seem to realize what he's forcing his brother to step into. Though he immediately supports George, Edward doesn't seem to comprehend the royal family's – and the film's – endless demand of duty.

The Story Behind The King's Speech

Colin Firth feels a little regal

The Kings Origins

Britain is the home of the royal biopic. From Elizabeth and Henry V to The Queen , our hallowed shores have championed historical re-tellings of our most blue-blooded of rulers. And considering how many monarchs our little island has played host to over the years, it’s no surprise that filmmakers continue to transform their luscious histories into motion pictures. King George VI (born Albert, Duke of York), who reigned from 1936 until 1952, has appeared on screen numerous times. He was played by Andrew Ray in the ’78 mini-series Edward And Mrs Simpson , by Anthony Andrews in the BBC’s Cambridge Spies and James Wilby in Bertie And Elizabeth . But he’s never been played by Colin Firth…

The Kings Troubles

Until the seeds were sewn in 2006, that is. Early that year, producer Joan Lane was sent a stage play script entitled The King’s Speech . Telling the story of King George VI (aka Bertie, aka the father of Queen Elizabeth), it details his struggles with a stutter as he assumes the throne. The script eventually landed on the desk of actor Geoffrey Rush and director Tom Hooper. Hooper, though - no stranger to costume dramas having helmed Love In A Cold Climate and Daniel Deronda for the BBC - would find financing a bit of a problem. “The truth is that The King’s Speech , which is great material,” he says, "people weren’t lining up to finance it.” A Firth wouldn’t hurt…

The Kings Cast

“With Colin, I was just very lucky that I ended up with the right man doing it,” says Hooper. With Firth fresh from A Single Man and interested in playing the stammering King George VI, Hooper was sure that he’d bagged the perfect leading man for his film. “I’m such a believer that you got to get the casting right,” the director stresses. “Not 10 percent off, but true and right. It’s tough to do because there’s only a certain number of actors who can attract the finance and who are also great.” For the now defunct UK Film Council, Frith's involvement was all the convincing they needed, and they quickly awarded the film £1m to get it off the ground…

The Kings Life

For Firth, stepping into the shoes of a king would have been much easier if he’d been able to meet the king himself. “So much is a mystery,” he reasons, “and the flow of information out of the palace is non-existent. If you play a role you want to familiarise yourself with that person's world.” Firth did manage to attain an audience with Prince Charles, though he admits that he didn’t learn too much. “I didn't find anything out about him, because this man's job is to be on duty all the time. You get the graciousness, he's very good at it, he has a private secretary marshalling him to the next person to spend a few seconds with them. I guess I could learn from that just watching how everyone behaved around him.” Now he needed a wife…

The Kings Mum

“I just do queens lately and witches,” admits Helena Bonham-Carter, who signed on to star opposite Firth as his supportive wife, Elizabeth (better known in later life as the Queen Mum). Having just come off Alice In Wonderland , Elizabeth is luckily far more subdued than the Red Queen. Bonham-Carter almost didn’t end up doing the film, though, thanks a certain boy wizard. Her contract with the Harry Potter people meant they got first dibs on her time. “It's kind of like the Queen Mum turned Bertie's marriage proposal down twice and the third time she accepted, and that was kind of like me and Tom really,” the actress says. “I kept saying ‘No.’ In fact, I don't think I said ‘Yes’ but I ended up on the set, dressed as the Queen Mum.” Time to start filming...

The Kings Duty

Filming on The King’s Speech commenced on 13 November 2009. With a seven week schedule to get through, the film crew visited Southwark, Ely Cathedral and Battersea Power Station for various scenes. Bonham-Carter, meanwhile, felt a certain amount of duty to get her portrayal of the Queen Mum right. “I mentioned [ the film ] to Prince Charles – he was at the premiere of Alice – and he was very interested. It's all done with immense respect and compassion, so hopefully they'll approve of it. Having said that, if I saw a biopic of my mum or my dad, it's bound to get things wrong. I hope they're moved by it as much as anybody else.” Right down to the stammer…

The Kings Stammer

For Firth, The King’s Speech was the second time he would be required to act with a stutter, having played a chronic stammerer in Three Days Of Rain . “I've twice played a character with a stammer,” he says, “but it was different every time. None of that helps. It's a different guy, he has different issues he has a different way of dealing with things because he was a different person. “You have to find something which is not only authentic and expressive, but which is also very specific to this person. You also have to find something that doesn’t alienate the audience, that doesn’t slide into some sort of pastiche. This is where I had to work very closely with Tom.” As well as a speech therapist…

The Kings Therapist

While prepping for the film, Firth turned to a family member to help figure out how to approach his character’s stutter. His sister is a voice therapist, and proved “extremely helpful in terms of the exercises that can be done”. A speech therapist was also enlisted during rehearsals. In the end, though, Firth relied on the script for the most help. “I think the best consultant I had was David Seidler the screenwriter,” he says, “he was so compelling about the experience and what you do in life to negotiate around the speech problems that you have. The fact that it has a profound affect on your identity, because you don’t do what you want to do. That insight and what my sister gave me were definitely the most useful help I got.”

The Kings Look

The King’s Speech continued filming until 17 January 2010. Director Hooper paid particular attention to ensuring the film felt cinematic in scale, rather than resembling another BBC costume drama. “I think one of the things I worked on early was the close-up because of the amount of dialogue and the nature of the emotions that Helena was going to go through,” he explains. “I also began to think, ‘What is the visual analog? It’s stammering. How do I find a way to shoot Colin that will underline his predicament?’ I began to think that if you’re a stutterer, it’s about inhabiting silence, emptiness, and nothingness. Therefore, is there a way visually of talking about that? So I wanted to put Colin’s face in these close shots in constant relation to negative space.” Talking of thematics...

The Kings Themes

While enjoying sinking his teeth into a meaty role, Firth also relished unravelling some of the themes that were at play in his historical drama. “The whole thing is it’s about the possibilities or impossibility’s of one human being reaching another one,” he muses. “Are we ever capable of doing that, you can’t, even with your own children you can’t fully, you’d love to be able to reach in and take someone’s pain away but you can’t.

"The fact that the man is a member of the royal family means the challenges are very explicit in a way. You can’t even call him by his first name, you’ve got to plough through a bunch of titles, you have to bow and the man refuses to allow any more intimacy than that. It starts off with a complete lack of trust.” There’s also a lot of anger…

The Kings Rage

“Because I didn't know anything about him, everything was a surprise,” Firth says. “I didn't know he had this huge temper, but he did. So did his father and so did his grandfather apparently. Whether you put it down to running in the family, or the fact that all your channels of communication are blocked and you're a smart person, and if you do manage to get something out nobody wants to hear it anyway. “Even the outlet of writing is knocked out of you because you're left-handed. It's a pretty explosive cocktail, if you bottle up a person like that. I would say his rages are completely understandable, and they were an issue.” Enter Logue…

The Kings Help

Meeting unconventional therapist Lionel Logue (Geoffrey Rush) helps Bertie to confront his speech impediment, and tame it into a degree of submission. Firth, though, insists that The King’s Speech is far too clever a movie than to attribute just one moment – such as Bertie meeting Lionel – to a man’s transformation. “I think what I admired most about the structure of this piece is that it doesn’t pivot on one moment,” he says. “Like any credible relationship portrayal it ebbs and it flows, it has breaking points, it’s cyclical, it’s like a marriage. You see that trust being tussled over the whole time.”

The Kings Rating

With the final cut of The King’s Speech edited by 31 August, 2010, the film was awarded a controversial 15 certificate by the BBFC. Director Hooper was appalled, calling the rating system prejudiced against bad language. The certificate was swiftly downgraded to a more reasonable 12A. “I don't need to rail about it, because I haven't found anyone who disagrees,” says Firth. “I've got small kids, so I don't think this is a non-issue. It's not, ‘Bring your kids to hear the F-word!’ It's interesting, this case, it's a very special case. I have a seven-year-old, and I take him to football games, and the stuff you hear there would make this sound like The Sound of Music . If you can make an exception this is definitely one case for that.”

The Kings Oscar

The King’s Speech had its world premiere at the Telluride Film Festival in September 2010, before going on to receive a standing ovation and the People’s Choice Award at the Toronto International Film Festival. Inevitably, Oscar buzz is quickly building. “I don't know if it's necessary,” says Firth, who lost out at last year’s Oscars. “It can help a small movie enormously. Something like A Single Man it was tiny, it was financed by one guy, we all lost money doing it. What to us felt like a small movie, what would have been a way off-stream movie, is suddenly very successful and very mainstream. And that's because of the response out of these festivals. If people are talking about awards, it's because of that.” More kudos was to come….

The Kings Kudos

Touring just about every festival in the US for the remainder of 2010, as well as here in Britain, The King’s Speech went on to grab more gongs, notably from the New York Film Critics Circle Awards, the Satellite Awards and the British Independent Film Awards. Hooper remains wary about all the Oscar talk, though. “I kind of want to take it every day as it comes and not make any assumptions,” he says. “I’m just thrilled at the response we’ve had and the awards we’ve won. The Audience Award at Toronto was an unbelievable thing to win.” Finally, the film’s getting a commercial release…

The Kings Speech

Released in the UK on 7 January, The King’s Speech looks primed to be a runaway hit. Surfing a wave of critical acclaim, it has proved that the British biopic is alive and well – and is a fitting reminder of what our home-grown talent is capable of. For Firth, it’s a well-drawn character piece that never takes the easy route. “He didn’t overcome it,” the actor says of Bertie’s stammer. “And I don’t think the film shows him overcoming it. I think it shows him having an arrangement with it. Where he’s not going to let it stop him from doing his job. You know, that last speech you still see him fighting. He fights for every word. The Queen, Churchill and the rest are on the edge of their seat 'til the end. So, he overcomes the debilitating fear of it – but he doesn’t overcome the fact that he’ll always have the obstacle.”

Josh Winning has worn a lot of hats over the years. Contributing Editor at Total Film, writer for SFX, and senior film writer at the Radio Times. Josh has also penned a novel about mysteries and monsters, is the co-host of a movie podcast, and has a library of pretty phenomenal stories from visiting some of the biggest TV and film sets in the world. He would also like you to know that he "lives for cat videos..." Don't we all, Josh. Don't we all.  

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The King's Speech

The story of King George VI, his unexpected ascension to the throne of the British Empire in 1936, and the speech therapist who helped the unsure monarch overcome his stammer. The story of King George VI, his unexpected ascension to the throne of the British Empire in 1936, and the speech therapist who helped the unsure monarch overcome his stammer. The story of King George VI, his unexpected ascension to the throne of the British Empire in 1936, and the speech therapist who helped the unsure monarch overcome his stammer.

• David Seidler
• Colin Firth
• Geoffrey Rush
• Helena Bonham Carter
• 827 User reviews
• 486 Critic reviews
• 88 Metascore
• 108 wins & 206 nominations total

• King George VI

• Lionel Logue

• Queen Elizabeth

• Archbishop Cosmo Lang

• Private Secretary

• BBC Radio Announcer

• Robert Wood

• BBC Technician

• Dr. Blandine Bentham

• Laurie Logue

• Myrtle Logue

• Valentine Logue
• Anthony Logue

• Princess Elizabeth

• Princess Margaret

• Theatre Director
• All cast & crew
• Production, box office & more at IMDbPro

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Did you know

• Trivia Nine weeks before filming began, Lionel Logue's grandson, Mark Logue , discovered a large box in his attic that contained his grandfather's personal papers. The box held Lionel Logue's diary, his appointment book, notes from his speech therapy sessions with King George VI , and over 100 personal letters to Logue from the King. It also contained what is believed to be the actual copy of the speech used by George VI in his 1939 radio broadcast announcing the declaration of war with Germany. Mark Logue turned his grandfather's papers, letters, and diary over to director Tom Hooper and screenwriter David Seidler , who used them to flesh out the relationship between Logue and the King. Geoffrey Rush and Colin Firth also read through the material for insight into their characters. The exchange in this movie between Logue and King George VI following his radio speech ("You still stammered on the 'W'." / "Well, I had to throw in a few so they knew it was me.") was taken directly from Logue's diary. Firth insisted that it should be included in the movie.
• Goofs In the final speech, King George VI has one blue eye and one brown eye. Colin Firth had lost a contact lens.

King George VI : All that... work... down the drain. My own... b... brother, I couldn't say a single w-word to him in reply.

Lionel Logue : Why do you stammer so much more with David than you ever do with me?

King George VI : 'Cos you're b... bloody well paid to listen.

Lionel Logue : Bertie, I'm not a geisha girl.

King George VI : Stop trying to be so bloody clever.

Lionel Logue : What is it about David that stops you speaking?

King George VI : What is it about you that bloody well makes you want to go on about it the whole bloody time?

Lionel Logue : Vulgar, but fluent; you don't stammer when you swear.

King George VI : Oh, bugger off!

Lionel Logue : Is that the best you can do?

King George VI : [like an elocution lesson] Well... bloody bugger to you, you beastly bastard.

Lionel Logue : Oh, a public school prig could do better than that.

King George VI : Shit. Shit, shit, shit, shit, shit, shit, shit, shit, shit, shit, shit, shit!

Lionel Logue : Yes!

King George VI : Shit!

Lionel Logue : Defecation flows trippingly from the tongue!

King George VI : Because I'm angry!

Lionel Logue : Do you know the f-word?

King George VI : F... f... fornication?

Lionel Logue : Oh, Bertie.

King George VI : Fuck. Fuck! Fuck, fuck, fuck and fuck! Fuck, fuck and bugger! Bugger, bugger, buggerty buggerty buggerty, fuck, fuck, arse!

Lionel Logue : Yes...

King George VI : Balls, balls...

Lionel Logue : ...you see, not a hesitation!

King George VI : ...fuckity, shit, shit, fuck and willy. Willy, shit and fuck and... tits.

• Crazy credits In the end credit roll, Philip Clements is listed twice as Assistant Sound Editor.
• Connections Featured in Breakfast: Episode dated 22 October 2010 (2010)
• Soundtracks Le nozze di Figaro Overture Written by Wolfgang Amadeus Mozart [During the first therapy session when King's voice is being recorded]

User reviews 827

• JohnDeSando
• Dec 17, 2010
• Just what time frame are we talking about here?
• What causes Bertie's stammer?
• Why couldn't King Edward marry Wallis Simpson?
• December 25, 2010 (United States)
• United States
• United Kingdom
• Official Site
• Nhà Vua Nói Lắp
• Elland Road Football Stadium, Elland Road, Beeston, Leeds, West Yorkshire, England, UK (as Wembley Stadium at start of film)
• The Weinstein Company
• UK Film Council
• Momentum Pictures
• See more company credits at IMDbPro
• $15,000,000 (estimated)
• $138,797,449
• Nov 28, 2010
• $484,068,861

Technical specs

• Runtime 1 hour 58 minutes
• Dolby Digital

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"The King's Speech" tells the story of a man compelled to speak to the world with a stammer. It must be painful enough for one who stammers to speak to another person. To face a radio microphone and know the British Empire is listening must be terrifying. At the time of the speech mentioned in this title, a quarter of the Earth's population was in the Empire, and of course much of North America, Europe, Africa and Asia would be listening — and with particular attention, Germany.

The king was George VI. The year was 1939. Britain was entering into war with Germany. His listeners required firmness, clarity and resolve, not stammers punctuated with tortured silences. This was a man who never wanted to be king. After the death of his father, the throne was to pass to his brother Edward. But Edward renounced the throne "in order to marry the woman I love," and the duty fell to Prince Albert, who had struggled with his speech from an early age.

In "The King's Speech," director Tom Hooper opens on Albert ( Colin Firth ), attempting to open the British Empire Exhibition in 1925. Before a crowded arena and a radio audience, he seizes up in agony in efforts to make the words come out right. His father, George V ( Michael Gambon ), has always considered "Bertie" superior to Edward ( Guy Pearce ), but mourns the introduction of radio and newsreels, which require a monarch to be seen and heard on public occasions.

At that 1925 speech, we see Bertie's wife, Elizabeth (Helena Bonham Carter), her face filled with sympathy. As it becomes clear that Edward's obsession with Wallis Simpson (Eve Best) is incurable, she realizes her Bertie may face more public humiliation. He sees various speech therapists, one of whom tries the old marbles-in-the-mouth routine first recommended by Demosthenes. Nothing works, and then she seeks out a failed Australian actor named Lionel Logue ( Geoffrey Rush ), who has set up a speech therapy practice.

Logue doesn't realize at first who is consulting him. And one of the subjects of the film is Logue's attitude toward royalty, which I suspect is not untypical of Australians; he suggests to Albert that they get on a first-name basis. Albert has been raised within the bell jar of the monarchy and objects to such treatment, not because he has an elevated opinion of himself but because, well, it just isn't done. But Logue realizes that if he is to become the king's therapist, he must first become his friend.

If the British monarchy is good for nothing else, it's superb at producing the subjects of films. "The King's Speech," rich in period detail and meticulous class distinctions, largely sidesteps the story that loomed over this whole period, Edward's startling decision to give up the crown to marry a woman who was already divorced three times. Indeed, the Duke and Duchess of Windsor (as they became) would occupy an inexplicable volume of attention for years, considering they had no significance after the Duke's abdication. The unsavory thing is that Wallis Simpson considered herself worthy of such a sacrifice from the man she allegedly loved. This film finds a more interesting story about better people; Americans, who aren't always expert on British royalty, may not necessarily realize that Albert and wife Elizabeth were the parents of Queen Elizabeth II. God knows what Edward might have fathered.

Director Tom Hooper makes an interesting decision with his sets and visuals. The movie is largely shot in interiors, and most of those spaces are long and narrow. That's unusual in historical dramas, which emphasize sweep and majesty and so on. Here we have long corridors, a deep and narrow master control room for the BBC, rooms that seem peculiarly oblong. I suspect he may be evoking the narrow, constricting walls of Albert's throat as he struggles to get words out.

The film largely involves the actors Colin Firth, formal and decent, and Geoffrey Rush, large and expansive, in psychological struggle. Helena Bonham Carter, who can be merciless (as in the "Harry Potter" films), is here filled with mercy, tact and love for her husband; this is the woman who became the much-loved Queen Mother of our lifetimes, dying in 2002 at 101. As the men have a struggle of wills, she tries to smooth things (and raise her girls Elizabeth and Margaret). And in the wider sphere, Hitler takes power, war comes closer, Mrs. Simpson wreaks havoc, and the dreaded day approaches when Bertie, as George VI, will have to speak to the world and declare war.

Hooper's handling of that fraught scene is masterful. Firth internalizes his tension and keeps the required stiff upper lip, but his staff and household are terrified on his behalf as he marches toward a microphone as if it is a guillotine. It is the one scene in the film that must work, and it does, and its emotional impact is surprisingly strong. At the end, what we have here is a superior historical drama and a powerful personal one. And two opposites who remain friends for the rest of their lives.

Note: The R rating refers to Logue's use of vulgarity. It is utterly inexplicable. This is an excellent film for teenagers.

Roger Ebert

Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.

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The King's Speech (2010)

Rated R for language

118 minutes

Directed by

• David Seidler

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The King's Speech – review

S ome films are known as "game-changers". This is not one of those films. It is a don't-change-the-game-er, or yet a jolly-well-change-it-back-er: a traditionally mounted, handsomely furnished British period movie, available at a cinema near you in dead-level 2D. Set in the 1920s and 30s, it is populated by that sort of well-suited patrician Englishman of yesteryear who drinks spirits in the middle of the day, whose middle and index fingers are rarely to be seen without an elegant cigarette interposed, and who pronounces the word "promise" as "plwomise" (try it).

Written by David Seidler and directed by Tom Hooper, The King's Speech is a richly enjoyable, instantly absorbing true-life drama about the morganatic bromance between introverted stammerer King George VI and his exuberant Australian speech therapist Lionel Logue: an affair brokered by George's shrewd wife in her pre-Queen-Mum incarnations as the Duchess of York, and then Queen Elizabeth. These characters are performed with pure theatrical gusto by Colin Firth as the miserably afflicted monarch, Geoffrey Rush as the twinkly eyed speech coach and Helena Bonham Carter as the Queen who has to learn to like Logue by overcoming her own snobbery – which she incidentally never troubles to disguise as shyness.

As well as this, the movie is an intriguing, if slightly loaded new perspective on the abdication crisis of 1936. Above all, it's a smart anti-Pygmalion. Like Shaw's Eliza Doolittle, the poor King as a younger man is forced to speak with his mouth full of marbles, and comes close to Eliza's fate of swallowing one.

But where she had to smarten up and talk proper, George VI (formerly the Duke of York, always known as "Bertie") has to move in the other direction: he has to loosen up, be less formal, less clenched, less clinically depressed. The movie cleverly casts a new light on the dysfunctional tremor at the heart of Britain's royal family, and cheekily suggests there was a time  when a British monarch experimented with psychoanalysis, disguised as   speech therapy.

Firth's face is a picture of misery in the opening scene, under his top hat, as if attending his own funeral. It is his first public appearance, required to speak through a microphone to vast crowds at the empire exhibition at Wembley stadium, and via live radio to the nation. His stammer means he can hardly get a word out, and the nation cringes with embarrassment. His formidable father, played by Michael Gambon with England's gruffest beard, makes clear to him that this is a new media age. It's not just a matter of looking frightfully regal on a horse, the monarch has to be able to master the radio microphone. Spectacle must not be replaced by dead air.

This is where Lionel Logue comes in – a bullish Australian with bohemian manners and shabby premises on Harley Street. He is a failed actor who is everywhere patronised as a colonial, especially by the toffee-nosed English theatrical types for whom he still hopefully auditions. We see him trying out for an amateur company by doing Richard III's "winter of our discontent" soliloquy. (Might Hooper and Seidler have considered making Logue do the "popinjay" speech by Hotspur from Henry IV Part One – the Shakespeare character traditionally played as a stammerer? Too obvious?) In his script, Seidler creates sharp exchanges as Logue fearlessly barges through the pompous royal formality that's all part of the problem, cheerfully deriding his previous medical advisers: "They're all idiots!" "They've been knighted!" splutters Bertie. "Makes it official then, doesn't it?" Slowly, Bertie opens up to his new friend about his unhappy childhood, and doesn't notice how his speech is improving.

The crisis comes when Logue gets too close to his patient, and Rush shows how "red carpet fever" is getting the better of him: he even affects some anti-colonial hauteur in dismissing the ambitions of Edward's mistress, Mrs Simpson, scoffing at the idea of "Queen Wallis of Baltimore".

Meanwhile, the abdication means poor, stuttering Bertie has to shoulder the ultimate burden while "Herr Hitler" is whipping up the stormclouds of war. The nation needs a king who can rally the forces of good in a clear, inspiring voice. Are Bertie and Lionel up to the job?

As well as the three leads, there are two tremendous supporting turns: Guy Pearce is a terrific Edward, the smooth, obnoxious bully who mocks Bertie's stammer and, marooned in Sandringham, yearns for phone sex with Mrs Simpson – what he ickily calls "making our own drowsies". Gambon has two great scenes as George V: first as the robust patriarch, barking orders at his quailing son, and then – the sudden decline is a modest coup du cinéma – incapable and on the verge of dementia, mumbling and maundering as his privy councillors make him sign away his executive responsibility.

Not everyone's going to like this film: some may find it excessively royalist and may, understandably, feel that it skates rather too tactfully over Bertie and Elizabeth's initial enthusiasm for appeasement and Neville Chamberlain. In this version, Chamberlain hardly features at all – we appear to pass directly from Stanley Baldwin's resignation to the sudden appearance of First Lord of the Admiralty Winston Churchill, jowl-quiveringly, sinew-stiffeningly played by Timothy Spall – always giving advice and apparently permitted to wield a lit cigar in the sovereign's presence. But The King's Speech proves there's fizzing life in old-school British period dramas – it's acted and directed with such sweep, verve, darting lightness. George VI's talking cure is gripping.

• Colin Firth
• Helena Bonham Carter
• Drama films
• Period and historical films

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The king's speech, common sense media reviewers.

Superb drama about overcoming fears is fine for teens.

A Lot or a Little?

What you will—and won't—find in this movie.

The film has a stirring message: Our biggest limit

The three main characters serve as strong role mod

A character struggles with his temper, which is fu

A king abdicates from the throne because of his in

Strong language includes "bastard," &quo

Some social drinking (sherry, whisky, wine).

Parents need to know that The King's Speech is an engrossing, fact-based drama that's rated R primarily for a few scenes of strong language (including one "f"-word-filled outburst). It has inspiring and empowering messages about triumphing over your fears. An indie about a king who stutters…

Positive Messages

The film has a stirring message: Our biggest limitations are the voices in our head that remind us of all of our imperfections and failures. But they're only voices, and our will and perseverance are stronger than our fears. Communication, integrity, and humility are major themes. The film has some classist overtones, but they’re placed within historical context.

Positive Role Models

The three main characters serve as strong role models: Lionel Logue, though somewhat untraditional in his approach to speech therapy (at least for the movie's time period), believes in himself so much that he's able to help others do so, too. The queen is a lesson in being supportive without condescension, and King George VI is a man not to be denied his life because of his past.

Violence & Scariness

A character struggles with his temper, which is fueled by frustration.

Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.

Sex, Romance & Nudity

A king abdicates from the throne because of his involvement with a divorcee. There are references to her "talents" behind closed doors.

Did you know you can flag iffy content? Adjust limits for Sex, Romance & Nudity in your kid's entertainment guide.

Strong language includes "bastard," "bloody," "tits," "damn," "ass," "hell," and "bugger." And in one memorable scene, a man yells out a stream of words like "s--t" and "f--k."

Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.

Drinking, Drugs & Smoking

Did you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide.

Parents Need to Know

Parents need to know that The King's Speech is an engrossing, fact-based drama that's rated R primarily for a few scenes of strong language (including one "f"-word-filled outburst). It has inspiring and empowering messages about triumphing over your fears. An indie about a king who stutters might not seem like typical adolescent fare, but don't judge a movie by the brief synopsis: Teens will enjoy it as much as the grown-ups will if they give it a chance. In addition to the swearing, there's some social drinking, but that all fades in comparison to the movie's surprisingly moving themes of hope and perseverance. Note: An edited version of the movie that removes/lessens some of the strongest language has been rated PG-13 and released separately. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails .

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Community Reviews

• Parents say (65)
• Kids say (126)

Based on 65 parent reviews

Great Oscar winning about overcoming fears.

I loved this movie, what's the story.

In THE KING'S SPEECH, King George VI ( Colin Firth ), father to Queen Elizabeth II, inherited the British throne in 1936 after his brother Edward's controversial abdication to marry divorcee Wallis Simpson. Ultimately, he would lead the United Kingdom through World War II. But even before he ascended the throne, he was a man struggling with a persistent and troubling condition: He stammered. This was a source of deep despair for the soon-to-be king, who was known among friends and family members as Bertie. Despite his wife's ( Helena Bonham Carter ) best efforts and deep, abiding love, Bertie was stunted by rage and anxiety. But in this film based on true events, the king finally finds an ally in Lionel Logue ( Geoffrey Rush ), an Australian speech therapist who helps Bertie gain the confidence and will to overcome his fears and let his voice be heard, literally and metaphorically.

Is It Any Good?

It is a singularly gratifying experience to watch this film's three stars -- Firth, Bonham Carter, and Rush -- do what they do best: act. It's like watching a master class. They disappear into their characters and make them both interesting and understandable. That's not always the case with films about royalty. Often, they're a visual (and unremarkable) summary of what we know from books; here, they fascinate with their trials, triumphs, and, most of all, humanity. And for a movie steeped in a feel-good message -- "You don't need to be afraid of the things you were afraid of when you were 5," intones one man -- it's far from clichéd.

Credit, too, goes to director Tom Hooper and screenwriter David Seidler, who himself conquered a stutter and was inspired by the king. They have created characters so rich that they compel viewers to rush to the Web for some post-viewing research. We know a lot about today's royals, but they don't hold a candle to their predecessors -- or at least to the ones portrayed here. The movie makes history and self-help irresistible. Bottom line? The King's Speech is superb.

Talk to Your Kids About ...

Families can talk about the messages in The King's Speech. What are viewers meant to take away from watching?

How does the movie portray stuttering and those who suffer from it? Does it seem realistic and believable? How does Bertie's struggle with stuttering affect him?

How did the queen pave the way for the king's success? Are they positive role models? Do you think the movie portrays them accurately? Why might filmmakers change some details in a fact-based story?

How do the characters in The King's Speech demonstrate communication and perseverance ? What about integrity and humility ? Why are these important character strengths?

Movie Details

• In theaters : November 26, 2010
• On DVD or streaming : April 19, 2011
• Cast : Colin Firth , Geoffrey Rush , Helena Bonham Carter
• Director : Tom Hooper
• Inclusion Information : Female actors
• Studio : Weinstein Co.
• Genre : Drama
• Character Strengths : Communication , Humility , Integrity , Perseverance
• Run time : 111 minutes
• MPAA rating : R
• MPAA explanation : some language
• Award : Academy Award
• Last updated : March 10, 2024

Did we miss something on diversity?

Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.

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Kings End Warriors Season in 118-94 Play-In Tournament Win

The Sacramento Kings got their revenge and are now one win away from a playoff appearance.

• Author: Logan Struck

In this story:

The Sacramento Kings have had their ups and downs throughout the 2023-24 season, but it could not have gotten much better than Tuesday's win over the Golden State Warriors . After losing five of their last seven regular season games, the Kings fell to ninth in the Western Conference, setting up a 2023 playoffs rematch with Golden State.

Tuesday's matchup in Sacramento was one of the Kings' best performances of the season, coming at the right time. This was the first game the Kings have faced elimination since Game 7 of their 2023 first-round series against Golden State, where the Warriors ended Sacramento's season. This year, the Kings flipped the script and got their sweet revenge.

Star sophomore Keegan Murray led the way for the Kings with a game-high 32 points, 9 rebounds, and 8 made three-pointers. His sophomore counterpart, Keon Ellis , has emerged as one of the league's brightest young stars late in the season, and he showed out on Tuesday. Ellis drew the defensive assignment of Warriors superstar Stephen Curry , holding him to 22 points and forcing six turnovers while stacking up three steals and three blocks.

Sacramento's starting five combined for 104 points, outscoring the entire Warriors team. The balanced team performance put them over the edge, and shooting an impressive 46.2% from deep certainly helped out as well.

The lowlight of the game was the performance from Golden State's Klay Thompson , who shot an abysmal 0-10 and failed to score a single point. Many fans have begun to wonder if Tuesday's game in Sacramento was Thompson's last appearance in a Warriors uniform, and if so, it was certainly not the way the five-time All-Star wanted to go out.

The Kings move on to play the New Orleans Pelicans on Friday in a win-or-go-home game. The winner of Friday's matchup will get the eighth seed in the playoffs and face the first-seed Oklahoma City Thunder in the first round, while the loser gets sent into the off-season.

The Kings are a shocking 0-5 against the Pelicans this season, but Friday is Sacramento's chance to flip the script and secure their second consecutive playoff berth.

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Golden State Warriors

Sacramento Kings

The kings eliminate the warriors from play-in tournament with 118-94 win, steph curry swishes in a 3 plus the foul.

Steph Curry gets the chance for a four-point play after knocking down a trey plus the foul.

SACRAMENTO, Calif. -- — The chants of “Light the Beam!” started midway through the fourth quarter as the Sacramento Kings kept piling on the Golden State Warriors .

A year after having their season ended by their neighbors, the Kings dealt the Warriors a bit of payback in emphatic fashion with a victory that might have signaled the end of a dynasty.

Keegan Murray scored 32 points, De'Aaron Fox added 24 and the Kings stayed alive in the play-in tournament, eliminating the Warriors with a 118-94 victory on Tuesday night.

“We knew what was on the line,” Fox said. “This was just another obstacle in our way. We have to get over this hump. Obviously, losing to this team last year and obviously facing this team now, it’s like, of course we have to face this team.”

Sacramento advanced to play at New Orleans on Friday night with a chance to return to the playoffs as the eighth seed in the Western Conference after snapping an NBA-record 16-year playoff drought last season.

The Kings avenged a Game 7 loss at home to Golden State in last year's first round by playing cleaner and being quicker to loose balls against the older Warriors in what was one of the most consequential wins for the franchise in two decades.

The loss kept Golden State out of the playoffs for the third time in the past five seasons, including two eliminations in the play-in tournament. The Warriors committed 16 turnovers, gave up 15 offensive rebounds and way too many open 3-pointers, looking nothing like the dynastic team that won four titles from 2015-22.

“I was a sophomore in high school watching them win championships,” Fox said. “We’ve been watching this team for a long time. If it is the end, it is what it is. I’m I’m glad we’re able to beat this team at this at this moment but, they definitely had a hell of a run.”

Klay Thompson missed all 10 shots from the field in what could have been his final game with the Warriors as he heads to unrestricted free agency this summer and a potential breakup of the championship trio of Thompson, Stephen Curry and Draymond Green .

“We need Klay back. I know he had a tough night tonight,” coach Steve Kerr said. “I know I speak for everyone in the organization, we want him back. Obviously there's business at hand and that has to be addressed. ... But what Klay has meant to this franchise, as good as he is, we definitely want him back.”

With Thompson struggling, Curry didn't get nearly enough help. Curry finished with 22 points but was hounded for much of the game by Keon Ellis .

The undrafted Ellis, who was on a two-way contract until February, added 15 points to go with his strong defense. Harrison Barnes scored 17 and Domantas Sabonis had 16 points and 12 rebounds for Sacramento.

“For the most part, they just took it to us the whole game,” Curry said. “There’s really no way around it.”

The meeting between the Northern California rivals separated by less than 100 miles was a rematch of last year's series won by Golden State. Curry scored 50 points in the seventh game.

The crowd was loud from the start even if the energy didn't quite reach the level of last year's matchup, when Sacramento fans celebrated the end of the record-long playoff drought.

Murray hit four 3-pointers in the first quarter and the Kings built their lead to 16 points in the second quarter before the Warriors rallied behind their bench to cut the deficit to 54-50 at the half.

Golden State got within one early in the third quarter before Sacramento responded with a 19-5 run keyed by a pair of 3-pointers from Ellis and more big shots from Murray to build the lead back to 15 points. The Kings were never threatened after that.

“The first play was for me and we just kind of kept going to that early on in the game,” Murray said. “When you’re shot is falling, especially when mine is falling, they always seem to find me.”

Kings: Sacramento went 0-5 in the regular season against New Orleans and hasn't gone winless in six or more games against the same opponent in a season since going 0-8 against the Los Angeles Lakers in the 1983-84 regular season and playoffs.

AP NBA: https://apnews.com/hub/nba

Game Information

• James Williams
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• Mark Lindsay
• Aaron Smith

2023-24 Pacific Standings

Knicks take 2-1 lead into game 4 against the 76ers, minnesota looks to secure series against phoenix in game 4, indiana hosts milwaukee with 2-1 series lead.

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