ma creative writing uk distance learning

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MA in Creative Writing (Online)

Transform your passion for reading into the ability to produce prose worthy of public recognition . 

• WHAT YOU LEARN
• COURSE MODULES
• HOW YOU'RE ASSESSED
• ENTRY REQUIREMENTS
• CAREER PROSPECTS

Course details

Additional costs:   due to the nature of the subject, and copyright restrictions placed on institutional libraries by some publishers, students will need to purchase some core texts.

Support with your application:   Contact our course adviser team today for application advice.

Why this MA in Creative Writing?

It was Hull where Philip Larkin lived and worked at the University's Brynmor Jones Library for 30 years, writing most of his best work. A seafaring city that connected outwards and brought some of the exotic back to northern England.

Embracing Hull's global-facing outlook, MA Professor and accomplished author Martin Goodman describes the University's MA Creative Writing as an inspiring and collegial environment for online students who want to develop their distinctive voice as a creative writer.

There is also the option to attend face-to-face events , as you seek public recognition and become a valued, active member of a vibrant international creative writing community.

What you learn

Transform your passion for reading into the ability to produce prose worthy of public recognition. Whatever your genre of preference, be it literary fiction, nonfiction, or the likes of fantasy, mystery or romance – you will have the opportunity to hone your creative writing skills and discover the techniques seminal writers have used to significant effect:

push your creative boundaries and give shape to a strong and original creative voice

expand your knowledge of the literary canon and acquire the art of reading as a literary writer 

gain an in-depth knowledge of structure which will help you towards a deeper understanding of your writing process 

become conversant with a range of textual elements such as the use of dialogue, point of view, perspective and sensory detail and apply learned technique to your preferred writing genre 

take your place within the international creative writing community. Critique the work of others and engender the view of published writers as colleagues from who you can learn 

• develop your practice as a creative writer, understand the editing and re-drafting process necessary to produce prose of a publishable standard.

Your questions answered Programme Director Dr Chris Westoby answers some key questions about the course, including which modules you'll study, how you'll learn online, and the entry requirements.

[upbeat music plays throughout]

Dr Chris Westoby: So there are five modules over the course of two years. You're introduced to the programme with The Writer's Craft, which is designed by our programme founder, Martin Goodman. The Writer's Craft teaches you key writing concepts at MA level, how to analyze the work of exemplary authors and locate what makes their writing successful, so that you may apply such skills within your own practice, and you work upon and strengthen your unique writing voice.

This acts as your your foundation, your springboard, from which you launch into the central three genre specific modules. So you have Writing the Short Story, Writing from Life and Writing the Novel where you study and practice specific modes of writing in-depth.

By the end of these four taught modules, you'll be well equipped and raring to embark upon The Writer's Portfolio. This double length and double weighted module sees you liftoff into an extended writing project of your own design.

With the support of a supervisor chosen to help bring out the very best in your work. You learn through a a combination of writing exercises, lectures, guided critical reading, discussion, forums, workshops and webinars.

Well, this is hard to quantify because everyone works at different speeds, which is absolutely fine and part of what we're proud to accommodate. There are also extra elements to each model, which some students may wish to engage in such as further recommended reading.

Our standard entry requirements are a 2:2 BA honours degree or international equivalent.

However, we also recognize other forms of prior experience and therefore encourage anyone who is interested in the programme to get in touch.

Your application may discuss where your career has taken you so far and why this equips you with the skills designed to join this program. You might discuss other writing courses you've attended, which have provided a strong foundation. You might discuss inroads you have made into publication, all of which shows that you are ready to start sharing your work and have practiced polishing it.

Or you may simply demonstrate the strength of your potential as a writer through your creative writing sample.

Even without the standard entry requirements, you may be the ideal candidate for this programme. There are a number of non standard ways in which you may be considered, so please do get in touch.

Your assigned course advisor will help you form an application that lets your unique strengths shine.

Student work

Dear Isobel

Bedtime Stories for Kids

The Watcher Of The Night Sky (Book 1)

Post-Midnight Blues

Festa: A Year of Italian Celebrations - Recipes and Recollections

Mental Health Home Group Material

Into Your Blues

Pack of Lies

The Twinkling Of An Eye

Distant Voices: An anthology of stories

Course modules.

This masters degree allows you to develop your confidence and craft as a writer within a supportive, creative environment.

You study the following compulsory modules.

Because writing takes fire in the readers' mind, in this module, you will examine a wide range of literary works. Focusing primarily on textual elements including; sentence length and flow, perspective, choices of tense you will develop an understanding of how writers achieve their effects. Presented with sections of exemplary writing, you will move from your own visceral responses (e.g., excitement, intrigue, fear) to tracking how the writer deploys elements of craft to trigger desired emotions and atmosphere.

Short stories allow emerging writers to complete narrative arcs and establish a reputation through published works before tackling the longer form of a novel. In this module not only will you develop an appreciation of short stories from a range of international writers, but you will take the short story form and make it your own. Note that this module will also cover two sub-genres within the form; micro-fiction and flash fiction.

This module will introduce you to a wide range of nonfiction prose with a particular focus on travel writing, the essay, memoir, nature writing, and true-crime. You will produce your portfolio of work while practising a range of narrative nonfiction forms within a supportive, peer-driven environment.

What is it about an opening chapter of a novel that makes it virtually impossible to put it down? Throughout this module, you will improve upon your novel writing skills. The critique of your writing in a workshop setting will help you develop a keen awareness of narrative and narration along with a deep understanding of archetypes as an essential part of storytelling. As you develop plot and structure, you will employ editing and redrafting techniques to produce work you are proud to publish.

Creative writing is a rewarding process which requires immense personal discipline. In this module, you will receive guidance on how to structure your writing practice in this respect. Your prose portfolio (up to 15,000 words) represents the culmination of your MA Creative Writing programme. Here you will demonstrate your originality of ideas, grasp of technique and craft, presenting a unique and accomplished body of work to a publishable or near publishable standard.

Hear from our Alumni

Hear their stories, discover their motivations and the obstacles they overcame, and gain valuable insider perspectives.

Join us in May 24

What are the entry requirements.

A minimum 2.2 Bachelor Honours degree  or international equivalent . Applicants who do not meet this requirement may still be considered, but will need to present examples of relevant published work with their application

A creative writing sample (fiction or non-fiction) of 1,500 to 2,000 words

• A personal statement of around 300-500 words. Click here for details of what should be included

An IELTS 6.0 score (with minimum 5.5 in each skill) if your first language isn’t English (or other English language proficiency qualifications accepted by the University of Hull )

One professional or academic reference

If you're unsure whether you're eligible to apply, please get in touch with our friendly course adviser team for advice:

“I chose Hull because I wanted to study somewhere where I would be pushed to break free from my comfort zone."

How you're assessed.

All assessments for the course are based on coursework and submitted online. There are no exams. 

Assessment methods

Your performance on the course will be assessed through a range of methods including:

ongoing tutor and peer feedback

practical work, including group projects and discussion forums

Written assessments

You’ll also be asked to complete a variety of written assessments including:

Critical and creative responses, where you provide examples of crafting skills in work that interests you, and then provide short writing samples that utilise those techniques in your own work

Prose portfolios, comprising one or two pieces of original work

Commentary pieces, describing your ambitions and intent for your prose portfolios

Get more detailed information on the course assessment methods page:

Teaching team

Professor Martin Goodman

Dr Christopher Westoby

Dr Karina Lickorish Quinn

Dr Mick Jackson

Dr Kate Horsley

Barbara Henderson

Tim Hannigan

Dr Megan Hayes

Dr Elizabeth Watkinson

KR Moorhead

Maggie Hamand

Broaden your horizons with face-to-face events.

At the University of Hull, we believe it’s important for students to feel a sense of connectedness, whether they’re studying on campus or online. This is why we hold up to two face-to-face events per year with creative workshops, talks from visionary academics, and a glance into the UK’s thriving creative writing community. Students from previous events have:  

• Formed lasting friendships with fellow creatives  
• Refined their creative writing style on the back of discussion and constructive criticism  
• Drawn inspiration from new perspectives and literary genres  
• Picked up insider knowledge on how to get their work published   

Want to flex your creative muscles, meet your tutors in-person, or form a rapport with like-minded people? You can do all this and more, while exploring topics outside of your course modules. Stay tuned for updates on our face-to-face events – we’d love to have you join us!  

What makes this course stand out? Hear from Programme Founder Professor Martin Goodman about what sets this Creative Writing masters degree apart.

[inspirational music plays throughout]

Hello I'm Martin Goodman, Professor of Creative Writing here at the University of Hull. I'm Director of this MA Online Creative Writing program. And I'm a writer like you. So part of our program here is to welcome fellow writers and encourage you to be the best writer you can be. This course for anybody who wants to take their creative writing seriously, for whom it's something very important. It's probably been very private 'til now, but you're ready to share it, and you're ready to share it, ideally in this online environment. This suits you. Writing is quite a private thing that happens on paper. But we know we have to share it at some times if we're going to reach other readers. So this is what we aim to do with you. The way this course works is to bring you through several different modules. The first one is writer's craft, where we will examine other writers and exemplary pieces of writing and their techniques, how they make their writing work and other readers' minds. And then you build up these skills as you're going through modules about writing the story of writing the novel, writing from life, and then you're released into an extended piece of writing, and that is where you're following the form that most appeals to you. We designed this course to help you build yourself into being the complete prose writer. For me, it's actually been very important to try out all of these fields. So I write novels, I write short stories. I also write non-fiction, I write biographies, I write travel pieces, I write reviews. All of these things are part of what makes a writer able to sustain a living in the world. And you don't have to always be working from your imagination. There's always something you can go to. And in each of these, you're also building up your own skills. So if your main desire in life is to be a novelist, the skills that you can find from learning how to write the creative nonfiction, writing from life, or how to build a little character arc within a short story. These are all essential to you. Every little piece of skill that you develop in writing any form will go into the form of your choosing. It's very important to me that we create a protected space around you. So you're not writing according to what some publisher takes as being that fits my box. You're writing the best work that can emerge from yourself inside this protected space, so it's not judgmental at all. We're completely free. We're saying, begin to yourself and write from that hidden space inside of you. I know that a lot of students are really bursting with their creative writing and looking for feedback, but they find it very hard to get into the classroom. Sometimes it's not good if you're a quiet person to have to face the bustle of a classroom, to have to put out your writing at this particular moment. It's much simpler to do that in your own time, to sort of breathe in. You post it online, and then other people can review it in their own time. That's really what this online course is doing. It is connecting the world through brilliant writers. 

Career prospects

By studying this course, you should gain the confidence and practical skills necessary to produce creative writing of a publishable or near-publishable standard, in your genre of choice.

Want to get published?

Programme Director Dr Chris Westoby discusses how studying creative writing at Hull led to his first book:

You'll also gain valuable transferrable skills which are in-demand across the creative industries and beyond.

MA Creative Writing graduates often go into successful careers in a broad range of industries, such as

professional writing/authorship

marketing and PR

heritage and tourism

journalism and broadcasting

museum curating

Ready to apply?

Our step-by-step application process is easy to follow.

The University of Hull and its digital courses provider, Hull Online Limited, delivered in partnership with Cambridge Education Group Digital (CEGD), will only use your personal data to contact you in relation to our courses. For further information, please see the privacy policy .

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• Postgraduate study
• Taught degree programmes A‑Z
• Creative Writing (online distance learning)

Postgraduate taught  

Creative Writing (online) MLitt: Online distance learning

Note: This programme is also delivered on campus. To find out more about this programme or the research opportunities available, visit our Creative Writing subject page

If you're a talented and ambitious writer looking to develop your craft and take your writing to the next level, Glasgow's renowned Creative Writing MLitt is ideal. Develop your writing practice wherever you are in the world by gaining creative and critical skills on this exciting and supportive online course.

• Online distance learning
• Academic contact: Dr Colin Herd  [email protected]
• Teaching start: September
• MLitt: 12 months full-time; 24 months part‑time

Register your interest for more information

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Why this programme

• Our MLitt in Creative Writing is delivered within a clear three-part structure, focused on creative, critical and editorial skills.
• Our Creative Writing programme has gained an excellent reputation with writers, agents and publishers. The University's writing courses are among the most challenging and popular in the UK.
• These courses have helped launch the careers of an impressive list of acclaimed authors including, but not limited to: Anne Donovan, Helen Sedgwick, Kirsty Logan, Jen Hadfield, JL Williams, Louise Welsh, Zoe Strachan, Elizabeth Reeder and many others.
• You'll be taught by successful and well-regarded writers who specialise across diverse genres. We are happy to supervise students working in established genres but just as keen to see students mix genres or create new forms. In addition, you'll be able to tap into the University's strong network of literary agents and publishers, as well as an impressive list of published alumni. 
• This online programme is 1 year full time. If you are already working full time or have family commitments, the course can also be completed on a part-time flexible study basis over 2 years.
• Listen to our podcast: Stories from Glasgow – Writing Space with Dr Oliver K. Langmead .
• Read From Glasgow to Saturn, our literary journal .

Programme structure

The full-time programme consists of the following courses. The part-time programme consists of the same courses split over two years.

• CREATIVE WRITING: CRAFT AND EXPERIMENTATION 1 (DL)
• CREATIVE WRITING: EDITING AND PUBLICATION 1 (DL)
• CREATIVE WRITING WORKSHOP (DLEARNING)
• CREATIVE WRITING: CRAFT AND EXPERIMENTATION 2 (DL)   Option 1
• READING & WRITING DEATH & DYING DL   Option 2
• CREATIVE WRITING: EDITING AND PUBLICATION 2 (DL)

Summer Semester

• CREATIVE WRITING PORTFOLIO (PGT) (DLEARNING)

Programme outcomes

• Experiment with a range of voices, techniques and genres and consider major creative and editorial engagements
• Develop a critical understanding of a diverse creative, theoretic and critical texts
• Develop editorial skills
• Gain an understanding of literary techniques and ideas
• Access the work and thought of a wide range of literary artists
• Produce extended portfolios of creative and editorial work
• Understand the writing context (audience, publishing in all its forms, the legal framework, modes of transmission)
• Become disciplined in writing regularly in a stimulating workshop and tutorial environment in which writing skills can be acquired, discussed and honed
• Be part of a stimulating and critical peer group that reads, engages with, and appraises one others work
• Understand the means of literary transmission and how these means affect your own work
• Meet, hear and talk to professional writers and individuals from publishing and other transmission industries
• Display an understanding of the mechanisms (historical and contemporary) of literary textual transmission and other forms of transmission (including performance) in their various technological, commercial and artistic aspects

"I can honestly say that the programme was the best thing that has ever happened for my writing." Nichola Deadman, Creative Writing student

Programme alteration or discontinuation The University of Glasgow endeavours to run all programmes as advertised. In exceptional circumstances, however, the University may withdraw or alter a programme. For more information, please see: Student contract .

Career prospects

Skills gained in the study of our Creative Writing MLitt may lead to career opportunities in literary and cultural fields such as editing, publishing and arts development. Many of our alumni are successful authors. Our graduates have also gone into journalism, publishing, and a range of other professions. Positions held by recent graduates include managing director, freelance writer, author, copywriter and community arts worker.

Fees & funding

Tuition fees for 2024-25

• Full-time fee: £10650
• Part-time fee: £1184 per 20 credits

International & EU

• Full-time fee: £22140

Part-time fees:

• UK :  £1,184 per 20 credits (180 credits in total)
• International & EU : £2,460 per 20 credits (180 credits in total)

The credits are split: 

• Year 1 : 80 credits (4 x £1,184 / £2,460) for Craft & Experimentation 1 and 2, and Workshops
• Year 2 : 100 credits (5 x £1,184 / £2,460) for Editing & Publication 1 and 2, and Portfolio

Additional fees

• Fee for re-assessment of a dissertation (PGT programme): £370
• Submission of thesis after deadline lapsed: £350
• Registration/exam only fee: £170

Funding opportunities

• UK Study Online Scholarship

The UK Study Online scholarship is open to UK, EU and international students taking online undergraduate and postgraduate courses. 

Please see  UK Study Online for more details.

• Postgraduate Student Loan (Scotland and EU)

Eligible full-time and part-time students, undertaking an eligible postgraduate course, can apply for a tuition fee loan up to a maximum of £7,000 towards their course. Eligible full-time postgraduate students can apply for a living-cost loan of up to £4,500.  

This support extends to online Masters or Postgraduate Diplomas, and not to the online Postgraduate Certificate courses.

For more information visit the SAAS website .

• Postgraduate Tuition Fee Loans England only (PTFL)

If you’re an English student looking to study a taught Masters programme in Glasgow then you can apply for a student loan. Students from England are able to apply for a non-means tested   Postgraduate Master’s Loan  of up to £11,570   to help with course fees and living costs. You have to  repay your Postgraduate Master’s Loan  at the same time as any other student loans you have. You’ll be charged interest from the day you get the first payment.

If you’re studying by distance learning, you can also apply.

• Alumni Discount

In response to the current unprecedented economic climate, the University is offering a 20% discount on all Postgraduate Research and full Postgraduate Taught Masters programmes to its alumni, commencing study in Academic session 2024/25. This includes University of Glasgow graduates and those who have completed a Study Abroad programme, International Summer School programme or the Erasmus Programme at the University of Glasgow. The discount applies to all full-time, part-time and online programmes. This discount can be awarded alongside most University scholarships.

• Postgraduate Loans for Welsh Students

If you are a Welsh student looking to study a postgraduate programme* in Glasgow then you can apply for a student loan in exactly the same way as you would for a Welsh University.

* does not apply to Erasmus Mundus programmes

Postgraduate Master's Finance

If you’re starting a full-time or part-time Postgraduate Master’s course (taught or research based) from 1 August 2019, you can apply for Postgraduate Master's Finance and receive up to £17,000 as a combination of grant and loan:

• a maximum grant of £6,885 and loan of £10,115 if your household income is £18,370 and below
• a grant of £1,000 and loan of £16,000 if your household income is not taken into account or is above £59,200.

For more information visit  Student Finance Wales

Postgraduate Doctoral Loan

If you’re starting a full-time or part-time postgraduate Doctoral course (such as a PhD) from 1 August 2019 you can apply for a Postgraduate Doctoral Loan of up to £25,700.

• Postgraduate Student Loan (NI)

If you are a Northern Irish student looking to study a taught Masters programme* in Glasgow then you can apply for a student loan in exactly the same way as you would for a University in Northern Ireland.

Northern Irish students are able to apply for non-means-tested tuition fee loans of up to £5,500, to help with the costs of funding.

For more information visit  www.studentfinanceni.co.uk/types-of-finance/postgraduate  .

The scholarships above are specific to this programme. For more funding opportunities search the scholarships database

Entry requirements

• You will normally have a 2:1 Honours degree (or equivalent), though this is not a pre-requisite.
• The primary basis for admission is the appraisal of a portfolio of your creative work.
• You submit a portfolio of original work (poetry, fiction, life-writing or other prose, drama, and in some instances a portfolio of translation work). A maximum of 20 pages (one side only, double spaced throughout) per submission will be considered, and the portfolio can contain prose, verse, script, or a combination of these.
• We also require two letters of reference. Your referees should include an academic and a creative referee where possible. Where this is not possible, you can provide referees from other areas who can vouch that you are who you say you are and that your work and achievements are your own. It is particularly helpful if these referees are familiar with your writing and can provide references on that basis.

English language requirements

For applicants whose first language is not English, the University sets a minimum English Language proficiency level.

International English Language Testing System (IELTS) Academic module (not General Training)

• 7.0 with no subtests under 7.0
• Tests must have been taken within 2 years 5 months of start date. Applicants must meet the overall and subtest requirements using a single test.

Common equivalent English language qualifications

Toefl (ibt, my best or athome).

• 94; with Reading 24; Listening 24; Speaking 23; Writing 27
• Tests must have been taken within 2 years 5 months of start date. Applicants must meet the overall and subtest requirements , this includes TOEFL mybest.

Pearsons PTE Academic

• 66 with no subtest less than: Listening 66;Reading 68; Speaking 65; Writing 82

Cambridge Proficiency in English (CPE) and Cambridge Advanced English (CAE)

• 185 overall, no subtest less than 185

Oxford English Test

• Oxford ELLT 8
• R&L: OIDI level no less than 8 with Reading: 27-28 and Listening: 20
• W&S: OIDI level no less than 8.

Trinity College Tests

Integrated Skills in English II & III & IV: ISEII Pass with Pass in all sub-tests.

University of Glasgow Pre-sessional courses

Tests are accepted for 2 years following date of successful completion.

Alternatives to English Language qualification

• students must have studied for a minimum of 2 years at Undergraduate level, or 9 months at Master's level, and must have complete their degree in that majority-English speaking country and within the last 6 years
• students must have completed their final two years study in that majority-English speaking country and within the last 6 years

For international students, the Home Office has confirmed that the University can choose to use these tests to make its own assessment of English language ability for visa applications to degree level programmes. The University is also able to accept UKVI approved Secure English Language Tests (SELT) but we do not require a specific UKVI SELT for degree level programmes. We therefore still accept any of the English tests listed for admission to this programme.

For further information about English language requirements, please contact the Recruitment and International Office using our  enquiry form

How to apply

To apply for a postgraduate taught degree you must apply online. We cannot accept applications any other way.

Please check you meet the Entry requirements for this programme before you begin your application.

As part of your online application, you also need to submit the following supporting documents:

• A copy (or copies) of your official degree certificate(s) (if you have already completed your degree)
• A copy (or copies) of your official academic transcript(s), showing full details of subjects studied and grades/marks obtained
• Official English translations of the certificate(s) and transcript(s)
• One reference letter on headed paper
• Evidence of your English language ability (if your first language is not English)
• Any additional documents required for this programme (see Entry requirements for this programme)
• A copy of the photo page of your passport (Non-EU students only)

You have 42 days to submit your application once you begin the process.

You may save and return to your application as many times as you wish to update information, complete sections or upload supporting documents such as your final transcript or your language test.

For more information about submitting documents or other topics related to applying to a postgraduate taught programme, see  how to apply for a postgraduate taught degree

Guidance notes for using the online application

These notes are intended to help you complete the online application form accurately; they are also available within the help section of the online application form. 

If you experience any difficulties accessing the online application, see  Application System Help .

• Name and Date of birth:  must appear exactly as they do on your passport. Please take time to check the spelling and lay-out.
• Contact Details : Correspondence address. All contact relevant to your application will be sent to this address including the offer letter(s). If your address changes, please contact us as soon as possible.
• Choice of course : Please select carefully the course you want to study. As your application will be sent to the admissions committee for each course you select it is important to consider at this stage why you are interested in the course and that it is reflected in your application.
• Proposed date of entry:  Please state your preferred start date including the month and the year. Taught masters degrees tend to begin in September. Research degrees may start in any month.
• Education and Qualifications : Please complete this section as fully as possible indicating any relevant Higher Education qualifications starting with the most recent. Complete the name of the Institution (s) as it appears on the degree certificate or transcript.
• English Language Proficiency : Please state the date of any English language test taken (or to be taken) and the award date (or expected award date if known).
• Employment and Experience : Please complete this section as fully as possible with all employments relevant to your course. Additional details may be attached in your personal statement/proposal where appropriate.

Reference : Please provide one reference. This should typically be an academic reference but in cases where this is not possible then a reference from a current employer may be accepted instead. Certain programmes, such as the MBA programme, may also accept an employer reference. If you already have a copy of a reference on letter headed paper then please upload this to your application. If you do not already have a reference to upload then please enter your referee’s name and contact details on the online application and we will contact your referee directly.

Application deadlines

September 2024, all applicants.

As there is extremely high demand for places on this degree programme, the University has established an application process with application rounds. This process aims to ensure fairness and equity to applicants and should support applications being open for the full admission cycle.

Round 1 application dates

1 October 2023 to 19 November 2023 . You will receive our decision on your application by 3 February 2024 .

Round 2 application dates

20 November 2023 to 18 February . You will receive our decision on your application by 24 March 2024 .

Round 3 application dates

19 February 2024 to 27 May . You will receive our decision on your application by 8 July 2024.

Round 4 application dates

28 May 2024 to 1 July . You will receive our decision on your application by 11 August 2024 .  

As we receive a great number of applications, prospective students are only allowed to apply once per year.

More information about this programme

• Core and optional courses
• Creative Writing at Glasgow

Related programmes

Online postgraduate.

• See the range of online postgraduate taught programmes available

Creative Writing

• Creative Writing [MLitt]

English Literature

• English Literature [MLitt]
• English Literature: American Modern Literature [MLitt]
• English Literature: Fantasy [MLitt]

more related English Literature programmes

Related links

• About postgraduate study
• How to apply for a postgraduate taught degree
• Postgraduate research opportunities A-Z
• How to apply for a postgraduate research degree
• Fees and funding

Postgraduate events

Open Days, information sessions, campus tours, events near you

Postgraduate prospectus

Alternatively, use our A–Z index

Attend an open day

Download our course brochure

Discover more about this subject area

MA Creative Writing / Overview

Year of entry: 2024

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We normally expect students to have a First or Upper Second class honours degree or its overseas equivalent in a humanities-based subject area.

Full entry requirements

Course options

Course overview.

• Engage with writers, editors and agents.
• Become part of a network of esteemed alumni .
• Learn from a distinguished team that includes novelists Jeanette Winterson CBE, Ian McGuire, Kamila Shamsie, Beth Underdown, Honor Gavin and Luke Brown; poets John McAuliffe, Frances Leviston, Vona Groarke and Michael Schmidt; and non-fiction writers Ellah Wakatama and Horatio Clare.
• Discover the rich literary fabric of Manchester, a UNESCO City of Literature, through Literature Live, Manchester Literature Festival, The Manchester Review, the International Anthony Burgess Foundation and Manchester-based publishers.

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For entry in the academic year beginning September 2024, the tuition fees are as follows:

• MA (full-time) UK students (per annum): £12,500 International, including EU, students (per annum): £26,000
• MA (part-time) UK students (per annum): £6,250 International, including EU, students (per annum): £13,000

Further information for EU students can be found on our dedicated EU page.

The fees quoted above will be fully inclusive for the course tuition, administration and computational costs during your studies.

All fees for entry will be subject to yearly review and incremental rises per annum are also likely over the duration of courses lasting more than a year for UK/EU students (fees are typically fixed for International students, for the course duration at the year of entry). For general fees information please visit: postgraduate fees . Always contact the department if you are unsure which fee applies to your qualification award and method of attendance.

Self-funded international applicants for this course will be required to pay a deposit of £1000 towards their tuition fees before a confirmation of acceptance for studies (CAS) is issued. This deposit will only be refunded if immigration permission is refused. We will notify you about how and when to make this payment.

Policy on additional costs

All students should normally be able to complete their programme of study without incurring additional study costs over and above the tuition fee for that programme. Any unavoidable additional compulsory costs totalling more than 1% of the annual home undergraduate fee per annum, regardless of whether the programme in question is undergraduate or postgraduate taught, will be made clear to you at the point of application. Further information can be found in the University's Policy on additional costs incurred by students on undergraduate and postgraduate taught programmes (PDF document, 91KB).

Scholarships/sponsorships

Each year the School of Arts, Languages and Cultures offer a number of  School awards and  Subject-specific bursaries  (the values of which are usually set at Home/EU fees level), open to both Home/EU and international students. The deadline for these is early February each year. Details of all funding opportunities, including deadlines, eligibility and how to apply, can be found on the School's funding page  where you can also find details of the Government Postgraduate Loan Scheme.

See also the University's postgraduate funding database  to see if you are eligible for any other funding opportunities.

For University of Manchester graduates, the Manchester Alumni Bursary  offers a £3,000 reduction in tuition fees to University of Manchester alumni who achieved a 1st within the last three years and are progressing to a postgraduate taught masters course.

The Manchester Master's Bursary  is a University-wide scheme that offers 100 bursaries worth £3,000 in funding for students from underrepresented groups.

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Courses in related subject areas

Use the links below to view lists of courses in related subject areas.

• English Literature, American Studies and Creative Writing

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• MA Creative Writing

Creative Writing

Join our community of internationally renowned, award-winning writers at the Manchester Writing School, where collaboration and experimentation are at the heart of what we do.

Course overview

At the heart of the Manchester Writing School are our masters programmes in Creative Writing, available to study on campus in Manchester and also from anywhere in the world via online distance learning. 

On our Master of Arts (MA) Creative Writing programme, you will explore and practice techniques and styles of modern and contemporary writing and apply these through the development of your own creative work. You will undertake a taught element blending writing workshops with reading units and option units, and then complete your studies through submission of an extended piece of writing from a proposed full-length book or script. 

You will specialise in one of the following routes: Novel (including Short Fiction), Poetry, Writing for Children & Young Adults, Scriptwriting ...

What you need to know

• When does the course start? September 2024 January 2025

1 year full-time (campus) 2 years part-time (campus or online)

Students can begin studying in January or September.

• Where will I study this course? Manchester , Online

Features and benefits

"One of the greatest pleasures of my working life continues to be the Manchester Writing School at Manchester Metropolitan University, a department with a real sense of family, achievement and celebration, and an ethos of nurturing and innovation." Professor Carol Ann Duffy DBE – Creative Director of the Manchester Writing School

Course Information

At the heart of the Manchester Writing School are our masters programmes in creative writing, available to study on campus in Manchester, and also from anywhere in the world via online distance learning.

MA Creative Writing can be tailored to suit your writing preferences by following a specialist route in novel (including short fiction), poetry, writing for children & young adults, scriptwriting (for stage, screen or radio) or creative non-fiction. Watch our playlist to find out more about each route.

This MA blends writing workshops, where you produce and develop your own work-in-progress with regular feedback from tutors and fellow students, with reading courses, which look at the techniques, forms and styles used by a range of writers in modern and contemporary literature. All students also take 30 credits of optional units and can choose from a range of creative writing units or options from courses across arts and humanities subjects. The final piece of work for the MA is the dissertation – an extended piece of creative writing from a proposed full-length book or script. 

The MA is available to complete in one year full-time or two years part-time. The novel and poetry routes are available to study on campus (full-time or part-time) or online (part-time only). The writing for children and creative non-fiction routes are online (part-time) only. The scriptwriting route is available to study on campus only.  We have intakes to the programme in September and January each year. 

Visit the Manchester Writing School website for more information, including profiles of staff and published students, news, events and projects.

Please visit our scholarships page for information on funding opportunities .

The programme leader for this course is James Draper . 

Classes for core Workshop and Reading units take place in the evenings (6-8pm UK time) during the autumn and spring semesters. Full-time students take all of their units in a single year and usually have classes two evenings per week. Part-time students spread these units over two years (study pattern may vary depending on specialist route) and usually have classes one evening per week. All students also take 30 credits of optional units and can choose from a range of creative writing units or options from courses across arts and humanities subjects. The MA concludes with the submission of the Creative Dissertation, completed through independent study with one-to-one support from a Dissertation Supervisor.

Creative Dissertation

This unit will build on and progress material produced during the Workshop units. You will compile and edit your creative writing into a substantial, continuous extract from a proposed longer work-in-progress and provide a Genesis Document: an account of the origins of and inspirations for your writing.

Reading Unit 1

This route-specific unit looks at the forms, themes, styles and techniques used by a range of writers in literature. Outstanding writing is considered in terms of composition, process and presentation, and its relevance to your own work-in-progress. 

The Workshop

Workshops are led by established practitioners in the specialist literary field (Novel, Poetry, Writing for Children/Young Adults, Scriptwriting or Creative Non-Fiction), giving you a committed editorial readership of professionals and peers, and generating and developing material for a proposed full-length book or script. It is expected that the creative work generated will eventually contribute to your Creative Dissertation.

Option units

Creative project.

On this unit, you will be asked to devise, scope, plan, conduct, report and reflect on a creative project of your own choosing. The project should involve a significant stretch from your core work on the programme and explore a new practice. This can be either working in a writing discipline different to your main route through the course, or by adapting or applying your work in a new context.

Green Writing

This unit will explore how creative writers can engage with ecological emergency during a time of crisis. The unit will examine different approaches to writing about nature, ecology and the environment, and demonstrate ways to respond creatively to contemporary climate science. You will study key texts in the field and produce your own original creative work using techniques drawn from those materials, learning how to bring traditionally ‘non-fiction’ perspectives into the realm of fiction.

Reading Unit 2 (30 credits)

Remaking games: creativity, play and communication.

This unit explores the theory and practice of hacking and making games as a research method and mode of creative practice. It considers the intersection between creative writing and game design. In the unit we introduce students to reading and making games as a new methodology that combines creative and critical thinking with public engagement and impact at the point of research. For creative writers, the unit helps develop new ways to explore narrative and storytelling through interactive fiction, videogames and analogue games. You will develop new communication skills as part of the research process, creating games to share with other students and wider audiences as a way of engaging the public with your research.  

Teaching Creative Writing

This unit introduces techniques for developing and delivering creative writing workshops in a range of settings and considers how to encourage would-be participants to produce original writing in a variety of styles and genres. Consideration of key pedagogic theories and analyses of demonstrations will offer background context and enable critical reflection on workshop practice.

The Industry (30 credits)

You will learn and acquire practical information about various aspects of the publishing, literary, arts and related industries through seminars and Q&A sessions with guest speakers. These may include agents, editors, publishers, publicists, booksellers, directors, producers, broadcasters, filmmakers, freelancers, performers, artists and illustrators. This unit is designed to give you a broad overview of the state of the industry, as well as some specialist knowledge about opportunities available for those working in your specialist area, as you complete your manuscript.

Writing About Relationships

This course unit explores writing about love and partnership and is designed to help you gain confidence, avoid cliché and improve the quality of your prose style as you write about human relationships and intimacy. 

Study and assessment breakdown

10 credits equates to 100 hours of study, which is a combination of lectures, seminars and practical sessions, and independent study. A masters qualification typically comprises of 180 credits, a PGDip 120 credits, a PGCert 60 credits and an MFA 300 credits. The exact composition of your study time and assessments for the course will vary according to your option choices and style of learning, but it could be:

• Full-time 34% lectures, seminars or similar; 0% placement; 66% independent study
• Part-time 34% lectures, seminars or similar; 0% placement; 66% independent study
• Full-time 100% coursework; 0% practical; 0% examination
• Part-time 100% coursework; 0% practical; 0% examination

Placement options

The Manchester Writing School is one of the UK's leading schools of creative writing. It is also home to ground-breaking outreach activities, international writing competitions, a series of city-wide literary events, innovative publishing projects, the Manchester Children's Book Festival , and Manchester Poetry Library . These activities provide you with many opportunities to get involved and develop your experience in a number of exciting directions.

Whether you've already made your decision about what you want to study, or you're just considering whether postgraduate study is right for you, there are lots of ways you can meet us and find out more about postgraduate student life at Manchester Met.

• a virtual experience campus tour
• chats with current students

Taught by Experts

Your studies are supported by a department of committed and enthusiastic teachers and researchers, experts in their chosen field.

We often link up with external professionals too, helping to enhance your learning and build valuable connections to the working world.

Entry Requirements

Application is by submission of an online form including a personal statement, and a sample of your own creative work. Your application should be tailored to one of our specialist routes: Novel, Poetry, Writing for Children & YA, Scriptwriting or Creative Non-Fiction. You can apply online here: mmu.ac.uk/study/postgraduate/apply/postgraduate-taught-course.

Please indicate at the top of your personal statement which specialist route you are applying for. You should use the rest of the statement to tell us a bit about yourself, give a good overview of your reading and writing interests, and a sense of what has led you to apply for our course and any ideas you have for what you’d like to write with us. Personal statements should be approximately 500 words long.

For the creative sample , applicants to the Novel, Children's & YA and Creative Non-Fiction routes should submit up to 2,000 words of prose; poetry applicants should submit up to 15 poems; and scriptwriting applicants should submit up to 15 minutes running time of script. The work submitted can be a complete piece, or an extract, or a number of extracts from a longer work or works, but must all be within the chosen specialist route.

We have intakes into the programme in September and January each year. For application deadlines, please see the 'How to Apply section'. 

In each application assessed we will be looking for evidence of:

A very high standard of written English; 

Control of form, style and technique; 

• Substantial reading of contemporary work within the relevant field; 

Commitment to the craft of writing and willingness to engage with the editorial process of receiving feedback and redrafting work-in-progress;  

Experience of the development of writing skills through workshops, supervision, mentoring or previous study.

Applicants whose first language is not English are required to produce evidence of English Language proficiency. Overseas applicants will require IELTS with an overall score of 6.5, with no sub-component below 5.5, or an equivalent accepted English qualification. Accepted English qualifications can be viewed  here .

If your application meets these criteria, a tutor may contact you to arrange a telephone or face-to-face interview at a mutually convenient time.

Fees and Funding

Uk and channel island students.

Full-time fee: £9,500 per year. Tuition fees will remain the same for each year of your course providing you complete it in the normal timeframe (no repeat years or breaks in study).

Part-time fee: £1584 per 30 credits studied per year. Tuition fees will remain the same for each year of your course providing you complete it in the normal timeframe (no repeat years or breaks in study).

Distance learning fee: £1584 per 30 credits studied per year. Tuition fees will remain the same for each year of your course providing you complete it in the normal timeframe (no repeat years or breaks in study).

EU and Non-EU International Students

Full-time fee: £18,500 per year. Tuition fees will remain the same for each year of your course providing you complete it in the normal timeframe (no repeat years or breaks in study).

Part-time fee: £3084 per 30 credits studied per year. Tuition fees will remain the same for each year of your course providing you complete it in the normal timeframe (no repeat years or breaks in study).

Distance learning fee: £3084 per 30 credits studied per year. Tuition fees will remain the same for each year of your course providing you complete it in the normal timeframe (no repeat years or breaks in study).

Additional Information

A masters qualification typically comprises 180 credits, a PGDip 120 credits, a PGCert 60 credits, and an MFA 300 credits. Tuition fees will remain the same for each year of study provided the course is completed in the normal timeframe (no repeat years or breaks in study).

Additional Costs

Specialist costs.

Compulsory estimate : £300

Optional estimate : £2200

Books (novels, poetry collections, children/young adult books, scripts in print, or books of creative non-fiction depending on the specialist route of study) for study on Reading units (up to 10 books per unit for two units). Costs spread across years one and two for part-time students. There is also a list of additional, optional recommended reading for each unit. Students can access much of this via the Manchester Met library (either by loaning books or via the e-book system). All students will require access to a computer in order to undertake their studies (accessing online resources, forums and communication systems). Students can loan laptops on campus. Students will also need access to broadband internet. While most students choose to purchase these for home use, computers with internet access are available to use on campus. While most assessed work will be submitted and completed electronically, students taking the dissertation or manuscript units will be asked to submit printed and bound copies of their work.

placement Costs

Compulsory estimate : £100

There is an optional summer school each year, where students are invited to spend two full days on campus for a suite of masterclass workshops, talks and social activities. Attendance at the school is free of charge, but students are asked to make their own arrangements for travel, accommodation and food. Students undertaking units which involve creating artwork, producing objects, or travelling to conduct research or interviews etc. will need to cover the costs of any materials used and also make arrangements for accommodation, travel and food. Students based outside of Manchester, including distance learners, who wish to attend on-campus or in-person events, activities, or classes are asked to cover the costs of accommodation, food, travel and tuition for these.

other Costs

Optional estimate : £500

Students may be invited to take part in optional public events (e.g. reading from their own work), or attend meetings for extra-curricular projects (e.g. the Rosamond Prize) and are expected to cover the costs of travel, accommodation and food.

Career Prospects

More than 100 of our students and graduates have embarked upon publishing careers, launching first books, with many more achieving publication in journals and magazines, winning writing awards and prizes, and setting up small presses and anthologies. Our alumni include winners of the Costa First Novel Award, Forward Poetry Prize and Yale Windham-Campell Prize, and a long-listing for the Man Booker Prize. 

Our School plays a leading role in establishing Manchester as a city of writers with a commitment to finding diverse new voices and creating opportunities for writer development, enabling new writing and building audiences for the next generation of talent. Manchester has been designated a UNESCO City of Literature in recognition of its thriving live literature scene, with a year-round programme of author events, writers’ forums, networking opportunities and open mic nights. 

We are home to a suite of ground-breaking outreach projects including the Manchester Children’s Book Festival and Mother Tongue Other Tongue , an international multilingual poetry competition that celebrates cultural diversity and the many languages spoken in schools in the UK. Our Manchester Poetry Library holds over 12,000 books and recordings that can be explored through our online catalogue, in person and through our annual events programme. Our School has a strong Manchester presence, with links to many of the city’s major cultural and arts organisations, and also a global reach with students and alumni based across the UK and continental Europe, and in the Americas, Africa, Asia and Australasia.

Our strong partnerships and innovative projects mean that you will have plenty of opportunities to develop your industry experience and network.  

On completion of this course you may decide to pursue PhD study, or to develop a career in bookselling, agenting, publishing, editing, the media, or in teaching creative writing. You will have access to the Careers and Employability Hub located in the Business School at Manchester Met, offering a host of information resources, one-to-one careers support, and employability events throughout the year. This service is also available for up to three years after you graduate. 

The Power of Words Led by Professor Carol Ann Duffy DBE (UK Poet Laureate 2009-2019), the Manchester Writing School is the beating literary heart of a city alive with culture. Find out more about its prestigious past, present and future by watching our video, 'The Power of Words'.   Watch the video Manchester Writing School

Want to know more

Register your interest, got a question.

Please contact our course enquiries team.

Please remember to tailor your application to one of our specialist routes (Novel, Poetry, Writing for Children, Scriptwriting or Creative Non-Fiction) and to include a creative sample relevant to that chosen route.

Please upload your creative sample under the 'Degree Transcript' section of the application portal. 

The novel and poetry routes are available to study on campus (full-time or part-time) or online (part-time only). The writing for children and creative non-fiction routes are online (part-time) only. The scriptwriting route is available to study on campus only.

Get advice and support on making a successful application.

You can review our current Terms and Conditions before you make your application. If you are successful with your application, we will send you up to date information alongside your offer letter.

Manchester is your city, be part of it

Your new home, your new city, why university, related courses, english studies.

Programme Review Our programmes undergo an annual review and major review (normally at 6 year intervals) to ensure an up-to-date curriculum supported by the latest online learning technology. For further information on when we may make changes to our programmes, please see the changes section of our Terms and Conditions .

Important Notice This online prospectus provides an overview of our programmes of study and the University. We regularly update our online prospectus so that our published course information is accurate. Please check back to the online prospectus before making an application to us to access the most up to date information for your chosen course of study.

Confirmation of Regulator The Manchester Metropolitan University is regulated by the Office for Students (OfS). The OfS is the independent regulator of higher education in England. More information on the role of the OfS and its regulatory framework can be found at officeforstudents.org.uk .

All higher education providers registered with the OfS must have a student protection plan in place. The student protection plan sets out what students can expect to happen should a course, campus, or institution close. Access our current Student Protection Plan .

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Course type

Qualification, university name, online ma creative writing.

9 degrees at 7 universities in the UK.

Customise your search

Select the start date, qualification, and how you want to study

Related subjects:

• MA Creative Writing
• MA Communication Design
• MA Communication Skills
• MA Communication Studies
• MA Communications and Media
• MA Digital Arts
• MA Digital Media
• MA Documentary Photography
• MA Film Special Effects
• MA Film Studies
• MA Film and Television Production
• MA Film and Video Production
• MA Media Production
• MA Multimedia
• MA Novel Writing
• MA Photography
• MA Photography history
• MA Play Writing
• MA Screenplay Writing
• MA Television Programme Production
• MA Television and Radio Production
• MA Visual Communication

• Course title (A-Z)
• Course title (Z-A)
• Price: high - low
• Price: low - high

Writing for Young People (Online) MA

Bath spa university.

• 2 years Online degree: £4,528 per year (UK)
• Writing Workshop Autumn: Writing for Young People
• Context Module One: Writing for Young People: Forms, Ages and Stages
• Writing Workshop Spring: Writing for Young People
• Writing for Young People: Contemporary Children?s Publishing
• The Manuscript (double module)
• View all modules

Manchester Metropolitan University

• 1 year Full time degree: £9,000 per year (UK)
• 2 years Online degree: £4,500 per year (UK)
• 2 years Part time degree: £4,500 per year (UK)
• Teaching Creative Writing (15 Credits) - Core
• Writing About Relationships (15 Credits) - Core
• The Industry (30 Credits) - Core
• Reading Unit 1 (30 Credits) - Core
• Reading Unit 2 (15 Credits) - Core

MA Novel Writing (Distance Education)

Middlesex university.

• 1 year Online degree: £8,600 per year (UK)
• Research: Writing, Markets, Audiences (30 Credits) - Core
• Reading as a Novelist (30 Credits) - Core
• Major Project (60 Credits) - Core
• Developing and Publishing the Novel (30 Credits) - Core
• Writing as a Novelist (30 Credits) - Core

MA in Creative Writing (Online)

University of hull.

• 2 years Online degree: £5,300 per year (UK)
• The Writer's Craft (30 Credits) - Core
• Writing the novel (30 Credits) - Core
• The Writer's Portfolio (60 Credits) - Core
• Writing from Life (30 Credits) - Core
• Writing the short story (30 Credits) - Core

Creative Writing (Online) MA

Teesside university, middlesbrough.

• 2 years Online degree: £4,860 per year (UK)
• 14 months Online degree: £4,165 per year (UK)
• Creative Writing Project- Core
• Core Skills and Techniques- Core
• The Professional Writer in the World- Core
• Writing and the Self- Core
• Writing Specialisms- Core

Creative Writing and Wellbeing (Online) MA

• 2 years Online degree
• 14 months Online degree
• The Creative Writing and Wellbeing Project- Core

MA Writing for Script & Screen (Online)

Falmouth university.

• Screen Industries: Professional Development (30 Credits) - Core
• Storytelling for Script & Screen (30 Credits) - Core
• Writer's Room: Collaborative Script Development (30 Credits) - Core
• Final Major Project (60 Credits) - Core
• Individual Script Development Workshop (30 Credits) - Core

MA Contemporary Creative Writing

Northeastern university london.

• 1 year Online degree: £9,000 per year (UK)
• LCWRI7200 Creative Writing Now (30 Credits)
• LCWRI7201 Publishing Your Writing (30 Credits)
• Dissertation: Publication Portfolio (60 Credits)

Comedy Writing MA (Online)

• CWO720 Individual Comedy Script Development (30 Credits) - Core
• CWO710 Comic Storytelling for Screen & Audio (30 Credits) - Core
• CWO730 Comedy Writers' Room: Collaborative Script Development (30 Credits) - Core
• CWO740 Screen Industries: Professional Development in Comedy (30 Credits) - Core

Course type:

• Distance learning MA
• Full time MA
• Part time MA

Qualification:

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• Home  › 
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• Novel Writing (Online Distance Learning) MA

Novel Writing MA (Online Distance Learning)

Course content, entry requirements, student work, staff profiles, student profiles.

Apply for this course

Writing a novel is on most bucket lists, but very few people make their dream a reality. Our fully flexible online MA enables you to develop your novel at your own pace, at times to suit your lifestyle, from anywhere in the world. You’ll be supported throughout by acclaimed novelists, who are experienced creative writing lecturers with valuable industry links.

Why study the MA Novel Writing* at Middlesex University?

Our practical and contemporary approach to novel writing ensures you are able to hone your writing skills and develop your book while also identifying gaps in the market and how to approach agents and publishers.

Through our online campus you can access the support of our experts, while interacting with others on the course, at a time to suit you, and you complete the course in one year (full-time). From idea generation, to developing character and plot, to pitching your novel to publishers, this MA equips you to master your novel.

Course highlights

• Our teaching team are all experienced creative writing lecturers as well as being novelists – they include novelist, critic and TV director/producer Dr Adam Lively and fantasy novelist/critic Dr Adam Dalton.
• You’ll be learning with state-of-the-art distance learning tools and 24-hour web support through our innovative online platform
• Creative writing at Middlesex has strong links with the publishing industry, including hosting the annual North London Story Festival , which has included appearances by writers such as former poet laureate Carol-Anne Duffy, novelist David Nicholls and Booker Prize shortlisted author Stephen Kelman.
• Get free access to the resources, learning materials and software.

This course is subject to review*

Find out more

Sign up now to receive more information about studying at Middlesex University London.

What our students say

Through the course, I stepped outside my comfort zone and found a writing voice I did not know I had. The support of my peers and tutors made that possible.

Lynn Bradshaw, MA Novel Writing student

What will you study on the MA Novel Writing?

This course is divided into five modules taken over three terms (if studied full time) which take you through the full process of writing a novel. While exploring in depth such key techniques of fiction as plotting, narrative voice, characterisation and background research, each module is also designed to be flexible and to allow you to bring your own writing interests and projects to the assignments, extending the boundaries of your current practice through self-reflection, research, analysis, and creative exploration.

Writing as a Novelist - 30 Credits​ - Compulsory

This module explores key writing techniques such as narrative, setting and characterisation, with reference to literary examples and the different methods used by writers in the creative process. This is an opportunity for you to explore the scenes and characters of your planned novel or develop a variety of ideas and approaches if you have not decided on the content of your story.

Reading as a Novelist - 30 Credits​​ - Compulsory

Building on the 'Reading as a Writer' concept (most famously explored in Francine Prose's book), this module explores how published writers handle the technical and ethical problems which are likely to present themselves in your writing. Through a combination of weekly 'practical criticism' exercises and an online 'book group' you will develop the analytical skills to improve your own writing and the problem-solving techniques to overcome any obstacles in your approach.

Research: Writing, Markets, Audiences - 30 Credits​​ - Compulsory​

This module explores the methods fiction-writers employ to research elements of their stories, as well as investigating the reasons why research is necessary – to provide authenticity, to avoid error, to create verisimilitude, and even to get inspiration. You will also learn about researching the possible markets, audiences and publishing outlets for your creative work.

Developing and Publishing the Novel - 30 Credits​​ - Compulsory​

This module moves on from the 'portfolio' focus of earlier modules to deal with the challenges of working on a specific novel. Through a series of writing exercises you will begin to evolve characters, explore themes and refine settings for your planned novel. This is an opportunity for you to begin the sustained prose narrative that is expected in the following dissertation.

Major Project - 60 Credits​​ - Compulsory​

Your final dissertation is an opportunity for you to take all the knowledge and skills you have acquired in the preceding modules and apply them to 20,000 words of an original novel with a synopsis for sending to an agent or publisher and an accompanying critical commentary.

You can find more information about this course in the programme specification . Optional modules are usually available at levels 5 and 6, although optional modules are not offered on every course. Where optional modules are available, you will be asked to make your choice during the previous academic year. If we have insufficient numbers of students interested in an optional module, or there are staffing changes which affect the teaching, it may not be offered. If an optional module will not run, we will advise you after the module selection period when numbers are confirmed, or at the earliest time that the programme team make the decision not to run the module, and help you choose an alternative module.

How is the MA Novel Writing taught?

This course is an online distance learning programme, so all teaching and learning is done online.

You will meet, work and study with your fellow course participants and tutors in a virtual space which provides you with the flexibility to learn at your own pace, in your own time. Our Virtual Learning Environment encourages you to share your writing, interact, question, and participate with others on your course, ensuring you never feel as if you are studying in isolation.

You will learn through

• Carefully structured modules that take students through key aspects of novel-writing.
• Tailored writing exercises, with accompanying feedback from tutors and fellow students
• Guided reading and interactive discussion and analysis.
• One-to-one online tutorials on individual projects.
• Extensive online support materials – e-books, videos.

Assessment is on the basis of creative work, including a 15,000-word final submission, along with reflection on the writing process in the form of discussion posts, on-line learning journals and critical commentaries.

Life at Middlesex

• Standard entry requirements
• International (inc. EU)
• How to apply

Qualifications

• We normally require a second class honours degree 2:2 or above, or equivalent qualification (a writer has to have something to write about!)
• We will also accept individuals with a minimum of three years' work experience
• Those without formal qualifications will need to demonstrate relevant writing experience and the ability to study at postgraduate level.

Further requirements

To be accepted to study on the MA Novel Writing, we are particularly looking for writing promise, ambition and dedication. All applicants are required to submit 2,000 words of recently written work as part of their application. This should be as a Word document. It is likely to be creative writing in prose form, e.g. an excerpt from a short story or novel, or it could be an essay or piece of creative non-fiction, for example. Applicants will then be required to attend a short on-line or telephone interview.

Eligibility

UK/EU and international students are eligible to apply for this course.

Academic credit for previous study or experience

If you have relevant qualifications or work experience, academic credit may be awarded towards your Middlesex University programme of study. For further information please visit our Accreditation of Prior Learning page .

Interviews, entrance tests, portfolios and auditions

Entry onto this course requires a portfolio. Please view the how to apply tab for more information.

We accept the equivalent of the below qualifications from a recognised overseas qualification:

To find out more about the qualifications we accept from your country please visit the relevant Support in your country page . If you are unsure about the suitability of your qualifications or would like help with your application, please contact your nearest Regional office for support.

Visas and immigration

You will not need a visa to study in the UK if you are a citizen of the European Union, Iceland, Liechtenstein, Norway or Switzerland. If you are a national of any other country you may need a visa to study in the UK. Please see our Visas and immigration page for further information.

International students who require a Student route (formerly tier 4) visa to progress on a course at Middlesex University must apply for study on a full-time basis. If you are on any other visa for the duration of study, please contact our admissions team to discuss possibilities of studying on a part-time basis.

English language requirements for international students

You must have competence in English language to study with us. IELTS must have minimum 6.5 overall with 6.5 in Reading, Listening and Speaking and a minimum 7.0 in Written component for 202310. We also normally require Grade C GCSE or an equivalent qualification. Visit our English language requirements page for a full list of accepted tests and qualifications.

If you don't meet our minimum English language requirements, we offer an intensive Pre-sessional English course .

Entry onto this course requires an interview and a portfolio. Please view the how to apply tab for more information.

Applications for postgraduate study should be made directly to the university. Please visit our Postgraduate application page for further information and to apply.

Portfolio and interview

In addition to the application form you will be required to submit 2,000 words of recently written prose fiction (a short story, or extract from a novel).

You will also be asked to take part in a short on-line or telephone interview of about 15- 20 minutes. We use the interview to allow us to find out more about you, in particular what you like to read, what you like to write and why you have applied for this programme. We want to better understand your aspirations and interests and also give you the chance to learn more about us. There will be no trick questions, so don't be too nervous. This is just to make sure the course is right for you.

Did you know?

Help with your application, eu / international students.

• UK/International
• Additional costs

The fees below refer to the 2024/25 academic year unless otherwise stated.

UK/International students*

Full-time students: £8,600

*Course fees are subject to annual inflation so the total costs for study are shown here as a guide.

For more information and to answer your frequently asked questions, please visit our postgraduate funding page .

Course costs

The following course-related costs are included in the fees:

• A free electronic textbook for every module
• All printing and copying required for your study
• Self-service laptops available for loan for a maximum of 24 hours
• Audio-visual equipment available for loan, including digital stills cameras, digital video recorders, digital audio recorders

As an undergraduate alumnus continuing postgraduate studies at Middlesex, you are eligible for an alumni award worth 20% off your fees.

Scholarships, fees and bursaries

Students on the Novel Writing MA have been involved in creating a set of podcasts which gave them invaluable hands on experience of scripting and producing radio pieces. They had the opportunity to showcase an example of their work as part of Middlesex’s literary festival, the North London Story Festival, both via the NLSF website and on the day through a podcasting hub was set up during the festival.

On the Crest of a Wave by Jonathan Payne

The Urge by Shauna Lupaschuk

A Portrait of the Artist as a Not So Young Pretender by Russell Che Parke

A Beginning, a Middle and an End by Nabeel Mohan

Dr Adam Lively Programme Leader

Adam has published four novels and in 1993 was on the Granta list of “Twenty Best Young British Novelists”. He is also the author of Masks: Blackness, Race and the Imagination (1997) and was the co-editor of Democracy in Britain: A Reader (1995). He spent ten years as a researcher/producer/director of documentary films, including Jihad: The Men and Ideas behind Al Qaeda (PBS/Channel 4), which was shortlisted for an International Emmy and awarded the DuPont-Columbia Prize for Excellence in Broadcast Journalism. His doctoral thesis examined narrative fiction from the perspective of contemporary psychology and philosophy of mind, and he continues to research and publish in this field, in addition to writing fiction.

Dr Adam Dalton

Before joining Middlesex University, Adam lectured in English Literature and Creative Writing at both Manchester Metropolitan University and Falmouth University. He writes academically on English Literature, and publishes both genre and literary fiction under the author name A J Dalton.

Lynn Bradshaw, London

I began from the premise that I wanted to be able to do two things after the course: write a a reasonably "good" novel and move into teaching creative writing. I am happy to say that I have already embarked on both.

The programme has given me the tools, confidence and contacts to start to make a career out of writing.

Throughout the course, I stepped outside my comfort zone and found a writing voice I did not know I had. The support of my peers and tutors made that possible.

The best things have been: contact with other supportive trainee novel writers via the forums and working with professional writers to polish my writing.

I cannot emphasis enough how much I have gained from the tutors. Their insights, questions, challenges, enthusiasm and empathy have made the course a really great experience.

Divya Menon, Malaysia

I am so glad and grateful to have had the opportunity to be on the MA Novel Writing programme. What an awesomely compact and precisely structured course, nurturing future novelists with all the right ingredients. This course has literally flung the door open for my dream of writing a novel to take shape. A big thank you to the course leader and to the tutors who have not only shared their knowledge and expertise with insight and foresight, but also have been excellent and encouraging mentors in the craft. The very fact this course is online is simply a gift to aspiring novelists like myself who can't get to the UK physically.

We’ll carefully manage any future changes to courses, or the support and other services available to you, if these are necessary because of things like changes to government health and safety advice, or any changes to the law.

Any decisions will be taken in line with both external advice and the University’s Regulations which include information on this.

Our priority will always be to maintain academic standards and quality so that your learning outcomes are not affected by any adjustments that we may have to make.

At all times we’ll aim to keep you well informed of how we may need to respond to changing circumstances, and about support that we’ll provide to you.

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• Credits measure the student workload required for the successful completion of a module or qualification.
• One credit represents about 10 hours of study over the duration of the course.
• You are awarded credits after you have successfully completed a module.
• For example, if you study a 60-credit module and successfully pass it, you will be awarded 60 credits.
• MA in Creative Writing

This qualification is an opportunity to develop your skills as a writer in fiction, poetry, creative nonfiction and scriptwriting for film, radio and the stage. You'll be able to write in a genre of your choice and experiment with at least one other through practical and inspiring activities. You’ll work towards producing a substantial piece of your own creative writing to a professional standard. You'll also hone your practice through sharing, reading and critiquing the writing of your peers in online forums. You’ll work towards producing a substantial piece of your own creative writing to a professional standard.

• Develop writing skills and awareness of approaches to writing
• Progress and hone sophisticated writing skills in at least one genre
• Gain a sound knowledge of, and ability in, a secondary genre
• Engage in sharing, critiquing and reviewing a variety of writing by your peers.

Study for free We’ve a limited number of scholarships available to UK students for the 2023/24 academic year. If you’re passionate about creative writing, you could be eligible for an Open Futures Scholarship. To apply, visit our Creative Writing Scholarship page. Applications close on 24 July 2023.

How to register

Select the module you will study first, read the full description, and follow the instructions to register.

To gain the 180 credits you require for this qualification, you must study the modules in the order shown below and pass part 1 before progressing to part 2:

Please note that MA Creative Writing part 2 (A803) is worth 120 credits. Module fees for postgraduate modules are based on the number of credits you study. Therefore the fee for this 120-credit postgraduate module will be double that for the 60-credit module MA Creative Writing part 1 (A802).

You should note that the University’s unique study rule applies to this qualification. This means that you must include at least 60 credits from OU modules that have not been counted in any other OU qualification that has previously been awarded to you.

Learning outcomes, teaching and assessment

The learning outcomes of this qualification are described in four areas:

• Knowledge and understanding
• Cognitive skills
• Practical and professional skills

If you’ve successfully completed some relevant postgraduate study elsewhere, you might be able to count it towards this qualification, reducing the number of modules you need to study. You should apply for credit transfer as soon as possible, before you register for your first module. For more details and an application form, visit our Credit Transfer  website.

On completion

On successful completion of the required modules you can be awarded the Master of Arts in Creative Writing, entitling you to use the letters MA (CW) (Open) after your name. You will have the opportunity of being presented at a degree ceremony. If you leave the programme before you qualify for a degree you can qualify for a  Postgraduate Certificate in Humanities (C20)  after successfully completing 60 credits.

Regulations

As a student of The Open University, you should be aware of the content of the qualification-specific regulations below and the academic regulations that are available on our Student Policies and Regulations  website. 

We regularly review our curriculum; therefore, the qualification described on this page – including its availability, its structure, and available modules – may change over time. If we make changes to this qualification, we’ll update this page as soon as possible. Once you’ve registered or are studying this qualification, where practicable, we’ll inform you in good time of any upcoming changes. If you’d like to know more about the circumstances in which the University might make changes to the curriculum, see our Academic Regulations or contact us . This description was last updated on 19 March 2024.

You must hold a UK honours degree (or equivalent), preferably with at least a 2:1 classification. Although your degree does not need to be in Creative Writing or a closely related subject, you will need some knowledge of the subject to successfully complete this qualification, as the MA in Creative Writing assumes all candidates have the knowledge and skills usually acquired by pursuing the subject at undergraduate level. Please note that this is not a qualification for those who are just starting to write creatively

If your degree is not in Creative Writing or a closely related subject, we strongly recommend that you read the preparatory work indicated on the MA Creative Writing part 1 . Alternatively, you could undertake our open-access creative writing courses on OpenLearn  and FutureLearn to ensure your skills (writing, reading, editorial, reflective, analytical) are at an appropriate standard. If you don’t have a Creative Writing degree, please also make sure that you provide evidence of your experience of writing when you apply – whether through short courses, workshops, or publications.

How long it takes

You will be able to complete this masters qualification within two years by studying one module each year. If you do not study the modules consecutively, you must complete them in a maximum of 10 years to qualify for the degree.

Career relevance

If you wish to pursue a freelance writing career this Masters degree will equip you with necessary writing and editorial skills, as well as equipping you with a raft of highly valued transferable communication and collaborative skills necessary to the modern writer’s usual portfolio of occupations.

If you are aiming for an academic career in higher education, this qualification will provide a route towards a higher level research or writing practice degree (e.g. PhD), which is essential for such a career. A Masters degree can help to enhance your career prospects as a teacher in secondary and higher education (HE); most HE creative writing teaching now demands an MA in the subject.

If your aim is to enter professions associated with the media, culture, creative or knowledge industries, or if you already have a career in one of these areas and are seeking a further qualification as a means of career development, then a Masters degree, supplemented by relevant skills and experience, can prove invaluable. This degree is pertinent to those careers that directly call upon knowledge of the craft of writing, editing and critiquing (for instance, journalism, publishing, copywriting). It may also be relevant for careers that demand skills in the creative use and analysis of texts of various sorts, critical thinking and organisation, and understanding of culture in a broad sense.

Careers and Employability Services have more information on how OU study can improve your employability.

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Creative Writing MA, PGCert

Our PGCert and MA in Creative Writing provide a unique opportunity to explore and develop your creative writing skills through practice, revision and discussion.

You are currently viewing course information for entry year:

Start date(s):

• September 2024

Our Creative Writing MA develops your understanding of your own writing and your technical writing skills.

You'll further your awareness of:

• writing processes
• professional writing

This PGCert and MA in Creative Writing provide a unique opportunity to explore and develop your creative writing skills. We teach creative writing in three areas:

• prose writing, with an emphasis on short fiction, creative non-fiction and the essay
• poetry with an emphasis on the practice and study of a variety of poetic traditions and contemporary techniques
• scriptwriting, which includes writing for the theatre and screenwriting

Through these areas, we'll introduce you to a wide range of subjects and opportunities with which writers are working professionally.

Members of  our Creative Writing staff  have received national and international recognition for their writing. You'll work with them to prepare your own writing for submission.

If you complete the Creative Writing PGCert, you can choose to transfer to the second year of our part-time MA.

Important information

We've highlighted important information about your course. Please take note of any deadlines.

Please rest assured we make all reasonable efforts to provide you with the programmes, services and facilities described. However, it may be necessary to make changes due to significant disruption, for example in response to Covid-19.

View our  Academic experience page , which gives information about your Newcastle University study experience for the academic year 2023-24.

See our  terms and conditions and student complaints information , which gives details of circumstances that may lead to changes to programmes, modules or University services.

Related courses

Qualifications explained.

Find out about the different qualification options for this course.

An MA is a taught Master’s degree. It usually involves the study of social sciences, art and humanities, and business, consulting and management. It typically includes:

• subject-specific taught modules
• a dissertation or research project of approximately 15,000 – 18,000 words

You'll usually study an MA full-time over 12 months.

A Master of Arts is awarded for the successful completion of 120 credits of taught modules and a 60 credit dissertation or research project.

Find out about different types of postgraduate qualifications .

A PGCert is awarded if you successfully complete half of the taught modules (60 credits).

What you'll learn

Through this Creative Writing Master's you'll be inducted into the habits and inventive strategies of writers in a module dedicated to this process. You'll also begin to concentrate on skills specific to different fields of the writing craft.

You'll go on to test your own writing in one of three workshops dedicated to poetry, prose or script. You'll also take the opportunity to focus on areas of imaginative writing that are specialisms of our staff. Examples of our specialisms include:

• dramatic monologue
• poetry and translation
• life writing
• screenwriting

Our Profession of Writing module explores the roles and importance of:

• professional opportunities for creative writers

You will study modules on this course. A module is a unit of a course with its own approved aims and outcomes and assessment methods.

Module information is intended to provide an example of what you will study.

Our teaching is informed by research. Course content changes periodically to reflect developments in the discipline, the requirements of external bodies and partners, and student feedback.

Full details of the modules on offer will be published through the Programme Regulations and Specifications ahead of each academic year. This usually happens in May.

Optional modules availability

Some courses have optional modules. Student demand for optional modules may affect availability.

To find out more please see our terms and conditions .

The range of modules will be different if you're studying part-time.

Compulsory modules

Optional modules

• Craft: Prose
• Craft: Poetry
• Craft: Theatre Script
• Screenwriting
• Poetry and Translation
• Life Writing Masterclass

How you'll learn

You’ll be taught using a range of methods, typically including:

• taught sessions
• guided reading
• individual consultations

The portfolio will see you finely develop your work through one-to-one supervision. Our small seminar groups and one-to-one supervision mean you'll work closely with your tutors, who are all writing practitioners.

All our classes take place in the early evening.

Depending on your modules, you'll be assessed through a combination of:

Your teaching and learning is also supported by Canvas. Canvas is a Virtual Learning Environment. You'll use Canvas to submit your assignments and access your:

• module handbooks
• course materials
• course announcements and notifications
• written feedback

Throughout your studies, you’ll have access to support from:

• personal tutors
• our University Student Services Team
• student representatives

You'll also be assigned an academic member of staff. They will be your personal tutor throughout your time with us. They can help with academic and personal issues.

Your development

Our PGCert and MA in Creative Writing allow you to advance your creative ability through:

You will further your awareness of:

• writing craft

Your future

Our careers service.

Our award-winning Careers Service is one of the largest and best in the country, and we have strong links with employers. We provide an extensive range of opportunities to all students through our ncl+ initiative.

Visit our Careers Service website

Follow in their footsteps

• Name: Oisín
• Nationality: British
• Graduated: 2020
• Now working as: Software developer, writer and filmmaker

"I was inspired by the talent and creativity of my peers, and many of them have gone on to be published and recognised. We still support one another, sharing our successes and challenges along the way."

Find out what Oisín liked the most about studying Creative Writing MA at Newcastle University and how this degree helped him in his career as a software developer.

Read about Oisín's journey .

Quality and ranking

All professional accreditations are reviewed regularly by their professional body

From 1 January 2021 there is an update to the way professional qualifications are recognised by countries outside of the UK

Check the government’s website for more information .

The School of English Literature, Language and Linguistics is a lively and diverse community with over 700 undergraduates and 200 postgraduates. We're based in the Percy Building. Our purpose-built postgraduate suite includes:

• several dedicated computer clusters
• meeting rooms
• a kitchen and lounge area

Our award-winning Phillip Robinson Library has an extensive audio-visual collection.

The Newcastle Centre for Literary Arts (NCLA) is a world-class centre of excellence in the field of creative writing which contributes to the cultural life of the North East via:

The NCLA offers you the opportunity to get involved in our writing community through readings and events that feature:

• scriptwriters
• non-fiction writers

Past speakers include:

• Kazuo Ishiguro
• Paul Muldoon
• Val McDermid
• Peter Straughan
• Claudia Rankine
• David Almond

Fees and funding

Tuition fees for 2024 entry (per year).

If your studies last longer than one year, your tuition fee may increase in line with inflation.

Depending on your residency history, if you’re a student from the EU, other EEA or a Swiss national, with settled or pre-settled status under the EU Settlement Scheme, you’ll normally pay the ‘Home’ tuition fee rate and may be eligible for Student Finance England support.

EU students without settled or pre-settled status will normally be charged fees at the ‘International’ rate and will not be eligible for Student Finance England support.

If you are unsure of your fee status, check out the latest guidance here .

Scholarships

We support our EU and international students by providing a generous range of Vice-Chancellor's automatic and merit-based scholarships. See  our   searchable postgraduate funding page  for more information.  

What you're paying for

Tuition fees include the costs of:

• matriculation
• registration
• tuition (or supervision)
• library access
• examination
• re-examination

Find out more about:

• living costs
• tuition fees

If you are an international student or a student from the EU, EEA or Switzerland and you need a visa to study in the UK, you may have to pay a deposit.

You can check this in the How to apply section .

If you're applying for funding, always check the funding application deadline. This deadline may be earlier than the application deadline for your course.

For some funding schemes, you need to have received an offer of a place on a course before you can apply for the funding.

Search for funding

Find funding available for your course

Entry requirements

The entrance requirements below apply to 2024 entry.

Qualifications from outside the UK

English language requirements, admissions policy.

This policy applies to all undergraduate and postgraduate admissions at Newcastle University. It is intended to provide information about our admissions policies and procedures to applicants and potential applicants, to their advisors and family members, and to staff of the University.

Download our admissions policy (PDF: 201KB) Other policies related to admissions

Credit transfer and Recognition of Prior Learning

Recognition of Prior Learning (RPL) can allow you to convert existing relevant university-level knowledge, skills and experience into credits towards a qualification. Find out more about the RPL policy which may apply to this course

• How to apply

Using the application portal

The application portal has instructions to guide you through your application. It will tell you what documents you need and how to upload them.

You can choose to start your application, save your details and come back to complete it later.

If you’re ready, you can select Apply Online and you’ll be taken directly to the application portal.

Alternatively you can find out more about applying on our applications and offers pages .

Open days and events

You'll have a number of opportunities to meet us throughout the year including:

• campus tours
• on-campus open days
• virtual open days

Find out about how you can visit Newcastle in person and virtually

Overseas events

We regularly travel overseas to meet with students interested in studying at Newcastle University.

Visit our events calendar for the latest events

• Get in touch

Questions about this course?

If you have specific questions about this course you can contact:

Melanie Birch Events, Marketing and Postgraduate Administrator School of English Literature, Language and Linguistics Telephone: +44 (0) 191 208 7619 Email:  [email protected]

For more general enquiries you could also complete our online enquiry form.

Fill in our enquiry form

Our Ncl chatbot might be able to give you an answer straight away. If not, it’ll direct you to someone who can help.

You'll find our Ncl chatbot in the bottom right of this page.

Keep updated

We regularly send email updates and extra information about the University.

Receive regular updates by email

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Chat online with current students with our Unibuddy platform.

• What You'll Learn
• How You'll Learn
• Your Development
• Your Future
• Quality and Ranking
• Fees and Funding
• Entry Requirements
• Open days & events

Creative Writing MA

Get inspired and take your creative writing to the next level on this degree. Develop the skills to succeed in your career as a writer, editor, publisher, or journalist.

Key information

• 1 year full-time
• 2 years part-time
• September 2024

Course information

Please select the page of your interest

Showing content for section Overview

Where better to take your writing to the next level than the home city of literary greats like Charles Dickens and Sir Arthur Conan Doyle?

On this MA Creative Writing degree course, you'll study the genres that inspire you the most – from poetry and historical fiction, to screenwriting and crime – as well as genres you may not have explored, taking your writing in new directions.

You'll spend plenty of time writing and reviewing work and benefit from the help and experience of our expert lecturers. You'll develop the confidence to become a better writer by learning to critique your own work, and that of your peers. There's even the chance to take up a placement at a famous literary magazine.

If you're imaginative, ambitious, and ready to devote yourself to improving your writing, it's time to take your studies to the next level with us. This Master's in creative writing will give you the tools you need for a successful career as a writer, or in fields such as publishing, media, and education.

Eligibility

This course accepts UK, EU, and international students.

Course highlights

• Build confidence as a writer and consolidate your creative writing skills
• Get to grips with different writing techniques and study contemporary skills to inspire and entertain your audience through the power of the written word
• Complete a major project in the form of your own novel, screenplay or poem
• Participate in writers' workshops, where you'll develop your own skills and constructively contribute to the work of others
• Learn from our expert lecturers and creative writing academics, all of whom are published authors with a vast wealth of experience in the industry within their specialisms
• Learn about the market and current debates within differing genres
• Hear from accomplished guest speakers from the worlds of publishing and writing

Joining us as an international student

You'll feel at home in our international community and our diverse city. You'll be joining over 5,000 international students from more than 150 countries who are studying with us.

Learn more about international student life and how we can help you with visas, applications, arrival and settling in. 

Information for international students

Take a literary history tour of Portsmouth with us

From Charles Dickens and Sherlock Holmes to Neil Gaiman, Portsmouth is steeped in lively literature. Join two of our students for a tour around our literary city.

Chibuzor and Holly:  Welcome to Portsmouth.

Chibuzor:  Our island city has a really rich history of literature and culture.

Holly:  Come and join us for a tour.

Chibuzor:  One of our most famous literary residents is Charles Dickens, who was born here on Old Commercial Road. It is now home to the Charles Dickens Birthplace Museum.

Holly:  Portsmouth is also the birthplace of another famous figure. Arthur Conan Doyle wrote his first Sherlock Holmes story while practising as a doctor here in Southsea. Now you can walk in his footsteps while doing a spot of shopping on Elm Grove.

Chibuzor:  Thinking of shopping, our popular Gunwharf Quays features in Graham Hurley's DI Faraday crime novel, The Take. Graham Hurley is a friend of the English Literature programme. If you study with us here at the University of Portsmouth, you may get a chance to work with him in class.

Holly:  There is literally an ocean at the end of this lane. It was renamed in honour of the famous novel by Neil Gaiman, who lived just outside of Portsmouth and spent many holidays here with relatives in the city.

Chibuzor:  As an island city, Portsmouth has had a huge influence on authors both from home and abroad. Jane Austen often visited here to see her brothers, who were stationed here with the Royal Navy. She was inspired to include Portsmouth in her novel, Mansfield Park.

Holly:  Stephanie Norgate's poem, Ferries at Southsea, was inspired by the view of ferries here on Clarence Parade Pier. Her poem is strongly rooted in the local area, but also tackles global issues of immigration.

Chibuzor:  Portsmouth’s naval history means we can't shy away from the topics of race and slavery. The first slave narrator, Ukawsawa Gronniosaw, visited our city, while John Jea, another former slave, was a prominent preacher near the docks. Their memoirs movingly reveal the city's black history.

Holly:  As we move into modern day, we have authors and poets tackling issues both big and small. Poet laureate Simon Armitage studied at the University of Portsmouth. Local poet Denise Bennett has written on Portsmouth Jewish history, and Fatima Bhutto featured Portsmouth in her contemporary novel on Islamic culture. As well as its fabulous literary history, Portsmouth also has a really vibrant, creative writing community, and you can be a part of it if you decide to study here.

Chibuzor:  Our final stop is Milldam building. Originally a mill pond, it was featured in a long forgotten novel by Walter Besant, who was a contemporary of Charles Dickens. The Navy drained the pond and built officer quarters here. Then it changed hands and became home to the English Literature team at the University of Portsmouth.

Holly:  Which means Portsmouth is home to the next generation of writers, thinkers and world shapers.

Chibuzor:  We hope you join us.

Contact information

+44 (0) 23 9284 5566

What you'll study (full-time)

Core modules, critical reading for creative writers - 30 credits enhance your creative writing by studying a wide range of inspiring texts..

This module takes you on a critical journey through various genres and time periods, from fairy tales to philosophy. Discover how to interpret writing through lectures, interactive workshops, and presentations. Hone your skills in understanding literature, crafting solid arguments, and using literary theories to refine your writing — be it prose, poetry, or scripts.

You’ll learn how to read critically in different situations, connecting with classic and contemporary authors. This will help you gather valuable knowledge to shape your unique writing style.

By the end of this module, you’ll have developed the analytical tools and creative techniques to enrich your writing and establish a voice that is distinctly your own.

Writer's Workshop: Exploration - 30 credits Find and refine your unique writing style in this foundational creative writing module.

The Writer’s Workshop offers a friendly environment to experiment with various types of writing. It will help you find what you love and where you excel. By writing in different formats, like prose and poetry, you’ll improve your technique and originality. Get help on how to draft and revise your work, learning to explain your creative decisions at every step.

By the end of the term, you’ll have sharpened your abilities and laid out a path for your final dissertation.

Critical Thinking for Creative Writers - 30 credits Deepen your creative writing by engaging with critical literary theories.

This seminar-focused module will introduce you to essential theories from academic criticism that apply to the art of writing. Through conversations, research, and hands-on activities, you'll explore timeless texts to grasp powerful writing principles. You’ll also critique these theories related to your own work, honing the ability to incorporate both original and scholarly sources effectively.

Dive into vital scholarly viewpoints to strengthen the core of your distinctive writing style.

Final Project: the Creative Practice Dissertation - 60 credits Create your defining work in this final module, aimed at crafting an impressive collection of your original writing.

With tutor guidance, you’ll refine your creative process. Apply analytical insight to elevate your work to a professional level. Your comprehensive portfolio will reflect your capacity for dedicated, autonomous work.

With this module, you can show how well you can blend genre-specific techniques with critical self-reflection. Through commitment and creativity, you’ll finish your course with a powerful testament to your talents.

Writer's Workshop: Resolution - 30 credits Bring your creative writing talents into sharp focus in this advanced workshop.

You’ll use research, reading, and discussion to critically reflect on your skills and interests, setting the stage for an ambitious final project. Armed with genre knowledge and preparatory writing skills, you'll perfect your opening chapters or scenes through feedback. By examining your methods and considering feedback, you’ll enhance your technique and vision.

This module provides essential groundwork to resolve your ideas into a polished dissertation that showcases your writerly voice.

What you'll study (part-time)

Changes to course content.

We use the best and most current research and professional practice alongside feedback from our students to make sure course content is relevant to your future career or further studies.

Therefore, some course content may change over time to reflect changes in the discipline or industry. If a module doesn't run, we'll let you know as soon as possible and help you choose an alternative module.

Careers and opportunities

Careers this master's in creative writing prepares you for.

As a successful graduate of this course, you'll have experienced an exciting immersion into writing, with the freedom and discipline of writing across multiple forms to express your unique narrative voice.

Through workshops, independent writing and critical analysis, this creative writing Master's course will help you to develop your own skills and constructively contribute to the work of other writers.

When you graduate, you'll have completed a major project in the form of your own novel, screenplay or poem, and have developed the necessary confidence and critical skills to continue a career in writing, or in fields such as publishing, media, and education.

Graduates of this course have gone onto roles in:

• Public Relations (PR)

Recent graduates of this course have found jobs such as:

• Account Executive
• Article portfolio writing
• Freelance sports journalist
• Freelance writer
• Social Media Manager

9 reasons to do a Master's

Career outcomes shown are sourced from the latest available graduate outcome surveys. The data shows career outcomes at 15 months after graduation.

Career planning

During your course, you'll have expert career support from your tutors and from our Careers and Employability Centre, which you can access for 5 years after you graduate.

You'll benefit from:

• Networking events and industry links, including the opportunity to attend five industry parties at The London Magazine
• 1-to-1 appointments
• CV and cover letter advice
• Interview preparation and practice
• Workshops to enhance your employability skills
• Recruitment events including the Student and Graduate Opportunities Fair
• Support starting your own business

Placements and industry connections

There is the opportunity to either work in London at The London Magazine offices for a two-week placement, or undertake a virtual placement working at The London Magazine dealing with submissions to the magazine.

All teaching staff are published authors and have a vast wealth of experience in the industry within their specialisms.

How you'll spend your time

We recognise that you'll probably be juggling more demands when you do your Master's degree, as you may be working or you may have family responsibilities.

We'll give you as much indication here as we can of how much time you'll need to be on campus and how many hours you can expect to spend in self-directed study, but please note that these indications are always subject to change. You should receive your full timetable several weeks before you start with us.

Course structure

This Master's degree will take:

• 1 year (full-time study)
• 2 years (part-time study)

You can expect:

• 1 day of teaching per week (pro rata for part time students)
• Around 20–25 hours of dedicated independent study each week (pro rata for part time students)

At the moment, teaching takes place on Fridays, leaving you the rest of the week for self-guided study.

Master's study is deeper and more specialised than an undergraduate degree. This means you'll focus on something that really matters to you and your career as you work closely with academics committed to the subject.

You'll spend more time in independent study and research than you did for your undergraduate degree, but the majority of your teaching time will be in-person and face-to-face.

Teaching methods on this course include:

• independent writing
• critical analysis

You'll be assessed through:

• creative writing projects
• final creative writing project

Teaching staff

These are some of the expert staff who'll teach you on this course:

Dr Steven O'Brien

Senior Lecturer

[email protected]

School of Film, Media, and Communication

Faculty of Creative and Cultural Industries

PhD Supervisor

Dr Tom Sykes

Associate Professor in Creative Writing and Global Journalism

[email protected]

September start

The Master's academic year runs from September to the following September. There are breaks at Christmas and Easter. Over the summer you'll be writing your project/dissertation.

See key dates

Writing and scripting software

Open Access Suite

University Library

Supporting you

Master's study is more focused on independent learning than undergraduate study, but you'll get lots of  support via video, phone and face-to-face  from teaching and support staff to enhance your learning experience and help you succeed. You can build your personalised network of support from the following people and services:

Types of support

Personal tutor.

Your personal tutor helps you make the transition to independent study and gives you academic and personal support throughout your time at university.

You'll have regular contact with your personal tutor in learning activities or scheduled meetings. You can also make an appointment with them if you need extra support.

Student support advisor

Creative skills tutors, academic skills tutors.

You'll have help from a team of faculty academic skills tutors. They can help you improve and develop your academic skills and support you in any area of your study.

They can help with:

• improving your academic writing (for example, essays, reports, dissertations)
• delivering presentations (including observing and filming presentations)
• understanding and using assignment feedback
• managing your time and workload
• revision and exam techniques

IT and computing support

Academic skills support.

As well as support from faculty staff and your personal tutor, you can use the University's Academic Skills Unit (ASK).

ASK provides one-to-one support in areas such as:

• academic writing
• note taking
• time management
• critical thinking
• presentation skills
• referencing
• working in groups
• revision, memory and exam techniques

Disability advice and additional support

If you require extra support because of a disability or additional learning need our  specialist team  can help you.

They'll help you to

• discuss and agree on reasonable adjustments
• liaise with other University services and facilities, such as the library
• access specialist study skills and strategies tutors, and assistive technology tutors, on a 1-to-1 basis or in groups
• liaise with external services

Wellbeing and mental health support

Our online  Learning Well mini-course will help you plan for managing the challenges of learning and student life, so you can fulfil your potential and have a great student experience.

You can get personal, emotional and mental health support from our Student Wellbeing Service , in person and online. This includes 1–2–1 support as well as courses and workshops that help you better manage stress, anxiety or depression.

Library support

Library staff are available in person or by email, phone, or online chat to help you make the most of the University’s library resources. You can also request one-to-one appointments and get support from a librarian who specialises in your subject area.

The library is open 24 hours a day, every day, in term time.

Support with English

If English isn't your first language, you can do one of our English language courses  to improve your written and spoken English language skills before starting your degree. Once you're here, you can take part in our free In-Sessional English (ISE) programme  to improve your English further.

​Course costs and funding

Tuition fees (september 2024 start), uk, channel islands, and isle of man students.

• Full-time:  £8,200
• Part-time:  £5,470 (Year 1) and £2,730 (Year 2)

EU students

(including  Transition Scholarship )

International students

• Full-time:  £17,200
• Part-time:  £11,360 (Year 1) and £5,840 (Year 2)

University of Portsmouth graduates may receive a  20% alumni tuition fee discount . 

Fees are subject to annual increase.  Read our tuition fees terms and conditions .

You'll be able to pay your fees in instalments. Find out  how to pay your tuition fees .

Funding your studies

Explore how to fund your studies, including available  scholarships and bursaries .

If you're a UK student, you may be eligible for a  Government Postgraduate Master's Loan , which you can use to help with course fees and living costs.

Loans, scholarships and bursaries

Browse funding such as the Government Postgraduate Loan, our scholarships for new and returning students, and subject specific loans.

Funding for international students

Learn more about sponsorships, scholarships and loans for students applying from outside of the UK.

Fees and funding for Master's courses

Explore Master's funding options, including loans, scholarships, bursaries and more.

Entry requirements

September 2024 start, uk qualifications, qualifications or experience.

• A second-class honours degree in a related subject. Equivalent qualifications and/or notable experience as a creative writer will also be considered.

Please  get in touch  if you're not sure if your undergraduate subject is relevant to this degree.

Equivalent professional experience and/or qualifications will also be considered, such as previous study, employment, voluntary work and training courses, including courses and qualifications you didn't complete. Learn more about our  Recognition of Prior Learning (RPL) .

Non-UK qualifications

If you're applying as an international student with a non-UK degree, you’ll need to show you meet the UK entry requirements listed above.

To find out if your non-UK degree or other qualification is accepted, please visit our page for  your country  and view the UK equivalent of your qualification. 

English language requirements

• English language proficiency at a minimum of IELTS band 6.5 (or equivalent) with no component score below 6.0.

You do not need an IELTS or equivalent certification if:

• you have a UK degree
• you have a degree from a majority English-speaking country (not taught by Distance Learning)
• you are a national of a majority English-speaking country

Degrees taught solely in English from non-majority English-speaking countries will be considered on a case-by-case basis. Find out more about our  English language requirements .

If you don't meet the English language requirements yet, you can achieve the level you need by successfully completing a  pre-sessional English programme  before you start your course.

Selection process

An online portfolio submission may be required as part of the selection process.

For more information on how to put together a portfolio, read our  MA Creative Writing portfolio guide .

How to apply

Unlike undergraduate applications, which go through UCAS, applications for this Master's course are made directly to us.

There's no deadline for applications to this course. We accept applications right up until the start date in September, as long as there are places available. If you wait until September to apply, you may find that the course is full.

If you're applying as an international student, remember that you'll need to leave plenty of time to get your visa organised.

You can find more advice about applying in our  Master's application checklist . International students and current students and recent graduates of the University of Portsmouth also have some different application options, which are detailed below.

Extra information for international students

I'm an international student.

If you're an international student, you can apply directly to us using the same application form as UK students.

You could also get an agent to help with your application. Check  your country  page for details of agents in your region. To find out what to include in your application, head to the  how to apply page of our international students section .

If you don’t meet the  English language requirements  for this course yet, you can achieve the level you need by successfully completing a  pre-sessional English programme  before you start your course.

Ready to apply?

Start this course in september 2024.

Apply now (Full-time)

Apply now (Part-time)

I'm a current Portsmouth student, or a recent Portsmouth graduate

If you're currently in your final year of study at Portsmouth, or you graduated since July 2021, you're eligible to make a fast track application. You'll have:

• a shorter application form to complete
• access to the 20% Alumni fee discount
• a guaranteed conditional offer, for most Master's courses 

Learn more about fast track

After you apply

Once we receive your application, we may ask you for further information. We will then either make you an offer or suggest alternatives if your application is unsuccessful.

You'll usually get a decision within 10 working days, so you shouldn't have to wait too long. Some courses have an interview stage – we'll let you know if you need to prepare for one.

Learn more about how we assess your application .

Admissions terms and conditions

When you accept an offer to study at the University of Portsmouth, you also agree to abide by our  Student Contract  (which includes the University's relevant policies, rules and regulations). You should read and consider these before you apply.

Other courses you might like

• MA Media and Communication
• MRes Creative Industries
• MA Illustration
• MA Theatre: Socially Engaged Practice
• MA Journalism (Distance Learning)

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Home > Postgraduate study > Postgraduate courses > Creative Writing and Publishing MA

Creative Writing and Publishing MA

Why choose this course.

This course examines not only the craft of writing, but also how the publishing industry works. You will develop a creative writing portfolio alongside studying trends in the industry.

The creative writing element of this course is workshop-led, with opportunity to specialise in the genre of your choice. The publishing element focuses on marketing-led commercial and trade publishing, industry structure and core skills.

For your final assessment, you may choose a creative writing dissertation, a publishing dissertation or undertake a practical publishing project.

Curtis Brown Agent's Choice competition

All successful applicants who take up their place with us in September will be entered into our competition to have a consultation with Annabel White , an agent at top London literary agency Curtis Brown.

So make sure the creative work you submit with your application is your very best - it might win you a meeting with a literary agent.

Reasons to choose Kingston University

• Kingston's Publishing and Creative Writing teaching teams have relationships with all the leading fiction publishers and literary agents in the UK.
• You will have the opportunity to contribute to Kingston University's publication, Ripple, which includes fiction, poetry, reviews and creative non-fiction, and is edited by students on the course.
• You will become part of Kingston ' s thriving community, with events such as readings, lectures from published authors, editors and agents, masterclasses and enriching discussions.

The Art School Experience

As part of  Kingston School of Art , students on this course benefit from joining a creative community where collaborative working and critical practice are encouraged.

Our  workshops and studios  are open to all disciplines, enabling students and staff to work together, share ideas and explore multi-disciplinary making.

What you will study

The creative writing element of this course is workshop-led. In the second semester, you will be given the opportunity to specialise in the genre of your choice, be it poetry, drama or children's fiction.

The publishing element focuses on marketing-led commercial and trade publishing. The modules you study will help you to understand the structure of the industry and the core skills required to enter.

You'll take two 30-credit modules from Publishing (one must be 'Create' but you can choose the other, and two 30-credit modules from Creative Writing. You can then choose whether to pursue a dissertation or practical project within either Publishing or Creative Writing, worth 60 credits.

Optional placement year

In addition to taking two core modules, you can choose to write an academic dissertation to demonstrate your analytical skills and competence, or undertake a major practical publishing project as your final assessment. If you choose to take your dissertation in creative writing, you will write an extensive piece of creative writing accompanied by critical essay; you will be supervised by a professional writer.

Core module

Create: the business of publishing.

This module initiates you into the collaborative, creative business of commercial publishing and facilitates the development of your research, critical thinking and entrepreneurial skills. From books and magazines to apps and websites, you will explore the structure and operation of successful publishing companies, the stakeholders, tools and processes crucial to the development of profitable multi-platform products and services and the fundamental and disruptive business models used by both traditional companies and new industry-entrants.

After an immersive introduction to the complex and challenging nature of 21st century publishing, the module offers the opportunity for the generation and critical evaluation of your own publishing ideas. This involves using industry-standard sources and approaches to research and analyse markets, identify appropriate business models and operational strategies and build and present persuasive business cases.

Throughout, there is an emphasis on building robust and well-evidenced arguments to win support for theoretical assertions and practical publishing concepts. You also have the opportunity to work with your peers, and to critically evaluate each other's publishing proposals.

Optional modules

Share: strategic marketing and sales.

This module considers the various individuals and communities (colleagues, shareholders, retailers, distributors, customers and other stakeholders) involved in the business of content delivery, and how most effectively to disseminate information and influence their behaviour, in order to promote effective marketing and sales.

This module will enable students to understand the principles of marketing and sales, and develop associated skills in applying them to meet the demands of modern publishing. Students will undertake exercises and discussions about the various applications of sales and marketing within the publishing industry and consider their relevance through all stages of the publishing process.

Through this process students will learn how best to investigate the market for demand, how to predict that demand, and how to prepare, market and distribute information about a product or service, whether in whole or part, to promote profitable fulfilment of that demand.

Publishers operate in an international context and so must market and sell their products to customers around the globe. Students will therefore consider how publishers organise themselves to deliver international operations successfully, and explore associated cultural, pricing and communication issues.

Make: Content Development and Production

This hands-on module gives students the key theory and the core practical skills needed to effectively manage content from raw material to finished print and digital presentation. Working in teams, students will carry out essential editorial and production tasks to produce a live published product. This group publication project enables students to collaborate to demonstrate the teamwork skills required for timely delivery, and to develop a thorough understanding of workflow and the associated processes. It also enables students to show how material gets turned into a market-appropriate product, ready for stakeholder approval and launch. The module enables students to illustrate how value gets added within the publishing supply chain, and to appreciate the content management systems and metadata vital in today's publishing environment. By working on in-class exercises and assignment projects students will acquire and apply the key skills necessary to operate within a professional publishing context. Students will engage with project management, budgeting and costing, briefing, the different types of editing, design and layout, proofreading, and delivery. This module enhances employability by allowing students to use industry standard tools and packages, such as HTML, InDesign and Photoshop, and to improve understanding of basic typographic and design principles, the application of typesetting/mark-up skills, and production of publication ready files. Practising these hands-on skills will enhance students' understanding of how attention to detail can improve a product, make it the best it can be, and ensure it is presented profitably to its intended market.

Writers' Workshop

In this module you will present and discuss your own and each other's work in a weekly workshop. The draft work presented may include several genres and forms, such as crime writing, fantasy fiction, children's literature, historical fiction, science fiction, romance and autobiography. Practical criticism of student writing will be accompanied by discussion of the scope or constraints of the various genres, as well as the implications of particular forms. Attention will be paid to the transferable components of good writing: appropriate use of language, narrative pace, dialogue, expression, characterisation and mood.

Ten Critical Challenges for Creative Writers

The module is designed to introduce students to some issues of critical and literary theory. The module is also designed to make students more aware of how their work impacts upon wider literary, cultural, political and philosophical issues. Awareness of these theories and of some of the issues surrounding the production and reception of literary texts will stimulate them, encouraging creative and conceptual thinking.  The module will explore debates about literature and the practice of creative writing through readings of essays and texts that are relevant to criticism and theory.  The academic component of the assessment will support the creative work with the objective that students will also have to demonstrate critical, academic, analytical skills.

Writing the Contemporary

This module provides the opportunity to examine ways in which reading is essential to writing practice and teaches you to apply literary techniques and strategies from contemporary fiction, life writing and poetry texts to your own work. You will develop the concept of 'reading as a writer' in order to explore how contemporary concerns are brought to the fore by artistic strategies, and examine how an understanding of these can provide models for your own creative practice. You will submit work including a reflective reading journal as well as a creative piece in a genre of your choice.

Special Study: Workshop in Popular Genre Writing

This module offers a regular and intensive review of your writing in one of the following genres: poetry, crime writing, prose fiction, biography, drama, scriptwriting or writing for children. You will be advised on how to strengthen your knowledge of the codes and conventions of your chosen genre to produce a substantial piece or collection of work that will reflect your knowledge of and engagement with your chosen genre. You will apply detailed feedback on your work to your writing as well as using your increased knowledge of your chosen genre to make your writing more effective. These elements will help you improve the key transferable skills of analysis and implementation that will feed forward into your dissertation module and into all analytical/practical tasks you subsequently undertake.

Publishing Dissertation

The Publishing dissertation module provides students with the opportunity to independently conceive, explore, investigate and then deliver a significant study within the publishing industry and allied fields. The theoretical underpinning may vary according to the approach taken and the research questions chosen, but the outcome should be a sustained and coherent piece of detailed work, capable of publication and wider dissemination.

Depending on the issue chosen, students will engage with a range of professionals within the industry, and within related fields. Although students are expected to take responsibility for their own learning, they are supported and mentored by an individual supervisor during the process.

Practical Publishing Project

The Practical publishing project provides students with the opportunity to conceive, plan, manage and deliver a substantial publishing-related output in order to achieve specified goals. Examples of potential projects include producing and publishing a book, app or magazine, researching and presenting a start-up business plan or developing and implementing a major market research exercise. In all instances, students are expected to define a specific audience and relevant stakeholders, as well as personal development and project objectives. Students will also develop a structured project plan and a post-project critical evaluation, in order to identify personal goals for future professional development.

Depending on the nature of the chosen project, students will engage with different ranges of knowledge and skills, from practical print or digital production methods and processes to software expertise, market research (including questionnaire design, data analysis and interpretation) and business planning. Although students are expected to take responsibility for their own learning, they are supported and mentored by an individual supervisor at key points in the process.

Creative Writing Dissertation

This module focuses on your own creative writing and research into your chosen form or genre, developed in consultation with your supervisor. You learn via one-to-one tutorials with your personal supervisor. You produce two pieces of writing:

• a creative dissertation – a portion of a novel, a body of poetry, a play screenplay or other creative form of no more than 15,000 words; and
• a critical essay of approximately 3,000 words – considering the relationships between your own writing and the literary contexts/theoretical concerns that inform published writing in your chosen genre or form.

Your supervisor must agree in advance the final structure, approximate word length and for presentation conventions of these pieces.

Many postgraduate courses at Kingston University allow students to do a 12-month work placement as part of their course. The responsibility for finding the work placement is with the student; we cannot guarantee the work placement, just the opportunity to undertake it. As the work placement is an assessed part of the course, it is covered by a student's Student Route visa.

Find out more about the postgraduate work placement scheme .

Please note

Optional modules only run if there is enough demand. If we have an insufficient number of students interested in an optional module, that module will not be offered for this course.

Entry requirements

Typical offer.

We normally expect applicants to have:

• A 2:2 or above honours degree, or equivalent, in creative writing, English literature, literature and language, drama or theatre studies or a humanities subject.

You may submit a sample of creative writing (maximum of 3,000 words) and a personal statement (maximum of 1,000 words) to support your application.

Prior learning – AP(E)L

Applicants with prior qualifications and learning may be exempt from appropriate parts of a course in accordance with the University's policy for the assessment of prior learning and prior experiential learning. Contact the  faculty office  for further information.

International

All non-UK applicants must meet our English language requirements. For this course it is Academic IELTS of 6.5 overall with 5.5 in all elements. Please make sure you read our full guidance about  English language requirements , which includes details of other qualifications we'll consider.

Applicants who do not meet the English language requirements may be eligible to join our  pre-sessional English language course .

Applicants from one of the recognised  majority English speaking countries (MESCs)  do not need to meet these requirements.

Country-specific information

You will find more information on country specific entry requirements in the International section of our website.

Find your country:

• Middle East

Teaching and assessment

You'll be taught and assessed through essays, reports, presentations, briefs, research projects and portfolios.

Guided independent study (self-managed time)

When not attending timetabled sessions, you will be expected to continue learning independently through self-study. This typically involves reading and analysing articles, regulations, policy documents and key texts, documenting individual projects, preparing coursework assignments and completing your PEDRs, etc.

Your independent learning is supported by a range of excellent facilities including online resources, the library and CANVAS, the University's online virtual learning platform.

Support for postgraduate students

At Kingston University, we know that postgraduate students have particular needs and therefore we have a range of support available to help you during your time here.

Your workload

Year 1: 8% of your time is spent in timetabled learning and teaching activity.

Contact hours will vary depending on which modules you choose on this combined course.

Type of teaching and learning

• Scheduled learning and teaching: 152 hours
• Guided independent study (self-managed time): 1648 hours

Please note: the above breakdowns are a guide calculated on core modules only. Depending on optional modules chosen, this breakdown may change.

How you will be assessed

Assessment typically comprises exams (e.g. test or exam), practical (e.g. presentations, performance) and coursework (e.g. essays, reports, self-assessment, portfolios, dissertation). The approximate percentage for how you will be assessed on this course is as follows, though depends to some extent on the optional modules you choose:

Type of assessment

• Coursework: 100%

Please note : the above breakdowns are a guide calculated on core modules only. Depending on optional modules chosen, this breakdown may change.

Feedback summary

We aim to provide feedback on assessments within 20 working days.

Your timetable

As a one-year full-time student, you'll be expected to attend 2–3 days a week. We also offer a part-time study option to help you fit your MA around other commitments.

Class sizes

To give you an indication of class sizes, this course normally enrols 5–10 students and lecture sizes are normally 10–20. However, this can vary by module and academic year.

Postgraduate students may also contribute to the teaching of seminars under the supervision of the module leader.

Dr James Miller

Course leader.

Ms Emma Tait

Professor Alison Baverstock

Admissions tutor.

Ms Lynne Eve

Mr Steven J. Fowler

Fees for this course, 2024/25 fees for this course, home 2024/25.

• MA full time £9,900
• MA part time £5,445

International 2024/25

• MA full time £16,900
• MA part time £9,295

2023/24 fees for this course

Home 2023/24.

• MA full time £9,860
• MA part time £5,423

International 2023/24

• MA full time £16,200
• MA part time £8,910

Tuition fee information for future course years

If you start your second year straight after Year 1, you will pay the same fee for both years.

If you take a break before starting your second year, or if you repeat modules from Year 1 in Year 2, the fee for your second year may increase.

Fees for the optional placement year

If you choose to take a placement as part of this course, you will be invoiced for the placement fee in Year 2. Find out more about the postgraduate work placement scheme and the costs for the placement year.

Postgraduate loans

If you are a UK student, resident in England and are aged under the age of 60, you will be able to apply for a loan to study for a postgraduate degree. For more information, read the postgraduate loan information on the government's website .

Scholarships and bursaries

Kingston University offers a range of postgraduate scholarships, including:

• Inspire the Future scholarship
• Postgraduate scholarships for international students

If you are an international student, find out more about  scholarships and bursaries .

We also offer the following discounts for Kingston University alumni:

• Alumni discount
• Progression Scholarship

Additional costs

Depending on the programme of study, there may be extra costs that are not covered by tuition fees which students will need to consider when planning their studies. Tuition fees cover the cost of your teaching, assessment and operating University facilities such as the library, access to shared IT equipment and other support services. Accommodation and living costs are not included in our fees. 

Where a course has additional expenses, we make every effort to highlight them. These may include optional field trips, materials (e.g. art, design, engineering), security checks such as DBS, uniforms, specialist clothing or professional memberships.

Our libraries are a valuable resource with an extensive collection of books and journals as well as first-class facilities and IT equipment. You may prefer to buy your own copy of key textbooks, this can cost between £50 and £250 per year.

Computer equipment

There are open-access networked computers available across the University, plus laptops available to loan . You may find it useful to have your own PC, laptop or tablet which you can use around campus and in halls of residences. Free WiFi is available on each of the campuses. You may wish to purchase your own computer, which can cost £100 to £3,000 depending on your course requirements.

Photocopying and printing

In the majority of cases written coursework can be submitted online. There may be instances when you will be required to submit work in a printed format. Printing, binding and photocopying costs are not included in your tuition fees, this may cost up to £100 per year.

Travel costs are not included in your tuition fees but we do have a free intersite bus service which links the campuses, Surbiton train station, Kingston upon Thames train station, Norbiton train station and halls of residence.

The campus at Penrhyn Road is a hive of activity, housing our fantastic new Town House, with four floors of study space and our extensive library, the main student restaurant, and a host of teaching rooms and lecture theatres.

The Town House offers group study spaces for when you need to work together. The light, airy top floor cafe serves light snacks and drinks, as well as fabulous views!

At the heart of the campus is the John Galsworthy building, a six-storey complex that brings together lecture theatres, flexible teaching space and information technology suites around a landscaped courtyard.

A student's perspective

In this video, Amanda gives her perspective on her experiences at Kingston University as a Creative Writing & Publishing MA student.

After you graduate

Graduates from this course will develop a range of skills desirable to employers, such as communication skills, self-management, meticulousness in editing and presentation, the ability to reflect on one's own work and to respond to constructive criticism, the ability to write for particular purposes and the ability to work constructively with others.

In addition to a possible career as a translator and a writer, particular careers may include work in publishing, journalism, advertising and marketing, film, television, radio, arts management, new media, business, teaching and therapeutic fields.

Links with business and industry

We maintain links with institutions and organisations including:

• Writers' Centre Kingston , Kingston University's literary cultural centre dedicated to creative writing in all its forms, with an exciting, vibrant annual programme of events from talks to workshops to festivals;
• the Rose Theatre in Kingston , where we hold regular readings in the Culture Cafe and periodic interviews with major writers such as Hilary Mantell, Sebastian Faulks and Elif Shafak;
• our Writers in Residence are professional writers, often award-winners in their particular forms or genres;
• links with publishers, agents, literary festival organisers and authors, who offer useful networking opportunities.

A range of additional events and lectures will enhance your studies and add an extra perspective to your learning. Activities for this course include:

• a series of masterclasses with publishing specialists and professionals;
• weekly guest lectures by leading journalists including Samira Ahmed, an award-winning journalist with 20 years' experience in print and broadcast; David Jenkins, editor of Little White Lies, a bi-monthly movie magazine powered by illustration; Richard Moynihan, Head of digital journalism, The Telegraph and Alex Stedman, fashion blogger at The Frugality and former style editor at Red magazine;
• regular philosophy lunchtime lectures which focus on a major figure in the history of Western philosophy, introducing students to that thinker's work, usually through the discussion of one of her or his emblematic works.

The literary magazine Persist is edited by MA students, providing:

• a platform for the publication of creative work; and
• a chance to get hands-on experience of the publishing process.

Insights from industry experts

The masterclasses are an excellent way to learn about different job roles in the publishing industry. The speakers work in all areas of publishing so it's very insightful to hear different perspectives on the business. It also gives you the opportunity to ask questions and get first-hand answers from professionals. It can be a great way to network too - I ended up securing a work placement at Weidenfeld & Nicolson by talking to publishing director, Alan Samson, before he gave a masterclass.

Amy Cartwright, Business Development Executive at Charity Retail Association and Publishing MA graduate

Masterclasses

Our regular masterclasses are delivered by a wide range of successful industry professionals, from editors and publishers to literary agents. John Blake, one of our masterclass speakers, talks about celebrity publishing in the video below:

In addition to writing or publishing, careers include journalism, translation, advertising and marketing, film, television, radio, arts management, new media, business, teaching and therapeutic fields.

Advisory Board

The Publishing MA benefits from the input of a dynamic Advisory Board. The Board is involved in the course's development and keen to contribute. Each member gives guest lectures and contributes to placement and dissertation study.

• Valerie Brandes, Founder and Publishing Director, Jacaranda Arts Books Music
• Dr Christopher Fletcher, Keeper of Special Collections, Bodleian Library
• Andrew Hansen, Vice-President, Prestel Publishing
• Caroline Hird, Sales and Marketing Director, British Medical Journal
• Nicholas Jones, Founder and Owner, Strathmore Publishing
• Philip Jones, Editor, The Bookseller
• Perminder Mann, CEO, Bonnier Books UK
• Georgina Moore, Director of Books and Publishing, Midas Public Relations
• Nick Poole, CEO, The Library and Information Association (CILIP)
• Diane Spivey, Publishing and Rights Consultant
• Kate Wilson, Founder and CEO, Nosy Crow
• Gordon Wise, Senior Literary Agent and Joint MD Book Department, Curtis Brown Group

Research in creative writing at Kingston University covers the following areas:

• 19th and 20th century British and American fiction;
• fictions of globalisation;
• gothic writing;
• travel writing;
• narratives of slavery;
• women's writing from the 18th century to the present;
• New Woman and fin de siècle fictions;
• Shakespeare;
• literature of the English Reformation period;
• English women's religious poetry during the seventeenth century; and
• postcolonial studies.

Subject-specific research initiatives include:

• Centre for Iris Murdoch Studies – established in 2004 to oversee research on the Iris Murdoch archives acquired by Kingston University in 2003/04).
• Centre for Life Narratives – bringing together best practice from all genres of life narrative work.
• Cultural Histories at Kingston – centred around the concept of the 'cultural text', the group includes scholars from the fields of literature, film, media, history, music, dance, performance, and journalism.
• Writers' Centre Kingston – a literary cultural centre dedicated to creative writing in all its forms, with an annual programme of events, talks, workshops and festivals.
• Race/Gender Matters – captures and concentrates research on theoretical, critical and creative engagements with the materiality of race, gender and language.

Current research in this area

Publishing has a vibrant culture of both research and professional practice. Our lecturers publish all the time – whether it is academic research, industry-leading text books or writing for the national or trade press. Applications for research study with us are very welcome.

At masters level we have a vibrant programme of industry dissertation supervision for our MA dissertations, as fits our industry-focussed discipline. This has led to the identification of issues needing further exploration, which have been developed through collaboration between Kingston students and industry tutors, affirming the position and value of Publishing within the academy. In 2018 a Kingston MA student won the prestigious Association for Publishing Education Award for the best dissertation at masters level for her work on publishing for autistic children.

Associate Professor Alison Baverstock has carried out ground-breaking work into the nature of self-publishing and how it is impacting the wider industry. This has been published in book (The Naked Author, Bloomsbury) and journal form. She is currently overseeing four PhD students, who are variously working on what attracts young adults to the books they choose, cover design in women's commercial fiction, the history of Virago and publication of fairy tales. She also has extensive experience of overseeing PhD by Publication.

Finally the university has been exploring and analysing its pre-arrival shared reading scheme The Kingston University Big Read , which won a prestigious Times Higher Education Award in 2017 for Best University Initiative for Widening Participation. This has now developed into a dynamic research project, across a range of other universities, concentrating on how universities can make their students feel welcome - and hence encourage both engagement and retention. In 2018-19 we worked with The University of Wolverhampton, Edge Hill University and University of the West of Scotland. Most of our findings are published in the journal Logos, Journal of the World Publishing Community and there are regular blogs on progress. To discuss these or potential collaborations, please contact Alison Baverstock .

Course changes and regulations

The information on this page reflects the currently intended course structure and module details. To improve your student experience and the quality of your degree, we may review and change the material information of this course.  Course changes explained .

Programme Specifications for the course are published ahead of each academic year.

Regulations governing this course  can be found on our website.

Related courses

Creative Writing Distance Learning MA

Creative Writing MA

Creative Writing MFA

Journalism PgDip/MA

Magazine Journalism MA

Publishing MA

Secondary Teaching leading to Qualified Teacher Status (QTS) PGCE English

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Creative Writing (modular)

• Entry year 2024
• Duration Full time 12 Months, Part time 24 Months

Top reasons to study with us

Enjoy literary events in Lancaster's Castle Quarter

Partners with Wordsworth Grasmere in the English Lake District

World Top 40 QS World Subject Rankings 2023 (English Language & Literature)

Why Lancaster?

• Study close to the beautiful Lake District, home of the Romantic poets, and inspiration for many writers since
• Take part in small-group workshops to develop your novels, stories, poetry, novels, and scripts
• Explore the professional dimensions of creative writing, such as reading or performing your work, publishing, and marketing
• Get involved with our student-run literary journals
• Be inspired by our rich programme of literary events on campus, online, and in the city’s historic Castle Quarter

Lancaster was one of the very first universities to teach creative writing. Today we continue to lead in the discipline with our celebrated novelists, poets and playwrights.

Focused on your growth We’ve been helping writers reach their potential since 1970. From day one, our focus has always been helping our students hone their own style and sharpen the skills they need for success.

This emphasis continues today so that the focus in all your modules will, ultimately, be your own writing.

With our wide range of optional modules, you can explore traditional forms such as the short story, the novel, poetry, or theatre, as well as digital media, life-writing, place-writing, and writing for young adults.

Support from experts You’ll work on a core writing project alongside studying the ethical and professional dimensions of publishing and broadcasting your work. This is supplemented by lectures from visiting speakers, as well as one-on-one tutorials, workshops, and lectures with our esteemed visiting professors, currently Paul Muldoon and Mary Talbot.

In the third term, we assign you a genre-specific expert to help develop your final portfolio. This is intended to be suitable for submission to literary journals or agents, setting you on the road to publication.

Your regular small-group workshops will be supplemented by sessions with all the students on the course.

There is plenty of opportunity to meet your tutors face-to-face to discuss your work, and you’ll find they are friendly, interested and encouraging. You’ll also have an academic advisor who will develop an overview of your progress and offer further support.

Careers The course provides many opportunities to develop professionally. You can get involved with our student-run magazines, and will also benefit from our rich programme of guest events featuring leading authors, literary agents, and specialists in the publishing industry.

Each year we encourage our students to bring together and edit their own anthology of student work which is then celebrated in a reading event in the summer term. This event is also a chance to meet summer school students from our distance learning Creative Writing MA.

We hope most of our students go on to publish their own work, and many of the Department’s alumni are now celebrated authors. Recent success stories include Andrew McMillan, Nguyen Phan Que Mai, Martha Sprackland, and Daisy Johnson, the youngest-ever author shortlisted for the Man Booker Prize (2018).

You’ll also develop a host of professional skills, such as researching, drafting, editing, listening, persuading and presenting. From advertising to professional services, your skills will be sought after across many different sectors.

Graduates of this course go on to careers in areas such as:

• Television and the media
• Librarianship

You may choose to continue your studies at PhD level to deepen your knowledge and progress into an academic career. Graduates of this course have gone on to teach at universities throughout the world.

Your department

• English Literature and Creative Writing Faculty of Arts and Social Sciences

Master's Programmes in Creative Writing at Lancaster University

Discover the key features of studying a master's degree in Creative Writing at Lancaster University. Our Creative Writing courses offer flexible study options, to allow the opportunity for you learn in the way that suits you best.

Being so close to the spectacular Lake District, home of the Romantic poets, the Department has world-class strengths in Romanticism. Our partnership with the Wordsworth Trust, at Grasmere, is long-established, and has a number of new benefits for all our students.

The Castle Quarter is both a wonderful place to enjoy, with many excellent places to eat and drink, and a wonderful resource for literary studies here at Lancaster. Our students in the Department of English Literature & Creative Writing have many opportunities to make the most of this resource.

Entry requirements

Academic requirements.

2:1 degree in a related subject is normally required. We will also consider applications on an individual basis where you have a degree in other subjects, have a 2:2 or equivalent result or extensive relevant experience. You should clearly be able to demonstrate how your skills have prepared you for relevant discussions and assessments during postgraduate study.

Please contact us for more information.

If you have studied outside of the UK, we would advise you to check our list of international qualifications before submitting your application.

Additional Requirements

As part of your application you also need to provide

• a portfolio of original writing (no more than 12 poems or 20 pages of prose/scriptwriting) showing potential for publication

English Language Requirements

We may ask you to provide a recognised English language qualification, dependent upon your nationality and where you have studied previously.

We normally require an IELTS (Academic) Test with an overall score of at least 7.0, and a minimum of 6.5 in each element of the test. We also consider other English language qualifications .

If your score is below our requirements, you may be eligible for one of our pre-sessional English language programmes .

Contact: Admissions Team +44 (0) 1524 592032 or email [email protected]

Course structure

You will study a range of modules as part of your course, some examples of which are listed below.

Information contained on the website with respect to modules is correct at the time of publication, but changes may be necessary, for example as a result of student feedback, Professional Statutory and Regulatory Bodies' (PSRB) requirements, staff changes, and new research. Not all optional modules are available every year.

The portfolio module is your opportunity to develop an individual project that will lead to a fully-realised piece of creative work. Typically, you will be supervised by a specialist in your chosen area of interest.

The creative work may be several pieces of short fiction, a radio play, a coherent collection of flash fiction, prose poetry, poetry, an extended personal essay/memoir/autofiction, or a continuous extract from a proposed novel or other book-length work.

• Generate the idea for a piece of creative work in your chosen form
• Propose an independent reading plan
• Draft no more than 5,000 words for initial tutor review
• Develop and edit your creative project and present the finished work to a high standard - as appropriate for your chosen form (eg correctly formatted script)
• Demonstrate your knowledge of relevant form, technique, and process by writing a 3,000 word reflective essay, including a full bibliography

You will receive informal, verbal feedback during regular dissertation meetings with your supervisor. This will include suggestions for reading and research as well as feedback on the development of your creative project. When the portfolio is graded, it will be returned to you with detailed written feedback.

This module prepares you for your dissertation project and supports the development of the research, scholarly and critical skills that it will require. You will be introduced to the idea of ethical practice and any students working on memoirs or verbatim work will be offered specific guidance. You’ll also explore the ideas, concepts and issues around reflective practice and the vital role of research within creative writing.

We’ll study in a cohesive group, bringing students on combined courses and those following different pathways together to create a wider forum; our discussions will focus on professional practice and research issues.

This module aims to enhance your knowledge of library, archival and online research and develop your understanding of the creative process - taking you from first draft to final submission, including problem-solving strategies for creative blocks or obstacles. The module also places your creative work in the context of a professional literary world.

Indicative study themes:

• Understanding the Research Context
• Library, Online and Archival Research
• Scholarly Conventions
• Creative and Professional Presentation
• Research and Reflective Practice
• The Ethical Researcher

This module will allow you to develop an idea for a novel, select techniques appropriate to your genre, theme and style and prepare you to complete an extract or series of extracts from a novel in progress. Through reflective exploration of several contemporary novelists, targeted writing exercises and workshops, you will explore character, voice, point of view, genre, form, setting and place.

The module will be taught by a combination of interactive lectures on the set texts, plus workshops and individual feedback on work in progress from your tutors.

You will be assessed on the submission of a portfolio and a reflective essay.

This module will enable you to develop your understanding of prose writing for young people, with a focus on Children’s Fiction (8-12 years) and Young Adult Fiction (11+ and 14+). During the module, you will develop an idea for a manuscript suitable for one of these audiences. The manuscript will be informed by the critical discussion of the set texts, targeted writing exercises and participation in workshops. Together, we will explore voice, point of view, story structure, setting and place, as well as formulate conceptions of the role of gatekeeping, reader expectations, and current movements and trends in the children’s publishing landscape. You may come prepared with a manuscript idea you wish to work on, or you might build on an idea generated in class. Towards the end of the course, you will also be asked to write reflectively on your creative process.

This module aims to do two things: to encourage the student to think about contemporary poems in several different visual dimensions but always from the viewpoint of the practitioner; and it offers an opportunity for them to develop their own work in progress, while at the same time actively promoting their critical reflection upon the process of writing and the visual dynamics a poem can activate and contain. The module admits that the ‘how to’ approach might be of less use when it comes to writing poetry, and instead promotes and explores a wider sphere of influences, encouraging experiment and engagement. A critical exegesis allows the student to reflect upon the decisions made and the effects sought in their creative project. These aims will be achieved through a variety of methods:

The short story is a complex and malleable form. This module considers the multiple forms and styles of contemporary short fiction from a range of cultural backgrounds and nationalities.

You will have the chance to develop your understanding of short fiction by drawing upon contemporary writers as well as secondary and critical reading - which will also help you to build a critical and theoretical framework around your own writing.

Peer and tutor review, both oral and written, will encourage you to work reflectively as a creative practitioner. And you’ll be encouraged to demonstrate your knowledge of the forms and genres used in contemporary short story writing by incorporating them in your own short story portfolio.

• The longer short story of Alice Munro
• The historical short story (eg ‘The Assassination of Margaret Thatcher’)
• Myth and fairy tale in the short story
• Magical realism and the fantastic
• Formal experimentation
• Science and the short story (the Comma Press 'Science into Fiction' Series)
• Politics and the short story

This module introduces you to the personal essay: a flexible, hybrid form incorporating elements of cultural and literary criticism, memoir, journalism, fiction and auto fiction. We will explore a number of modes of personal writing, assisting you in the development of a form that best serves your creative intentions.

Taught via literature seminars and creative workshops, you will experience a range of literary techniques, including generative writing prompts and exemplar texts. You will also learn how to respond reflectively and creatively to feedback - to this end, one seminar each term will be replaced by a one-to-one personal tutorial.

• The Writing 'I': developing a voice, the strategic ‘I’, literary personae, authority and double perspective.
• Mode and register: memoir, documentary, reflection and commentary.
• Scene setting and dramatisation: applying creative technique to 'real life' material.
• Finding a subject; the writing self and the world.
• Autofiction, truth and artifice.
• Developing a form: the list essay, the braided essay, collages, fragments and mockuments. Rereading, rewriting, reconsidering: reflective editing and responding to feedback.

This module will introduce students to writing for games of all kinds, both digital and pen-and-paper. We will explore the basic principles of collaborative narrative experience as we seek to engage both critically and creatively with this new and extremely popular branch of contemporary writing. The weekly workshops are currently supplemented by a weekly, evening Games Study Night in the University Library to explore existing games, play-test your own, and enjoy the Library’s rich collection of board games.

This module looks at poetry culture in the UK and beyond, preparing you to enter the world of the publishing poet by closely examining the prize culture, some of the significant prize- winning collections by new poets over the last few years, and current poetry journals.

You will investigate current trends, having the chance to learn what it takes to get your work read - by editors, publishers and the poetry-consuming public. And you’ll put together a publication package with the aim of building your own portfolio in readiness for the vibrant and varied poetry marketplace - which continues to defy predictions of its demise.

Each seminar will typically be divided into reading and workshopping of your creative work in light of what we've read.

Indicative study texts:

• Seamus Heaney, Seeing Things (Faber, 1991)
• Sarah Howe, Loop of Jade (Chatto 2015)
• Kei Miller, The Cartographer Tries to Map a Way to Zion (Carcanet 2014)
• Sam Riviere, Kim Kardashian's Marriage (Faber 2015)
• Andrew McMillan, Physical (Cape 2015)
• Max Porter, Grief is the Thing with Feathers (Faber 2015)
• The Current Forward Anthology for that year
• A series of poetic journals (as chosen by your cohort)
• Michael Symmons Roberts, Drysalter (Cape 2013)
• Sinead Morrissey, Parallax (Carcanet 2013)

The aim of this module is to enable you to write drama for radio, developing your own scriptwriting style and gaining an awareness of the professional requirements of the genre. We will study exemplar radio dramas and use them to contextualise the creative choices in your own work whilst also exploring the effects of different structural and stylistic approaches.

Peer and tutor feedback will guide the development of your creative portfolio as you work towards a single radio drama script of 25 pages. Reflective practice will help you to develop the art of redrafting and editing and you will pen a 1,000-word essay placing your experience of this in the context of radio drama.

Taught through a combination of seminars and workshops, we will initially focus on the key elements of writing for radio, with weekly tasks corresponding to study themes. Latterly, we will move on to more intensive workshopping of your own work.

• The radio landscape
• Navigating through and creating soundscapes
• Character creation and character voice
• Story structure
• Status shifts
• Script format (and software resources)

Science Fiction and Fantasy are two incredibly popular, historied genres. This module gives students the opportunity to study the particular techniques and processes employed by writers of SFF, and exposes them to a diverse selection of contemporary speculative texts. Students will be tasked with looking back over the rich history of both genres with a critical eye, tracing the sources of many of the genre traditions they will be familiar with, before recontextualising and interrogating those traditions in their own work, or working explicitly beyond them. This module explores forms commonly associated with Science Fiction and Fantasy, such as the trilogy and the series, but also looks at experimental and marginal forms, such as genre poetry. There are a tremendous amount of sub-genres, and ways of incorporating SFF into literature, and students will be encouraged to consider the broad spectrum of contemporary Science Fiction and Fantasy, and where their own work belongs in regard to it.

Fees and funding

General fees and funding information

There may be extra costs related to your course for items such as books, stationery, printing, photocopying, binding and general subsistence on trips and visits. Following graduation, you may need to pay a subscription to a professional body for some chosen careers.

Specific additional costs for studying at Lancaster are listed below.

College fees

Lancaster is proud to be one of only a handful of UK universities to have a collegiate system. Every student belongs to a college, and all students pay a small College Membership Fee  which supports the running of college events and activities. Students on some distance-learning courses are not liable to pay a college fee.

For students starting in 2023 and 2024, the fee is £40 for undergraduates and research students and £15 for students on one-year courses. Fees for students starting in 2025 have not yet been set.

Computer equipment and internet access

To support your studies, you will also require access to a computer, along with reliable internet access. You will be able to access a range of software and services from a Windows, Mac, Chromebook or Linux device. For certain degree programmes, you may need a specific device, or we may provide you with a laptop and appropriate software - details of which will be available on relevant programme pages. A dedicated  IT support helpdesk  is available in the event of any problems.

The University provides limited financial support to assist students who do not have the required IT equipment or broadband support in place.

For most taught postgraduate applications there is a non-refundable application fee of £40. We cannot consider applications until this fee has been paid, as advised on our online secure payment system. There is no application fee for postgraduate research applications.

For some of our courses you will need to pay a deposit to accept your offer and secure your place. We will let you know in your offer letter if a deposit is required and you will be given a deadline date when this is due to be paid.

The fee that you pay will depend on whether you are considered to be a home or international student. Read more about how we assign your  fee status .

If you are studying on a programme of more than one year’s duration, the tuition fees for subsequent years of your programme are likely to increase each year. Read more about  fees in subsequent years .

Scholarships and bursaries

You may be eligible for the following funding opportunities, depending on your fee status and course. You will be automatically considered for our main scholarships and bursaries when you apply, so there's nothing extra that you need to do.

Unfortunately no scholarships and bursaries match your selection, but there are more listed on scholarships and bursaries page.

If you're considering postgraduate research you should look at our funded PhD opportunities .

We also have other, more specialised scholarships and bursaries - such as those for students from specific countries.

Browse Lancaster University's scholarships and bursaries .

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David Craig Memorial Fund

Level of Study: Master's degree

Details of Award: The David Craig Writing Award was set up in David’s memory by his four children, Marian, Peter, Donald and Neil, and his wife Anne Spillard Craig, with the support of Lancaster University. One award is made each year to a student starting a Master’s programme in Creative Writing . The award is made on the basis of the student having applied and received an offer to join the programme, and a short statement about how they would use the award. We look for evidence that the award will help them become a successful writer whose work connects experience, place, and history.

Important Information

The information on this site relates primarily to 2024/2025 entry to the University and every effort has been taken to ensure the information is correct at the time of publication.

The University will use all reasonable effort to deliver the courses as described, but the University reserves the right to make changes to advertised courses. In exceptional circumstances that are beyond the University’s reasonable control (Force Majeure Events), we may need to amend the programmes and provision advertised. In this event, the University will take reasonable steps to minimise the disruption to your studies. If a course is withdrawn or if there are any fundamental changes to your course, we will give you reasonable notice and you will be entitled to request that you are considered for an alternative course or withdraw your application. You are advised to revisit our website for up-to-date course information before you submit your application.

More information on limits to the University’s liability can be found in our legal information .

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We believe in the importance of a strong and productive partnership between our students and staff. In order to ensure your time at Lancaster is a positive experience we have worked with the Students’ Union to articulate this relationship and the standards to which the University and its students aspire. View our Charter and other policies .

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Creative and Critical Writing MA

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What is Creative and Critical Writing MA?

Choose your own path through the course, focusing either on creative or literary critical writing, or a combination of both.

You’ll work with practising authors, poets, and playwrights – as well as leaders in the field of literary criticism – to develop your own distinctive voice. You’ll develop as a writer, not only in the classroom, but in the world, and you’ll be advised on the routes you can take to publication. Modules with a more academic focus allow you to engage with literary theory and academic studies of influential writers’ work.

Our students have the opportunity to edit and produce the annual university anthology and our close links with Cheltenham Festivals may offer performance opportunities throughout the year. 

Study style

You’ll be assessed through coursework and presentations.

This highly successful MA in Creative and Critical Writing was one of the first in the UK to offer modules dedicated to the theory and practice of teaching creative writing, and the theoretical and practical analysis of the creative process. These options complement the creative and critical strands of the degree and offer you the chance to become a writer prepared for the modern professional arenas in which you may find yourself.

Get Creative and Critical Writing MA course updates and hear more about studying with us.

At least a 2.1 honours degree or equivalent in a relevant subject.

Applicants will be considered on an individual basis

You’ll be required to submit a portfolio to evidence your writing. The portfolio should be 3,000 words of creative prose (eg a short story or novel extract) or 12 poems or 30 minutes of dramatic writing in standard format

EU and international students need IELTS 6.0 overall (no less than 5.5 in writing and in any other band) or equivalent.

Please read the entry requirements for your country – and contact our admissions team if you have questions.

You're viewing course modules for the course option. Choose a different course option to see corresponding course modules.

Here's an example of the types of modules you'll study (the contents and structure of the course are reviewed occasionally, but it is unlikely that there will be significant change).

Module information is not available for this programme.

Fees and costs

You're viewing fees for the course option. Choose a different course option to see corresponding course fees.

Students usually support themselves through a postgraduate loan, private savings, family support or sponsorship from an employer. For advice and guidance on your funding options, contact the Money Advice team at [email protected] or call 01242 714535 .

UoG graduates receive 15% off postgraduate tuition fees. Terms apply .

Ready to apply?

Uog career promise.

At UoG we create a climate for bravery and growth. We instil confidence in all our students, so you can graduate career-ready and meet your ambitions.

96% of our graduates are in work or further study* , but if you’re not in a job 6 months after graduating we’ll guarantee you 6 months of free support, followed by the offer of a paid internship to kickstart your career – plus we’ll commit to lifetime career coaching. Eligibility conditions apply**

Stories from our students

I now have over 40 short story publications, i’ve had work published, and performed at the cheltenham literature festival, published poet anna is founder of the cheltenham poetry festival, finding joy in the written word, the course was highly recommended by my college in toronto, teaching staff.

Sorry there are no available teaching staff at this time.

Learn from published authors

You’ll study a course taught by published writers who have developed successful careers, in a range of genres.

Study a trailblazing MA

Our MA in Creative and Critical Writing was one of the first in the UK to offer modules dedicated to the theory and practice of teaching creative writing.

Experience immersive festivals

Go the Cheltenham Literature Festival, Ledbury Poetry Festival, the Cheltenham Poetry Festival and The Hay Festival.

Push your possible with a master's degree

Increase your pay potential, specialise in a subject you love, or pursue your passion and switch careers.

UoG alumni can benefit from a postgraduate scholarship discount of 15% off tuition fees.

Discover the benefits of studying a master’s degree .

School of Creative Arts

Explore and collaborate with creatives from across the spectrum. We offer the perfect environment to practice your craft and prepare you to graduate career-ready.

Related stories

"i teach prose fundamentals, short story writing, and theory for writers".

“I’m the author of three novels and I’m now writing a non-fiction book about European history. My first novel, Peace, Love, & Petrol Bombs, was a Sunday Herald Book of the Year for 2011 and it has been recorded as an audio book. My experimental second novel, The Deconstruction of Professor Thrub made the judges’ longlist for the Goldsmith’s Prize. I also write short fiction, and my story The Invitation was shortlisted for the Bridport Prize.”

Michael Johnstone, Senior Lecturer in Creative Writing

"I was a postgraduate student at the University of Gloucestershire myself"

“It transformed my life – I knew I wanted to write a book but the MA gave me the time to work, the discipline to work and the technical know-how to transform my life experiences and stories into publishable fiction. I also now run a writing advice website.”

Keep Me Updated

Other courses you might like, creative writing ba (hons)  , english and creative writing   , english literature and creative writing ba (hons)  , take a look at our social media.

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Postgraduate Taught

MA Nature Writing

• Postgraduate Taught home
• Nature Writing MA

Masters applications for 2023 entry are now closed.

Applications for September 2024 will open on Monday 25 September. Applications are now open for programmes with a January 2024 start. View our programmes »

• Develop a distinctive creative voice and advanced imaginative literary skills through critical thinking, judgement and abstract evolution of principles
• Experience a wide range of creative, critical and theoretical approaches, both classical and experimental, and learn to analyse complex literary and non-literary work
• Based in a beautiful West Country location that is also a UNESCO City of Literature
• You will be taught by a strong and diverse group of internationally recognised writers, with particular strengths in nature writing and the literature of the environment and climate change, who will help you develop your own writing towards publication
• Our strong industry links within publishing, literary journalism, broadcasting, book festivals and prizes will provide valuable insights into the workings of the literary marketplace and open many opportunities to establish the contacts necessary for successful publication

Apply online

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88% of our English research is internationally excellent

Based on research rated 4* + 3* in REF 2021, submitted to UoA27 English Language and Literature

Top 100 in the world for English Language and Literature

61 st in the QS World University Subject Rankings 2023

A thriving and supportive writing community - our team of prize-winning and best-selling authors will help you develop your creative writing skills.

Top 10 in the UK for English

9th in The Times and The Sunday Times Good University Guide 2024

Entry requirements

We are looking for graduates with a 2:2 Honours degree with 53% or above in their first degree in a relevant subject area. While we normally only accept applicants who meet this criteria, if you are coming from a different academic background which is equivalent to degree level, or have relevant work experience, we would welcome your application.

Applicants will be asked to submit a sample of creative writing which can be roughly 2,000 words of prose or 3-4 poems.

Entry requirements for international students

English language requirements.

International students need to show they have the required level of English language to study this course. The required test scores for this course fall under Profile E . Please visit our English language requirements page to view the required test scores and equivalencies from your country.

Course content

This MA will introduce you to a diverse and intellectually challenging range of topics and materials as well as a variety of creative and critical approaches, particularly the role that Creative Writing can play in tackling major environmental and social issues. 

We primarily focus on literary texts but also include, depending on your choice of modules, the study of genre and of the market for creative productions. You will gain a range of subject specific, discipline specific, core research and academic skills, as well as creative skills and techniques, to enhance your independent writing.

The programme has been structured with different kinds of creative individuals in mind: those who wish to experiment with a wide variety of modes of writing and those who are determined to follow a particular project in their own chosen field or medium, i.e. fiction, verse, or screenplay; those seeking high level training prior to embarking on doctoral research; recent graduates who wish to extend and enhance their studies by a year before embarking on a career; individuals already in employment who are interested in career development.

Please note that this course requires you to read and analyse complex English literary texts, but we do not teach English language skills on these modules. You will need a near-native level of English to participate fully in classes and complete assessments successfully.

The modules we outline here provide examples of what you can expect to learn on this degree course based on recent academic teaching. The precise modules available to you in future years may vary depending on staff availability and research interests, new topics of study, timetabling and student demand.

120 credits of compulsory modules and 60 credits of optional modules

Compulsory modules

Students must take EASM123 Dissertation plus EASM156 and EASM196

Optional modules

Students must choose 60 credits of option modules

2024/25 entry

Uk fees per year:.

£12,000 full-time; £6,000 part-time

International fees per year:

£24,300 full-time; £12,150 part-time

Scholarships

For more information on scholarships, please visit our scholarships and bursaries page.

*Selected programmes only. Please see the Terms and Conditions for each scheme for further details.

Find out more about tuition fees and funding »

Teaching and research

Learning and teaching.

Whether you already know what kind of books or screenplays you wish to write or are still searching for the best form in which to express your creativity, we offer the chance to try your hand in a range of genres, and to benefit from feedback tailored to your writing needs.

A programme of visiting speakers takes place throughout the academic year with writers, publishers and agents coming to talk to students about the next steps in their careers. The roll call changes every year to reflect both our students’ interests and new trends. Recent guest lecturers have included the Booker prize winning novelist Hilary Mantel; the Commonwealth Writers’ Prize-winning novelist Hisham Matar; the Pulitzer Prize winning US Poet Laureate Natasha Trethewey; the writer, editor and publisher Richard Cohen, and many others.

Our MA can be taken over one-year full time, or two years part time. During your studies, you will build a portfolio of creative work for possible publication, including a dissertation in your chosen genre. You will also be able to take a range of optional modules and explore literary genres and forms with a mutually supportive, like-minded group of fellow writers.

Research areas

Exeter’s Creative Writing staff practise and publish in a range of literary genres. Their experience of the literary world is not limited to writing and teaching. They also worked – and continue to work - as editors, publishers, agents, radio producers, and journalists. This wealth of experience is reflected in the vibrancy and diversity of our workshops and tutorials.

Research Centres

Dedicated research centres and groupings within our department include:

• Centre for Intermedia and Creative Technology
• Centre for Literature and Archives
• Centre for Victorian Studies
• Exeter Screen Studies Research Centre
• Centre for Early Modern Studies

Research Groups

• Medieval and Renaissance
• Twentieth and Twenty-First Century
• North American and Atlantic
• World and Postcolonial
• Creative Industries and Technologies
• Creative Writing

You will join a vibrant postgraduate and research community. All our staff belong to one or more research group which plan and develop research initiatives across the Faculty of Humanities, Arts and Social Sciences.

Whether your ambition is to become a full-time writer, a teacher of writing, or to develop a creative career which includes writing in one of its many forms, we have a strong track record of supporting our students through to publication and doctoral level work.

While at Exeter, our MA students publish their creative work in RIPTIDE and in the postgraduate journal EXCLAMATION. The Creative Writing Society also run a journal called Enigma .

In addition, our industry connections within publishing, literary journalism and broadcasting, book festivals and prizes open many opportunities to establish the contacts necessary for successful publication.

Former University of Exeter students who have gone on to develop a writing career include poets such as Luke Kennard, Abi Curtis, Eleanor Rees, Izzy Galleymore, Jaime Robles, Jos Smith, Sally Flint, and Samuel Tongue; novelists Virginia Baily, Lucy Wood, and Ruth Gilligan; and non-fiction writers such as Miriam Darlington.

Many of our former students now work in film, broadcasting, advertising, journalism, PR, publishing, teaching – including the teaching of creative writing – as well as other careers in the growing number of fields where good writing is an asset.

Careers and employment support

While studying at Exeter you can also access a range of activities, advice and practical help to give you the best chance of following your chosen career path. For more information visit our   Careers pages .

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Creative writing ma.

Streatham Campus

Film and Screen Studies MA

Media and communications ma, international film business ma, english literary studies ma, modern and contemporary literature ma.

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