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How to Create an Engaging Photo Essay (with Examples)

Photo essays tell a story in pictures. They're a great way to improve at photography and story-telling skills at once. Learn how to do create a great one.

Learn | Photography Guides | By Ana Mireles

Photography is a medium used to tell stories – sometimes they are told in one picture, sometimes you need a whole series. Those series can be photo essays.

If you’ve never done a photo essay before, or you’re simply struggling to find your next project, this article will be of help. I’ll be showing you what a photo essay is and how to go about doing one.

You’ll also find plenty of photo essay ideas and some famous photo essay examples from recent times that will serve you as inspiration.

If you’re ready to get started, let’s jump right in!

Table of Contents

What is a Photo Essay?

A photo essay is a series of images that share an overarching theme as well as a visual and technical coherence to tell a story. Some people refer to a photo essay as a photo series or a photo story – this often happens in photography competitions.

Photographic history is full of famous photo essays. Think about The Great Depression by Dorothea Lange, Like Brother Like Sister by Wolfgang Tillmans, Gandhi’s funeral by Henri Cartier Bresson, amongst others.

What are the types of photo essay?

Despite popular belief, the type of photo essay doesn’t depend on the type of photography that you do – in other words, journalism, documentary, fine art, or any other photographic genre is not a type of photo essay.

Instead, there are two main types of photo essays: narrative and thematic .

As you have probably already guessed, the thematic one presents images pulled together by a topic – for example, global warming. The images can be about animals and nature as well as natural disasters devastating cities. They can happen all over the world or in the same location, and they can be captured in different moments in time – there’s a lot of flexibility.

A narrative photo essa y, on the other hand, tells the story of a character (human or not), portraying a place or an event. For example, a narrative photo essay on coffee would document the process from the planting and harvesting – to the roasting and grinding until it reaches your morning cup.

What are some of the key elements of a photo essay?

• Tell a unique story – A unique story doesn’t mean that you have to photograph something that nobody has done before – that would be almost impossible! It means that you should consider what you’re bringing to the table on a particular topic.
• Put yourself into the work – One of the best ways to make a compelling photo essay is by adding your point of view, which can only be done with your life experiences and the way you see the world.
• Add depth to the concept – The best photo essays are the ones that go past the obvious and dig deeper in the story, going behind the scenes, or examining a day in the life of the subject matter – that’s what pulls in the spectator.
• Nail the technique – Even if the concept and the story are the most important part of a photo essay, it won’t have the same success if it’s poorly executed.
• Build a structure – A photo essay is about telling a thought-provoking story – so, think about it in a narrative way. Which images are going to introduce the topic? Which ones represent a climax? How is it going to end – how do you want the viewer to feel after seeing your photo series?
• Make strong choices – If you really want to convey an emotion and a unique point of view, you’re going to need to make some hard decisions. Which light are you using? Which lens? How many images will there be in the series? etc., and most importantly for a great photo essay is the why behind those choices.

9 Tips for Creating a Photo Essay

Credit: Laura James

1. Choose something you know

To make a good photo essay, you don’t need to travel to an exotic location or document a civil war – I mean, it’s great if you can, but you can start close to home.

Depending on the type of photography you do and the topic you’re looking for in your photographic essay, you can photograph a local event or visit an abandoned building outside your town.

It will be much easier for you to find a unique perspective and tell a better story if you’re already familiar with the subject. Also, consider that you might have to return a few times to the same location to get all the photos you need.

2. Follow your passion

Most photo essays take dedication and passion. If you choose a subject that might be easy, but you’re not really into it – the results won’t be as exciting. Taking photos will always be easier and more fun if you’re covering something you’re passionate about.

3. Take your time

A great photo essay is not done in a few hours. You need to put in the time to research it, conceptualizing it, editing, etc. That’s why I previously recommended following your passion because it takes a lot of dedication, and if you’re not passionate about it – it’s difficult to push through.

4. Write a summary or statement

Photo essays are always accompanied by some text. You can do this in the form of an introduction, write captions for each photo or write it as a conclusion. That’s up to you and how you want to present the work.

5. Learn from the masters

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Making a photographic essay takes a lot of practice and knowledge. A great way to become a better photographer and improve your storytelling skills is by studying the work of others. You can go to art shows, review books and magazines and look at the winners in photo contests – most of the time, there’s a category for photo series.

6. Get a wide variety of photos

Think about a story – a literary one. It usually tells you where the story is happening, who is the main character, and it gives you a few details to make you engage with it, right?

The same thing happens with a visual story in a photo essay – you can do some wide-angle shots to establish the scenes and some close-ups to show the details. Make a shot list to ensure you cover all the different angles.

Some of your pictures should guide the viewer in, while others are more climatic and regard the experience they are taking out of your photos.

7. Follow a consistent look

Both in style and aesthetics, all the images in your series need to be coherent. You can achieve this in different ways, from the choice of lighting, the mood, the post-processing, etc.

8. Be self-critical

Once you have all the photos, make sure you edit them with a good dose of self-criticism. Not all the pictures that you took belong in the photo essay. Choose only the best ones and make sure they tell the full story.

9. Ask for constructive feedback

Often, when we’re working on a photo essay project for a long time, everything makes perfect sense in our heads. However, someone outside the project might not be getting the idea. It’s important that you get honest and constructive criticism to improve your photography.

How to Create a Photo Essay in 5 Steps

Credit: Quang Nguyen Vinh

1. Choose your topic

This is the first step that you need to take to decide if your photo essay is going to be narrative or thematic. Then, choose what is it going to be about?

Ideally, it should be something that you’re interested in, that you have something to say about it, and it can connect with other people.

2. Research your topic

To tell a good story about something, you need to be familiar with that something. This is especially true when you want to go deeper and make a compelling photo essay. Day in the life photo essays are a popular choice, since often, these can be performed with friends and family, whom you already should know well.

3. Plan your photoshoot

Depending on what you’re photographing, this step can be very different from one project to the next. For a fine art project, you might need to find a location, props, models, a shot list, etc., while a documentary photo essay is about planning the best time to do the photos, what gear to bring with you, finding a local guide, etc.

Every photo essay will need different planning, so before taking pictures, put in the required time to get things right.

4. Experiment

It’s one thing to plan your photo shoot and having a shot list that you have to get, or else the photo essay won’t be complete. It’s another thing to miss out on some amazing photo opportunities that you couldn’t foresee.

So, be prepared but also stay open-minded and experiment with different settings, different perspectives, etc.

5. Make a final selection

Editing your work can be one of the hardest parts of doing a photo essay. Sometimes we can be overly critical, and others, we get attached to bad photos because we put a lot of effort into them or we had a great time doing them.

Try to be as objective as possible, don’t be afraid to ask for opinions and make various revisions before settling down on a final cut.

7 Photo Essay Topics, Ideas & Examples

Credit: Michelle Leman

• Architectural photo essay

Using architecture as your main subject, there are tons of photo essay ideas that you can do. For some inspiration, you can check out the work of Francisco Marin – who was trained as an architect and then turned to photography to “explore a different way to perceive things”.

You can also lookup Luisa Lambri. Amongst her series, you’ll find many photo essay examples in which architecture is the subject she uses to explore the relationship between photography and space.

• Process and transformation photo essay

This is one of the best photo essay topics for beginners because the story tells itself. Pick something that has a beginning and an end, for example, pregnancy, the metamorphosis of a butterfly, the life-cycle of a plant, etc.

Keep in mind that these topics are linear and give you an easy way into the narrative flow – however, it might be difficult to find an interesting perspective and a unique point of view.

• A day in the life of ‘X’ photo essay

There are tons of interesting photo essay ideas in this category – you can follow around a celebrity, a worker, your child, etc. You don’t even have to do it about a human subject – think about doing a photo essay about a day in the life of a racing horse, for example – find something that’s interesting for you.

• Time passing by photo essay

It can be a natural site or a landmark photo essay – whatever is close to you will work best as you’ll need to come back multiple times to capture time passing by. For example, how this place changes throughout the seasons or maybe even over the years.

A fun option if you live with family is to document a birthday party each year, seeing how the subject changes over time. This can be combined with a transformation essay or sorts, documenting the changes in interpersonal relationships over time.

• Travel photo essay

Do you want to make the jump from tourist snapshots into a travel photo essay? Research the place you’re going to be travelling to. Then, choose a topic.

If you’re having trouble with how to do this, check out any travel magazine – National Geographic, for example. They won’t do a generic article about Texas – they do an article about the beach life on the Texas Gulf Coast and another one about the diverse flavors of Texas.

The more specific you get, the deeper you can go with the story.

• Socio-political issues photo essay

This is one of the most popular photo essay examples – it falls under the category of photojournalism or documental photography. They are usually thematic, although it’s also possible to do a narrative one.

Depending on your topic of interest, you can choose topics that involve nature – for example, document the effects of global warming. Another idea is to photograph protests or make an education photo essay.

It doesn’t have to be a big global issue; you can choose something specific to your community – are there too many stray dogs? Make a photo essay about a local animal shelter. The topics are endless.

• Behind the scenes photo essay

A behind-the-scenes always make for a good photo story – people are curious to know what happens and how everything comes together before a show.

Depending on your own interests, this can be a photo essay about a fashion show, a theatre play, a concert, and so on. You’ll probably need to get some permissions, though, not only to shoot but also to showcase or publish those images.

4 Best Photo Essays in Recent times

Now that you know all the techniques about it, it might be helpful to look at some photo essay examples to see how you can put the concept into practice. Here are some famous photo essays from recent times to give you some inspiration.

Habibi by Antonio Faccilongo

This photo essay wan the World Press Photo Story of the Year in 2021. Faccilongo explores a very big conflict from a very specific and intimate point of view – how the Israeli-Palestinian war affects the families.

He chose to use a square format because it allows him to give order to things and eliminate unnecessary elements in his pictures.

With this long-term photo essay, he wanted to highlight the sense of absence and melancholy women and families feel towards their husbands away at war.

The project then became a book edited by Sarah Leen and the graphics of Ramon Pez.

Picture This: New Orleans by Mary Ellen Mark

The last assignment before her passing, Mary Ellen Mark travelled to New Orleans to register the city after a decade after Hurricane Katrina.

The images of the project “bring to life the rebirth and resilience of the people at the heart of this tale”, – says CNNMoney, commissioner of the work.

Each survivor of the hurricane has a story, and Mary Ellen Mark was there to record it. Some of them have heartbreaking stories about everything they had to leave behind.

Others have a story of hope – like Sam and Ben, two eight-year-olds born from frozen embryos kept in a hospital that lost power supply during the hurricane, yet they managed to survive.

Selfie by Cindy Sherman

Cindy Sherman is an American photographer whose work is mainly done through self-portraits. With them, she explores the concept of identity, gender stereotypes, as well as visual and cultural codes.

One of her latest photo essays was a collaboration with W Magazine entitled Selfie. In it, the author explores the concept of planned candid photos (‘plandid’).

The work was made for Instagram, as the platform is well known for the conflict between the ‘real self’ and the one people present online. Sherman started using Facetune, Perfect365 and YouCam to alter her appearance on selfies – in Photoshop, you can modify everything, but these apps were designed specifically to “make things prettier”- she says, and that’s what she wants to explore in this photo essay.

Tokyo Compression by Michael Wolf

Michael Wolf has an interest in the broad-gauge topic Life in Cities. From there, many photo essays have been derived – amongst them – Tokyo Compression .

He was horrified by the way people in Tokyo are forced to move to the suburbs because of the high prices of the city. Therefore, they are required to make long commutes facing 1,5 hours of train to start their 8+ hour workday followed by another 1,5 hours to get back home.

To portray this way of life, he photographed the people inside the train pressed against the windows looking exhausted, angry or simply absent due to this way of life.

You can visit his website to see other photo essays that revolve around the topic of life in megacities.

Final Words

It’s not easy to make photo essays, so don’t expect to be great at it right from your first project.

Start off small by choosing a specific subject that’s interesting to you –  that will come from an honest place, and it will be a great practice for some bigger projects along the line.

Whether you like to shoot still life or you’re a travel photographer, I hope these photo essay tips and photo essay examples can help you get started and grow in your photography.

Let us know which topics you are working on right now – we’ll love to hear from you!

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Ana Mireles is a Mexican researcher that specializes in photography and communications for the arts and culture sector.

Penelope G. To Ana Mireles Such a well written and helpful article for an writer who wants to inclue photo essay in her memoir. Thank you. I will get to work on this new skill. Penelope G.

Herman Krieger Photo essays in black and white

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How to Make a Photo Essay: 5 Tips for Impactful Results

A Post By: Christina N Dickson

Want to tell meaningful stories with your photos? That’s what a photo essay is all about: conveying concepts and narratives through a series of carefully chosen images.

While telling a story with photos can be a daunting task, there are several easy tips and techniques you can use in your photo essays to create striking, stunning, eye-opening results.

And that’s what I’m going to share in this article: five photo essay tips that you can immediately apply to your photography. You’ll leave as a better photo essayist than when you arrived!

Let’s get started.

What is a photo essay?

A photo essay is a collection of images placed in a specific order to convey certain emotions , specific concepts, or a progression of events.

In other words:

The photo essay tells stories just like a normal piece of writing , except with images instead of words. (Here, I’m using the term “story” loosely; as mentioned above, photo essays can encapsulate emotions or concepts in addition to traditional, time-based narratives.)

Plenty of world-class photojournalists use photo essays, including Lauren Greenfield, James Nachtwey, and Joachim Ladefoged. But the photo essay format isn’t exclusive to professionals, and photo essays don’t need to cover dramatic events such as wars, natural disasters, and social issues. Whether you are a complete beginner, a hobbyist, or a professional, the photo essay is a great way to bring your images to life, tell relevant stories about your own surroundings, and touch your family, friends, and coworkers.

So without further ado, let’s look at five easy tips to take your photo essays to the next level, starting with:

1. Find a topic you care about

Every good photo essay should start with an idea .

Otherwise, you’ll be shooting without a purpose – and while such an approach may eventually lead to an interesting series of photos, it’s far, far easier to begin with a topic and only then take out your camera.

As I emphasized above, a photo essay can be about anything. You don’t need to fixate on “classic” photo essay themes, such as war and poverty. Instead, you might focus on local issues that matter to you (think of problems plaguing your community). You can also think about interesting stories worth telling, even if they don’t have an activism angle.

For instance, is there an area undergoing major development? Try documenting the work from start to finish. Is there a particular park or nature area you love? Create a series of images that communicate its beauty.

One key item to remember:

Photo essays are most powerful when you, as the photographer, care about the subject. Whether you choose to document something major and public, like an environmental crisis, or whether you choose to document something small and intimate, like the first month of a newborn in the family, make sure you focus on a topic that matters to you .

Otherwise, you’ll struggle to finish the essay – and even if you do successfully complete it, viewers will likely notice your lack of passion.

2. Do your research

The best photo essays involve some real work. Don’t just walk around and shoot with abandon; instead, try to understand your subject.

That way, you can capture a more authentic series of photos.

For instance, if you document a newborn’s first month , spend time with the family. Discover who the parents are, what culture they are from, and their parenting philosophy.

If you cover the process of a school’s drama production, talk with the teachers, actors, and stagehands; investigate the general interest of the student body; find out how the school is financing the production and keeping costs down.

If you photograph a birthday party, check out the theme, the decorations they plan on using, what the birthday kid hopes to get for their gifts.

If you’re passionate about your topic, the research should come easy. You should enjoy learning the backstory.

And then, when it comes time to actually shoot, you’ll have a much clearer understanding of the topic. You’ll know the key players in the story, the key ideas, and the key locations. You’ll be able to hone in on what matters and block out the flashy distractions.

Make sense?

3. Find the right angle

Once you’ve done your research, you’ll know your topic inside and out.

At which point you’ll need to ask yourself:

What is the real, authentic story I want to tell?

Every story has a hundred different angles and perspectives. And trying to share the story from every perspective is a recipe for failure.

Instead, pick a single angle and focus on it. If you’re documenting a local issue, do you want to focus on how it affects children? The physical area? The economy? If you’re documenting a newborn’s first month, do you want to focus on the interaction between the newborn and the parents? The growth of the newborn? The newborn’s emotions?

As you’ll find out during your research, even stories that seem to be completely one-sided have plenty of hidden perspectives to draw on.

So think about your story carefully. In general, I recommend you approach it from the angle you’re most passionate about (consider the previous tip!), but you’re always free to explore different perspectives.

4. Convey emotion

Not all photo essays must convey emotion. But the most powerful ones do.

After all, think of the stories that you know and love. Your favorite books, movies, and TV shows. Do they touch you on an emotional level?

Don’t get me wrong: Every photo essay shouldn’t cover a sappy, heartstring-tugging tale. You can always focus on conveying other emotions: anger, joy, fear, hurt, excitement.

(Of course, if your story is sappy and heartstring-tugging, that’s fine, too – just don’t force it!)

How do you convey emotions, though? There’s no one set way, but you can include photos of meaningful scenes – human interactions generally work well here! – or you can simply show emotion on the faces of your photographic subjects . Really, the best way to communicate emotions through your photos is to feel the emotions yourself; they’ll bleed over into your work for a unique result.

5. Plan your shots

Once you’ve done the research and determined the angle and emotions you’d like to convey, I recommend you sit down, take out a pen and paper, and plan your photo essay .

Should you extensively visualize each photo? Should you walk through the venue, imagining possible compositions ?

Honestly, that’s up to you, and it’ll depend on how you like to work. I do recommend that beginners start out by creating a “shot list” for the essay. Here, you should describe the main subject, the narrative purpose of the image, plus any lighting or composition notes. Once you become more experienced, you can be looser in your planning, though I still recommend you at least think about the different shots you want to capture.

You can start by planning 10 shots. Each one should emphasize a different concept or emotion, but make sure to keep a consistent thread running through every composition; after all, the end goal is to create a powerful series of images that tell a story.

One final tip:

While you should stick to your plan pretty closely, at least at first, don’t ignore the potential for spontaneity. If you see a possible shot, take it! You can later evaluate whether it’s a worthwhile addition to your essay.

Photo essay tips: final words

Now that you’ve finished this article, you know all about what photo essays are, and – hopefully! – how to create a beautiful essay of your own.

Just remember: storytelling takes practice, but you don’t have to be an incredible writer to pull off a powerful photo essay. All you need is a bit of photographic technique, some creativity, and a lot of heart.

Once you start to tell stories with your photos, your portfolio will never be the same!

Now over to you:

Do you have any tips for doing photo essays? Do you have any essays you’re proud of? Share them in the comments below!

Read more from our Tips & Tutorials category

is a visionary artist and philanthropist in Portland Oregon. Her work includes wedding photography www.BrideInspired.com and leadership with www.RevMediaBlog.com .

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What is a Photo Essay? 9 Photo Essay Examples You Can Recreate

A photo essay is a series of photographs that tell a story. Unlike a written essay, a photo essay focuses on visuals instead of words. With a photo essay, you can stretch your creative limits and explore new ways to connect with your audience. Whatever your photography skill level, you can recreate your own fun and creative photo essay.

9 Photo Essay Examples You Can Recreate

• Photowalk Photo Essay
• Transformation Photo Essay
• Day in the Life Photo Essay
• Event Photo Essay
• Building Photo Essay
• Historic Site or Landmark Photo Essay
• Behind the Scenes Photo Essay
• Family Photo Essay
• Education Photo Essay

Stories are important to all of us. While some people gravitate to written stories, others are much more attuned to visual imagery. With a photo essay, you can tell a story without writing a word. Your use of composition, contrast, color, and perspective in photography will convey ideas and evoke emotions.

To explore narrative photography, you can use basic photographic equipment. You can buy a camera or even use your smartphone to get started. While lighting, lenses, and post-processing software can enhance your photos, they aren’t necessary to achieve good results.

Whether you need to complete a photo essay assignment or want to pursue one for fun or professional purposes, you can use these photo essay ideas for your photography inspiration . Once you know the answer to “what is a photo essay?” and find out how fun it is to create one, you’ll likely be motivated to continue your forays into photographic storytelling.

1 . Photowalk Photo Essay

One popular photo essay example is a photowalk. Simply put, a photowalk is time you set aside to walk around a city, town, or a natural site and take photos. Some cities even have photowalk tours led by professional photographers. On these tours, you can learn the basics about how to operate your camera, practice photography composition techniques, and understand how to look for unique shots that help tell your story.

Set aside at least two to three hours for your photowalk. Even if you’re photographing a familiar place—like your own home town—try to look at it through new eyes. Imagine yourself as a first-time visitor or pretend you’re trying to educate a tourist about the area.

Walk around slowly and look for different ways to capture the mood and energy of your location. If you’re in a city, capture wide shots of streets, close-ups of interesting features on buildings, street signs, and candid shots of people. Look for small details that give the city character and life. And try some new concepts—like reflection picture ideas—by looking for opportunities to photographs reflections in mirrored buildings, puddles, fountains, or bodies of water.

2 . Transformation Photo Essay

With a transformation photography essay, you can tell the story about change over time. One of the most popular photostory examples, a transformation essay can document a mom-to-be’s pregnancy or a child’s growth from infancy into the toddler years. But people don’t need to be the focus of a transformation essay. You can take photos of a house that is being built or an urban area undergoing revitalization.

You can also create a photo narrative to document a short-term change. Maybe you want to capture images of your growing garden or your move from one home to another. These examples of photo essays are powerful ways of telling the story of life’s changes—both large and small.

3 . Day in the Life Photo Essay

Want a unique way to tell a person’s story? Or, perhaps you want to introduce people to a career or activity. You may want to consider a day in the life essay.

With this photostory example, your narrative focuses on a specific subject for an entire day. For example, if you are photographing a farmer, you’ll want to arrive early in the morning and shadow the farmer as he or she performs daily tasks. Capture a mix of candid shots of the farmer at work and add landscapes and still life of equipment for added context. And if you are at a farm, don’t forget to get a few shots of the animals for added character, charm, or even a dose of humor. These types of photography essay examples are great practice if you are considering pursuing photojournalism. They also help you learn and improve your candid portrait skills.

4 . Event Photo Essay

Events are happening in your local area all the time, and they can make great photo essays. With a little research, you can quickly find many events that you could photograph. There may be bake sales, fundraisers, concerts, art shows, farm markets, block parties, and other non profit event ideas . You could also focus on a personal event, such as a birthday or graduation.

At most events, your primary emphasis will be on capturing candid photos of people in action. You can also capture backgrounds or objects to set the scene. For example, at a birthday party, you’ll want to take photos of the cake and presents.

For a local or community event, you can share your photos with the event organizer. Or, you may be able to post them on social media and tag the event sponsor. This is a great way to gain recognition and build your reputation as a talented photographer.

5. Building Photo Essay

Many buildings can be a compelling subject for a photographic essay. Always make sure that you have permission to enter and photograph the building. Once you do, look for interesting shots and angles that convey the personality, purpose, and history of the building. You may also be able to photograph the comings and goings of people that visit or work in the building during the day.

Some photographers love to explore and photograph abandoned buildings. With these types of photos, you can provide a window into the past. Definitely make sure you gain permission before entering an abandoned building and take caution since some can have unsafe elements and structures.

6. Historic Site or Landmark Photo Essay

Taking a series of photos of a historic site or landmark can be a great experience. You can learn to capture the same site from different angles to help portray its character and tell its story. And you can also photograph how people visit and engage with the site or landmark. Take photos at different times of day and in varied lighting to capture all its nuances and moods.

You can also use your photographic essay to help your audience understand the history of your chosen location. For example, if you want to provide perspective on the Civil War, a visit to a battleground can be meaningful. You can also visit a site when reenactors are present to share insight on how life used to be in days gone by.

7 . Behind the Scenes Photo Essay

Another fun essay idea is taking photos “behind the scenes” at an event. Maybe you can chronicle all the work that goes into a holiday festival from the early morning set-up to the late-night teardown. Think of the lead event planner as the main character of your story and build the story about him or her.

Or, you can go backstage at a drama production. Capture photos of actors and actresses as they transform their looks with costuming and makeup. Show the lead nervously pacing in the wings before taking center stage. Focus the work of stagehands, lighting designers, and makeup artists who never see the spotlight but bring a vital role in bringing the play to life.

8. Family Photo Essay

If you enjoy photographing people, why not explore photo story ideas about families and relationships? You can focus on interactions between two family members—such as a father and a daughter—or convey a message about a family as a whole.

Sometimes these type of photo essays can be all about the fun and joy of living in a close-knit family. But sometimes they can be powerful portraits of challenging social topics. Images of a family from another country can be a meaningful photo essay on immigration. You could also create a photo essay on depression by capturing families who are coping with one member’s illness.

For these projects on difficult topics, you may want to compose a photo essay with captions. These captions can feature quotes from family members or document your own observations. Although approaching hard topics isn’t easy, these types of photos can have lasting impact and value.

9. Education Photo Essay

Opportunities for education photo essays are everywhere—from small preschools to community colleges and universities. You can seek permission to take photos at public or private schools or even focus on alternative educational paths, like homeschooling.

Your education photo essay can take many forms. For example, you can design a photo essay of an experienced teacher at a high school. Take photos of him or her in action in the classroom, show quiet moments grading papers, and capture a shared laugh between colleagues in the teacher’s lounge.

Alternatively, you can focus on a specific subject—such as science and technology. Or aim to portray a specific grade level, document activities club or sport, or portray the social environment. A photo essay on food choices in the cafeteria can be thought-provoking or even funny. There are many potential directions to pursue and many great essay examples.

While education is an excellent topic for a photo essay for students, education can be a great source of inspiration for any photographer.

Why Should You Create a Photo Essay?

Ultimately, photographers are storytellers. Think of what a photographer does during a typical photo shoot. He or she will take a series of photos that helps convey the essence of the subject—whether that is a person, location, or inanimate object. For example, a family portrait session tells the story of a family—who they are, their personalities, and the closeness of their relationship.

Learning how to make a photo essay can help you become a better storyteller—and a better photographer. You’ll cultivate key photography skills that you can carry with you no matter where your photography journey leads.

If you simply want to document life’s moments on social media, you may find that a single picture doesn’t always tell the full story. Reviewing photo essay examples and experimenting with your own essay ideas can help you choose meaningful collections of photos to share with friends and family online.

Learning how to create photo essays can also help you work towards professional photography ambitions. You’ll often find that bloggers tell photographic stories. For example, think of cooking blogs that show you each step in making a recipe. Photo essays are also a mainstay of journalism. You’ll often find photo essays examples in many media outlets—everywhere from national magazines to local community newspapers. And the best travel photographers on Instagram tell great stories with their photos, too.

With a photo essay, you can explore many moods and emotions. Some of the best photo essays tell serious stories, but some are humorous, and others aim to evoke action.

You can raise awareness with a photo essay on racism or a photo essay on poverty. A photo essay on bullying can help change the social climate for students at a school. Or, you can document a fun day at the beach or an amusement park. You have control of the themes, photographic elements, and the story you want to tell.

5 Steps to Create a Photo Essay

Every photo essay will be different, but you can use a standard process. Following these five steps will guide you through every phase of your photo essay project—from brainstorming creative essay topics to creating a photo essay to share with others.

Step 1: Choose Your Photo Essay Topics

Just about any topic you can imagine can form the foundation for a photo essay. You may choose to focus on a specific event, such as a wedding, performance, or festival. Or you may want to cover a topic over a set span of time, such as documenting a child’s first year. You could also focus on a city or natural area across the seasons to tell a story of changing activities or landscapes.

Since the best photo essays convey meaning and emotion, choose a topic of interest. Your passion for the subject matter will shine through each photograph and touch your viewer’s hearts and minds.

Step 2: Conduct Upfront Research

Much of the work in a good-quality photo essay begins before you take your first photo. It’s always a good idea to do some research on your planned topic.

Imagine you’re going to take photos of a downtown area throughout the year. You should spend some time learning the history of the area. Talk with local residents and business owners and find out about planned events. With these insights, you’ll be able to plan ahead and be prepared to take photos that reflect the area’s unique personality and lifestyles.

For any topic you choose, gather information first. This may involve internet searches, library research, interviews, or spending time observing your subject.

Step 3: Storyboard Your Ideas

After you have done some research and have a good sense of the story you want to tell, you can create a storyboard. With a storyboard, you can write or sketch out the ideal pictures you want to capture to convey your message.

You can turn your storyboard into a “shot list” that you can bring with you on site. A shot list can be especially helpful when you are at a one-time event and want to capture specific shots for your photo essay. If you’ve never created a photo essay before, start with ten shot ideas. Think of each shot as a sentence in your story. And aim to make each shot evoke specific ideas or emotions.

Step 4: Capture Images

Your storyboard and shot list will be important guides to help you make the most of each shoot. Be sure to set aside enough time to capture all the shots you need—especially if you are photographing a one-time event. And allow yourself to explore your ideas using different photography composition, perspective, and color contrast techniques.

You may need to take a hundred images or more to get ten perfect ones for your photographic essay. Or, you may find that you want to add more photos to your story and expand your picture essay concept.

Also, remember to look for special unplanned, moments that help tell your story. Sometimes, spontaneous photos that aren’t on your shot list can be full of meaning. A mix of planning and flexibility almost always yields the best results.

Step 5: Edit and Organize Photos to Tell Your Story

After capturing your images, you can work on compiling your photo story. To create your photo essay, you will need to make decisions about which images portray your themes and messages. At times, this can mean setting aside beautiful images that aren’t a perfect fit. You can use your shot list and storyboard as a guide but be open to including photos that weren’t in your original plans.

You may want to use photo editing software—such as Adobe Lightroom or Photoshop— to enhance and change photographs. With these tools, you can adjust lighting and white balance, perform color corrections, crop, or perform other edits. If you have a signature photo editing style, you may want to use Photoshop Actions or Lightroom Presets to give all your photos a consistent look and feel.

You order a photo book from one of the best photo printing websites to publish your photo story. You can add them to an album on a photo sharing site, such as Flickr or Google Photos. Also, you could focus on building a website dedicated to documenting your concepts through visual photo essays. If so, you may want to use SEO for photographers to improve your website’s ranking in search engine results. You could even publish your photo essay on social media. Another thing to consider is whether you want to include text captures or simply tell your story through photographs.

Choose the medium that feels like the best space to share your photo essay ideas and vision with your audiences. You should think of your photo essay as your own personal form of art and expression when deciding where and how to publish it.

Photo Essays Can Help You Become a Better Photographer

Whatever your photography ambitions may be, learning to take a photo essay can help you grow. Even simple essay topics can help you gain skills and stretch your photographic limits. With a photo essay, you start to think about how a series of photographs work together to tell a complete story. You’ll consider how different shots work together, explore options for perspective and composition, and change the way you look at the world.

Before you start taking photos, you should review photo essay examples. You can find interesting pictures to analyze and photo story examples online, in books, or in classic publications, like Life Magazine . Don’t forget to look at news websites for photojournalism examples to broaden your perspective. This review process will help you in brainstorming simple essay topics for your first photo story and give you ideas for the future as well.

Ideas and inspiration for photo essay topics are everywhere. You can visit a park or go out into your own backyard to pursue a photo essay on nature. Or, you can focus on the day in the life of someone you admire with a photo essay of a teacher, fireman, or community leader. Buildings, events, families, and landmarks are all great subjects for concept essay topics. If you are feeling stuck coming up with ideas for essays, just set aside a few hours to walk around your city or town and take photos. This type of photowalk can be a great source of material.

You’ll soon find that advanced planning is critical to your success. Brainstorming topics, conducting research, creating a storyboard, and outlining a shot list can help ensure you capture the photos you need to tell your story. After you’ve finished shooting, you’ll need to decide where to house your photo essay. You may need to come up with photo album title ideas, write captions, and choose the best medium and layout.

Without question, creating a photo essay can be a valuable experience for any photographer. That’s true whether you’re an amateur completing a high school assignment or a pro looking to hone new skills. You can start small with an essay on a subject you know well and then move into conquering difficult ideas. Maybe you’ll want to create a photo essay on mental illness or a photo essay on climate change. Or maybe there’s another cause that is close to your heart.

Whatever your passion, you can bring it to life with a photo essay.

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Teaching the Photo Essay

A picture is worth 1,000 words.

Your students, if they’re anything like mine, love to communicate through images—photos on Instagram , GIFs shared in a text, photo stories on Snapchat. And yet, so much of our conversation in school revolves around words. Understanding text is critical to students’ success now and in the future. But do we also help students identify, read and understand images in order to become literate in the visual language that is all around us? The photo essay can be a great middle or high school assignment that will have strong appeal and grow your students’ writing skills.

What Is a Photo Essay?

For those who aren’t familiar with the term “photo essay,” have no fear. A photo essay, in its simplest form, is a series of pictures that evokes an emotion, presents an idea or helps tell a story. You’ve been exposed to photo essays for your entire life—possibly without even knowing it. For example, you may have seen Dorothea Lange’s Migrant Mother:

An iconic image of the Great Depression, this picture, along with Lange’s other gripping photos, helped Americans better understand the effects of poverty in California as well as across the nation. Migrant Mother is one of countless photographs that helped persuade, influence or engage viewers in ways that text alone could not.

Photo essays can feature text through articles and descriptions, or they can stand alone with simple captions to give context. The versatility of photo essays has helped the medium become a part of our culture for centuries, from the American Civil War to modern environmental disasters like the 2010 earthquake in Haiti. This versatility is also what makes the photo essay a great educational asset in classrooms today; teachers can use them in any content area. Math students can use them to show a geometric concept in real life. Science students can document a chemistry process at home. Auto students can photograph the technique—and joys and frustrations—of learning a new procedure.

So, where does a teacher begin? Read further for tips and ideas for making photo essays a part of your teaching toolbox.

Start With Photos

Introducing photo essays as a means of changing lives and changing society can hook student interest in the medium. Begin by simply showing pictures and letting students discuss their reactions. Consider this famous photo of the field at Antietam during the Civil War. Share some of the photos from this collection from CNN of 25 of the Most Iconic Photograph s or this list of 50 Influential Photographs That Changed Our World .

Each of these photographs stirs emotion and sends our minds searching for answers. As a warm-up assignment or series of assignments, have students choose (or assign randomly) a photograph to write about. What’s the story? Why did this happen? Who was involved?

DIY Photographs

Before giving a formal photo essay assignment, give students an opportunity to practice and receive feedback. Consider presenting students with several open-ended, ungraded challenges like “For class tomorrow, take a photo that depicts ‘Struggle.’” Other possible photo topics: chaos, frustration, friendship, school. Have students email you their photo homework and share it as a slideshow. Talk about the images. Do they convey the theme?

You can give examples or suggestions; however, giving too many examples and requirements can narrow students’ creativity. The purpose of this trial run is to generate conversation and introduce students to thinking like photographers, so don’t worry if the photos aren’t what you had in mind; it’s about getting feedback on what the student had in mind.

Technique 101

Even though the goal of a photo essay is to influence and create discussion, there is still benefit in giving students a crash course on simple photography concepts. Don’t feel like you have to teach a master-level course on dark-room development. Even a simple overview on the “Rule of Thirds” and the importance of perspective can be enough to help students create intentional, visually stirring photographs.

You can teach these ideas directly or have students do the work by researching on their own. They have most likely seen hundreds of movies, advertisements and photos, so these lessons are simply labeling what they’ve already experienced. Having some knowledge of composition will not only help students improve their visual literacy, it will also help empower them to take photos of their own.

Choose Your Purpose

Are students telling their own stories of their neighborhoods or their families? Are they addressing a social issue or making an argument through their images and text? A photo essay could be a great assignment in science to document a process or focus on nature.

If you are just getting started, start out small: Have students create a short photo essay (two to five images) to present a topic, process or idea you have been focusing on in class. Here’s a Photo Essay Planning Guide to share with your students.

With pictures becoming a dominant medium in our image-filled world, it’s not a question of if we should give students practice and feedback with visual literacy, it’s a question of how . Photo essays are a simple, engaging way to start. So, what’s your plan?

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What Is a Photo Essay Examples and Ideas

What is a photo essay, few photo essay ideas for a newbie, how many and which pics you need to create a unique photo essay, top-8 ideas to create photo essay:, 1. use various plots, 2. get your personal feature, 3. organize the sequence, 4. watch the change, 5. start your journalistic career with event footage, 6. pay attention to educative process, 7. get into portrait photography, 8. create funny tutorials, photo essay method in practice.

As a shooting art and independent genre of photography, photo essays began to develop in journalism of European countries in the first half of the last century. Erich Solomon was one of the pioneers, a lawyer who spoke many languages. He did backstage filming of famous international political figures at a conference of the League of Nations. Photographers of newspapers and magazines have since picked up his style of shooting, without posing.

Nowadays, this style has ceased to be a property of professional reporters. If you have a light and easy-to-use digital camera in your hands, some experience and you are in the center of the event — it’s possible that you can take good pictures and publish them online. There are cases when amateur shots became a sensation.

Photo Essays is an interesting story in several pictures which is distinguished by truthfulness, objectivity, narration. It gives the viewer an idea of ​​essence and development in a specific historical period of time. The use of reporting method means conducting a survey without interfering with the natural course, but implies a soft, inconspicuous accompaniment. As a result, you can get not only an information-relevant report, series of photographs that have historical and documentary significance, but also an exciting essay example that has independent artistic value.

• Do not shoot against the window during the day, otherwise you will get silhouettes or overexposed photos. Turn your back or side to the window
• If you are shooting an event in a beautiful room, be sure to take a few frames of surroundings: sophisticated ceiling design, marble columns, wallpapers with gold leaves and printed patterns. Every viewer will definitely pay attention to these details
• Do not focus only on key models, take pictures of the audience
• Photograph both general scene and details
• Take care of composition and color harmony. You can always find an interesting color combination or line geometry. Be attentive!
• Take pictures of old people and children. They always bring a sentimental touch to any story

Expert photographers tell that there are two options for selecting the right material for a photo story. First one is actual pictures, when you frame the viewfinder and press release button, isolating significant moments of infinite reality. The second is post-shot screening. During this hard work there may be a number of shots which should be screened to give a chance to a possible masterpiece. Sometimes a harmonious combination of artistic and technical shots can create an interesting, memorable project. Such a story, due to competent selection and location of images, is able to express a complex thought, to show specific events from another angle of the author's vision, which is valuable itself.

The selection of shots is a painful process of analyzing the entire gallery. Each picture should effectively support the initial idea and intention of an author. Unique impression of one shot is transferred to the next one. Aesthetically correct selection of neighboring frames in color, light, graphics, composition, plans helps to maintain the viewer's attention, directing perception in the intended direction.

First of all, all frames are to be reviewed, mercilessly eliminating those pictures that demonstrate technical and compositional errors. Storytelling is a realistic, informationally saturated photography, striving for an objective reflection of reality. Based on this understanding, pictures are blurred, underexposed or overexposed with important details. Frames, distorting a person's appearance or meaning of what is happening, due to wrong angle or illumination, are deleted. Even after preliminary selection, material may contain more than a dozen pictures.

The subsequent selection and final number of images depends on where you plan to tell your story. Newspaper pages or magazines permit 3-8 shots (sometimes more). Your personal blog or video in a slide show can include a much larger number of pictures. Some essays, during artistic photo exposition, allow thematic series of dozens of photos. Regardless of location and restrictions each author should strive for conciseness — talent to reveal a lot in a little image. Several expressive pictures will be remembered better than a long series of good shots on the same subject. Human attention tends to get tiring. We need to keep this in mind when creating a story. So that the viewer does not get bored viewing it, you must carefully select the concept.

The main rule in selection of plots — do not allow duplicates! Find the brightest, key moment of the shooting, which you would undoubtedly include. These images will become a basis of the whole idea. Then sort out other plots, less important, but detailing information and enhancing the overall impression you want to achieve. Difficulties appear in selection of the best frame of several, similar in composition. It is especially difficult to choose when pictures are equal in merits. In these cases, trust the first impression from shooting and choose those pictures that you liked immediately. If there are still doubts, ask some friends or relatives to help you. Outside opinion is a very useful tool, if you trust them.

Even the opposite point of view of your expert will help to make the right choice, because your own opinion in the selection process is often “blurred”, losing a fresh approach of perception.

After you have taken care of diversity of content and selected key ideas, analyze the final set of images again, how different pictures are. Important conditions to create great photo essay examples include planning, a point of shooting, light and shade angles, composition and other visual means. The viewer will easily understand information if there is a logical uniform story in front of him — large, medium, general; vertical or horizontal; objects captured from different points. Deep, multi-layered compositions create the effect of presence, and color effects will give a necessary emotional tone. You may find that almost all of selected pictures are taken in medium plan, without large ones, and in fact they bring us closer to a person or important details. Another option: all pictures can be horizontal. Try to go back to screened frames and look for analogues made in the right plan and format. Always remember: variety of scenes and photographic forms is a necessary condition for a creative and memorable project.

The selection of photos is finally completed. Now we face a task of making a coherent story from selected shots — arranging pictures in a certain sequence with each other. Arrange files so that they clearly express your personal opinion and thought. In this regard, it is necessary to formulate the idea of ​​shooting in two or three phrases and give a simple topic to your story. For example, “Enjoying vacation”, “Life in Paris”, “Construction process”, etc. Such a name simply points out the theme and allows photos to reveal it. Many authors use word power more actively. Metaphor, quote, poetic line and other tools help to isolate the main idea, directing audience attention in a right direction. Expressive title will work for your story, but it's not so easy to pick the right one. Feel free to contact your friends for help. Essentially, a photo essay is a story in pictures, following the same laws and rules as literary stories. Presentation of a story involves a variety of copyright styles, manners and plot moves. This is a creative process.

According to organization of your material, the following templates can be distinguished:

• Based on a rigid plot structure. Events are demonstrated in chronological order.
• Based on a main, keyframe, uniting a mosaic of secondary shots.
• Based on associative connections between shots, made at different moments, different occasions and even in different places, but united by a common title.

Let us talk about inspiration for photo essay ideas. Sometimes it may seem difficult to get started. But with the help of common approaches you will be able to become a professional. Every moment in our lives is worth capturing.

Transformation is always interesting for everyone. To tell a great story you may need only a camera and various models to shoot. The time laps may vary from one month for a dog in a shelter, to a year, when a soldier is back home. Look around and watch small moments of life changing every day. Why not to memorize construction of a significant building or tree growing, changing seasons. Even growing a beard and mustaches can become an attractive way to publish photo story ideas.

It does not matter if you live in a constantly moving megalopolis or a little village in the mountains. There is a great variety of events to be captured and published. This process may be also appreciated for raising awareness in regional or even international level. Go outside and make shots of visitors to a local museum or agricultural exhibition. Do not neglect possibilities to capture people communicating to each other or demonstrating facial expressions. Such details will play an important role afterwards.

Make pictures of students in local school or university, filming the educational process and their life during breaks. These moments may become of a great value for school memories and live itself. Emotions and everyday life can transform ordinary models into future well-known film stars. Computer and chemical labs will give you plenty of successful shots. Even preparation of lunch has its own secret discoveries, documenting right moments.

Everyone has neighbors and people surrounding us with their habits and traditions. There is no better way to practice your photography skills, making pictures of people and families you see every day and watching their routine. Of course, their permission is needed. But the final result may surprise not only the model itself, but the author as well with its deep participation in one's life routine. Such images can be published and shared online or used for a memory book. Be free to capture a number of people with different lives and working hours. This will help you to create a small description of your community life at the exhibition you will organize.

When you do not feel like communicating to someone or even going outside your home, there is still a way to practice skills. Make a tutorial filming all steps of preparation of pies and cakes. There is no need to be an expert cooking chef. Positive approach to the process is a guarantee of a cool report.

In practice, the main content of the story can be reflected in one key photograph, sometimes with the help of 2nd or 3rd. This is the essential part of all the gallery. Other scenes illustrate and detail the event itself. The more various plots and ideas captured (new faces and details, turns and movements, actions and reactions, experiences, states, landscape), the richer and more curious the story is going to be.

So what have we learned from this article to answer a question: “What is a photo essay?” It may be easily called a report shooting method. Some people call any series of photographs presented in the media or at an exhibition a “photostory”.

Can you name a series of travel pictures to the village or to a conference in London an essay? Sure you can, if you did not line up models of your shooting in front of the camera, did not force them to pose, but captured moments of their existence. It is a valid alternative to staged pictures, where photographer controls characters and composes the plot by himself as a director.

Are there elements of staging in a photo essay? In everyday life, you may find interesting ideas, situations and tell about them in shooting language. These are stories of individuals or a specific family, their relationships, business, leisure, hobbies.Thematic pictures give a scope to the creative power of images, if it is a real art.

Henri Cartier-Bresson, who is considered to be the king of photo essay, wrote: “For me, photography is an art to penetrate into the very essence of a phenomenon in a second and simultaneously convey it in such an artistic form that would visually accurately and vividly reproduce this essence.”

Practice your skills, learn new secrets and enjoy the process. Without perfection, knowledge of tricks and visual means, it is impossible to create a high-quality impressive picture story.

IT entrepreneur and co-founder of RetouchMe. His passion is travel photography, within which, he has already visited 75 countries. Photos taken during his travels are actively posted on his social networks. For example, his Instagram account has more than 1 million followers. In addition, his documentary short film Terra del Fuego was awarded more than 30 international awards and certificates at film festivals worldwide.

Photojournalism

Summary of Photojournalism

Though one might be forgiven for sometimes confusing it with Documentary and Street Photography , Photojournalism possesses a vitality and a force all of its own. At its most rudimentary, Photojournalism is the practice of conveying the urgency of current news stories through pictures. It is true that a photojournalistic image can sometimes be left to speak for itself, but more usually it develops a narrative in conjunction with a written text; a comingling, in other words, of photography and journalism. Photojournalism is the lifeblood of the daily press, but it is associated predominantly with the rise of dedicated photo magazines and their preference for the so-called "photo-essay". Photojournalism deals with important, or newsworthy, subject matter, and its two overarching themes are world events and social injustice. Given, moreover, that photojournalists are usually committed to exposing wrongs, photojournalism is predicated on an unwritten code of practice that states that - if it is to adhere to the very highest standards of journalistic objectivity - the image must not be staged or manipulated. These rules are easier to apply to live action photography, however, and in actual practice the codes of practice can be bent where the urgency of the situation has demanded it. And while photojournalistic images tend to be very much "of the moment," Photojournalism has become instrumental in how we have come to view the last 170 years of world history.

Key Ideas & Accomplishments

• At basis, Photojournalism performs an important civic duty. Based on the premise that one always trusts the evidence of one's own eyes, it is Photojournalism's job to inform the public by showing the world "how it is in reality." The image, therefore, confirms the content of any accompanying written text (or vice-versa indeed).
• It is true that some exceptional photojournalists have achieved the status of "artists" - Henri Cartier-Bresson , Dorothea Lange and Arthur Rothstein for instance - but typically Photojournalism does not sit comfortably within the sphere of modern art photography . Photojournalists are more likely to earn the respect of their peers and the public as intrepid buccaneers willing to put their own safety at risk in order to capture the truest images.
• Since they can both aim at exposing social and/or humanitarian injustices, Photojournalism can certainly qualify as Documentary Photography . But unlike documentary, photojournalism tends to be investigative and unrehearsed. Photojournalism relies very much on an opportunistic snapshot principle for its effect whereas Documentary Photography is more typically the result of planning and considered composition.
• The photojournalist seeks to capture a moment - or a split second (the "decisive moment" as Henri Cartier-Bresson called it) - that would have, without their daring and endeavour, gone unnoticed. There is then sometimes a guerrilla element to photojournalism, especially so where the photojournalist is operating incognito or within a war zone.

Key Artists

Overview of Photojournalism

The role of the photojournalist can be incredibly dangerous. More than 1,000 photojournalists have died internationally since 1992 as they risk attack, retribution and kidnap to present the world with powerful images from the front line of conflict and danger.

Important Photographs and Artists of Photojournalism

Valley of the Shadow of Death

Artist: Robert Fenton

Fenton's image, which depicts a ravine in a desolate landscape beneath a bleak empty sky, is populated only with cannonballs. Strewn along the road on the right, and filling the ditch between the road and two paths on the left, the cannonballs are meant to represent British casualties of the Crimean war. The perspective of the photograph, looking up toward the sloping hills and around the incline of the road, captures something of the sense of hopelessness at being trapped in a valley under enemy fire from above. As Fenton described it: "the sight passed all imagination: round shot and shell lay like a stream at the bottom of the hollow all the way down, you could not walk without treading upon them." This barren war landscape would have resonated with the British national consciousness. Most had heard the story of "The Charge of the Light Brigade," an elite cavalry unit that sustained heavy casualties when ordered to charge through the Valley of the Shadow of Death toward fortified Russian artillery on October 25, 1854. The event was commemorated in a poem of the same title by Alfred Lord Tennyson, the poet laureate. The location in this photograph is of a similar but different ravine, and the image came to represent the heroism and tragedy of war. It transpired, however, that Fenton photographed the ravine on two separate occasions. Subsequently, controversy developed as to whether some of the cannonballs were placed to make a better second image. Thus, while the image remains of great historical significance, it is also attended by the issue of authenticity which underscores all judgements on the value of Photojournalism.

Salted paper print - J. Paul Getty Museum, Los Angeles California

A Harvest of Death, Gettysburg, Pennsylvania, July 4, 1863

Artist: Timothy H. O'Sullivan

This image, possibly the best known of Brady's Civil War photographs, depicts dead soldiers scattered on the battlefield after the Battle of Gettysburg, which took place between July 1-3, 1863. The photograph was included in Alexander Gardner's, Photographic Sketch Book of the War (1866), with text that read: "it was, indeed, a 'harvest of death' that was presented; hundreds and thousands of torn Union and rebel soldiers - although many of the former were already interred - strewed the now quiet fighting ground." The image was preceded by Gardner's hope that "Such a picture conveys a useful moral: It shows the blank horror and reality of war, in opposition to its pageantry. Here are the dreadful details! Let them aid in preventing such another calamity." During the Civil War, though photographs were taken of the dead, sometimes even in the stages of decomposition, newspapers and journals refused to publish them. It was only in books like Gardner's that the images were available to the public. Viewers, used to heroic depictions of war presented in paintings, were shocked by images like this one. The collected works showed the power of photography to depict history in the making. As The New York Times said of the book, "The faithful camera [...] has written the true history of the war."

Albumen silver print - The Metropolitan Museum of Art, New York New York

The Crawlers

Artist: John Thomson

This picture depicts a destitute middle-aged woman holding a sleeping child on her lap, as she rests on a doorstep. The Crawlers was intended to communicate the dire situation of London's poor and to advocate a call for social change. The image was one of 36 published in Street Life in London (1877) with the writer Adolphe Smith Headingly's text relating the story of how the woman, through circumstances beyond her control, "descended penniless into the street." Using photographs to uphold the arguments presented by the text, the book helped pioneer the concept of the photo-essay. Thomson and Smith were both social reformers and hoped that their work would convince their readers that homelessness was "often, the result of unfortunate circumstances and accident." The image conveys the woman's exhaustion and also her solicitude for the child. In their introduction to the book, the co-authors championed "the precision of photography" and its ability to "present true types of the London poor and [to] shield us [the authors] from accusations of either underrating or exaggerating individual peculiarities of appearance."

Woodbury type - Victoria and Albert Museum, London England

Farmer and Sons Walking in the Face of a Dust Storm, Cimarron County, Oklahoma, April 1936

Artist: Arthur Rothstein

This iconic image depicts Arthur Cobel, a farmer and his two sons walking toward their simple shack in a dust storm on the Southern Plains of Oklahoma. The dust is so dense that the horizon is a blur, and the accumulated sand has built up in drifts so that the fence posts are now shorter than the young boy who runs along behind (with his hands protecting his face from the dust). Rothstein said of this photograph, "It was a picture that had a very simple kind of composition, but [...] it showed an individual in relation to his environment." Arthur Rothstein was the first photographer appointed by the Farm Security Administration (FSA), a project that was meant to build support for the social reforms of the Roosevelt Administration. Here he documents the devastating effects of the Dust Bowl of the 1930s, a phenomenon caused by a combination of a severe drought and over farming, that lasted eight years and devastated livestock and crops. Rothstein's career extended over some five decades. Working for Look magazine first as a photographer, and subsequently as its director of photography, in later years he became a respected teacher who schooled the renowned filmmaker Stanley Kubrick.

Gelatin silver print - Amon Carter Museum, Fort Worth, Texas

The Falling Soldier

Artist: Frank Capa

As its original title confirms, Capa's most iconic image captures the "moment of death." The falling soldier is a loyalist militiaman fighting the Spanish Civil War and he has been struck in the forehead by a bullet; he falls backwards as his own rifle slips from his hand. Prior to Capa's photograph, war photography had often depicted stationary scenes of armaments, encampments, or the aftermath of battles. Shockingly brutal in its depiction of the realities of war, The Falling Soldier (originally titled: Loyalist Militiaman at the Moment of Death, Cerro Muriano, September 5, 1936 ) earned Capa the accolade "the greatest war photographer in the world" and duly set a new standard for authentic war photography. As Photojournalism emphasizes the accurate depiction of newsworthy events, questions of authenticity (more so than artistic merit) are of crucial importance. Thus, a hint of controversy developed around the identity of the soldier, the precise location of the photograph, and the circumstances under which it was taken. It wasn't until the 1990s that the man's identity was confirmed by his surviving brother, and military accounts recording the event of the man's death confirmed the picture's authenticity. However, other controversies persist around the potentially disconcerting effects of the photojournalistic image itself and how it impacts on the lives of the people it directly affects. These were not issues that concerned Cartier-Bresson who viewed Capa, with whom he later cofounded the Magnum agency in 1947, as a mentor and a voice of conscience.

Gelatin silver print - The Metropolitan Museum of Art, New York New York

The Louisville Flood

Artist: Margaret Bourke-White

Bourke-White began her career in the early 1930s, and in 1937 when the Ohio River flooded Louisville Kentucky, she was sent to the area as a staff photographer for LIFE magazine. Documenting what was one of the largest natural disasters in the history of the United States, Bourke-White's images offered a commentary on racial and economic inequity. This photograph depicts African-Americans queuing outside a flood relief agency in front of a billboard that depicts a cheerful white middle-class family in their car. The billboard's heading "World's Highest Standard of Living," and the slogan "There's no way like the American Way," can be treated with ironic scepticism given the reality that is playing out in front of the billboard.

Gelatin silver print - Whitney Museum of American Art, New York New York

FRANCE. Normandy. June 6th, 1944. US troops assault Omaha Beach during the D-Day landings (first assault)

Artist: Robert Capa

This photograph captures a single instance of the D-Day invasion as Allied forces came ashore during the Normandy beach landing. The image focuses on a single soldier, who lies prone in the water as he looks towards shore, his gun extended in front of him. In the background, troop carriers can be seen, and objects - perhaps dead soldiers - float in the water. The blurriness of the photo, due to the photographer's position in the water, and the terror of being under artillery fire himself, conveys the utter chaos of the scene. Capa took over a hundred photos of the D-Day invasion, but a processing accident at LIFE magazine's London darkroom destroyed all but eleven of them. Dubbed the Magnificent Eleven , the images inspired Steven Spielberg's 1998 movie Saving Private Ryan . The film represented the Omaha Beach assault through a 27 minute opening sequence that many critics consider to be the most realistic depiction of battle ever produced. Capa was the foremost war photographer of his generation, and perhaps, of the entire 20 th century. His work exemplified the exacting standards expected of photojournalists and this was acknowledged by the Overseas Press Club of America who awarded the annual Robert Capa Gold Medal for overseas coverage "requiring courage and enterprise" in his honor from 1955. Capa himself was killed in 1954 while photographing the Indochine War in Vietnam.

Film negative - International Center of Photography/Magnum Photos

Shanghai 1948

Artist: Henri Cartier-Bresson

Cartier-Bresson travelled to China in 1948 on an assignment with LIFE magazine. He was tasked with photographing the transition from the Kuomintang government to the People's Republic, led by the Communist Chairman Mao. In this claustrophobic and turbulent scene a group of Chinese people tries to form a line outside of a bank (just outside of the picture's frame on the right). Some huddle or cling for physical stability to the people around them while others jostle forward. Others are seen climbing the building behind the crowd mass. Tightly framed, the image conveys a sense of panic and desperation. The cause of the crush was a currency crash that rendered paper money worthless and the ruling Kuomintang government promised to give forty grams of gold to each effected citizen. Cartier-Bresson called it "The Gold Rush" and described how "Outside the banks on the Bund vast queues have formed, spilling over into the neighboring streets and blocking the traffic. About ten people must have died in the crush [...] Some people waited more than 24 hours to try and exchange their banknotes."

A Disturbed Child in a Warsaw Orphanage

Artist: David Seymour

Already well known for his photographs of the Spanish Civil War (where he worked alongside Capa) David "Chim" Seymour was a Polish Jew and the first official UNICEF photographer to document the plight of children who had become refugees or orphans after World War II. This image depicts Terezka, a traumatized girl of seven or eight, who, having grown up in a concentration camp, was moved to a home for mentally disturbed children in Warsaw. Terezka had been asked to draw a picture of "home" and produced a frenzied scribble that was matched by her agitated expression. "Chim's" UNICEF photographs were published in LIFE magazine in 1948 with the caption for this image reading: "Children's wounds are not all outward. Those made in the mind by years of sorrow will take years to heal." "Chim's" friend, and cofounder of Magnum, Henri Cartier-Bresson suggested that "Chim" had "picked up his camera the way a doctor takes his stethoscope out of his bag, applying his diagnosis to the condition of the heart." Cartier-Bresson's assessment might have had special resonance for this image given that "Chim" had learned the details of his own parents' deaths in a Warsaw ghetto while on the UNICEF assignment. This photograph, selected by Edward Steichen for his world famous exhibition The Family of Man in 1955, became one of his best known. "Chim" was killed during a photo assignment while he was covering the armistice of the 1956 Suez War.

Gelatin silver print - The National Gallery of Art, Washington DC

Aid from the Padre, June 4, 1962

Artist: Hector Rondón Lovera

This photograph depicts Navy chaplain Luis Padilla, himself under threat of sniper fire, holding a wounded man in the street during a Venezuelan revolt. The padre had gone out into the streets to give last rites to the dying man, when the photographer, also under fire, took this shot. The background, depicting a closed up carnicería - which in Spanish translates to "butcher's shop" or "slaughter and carnage" - brings added poignance to the image. Lovera was working for La Republica , the Venezuelan newspaper, when he took this photograph - one of a series in the city of Puerto Cabello, home of Venezuela's largest naval base. Through the selfless humanitarianism of the solitary padre, the image represents both the best and worst of the human condition and the photograph was named the World Press Photo of the Year in 1962 and won the Pulitzer Prize for Photography a year later. The photograph also influenced Norman Rockwell's Murder in Mississippi (1964).

Film negative - World Press Photo Archive

Czechoslovakia, August 1968

Artist: Josef Koudelka

To take this image, Koudelka asked an unnamed passer-by to position himself in order to show the exact moment the Soviets invaded Prague in 1968. Koudelka, a theatre photographer, had never photographed news events before, but in the week following the invasion he took over 5000 photographs of the widespread revolt of anti-Soviet activists. He was shot at and pursued by soldiers but managed to arrange for his photographs to be smuggled out to the country and sent to Magnum. The images then appeared in the British Sunday Times and LIFE magazine in America. The published photographs were attributed to someone known only as PP (for "Prague Photographer") in order to avoid personal reprisals. Ultimately, Koudelka left his native country for a life of exile. He became one of the most noted photojournalist of his generation, and published his first book Gypsies in 1975 and Exiles in 1988, both of which reflect on the themes of homelessness, exile, and the life of the outsider. This work, however, exemplified the idea of photojournalist as personal witness and the risks that that might entail.

Film negative - Magnum Photos

Mourning a brother killed by a Taliban rocket, Afghanistan

Artist: James Natchwey

Natchwey is one of the best-known contemporary photojournalists and war photographers. He has been awarded the Robert Capa Gold Medal five times, and the World Press Photo Award twice. He has covered armed conflicts since 1981 when he was assigned to Northern Ireland, and has been a contracted photographer with Time since 1984. This image originated in his coverage of the war of Afghanistan in the 1990s and depicts a local woman in mourning. She is shrouded in a burka reaching out to touch the tombstone of her brother's grave in a cemetery in Afghanistan. The horizon is cut off in order to emphasize a desolate landscape littered haphazardly with similar headstones. In his work, Natchwey emphasizes the role of photojournalist as objective witness: "There's a vital story to be told" he said and he has used his camera to tell the story of war, famine, social unrest, the AIDS epidemic in Africa, and the worldwide epidemic of drug resistant tuberculosis. Committed in principle to Capa's famous maxim "If your pictures are not good enough, you are not close enough," Natchwey is noted among photojournalists for the intimacy of his images. In 2001 a documentary film about him, War Photographer , was nominated for an Academy Award as best documentary.

Silver gelatin print - Museum of Art and Photography, Bangalore India

America 1968 Baltimore Riots

Artist: Devin Allen

This photograph shows a young black man running down the middle of the street, while being pursued by dozens of policemen. Having grown up in West Baltimore, Allen was 26 years old when he took this and other images documenting the riots following the death of Freddie Gray while in police custody. The image captures something of the intensity of the hostilities while working also as a commentary on contemporary race relations. Inspired by Gordon Parks and Andy Warhol, Allen had previously explored street photography and portraiture. He posted his images on Instagram where they were shared widely on Twitter and other social media platforms. Finally they featured on CNN and the BBC news channels. Indeed, this image became Time 's cover image (on April 25, 2015) and he was only the third amateur photograph to be featured on its cover. The cultural critic John Logan noted that in the age of social media the "documentary images of this civil rights era [had become transformed through] first-person dispatches," though whether that is necessarily a positive step forward for Photojournalism is open to question.

Film negative - National Museum of African American History & Culture, Washington DC

Beginnings of Photojournalism

The first cameras were seen as little more than machines for documenting reality. Early pioneers such as Louis Daguerre and Henry Fox-Talbot used their cameras to either produce studio portraits or to photograph public spaces and landmarks and the realization that photography could be used to inform the public emerged soon thereafter. The first true Photojournalism, however, is usually attributed to Carol Szathmari and Roger Fenton who used their cameras to document the Crimean War (1853-56). Szathmari, a Romanian painter, became a war photographer when, on his own initiative, he outfitted a wagon with a dark room and headed first to the banks of the Danube River, and onward then, to other Crimean battlefields. He exhibited approximately 200 war photographs at the 1855 Paris World Exhibition to great acclaim and was subsequently appointed Court Painter and Photographer for Romania in 1863.

In 1854, meanwhile, the British photographer, Roger Fenton, urged by Prince Albert and the British Secretary of War, headed for Crimea. The British government hoped that photographic images might boost the people's moral support for the unpopular war effort. Fenton's desolate landscape, The Valley of the Shadow of Death , became his most famous photograph. The location, near Sevastopol, was known as "The Valley of Death" after the elite British Light Brigade sustained heavy casualties when ordered to charge a heavily fortified Russian position that overlooked the valley. Fenton's image resonated with the British public as did his panoramic images. For the latter, Fenton had set up a camera in a chosen location and then rotated it for a series of shots which rendered - in pictures - the experience being on the front lines. Fenton's photographs appeared in the Illustrated London News in 1855 and were also put on public display widely throughout England. Fenton also presented his work to Queen Victoria, the French Emperor Napoleon III, and other royal dignitaries who quickly realized the important role Photojournalism could play in forming a national consciousness.

The American Civil War and Matthew Brady

Matthew Brady was an acclaimed New York portrait photographer and one of the first to launch his own studio in 1845. The outbreak of the American Civil War in 1861 created a new demand amongst his clients for photographs of conscripted relatives leading Brady to develop an interest in war photography.

It was President Abraham Lincoln no less who granted Brady permission to travel to battle scenes (with the caveat that Brady cover his own expenses). Brady assembled a team of 24 photographers whose photographs of the First Battle of Bull Run became especially well known, with several being published in Harper's Weekly . Though they offended the tastes of the public at large, The New York Times commented that "The faithful camera...has written the true history of the war. It is not merely what these representations are to us, but what they will be to those who come after us."

Social Documentary

At the start of the 1860s, a major trend in Photojournalism emerged with the camera being employed as a tool to highlight the plight of the poor and needy in industrial societies. Having travelled with his camera throughout Southeast Asia and China (the idea of colonial photography, and the colonial "postcard" in particular, becoming a field of photography in its own right), the Englishman John Thomson returned home in 1872 when he used his camera to expose social inequalities in Victorian England. His famous collection, Street Life in London , comprised of 37 photographs, was supported by essays by Adolph Smith Headingly and is often cited as among the first to match written essays with photographic images.

In the United States meanwhile the photographer Jacob Riis (know as an innovator in flash photography) documented the grave living conditions in the tenements of New York City. A Danish émigré, Riis found work as a journalist, a newspaper editor, and a police reporter and was a strong advocate of social reform. Eighteen of his photographs appeared in a photo essay "How the Other Half Lives" in Scribner Magazine' s 1889 Christmas edition and included images like Bandit's Roost (1888), which depicts a number of shadowy men standing along a narrow street which was located in the most crime-ridden area of New York City.

The “Golden Age” of Photojournalism

The work of Fenton, Brady, Thompson, Riis and the like helped establish the conventions of Photojournalism. And though it is problematic to speak of a "golden age" for a genre that tends to focus on human suffering, the so-called "golden age" of Photojournalism began, nevertheless, around 1930. Lasting a period of roughly 30 years, it has come to be considered exceptional because it gave rise to several noted photographers who between them helped expand the genre by exploiting innovations in camera technology. The "golden age" also coincided with the rise of popular photographic magazines like LIFE, Look , Regards , and Paris Match all of which carried the work of distinguished photojournalists.

The development of portable cameras with faster exposure times, including the Filmo 70 16mm movie camera and the 35mm Leica, gave photographers more mobility and a better chance of capturing live action. Robert Capa became the pre-eminent war photographer of his generation and remains best known internationally for The Falling Soldier (1936); a photograph that caught the instant when a Republic soldier in the Spanish Civil War was felled by an enemy bullet. Henri Cartier-Bresson , meanwhile, earned the title of "father of Photojournalism" thanks to his uncanny ability to freeze noteworthy events in what became known as his "decisive moment". The Frenchman covered occasions ranging from the coronations of King George VI and Queen Elizabeth II, to the Occupation and Liberation of France during and after World War II.

Social Documentary in the 1930s

In the 1930s, Social Documentary was an expansive artistic movement that welcomed photojournalists into its ranks. Between 1935 and 1944 Photojournalism in the US was exemplified by projects undertaken under the auspices of the Farm Security Administration (FSA). The purpose of the FSA project was to highlight rural (rather than urban) poverty and it brought international recognition to the likes of Dorothea Lange , Walker Evans , Arthur Rothstein , and Gordon Parks . Major national disasters like the Dust Bowl drought and the Great Depression, events driven by weather patterns and economic situations respectively, were shown through the personal impact they had had on individuals. The success of the FSA project was such that magazines such as LIFE employed staff photographers such as Margaret Bourke-White to cover events of national significance (such as the flooding of Louisville, Kentucky in 1935).

World War II

Following the rise of Nazism, photojournalists turned primarily towards documenting the turmoil of WWII. Bourke-White was the only Western photographer to witness the German attack on Moscow - known as the "Battle of Moscow" - in 1941 and she was the first woman to accompany US Air Corps crews on bombing missions in 1942. She also travelled with General Patton through Germany as his armies liberated a number of concentration camps. Between 1941- 46, Robert Capa (the Hungarian had relocated to New York from Paris where he had been a colleague of Cartier-Bresson) worked as a freelance photographer and war correspondent for LIFE and Collier's magazine. He was the only official American photographer to accompany the Allied troops on the D-Day landings and he also covered Allied victories in North Africa, and the Allied seizure of Leipzig, Nuremberg, and Berlin.

The Magnum Photographic Agency

In 1947, Capa, Cartier-Bresson, George Rodger, William Vandivert and David "Chim" Seymour formed a photographic cooperative that gave its members the freedom to photograph (and to own the copyright of) what they saw rather than be beholden to the demands of magazine editors. Magnum's mission statement proclaimed to "feel the pulse of the times," and it launched a number of long-running photographic projects including People Live Everywhere , Youth of the World , Women of the World and The Child Generation . Photographic coverage of geographical areas was split meanwhile among the core group: Roger covered Africa and the Middle East; "Chim" covered Europe; Cartier-Bresson covered China and India while America became Vandivert's territory. Capa was the exception, more a free-roaming figure was who would work worldwide. Each of the photographers became associated with their coverage of subsequent events, as was the case for instance with Cartier-Bresson who covered the assassination and funeral of Mahatma Gandhi in 1949.

Technology and Innovation

Given the need for long exposure times, and the need to place their camera on a tripod, the early war photographs by the likes of Fenton and Brady were of a somewhat static quality. Their images were largely restricted to pictures of military camps, generals in their tents, or decimated battlefields. The photographs of Thomson and Riis also lacked any real sense of mobility but their capacity to shoot in under lit urban environments was made possible by the development of a flash mechanism. The pocket Kodak was available from the late nineteenth century but lacked professional quality. That was remedied between the mid-1920s and mid-1930s when the Leica 35mm compact and the Filmo 70 16mm movie cameras brought with them a new sense of liberation. War photojournalists like Gerda Taro and Robert Capa could film battle scenes as they happened, and photographic coverage of conflict, whether war or civil unrest, began to dominate the news.

Technology has continued to change Photojournalism with the development of the smart phone and the ability to upload images almost instantaneously to the web. The New York Times and Washington Post both ran headline images taken by ordinary citizens on their camera phones during the 2005 London bombing. In 2013 the Chicago Tribune laid off their photojournalistic staff, including John H. White whose work had previously won a Pulitzer prize, and began using freelance photographers who were trained to use an iPhone. Due to the technology of the camera phone, a new kind of everyman-photojournalist has resulted.

Concepts and Trends

The “photo-essay”.

With the rise of many photo magazines, and the overall turn of the medium to a greater reliance on imagery, the so-called "photo-essay" became a popular method for covering news and human interest stories. On the one hand, photo-essays focused on events of national significance; on the other, photo-essays reflected a humanist perspective (and sometimes the two would overlap). Most of the noted photojournalists working in the mid-to-late-twentieth century - including W. Eugene Smith, Cartier-Bresson, Dorothea Lange, and more recently, Josef Koudelka , Sebastião Salgado, and Gabriela Iturbide - have worked (or continue to work) at one time or another in the photo-essay format. When LIFE magazine suspended publication in 1972, various critics felt that the photo-essay was dead, but, in fact, it has remained a viable form, though more so in book publications and exhibitions.

Standards in Photojournalism

Given its integral relationship with journalism, Photojournalism came under the rule of the same ethical codes. In the years following World War II, quality Photojournalism insisted on a number of stipulations: no posing or posturing, no artificial lighting, no manipulation of the scene, and no darkroom manipulation beyond cropping or lightening and darkening. All manipulation cast aspersions upon the status of the photograph and, by extension, the reputation of the photographer. In the modern era, early examples of Photojournalism (including Fenton's Valley of the Shadow of Death ) have been subject to revision as questions concerning image authenticity have become more pressing.

The matter of truthfulness continues to be a professional concern in contemporary Photojournalism. However, the pressure to act as an objective onlooker has often been at odds with the photographer's humanitarian instincts. The South African photographer Kevin Carter became well known for his The Vulture and the Little Girl (1993) that shows a famine stricken Sudanese child (who was in fact a boy) being stalked by a vulture. When the image appeared in The New York Times , there was a justifiable public outcry as many readers felt that Carter had a moral duty to go to the child's aid (which he did) before taking his photograph.

Issues of Censorship and Risk

Photojournalists are faced with the same fundamental problem as street photographers: that being the moral quandary of exploiting the lives of strangers for their own gain. However, those in conflict zones will often encounter people suffering in the most wretched of situations, and where that is the case, then the photojournalist can rationalize their actions given that they have undertaken to bring a particular human or political crisis to the attention of the wider world. Yet what is truly unique to the photojournalist covering political unrest or war is the element of personal risk from imprisonment and even injury or death. Indeed, Capa, Taro, and "Chim" all died while photographing combat situations. There can be a psychological cost too. Carter, stating in his suicide note that he was "haunted by the vivid memories," took his own life just four months after winning the 1994 "Pulitzer Prize for Feature Photography" for The vulture and the little girl .

Reporting on the death in Syria of the American foreign affairs correspondent and British journalist Marie Colvin in 2016, Tom Seymour of The Guardian noted that, since 1992, some 1,197 photojournalists had lost their lives in conflict situations. Seymour had put this depressing statistic down to the fact that all the major news publications had closed down their foreign bureaus and had come to "rely more and more on independent photographers working without the backing of a large organisation and on a shoestring budget" with the result that photojournalists were now even "targeted as enemy combatants."

Later Developments - After Photojournalism

New journalism.

In 1973 Tom Wolfe edited the anthology The New Journalism , a term coined by Wolfe to describe a style of journalism that reported on a broad range of subject matter over an extended period of time. New Journalism, sometimes referred to as "literary journalism," could be less objective and adopt an experiential or interpretative approach to factual material. Examples of "New Photojournalism" can be found in the photo-essay approach of Eugene and Aileen Smith's Minamata (1975), which documented the effects of methyl-mercury poisoning on inhabitants of the Japanese village of the same name, and Lauren Greenfield' s Girl Culture (2002) which explores the lives of modern American girls through the theme of identity and self-image.

Mary Ellen Mark's Streetwise (1988) meanwhile started as commissioned project but Mark struck up an intense relationship with the street children of Seattle, one of whom was a thirteen-year-old prostitute nicknamed "Tiny." Indeed, having turned down her offer of adoption, Mark consistently returned to photograph her "confidant and friend" until the photographer's death in 2015.

Photojournalism and Visual Culture

At its most rudimental, Photojournalism is a means of telling news stories with pictures. It is then highly problematic to talk of Photojournalism as art. And yet, like art , photojournalism has the power to transform the way people see the world. It is true that several noted photojournalists have been trailblazers in other photographic movements. Cartier-Bresson's work, as both a photojournalist and street photographer, set the standard for both fields for several decades, while iconic images produced in the name of the FSA saw the likes of Walker Evans, Gordon Parks, and Dorothea Lange attain the status of artist. However, Photojournalism has provided inspiration for artists working in the late-1970s and 1980s such as Sherrie Levine whose conceptual art directly copied Evan's iconic image of Allie Mae Burroughs. Levine, with Cindy Sherman and Richard Prince , used photography to examine the codes of representation and meaning through manipulation and appropriation of existing material including Photojournalism. Their work became landmarks of postmodernism . Other artists, including Sam Samore, Anne Collier, and Simon Brann Thorpe, have also drawn upon the history of Photojournalism to inform their art. Thorpe's Toy Soldier No. 61 The Falling Soldier (2015), for instance, references Capa's Falling Soldier in a project where real soldiers posed as plastic toy soldiers in the Sahara Desert as a way of exploring forgotten conflicts (in the Western Sahara in this instance) and how modern spectators have become desensitized by exposure to so many images of death and suffering.

Useful Resources on Photojournalism

• Photojournalism Our Pick By the Getty

• Photojournalism: 150 Years of Outstanding Press Photography By Rueul Golden
• Robert Capa: The Definition Edition By Richard Whelam
• Mathew Brady: Illustrated History of the Civil War By Mathew Brady
• Magnum: Fifty Years at the Front Line of History: The Story of the Legendary Photo Agency By Russell Miller
• Henri Cartier-Bresson Foundation
• Magnum Photos Our Pick
• Matthew Brady page, Library of Congress
• Josef Koudelka page, Magnum Photos
• Robert Capa page, Magnum Photos
• Devin Allen website
• James Nachtwey website
• A terrible beauty: Robert Fenton Our Pick By Simon Grant / By Tate Etc. / September 1, 2005
• Unraveling a 70-Year-Old Photographic Mystery Our Pick By Carole Naggar / Time magazine / Apr 12, 2017
• Chim: A Vivid Retrospective of Europe By Peter Van Agtmael / New York Times / Jan. 17, 2013
• Revisiting the Valley of the Shadow of Death By Carefully Aimed Darts / June 22, 2009
• 40 years on: the exile comes home to Prague Our Pick By Sean O'Hagan / The Guardian / August 23, 2008
• All Cameras Are Good Cameras By John Logan / Buzzfeed / November 13, 2016
• A Life in Photography: Don McCullin By Nicholas Wroe / The Guardian / May 21, 2010

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Content compiled and written by Rebecca Seiferle

Edited and revised, with Summary and Accomplishments added by Antony Todd

Pictures That Tell Stories: Photo Essay Examples

Like any other type of artist, a photographer’s job is to tell a story through their pictures. While some of the most creative among us can invoke emotion or convey a thought with one single photo, the rest of us will rely on a photo essay.

In the following article, we’ll go into detail about what a photo essay is and how to craft one while providing some detailed photo essay examples.

What is a Photo Essay? 

A photo essay is a series of photographs that, when assembled in a particular order, tell a unique and compelling story. While some photographers choose only to use pictures in their presentations, others will incorporate captions, comments, or even full paragraphs of text to provide more exposition for the scene they are unfolding.

A photo essay is a well-established part of photojournalism and have been used for decades to present a variety of information to the reader. Some of the most famous photo essayists include Ansel Adams , W. Eugene Smith, and James Nachtwey. Of course, there are thousands of photo essay examples out there from which you can draw inspiration.

Why Consider Creating a Photo Essay?

As the old saying goes, “a picture is worth 1000 words.” This adage is, for many photographers, reason enough to hold a photo essay in particularly high regard.

For others, a photo essay allow them to take pictures that are already interesting and construct intricate, emotionally-charged tales out of them. For all photographers, it is yet another skill they can master to become better at their craft.

As you might expect, the photo essay have had a long history of being associated with photojournalism. From the Great Depression to Civil Rights Marches and beyond, many compelling stories have been told through a combination of images and text, or photos alone. A photo essay often evokes an intense reaction, whether artistic in nature or designed to prove a socio-political point.

Below, we’ll list some famous photo essay samples to further illustrate the subject.

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Famous Photo Essays

“The Great Depression” by Dorothea Lange – Shot and arranged in the 1930s, this famous photo essay still serves as a stark reminder of The Great Depression and Dust Bowl America . Beautifully photographed, the black and white images offer a bleak insight to one of the country’s most difficult times.

“The Vietnam War” by Philip Jones Griffiths – Many artists consider the Griffiths’ photo essay works to be some of the most important records of the war in Vietnam. His photographs and great photo essays are particularly well-remembered for going against public opinion and showing the suffering of the “other side,” a novel concept when it came to war photography.

Various American Natural Sites by Ansel Adams – Adams bought the beauty of nature home to millions, photographing the American Southwest and places like Yosemite National Park in a way that made the photos seem huge, imposing, and beautiful.

“Everyday” by Noah Kalina – Is a series of photographs arranged into a video. This photo essay features daily photographs of the artist himself, who began taking capturing the images when he was 19 and continued to do so for six years.

“Signed, X” by Kate Ryan – This is a powerful photo essay put together to show the long-term effects of sexual violence and assault. This photo essay is special in that it remains ongoing, with more subjects being added every year.

Common Types of Photo Essays

While a photo essay do not have to conform to any specific format or design, there are two “umbrella terms” under which almost all genres of photo essays tend to fall. A photo essay is thematic and narrative. In the following section, we’ll give some details about the differences between the two types, and then cover some common genres used by many artists.

⬥ Thematic 

A thematic photo essay speak on a specific subject. For instance, numerous photo essays were put together in the 1930s to capture the ruin of The Great Depression. Though some of these presentations followed specific people or families, they mostly told the “story” of the entire event. There is much more freedom with a thematic photo essay, and you can utilize numerous locations and subjects. Text is less common with these types of presentations.

⬥ Narrative 

A narrative photo essay is much more specific than thematic essays, and they tend to tell a much more direct story. For instance, rather than show a number of scenes from a Great Depression Era town, the photographer might show the daily life of a person living in Dust Bowl America. There are few rules about how broad or narrow the scope needs to be, so photographers have endless creative freedom. These types of works frequently utilize text.

Common Photo Essay Genres

Walk a City – This photo essay is when you schedule a time to walk around a city, neighborhood, or natural site with the sole goal of taking photos. Usually thematic in nature, this type of photo essay allows you to capture a specific place, it’s energy, and its moods and then pass them along to others.

The Relationship Photo Essay – The interaction between families and loved ones if often a fascinating topic for a photo essay. This photo essay genre, in particular, gives photographers an excellent opportunity to capture complex emotions like love and abstract concepts like friendship. When paired with introspective text, the results can be quite stunning. 

The Timelapse Transformation Photo Essay – The goal of a transformation photo essay is to capture the way a subject changes over time. Some people take years or even decades putting together a transformation photo essay, with subjects ranging from people to buildings to trees to particular areas of a city.

Going Behind The Scenes Photo Essay – Many people are fascinated by what goes on behind the scenes of big events. Providing the photographer can get access; to an education photo essay can tell a very unique and compelling story to their viewers with this photo essay.

Photo Essay of a Special Event – There are always events and occasions going on that would make an interesting subject for a photo essay. Ideas for this photo essay include concerts, block parties, graduations, marches, and protests. Images from some of the latter were integral to the popularity of great photo essays.

The Daily Life Photo Essay – This type of photo essay often focus on a single subject and attempt to show “a day in the life” of that person or object through the photographs. This type of photo essay can be quite powerful depending on the subject matter and invoke many feelings in the people who view them.

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Photo Essay Ideas and Examples

One of the best ways to gain a better understanding of photo essays is to view some photo essay samples. If you take the time to study these executions in detail, you’ll see just how photo essays can make you a better photographer and offer you a better “voice” with which to speak to your audience.

Some of these photo essay ideas we’ve already touched on briefly, while others will be completely new to you. 

Cover a Protest or March  

Some of the best photo essay examples come from marches, protests, and other events associated with movements or socio-political statements. Such events allow you to take pictures of angry, happy, or otherwise empowered individuals in high-energy settings. The photo essay narrative can also be further enhanced by arriving early or staying long after the protest has ended to catch contrasting images. 

Photograph a Local Event  

Whether you know it or not, countless unique and interesting events are happening in and around your town this year. Such events provide photographers new opportunities to put together a compelling photo essay. From ethnic festivals to historical events to food and beverage celebrations, there are many different ways to capture and celebrate local life.

Visit an Abandoned Site or Building  

Old homes and historical sites are rich with detail and can sometimes appear dilapidated, overgrown by weeds, or broken down by time. These qualities make them a dynamic and exciting subject. Many great photo essay works of abandoned homes use a mix of far-away shots, close-ups, weird angles, and unique lighting. Such techniques help set a mood that the audience can feel through the photographic essay.

Chronicle a Pregnancy

Few photo essay topics could be more personal than telling the story of a pregnancy. Though this photo essay example can require some preparation and will take a lot of time, the results of a photographic essay like this are usually extremely emotionally-charged and touching. In some cases, photographers will continue the photo essay project as the child grows as well.

Photograph Unique Lifestyles  

People all over the world are embracing society’s changes in different ways. People live in vans or in “tiny houses,” living in the woods miles away from everyone else, and others are growing food on self-sustaining farms. Some of the best photo essay works have been born out of these new, inspiring movements.

Photograph Animals or Pets  

If you have a favorite animal (or one that you know very little about), you might want to arrange a way to see it up close and tell its story through images. You can take photos like this in a zoo or the animal’s natural habitat, depending on the type of animal you choose. Pets are another great topic for a photo essay and are among the most popular subjects for many photographers.

Show Body Positive Themes  

So much of modern photography is about showing the best looking, prettiest, or sexiest people at all times. Choosing a photo essay theme like body positivity, however, allows you to film a wide range of interesting-looking people from all walks of life.

Such a photo essay theme doesn’t just apply to women, as beauty can be found everywhere. As a photo essay photographer, it’s your job to find it!

Bring Social Issues to Life  

Some of the most impactful social photo essay examples are those where the photographer focuses on social issues. From discrimination to domestic violence to the injustices of the prison system, there are many ways that a creative photographer can highlight what’s wrong with the world. This type of photo essay can be incredibly powerful when paired with compelling subjects and some basic text.

Photograph Style and Fashion

If you live in or know of a particularly stylish locale or area, you can put together an excellent thematic photo essay by capturing impromptu shots of well-dressed people as they pass by. As with culture, style is easily identifiable and is as unifying as it is divisive. Great photo essay examples include people who’ve covered fashion sub-genres from all over the world, like urban hip hop or Japanese Visual Kei. 

Photograph Native Cultures and Traditions  

If you’ve ever opened up a copy of National Geographic, you’ve probably seen photo essay photos that fit this category. To many, the traditions, dress, religious ceremonies, and celebrations of native peoples and foreign cultures can be utterly captivating. For travel photographers, this photo essay is considered one of the best ways to tell a story with or without text.

Capture Seasonal Or Time Changes In A Landmark Photo Essay

Time-lapse photography is very compelling to most viewers. What they do in a few hours, however, others are doing over months, years, and even decades. If you know of an exciting landscape or scene, you can try to capture the same image in Winter, Spring, Summer, and Fall, and put that all together into one landmark photo essay.

Alternatively, you can photograph something being lost or ravaged by time or weather. The subject of your landmark photo essay can be as simple as the wall of an old building or as complex as an old house in the woods being taken over by nature. As always, there are countless transformation-based landmark photo essay works from which you can draw inspiration.

Photograph Humanitarian Efforts or Charity  

Humanitarian efforts by groups like Habitat for Humanity, the Red Cross, and Doctors Without Borders can invoke a powerful response through even the simplest of photos. While it can be hard to put yourself in a position to get the images, there are countless photo essay examples to serve as inspiration for your photo essay project.

How to Create a Photo Essay

There is no singular way to create a photo essay. As it is, ultimately, and artistic expression of the photographer, there is no right, wrong, good, or bad. However, like all stories, some tell them well and those who do not. Luckily, as with all things, practice does make perfect. Below, we’ve listed some basic steps outlining how to create a photo essay

Steps To Create A Photo Essay

Choose Your Topic – While some photo essayists will be able to “happen upon” a photo story and turn it into something compelling, most will want to choose their photo essay topics ahead of time. While the genres listed above should provide a great starting place, it’s essential to understand that photo essay topics can cover any event or occasion and any span of time

Do Some Research – The next step to creating a photo essay is to do some basic research. Examples could include learning the history of the area you’re shooting or the background of the person you photograph. If you’re photographing a new event, consider learning the story behind it. Doing so will give you ideas on what to look for when you’re shooting.  

Make a Storyboard – Storyboards are incredibly useful tools when you’re still in the process of deciding what photo story you want to tell. By laying out your ideas shot by shot, or even doing rough illustrations of what you’re trying to capture, you can prepare your photo story before you head out to take your photos.

This process is especially important if you have little to no control over your chosen subject. People who are participating in a march or protest, for instance, aren’t going to wait for you to get in position before offering up the perfect shot. You need to know what you’re looking for and be prepared to get it.

Get the Right Images – If you have a shot list or storyboard, you’ll be well-prepared to take on your photo essay. Make sure you give yourself enough time (where applicable) and take plenty of photos, so you have a lot from which to choose. It would also be a good idea to explore the area, show up early, and stay late. You never know when an idea might strike you.

Assemble Your Story – Once you develop or organize your photos on your computer, you need to choose the pictures that tell the most compelling photo story or stories. You might also find some great images that don’t fit your photo story These can still find a place in your portfolio, however, or perhaps a completely different photo essay you create later.

Depending on the type of photographer you are, you might choose to crop or digitally edit some of your photos to enhance the emotions they invoke. Doing so is completely at your discretion, but worth considering if you feel you can improve upon the naked image.

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Best Photo Essays Tips And Tricks

Before you approach the art of photo essaying for the first time, you might want to consider with these photo essay examples some techniques, tips, and tricks that can make your session more fun and your final results more interesting. Below, we’ve compiled a list of some of the best advice we could find on the subject of photo essays. 

⬥ Experiment All You Want 

You can, and should, plan your topic and your theme with as much attention to detail as possible. That said, some of the best photo essay examples come to us from photographers that got caught up in the moment and decided to experiment in different ways. Ideas for experimentation include the following: 

Angles – Citizen Kane is still revered today for the unique, dramatic angles used in the film. Though that was a motion picture and not photography, the same basic principles still apply. Don’t be afraid to photograph some different angles to see how they bring your subject to life in different ways.

Color – Some images have more gravitas in black in white or sepia tone. You can say the same for images that use color in an engaging, dynamic way. You always have room to experiment with color, both before and after the shoot.

Contrast – Dark and light, happy and sad, rich and poor – contrast is an instantly recognizable form of tension that you can easily include in your photo essay. In some cases, you can plan for dramatic contrasts. In other cases, you simply need to keep your eyes open.

Exposure Settings – You can play with light in terms of exposure as well, setting a number of different moods in the resulting photos. Some photographers even do random double exposures to create a photo essay that’s original.

Filters – There are endless post-production options available to photographers, particularly if they use digital cameras. Using different programs and apps, you can completely alter the look and feel of your image, changing it from warm to cool or altering dozens of different settings.

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If you’re using traditional film instead of a digital camera, you’re going to want to stock up. Getting the right shots for a photo essay usually involves taking hundreds of images that will end up in the rubbish bin. Taking extra pictures you won’t use is just the nature of the photography process. Luckily, there’s nothing better than coming home to realize that you managed to capture that one, perfect photograph. 

⬥ Set the Scene 

You’re not just telling a story to your audience – you’re writing it as well. If the scene you want to capture doesn’t have the look you want, don’t be afraid to move things around until it does. While this doesn’t often apply to photographing events that you have no control over, you shouldn’t be afraid to take a second to make an OK shot a great shot. 

⬥ Capture Now, Edit Later 

Editing, cropping, and digital effects can add a lot of drama and artistic flair to your photos. That said, you shouldn’t waste time on a shoot, thinking about how you can edit it later. Instead, make sure you’re capturing everything that you want and not missing out on any unique pictures. If you need to make changes later, you’ll have plenty of time! 

⬥ Make It Fun 

As photographers, we know that taking pictures is part art, part skill, and part performance. If you want to take the best photo essays, you need to loosen up and have fun. Again, you’ll want to plan for your topic as best as you can, but don’t be afraid to lose yourself in the experience. Once you let yourself relax, both the ideas and the opportunities will manifest.

⬥ It’s All in The Details 

When someone puts out a photographic essay for an audience, that work usually gets analyzed with great attention to detail. You need to apply this same level of scrutiny to the shots you choose to include in your photo essay. If something is out of place or (in the case of historical work) out of time, you can bet the audience will notice.

⬥ Consider Adding Text

While it isn’t necessary, a photographic essay can be more powerful by the addition of text. This is especially true of images with an interesting background story that can’t be conveyed through the image alone. If you don’t feel up to the task of writing content, consider partnering with another artist and allowing them tor bring your work to life.

Final Thoughts 

The world is waiting to tell us story after story. Through the best photo essays, we can capture the elements of those stories and create a photo essay that can invoke a variety of emotions in our audience.

No matter the type of cameras we choose, the techniques we embrace, or the topics we select, what really matters is that the photos say something about the people, objects, and events that make our world wonderful.

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The Photo Essay

About the Genre:

A photo essay is a collection of images that work together to tell a story. As we’ve seen, while photos are often considered incapable of lying because they “quote” from reality rather than altering it, pictures by themselves in isolation (both in time and space) are also often ambiguous and necessarily incomplete. Over time, the subjects of photos become distant and alien to their viewers. John Berger suggests that by creating stories with pictures, we can remedy such ambiguity and alienation by re-creating a “living context” that establishes a field of meaning that makes the photos come to life.

Unlike typical stories (say a written, oral, or video story), however, photo essays can’t provide continuous, seamless narrative meaning, since they are composed of single and “frozen” snapshots.  Therefore, the connections between images are always to a certain degree jarring and surprising. It is your job in this photo essay to compose a story that capitalizes on such surprise by helping the viewer see and build connections between your images. Together, they should contribute to a complex web of meaning that stimulates reflection on your topic and shows the things presented in a new and revealing light.  

S. Byttebier, PhD/Senior Lecturer

The Shot List  (ppt)

Photo essay storyboard

Handout on Captions and Cutlines

Handout on the Photo Essay Introduction

Student Example #1 “London in Color”

Student Example #2  “London: The Isolation of Rich and Poor”

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What is a Good Narrative Photo Essay?

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Early photographers quickly realized that an image could be worth 1,000 words - and in some cases many more. Words evoke a largely intellectual response from those who read them, but images can produce intense emotional reactions. A good photojournalist harnesses this potential to confront viewers with the reality of pain, injustice or whatever his or her story incorporates. Indeed a successful and factual photo essay has the potential to bring about social change, provoke lawmakers in to changing laws, and even end wars.

An effective and successful essay produces an emotional reaction in the majority of viewers. It may cause them to laugh, feel sad, angry or even walk away in tears. Such reactions are evidence of an author's success. Viewers who walk away unmoved feed back a much less positive message about the success of the work. The best photo essays, like good books and music, tend to stand the test of time. They are still around after countless years, often because the message they convey continues to be relevant even though the events portrayed have long since passed in to history.

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How to create an outstanding Photo Essay

If you are working on your photo essay and would wish to know how to create a successful one, we have some tips, tricks, and techniques outlined in this article. With the sophistication of digital publishing, you need to be on your A-game when creating digital photos that tell a story.

As a custom essay writing service , our ultimate goal in this article is to guide you on creating a photo essay without straining. We like it when writing, and creativity is fun altogether. Therefore, we have outlined examples, classifications, and a framework that you can use when creating your photo essay.

This article also bears the definition of what a photo essay is. And although you could use this as a professional or a student, you can pay someone to do your essay on our website. When you do so, a polished essay writer will work with you in creating a good photo essay,

We have creatives with expertise, a knack for experimentation, critical thinking and creativity, and an insatiable urge to produce top content. If it sounds like you could use our help, let us know the best way we can assist you in creating a perfect photography essay.

If, however, all you need is insights to point you in the right direction, here is how to create a good photo essay without straining. Let’s explore!

What is a Photo Essay?

Visual storytelling appeals to everyone who has a sense of sight.

Unlike your typical essay in college, a photo essay is a project where you present a series of photographs or images to tell a story, share a narrative, or push a theme/agenda. Thus, a photo essay facilitates picture-led storytelling , which is a creative innovation in photojournalism.

It is also known as a photographic or picture essay. A great photo essay powerfully evokes emotions and appeals to the understanding of its intended audience without using words or with minimal words alongside the series of images.

A perfectly-created photo essay narrates a story using many photographs that take the viewer along your narrative journey. Indeed, it proves that a picture is worth a thousand words. In this case, since there are many pictures/images, you could say a photo essay is rich in words, flavor, and content, yet it does not have words.

Talking of photo essays, Ansel Adams is one of the revered and famous photo essayists. Other photo essayists include James Nachtwey, Eugene Smith, and Nancy Borowick .

How to Create a Photo Essay in a step-by-step format

Here is a step-by-step approach to follow to successfully create a compelling and engaging photo essay:

Step 1 – Do your Research

If you are to create an attractive and relevant photo essay, begin by researching the best framework to adopt. Look at what people are doing out there and find out how creatively you can do it better. There are inexhaustible ideas and concepts that you can explore when writing a photo essay. If you’ve not chosen a topic, thorough research can help you decide on a topic and handle it well.

Step 2 - Choose a theme for your photo essay

With the research, you can already identify a specific theme or narrative for your picture essay. Therefore, highlight the theme or narrative, write some notes about the direction you will tackle and how you will reach and satisfy your audience.

Step 2 – Choose a topic that aligns with the theme

Following the findings from your research, choose a great topic. You are not that lucky photo essayist who opportunistically happens upon a story and turns it into a brilliant photo essay. Therefore, you should choose an attractive, reasonable, short, and memorable topic. You are free to select any topic that interests you and one that you find fun to work on. Your chosen theme or narrative can help define the topic for your photo essay.

Step 3 – Pick your subjects

With the theme/narrative and the topic, you can then choose your subjects. These are the people, things, sceneries, or places of central focus in your photography essay.  

The subjects are the ones that give your photo essay a voice, strengthen your narrative, and engage the audience.

Step 4 – Select your top images

Define the appropriate number of images that you intend to use when telling the story. For example, if you intend to leave the audience under suspense, choose which images to use and their order of appearance.  Your photo essay project does not have to use all your images but the best.

The best way to integrate your theme, narrative, and subjects is to create a storyboard that helps you decide how to tell the story. Then, when you lay your ideas out, a storyboard helps you focus on what is essential, especially when you have little control over a given subject.

Step 5 – ask for insights and input from others

After creating the storyboard, choosing the photos, and writing a narrative or theme statement, you can share it with someone knowledgeable for critique. You should also invite views and comments from another person. Ensure that you give the entire photo cache to the person so that they can choose, then compare with your best photos and tweak your choice accordingly.

Step 6 – Write the captions and text

With everything set, write the accompanying content for your photo essay. As well, make sure you caption each photo to enhance your visual narrative. Nothing is cast in stone here because you can also drop using image captions. You can experiment with lighting, tone, color, composition, angles, and location so that the narrative flows. Also, don’t forget to create introductory messages and closing messages. You need to have your signature introductory and closing images well-decided.

Step 7 – Edit your work

Now that you have created a photo essay, it is now time to edit everything. You can ask for help or rest and do it when you are energetic and objective. If you want a skilled essay writer to write you an excellent narrative to post alongside your photo essay, you can always trust our essay website.  We can also edit the narrative to maintain a good flow.

Step 8 – Publish/submit your work

If everything else is okay, convert the photo essay to the correct format and submit or publish it. Remember, photo essays can be a portion of a webpage, a webpage, a document, fashion publication, photo editorial, collage of images, or mixed media.

Helpful Tips when compiling your Photographic Essay

If you are on track to become a photo essayist, you need to grasp the most critical photo essaying tips, techniques, and tricks. Here is some best advice you could use to find a subject for your photo essay.

1. Try to tell a diverse and confident story

When you get out there to tell a story, make sure you do it most awesomely. Understand your target audience, do anything that will resonate with their needs, appeal to their emotions, logic, and thoughts, and leave them musing over your narrative. It is, therefore, vital that you consider what your key message will be and be confident when handling it in your photo essay.

2.Storyboard before building

Architects, surgeons, artists, engineers, you name the profession, all begin with either a sketch, blueprint or a plan to visualize the entire concept or creation before its actualization. In the real of photo essays, you have to be invested right from the beginning. Therefore, you need to create a storyboard that helps you to convert your vision, abstract thoughts, and ideas to a concrete plan that you can execute to succeed in your project. A storyboard also doubles as a shortlist for your photography project.

When storyboarding, you will notice that you take an outsider view, which helps you evaluate how every element fits into the larger picture – your narrative/theme. When doing it, you can discard otherwise burdensome but irrelevant content, which saves you time and leaves you to focus more.

Storyboarding is a critical, creative step when building a perfect photo essay as it ensures the flow to your viewers.

3. Have a visual structure

A contemporary photo essay follows a simple or basic framework that gives your theme direction and scope. Therefore, having a visual structure, marker, or framework helps you transform the photo series into a narrative. For instance, this Growing up young photo essay published in the BBC chooses to have quotes from the subjects running alongside the photos. Likewise, the picture essay done by photojournalist Stefanie Glinski titled  One Month in Kabul Under Taliban rule – a photo essay has narrative and captions to further illustrate the themes, content, and narratives.

4. Have a variety of images

To write an exceptional photo essay, ensure that you have as many photos or images as possible. Assemble as much as you think you will need for the project, then use your ruthless photo editing skills to pick the best photos.

Although shedding content hurts, it’s the only best way to achieve the best piece. It is also better to be in a dilemma of which photos to use than wish that you included a specific shot. Having multiple shots ensures that everything is captured. Then compiling your photo series becomes easier.

5. Edit your photos well

When editing, do it ruthlessly. While you cannot be Annie Leibovitz, Stefanie Glinski, or Ansel Adams, you certainly have to up your game to be at par with them. You can either use a professional editor. Alternatively, you can edit your photos using Photoshop, Illustrator, or other image-editing software. Whatever you choose your struggle to be, ensure that you end up with high-quality photos that make sense to your theme or narrative. If you have to refine an image to remove blemish or flaws, use it as long as it ends up fine. Make sure that the focus of each photo is visible and that unwanted areas are cropped out. If you are editing on your own, edit the photos a few days after the shoot to have an objective mind when doing it.

6. Choose the top 10 images

You are not just going to lazily throw images and words all over a structure and have it for the best photo essay out there. Instead, you need to select quality photos that will tell your narrative. Be keen enough to ensure that any photo that makes it to the top 10 list is compelling and poignant. If you notice that you don’t have good equipment to produce or capture quality photos, don’t be afraid to pull in a professional photographer.

7. Use outside input to perfect your choice

When working on a photo essay project, you are not necessarily an island. The photo essayists we’ve mentioned work with teams. You equally need to get a trusted, visually active, and sophisticated individual, professional, or friend to help you.

Have them look at the photos you took and ask them to choose the best. As well, provide them with a written description of your narrative and ask them to select their 10 best photos.

Compare their choice with yours and if they differ, make a point of asking the reason. Listen keenly and tweak your narrative and choice as they most likely reflect what an audience would perceive from the photo essay.

8. Select the best photos from the best

Based on the reasons from your external source (friend, editor, or photographer), select the 10 best photographs to use in telling your story. As well, change the narration if there is a need to tweak it.

9. Write reasonable captions

For your final choice of 10 images, write a befitting caption that will help to enhance your visual narrative. You need to be concise, brief, and clear. If the photos have a strong or exciting background story you wish to run, have the narrative written as content alongside the photos.

However, if you feel like the images can stand alone without captions, don’t beat yourself over it; leave them out. After all, using captions is not a must.

Look at this example of Black Lives Matter Photo Essay (Link to external site).

Apart from the caption, you can add text that contains data, complex metrics, or maps to support your narrative. Using maps can help drive the point home.

10. Focus on the details

Yes, the devil is always in the details. When you eventually display your photo essay to an audience, everybody analyzes it their way. However, when you capture the details, you will take care of each perspective, judgment, and reasoning from your audience. Ensure that you place everything in context and that everything is up to date.

11. Make it fun

Unlike college essays that come with challenges, creating a photo essay should be fun. Therefore, enjoy every bit of the project. Doing so helps you to step up your game, inspire creativity, and relaxes your mind. There is nothing creative and innovative you cannot do in a photo essay with a let loose sort of spirit.

12. Set the scene

When telling a story through photography, you are equally writing your story. Therefore, ensure that you set a scene to capture the moment that appeals to your audience.

For the events that you have no control over, try as much as possible to take photos that match your narrative or theme.

13. Experiment more when taking photos

There is no single bullet to creating an outstanding photo essay. To achieve perfection, let your photo essay express your story in the best way it can. Therefore, you need to test filter effects, use fonts, adjust the visuals, check the contrast, adjust color, hue, and feel, and crop your photos well. With experimentation comes creativity and innovativeness, which birth perfection.

Classification of Photo Essays

In terms of classification, there are two general classes of photo essays where all the genres of photo essays fall. These classes are narrative and thematic.

1. Narrative Photo Essays

A narrative photo essay, as the name suggests, tells a specific story. But, mainly, these types of photo essays tend to tell a peculiar and more direct story.

Unlike thematic photo essays, narrative photo essays give less freedom to the photo essayist. The use of text is to have some sense of completion to the story.

For instance, the 28 Days in Afghanistan by Andrew Quilty published in the SBS is a narrative photo essay that documents the photographer’s experience in the war-torn nation using both text and unadulterated photos.

The picture essay by photojournalist Stefanie Glinski titled  One Month in Kabul Under Taliban rule – a photo essay also falls under this category as it highlights her one-month encounter in Kabul.

2. Thematic photo Essays

Thematic photo essays are topic-specific. For example, they can be on politics, pollution, police brutality, global pandemic, poverty, crime, etc.

You have the freedom of choosing the subjects, location, and you do not necessarily have to incorporate text.

An example of a thematic photo essay is the “ They call us bewitched ” picture essay published in the Guardian. We also bumped into the Olympics Photos: Emotion runs high by the NBC News, which we find as an excellent thematic photo essay. Next, look at this Hurricane Katrina photo essay. It is thematic in the sense that it focuses on a natural disaster. Finally, if you want more examples, this photo essay titled “ From Trayvon Martin to Colin Kaepernick ” details the theme of Black Lives Matter/ police brutality.

Typical Photo Essay Examples/Genres to inspire your creativity

• The daily life photo essay – A Day-in-the-life photo essay tells a story about the day-to-day life of a given subject. It could be a lawyer, president, celebrity, farmer, industrialist, pope, student, etc. most of these photographic essays evoke emotions and help the audience enter into the subject's world.
• Transitioning through life photo essay – These are essays that detail photos of how people transform through life. It can be a photo of a celebrity, president, farmer, or famous person since they were young to date.
• Special events photo essays – As the name suggests, these are photo essays on special events, festivities, and occurrences. The events can be weddings, burials, art exhibitions, car shows, auction events, or celebrations. They have very elaborate and relatable background objects that connect to the main idea.
• Family photo essays – These can be photo essays on family members. You can include photos that show how the family has grown or detailing the family tree. They can also be family business photos that detail the leaders assigned roles to family businesses.
• Protest photo essays – These are thematic photo essays that detail how protests occurred and paint a clear picture of the theme of such protests as the Black Lives Matter protests. When creating a protest photo essay, you should have information about the particular protest. Focus on incidents and protests that occurred in history.
• Sports photo essays – Sports essays can be on sports events such as Olympics, Wimbledon, football leagues, or about sportsmen and women. For instance, the Skysports’ picture essay on Diego Maradona titled Diego Maradona: Images of a football Icon .
• Medical Photo Essays – Organizations such as WHO , Universities , or CDC have various examples of medical photo essays. These visual illustrations focus on medical research, medical practice, diseases, and medical breakthroughs.
• Scientific Photo Essays – Like medical essays, these photo essays detail scientific encounters, breakthroughs, inventions, etc.
• Celebrity photo essays – You can create a photo essay on a celebrity.
• Political photo essays are photo essays that capture and narrate political events, history, and news in a series of photographs and narratives. It could be about leftist and rightist politics or geopolitics as well as policy-making.
• War photo essays – Captures the critical and significant elements of conflict, war, and peace. There are many samples online.
• Timelapse photo essays – These are transformational photo essays that capture the changes of a subject through time. They might take longer to develop and can be on buildings, estates, cities, trees, or landscapes.
• Relationship photo essays – This photo essay genre captures the interaction between people, families, and loved ones. It is the most common assignment in journalism class. It offers an excellent chance to capture emotions like love, family, and friendship.
• Poverty photo essays – This genre of photo essays captures poverty from the standpoint of the subject. They can contain infrastructure, housing, amenities, food, water, etc. They are very emotional and can use narratives. They are the same as drought photo essays that capture how the drought has ravaged a geographic region of interest.
• City photo essays – These are photographic essays that capture a city's feel, life, and pleasures. They are thematic in nature and allow you to focus on specific areas, moods, and feeling that such places evoke.
• Education photo essays – Details issues in education. For instance, it can be a photo essay showing the disparity in access, challenges in education, or infrastructure in education. An example is The Many Faces of Learning, published in the Stanford Social Innovation Review. Another one is Embracing Education , published by the Lutheran World Federation.

As long as you can think of any topic, there is always a picture or photo essay genre where it can fall under. Remember, you can be asked to create a photo essay on a Word Document or PDF for class, which is where you get the chance to display your prowess and creativity.

Common Photo Essay Examples

Here are the famous photo essays that you can draw inspiration from:

• Various American Natural Sites by Ansel Adams
• “Everyday” by Noah Kalina
• “Signed, X” by Kate Ryan 
• “The Vietnam War” by Philip Jones Griffiths
• “The Great Depression” by Dorothea Lange

Structure/Anatomy of a Photo Essay

Here is a blueprint or skeleton of how a basic photo essay can look like

Introductory text/content

This is where you type the text that explains or introduces the photo essay to your audience.

Signature Image

This is the strongest image that has a visual impact on the story you are running. It should be an image that invites the viewers to your story to be interested in looking further. In simple terms, this is your window, attention grabber, or icon; make it count.

This is the picture of a key player or the main subject of your story. You must ensure that the foreground and background elements reinforce the theme or narrative.

Where the subject is caught in real moments, such as in environmental portraits, is reportedly more compelling. You can use a series of posed portraits as well.

Overall wider view

This is the photograph that gives the viewers a sense of the place or part of the place where the story happens. You use such images to create a scene. It can also be a series of detailed images bundled together to set the scene.

Here, you need to follow up with a photograph that explains the finer details. The photo can be abstract but eye-catching in the sense that it draws the attention of the audience. It should be an image that reveals to the audience some aspect that is otherwise missed in a wider shot. You are allowed to use series of small detail photos as a mosaic in one image .

When defining an action, look for a photograph that shows the main theme in your story. For instance, if it is a Black Lives Matter protest, focus on a photo that captures banners, police, and protesters.  Specifically, focus on the most poignant or dramatic images that capture people interacting with one another. You can as well capture gestures or moments that amplify the visual narrative you want to communicate.

Closing Photo and text

This is the powerful closing photograph that lets your audience ponder more about your visual narrative. You can follow it with a text highlighting the thoughts you want the audience to reason with as they come to the end of your photo essay.

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Ten examples of immersive photo essays

By Marissa Sapega — Contributing Writer

Photo essays are one of the most powerful forms of storytelling in the last century. From the great depression photographer W. Eugene Smith to the photojournalism of National Geographic or Life Magazine , the best photo essays entertain, educate, and move readers more than words alone ever could. 

But photo essays have changed. Over the last decade, web publishing technologies — including web browsers and file formats — have improved by leaps and bounds. A good photo essays today is more than a collection of images. It’s a truly interactive, immersive, and multimedia experiences.

In this guide, we introduce 10 stunning examples of visually arresting interactive photo essays to fuel your creative juices.

Now, let's set the scene with a short introduction to immersive, interactive photo essays on the web.

What do the BBC, Tripadvisor, and Penguin have in common? They craft stunning, interactive web content with Shorthand. And so can you! Publish your first story for free — no code or web design skills required. Sign up now.

The rise of immersive, interactive photo essays

What is an immersive, interactive photo essay? Let's take these terms one at a time. 

An immersive photo essay uses rich media and story design to capture and keep the reader's attention. Immersive content is typically free of the most distracting elements of the web, such as pop-ups, skyscrapers, and other intrusions on the reading experience.

As a basic rule of thumb, immersive content respects the reader's attention. 

An interactive photo essay is one that allows the reader to control how the content appears. It may include interactive elements, like maps and embedded applications.

More commonly, modern interactive photo stories use a technique known as scrollytelling . Scrollytelling stories allow the reader to trigger animations and other visual effects as they scroll. Many of the examples in this guide use scrollytelling techniques. Read more scrollytelling examples .

Until relatively recently, immersive, interactive photo essays could only be created with the help of a designer or web developer. But with the rise of digital storytelling platforms , anyone can create compelling, dynamic stories without writing a single line of code.

If you're looking to learn more about how to create a photo essay — or are looking for more photo essay ideas  — check out our introduction to photo essays . 

Photo essay topics

If you’re looking for photo essay examples, chances are you’re looking to create a photo essay for yourself. If you’re just getting started, you might want some guidance on exactly what kinds of topics make for great photo essays.

More experienced photographers — feel free to skip this section. But for those who are just starting out, here’s a quick list of classic photo essay subject matter, for all types of photo essays.

• Local events. A great way to start out is photograph local events in your community, such as a high school fundraiser. A bonus is that you’ll have a ready
• Historic sites. Another classic photo essay topic is an exploration of a historic site. This could be a building, a monument, or even just a specific location that has significance.
• Profile of a person. A great way to get to know someone is to profile them in a photo essay. This could be a family member, friend, or even just someone you’ve met.
• Animals in captivity. Another popular subject matter for photo essays is animals in captivity, whether that’s at a zoo or elsewhere.
• A day in the life. Have you ever wondered what it’s like to live someone else’s life for a day? Why not find out and document it in a photo essay?
• Street photography. Another great way to practice your photography skills is to head out into the streets and photograph the everyday lives of people around you. The world has plenty of photo essays of cities like New York and London. But what about street photography in your own backyard?
• Still life photography. Still life photography is all about capturing inanimate objects on film. This could be anything from flowers to furniture to food. It’s a great way to practice your photography skills and learn about composition
• Landscapes . Landscape photography is one of the most popular genres, and for good reason. There are endless possibilities when it comes to finding interesting subjects to shoot. So get out there and start exploring!
• Abandoned buildings. There’s something fascinating about abandoned buildings. They offer a glimpse into the past, and can be eerily beautiful. If you have any in your area, they make for great photo essay subjects.
• Lifestyles. Document someone who lives a lifestyle that’s different from your own. This could be a portrayal of an everyday person, or it could be someone with an unusual job or hobby.
• Social issues. Take photos depicting significant social issues in your community, remembering to respect your subjects.

Ten inspiring photo essay examples

Pink lagoon and peculiar galaxies — July’s best science images

In Pink lagoon and peculiar galaxies , Nature present a mesmerising series of images from the natural world. Highlights include:

• a blink-and-you’ll-miss-it photo of rare albino orcas performing feats of synchronized swimming;
• an arresting aerial view of the aftermath of the flash floods in Germany; and,
• a scarlet gawping Venus flytrap sea anemone. 

The best part? Nature publishes similarly powerful photo essays every month, showcasing some of the best and most creative photography of the natural world anywhere on the web.

Vanishing Lands

Vanishing lands — an ominously interesting photo essay from media company Stuff — opens with a bucolic visual featuring meandering sheep flanked by breathtaking mountains that blur into obscurity.

Soon, more awe-inspiring photos of breathtaking New Zealand farmland appear, accompanied by expressive prose whose tone matches the visuals’ stark beauty.

In this unflinchingly honest photographic essay, Stuff takes the viewer behind the scenes with a day in the life of a high country sheep farmer facing an uncertain future. One stunning photo fades into the next as you scroll through, broken only by the occasional noteworthy quote and accompanying narrative.

Olympic photos: Emotion runs high

This emotionally wrought sports story from NBC begins with a close-up of an anxious Simone Biles, her expression exemplifying the tension and frustration echoed on so many of her fellow athletes’ faces.

The subtitle puts it perfectly: “The agony—and thrill—of competition at the Olympics is written all over their faces.”

Devastation, disappointment, and defeat take centre stage in this piece — but not all the subjects of the photos in this compelling photography essay depict misery. Some of the images, like that taken of the gold medal-winning Russian artistic gymnasts, manage to project the athletes’ joy almost beyond the edges of the screen.

The NBC editors who created this visual story chose to display the series of photos using the entire screen width and limit the copy to simple captions, letting the visuals speak for themselves. The result is a riveting montage of photographs that manage to capture the overarching sentiment of the 2020 Olympic Games.

James Epp: A Twist of the Hand

In A Twist of the Hand , the Museum of Classical Archaeology at the University of Cambridge have produced a gorgeous photo essay. This online art show showcases artist James Epp’s installation, combining photographs of the exhibit with images of museum prints and authentic artefacts.

As you scroll down, close-up shots of the installation make you feel like you’re physically wandering among the ancient sculptures, able to examine hairline spider cracks and tiny divots marking the surface of every antiquated figure. In between the photos—and often flanked by museum prints—are James Epp's musings about what inspired him to create the pieces. It’s an absorbing virtual gallery that will no doubt inspire real life visits to the exhibition.

The Café Racer Revolution

Though it’s a cleverly built piece of interactive content marketing , Honda’s “ Café Racer Revolution ” is also a great photo essay. Alongside information about the latest and greatest motorcycles Honda has to offer, it details the history of the bikers who sought to employ motorcycles (specifically “café racers”) as a way to forge an identity for themselves and project a “statement of individuality.”

Scroll down, and nostalgic black-and-white photos give way to contemporary action shots featuring fully decked-out motorcyclists on various Honda models.

Dynamic photos of bikes rotate them 360 degrees when you mouse over them, and text superimposed over flashy shots rolls smoothly down the screen as you scroll. This photo essay will stir a longing to hit the open road for anyone who has ever dreamed of owning one of Honda’s zippy bikes.

Built to keep Black from white

In Built to keep Black from white , NBC News and BridgeDetroit have built a stunning narrative photo essay that encapsulates the history of Detroit’s Birwood Wall — a literal dividing line intended to separate neighborhoods inhabited by people of different races. 

The piece begins with a brief history of the concrete barrier. Between paragraphs of text, it weaves in quotes from residents who grew up as the wall was erected and a short video. Animated maps highlighting the affected neighborhoods unspool across the screen as you scroll down, accompanied by brief explanations of what the maps represent.

In the series of photographs that follow, contemporary images transition into decades-old shots of the wall when it was newly constructed. This is followed by images of original real estate documents, resident portraits, and additional animated maps — each considering the issue from different angles.

The piece ends with an interactive display of how Detroit’s racial makeup has changed over the past several decades, from majority white to black, and how the wall has impacted the lives of its residents who lived (and died) within its borders.

The story of Black Lives Matter in sport

The BBC pairs illustrations and bold imagery in this photo essay on how athletes participated in the Black Lives Matter movement . At the start, a narrow column of text leads into an iconic image of American football players kneeling during the pre-game national anthem in a solemn protest against police brutality. 

The first excerpt, a summary of Trayvon Martin’s death in 2012, draws you in with piercing prose capped off with photographs that bleed into one another. Every account in the photo essay follows this layout.

WaterAid Climate Stories

Climate change affects everyone on the planet, but some people are feeling the effects more than others. WaterAid’s scrollytelling photo essay illuminates the plight of individuals living in areas where extreme weather conditions — caused by climate change — have drastically impacted the water supply and environment, endangering their livelihoods and ability to survive.

This climate change story starts with an engrossing video that provides an up-close and personal look at the devastation that climate change-induced droughts have wreaked on people and the environment. As you scroll down, images of massively depleted bodies of water with superimposed text and quotes unfold before your eyes. It’s an efficient way to drive home the critical message WaterAid wants to convey: climate change is real, and it’s harming real people.

Each extreme weather story focuses on an individual to help viewers empathise and understand that climate change has real, drastic consequences for millions of people worldwide. The piece ends with a call to action to learn more about and financially support WaterAid’s fight to assist people living in the desperate situations depicted in the essay.

28 Days in Afghanistan

In this piece, Australian photo-journalist Andrew Quilty tells the story of the four weeks he spent in Afghanistan . He captures daily events ranging from the mundane—like a casual visit to his barber—to jarring. More than one photo documents blood-spattered victims of violence.

Viewers must scroll through the piece to follow Andrew’s daily musings and the striking photos that accompany them. His photo essay is a powerful example of how scrollytelling is transforming the art of long-form journalism .

La carrera lunática de Musk y Bezos (Musk and Bezos' lunatic careers)

Billionaires Elon Musk and Jeff Bezos are angling to conquer the final frontier: space.

El Periódico captures their story via a whimsically illustrated photo essay, filled with neon line drawings and bold photos of the massive spaceships, the hangars that house them, and footprints on the moon. La carrera lunática de Musk y Bezos describes the battle between the two titans’ space companies (Blue Origin and SpaceX) for the honor of partially funding NASA’s next mission to the moon.

As you scroll down, white and fluorescent yellow words on a black background roll smoothly over images. The team at El Periódico slips in stylistic animations to break up the text—such as rocket ships with shimmering “vapour trails”—then ups the ante with a series of moon images that transition into portraits of the 12 U.S. astronauts who visited the celestial body.

The photo essay ends with the question: “Who will be the next to leave their footprints on the dusty lunar soil?” At the time of publishing, NASA had not yet decided between the two companies. (Spoiler alert: SpaceX won .)

Marissa Sapega is a seasoned writer, editor, and digital marketer with a background in web and graphic design.

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• 33 Writing Photo Essays

Start-Up Activity

Share appropriate magazines that include photos and text, such as National Geographic or Life . Have students page through the magazines, looking for photos that draw their attention. Ask what they like about the photos. Ask what they can learn from the photos. Ask them to close their eyes and imagine the magazine with no photos, just words.

Lead a discussion about the power of pictures. Help students understand that when they connect words and photos, they can reach their audience in all new ways.

Think About It

“We try to grab pieces of our lives as they speed past us. Photographs freeze those pieces and help us remember how we were.”

—Gene McSweeney

State Standards Covered in This Chapter

• CCSS.ELA-LITERACY.RI.6.1
• CCSS.ELA-LITERACY.RI.6.2
• CCSS.ELA-LITERACY.RI.6.3
• CCSS.ELA-LITERACY.RI.6.7
• CCSS.ELA-LITERACY.W.6.2
• CCSS.ELA-LITERACY.W.6.2.A
• CCSS.ELA-LITERACY.W.6.2.B
• CCSS.ELA-LITERACY.W.6.4
• CCSS.ELA-LITERACY.W.6.5
• CCSS.ELA-LITERACY.W.6.7
• CCSS.ELA-LITERACY.W.6.2.C
• CCSS.ELA-LITERACY.W.6.2.D
• CCSS.ELA-LITERACY.W.6.2.E
• CCSS.ELA-LITERACY.W.6.2.F
• CCSS.ELA-LITERACY.W.6.6

LAFS Covered in This Chapter

Lafs.6.ri.1.1, lafs.6.ri.1.2, lafs.6.ri.1.3, lafs.6.ri.3.7, lafs.6.w.1.2, lafs.6.w.2.4, lafs.6.w.2.5, lafs.6.w.3.7, lafs.6.w.2.6, teks covered in this chapter, 110.22.b.5.f, 110.22.b.8.d, 110.22.b.8.d.i, 110.22.b.6.d, 110.22.b.8.d.iii, 110.22.b.8.f, 110.22.b.10, 110.22.b.11.b, 110.22.b.10.a, 110.22.b.10.b.i, 110.22.b.10.b.ii, 110.22.b.10.b, 110.22.b.10.c, 110.22.b.10.d, 110.22.b.12, 110.22.b.10.e, page 171 from write on track, sample photo essay.

Have volunteers read each paragraph of the sample photo essay. When a photo accompanies a paragraph, stop to discuss the photo. "How does the photo make the ideas clearer?" "What is the photo doing that the text can't do?" Point out to students that each photo must be carefully chosen and positioned, just as the words are carefully chosen and positioned.

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Page 172 from Write on Track

Ask for a student volunteer to read the paragraph in the middle of the photo essay.

Then ask for other volunteers to describe "what the photo shows you." Help students understand that they can learn a great deal from a photo.

Page 173 from Write on Track

Have a volunteer read the paragraph. Then lead a discussion about what they see. Ask students what the photos are doing that words alone can't do.

Then have a volunteer read the last part of the essay.

Page 174 from Write on Track

Writing a photo essay.

Have your students list interesting people they know who have jobs or hobbies that other students would like to find out about. Students then should pick a topic.

Lead students through the next two sets of tips, having them research their topics and collect photos. If they know the person, they may want to interview him or her and take pictures. If they don't know the person, they may need to do research in books and online.

At the bottom of the page, remind students that the photos they include shouldn't just be "for show." They should communicate ideas that words can't express.

Page 175 from Write on Track

Writing, revising, and editing.

After students have gathered information and images for their photo essays, lead them through "Writing a Draft." Then give them time to put their first drafts together.

When the time comes to revise, have students use the questions under "Revising" to improve their work. Also, have peer readers use these questions to suggest improvements.

After revising, have students check for spelling, capitalization, and punctuation errors.

• 01 Understanding Writing
• 02 One Writer's Process
• 03 Qualities of Writing
• 04 Selecting a Topic
• 05 Collecting Details
• 06 Writing a First Draft
• 07 Revising and Editing
• 08 Publishing Your Writing
• 09 Writing Basic Sentences
• 10 Combining Sentences
• 11 Writing Paragraphs
• 12 Understanding Text Structures
• 13 Writing in Journals and Logs
• 14 Writing Lists
• 15 Making Albums
• 16 Writing Notes and Emails
• 17 Writing Friendly Letters
• 18 Writing Personal Narratives
• 19 Writing Family Stories
• 20 Writing Realistic Stories
• 21 Writing Time-Travel Fantasies
• 22 Writing Tall Tales
• 23 Writing Alphabet Books
• 24 How-To Writing
• 25 Writing Information Essays
• 26 Writing Newspaper Stories
• 27 Writing Persuasive Essays
• 28 Writing Opinion Letters
• 29 Writing Book Reviews
• 30 Making Bookmarks
• 31 Writing Classroom Reports
• 32 Writing Summaries
• 34 Writing Free-Verse Poetry
• 35 Traditional and Playful Poetry
• 36 Writing Plays
• 37 Using the Library
• 38 Using Technology
• 39 Reading to Understand Fiction
• 40 Reading to Understand Nonfiction
• 41 Reading Graphics
• 42 Reading New Words
• 43 Building Vocabulary Skills
• 44 Using Prefixes, Suffixes, Roots
• 45 Becoming a Better Speller
• 46 Learning to View
• 47 Giving Speeches
• 48 Performing Poems
• 49 Telling Stories
• 50 Learning to Interview
• 51 Listening to Learn
• 52 Using Graphic Organizers
• 53 Thinking Clearly
• 54 Thinking Creatively
• 55 Completing Assignments
• 56 Working in Groups
• 57 Taking Tests
• 58 Proofreader's Guide
• 59 Student Almanac

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PHOTO ESSAY: Meaning, Uses, Characteristics, And More

PHOTO ESSAY – In this topic, we will now talk about the definition of a photo essay, its following uses and characteristics, and more.

It is a set, series, or amalgamate of photographs that are created in order to give a series of emotions to the reader. As the name says, the essay will often show pictures in extreme or deep emotional stages.

They are often described as a fully photographic output or photos with captions short or long to describe what the photo is all about.

Characteristics

Here are some of its characteristics

• Sequential essays tend to have a plot or a story
• Non-sequential essays focus more on the emotions it portrays.
• Captions can also be black or white, in various fonts, bold text, and chapters
• The topics on this kind of essays are mostly sequential or time, location or place, ideas, and events.
• An article in publication, may it be in full page or a two-page spread
• A book of compilation.
• In a web page or part of a web site
• A montage or collage of photos, with captions, which is basically mixed media
• Photo editorials in the field of fashion publishing

An essay containing the college years of former American President Barack Obama by Time

A compilation of photos of the same place.

Some Well-known Photographers

1. W. Eugene Smith

Also known fully as William Eugene Smith, he is described as the solely most important American photographer in the development of photo essay. His works include World War II photos, the city of Pittsburgh, and more.

2. Ansel Adams

A landscape photographer and environmentalist. He is well know for his black-and-white photos of the American West.

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How Pew Research Center will report on generations moving forward

Journalists, researchers and the public often look at society through the lens of generation, using terms like Millennial or Gen Z to describe groups of similarly aged people. This approach can help readers see themselves in the data and assess where we are and where we’re headed as a country.

Pew Research Center has been at the forefront of generational research over the years, telling the story of Millennials as they came of age politically and as they moved more firmly into adult life . In recent years, we’ve also been eager to learn about Gen Z as the leading edge of this generation moves into adulthood.

But generational research has become a crowded arena. The field has been flooded with content that’s often sold as research but is more like clickbait or marketing mythology. There’s also been a growing chorus of criticism about generational research and generational labels in particular.

Recently, as we were preparing to embark on a major research project related to Gen Z, we decided to take a step back and consider how we can study generations in a way that aligns with our values of accuracy, rigor and providing a foundation of facts that enriches the public dialogue.

A typical generation spans 15 to 18 years. As many critics of generational research point out, there is great diversity of thought, experience and behavior within generations.

We set out on a yearlong process of assessing the landscape of generational research. We spoke with experts from outside Pew Research Center, including those who have been publicly critical of our generational analysis, to get their take on the pros and cons of this type of work. We invested in methodological testing to determine whether we could compare findings from our earlier telephone surveys to the online ones we’re conducting now. And we experimented with higher-level statistical analyses that would allow us to isolate the effect of generation.

What emerged from this process was a set of clear guidelines that will help frame our approach going forward. Many of these are principles we’ve always adhered to , but others will require us to change the way we’ve been doing things in recent years.

Here’s a short overview of how we’ll approach generational research in the future:

We’ll only do generational analysis when we have historical data that allows us to compare generations at similar stages of life. When comparing generations, it’s crucial to control for age. In other words, researchers need to look at each generation or age cohort at a similar point in the life cycle. (“Age cohort” is a fancy way of referring to a group of people who were born around the same time.)

When doing this kind of research, the question isn’t whether young adults today are different from middle-aged or older adults today. The question is whether young adults today are different from young adults at some specific point in the past.

To answer this question, it’s necessary to have data that’s been collected over a considerable amount of time – think decades. Standard surveys don’t allow for this type of analysis. We can look at differences across age groups, but we can’t compare age groups over time.

Another complication is that the surveys we conducted 20 or 30 years ago aren’t usually comparable enough to the surveys we’re doing today. Our earlier surveys were done over the phone, and we’ve since transitioned to our nationally representative online survey panel , the American Trends Panel . Our internal testing showed that on many topics, respondents answer questions differently depending on the way they’re being interviewed. So we can’t use most of our surveys from the late 1980s and early 2000s to compare Gen Z with Millennials and Gen Xers at a similar stage of life.

This means that most generational analysis we do will use datasets that have employed similar methodologies over a long period of time, such as surveys from the U.S. Census Bureau. A good example is our 2020 report on Millennial families , which used census data going back to the late 1960s. The report showed that Millennials are marrying and forming families at a much different pace than the generations that came before them.

Even when we have historical data, we will attempt to control for other factors beyond age in making generational comparisons. If we accept that there are real differences across generations, we’re basically saying that people who were born around the same time share certain attitudes or beliefs – and that their views have been influenced by external forces that uniquely shaped them during their formative years. Those forces may have been social changes, economic circumstances, technological advances or political movements.

When we see that younger adults have different views than their older counterparts, it may be driven by their demographic traits rather than the fact that they belong to a particular generation.

The tricky part is isolating those forces from events or circumstances that have affected all age groups, not just one generation. These are often called “period effects.” An example of a period effect is the Watergate scandal, which drove down trust in government among all age groups. Differences in trust across age groups in the wake of Watergate shouldn’t be attributed to the outsize impact that event had on one age group or another, because the change occurred across the board.

Changing demographics also may play a role in patterns that might at first seem like generational differences. We know that the United States has become more racially and ethnically diverse in recent decades, and that race and ethnicity are linked with certain key social and political views. When we see that younger adults have different views than their older counterparts, it may be driven by their demographic traits rather than the fact that they belong to a particular generation.

Controlling for these factors can involve complicated statistical analysis that helps determine whether the differences we see across age groups are indeed due to generation or not. This additional step adds rigor to the process. Unfortunately, it’s often absent from current discussions about Gen Z, Millennials and other generations.

When we can’t do generational analysis, we still see value in looking at differences by age and will do so where it makes sense. Age is one of the most common predictors of differences in attitudes and behaviors. And even if age gaps aren’t rooted in generational differences, they can still be illuminating. They help us understand how people across the age spectrum are responding to key trends, technological breakthroughs and historical events.

Each stage of life comes with a unique set of experiences. Young adults are often at the leading edge of changing attitudes on emerging social trends. Take views on same-sex marriage , for example, or attitudes about gender identity .

Many middle-aged adults, in turn, face the challenge of raising children while also providing care and support to their aging parents. And older adults have their own obstacles and opportunities. All of these stories – rooted in the life cycle, not in generations – are important and compelling, and we can tell them by analyzing our surveys at any given point in time.

When we do have the data to study groups of similarly aged people over time, we won’t always default to using the standard generational definitions and labels. While generational labels are simple and catchy, there are other ways to analyze age cohorts. For example, some observers have suggested grouping people by the decade in which they were born. This would create narrower cohorts in which the members may share more in common. People could also be grouped relative to their age during key historical events (such as the Great Recession or the COVID-19 pandemic) or technological innovations (like the invention of the iPhone).

By choosing not to use the standard generational labels when they’re not appropriate, we can avoid reinforcing harmful stereotypes or oversimplifying people’s complex lived experiences.

Existing generational definitions also may be too broad and arbitrary to capture differences that exist among narrower cohorts. A typical generation spans 15 to 18 years. As many critics of generational research point out, there is great diversity of thought, experience and behavior within generations. The key is to pick a lens that’s most appropriate for the research question that’s being studied. If we’re looking at political views and how they’ve shifted over time, for example, we might group people together according to the first presidential election in which they were eligible to vote.

With these considerations in mind, our audiences should not expect to see a lot of new research coming out of Pew Research Center that uses the generational lens. We’ll only talk about generations when it adds value, advances important national debates and highlights meaningful societal trends.

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