anti hero thesis

75+ Antihero Examples: Plus the Top 5 Types of Antiheroes (and How to Use Them in Writing)

by Joe Bunting | 15 comments

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When you think of antihero examples, you come across some of our favorite characters from from all of literature, film, and tv serials. After all, who doesn't like the bad boy who has a secret good side?

In this article, we're going to look at examples of some of our favorite antiheroes (also spelled anti-heroes), including why they fit this particular type of character. You'll also learn what an antihero actually is, including the origins of the literary term, their characters, the subtypes of antiheroes, as well as how writers can use them in a story. Finally, you'll get a writing practice exercise to use antiheroes in your own study or writing.

Top 7 Antihero Examples

To see how antiheroes really work, let's start by looking at a few of our favorite antiheroes from literature and film. Later, we'll look at a more comprehensive list, but here are our initial top seven antihero examples:

Holden Caulfield in The Catcher in the Rye by J.D. Salinger : Holden's antihero status comes from his rebelliousness, cynicism, and general disdain for societal norms and expectations.
Scarlett O'Hara from Gone with the Wind by Margaret Mitchell. Scarlett manipulates those around her for her own survival and benefit during and after the Civil War.
Humbert in “Lolita” by Vladimir Nabokov : Humbert's obsession with a young girl and his manipulation of the reader's sympathies through his narrative makes him a notorious antihero.
Bridget Jones from Bridget Jones's Diary by Helen Fielding. Bridget often makes poor decisions and struggles with societal expectations, but remains endearing.
Walter White in Breaking Bad . Walter's transformation from a mild-mannered chemistry teacher to a ruthless drug lord paints a riveting portrait of an antihero.
Arya Stark from Game of Thrones/A Song of Ice and Fire by George R.R. Martin. Arya's transformation from a young, innocent girl into a ruthless assassin seeking revenge, while remaining loyal to her family, qualifies her as an antiheroine.
The Beast from Beauty and the Beast . The Beast can be considered an antihero because he initially imprisons Belle. His character development throughout the film eventually leads him to heroism.

That's just a sneak peak of our favorite antiheroes in literature, film, and tv serials. You can skip ahead to our full list of 75+ antiheroes below.

But now that we've looked at some favorite examples, I'm sure you're already noticing some characteristics of antiheroes. Let's talk more about that and look at what antiheroes actually are .

Hero vs. Antihero: Antihero Definition

Before you can understand what an antihero is, you have to figure out what they're anti, namely a hero!

What is a hero?

A traditional hero is a heroic character who displays some or all of the following traits:

capability or prowess
strong morals
sense of justice

In other words, they're the “good guys,” the people who a community would hold up as model citizens.

They care deeply about their communities and honor. In effect, they set the example in their culture or kingdom.

What is an antihero?

Here's the definition of an antihero:

An antihero is a central character in a story who displays unheroic flaws or characteristics associated with villains, but who may garner more empathy and understanding as they can appear more human and relatable than traditional heroes.

In contrast to traditional heroes, characteristics of antiheroes usually include one or more of the following characteristics:

Immoral or morally ambiguous. Antiheroes are not afraid of doing what is considered immoral or wrong if it serves their purposes.
Selfish . Unlike traditional heroes, they are rarely in it for the right reasons, but are instead motivated by selfish gain. Because of this they usually make reluctant heroes in a story and are only motivated to help others if they can gain from it personally, as a last resort, or if they are personally impacted and against their “better” judgment.
Complex . Traditional heroes can be somewhat flat, since they only display the best values of the cultures they represent. However, antiheroes come with a complex array of both positive and negative characteristics, often making them more realistic and relatable.

Antiheroes originated in Greek mythology where most heroes (and gods!) have flaws and selfish ambition running beneath their heroic qualities.

5 Types of Antiheroes

Antiheroes can be divided into a number of types. Let's look at five of the most popular types along with some examples of antiheroes.

The Classical Anti-Hero

As I explained earlier, a classical hero is a character who always wins their battles with sharp intellect, unshakable self-confidence, and excellent judgment.

So it stands to logic that the classical anti-hero is terrible in a fight, riddled with self-doubt, and makes decisions based on self-preservation instead of bravery.

The classical anti-hero's story arc follows the conquering of his own fears and coming to terms with himself to fight whatever threat faces him.

An example is Frodo Baggins from The Lord of the Rings , since he's a decent guy, but there's a lot of baggage that comes with carrying that ring through three books.

The “Disney” Anti-Hero or the Knight in Complicated Armor

This is what most people tend to think of today when they think of an anti-hero. At their core, the Disney Anti-Hero is still fundamentally good, but doesn't have the relentless optimism of a classical hero.

They tend to be sarcastic and more realistic, and tend to put logic before honor, but they won't outright perform acts that are morally ambiguous. Like the Classical Anti-Hero, odds are pretty good that this type of anti-hero will develop into a classical hero by story's end.

Haymitch Abernathy from The Hunger Games trilogy and Severus Snape of Harry Potter fame are two good examples of this type of anti-hero.

The Pragmatic Anti-Hero

The Pragmatic Anti-Hero is basically exactly what it sounds like. Generally no worse than neutral in morality, the Pragmatic Anti-Hero takes a big-picture view of his role, and if something or someone needs to be sacrificed for the greater good, so be it.

They won't kill indiscriminately though: anyone who dies at the hand of the Pragmatic Anti-Hero either had it coming, or had to be killed in order to achieve the higher goal. These anti-heroes are equally as likely to defect from classical heroism by the end of the story as they are to convert.

Harry Potter himself, by the end of the series, fulfills this role, as he is constantly breaking rules, and uses two unforgivable curses and robs a bank by series' end in order to off Voldemort once and for all.

The Unscrupulous Hero

This is as dark as you can get with your anti-hero without crossing into villain territory.

The Unscrupulous Hero lives in a world where morality is made up of varying shades of gray, with their gray being slightly lighter than that of the villain's. Often they live in a really crappy setting, which accounts for their distrust of humanity and penchant towards violence. They're big on revenge, and when they take their revenge, count on it being something to see. There might be some collateral damage in their actions, but it doesn't faze them.

Jack Sparrow of the Pirates of the Caribbean film series and the Blues Brothers of the titular film are examples of this type of anti-hero. Their intentions are good, and they are fighting on the moral high side (barely!), but they don't really care how much damage they cause or who they double-cross on their way to achieving their goals.

The “Hero” in Name Only

These anti-heroes fight on the side of good, but they have no good motivation. Either their intentions are completely selfish, and they only happen to be pointing their weapons at the token bad guys, or their motivations are only slightly less terrible than the villain's. Sometimes they're just bored and need someone to point a gun at.

You'll still root for them, but you won't agree with a lot of the ways they do things.

Sherlock Holmes in the BBC's re-imagining of the character is an example, since he explicitly describes himself as a high-functioning sociopath, and makes it clear that he only takes on cases that he finds mentally stimulating. Dexter of the TV series of the same name walks the line between this and a villain protagonist.

75+ Antihero Examples

Now that you know how antiheroes work and the various types of antiheroes, let's look at more examples of antiheroes so you can see how they work in literature, film and tv serials, and even in the Bible.

At the end, we'll also look at some characters who are not antiheroes but who are commonly mistaken for them.

Antihero Examples from Literature

Raskolnikov in Crime and Punishment by Fyodor Dostoevsky : Raskolnikov is an antihero due to his conflicting morality, driven to commit murder out of a philosophical belief, but tormented by guilt and fear afterwards.
Jay Gatsby in The Great Gatsby by F. Scott Fitzgerald : Gatsby's constant bending of the law and obsessive pursuit of a lost love, despite its destructive potential, paints him as an antihero.
Alex in A Clockwork Orange by Anthony Burgess : As a violent and manipulative sociopath, Alex embodies the antihero through his sheer brutality, despite being the protagonist of the story.
Tyler Durden in Fight Club by Chuck Palahniuk : Tyler Durden's anarchistic worldview, disregard for societal norms, and creation of the destructive Fight Club mark him as an antihero.
Patrick Bateman in American Psycho by Bret Easton Ellis : Bateman is a Wall Street yuppie who hides a psychopathic alter ego, making him an antihero in his gruesome reality.
Winston Smith in 1984 by George Orwell : Winston defies the totalitarian state, but does so with moral ambiguity and fear, making him an antihero.
Macbeth in Macbeth by William Shakespeare : Despite being a tragic hero, Macbeth's ambition drives him to murder and madness, making him an antihero.
Severus Snape in the Harry Potter series by J.K. Rowling : Snape's complex character oscillates between villainy and heroism, hiding his true allegiance until the end, which earns him the antihero status.
Amy Dunne in Gone Girl by Gillian Flynn : As a manipulative, deceptive character who stages her own disappearance, Amy presents a deeply flawed yet fascinating antihero.
Yossarian in Catch-22 by Joseph Heller : Yossarian's attempts to maintain his sanity while others lose theirs in the face of war's absurdity illustrate his role as an antihero.
Humbert Humbert in Lolita by Vladimir Nabokov : Humbert's obsession with a young girl and his manipulation of the reader's sympathies through his narrative makes him a notorious antihero.
Captain Ahab in Moby Dick by Herman Melville : Ahab's monomaniacal pursuit of the white whale, despite the destruction it causes, designates him as an antihero.
Tom Ripley in The Talented Mr. Ripley by Patricia Highsmith : As a sociopathic charmer willing to kill to maintain his lies, Ripley is a quintessential antihero.
Lisbeth Salander in The Girl with the Dragon Tattoo by Stieg Larsson : Lisbeth's antisocial behavior, supreme intelligence, and unwavering quest for justice, often outside the law, characterize her as an antihero.
Sethe in Beloved by Toni Morrison : Sethe's deep love for her children leads her to commit horrific acts to save them from slavery, making her a tragic and complex antiheroine.
Sherlock Holmes in the series by Arthur Conan Doyle : Holmes's exceptional deductive skills are coupled with his socially abrasive personality and addiction to drugs, painting him as an antihero.
Dr. Frankenstein in Frankenstein by Mary Shelley : While he's the protagonist, Dr. Frankenstein, the creator of the monster in Frankenstein, is full of cowardice and lack of compassion for his creation.
Don Quixote in Don Quixote by Miguel de Cervantes : Don Quixote's delusions of grandeur, relentless pursuit of chivalry, and disregard for societal norms mark him as an antihero.
The Man in The Road by Cormac McCarthy : His will to protect his son in a post-apocalyptic world, even if it means compromising his morality, portrays him as an antihero.
Meursault in The Stranger by Albert Camus : Meursault's emotional indifference, lack of remorse, and existentialist worldview secure his status as an antihero.
Jack Burden in All the King's Men by Robert Penn Warren : Jack's moral ambiguity and role in the corruption of the political machine make him an antihero.
Billy Pilgrim in Slaughterhouse-Five by Kurt Vonnegut : Billy's passive approach to life, time-travel-induced indifference towards death and suffering, and his role as a war survivor make him an antihero.

Antihero Examples from Film and TV Serials

Walter White in Breaking Bad : Walter's transformation from a mild-mannered chemistry teacher to a ruthless drug lord paints a riveting portrait of an antihero.
Tony Soprano in The Sopranos : As a mob boss trying to balance family life with the management of a criminal organization, Tony Soprano is a classic example of an antihero.
Don Draper in Mad Men : Despite his success in the advertising world, Don's habitual infidelity, alcoholism, and identity theft cast him as an antihero.
Michael Corleone in The Godfather series : Michael's transformation from a war hero to a ruthless mafia boss paints him as a compelling antihero.
Travis Bickle in Taxi Driver : Travis is a disillusioned taxi driver whose violent tendencies make him an antihero.
Dexter Morgan in Dexter. Dexter is a serial killer who targets other killers, making him a complex and dark antihero.
Deadpool in the Deadpool series : Deadpool is a superhero with a twisted sense of humor and disregard for conventional superhero traits, which makes him an antihero.
Hannibal Lecter in The Silence of the Lambs and Hannibal series : Hannibal's role as a murderous yet cultured and intelligent psychiatrist makes him a captivating antihero.
Frank Underwood in House of Cards : Frank's ruthless ambition and lack of moral constraints in his quest for power make him an antihero.
Tommy Shelby in Peaky Blinders : Tommy's criminal activities, paired with his loyalty to his family and his traumatic war experiences, create a compelling antihero.
Jessica Jones in Jessica Jones : Jessica Jones, a private detective with superhuman strength, is an antihero known for her tough exterior and traumatic past.
Rick Sanchez in Rick and Morty : Rick's brilliance is counterbalanced by his self-destructive tendencies and lack of empathy, making him an antihero.
Nurse Ratched in One Flew Over the Cuckoo's Nest and Ratched : Nurse Ratched is an antiheroine whose seeming professionalism hides a manipulative and abusive nature.
Rorschach in Watchmen : Rorschach's unwavering yet morally ambiguous sense of justice, alongside his violent methods, make him an antihero.
Lisbeth Salander in The Girl with the Dragon Tattoo : Lisbeth, a brilliant hacker with a traumatic past and a violent streak, is a classic antiheroine.
Mad Max in Mad Max series : Max's lone survivor character, coupled with his determination to survive in a post-apocalyptic world, make him an antihero.
Jack Sparrow in Pirates of the Caribbean series : Jack Sparrow's eccentricity, self-interest, and morally ambiguous actions make him an iconic antihero.
Al Swearengen in Deadwood : Al, a powerful and cunning brothel owner with a complicated moral compass, is a classic Western antihero.
The Hound (Sandor Clegane) in Game of Thrones : The Hound starts as a seemingly ruthless killer but evolves into a complex antihero with his own code of honor
Wolverine in the X-Men series : Wolverine's tendency to isolation, his often gruff demeanor, and his struggle with violent impulses amid heroism make him an antihero.
Léon in Léon: The Professional : As a professional hitman who takes in a young girl and teaches her his trade, Léon is a perfect example of an antihero.
Sarah Connor in the Terminator series : Sarah's transformation from a timid waitress to a hardened survivalist, willing to commit extreme acts for humanity's survival, marks her as an antiheroine.
V in V for Vendetta : V's revolutionary ideas and violent methods to attain freedom make him an antihero.
John Wick in John Wick : Wick garners our sympathy enough that we want him to succeed, but he's a retired hitman without much motive other than revenge which makes him an antihero.

Antihero Examples from Game of Thrones

Game of Thrones , based on the A Song of Ice and Fire series by George R.R. Martin, is known for its morally complex characters, many of whom can be considered antiheroes (even thought they are not main characters): Here are some examples:

Jaime Lannister : Jaime starts as a seemingly irredeemable villain but over the series becomes a sympathetic figure, struggling with his past actions and the expectations placed upon him due to his family name.
Tyrion Lannister : Tyrion's intelligence and wit, combined with his cynicism and propensity for morally questionable actions for survival, make him a compelling antihero.
Sandor “The Hound” Clegane : Initially appearing as a ruthless killer, the Hound evolves throughout the series, showing a softer side and becoming a protector, especially towards Arya Stark and Sansa Stark.
Arya Stark : Arya's transformation from a young, innocent girl into a ruthless assassin seeking revenge, while remaining loyal to her family, qualifies her as an antiheroine.
Daenerys Targaryen : Despite her initial portrayal as a compassionate ruler, Daenerys's relentless quest for power and her eventual destructive actions in Westeros mark her as a tragic antiheroine.
Jon Snow : While generally seen as a hero, Jon's moral ambiguity, particularly when he is with the Wildlings and his decision concerning Daenerys in the finale, reflects antiheroic qualities.
Theon Greyjoy : Theon's story arc, from an arrogant ward of the Starks to a traitor and then a broken man seeking redemption, makes him a complex antihero.
Bronn : Bronn, a skilled sellsword with a witty sense of humor and a tendency to align with whoever can offer him the most, is a classic antihero.
Melisandre : The Red Priestess's use of dark magic for what she believes is the greater good, including the resurrection of Jon Snow, marks her as a complex antiheroine.

Remember, the classification of a character as an antihero can be subjective, and viewers might have different interpretations based on their perspectives and sympathies.

Shakespeare Antihero Examples

William Shakespeare created complex characters throughout his plays, many of whom can be considered antiheroes due to their moral ambiguity, conflicted nature, and often tragic outcomes. Here are some examples:

Macbeth in Macbeth : Macbeth starts as a heroic figure but his ambition and susceptibility to manipulation lead him down a dark path of murder and tyranny, making him a classic antihero.
Hamlet in Hamlet : Hamlet's indecision, melancholy, and contemplation of murder and suicide make him a quintessential antihero.
Richard III in Richard III : Richard's charm, wit, and intelligence, paired with his ruthlessness and manipulation, make him an antihero of his own story.
Othello in Othello : Othello, driven by jealousy and manipulated by Iago, commits horrifying acts that make him a tragic antihero.
King Lear in King Lear : Lear's pride and folly lead to his downfall and the destruction of his kingdom, transforming him into a tragic antihero.
Antony in Antony and Cleopatra : Antony's inner conflict between his Roman duties and Egyptian desires, along with his eventual downfall, characterize him as a tragic antihero.
Brutus in Julius Caesar : Despite his honorable intentions, Brutus's involvement in Caesar's murder and subsequent war make him a tragic antihero.
Prospero in The Tempest : Though the rightful Duke of Milan, Prospero's use of magic for manipulation and control illustrates his status as an antihero.

Historical Antihero Examples

While the term “antihero” didn't come into popular use until the 18th century, the concept has been around for much longer. The literature prior to Shakespeare also includes characters who exhibit antiheroic qualities, challenging traditional heroic ideals. Here are some examples:

The Wife of Bath in The Canterbury Tales by Geoffrey Chaucer : The Wife of Bath is one of the earliest examples of a female antihero, a complex character who challenges the patriarchal society of her time with her wit, sexual freedom, and unorthodox views on marriage and religion.
Medea in Medea by Euripides : Medea, who takes revenge on her unfaithful husband by killing their children, is an early and very complex example of an antiheroine.
Oedipus in Oedipus Rex by Sophocles : While initially portrayed as a hero, Oedipus’s discovery of his own horrific deeds (inadvertently killing his father and marrying his mother) results in his downfall, marking him as a tragic antihero.
Achilles in Iliad by Homer : Despite being a hero, Achilles' rage, petulance, and desire for personal glory over the good of his comrades at certain points in the story provide an antiheroic contrast to the traditional hero.
Odysseus in Odyssey by Homer : While largely considered a hero, Odysseus also displays antiheroic qualities including deception, infidelity, and a ruthless pursuit of his own goals, regardless of the cost to others.
Faust in Faust by Johann Wolfgang von Goethe : Faust's ambitious pursuit of knowledge and pleasure, leading him to bargain with the devil, paints him as a classic antihero, even though this work is slightly later than Shakespeare.

Remember, the term “antihero” is a fairly modern label. However, it can be retrospectively applied to many characters from ancient works who display the common traits of an antihero.

Antihero Examples from the Bible

Several characters in the Bible show characteristics of antiheroes. They are often deeply flawed, commit morally ambiguous or reprehensible acts, yet have moments of redemption or evoke empathy. Here are some examples:

King David in the Books of Samuel : Despite being a beloved king and the ancestor of the Messiah, David is an adulterer and a murderer who abuses his power, which paints him as an antihero.
Samson in the Book of Judges : Samson repeatedly disobeys God's commands, acts out of revenge, and is led astray by his passions, but he ultimately brings about a great victory for Israel, making him a classic antihero.
Jacob in the Book of Genesis : Jacob deceives his brother Esau and his father Isaac to secure his older brother's birthright, showing his antiheroic side. Yet, he also wrestles with an angel and earns the name Israel, balancing his character.
Moses in the Book of Exodus : While generally seen as a hero and a prophet, Moses also kills an Egyptian out of anger and is barred from entering the Promised Land due to disobedience, showing his antiheroic flaws.
Jonah in the Book of Jonah : Jonah initially runs away from his divine calling, and even after fulfilling it, he complains about God's mercy toward Nineveh, making him a complex and reluctant antihero.
Saul/Paul in the New Testament : Before his conversion on the road to Damascus, Saul is a persecutor of early Christians. His radical transformation and later dedication to spreading Christianity demonstrate his journey from a villainous character to an antihero.

As you can see, antiheroes dominate so many of the stories around us. Their selfishness and moral ambiguity are often outlets for us as readers and audience members—we wish we could set aside the values and community ideals that so often motivate our actions. I hope this comprehensive list of antihero examples can inspire your own antihero story.

Whois your favorite antihero? Share in the comments .

Pick one of these types of anti-heroes and write for fifteen minutes , introducing your reader to the character. Give a sense of your anti-hero's motivation. Post your practice in the Pro Practice Workshop here and leave notes for your fellow writers.

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15 Comments

Umm…was there any stories done where the Anti-Hero falls for the heroine of a romance/action novel or any type of entertainment?

Spike in Buffy the Vampire Slayer. Majorly.

Also Killian Jones in ABC’s Once Upon a Time.

I don’t known if he counts, because he’s not really a protagonist but a love interest, but I think I have a character who would be a Classical Anti-hero

I hope this article is not that old to the point that it won’t be replied anymore but I was wondering if this sort of type of character is an “antihero”:

– a soldier, who’s beginning to suffer from his traumatic experiences, become the hero of the story as he was forcefully pushed to save the world, which is currently at war, from an unknown dark force. – a loner stoic student who spent most of the rest of his school days introspecting until he got caught up in severe bullying in a school he just transferred in and the bullied lonely students inside it.

I wanted to explore antiheroes and I ended having them one of those Pragmatic Anti-heroes listed above, like, always. Maybe they;re just so similar to my old-self, I don’t know. Any other way for me to put other types of antiheroes in the two settings that I just created?

“Do you honestly believe I care?” She asked the boy with an apathetic tone to her voice as she spoke. “The sole purpose for my involvement was simply for my benefit and boredom to be alleviated. Why should I care about people I don’t know?” The boy stared at her in shock. He couldn’t believe the girl was talking like this. This was the same girl who was adamant about SAVING the world. Yet here she sat, regal in her position and detached. “How can you say that Lousaper?! The people we’ve fought for are DEAD and its YOUR FAULT!” Lousaper chuckled softly with a hand covering her mouth. To her, this situation was rather ironic. The boy, Mara, clearly misunderstood her position in the war. “As previously stated, I do not KNOW these people and therefore do not care. I was bored with waiting ideal for the war to end.” “Imagine,” she continued with a smirk, “there is a great conflict that affects you and you are given three choices. Wait for however many years for something to end. Get involved with the supposed ‘good’ side of the problem. Or get involved with the supposed ‘bad’ side of the problem. Would you not chose the option more beneficial to you and your cause? I know I did.” From that point on, Mara sat in silence. A few moments passed before he could even respond to her. But her stance had yet to change, her voice was still apathetic, but her eyes. Oh, her eyes were filled with mirth as she gazed at Mara. Mara on the other hand was shaking from the varied emotions that fell upon him. On one hand, he was happy that he was alive and that he was able to save what few people he did. On the other hand, he was angered and depressed that thousands of people died by his unknowing hand. You see, Lousaper, over come with boredom, had aided the Kingdom of Ghaul in seizing the Ports of Cain, which belonged to the Kingdom of Huan. She saw no problem in her actions, even explaining why they were sound. “How can there be war if both sides are not somewhat equal in weight.” She had explained that “had she not done that, the war would have been pointless and their side would lose loyalty.” For in doing so, the inhabitants of the Ports of Cain were slaughtered as an example to the masses and the few hundred saved were so filled with gratitude that they not only swore their loyalty to Huan but even joined the military forces. “You are no better that Ghaul’s ruler.” Mara whispered to himself. Lousaper heard this. “No, you are WORSE then him. Far worse and underhanded in your tactics. You have no HONOR.” She simply continued to gaze at him blankly before tilting her head to the side in an innocent manner. “What does honor have to do with this? Also, pot, kettle, have you met?” He gave her a confused look. “You are no better than me. Tell me Mara, how many civilians have met their fate simply to save a larger number of civilians?” “Four hundred.” He answered back, not knowing where she was going. “Those four hundred people died simply to prolong the short life of four thousand. Those four thousand later died for the sake of five hundred. Your so called ‘honor’ and ‘moral’ are severely lacking. Hypocrite.” His head snapped up at her. “What?” “But I saved seven million for the price of four thousand. My logic is sound compared to yours. Those people may not be of your Kingdom, and you claim to want to save people. Yet you would have allowed millions of people to die. If anything, YOU are the one who makes King Ghaul’ Raa look like a saint.” She sat back with a kind smile on her lips. “Now, onto more important matters. Where is my pay for my services?” “WHAT!?” “My pay? The fifty hundred-million dollars I was offered for my assistance? Your Kingdom offered me the most pay for my services.”

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Last updated on Feb 11, 2022

Anti-Heroes, Defined: How to Write Them, Plus 5 Examples

Answer: An anti-hero is a type of character in literature who lacks the qualities of a traditional hero, like morality or a clear interest in rules. Anti-heroes are not the villains of the story because there are reasons to cheer for them, despite their complex motivations and questionable actions. Two examples from TV series are Tony Soprano and Walter White.

There’s something comforting about a protagonist who always does the right thing for the right reasons, like Superman. But there’s something compelling about a morally ambivalent protagonist who sometimes does the right thing, and only sometimes for the right reasons — like Tyrion Lannister from Game of Thrones .

Let’s dig a little deeper into exactly what an anti-hero is, and why they’ve become so prevalent in stories.

How is an anti-hero different from an anti-villain?

While the two types of characters can be easily confused, the difference boils down to this:

The anti-hero (or AH) does the right thing, but maybe not for the right reasons — and they lack a lot of the characteristics we’ve come to expect of traditional heroes.

The anti-villain (or AV) does the wrong thing, but their motives are often noble — or, at least, sympathetic. Anti-villains typically have some characteristics we don’t commonly associate with “bad guys.”

At the end of the day, if you’re not quite sure whether a character is an anti-hero or an anti-villain, ask yourself this: who does the story ask readers to root for? If that character is morally grey, they’re likely the anti-hero . The morally grey character who opposes them is probably the anti-villain .

Check out our post full of anti-villain examples to learn more.

How is an anti-hero different from a villain-protagonist?

Few books have been successfully written from the perspective of a completely irredeemable, morally reprehensible main character. Readers want to be able to root for the protagonist at least a little bit. Exceptions include Humbert Humbert from Lolita , Patrick Bateman from American Psycho , and Tom Ripley from The Talented Mr. Ripley . By the end of these books, you’re likely waiting on tenterhooks for the protagonist to be brought to justice.

These characters are classified as “Villain Protagonists.” They’re different from antiheroes because the author purposefully avoids giving readers a reason to cheer for them. Antiheroes are morally grey characters we’re still encouraged to root for. But a villain protagonist is a “bad guy”— who happens to be the main character in the story.

To learn how to give your heroes and villains every shade of gray under the sun, sign up for our free character course:

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5 Types of Anti-Heroes

Not all antiheroes are created equally. In fact, there's a sliding scale of these morally ambiguous protagonists. Unsurprisingly, the first type is…

1. The Classic Anti-Hero

Typical qualities of a fictional hero include confidence, bravery, stoicism, intelligence, handsome looks, and superb fighting capabilities. The Classic Anti-Hero is the inverse of these things: self-doubting, fearful, anxious, and lacking in combat skills. In general, the character arc of this AH follows them overcoming their “weaknesses” to vanquish the enemy.

This type of AH is not necessarily on the greyscale of morality, they simply defy readers’ preconceived notions of heroism.

EXAMPLE: Bilbo Baggins from The Hobbit

“Anti” — Bilbo is almost fifty years old, hates adventures, loves his hole in the ground full of creature comfort; he’s really just an “average Joe.” When he is offered the job of “burglar” by a party of dwarves on a mission to reclaim their stolen treasure from the dragon Smaug, he politely declines, thinking they couldn’t have approached a more ill-suited person.

“Hero” — We all know how this infamous hero’s journey turns out. Bilbo joins the dwarves and, while he gets off to a bumpy start (he forgets his HANDKERCHIEF!), the arduous journey allows him to discover his inner courage. From taking down trolls to stealing precious stones from dragons, the hobbit leaves the story more self-assured than he entered it.

2. The Knight in Sour Armor

In terms of morality, this hero is pretty good. They know right from wrong, but are typically very cynical and don’t feel that they can make a difference in the grand scheme of things. Otherwise known as a “reluctant hero,” they don’t feel any urgency to join the fight against the villain and are really more concerned with doing their own thing.

The Knight in Sour Armor will eventually join the fight, but only when they feel they personally have something at stake in the outcome.

EXAMPLE: Han Solo in A New Hope

“Anti” — At the start of the Star Wars franchise, Han is a mercenary primarily motivated by personal wealth. He only agrees to help free the captive Princess Leia because Luke Skywalker promises him a huge reward. Thinking the Rebel Alliance is doomed, Han refuses to stay and help in the fight against the Death Star.

“Hero” — After leaving, Han has a change of heart and returns during the climactic Battle of Yavin, just in time to make Darth Vader say “could you not ?” His return ultimately allows Luke to safely destroy the Death Star.

3. The Pragmatic Anti-Hero

Now we’re starting to wade a little deeper into the grey area. In a nutshell, the Pragmatic Anti-Hero is a slightly darker version of the Knight in Sour Armor. They’re both self-centered to a degree and reluctant to accept the role of hero. But while the Knight in Sour Armor is typically slow to step into battle, the Pragmatic Anti-Hero is more ready to spring into action if they observe wrongdoings. The key difference is that the Pragmatic AH is also willing to do some not-so-good things in order to achieve their goals.

EXAMPLE: Edmund Pevensie from The Chronicles of Narnia

“Anti” — Each of the Pevensie children receives a name in Narnia, and Edmund’s is “Edmund the Just.” This is fitting, as Edmund is extremely pragmatic and believes people get what they deserve. In this way, he can be unsympathetic and unwilling to show mercy. For instance, when his older brother “Peter the Great” battles the antagonist Miraz, Peter aims to disarm Miraz but not to harm him. Edmund, on the other hand, encourages Peter to kill Miraz and be done with it. Edmund also displays a need to prove himself and to come out from under his brother’s shadow — qualities that stray from a traditional hero.

“Hero” — Edmund behaves selfishly and even betrays his siblings. But, he is young and still maturing. When push comes to shove and he realizes his siblings are under threat, he ultimately steps up to the plate and helps defeat the White Witch — and commits further heroic acts throughout the series.

4. The Unscrupulous Anti-Hero

Intentions and motives are still good here, but we’ve waded into some seriously murky waters in terms of actions. The Unscrupulous AH is extremely cynical, and their drive to do good is often skewed by past traumas and a thirst for vengeance. They generally take down a despicable villain — someone who “had it coming.” But, instead of bringing this person to justice with as little blood on their hands as possible, the Unscrupulous AH can become vicious, sometimes even enjoying the acts of violence they’ve deemed “necessary.”

EXAMPLE: Conan the Barbarian

“Anti” — Conan has no qualms about resorting to violence or petty crime: theft, assassination, mercenary work, piracy — it’s all in a day’s work. A fun day’s work, that is.

“Hero” — Conan often partakes in the above activities in his quest for power, riches, or just survival. However, his questionable deeds often lead to him achieving a number of heroic feats. If he feels someone has been treated poorly (especially if societal conventions as unfairly weighted against them), he will seek out justice without question or pay.

5. The Hero in Name Only

While this AH fights on the good side, their motives and values are definitely not good. They might be amoral or downright sinister, only redeemable by the fact that they’re not as bad as the villain. Just like the “Villain in Name Only” could be classified as the hero if only the story in question was told from their point of view, the Hero in Name Only could be considered the villain if the story was not told from their point of view.

EXAMPLE: Walter White from Breaking Bad

“Anti” — For most of the series, the terminally ill Walter tells himself that his criminal activity is only to provide for his family. While this may be true at the start, the bigger motivation behind Walter’s decidedly wrongdoings is his need to rebel against his own mortality. With death looming, his moral boundaries shatter as the lines increasingly blur between “Walter” and “Heisenberg” — his secret, meth-dealing identity. He murders people, chokes a child, and simply watches as his business partner’s girlfriend chokes to death. If Breaking Bad had been told from the viewpoint of Hank or Skylar, you could certainly see Walter as the antagonist of the series.

“Hero” — While viewers watch Walter’s moral compass go totally off course, he does start off the show as a good person: a kindly, if unfulfilled, father. His path towards anti-heroism starts with the introduction of his first nemesis: cancer. Cancer is the antagonist of Walter’s life — and viewers can certainly sympathize with him as he goes to great lengths to fend off his disease. Walter goes on to fight a number of other evil antagonists, such as the kingpin Gus Fring.

The above five types of characters present the sliding scale of the anti-hero, and the chances that the anti-hero will reform into a regular, morally good hero diminish significantly as you go up the scale

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Anti-Hero Examples

We’ll wrap up this post with a couple more examples of questionably scrupulous protagonists.

Example #1: Annalise Keating from How to Get Away with Murder

"Speak of the devil and she shall appear."

“Anti” — Annalise Keating is a law professor at a prestigious Philadelphia university who drips seductiveness and arrogance, with just the right amount of like-ability thrown in. These attributes make her similar to fellow anti-hero Don Draper. Annalise has no problem manipulating others to get her way and commits cruel, self-serving deeds without a second thought.

“Hero” — Annalise is the type of morally grey main character that many viewers love to watch, but sometimes struggle to like. While she does a lot of things viewers fundamentally oppose, she has also lived through a number of traumas that inform her crooked actions (hello, Unscrupulous Anti-Hero!). Ultimately, she fights on behalf of the innocent and bounces around the top 4 positions of the anti-heroes sliding scale.

Example #2: Sherlock Holmes

"Heroes don't exist and if they did I wouldn't be one of them."

“Anti” — Sherlock is a genius — or “high-functioning sociopath,” as he’s presented in the BBC modernization — and he gets bored easily. Solving crimes gives him something to do with his superior intellect. While Holmes might appreciate the fact that his work allows justice to be served, he’s largely motivated by the novelty and challenge of cracking cases.

“Hero” — At the end of the day, Sherlock helps fight crime. Whether or not he’s doing it for selfless reasons, he has still dedicated his life to stopping criminals, and he does this using noble means. Different depictions of Sherlock also portray his sympathetic side to varying degrees — some allowing audiences to glimpse emotional connections between Sherlock and the crime he solves.

Example #3: Michael Scott from The Office

"No, I'm not going to tell them about the downsizing. If a patient has cancer, you don't tell them.

“Anti” — Michael makes the lives of his employees at Dunder-Mifflin paper company very hard sometimes. He’s constantly distracting them with his need for attention and validation, and he ends up making some very questionable decisions that can harm others in his need to come across as a hero — you could even classify his need to be liked as a tragic hero's fatal flaw . Oh, and let’s not forget about the way he treats poor Toby.

“Hero” — While Michael can be incredibly selfish, unaware of how his decisions negatively affect his coworkers, and downright rude, he has a good heart and loves (most of) the people who work for him. In the face of major downsizing, he fights for his branch and the job security of the people who work there. Michael has shining moments of kindness (such as the bird funeral), and viewers root for him — and pray for his continuing self-improvement.

Example #4: Veronica Sawyer from Heathers

"Heather, my love, there's a new sheriff in town."

“Anti” — While the rebellious new kid, J.D., might be the person who starts Veronica down the path of killing her classmates, she doth not protest enough to avoid eventually pulling the trigger herself.

“Hero” — While Veronica does murder a student, she’s portrayed for the most part as an impressionable and bullied teenage girl who gets carried along by the sinister doings of J.D. Still, for much of the movie, she can definitely be considered a Hero in Name Only, as she’s absolutely complicit in the homicides. At the end, we see a glimmer of humanity when Veronica stops J.D. from bombing his school and reunites with her social outcast friend, Martha.

Example #5: Tony Soprano from The Sopranos

“A wrong decision is better than indecision.”

“Anti” — A number of things put the “anti” in Tony’s label as “anti-hero”: murderer, thief, con artist, extortionist, to name a few. He is the capo di tutti capi (the “boss of all bosses”) in the crime world.

“Hero” — Apart from being the protagonist of the TV series, things like his unshakeable love for his family, his kindness to his friends, and the occasional pang of guilt or moment of vulnerability let viewers glimpse Tony’s human side. What solidifies his status as an anti-hero, however, is the fact that his enemies are portrayed as being far more evil and sinister than he is.

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Olivia Pope from Scandal , V from V for Vendetta , Deadpool, Dexter, Nancy Botwin from Weeds , Arthur Dent from The Hitchhiker's Guide to the Galaxy , Selina Meyer from Veep — once you know what an anti-hero is, there is no shortage of opportunities to spot them.

If you’re looking to write your own controvertible protagonist, check out the following in-depth blog posts aimed at helping authors develop compelling characters.

Character Development: How to Write Characters Your Readers Won't Forget 9 Common Types of Fantasy Characters (With Examples) How to Write a Compelling Character Arc 12 Character Archetypes Every Writer Should Know How to Create a Character Profile: the Ultimate Guide (with Template)

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Anti-Heroism

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First Online: 28 November 2023
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Igor Prusa 4

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Heroic villainy ; Morally ambiguous heroism ; Transgressive heroism ; Villainous heroism

An alternative form of heroism in which morally ambiguous protagonists lack heroic qualities while the audiences are nonetheless encouraged to feel with and root for them.

Introduction

In the last three decades, television in particular has excelled in bringing us shows about morally problematic characters to whom the audiences are drawn despite their darkness. While lacking traditional heroic qualities, these characters – at times labeled as antiheroes – may be flawed, immoral, and destructive, while some of them even resort to violence and murder, but they still have certain qualities that the audiences find emotionally relatable. They include gangster bosses ( The Sopranos ), serial killers ( Dexter ), drug dealers ( Breaking Bad ), bank robbers ( Money Heist ), corrupt politicians ( House of Cards ), murderers ( The Wire ), hackers ( Mr. Robot ), misanthropes ( Curb Your Enthusiasm ), and...

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Prusa, I. (2023). Anti-Heroism. In: Encyclopedia of Heroism Studies. Springer, Cham. https://doi.org/10.1007/978-3-031-17125-3_66-1

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English Studies

This website is dedicated to English Literature, Literary Criticism, Literary Theory, English Language and its teaching and learning.

Anti-Heroes: Creating and Critiquing Them

We lost faith in authority in the ’50s, up to a point, and we spawned a lot of anti-heroes in movies, which were refreshing and open. But at this point, with the distrust that’s there and the disillusionment with leadership that is so acute, we need some kind of a focus on taking the irony out and taking the anti-hero element away. Brendan Gleeson

Introduction to Anti-Heroes

Table of Contents

An anti-hero is a literary archetype characterized by a protagonist who deviates from traditional heroic qualities, often displaying moral ambiguity, flaws, and unconventional behavior. These characters challenge conventional notions of heroism and morality, adding complexity and depth to narratives. Despite their imperfections, anti-heroes often elicit empathy from audiences, inviting contemplation of deeper moral and societal themes.

Literary Examples of Anti-Heroes

How to create anti-heroes.

Establish Flaws and Imperfections: Give your characters noticeable flaws, such as moral ambiguity, vices, or personal weaknesses. These must set them apart from traditional heroic figures.
Develop a Complex Motivation: Provide your anti-heroes with a unique and relatable motivation for their actions, one that may not align with conventional heroism. This motivation should drive their decisions and behaviors throughout the story.
Challenge Moral Norms: Have your anti-heroes navigate morally gray areas or make morally questionable choices. Their actions should provoke thought and question traditional notions of right and wrong.
Create a Relatable Backstory: Develop a backstory that explains the origins of your anti-heroes’s flaws and motivations. This backstory should help the audience understand and sympathize with their character.
Balance Complexity with Empathy: While your anti-heroes should be multi-dimensional and flawed, ensure there are moments or qualities that allow the audience to connect with and empathize with them despite their imperfections. This balance adds depth and relatability to the character.

Advantages of Using Anti-Heroes

Complexity and Realism: Anti-heroes add depth and authenticity to characters by showcasing their flaws and moral ambiguity.
Audience Engagement: These characters often elicit empathy and curiosity from audiences, keeping them invested in the story.
Moral Exploration: Anti-heroes prompt discussions and contemplation of deep ethical and societal themes.
Character Development: The journey of an anti-heroes navigating their imperfections can be a central and compelling aspect of the narrative.
Subversion of Tropes: Anti-heroes challenge conventional heroism, providing opportunities to subvert storytelling norms and expectations.

Anti-Hero and Literary Theory

You may read more on Literary Devices below:

Aside: A Literary Device
Asides: Creating and Critiquing
Tautology: A Literary Device
Tautologies: Creating and Critiquing Them

Anti-Hero Archetype

What is an anti-hero archetype.

An anti-hero is a person who is not like a traditional or conventional hero figure. Yet, he is a leading character in the storyline and appears from the beginning to the end. Although it seems that an anti-hero is a person who must be against the hero of the story and that he is a secondary character, it is entirely a false impression. In fact, he/she just lacks some of the conventional qualities of a hero, such as courage , ethical commitment, or idealism. Rather, they have some flaws such as selfishness in certain circumstances, rudeness, or even a little bit of bullying.

Terminology

Anti-Hero terminology comprises two different words “ anti” which means against, and a hero, which is a towering personality having exploits in his/her career to boast about. It seems that the term demonstrates contradictory meanings. It was first used in 1714 in the work Rameau’s Nephew by Denis Diderot in 1761 or 1774. There is no definite date. The book was originally in French. Later, the term was used for Byronic heroes based on the ideals of Lord Byron , a popular English poet.

The term anti-hero as an archetype has undergone various transformations during its long history after it was first used by Diderot in his book. New forms of anti-heroes emerged in the 19 th century, such as the Gothic double. Later Dostoyevsky’s Note from Underground presented another type of anti-hero that is entirely different from the main concept. This anti-hero later transformed further through the publication of Huckleberry Finn in 1884 by Mark Twin. It also changed in the next century in 1915 with the publication of The Metamorphosis by Franz Kafka . Absurd dramatists, existentialist writers, and the postmodern period have further popularized this term with different archetypes presented in different works.

Character Traits of Anti-Hero Archetype

Anti-Hero archetypes are generally very complex characters due to their having good and bad qualities and equal proclivities to do good or evil. They are not only cynical but also highly intellectual and sometimes defy the formal laws and morals. Their intentions, however, stay always good as they undergo internal struggles between good and bad. The realist approach often brings them to the point of feeling remorse at their own misdeeds even if committed in the way of doing good. They use mostly unorthodox methods to achieve their ends. That is why they are called anti-heroes.

Types of Anti-Hero Archetype

Based on these character traits, anti-hero archetypes have three major types as follows.

Practical Rebel Anti-Hero Archetype: Such types of anti-hero archetypes follow the classical heroes. However, they rebel against the existing ethical frameworks. Yet their intentions are always good.
Immoral Anti-Hero Archetype: Such types of anti-hero archetypes are often self-centered and take their own interests into view before doing anything. They are cynical and view the world through that lens. Yet their intentions are still good even when crossing the boundaries of morality.
Heroic Villian Anti -Hero Archetype: Such types of anti-hero archetypes near villains in features as well as deeds but their actual intentions are always good. They do not want to harm others or their social fabric. Therefore, they stay anti-hero archetypes and do not become villains.

Difference Between an Anti-hero and Villain or Antagonist

The major difference between an anti-hero and a villain is that both have the power as well as the intention to commit bad deeds or do good. However, the anti-hero archetype either commits evil to bring good or avoids it, while a villain always commits evil with intentions. The second difference is that an anti-hero crosses a line that he has set for himself only when he sees it inevitable for the greater good of the world. However, a villain does not consider any such line prohibited and crosses even the most sacred lines without any qualm. The third difference is that an antagonist intends to thwart the tasks or intentions or works of a hero, while an anti-hero does not do so and always helps a hero if there is any.

Examples in Literature

The Millenium by Steig Larsson and David Lagercrantz

Steig Larsson’s series, The Millenium , features Lisbeth Slander as a female anti-hero. She does not seem a girl when she becomes furious after she sees incessant attacks on her people as well as on her. She displays the qualities of an anti-hero when she does everything that falls outside the existing moral framework as the police are after him, suspecting her of the murder of Svensson and his girlfriend. Even David Lagercrantz also involves Lisbeth in such acts, and yet her intentions are always good. Therefore, she is a good anti-hero example in literature.

The Merry Adventures of Robin Hood by Howard Pyle

Although Robin Hood does not seem to be a villain, he is not a hero either. He is rather a good example of an anti-hero who robs other people and gives that wealth to the poor. This way of helping the poor seems good but still, it is immoral as well unethical as the rich have had to pay without undergoing a fair trial. Therefore, Robin Hood seems an anti-hero who commits a bad deed of robbing the people yet harbors good intentions of helping the poor section of his people. Despite this, he breaks the laws, an act that is not considered legitimate.

Examples in Movies

Orange is the New Black by Laura Prepon

This Netflix series has been prepared by Laur Prepon, presenting the character of Alex Pearl Vause. She is a fictional character. She proves her forthrightness as well as pragmatism as she is arrested for running a drug cartel with her lover, Champman. She passes the rest of her days in the prison with him, demonstrating her wit as well as vulnerability. Due to her leading role in different seasons of the series, she is termed an anti-hero as she has good intentions, but she does not commit good deeds.

Batman, DC Comics, by Dylan Clark

Although Batman fights against the Riddler for killing the city mayor and others and chases him after he leaves specific messages for him after every murder, he defines laws at several points. He mostly comes to these points when Riddler forces him. His motivation , actually, comes from his own grief; the death of his parents. That is why he is called an anti-hero and proves a good example to refer to.

Examples in Comics

Punisher from Marvel Comics

This fictional anti-hero appears in Marvel Comics, created by Gerry Conway and John Romita with Ross Andru. Although the title suggests that Punisher wants to punish those who commit crimes, he is also involved in all types of crimes, and yet his intentions are always good. His one-man war against crimes makes him a hero, but due to these flaws in his character, he has been termed an anti-hero.

Wolverine from Marvel Comics

Although termed a super hoer, Wolverine is an anti-hero who fights against the Weapon-X program and yet comes down to applying his ferocity due to being an animal . Although his intentions are always good, he has been termed an anti-hero as he has almost all the anti-hero features given above. He has also appeared in several Marvel movies such as Marvel, Ultimate Marvel, and X-Men series but has appeared as an anti-hero.

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Mother Archetype
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Queen Archetype
Quest Archetype
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Sage Archetype
Temptress Archetype
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Character Development: Anti-Hero (GKA 2043 Research Methodology)

FACULTY OF APPLIED AND CREATIVE ARTS Department of Performing Arts and Production Technology This is just a draft, there is a lot to be added, any comments are welcome, any ideas are welcome and any mistakes will be corrected.

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The proliferation of networks using narrowcasting for their original drama serials in the United States proved that protagonist types different from conventional heroes can appeal to their target audiences. While this success of anti-hero narratives in television serials starting from late 1990s raises the question of “quality television”, developing audience measurement models of networks make alternative narratives based on anti-heroes become widespread on the U.S. television industry. This thesis examines the development of the anti-hero on the U.S. television by focusing on the protagonists of pay-cable serials The Sopranos (1999-2007) and Dexter (2006-2013), basic cable serials The Shield (2002-2008) and Mad Men (2007-2015), and video-on-demand serials House of Cards (2013- ) and Hand of God (2014- ). In brief, this thesis argues that the use of anti-hero narratives in television is directly related to the narrowcasting strategy of networks and their target audience groups, shaping a template for growing networks and newly formed distribution services to enhance the brand of their corporations. In return, the anti-hero narratives push the boundaries of conventional hero in television with the protagonists becoming morally less tolerable and more complex, introducing diversity to television serials and paving the way even for mainstream broadcast networks to develop serials based on such protagonists. Keywords: Anti-hero, Quality Television, Narrowcasting, Cable Television, Video-on-Demand, Serial

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I have accepted the fact that every action will always create a reaction.. (2),(3) Likewise, People will always be the subject of conversation regardless of their status especially when they have done things that no one else could have done, yet when they joined their abilities with others ; who could have done things that they could not have done, together they did great things. William Anderson Gittens Dip. Com. B.A. CEO,Media Arts; Author, Media Arts Specialist, Cultural Practitioner,Publisher ISBN978-976-95731-4-7

Perhaps, there are multiple conversations that shaped the contours of Thinking1 and since this the process of using one's mind to reason yet thinking is the hardest work there is, ostensibly, it is the credible sense why so few engage in it ....

Abstract Perhaps, there are multiple conversations that shaped the contours of Thinking1 and since this is a process used by one's mind to reason; Ostensibly, thinking is the hardest work there is...and maybe this is why so few engage in it .... Media Arts Specialist Dip. Com. B.A. Media Arts; Author, Publisher Cultural Practitioners, and Publisher

Journal of Humanistic Psychology 1–28, 2017 (eds. Zeno Franco, Olivia Efthimiou)

benjamin van tourhout

Fictional heroes have been considered as moral exemplars and as entertaining and soothing characters. Their creators, however, do not work in a vacuum. Therefore, the emergence of heroic narratives is closely connected to a specific space and time context. In this article, I propose a heroic cycle which consist of three different heroic types creators use to cope with events in reality. This cycle consists of the classic hero, the flawed hero, and the contemporary (post 9/11) type of hero which will be defined and described as a hybrid hero. This hybrid hero became very popular in recent years and just as its counterpart, the franchised hero tries with a specific set of characteristics and moral frameworks, to provide a jouissance for audiences (Barthes, 1975). By doing so, these heroes try to sooth, entertain, or challenge their audiences. Both the hybrid and the franchised hero focus on the reception by audiences although their means and behavior differ on many levels. Although the research and development of the hybrid hero is still at its initial stage, this article elaborates on its construction and conceptualizations as fictional character and as moral challenger in today's fiction. The hybrid hero challenges both audience and creators on empathic, moral, and narrative levels and is a contemporary symbiosis of heroic and villainous features. The text consists of two parts: first, background and contextualization and second, a description of a case study (The Borgia Trilogy, a theatre performance which Van Tourhout created) to clarify the empathic and narrative features of hybrid heroes.

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The Psychology of the Anti-Hero

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The anti-hero in postmodern literature

Masters Thesis
Amy Elizabeth Borges
Geoffrey Green
Kathleen De Guzman
San Francisco
Liberal & Creative Arts
English Literatures
San Francisco State University
AS36 2018 ENGL .B67
2019-10-09T18:04:45Z
http://hdl.handle.net/10211.3/213695

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2018 English Literatures Masters Theses

Essay on Hero-Anti Hero

Superman, Wonder Woman, Spiderman—what do all these characters have in common? They are all products of the human aspiration to be saved. The word hero is passed around too much these days. A hero is not a football player that scores the game-winning touchdown or the goaltender who saves his team from a loss. A hero is usually an ordinary person that did extraordinary things. A true hero is really never a hero at all; at least not in their own mind. However, there are various cases today in which we see the exact opposites of these characters, the anti-heroes. The anti-hero is one who cannot be classified as a hero, for that said character lacks natural heroic qualities. However, the anti-hero cannot be described as a villain either. …show more content…

On his 40th Labor Day telethon in 2005, Jerry Lewis added Salvation Army fundraising for Hurricane Katrina to his usual Muscular Dystrophy Assosiation fundraising, though he also encouraged viewers to give to the American Red Cross. Not all of what Jerry Lewis has done has been good, but no hero is perfect. Aside from controversy from the community of disabled people with comments he has made, Jerry Lewis can still be considered a hero for the great charitable work he has done for the benefit of others. A reasonable example for an anti-hero could be Al Capone. Despite the common image that is portrayed in society of Al Capone, there was some that Capone did as good for others during the Depression. Part of the reason Capone was taken to task in this way was his status as a celebrity. Capone often tried to suppress his image and be seen as a community leader. For instance, he started a program to fight rickets by providing a daily milk ration to Chicago school children. Also during the Great Depression , he attempted to open up many soup kitchens for the poor and homeless. Although most of the money he used to do this may have been related to his selling or gang violence, or even his bootlegging of liqour, he still attempted using some of it for a good cause. He acquired a great deal of appreciation from abounding poor persons in Chicago for his blatant disregard of the Prohibition law that they loathed. He was percepted

Divergent Anti Hero Essay

In the movie “Divergent” directed by Neil Burger, the central character Beatrice, shows many different characteristics of being an anti-hero. Beatrice Prior otherwise known as Tris is the main protagonist character and the narrator of the film. She is a strong willed 16 year old who lives in a society divided into groups called factions, based on individual human virtues. With her coming of age, she must now choose one of the factions to live in for the rest of her life, Abnegation (selfless), Erudite (intelligent), Candor (honest), Amity (peaceful) or Dauntless (brave). The definition of an anti-hero would be the main or central character in a story, movie or play who does not

Essay on Exploring Why We Enjoy the Anti-Hero

4 Works Cited

There is no doubt that the popularity of the anti-hero as we know it has increased in recent times. With unlikely, yet popular moral gray protagonists like Jack Bauer, Dexter, and Gregory House leading some of the most popular TV shows and characters like James Bond, Lisbeth Salander, Tyler Durden (from Fight Club), and Jack Sparrow being some of the most memorable in movies, it is not surprising that there has been an increased interest to understand what causes this characters to be so popular (Peter Jonason in et al., 193). What is it that makes them as likeable, if not more, than a normal hero? How come we relate to characters that perform actions that, if done in real life, would cause us to see them in a whole different light?

The Ego And Ill Advised Endeavors : The Antics Of Cervantes ' Don Quixote

One specific example of othering and anti-heroism is Don Quixote in Don Quixote, written by Miguel de Cervantes. Don Quixote is an older man who strives for nobility and knighthood;

A True Hero In The White House Sermon For Abraham Lincoln

Heroes care not only for themselves, but for others. In the White House Funeral Sermon for Abraham Lincoln, “...not for himself only, not for us only, but for all people in all their coming generations till time shall be no more…” This means that President Lincoln took risks not to ensure his safety but to make sure that he would be known as a doer. Lincoln knew that what he was doing would revolutionize the way not only the way his generation would live but all future ones. This showed that he cared not only for himself but for people he would never get the pleasure of meeting. Back in World War II a true hero was born. One of the bloodiest battles of WWII, Hacksaw Ridge, was lucky to have Desmond Doss as a part of their medical team. He saved 75 people. Most in which others had left behind, for they thought that they weren’t saving. He cared about every single one making it back to base to be helped despite who was after him. Or even in the 9/11 boatlift many heroes stepped up to the plate. Vincent Ardolino, Captain of the Amberjack V,

A Hero : Pauli Murray : Complexity Of A Hero

What is a modern day hero, and what do they do that makes them a hero? Modern day heroes slay racism and biased opinions. Someone known for being a modern day hero is Pauli Murray. She was an activist for all things humanity. Pauli Murray was born in Baltimore, Maryland on November 20, 1910 (Kathryn Schulz). Murray very much believed in equality for all humans no matter their skin color, sexual orientation, or gender. Having grandparents that were former slaves put a bitter taste of human mistreatment in her mouth. When she was 4 years old her mother, Agnes Murray, died of a cerebral hemorrhage, and just a few years later in 1923 her father was murdered by a hospital guard (Kathryn Schulz). Murray’s decision to go to college and study law was all on her. Being a time of severe segregation, college was not a familiar option for most African Americans, and women going to college was practically unheard of, but Pauli was determined that she was going to college to study law no matter her race or her gender. William Murray, Pauli Murray’s father, attended Howard University, which put the fire in Pauli to get accepted there. After a failed attempt to get into the college once, Murray finally got accepted and graduated

College Essay About Heroes

The last person I’d speak today as a hero is Adam Levine. Adam has been part of Maroon 5, a band that has been widely popular since the early 2000s. He is known for speaking about the issues of ADHD and for being an ally of the gay community as his brother is gay. As someone with ADHD, Adam was part of a campaign that had people talking about what ADHD was and why this was a huge deal. He was also an advocate for gay youth after people were more aware of the existence of his gay brother and he made sure to let it be known that he was in full support of his brother and the gay community.

Harriet Tubam: A True Hero

One example is a man named Tristan Eugene Segers, a soldier who lost his right leg in Afghanistan. Even after going through two years of surgeries and rehabilitation, Tristan is leading a normal life. He married his highschool sweetheart and is raising a sweet little boy. He has joined culinary school and is moving into an apartment. He wears shorts and runs in marathons. Tristan is leading a normal life, but there are many soldiers out there who have just given up on life. But Tristan’s strength is changing other’s lives. As he mentioned, “I didn’t do anything special, but if the progress I have made motivates another wounded veteran to keep going, then that’s great.” Tristan was just a soldier like any other who sadly suffered a life changing injury. But his strength through all that has inspired others, which makes him a hero in other’s eyes. Another simple hero is Frederick Douglass. He was a slave in the South who managed to escape to the North. Once there, he was sad and scared. He had no home or friends, but spoke to no one in fear of being sent back. He started to read the “Liberator” and began to understand the idea of anti-slavery reform. Then, one time at a anti-slavery meeting, Douglass felt the urge to speak. But he was nervous, he did not feel like a white person and was nervous to speak in front of them. When

Examples Of Heroism In The Coquette

In many situations, there will be at least a hero or an anti-hero. A hero is considered as someone that’s valorous or brave, but an anti-hero I someone that lacks heroic characteristics. An example of a hero would be when someone stands up for someone or saving someone but an anti-hero would be the opposite; which is a coward or lacks heroic characteristics. In the book “The Coquette”, Major Sandford was considered as what we call an anti-hero but Julia would be considered as a hero because she was concerned about her friend. In life, you’ll run across many people who will do evil things to you or towards you.

Essay Signs of Life in the USA

In the reading, “Why We Love TV’s Anti-heroes” by Stephen Garrett, he points out that anti-heroes are becoming more popular than the traditional hero. Garrett states, “the word hero is abused in the news, the sports reports, and even in conversation” (318). For example tabloids recognize someone who battles a drug addiction and overcomes it or a substitute kicker for the football game kick the winning field goal (318). You see he argues that traditional heroes are “boring” and that there are no longer any more real heroes (318-321). Anti-heroes are characters or people who are just evil but still get the viewers to like

Who Is Walter Lee Younger Anti Hero

By definition a hero is “a person, typically a man, who is admired or idealized for courage, outstanding achievements, or noble qualities.” So what is an “Anti-Hero?” An anti-hero is a noble and courageous man much like a hero, but he is selfish and cruel. As readers, we attach ourselves to the anti-hero because we want to see “the good” in everyone. Walter Lee Younger in the play, A Raisin in the Sun by Lorraine Hansberry is an anti-hero because of his narcissistic traits, nobility as he evolved, and his passion that drove the action of the play.

Epic Of Beowulf By Joseph Campbell-The Hero

and powers beyond the range of any human. The hero himself bring a mystical quality to the story

Epic Vs. Modern Heroes Essay

Anti-heroes do not solely exist in the fictional world. There are people in the real world, everyday who fit the anti-hero description. They are… the Mob. In ancient times loyalty was purest form of respect. It was a way of life. One was loyal to his or her family, govern, king, and God. Hand in hand with loyalty, comes the right to revenge. The Mob is one of the few “societies” that has reserved that tradition. For example: when a family member is assassinated, it is not only the right, but also the duty of the surviving family to avenge that death. This loyalty to one’s own, coupled with the fierce determination to protect them, are incredibly heroic qualities. Organized crime families are oohed and ahhed by the press and pop culture, and have their own fans. While these people are not ideal role models, they possess heroic qualities worthy of aspiration.

Examples Of The Anti-Hero Archetype

Quality’s such as a distorted sense of morality, a self-serving or selfish cause, or qualities that would be considered dark fit the role of anti-hero with distinction. An important distinction to make in respect to the anti-hero archetype is that the anti-hero is not the villain. The villain of a story is just that, the villain. While it is true that they can be like the

The Anti-Hero Essays

13 Works Cited

Fyodor Dostoyevsky’s Notes from the Underground (1864/2008) comes across as a diary penned by a self-described “spiteful” and “unattractive” anonymous narrator (p. 7). The narrator’s own self-loathing characterized by self-alienation is so obvious, that he is often referred to by critics as the Underground Man (Frank 1961, p. 1). Yet this Underground Man is the central character of Dostoyevsky’s novel and represents a subversion of the typical courageous hero. In this regard, the Underground man is an anti-hero, since as a protagonist he not only challenges the typical literary version of a hero, but also challenges conventional thinking (Brombert 1999, p. 1).

Anti Villain Vs Anti Hero

The topic that I’ll be explaining is about anti villains which are different from anti heroes even though both have anti in it which both makes them different from one another. Anti Villain may be more noble or heroic than an anti hero, but the means to achieve their ends are often considered immoral, unjust, or evil. Sometimes, they may simply be a villain with gentlemanly qualities, a code of honor or some sense of justice. The anti villain is the opposite of an anti hero a villain with the heroic goals, personality traits, and/or virtues. Their desired ends are mostly good, but their means of getting there are evil. There are sliding scales of anti villains like for example Noble Anti Villain, Woobie Anti Villain, Well-Intentional Anti

The anti-hero

A hero is defined as “someone admired for his bravery, great deeds or noble qualities”. There are three categories to which all heroes can be classified into, one of which is the anti-hero genre. An anti-hero has the role of a hero thrust upon them. They do not particularly want to be brave or noble but their actions lead them to be a hero. Facing difficult decisions and doubt are also classic traits of an anti-hero. They often lack confidence in themselves, refuse to accept their fate as a hero or don’t even realise their status or ability. At a certain point, anti-heroes usually transcend into either a tragic or romantic hero.

Anti-heroes can be identified in many different texts, however, all of them consist of those traits. In ‘The Crucible’ by Arthur Miller, John Proctor is the hero of the play. He is a good man, described as being : “the kind of man –powerful of body, even-tempered, and not easily led…” He is feared and respected throughout the town of Salem, but few know that he is guilty of adultery with the teenage servant Abigail Williams. As a result of this affair, Proctor is caught in guilt, which effects his self-perception. “Were I stone I would have cracked for shame this seven month! ” He regards himself as a fraud.

These insecurities are the foundation of Proctors character development into an anti-hero. The first signs of Proctor being an anti-hero evolve when accusations of witchcraft arise and he is torn between confessing to adultery and revealing the information he knows to save innocent lives. He understands his obligations but is still hesitant due to his fear of the consequences. He says to Elizabeth “I know I cannot keep it! I say I will think on it! ’ The difficult decision and pressure is thrust upon Proctor and his reluctance to reveal his knowledge enhances his anti-hero visage.

He puts his reputation before doing the right thing and confessing. Proctor finds a way of exposing Abigail and her friends as liars without having to make his affair public. He persuades Mary Warren to tell the truth. Eventually Proctor admits to having committed adultery but not to be brave or heroic, but out of desperation to save his wife. Sensing Mary Warren’s weakness, Proctor is forced to talk about his relationship with Abigail. Although it seems noble, this heroic notion is categorised under anti-hero because Proctor merely confessed because he had to.

He did not want to and had avoided revealing his affair but it was the last thing he could do because of Abigail’s influence over Mary Warren. His last attempt at saving Elizabeth fails and Proctor is also accused of witchcraft. Proctor is sentenced to hang but given an opportunity to save himself- he must confess to being aligned with the devil. This choice is the climax of the play. Faced with yet another difficult decision, Proctor is torn between a life of lies or an honourable death. Being an anti-hero, he does not immediately come to the more heroic decision. Instead, he consults Elizabeth for advice.

In the end he chooses to commit himself to his friends and die an honest man. He states that “I have three children – how may I teach them to walk like men in the world, and I sold my friends? ” Proctor reasons that in confessing, he can never raise his children to be virtuous men without being labelled a hypocrite. By facing death, he proves his loyalty to friends and maintains a respectable reputation. Proctor faces his own death and in making this decision, Proctor becomes a tragic hero. Unlike Proctor who goes from anti-hero to tragic hero, Thomas Anderson transitions to a romantic hero.

Thomas Anderson is the anti-hero of “The Matrix”. Anderson is immediately established as the heroic figure, constantly referred to as “the one” but his doubt shapes him into an anti-hero. He is initially the classic anti-hero with a very notable twist – his role is not thrust upon him, all his decisions are consciously made. Neo does not see himself to be special and this is clearly evident when he is attempting to escape from the agents out the window. He can be heard to say “Why is this happening to me? What did I do? I can’t do this. ” He does not believe in himself and therefore can not stretch to his full potential inside the Matrix.

This is a characteristic of his that is maintained throughout the movie, and it is no coincidence that he is the last person to believe that he is the One. He also appears quite unwilling to be the “hero” at some points, for example when he learns about the matrix he is unable to handle the shock and refuses to accept it, shouting “No, I don’t believe it. It’s not possible. Stop. Let me out! Let me out! I want out! Stay away from me! I don’t believe… ” These are all classic antihero traits, but he also displays the elements of the romantic hero, particularly towards the end when Neo re-enters the Matrix in order to save Morpheus.

He knows that one of them must die, and the Oracle has told him that it will be up to him which one it is. Therefore, when he enters the Matrix he makes that choice, and knowingly goes to sacrifice himself for the sake of mankind. However, it is now that he is starting to believe in himself, and he also believes that he can bring Morpheus back. It is at this point that he starts to transcend into the romantic hero, he starts to believe in himself and to realise the truth. He sheds his old identity, Thomas Anderson and embraces his new one with the famous “My name is Neo. “

Similarly, in ‘Buffy the Vampire slayer’ (the movie), the anti-hero also transitions to a romantic hero. In this case, the hero is Buffy herself. A stereotypical teenage American bimbo who later on admits, “I didn’t even think about anything”, Buffy is tracked down my Merrick and told she is “the one”- the next slayer, chosen to battle the head vampire, Lothos. Like Anderson from The Matrix, Buffy is bewildered and does not fully comprehend how important she is. She sarcastically jokes “Let me get this straight- you’re saying that I have to go to the graveyard with you because I’m the chosen one and there are vampires?

Pfft! Does Elvis talk to you? ” Merrick tries again and again to convince her that she has been chosen but Buffy refuses to see anything as a higher priority than her social life. She is unwilling to take up the role but still listens to what Merrick has to teach her. She begins to believe in herself when Merrick proves to Buffy that she is “the one” by throwing a knife at her head unexpectedly, and Buffy catching it all the same. He claims “only the chosen one could have done it”. Buffy is then faced with the difficult choice all anti-heroes are faced with.

In her case, she must choose between her demanding social life and committing herself to being a slayer. Being an anti-hero, she does not choose to be a slayer enthusiastically. She furiously yells “Don’t you get it? All I want to do is graduate from high school, fly off to Europe, marry Christian Slater and die! ” It is when Merrick gives his life for her that Buffy fully accepts her responsibility and transitions to a romantic hero. She sacrifices her friends, school, boyfriend and senior dance to battle the mighty Lothos. All three texts have resemblances in terms of their development.

Each of the anti-heroes face confusion and doubt followed by a difficult decision, then an incident that inspires and gives them confidence, finishing with a heroic act. In the Crucible, Proctor is unstable because of his shameful affair with Abigail. Then he has to choose between exposing Abigail and admitting adultery. Then he almost confesses to witchcraft when he sees the Rebecca and he regains his senses and willpower to finally make the heroic act of dying for his friends and family. In the Matrix, Neo is unsure of what the Matrix is and the concept drives his curiosity mad.

He is then faced with the decision of the blue pill or the red pill. Next his courage is uplifted with Trinity’s kiss and faith in him so he awakens to finally fully apprehend the rules of the Matrix. In Buffy the Vampire Slayer, Buffy faces doubt as to whether she should believe Merrick and soon the decision whether slaying was worth sacrificing her social life. The death of Merrick and love from Pike encourages Buffy to go on, and she is able to defeat Lothos. Although the character developments are quite the same, each text uses different textual styles and techniques.

The Crucible is in the format of a play. John Proctor is established as the hero through the use of Miller’s contrast in characters. Upon his introduction, Proctor seems to be the only calm, sensible and logical character among the rising hysteria of Abigail’s threats, Parris’ damnations and babble of the Putnam’s. Proctor is easily set apart from the other characters and the beginning of the play due to the obvious differences in character. Miller also builds up the climax throughout the book by making the conversations very quick paced and intense. The Matrix relies heavily on the technique of symbolism.

It is used frequently throughout the film implying both vital and obscure things. For example, the use of sunglasses. They indicated a characters strength and vulnerability. Or the doors representing the choices in Neo’s life, the signs strategically placed throughout the film or even Neo’s name being an anagram of the word “one”. In Buffy, the film style is stereotypical and over exaggerated. The blonde bimbo cheerleader who faces the evil vampire with the black cape and fangs. The dialogue sounding somewhat like “that was so 5 minutes ago” and “oh, get out of my facial”.

Perhaps the stereotypical settings are used to make a clear contrast with Buffy when she begins to accept her true identity. She drops the bimbo attitude and takes life more seriously, claiming “Things I thought were so crucial have just become so stupid …it’s a stupid dance with some stupid people that I see every stupid day” Another aspect that the texts differ from each other is their cultural and social values. The Crucible is set in the Salem witch-hunt of 1962. The story revolves around the importance of Christianity and the harsh punishments for those who were not religious.

It reflected the society, from religion to roles of women in the family. It explored the themes of jealousy, love, reputation, revenge and adultery but at the same time also was an allegory of the 1950 McCarthyism. Witches representing the communists and Parris with the other judges representing the Un-American Activities committee. The Matrix was released in 1999 and reflects the present societies growing independence and rapid development of technology. It questions the audience as they are faced with the frightening possibility that Artificial Intelligence may take ver the world.

The film also portrays several cultural values. It is a direct parallel to Buddhism, Christianity and the Greek concepts of oracles. Buffy the Vampire Slayer, released in 1992 can be seen as a representation of teenagers of today. Taking for granted a “normal” life that revolves around school, parties and friends. The Crucible and The Matrix exhibit more cultural and social values than Buffy and they are both done exceptionally well, covering many different themes and aspects without taking away from the plot or story.

The Crucible, The Matrix and Buffy the Vampire Slayer are three totally separate texts that are linked in some ways, like their developments of character, and vary other ways, like in terms of technique and value exhibition. However, all three texts have a character that is the image of an anti-hero- whom will remain its own genre, with the same characteristics, no matter it be set in Salem, cyber space, high school- or anywhere else in the world. The anti-hero remains someone who has had it thrust upon them to be admired for bravery, great deeds or noble qualities.

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The Iconic Anti-Heroes: 17 Characters in Popular Culture

Posted: December 27, 2023 | Last updated: April 17, 2024

Jack Sparrow

Although Jack Sparrow hasn't been defined as an anti-hero per se, many remember him as one. This is because he doesn't follow the typical moral conventions of a classic hero. His actions are often motivated by his own interests and personal desires rather than an innate sense of justice. He is known for his unpredictable behavior and chaotic lifestyle.

The character was portrayed by Johnny Depp and is one of the main figures in the Pirates of the Caribbean franchise, produced by Disney. The star who brought the pirate to life admitted to drawing heavily from his own personality when embodying the Captain of the Black Pearl throughout the five films.

Hannibal Lecter

Hannibal Lecter, the famous character created by Thomas Harris and popularized on screen by Anthony Hopkins in films such as "The Silence of the Lambs" and "Hannibal" is commonly recognized as a complex antagonist, and some may interpret him as an anti-hero due to certain nuances of his character.

He is an intellectual genius and a scholar, contrasting with the typical image of an impulsive and brainless villain. Although his ethics are deeply twisted, Lecter has his own moral code that, in certain contexts, may align with a kind of "justice" from his unique perspective. Lecter's impact on culture is immense, as he has become a cultural icon associated with malevolent cunning and sophistication.

John Constantine

John Constantine possesses a complex nature and ambiguous morality. Although he battles dark and demonic forces, his methods and motivations are not always conventional or morally pure. Often, he makes difficult decisions and engages in morally questionable activities to achieve his goals, making him an anti-hero.

The character of John Constantine has had a significant impact on pop culture, especially through comics like "Hellblazer". His unique style, cynicism, and ability to navigate between the supernatural and the mundane have resonated with fans. Various actors have taken on the role, but the most remembered is Keanu Reeves.

Severus Snape

Severus Snape is one of the most well-known, beloved, and hated characters in the Harry Potter series. As J.K. Rowling's books and the movies progressed, fans became more and more attached to and familiar with him. Although initially presented as an antagonist and an enemy of the young wizard, deeper layers of his personality and motivations are revealed.

Alan Rickman's performance as the Dark Arts professor at Hogwarts in the film adaptations also significantly contributed to the perception of the character as an anti-hero. The actor succeeded in conveying Snape's emotional complexity, adding layers of pain, ambiguity and redemption through his portrayal.

<p>Han Solo not only has an initial disinterest in noble ideals but also possesses a more pragmatic and selfish approach to life. Although he evolves into a more heroic role throughout the original trilogy, his initial nature places him in the category of an anti-hero. A simple example is his life before joining the Rebellion, as he was involved in smuggling and other illegal activities, distancing himself from the typical image of a virtuous hero.</p> <p>The iconic character from Star Wars was originally portrayed by Harrison Ford, who appeared in nearly every installment of the main franchise. In 2018, Solo had his own spin-off film titled "Solo: A Star Wars Story", starring Alden Ehrenreich in the lead role. The film had moderate success but received an Oscar nomination.</p>

Han Solo not only has an initial disinterest in noble ideals but also possesses a more pragmatic and selfish approach to life. Although he evolves into a more heroic role throughout the original trilogy, his initial nature places him in the category of an anti-hero. A simple example is his life before joining the Rebellion, as he was involved in smuggling and other illegal activities, distancing himself from the typical image of a virtuous hero.

The iconic character from Star Wars was originally portrayed by Harrison Ford, who appeared in nearly every installment of the main franchise. In 2018, Solo had his own spin-off film titled "Solo: A Star Wars Story", starring Alden Ehrenreich in the lead role. The film had moderate success but received an Oscar nomination.

Harley Quinn

When we talk about anti-heroes, it's likely that we immediately think of the iconic Harley Quinn. Besides being the loyal companion of The Joker, her wickedness is sometimes clouded by kind thoughts. Her transition from being the accomplice of the villain to establishing herself as an independent character with her own motivations has been quite emotional.

The impact of the character on culture is significant. Although she debuted in the animated series "Batman: The Animated Series," she has become a cultural icon with a presence in comics, movies, and TV series. Her distinctive style and chaotic approach have gained popularity among fans. Margot Robbie's portrayal in Suicide Squad led to the character having her own film, Birds of Prey.

<p>Venom is a character we have seen in various forms within the Marvel Cinematic Universe, whether in Tobey Maguire's Spider-Man movie or in his own adaptation where Tom Hardy brought the anti-hero to life. Over time, he has evolved into a villain with a noble soul, and in "Venom: Let There Be Carnage", he was portrayed as a somewhat subdued being.</p> <p>Although he can be violent and lethal, he often battles more dangerous enemies and seeks to protect those he deems innocent. Unlike traditional heroes, he operates within more ambiguous moral codes. His sense of justice may not completely align with conventional norms. Hardy's performance as Eddie Brock has been praised for his ability to convey the duality of the character.</p>

Venom is a character we have seen in various forms within the Marvel Cinematic Universe, whether in Tobey Maguire's Spider-Man movie or in his own adaptation where Tom Hardy brought the anti-hero to life. Over time, he has evolved into a villain with a noble soul, and in "Venom: Let There Be Carnage", he was portrayed as a somewhat subdued being.

Although he can be violent and lethal, he often battles more dangerous enemies and seeks to protect those he deems innocent. Unlike traditional heroes, he operates within more ambiguous moral codes. His sense of justice may not completely align with conventional norms. Hardy's performance as Eddie Brock has been praised for his ability to convey the duality of the character.

<p>It could be said that Mad Max is the complete opposite of a hero, especially due to his solitary nature and pragmatic approach to surviving in a post-apocalyptic world. Although he displays heroic traits when confronting villains and oppressors, his morality is often ambiguous, and his actions may lean towards what benefits his personal survival.</p> <p>The impact of the film on culture is largely due to its unique portrayal of a hero in a desolate and desperate environment. The franchise, created by George Miller, has influenced the action film genre and set a standard for dystopian stories. Tom Hardy is one of the actors who has done a great job bringing the iconic character to life.</p>

It could be said that Mad Max is the complete opposite of a hero, especially due to his solitary nature and pragmatic approach to surviving in a post-apocalyptic world. Although he displays heroic traits when confronting villains and oppressors, his morality is often ambiguous, and his actions may lean towards what benefits his personal survival.

The impact of the film on culture is largely due to its unique portrayal of a hero in a desolate and desperate environment. The franchise, created by George Miller, has influenced the action film genre and set a standard for dystopian stories. Tom Hardy is one of the actors who has done a great job bringing the iconic character to life.

<p>A Clockwork Orange is an undeniable gem in the film industry, directed by Stanley Kubrick. Nominated for four Oscars, it tells the story of one of the most well-known anti-heroes of all time: Alex DeLarge. Malcolm McDowell's performance as Alex is crucial to the perception of this icon.</p> <p>The actor managed to convey his duality, showcasing his charisma and dark side in a striking manner. The story itself follows the sadistic leader of a gang who is incarcerated and volunteers for a reeducation experiment, but things don't go as planned.</p>

Alex DeLarge

A Clockwork Orange is an undeniable gem in the film industry, directed by Stanley Kubrick. Nominated for four Oscars, it tells the story of one of the most well-known anti-heroes of all time: Alex DeLarge. Malcolm McDowell's performance as Alex is crucial to the perception of this icon.

The actor managed to convey his duality, showcasing his charisma and dark side in a striking manner. The story itself follows the sadistic leader of a gang who is incarcerated and volunteers for a reeducation experiment, but things don't go as planned.

Beatrix Kiddo

Beatrix Kiddo, also known as The Bride in the movie Kill Bill, is often recognized as an antiheroine due to her quest for revenge and personal justice. Her story, directed by Quentin Tarantino, leads her on a mission to avenge those who attempted to kill her and murdered her family.

The impact of the character on culture lies in her strong presence in a narrative of intense revenge, and Uma Thurman's unique ability to bring her to life. Thurman's performance was crucial in portraying the strength, determination, and lethal skills of The Bride. The production has become a modern classic and has influenced the action genre, highlighting the portrayal of a complex and empowered heroine in cinema.

<p>Dredd is a judge, jury and executioner in a dystopian future. His law enforcement is uncompromising and often brutal, with little consideration for conventional justice. Although he seeks to maintain order and fight crime, he sometimes faces ethical dilemmas and makes decisions that can be considered morally gray, leaning him more towards the anti-hero side.</p> <p>Karl Urban's performance as Dredd in the 2012 film was praised for capturing the essence of the character and delivering a compelling portrayal of an uncompromising judge in a ruthless world. While the movie was not a major box office success, it garnered a dedicated following and subsequently became a cult film.</p>

Dredd is a judge, jury and executioner in a dystopian future. His law enforcement is uncompromising and often brutal, with little consideration for conventional justice. Although he seeks to maintain order and fight crime, he sometimes faces ethical dilemmas and makes decisions that can be considered morally gray, leaning him more towards the anti-hero side.

Karl Urban's performance as Dredd in the 2012 film was praised for capturing the essence of the character and delivering a compelling portrayal of an uncompromising judge in a ruthless world. While the movie was not a major box office success, it garnered a dedicated following and subsequently became a cult film.

<p>V, the main character of V for Vendetta, is often recognized as an anti-hero due to his ambiguous essence and radical approach to achieving his goals. By employing violent and revolutionary tactics to fight against a totalitarian government, although his objective is noble (freedom and justice), his extreme methods can be considered morally questionable.</p> <p>The character, portrayed by Hugo Weaving in the film, advocates for anarchy and the destruction of the established system, going against the typical image of a hero seeking to restore order and justice. The impact it has had on culture is significant, especially thanks to the graphic novel by Alan Moore and David Lloyd and its 2006 film adaptation. The Guy Fawkes mask, worn by V in the story, has become a symbol of resistance and protest worldwide.</p>

V, the main character of V for Vendetta, is often recognized as an anti-hero due to his ambiguous essence and radical approach to achieving his goals. By employing violent and revolutionary tactics to fight against a totalitarian government, although his objective is noble (freedom and justice), his extreme methods can be considered morally questionable.

The character, portrayed by Hugo Weaving in the film, advocates for anarchy and the destruction of the established system, going against the typical image of a hero seeking to restore order and justice. The impact it has had on culture is significant, especially thanks to the graphic novel by Alan Moore and David Lloyd and its 2006 film adaptation. The Guy Fawkes mask, worn by V in the story, has become a symbol of resistance and protest worldwide.

<p>Black Adam is one of the latest characters to be categorized as an anti-hero on the big screen, despite his story having been around for quite some time among fans. Although he has been a villain in many stories, in some more recent versions, he has been portrayed with nuances and complexities that distance him from the typical image of a pure antagonist.</p> <p>Dwayne Johnson is the one who brought the god to life during the film that was released in 2022 and was directed by Jaume Collet-Serra. The plot follows Teth-Adam, who is freed from his tomb almost 5,000 years after being imprisoned and receiving his powers from the ancient gods, but now he is ready to unleash his unique form of justice on the world.</p>

Black Adam is one of the latest characters to be categorized as an anti-hero on the big screen, despite his story having been around for quite some time among fans. Although he has been a villain in many stories, in some more recent versions, he has been portrayed with nuances and complexities that distance him from the typical image of a pure antagonist.

Dwayne Johnson is the one who brought the god to life during the film that was released in 2022 and was directed by Jaume Collet-Serra. The plot follows Teth-Adam, who is freed from his tomb almost 5,000 years after being imprisoned and receiving his powers from the ancient gods, but now he is ready to unleash his unique form of justice on the world.

The Punisher

The Punisher, created by Gerry Conway, Ross Andru, and John Romita Sr., is one of the most iconic characters in Marvel Comics. He has appeared in comic books, movies, and television series, gaining a dedicated fan base. His distinctive white skull symbol on his chest has become a recognizable emblem. Thomas Jane is the actor who brought the anti-hero to life in the most popular film adaptation.

Frank Castle, the alter ego of The Punisher, employs extremely violent methods to punish criminals, including the use of firearms and lethal tactics. Unlike many traditional heroes, he does not follow a conventional moral code. His vision of justice is more pragmatic and vengeful, stemming from a personal tragedy.

Travis Bickle

Taxi Driver and Robert De Niro's outstanding performance have solidified Travis Bickle as an emblematic character that defies the conventions of the traditional hero. The character possesses an ambiguous and disturbing nature in the 1976 film directed by Martin Scorsese. However, viewers came to empathize with him due to the stellar performance of the lead star.

The film tells the story of Travis, a Vietnam veteran alienated and disillusioned, as he wanders the streets of New York, confronting decay and urban violence. Although he takes on the role of a "vigilante" in attempting to free a young woman from her situation, his methods and questionable psychology distance him from being a common hero.

<p>Deadpool, also known as Wade Wilson, is one of the most well-known anti-heroes in recent years. Although he fights against villains and threats, he tends to use violent and extreme methods. His willingness to resort to extreme violence sets him apart from the typical image of a compassionate character and despite his heroic actions, his motivations are often driven by selfish or personal goals.</p> <p>Ryan Reynolds did an excellent job bringing the character to life within the Marvel universe since 2016. The franchise has expanded over time, and various heroes have crossed paths as the story unfolds. Throughout the narrative, his emotional struggles are explored, including his mental health and traumatic experiences.</p>

Deadpool / Wade Wilson

Deadpool, also known as Wade Wilson, is one of the most well-known anti-heroes in recent years. Although he fights against villains and threats, he tends to use violent and extreme methods. His willingness to resort to extreme violence sets him apart from the typical image of a compassionate character and despite his heroic actions, his motivations are often driven by selfish or personal goals.

Ryan Reynolds did an excellent job bringing the character to life within the Marvel universe since 2016. The franchise has expanded over time, and various heroes have crossed paths as the story unfolds. Throughout the narrative, his emotional struggles are explored, including his mental health and traumatic experiences.

Tyler Durden

Of course, Tyler Durden, portrayed by Brad Pitt in 1999, should undoubtedly be on the list of the most iconic anti-heroes. The character is recognized for his subversive nature and his role in challenging social conventions. Additionally, in the film adaptation directed by David Fincher, he is the charismatic leader of a secret club where men physically fight to release their frustration and discontent with modern life.

Tyler's impact on culture is significant because Fight Club has become a cult film addressing themes such as alienation, toxic masculinity, and criticism of rampant consumerism. The narrative and plot twists have sparked debates and reflections on contemporary society. The duality between the characters played by Edward Norton and Pitt, portraying the same protagonist separately, adds layers to the complexity of the character.

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COMMENTS

75+ Antihero Examples: Plus the Top 5 Types of Antiheroes (and How to
Like the Classical Anti-Hero, odds are pretty good that this type of anti-hero will develop into a classical hero by story's end. Haymitch Abernathy from The Hunger Games trilogy and Severus Snape of Harry Potter fame are two good examples of this type of anti-hero. The Pragmatic Anti-Hero. The Pragmatic Anti-Hero is basically exactly what it ...
MS
and manifested it in their psychological issues and distorted heroes quests that end in utter destruction rather than enlightenment. An anti-hero appears to (not) save the day. I certify that the abstract is a correct representation of the content of this Thesis. Prof. Geoffrey Green, Chair, Thesis Committee Date
The Rise of The Anti-Hero: Comparison of Moral Ambiguity in Action Films
between a true hero and an anti-hero is that a true hero is a protagonist who exemplifies nobility through their actions and motivations (Mackey-Kallis, 2001). Conversely, an anti -hero is a "reluctant savior" who highlights the various flaws associated with being human (Fitch, 2005).
(PDF) Toward the Antihero Theory
THESIS: There e xist three main narra tive mechanisms in popular fiction that can render a transgr essive . ... " An anti-hero is a flawed her o, and there for e, much more inter esting than .
Anti-Heroes, Defined: How to Write Them, Plus 5 Examples
Example #5: Tony Soprano from The Sopranos. "A wrong decision is better than indecision.". "Anti" — A number of things put the "anti" in Tony's label as "anti-hero": murderer, thief, con artist, extortionist, to name a few. He is the capo di tutti capi (the "boss of all bosses") in the crime world.
Anti-Heroism
The rebellious antihero disrupts the binary of good (hero) and evil (villain), transcends the limitations of an all-too-human condition, and embraces an individual morality beyond good and evil - beyond the ethos of sincerity, objectivity, and justice (Nietzsche 1966; Kohlberg 1981; Hassan 1995 ). Antiheroes are morally flawed protagonists ...
Anti-Heroes: Creating and Critiquing Them
An anti-hero is a literary archetype characterized by a protagonist who deviates from traditional heroic qualities, often displaying moral ambiguity, flaws, and unconventional behavior. These characters challenge conventional notions of heroism and morality, adding complexity and depth to narratives. Despite their imperfections, anti-heroes often elicit empathy from audiences, inviting ...
The Minority Anti-Hero: Race and Behavioral Justification in Power
This thesis explores the minority anti-hero on television as it relates to concepts. of race and behavioral justification. Previous studies have addressed the ways in which. whiteness functions advantageously for popular criminal anti-heroes on television, yet. little is known regarding the effects of race for similar characters of color.
Anti-Hero
Definition of Anti-Hero. Anti- hero is a literary device used by writers for a prominent character in a play or book that has characteristics opposite to that of a conventional hero. The protagonist is generally admired for his bravery, strength, charm, or ingenuity, while an anti-hero is typically clumsy, unsolicited, unskilled, and has both ...
PDF The Concept of the Anti-Hero in Modern Literature: An Analytical Study
the anti-hero is a crucial character in contemporary Indian literature and that he or she captures the country's shifting social and political landscape throughout the postcolonial period. According to Bhattacharya (2017), the anti-hero can be regarded as a reaction to the modernity dilemma in contemporary Indian literature.
The Anti-Hero in Modernist Fiction: From Irony to
Headnote. This essay considers anti-heroism as a response to modern man's uncertainties about traditional values and as a feature of modernity's Zeitgeist. Modern anti-heroism captures the sensibility associated with modernism, with Its attempts at cultural renewal, and It ranges between the low mimetic and the Ironic mode. Those who have crossed.
Anti-Hero Archetype with Examples
The term anti-hero as an archetype has undergone various transformations during its long history after it was first used by Diderot in his book. New forms of anti-heroes emerged in the 19 th century, such as the Gothic double. Later Dostoyevsky's Note from Underground presented another type of anti-hero that is entirely different from the main concept.
WHO ARE HEROES?
also segment the modern hero into three architypes - the Anti-Hero, the Catalyst Hero, and the Everyman Hero. This thesis will focus specifically on the characters that exemplify these hero archetypes: Harry Potter as the traditional hero, Severus Snape as the anti-hero, Albus Dumbledore as the catalyst hero, and Neville Longbottom as the ...
Character Development: Anti-Hero (GKA 2043 Research Methodology)
While this success of anti-hero narratives in television serials starting from late 1990s raises the question of "quality television", developing audience measurement models of networks make alternative narratives based on anti-heroes become widespread on the U.S. television industry. ... This thesis examines the development of the anti ...
Antihero
An antihero (sometimes spelled as anti-hero) [1] or antiheroine is a main character in a narrative (in literature, film, TV, etc.) who may lack some conventional heroic qualities and attributes, such as idealism, courage, and morality. [1] Although antiheroes may sometimes perform actions that most of the audience considers morally correct ...
The Psychology of the Anti-Hero
The anti-hero's life becomes meaningless and the paths that could redeem him are negated as he believes that the forces oppressing him are too strong to counter. In his book The Sound and the Fury, William Faulkner encapsulated the victim mentality of the anti-hero: ". . .no battle is ever won…They are not even fought.
Popular Anti-heroes: Origin, Changes, and Influences
There are many famous anti-hero characters come from traditional American. comic books and relevant adapted films and television shows such as DC's Joker, Harley Quinn from. Suicide Squad and Bird ...
The Paradox of Virtue: Milton's Satan and the Anti-Hero Tradition (thesis)
This thesis aims to address these deficiencies by endeavoring toward a singular goal: defining the Miltonic anti-hero. In condensed terms, I define the Miltonic anti-hero as follows: a protagonist that is good from a worldly perspective and is evil from a theological perspective, who commingles good and evil to ultimately render this moral ...
The anti-hero in postmodern literature
The anti-heroes represented by the two authors internalized the paranoia, anxiety, and disillusionment present in contemporary society and manifested it in their psychological issues and distorted heroes quests that end in utter destruction rather than enlightenment. An anti-hero appears to (not) save the day. Date. 2018.
PDF The Paradox of Virtue: Milton's Satan and the Anti-Hero Tradition
This thesis aims to address these deficiencies by endeavoring toward a singular goal: defining the Miltonic anti-hero. In condensed terms, I define the Miltonic anti-hero as follows: a protagonist that is good from a worldly perspective and is evil from a theological perspective, who commingles good and
The Television Anti-Hero (Masters Thesis)
1.2 The extreme anti-hero Before detailing how this research was conducted and how each of the key questions was addressed, it is first necessary to clarify and define what is understood by the terms anti-hero [ and, specifically, in the context of this thesis, the extreme anti-hero. To that end, it is instructive to begin
Essay on Hero-Anti Hero
The Anti-Hero Essays Fyodor Dostoyevsky's Notes from the Underground (1864/2008) comes across as a diary penned by a self-described "spiteful" and "unattractive" anonymous narrator (p. 7). The narrator's own self-loathing characterized by self-alienation is so obvious, that he is often referred to by critics as the Underground Man ...
The anti-hero Essay
The anti-hero. A hero is defined as "someone admired for his bravery, great deeds or noble qualities". There are three categories to which all heroes can be classified into, one of which is the anti-hero genre. An anti-hero has the role of a hero thrust upon them. They do not particularly want to be brave or noble but their actions lead ...
The Iconic Anti-Heroes: 17 Characters in Popular Culture
The legacy of anti-heroes extends beyond individual films; it has influenced the creation of characters in all kinds of works. Here, check out the 17 most popular.