what is a literary analysis thesis

beginner's guide to literary analysis

Understanding literature & how to write literary analysis.

Literary analysis is the foundation of every college and high school English class. Once you can comprehend written work and respond to it, the next step is to learn how to think critically and complexly about a work of literature in order to analyze its elements and establish ideas about its meaning.

If that sounds daunting, it shouldn’t. Literary analysis is really just a way of thinking creatively about what you read. The practice takes you beyond the storyline and into the motives behind it. 

While an author might have had a specific intention when they wrote their book, there’s still no right or wrong way to analyze a literary text—just your way. You can use literary theories, which act as “lenses” through which you can view a text. Or you can use your own creativity and critical thinking to identify a literary device or pattern in a text and weave that insight into your own argument about the text’s underlying meaning. 

Now, if that sounds fun, it should , because it is. Here, we’ll lay the groundwork for performing literary analysis, including when writing analytical essays, to help you read books like a critic. 

What Is Literary Analysis?

As the name suggests, literary analysis is an analysis of a work, whether that’s a novel, play, short story, or poem. Any analysis requires breaking the content into its component parts and then examining how those parts operate independently and as a whole. In literary analysis, those parts can be different devices and elements—such as plot, setting, themes, symbols, etcetera—as well as elements of style, like point of view or tone. 

When performing analysis, you consider some of these different elements of the text and then form an argument for why the author chose to use them. You can do so while reading and during class discussion, but it’s particularly important when writing essays. 

Literary analysis is notably distinct from summary. When you write a summary , you efficiently describe the work’s main ideas or plot points in order to establish an overview of the work. While you might use elements of summary when writing analysis, you should do so minimally. You can reference a plot line to make a point, but it should be done so quickly so you can focus on why that plot line matters . In summary (see what we did there?), a summary focuses on the “ what ” of a text, while analysis turns attention to the “ how ” and “ why .”

While literary analysis can be broad, covering themes across an entire work, it can also be very specific, and sometimes the best analysis is just that. Literary critics have written thousands of words about the meaning of an author’s single word choice; while you might not want to be quite that particular, there’s a lot to be said for digging deep in literary analysis, rather than wide. 

Although you’re forming your own argument about the work, it’s not your opinion . You should avoid passing judgment on the piece and instead objectively consider what the author intended, how they went about executing it, and whether or not they were successful in doing so. Literary criticism is similar to literary analysis, but it is different in that it does pass judgement on the work. Criticism can also consider literature more broadly, without focusing on a singular work. 

Once you understand what constitutes (and doesn’t constitute) literary analysis, it’s easy to identify it. Here are some examples of literary analysis and its oft-confused counterparts: 

Summary: In “The Fall of the House of Usher,” the narrator visits his friend Roderick Usher and witnesses his sister escape a horrible fate.  

Opinion: In “The Fall of the House of Usher,” Poe uses his great Gothic writing to establish a sense of spookiness that is enjoyable to read. 

Literary Analysis: “Throughout ‘The Fall of the House of Usher,’ Poe foreshadows the fate of Madeline by creating a sense of claustrophobia for the reader through symbols, such as in the narrator’s inability to leave and the labyrinthine nature of the house. 

In summary, literary analysis is:

• Breaking a work into its components
• Identifying what those components are and how they work in the text
• Developing an understanding of how they work together to achieve a goal 
• Not an opinion, but subjective 
• Not a summary, though summary can be used in passing 
• Best when it deeply, rather than broadly, analyzes a literary element

Literary Analysis and Other Works

As discussed above, literary analysis is often performed upon a single work—but it doesn’t have to be. It can also be performed across works to consider the interplay of two or more texts. Regardless of whether or not the works were written about the same thing, or even within the same time period, they can have an influence on one another or a connection that’s worth exploring. And reading two or more texts side by side can help you to develop insights through comparison and contrast.

For example, Paradise Lost is an epic poem written in the 17th century, based largely on biblical narratives written some 700 years before and which later influenced 19th century poet John Keats. The interplay of works can be obvious, as here, or entirely the inspiration of the analyst. As an example of the latter, you could compare and contrast the writing styles of Ralph Waldo Emerson and Edgar Allan Poe who, while contemporaries in terms of time, were vastly different in their content. 

Additionally, literary analysis can be performed between a work and its context. Authors are often speaking to the larger context of their times, be that social, political, religious, economic, or artistic. A valid and interesting form is to compare the author’s context to the work, which is done by identifying and analyzing elements that are used to make an argument about the writer’s time or experience. 

For example, you could write an essay about how Hemingway’s struggles with mental health and paranoia influenced his later work, or how his involvement in the Spanish Civil War influenced his early work. One approach focuses more on his personal experience, while the other turns to the context of his times—both are valid. 

Why Does Literary Analysis Matter? 

Sometimes an author wrote a work of literature strictly for entertainment’s sake, but more often than not, they meant something more. Whether that was a missive on world peace, commentary about femininity, or an allusion to their experience as an only child, the author probably wrote their work for a reason, and understanding that reason—or the many reasons—can actually make reading a lot more meaningful. 

Performing literary analysis as a form of study unquestionably makes you a better reader. It’s also likely that it will improve other skills, too, like critical thinking, creativity, debate, and reasoning. 

At its grandest and most idealistic, literary analysis even has the ability to make the world a better place. By reading and analyzing works of literature, you are able to more fully comprehend the perspectives of others. Cumulatively, you’ll broaden your own perspectives and contribute more effectively to the things that matter to you. 

Literary Terms to Know for Literary Analysis 

There are hundreds of literary devices you could consider during your literary analysis, but there are some key tools most writers utilize to achieve their purpose—and therefore you need to know in order to understand that purpose. These common devices include: 

• Characters: The people (or entities) who play roles in the work. The protagonist is the main character in the work. 
• Conflict: The conflict is the driving force behind the plot, the event that causes action in the narrative, usually on the part of the protagonist
• Context : The broader circumstances surrounding the work political and social climate in which it was written or the experience of the author. It can also refer to internal context, and the details presented by the narrator 
• Diction : The word choice used by the narrator or characters 
• Genre: A category of literature characterized by agreed upon similarities in the works, such as subject matter and tone
• Imagery : The descriptive or figurative language used to paint a picture in the reader’s mind so they can picture the story’s plot, characters, and setting 
• Metaphor: A figure of speech that uses comparison between two unlike objects for dramatic or poetic effect
• Narrator: The person who tells the story. Sometimes they are a character within the story, but sometimes they are omniscient and removed from the plot. 
• Plot : The storyline of the work
• Point of view: The perspective taken by the narrator, which skews the perspective of the reader 
• Setting : The time and place in which the story takes place. This can include elements like the time period, weather, time of year or day, and social or economic conditions 
• Symbol : An object, person, or place that represents an abstract idea that is greater than its literal meaning 
• Syntax : The structure of a sentence, either narration or dialogue, and the tone it implies
• Theme : A recurring subject or message within the work, often commentary on larger societal or cultural ideas
• Tone : The feeling, attitude, or mood the text presents

How to Perform Literary Analysis

Step 1: read the text thoroughly.

Literary analysis begins with the literature itself, which means performing a close reading of the text. As you read, you should focus on the work. That means putting away distractions (sorry, smartphone) and dedicating a period of time to the task at hand. 

It’s also important that you don’t skim or speed read. While those are helpful skills, they don’t apply to literary analysis—or at least not this stage. 

Step 2: Take Notes as You Read  

As you read the work, take notes about different literary elements and devices that stand out to you. Whether you highlight or underline in text, use sticky note tabs to mark pages and passages, or handwrite your thoughts in a notebook, you should capture your thoughts and the parts of the text to which they correspond. This—the act of noticing things about a literary work—is literary analysis. 

Step 3: Notice Patterns 

As you read the work, you’ll begin to notice patterns in the way the author deploys language, themes, and symbols to build their plot and characters. As you read and these patterns take shape, begin to consider what they could mean and how they might fit together. 

As you identify these patterns, as well as other elements that catch your interest, be sure to record them in your notes or text. Some examples include: 

• Circle or underline words or terms that you notice the author uses frequently, whether those are nouns (like “eyes” or “road”) or adjectives (like “yellow” or “lush”).
• Highlight phrases that give you the same kind of feeling. For example, if the narrator describes an “overcast sky,” a “dreary morning,” and a “dark, quiet room,” the words aren’t the same, but the feeling they impart and setting they develop are similar. 
• Underline quotes or prose that define a character’s personality or their role in the text.
• Use sticky tabs to color code different elements of the text, such as specific settings or a shift in the point of view. 

By noting these patterns, comprehensive symbols, metaphors, and ideas will begin to come into focus.  

Step 4: Consider the Work as a Whole, and Ask Questions

This is a step that you can do either as you read, or after you finish the text. The point is to begin to identify the aspects of the work that most interest you, and you could therefore analyze in writing or discussion. 

Questions you could ask yourself include: 

• What aspects of the text do I not understand?
• What parts of the narrative or writing struck me most?
• What patterns did I notice?
• What did the author accomplish really well?
• What did I find lacking?
• Did I notice any contradictions or anything that felt out of place?  
• What was the purpose of the minor characters?
• What tone did the author choose, and why? 

The answers to these and more questions will lead you to your arguments about the text. 

Step 5: Return to Your Notes and the Text for Evidence

As you identify the argument you want to make (especially if you’re preparing for an essay), return to your notes to see if you already have supporting evidence for your argument. That’s why it’s so important to take notes or mark passages as you read—you’ll thank yourself later!

If you’re preparing to write an essay, you’ll use these passages and ideas to bolster your argument—aka, your thesis. There will likely be multiple different passages you can use to strengthen multiple different aspects of your argument. Just be sure to cite the text correctly! 

If you’re preparing for class, your notes will also be invaluable. When your teacher or professor leads the conversation in the direction of your ideas or arguments, you’ll be able to not only proffer that idea but back it up with textual evidence. That’s an A+ in class participation. 

Step 6: Connect These Ideas Across the Narrative

Whether you’re in class or writing an essay, literary analysis isn’t complete until you’ve considered the way these ideas interact and contribute to the work as a whole. You can find and present evidence, but you still have to explain how those elements work together and make up your argument. 

How to Write a Literary Analysis Essay

When conducting literary analysis while reading a text or discussing it in class, you can pivot easily from one argument to another (or even switch sides if a classmate or teacher makes a compelling enough argument). 

But when writing literary analysis, your objective is to propose a specific, arguable thesis and convincingly defend it. In order to do so, you need to fortify your argument with evidence from the text (and perhaps secondary sources) and an authoritative tone. 

A successful literary analysis essay depends equally on a thoughtful thesis, supportive analysis, and presenting these elements masterfully. We’ll review how to accomplish these objectives below. 

Step 1: Read the Text. Maybe Read It Again. 

Constructing an astute analytical essay requires a thorough knowledge of the text. As you read, be sure to note any passages, quotes, or ideas that stand out. These could serve as the future foundation of your thesis statement. Noting these sections now will help you when you need to gather evidence. 

The more familiar you become with the text, the better (and easier!) your essay will be. Familiarity with the text allows you to speak (or in this case, write) to it confidently. If you only skim the book, your lack of rich understanding will be evident in your essay. Alternatively, if you read the text closely—especially if you read it more than once, or at least carefully revisit important passages—your own writing will be filled with insight that goes beyond a basic understanding of the storyline. 

Step 2: Brainstorm Potential Topics 

Because you took detailed notes while reading the text, you should have a list of potential topics at the ready. Take time to review your notes, highlighting any ideas or questions you had that feel interesting. You should also return to the text and look for any passages that stand out to you. 

When considering potential topics, you should prioritize ideas that you find interesting. It won’t only make the whole process of writing an essay more fun, your enthusiasm for the topic will probably improve the quality of your argument, and maybe even your writing. Just like it’s obvious when a topic interests you in a conversation, it’s obvious when a topic interests the writer of an essay (and even more obvious when it doesn’t). 

Your topic ideas should also be specific, unique, and arguable. A good way to think of topics is that they’re the answer to fairly specific questions. As you begin to brainstorm, first think of questions you have about the text. Questions might focus on the plot, such as: Why did the author choose to deviate from the projected storyline? Or why did a character’s role in the narrative shift? Questions might also consider the use of a literary device, such as: Why does the narrator frequently repeat a phrase or comment on a symbol? Or why did the author choose to switch points of view each chapter? 

Once you have a thesis question , you can begin brainstorming answers—aka, potential thesis statements . At this point, your answers can be fairly broad. Once you land on a question-statement combination that feels right, you’ll then look for evidence in the text that supports your answer (and helps you define and narrow your thesis statement). 

For example, after reading “ The Fall of the House of Usher ,” you might be wondering, Why are Roderick and Madeline twins?, Or even: Why does their relationship feel so creepy?” Maybe you noticed (and noted) that the narrator was surprised to find out they were twins, or perhaps you found that the narrator’s tone tended to shift and become more anxious when discussing the interactions of the twins.

Once you come up with your thesis question, you can identify a broad answer, which will become the basis for your thesis statement. In response to the questions above, your answer might be, “Poe emphasizes the close relationship of Roderick and Madeline to foreshadow that their deaths will be close, too.” 

Step 3: Gather Evidence 

Once you have your topic (or you’ve narrowed it down to two or three), return to the text (yes, again) to see what evidence you can find to support it. If you’re thinking of writing about the relationship between Roderick and Madeline in “The Fall of the House of Usher,” look for instances where they engaged in the text. 

This is when your knowledge of literary devices comes in clutch. Carefully study the language around each event in the text that might be relevant to your topic. How does Poe’s diction or syntax change during the interactions of the siblings? How does the setting reflect or contribute to their relationship? What imagery or symbols appear when Roderick and Madeline are together? 

By finding and studying evidence within the text, you’ll strengthen your topic argument—or, just as valuably, discount the topics that aren’t strong enough for analysis. 

Step 4: Consider Secondary Sources 

In addition to returning to the literary work you’re studying for evidence, you can also consider secondary sources that reference or speak to the work. These can be articles from journals you find on JSTOR, books that consider the work or its context, or articles your teacher shared in class. 

While you can use these secondary sources to further support your idea, you should not overuse them. Make sure your topic remains entirely differentiated from that presented in the source. 

Step 5: Write a Working Thesis Statement

Once you’ve gathered evidence and narrowed down your topic, you’re ready to refine that topic into a thesis statement. As you continue to outline and write your paper, this thesis statement will likely change slightly, but this initial draft will serve as the foundation of your essay. It’s like your north star: Everything you write in your essay is leading you back to your thesis. 

Writing a great thesis statement requires some real finesse. A successful thesis statement is: 

• Debatable : You shouldn’t simply summarize or make an obvious statement about the work. Instead, your thesis statement should take a stand on an issue or make a claim that is open to argument. You’ll spend your essay debating—and proving—your argument. 
• Demonstrable : You need to be able to prove, through evidence, that your thesis statement is true. That means you have to have passages from the text and correlative analysis ready to convince the reader that you’re right. 
• Specific : In most cases, successfully addressing a theme that encompasses a work in its entirety would require a book-length essay. Instead, identify a thesis statement that addresses specific elements of the work, such as a relationship between characters, a repeating symbol, a key setting, or even something really specific like the speaking style of a character. 

Example: By depicting the relationship between Roderick and Madeline to be stifling and almost otherworldly in its closeness, Poe foreshadows both Madeline’s fate and Roderick’s inability to choose a different fate for himself. 

Step 6: Write an Outline 

You have your thesis, you have your evidence—but how do you put them together? A great thesis statement (and therefore a great essay) will have multiple arguments supporting it, presenting different kinds of evidence that all contribute to the singular, main idea presented in your thesis. 

Review your evidence and identify these different arguments, then organize the evidence into categories based on the argument they support. These ideas and evidence will become the body paragraphs of your essay. 

For example, if you were writing about Roderick and Madeline as in the example above, you would pull evidence from the text, such as the narrator’s realization of their relationship as twins; examples where the narrator’s tone of voice shifts when discussing their relationship; imagery, like the sounds Roderick hears as Madeline tries to escape; and Poe’s tendency to use doubles and twins in his other writings to create the same spooky effect. All of these are separate strains of the same argument, and can be clearly organized into sections of an outline. 

Step 7: Write Your Introduction

Your introduction serves a few very important purposes that essentially set the scene for the reader: 

• Establish context. Sure, your reader has probably read the work. But you still want to remind them of the scene, characters, or elements you’ll be discussing. 
• Present your thesis statement. Your thesis statement is the backbone of your analytical paper. You need to present it clearly at the outset so that the reader understands what every argument you make is aimed at. 
• Offer a mini-outline. While you don’t want to show all your cards just yet, you do want to preview some of the evidence you’ll be using to support your thesis so that the reader has a roadmap of where they’re going. 

Step 8: Write Your Body Paragraphs

Thanks to steps one through seven, you’ve already set yourself up for success. You have clearly outlined arguments and evidence to support them. Now it’s time to translate those into authoritative and confident prose. 

When presenting each idea, begin with a topic sentence that encapsulates the argument you’re about to make (sort of like a mini-thesis statement). Then present your evidence and explanations of that evidence that contribute to that argument. Present enough material to prove your point, but don’t feel like you necessarily have to point out every single instance in the text where this element takes place. For example, if you’re highlighting a symbol that repeats throughout the narrative, choose two or three passages where it is used most effectively, rather than trying to squeeze in all ten times it appears. 

While you should have clearly defined arguments, the essay should still move logically and fluidly from one argument to the next. Try to avoid choppy paragraphs that feel disjointed; every idea and argument should feel connected to the last, and, as a group, connected to your thesis. A great way to connect the ideas from one paragraph to the next is with transition words and phrases, such as: 

• Furthermore 
• In addition
• On the other hand
• Conversely 

Step 9: Write Your Conclusion 

Your conclusion is more than a summary of your essay's parts, but it’s also not a place to present brand new ideas not already discussed in your essay. Instead, your conclusion should return to your thesis (without repeating it verbatim) and point to why this all matters. If writing about the siblings in “The Fall of the House of Usher,” for example, you could point out that the utilization of twins and doubles is a common literary element of Poe’s work that contributes to the definitive eeriness of Gothic literature. 

While you might speak to larger ideas in your conclusion, be wary of getting too macro. Your conclusion should still be supported by all of the ideas that preceded it. 

Step 10: Revise, Revise, Revise

Of course you should proofread your literary analysis essay before you turn it in. But you should also edit the content to make sure every piece of evidence and every explanation directly supports your thesis as effectively and efficiently as possible. 

Sometimes, this might mean actually adapting your thesis a bit to the rest of your essay. At other times, it means removing redundant examples or paraphrasing quotations. Make sure every sentence is valuable, and remove those that aren’t. 

Other Resources for Literary Analysis 

With these skills and suggestions, you’re well on your way to practicing and writing literary analysis. But if you don’t have a firm grasp on the concepts discussed above—such as literary devices or even the content of the text you’re analyzing—it will still feel difficult to produce insightful analysis. 

If you’d like to sharpen the tools in your literature toolbox, there are plenty of other resources to help you do so: 

• Check out our expansive library of Literary Devices . These could provide you with a deeper understanding of the basic devices discussed above or introduce you to new concepts sure to impress your professors ( anagnorisis , anyone?). 
• This Academic Citation Resource Guide ensures you properly cite any work you reference in your analytical essay. 
• Our English Homework Help Guide will point you to dozens of resources that can help you perform analysis, from critical reading strategies to poetry helpers. 
• This Grammar Education Resource Guide will direct you to plenty of resources to refine your grammar and writing (definitely important for getting an A+ on that paper). 

Of course, you should know the text inside and out before you begin writing your analysis. In order to develop a true understanding of the work, read through its corresponding SuperSummary study guide . Doing so will help you truly comprehend the plot, as well as provide some inspirational ideas for your analysis.

Literary Criticism

• Introduction
• Literary Theories
• Steps to Literary Criticism
• Find Resources
• Cite Sources
• thesis examples

SAMPLE THESIS STATEMENTS

These sample thesis statements are provided as guides, not as required forms or prescriptions.

______________________________________________________________________________________________________________

The thesis may focus on an analysis of one of the elements of fiction, drama, poetry or nonfiction as expressed in the work: character, plot, structure, idea, theme, symbol, style, imagery, tone, etc.

In “A Worn Path,” Eudora Welty creates a fictional character in Phoenix Jackson whose determination, faith, and cunning illustrate the indomitable human spirit.

Note that the work, author, and character to be analyzed are identified in this thesis statement. The thesis relies on a strong verb (creates). It also identifies the element of fiction that the writer will explore (character) and the characteristics the writer will analyze and discuss (determination, faith, cunning).

Further Examples:

The character of the Nurse in Romeo and Juliet serves as a foil to young Juliet, delights us with her warmth and earthy wit, and helps realize the tragic catastrophe.

The works of ecstatic love poets Rumi, Hafiz, and Kabir use symbols such as a lover’s longing and the Tavern of Ruin to illustrate the human soul’s desire to connect with God.

The thesis may focus on illustrating how a work reflects the particular genre’s forms, the characteristics of a philosophy of literature, or the ideas of a particular school of thought.

“The Third and Final Continent” exhibits characteristics recurrent in writings by immigrants: tradition, adaptation, and identity.

Note how the thesis statement classifies the form of the work (writings by immigrants) and identifies the characteristics of that form of writing (tradition, adaptation, and identity) that the essay will discuss.

Further examples:

Samuel Beckett’s Endgame reflects characteristics of Theatre of the Absurd in its minimalist stage setting, its seemingly meaningless dialogue, and its apocalyptic or nihilist vision.

A close look at many details in “The Story of an Hour” reveals how language, institutions, and expected demeanor suppress the natural desires and aspirations of women.

The thesis may draw parallels between some element in the work and real-life situations or subject matter: historical events, the author’s life, medical diagnoses, etc.

In Willa Cather’s short story, “Paul’s Case,” Paul exhibits suicidal behavior that a caring adult might have recognized and remedied had that adult had the scientific knowledge we have today.

This thesis suggests that the essay will identify characteristics of suicide that Paul exhibits in the story. The writer will have to research medical and psychology texts to determine the typical characteristics of suicidal behavior and to illustrate how Paul’s behavior mirrors those characteristics.

Through the experience of one man, the Narrative of the Life of Frederick Douglass, An American Slave, accurately depicts the historical record of slave life in its descriptions of the often brutal and quixotic relationship between master and slave and of the fragmentation of slave families.

In “I Stand Here Ironing,” one can draw parallels between the narrator’s situation and the author’s life experiences as a mother, writer, and feminist.

SAMPLE PATTERNS FOR THESES ON LITERARY WORKS

1. In (title of work), (author) (illustrates, shows) (aspect) (adjective). 

Example: In “Barn Burning,” William Faulkner shows the characters Sardie and Abner Snopes struggling for their identity.

2. In (title of work), (author) uses (one aspect) to (define, strengthen, illustrate) the (element of work).

Example: In “Youth,” Joseph Conrad uses foreshadowing to strengthen the plot.

3. In (title of work), (author) uses (an important part of work) as a unifying device for (one element), (another element), and (another element). The number of elements can vary from one to four.

Example: In “Youth,” Joseph Conrad uses the sea as a unifying device for setting, structure and theme.

4. (Author) develops the character of (character’s name) in (literary work) through what he/she does, what he/she says, what other people say to or about him/her.

Example: Langston Hughes develops the character of Semple in “Ways and Means”…

5. In (title of work), (author) uses (literary device) to (accomplish, develop, illustrate, strengthen) (element of work).

Example: In “The Masque of the Red Death,” Poe uses the symbolism of the stranger, the clock, and the seventh room to develop the theme of death.

6. (Author) (shows, develops, illustrates) the theme of __________ in the (play, poem, story).

Example: Flannery O’Connor illustrates the theme of the effect of the selfishness of the grandmother upon the family in “A Good Man is Hard to Find.”

7. (Author) develops his character(s) in (title of work) through his/her use of language.

Example: John Updike develops his characters in “A & P” through his use of figurative language.

Perimeter College, Georgia State University,  http://depts.gpc.edu/~gpcltc/handouts/communications/literarythesis.pdf

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How to Write an Effective Literary Analysis Thesis Statement

Center for writing excellence blog.

Cailey Rogers is a class of 2024 Writing Center consultant. She is studying Journalism and English Literature. At Elon, she is a Communications Fellow and is involved in Elon Learning Assistance, Colonnades Literary and Art Journal, and the Pendulum.

I distinctly remember that when I was in middle school and just beginning to learn how to write essays, the most daunting task was crafting a thesis statement. Back then, my teachers would put so much emphasis on one part of the entire paper; now that I’m in college, I understand why.

Writing a thesis statement hasn’t become easier over time for me. In fact, now that I am writing complex papers for my 3000-level classes, it has proved to be even more challenging. But honestly, I have come to appreciate this part of a paper to the point where I cannot write the body paragraphs of my work until I am satisfied with the thesis statement.

As an English Literature major, I most look forward to writing thesis statements for literary analysis essays. But I realize that the idea of writing a long analysis on a piece of literature is not fun for everyone. Well, I’m going to offer some suggestions and advice to anyone tackling a literary analysis paper – whether this is your first time writing one, or you’ve been doing it for years, these thesis statement tips will give you a roadmap to creating a thesis that will not just start your paper off on the right note, but also display your writing skills and critical thinking. If you have a strong thesis, I guarantee that your paper will be more sophisticated and easier to write. While my focus here in on literary analysis, my tips apply to anyone writing an analysis and interpretation of a text.

Like any thesis statement, a literary analysis thesis should work as both a roadmap and a foundation for your essay. As the Writing Center at the University of North Carolina at Chapel Hill advises, the thesis statement should do more than illuminate how you are going to “interpret the significance of the subject matter under discussion;” it should also give the reader an outline of the paper itself. This means you need to state what topic you want to focus on, what specific details you will use as textual evidence, and why your argument is important. If you draw a clear map and build a sturdy foundation, the rest of your analysis can grow to be much stronger as a whole.

Let’s break down an example that may make this point a little easier to digest. Here is a practice thesis statement from the WAC Clearinghouse that distinguishes between a vague thesis and one that provides a detailed blueprint for the paper:

Another valuable piece of advice is to make sure not to state the obvious in your thesis statements. In addition to thinking of your thesis statement as a map or a foundation, think of it also as a hook. You want your readers to be interested in what you have to say, so make your thesis statement compelling enough so that a reader simply can’t resist reading the rest of the paper.

Here is another example from the WAC Clearinghouse on how to accomplish this feat:

Note: To learn more about the “what,” “how,” and “why” aspects highlighted in these examples, check out the second blog post in this series, where I discuss my own personal process when writing a literary analysis thesis statement here!

Now, these may seem like pretty standard suggestions that would work for all kinds of thesis statements across a variety of fields. And they are. That doesn’t mean they aren’t important to keep in mind, though. But I did come prepared with some suggestions that are specific to writing a literary analysis essay that I have learned from Dr. Janet Myers, Professor of English in the  English Department at Elon University. I’ve taken several classes with Dr. Myers, written countless literary analysis papers, and these four simple characteristics to include in a thesis statement have gotten me through each one. According to Dr. Myers, these are the four characteristics of a successful thesis statement:

By this, I mean that you want to assert a position that moves beyond something that is clearly obvious within the text. More specifically, you are going to want to isolate a subject you can explore with your own voice. You don’t want to merely point out that a theme of pattern exists in a text; you want to argue about its meaning or purpose. Think of everything you write as being a contribution to a big conversation of scholars. What do you want to contribute to this conversation? You don’t want it to be just an observation but rather an argument that you can support and defend.

2. Narrowly Focused 

Even though you do want to address some universal and pervading aspects of the text you are analyzing, you definitely don’t want to overburden yourself. The broader your thesis is, the more you would be required to explain, and the harder it would be for your audience to understand the particulars of your argument. So, make your thesis statement limited in scope. Identify a specific pattern, theme, literary device, character, or historical event (and there are certainly more possibilities) from the text that you want to analyze in your paper. This is where you could build the roadmap aspect of the thesis: list the elements in the order you will write about them in, and suddenly you will have a clear path for entire literary analysis.

3. Clear and Concise 

This may seem obvious, but it is crucial. A clear thesis will play into the idea of a roadmap, but it will also avoid using long, complex clauses or unnecessary jargon. In terms of making it concise, look for any words in your thesis that may not add to the overall point you are trying to make, and cut them out. Streamline your thesis statement by simplifying your ideas as much as you can, almost as if you were trying to explain it to someone who has never read the text before. Ultimately, your thesis should be able to stand completely on its own. If you just gave your professor your thesis statement and left out the rest of your paper, your topic, evidence, and argument should all be transparent and evident.

4. Capable of Transcending Specific Characters and Events in the Text 

This one is particularly important to keep in mind for a literary analysis paper. What makes a strong literary analysis is an argument that isn’t limited to one specific plot point or character within the text. Think of it this way: pretend you are trying to convince a friend that they should take up reading as a hobby because it is entertaining and enriching. But the only evidence you have to back this up is that you really enjoyed reading one book in the past month. Obviously, that is never going to convince your friend to take up reading because that argument only pertains to one person’s experience at a singular point in time. You would want to have more examples of how reading has changed people’s lives across the world, not just you. Also, you would probably want to address some of the larger persuasive arguments like how literature increases the value of an education, or how it can teach you about a variety of different topics. You would do the same thing in a literary analysis paper: you would want to address the wider implications of the text and find patterns or themes that pertain to more than one specific event or character. Challenge yourself to find connections between events and characters, and then trace those connections in your writing. But even more than that, try to find a universally significant message that your text represents. Literature is a reflection of reality, so find out what your text is trying to express about the real world, and then write about it.

I know it can seem intimidating to write a literary analysis paper, but if you follow these tips when writing your thesis, the challenge will suddenly seem much less impossible. If you want to continue learning about writing a successful literary analysis thesis statement, you can find another blog post I wrote about my personal process and tips by clicking on this link. And if you still find yourself doubting your work, you can always come to The Writing Center, and we would be happy to help you!

One response to “How to Write an Effective Literary Analysis Thesis Statement”

[…] In my short time at Elon, I have found that the most challenging and rewarding part of writing a long literary analysis paper is the thesis statement. It’s funny how just one small portion of what can become an eight-page essay seems impossible to accomplish. If you feel that way, you are certainly not alone. Even English majors struggle with it – I can say that from personal experience! That is exactly why I decided to share the tips and processes that have helped me the most when writing a literary analysis thesis statement in hopes that it could help others staring at a blank document, not knowing where to start or feeling like they will never be able to write a good paper about a piece of literature. If you want to know some of the general tips and tricks that I have acquired through my English classes and some other resources, you can read my first blog post here.  […]

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Thesis Statements for a Literature Assignment

A thesis prepares the reader for what you are about to say. As such, your paper needs to be interesting in order for your thesis to be interesting. Your thesis needs to be interesting because it needs to capture a reader's attention. If a reader looks at your thesis and says "so what?", your thesis has failed to do its job, and chances are your paper has as well. Thus, make your thesis provocative and open to reasonable disagreement, but then write persuasively enough to sway those who might be disagree.

Keep in mind the following when formulating a thesis:

• A Thesis Should Not State the Obvious
• Use Literary Terms in Thesis With Care
• A Thesis Should be Balanced
• A Thesis Can be a Blueprint

Avoid the Obvious

Bland: Dorothy Parker's "Résumé" uses images of suicide to make her point about living.

This is bland because it's obvious and incontestable. A reader looks at it and says, "so what?"

However, consider this alternative:

Dorothy Parker's "Résumé" doesn't celebrate life, but rather scorns those who would fake or attempt suicide just to get attention.

The first thesis merely describes something about the poem; the second tells the reader what the writer thinks the poem is about--it offers a reading or interpretation. The paper would need to support that reading and would very likely examine the way Parker uses images of suicide to make the point the writer claims.

Use Literary Terms in Thesis Only to Make Larger Points

Poems and novels generally use rhyme, meter, imagery, simile, metaphor, stanzas, characters, themes, settings and so on. While these terms are important for you to use in your analysis and your arguments, that they exist in the work you are writing about should not be the main point of your thesis. Unless the poet or novelist uses these elements in some unexpected way to shape the work's meaning, it's generally a good idea not to draw attention to the use of literary devices in thesis statements because an intelligent reader expects a poem or novel to use literary of these elements. Therefore, a thesis that only says a work uses literary devices isn't a good thesis because all it is doing is stating the obvious, leading the reader to say, "so what?"

However, you can use literary terms in a thesis if the purpose is to explain how the terms contribute to the work's meaning or understanding. Here's an example of thesis statement that does call attention to literary devices because they are central to the paper's argument. Literary terms are placed in italics.

Don Marquis introduced Archy and Mehitabel in his Sun Dial column by combining the conventions of free verse poetry with newspaper prose so intimately that in "the coming of Archy," the entire column represents a complete poem and not a free verse poem preceded by a prose introduction .

Note the difference between this thesis and the first bland thesis on the Parker poem. This thesis does more than say certain literary devices exist in the poem; it argues that they exist in a specific relationship to one another and makes a fairly startling claim, one that many would disagree with and one that the writer will need to persuade her readers on.

Keep Your Thesis Balanced

Keep the thesis balanced. If it's too general, it becomes vague; if it's too specific, it cannot be developed. If it's merely descriptive (like the bland example above), it gives the reader no compelling reason to go on. The thesis should be dramatic, have some tension in it, and should need to be proved (another reason for avoiding the obvious).

Too general: Edna St. Vincent Millay wrote many poems with love as the theme. Too specific: Edna St. Vincent Millay wrote "Love is not all: it is not meat nor drink" in <insert date> after <insert event from her life>. Too descriptive: Edna St. Vincent Millay's "Love is not all: it is not meat nor drink" is a sonnet with two parts; the first six lines propose a view of love and the next eight complicate that view. With tension and which will need proving: Despite her avowal on the importance of love, and despite her belief that she would not sell her love, the speaker in Edna St. Vincent Millay's "Love is not all: it is not meat nor drink" remains unconvinced and bitter, as if she is trying to trick herself into believing that love really does matter for more than the one night she is in some lover's arms.

Your Thesis Can Be A Blueprint

A thesis can be used as roadmap or blueprint for your paper:

In "Résumé," Dorothy Parker subverts the idea of what a résumé is--accomplishments and experiences--with an ironic tone, silly images of suicide, and witty rhymes to point out the banality of life for those who remain too disengaged from it.

Note that while this thesis refers to particular poetic devices, it does so in a way that gets beyond merely saying there are poetic devices in the poem and then merely describing them. It makes a claim as to how and why the poet uses tone, imagery and rhyme.

Readers would expect you to argue that Parker subverts the idea of the résumé to critique bored (and boring) people; they would expect your argument to do so by analyzing her use of tone, imagery and rhyme in that order.

Citation Information

Nick Carbone. (1994-2024). Thesis Statements for a Literature Assignment. The WAC Clearinghouse. Colorado State University. Available at https://wac.colostate.edu/repository/writing/guides/.

Copyright Information

Copyright © 1994-2024 Colorado State University and/or this site's authors, developers, and contributors . Some material displayed on this site is used with permission.

• Literary Terms
• Definition & Examples
• When & How to Write a Thesis

I. What is a Thesis?

The thesis (pronounced thee -seez), also known as a thesis statement, is the sentence that introduces the main argument or point of view of a composition (formal essay, nonfiction piece, or narrative). It is the main claim that the author is making about that topic and serves to summarize and introduce that writing that will be discussed throughout the entire piece. For this reason, the thesis is typically found within the first introduction paragraph.

II. Examples of Theses

Here are a few examples of theses which may be found in the introductions of a variety of essays :

In “The Mending Wall,” Robert Frost uses imagery, metaphor, and dialogue to argue against the use of fences between neighbors.

In this example, the thesis introduces the main subject (Frost’s poem “The Mending Wall”), aspects of the subject which will be examined (imagery, metaphor, and dialogue) and the writer’s argument (fences should not be used).

While Facebook connects some, overall, the social networking site is negative in that it isolates users, causes jealousy, and becomes an addiction.

This thesis introduces an argumentative essay which argues against the use of Facebook due to three of its negative effects.

During the college application process, I discovered my willingness to work hard to achieve my dreams and just what those dreams were.

In this more personal example, the thesis statement introduces a narrative essay which will focus on personal development in realizing one’s goals and how to achieve them.

III. The Importance of Using a Thesis

Theses are absolutely necessary components in essays because they introduce what an essay will be about. Without a thesis, the essay lacks clear organization and direction. Theses allow writers to organize their ideas by clearly stating them, and they allow readers to be aware from the beginning of a composition’s subject, argument, and course. Thesis statements must precisely express an argument within the introductory paragraph of the piece in order to guide the reader from the very beginning.

IV. Examples of Theses in Literature

For examples of theses in literature, consider these thesis statements from essays about topics in literature:

In William Shakespeare’s “ Sonnet 46,” both physicality and emotion together form powerful romantic love.

This thesis statement clearly states the work and its author as well as the main argument: physicality and emotion create romantic love.

In The Scarlet Letter, Nathaniel Hawthorne symbolically shows Hester Prynne’s developing identity through the use of the letter A: she moves from adulteress to able community member to angel.

In this example, the work and author are introduced as well as the main argument and supporting points: Prynne’s identity is shown through the letter A in three ways: adulteress, able community member, and angel.

John Keats’ poem “To Autumn” utilizes rhythm, rhyme, and imagery to examine autumn’s simultaneous birth and decay.

This thesis statement introduces the poem and its author along with an argument about the nature of autumn. This argument will be supported by an examination of rhythm, rhyme, and imagery.

V. Examples of Theses in Pop Culture

Sometimes, pop culture attempts to make arguments similar to those of research papers and essays. Here are a few examples of theses in pop culture:

America’s food industry is making a killing and it’s making us sick, but you have the power to turn the tables.

The documentary Food Inc. examines this thesis with evidence throughout the film including video evidence, interviews with experts, and scientific research.

Orca whales should not be kept in captivity, as it is psychologically traumatizing and has caused them to kill their own trainers.

Blackfish uses footage, interviews, and history to argue for the thesis that orca whales should not be held in captivity.

VI. Related Terms

Just as a thesis is introduced in the beginning of a composition, the hypothesis is considered a starting point as well. Whereas a thesis introduces the main point of an essay, the hypothesis introduces a proposed explanation which is being investigated through scientific or mathematical research. Thesis statements present arguments based on evidence which is presented throughout the paper, whereas hypotheses are being tested by scientists and mathematicians who may disprove or prove them through experimentation. Here is an example of a hypothesis versus a thesis:

Hypothesis:

Students skip school more often as summer vacation approaches.

This hypothesis could be tested by examining attendance records and interviewing students. It may or may not be true.

Students skip school due to sickness, boredom with classes, and the urge to rebel.

This thesis presents an argument which will be examined and supported in the paper with detailed evidence and research.

Introduction

A paper’s introduction is its first paragraph which is used to introduce the paper’s main aim and points used to support that aim throughout the paper. The thesis statement is the most important part of the introduction which states all of this information in one concise statement. Typically, introduction paragraphs require a thesis statement which ties together the entire introduction and introduces the rest of the paper.

VII. Conclusion

Theses are necessary components of well-organized and convincing essays, nonfiction pieces, narratives , and documentaries. They allow writers to organize and support arguments to be developed throughout a composition, and they allow readers to understand from the beginning what the aim of the composition is.

List of Terms

• Alliteration
• Amplification
• Anachronism
• Anthropomorphism
• Antonomasia
• APA Citation
• Aposiopesis
• Autobiography
• Bildungsroman
• Characterization
• Circumlocution
• Cliffhanger
• Comic Relief
• Connotation
• Deus ex machina
• Deuteragonist
• Doppelganger
• Double Entendre
• Dramatic irony
• Equivocation
• Extended Metaphor
• Figures of Speech
• Flash-forward
• Foreshadowing
• Intertextuality
• Juxtaposition
• Literary Device
• Malapropism
• Onomatopoeia
• Parallelism
• Pathetic Fallacy
• Personification
• Point of View
• Polysyndeton
• Protagonist
• Red Herring
• Rhetorical Device
• Rhetorical Question
• Science Fiction
• Self-Fulfilling Prophecy
• Synesthesia
• Turning Point
• Understatement
• Urban Legend
• Verisimilitude
• Essay Guide
• Cite This Website

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1.6 The basics of literary analysis

7 min read • january 25, 2023

ChristineLing

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Introduction

Today, we’ll be looking at literary analysis . Now that you’ve learned “how to read” (see guide 1.5 if you haven’t already), you can learn how to write analytically about what you’ve read. You’ve most likely done this already in English classes of the past, so feel free to view this guide as a refresher on literary analysis writing. If the idea of literary analysis is new to you though, then this is a great time to learn!

What is Literary Analysis?

Literary analysis is a method of close reading that involves identifying and interpreting various elements of a text in order to better understand and evaluate the work as a whole. This includes analyzing the text's themes , characters , symbols , and structure , as well as the author's use of language and literary devices . 

In literary analysis , the goal is to identify details that, when put together, support a claim about an aspect of the text, and then to use this evidence to defend that claim in an argument. This process allows readers to gain a deeper understanding of the text and to make connections between the work and the broader literary tradition or cultural context in which it was written.

In addition to having to do it in English classes for assignments and essays, literary analysis helps in developing critical thinking skills. By analyzing and interpreting a text, readers learn to evaluate arguments, identify biases, and understand different perspectives. You don’t have to limit it to classroom use; you can analyze books you read for leisure too! It can help you develop a personal interpretation of the text and appreciate the beauty of literature.

How to Write Literary Analysis Arguments

Now, let’s look at what makes up a literary analysis . We’ll break it down into two main parts: claim and evidence .

Part 1: Claim

A claim is a defensible/arguable* statement . It asserts something to be true or false about a text. A claim should be specific, clear, and supported by evidence from the text.

In literary analysis , a claim can be made about any aspect of the text. Here’s a list of potential aspects:

Historical context

Author's purpose

After identifying the aspect of the text that you want to focus on, you should state your position on that aspect in a clear and specific statement. For example, "The main character in the novel is struggling with feelings of isolation and loneliness," or "The author uses the structure of the novel to convey the theme of the fragility of memory."

It's important to note that a claim should not be a summary of the text or a general observation, but rather a specific, arguable statement that can be supported by evidence . Additionally, a claim should be written in a way that is open to discussion and debate, not as a statement of fact or truth.

Here are some more examples of claims:

The main character's internal conflict in the novel is a representation of the societal pressure to conform.

The use of imagery in the poem is used to convey the theme of death and loss.

The symbolism of the river in the novel represents the passage of time and the inevitability of change.

The novel's structure is used to convey the theme of the complexity of human relationships.

The Additional Notes section of the AP Lit Exam scoring guidelines provides a solid checklist for you to think about as you craft a claim . See below.

*Note: defensible means it does not describe the obvious (“The sky is blue”) nor does it describe the impossible (“Everyone’s favorite color is red”). Stating something that is obvious/too general or impossible to defend will not earn you the thesis point on the AP exam. In addition, it will be difficult to earn Evidence and Commentary points. How would you provide sound evidence and rationale for an obvious/impossible statement?

Part 2: Evidence

Textual evidence refers to specific details from the text that are used to support a claim made in literary analysis . It is the evidence or proof that supports the claim and helps to make it convincing. To present textual evidence , it is important to quote or paraphrase the relevant passage from the text and to provide context for the quote, explaining how it supports the claim .

For example, if a claim is made that the main character in a novel is struggling with feelings of isolation and loneliness, textual evidence to support this claim might include a passage in which the character says, "I've never felt so alone in my life." This quote provides concrete evidence that the character is experiencing feelings of isolation and loneliness. Additionally, one could also provide the context of the quote, explaining how it relates to the claim , such as "The character's statement highlights their feelings of isolation and loneliness, which is a central theme throughout the novel."

Another example, if the claim is that the novel's structure is used to convey the theme of the fragility of memory, the evidence could be a passage that describes the use of non-linear narrative , such as "The novel jumps between different time periods, highlighting how memories can be fragmented and unreliable." The evidence supports the claim , because the non-linear narrative structure emphasizes the theme of memory's fragility.

Lastly, if the claim is that the symbolism in the novel represents the struggle between tradition and modernity, evidence could be a passage that describes the use of a traditional house as a symbol, such as "The old house in the novel symbolizes the protagonist's struggle to hold on to tradition while facing the pressures of modernity." This passage provides evidence that the house is being used as a symbol to represent the struggle between tradition and modernity.

It's important to note that textual evidence should be carefully selected and used to support the claim , rather than being used to impose an interpretation on the text. Also, it is important to provide more than one piece of textual evidencen (if possible) to strengthen the claim and to avoid overgeneralization.

Tips on Writing Them

To see examples of good claims, I encourage you to look at the scoring guidelines of past AP Lit exams. See all past exam questions here . In the published scoring guidelines, there are a few example theses provided that can give an idea of what is expected. For example, here’s a thesis that earned the thesis point on the 2021 AP Lit Exam

"Winston uses first-person narration , vivid descriptions , and humor to convey the narrator’s greater sense of connection to his friend Loon and his embarrassment on behalf of the woman who feels powerless in the situation.”

Notice the level of detail in the claim . It’s not just “Winston conveys the narrator’s greater sense of connection.” The student provided three reasons right off the bat (“ first-person narration , vivid descriptions , and humor ”), giving the grader a good idea of where the essay is going.

Here’s a list of some other tips to keep in mind:

Read the text closely and critically: Before writing a literary analysis , it is important to read the text multiple times, paying close attention to the author's use of literary devices and techniques, as well as the text's themes , characters , symbols , and structure . Of course, on an exam with limited time, you have to be aware of how much time you spend reading. Make sure you read just enough to get an idea of what your claim will be. You can return to specific parts of the text later to look for textual evidence

Consider the literary and cultural context: The text should be analyzed in the context of the literary tradition and cultural context in which it was written. This will help to deepen the understanding and appreciation of the text, and it will help the writer to make connections between the text and the broader literary and cultural context.

Analyze the text, not the author: A literary analysis should focus on the text itself, rather than on the author's personal life or beliefs. Avoid making assumptions about the author's intentions or beliefs, and instead focus on the text's themes , characters , symbols , and structure .

Literary analysis is a way of closely reading a text to understand and evaluate it. It involves identifying and interpreting elements of the text like themes , characters , symbols , and structure , as well as the author's use of language and literary devices . Your eventual goal is to make a claim about an aspect of the text and use evidence from the text to support that claim . To write a good literary analysis , you should read the text closely, consider the literary and cultural context, and focus on the text, not the author.

That’s everything I’ve got for you for Unit 1! Hope you’ve learned a lot, and I wish you luck on your next Fiveable study guide adventure.

Key Terms to Review ( 15 )

Author's Use of Language

Close Reading

First-Person Narration

Literary Analysis

Literary Devices

Non-linear Narrative

Textual Evidence

Vivid Descriptions

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How to Write a Thesis Statement for a Literary Analysis Essay

Many people would read a literature work for fun or purely educational purposes. However, it isn’t so fun when you have to formulate a thesis statement for a literary analysis essay. Find out everything you need to know about how to write a thesis for literary analysis.

What is a literary analysis essay?

A literary analysis essay is an essay that analyzes a literature work. A literature work can come in different forms ranging from poems to poetry. It is often an argument for or against a segment of the literary work. It is important to note, however, that a literary analysis is not merely a literature review. This kind of essay focuses on specific parts of a book and not the whole book in general. The focus could be a theme, plot setting, or character featured in the work.

Features of a Literary Analysis Thesis

• It Answers the Question of your Literary Analysis Essay

One of the most important features of a thesis statement for a literary essay is the need to answer the question of your literary analysis. A literary analysis essay generally aims to address thought-provoking questions. This could come as a plain question or an argument. Hence, what your thesis would do is to examine the manner through which your topic comes and address it. 

• It is Concise

Your literary thesis statement should be concise and not too broad. Being broad goes beyond the number of sentences or words you use to relay your message. It concerns the area or field that you intend to analyze. Many things could be analyzed about literature no matter how short the work appears to be. Always remember that you must discuss every point mentioned in your thesis. It is for this reason that you should be careful while constructing your thesis statement. You don’t want to cover too many aspects that you do not give enough attention to the work. It is better to give quality work.

• It Features Facts about Literature

The primary feature of an argument-based essay is the need to make constant references to facts. More often than not, your thesis would have to point towards facts to back up your claims and arguments. It is important therefore that you make proper research concerning what your argument would be about before you begin to construct your thesis. As the writer of the essay, it is assumed that you know everything there is about the literary work. You hence must criticize, justify, analyze, and break down actions, plots, or themes in the work. This is why there are experts in certain fields of literary analysis. If you’re analyzing themes and devices used in the work, you must be well informed in concepts like onomatopoeia, oxymoron, pun, metaphor, etc.

• It is Argumentative

Your literary essay thesis should not aim to point out an already known fact about a book or literary piece. Everyone probably already knows that the book is interesting, fiction, nonfiction, or boring. What people would rather know is why certain acts behaved the way they did, and if they could have handled a situation better. They would like to argue if the theme of the poem is contrary to the poetic device employed. Your thesis should give room for debate and sharing of opinions.

• Its Primary Purpose is with the Book

Sometimes, writers get tempted to include scenery that does not correlate with the literature they’re analyzing. For instance, bringing an author’s personal life history into an analysis. It is important to note that in literary analysis, your work should be all about the work and facts related to it, and your thesis statement should not be any different. If the character or plot setting is not originally included in the work you’re analyzing, there should be no reason for you to involve it.

How to Write a Literary Analysis Thesis

To write the best thesis statement for a literary analysis essay, you need to follow certain procedures. Here is a step-by-step guide on how to write a literary analysis thesis.

• Understand the Work you want to Analyze

To get the right thesis for your literary essay, you need to first understand the work that you wish to understand. This is important for many reasons; your thesis has to be in context with the work even if you include external facts to back up your claims. You must read and understand the context of the literature work before you think of drafting a thesis statement.

• Draft out the Title of your Literary Essay

After you have understood the work you want to analyze, you can go ahead and draft out your topic. Remember that your topic should not be too broad, rather it should be concise and precise. This will help your thesis statement to be organized and less bulky.

• Write out what you want to Analyze from your Title

Once you’ve sorted what you want your topic to be, you need to write out what you want to analyze. For instance, if your essay topic is on the character in a book, you might want to analyze his emotional vulnerability. If you like you can include his gullibility, weaknesses, and strengths.

• Tell your Readers why you want to Analyze that Area

Why would you want to analyze a character’s vulnerability? Perhaps it affects the storyline of the book negatively, and if his character had been otherwise, the book just might be better. This is one given assumption as to why you may consider critically examining a character. Your reason for picking out a literary piece for analysis may be entirely different, depending on what you’re analyzing. Always remember that your thesis statement should be backed up with facts and not personal emotions.

Everything you need to know about how to write a thesis for literary analysis has been addressed in this article. The outcome of your thesis statement is determined from the moment that you formulate the idea to write a literary analysis essay. In writing a literary analysis thesis statement, you must be able to observe, analyze, and state the importance of a literary work. To get the best result, apply the guidelines here to your writing.

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Thesis Statements

What this handout is about.

This handout describes what a thesis statement is, how thesis statements work in your writing, and how you can craft or refine one for your draft.

Introduction

Writing in college often takes the form of persuasion—convincing others that you have an interesting, logical point of view on the subject you are studying. Persuasion is a skill you practice regularly in your daily life. You persuade your roommate to clean up, your parents to let you borrow the car, your friend to vote for your favorite candidate or policy. In college, course assignments often ask you to make a persuasive case in writing. You are asked to convince your reader of your point of view. This form of persuasion, often called academic argument, follows a predictable pattern in writing. After a brief introduction of your topic, you state your point of view on the topic directly and often in one sentence. This sentence is the thesis statement, and it serves as a summary of the argument you’ll make in the rest of your paper.

What is a thesis statement?

A thesis statement:

• tells the reader how you will interpret the significance of the subject matter under discussion.
• is a road map for the paper; in other words, it tells the reader what to expect from the rest of the paper.
• directly answers the question asked of you. A thesis is an interpretation of a question or subject, not the subject itself. The subject, or topic, of an essay might be World War II or Moby Dick; a thesis must then offer a way to understand the war or the novel.
• makes a claim that others might dispute.
• is usually a single sentence near the beginning of your paper (most often, at the end of the first paragraph) that presents your argument to the reader. The rest of the paper, the body of the essay, gathers and organizes evidence that will persuade the reader of the logic of your interpretation.

If your assignment asks you to take a position or develop a claim about a subject, you may need to convey that position or claim in a thesis statement near the beginning of your draft. The assignment may not explicitly state that you need a thesis statement because your instructor may assume you will include one. When in doubt, ask your instructor if the assignment requires a thesis statement. When an assignment asks you to analyze, to interpret, to compare and contrast, to demonstrate cause and effect, or to take a stand on an issue, it is likely that you are being asked to develop a thesis and to support it persuasively. (Check out our handout on understanding assignments for more information.)

How do I create a thesis?

A thesis is the result of a lengthy thinking process. Formulating a thesis is not the first thing you do after reading an essay assignment. Before you develop an argument on any topic, you have to collect and organize evidence, look for possible relationships between known facts (such as surprising contrasts or similarities), and think about the significance of these relationships. Once you do this thinking, you will probably have a “working thesis” that presents a basic or main idea and an argument that you think you can support with evidence. Both the argument and your thesis are likely to need adjustment along the way.

Writers use all kinds of techniques to stimulate their thinking and to help them clarify relationships or comprehend the broader significance of a topic and arrive at a thesis statement. For more ideas on how to get started, see our handout on brainstorming .

How do I know if my thesis is strong?

If there’s time, run it by your instructor or make an appointment at the Writing Center to get some feedback. Even if you do not have time to get advice elsewhere, you can do some thesis evaluation of your own. When reviewing your first draft and its working thesis, ask yourself the following :

• Do I answer the question? Re-reading the question prompt after constructing a working thesis can help you fix an argument that misses the focus of the question. If the prompt isn’t phrased as a question, try to rephrase it. For example, “Discuss the effect of X on Y” can be rephrased as “What is the effect of X on Y?”
• Have I taken a position that others might challenge or oppose? If your thesis simply states facts that no one would, or even could, disagree with, it’s possible that you are simply providing a summary, rather than making an argument.
• Is my thesis statement specific enough? Thesis statements that are too vague often do not have a strong argument. If your thesis contains words like “good” or “successful,” see if you could be more specific: why is something “good”; what specifically makes something “successful”?
• Does my thesis pass the “So what?” test? If a reader’s first response is likely to  be “So what?” then you need to clarify, to forge a relationship, or to connect to a larger issue.
• Does my essay support my thesis specifically and without wandering? If your thesis and the body of your essay do not seem to go together, one of them has to change. It’s okay to change your working thesis to reflect things you have figured out in the course of writing your paper. Remember, always reassess and revise your writing as necessary.
• Does my thesis pass the “how and why?” test? If a reader’s first response is “how?” or “why?” your thesis may be too open-ended and lack guidance for the reader. See what you can add to give the reader a better take on your position right from the beginning.

Suppose you are taking a course on contemporary communication, and the instructor hands out the following essay assignment: “Discuss the impact of social media on public awareness.” Looking back at your notes, you might start with this working thesis:

Social media impacts public awareness in both positive and negative ways.

You can use the questions above to help you revise this general statement into a stronger thesis.

• Do I answer the question? You can analyze this if you rephrase “discuss the impact” as “what is the impact?” This way, you can see that you’ve answered the question only very generally with the vague “positive and negative ways.”
• Have I taken a position that others might challenge or oppose? Not likely. Only people who maintain that social media has a solely positive or solely negative impact could disagree.
• Is my thesis statement specific enough? No. What are the positive effects? What are the negative effects?
• Does my thesis pass the “how and why?” test? No. Why are they positive? How are they positive? What are their causes? Why are they negative? How are they negative? What are their causes?
• Does my thesis pass the “So what?” test? No. Why should anyone care about the positive and/or negative impact of social media?

After thinking about your answers to these questions, you decide to focus on the one impact you feel strongly about and have strong evidence for:

Because not every voice on social media is reliable, people have become much more critical consumers of information, and thus, more informed voters.

This version is a much stronger thesis! It answers the question, takes a specific position that others can challenge, and it gives a sense of why it matters.

Let’s try another. Suppose your literature professor hands out the following assignment in a class on the American novel: Write an analysis of some aspect of Mark Twain’s novel Huckleberry Finn. “This will be easy,” you think. “I loved Huckleberry Finn!” You grab a pad of paper and write:

Mark Twain’s Huckleberry Finn is a great American novel.

You begin to analyze your thesis:

• Do I answer the question? No. The prompt asks you to analyze some aspect of the novel. Your working thesis is a statement of general appreciation for the entire novel.

Think about aspects of the novel that are important to its structure or meaning—for example, the role of storytelling, the contrasting scenes between the shore and the river, or the relationships between adults and children. Now you write:

In Huckleberry Finn, Mark Twain develops a contrast between life on the river and life on the shore.

• Do I answer the question? Yes!
• Have I taken a position that others might challenge or oppose? Not really. This contrast is well-known and accepted.
• Is my thesis statement specific enough? It’s getting there–you have highlighted an important aspect of the novel for investigation. However, it’s still not clear what your analysis will reveal.
• Does my thesis pass the “how and why?” test? Not yet. Compare scenes from the book and see what you discover. Free write, make lists, jot down Huck’s actions and reactions and anything else that seems interesting.
• Does my thesis pass the “So what?” test? What’s the point of this contrast? What does it signify?”

After examining the evidence and considering your own insights, you write:

Through its contrasting river and shore scenes, Twain’s Huckleberry Finn suggests that to find the true expression of American democratic ideals, one must leave “civilized” society and go back to nature.

This final thesis statement presents an interpretation of a literary work based on an analysis of its content. Of course, for the essay itself to be successful, you must now present evidence from the novel that will convince the reader of your interpretation.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Anson, Chris M., and Robert A. Schwegler. 2010. The Longman Handbook for Writers and Readers , 6th ed. New York: Longman.

Lunsford, Andrea A. 2015. The St. Martin’s Handbook , 8th ed. Boston: Bedford/St Martin’s.

Ramage, John D., John C. Bean, and June Johnson. 2018. The Allyn & Bacon Guide to Writing , 8th ed. New York: Pearson.

Ruszkiewicz, John J., Christy Friend, Daniel Seward, and Maxine Hairston. 2010. The Scott, Foresman Handbook for Writers , 9th ed. Boston: Pearson Education.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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Once you've read the story or novel closely, look back over your notes for patterns of questions or ideas that interest you. Have most of your questions been about the characters, how they develop or change?

For example: If you are reading Conrad's The Secret Agent , do you seem to be most interested in what the author has to say about society? Choose a pattern of ideas and express it in the form of a question and an answer such as the following: Question: What does Conrad seem to be suggesting about early twentieth-century London society in his novel The Secret Agent ? Answer: Conrad suggests that all classes of society are corrupt. Pitfalls: Choosing too many ideas. Choosing an idea without any support.

Once you have some general points to focus on, write your possible ideas and answer the questions that they suggest.

For example: Question: How does Conrad develop the idea that all classes of society are corrupt? Answer: He uses images of beasts and cannibalism whether he's describing socialites, policemen or secret agents.

To write your thesis statement, all you have to do is turn the question and answer around. You've already given the answer, now just put it in a sentence (or a couple of sentences) so that the thesis of your paper is clear.

For example: In his novel, The Secret Agent , Conrad uses beast and cannibal imagery to describe the characters and their relationships to each other. This pattern of images suggests that Conrad saw corruption in every level of early twentieth-century London society.

Now that you're familiar with the story or novel and have developed a thesis statement, you're ready to choose the evidence you'll use to support your thesis. There are a lot of good ways to do this, but all of them depend on a strong thesis for their direction.

For example: Here's a student's thesis about Joseph Conrad's The Secret Agent . In his novel, The Secret Agent , Conrad uses beast and cannibal imagery to describe the characters and their relationships to each other. This pattern of images suggests that Conrad saw corruption in every level of early twentieth-century London society. This thesis focuses on the idea of social corruption and the device of imagery. To support this thesis, you would need to find images of beasts and cannibalism within the text.

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What Is Literary Analysis – A Comprehensive Guide

Table of contents:, 1. defining literary analysis, 2. importance of literary analysis, 3. key concepts in literary analysis, 4. themes and motifs: unveiling the underlying messages, 5. characterization: the heartbeat of the narrative, 6. plot structure: navigating the narrative arc, 6.1 tools for literary analysis, 6.2 imagery and symbolism, 6.3 mood and tone, 6.4 narrative techniques, 4. how to do a literary analysis in steps, 4.1 choosing a literary work, 4.2 close reading and note-taking, 4.3 developing a thesis statement, 5. structural elements of a literary analysis, 5.1 introduction, 5.2 body paragraphs with textual evidence, 5.3 analysis and interpretation, 6. common pitfalls to avoid, 7. benefits of mastering literary analysis, key element explored.

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Literary analysis is an interesting trip into the heart of a piece of writing, where words, meanings, and feelings come together to make a deep experience. Whether you’re a student reading a famous book or a curious reader digging into a poem, knowing how to do a literary analysis will make your literary experiences much more enjoyable. In this detailed guide, we’ll go over all the different parts of literary analysis, from what it is to how to do it. This will give you the tools to find hidden meanings in texts.

Literary analysis is the careful study of a piece of writing’s parts to learn more about its meaning, themes, and artistic methods. It goes deeper than the first reading level and examines the deeper meanings and layers writers put into their words.

Literary analysis gives you a look into the author’s thoughts , feelings, and goals. It helps people figure out what’s happening and see links that might not have been clear. By breaking down literature, we can see how well it was written and understand the deep meanings it sends.

Literary analysis is a deep look at the different parts of a piece of writing. By looking at these parts, readers can find secret meanings, figure out what the author was trying to say and understand the text better. Characterization, Plot Structure, and Themes and Motifs are three of the most important ideas in literature analysis.

Themes are the main ideas, concepts, and messages the author wants to convey. They are the intellectual backbone of any piece of writing. These themes often touch on things everyone can relate to, making links beyond time and place. They are like the threads that make up the story’s tapestry. They allow the reader to look at the story’s events and people.

Themes are supported by motifs, repeated symbols, pictures, or ideas that help develop the main themes. Motifs are like breadcrumbs in a piece of writing. They lead the reader to greater meanings. Whether it’s a red rose that keeps coming up to show how complicated love is or a raven that shows how bad things are about to get, patterns add depth to the story’s main ideas.

Characters give a story of life. They move the plot forward and show how the story’s ideas are being explored. Characterization is more than just describing how someone looks; it also includes how they think, feel, act, and interact with others. Characters can be the main characters, the bad guys, the foils, or even symbols for vague ideas.

By analyzing a character’s traits, readers can see how the character affects the story’s growth. Viewers can see how they mirror the larger themes and conflicts at play by looking at how characters change, what drives them, and their conflicts with themselves. A well-developed character is more than words on a page; they show people’s complexity.

The plot structure of a piece of writing is like its road plan. From the exposition, which presents the setting and characters, to the rising action, which builds tension, to the climax, where conflicts come to a head, to the resolution, which ties up loose ends, the plot structure determines the ups and downs of the story . book publishers new york  can help you in creating Plot Structure. 

You can see how the author chose to do things by examining how the story is put together. The reader’s emotions are affected by how the story unfolds, where the key moments happen, and how the story ends. A well-written plot keeps readers on the edge of their seats, and knowing how it works can help them figure out what the author is trying to do.

Let’s talk about tools for analyzing literature.

Symbolism uses items , actions, or words to reflect deeper meanings. Imagery uses vivid descriptions to give the reader a sensory experience. When you look at images and symbols, you can find different ways to understand them.

Tone shows how the author feels about the subject, while mood shows how the story makes the reader feel. Knowing these things, we can better understand how the actors feel and the story’s meaning.

Authors use things like flashbacks, hints, and narrators who can’t be trusted to shape the reader’s experience. Seeing how they did it gives our study more depth.

Following is the step-by-step procedure.

The first step is to choose a piece of writing that interests you. It could be a long story, a song, a play, or a short story. The key is to choose something that speaks to you and makes you want to know more.

Close reading means paying close attention to the text, making notes, and highlighting important parts. Taking notes helps you track your thoughts and feelings as you get into the work.

Your thesis statement is the main point you’ll look at in your research. It tells you how to analyze the writing and figure out its meaning.

Here are the Structural Elements of a Literary Analysis

The introduction sets the stage for your analysis, explains the work you’re analyzing, and gives your thesis statement.

Each body paragraph should focus on a different part of your analysis and use textual evidence to support your claims.

In this part, you explain how the evidence you’ve given supports your thesis and think about what it all means.

In conclusion, you summarize your analysis, restate your thesis, and discuss your results broadly.

“ Don’t tell the story again ; instead, focus on how different parts of the story add to its meaning.”. Symbols often have greater meanings, so don’t miss chances to learn more about them.

• By analyzing books, you better think critically and deeply about complicated ideas.
• Literary analysis gives you a better understanding of the depth and complexity of the works you read.
• You can improve your writing style and skill by looking at good writers’ methods.

When you start to analyze a piece of literature, it’s like becoming an explorer of words and looking for secret treasures in the pages. We can figure out the mysteries and hidden messages in a piece of writing by looking at it closely.

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Literary Analysis: What is it?

We define Literature as “written work valued for superior or lasting artistic merit” (“Literature 3b”). As an adjective, then, literary is defined as “[o]f or relating to the writing, study, or content of literature, esp. of the kind valued for quality of form; of the nature of literature” (“literary A1”). Finally, analysis is essentially the breaking apart of anything into its composite parts for close examination. Literary analysis, then, is the deep examination of a work of literature. When you think of literary analysis, think of holding up a magnifying glass to the details of language in a work of literature.

Literary Analysis = Close Reading

Students may have encountered previous teachers using the term “close reading.” When teachers use this term, it usually means engaging with a text on a deeper level than when reading for entertainment or information: that is, looking not just at what is written (the message, also known as content) but how it is said (the language used to send the message, also known as form). Literary Analysis and Close Reading are two words with, for all intents and purposes, the same meaning. The major difference is that while close reading techniques can be used in any form of writing, literary analysis is more specific to the field of literature.

When performing literary analysis, some questions literary critics, or scholars of literature, might ask themselves include:

• What is the theme or motif of this text?
• What patterns can I detect across this text, or what patterns can I detect across this genre of literature that are also present in this text? And what might these patterns indicate about the meaning or significance of this text?
• What literary devices are featured in this text? How might an analysis of these formal features deepen understanding of the text?
• What kinds of characters are featured in this text?
• What qualities make literature “good” or of “lasting artistic merit” (“literature 3b”)?
• How might the language or diction of the text reflect cultural or historical meanings most common readers miss? How might such meanings deepen or illuminate our understanding of the text?
• What have previous scholars misinterpreted or missed about this work, and how can I bring neglected aspects of this text to light?
• In what ways does this text engage with or elucidate other works of literature, philosophical theories, historical events, or social movements?
• What might this text reveal about what it means to be human? How might it deepen my understanding of my place in the world?

 How to Perform Literary Analysis

The previous questions might seem amorphous or overwhelming in their implications. So, how can we practice close reading in a practical way?

• Read the text 3 times: once to get the gist. Once, for deep understanding. And, lastly, once for deep analysis. Literary critics often read the same texts many more times! Don’t be afraid to read as many times as you need.
• Engage with the text . Highlight, annotate, mark pages with sticky notes or flags, and take notes as you read. Look for anything weird, surprising, confusing, or exciting that jumps out at you. Why do you think this feature exists in the text? Don’t be afraid to write down any questions that bubble up as you read: it is likely other scholars/students have questions, too, and sharing your questions with classmates or your professor might prompt a fascinating discussion! For example, an observant student once asked (his question is paraphrased here): “In Hamlet  by William Shakespeare, I noticed Hamlet and Horatio seem to think the ghost of Old Hamlet is actually a demon. But later Hamlet seems to think the ghost is an actual ghost. Gertrude does not see the ghost, making it seem like it is a figment of Hamlet’s troubled mind. What are we as readers meant to believe?” This question prompted other students to share their cultural heritage’s perspective on demons and the afterlife and even to share ghost stories. Eventually, this discussion led students to research Elizabethan perspectives on ghosts and demons. This made for a lively class discussion and several strong essays all because one student dared to engage with the text by asking a question!
• Keep track of any patterns. Does a certain image keep popping up, like a heart, a rose, or a color? This might be a symbol: a physical object signifying an abstract meaning. What might this repeated image mean in the context of the rest of the story? For example, in Ambrose Bierce’s short story “An Occurrence at Owl Creek Bridge,” the color gray repeats many, many times. Why? What might this indicate about the color gray? What might the color gray have symbolized to Bierce or to readers alive during the Civil War?
• Deeply examine and question literary features such as titles, characters, settings, figurative language, and dialogue. Constantly ask yourself: why is this here? As readers, we should usually assume authors, as masters of their craft, make choices intentionally. And even if unintentional, what might subconscious slips indicate about meaning? In short,  how does the form or structure of this writing influence my understanding of its message?

Other literary features you might examine include:  pronouns, active vs. passive voice, verbs (what tense is being used? any tense shifts?), nouns, word order or syntax, rhyme, paragraphing, italics, space on the page, text space (how much space or description or lines does a given character receive?), proximity (do similar words, phrases, characters, or ideas often occur in close proximity?). All of these seemingly small details can hold big implications!

Works Cited

“literature, n.”  OED Online , Oxford University Press, June 2019, www.oed.com/view/Entry/109080. Accessed 28 August 2019.

“literary, adj. and n.”  OED Online , Oxford University Press, June 2019, www.oed.com/view/Entry/109067. Accessed 28 August 2019.

LICENSE AND ATTRIBUTION

Adapted from Heather Ringo’s & Athena Kashyap’s   “What is Literary Analysis? ” is adapted from Writing and Critical Thinking Through Literature   2019, used according to   CC BY-NC 4.0 .

UNM Core Writing OER Collection Copyright © 2023 by University of New Mexico is licensed under a Creative Commons Attribution 4.0 International License , except where otherwise noted.

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Literary Analysis – Definition & Step-by-Step Guide

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Literary analysis involves the process of closely examining, interpreting, and critiquing various aspects of a literary work. It delves into themes, symbols, characters, settings, plot structures, and stylistic devices, among other elements, to reveal the deeper meanings and implications conveyed by the author. Furthermore, literary analysis enables us to bridge the gap between personal interpretation and a broader, shared understanding of literature’s richness and diversity.

Inhaltsverzeichnis

• 1 Literary Analysis – In a Nutshell
• 2 Definition: Literary analysis
• 3 How to write a literary analysis step-by-step
• 4 Literary analysis: Example

Literary Analysis – In a Nutshell

• A literary analysis evaluates and interprets literature to express the writer’s perspective.
• To create a literary analysis, the writer needs to read the text, develop a working thesis, make, and interpret an extended list of evidence, and interpret the evidence to write an academic essay .
• Avoid writing a plot summary and instead, use literary analysis.

Definition: Literary analysis

Literary analysis, sometimes referred to as literary criticism , is the argumentative analysis of academic writing is a method of critical examination where various elements of a literary work are closely studied and interpreted. Although a summary is needed within the argument, the objective is not to write a report on the text, but to discuss the writer’s examination of it. Ultimately, the aim of literary analysis is to illuminate the work’s intrinsic value, convey its societal and philosophical implications, and foster a profound understanding of the author’s intentions and the broader cultural or historical context.

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How to write a literary analysis step-by-step

Below is an in-depth guide on how to write a literary analysis.

Step 1: Reading the text

The first step in conducting a literary analysis is to read the text carefully and take initial notes. As you read, focus on the ideas being presented.

Pay attention to the author’s writing technique, the character’s development , and the literary devices used.

Some of the literary devices a writer should consider when reading through the text for a literary analysis include:

Step 2: Creating a thesis

A literary analysis thesis is what substantiates the writer’s view and allows it to be debated.

While a thesis states the writer’s opinion, it should also allow any readers to come to their conclusions .

Pride and prejudice is a story about the efforts of Elizabeth Bennet in overcoming her pride and her bias towards Mr. Darcy, and how her family is affected by their preconceptions of the surrounding society.

Step 3: Title and introduction

The opening statements of the literary analysis should expose the reader to the intentions and context of the critique . A common structure for the introduction is to start with a general statement about the text and the author, and then finish with a brief indication of what’s coming in the main body.

The title of a literary analysis usually contains the name of the text and the author you are analyzing. It should be as engaging as possible and clearly indicate what the analysis will focus on. A common method in coming up with a title is using a relevant quote from the text , then a colon followed by the rest of the title.

Approaching “the edge of knowing”: Anne Caston’s “Anatomy.”

Step 4: Body of the essay

Everything between the introduction and the conclusion in literary analysis is the body . Its main goal is to answer the writer’s questions about the work and the supporting textual evidence.

To keep your points focused, start each paragraph with a topic sentence that allows the reader to see what the paragraph is about quickly. A topic sentence can introduce a new argument or contrast it with the argument in the previous paragraph.

A main part of the body is giving textual evidence that backs up your arguments. You can do this using quotes from the text. If you use quotes, ensure you contextualize and explain why you are using them instead of treating them as self-explanatory.

Step 5: Conclusion

The conclusion of the literary analysis is about wrapping up the essay and should not introduce any new arguments or quotations. A good structure for the analysis would be to summarize the primary arguments, emphasize the conclusion they’ve led you to, and highlight the new perspective.

Literary analysis: Example

Below is an example of a literary analysis of Ernest Hemingway’s novella, “The Old Man and the Sea”

The introduction starts with basic facts about the author and transitions into a concise and debatable thesis statement.

The writer transitions to the first paragraph in the body by introducing the first element of style that contributes to the discussion of the theme.

The conclusion emphasizes the thesis statement and summarizes the arguments.

Why is literary analysis important?

Examining and analyzing literature gives writers the opportunity to think critically about a text.

Not only does this help demonstrate the author’s intentions, but it also enhances critical thinking skills that are useful in other disciplines.

What is a literary analysis thesis statement?

A literary analysis thesis statement summarizes the analytical argument the writer intends to make and prove in the paper.

What are the key features of literary analysis?

The analyzed elements of literary analysis include:

• Narrative voice

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12.14: Sample Student Literary Analysis Essays

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• Heather Ringo & Athena Kashyap
• City College of San Francisco via ASCCC Open Educational Resources Initiative

The following examples are essays where student writers focused on close-reading a literary work.

While reading these examples, ask yourself the following questions:

• What is the essay's thesis statement, and how do you know it is the thesis statement?
• What is the main idea or topic sentence of each body paragraph, and how does it relate back to the thesis statement?
• Where and how does each essay use evidence (quotes or paraphrase from the literature)?
• What are some of the literary devices or structures the essays analyze or discuss?
• How does each author structure their conclusion, and how does their conclusion differ from their introduction?

Example 1: Poetry

Victoria Morillo

Instructor Heather Ringo

3 August 2022

How Nguyen’s Structure Solidifies the Impact of Sexual Violence in “The Study”

Stripped of innocence, your body taken from you. No matter how much you try to block out the instance in which these two things occurred, memories surface and come back to haunt you. How does a person, a young boy , cope with an event that forever changes his life? Hieu Minh Nguyen deconstructs this very way in which an act of sexual violence affects a survivor. In his poem, “The Study,” the poem's speaker recounts the year in which his molestation took place, describing how his memory filters in and out. Throughout the poem, Nguyen writes in free verse, permitting a structural liberation to become the foundation for his message to shine through. While he moves the readers with this poignant narrative, Nguyen effectively conveys the resulting internal struggles of feeling alone and unseen.

The speaker recalls his experience with such painful memory through the use of specific punctuation choices. Just by looking at the poem, we see that the first period doesn’t appear until line 14. It finally comes after the speaker reveals to his readers the possible, central purpose for writing this poem: the speaker's molestation. In the first half, the poem makes use of commas, em dashes, and colons, which lends itself to the idea of the speaker stringing along all of these details to make sense of this time in his life. If reading the poem following the conventions of punctuation, a sense of urgency is present here, as well. This is exemplified by the lack of periods to finalize a thought; and instead, Nguyen uses other punctuation marks to connect them. Serving as another connector of thoughts, the two em dashes give emphasis to the role memory plays when the speaker discusses how “no one [had] a face” during that time (Nguyen 9-11). He speaks in this urgent manner until the 14th line, and when he finally gets it off his chest, the pace of the poem changes, as does the more frequent use of the period. This stream-of-consciousness-like section when juxtaposed with the latter half of the poem, causes readers to slow down and pay attention to the details. It also splits the poem in two: a section that talks of the fogginess of memory then transitions into one that remembers it all.

In tandem with the fluctuating nature of memory, the utilization of line breaks and word choice help reflect the damage the molestation has had. Within the first couple of lines of the poem, the poem demands the readers’ attention when the line breaks from “floating” to “dead” as the speaker describes his memory of Little Billy (Nguyen 1-4). This line break averts the readers’ expectation of the direction of the narrative and immediately shifts the tone of the poem. The break also speaks to the effect his trauma has ingrained in him and how “[f]or the longest time,” his only memory of that year revolves around an image of a boy’s death. In a way, the speaker sees himself in Little Billy; or perhaps, he’s representative of the tragic death of his boyhood, how the speaker felt so “dead” after enduring such a traumatic experience, even referring to himself as a “ghost” that he tries to evict from his conscience (Nguyen 24). The feeling that a part of him has died is solidified at the very end of the poem when the speaker describes himself as a nine-year-old boy who’s been “fossilized,” forever changed by this act (Nguyen 29). By choosing words associated with permanence and death, the speaker tries to recreate the atmosphere (for which he felt trapped in) in order for readers to understand the loneliness that came as a result of his trauma. With the assistance of line breaks, more attention is drawn to the speaker's words, intensifying their importance, and demanding to be felt by the readers.

Most importantly, the speaker expresses eloquently, and so heartbreakingly, about the effect sexual violence has on a person. Perhaps what seems to be the most frustrating are the people who fail to believe survivors of these types of crimes. This is evident when he describes “how angry” the tenants were when they filled the pool with cement (Nguyen 4). They seem to represent how people in the speaker's life were dismissive of his assault and who viewed his tragedy as a nuisance of some sorts. This sentiment is bookended when he says, “They say, give us details , so I give them my body. / They say, give us proof , so I give them my body,” (Nguyen 25-26). The repetition of these two lines reinforces the feeling many feel in these scenarios, as they’re often left to deal with trying to make people believe them, or to even see them.

It’s important to recognize how the structure of this poem gives the speaker space to express the pain he’s had to carry for so long. As a characteristic of free verse, the poem doesn’t follow any structured rhyme scheme or meter; which in turn, allows him to not have any constraints in telling his story the way he wants to. The speaker has the freedom to display his experience in a way that evades predictability and engenders authenticity of a story very personal to him. As readers, we abandon anticipating the next rhyme, and instead focus our attention to the other ways, like his punctuation or word choice, in which he effectively tells his story. The speaker recognizes that some part of him no longer belongs to himself, but by writing “The Study,” he shows other survivors that they’re not alone and encourages hope that eventually, they will be freed from the shackles of sexual violence.

Works Cited

Nguyen, Hieu Minh. “The Study” Poets.Org. Academy of American Poets, Coffee House Press, 2018, https://poets.org/poem/study-0 .

Example 2: Fiction

Todd Goodwin

Professor Stan Matyshak

Advanced Expository Writing

Sept. 17, 20—

Poe’s “Usher”: A Mirror of the Fall of the House of Humanity

Right from the outset of the grim story, “The Fall of the House of Usher,” Edgar Allan Poe enmeshes us in a dark, gloomy, hopeless world, alienating his characters and the reader from any sort of physical or psychological norm where such values as hope and happiness could possibly exist. He fatalistically tells the story of how a man (the narrator) comes from the outside world of hope, religion, and everyday society and tries to bring some kind of redeeming happiness to his boyhood friend, Roderick Usher, who not only has physically and psychologically wasted away but is entrapped in a dilapidated house of ever-looming terror with an emaciated and deranged twin sister. Roderick Usher embodies the wasting away of what once was vibrant and alive, and his house of “insufferable gloom” (273), which contains his morbid sister, seems to mirror or reflect this fear of death and annihilation that he most horribly endures. A close reading of the story reveals that Poe uses mirror images, or reflections, to contribute to the fatalistic theme of “Usher”: each reflection serves to intensify an already prevalent tone of hopelessness, darkness, and fatalism.

It could be argued that the house of Roderick Usher is a “house of mirrors,” whose unpleasant and grim reflections create a dark and hopeless setting. For example, the narrator first approaches “the melancholy house of Usher on a dark and soundless day,” and finds a building which causes him a “sense of insufferable gloom,” which “pervades his spirit and causes an iciness, a sinking, a sickening of the heart, an undiscerned dreariness of thought” (273). The narrator then optimistically states: “I reflected that a mere different arrangement of the scene, of the details of the picture, would be sufficient to modify, or perhaps annihilate its capacity for sorrowful impression” (274). But the narrator then sees the reflection of the house in the tarn and experiences a “shudder even more thrilling than before” (274). Thus the reader begins to realize that the narrator cannot change or stop the impending doom that will befall the house of Usher, and maybe humanity. The story cleverly plays with the word reflection : the narrator sees a physical reflection that leads him to a mental reflection about Usher’s surroundings.

The narrator’s disillusionment by such grim reflection continues in the story. For example, he describes Roderick Usher’s face as distinct with signs of old strength but lost vigor: the remains of what used to be. He describes the house as a once happy and vibrant place, which, like Roderick, lost its vitality. Also, the narrator describes Usher’s hair as growing wild on his rather obtrusive head, which directly mirrors the eerie moss and straw covering the outside of the house. The narrator continually longs to see these bleak reflections as a dream, for he states: “Shaking off from my spirit what must have been a dream, I scanned more narrowly the real aspect of the building” (276). He does not want to face the reality that Usher and his home are doomed to fall, regardless of what he does.

Although there are almost countless examples of these mirror images, two others stand out as important. First, Roderick and his sister, Madeline, are twins. The narrator aptly states just as he and Roderick are entombing Madeline that there is “a striking similitude between brother and sister” (288). Indeed, they are mirror images of each other. Madeline is fading away psychologically and physically, and Roderick is not too far behind! The reflection of “doom” that these two share helps intensify and symbolize the hopelessness of the entire situation; thus, they further develop the fatalistic theme. Second, in the climactic scene where Madeline has been mistakenly entombed alive, there is a pairing of images and sounds as the narrator tries to calm Roderick by reading him a romance story. Events in the story simultaneously unfold with events of the sister escaping her tomb. In the story, the hero breaks out of the coffin. Then, in the story, the dragon’s shriek as he is slain parallels Madeline’s shriek. Finally, the story tells of the clangor of a shield, matched by the sister’s clanging along a metal passageway. As the suspense reaches its climax, Roderick shrieks his last words to his “friend,” the narrator: “Madman! I tell you that she now stands without the door” (296).

Roderick, who slowly falls into insanity, ironically calls the narrator the “Madman.” We are left to reflect on what Poe means by this ironic twist. Poe’s bleak and dark imagery, and his use of mirror reflections, seem only to intensify the hopelessness of “Usher.” We can plausibly conclude that, indeed, the narrator is the “Madman,” for he comes from everyday society, which is a place where hope and faith exist. Poe would probably argue that such a place is opposite to the world of Usher because a world where death is inevitable could not possibly hold such positive values. Therefore, just as Roderick mirrors his sister, the reflection in the tarn mirrors the dilapidation of the house, and the story mirrors the final actions before the death of Usher. “The Fall of the House of Usher” reflects Poe’s view that humanity is hopelessly doomed.

Poe, Edgar Allan. “The Fall of the House of Usher.” 1839. Electronic Text Center, University of Virginia Library . 1995. Web. 1 July 2012. < http://etext.virginia.edu/toc/modeng/public/PoeFall.html >.

Example 3: Poetry

Amy Chisnell

Professor Laura Neary

Writing and Literature

April 17, 20—

Don’t Listen to the Egg!: A Close Reading of Lewis Carroll’s “Jabberwocky”

“You seem very clever at explaining words, Sir,” said Alice. “Would you kindly tell me the meaning of the poem called ‘Jabberwocky’?”

“Let’s hear it,” said Humpty Dumpty. “I can explain all the poems that ever were invented—and a good many that haven’t been invented just yet.” (Carroll 164)

In Lewis Carroll’s Through the Looking-Glass , Humpty Dumpty confidently translates (to a not so confident Alice) the complicated language of the poem “Jabberwocky.” The words of the poem, though nonsense, aptly tell the story of the slaying of the Jabberwock. Upon finding “Jabberwocky” on a table in the looking-glass room, Alice is confused by the strange words. She is quite certain that “ somebody killed something ,” but she does not understand much more than that. When later she encounters Humpty Dumpty, she seizes the opportunity at having the knowledgeable egg interpret—or translate—the poem. Since Humpty Dumpty professes to be able to “make a word work” for him, he is quick to agree. Thus he acts like a New Critic who interprets the poem by performing a close reading of it. Through Humpty’s interpretation of the first stanza, however, we see the poem’s deeper comment concerning the practice of interpreting poetry and literature in general—that strict analytical translation destroys the beauty of a poem. In fact, Humpty Dumpty commits the “heresy of paraphrase,” for he fails to understand that meaning cannot be separated from the form or structure of the literary work.

Of the 71 words found in “Jabberwocky,” 43 have no known meaning. They are simply nonsense. Yet through this nonsensical language, the poem manages not only to tell a story but also gives the reader a sense of setting and characterization. One feels, rather than concretely knows, that the setting is dark, wooded, and frightening. The characters, such as the Jubjub bird, the Bandersnatch, and the doomed Jabberwock, also appear in the reader’s head, even though they will not be found in the local zoo. Even though most of the words are not real, the reader is able to understand what goes on because he or she is given free license to imagine what the words denote and connote. Simply, the poem’s nonsense words are the meaning.

Therefore, when Humpty interprets “Jabberwocky” for Alice, he is not doing her any favors, for he actually misreads the poem. Although the poem in its original is constructed from nonsense words, by the time Humpty is done interpreting it, it truly does not make any sense. The first stanza of the original poem is as follows:

’Twas brillig, and the slithy toves

Did gyre and gimble in the wabe;

All mimsy were the borogroves,

An the mome raths outgrabe. (Carroll 164)

If we replace, however, the nonsense words of “Jabberwocky” with Humpty’s translated words, the effect would be something like this:

’Twas four o’clock in the afternoon, and the lithe and slimy badger-lizard-corkscrew creatures

Did go round and round and make holes in the grass-plot round the sun-dial:

All flimsy and miserable were the shabby-looking birds

with mop feathers,

And the lost green pigs bellowed-sneezed-whistled.

By translating the poem in such a way, Humpty removes the charm or essence—and the beauty, grace, and rhythm—from the poem. The poetry is sacrificed for meaning. Humpty Dumpty commits the heresy of paraphrase. As Cleanth Brooks argues, “The structure of a poem resembles that of a ballet or musical composition. It is a pattern of resolutions and balances and harmonizations” (203). When the poem is left as nonsense, the reader can easily imagine what a “slithy tove” might be, but when Humpty tells us what it is, he takes that imaginative license away from the reader. The beauty (if that is the proper word) of “Jabberwocky” is in not knowing what the words mean, and yet understanding. By translating the poem, Humpty takes that privilege from the reader. In addition, Humpty fails to recognize that meaning cannot be separated from the structure itself: the nonsense poem reflects this literally—it means “nothing” and achieves this meaning by using “nonsense” words.

Furthermore, the nonsense words Carroll chooses to use in “Jabberwocky” have a magical effect upon the reader; the shadowy sound of the words create the atmosphere, which may be described as a trance-like mood. When Alice first reads the poem, she says it seems to fill her head “with ideas.” The strange-sounding words in the original poem do give one ideas. Why is this? Even though the reader has never heard these words before, he or she is instantly aware of the murky, mysterious mood they set. In other words, diction operates not on the denotative level (the dictionary meaning) but on the connotative level (the emotion(s) they evoke). Thus “Jabberwocky” creates a shadowy mood, and the nonsense words are instrumental in creating this mood. Carroll could not have simply used any nonsense words.

For example, let us change the “dark,” “ominous” words of the first stanza to “lighter,” more “comic” words:

’Twas mearly, and the churly pells

Did bimble and ringle in the tink;

All timpy were the brimbledimps,

And the bip plips outlink.

Shifting the sounds of the words from dark to light merely takes a shift in thought. To create a specific mood using nonsense words, one must create new words from old words that convey the desired mood. In “Jabberwocky,” Carroll mixes “slimy,” a grim idea, “lithe,” a pliable image, to get a new adjective: “slithy” (a portmanteau word). In this translation, brighter words were used to get a lighter effect. “Mearly” is a combination of “morning” and “early,” and “ringle” is a blend of “ring” and "dingle.” The point is that “Jabberwocky’s” nonsense words are created specifically to convey this shadowy or mysterious mood and are integral to the “meaning.”

Consequently, Humpty’s rendering of the poem leaves the reader with a completely different feeling than does the original poem, which provided us with a sense of ethereal mystery, of a dark and foreign land with exotic creatures and fantastic settings. The mysteriousness is destroyed by Humpty’s literal paraphrase of the creatures and the setting; by doing so, he has taken the beauty away from the poem in his attempt to understand it. He has committed the heresy of paraphrase: “If we allow ourselves to be misled by it [this heresy], we distort the relation of the poem to its ‘truth’… we split the poem between its ‘form’ and its ‘content’” (Brooks 201). Humpty Dumpty’s ultimate demise might be seen to symbolize the heretical split between form and content: as a literary creation, Humpty Dumpty is an egg, a well-wrought urn of nonsense. His fall from the wall cracks him and separates the contents from the container, and not even all the King’s men can put the scrambled egg back together again!

Through the odd characters of a little girl and a foolish egg, “Jabberwocky” suggests a bit of sage advice about reading poetry, advice that the New Critics built their theories on. The importance lies not solely within strict analytical translation or interpretation, but in the overall effect of the imagery and word choice that evokes a meaning inseparable from those literary devices. As Archibald MacLeish so aptly writes: “A poem should not mean / But be.” Sometimes it takes a little nonsense to show us the sense in something.

Brooks, Cleanth. The Well-Wrought Urn: Studies in the Structure of Poetry . 1942. San Diego: Harcourt Brace, 1956. Print.

Carroll, Lewis. Through the Looking-Glass. Alice in Wonderland . 2nd ed. Ed. Donald J. Gray. New York: Norton, 1992. Print.

MacLeish, Archibald. “Ars Poetica.” The Oxford Book of American Poetry . Ed. David Lehman. Oxford: Oxford UP, 2006. 385–86. Print.

Attribution

• Sample Essay 1 received permission from Victoria Morillo to publish, licensed Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International ( CC BY-NC-SA 4.0 )
• Sample Essays 2 and 3 adapted from Cordell, Ryan and John Pennington. "2.5: Student Sample Papers" from Creating Literary Analysis. 2012. Licensed Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported ( CC BY-NC-SA 3.0 )

Literary Analysis Essay

Literary Analysis Essay Writing

Last updated on: May 21, 2023

Literary Analysis Essay - Ultimate Guide By Professionals

By: Cordon J.

Reviewed By: Rylee W.

Published on: Dec 3, 2019

A literary analysis essay specifically examines and evaluates a piece of literature or a literary work. It also understands and explains the links between the small parts to their whole information.

It is important for students to understand the meaning and the true essence of literature to write a literary essay.

One of the most difficult assignments for students is writing a literary analysis essay. It can be hard to come up with an original idea or find enough material to write about. You might think you need years of experience in order to create a good paper, but that's not true.

This blog post will show you how easy it can be when you follow the steps given here.Writing such an essay involves the breakdown of a book into small parts and understanding each part separately. It seems easy, right?

Trust us, it is not as hard as good book reports but it may also not be extremely easy. You will have to take into account different approaches and explain them in relation with the chosen literary work.

It is a common high school and college assignment and you can learn everything in this blog.

Continue reading for some useful tips with an example to write a literary analysis essay that will be on point. You can also explore our detailed article on writing an analytical essay .

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What is a Literary Analysis Essay?

A literary analysis essay is an important kind of essay that focuses on the detailed analysis of the work of literature.

The purpose of a literary analysis essay is to explain why the author has used a specific theme for his work. Or examine the characters, themes, literary devices , figurative language, and settings in the story.

This type of essay encourages students to think about how the book or the short story has been written. And why the author has created this work.

The method used in the literary analysis essay differs from other types of essays. It primarily focuses on the type of work and literature that is being analyzed.

Mostly, you will be going to break down the work into various parts. In order to develop a better understanding of the idea being discussed, each part will be discussed separately.

The essay should explain the choices of the author and point of view along with your answers and personal analysis.

How To Write A Literary Analysis Essay

So how to start a literary analysis essay? The answer to this question is quite simple.

The following sections are required to write an effective literary analysis essay. By following the guidelines given in the following sections, you will be able to craft a winning literary analysis essay.

Introduction

The aim of the introduction is to establish a context for readers. You have to give a brief on the background of the selected topic.

It should contain the name of the author of the literary work along with its title. The introduction should be effective enough to grab the reader’s attention.

In the body section, you have to retell the story that the writer has narrated. It is a good idea to create a summary as it is one of the important tips of literary analysis.

Other than that, you are required to develop ideas and disclose the observed information related to the issue. The ideal length of the body section is around 1000 words.

To write the body section, your observation should be based on evidence and your own style of writing.

It would be great if the body of your essay is divided into three paragraphs. Make a strong argument with facts related to the thesis statement in all of the paragraphs in the body section.

Start writing each paragraph with a topic sentence and use transition words when moving to the next paragraph.

Summarize the important points of your literary analysis essay in this section. It is important to compose a short and strong conclusion to help you make a final impression of your essay.

Pay attention that this section does not contain any new information. It should provide a sense of completion by restating the main idea with a short description of your arguments. End the conclusion with your supporting details.

You have to explain why the book is important. Also, elaborate on the means that the authors used to convey her/his opinion regarding the issue.

For further understanding, here is a downloadable literary analysis essay outline. This outline will help you structure and format your essay properly and earn an A easily.

DOWNLOADABLE LITERARY ANALYSIS ESSAY OUTLINE (PDF)

Types of Literary Analysis Essay

• Close reading - This method involves attentive reading and detailed analysis. No need for a lot of knowledge and inspiration to write an essay that shows your creative skills.
• Theoretical - In this type, you will rely on theories related to the selected topic.
• Historical - This type of essay concerns the discipline of history. Sometimes historical analysis is required to explain events in detail.
• Applied - This type involves analysis of a specific issue from a practical perspective.
• Comparative - This type of writing is based on when two or more alternatives are compared

Examples of Literary Analysis Essay

Examples are great to understand any concept, especially if it is related to writing. Below are some great literary analysis essay examples that showcase how this type of essay is written.

A ROSE FOR EMILY LITERARY ANALYSIS ESSAY

TO KILL A MOCKINGBIRD LITERARY ANALYSIS ESSAY

THE GREAT GATSBY LITERARY ANALYSIS ESSAY

THE YELLOW WALLPAPER LITERARY ANALYSIS ESSAY

If you do not have experience in writing essays, this will be a very chaotic process for you. In that case, it is very important for you to conduct good research on the topic before writing.

There are two important points that you should keep in mind when writing a literary analysis essay.

First, remember that it is very important to select a topic in which you are interested. Choose something that really inspires you. This will help you to catch the attention of a reader.

The selected topic should reflect the main idea of writing. In addition to that, it should also express your point of view as well.

Another important thing is to draft a good outline for your literary analysis essay. It will help you to define a central point and division of this into parts for further discussion.

Literary Analysis Essay Topics

Literary analysis essays are mostly based on artistic works like books, movies, paintings, and other forms of art. However, generally, students choose novels and books to write their literary essays.

Some cool, fresh, and good topics and ideas are listed below:

• Role of the Three Witches in flaming Macbeth’s ambition.
• Analyze the themes of the Play Antigone,
• Discuss Ajax as a tragic hero.
• The Judgement of Paris: Analyze the Reasons and their Consequences.
• Oedipus Rex: A Doomed Son or a Conqueror?
• Describe the Oedipus complex and Electra complex in relation to their respective myths.
• Betrayal is a common theme of Shakespearean tragedies. Discuss
• Identify and analyze the traits of history in T.S Eliot’s ‘Gerontion’.
• Analyze the theme of identity crisis in The Great Gatsby.
• Analyze the writing style of Emily Dickinson.

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Frequently Asked Questions

What should a literary analysis essay include.

A good literary analysis essay must include a proper and in-depth explanation of your ideas. They must be backed with examples and evidence from the text. Textual evidence includes summaries, paraphrased text, original work details, and direct quotes.

What are the 4 components of literary analysis?

Here are the 4 essential parts of a literary analysis essay;

No literary work is explained properly without discussing and explaining these 4 things.

How do you start a literary analysis essay?

Start your literary analysis essay with the name of the work and the title. Hook your readers by introducing the main ideas that you will discuss in your essay and engage them from the start.

How do you do a literary analysis?

In a literary analysis essay, you study the text closely, understand and interpret its meanings. And try to find out the reasons behind why the author has used certain symbols, themes, and objects in the work.

Why is literary analysis important?

It encourages the students to think beyond their existing knowledge, experiences, and belief and build empathy. This helps in improving the writing skills also.

What is the fundamental characteristic of a literary analysis essay?

Interpretation is the fundamental and important feature of a literary analysis essay. The essay is based on how well the writer explains and interprets the work.

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Cordon. is a published author and writing specialist. He has worked in the publishing industry for many years, providing writing services and digital content. His own writing career began with a focus on literature and linguistics, which he continues to pursue. Cordon is an engaging and professional individual, always looking to help others achieve their goals.

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