two kinds free essay

Literary Theory and Criticism

Home › Short Story › Analysis of Amy Tan’s Two Kinds

Analysis of Amy Tan’s Two Kinds

By NASRULLAH MAMBROL on April 4, 2022

Two Kinds is a selection from Amy Tan ’s (1952– ) critically acclaimed The Joy Luck Club (1989), which critics saw as an intricately woven “novel.” But that Tan intended the book to be read not as a novel but as a collection of short stories is evident. “Two Kinds” stands on its own as a story that explores the struggles between a Chinese immigrant mother, Suyuan Woo, and her firstgeneration American daughter, Jing-mei (the narrator of the story). Suyuan Woo dreams of her daughter’s becoming a child prodigy, but Jing-mei resists these ambitions and attempts to express her own free will. The story expresses the themes that run throughout The Joy Luck Club : “the struggle for control between mothers and daughters; the daughters’ bids for independent lives; the mothers’ attempts to understand the dynamics of life in the New World and somehow to blend the best of their Old World culture with a new way of life that they do not comprehend” (Huntley 43). These themes appear in the first two paragraphs, where Jing-mei begins with her mother’s, not her own, perspective: “My mother believed you could be anything you wanted to be in America” (585). At the core of the struggle between mother and daughter is the conflict between Suyuan Woo’s belief in America as the land of unlimited potential and Jing-mei’s more realistic expectations. However, Tan does more than merely present an unrealistic optimist in Suyuan Woo; with an allusion to Suyuan Woo’s past, Tan suggests why immigrants perceive America differently than their Americanized progeny: “She had come here in 1949 after losing everything in China: her mother and father, her family home, her first husband, and two daughters, twin baby girls. But she never looked back with regret. There were so many ways for things to get better” (585). The date of her arrival in America coincides with the end of the Sino-Japanese War and hints at the tragedies that befell her in her war-ravaged home country. Instead of dwelling on these tragedies, she invests all hope in the future, specifically in her daughter.

Amy Tan (HarperCollins / Julian Johnson)

In the third paragraph, the story shifts focus from Suyuan Woo’s perspective to young Jing-mei’s impressions of her mother. For instance, Jing-mei notes that her mother’s search for the type of prodigy she might become was implemented through reading magazines such as Good Housekeeping and Reader’s Digest, and she explains, “My mother got these magazines from people whose houses she cleaned. And since she cleaned many houses each week, we had a great assortment” (586). Jing-mei offers no comment on, seems to have no empathy for, the hard work her mother does in order to achieve a better life for her family. Furthermore, she does not seem to appreciate the sacrifice involved in the deal Suyuan Woo makes with a neighbor, “Old Chong,” in order to get her piano lessons: “My mother had traded housecleaning services for weekly lessons and a piano for me to practice on every day, two hours a day, from four until six.” When learning about the deal for piano lessons, she focuses on her own obligations and concludes, “I felt as though I had been sent to hell” (588). Jing-meidoes not seem to recognize the IRONY of this comment. Despite her mother’s losses and sufferings in China and her sacrifices in America, Jing-mei sees only her own loss of free time in this piano deal. In this way, the story emphasizes differences between immigrant parents and their Americanized children. The children are largely unaware of the hardships the parents endure to get a piece of the American Dream in which they have so much faith.

However, there is more to Jing-mei’s resistance to and resentment of her mother’s ambitions than a mere desire to spend her free time watching television; it is not that she is just “lazy,” as her mother sometimes accuses her. Her resistance is a sign that instead of seeing America as the land of opportunity, Jing-mei sees it as the land of freedom, freedom of choice and of will. At first Jing-mei goes along with her mother’s crazy schemes to get rich quick, but she eventually perceives the unreality of these dreams and, instead, sees her ability to assert her free will. After yet another failure with her mother, Jing-mei looks at herself in the mirror and sees “only my face,” an “ordinary face.” With this she begins to cry, seeing herself as a “sad” and “ugly” girl. It is at this moment that she realizes a different kind of potential than the potential her mother sees: “Then I saw what seemed to be the prodigy side of me—because I had never seen that face before. . . .The girl staring back at me was angry, powerful. This girl and I were the same. I had new thoughts, willful thoughts, or rather thoughts filled with lots of won’ts. I won’t let her change me, I promised myself. I won’t be what I’m not” (587). Her prodigy self is the self who is able to resist authority, to choose her own course of life, a distinctly American ambition.

While mother and daughter each cling to American values, the values they cling to are opposing. When Jing-mei tries to assert her free will by refusing to play the piano, Suyuan Woo tells her that there are only “two kinds of daughters. . . . Those who are obedient and those who follow their own mind!” Her mother further tells her that “only one kind of daughter can live in this house. Obedient daughter” (592). While the mother urgently desires an Americanized daughter, one who achieves great things, one with the potential to become rich and famous, she cannot come to terms with other American characteristics, those of self-determination and independence. Despite its emphasis on the immigrant experience, as E. D. Huntley points out, Tan’s fiction has a more universal theme: “Tan also writes about love and loss and redemption, about individuals coming to terms with the facts of their lives and about the workings of fate in human existence” (34).

Analysis of Amy Tan’s Stories

BIBLIOGRAPHY Adams, Bella. Amy Tan: Contemporary World Writers. New York: Manchester University Press, 2005. Huntley, E. D. Amy Tan: A Critical Companion. Westport, Conn.: Greenwood Press, 1998. Snodgrass, Mary Ellen. Amy Tan: A Literary Companion. Jefferson, N.C.: McFarland, 2004. Tan, Amy. “Two Kinds.” In The Scribner Anthology of Contemporary Short Fiction. New York: Scribner, 1999.

Share this:

Categories: Short Story

Tags: American Literature , Amy Tan , Amy Tan's Two Kinds , Amy Tan's Two Kinds analysis , Amy Tan's Two Kinds appreciation , Amy Tan's Two Kinds criticism , Amy Tan's Two Kinds guide , Amy Tan's Two Kinds notes , Amy Tan's Two Kinds plot , Amy Tan's Two Kinds story , Amy Tan's Two Kinds summary , Analysis of Amy Tan's Two Kinds , appreciation of Amy Tan's Two Kinds , criticism of Amy Tan's Two Kinds , essays of Amy Tan's Two Kinds , guide of Amy Tan's Two Kinds , Literary Criticism , notes of Amy Tan's Two Kinds , plot of Amy Tan's Two Kinds , story of Amy Tan's Two Kinds , Summary of Amy Tan's Two Kinds , themes of Amy Tan's Two Kinds

Related Articles

You must be logged in to post a comment.

The Short Story “Two Kinds” by Amy Tan Essay

In her short story Two Kinds , Amy Tan uses influence of past events on present life, language subtleties, and daughter centrality to explain why the characters are in conflict and how it is exacerbated. The story revolves around Jing-Mei, an ethnic Chinese girl who was born in a family of Chinese immigrants to the United States. This setup lays the foundation for the first technique used by the author – referencing the characters’ past to accentuate their present dilemma (Wood 84). Two Kinds opens with Jing-Mei’s narration of her mother’s biography – her flight from Communist China to the United States. Most prominently, this technique is used during the climactic confrontation between Jing-Mei and her mother, when the Jing-Mei’s long-deceased sisters are mentioned (Tan 142). It forces the mother to completely change her attitude and never speak of the reason for that conflict again. The use of this technique leads to the development of an idea that past events have a long-lasting effect on people’s lives. The second technique is the use of different languages to emphasize cultural differences between characters. Cheng notes that language is presented as “a major gap” between mothers and daughters in Amy Tan’s writing (12). Considering that Jing-Mei’ mother is Chinese born, it is reasonable to expect lingual subtleties that distinguish her foreign origin. This aspect becomes especially noteworthy during Jing-Mei’s recollection of dialogues with her mother. The narration itself is in English, but some of the words said by Jing-Mei’s mother are not translated. Specifically, the phrase “Ni kan” is used on three occasions (132, 133, 135). It should be noted that this is not a Chinese linguistic subtlety that cannot be expressed in another language. The meaning of this phrase can be interpreted as “you watch”. In all three cases, there is no necessity to avoid the use of English language. Amy Tan uses the Chinese word specifically to accentuate how Jing-Mei recalls her mother’s words and the gap between them. This technique conveys the idea that the way someone speaks may sound as a foreign language to the person who does not agree with what is said. The third technique used by Amy Tan is what Heung refers to as “daughter centrality” in the relationship between mother and daughter (597). The story is clearly presented in a way that makes readers empathize with the daughter. The fact that the overall narration is first person further focuses the audience’s attention on Jing-Mei as a protagonist. However, this setup also conveys the daughter’s bias against her mother. Over the course of the story, Jing-Mei’s mother projecting her dreams on Jing-Mei is a recurring theme. First, there is an attempt to make Jing-Mei look like Shirley Temple (Tan 132). Then, her mother wanted her to accurately recall and correctly pronounce all capitals (Tan 134). Finally, it is the mother who forces Jing-Mei to learn to play piano (Tan 135). In each instance, the narrative pushes the audience to feel sorry for Jing-Mei and blame her mother. However, the use of daughter centrality also underscores the possibility that Jing-Mei may actually be wrong in her assessment of her mother. The first sign appears when Jing-Mei asks herself why her mother had stopped (Tan 143). The resolution of the story indicates that Jing-Mei finally understood her mother’s perspective when she found out what piece her mother had wanted her to play all along (Tan 144). This technique underscores an idea that narrating a story from a particular person’s viewpoint does not make that person right. Combined together, the importance of past, language subtleties, and first person narration make the audience believe that Jing-Mei is also a flawed character.

Works Cited

Cheng, Scarlet. “Your Mother Is in Your Bones.” Belles Lettres , vol. 4, no. 4, Summer, 1989, pp. 12. ProQuest , Web.

Heung, Marina. “Daughter-text/mother-text: Matrilineage in Amy Tan’s Joy Luck Club.” Feminist Studies , vol. 19, no. 3, 1993, pp. 597. ProQuest , Web.

Tan, Amy. “Two Kinds.” The Joy Luck Club , edited by Amy Tan, G. P. Putnam’s Sons, 1989, pp. 132-144.

Wood, Michelle Gaffner. “Negotiating the Geography of Mother-Daughter Relationships in Amy Tan’s ‘The Joy Luck Club.’” Midwest Quarterly , vol. 54, no. 1, 2012, pp. 82–96. EBSCOhost , Web.

• Chicago (A-D)
• Chicago (N-B)

IvyPanda. (2023, March 11). The Short Story "Two Kinds" by Amy Tan. https://ivypanda.com/essays/the-short-story-two-kinds-by-amy-tan/

"The Short Story "Two Kinds" by Amy Tan." IvyPanda , 11 Mar. 2023, ivypanda.com/essays/the-short-story-two-kinds-by-amy-tan/.

IvyPanda . (2023) 'The Short Story "Two Kinds" by Amy Tan'. 11 March.

IvyPanda . 2023. "The Short Story "Two Kinds" by Amy Tan." March 11, 2023. https://ivypanda.com/essays/the-short-story-two-kinds-by-amy-tan/.

1. IvyPanda . "The Short Story "Two Kinds" by Amy Tan." March 11, 2023. https://ivypanda.com/essays/the-short-story-two-kinds-by-amy-tan/.

Bibliography

IvyPanda . "The Short Story "Two Kinds" by Amy Tan." March 11, 2023. https://ivypanda.com/essays/the-short-story-two-kinds-by-amy-tan/.

• Mothers in Amy Tan’s and Lorraine Hansberry’s Literature
• “Doubleness” in “A Pair of Tickets” by Amy Tan
• Mother-Daughter Relationships in “Two Kinds” by Amy Tan
• Conflict of Generations in Smoke Signals and “Two Kinds”
• Two Kinds by Amy Tan and Who’s Irish by Gish Jen
• Conflicts in "The Joy Luck Club" Novel by Amy Tan
• Moving to a Foreign Country: Two Kinds by Amy Tan
• “The Joy Luck Club” by Amy Tan
• How Diasporas Appear, Culture of Diaspora
• Costs and Benefits of Conformity and Rebellion in Selected Literature
• “Twisted” by Laurie Halse Anderson: Family Relationships
• The Short Story “The Cask of Amontillado” by Poe
• Analyzing Science Fiction: “Vintage Season”
• Analysis of “Jelly-Fish” by Marianne Moore
• Loyalty in Barn Burning by William Faulkner

52 pages • 1 hour read

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.

Character Analysis

Story Analysis

Symbols & Motifs

Literary Devices

Important Quotes

Essay Topics

Discussion Questions

Summary and Study Guide

Summary: “two kinds”.

“Two Kinds” by Amy Tan is a short story from the collection The Joy Luck Club , which was originally published in 1989. The full short story collection was adapted for film as the eponymous Joy Luck Club in 1993. Amy Tan and Ronald Bass adapted the screenplay. The series portrays first and second-generation Chinese immigrants living out the “American dream” in current day Chinatown, San Francisco. Through a series of 16 linked stories, four women and their four daughters are each given a voice .

“Two Kinds” begins with a brief passage in which it is made clear that the narrator, Jing-mei Woo , is telling this story from a distance; this is a memory from her childhood, and she is now in her mid-thirties. It is also a story about Jing-mei’s mother and their relationship. When Jing-mei is nine years old, her mother, Suyuan Woo , starts encouraging her to be a “prodigy.” While their first several attempts fail (i.e. becoming the first Chinese Shirley Temple ), Suyuan is not ready to give up on her daughter. She and Jing-mei sit for hours going over hundreds of obscure facts, most of which the narrator cannot answer correctly.

Get access to this full Study Guide and much more!

• 7,500+ In-Depth Study Guides
• 4,900+ Quick-Read Plot Summaries
• Downloadable PDFs

While at first Jing-mei is excited about the prospect of becoming a prodigy, she grows tired of the process and begins to act out. She gains several months of freedom before her mother tricks her into flattering a nine-year-old prodigy they see on The Ed Sullivan Show , which quickly leads to regimented piano lessons from their neighbor, Mr. Chong , a middle-aged deaf man whom Jing-mei refers to as “Old Chong”. Due to Jing-Mei’s unwillingness to commit to her lessons and Mr. Chong’s inability to hear her, her progress is minimal, and she develops a laziness resulting in poor execution of the pieces she is learning. However, no one is around to tell her she is doing poorly.

After around a year’s worth of lessons, Suyuan and fellow Joy Luck Club mother, Lindo Jong , bicker over whose daughter is more advanced. Lindo’s daughter, Waverly, is “Chinatown’s Littlest Chinese Chess Champion,” and her mother complains that her daughter brings home too many trophies. Suyuan argues that they have trouble getting Jing-mei to stop practicing her piano. The women contrive to put on a children’s talent show in the church hall; Jing-mei is gifted a beautiful secondhand piano on which to practice, and her piece will be Schumann’s “Pleading Child.”

The SuperSummary difference

• 8x more resources than SparkNotes and CliffsNotes combined
• Study Guides you won ' t find anywhere else
• 100+ new titles every month

Jing-mei enters the show full of confidence, but she stumbles through the piece. In the end, only Mr. Chong praises her performance, and she is ashamed to see her parents’ disappointed faces—especially her mother’s. When her mother reveals her lessons will continue, Jing-mei refuses. She feels defeated and that she has done enough to prove she is not a genius, like Waverly. The tension between mother and daughter escalates into a fight. Jing-mei tells her mother she will never be the kind of daughter she wants. Her mother says there are two kinds of daughters, willful and obedient, but she will only raise an obedient daughter. In retaliation, Jing-mei counters that she wishes she were not her mother’s daughter and then adds that she wished she were dead like “them”—the two babies Suyuan lost in China before her move to America in 1949.

After their fight, Suyuan stops forcing her daughter to apply herself. Jing-mei believes she is ordinary and continues to disappoint her mother as the years go by. Unexpectedly, when she turns 30, her mother gifts her the piano . Jing-mei sees this as an act of forgiveness, and for the first time in years, her mother reiterates that she could have been a genius. Several months after her mother’s death, Jing-mei sends a tuner to her parents’ apartment; after, she sits down at the piano and attempts to play the “Pleading Child” piece from the talent show. While it looks difficult, she’s surprised by how easily it comes back to her. Then, she looks at the piece on the opposite page, “Perfectly Contented.” She finds it is also quite easy to play and continues to play the two back to back, realizing they are actually two parts to one longer, connected piece.

Don't Miss Out!

Access Study Guide Now

Related Titles

A Pair of Tickets

Fish Cheeks

Mother Tongue

Rules of the Game

Saving Fish from Drowning

The Bonesetter's Daughter

The Hundred Secret Senses

The Joy Luck Club

The Kitchen God's Wife

The Valley of Amazement

Featured Collections

Chinese Studies

View Collection

• SUGGESTED TOPICS
• The Magazine
• Newsletters
• Managing Yourself
• Managing Teams
• Work-life Balance
• The Big Idea
• Data & Visuals
• Reading Lists
• Case Selections
• HBR Learning
• Topic Feeds
• Account Settings
• Email Preferences

6 Common Leadership Styles — and How to Decide Which to Use When

• Rebecca Knight

Being a great leader means recognizing that different circumstances call for different approaches.

Research suggests that the most effective leaders adapt their style to different circumstances — be it a change in setting, a shift in organizational dynamics, or a turn in the business cycle. But what if you feel like you’re not equipped to take on a new and different leadership style — let alone more than one? In this article, the author outlines the six leadership styles Daniel Goleman first introduced in his 2000 HBR article, “Leadership That Gets Results,” and explains when to use each one. The good news is that personality is not destiny. Even if you’re naturally introverted or you tend to be driven by data and analysis rather than emotion, you can still learn how to adapt different leadership styles to organize, motivate, and direct your team.

Much has been written about common leadership styles and how to identify the right style for you, whether it’s transactional or transformational, bureaucratic or laissez-faire. But according to Daniel Goleman, a psychologist best known for his work on emotional intelligence, “Being a great leader means recognizing that different circumstances may call for different approaches.”

• RK Rebecca Knight is a journalist who writes about all things related to the changing nature of careers and the workplace. Her essays and reported stories have been featured in The Boston Globe, Business Insider, The New York Times, BBC, and The Christian Science Monitor. She was shortlisted as a Reuters Institute Fellow at Oxford University in 2023. Earlier in her career, she spent a decade as an editor and reporter at the Financial Times in New York, London, and Boston.

Partner Center

Mala Prohibita Research Paper

This essay about mala prohibita crimes discusses acts that are not inherently wrong but are criminalized through legislation to maintain societal order and ensure public safety. It explores the nature of these crimes, which include regulatory infractions like jaywalking, licensing violations, and certain traffic offenses, emphasizing that their illegality stems from statutory rather than moral considerations. The essay examines the rationale behind such laws, highlighting their roles in promoting public safety, economic regulation, and environmental protection. It also addresses the implications of mala prohibita on the justice system, noting potential issues of legal overreach and the perception of unfair penalization that can arise from the enforcement of these laws. Additionally, the essay debates the necessity and effectiveness of mala prohibita, considering the risks of overcriminalization against the benefits of regulatory laws in protecting public interests. The conclusion calls for a balanced approach in legislating and enforcing these laws to avoid undermining public trust in the legal system, ensuring that they remain just and effective in their regulatory roles.

How it works

In the realm of criminal law, offenses are often categorized into two distinct types: mala in se and mala prohibita. The former refers to actions that are inherently wrong or evil, such as murder or theft, universally recognized as criminal. The latter, mala prohibita, encompasses acts that are not inherently wrong but are prohibited because they violate specific regulatory statutes established by the government. These crimes typically involve activities that are made illegal to regulate conduct and maintain order within society.

This essay explores the concept of mala prohibita crimes, their rationale, implications for society, and the debates surrounding their enforcement.

Mala prohibita crimes can include a broad range of activities such as jaywalking, certain traffic violations, licensing violations, and violations of business regulations. What distinguishes these from mala in se crimes is the absence of moral turpitude inherently associated with the act; the wrongfulness stems solely from the fact that they are prohibited by law. Legislators create these laws not because the behavior is naturally wrong, but because it is necessary to regulate certain actions to ensure the smooth functioning of society, prevent potential harm, or maintain governmental control over certain regulated activities.

The rationale behind legislating mala prohibita crimes often involves ensuring public safety, economic regulation, or environmental protection. For example, traffic laws are enacted to prevent accidents and facilitate the orderly flow of traffic. Similarly, business licenses and regulations ensure that professionals meet certain standards, which helps to prevent fraud and protect public welfare. Environmental regulations prevent individuals or companies from engaging in activities that could cause significant harm to natural resources and public health.

One of the critical implications of mala prohibita offenses is their impact on the justice system. Since these laws do not necessarily align with the public’s intrinsic sense of morality, their enforcement can sometimes lead to perceptions of legal overreach or unjust penalization, particularly when penalties are severe. This aspect raises questions about the proportionality of punishment and the ethical justification of penalizing such offenses. Moreover, the broad scope of mala prohibita can lead to selective enforcement, where similar offenses are punished differently depending on the circumstances or the discretion of law enforcement, potentially leading to claims of unfair treatment or discrimination.

The enforcement of mala prohibita laws also sparks debate regarding their necessity and effectiveness. Critics argue that too many trivial behaviors are criminalized, which can lead to overcriminalization, straining legal resources and leading to negative societal impacts, such as increased incarceration rates for minor infractions. Supporters, however, argue that these laws are essential for maintaining order, protecting the public, and ensuring the fair operation of markets and businesses.

In conclusion, while mala prohibita crimes may not involve inherently immoral actions, they play a crucial role in societal regulation and governance. The laws governing these acts help maintain order, protect public interests, and ensure that activities within society adhere to certain standards. However, it is essential for lawmakers and enforcers to balance regulation with fairness, ensuring that the laws do not overextend into the lives of citizens or result in disproportionate penalties that could undermine public trust in the legal system. As society evolves, so too must the laws that govern it, adapting to new challenges and ensuring that they remain just and effective in achieving their regulatory goals.

Cite this page

Mala Prohibita Research Paper. (2024, Apr 22). Retrieved from https://papersowl.com/examples/mala-prohibita-research-paper/

"Mala Prohibita Research Paper." PapersOwl.com , 22 Apr 2024, https://papersowl.com/examples/mala-prohibita-research-paper/

PapersOwl.com. (2024). Mala Prohibita Research Paper . [Online]. Available at: https://papersowl.com/examples/mala-prohibita-research-paper/ [Accessed: 23 Apr. 2024]

"Mala Prohibita Research Paper." PapersOwl.com, Apr 22, 2024. Accessed April 23, 2024. https://papersowl.com/examples/mala-prohibita-research-paper/

"Mala Prohibita Research Paper," PapersOwl.com , 22-Apr-2024. [Online]. Available: https://papersowl.com/examples/mala-prohibita-research-paper/. [Accessed: 23-Apr-2024]

PapersOwl.com. (2024). Mala Prohibita Research Paper . [Online]. Available at: https://papersowl.com/examples/mala-prohibita-research-paper/ [Accessed: 23-Apr-2024]

Don't let plagiarism ruin your grade

Hire a writer to get a unique paper crafted to your needs.

Our writers will help you fix any mistakes and get an A+!

Please check your inbox.

You can order an original essay written according to your instructions.

Trusted by over 1 million students worldwide

1. Tell Us Your Requirements

2. Pick your perfect writer

3. Get Your Paper and Pay

Hi! I'm Amy, your personal assistant!

Don't know where to start? Give me your paper requirements and I connect you to an academic expert.

short deadlines

100% Plagiarism-Free

Certified writers

Home — Essay Samples — Literature — Two Kinds — Two Kinds By Amy Tan: Depiction Of American Dream In A Negative Aspect

Two Kinds by Amy Tan: Depiction of American Dream in a Negative Aspect

• Categories: American Dream Short Story Two Kinds

About this sample

Words: 1196 |

Published: Sep 1, 2020

Words: 1196 | Pages: 3 | 6 min read

Cite this Essay

Let us write you an essay from scratch

• 450+ experts on 30 subjects ready to help
• Custom essay delivered in as few as 3 hours

Get high-quality help

Verified writer

• Expert in: Economics Literature

+ 120 experts online

By clicking “Check Writers’ Offers”, you agree to our terms of service and privacy policy . We’ll occasionally send you promo and account related email

No need to pay just yet!

Related Essays

3.5 pages / 1676 words

2 pages / 887 words

6.5 pages / 3030 words

7 pages / 3276 words

Remember! This is just a sample.

You can get your custom paper by one of our expert writers.

121 writers online

Still can’t find what you need?

Browse our vast selection of original essay samples, each expertly formatted and styled

Related Essays on Two Kinds

The short story "Two Kinds" by Amy Tan provides a thought-provoking literary analysis of the conflicts that arise between parents and children when their goals and aspirations differ. In this first-person narrative, Tan depicts [...]

Tan, A. (1989). Two kinds. In The Joy Luck Club (pp. 89-125). New York: G.P. Putnam's Sons.Wang, B. S. (2012). Negotiating the American Dream: Popular Articulations of the Chinese-American Experience in Amy Tan's The Joy Luck [...]

Amy Tan is a prolific Asian American writer who has been successful in depicting the sentiments of children of Chinese immigrants to the United States. Most of her work focused on the relationship dynamics of mothers and [...]

Very often children argue and demand about what they want to be when they grow up; while parents require them to be what they want them to be. The short story “Two Kinds” by Amy Tan shows the life of a Chinese girl who is at her [...]

In the novel Nineteen Eighty-Four, Orwell uses several literary techniques to develop the theme that totalitarianism is destructive. He does so by using extensive imagery, focusing on the deterioration of the Victory Mansions, [...]

Related Topics

By clicking “Send”, you agree to our Terms of service and Privacy statement . We will occasionally send you account related emails.

Where do you want us to send this sample?

By clicking “Continue”, you agree to our terms of service and privacy policy.

Be careful. This essay is not unique

This essay was donated by a student and is likely to have been used and submitted before

Download this Sample

Free samples may contain mistakes and not unique parts

Sorry, we could not paraphrase this essay. Our professional writers can rewrite it and get you a unique paper.

Please check your inbox.

We can write you a custom essay that will follow your exact instructions and meet the deadlines. Let's fix your grades together!

Get Your Personalized Essay in 3 Hours or Less!

We use cookies to personalyze your web-site experience. By continuing we’ll assume you board with our cookie policy .

• Instructions Followed To The Letter
• Deadlines Met At Every Stage
• Unique And Plagiarism Free