biography of famous english writers

Biography Online

Famous Writers

A list of famous writers/authors/poets throughout history.

Other categories of writers:

Citation: Pettinger, Tejvan “Famous Writers”, Oxford, UK. www.biographyonline.net – 10th March 2015. Last updated 5 March 2018.

501 Great Writers: A Comprehensive Guide to the Giants of Literature

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The 20 Best Biographies of Writers

The best biographies of writers cut through the gossip, the scandals, the myths, and the legends to deftly balance the life of the author with their literary legacy. This list features the best literary biographies of writers who penned classic works across more than four hundred years of literary history. From Shakespeare to Richard Wright to Mary Shelley and Virginia Woolf, these favorite biographies of writers encompass a deep bench of the best biographies of famous writers. Let’s dive in!

But first, if you’re interested in more of the best literary biographies, be sure to check out our list of the 10 best biographies of poets :

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And now for an epic list of the 20 best biographies of writers…

Agatha christie: an elusive woman by lucy worsley.

Agatha Christie, one of the “Masters of Suspense,” lived a remarkable life while penning classics like Murder on the Orient Express and And Then There Were None . Read all about it in Lucy Worsley’s Agatha Christie: An Elusive Woman . Among the best literary biographies, this one dispels the mysteries in the real life of this iconic mystery writer.

How to read it: Purchase Agatha Christie: An Elusive Woman on Amazon

Also a poet: frank o’hara, my father, and me by ada calhoun.

This unusual literary biography blends personal memoir with a bio of one of the greatest poets of all time, Frank O’Hara (for his collected poems, check out this edition ). In Also a Poet , Ada Calhoun discovers tapes of interviews between Peter Schjeldahl, her father, an art critic, and poet Frank O’Hara. The recordings were intended to be used in Schjeldahl’s unfinished biography of O’Hara. One of the best biographies of writers, Calhoun sets out to complete her father’s book while also intertwining memoirs of her own complicated relationship with her father. The result is a raw and real read you won’t soon forget.

How to read it: Purchase Also a Poet on Amazon

Jane austen: a life by claire tomalin.

Among readers who have favorite biographies of writers, Claire Tomalin’s Jane Austen: A Life often ranks high among the best literary biographies. We all know Jane Austen—author of, among other classics, Pride and Prejudice and Emma —right? Not so fast. Tomalin’s biography uncovers the previously limited life of this incredibly influential writer.

How to read it: Purchase Jane Austen: A Life on Amazon

Begin again: james baldwin’s america and its urgent lessons for our own by eddie s. glaude jr..

The best biographies of writers explore the legacy of the famous author whose portrait they are trying to draw. And that’s exactly what Eddie S. Glaude Jr. does in Begin Again: James Baldwin’s America and Its Urgent Lessonsf or Our Own . This bio of James Baldwin, perhaps most famous for his novel with queer themes, Giovanni’s Room , argues that Baldwin’s vision of America remains relevant today.

How to read it: Purchase Begin Again on Amazon

Born to be posthumous: the eccentric life and mysterious genius of edward gorey by mark dery.

I’m a huge Edward Gorey fan. I’ve read his books—some of which are collected in Amphigorey: Fifteen Books —over and over again and count him as an influence on my own writing. So imagine how delightful it was to encounter Born to Be Posthumous , Mark Dery’s compelling portrait of Gorey, definitely one of he best biographies of writers. This engrossing literary biography captures the “eccentric life and mysterious genius” of Gorey in a book that illuminates this exceptional-but-often-overlooked pioneer of the macabre.

How to read it: Purchase Born to Be Posthumous on Amazon

The bradbury chronicles: the life of ray bradbury by sam weller.

I love Ray Bradbury. During a very difficult time in my life, I sought refuge in Bradbury’s imagination, devouring two of his most treasured short story collections, The Martian Chronicles and The Illustrated Man (get them both in this Ray Bradbury boxed collection by the Library of America). I was completely swept up in wonder and fascination. So I’m so excited to say that Sam Weller’s The Bradbury Chronicles illuminates the life of this towering figure in America’s literary history, easily one of the best biographies of famous writers. Read this book and learn about the incredible life of one of the most incredible authors ever.

How to read it: Purchase The Bradbury Chronicles on Amazon

The brontë myth by lucasta miller.

One of the best biographies of famous English writers, Lucasta Miller’s The Brontë Myth is a deep dive into the lives and literary works of the Brontë sisters, whom you may know best from Jane Eyre (Charlotte Brontë) and Wuthering Heights (Emily Brontë). Miller’s bio unfurls the tangled reputation of these three brilliant sisters, liberating them from the various schools of thought—psychoanalytical, feminist, etc.—that have embraced the Brontës and counted them as their own. Instead, we get a fresh update on the lives of these influential sister-authors, free of the various schools of criticism that have ensnared them in their jaws. (If you’re just getting started with the Brontës, check out this handsome box set of their most well-known novels .)

How to read it: Purchase The Brontë Myth on Amazon

Cross of snow: a life of henry wadsworth longfellow by nicholas a. basbanes.

Chances are you’ve heard of Henry Wadsworth Longfellow, but until now, this iconic 19th century American author has lived a life undiscovered. Read the best of Longfellow’s work before diving into this incredible look at an incredible writer. In Cross of Snow , Nicholas A. Basbanes reveals the life of Longfellow, charting his influences and the writer he influenced himself. This breakthrough study is easily one of the best literary biographies.

How to read it: Purchase Cross of Snow on Amazon

Every love story is a ghost story: a life of david foster wallace by d. t. max.

The turbulent life of David Foster Wallace, author of that infamous classic, Infinite Jest , is demystified in D. T. Max’s Every Love Story Is a Ghost Story , the must-read literary biography of this important America scribe. The best biographies of writers sort through the gossip, the speculation, and the larger-than-life reputations of their subjects, allowing the author’s life to be seen in line with their work without overtaking their literary genius. And that’s exactly what Max manages in one of the best biographies of famous writers.

How to read it: Purchase Every Love Story Is a Ghost Story on Amazon

I am alive and you are dead: a journey into the mind of philip k. dick by emmanuel carrère.

The genius of Philip K. Dick has left us with classic sci-fi works like Do Androids Dream of Electric Sheep (inspiration for the SF film Blade Runner ) and A Scanner Darkly . But who was the man behind these important books that helped establish the science fiction genre? You’ll find the answer to that question in Emmanuel Carrère’s I Am Alive and You Are Dead , an essential literary biography for any fan of Dick’s writing. Definitely one of the best biographies of writers, I Am Alive and You Are Dead is subtitled “A journey into the mind of Philip K. Dick,” an apt description of this deep dive into the brain of this key figure in science fiction and literature in general.

How to read it: Purchase I Am Alive and You Are Dead on Amazon

T.s. eliot: an imperfect life by lyndall gordon.

I consider many of T.S. Eliot’s poems to be perfect, not to mention Old Possum’s Book of Practical Cats , which was illustrated by Edward Gorey (whose bio I included above in this list of the best biographies of writers). But there’s no denying that Eliot lived a, well, complicated life that included anti-Semitism and misogyny. So how do we reconcile the poet’s work with the poet himself? You’ll find out in Lyndall Gordon’s T.S. Eliot: An Imperfect Life , among the greatest biographies of poets. Gordon takes Eliot on in this unflinching study of Eliot’s life and literature. The best literary biographies face their subject head on, revealing the “imperfect” lives of their subjects, and it’s precisely that approach that makes this book among the most essential biographies of famous English writers.

How to read it: Purchase T.S. Eliot: An Imperfect Life on Amazon

J.r.r. tolkien: a biography by humphrey carpenter.

Who was the man who wrote The Lord of the Rings , easily the most influential fantasy books ever written? You’ll find out in Humphrey Carpenter’s J.R.R. Tolkien: A Biography . This one definitely ranks among the best biographies of writers because of the nimble way Carpenter weaves together the life of Tolkien with his work, offering a master class of how to write literary biographies. Uncover the man from the myth in this close read on the man who penned a fictional universe as vast and complete as our own universe.

How to read it: Purchase J.R.R. Tolkien: A Life on Amazon

Mary shelley by miranda seymour.

She wrote the groundbreaking science fiction novel Frankenstein , but who was the woman behind this classic story? In Miranda Seymour’s Mary Shelley , we discover exactly that. Among the best literary biographies, this book is a saga of the life of Mary Shelley, a life that saw as much sorrow and trauma as joy. In this book, surely one of the must-have biographies of female writers, Seymour sifts through the documents about Shelley’s life to situate famous English author within her historical and cultural context while also surveying how Shelley influenced the canon of English literature.

How to read it: Purchase Mary Shelley on Amazon

Richard wright: the life and times by hazel rowley.

Richard Wright is perhaps best known for his novel Native Son , but the author also contributed many more books and writing to American letters. In this book, Hazel Rowley digs deep into Wright’s exceptional life and magnificent literature to braid the two together. The result is one of the best biographies of writers, one that highlights the important contributions of a leading figure in American literary history.

How to read it: Purchase Richard Wright: The Life and Times on Amazon

Savage beauty: the life of edna st. vincent millay by nancy milford.

The poetry of Edna St. Vincent Millay positions this influential author as one of the leading poets of twentieth century. And it’s precisely that legacy that Nancy Milford illuminates in Savage Beauty: The Life of Edna St. Vincent Millay . With this fresh perspective on Millay, the midcentury master of verse, readers get one of the best biographies of poets. If all biographies of female writers were this comprehensive and inquisitive, there’d be no time to read anything else, marking this as an exceptional biography. If you’re interested in important female authors, check out this one vibrant, bold life of Millay, and you won’t be disappointed.

How to read it: Purchase Savage Beauty on Amazon

Shirley jackson: a rather haunted life by ruth franklin.

I’m a big fan of Shirley Jackson. I count We Have Always Lived in the Castle among my all-time favorite books. So it’s with great pleasure that I share that Ruth Franklin’s Shirley Jackson: A Rather Haunted Life definitely counts as one of the best biographies of writers. This literary biography goes deep into the life of Jackson, and in so doing, you’ll realize why Franklin subtitles this as “a rather haunted life.” Franklin highlights how this iconic writer danced on the edge of the macabre, radicalized the American literary world, and scandalized the public. It’s a book that’s as dishy as it is illuminating, ranking as among the best literary biographies.

How to read: Purchase Shirley Jackson: A Rather Haunted Life on Amazon

Updike by adam begley.

John Updike. Just the name of this author conjures up visions of some of the best writing in the English language, like the Rabbit tetralogy and critically acclaimed short stories . How on earth do you begin to assemble the life of this significant author? Somehow Adam Begley manages it in Updike , one of the best biographies of writers. Begley’s bio of Updike meets its match, becoming as innovative and important as its titular subject. The result is a dazzling biography whose story is just as gripping as one of Updike’s novels. You won’t want to pass this one up.

How to read it: Purchase Updike on Amazon

Virginia woolf by hermione lee.

When I was a senior in college, I did an independent study of Virginia Woolf with a great professor. To get ready for the course, I read biographies of Virginia Woolf, including Hermione Lee’s bio that I’m including in this list of the best literary biographies. Lee tackles her larger-than-life subject, Virginia Woolf, known for her Modernist novels like Mrs. Dalloway and, my personal favorite, To the Lighthouse . Lee is more than up to the task, and the result is, according to The Philadelphia Inquirer : “A biography wholly worthy of the brilliant woman it chronicles. . . . It rediscovers Virginia Woolf afresh.” If you’re at all curious about Woolf, the Modernists, the Bloomsbury Group, or the history of English literature, pick this one up.

How to read it: Purchase Virginia Woolf on Amazon

Will in the world: how shakespeare became shakespeare by stephen greenblatt.

Any list of the best biographies of famous English writers would be incomplete without a bio of the father of English literature: yep, William Shakespeare. What’s left to say about the Bard, who penned some of the most important writing in the English language ? Turns out, plenty. And that’s exactly what you’ll find in Stephen Greenblatt’s masterful biography Will in the World , which attempts to uncover Shakespeare’s origin story. Greenblatt explores Shakespeare’s early life, and the cultural, historical, and artistic forces that explain, so the subtitle says, “How Shakespeare Became Shakespeare.” The outcome is Will in the World , a finalist for the Pulitzer Prize and part of the curriculum of anyone looking for the best biographies of writers. This literary biography proves it’s still possible to write fresh, surprising, captivating, and engrossing biographies of famous writers. And Will in the World is the ultimate mic-drop, making it the only Shakespeare biography you need.

How to read it: Purchase Will in the World on Amazon

Wrapped in rainbows: the life of zora neale hurston by valerie boyd.

Many people discover Harlem Renaissance author Zora Neale Hurston through her novel Their Eyes Were Watching God , but in the award-winning Wrapped in Rainbows , Valerie Boyd uncovers the writer’s total miraculous output and undeniable influence. This key book is for sure one of the best literary biographies that any student of American literature will want to check out.

How to read it: Purchase Wrapped in Rainbows on Amazon

And there you have it an essential list of the 20 best biographies of writers. which of these best literary biographies will you read first, share this:.

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Sarah S. Davis is the founder of Broke by Books, a blog about her journey as a schizoaffective disorder bipolar type writer and reader. Sarah's writing about books has appeared on Book Riot, Electric Literature, Kirkus Reviews, BookRags, PsychCentral, and more. She has a BA in English from the University of Pennsylvania, a Master of Library and Information Science from Clarion University, and an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts.

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William Shakespeare

By: History.com Editors

Updated: June 7, 2019 | Original: October 3, 2011

Considered the greatest English-speaking writer in history and known as England’s national poet, William Shakespeare (1564-1616) has had more theatrical works performed than any other playwright. To this day, countless theater festivals around the world honor his work, students memorize his eloquent poems and scholars reinterpret the million words of text he composed. They also hunt for clues about the life of the man who inspires such “bardolatry” (as George Bernard Shaw derisively called it), much of which remains shrouded in mystery. Born into a family of modest means in Elizabethan England, the “Bard of Avon” wrote at least 37 plays and a collection of sonnets, established the legendary Globe theater and helped transform the English language.

Shakespeare’s Childhood and Family Life

William Shakespeare was born in Stratford-upon-Avon, a bustling market town 100 miles northwest of London, and baptized there on April 26, 1564. His birthday is traditionally celebrated on April 23, which was the date of his death in 1616 and is the feast day of St. George, the patron saint of England. Shakespeare’s father, John, dabbled in farming, wood trading, tanning, leatherwork, money lending and other occupations; he also held a series of municipal positions before falling into debt in the late 1580s. The ambitious son of a tenant farmer, John boosted his social status by marrying Mary Arden, the daughter of an aristocratic landowner. Like John, she may have been a practicing Catholic at a time when those who rejected the newly established Church of England faced persecution.

Did you know? Sources from William Shakespeare's lifetime spell his last name in more than 80 different ways, ranging from “Shappere” to “Shaxberd.” In the handful of signatures that have survived, he himself never spelled his name “William Shakespeare,” using variations such as “Willm Shakspere” and “William Shakspeare” instead.

William was the third of eight Shakespeare children, of whom three died in childhood. Though no records of his education survive, it is likely that he attended the well-regarded local grammar school, where he would have studied Latin grammar and classics. It is unknown whether he completed his studies or abandoned them as an adolescent to apprentice with his father.

At 18 Shakespeare married Anne Hathaway (1556-1616), a woman eight years his senior, in a ceremony thought to have been hastily arranged due to her pregnancy. A daughter, Susanna, was born less than seven months later in May 1583. Twins Hamnet and Judith followed in February 1585. Susanna and Judith would live to old age, while Hamnet, Shakespeare’s only son, died at 11. As for William and Anne, it is believed that the couple lived apart for most of the year while the bard pursued his writing and theater career in London. It was not until the end of his life that Shakespeare moved back in with Anne in their Stratford home.

Shakespeare’s Lost Years and Early Career

To the dismay of his biographers, Shakespeare disappears from the historical record between 1585, when his twins’ baptism was recorded, and 1592, when the playwright Robert Greene denounced him in a pamphlet as an “upstart crow” (evidence that he had already made a name for himself on the London stage). What did the newly married father and future literary icon do during those seven “lost” years? Historians have speculated that he worked as a schoolteacher, studied law, traveled across continental Europe or joined an acting troupe that was passing through Stratford. According to one 17th-century account, he fled his hometown after poaching deer from a local politician’s estate.

Whatever the answer, by 1592 Shakespeare had begun working as an actor, penned several plays and spent enough time in London to write about its geography, culture and diverse personalities with great authority. Even his earliest works evince knowledge of European affairs and foreign countries, familiarity with the royal court and general erudition that might seem unattainable to a young man raised in the provinces by parents who were probably illiterate. For this reason, some theorists have suggested that one or several authors wishing to conceal their true identity used the person of William Shakespeare as a front. (Most scholars and literary historians dismiss this hypothesis, although many suspect Shakespeare sometimes collaborated with other playwrights.)

Shakespeare’s Plays and Poems

Shakespeare’s first plays, believed to have been written before or around 1592, encompass all three of the main dramatic genres in the bard’s oeuvre: tragedy (“Titus Andronicus”); comedy (“The Two Gentlemen of Verona,” “The Comedy of Errors” and “The Taming of the Shrew”); and history (the “Henry VI” trilogy and “Richard III”). Shakespeare was likely affiliated with several different theater companies when these early works debuted on the London stage. In 1594 he began writing and acting for a troupe known as the Lord Chamberlain’s Men (renamed the King’s Men when James I appointed himself its patron), ultimately becoming its house playwright and partnering with other members to establish the legendary Globe theater in 1599.

Between the mid-1590s and his retirement around 1612, Shakespeare penned the most famous of his 37-plus plays, including “Romeo and Juliet,” “A Midsummer Night’s Dream,” “Hamlet,” “King Lear,” “Macbeth” and “The Tempest.” As a dramatist, he is known for his frequent use of iambic pentameter, meditative soliloquies (such as Hamlet’s ubiquitous “To be, or not to be” speech) and ingenious wordplay. His works weave together and reinvent theatrical conventions dating back to ancient Greece, featuring assorted casts of characters with complex psyches and profoundly human interpersonal conflicts. Some of his plays—notably “All’s Well That Ends Well,” “Measure for Measure” and “Troilus and Cressida”—are characterized by moral ambiguity and jarring shifts in tone, defying, much like life itself, classification as purely tragic or comic.

Also remembered for his non-dramatic contributions, Shakespeare published his first narrative poem—the erotic “Venus and Adonis,” intriguingly dedicated to his close friend Henry Wriothesley, Earl of Southampton—while London theaters were closed due to a plague outbreak in 1593. The many reprints of this piece and a second poem, “The Rape of Lucrece,” hint that during his lifetime the bard was chiefly renowned for his poetry. Shakespeare’s famed collection of sonnets, which address themes ranging from love and sensuality to truth and beauty, was printed in 1609, possibly without its writer’s consent. (It has been suggested that he intended them for his intimate circle only, not the general public.) Perhaps because of their explicit sexual references or dark emotional character, the sonnets did not enjoy the same success as Shakespeare’s earlier lyrical works.

Shakespeare’s Death and Legacy

Shakespeare died at age 52 of unknown causes on April 23, 1616, leaving the bulk of his estate to his daughter Susanna. (Anne Hathaway, who outlived her husband by seven years, famously received his “second-best bed.”) The slabstone over Shakespeare’s tomb, located inside a Stratford church, bears an epitaph—written, some say, by the bard himself—warding off grave robbers with a curse: “Blessed be the man that spares these stones, / And cursed be he that moves my bones.” His remains have yet to be disturbed, despite requests by archaeologists keen to reveal what killed him.

In 1623, two of Shakespeare’s former colleagues published a collection of his plays, commonly known as the First Folio. In its preface, the dramatist Ben Jonson wrote of his late contemporary, “He was not of an age, but for all time.” Indeed, Shakespeare’s plays continue to grace stages and resonate with audiences around the world, and have yielded a vast array of film, television and theatrical adaptations. Furthermore, Shakespeare is believed to have influenced the English language more than any other writer in history, coining—or, at the very least, popularizing—terms and phrases that still regularly crop up in everyday conversation. Examples include the words “fashionable” (“Troilus and Cressida”), “sanctimonious” (“Measure for Measure”), “eyeball” (“A Midsummer Night’s Dream”) and “lackluster” (“As You Like It”); and the expressions “foregone conclusion” (“Othello”), “in a pickle” (“The Tempest”), “wild goose chase” (“Romeo and Juliet”) and “one fell swoop” (“Macbeth”).

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Charles Dickens - The Novelist of the People

***TOO LONG*** Charles Dickens (1812–1870) was an English writer and social critic. He created many of the world's best-known fictional characters and was the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime and, by the 20th century, critics and scholars had recognised him as a literary genius. Dickens built strong plots and populated them with real characters, but woven into his story-telling were powerful messages about the poverty, disparity and cruelty of Victorian society. His story-telling came from the heart: at age 12 he'd been forced into menial labour when his father was slung into debtor's prison. His brutal childhood experiences coloured the narratives of the rest of his life, and found support in the highest places. Karl Marx asserted that Dickens "issued to the world more political and social truths than have been uttered by all the professional politicians, publicists and moralists put together". George Bernard Shaw remarked that Great Expectations was more seditious than Marx's Das Kapital.

Charles John Huffam Dickens FRSA (7 February 1812 – 9 June 1870) was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded by many as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime and, by the 20th century, critics and scholars had recognised him as a literary genius. His novels and short stories are widely read today.

Born in Portsmouth, Dickens left school at the age of 12 to work in a boot-blacking factory when his father was incarcerated in a debtors' prison. After three years he was returned to school, before he began his literary career as a journalist. Dickens edited a weekly journal for 20 years, wrote 15 novels, five novellas, hundreds of short stories and non-fiction articles, lectured and performed readings extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education and other social reforms.

Dickens's literary success began with the 1836 serial publication of The Pickwick Papers, a publishing phenomenon—thanks largely to the introduction of the character Sam Weller in the fourth episode—that sparked Pickwick merchandise and spin-offs. Within a few years Dickens had become an international literary celebrity, famous for his humour, satire and keen observation of character and society. His novels, most of them published in monthly or weekly instalments, pioneered the serial publication of narrative fiction, which became the dominant Victorian mode for novel publication.Cliffhanger endings in his serial publications kept readers in suspense. The instalment format allowed Dickens to evaluate his audience's reaction, and he often modified his plot and character development based on such feedback. For example, when his wife's chiropodist expressed distress at the way Miss Mowcher in David Copperfield seemed to reflect her disabilities, Dickens improved the character with positive features. His plots were carefully constructed and he often wove elements from topical events into his narratives. Masses of the illiterate poor would individually pay a halfpenny to have each new monthly episode read to them, opening up and inspiring a new class of readers.

His 1843 novella A Christmas Carol remains especially popular and continues to inspire adaptations in every artistic genre. Oliver Twist and Great Expectations are also frequently adapted and, like many of his novels, evoke images of early Victorian London. His 1859 novel A Tale of Two Cities (set in London and Paris) is his best-known work of historical fiction. The most famous celebrity of his era, he undertook, in response to public demand, a series of public reading tours in the later part of his career. The term Dickensian is used to describe something that is reminiscent of Dickens and his writings, such as poor social or working conditions, or comically repulsive characters.

Charles John Huffam Dickens was born on 7 February 1812 at 1 Mile End Terrace (now 393 Commercial Road), Landport in Portsea Island (Portsmouth), Hampshire, the second of eight children of Elizabeth Dickens (née Barrow; 1789–1863) and John Dickens (1785–1851). His father was a clerk in the Navy Pay Office and was temporarily stationed in the district. He asked Christopher Huffam, rigger to His Majesty's Navy, gentleman, and head of an established firm, to act as godfather to Charles. Huffam is thought to be the inspiration for Paul Dombey, the owner of a shipping company in Dickens's novel Dombey and Son (1848).

In January 1815, John Dickens was called back to London and the family moved to Norfolk Street, Fitzrovia. When Charles was four, they relocated to Sheerness and thence to Chatham, Kent, where he spent his formative years until the age of 11. His early life seems to have been idyllic, though he thought himself a "very small and not-over-particularly-taken-care-of boy".

Charles spent time outdoors, but also read voraciously, including the picaresque novels of Tobias Smollett and Henry Fielding, as well as Robinson Crusoe and Gil Blas. He read and reread The Arabian Nights and the Collected Farces of Elizabeth Inchbald. He retained poignant memories of childhood, helped by an excellent memory of people and events, which he used in his writing. His father's brief work as a clerk in the Navy Pay Office afforded him a few years of private education, first at a dame school and then at a school run by William Giles, a dissenter, in Chatham.

This period came to an end in June 1822, when John Dickens was recalled to Navy Pay Office headquarters at Somerset House and the family (except for Charles, who stayed behind to finish his final term at school) moved to Camden Town in London. The family had left Kent amidst rapidly mounting debts and, living beyond his means, John Dickens was forced by his creditors into the Marshalsea debtors' prison in Southwark, London in 1824. His wife and youngest children joined him there, as was the practice at the time. Charles, then 12 years old, boarded with Elizabeth Roylance, a family friend, at 112 College Place, Camden Town. Mrs Roylance was "a reduced impoverished old lady, long known to our family", whom Dickens later immortalised, "with a few alterations and embellishments", as "Mrs Pipchin" in Dombey and Son. Later, he lived in a back-attic in the house of an agent for the Insolvent Court, Archibald Russell, "a fat, good-natured, kind old gentleman ... with a quiet old wife" and lame son, in Lant Street in Southwark. They provided the inspiration for the Garlands in The Old Curiosity Shop.

On Sundays – with his sister Frances, free from her studies at the Royal Academy of Music – he spent the day at the Marshalsea. Dickens later used the prison as a setting in Little Dorrit. To pay for his board and to help his family, Dickens was forced to leave school and work ten-hour days at Warren's Blacking Warehouse, on Hungerford Stairs, near the present Charing Cross railway station, where he earned six shillings a week pasting labels on pots of boot blacking. The strenuous and often harsh working conditions made a lasting impression on Dickens and later influenced his fiction and essays, becoming the foundation of his interest in the reform of socio-economic and labour conditions, the rigours of which he believed were unfairly borne by the poor. He later wrote that he wondered "how I could have been so easily cast away at such an age". As he recalled to John Forster (from Life of Charles Dickens):

The blacking-warehouse was the last house on the left-hand side of the way, at old Hungerford Stairs. It was a crazy, tumble-down old house, abutting of course on the river, and literally overrun with rats. Its wainscoted rooms, and its rotten floors and staircase, and the old grey rats swarming down in the cellars, and the sound of their squeaking and scuffling coming up the stairs at all times, and the dirt and decay of the place, rise up visibly before me, as if I were there again. The counting-house was on the first floor, looking over the coal-barges and the river. There was a recess in it, in which I was to sit and work. My work was to cover the pots of paste-blacking; first with a piece of oil-paper, and then with a piece of blue paper; to tie them round with a string; and then to clip the paper close and neat, all round, until it looked as smart as a pot of ointment from an apothecary's shop. When a certain number of grosses of pots had attained this pitch of perfection, I was to paste on each a printed label, and then go on again with more pots. Two or three other boys were kept at similar duty down-stairs on similar wages. One of them came up, in a ragged apron and a paper cap, on the first Monday morning, to show me the trick of using the string and tying the knot. His name was Bob Fagin; and I took the liberty of using his name, long afterwards, in Oliver Twist.

When the warehouse was moved to Chandos Street in the smart, busy district of Covent Garden, the boys worked in a room in which the window gave onto the street. Small audiences gathered and watched them at work – in Dickens's biographer Simon Callow's estimation, the public display was "a new refinement added to his misery".

A few months after his imprisonment, John Dickens's mother, Elizabeth Dickens, died and bequeathed him £450. On the expectation of this legacy, Dickens was released from prison. Under the Insolvent Debtors Act, Dickens arranged for payment of his creditors and he and his family left the Marshalsea, for the home of Mrs Roylance.

Charles's mother, Elizabeth Dickens, did not immediately support his removal from the boot-blacking warehouse. This influenced Dickens's view that a father should rule the family and a mother find her proper sphere inside the home: "I never afterwards forgot, I never shall forget, I never can forget, that my mother was warm for my being sent back." His mother's failure to request his return was a factor in his dissatisfied attitude towards women.

Righteous indignation stemming from his own situation and the conditions under which working-class people lived became major themes of his works, and it was this unhappy period in his youth to which he alluded in his favourite, and most autobiographical, novel, David Copperfield: "I had no advice, no counsel, no encouragement, no consolation, no assistance, no support, of any kind, from anyone, that I can call to mind, as I hope to go to heaven!"

Dickens was eventually sent to the Wellington House Academy in Camden Town, where he remained until March 1827, having spent about two years there. He did not consider it to be a good school: "Much of the haphazard, desultory teaching, poor discipline punctuated by the headmaster's sadistic brutality, the seedy ushers and general run-down atmosphere, are embodied in Mr Creakle's Establishment in David Copperfield."

Dickens worked at the law office of Ellis and Blackmore, attorneys, of Holborn Court, Gray's Inn, as a junior clerk from May 1827 to November 1828. He was a gifted mimic and impersonated those around him: clients, lawyers and clerks. He went to theatres obsessively: he claimed that for at least three years he went to the theatre every day. His favourite actor was Charles Mathews and Dickens learnt his "monopolylogues" (farces in which Mathews played every character) by heart. Then, having learned Gurney's system of shorthand in his spare time, he left to become a freelance reporter. A distant relative, Thomas Charlton, was a freelance reporter at Doctors' Commons and Dickens was able to share his box there to report the legal proceedings for nearly four years. This education was to inform works such as Nicholas Nickleby, Dombey and Son and especially Bleak House, whose vivid portrayal of the machinations and bureaucracy of the legal system did much to enlighten the general public and served as a vehicle for dissemination of Dickens's own views regarding, particularly, the heavy burden on the poor who were forced by circumstances to "go to law".

In 1830, Dickens met his first love, Maria Beadnell, thought to have been the model for the character Dora in David Copperfield. Maria's parents disapproved of the courtship and ended the relationship by sending her to school in Paris.

In 1832, at the age of 20, Dickens was energetic and increasingly self-confident. He enjoyed mimicry and popular entertainment, lacked a clear, specific sense of what he wanted to become, and yet knew he wanted fame. Drawn to the theatre – he became an early member of the Garrick Club – he landed an acting audition at Covent Garden, where the manager George Bartley and the actor Charles Kemble were to see him. Dickens prepared meticulously and decided to imitate the comedian Charles Mathews, but ultimately he missed the audition because of a cold. Before another opportunity arose, he had set out on his career as a writer.

In 1833, Dickens submitted his first story, "A Dinner at Poplar Walk", to the London periodical Monthly Magazine. William Barrow, Dickens's uncle on his mother's side, offered him a job on The Mirror of Parliament and he worked in the House of Commons for the first time early in 1832. He rented rooms at Furnival's Inn and worked as a political journalist, reporting on Parliamentary debates, and he travelled across Britain to cover election campaigns for the Morning Chronicle. His journalism, in the form of sketches in periodicals, formed his first collection of pieces, published in 1836: Sketches by Boz – Boz being a family nickname he employed as a pseudonym for some years. Dickens apparently adopted it from the nickname 'Moses', which he had given to his youngest brother Augustus Dickens, after a character in Oliver Goldsmith's The Vicar of Wakefield. When pronounced by anyone with a head cold, "Moses" became "Boses" – later shortened to Boz. Dickens's own name was considered "queer" by a contemporary critic, who wrote in 1849: "Mr Dickens, as if in revenge for his own queer name, does bestow still queerer ones upon his fictitious creations." Dickens contributed to and edited journals throughout his literary career. In January 1835, the Morning Chronicle launched an evening edition, under the editorship of the Chronicle's music critic, George Hogarth. Hogarth invited him to contribute Street Sketches and Dickens became a regular visitor to his Fulham house – excited by Hogarth's friendship with Walter Scott (whom Dickens greatly admired) and enjoying the company of Hogarth's three daughters: Georgina, Mary and 19-year-old Catherine.

Dickens made rapid progress both professionally and socially. He began a friendship with William Harrison Ainsworth, the author of the highwayman novel Rookwood (1834), whose bachelor salon in Harrow Road had become the meeting place for a set that included Daniel Maclise, Benjamin Disraeli, Edward Bulwer-Lytton and George Cruikshank. All these became his friends and collaborators, with the exception of Disraeli, and he met his first publisher, John Macrone, at the house. The success of Sketches by Boz led to a proposal from publishers Chapman and Hall for Dickens to supply text to match Robert Seymour's engraved illustrations in a monthly letterpress. Seymour committed suicide after the second instalment and Dickens, who wanted to write a connected series of sketches, hired "Phiz" to provide the engravings (which were reduced from four to two per instalment) for the story. The resulting story became The Pickwick Papers and, although the first few episodes were not successful, the introduction of the Cockney character Sam Weller in the fourth episode (the first to be illustrated by Phiz) marked a sharp climb in its popularity. The final instalment sold 40,000 copies. On the impact of the character, The Paris Review stated, "arguably the most historic bump in English publishing is the Sam Weller Bump." A publishing phenomenon, John Sutherland called The Pickwick Papers "he most important single novel of the Victorian era". The unprecedented success led to numerous spin-offs and merchandise ranging from Pickwick cigars, playing cards, china figurines, Sam Weller puzzles, Weller boot polish and joke books.

The Sam Weller Bump testifies not merely to Dickens’s comic genius but to his acumen as an "authorpreneur," a portmanteau he inhabited long before The Economist took it up. For a writer who made his reputation crusading against the squalor of the Industrial Revolution, Dickens was a creature of capitalism; he used everything from the powerful new printing presses to the enhanced advertising revenues to the expansion of railroads to sell more books. Dickens ensured that his books were available in cheap bindings for the lower orders as well as in morocco-and-gilt for people of quality; his ideal readership included everyone from the pickpockets who read Oliver Twist to Queen Victoria, who found it "exceedingly interesting."

On the creation of modern mass culture, Nicholas Dames in The Atlantic writes, “Literature” is not a big enough category for Pickwick. It defined its own, a new one that we have learned to call “entertainment.” In November 1836, Dickens accepted the position of editor of Bentley's Miscellany, a position he held for three years, until he fell out with the owner. In 1836, as he finished the last instalments of The Pickwick Papers, he began writing the beginning instalments of Oliver Twist – writing as many as 90 pages a month – while continuing work on Bentley's and also writing four plays, the production of which he oversaw. Oliver Twist, published in 1838, became one of Dickens's better known stories and was the first Victorian novel with a child protagonist.

On 2 April 1836, after a one-year engagement, and between episodes two and three of The Pickwick Papers, Dickens married Catherine Thomson Hogarth (1815–1879), the daughter of George Hogarth, editor of the Evening Chronicle. They were married in St Luke's Church,Chelsea, London. After a brief honeymoon in Chalk in Kent, the couple returned to lodgings at Furnival's Inn. The first of their ten children, Charles, was born in January 1837 and a few months later the family set up home in Bloomsbury at 48 Doughty Street, London (on which Charles had a three-year lease at £80 a year) from 25 March 1837 until December 1839. Dickens's younger brother Frederick and Catherine's 17-year-old sister Mary Hogarth moved in with them. Dickens became very attached to Mary, and she died in his arms after a brief illness in 1837. Unusually for Dickens, as a consequence of his shock, he stopped working, and he and Catherine stayed at a little farm on Hampstead Heath for a fortnight. Dickens idealised Mary; the character he fashioned after her, Rose Maylie, he found he could not now kill, as he had planned, in his fiction, and, according to Ackroyd, he drew on memories of her for his later descriptions of Little Nell and Florence Dombey. His grief was so great that he was unable to meet the deadline for the June instalment of The Pickwick Papers and had to cancel the Oliver Twist instalment that month as well. The time in Hampstead was the occasion for a growing bond between Dickens and John Forster to develop; Forster soon became his unofficial business manager and the first to read his work.

His success as a novelist continued. The young Queen Victoria read both Oliver Twist and The Pickwick Papers, staying up until midnight to discuss them.Nicholas Nickleby (1838–39), The Old Curiosity Shop (1840–41) and, finally, his first historical novel, Barnaby Rudge: A Tale of the Riots of 'Eighty, as part of the Master Humphrey's Clock series (1840–41), were all published in monthly instalments before being made into books.

In the midst of all his activity during this period, there was discontent with his publishers and John Macrone was bought off, while Richard Bentley signed over all his rights in Oliver Twist. Other signs of a certain restlessness and discontent emerged; in Broadstairs he flirted with Eleanor Picken, the young fiancée of his solicitor's best friend and one night grabbed her and ran with her down to the sea. He declared they were both to drown there in the "sad sea waves". She finally got free, and afterwards kept her distance. In June 1841, he precipitously set out on a two-month tour of Scotland and then, in September 1841, telegraphed Forster that he had decided to go to America.Master Humphrey's Clock was shut down, though Dickens was still keen on the idea of the weekly magazine, a form he liked, an appreciation that had begun with his childhood reading of the 18th-century magazines Tatler and The Spectator.

Dickens was perturbed by the return to power of the Tories, whom he described as "people whom, politically, I despise and abhor." He had been tempted to stand for the Liberals in Reading, but decided against it due to financial straits. He wrote three anti-Tory verse satires ("The Fine Old English Gentleman", "The Quack Doctor's Proclamation", and "Subjects for Painters") which were published in The Examiner.

First visit to the United States

On 22 January 1842, Dickens and his wife arrived in Boston, Massachusetts aboard the RMS Britannia during their first trip to the United States and Canada. At this time Georgina Hogarth, another sister of Catherine, joined the Dickens household, now living at Devonshire Terrace, Marylebone to care for the young family they had left behind. She remained with them as housekeeper, organiser, adviser and friend until Dickens's death in 1870. Dickens modelled the character of Agnes Wickfield after Georgina and Mary.

He described his impressions in a travelogue, American Notes for General Circulation. In Notes, Dickens includes a powerful condemnation of slavery which he had attacked as early as The Pickwick Papers, correlating the emancipation of the poor in England with the abolition of slavery abroad citing newspaper accounts of runaway slaves disfigured by their masters. In spite of the abolitionist sentiments gleaned from his trip to America, some modern commentators have pointed out inconsistencies in Dickens's views on racial inequality. For instance, he has been criticized for his subsequent acquiescence in Governor Eyre's harsh crackdown during the 1860s Morant Bay rebellion in Jamaica and his failure to join other British progressives in condemning it. From Richmond, Virginia, Dickens returned to Washington, D.C., and started a trek westward to St Louis, Missouri. While there, he expressed a desire to see an American prairie before returning east. A group of 13 men then set out with Dickens to visit Looking Glass Prairie, a trip 30 miles into Illinois.

During his American visit, Dickens spent a month in New York City, giving lectures, raising the question of international copyright laws and the pirating of his work in America. He persuaded a group of 25 writers, headed by Washington Irving, to sign a petition for him to take to Congress, but the press were generally hostile to this, saying that he should be grateful for his popularity and that it was mercenary to complain about his work being pirated.

The popularity he gained caused a shift in his self-perception according to critic Kate Flint, who writes that he "found himself a cultural commodity, and its circulation had passed out his control", causing him to become interested in and delve into themes of public and personal personas in the next novels. She writes that he assumed a role of "influential commentator", publicly and in his fiction, evident in his next few books. His trip to the U.S. ended with a trip to Canada – Niagara Falls, Toronto, Kingston and Montreal – where he appeared on stage in light comedies.

Soon after his return to England, Dickens began work on the first of his Christmas stories, A Christmas Carol, written in 1843, which was followed by The Chimes in 1844 and The Cricket on the Hearth in 1845. Of these, A Christmas Carol was most popular and, tapping into an old tradition, did much to promote a renewed enthusiasm for the joys of Christmas in Britain and America. The seeds for the story became planted in Dickens's mind during a trip to Manchester to witness the conditions of the manufacturing workers there. This, along with scenes he had recently witnessed at the Field Lane Ragged School, caused Dickens to resolve to "strike a sledge hammer blow" for the poor. As the idea for the story took shape and the writing began in earnest, Dickens became engrossed in the book. He later wrote that as the tale unfolded he "wept and laughed, and wept again" as he "walked about the black streets of London fifteen or twenty miles many a night when all sober folks had gone to bed".

After living briefly in Italy (1844), Dickens travelled to Switzerland (1846), where he began work on Dombey and Son (1846–48). This and David Copperfield (1849–50) mark a significant artistic break in Dickens's career as his novels became more serious in theme and more carefully planned than his early works.

At about this time, he was made aware of a large embezzlement at the firm where his brother, Augustus, worked (John Chapman & Co). It had been carried out by Thomas Powell, a clerk, who was on friendly terms with Dickens and who had acted as mentor to Augustus when he started work. Powell was also an author and poet and knew many of the famous writers of the day. After further fraudulent activities, Powell fled to New York and published a book called The Living Authors of England with a chapter on Charles Dickens, who was not amused by what Powell had written. One item that seemed to have annoyed him was the assertion that he had based the character of Paul Dombey (Dombey and Son) on Thomas Chapman, one of the principal partners at John Chapman & Co. Dickens immediately sent a letter to Lewis Gaylord Clark, editor of the New York literary magazine The Knickerbocker, saying that Powell was a forger and thief. Clark published the letter in the New-York Tribune and several other papers picked up on the story. Powell began proceedings to sue these publications and Clark was arrested. Dickens, realising that he had acted in haste, contacted John Chapman & Co to seek written confirmation of Powell's guilt. Dickens did receive a reply confirming Powell's embezzlement, but once the directors realised this information might have to be produced in court, they refused to make further disclosures. Owing to the difficulties of providing evidence in America to support his accusations, Dickens eventually made a private settlement with Powell out of court.

Philanthropy

Angela Burdett Coutts, heir to the Coutts banking fortune, approached Dickens in May 1846 about setting up a home for the redemption of fallen women of the working class. Coutts envisioned a home that would replace the punitive regimes of existing institutions with a reformative environment conducive to education and proficiency in domestic household chores. After initially resisting, Dickens eventually founded the home, named Urania Cottage, in the Lime Grove area of Shepherd's Bush, which he managed for ten years, setting the house rules, reviewing the accounts and interviewing prospective residents. Emigration and marriage were central to Dickens's agenda for the women on leaving Urania Cottage, from which it is estimated that about 100 women graduated between 1847 and 1859.

As a young man, Dickens expressed a distaste for certain aspects of organised religion. In 1836, in a pamphlet titled Sunday Under Three Heads, he defended the people's right to pleasure, opposing a plan to prohibit games on Sundays. "Look into your churches – diminished congregations and scanty attendance. People have grown sullen and obstinate, and are becoming disgusted with the faith which condemns them to such a day as this, once in every seven. They display their feeling by staying away [from church]. Turn into the streets [on a Sunday] and mark the rigid gloom that reigns over everything around."

Dickens honoured the figure of Jesus Christ. He is regarded as a professing Christian. His son, Henry Fielding Dickens, described him as someone who "possessed deep religious convictions". In the early 1840s, he had shown an interest in Unitarian Christianity and Robert Browning remarked that "Mr Dickens is an enlightened Unitarian." Professor Gary Colledge has written that he "never strayed from his attachment to popular lay Anglicanism". Dickens authored a work called The Life of Our Lord (1846), a book about the life of Christ, written with the purpose of sharing his faith with his children and family.

Dickens disapproved of Roman Catholicism and 19th-century evangelicalism, seeing both as extremes of Christianity and likely to limit personal expression, and was critical of what he saw as the hypocrisy of religious institutions and philosophies like spiritualism, all of which he considered deviations from the true spirit of Christianity, as shown in the book he wrote for his family in 1846. While Dickens advocated equal rights for Catholics in England, he strongly disliked how individual civil liberties were often threatened in countries where Catholicism predominated and referred to the Catholic Church as "that curse upon the world." Dickens also rejected the Evangelical conviction that the Bible was the infallible word of God. His ideas on Biblical interpretation were similar to the Liberal Anglican Arthur Penrhyn Stanley's doctrine of "progressive revelation."Leo Tolstoy and Fyodor Dostoyevsky referred to Dickens as "that great Christian writer".

Middle years

In December 1845, Dickens took up the editorship of the London-based Daily News, a liberal paper through which Dickens hoped to advocate, in his own words, "the Principles of Progress and Improvement, of Education and Civil and Religious Liberty and Equal Legislation." Among the other contributors Dickens chose to write for the paper were the radical economist Thomas Hodgskin and the social reformer Douglas William Jerrold, who frequently attacked the Corn Laws. Dickens lasted only ten weeks on the job before resigning due to a combination of exhaustion and frustration with one of the paper's co-owners.

The Francophile Dickens often holidayed in France and, in a speech delivered in Paris in 1846 in French, called the French "the first people in the universe". During his visit to Paris, Dickens met the French literati Alexandre Dumas, Victor Hugo, Eugène Scribe, Théophile Gautier, François-René de Chateaubriand and Eugène Sue. In early 1849, Dickens started to write David Copperfield. It was published between 1849 and 1850. In Dickens's biography, Life of Charles Dickens (1872), John Forster wrote of David Copperfield, "underneath the fiction lay something of the author's life". It was Dickens's personal favourite among his own novels, as he wrote in the author's preface to the 1867 edition of the novel.

In late November 1851, Dickens moved into Tavistock House where he wrote Bleak House (1852–53), Hard Times (1854) and Little Dorrit (1856). It was here that he indulged in the amateur theatricals described in Forster's Life of Charles Dickens. During this period, he worked closely with the novelist and playwright Wilkie Collins. In 1856, his income from writing allowed him to buy Gads Hill Place in Higham, Kent. As a child, Dickens had walked past the house and dreamed of living in it. The area was also the scene of some of the events of Shakespeare's Henry IV, Part 1 and this literary connection pleased him.

During this time Dickens was also the publisher, editor and a major contributor to the journals Household Words (1850–1859) and All the Year Round (1858–1870). In 1855, when Dickens's good friend and Liberal MP Austen Henry Layard formed an Administrative Reform Association to demand significant reforms of Parliament, Dickens joined and volunteered his resources in support of Layard's cause. With the exception of Lord John Russell, who was the only leading politician in whom Dickens had any faith and to whom he later dedicated A Tale of Two Cities, Dickens believed that the political aristocracy and their incompetence were the death of England. When he and Layard were accused of fomenting class conflict, Dickens replied that the classes were already in opposition and the fault was with the aristocratic class. Dickens used his pulpit in Household Words to champion the Reform Association. He also commented on foreign affairs, declaring his support for Giuseppe Garibaldi and Giuseppe Mazzini, helping raise funds for their campaigns and stating that "a united Italy would be of vast importance to the peace of the world, and would be a rock in Louis Napoleon's way," and that "I feel for Italy almost as if I were an Italian born."

Following the Indian Mutiny of 1857, Dickens joined in the widespread criticism of the East India Company for its role in the event, but reserved his fury for the rebels themselves, wishing that he was the commander-in-chief in India so that he would be able to, "do my utmost to exterminate the Race upon whom the stain of the late cruelties rested."

In 1857, Dickens hired professional actresses for the play The Frozen Deep, written by him and his protégé, Wilkie Collins. Dickens fell in love with one of the actresses, Ellen Ternan, and this passion was to last the rest of his life. Dickens was 45 and Ternan 18 when he made the decision, which went strongly against Victorian convention, to separate from his wife, Catherine, in 1858; divorce was still unthinkable for someone as famous as he was. When Catherine left, never to see her husband again, she took with her one child, leaving the other children to be raised by her sister Georgina who chose to stay at Gads Hill.

During this period, whilst pondering a project to give public readings for his own profit, Dickens was approached through a charitable appeal by Great Ormond Street Hospital to help it survive its first major financial crisis. His "Drooping Buds" essay in Household Words earlier on 3 April 1852 was considered by the hospital's founders to have been the catalyst for the hospital's success. Dickens, whose philanthropy was well-known, was asked by his friend, the hospital's founder Charles West, to preside over the appeal, and he threw himself into the task, heart and soul. Dickens's public readings secured sufficient funds for an endowment to put the hospital on a sound financial footing; one reading on 9 February 1858 alone raised £3,000.

After separating from Catherine, Dickens undertook a series of hugely popular and remunerative reading tours which, together with his journalism, were to absorb most of his creative energies for the next decade, in which he was to write only two more novels. His first reading tour, lasting from April 1858 to February 1859, consisted of 129 appearances in 49 towns throughout England, Scotland and Ireland. Dickens's continued fascination with the theatrical world was written into the theatre scenes in Nicholas Nickleby, but more importantly he found an outlet in public readings. In 1866, he undertook a series of public readings in England and Scotland, with more the following year in England and Ireland.

Other works soon followed, including A Tale of Two Cities (1859) and Great Expectations (1861), which were resounding successes. Set in London and Paris, A Tale of Two Cities is his best-known work of historical fiction and includes the famous opening sentence which begins with "It was the best of times, it was the worst of times." It is regularly cited as one of the best-selling novels of all time. Themes in Great Expectations include wealth and poverty, love and rejection, and the eventual triumph of good over evil.

In early September 1860, in a field behind Gads Hill, Dickens made a bonfire of most of his correspondence; only those letters on business matters were spared. Since Ellen Ternan also destroyed all of his letters to her, the extent of the affair between the two remains speculative. In the 1930s, Thomas Wright recounted that Ternan had unburdened herself to a Canon Benham and gave currency to rumours they had been lovers. That the two had a son who died in infancy was alleged by Dickens's daughter, Kate Perugini, whom Gladys Storey had interviewed before her death in 1929. Storey published her account in Dickens and Daughter, but no contemporary evidence exists. On his death, Dickens settled an annuity on Ternan which made her financially independent. Claire Tomalin's book, The Invisible Woman, argues that Ternan lived with Dickens secretly for the last 13 years of his life. The book was subsequently turned into a play, Little Nell, by Simon Gray, and a 2013 film. In the same period, Dickens furthered his interest in the paranormal, becoming one of the early members of The Ghost Club.

In June 1862, he was offered £10,000 for a reading tour of Australia. He was enthusiastic, and even planned a travel book, The Uncommercial Traveller Upside Down, but ultimately decided against the tour. Two of his sons, Alfred D'Orsay Tennyson Dickens and Edward Bulwer Lytton Dickens, migrated to Australia, Edward becoming a member of the Parliament of New South Wales as Member for Wilcannia between 1889 and 1894.

On 9 June 1865, while returning from Paris with Ellen Ternan, Dickens was involved in the Staplehurst rail crash in Kent. The train's first seven carriages plunged off a cast iron bridge that was under repair. The only first-class carriage to remain on the track was the one in which Dickens was travelling. Before rescuers arrived, Dickens tended and comforted the wounded and the dying with a flask of brandy and a hat refreshed with water, and saved some lives. Before leaving, he remembered the unfinished manuscript for Our Mutual Friend, and he returned to his carriage to retrieve it.

Dickens later used the experience of the crash as material for his short ghost story, "The Signal-Man", in which the central character has a premonition of his own death in a rail crash. He also based the story on several previous rail accidents, such as the Clayton Tunnel rail crash in Sussex of 1861. Dickens managed to avoid an appearance at the inquest to avoid disclosing that he had been travelling with Ternan and her mother, which would have caused a scandal. After the crash, Dickens was nervous when travelling by train and would use alternative means when available. In 1868 he wrote, "I have sudden vague rushes of terror, even when riding in a hansom cab, which are perfectly unreasonable but quite insurmountable." Dickens's son, Henry, recalled, "I have seen him sometimes in a railway carriage when there was a slight jolt. When this happened he was almost in a state of panic and gripped the seat with both hands."

While he contemplated a second visit to the United States, the outbreak of the Civil War in America in 1861 delayed his plans. On 9 November 1867, over two years after the war, Dickens set sail from Liverpool for his second American reading tour. Landing in Boston, he devoted the rest of the month to a round of dinners with such notables as Ralph Waldo Emerson, Henry Wadsworth Longfellow and his American publisher, James T. Fields. In early December, the readings began. He performed 76 readings, netting £19,000, from December 1867 to April 1868. Dickens shuttled between Boston and New York, where he gave 22 readings at Steinway Hall. Although he had started to suffer from what he called the "true American catarrh", he kept to a schedule that would have challenged a much younger man, even managing to squeeze in some sleighing in Central Park.

During his travels, he saw a change in the people and the circumstances of America. His final appearance was at a banquet the American Press held in his honour at Delmonico's on 18 April, when he promised never to denounce America again. By the end of the tour Dickens could hardly manage solid food, subsisting on champagne and eggs beaten in sherry. On 23 April he boarded the Cunard liner Russia to return to Britain, barely escaping a federal tax lien against the proceeds of his lecture tour.

Between 1868 and 1869, Dickens gave a series of "farewell readings" in England, Scotland and Ireland, beginning on 6 October. He managed, of a contracted 100 readings, to deliver 75 in the provinces, with a further 12 in London. As he pressed on he was affected by giddiness and fits of paralysis. He suffered a stroke on 18 April 1869 in Chester. He collapsed on 22 April 1869, at Preston in Lancashire and, on doctor's advice, the tour was cancelled. After further provincial readings were cancelled, he began work on his final novel, The Mystery of Edwin Drood. It was fashionable in the 1860s to 'do the slums' and, in company, Dickens visited opium dens in Shadwell, where he witnessed an elderly addict known as "Laskar Sal", who formed the model for the "Opium Sal" subsequently featured in Edwin Drood.

After Dickens had regained sufficient strength, he arranged, with medical approval, for a final series of readings to partially make up to his sponsors what they had lost due to his illness. There were 12 performances, running between 11 January and 15 March 1870, the last at 8:00 pm at St. James's Hall in London. Although in grave health by this time, he read A Christmas Carol and The Trial from Pickwick. On 2 May, he made his last public appearance at a Royal Academy Banquet in the presence of the Prince and Princess of Wales, paying a special tribute on the death of his friend, the illustrator Daniel Maclise.

On 8 June 1870, Dickens suffered another stroke at his home after a full day's work on Edwin Drood. He never regained consciousness and, the next day, he died at Gads Hill Place. Biographer Claire Tomalin has suggested Dickens was actually in Peckham when he suffered the stroke and his mistress Ellen Ternan and her maids had him taken back to Gads Hill so that the public would not know the truth about their relationship. Contrary to his wish to be buried at Rochester Cathedral "in an inexpensive, unostentatious, and strictly private manner", he was laid to rest in the Poets' Corner of Westminster Abbey. A printed epitaph circulated at the time of the funeral reads:

To the Memory of Charles Dickens (England's most popular author) who died at his residence, Higham, near Rochester, Kent, 9 June 1870, aged 58 years. He was a sympathiser with the poor, the suffering, and the oppressed; and by his death, one of England's greatest writers is lost to the world.

His last words were "On the ground", in response to his sister-in-law Georgina's request that he lie down. On Sunday, 19 June 1870, five days after Dickens was buried in the Abbey, Dean Arthur Penrhyn Stanley delivered a memorial elegy, lauding "the genial and loving humorist whom we now mourn", for showing by his own example "that even in dealing with the darkest scenes and the most degraded characters, genius could still be clean, and mirth could be innocent". Pointing to the fresh flowers that adorned the novelist's grave, Stanley assured those present that "the spot would thenceforth be a sacred one with both the New World and the Old, as that of the representative of literature, not of this island only, but of all who speak our English tongue."

In his will, drafted more than a year before his death, Dickens left the care of his £80,000 estate (£7,825,800 in 2020) to his long-time colleague John Forster and his "best and truest friend" Georgina Hogarth who, along with Dickens's two sons, also received a tax-free sum of £8,000 (equivalent to £783,000 in 2020). Although Dickens and his wife had been separated for several years at the time of his death, he provided her with an annual income of £600 (£58,700 in 2020) and made her similar allowances in his will. He also bequeathed £19 19s (£2,000 in 2020) to each servant in his employment at the time of his death.

Literary style

Dickens's approach to the novel is influenced by various things, including the picaresque novel tradition,melodrama and the novel of sensibility. According to Ackroyd, other than these, perhaps the most important literary influence on him was derived from the fables of The Arabian Nights.Satire and irony are central to the picaresque novel. Comedy is also an aspect of the British picaresque novel tradition of Laurence Sterne, Henry Fielding and Tobias Smollett. Fielding's Tom Jones was a major influence on the 19th-century novelist including Dickens, who read it in his youth and named a son Henry Fielding Dickens after him. Influenced by Gothic fiction—a literary genre that began with The Castle of Otranto (1764) by Horace Walpole—Dickens incorporated Gothic imagery, settings and plot devices in his works. Victorian gothic moved from castles and abbeys into contemporary urban environments: in particular London, such as Dickens's Oliver Twist and Bleak House. In Great Expectations Miss Havisham's bridal gown effectively doubles as her funeral shroud.

No other writer had such a profound influence on Dickens as William Shakespeare. On Dickens's veneration of Shakespeare, Alfred Harbage wrote "No one is better qualified to recognise literary genius than a literary genius"— A Kind of Power: The Shakespeare-Dickens Analogy (1975). Regarding Shakespeare as "the great master" whose plays "were an unspeakable source of delight", Dickens's lifelong affinity with the playwright included seeing theatrical productions of his plays in London and putting on amateur dramatics with friends in his early years. In 1838 Dickens travelled to Stratford-upon-Avon and visited the house in which Shakespeare was born, leaving his autograph in the visitors' book. Dickens would draw on this experience in his next work, Nicholas Nickleby (1838–39), expressing the strength of feeling experienced by visitors to Shakespeare's birthplace: the character Mrs Wititterly states, "I don't know how it is, but after you've seen the place and written your name in the little book, somehow or other you seem to be inspired; it kindles up quite a fire within one."

Dickens's writing style is marked by a profuse linguistic creativity. Satire, flourishing in his gift for caricature, is his forte. An early reviewer compared him to Hogarth for his keen practical sense of the ludicrous side of life, though his acclaimed mastery of varieties of class idiom may in fact mirror the conventions of contemporary popular theatre. Dickens worked intensively on developing arresting names for his characters that would reverberate with associations for his readers and assist the development of motifs in the storyline, giving what one critic calls an "allegorical impetus" to the novels' meanings. To cite one of numerous examples, the name Mr Murdstone in David Copperfield conjures up twin allusions to murder and stony coldness. His literary style is also a mixture of fantasy and realism. His satires of British aristocratic snobbery – he calls one character the "Noble Refrigerator" – are often popular. Comparing orphans to stocks and shares, people to tug boats or dinner-party guests to furniture are just some of Dickens's acclaimed flights of fancy.

The author worked closely with his illustrators, supplying them with a summary of the work at the outset and thus ensuring that his characters and settings were exactly how he envisioned them. He briefed the illustrator on plans for each month's instalment so that work could begin before he wrote them. Marcus Stone, illustrator of Our Mutual Friend, recalled that the author was always "ready to describe down to the minutest details the personal characteristics, and ... life-history of the creations of his fancy". Dickens employs Cockney English in many of his works, denoting working-class Londoners. Cockney grammar appears in terms such as ain't, and consonants in words are frequently omitted, as in 'ere (here) and wot (what). An example of this usage is in Oliver Twist. The Artful Dodger uses cockney slang which is juxtaposed with Oliver's 'proper' English, when the Dodger repeats Oliver saying "seven" with "sivin".

Dickens's biographer Claire Tomalin regards him as the greatest creator of character in English fiction after Shakespeare. Dickensian characters are amongst the most memorable in English literature, especially so because of their typically whimsical names. The likes of Ebenezer Scrooge, Tiny Tim, Jacob Marley and Bob Cratchit (A Christmas Carol); Oliver Twist, The Artful Dodger, Fagin and Bill Sikes (Oliver Twist); Pip, Miss Havisham and Abel Magwitch (Great Expectations); Sydney Carton, Charles Darnay and Madame Defarge (A Tale of Two Cities); David Copperfield, Uriah Heep and Mr Micawber (David Copperfield); Daniel Quilp and Nell Trent (The Old Curiosity Shop), Samuel Pickwick and Sam Weller (The Pickwick Papers); and Wackford Squeers (Nicholas Nickleby) are so well known as to be part and parcel of popular culture, and in some cases have passed into ordinary language: a scrooge, for example, is a miser or someone who dislikes Christmas festivity.

His characters were often so memorable that they took on a life of their own outside his books. "Gamp" became a slang expression for an umbrella from the character Mrs Gamp, and "Pickwickian", "Pecksniffian" and "Gradgrind" all entered dictionaries due to Dickens's original portraits of such characters who were, respectively, quixotic, hypocritical and vapidly factual. The character that made Dickens famous, Sam Weller became known for his Wellerisms—one-liners that turned proverbs on their heads. Many were drawn from real life: Mrs Nickleby is based on his mother, although she didn't recognise herself in the portrait, just as Mr Micawber is constructed from aspects of his father's 'rhetorical exuberance'; Harold Skimpole in Bleak House is based on James Henry Leigh Hunt; his wife's dwarfish chiropodist recognised herself in Miss Mowcher in David Copperfield. Perhaps Dickens's impressions on his meeting with Hans Christian Andersen informed the delineation of Uriah Heep (a term synonymous with sycophant).

Virginia Woolf maintained that "we remodel our psychological geography when we read Dickens" as he produces "characters who exist not in detail, not accurately or exactly, but abundantly in a cluster of wild yet extraordinarily revealing remarks".T. S. Eliot wrote that Dickens "excelled in character; in the creation of characters of greater intensity than human beings". One "character" vividly drawn throughout his novels is London itself. Dickens described London as a magic lantern, inspiring the places and people in many of his novels. From the coaching inns on the outskirts of the city to the lower reaches of the Thames, all aspects of the capital – Dickens's London – are described over the course of his body of work. Walking the streets (particularly around London) formed an integral part of his writing life, stoking his creativity. Dickens was known to regularly walk at least a dozen miles (19 km) per day, and once wrote, "If I couldn’t walk fast and far, I should just explode and perish."

Authors frequently draw their portraits of characters from people they have known in real life. David Copperfield is regarded by many as a veiled autobiography of Dickens. The scenes of interminable court cases and legal arguments in Bleak House reflect Dickens's experiences as a law clerk and court reporter, and in particular his direct experience of the law's procedural delay during 1844 when he sued publishers in Chancery for breach of copyright. Dickens's father was sent to prison for debt and this became a common theme in many of his books, with the detailed depiction of life in the Marshalsea prison in Little Dorrit resulting from Dickens's own experiences of the institution. Lucy Stroughill, a childhood sweetheart, may have affected several of Dickens's portraits of girls such as Little Em'ly in David Copperfield and Lucie Manette in A Tale of Two Cities.

Dickens may have drawn on his childhood experiences, but he was also ashamed of them and would not reveal that this was where he gathered his realistic accounts of squalor. Very few knew the details of his early life until six years after his death, when John Forster published a biography on which Dickens had collaborated. Though Skimpole brutally sends up Leigh Hunt, some critics have detected in his portrait features of Dickens's own character, which he sought to exorcise by self-parody.

A pioneer of the serial publication of narrative fiction, Dickens wrote most of his major novels in monthly or weekly instalments in journals such as Master Humphrey's Clock and Household Words, later reprinted in book form. These instalments made the stories affordable and accessible, with the audience more evenly distributed across income levels than previous. His instalment format inspired a narrative that he would explore and develop throughout his career, and the regular cliffhangers made each new episode widely anticipated. When The Old Curiosity Shop was being serialised, American fans waited at the docks in New York harbour, shouting out to the crew of an incoming British ship, "Is little Nell dead?" Dickens's talent was to incorporate this episodic writing style but still end up with a coherent novel at the end.

Another important impact of Dickens's episodic writing style resulted from his exposure to the opinions of his readers and friends. His friend Forster had a significant hand in reviewing his drafts, an influence that went beyond matters of punctuation. He toned down melodramatic and sensationalist exaggerations, cut long passages (such as the episode of Quilp's drowning in The Old Curiosity Shop), and made suggestions about plot and character. It was he who suggested that Charley Bates should be redeemed in Oliver Twist. Dickens had not thought of killing Little Nell and it was Forster who advised him to entertain this possibility as necessary to his conception of the heroine.

Dickens was at the helm in popularising cliffhangers and serial publications in Victorian literature. His influence can also be seen in television soap operas and film series, with The Guardian stating "the DNA of Dickens’s busy, episodic storytelling, delivered in instalments and rife with cliffhangers and diversions, is traceable in everything." His serialisation of his novels also drew comments from other writers. In Scottish author Robert Louis Stevenson's novel The Wrecker, Captain Nares, investigating an abandoned ship, remarked: "See! They were writing up the log," said Nares, pointing to the ink-bottle. "Caught napping, as usual. I wonder if there ever was a captain yet that lost a ship with his log-book up to date? He generally has about a month to fill up on a clean break, like Charles Dickens and his serial novels."

Dickens's novels were, among other things, works of social commentary. Simon Callow states, "From the moment he started to write, he spoke for the people, and the people loved him for it." He was a fierce critic of the poverty and social stratification of Victorian society. In a New York address, he expressed his belief that "Virtue shows quite as well in rags and patches as she does in purple and fine linen". Dickens's second novel, Oliver Twist (1839), shocked readers with its images of poverty and crime: it challenged middle class polemics about criminals, making impossible any pretence to ignorance about what poverty entailed.

At a time when Britain was the major economic and political power of the world, Dickens highlighted the life of the forgotten poor and disadvantaged within society. Through his journalism he campaigned on specific issues – such as sanitation and the workhouse – but his fiction probably demonstrated its greatest prowess in changing public opinion in regard to class inequalities. He often depicted the exploitation and oppression of the poor and condemned the public officials and institutions that not only allowed such abuses to exist, but flourished as a result. His most strident indictment of this condition is in Hard Times (1854), Dickens's only novel-length treatment of the industrial working class. In this work, he uses vitriol and satire to illustrate how this marginalised social stratum was termed "Hands" by the factory owners; that is, not really "people" but rather only appendages of the machines they operated. His writings inspired others, in particular journalists and political figures, to address such problems of class oppression. For example, the prison scenes in The Pickwick Papers are claimed to have been influential in having the Fleet Prison shut down. Karl Marx asserted that Dickens "issued to the world more political and social truths than have been uttered by all the professional politicians, publicists and moralists put together". George Bernard Shaw even remarked that Great Expectations was more seditious than Marx's Das Kapital. The exceptional popularity of Dickens's novels, even those with socially oppositional themes (Bleak House, 1853; Little Dorrit, 1857; Our Mutual Friend, 1865), not only underscored his ability to create compelling storylines and unforgettable characters, but also ensured that the Victorian public confronted issues of social justice that had commonly been ignored.

It has been argued that his technique of flooding his narratives with an 'unruly superfluity of material' that, in the gradual dénouement, yields up an unsuspected order, influenced the organisation of Charles Darwin's On the Origin of Species.

Dickens is often described as using idealised characters and highly sentimental scenes to contrast with his caricatures and the ugly social truths he reveals. The story of Nell Trent in The Old Curiosity Shop (1841) was received as extraordinarily moving by contemporary readers but viewed as ludicrously sentimental by Oscar Wilde. "One must have a heart of stone to read the death of little Nell", he said in a famous remark, "without dissolving into tears ... of laughter."G. K. Chesterton stated, "It is not the death of little Nell, but the life of little Nell, that I object to", arguing that the maudlin effect of his description of her life owed much to the gregarious nature of Dickens's grief, his "despotic" use of people's feelings to move them to tears in works like this.

The question as to whether Dickens belongs to the tradition of the sentimental novel is debatable. Valerie Purton, in her book Dickens and the Sentimental Tradition, sees him continuing aspects of this tradition, and argues that his "sentimental scenes and characters [are] as crucial to the overall power of the novels as his darker or comic figures and scenes", and that "Dombey and Son is [ ... ] Dickens's greatest triumph in the sentimentalist tradition". The Encyclopædia Britannica online comments that, despite "patches of emotional excess", such as the reported death of Tiny Tim in A Christmas Carol (1843), "Dickens cannot really be termed a sentimental novelist".

In Oliver Twist Dickens provides readers with an idealised portrait of a boy so inherently and unrealistically good that his values are never subverted by either brutal orphanages or coerced involvement in a gang of young pickpockets. While later novels also centre on idealised characters (Esther Summerson in Bleak House and Amy Dorrit in Little Dorrit), this idealism serves only to highlight Dickens's goal of poignant social commentary. Dickens's fiction, reflecting what he believed to be true of his own life, makes frequent use of coincidence, either for comic effect or to emphasise the idea of providence. For example, Oliver Twist turns out to be the lost nephew of the upper-class family that rescues him from the dangers of the pickpocket group. Such coincidences are a staple of 18th-century picaresque novels, such as Henry Fielding's Tom Jones, which Dickens enjoyed reading as a youth.

Dickens was the most popular novelist of his time, and remains one of the best-known and most-read of English authors. His works have never gone out of print, and have been adapted continually for the screen since the invention of cinema, with at least 200 motion pictures and TV adaptations based on Dickens's works documented. Many of his works were adapted for the stage during his own lifetime – early theatrical productions included The Haunted Man and the Ghost's Bargain which was performed in the West End's Adelphi Theatre in 1848 – and, as early as 1913, a silent film of The Pickwick Papers was made. Contemporaries such as publisher Edward Lloyd cashed in on Dickens's popularity with cheap imitations of his novels, resulting in his own popular ‘penny dreadfuls'.

From the beginning of his career in the 1830s, Dickens's achievements in English literature were compared to those of Shakespeare. Dickens created some of the world's best-known fictional characters and is regarded by many as the greatest British novelist of the Victorian era. His literary reputation, however began to decline with the publication of Bleak House in 1852–53. Philip Collins calls Bleak House ‘a crucial item in the history of Dickens's reputation. Reviewers and literary figures during the 1850s, 1860s and 1870s, saw a "drear decline" in Dickens, from a writer of "bright sunny comedy ... to dark and serious social" commentary.The Spectator called Bleak House "a heavy book to read through at once ... dull and wearisome as a serial"; Richard Simpson, in The Rambler, characterised Hard Times as "this dreary framework"; Fraser's Magazine thought Little Dorrit "decidedly the worst of his novels". All the same, despite these "increasing reservations amongst reviewers and the chattering classes, 'the public never deserted its favourite'". Dickens's popular reputation remained unchanged, sales continued to rise, and Household Words and later All the Year Round were highly successful.

Later in his career, Dickens's fame and the demand for his public readings were unparalleled. In 1868 The Times wrote, "Amid all the variety of 'readings', those of Mr Charles Dickens stand alone." A Dickens biographer, Edgar Johnson, wrote in the 1950s: "It was [always] more than a reading; it was an extraordinary exhibition of acting that seized upon its auditors with a mesmeric possession." Comparing his reception at public readings to those of a contemporary pop star, The Guardian states, "People sometimes fainted at his shows. His performances even saw the rise of that modern phenomenon, the 'speculator' or ticket tout (scalpers) – the ones in New York City escaped detection by borrowing respectable-looking hats from the waiters in nearby restaurants."

"Dickens's vocal impersonations of his own characters gave this truth a theatrical form: the public reading tour. No other Victorian could match him for celebrity, earnings, and sheer vocal artistry. The Victorians craved the author's multiple voices: between 1853 and his death in 1870, Dickens performed about 470 times."

—Peter Garratt in The Guardian on Dickens's fame and the demand for his public readings

Among fellow writers, there was a range of opinions on Dickens. Poet laureate, William Wordsworth (1770–1850), thought him a "very talkative, vulgar young person", adding he had not read a line of his work, while novelist George Meredith (1828–1909), found Dickens "intellectually lacking". In 1888 Leslie Stephen commented in the Dictionary of National Biography that "if literary fame could be safely measured by popularity with the half-educated, Dickens must claim the highest position among English novelists". Anthony Trollope's Autobiography famously declared Thackeray, not Dickens, to be the greatest novelist of the age. However, both Leo Tolstoy and Fyodor Dostoyevsky were admirers. Dostoyevsky commented: "We understand Dickens in Russia, I am convinced, almost as well as the English, perhaps even with all the nuances. It may well be that we love him no less than his compatriots do. And yet how original is Dickens, and how very English!" Tolstoy referred to David Copperfield as his favourite book, and he later adopted the novel as "a model for his own autobiographical reflections". French writer Jules Verne called Dickens his favourite writer, writing his novels "stand alone, dwarfing all others by their amazing power and felicity of expression". Dutch painter Vincent van Gogh was inspired by Dickens's novels in several of his paintings like Vincent's Chair and in an 1889 letter to his sister stated that reading Dickens, especially A Christmas Carol, was one of the things that was keeping him from committing suicide. Oscar Wilde generally disparaged his depiction of character, while admiring his gift for caricature. Henry James denied him a premier position, calling him "the greatest of superficial novelists": Dickens failed to endow his characters with psychological depth, and the novels, "loose baggy monsters", betrayed a "cavalier organisation". Joseph Conrad described his own childhood in bleak Dickensian terms, and noted he had "an intense and unreasoning affection" for Bleak House, dating back to his boyhood. The novel influenced his own gloomy portrait of London in The Secret Agent (1907). Virginia Woolf had a love-hate relationship with his works, finding his novels "mesmerizing" while reproving him for his sentimentalism and a commonplace style.

Around 1940–41, the attitude of the litera

• Charles Dickens en.wikipedia.org

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Top 10 literary biographies

From Shakespeare to Shelley, Edith Wharton to VS Naipaul … literature’s greats have biographies to match

T he idea of writing about authors is, for me, irresistible, and I’ve just published my seventh. It was about Gore Vidal and I have often recalled Vidal’s wise suggestion (made 30 years ago) that I should write about major figures, as important lives make for Important Lives.

Needless to say, anyone involved in this business becomes a student of Great Lives, and I’ve spent decades reading and rereading my favourite examples in the genre. The beginning of literary biography for anyone is probably Boswell’s classic life of Samuel Johnson (1791), an entertaining portrait of the inimitable sage, or such Victorian treasures as Elizabeth Gaskell’s astute life of Charlotte Brontë (1857) or John Forster’s intimate biography of Charles Dickens (1874), his close friend. The 20th century saw many fine literary biographies emerging on both sides of the Atlantic, but it also produced numerous heavy and boring tomes: on the American side Mark Schorer’s staggeringly detailed life of Sinclair Lewis from 1961 or Joseph Blotner’s anaesthetising life of William Faulkner from 1974; on the British, Norman Sherry’s tedious three-volume life of Graham Greene, finished in 1991.

It is such a huge field that I have narrowed my 10 favourites down to the era after the second world war.

1. Henry James by Leon Edel (Five volumes: 1953 to 1972) I’ve read these at least five times, slowly. Savouring each morsel. Although there are famously reductive (pseudo-Freudian) elements, the scholarship is impressive, the alertness to James’s shifting sensibility superb. It’s beautifully written, too. No later biographer of James can ignore this monument to the art of biography.

2. James Joyce by Richard Ellmann (1959) One of the best modern examples of literary biography, with its artfully chosen detail and narrative arc combining with a close reading of major texts.

3. Edith Wharton : A Biography by RWB Lewis (1975) Full of scholarship and astute readings, with a fine general sense of the times as well. It’s a good place to begin, but Hermione Lee’s brilliantly written biography in 2007 was a necessary compliment, challenging the somewhat stodgy view that Lewis put forward, revealing her complex sexuality and originality as a writer.

4. The Life of Langston Hughes by Arnold Rampersad (two volumes: 1986, 1988) Rampersad summons the rich world of the Harlem Renaissance and reveals the depth of African-American literary consciousness in this remarkable biography.

5. Shelley: The Pursuit by Richard Holmes (1974) A startling, elegantly written, example of artistic biography. Holmes utterly revised our sense of this key Romantic poet, taking us into his political thoughts and activities, exploring his poetry in fresh ways.

6. Dickens by Peter Ackroyd (1990) This is among my favorite books. I’ve read it again and again, as Ackroyd is himself a writer of Dickensian vitality – the biographer and subject are so well matched here.

7. Will in the World: How Shakespeare Became Shakespeare by Stephen Greenblatt (2004). A vast shelf of biographies of the Bard exists, but this is the book I would take with me to a desert island along with Shakespeare’s plays. It has energy and a great deal of unassertive yet far-reaching scholarship.

8. Tolstoy by A N Wilson (1989) Wilson writes so well, and he brings a blazing critical intelligence to bear as well as novelistic skills in assembling a great life of a great writer. I love this book.

9. The Imperfect Life of T S Eliot by Lyndall Gordon (1998) This brings together Eliot’s Early Years – a truly groundbreaking book – and Eliot’s New Life. We see Eliot in all of his alienated grandeur here, a deeply strange man, prejudiced, terrified of women, and yet massively gifted as a poet and critic. The very recent biography of young Eliot by Robert Crawford deepens our vision of Eliot and should be read beside Gordon’s work.

10. The World Is What It Is by Patrick French (2009) This biography of V S Naipaul, is wildly entertaining as well as informative. There is a kind of unwavering clarity and honest here. The complex genius if Naipaul is fully exposed. It’s a model of its kind.

• Jay Parini’s Every Time a Friend Succeeds Something Inside Me Dies: The Life of Gore Vidal is published by Little, Brown at £25 and is available from the Guardian bookshop at £20.
• Biography books
• Henry James
• James Joyce
• Edith Wharton
• Langston Hughes
• Charles Dickens

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50 Must-Read Literary Biographies

Sarah Ullery

Sarah suffers from chronic sarcasm, and an unhealthy aversion to noise. She loves to read, and would like to do nothing else, but stupid real life makes her go to work. She lives in the middle of a cornfield and shares a house with two spoiled dogs and a ton of books.

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I live vicariously through the lives and stories of the writers I love and admire. Sometimes I read biographies of authors whose lives parallel aspects of my own; small lives that eventually produce great art. Lives like Jane Austen and Emily Dickinson, or Penelope Fitzgerald who didn’t write her first book until she was 58.

I like to read biographies that share a commonality with my own life, but like the best fiction, I’d rather be transported to worlds with characters that are larger than life. Lives that are tumultuous, scandal-ridden, and full of perils. Lives that are exciting and rich and full of conflict. Lives that produce stories like Native Son , The Bell Jar, Lolita , A Rage in Harlem , or Frankenstein .

I also like to read about the lives of the authors of some of my favorite books—Iris Murdoch and The Sea, The Sea , Philip K. Dick and A Scanner Darkly , Mary Shelley and Frankenstein , Penelope Fitzgerald and The Blue Flower— but this can be a perilous exercise. Some authors were pretty terrible people, which can ruin your perception of their writing. But like most of us, artists and writers lived lives rife with nuance, and through even-handed, well-researched biographies, readers can take a peek into the minds that have created some of the stories we love.

The Peabody Sisters: Three Women Who Ignited American Romanticism by Megan Marshall

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Margaret Fuller: A New American Life by Megan Marshall

After you finish the story of the Peabody sisters and are searching for more stories about American Romanticism and the role women played in the literary scene at the time, pick up Megan Marshall’s other book, about Margaret Fuller.

The Silent Woman: Sylvia Plath and Ted Hughes  by Janet Malcolm

This is a biography of the biographies that have been written about Sylvia Plath. It tries to correct the myth surrounding Plath and Ted Hughes.

Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley by Charlotte Gordon

Mary Wollstonecraft died a week after giving birth to Mary Shelley, but in many ways, despite not knowing each other, their lives were very alike. A wonderful book about the mother who wrote A Vindication of the Rights of Women  and the daughter who wrote Frankenstein .

Neruda: The Poet’s Calling by Mark Eisner

A Biography of the Chilean poet Pablo Neruda:

“In this part of the story I am the one who Dies, the only one, and I will die of love because I love you, Because I love you, Love, in fire and blood . “ —from Pablo Neruda’s “I Do Not Love You Except Because I Love You”

Frederick Douglass: Prophet of Freedom by David W. Blight

This is the most recent biography of Frederick Douglass. It’s a wonderfully rendered story of a complex and brilliant man who greatly influenced American history.

Eden’s Outcasts: The Story of Louisa May Alcott and Her Father by John Matteson

I’m not a huge fan of Little Women — I find Louisa May Alcott’s life much more interesting than her writing.

Genet: A Biography of Janet Flanner by Brenda Wineapple

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Audre Lorde did not live a quiet life, and this biography relishes in the myth and power of Lorde as an early black lesbian feminist.

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What was it like to be married to the author of Lolita ? The story of Vera and Vladimir Nabokov was a love story that spanned 52 years. Stacy Schiff, if you’ve never read any of her other biographies, is a master.

Lyrics of Sunshine and Shadow: The Tragic Courtship and Marriage of Paul Laurence Dunbar and Alice Ruth Moore by Eleanor Alexander

This has all the bad: racism, sexism, abuse, sexual assault—so I warned you! It’s a hard story. I hesitate to call it a romance—maybe there was love, but the relationship between Dunbar and Moore was definitely not stable. This is a relatively short biography, but it certainly packs a punch!

The Blue Hour: A Life of Jean Rhys by Lilian Pizzichini

I’ve always been hesitant to read Jean Rhys’s most famous book,  Wide Sargasso Sea , because I’ve always loved Jane Eyre . But recently I picked up Jane Eyre for a reread and I thought, God, Rochester is an ass. Maybe it’s time for Wide Sargasso Sea .

Chester B. Himes: A Biography by Lawrence P. Jackson

Chester B. Himes is probably most famous for his crime noir series the Harlem Cycle , which starts with A Rage in Harlem . Himes was arrested for armed robbery and spent almost ten years in prison, but while in prison his articles were featured in publications like Esquire . Plagued by racism in America, Himes moved to Paris where he became famous for his Harlem series.

Mary Shelley by Miranda Seymour

Mary Shelley was the daughter of the feminist Mary Wollstonecraft, and wife to the poet Percy Shelley, who drowned when she was only 24. The idea for Frankenstein was born on a stormy night as a group of writers were telling scary stories.

James Baldwin: A Biography by David A. Leeming

David Leeming was friends with Baldwin for 25 years before writing his biography. This is a wonderful glimpse into the life of one of the preeminent voices of African American literature in the world.

Born to be Posthumous: The Eccentric Life and Mysterious Genius of Edward Gorey by Mark Dery

A man who created creepy comics and lived with a horde of cats and thousands of books automatically sounds sounds like the kind of person whose biography I want to read.

Becoming Modern: The Life of Mina Loy by Carolyn Burke

Both a poet and visual artist, Mina Loy moved in the most influential circles of her time. She bumped shoulders with Gertrude Stein, Man Ray, and Marcel Duchamp—to name a few.

Rebecca West: A Life by Victoria Glendinning

A great selling point for a biography is when the subject is described as a sexual rebel. I’m also a sucker for a story about a dysfunctional English family, which Rebecca West famously wrote with The Fountain Overflows .

The Brontë Myth by Lucasta Miller

Okay, I’d rather read about the Wollstonecrafts/Shelleys, or the Peabodys, because I think the Brontës are a bit overrated…but like the Plath biography, which was a biography of her biographies, this book tries to demystify the myth that surrounds the Brontës.

Anaïs Nin: A Biography by Deirdre Bair

Best known for her sexual exploits, diaries, and relationships with leading intellectuals of her time, Anaïs Nin was more than the sum total of her famous idiosyncrasies.

Simone de Beauvoir: A Biography by Deirdre Bair

A biography collected from conversations with de Beauvoir, who’s best known for her philosophical writing on existentialism and her relationship with Jean Paul Sartre.

Virginia Woolf by Hermione Lee

A well balanced biography about a woman whose life is as well known as her books; still, you’ll find some tidbits in this biography that you’ve probably never known, and might come to see Woolf in a new light—for better or worse. Hermione Lee is a master biographer.

Why This World: A Biography of Clarice Lispector

A writer whose work has seen a resurgence in recent years—Clarice Lispector was born in post–War World I Ukraine, and emigrated to Brazil in her early years. Her writing and life is steeped in mysticism.

Jane Crow: The Life of Pauli Murray by Rosalind Rosenberg

It’s hard to find biographies about black female writers. Especially writers from the 20th and 19th centuries. Jane Crow was a lawyer, writer, and civil rights crusader. She’s an example of a woman we should know more about.

Flannery: A Life of Flannery O’Connor by Brad Gooch

I wish there were more biographies about Flannery O’Connor, the master of the short story. This is a good biography, but I want more.

How to Live: A Life of Montaigne in One Question and Twenty Attempts at An Answer by Sarah Bakewell

Four hundred years ago Montaigne wrote The Essays , where he tried to answer the universal question: How to live? This biography explores his questions and answers in a historical context.

Ralph Ellison: A Biography by Arnold Rampersand

A wonderfully in-depth story of Ralph Ellison’s life. He was born in 1913 in the south and moved to New York City in 1936. He had a grandiose personality that was sometimes at odds with other writers and politically active intellectuals of his time.

A Life of Langston Hughes: Volume I: 1902–1941, I, Too, Sing America by Arnold Rampersad

Langston Hughes’s life is told in three volumes. The first relates Hughes’s early years as he traveled the world.

Edith Wharton by Hermione Lee

I own this book. It’s HUGE. I bought it after reading Edna St. Vincent Millay’s biography in which it is mentioned that Edith Wharton was in Paris at the same time as Millay. But while Millay struggled at times with finances, Wharton was born to privilege.

Wrapped in Rainbows: The Life of Zora Neale Hurston by Valerie Boyd

In high school we had to choose a book from a list of 100 American classics to read every month. Their Eyes Were Watching God was the best book I read from that list. Zora Neale Hurston’s life was fascinating.

I Am Alive and You Are Dead: A Journey into the Mind of Philip K. Dick by Emmanuel Carrère

A Scanner Darkly is a favorite book. A life as strange as the stories he wrote: “ It is sometimes an appropriate response to reality to go insane .”

Richard Wright: The Life and Times by Hazel Rowley

This powerful story about the author of Native Son weaves Wright’s own writing and quotations into the biography.

The Life of Emily Dickinson by Richard B. Sewall

There are a lot of biographies of Emily Dickinson, but this is my choice.

Penelope Fitzgerald: A Life by Hermione Lee

Penelope Fitzgerald was nearly 60 before publishing her first book, which makes me love her. She’s best known for writing The Blue Flower , The Bookshop , and Offshore .

Katherine Anne Porter: The Life of an Artist by Darlene Harbour Unrue

“Pale Horse, Pale Rider” is one of my favorite short stories. A woman is in bed with a fever during the influenza epidemic, and in her fever she remembers her childhood, and worries about her fiancé who is a soldier fighting in the first world war. The author, Katherine Anne Porter, lived a life that was no less compelling.

Zelda by Nancy Milford

A woman driven mad by her husband’s lecherous appropriation of her personality and writing. Confession: I’m not a huge fan of F. Scott Fitzgerald, so it doesn’t pain me to discover he was a jerk.

Iris Murdoch: A Life by Peter J. Conradi

The Sea, The Sea is one of my favorite books. Charles Arrowby is absurd, frustrating, and totally realized as a man coming to the end of his life, but fighting like hell to delay the breakdown into old age. Iris Murdoch at first imagined herself to be the next George Eliot, but ended up embracing Dostoevsky’s influence.

Poet of the Appetites: The Lives and Loves of M.F.K. Fisher by Joan Reardon

Fisher wrote extensively about her own life in memoirs like The Gastronomical Me and  How to Cook a Wolf , in which she writes about food and its relationship with life and love.

Alice Walker: A Life by Evelyn C. White

Alice Walker was the first black woman to win a Pulitzer Prize for her novel The Color Purple . This might be the only biography on the list whose subject is still alive, which brings a new dynamic to the biography.

Shirley Jackson: A Rather Haunted Life by Ruth Franklin

Your life can’t be all rainbows and unicorns if you’re writing stories like The Haunting of Hill House and We Have Always Lived in the Castle .  This is a biography about the woman, the books, and the times in which they existed.

The Banished Immortal: A Life of Li Bai by Ha Jin

Li Bai was a Chinese poet who lived a long, long time ago, but whose work and legacy is still greatly revered today in China.

Savage Beauty: The Life of Edna St. Vincent Millay by Nancy Milford

My favorite literary biography. Edna St. Vincent Millay was fashioned as a modern Sappho, and a holdover of Victorian era poets like Elizabeth Barrett Browning. But despite her writing style, her personal life was very modern.

Gellhorn: A Twentieth-Century Life by Caroline Moorehead

The life of the illustrious war correspondent Martha Gellhorn who reported from the frontlines of most of the biggest wars of the 20th century. A fascinating figure.

Looking for Lorraine: The Radiant and Radical Life of Lorraine Hansberry by Imani Perry

Best known for her play  A Raisin in the Sun , Lorraine Hansberry counted James Baldwin and Nina Simone as friends. She was a prominent voice in the civil rights movement, she joined one of the first lesbian organizations, and challenged JFK to take a wider stance on civil rights. Why don’t we hear more about Lorraine Hansberry more? She died at 34.

Borges: A Life by Edwin Williamson

To read his books and short stories, it would be easy to imagine that Borges’s life could be stranger than fiction. But this biography focuses on the human side of Borges and brings new light to his work and thinking.

Ida: A Sword Among Lions by Paula Giddings

Ida B. Wells was an African American reporter who investigated and fought to end lynching in the south. This is the story of a brilliant and fearless reporter, and an indictment against the United States.

Prairie Fires: The American Dreams of Laura Ingalls Wilder by Caroline Fraser

I’ve never read Little House on the Prairie . I prefer reading about the rocky life story of the author behind the books.

The Collected Autobiographies of Maya Angelou by Maya Angelou

Yes, an autobiography. I included it because I don’t think anyone should try to retell Maya Angelou’s story. Her telling, and poetry, should be the last word.

The Invention of Angela Carter: A Biography by Edmund Gordon

A biography about the author of the morbid and gothic fairytales like The Bloody Chamber and gothic novels like The Magic Toyshop .

My Soul Looks Back by Jessica B. Harris

Jessica B. Harris writes about her early life in New York City when she moved in social circles that included James Baldwin, Toni Morrison, and Maya Angelou. A vibrant city, full of vibrant people.

Harriet Jacobs: A Life by Jean Fagan Yellin

Harriet Jacobs wrote the memoir Incidents in the Life of a Slave Girl , which became the most well-read slave narrative written by a woman. Jean Fagan Yellin expands on Harriet Jacobs life, and the world into which she escaped.

Need more? Check out these articles too:

7 Great New Literary Biographies for Your TBR

50 Must- Read Biographies

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Charles Dickens: A Biography

Charles dickens 1812-1870.

Charles Dickens was an extraordinary man. He is best known as a novelist but he was very much more than that. He was as prominent in his other pursuits but they were not areas of life where we can still see him today. We see him as the author of such classics as Oliver Twist, David Copperfield, Great Expectations, A Tale of Two Cities, Bleak House and many others. All of his novels are English classics.

Dickens had an almost unbelievable level of energy. In addition to writing all those lengthy books in long-hand, he had time to pursue what would have been full-time careers for most people in acting, literary editing social campaigning and philanthropic administration. He was also the father of a large family, as well as being involved in a love affair that lasted many years.

He began as a journalist, writing little pieces about daily life and developed very quickly into a best-selling novelist, avidly read throughout the English speaking world. At the same time he was appearing in plays and touring, reading from his novels. And editing his literary hournals, Household Words and All the Year Round , which featured the serialisation of his novels, with people queuing up to buy them, eager to find out how the previous episode would be concluded.

Charles Dickens photograph

As a child Dickens saw his father imprisoned for debt and that led him to a lifelong interest in prisons and the need for the reform of the system. Many of his novels reveal the cold hard facts of the Victorian prison system and, with so many readers, the novels had a great effect on the consciousness of the public. In addition to that Dickens campaigned and lobbied for reform.

Dickens was a man who seemed to be able to direct his efforts in several directions and give each his full attention. He spent ten years running Urania Cottage, a home for ‘fallen women.’ And organisation aimed at helping the women get back to respectable life, either in England or Australia or America. He spent his own money on the project and gave it his full attention.

It is difficult to imagine English culture without the characters who inhabit Dickens’ novels. Just a mention of the name ‘Miss Havisham,’ brings up the image of someone embittered and socially marginalised, living in an unreal world that has stopped turning. ‘Mr Gradgrind’ creates the image of inflexibility and Mr McCawber the delusional optimist, always relying on his cheerful belief that something will turn up to solve his problems, makes us shake our heads with a mixture of amusement and pity.

Where would English culture be if there had been no Fagin, no Oliver Twist, no Ebenezer Scrooge? What graphic image would we have of a fawning, writhing, hypocritical functionary without Uriah Heep springing into our minds? And what about the pompous Mr Bumble and the cruel, cold-hearted Mr Murdstone and his iron sister, Miss Murdstone? The list of Dickens characters who have embedded themselves firmly in English culture is endless, and we’ve had a go at pulling together their many thoughts and sayings in this list of the most well known Charles Dickens quotes .

Dickens’ novels, which lend themselves to dramatisation for stage, television and film, are delightful to read and several are regarded as the greatest of English novels. Indeed, Bleak House is acclaimed by critics as being among the greatest of world novels, in the same category as Huckleberry Finn , Crime and Punishment , War and Peace , Pride and Prejudice and Moby Dick .

Read biographies of the top 10 English writers >>

Read biographies of the 30 greatest writers ever >>

Interested in Charles Dickens? If so you can get some additional free information by visiting our friends over at PoemAnalysis to read their analysis of Dicken’s poetic works .

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There pride and prejudice is not written by him there is a mention in the article. It is written by jane austen

Wow. Really awesome article. Can I get his book online?

The humour in Pickwick Papers is wonderful, and his descriptions of that world are just as if Dickens himself was talking to me. It’s as close to space travel as one can get.

how can I get this?

All line understood, really ur writting styles is beauty

He is a wonderful short story writer

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Blog – Posted on Monday, Jan 21

The 30 best biographies of all time.

Biographer Richard Holmes once wrote that his work was “a kind of pursuit… writing about the pursuit of that fleeting figure, in such a way as to bring them alive in the present.”

At the risk of sounding cliché, the best biographies do exactly this: bring their subjects to life. A great biography isn’t just a laundry list of events that happened to someone. Rather, it should weave a narrative and tell a story in almost the same way a novel does. In this way, biography differs from the rest of nonfiction .

All the biographies on this list are just as captivating as excellent novels , if not more so. With that, please enjoy the 30 best biographies of all time — some historical, some recent, but all remarkable, life-giving tributes to their subjects.

If you're feeling overwhelmed by the number of great biographies out there, you can also take our 30-second quiz below to narrow it down quickly and get a personalized biography recommendation  😉

Which biography should you read next?

Discover the perfect biography for you. Takes 30 seconds!

1. A Beautiful Mind by Sylvia Nasar

This biography of esteemed mathematician John Nash was both a finalist for the 1998 Pulitzer Prize and the basis for the award-winning film of the same name. Nasar thoroughly explores Nash’s prestigious career, from his beginnings at MIT to his work at the RAND Corporation — as well the internal battle he waged against schizophrenia, a disorder that nearly derailed his life.

2. Alan Turing: The Enigma: The Book That Inspired the Film The Imitation Game - Updated Edition by Andrew Hodges

Hodges’ 1983 biography of Alan Turing sheds light on the inner workings of this brilliant mathematician, cryptologist, and computer pioneer. Indeed, despite the title ( a nod to his work during WWII ), a great deal of the “enigmatic” Turing is laid out in this book. It covers his heroic code-breaking efforts during the war, his computer designs and contributions to mathematical biology in the years following, and of course, the vicious persecution that befell him in the 1950s — when homosexual acts were still a crime punishable by English law.

3. Alexander Hamilton by Ron Chernow

Ron Chernow’s Alexander Hamilton is not only the inspiration for a hit Broadway musical, but also a work of creative genius itself. This massive undertaking of over 800 pages details every knowable moment of the youngest Founding Father’s life: from his role in the Revolutionary War and early American government to his sordid (and ultimately career-destroying) affair with Maria Reynolds. He may never have been president, but he was a fascinating and unique figure in American history — plus it’s fun to get the truth behind the songs.

Prefer to read about fascinating First Ladies rather than almost-presidents? Check out this awesome list of books about First Ladies over on The Archive.

4. Barracoon: The Story of the Last "Black Cargo" by Zora Neale Hurston

A prolific essayist, short story writer, and novelist, Hurston turned her hand to biographical writing in 1927 with this incredible work, kept under lock and key until it was published 2018. It’s based on Hurston’s interviews with the last remaining survivor of the Middle Passage slave trade, a man named Cudjo Lewis. Rendered in searing detail and Lewis’ highly affecting African-American vernacular, this biography of the “last black cargo” will transport you back in time to an era that, chillingly, is not nearly as far away from us as it feels.

5. Churchill: A Life by Martin Gilbert

Though many a biography of him has been attempted, Gilbert’s is the final authority on Winston Churchill — considered by many to be Britain’s greatest prime minister ever. A dexterous balance of in-depth research and intimately drawn details makes this biography a perfect tribute to the mercurial man who led Britain through World War II.

Just what those circumstances are occupies much of Bodanis's book, which pays homage to Einstein and, just as important, to predecessors such as Maxwell, Faraday, and Lavoisier, who are not as well known as Einstein today. Balancing writerly energy and scholarly weight, Bodanis offers a primer in modern physics and cosmology, explaining that the universe today is an expression of mass that will, in some vastly distant future, one day slide back to the energy side of the equation, replacing the \'dominion of matter\' with \'a great stillness\'--a vision that is at once lovely and profoundly frightening.

Without sliding into easy psychobiography, Bodanis explores other circumstances as well; namely, Einstein's background and character, which combined with a sterling intelligence to afford him an idiosyncratic view of the way things work--a view that would change the world. --Gregory McNamee

6. E=mc²: A Biography of the World's Most Famous Equation by David Bodanis

This “biography of the world’s most famous equation” is a one-of-a-kind take on the genre: rather than being the story of Einstein, it really does follow the history of the equation itself. From the origins and development of its individual elements (energy, mass, and light) to their ramifications in the twentieth century, Bodanis turns what could be an extremely dry subject into engaging fare for readers of all stripes.

7. Enrique's Journey by Sonia Nazario

When Enrique was only five years old, his mother left Honduras for the United States, promising a quick return. Eleven years later, Enrique finally decided to take matters into his own hands in order to see her again: he would traverse Central and South America via railway, risking his life atop the “train of death” and at the hands of the immigration authorities, to reunite with his mother. This tale of Enrique’s perilous journey is not for the faint of heart, but it is an account of incredible devotion and sharp commentary on the pain of separation among immigrant families.

8. Frida: A Biography of Frida Kahlo by Hayden Herrera

Herrera’s 1983 biography of renowned painter Frida Kahlo, one of the most recognizable names in modern art, has since become the definitive account on her life. And while Kahlo no doubt endured a great deal of suffering (a horrific accident when she was eighteen, a husband who had constant affairs), the focal point of the book is not her pain. Instead, it’s her artistic brilliance and immense resolve to leave her mark on the world — a mark that will not soon be forgotten, in part thanks to Herrera’s dedicated work.

9. The Immortal Life of Henrietta Lacks by Rebecca Skloot

Perhaps the most impressive biographical feat of the twenty-first century, The Immortal Life of Henrietta Lacks is about a woman whose cells completely changed the trajectory of modern medicine. Rebecca Skloot skillfully commemorates the previously unknown life of a poor black woman whose cancer cells were taken, without her knowledge, for medical testing — and without whom we wouldn’t have many of the critical cures we depend upon today.

10. Into the Wild by Jon Krakauer

Christopher McCandless, aka Alexander Supertramp, hitchhiked to Alaska and disappeared into the Denali wilderness in April 1992. Five months later, McCandless was found emaciated and deceased in his shelter — but of what cause? Krakauer’s biography of McCandless retraces his steps back to the beginning of the trek, attempting to suss out what the young man was looking for on his journey, and whether he fully understood what dangers lay before him.

11. Let Us Now Praise Famous Men: Three Tenant Families by James Agee

"Let us now praise famous men, and our fathers that begat us.” From this line derives the central issue of Agee and Evans’ work: who truly deserves our praise and recognition? According to this 1941 biography, it’s the barely-surviving sharecropper families who were severely impacted by the American “Dust Bowl” — hundreds of people entrenched in poverty, whose humanity Evans and Agee desperately implore their audience to see in their book.

12. The Lost City of Z: A Tale of Deadly Obsession in the Amazon by David Grann

Another mysterious explorer takes center stage in this gripping 2009 biography. Grann tells the story of Percy Fawcett, the archaeologist who vanished in the Amazon along with his son in 1925, supposedly in search of an ancient lost city. Parallel to this narrative, Grann describes his own travels in the Amazon 80 years later: discovering firsthand what threats Fawcett may have encountered, and coming to realize what the “Lost City of Z” really was.

13. Mao: The Unknown Story by Jung Chang

Though many of us will be familiar with the name Mao Zedong, this prodigious biography sheds unprecedented light upon the power-hungry “Red Emperor.” Chang and Halliday begin with the shocking statistic that Mao was responsible for 70 million deaths during peacetime — more than any other twentieth-century world leader. From there, they unravel Mao’s complex ideologies, motivations, and missions, breaking down his long-propagated “hero” persona and thrusting forth a new, grislier image of one of China’s biggest revolutionaries.

14. Mad Girl's Love Song: Sylvia Plath and Life Before Ted by Andrew Wilson by Andrew Wilson

Titled after one of her most evocative poems, this shimmering bio of Sylvia Plath takes an unusual approach. Instead of focusing on her years of depression and tempestuous marriage to poet Ted Hughes, it chronicles her life before she ever came to Cambridge. Wilson closely examines her early family and relationships, feelings and experiences, with information taken from her meticulous diaries — setting a strong precedent for other Plath biographers to follow.

15. The Minds of Billy Milligan by Daniel Keyes

What if you had twenty-four different people living inside you, and you never knew which one was going to come out? Such was the life of Billy Milligan, the subject of this haunting biography by the author of Flowers for Algernon . Keyes recounts, in a refreshingly straightforward style, the events of Billy’s life and how his psyche came to be “split”... as well as how, with Keyes’ help, he attempted to put the fragments of himself back together.

16. Mountains Beyond Mountains: The Quest of Dr. Paul Farmer, a Man Who Would Cure the World by Tracy Kidder

This gorgeously constructed biography follows Paul Farmer, a doctor who’s worked for decades to eradicate infectious diseases around the globe, particularly in underprivileged areas. Though Farmer’s humanitarian accomplishments are extraordinary in and of themselves, the true charm of this book comes from Kidder’s personal relationship with him — and the sense of fulfillment the reader sustains from reading about someone genuinely heroic, written by someone else who truly understands and admires what they do.

17. Napoleon: A Life by Andrew Roberts

Here’s another bio that will reshape your views of a famed historical tyrant, though this time in a surprisingly favorable light. Decorated scholar Andrew Roberts delves into the life of Napoleon Bonaparte, from his near-flawless military instincts to his complex and confusing relationship with his wife. But Roberts’ attitude toward his subject is what really makes this work shine: rather than ridiculing him ( as it would undoubtedly be easy to do ), he approaches the “petty tyrant” with a healthy amount of deference.

18. The Passage of Power: The Years of Lyndon Johnson IV by Robert A. Caro

Lyndon Johnson might not seem as intriguing or scandalous as figures like Kennedy, Nixon, or W. Bush. But in this expertly woven biography, Robert Caro lays out the long, winding road of his political career, and it’s full of twists you wouldn’t expect. Johnson himself was a surprisingly cunning figure, gradually maneuvering his way closer and closer to power. Finally, in 1963, he got his greatest wish — but at what cost? Fans of Adam McKay’s Vice , this is the book for you.

19. Prairie Fires: The American Dreams of Laura Ingalls Wilder by Caroline Fraser

Anyone who grew up reading Little House on the Prairie will surely be fascinated by this tell-all biography of Laura Ingalls Wilder. Caroline Fraser draws upon never-before-published historical resources to create a lush study of the author’s life — not in the gently narrated manner of the Little House series, but in raw and startling truths about her upbringing, marriage, and volatile relationship with her daughter (and alleged ghostwriter) Rose Wilder Lane.

20. Prince: A Private View by Afshin Shahidi

Compiled just after the superstar’s untimely death in 2016, this intimate snapshot of Prince’s life is actually a largely visual work — Shahidi served as his private photographer from the early 2000s until his passing. And whatever they say about pictures being worth a thousand words, Shahidi’s are worth more still: Prince’s incredible vibrance, contagious excitement, and altogether singular personality come through in every shot.

21. Radioactive: Marie & Pierre Curie: A Tale of Love and Fallout by Lauren Redniss

Could there be a more fitting title for a book about the husband-wife team who discovered radioactivity? What you may not know is that these nuclear pioneers also had a fascinating personal history. Marie Sklodowska met Pierre Curie when she came to work in his lab in 1891, and just a few years later they were married. Their passion for each other bled into their passion for their work, and vice-versa — and in almost no time at all, they were on their way to their first of their Nobel Prizes.

22. Rosemary: The Hidden Kennedy Daughter by Kate Clifford Larson

She may not have been assassinated or killed in a mysterious plane crash, but Rosemary Kennedy’s fate is in many ways the worst of “the Kennedy Curse.” As if a botched lobotomy that left her almost completely incapacitated weren’t enough, her parents then hid her away from society, almost never to be seen again. Yet in this new biography, penned by devoted Kennedy scholar Kate Larson, the full truth of Rosemary’s post-lobotomy life is at last revealed.

23. Savage Beauty: The Life of Edna St. Vincent Millay by Nancy Milford

This appropriately lyrical biography of brilliant Jazz Age poet and renowned feminist, Edna St. Vincent Millay, is indeed a perfect balance of savage and beautiful. While Millay’s poetic work was delicate and subtle, the woman herself was feisty and unpredictable, harboring unusual and occasionally destructive habits that Milford fervently explores.

24. Shelley: The Pursuit by Richard Holmes

Holmes’ famous philosophy of “biography as pursuit” is thoroughly proven here in his first full-length biographical work. Shelley: The Pursuit details an almost feverish tracking of Percy Shelley as a dark and cutting figure in the Romantic period — reforming many previous historical conceptions about him through Holmes’ compelling and resolute writing.

25. Shirley Jackson: A Rather Haunted Life by Ruth Franklin

Another Gothic figure has been made newly known through this work, detailing the life of prolific horror and mystery writer Shirley Jackson. Author Ruth Franklin digs deep into the existence of the reclusive and mysterious Jackson, drawing penetrating comparisons between the true events of her life and the dark nature of her fiction.

26. The Stranger in the Woods: The Extraordinary Story of the Last True Hermit by Michael Finkel

Fans of Into the Wild and The Lost City of Z will find their next adventure fix in this 2017 book about Christopher Knight, a man who lived by himself in the Maine woods for almost thirty years. The tale of this so-called “last true hermit” will captivate readers who have always fantasized about escaping society, with vivid descriptions of Knight’s rural setup, his carefully calculated moves and how he managed to survive the deadly cold of the Maine winters.

27. Steve Jobs by Walter Isaacson

The man, the myth, the legend: Steve Jobs, co-founder and CEO of Apple, is properly immortalized in Isaacson’s masterful biography. It divulges the details of Jobs’ little-known childhood and tracks his fateful path from garage engineer to leader of one of the largest tech companies in the world — not to mention his formative role in other legendary companies like Pixar, and indeed within the Silicon Valley ecosystem as a whole.

28. Unbroken: A World War II Story of Survival, Resilience, and Redemption by Laura Hillenbrand

Olympic runner Louis Zamperini was just twenty-six when his US Army bomber crashed and burned in the Pacific, leaving him and two other men afloat on a raft for forty-seven days — only to be captured by the Japanese Navy and tortured as a POW for the next two and a half years. In this gripping biography, Laura Hillenbrand tracks Zamperini’s story from beginning to end… including how he embraced Christian evangelism as a means of recovery, and even came to forgive his tormentors in his later years.

29. Vera (Mrs. Vladimir Nabokov) by Stacy Schiff

Everyone knows of Vladimir Nabokov — but what about his wife, Vera, whom he called “the best-humored woman I have ever known”? According to Schiff, she was a genius in her own right, supporting Vladimir not only as his partner, but also as his all-around editor and translator. And she kept up that trademark humor throughout it all, inspiring her husband’s work and injecting some of her own creative flair into it along the way.

30. Will in the World: How Shakespeare Became Shakespeare by Stephen Greenblatt

William Shakespeare is a notoriously slippery historical figure — no one really knows when he was born, what he looked like, or how many plays he wrote. But that didn’t stop Stephen Greenblatt, who in 2004 turned out this magnificently detailed biography of the Bard: a series of imaginative reenactments of his writing process, and insights on how the social and political ideals of the time would have influenced him. Indeed, no one exists in a vacuum, not even Shakespeare — hence the conscious depiction of him in this book as a “will in the world,” rather than an isolated writer shut up in his own musty study.

If you're looking for more inspiring nonfiction, check out this list of 30 engaging self-help books , or this list of the last century's best memoirs !

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The True Story of Mary & George Involves a Cunning Mother and a Nearly Unbelievable Plan

Mary and George Villiers’ plot to gain favor and wealth from King James I is the basis of a new Starz miniseries starring Julianne Moore and Nicholas Galitzine.

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Editor’s Note: This article contains spoilers about events related to the upcoming limited series Mary & George .

Penniless after the death of her first husband in 1606 and with four children to support, Englishwoman Mary Villiers desperately searched for a way to turn her family’s fortune around. Her radical solution—to infiltrate the court and personal life of King James I—would catapult Mary and her second son, George, to the center of the English monarchy and earn them a rather notorious reputation throughout history.

In what could be described as an extreme case of helicopter parenting, the series explores how Mary helped her son manipulate the king for their family’s own benefit—with George gaining plenty of property and prestige along the way. Eventually, though, his outspokenness caught up to him with unintended consequences.

Mary was eager to provide for her children

Although Mary eventually became a major part of the king’s circle, her early life was much less noteworthy. Believed to have been born in 1570, Mary was the daughter of a Leicester squire named Anthony Beaumont. With little money or status, she began working as a waiting woman —essentially, a personal servant—to a richer relative in her teenage years. It was during this time she married her first husband, a sheep farmer named George Villiers who was also her cousin.

The King’s Assassin: The Fatal Affair of George Villiers and James I

George, who already had six children from his first marriage, had four more kids with Mary. They welcomed one daughter, Susan, and three sons: John, George, and Christopher.

In 1606, when the younger George was in his early teens, his father died and left the family broke. Mary hastily remarried a much older wealthy nobleman named William Raynor , hoping to benefit financially. However, he quickly fell ill and died only two years later. Mary’s hopes of economic security went unfulfilled when Raynor’s estate went to his daughter Elizabeth, instead.

And so Mary wed a third time to Thomas Compton, whose brother had a role in the court of King James I. Looking to exploit the connection, Mary scraped together enough money to send 16-year-old George to France for two years, where he became an accomplished rider and dancer and learned the skills necessary to be a courtier.

All George had to do now was work his way into the king’s good graces.

George quickly became the king’s favorite assistant

Once described by a bishop as “the handsomest-bodied man in all of England,” George did charm James I with help from Mary and some members of the court, who saw a political opportunity.

At the time, Robert Carr , the Earl of Somerset, was the king’s favorite adviser. However, courtiers viewed him as high-handed and possessive, not to mention easily influenced by the king’s Scottish connections (James also ruled Scotland), and they saw a chance to replace him with George. According to The Telegraph , they appointed George as the royal cupbearer, responsible for handing the king his drinks. The plan worked; soon after, George and the king began hunting and riding together.

George was knighted in 1615 and also became a Gentleman of the Bedchamber—an adviser who helped dress the king, guard his chambers, and accompany him in public. His title and role continued to evolve over the next decade, from viscount to earl (officially taking Carr’s appointment) to marquis. Finally, in 1624, George became the Duke of Buckingham. By that time, he had married Lady Katherine Manners , one of the richest women in England with whom he had four children.

Mary experienced her own rapid ascent, befriending the countess of Salisbury and becoming a confidante to the king. She appeared at court so much that George once petitioned her to stay away so as “not to intermeddle with business.” Still, she gained the title of Countess of Buckingham in 1618, further proof her family had attained the wealth and prestige she desired.

George and James were likely lovers until their relationship soured

Although George and King James wouldn’t have disclosed it, evidence suggests their relationship became sexual. James married Ann of Denmark in 1589 and the couple had multiple children, three of whom survived into adulthood. However, he was also notorious for his cadre of male favorites and is described by historian Michael B. Young as “the most prominent homosexual figure in the early modern period.”

George and the king’s connection was reflected in letters the pair exchanged. James referred to his young assistant as his “sweet child and wife,” while George described himself as James’ “most humble slave and servant.”

Despite their personal affinity for each another, the king and duke’s clashing political motives began to drive them apart. George became a tutor and ally of James’ son Charles , the heir to the throne, and was eager to declare war on Spain after a failed marriage negotiation for the young prince in 1623. The king refused, committed to maintaining peace.

Meanwhile, James’ health had begun to decline. He eventually died in March 1625 after contracting a malaria-like fever—sparking rumors that George might have poisoned him to gain favor with Charles and pursue his war. While no conclusive evidence was found, Woolley explored this theory in his book and it could also appear in Mary & George .

In 1628, George met a bloody end

With his ally Charles now on the throne, George ordered multiple attacks, including against Spain. However, they failed miserably, leading parliament to initiate impeachment proceedings against him . King Charles I was able to spare him that fate, but the duke’s reputation had become irreparable.

According to Portsmouth Cathedral , George hoped to organize another military campaign, this time into France, in 1628. However, an angry mob of 300 sailors surrounded his carriage in Portsmouth, and the duke used deadly force to push them back. The stage was set for more violence.

On August 23, 1628, John Felton, a disgruntled army lieutenant who George owed money and had denied a promotion, arrived in Portsmouth with a dagger he bought with money borrowed from his mother. He stabbed the 35-year-old duke, killing him, inside a crowded room at the Greyhound Inn. Felton immediately confessed to the crime inside a kitchen area then formally pleaded guilty and was hanged that November.

The duke’s body was returned to London, where King Charles ordered a burial inside Henry VII’s chapel at Westminster Abbey—a place previously reserved for royals . Meanwhile, Mary, who had likely known her son was vulnerable given his declining reputation, lived not much longer after his murder. She died on April 19, 1632, and was likewise buried at Westminster.

Although the mother and son couldn’t sustain their grip on power forever, their prolonged influence on the royal family and dignified interments illustrate just how successful their scheme ultimately proved.

Watch Mary & George on Starz

Mary & George , a seven-episode limited series rated TV-MA, features Julianne Moore as Mary Villiers, Nicholas Galitzine as George Villiers, and Tony Curran as King James I. Moore explained to Vanity Fair in March 2024 that the show offers a nuanced perspective of Mary’s political shrewdness and relationship with her son.

“I don’t think it’s particularly great parenting,” Moore said. “But [Mary’s] someone who featured in history who’s not talked about and when she is talked about she’s vilified. And it’s like, wait a minute. Why would she be vilified? Why would someone have depicted her as a witch when, in fact, she managed to achieve a lot for herself and set up all of her kids?”

You can make your own interpretation when the first episode of Mary & George debuts April 5 at 9 p.m. ET/PT on Starz . Episodes continue through the series finale on May 17 and will also stream on the Starz app.

Tyler Piccotti first joined the Biography.com staff as an Associate News Editor in February 2023, and before that worked almost eight years as a newspaper reporter and copy editor. He is a graduate of Syracuse University. When he's not writing and researching his next story, you can find him at the nearest amusement park, catching the latest movie, or cheering on his favorite sports teams.

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