thesis statement for poets

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Writing About Poetry

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Writing about poetry can be one of the most demanding tasks that many students face in a literature class. Poetry, by its very nature, makes demands on a writer who attempts to analyze it that other forms of literature do not. So how can you write a clear, confident, well-supported essay about poetry? This handout offers answers to some common questions about writing about poetry.

What's the Point?

In order to write effectively about poetry, one needs a clear idea of what the point of writing about poetry is. When you are assigned an analytical essay about a poem in an English class, the goal of the assignment is usually to argue a specific thesis about the poem, using your analysis of specific elements in the poem and how those elements relate to each other to support your thesis.

So why would your teacher give you such an assignment? What are the benefits of learning to write analytic essays about poetry? Several important reasons suggest themselves:

To help you learn to make a text-based argument. That is, to help you to defend ideas based on a text that is available to you and other readers. This sharpens your reasoning skills by forcing you to formulate an interpretation of something someone else has written and to support that interpretation by providing logically valid reasons why someone else who has read the poem should agree with your argument. This isn't a skill that is just important in academics, by the way. Lawyers, politicians, and journalists often find that they need to make use of similar skills.
To help you to understand what you are reading more fully. Nothing causes a person to make an extra effort to understand difficult material like the task of writing about it. Also, writing has a way of helping you to see things that you may have otherwise missed simply by causing you to think about how to frame your own analysis.
To help you enjoy poetry more! This may sound unlikely, but one of the real pleasures of poetry is the opportunity to wrestle with the text and co-create meaning with the author. When you put together a well-constructed analysis of the poem, you are not only showing that you understand what is there, you are also contributing to an ongoing conversation about the poem. If your reading is convincing enough, everyone who has read your essay will get a little more out of the poem because of your analysis.

What Should I Know about Writing about Poetry?

Most importantly, you should realize that a paper that you write about a poem or poems is an argument. Make sure that you have something specific that you want to say about the poem that you are discussing. This specific argument that you want to make about the poem will be your thesis. You will support this thesis by drawing examples and evidence from the poem itself. In order to make a credible argument about the poem, you will want to analyze how the poem works—what genre the poem fits into, what its themes are, and what poetic techniques and figures of speech are used.

What Can I Write About?

Theme: One place to start when writing about poetry is to look at any significant themes that emerge in the poetry. Does the poetry deal with themes related to love, death, war, or peace? What other themes show up in the poem? Are there particular historical events that are mentioned in the poem? What are the most important concepts that are addressed in the poem?

Genre: What kind of poem are you looking at? Is it an epic (a long poem on a heroic subject)? Is it a sonnet (a brief poem, usually consisting of fourteen lines)? Is it an ode? A satire? An elegy? A lyric? Does it fit into a specific literary movement such as Modernism, Romanticism, Neoclassicism, or Renaissance poetry? This is another place where you may need to do some research in an introductory poetry text or encyclopedia to find out what distinguishes specific genres and movements.

Versification: Look closely at the poem's rhyme and meter. Is there an identifiable rhyme scheme? Is there a set number of syllables in each line? The most common meter for poetry in English is iambic pentameter, which has five feet of two syllables each (thus the name "pentameter") in each of which the strongly stressed syllable follows the unstressed syllable. You can learn more about rhyme and meter by consulting our handout on sound and meter in poetry or the introduction to a standard textbook for poetry such as the Norton Anthology of Poetry . Also relevant to this category of concerns are techniques such as caesura (a pause in the middle of a line) and enjambment (continuing a grammatical sentence or clause from one line to the next). Is there anything that you can tell about the poem from the choices that the author has made in this area? For more information about important literary terms, see our handout on the subject.

Figures of speech: Are there literary devices being used that affect how you read the poem? Here are some examples of commonly discussed figures of speech:

metaphor: comparison between two unlike things
simile: comparison between two unlike things using "like" or "as"
metonymy: one thing stands for something else that is closely related to it (For example, using the phrase "the crown" to refer to the king would be an example of metonymy.)
synecdoche: a part stands in for a whole (For example, in the phrase "all hands on deck," "hands" stands in for the people in the ship's crew.)
personification: a non-human thing is endowed with human characteristics
litotes: a double negative is used for poetic effect (example: not unlike, not displeased)
irony: a difference between the surface meaning of the words and the implications that may be drawn from them

Cultural Context: How does the poem you are looking at relate to the historical context in which it was written? For example, what's the cultural significance of Walt Whitman's famous elegy for Lincoln "When Lilacs Last in the Dooryard Bloomed" in light of post-Civil War cultural trends in the U.S.A? How does John Donne's devotional poetry relate to the contentious religious climate in seventeenth-century England? These questions may take you out of the literature section of your library altogether and involve finding out about philosophy, history, religion, economics, music, or the visual arts.

What Style Should I Use?

It is useful to follow some standard conventions when writing about poetry. First, when you analyze a poem, it is best to use present tense rather than past tense for your verbs. Second, you will want to make use of numerous quotations from the poem and explain their meaning and their significance to your argument. After all, if you do not quote the poem itself when you are making an argument about it, you damage your credibility. If your teacher asks for outside criticism of the poem as well, you should also cite points made by other critics that are relevant to your argument. A third point to remember is that there are various citation formats for citing both the material you get from the poems themselves and the information you get from other critical sources. The most common citation format for writing about poetry is the Modern Language Association (MLA) format .

Literary Criticism

Introduction
Literary Theories
Steps to Literary Criticism
Find Resources
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thesis examples

SAMPLE THESIS STATEMENTS

These sample thesis statements are provided as guides, not as required forms or prescriptions.

______________________________________________________________________________________________________________

The thesis may focus on an analysis of one of the elements of fiction, drama, poetry or nonfiction as expressed in the work: character, plot, structure, idea, theme, symbol, style, imagery, tone, etc.

In “A Worn Path,” Eudora Welty creates a fictional character in Phoenix Jackson whose determination, faith, and cunning illustrate the indomitable human spirit.

Note that the work, author, and character to be analyzed are identified in this thesis statement. The thesis relies on a strong verb (creates). It also identifies the element of fiction that the writer will explore (character) and the characteristics the writer will analyze and discuss (determination, faith, cunning).

Further Examples:

The character of the Nurse in Romeo and Juliet serves as a foil to young Juliet, delights us with her warmth and earthy wit, and helps realize the tragic catastrophe.

The works of ecstatic love poets Rumi, Hafiz, and Kabir use symbols such as a lover’s longing and the Tavern of Ruin to illustrate the human soul’s desire to connect with God.

The thesis may focus on illustrating how a work reflects the particular genre’s forms, the characteristics of a philosophy of literature, or the ideas of a particular school of thought.

“The Third and Final Continent” exhibits characteristics recurrent in writings by immigrants: tradition, adaptation, and identity.

Note how the thesis statement classifies the form of the work (writings by immigrants) and identifies the characteristics of that form of writing (tradition, adaptation, and identity) that the essay will discuss.

Further examples:

Samuel Beckett’s Endgame reflects characteristics of Theatre of the Absurd in its minimalist stage setting, its seemingly meaningless dialogue, and its apocalyptic or nihilist vision.

A close look at many details in “The Story of an Hour” reveals how language, institutions, and expected demeanor suppress the natural desires and aspirations of women.

The thesis may draw parallels between some element in the work and real-life situations or subject matter: historical events, the author’s life, medical diagnoses, etc.

In Willa Cather’s short story, “Paul’s Case,” Paul exhibits suicidal behavior that a caring adult might have recognized and remedied had that adult had the scientific knowledge we have today.

This thesis suggests that the essay will identify characteristics of suicide that Paul exhibits in the story. The writer will have to research medical and psychology texts to determine the typical characteristics of suicidal behavior and to illustrate how Paul’s behavior mirrors those characteristics.

Through the experience of one man, the Narrative of the Life of Frederick Douglass, An American Slave, accurately depicts the historical record of slave life in its descriptions of the often brutal and quixotic relationship between master and slave and of the fragmentation of slave families.

In “I Stand Here Ironing,” one can draw parallels between the narrator’s situation and the author’s life experiences as a mother, writer, and feminist.

SAMPLE PATTERNS FOR THESES ON LITERARY WORKS

1. In (title of work), (author) (illustrates, shows) (aspect) (adjective).

Example: In “Barn Burning,” William Faulkner shows the characters Sardie and Abner Snopes struggling for their identity.

2. In (title of work), (author) uses (one aspect) to (define, strengthen, illustrate) the (element of work).

Example: In “Youth,” Joseph Conrad uses foreshadowing to strengthen the plot.

3. In (title of work), (author) uses (an important part of work) as a unifying device for (one element), (another element), and (another element). The number of elements can vary from one to four.

Example: In “Youth,” Joseph Conrad uses the sea as a unifying device for setting, structure and theme.

4. (Author) develops the character of (character’s name) in (literary work) through what he/she does, what he/she says, what other people say to or about him/her.

Example: Langston Hughes develops the character of Semple in “Ways and Means”…

5. In (title of work), (author) uses (literary device) to (accomplish, develop, illustrate, strengthen) (element of work).

Example: In “The Masque of the Red Death,” Poe uses the symbolism of the stranger, the clock, and the seventh room to develop the theme of death.

6. (Author) (shows, develops, illustrates) the theme of __________ in the (play, poem, story).

Example: Flannery O’Connor illustrates the theme of the effect of the selfishness of the grandmother upon the family in “A Good Man is Hard to Find.”

7. (Author) develops his character(s) in (title of work) through his/her use of language.

Example: John Updike develops his characters in “A & P” through his use of figurative language.

Perimeter College, Georgia State University, http://depts.gpc.edu/~gpcltc/handouts/communications/literarythesis.pdf

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12.6: Literary Thesis Statements

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Heather Ringo & Athena Kashyap
City College of San Francisco via ASCCC Open Educational Resources Initiative

The Literary Thesis Statement

Literary essays are argumentative or persuasive essays. Their purpose is primarily analysis, but analysis for the purposes of showing readers your interpretation of a literary text. So the thesis statement is a one to two sentence summary of your essay's main argument, or interpretation.

Just like in other argumentative essays, the thesis statement should be a kind of opinion based on observable fact about the literary work.

Thesis Statements Should Be

This thesis takes a position. There are clearly those who could argue against this idea.
Look at the text in bold. See the strong emphasis on how form (literary devices like symbolism and character) acts as a foundation for the interpretation (perceived danger of female sexuality).
Through this specific yet concise sentence, readers can anticipate the text to be examined ( Huckleberry Finn) , the author (Mark Twain), the literary device that will be focused upon (river and shore scenes) and what these scenes will show (true expression of American ideals can be found in nature).

Thesis Statements Should NOT Be

While we know what text and author will be the focus of the essay, we know nothing about what aspect of the essay the author will be focusing upon, nor is there an argument here.
This may be well and true, but this thesis does not appear to be about a work of literature. This could be turned into a thesis statement if the writer is able to show how this is the theme of a literary work (like "Girl" by Jamaica Kincaid) and root that interpretation in observable data from the story in the form of literary devices.
Yes, this is true. But it is not debatable. You would be hard-pressed to find someone who could argue with this statement. Yawn, boring.
This may very well be true. But the purpose of a literary critic is not to judge the quality of a literary work, but to make analyses and interpretations of the work based on observable structural aspects of that work.
Again, this might be true, and might make an interesting essay topic, but unless it is rooted in textual analysis, it is not within the scope of a literary analysis essay. Be careful not to conflate author and speaker! Author, speaker, and narrator are all different entities! See: intentional fallacy.

Thesis Statement Formula

One way I find helpful to explain literary thesis statements is through a "formula":

Thesis statement = Observation + Analysis + Significance

Observation: usually regarding the form or structure of the literature. This can be a pattern, like recurring literary devices. For example, "I noticed the poems of Rumi, Hafiz, and Kabir all use symbols such as the lover's longing and Tavern of Ruin "
Analysis: You could also call this an opinion. This explains what you think your observations show or mean. "I think these recurring symbols all represent the human soul's desire." This is where your debatable argument appears.
Significance: this explains what the significance or relevance of the interpretation might be. Human soul's desire to do what? Why should readers care that they represent the human soul's desire? "I think these recurring symbols all show the human soul's desire to connect with God. " This is where your argument gets more specific.

Thesis statement: The works of ecstatic love poets Rumi, Hafiz, and Kabir use symbols such as a lover’s longing and the Tavern of Ruin to illustrate the human soul’s desire to connect with God .

Thesis Examples

SAMPLE THESIS STATEMENTS

These sample thesis statements are provided as guides, not as required forms or prescriptions.

______________________________________________________________________________________________________________

The Literary Device Thesis Statement

In “A Worn Path,” Eudora Welty creates a fictional character in Phoenix Jackson whose determination, faith, and cunning illustrate the indomitable human spirit.

The character of the Nurse in Romeo and Juliet serves as a foil to young Juliet, delights us with her warmth and earthy wit, and helps realize the tragic catastrophe.

The Genre / Theory Thesis Statement

The thesis may focus on illustrating how a work reflects the particular genre’s forms, the characteristics of a philosophy of literature, or the ideas of a particular school of thought.

“The Third and Final Continent” exhibits characteristics recurrent in writings by immigrants: tradition, adaptation, and identity.

Samuel Beckett’s Endgame reflects characteristics of Theatre of the Absurd in its minimalist stage setting, its seemingly meaningless dialogue, and its apocalyptic or nihilist vision.

A close look at many details in “The Story of an Hour” reveals how language, institutions, and expected demeanor suppress the natural desires and aspirations of women.

Generative Questions

One way to come up with a riveting thesis statement is to start with a generative question. The question should be open-ended and, hopefully, prompt some kind of debate.

What is the effect of [choose a literary device that features prominently in the chosen text] in this work of literature?
How does this work of literature conform or resist its genre, and to what effect?
How does this work of literature portray the environment, and to what effect?
How does this work of literature portray race, and to what effect?
How does this work of literature portray gender, and to what effect?
What historical context is this work of literature engaging with, and how might it function as a commentary on this context?

These are just a few common of the common kinds of questions literary scholars engage with. As you write, you will want to refine your question to be even more specific. Eventually, you can turn your generative question into a statement. This then becomes your thesis statement. For example,

How do environment and race intersect in the character of Frankenstein's monster, and what can we deduce from this intersection?

Expert Examples

While nobody expects you to write professional-quality thesis statements in an undergraduate literature class, it can be helpful to examine some examples. As you view these examples, consider the structure of the thesis statement. You might also think about what questions the scholar wondered that led to this statement!

"Heart of Darkness projects the image of Africa as 'the other world,' the antithesis of Europe and therefore civilization, a place where man's vaunted intelligence and refinement are finally mocked by triumphant bestiality" (Achebe 3).
"...I argue that the approach to time and causality in Boethius' sixth-century Consolation of Philosophy can support abolitionist objectives to dismantle modern American policing and carceral systems" (Chaganti 144).
"I seek to expand our sense of the musico-poetic compositional practices available to Shakespeare and his contemporaries, focusing on the metapoetric dimensions of Much Ado About Nothing. In so doing, I work against the tendency to isolate writing as an independent or autonomous feature the work of early modern poets and dramatists who integrated bibliographic texts with other, complementary media" (Trudell 371).

Works Cited

Achebe, Chinua. "An Image of Africa" Research in African Literatures 9.1 , Indiana UP, 1978. 1-15.

Chaganti, Seeta. "Boethian Abolition" PMLA 137.1 Modern Language Association, January 2022. 144-154.

"Thesis Statements in Literary Analysis Papers" Author unknown. https://resources.finalsite.net/imag...handout__1.pdf

Trudell, Scott A. "Shakespeare's Notation: Writing Sound in Much Ado about Nothing " PMLA 135.2, Modern Language Association, March 2020. 370-377.

Contributors and Attributions

Thesis Examples. Authored by: University of Arlington Texas. License: CC BY-NC

Thesis Statements for a Literature Assignment

A thesis prepares the reader for what you are about to say. As such, your paper needs to be interesting in order for your thesis to be interesting. Your thesis needs to be interesting because it needs to capture a reader's attention. If a reader looks at your thesis and says "so what?", your thesis has failed to do its job, and chances are your paper has as well. Thus, make your thesis provocative and open to reasonable disagreement, but then write persuasively enough to sway those who might be disagree.

Keep in mind the following when formulating a thesis:

A Thesis Should Not State the Obvious
Use Literary Terms in Thesis With Care
A Thesis Should be Balanced
A Thesis Can be a Blueprint

Avoid the Obvious

Bland: Dorothy Parker's "Résumé" uses images of suicide to make her point about living.

This is bland because it's obvious and incontestable. A reader looks at it and says, "so what?"

However, consider this alternative:

Dorothy Parker's "Résumé" doesn't celebrate life, but rather scorns those who would fake or attempt suicide just to get attention.

The first thesis merely describes something about the poem; the second tells the reader what the writer thinks the poem is about--it offers a reading or interpretation. The paper would need to support that reading and would very likely examine the way Parker uses images of suicide to make the point the writer claims.

Use Literary Terms in Thesis Only to Make Larger Points

Poems and novels generally use rhyme, meter, imagery, simile, metaphor, stanzas, characters, themes, settings and so on. While these terms are important for you to use in your analysis and your arguments, that they exist in the work you are writing about should not be the main point of your thesis. Unless the poet or novelist uses these elements in some unexpected way to shape the work's meaning, it's generally a good idea not to draw attention to the use of literary devices in thesis statements because an intelligent reader expects a poem or novel to use literary of these elements. Therefore, a thesis that only says a work uses literary devices isn't a good thesis because all it is doing is stating the obvious, leading the reader to say, "so what?"

However, you can use literary terms in a thesis if the purpose is to explain how the terms contribute to the work's meaning or understanding. Here's an example of thesis statement that does call attention to literary devices because they are central to the paper's argument. Literary terms are placed in italics.

Don Marquis introduced Archy and Mehitabel in his Sun Dial column by combining the conventions of free verse poetry with newspaper prose so intimately that in "the coming of Archy," the entire column represents a complete poem and not a free verse poem preceded by a prose introduction .

Note the difference between this thesis and the first bland thesis on the Parker poem. This thesis does more than say certain literary devices exist in the poem; it argues that they exist in a specific relationship to one another and makes a fairly startling claim, one that many would disagree with and one that the writer will need to persuade her readers on.

Keep Your Thesis Balanced

Keep the thesis balanced. If it's too general, it becomes vague; if it's too specific, it cannot be developed. If it's merely descriptive (like the bland example above), it gives the reader no compelling reason to go on. The thesis should be dramatic, have some tension in it, and should need to be proved (another reason for avoiding the obvious).

Too general: Edna St. Vincent Millay wrote many poems with love as the theme. Too specific: Edna St. Vincent Millay wrote "Love is not all: it is not meat nor drink" in <insert date> after <insert event from her life>. Too descriptive: Edna St. Vincent Millay's "Love is not all: it is not meat nor drink" is a sonnet with two parts; the first six lines propose a view of love and the next eight complicate that view. With tension and which will need proving: Despite her avowal on the importance of love, and despite her belief that she would not sell her love, the speaker in Edna St. Vincent Millay's "Love is not all: it is not meat nor drink" remains unconvinced and bitter, as if she is trying to trick herself into believing that love really does matter for more than the one night she is in some lover's arms.

Your Thesis Can Be A Blueprint

A thesis can be used as roadmap or blueprint for your paper:

In "Résumé," Dorothy Parker subverts the idea of what a résumé is--accomplishments and experiences--with an ironic tone, silly images of suicide, and witty rhymes to point out the banality of life for those who remain too disengaged from it.

Note that while this thesis refers to particular poetic devices, it does so in a way that gets beyond merely saying there are poetic devices in the poem and then merely describing them. It makes a claim as to how and why the poet uses tone, imagery and rhyme.

Readers would expect you to argue that Parker subverts the idea of the résumé to critique bored (and boring) people; they would expect your argument to do so by analyzing her use of tone, imagery and rhyme in that order.

Citation Information

Nick Carbone. (1994-2024). Thesis Statements for a Literature Assignment. The WAC Clearinghouse. Colorado State University. Available at https://wac.colostate.edu/repository/writing/guides/.

Copyright Information

Thesis Statements for a Literature Assignment

Keep in mind the following when formulating a thesis:

A Thesis Should Not State the Obvious
Use Literary Terms in Thesis With Care
A Thesis Should be Balanced
A Thesis Can be a Blueprint

Avoid the Obvious

Bland: Dorothy Parker's "Résumé" uses images of suicide to make her point about living.

This is bland because it's obvious and incontestable. A reader looks at it and says, "so what?"

However, consider this alternative:

Dorothy Parker's "Résumé" doesn't celebrate life, but rather scorns those who would fake or attempt suicide just to get attention.

Use Literary Terms in Thesis Only to Make Larger Points

Don Marquis introduced Archy and Mehitabel in his Sun Dial column by combining the conventions of free verse poetry with newspaper prose so intimately that in "the coming of Archy," the entire column represents a complete poem and not a free verse poem preceded by a prose introduction .

Keep Your Thesis Balanced

Too general: Edna St. Vincent Millay wrote many poems with love as the theme. Too specific: Edna St. Vincent Millay wrote "Love is not all: it is not meat nor drink" in <insert date> after <insert event from her life>. Too descriptive: Edna St. Vincent Millay's "Love is not all: it is not meat nor drink" is a sonnet with two parts; the first six lines propose a view of love and the next eight complicate that view. With tension and which will need proving: Despite her avowal on the importance of love, and despite her belief that she would not sell her love, the speaker in Edna St. Vincent Millay's "Love is not all: it is not meat nor drink" remains unconvinced and bitter, as if she is trying to trick herself into believing that love really does matter for more than the one night she is in some lover's arms.

Your Thesis Can Be A Blueprint

A thesis can be used as roadmap or blueprint for your paper:

In "Résumé," Dorothy Parker subverts the idea of what a résumé is--accomplishments and experiences--with an ironic tone, silly images of suicide, and witty rhymes to point out the banality of life for those who remain too disengaged from it.

Carbone, Nick. (1997). Thesis Statements for a Literature Assignment. Writing@CSU . Colorado State University. https://writing.colostate.edu/guides/guide.cfm?guideid=51

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How to Create a Thesis & Outline for a Poetry Essay

Any academic essay must have a thesis statement and a poetry essay is no exception. The main purpose of a poetry essay is not to summarize the poem, but to develop an in-depth idea that makes an argument based upon an analysis of the poem. The thesis statement should contain the essay's main argument about the poem.

What Is a Poetry Essay

A poetry essay develops an interpretation about a particular poem. This interpretation contains an argument about what you think the poet is saying or doing in the poem and what effect the poem’s various elements, like diction or rhyme, have on the poem as a whole. This argument will in turn form the basis of your essay’s thesis statement.

How to Create Thesis Statement

The thesis of the essay will be your statement of interpretation of what a particular poem means. There are two related set of questions that you should consider in order to come up with the thesis for your poetry essay: What is this poem about and why did the writer write the poem as he or she did? The second part of this question asks why did the writer choose to use the words, images, metaphors and perhaps the particular kind of rhythm scheme; what effect is he or she trying to achieve? Your thesis statement should contain answers to these questions.

Connecting the Thesis to the Outline

Once you figure out the answers to the questions above, you can then write your thesis statement. The purpose of the rest of the essay is to provide support for your argument, or to prove your thesis with specific examples from the text. For example, you might decide that William Wordsworth’s poem “Daffodils” is saying something about Wordsworth’s attitude toward life. While this is a good start, this idea is not specific enough to be a thesis. The thesis should make an argument about Wordsworth’s perspective within the poem so that it can then be supported or proven in the rest of the essay. An example of a thesis might be: "In his poem, 'Daffodils,' Wordsworth uses daffodils as a metaphor for a happy life."

How to Write Outline

In order to outline your poetry essay, break up the outline into three main parts: introduction, argument, and conclusion. The introduction will introduce the poem and the poet and state your thesis. The argument section will typically be between two and five paragraphs, and each paragraph will make individual points that support the thesis statement.

For example, one paragraph might discuss how daffodils are a symbol of the poem’s main theme. The number of paragraphs and the argument section of the poem will vary according to how many supporting points you need to make in order to prove your thesis.

Finally, the conclusion is the third section of the essay. This section should summarize the main points of the essay and take the argument one step further.

University of California Santa Barbara: Writing a Thesis Paper About a Poem; Gerald Egan

Kate Prudchenko has been a writer and editor for five years, publishing peer-reviewed articles, essays, and book chapters in a variety of publications including Immersive Environments: Future Trends in Education and Contemporary Literary Review India. She has a BA and MS in Mathematics, MA in English/Writing, and is completing a PhD in Education.

How to write a poetry essay

August 26, 2023

Whether you love literature or are just curious, this guide will help you understand, enjoy, and talk about poetry. So, let’s start exploring the world of lines and symbols, where each one tells a story to discover.

Here are the steps on writing a poetry essay.

Choose a poem

The first step is, of course, to choose a poem to write your essay .

It should be one that you find interesting, thought-provoking, or emotionally resonant. It’s important to select a poem that you can engage with and analyze effectively.

Choose a poem that genuinely captures your interest. Look for poems that evoke emotions, thoughts, or curiosity when you read them.
Consider the themes addressed in the poem. It should offer ample material for analysis.

When choosing a poem

So for this guide, let’s choose Emily Dickinson’s poem “Because I could not stop for Death.” You’ll see a short excerpt of this poem for your understanding.

Poem example for poetry essay

Because i couldn not stop for Death by Emily Dickinson

Because I could not stop for Death – He kindly stopped for me – The Carriage held but just Ourselves – And Immortality. We slowly drove – He knew no haste And I had put away My labor and my leisure too, For His Civility – We passed the School, where Children strove At Recess – in the Ring – We passed the Fields of Gazing Grain – We passed the Setting Sun – The poem continues....

This poem is intriguing due to its exploration of mortality, the afterlife, and eternity. The imagery and language in the poem provide ample material for analysis, making it a suitable choice for a comprehensive essay.

After carefully choosing the poem that interests you, understanding the poem is the biggest key to writing an effective and nice poetry essay.

Understand the poem

Reading the poem several times to grasp its meaning is the most important part of a good analysis. You must first analyze the structure, rhyme scheme , meter and literary tools used in the poem.

For a solid understanding, you should:

Read the poem multiple times to familiarize yourself with its content. Each reading may reveal new insights.
Identify the central themes or messages the poem conveys.
Study the rhyme scheme and meter (rhythmic pattern) of the poem.
Consider how the structure, including its stanzas, lines, and breaks, contributes to the poem's meaning and impact.

For example

Remember, understanding the poem thoroughly is the foundation for a well-informed analysis. Take your time to grasp the poem’s various elements before moving on to the next steps in your essay.

Now that we have a clear understanding of the poem, let’s move into writing the introduction.

Write a catchy introduction

Begin with an attention-grabbing hook sentence that piques the reader's interest.
Provide the necessary information about the poem and its author. Mention the poet's name and title of the poem.
Offer some context about the poem's time period, literary movement, or cultural influences.
Present your thesis statement , which outlines the main argument or focus of your essay.

Poetry essay introduction example

Introduction

Thesis statement for poetry essays

A thesis statement is a clear and concise sentence or two that presents the main argument or point of your essay . It provides a roadmap for your reader, outlining what they can expect to find in your essay.

In the case of a poetry essay, your thesis statement should capture the central message, themes, or techniques you’ll be discussing in relation to the poem.

Why is the thesis important for a poetry essay?

By reading your thesis statement, your audience should have a clear idea of what to expect from your poem analysis essay.

When creating a thesis statement, keep these in mind:

Start by identifying the key elements of the poem that you want to discuss. These could be themes, literary devices, emotions conveyed, or the poet's intentions.
Based on the key elements you've identified, formulate a central argument that encapsulates your main analysis. What is the poem trying to convey? What are you trying to say about the poem?
Your thesis should be specific and focused. Avoid vague or broad statements. Instead, provide a clear direction for your analysis.

Poetry essasy thesis statement example

....(introduction starts) ....(introduction continues) ....(introduction continues) In "Because I could not stop for Death," Emily Dickinson employs vivid imagery, personification, and an unconventional perspective on mortality to explore the transcendence of death and the eternity of the soul. Thesis statement, which is usually the last sentence of your introduction

Analyze language and imagery

Language and image analysis in poetry involves a close examination of the words, phrases and literary devices used by the poet. In this step you must uncover the deeper layers of meaning, emotion and sensory experiences conveyed by the poet’s choice of language and imagery.

Why language and imagery?

Start by identifying and listing the literary devices present in the poem. These could include metaphors, similes, personification, symbolism, alliteration, onomatopoeia, and more.
For each identified device, explain its significance. How does it contribute to the poem's meaning, mood, or tone?
Analyze how the literary devices interact with the context of the poem. How do they relate to the themes, characters, or situations presented in the poem?
Discuss how the use of specific language and imagery influences the reader's emotional response and understanding of the poem.

Continuing with Emily Dickinson’s “Because I could not stop for Death,” let’s analyze the use of imagery:

Language and imagery analysis example

Lines chosen for analysis

Discuss themes in body paragraphs

Exploring themes helps you grasp the deeper meaning of the poem and connect it to broader human experiences. Understanding the themes allows you to uncover what the poet is attempting to convey and how the poem relates to readers on a universal level.

In this step, you will likely dedicate multiple body paragraphs to the analysis of various aspects of language and imagery. Each body paragraph should focus on a specific literary device, phrase, or aspect of language and imagery.

Here’s how you can structure the body paragraphs.

Poetry essay body paragraphs example

Body Paragraph 1: Identify and Explain Literary Devices

Body Paragraph 2: Context and Interaction with Themes

Body Paragraph 3: Reader's emotional response and understanding

Provide evidence from the poem

Providing evidence involves quoting specific lines or stanzas from the poem to support the points you’re making in your analysis. These quotes serve as concrete examples that demonstrate how the poet uses language, imagery, or literary devices to convey specific meanings or emotions.

Select lines or stanzas from the poem that directly relate to the point you're making in your analysis.
Introduce each quote with context, explaining the significance of the lines and how they contribute to your analysis.
Use quotation marks to indicate that you're using the poet's language.
After providing the quote, interpret its meaning. Explain how the language, imagery, or devices used in the quoted lines contribute to your analysis.

Providing evidence example

In your essay, you should include several quotes and interpret them to reinforce your points. Quoting specific lines from the poem allows you to showcase the poet’s language while demonstrating how these lines contribute to the poem’s overall expression.

Write a conclusion

Conclusion paragraph is the last sentence of your poem analysis essay. It reinforces your thesis statement and emphasizes your insights.

Additionally, the conclusion offers a chance to provide a final thought that leaves a lasting impression on the reader. In your conclusion, make sure to:

Start by rephrasing your thesis statement. Remind the reader of the main argument you've made in your essay.
Provide a concise summary of the main points. Avoid introducing new information; focus on the key ideas.
Discuss the broader significance or implications. How does the poem's message relate to readers beyond its specific context?
End with a thoughtful reflection, observation, or question that leaves the reader with something to ponder.

Poetry essay conclusion example

In your essay, the conclusion serves as a final opportunity to leave a strong impression on the reader by summarizing your analysis and offering insights into the poem’s broader significance.

Now, it’s time to double check what you’ve written.

Proofread and revise your essay

Edit your essay for clarity, coherence, tense selection , correct headings , etc. Ensure that your ideas flow logically and your analysis is well-supported. Remember, a poetry essay is an opportunity to delve into the nuances of a poem’s language, themes, and emotions.

Review each paragraph to ensure ideas flow logically from one to the next.
Check for grammar and punctuation errors.
Verify that your evidence from the poem is accurately quoted and explained.
Make sure your language is clear and effectively conveys your analysis.

By proofreading and revising, you can refine your essay, improving its readability and ensuring that your insights are communicated accurately.

So this was the last part, you’re now ready to write your first poem analysis (poetry) essay.

Frequently Asked Questions

What should i include in the introduction of a poetry essay.

In the introduction, provide background information about the poem and poet. Include the poem’s title, publication date, and any relevant context that helps readers understand its significance.

Can I include my emotional responses in a poetry essay?

Yes, you can discuss your emotional responses, but ensure they are supported by your analysis of the poem’s literary elements. Avoid focusing solely on personal feelings.

Is it important to understand the poet's background when writing a poetry essay?

While it can provide context, your focus should be on analyzing the poem itself. If the poet’s background is relevant to the poem’s interpretation, mention it briefly.

What's the best way to conclude a poetry essay?

In the conclusion, summarize your main points and tie them together. Offer insights into the poem’s broader significance, implications, or lasting impact.

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The Writing Center • University of North Carolina at Chapel Hill

Thesis Statements

What this handout is about.

This handout describes what a thesis statement is, how thesis statements work in your writing, and how you can craft or refine one for your draft.

Introduction

Writing in college often takes the form of persuasion—convincing others that you have an interesting, logical point of view on the subject you are studying. Persuasion is a skill you practice regularly in your daily life. You persuade your roommate to clean up, your parents to let you borrow the car, your friend to vote for your favorite candidate or policy. In college, course assignments often ask you to make a persuasive case in writing. You are asked to convince your reader of your point of view. This form of persuasion, often called academic argument, follows a predictable pattern in writing. After a brief introduction of your topic, you state your point of view on the topic directly and often in one sentence. This sentence is the thesis statement, and it serves as a summary of the argument you’ll make in the rest of your paper.

What is a thesis statement?

A thesis statement:

tells the reader how you will interpret the significance of the subject matter under discussion.
is a road map for the paper; in other words, it tells the reader what to expect from the rest of the paper.
directly answers the question asked of you. A thesis is an interpretation of a question or subject, not the subject itself. The subject, or topic, of an essay might be World War II or Moby Dick; a thesis must then offer a way to understand the war or the novel.
makes a claim that others might dispute.
is usually a single sentence near the beginning of your paper (most often, at the end of the first paragraph) that presents your argument to the reader. The rest of the paper, the body of the essay, gathers and organizes evidence that will persuade the reader of the logic of your interpretation.

If your assignment asks you to take a position or develop a claim about a subject, you may need to convey that position or claim in a thesis statement near the beginning of your draft. The assignment may not explicitly state that you need a thesis statement because your instructor may assume you will include one. When in doubt, ask your instructor if the assignment requires a thesis statement. When an assignment asks you to analyze, to interpret, to compare and contrast, to demonstrate cause and effect, or to take a stand on an issue, it is likely that you are being asked to develop a thesis and to support it persuasively. (Check out our handout on understanding assignments for more information.)

How do I create a thesis?

A thesis is the result of a lengthy thinking process. Formulating a thesis is not the first thing you do after reading an essay assignment. Before you develop an argument on any topic, you have to collect and organize evidence, look for possible relationships between known facts (such as surprising contrasts or similarities), and think about the significance of these relationships. Once you do this thinking, you will probably have a “working thesis” that presents a basic or main idea and an argument that you think you can support with evidence. Both the argument and your thesis are likely to need adjustment along the way.

Writers use all kinds of techniques to stimulate their thinking and to help them clarify relationships or comprehend the broader significance of a topic and arrive at a thesis statement. For more ideas on how to get started, see our handout on brainstorming .

How do I know if my thesis is strong?

If there’s time, run it by your instructor or make an appointment at the Writing Center to get some feedback. Even if you do not have time to get advice elsewhere, you can do some thesis evaluation of your own. When reviewing your first draft and its working thesis, ask yourself the following :

Do I answer the question? Re-reading the question prompt after constructing a working thesis can help you fix an argument that misses the focus of the question. If the prompt isn’t phrased as a question, try to rephrase it. For example, “Discuss the effect of X on Y” can be rephrased as “What is the effect of X on Y?”
Have I taken a position that others might challenge or oppose? If your thesis simply states facts that no one would, or even could, disagree with, it’s possible that you are simply providing a summary, rather than making an argument.
Is my thesis statement specific enough? Thesis statements that are too vague often do not have a strong argument. If your thesis contains words like “good” or “successful,” see if you could be more specific: why is something “good”; what specifically makes something “successful”?
Does my thesis pass the “So what?” test? If a reader’s first response is likely to be “So what?” then you need to clarify, to forge a relationship, or to connect to a larger issue.
Does my essay support my thesis specifically and without wandering? If your thesis and the body of your essay do not seem to go together, one of them has to change. It’s okay to change your working thesis to reflect things you have figured out in the course of writing your paper. Remember, always reassess and revise your writing as necessary.
Does my thesis pass the “how and why?” test? If a reader’s first response is “how?” or “why?” your thesis may be too open-ended and lack guidance for the reader. See what you can add to give the reader a better take on your position right from the beginning.

Suppose you are taking a course on contemporary communication, and the instructor hands out the following essay assignment: “Discuss the impact of social media on public awareness.” Looking back at your notes, you might start with this working thesis:

Social media impacts public awareness in both positive and negative ways.

You can use the questions above to help you revise this general statement into a stronger thesis.

Do I answer the question? You can analyze this if you rephrase “discuss the impact” as “what is the impact?” This way, you can see that you’ve answered the question only very generally with the vague “positive and negative ways.”
Have I taken a position that others might challenge or oppose? Not likely. Only people who maintain that social media has a solely positive or solely negative impact could disagree.
Is my thesis statement specific enough? No. What are the positive effects? What are the negative effects?
Does my thesis pass the “how and why?” test? No. Why are they positive? How are they positive? What are their causes? Why are they negative? How are they negative? What are their causes?
Does my thesis pass the “So what?” test? No. Why should anyone care about the positive and/or negative impact of social media?

After thinking about your answers to these questions, you decide to focus on the one impact you feel strongly about and have strong evidence for:

Because not every voice on social media is reliable, people have become much more critical consumers of information, and thus, more informed voters.

This version is a much stronger thesis! It answers the question, takes a specific position that others can challenge, and it gives a sense of why it matters.

Let’s try another. Suppose your literature professor hands out the following assignment in a class on the American novel: Write an analysis of some aspect of Mark Twain’s novel Huckleberry Finn. “This will be easy,” you think. “I loved Huckleberry Finn!” You grab a pad of paper and write:

Mark Twain’s Huckleberry Finn is a great American novel.

You begin to analyze your thesis:

Do I answer the question? No. The prompt asks you to analyze some aspect of the novel. Your working thesis is a statement of general appreciation for the entire novel.

Think about aspects of the novel that are important to its structure or meaning—for example, the role of storytelling, the contrasting scenes between the shore and the river, or the relationships between adults and children. Now you write:

In Huckleberry Finn, Mark Twain develops a contrast between life on the river and life on the shore.

Do I answer the question? Yes!
Have I taken a position that others might challenge or oppose? Not really. This contrast is well-known and accepted.
Is my thesis statement specific enough? It’s getting there–you have highlighted an important aspect of the novel for investigation. However, it’s still not clear what your analysis will reveal.
Does my thesis pass the “how and why?” test? Not yet. Compare scenes from the book and see what you discover. Free write, make lists, jot down Huck’s actions and reactions and anything else that seems interesting.
Does my thesis pass the “So what?” test? What’s the point of this contrast? What does it signify?”

After examining the evidence and considering your own insights, you write:

Through its contrasting river and shore scenes, Twain’s Huckleberry Finn suggests that to find the true expression of American democratic ideals, one must leave “civilized” society and go back to nature.

This final thesis statement presents an interpretation of a literary work based on an analysis of its content. Of course, for the essay itself to be successful, you must now present evidence from the novel that will convince the reader of your interpretation.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Anson, Chris M., and Robert A. Schwegler. 2010. The Longman Handbook for Writers and Readers , 6th ed. New York: Longman.

Lunsford, Andrea A. 2015. The St. Martin’s Handbook , 8th ed. Boston: Bedford/St Martin’s.

Ramage, John D., John C. Bean, and June Johnson. 2018. The Allyn & Bacon Guide to Writing , 8th ed. New York: Pearson.

Ruszkiewicz, John J., Christy Friend, Daniel Seward, and Maxine Hairston. 2010. The Scott, Foresman Handbook for Writers , 9th ed. Boston: Pearson Education.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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How (and Why) To Write Artistic Statements for Poems

EXPLORE THE ARTICLE

📌 What’s the point of an artistic statement? 📌 How to write an artistic statement 📌 Five examples of artistic statements for poems

About the Author 🐶

When you think of an “artistic statement”, you may imagine the paragraph of text next to a piece of art hanging on a gallery wall. Artistic statements are common with visual art—not so much with poetry.

And maybe that’s to our detriment as poets. Artistic statements allow artists to provide context and depth to a work. Especially when it comes to art that’s more abstract, accompanying artistic statements can provide a lens through which to understand the art or the artist a little bit better.

With poetry, there’s a precedent of not explaining. It can feel like talking about a poem diminishes it, like learning how a magic trick is done. We work so hard to reveal and conceal exactly the details we choose in the poem itself, and now we’re supposed to tell all?

Not exactly. Artistic statements vary nearly as much as art itself; they can be as short as you want, and they only reveal whatever information you, the poet, believe will enhance your work.

PRO TIP 📝 There are “about me” style artist statements that focus on an artist’s overall approach; this article focuses on artist statements for individual poems.

What’s the point of an artistic statement?

Artistic statements can be educational, process-oriented, or personal. My favorite artistic statements essentially function as mini craft articles, where a poet lays out their approach and techniques.

While artist statements won’t be a useful tool for every poet, there can be significant benefits:

Revealing The Poet Behind the Curtain . Artistic statements can make a poem more accessible, revealing the everyday human inspiration or writing process behind even the most brilliant poems.

Deepening or Enhancing the Reading. While most will argue a poem shouldn’t need any context to hit home with a reader, sometimes an explication behind a beautiful work makes it that much better.

As a Tool for Understanding Your Work. Writing an artistic statement prompts you to reflect on your poem in a way you otherwise might not. This is especially true if you’re a writer who ends up somewhere drastically different from where you started. Maybe you thought you wanted to write about your 19th birthday, but it turns out your poem is actually invested in exploring your family’s history of mental illness. Exploring your work in its final form will make you aware of the subjects and aesthetics that are driving your art. You may realize things about your work you didn’t know!

As a Tool for Editing. Some poets gasp in horror at the thought of describing a work-in-progess, but if you’re not one of them, it may be worth a shot. When you find yourself stuck, try writing out in plainer language what you’re attempting to achieve or communicate, your inspiration, and what effect you hope to create. This could help illuminate your own hidden beliefs and expectations about the poem—and perhaps identify creative blocks.

How to write an artistic statement

If you’re anything like me, some poems take a long time to write—and go through such extensive rewrites that sometimes their origins are fuzzy. It can be easy to forget the inspiration or thinking behind a piece. Especially if you’ve been laser-focused on adjusting that last one or two lines you wrestled with.

It’s a common sentiment among poets that talking about our own poems is hard. Trying to suss out the central thesis, vision, or summary for a work that we’ve been crafting carefully over weeks or months may be overwhelming.

My advice? Start casually. Do some free-writing about the poem, asking yourself specific questions and seeing what comes up.

Here are some questions to help you kick off:

➡ This poem emerged from…

➡ My favorite line in this poem is…

➡ This poem was fueled by…

➡ I knew this poem was done when…

➡ Writing this poem was/wasn’t challenging because…

➡ When I started this poem, I was thinking about…

➡ I wrote this poem to explore…

➡ The poem’s title alludes to…

➡ The original title of this poem was…

There’s no precise formula for what you ultimately choose to include in your statement. Artistic statements can be used to share more about the meaning, intention, and process, or shed light on something else about the poem or writer entirely. While they’re not part of the work of the poem, they can add to the reader’s experience of that work. How do you want to add to that experience?

Five examples of artistic statements for poems

While most journals don’t include artistic statements along with the poems they publish (or anything in addition to a 3rd person bio), some break the mold. For example, both Rattle and Chestnut Review accompany each poem with a short statement from the author. Many of the newer poems on Poets.org include one, as well. While not artistic statements, Driftwood Press publishes an interview with every poet they publish about their featured work. Southeast Review ’s “About the Work” feature offers deeper insight into published works, offering more examples of poets talking about their poetry.

Below are examples of five artistic statements to help you reflect on your own work, and get a sense of writing-about-writing in action.

1) Karisma Price on her poem “And" ( Southeast Review )

“I’m a poet who writes about my anxieties, and I wanted to create a repetitive list poem of all the small and large situations that have brought me discomfort in the past. I decided to start almost every sentence with “and” because (1) This may sound weird, but I’m intrigued by dependent clauses… “ ( Read more )

I appreciate how Karisma Price explains her creative process and thinking in writing “And” so clearly. She describes the process behind deciding on the best approach for her poem based on what effect she wanted to create for the reader. She also shares concrete details about the poem, and the exact workshop feedback that was pivotal in her writing process (reinforcing how filled with twists and turns the writing process can be!). This artist statement not only tells us more about the poem, but contains actionable lessons about craft.

2) Mimi Yang on her poem “Dinner Sonnet” ( Chestnut Review )

“... The idea for this poem came to me after I had genuinely eaten the best crayfish of my life in my grandparent’s backyard cookout, only to learn that the man who made the crayfish was an abusive father with a young daughter terrified of his voice. Despite understanding her on a personal level, I could not bring myself to stop eating the crayfish or to stop asking him for more.” ( Read more )

In this statement on her poem “Dinner Sonnet”, Mimi Yang gives an example of the complex scenarios that can lead a poet to a poem. For me, Yang’s reflection back to where the idea for this poem emerged speaks to one of the greatest powers of poetry: to combine and collapse timelines, allowing us to relive a moment with the hindsight and perspective of a present-day speaker. Yang also discusses the form she uses in the piece—a sonnet in a triptych of sonnets—and how this poem fits into the larger series.

3) Bridget Kriner on her poem, “On Aesthetic Injury” ( Rattle )

“This poem is written in response to the recent court decision regarding mifepristone, where federal appeals court Judge James Ho argued that doctors suffer aesthetic injury when they are deprived of the experience of seeing their ‘unborn’ patients…” ( Read more )

In a statemnt regarding her poem “On Aesthetic Injury”, Bridget Kriner provides the political context that inspired the poem, including the direct quote from a judge on the ruling in question. In the poem itself, the speaker addresses the topic “slantly”, using a wildlife adventure metaphor to drive the poem forward. The poem feels to this reader like a mic-drop moment, and reading in the statement what exactly is being clapped back against was a satisfying layer of information. I enjoyed the poem without the context, but the addition of it makes it all the more memorable.

4) Andrea Gibson on their poem “In the chemo room, I wear mittens made of ice so I don’t lose my fingernails. But I took a risk today to write this down.” (Poets.org)

“... Even when I lost my eyelashes to chemotherapy I wrote, ‘That’s four hundred wishes I wouldn’t have made otherwise.’ But because I did not want to lose my fingernails too, I’d religiously ice my hands for hours during treatment—unless a poem begged me to type it. ‘Is that line worth losing a nail over?’ my partner would ask. Almost always, I’d smile and say, ‘Yes.’” ( Read more )

We writers love to get meta: Andrea Gibson writes about writing in their poem (or, the scene is set by the title as one of the speaker writing) and then writes about writing the poem in their accompanying statement. This is an example of an artistic statement that reflects on the meaning and inspiration behind the piece rather than a focus on craft or the editing process. Most writers will understand the feeling of being compelled to put their lines down on paper, and knowing the lengths Gibson went through to write this poem while undergoing chemotherapy adds another layer of beauty.

5) Iheoma J. Uzomba on her poem, “The Kitchen as Slaughterhouse where Crucifixion is just another Permutation of Loss” ( Chestnut Review )

“The poem reverses conventional understanding of the kitchen as a place of creation and perhaps of life-giving because in common understanding, food is a necessary item for survival. The kitchen being a place where food is made then gives it that significance of life. However, this poem alters that convention by identifying how the kitchen itself can be a slaughterhouse, a place for the marring of beings… ” ( Read more )

In her statement, Iheoma J. Uzomba provides a poignant description of the work her poem is doing to challenge the convention of a kitchen as a place of life-giving. She uses her artistic statement to give the reader insight into her thought process behind writing the piece, demonstrating the complexity behind the final work. This illustrates how poems can distill larger ideas through the deft use of craft techniques.

Final Thoughts

An artistic statement doesn’t have to reveal anything you don’t want to reveal—and it’s not a defense of your work. You never have to write one if you don’t want to. But for some poets, it can be a useful tool in their education and growth as a writer.

It can also serve as an opportunity to communicate to your audience some of the context that contributed to the art piece they see in front of them. Context that can deepen, complicate, clarify, or even give the reader a peek at your process.

It’s all up to you, poet.

BACK TO THE RESOURCE CENTER >

How (and Why) To Write Artistic Statements for Poems

This article was published on October 30, 2023. Written by:

is a writer and poet who lives in Denver and serves as EIC of The Poetry Lab’s Resource Center. She has a bachelor’s degree in English Lit from the University of Wisconsin-Madison as well as a half-completed but ultimately abandoned master’s in public administration. She’s passionate about learning in community, artistic irreverence, and the feeling of finding the exact right word. Her poetry has appeared in Ghost City Review, Sky Island Journal, and elsewhere.

@ayla.poetry | gingerayla.medium.com | Read More by Ginger ➡️

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What Should A Thesis Statement In A Poetry Analysis Do

Introduction

A thesis statement in a poetry analysis is an assertive indication of the direction of a student’s argument or essay. It not only serves to provide clear focus for the direction of the student’s argument but also to provide them with a sense of organisation of the main ideas. It is usually one sentence in length and should be placed at the beginning of an essay in order to provide a guidepost for the essay’s direction. This way the student is able to present an effective argument in their essay. According to Harvard professor Ellis Cashmore, this kind of statement should be “clear, concise, direct and specific”.

Argument Definition

A thesis statement conveys the primary message of an essay by giving a concise statement of the main idea and regulating the development of the argument that follows. According to Oxford professor Michael Billig, a thesis statement should “provide direction and layout the structure of the argument,” and “clarify the purpose of your essay.” Similarly, author Nathan Strutz views it as a tool for “building the main argument” and “shaping the structure of the essay.” However, it is important for the student to remember that the thesis statement should not just be a statement of fact.

Thesis Statement in a Poetry Analysis

In a poetry analysis essay, the thesis statement should present/summarize one’s interpretation of the poem, as well as explain the specific elements of the poem that contribute to this interpretation. Additionally, it should be written in the present tense, while also incorporating some of the poetic diction and phrases used in the poem. According to the Indiana University’s Writing Tutorial, a thesis statement in a poetry analysis essay should “consistently incorporate into [the] thesis an interpretation of the poem and explanatory assertions that can be backed up with evidence from the poem”.

Evidence to Support Argument

The evidence that backs up the thesis statement should be connected to the argument in a logical sequence, as well as establish a clear argumentative structure for the essay. This can be done by selecting important quotes from the poem and emphasizing on their meaning and relevance for the thesis statement.In the essay, specific examples from the poem should be used to explain the argument in a persuasive way, as well as placing opinions in their proper context. It is also important for the student to focus on interpreting and analyzing the complexity of the poem’s language and to explain the implications of certain words used. This is important for the evidence to have an impact and create a strong argument for the essay.

Analysis of Poem

In a poetry analysis essay, the analysis should be the largest part of the paper. It should be used to specific implications and interpretations of the poem while backing them up with evidence from the poem. This allows to create a connection between the evidence and the thesis statement, as well as maintain a strong argumentative paper. According to Oregon Professor Sam Tsemberis, it is necessary to “investigate the poem line by line” while focusing on the hidden meaning and nuances behind the words used as well as the poet’s choice of words, style and tone. In the same way, New York Professor Lena Miles suggests to analyze the poem by “using metaphor and symbols”, and focus on the different aspects that these represent.

Synthesis of Many Ideas

The synthesis of many ideas is an important part of a poetry analysis essay in order for the student to effectively connect to the poem and make sense of its meaning. A strong understanding of the context in which the poem was written and the circumstances that inspired it is necessary in order to approach the poem from a creative standpoint. In the same way, understanding the poetic traditions that the poem belongs to and the different metaphors and symbolic meanings can give insight in the implications that each phrase has and how it contributes to the overall poem.

Evaluation of Poem

The evaluation of the poem is the culmination of the analysis, in which the student should ask themselves what statement the poem is trying to make and what effect does it have on the reader. According to Ohio Professor Joseph Keal, “a thesis statement for a poetry analysis should be written to provide a reader with an interpretation of the poem, one that takes into account both the nuances of the poem and the bigger picture.” The student should then evaluate the implications of the poem in the context of a larger argument and look at the effects of the poem on the reader. This will show how the evidence used in the essay works towards the conclusion and how the poem as a whole works towards achieving the thesis statement.

Relevance of Poem

The relevance of the poem is one of the questions that the reader should ask in order to assess the poem’s impact on the way they think and feel. From a literary standpoint, the reader should look at the poem’s impact on the author’s own creative and writing process, as well as any other thematic implications of the poem. Looking at the relevance of the poem also allows the reader to question and assess the implications of the poem in the larger context of literature and the world. Considering the relevance of the poem to the wider world or its importance to popular culture will provide the reader with a deeper understanding of the poem’s impact and the way it affects others.

Evaluation of Thesis Statement

The evaluation of a thesis statement in a poetry analysis has to do with making sure that the student has created an argument that is specific, clear and concise. It is important to not only consider the thesis statement itself but also the way in which it is expressed and connected to the evidence. As Harvard professor John Williams suggests, it is important to “think through the argument you want to make and get to the heart of your thesis.” The evaluation should look at the way in which the thesis statement has been expressed and how it is connected to the evidence found within the essay. This can be done by looking at the direction of the argument, the structure of the paper and how the evidence used supports or works against the thesis statement.

Conclusion of Analysis

The conclusion of the poetry analysis should sum up the argument that has been made throughout the essay. It should reaffirm the thesis statement and provide closure to the essay. This should be done by bringing together the different elements of the essay and summarizing the implications of the poetry or poem discussed. In the same way, it is important for the reader to connect their work with their own interpretation of the poem and to provide the reader with a conclusion that leaves them with a strong impression. According to Vanderbilt University Professor Taylor Marsh, it is important to “provide the reader with a satisfying sense of closure” and to “create a resonance in the reader’s mind.”

Dannah Hannah is an established poet and author who loves to write about the beauty and power of poetry. She has published several collections of her own works, as well as articles and reviews on poets she admires. She holds a Bachelor of Arts in English, with a specialization in poetics, from the University of Toronto. Hannah was also a panelist for the 2017 Futurepoem book Poetry + Social Justice, which aimed to bring attention to activism through poetry. She lives in Toronto, Canada, where she continues to write and explore the depths of poetry and its influence on our lives.

Writing About Literature

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Essay 1: Comparing Two Poems

Post your ideas for the first essay below. This is a good place to test thesis statements and topics and to discuss the finer details of the assignment.

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28 thoughts on “ Essay 1: Comparing Two Poems ”

Thesis: In this essay, I will show how “Thirteen Ways to Look at a Blackbird” by Wallace Stevens and “Theme for English B” by Langston Hughes both have themes relation to human emotions and analyze the execution presenting such themes.

Kyla, this is a great start! Try and focus in on a specific emotion that you read in both of these poems. I’m immediately inclined to point out fear or perhaps love, but there are certainly other emotions described or implied in each poem even if they are not explicitly named.

Thesis: “Ozymandias” and “My Last Duchess” are two poems that both describe works of art, a sculpture and a painting, respectively, both of which depict a deceased person. These artworks act as masks that hide the subjects’ real nature, as well as depicting the sum of their life’s work.

Petvy, this is a good overview for your essay. Your thesis statement might want to argue that the dead figures depicted in each work of art are similar and/or different in important ways. For instance, Ozymandias seems to have had a hand in the commissioning of his statue and seems to have held a great deal of power while he was alive. But the Duchess had her portrait commissioned by her husband and was ultimately (we may presume) murdered on her husband’s orders. While she lived, she seemed not to have much power (according to my reading, but perhaps you can prove otherwise). Do these figures fare differently as works of art? Ozymandias’s broken statue seems a bit embarrassing and ironic. The painting of Duchess, however, is a subtler presence: do you think the Duke remains jealous or fearful of her even after her death?

“Sonnet 73” and “Sonnet 116” are two different, yet very similar poems that use metaphors, imagery, and meter to portray the beauty and everlasting effect of love.

Karyna, commenting on the mystical qualities of love in Shakespeare’s sonnets is a great starting point for this essay. But know that every poem uses metaphor, imagery, and meter. What you’ll need to show is how the Shakespearean sonnet form (fourteen lines divided into three quatrains and a final conceit expressed in the closing couplet), exemplified in the two sonnets you’ve chosen, works within certain formal constraints to explore what you call “the beauty and everlasting effect of love.” I don’t see a hopeful outlook on love (by which I think you mean romantic love within the confines of a marriage?) in Sonnet 73. That poem is more pensive and is concerned with “lov[ing] that well which thou must leave ere long.” In other words, enjoy the moment because this love is not going to last. This seems to be the antithesis to “the beauty and everlasting effect of love,” so if you keep with the theme you’ve chosen, Sonnet 73 should act as a sort of foil to Sonnet 116. If you’re going to talk about “metaphors, imagery, and meter,” you would do better to focus on elements like tone or mood, personification, or simile, as well as sonic qualities of the poem where you notice them, such as alliteration, assonance, and consonance, and repeated or closely related words. Always use adjectives to describe the tone, mood, imagery, meter, or any other literary device you’re scrutinizing. Using any of these terms without an accompanying adjective doesn’t tell your audience anything they won’t already know.

How do you start to do this? Reading each poem very closely! Start by breaking the poem into sections (quatrains and couplets) and then into lines and finally phrases or single words.

The two poems I have selected for this Essay is Stopping by the Woods on a Snowy Evening by Robert Frost and It is a Beauteous Evening, Calm and Free by William Wordsworth. The theme I am focusing on is nature and the influence it had on both characters in certain ways.

Tayyab, this is a good start. You’ll need to explicitly show what you mean by “nature” because it’s a broad term. You’ll also need to be more specific than to simply state that nature has an “influence… on both characters in certain ways.”

Here are some questions to get you started:

How, specifically, does Wordsworth’s speaker respond to the beauty and calmness and freedom of the evening by the seashore? Is the little girl part of “nature,” as you understand the term? How, specifically, does Frost’s speaker respond to the cold and the snow of the evening, to the woods, to his little horse, to the miles he still has to go before he can sleep? Does it matter that the speaker “thinks” he knows whose woods he stops by?

Do these speaker’s make similar resolutions? Do they have similar responses to their surroundings? What is important about the similarities or differences you see in these responses, and why?

John Milton’s “On His Blindness” and Sir Phillip Sydney’s Sonnet 1 are both examples of poems that discuss an artist’s relationship to his work and his struggle to find inspiration and meaning in his work. In “On His Blindness”, the author finds it in a higher being while in Sonnet 1 he finds it in another person.

Ilya, I like the contrast you’re setting up between these two sonnets. Besides Milton’s overt deference to God and Sidney’s Muse’s admonition that he need only look into his heart to find the words by which to express his love for his beloved, Milton emphasizes Talent while Sidney emphasizes a progression of interconnected, interdependent, personified ideas: Knowledge, Pleasure, Nature, Invention, Study, etc. Milton wants to avoid wasting his talent, while Sidney needs to be reminded by his Muse to look into his heart. Maybe there’s some room for comparison and contrast here.

Also worth comparing are the voices that speak in each poem: the murmuring voice of “On His Blindness” and the Muse in “Sonnet 1.” Can you make any connections between these two voices?

John Keats’ “Ode on a Grecian Urn” and Robert Browning’s “My Last Duchess” both concern the appreciation of beauty in its stillness. In “Ode on a Grecian Urn”, the speaker is content with the immortalization of movement and strong emotion while in “My Last Duchess”, the speaker is satisfied with keeping his previously outgoing wife still and controlled as a painting.

Chiara, comparing these poems is a very logical move, since they are both ekphrastic poems (talk about ekphrasis in your essay!).

Is the speaker of “Ode on a Grecian Urn” truly, as you say, content? What, then, do we make of his exclamation, “Cold Pastoral!” Pastoral is poetry about an idyllic, restful life in the countryside. But “Cold” vexes this sunny view of pastoral—interpreting the meaning of “Cold” in this line will go a long way toward defending your reading of the speaker’s response to the urn. I do like the ways you’re reading the two poems.

Although “Sonnet 73” by William Shakespeare and “Thirteen Ways of Looking at a Blackbird” by Wallace Stevens both talk about similar issues, they are able to talk about different aspects of the same idea using there unique poetic writing style.

Jordan, you’ll have to work on this thesis statement. To say both poets have a “unique poetic writing style” doesn’t tell your audience anything. Shakespeare’s sonnet is, formally speaking, a very different poem from Stevens’s “Thirteen Ways of Looking at a Blackbird,” which has no rhyme scheme, meter, or fixed stanza. More importantly, what are the “similar issues” these poems talk about? Again, “similar issues” shows your audience nothing. Note the specific similarities in your introductory paragraph and show how your reading of the poems will bring new similarities and differences to light.

In this paper, I will analyze how both Robert Frost in, “Stopping by the Woods on a Snowy Evening,” and Emily Dickinson in “Because I Could Not Stop For Death,” utilize irony to portray death with a paradoxical approach. Dickinson uses irony in her poem by relating a serious topic of death with a soft-approach and tone, treating it as a journey. Likewise, in “Stopping by the Woods on a Snowy Evening,” the speaker wants to stop and admire the beauty of the tranquility in the woods, but cannot due to the obligations he still has to fulfill. Frost thus uses irony to convey how the speaker has responsibilities in life before he can “enjoy” a more calmer occasion, such as resting, or even death.

Love this! Keep building on these ideas.

“The Snow Man” and “The Learn’d Astronomer” employ the themes of nature and man. “The Snow Man” paints the scene of a winter landscape, while “The Learn’d Astronomer” demonstrates the battle between scientific knowledge and natural knowledge of the stars. Both poems involve a higher perspective of thinking: “The Snow Man” promotes an objective view of nature, while “The Learn’d Astronomer” advances that experience and wisdom are the key to true knowledge.

Mary, I really like the ideas you’re working through here. I would question the “objective view of nature” you posit to be present in “The Snow Man.” What, then, do we do with the lines “for the listener, who listens in the snow, / And, nothing himself, beholds / Nothing that is not there and the nothing that is.” I can see how one might read this as an “objective view of nature,” as you do. And this is a good reading. I wonder whether the ambiguity of these lines might necessitate further explanation. Similarly, in Whitman’s poem, that learn’d astronomer himself seems to present the speaker and the students in the auditorium with an “objective view of nature.” Keeping in mind that what we now call science used to be called “natural philosophy,” I think you might mean to contrast “scientific knowledge” with “poetic knowledge.” Does this get closer to the position you’re trying to uphold?

Thesis: In “Thirteen Ways of Looking at a Blackbird” by Wallace Stevens and “Because I Could Not Stop For Death” by Emily Dickinson, both poems utilize different literary devices such as vivid imagery that generates very dark undertones, that help develop the common theme of irony shared between the two.

Lanz, the questions you’ll have to address, if you keep this thesis unchanged, include the following. What is it about the imagery of these poems that can be called “vivid”? Likewise, can you give specific examples (perhaps images that seem similar or even the same between the two poems) of what you mean by “imagery that generates very dark undertones?” Dark in hue, or dark in mood? Both? One or the other, depending on the poem? What is ironic about each poem, and how does irony help us to better understand the speaker of Dickinon’s poem in relation to Death, and the speaker(s) in Stevens’s poem in relation to a blackbird?

The victims of time often are forced to face their own mortality, this phenomenon occurs throughout Shakespeare’s “Sonnet 60” and “Sonnet 64”. Imagery rooted in metaphorical language (generally alluding to themes regarding nature) in addition to structural parallelism (or lack thereof) creates an overarching theme across poems: Time is an enemy, and occasionally a paradoxical entity.

Cory, comparing these two sonnets is going to give you plenty to say. I think you can get even more specific than simply saying Shakespeare uses nature imagery. He uses imagery of oceans and shores, farms and fields, etc. “Nature” by itself could mean everything that is not myself, i.e., my mind. The shared theme of Time as something to be resisted through cultivating an appreciation for the fullness of life and youth is a great anchor to your more particularized readings of the imagery and its function within each respective poem.

For my essay, I will be comparing Robert Browning, “My Last Duchess” and Robert Frost, “Stopping by Woods on a Snowy Evening”. I am interested in the way the story gets told in each poem. I don’t know what it is called though! The majority of Frost’s poem is the person being distracted by the woods. At the end, he regains focus and continues walking. The majority of My Last Duchess is the person complaining about his ex in a painting. At the end, he dismisses it and moves onto Neptune. I need help determining what this is called, but this is what I want the focus of my essay to be of.

Joe, I’m wondering whether you might consider the differences between solitude and society in these poems. On one reading Frost’s speaker is very much alone in the woods, and yet he is not lonely. He knows there’s a village and an acquaintance (perhaps the owner of the woods might even be surmised to be a friend) nearby. He knows he has a place to sleep at the end of his journey. Perhaps it’s in a warm, familiar place, or perhaps it’s an eternal sleep with a community of souls who have died.

Browning’s speaker, Ferrara, on the other hand, enjoys all the comforts of an obedient court, a rapt audience in the courtly attendant of his new fiancée, and a house filled with fine art commissioned by some of the best artists available for hire. And yet, in a very important, poignant way, he is utterly alone in spite of all his power. This is the thing people never seem to understand about power. It breeds isolation and distrust.

I think the word you’re looking for is persona. The persona of the speaker in Frost’s poem seems more genuinely self-assured than the confident yet jealous Ferrara.

Thanks for the reply?

Meant to say Thanks for the reply! With an exclamation not a question mark, now I sound sarcastic. I will definitely try to make comparison on Persona.

The two poems I will talk about in my essay are, “Thirteen Ways of Looking at a Black Bird” and “Because I Could Not Stop for Death”. The common theme I will talk about between the two poems is Death.

Aiden, make sure in your opening paragraph, and in your thesis, to note specific ways each poem reflects on death. In Dickinson’s poem, Death is personified and takes on concrete characteristics (“He kindly stopped for me”). In Stevens’s poem, however, death is not personified and is more implied that openly articulated in the presence, absence, activity, or stillness of the blackbird or the scene in which the blackbird is involved. What role might literary devices like irony, sarcasm, innuendo, or mood play in each poem’s characterization(s) of death? What is clear or unclear about how the speaker thinks about or avoids thinking about death? Can either poem be said to be mournful? Obviously, there’s an endless font of questions to draw from. By articulating your reading of the particular ways in which each poem reflects on death early in your own essay, you’ll hopefully limit the range of possible interpretive questions to something manageable for a five-page paper.

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Fifteen to 21 hours of ENGL 8020 - Poetry Writing (must be completed while enrolled in degree program) *
Twelve to 18 hours of English and American and World literature, and/or Rhetoric and Composition, and/or folklore. Three hours of these 12 to 18 hours may be a Creative Writing workshop in a secondary genre . *
ENGL 8203 - Twentieth-Century American and British Poetry Craft I (3)
ENGL 8160 - Form and Theory of Literary Craft in poetry (3)
ENGL 8201 - Contemporary Poetry (3)
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Graduate assistants are required to enroll for a minimum of 12 credit hours each for the fall/spring semesters and 9 credit hours for the summer semester. These credit hours will consist of courses required for the prescribed program of study, as well as additional hours of thesis research and non-thesis individual research.

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Students who enter the M.F.A. program with an M.A. in English or creative writing must satisfy a different set of course requirements totaling 36 hours:

Fifteen hours of ENGL 8020 - Poetry Writing (must be completed while enrolled in degree program);
Six hours of English and American and World literature, and/or Rhetoric and Composition, and/or folklore. Three hours of these 6 hours may be a Creative Writing workshop in a secondary genre.
ENGL 8160 - Form and Theory of Literary Craft in Poetry (3)
Graduate assistants are required to enroll for a minimum of 12 credit hours each for the fall/spring semesters and 9 credit hours for the summer semester. These credit hours will consist of courses required for the prescribed program of study, as well as additional hours of thesis research and non-thesis individual research.

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Gsas students shine in 2024 three minute thesis competition.

Victoria Khaghani, Manning Zhang, Pranav Ojha, and William Dahl stand onstage holding their Three Minute Thesis prize certificates.

April 30, 2024

Ayla Cordell | Graduate School of Arts and Sciences

The 2024 Three Minute Thesis Competition (3MT) at Brandeis Graduate School of Arts & Sciences was not Will Dahl’s first rodeo. “It took me two tries,” the Molecular and Cell Biology PhD student said. “On my first attempt last year, I missed a line and stood silent for what felt like ages. To be honest, I was terrified!” This year, Will took home the first place prize for the Sciences of $1,000 and the overall win. He credits his success to careful planning, refinement, and lots of practice. He focused on formatting his talk as a story that would resonate with a wide audience: “Every sentence must be calibrated to communicate, and there is no room for asides. The talk converges from broader impacts to the actual thesis.”

Explaining your research in just three minutes is a tall order, but on April 5, the third annual 3MT Competition, founded by the University of Queensland , saw ten GSAS students meet that very task. Marika McCann, Associate Director of Professional Development at GSAS and member of the 3MT team, alongside Associate Professor of Anthropology and Faculty Director of Professional Development Jon Anjaria; Anahita Zare of MRSEC ; and Becky Prigge, Assistant Dean of Student Affairs at GSAS, said this about the 2024 competitors: “Our team was very impressed with how hard our students worked and the overall enthusiasm they brought to their talks. The audience learned so much from our students in this short time, including the possibility of early detection of Parkinson’s Disease, the importance of examining circadian rhythms, patterns in Honduran ceramics, and Tamil transfeminine performance in post-war Sri Lanka.”

Under the bright white stage lights and looking out upon an audience of friends, family, members of the Brandeis community, and a panel of five judges, finalists took to the Spingold Theatre stage. While it was certainly nerve-wracking, contestants noted the benefits of presenting in this format.

Manning Zhang, who won first place in the Humanities/Creative Arts/Social Sciences category, said the best moment of the competition was standing on the stage for the final round with rushing adrenaline. Acknowledging that few friends and family know about what she researches in Sociology and Health Policy, she began sharing more with them to understand how different people would react to her research. While this helped her prepare for the competition, it ended up holding deeper meaning for Zhang: “It took me a really long time to pursue my research and say, ‘This is meaningful.’ Getting feedback from people and hearing that they understand what I’m doing is really important to me.”

Victoria Khaghani, a Master’s student in Anthropology who was Runner Up in the Humanities/Creative Arts/Social Sciences category, echoed this sentiment. “You have to push yourself pretty hard to be able to condense your research down. But being able to then present my research to my family and have them say, ‘We finally understand what you’re doing,’ where they can understand the importance of it…that was huge.”

While contestants hoped to teach their audience something about their research, some finished the competition having learned new things about themselves. “I really like speaking in front of people,” Pranav Ojha, a Molecular and Cell Biology PhD student, discovered. “Figuring out what words to say, how to communicate them to inspire care - I enjoyed that process, and I’m coming out of it with different career ideas.” His passion for public speaking was evident - Ojha finished the competition with a total $1,250, after winning both Runner Up in the Sciences and the People’s Choice Award, which is determined through audience vote.

The final round may have showcased three minutes of individual presentation, but 3MT thrives as a collective and collaborative effort. “This is one of the only opportunities GSAS students at Brandeis have to share their research with the overall Brandeis community, outside of their departments,” McCann noted. Zhang (Sociology and Health Policy) even reached out to 2022 winner Emiliano Gutierrez-Popoca (PhD English ‘23), whose talk on Master-Servant Relations in Early Modern Drama led him to the National 3MT competition. Though they come from different disciplines, 3MT provided a platform for shared experience, and Popoca helped Zhang revise her draft for the final round. “I’ve gained a lot of rapport with people I didn’t think I could have rapport with…networking is very precious,” Zhang said. The 3MT community at Brandeis continues to strengthen and grow, and we cannot wait for next year!

Special thanks to 3MT sponsors: Graduate School of Arts and Sciences, Materials Research Science and Engineering Center, Mandel Center for the Humanities, Office of the Vice Provost for Research, and the Division of Sciences

This year’s winners include:

First Place - William Dahl (overall winner), Molecular and Cell Biology, Stressed Cells' Secret Weapon for Survival

Runner Up - Pranav Ojha, Molecular and Cell Biology, What Makes our Clock Tick: A Look at Where It All Starts

Humanities/Social Sciences/Creative Arts

First Place - Manning Zhang, Sociology and Health Policy, Move It or Lose It

Runner Up - Victoria Khaghani, Anthropology, The Devil’s in the Details: Neglected Patterns of Honduras

People’s Choice

Pranav Ojha

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Statement regarding campus protests on beinecke plaza.

For the past week, protestors advocating for Yale’s divestment from military weapons manufacturers converged on Hewitt Quadrangle (Beinecke Plaza). Over the weekend, these protests grew to include several hundred people — Yale undergraduates, graduate and professional students, and people with no Yale affiliation. Early this morning, the university again asked protestors to leave and remove their belongings. Before taking this step, the university had notified protestors numerous times that if they continued to violate Yale’s policies and instructions regarding occupying outdoor spaces, they could face law enforcement and disciplinary action, including reprimand, probation, or suspension.

The university also spent several hours in discussion with student protestors yesterday, offering them the opportunity to meet with trustees, including the chair of the Corporation Committee on Investor Responsibility (CCIR), and to avoid arrest if they left the plaza by the end of the weekend. They declined this offer and continued to occupy the plaza. The university extended the deadline for a response to their offer to meet with the CCIR and trustees several times, with negotiations concluding unsuccessfully at 11:30 p.m.

Today, members of Yale’s police department isolated the area and asked protestors to show identification; some left voluntarily. When others did not comply after multiple requests, the Yale Police Department (YPD) issued summonses to 47 students, according to the most recent report from the chief of YPD. Students who were arrested also will be referred for Yale disciplinary action, which includes a range of sanctions, such as reprimand, probation, or suspension.

The university made the decision to arrest those individuals who would not leave the plaza with the safety and security of the entire Yale community in mind and to allow access to university facilities by all members of our community. Yale provides detailed guidance on free expression , peaceable assembly , and requesting the use of on-campus outdoor spaces . Since the protest started, the university and the Yale Police Department worked to reduce the likelihood of confrontations and arrests.

Yesterday, President Peter Salovey sent a message to the community , noting that the university would not tolerate behavior that interfered with university operations or threatened, harassed, or intimidated others.

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Opening statements in Trump's historic trial set to begin Monday after tense day of jury selection

Opening statements are set to begin next week in Donald Trump’s historic criminal trial after the final members of the jury were seated Friday, following a dramatic day in which two prospective jurors broke down in tears, an appeals court judge rejected Trump's request for a stay, and a man set himself on fire in front of the courthouse.

“We’re going to have opening statements on Monday morning. This trial is starting,” Judge Juan Merchan said towards the end of the day, after successfully seating the remaining five alternate jurors that were needed.

The case — the first-ever criminal trial of a former president —will be heard by a panel of 12 jurors and a total of six alternates. It's expected to last roughly six weeks.

The five alternates ultimately selected Friday include an unemployed married woman who’s into art and described herself as not political, an audio professional, a contract specialist, a clothing company executive and a construction company project manager. It took four days of jury selection to find the 18 jurors.

Around the same time the judge declared, "we have our full panel" inside the courtroom in the early afternoon, a man set himself on fire outside the courthouse. The NYPD said the man, identified as Max Azzarello of Florida, later died. He appeared to have had pamphlets describing a conspiracy involving cryptocurrency that he threw around before setting himself ablaze, police said.

Later in the afternoon, Trump's attorneys were in a state appeals court trying again to get an emergency stay of the trial. Trump attorney Cliff Robert argued his client could not get a fair trial in Manhattan, which had been Trump's longtime home before moving to Florida after he was elected president in 2016.

Steven Wu of Manhattan District Attorney Alvin Bragg's office countered that "what the last week has shown is that the jury selection has worked."

"We have 18 ordinary New Yorkers who are ready to serve. It would be unfair to them and the public for this to be delayed further," he argued. The judge rejected Trump's stay request a short time later.

The jury selection process Friday was especially intense, some potential jurors breaking down in tears and others saying they were too anxious to serve.

The day began with the judge calling up the 22 remaining potential jurors from the previous pool of 96 to answer questions designed to indicate whether they could be fair and impartial about the divisive real estate mogul and presumptive Republican nominee for president.

The first of those potential jurors was dismissed after she said she didn’t think she could be fair. “I have really, really bad anxiety and people have found out where I am,” she told the judge. A short time later, two other potential jurors were dismissed after each told the judge that upon further reflection, “I don’t think I can be impartial.”

Other potential jurors included a married father who said he listens to a podcast called “Order of Man,” which is described on Apple’s website as discussions about “reclaiming what it means to be a man.” Some past guests of the podcast include people who’ve been outspoken in their support of Trump and were highly critical of the civil fraud case New York Attorney General Letitia James brought against the former president. The man, an audio specialist, was chosen as one of the alternates.

Another potential juror was a married fund manager who said he’d done “get-out-the-vote” work for former Secretary of State Hillary Clinton, Trump’s 2016 presidential opponent. Trump and his attorney Todd Blanche passed notes back and forth while that juror was speaking. He was later dismissed after being asked about a 2020 Facebook post where he apparently called Trump “the devil and a sociopath.”

Trump appeared most interested in jurors whose answers offer ambiguity around their personal political views. When one prospective juror said they were a Fox News viewer, Trump cocked his head, then quickly conferred with his lawyer, Todd Blanche.

Another potential juror was a woman who became emotional as she disclosed she'd served two years in prison on drug-related charges, but said she could be "fair and impartial."

During a morning break, Merchan — who'd chided reporters on Thursday for disclosing too much information about potential jurors — said the woman had shared "very personal things about her life" and was "very brave." “I just wanted to encourage the press to please be kind. Please be kind to this person,” the judge said. He later dismissed her, saying she needed a certificate of release to be qualified for service going forward. On her way out, she cheerfully called out, "Good luck!"

Following that juror's departure, the DA's office began its individual questioning of the jurors. One woman, who'd disclosed that her father is lifelong friends with Trump ally turned critic Chris Christie, broke down in tears when prosecutor Susan Hoffinger asked her an innocuous question about the burden of proof in the case. "I feel so nervous and anxious right now. I’m sorry," she responded, bursting out into tears. "I thought I could do this," she said, adding "I wouldn’t want someone who feels this way to judge my case." She was dismissed.

Hoffinger's questioning was followed by Trump attorney Susan Necheles, who asked a potential juror who'd started their own business how she would assess a witness's credibility. The woman then asked to speak to the judge, saying she was "getting anxiety and self-doubt” from Necheles's line of questioning. She was dismissed.

Necheles later asked another woman — who previously said she was a victim of sexual assault — whether she would hold it against Trump that women outside this case have accused Trump of sexual assault. She said she would not have a problem setting those accusations aside but the judge ultimately excused her, saying, "It’s best to err on the side of caution."

Another man said he has some differences from Trump on his policies but thinks he's “usually awesome.” He was not chosen for the jury.

On his way into court in the morning, Trump again complained the case against him is "unfair," and that the partial gag order preventing him from lashing out at witnesses, prosecutors, court staffers and jurors is not "constitutional." "Everyone else can say whatever they want about me. They can say anything they want. They can continue to make up lies and everything else. They lie. They’re real scum. But you know what? I’m not allowed to speak," he told reporters.

Prosecutors this week asked the judge to fine Trump and hold him in contempt for social media posts that they said violate the gag order. A hearing on the matter is scheduled for Tuesday.

The m a in pa nel of 12 is made up of seven men and five women, including two lawyers, a teacher, a retired wealth manager, a product development manager, a security engineer, a software engineer, a speech therapist and a physical therapist. The foreman — the juror who essentially acts as the leader and spokesperson for the panel — is a married man who works in sales and gets his news from The New York Times, MSNBC and Fox News.

The lone alternate selected Thursday is a woman who works as an asset manager.

Trump vented about the speed of the process in a post on social media shortly after the final jurors were selected, claiming the judge is “‘railroading’ me, at breakneck speed, in order to completely satisfy his ‘friends’.”

Later in the day, Merchan held what's known as a Sandoval hearing . That's a type of hearing designed to let defendants know the scope of questions they could face from prosecutors on cross-examination so they can make informed decisions about whether to take the witness stand in their own defense.

Leaving court on Friday, Trump was asked whether he was still planning to testify and he said he was.

Manhattan District Attorney Alvin Bragg's office disclosed in a court filing that it would like to ask Trump about several items, among them the $464 million civil judgment against him and his company for fraud , the total $88 million verdicts and liability findings for sexual abuse and defamation in lawsuits brought by writer E. Jean Carroll and a number of other adverse court rulings over the past few years.

Trump has denied wrongdoing in all the cases and is appealing the fraud judgment and the Carroll verdicts.

Prosecutors said they want to be able to bring those findings up “to impeach the credibility of the defendant” if he takes the witness stand.

Discussing the findings in the fraud case, prosecutor Matthew Colangelo told the judge it was "hard to think of something that is more squarely in the wheelhouse” for the DA to ask Trump about "than a finding by a judge of persistent and repeated fraud and illegality."

Trump's attorney Emil Bove countered that prosecutors shouldn't be able to breach the topic at all because Trump's appeal is still pending. He made similar arguments over the DA's contention that they should be allowed to ask about a judge's finding that he was untruthful on the witness stand during the fraud trial and had violated a gag order in the case.

“Is it your position that because a case is being appealed or might be appealed, that therefore it can not be used?" Merchan asked the lawyer. "Not necessarily," Bove replied.

The judge said he'd issue his ruling on the dispute on Monday morning.

Trump said last week he “absolutely” plans to testify , but he is under no obligation to do so.

Asked by Necheles at the end of the day who the DA's first witness would be, prosecutor Joshua Steinglass said they wouldn't inform Trump's team of the person's identity until Sunday, given that Trump has been criticizing some witnesses on social media despite the partial gag order in the case. “And if that should be tweeted, that’ll be the last time we provide that courtesy,” Steinglass said.

Merchan called the DA's position "understandable" and told Necheles "I will not compel them to do anything."

Trump has pleaded not guilty to 34 counts of falsifying business records and faces up to four years in prison if he is convicted.

Bragg alleges that Trump falsified records to hide money he was paying his former lawyer Michael Cohen to reimburse him for $130,000 he paid adult film actor Stormy Daniels near the end of the 2016 presidential campaign. Daniels has claimed she had a sexual encounter with Trump in 2006. Trump has denied that he slept with Daniels, but he has acknowledged repaying Cohen.

The DA’s office also alleges that as part of a scheme to boost Trump, National Enquirer publisher American Media Inc. paid $150,000 to model and actor Karen McDougal , who appeared in Playboy magazine and claimed that she had a nine-month affair with Trump before he was elected president “in exchange for her agreement not to speak out about the alleged sexual relationship,” according to a statement of facts filed by Bragg.

Trump has also denied having a sexual relationship with McDougal.

Adam Reiss is a reporter and producer for NBC and MSNBC.

Lisa Rubin is an MSNBC legal correspondent and a former litigator.

Dareh Gregorian is a politics reporter for NBC News.

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Sample literary thesis statements
How To Write A Thesis Statement (with Useful Steps and Tips) • 7ESL
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Thesis Statement
Comparing Two Poems Essay Example
Any academic essay must have a thesis statement and a poetry essay is no exception. The main

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How to Write a THESIS Statement
How To Write A Thesis Statement
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Anthony Molosi's Setswana Contemporary Poetry _ Moratiwa
Writing the Thesis Statement
How to Write a Thesis Statement?

COMMENTS

How to Write a Thesis for a Poetry Analysis Paper
When writing about poetry, include the author's name and title of the poem in your thesis statement. Many statements begin by introducing the poem and author, followed by the point you wish to make. For example, you could write, "In 'Ode on a Grecian Urn,' John Keats uses the urn as a symbol describing the relationship between humans ...
How To Write A Thesis Statement For Poetry Analysis
Analyze the Poem. The next step in writing a thesis statement for poetry analysis is to analyze the poem. Analyzing the poem allows you to understand the poem's structure, themes, and identify key words. As you analyze the poem, consider the tone and imagery of the piece. Identify any symbols that might be present.
Thesis Statement
In poetry or prose, the thesis statement or main idea is supported by the character's actions and how the plot plays out. So, the thesis statement could be anything from how disrespecting nature leads to terrible consequences to true love is only discovered when one is open and honest with oneself. These are less structured and more emotional ...
Writing About Poetry
In order to write effectively about poetry, one needs a clear idea of what the point of writing about poetry is. When you are assigned an analytical essay about a poem in an English class, the goal of the assignment is usually to argue a specific thesis about the poem, using your analysis of specific elements in the poem and how those elements ...
thesis examples
SAMPLE THESIS STATEMENTS. These sample thesis statements are provided as guides, not as required forms or prescriptions. _____ The thesis may focus on an analysis of one of the elements of fiction, drama, poetry or nonfiction as expressed in the work: character, plot, structure, idea, theme, symbol, style, imagery, tone, etc. Example:
PDF Literary Analysis Thesis Statements
The thesis statement is the announcement of your analytical argument that you intend to make and prove in the duration of your paper. It is a road map for the paper—it tells the ... #1 The thesis may focus on an analysis of one of the elements of fiction, drama, poetry or nonfiction as expressed in the work: character, plot, structure, idea ...
12.6: Literary Thesis Statements
Thesis statement = Observation + Analysis + Significance. Observation: usually regarding the form or structure of the literature. ... Thesis statement: The works of ecstatic love poets Rumi, Hafiz, and Kabir use symbols such as a lover's longing and the Tavern of Ruin to illustrate the human soul's desire to connect with God.
How to Write a Literary Analysis Essay
Table of contents. Step 1: Reading the text and identifying literary devices. Step 2: Coming up with a thesis. Step 3: Writing a title and introduction. Step 4: Writing the body of the essay. Step 5: Writing a conclusion. Other interesting articles.
Thesis Statements for a Literature Assignment
The first thesis merely describes something about the poem; the second tells the reader what the writer thinks the poem is about--it offers a reading or interpretation. The paper would need to support that reading and would very likely examine the way Parker uses images of suicide to make the point the writer claims.
Guide: Thesis Statements for a Literature Assignment
Thesis Statements for a Literature Assignment. A thesis prepares the reader for what you are about to say. As such, your paper needs to be interesting in order for your thesis to be interesting. Your thesis needs to be interesting because it needs to capture a reader's attention. If a reader looks at your thesis and says "so what?", your thesis ...
PDF Developing a Thesis for a Critical Analysis of a Poem
Developing a Thesis for a Critical Analysis of a Poem. Formulating a clearly developed thesis statement is crucial to the development of your essay. The steps below are designed to help you develop a stronger thesis and introductory paragraph for your term paper. The steps will also be useful in the development of your essay's body paragraphs.
How to Create a Thesis & Outline for a Poetry Essay
Any academic essay must have a thesis statement and a poetry essay is no exception. The main purpose of a poetry essay is not to summarize the poem, but to develop an in-depth idea that makes an argument based upon an analysis of the poem. The thesis statement should contain the essay's main argument about the poem.
Writing a Great Poetry Essay (Steps & Examples)
In the case of a poetry essay, your thesis statement should capture the central message, themes, or techniques you'll be discussing in relation to the poem. Why is the thesis important for a poetry essay? The thesis is the backbone of your essay. It gives your writing direction and focus, helping you stay on track and avoid wandering off-topic.
Thesis Statements
A thesis statement: tells the reader how you will interpret the significance of the subject matter under discussion. is a road map for the paper; in other words, it tells the reader what to expect from the rest of the paper. directly answers the question asked of you. A thesis is an interpretation of a question or subject, not the subject itself.
How (and Why) To Write Artistic Statements for Poems
Artistic statements allow artists to provide context and depth to a work. Especially when it comes to art that's more abstract, accompanying artistic statements can provide a lens through which to understand the art or the artist a little bit better. With poetry, there's a precedent of not explaining. It can feel like talking about a poem ...
What Should A Thesis Statement In A Poetry Analysis Do
A thesis statement in a poetry analysis is an assertive indication of the direction of a student's argument or essay. It not only serves to provide clear focus for the direction of the student's argument but also to provide them with a sense of organisation of the main ideas. It is usually one sentence in length and should be placed at the ...
How to Write a Thesis Statement
Step 2: Write your initial answer. After some initial research, you can formulate a tentative answer to this question. At this stage it can be simple, and it should guide the research process and writing process. The internet has had more of a positive than a negative effect on education.
Structuring the Essay
Thesis statement: In London, William Blake is concerned with how human power can be used to control and oppress both people and the natural world, whereas Robert Browning in My Last Duchess presents power through the individual character of the Duke, who uses his position of authority to control women. Both poets do this to criticise inherited or institutional power over ordinary people.
Essay 1: Comparing Two Poems
Jordan, you'll have to work on this thesis statement. To say both poets have a "unique poetic writing style" doesn't tell your audience anything. Shakespeare's sonnet is, formally speaking, a very different poem from Stevens's "Thirteen Ways of Looking at a Blackbird," which has no rhyme scheme, meter, or fixed stanza.
Comparing Two or More Poems for a Literature Essay
How to Compose a Thesis Statement . A thesis statement is a short, yet concise paragraph that sets out an argument, analysis or idea and sums up what your essay will be concentrating on. Don't forget the thesis statement can be revised at the end of your essay to reflect what's in the essay. The statement should appear at the end of the first ...
Model Answers
Both poets perhaps do this to criticise inherited or institutional power over ordinary people. Commentary: The introduction is in the form of a thesis statement; It includes a central argument based on my own opinions; It includes key words from the question: " Blake is concerned with how human power can be used to control and oppress people…"
Romantic Literature Essay Topics and Thesis Ideas
Here are some essay topics and thesis ideas about the romantic movement from a retired British Literature teacher. With these tips and ideas, your essay will come together in no time! ... Lord Byron, and Percy Bysshe Shelley. Other poets often included in this period are William Blake, Robert Burns, Walter Savage Landor, Leigh Hunt, and Robert ...
How to Write an Explication Essay: Basic Tips & Steps
Step 1: Formulate a thesis statement. Craft a clear and concise thesis statement that outlines the main argument or interpretation you intend to support in your explication essay sample. This step will be easy if you understand how to write a hypothesis. Your thesis should explain the central idea or message of the text and provide a roadmap ...
Program: Creative Writing, M.F.A., Poetry Concentration
Fifteen to 21 hours of ENGL 8020 - Poetry Writing (must be completed while enrolled in degree program) *; Twelve to 18 hours of English and American and World literature, and/or Rhetoric and Composition, and/or folklore. Three hours of these 12 to 18 hours may be a Creative Writing workshop in a secondary genre.
GSAS Students Shine in 2024 Three Minute Thesis Competition
The 2024 Three Minute Thesis Competition (3MT) at Brandeis Graduate School of Arts & Sciences was not Will Dahl's first rodeo. "It took me two tries," the Molecular and Cell Biology PhD student said. "On my first attempt last year, I missed a line and stood silent for what felt like ages. To be honest, I was terrified!"
Statement regarding campus protests on Beinecke Plaza
For the past week, protestors advocating for Yale's divestment from military weapons manufacturers converged on Hewitt Quadrangle (Beinecke Plaza). Over the weekend, these protests grew to include several hundred people — Yale undergraduates, graduate and professional students, and people with ...
Opening statements in Trump's historic trial set to begin Monday after
Opening statements are set to begin next week in Donald Trump's historic criminal trial after the final members of the jury were seated Friday, following a dramatic day in which two prospective ...