my ambition architect essay

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My Passion to Become a Great Architect

• Categories: Architect Passion Personal Life

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Words: 494 |

Published: Apr 2, 2020

Words: 494 | Page: 1 | 3 min read

• Through architecture I can put my personality in something beautiful I make.
• The study of architecture is an exciting experience and full of passion.
• I can learn everything, every project is new theories and research.
• I will contribute to improving the lives of people. I want to change the camp in which I live. I will learn and come back to it with the colors of beauty.
• This is a really wonderful feeling. By architecture I will do what I love for the rest of my life, this is the right place for me.
• There are many goals that I expect to achieve through my studies,
• The rapid response to the actual needs of architecture and its work
• Encouragement and support in scientific research- Improve my ability to communicate and cultural exchange
• Through a master’s degree in architecture, I will develop skills that will guide methrough everyday life, such as time management, research, presentation and writing skills.
• I am very excellent in dealing with clients and managers.
• I have the skill to solve problems quickly and effectively.
• I have a good ability to absorb and collect information.
• I have a good knowledge of technical applications.
• I know very well what work is under pressure, and adherence to deadlines.

Works Cited

• Ching, F. D. K. (2014). Architecture: Form, Space, and Order (4th ed.). Wiley.
• Curtis, W. J. R. (1996). Modern Architecture since 1900 (3rd ed.). Phaidon Press.
• Gausa, M., & Olmo, C. (Eds.). (2015). Atlas of World Architecture. Braun Publishing.
• Hamdi, N. (2014). The Placemaker's Guide to Building Community. Routledge.
• Hensel, M., Menges, A., & Weinstock, M. (Eds.). (2010). Emergence: Morphogenetic Design Strategies. Wiley.
• Koolhaas, R., & Mau, B. (1997). S,M,L,XL. Monacelli Press.
• Le Corbusier. (1923). Towards a New Architecture (F. Etchells, Trans.). Dover Publications.
• Neufert, E. (2012). Architects' Data (4th ed.). Wiley.
• Pallasmaa, J. (2012). The Embodied Image: Imagination and Imagery in Architecture. Wiley.
• Zumthor, P. (2006). Atmospheres: Architectural Environments - Surrounding Objects. Birkhäuser.

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My Journey as an Architecture Student and My Mission as a Future Architect

By Alejandra Salas

When I was a child, I remember walking by the historic center of Lima with my family and being mesmerized by the old colonial buildings and churches around us. Those old yet fascinating structures made me feel happy and confused at the same time because I wanted to know who built them and how, which aroused my curiosity in a particular sense — I wanted to do the same, I wanted to create something that will last through time. Playing with watercolors and clay at a young age allowed me to express and explore my creativity in arts and crafts. Yet, when I was ten years old, I felt comfortable drawing utopical cities in my sketchbook just for fun, then I turned my funniest hobby into a real commitment — I decided to become an architect. My parents were beyond happy to hear that from their youngest daughter because I was the first one choosing an artsy career, coming from a family full of economists, accountants, and engineers, so my journey started there.

While enjoying my high school journey, I quickly realized I had to prepare myself for my next big step — apply to an architecture school. I had to do a lot of research about schools in my city of Lima, Peru, and also think about the possibilities of studying abroad. Before deciding what would be a five-year commitment, I re-thought all my available options regarding career hunting, and once again I ensured myself that architecture was my thing. 

The art of design and creating something that comes out of your creativity and imagination is beyond crazy yet fascinating. I decided to pursue architecture as a career because it allows you to express your thoughts through spaces, design with fun and precision, and more importantly, it is rewarding to develop a project and watch it turn into a human-scale reality. An architect's duty is to design and create a physical environment for human beings, but more than just the built environment, it's also a part of our culture that somehow evokes different emotions in people. 

Nobody told me that university life was easy; I learned myself that surely it is not. Studying at the Peruvian University of Applied Sciences (UPC) gave me an amazing experience; through their classes and instructors, I was able to learn from the best architects of Lima. From long nights, few hours of sleep, to hectic project deadlines, that was my daily basis as an architecture student and I embraced it. Moreover, architecture school taught me strength, patience, and resilience; yet, it also gave me the best colleagues and friends that I have in life. Overall, design school was fine, but I wanted to emphasize my career in sustainable architecture, and that is when I decided to study abroad and pursue my studies in environmental design; afterall, sustainable design is the future approach to housing development for future generations.  

(At my final project presentation with Instructor Hugo Iberico)

My inspiration, when it comes to design came from famous architects like Frank Lloyd Wright, Le Corbusier, and Tadao Ando. These architects applied a naturalistic concept in their designs,  which is the balance between human habitation and the natural world. Sustainability is important in every sense, which is why I believe that creating a balance between craftsmanship and nature is key for a better future. In my designs, my main goal is to be aware of the environmental impact; therefore, design with climate is the smartest way to approach climate change. The orientation of the sun and wind are helpful tools when designing that will provide natural solutions regarding heating and cooling without electricity. Even though the world’s technology is advancing in a colossal way, there is not much innovation on how to reduce gas emissions, which is the main factor of climate change. This is why it is important to create awareness on how to enhance the use of our natural resources for housing development among growing communities. I believe we all came to this world with a purpose and I’ve found mine — design with nature and build a world without environmental damage or at least do my best to make it that way. 

(Fallingwater House by Frank Lloyd Wright) 

Alejandra Salas from Lima, Peru, is an architecture student and new International Peer Mentor at Truckee Meadows Community College . 

Alejandra Salas

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My ambition is to become a Architect

• Word count: 421
• Category: Ambition Architecture Culture

A limited time offer! Get a custom sample essay written according to your requirements urgent 3h delivery guaranteed

Architecture (Latin architectura, after the Greek ἀρχιτέκτων – arkhitekton – from ἀρχι- “chief” and τέκτων “builder, carpenter, mason”) is both the process and the product of planning, designing, and constructing buildings and other physical structures. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements.

“Architecture” can mean:

A general term to describe buildings and other physical structures.[3] The art and science of designing buildings and (some) nonbuilding structures.[3] The style of design and method of construction of buildings and other physical structures.[3] The practice of the architect, where architecture means offering or rendering professional services in connection with the design and construction of buildings, or built environments.[4] The design activity of the architect,[3] from the macro-level (urban design, landscape architecture) to the micro-level (construction details and furniture). Architecture has to do with planning, designing and constructing form, space and ambience to reflect functional, technical, social, environmental and aesthetic considerations. It requires the creative manipulation and coordination of materials and technology, and of light and shadow.

Often, conflicting requirements must be resolved. The practise of Architecture also encompasses the pragmatic aspects of realizing buildings and structures, including scheduling, cost estimation and construction administration. Documentation produced by architects, typically drawings, plans and technical specifications, defines the structure and/or behavior of a building or other kind of system that is to be or has been constructed. Building first evolved out of the dynamics between needs (shelter, security, worship, etc.) and means (available building materials and attendant skills). As human cultures developed and knowledge began to be formalized through oral traditions and practices, building became a craft, and “architecture” is the name given to the most highly formalized and respected versions of that craft.

It is widely assumed that architectural success was the product of a process of trial and error, with progressively less trial and more replication as the results of the process proved increasingly satisfactory. What is termed vernacular architecture continues to be produced in many parts of the world. Indeed, vernacular buildings make up most of the built world that people experience every day. Early human settlements were mostly rural. Due to a surplus in production the economy began to expand resulting in urbanization thus creating urban areas which grew and evolved very rapidly in some cases, such as that of Çatal Höyük in Anatolia and Mohenjo Daro of the Indus Valley Civilization in modern-day Pakistan.

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My Ambition Is To Become A Architect

Filed Under: Essays Tagged With: architecture , Culture

Architecture (Latin architectura, after the Greek ἀρχιτέκτων – arkhitekton – from ἀρχι- “chief” and τέκτων “builder, carpenter, mason”) is both the process and the product of planning, designing, and constructing buildings and other physical structures. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements.

“Architecture” can mean:

A general term to describe buildings and other physical structures.[3] The art and science of designing buildings and (some) nonbuilding structures.[3] The style of design and method of construction of buildings and other physical structures.[3] The practice of the architect, where architecture means offering or rendering professional services in connection with the design and construction of buildings, or built environments.[4] The design activity of the architect,[3] from the macro-level (urban design, landscape architecture) to the micro-level (construction details and furniture).

Architecture has to do with planning, designing and constructing form, space and ambience to reflect functional, technical, social, environmental and aesthetic considerations. It requires the creative manipulation and coordination of materials and technology, and of light and shadow.

Often, conflicting requirements must be resolved. The practise of Architecture also encompasses the pragmatic aspects of realizing buildings and structures, including scheduling, cost estimation and construction administration. Documentation produced by architects, typically drawings, plans and technical specifications, defines the structure and/or behavior of a building or other kind of system that is to be or has been constructed. Building first evolved out of the dynamics between needs (shelter, security, worship, etc.) and means (available building materials and attendant skills).

The Dissertation on A Discussion of the Major Causes and Effects of the Industrial Revolution in 2 Major Areas of Design – Architecture and Graphic Design

A Discussion of the major causes and effects of the Industrial Revolution in 2 major areas of Design - Architecture and Graphic Design In this essay I propose to show how Architecture and Graphic Design caused the Industrial Revolution. I also propose to show the effects that were caused by Architecture and Graphic Design during the Industrial Revolution. I will be analyzing two examples from each ...

As human cultures developed and knowledge began to be formalized through oral traditions and practices, building became a craft, and “architecture” is the name given to the most highly formalized and respected versions of that craft.

It is widely assumed that architectural success was the product of a process of trial and error, with progressively less trial and more replication as the results of the process proved increasingly satisfactory. What is termed vernacular architecture continues to be produced in many parts of the world. Indeed, vernacular buildings make up most of the built world that people experience every day. Early human settlements were mostly rural. Due to a surplus in production the economy began to expand resulting in urbanization thus creating urban areas which grew and evolved very rapidly in some cases, such as that of Çatal Höyük in Anatolia and Mohenjo Daro of the Indus Valley Civilization in modern-day Pakistan.

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My Ambition Essay for Students and Children

500+ words essay on my ambition.

Almost everyone dreams of something while growing up. We all have ambitions when we are little, which change as we grow up. Ambitions lead us to a definite aim in life. Furthermore, they help us focus on our goal no matter the cost. It drives us to do better in life. Ambitions differ from one person to another.

However, one common thing usually found is that over time, people switch their ambition to something else than that which they wished to be when little. We have many people in the medical field who wanted to be dancers. Similarly, some of the greatest politicians wanted to be artists. So we see how easily one gives up on their dreams and ambition to adapt to society.

My Ambition

The ambition of any person’s life usually depends on their choice and interests. I aspire to be a great dancer . I have always had the knack for dancing from an early age. My parents always encouraged me to pursue my passion. Like most of the parents, they never discouraged me because it is not the most sought after career.

Subsequently, I wish to become a good dancer. I do not want the fame of being a dancer; rather I want the acclaim of being a good dancer. As my parents motivated me to pursue my dream, they enrolled me in dance classes. It helped me grow a lot as a dancer and also enhance my skills.

Most importantly, I wish to be a dance because I want to remove the stigma surrounding this career path. I want to set an example that you can do well in life if you’re not a doctor or engineer. Especially in India, where these two ambitions are considered the most valid.

I believe in the power of dance, and how it conveys the message without words. Dance is the language of the soul, and it makes me feel alive when I indulge in it.

Get the huge list of more than 500 Essay Topics and Ideas

Why I Chose this Ambition?

It would seem odd to choose to be a dancer as an ambition, especially when everyone is in the race of becoming a lawyer , doctor or engineer . But, I still believe that just because something is not common, doesn’t mean we cannot attain it.

I wish to dance so I could teach others to become experts in this field. Furthermore, I wish to help the underprivileged section who are interested in this ambition. I want to reach a height which enables me to offer them proper dance training free of cost so they can reach great heights.

Above all, I wish to be the wind beneath their wings. I want to create awareness about the importance of dance and how it benefits us physically as well. I hope I can achieve this ambition of mine someday. Till then, I won’t leave any stone unturned in reaching the finish line.

FAQ on My Ambition Essay

Q.1 How do ambitions help people?

A.1 Ambitions helps people in focusing their mind to achieve a set goal. Furthermore, it trains them to be better in achieving their ambition.

Q.2 Why must one have an ambition?

A.2 We all must have at least one ambition to achieve in life. It teaches us the importance of discipline and hard work. Having ambition gives you something to look forward to each day. In addition, it makes you determined.

{ “@context”: “https://schema.org”, “@type”: “FAQPage”, “mainEntity”: [{ “@type”: “Question”, “name”: “How do ambitions help people?”, “acceptedAnswer”: { “@type”: “Answer”, “text”: “Ambitions helps people in focusing their mind to achieve a set goal. Furthermore, it trains them to be better in achieving their ambition.” } }, { “@type”: “Question”, “name”: “Why must one have an ambition?”, “acceptedAnswer”: { “@type”: “Answer”, “text”:”We all must have at least one ambition to achieve in life. It teaches us the importance of discipline and hard work. Having ambition gives you something to look forward to each day. In addition, it makes you determined.”} }] }

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Michael Singer, Sculptor Who Used Nature as His Medium, Dies at 78

His work, on an increasingly large scale, attempted to highlight, and repair, the impact of human intervention on the landscape.

By Clay Risen

Michael Singer, a sculptor whose work, beginning in beaver bogs and pine forests and proceeding at an increasingly grander scale, eventually blurring the lines of art, landscaping, architecture and urban planning, died on March 14 at his home in Delray Beach, Fla. He was 78.

Jason Bregman, a partner in Mr. Singer’s studio, confirmed the death but did not provide a cause.

Mr. Singer was often characterized as a landscape architect, and an accomplished one at that, with public commissions at sites as varied as a recycling center in Phoenix, the Denver International Airport and a Whole Foods supermarket in Jacksonville, Fla.

But in fact he was an artist, one who saw his medium, and his ambition, in expansive yet humble terms, with work that attempted to remediate humanity’s disruption of the natural world.

In some cases, like a garden he designed for a Food and Drug Administration office outside Washington, he melded low-slung concrete structures with water elements and native grasses.

In others, like the Phoenix recycling center he designed with the artist Linnea Glatt, he created a structure that invited the public to observe how its waste was handled, turning what had been an out-of-sight, out-of-mind process into a source for education and even civic pride.

Though he formally trained as a painter, by the early 1970s Mr. Singer had moved into sculpture, constructing abstract, vaguely architectural pieces out of steel and concrete in his Lower East Side loft.

Soon after a 1971 show at the Guggenheim Museum heralded him as a rising star in the New York art scene, he left the city for a 100-acre farm in southern Vermont. Taking inspiration from the beavers he observed working around the wetlands on his property, he began creating works out of organic material like bamboo, reeds and logs, placing them in and around the same boggy sites.

In one work, “Situation Balance Series/Beaver Bog,” completed in 1973, he loosely stacked a half-dozen fallen hemlock trees across a patch of swamp. To a casual observer, it might seem like the trunks fell in place naturally, and only after noticing the jute rope that Mr. Singer used to hold them in place would his intervention become obvious.

He was often linked to the Land Art movement of the 1960s, perhaps most famously represented by Robert Smithson’s “Spiral Jetty,” completed in 1970, a 1,500-foot curlicue of stone and mud jutting out into the Great Salt Lake in Utah.

But where artists like Mr. Smithson used bulldozers and earthmovers to create radically monumental alterations in the landscape, Mr. Singer let nature take the lead. Reflecting the emergent environmental movement of the 1970s, he tweaked the land in minimal but surprising ways.

“I wanted to create works where the human activity wouldn’t be destructive and yet would interface with the natural environment,” he told Sculpture magazine in 1998.

Appreciating a Singer work required a deep engagement with its site — its topology, its flora, its climate — to understand why he made certain design choices. He preferred to use materials that he found nearby, and that over time would decompose, further complicating the relationship between art and nature.

While much of his work in the 1970s was small and portable enough to fit in an art gallery, by the early 1980s he was creating large and permanent site-specific commissions.

In 1980 the city of Grand Rapids, Mich., hired him to create an artwork for a new flood wall along a 600-foot stretch of dirt and scrubland. When he surveyed the site, he realized the project would involve ripping out a stand of mature cottonwood trees. To save them, he proposed a new design for the wall, lower and layered, that incorporated the trees as well as local wild grasses.

“He was known for taking things you would think of as very pedestrian and turning them into something beautiful,” Margie Ruddick, a landscape architect who worked with him on the redevelopment of Queens Plaza in New York, said in a phone interview.

His approach to the Phoenix recycling center followed a similar course. The building was originally planned to be utilitarian and imposing, with work by Mr. Singer and Ms. Glatt added as merely an aesthetic filigree.

Instead, they asked for two months to redesign the center entirely. The pair came back with a low-slung, light-filled building that places public engagement at its core, with a series of viewing galleries and classrooms — all of which cost $4.5 million less than the original plan.

“The effect is not pretty,” the New York Times architecture critic Herbert Muschamp wrote in a 1993 article praising the project . “Instead, the artists have reached for awe. Like the great Galerie des Machines at the 1889 Paris Exposition, the center extracts from industry its aura of holy terror, fusing it with the American landscape tradition of the pitiless and the sublime.”

Michael Lewis Singer was born on Nov. 12, 1945, in Manhattan and grew up in the Long Island suburbs. His father, Bernard, owned and operated a number of cemeteries in New York. His mother, Mildred (Gimbel) Singer, was a homemaker.

He is survived by his sister, Louise Stolitzky.

After graduating from Cornell in 1967 with a bachelor’s degree in fine arts, he dived into the Manhattan art scene, mixing with Richard Serra , Gordon Matta-Clark and other artists working at the intersection of sculpture and architecture.

As he became more interested in land art and its examination of the relationship between humanity and nature, he became convinced that the relationship was destructive and had to be rethought. Hence his move to Vermont, and his fascination with the beavers. (He continued to live in Vermont but kept a winter home in Delray Beach.)

“I spent 15 years in those bogs, trying to figure out the human connection to the natural environment,” he told The Times in 2004 . “How do we express it? How do we act in a way that isn’t controlling, destructive?”

It remained his abiding concern for the rest of his career, even as he moved toward projects with multimillion-dollar budgets and five-year time frames. Such projects, he believed, could not be left in the hands of architects, but rather demanded the insight of artists like himself.

“It’s not that we have the solutions, sometimes we will, but we have observations, questions and ideas,” he told Sculpture magazine. “An artist being given a problem will come up with new ideas and questions. Some of them will be ridiculous, and some of them will offer unthought-of possibilities.”

Clay Risen is a Times reporter on the Obituaries desk. More about Clay Risen