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• Generate topic ideas for an essay or paper | Tips & techniques

Generate Topic Ideas For an Essay or Paper | Tips & Techniques

Published on November 17, 2014 by Shane Bryson . Revised on July 23, 2023 by Shona McCombes.

If you haven’t been given a specific topic for your essay or paper , the first step is coming up with ideas and deciding what you want to write about. Generating ideas is the least methodical and most creative step in academic writing .

There are infinite ways to generate ideas, but no sure-fire way to come up with a good one. This article outlines some tips and techniques for choosing a topic – use the ones that work best for you.

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Table of contents

Understanding the assignment, techniques for generating topic ideas, tips for finding a good idea, other interesting articles.

First, you need to determine the scope of what you can write about. Make sure you understand the assignment you’ve been given, and make sure you know the answers to these questions:

• What is the required length of the paper (in words or pages)?
• What is the deadline?
• Should the paper relate to what you’ve studied in class?
• Do you have to do your own research and use sources that haven’t been taught in class?
• Are there any constraints on the subject matter or approach?

The length and deadline of the assignment determine how complex your topic can be. The prompt might tell you write a certain type of essay, or it might give you a broad subject area and hint at the kind of approach you should take.

This prompt gives us a very general subject. It doesn’t ask for a specific type of essay, but the word explain suggests that an expository essay is the most appropriate response.

This prompt takes a different approach to the same subject. It asks a question that requires you to take a strong position. This is an argumentative essay that requires you to use evidence from sources to support your argument.

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Getting started is often the hardest part. Try these 3 simple strategies to help get your mind moving.

Talk it out

Discussing ideas with a teacher, friend or fellow student often helps you find new avenues to approach the ideas you have and helps you uncover ideas you might not have considered.

Write down as many ideas as you can and make point form notes on them as you go. When you feel you’ve written down the obvious things that relate to an idea, move on to a new one, or explore a related idea in more depth.

You can also cluster related ideas together and draw connections between them on the page.

This strategy is similar to brainstorming, but it is faster and less reflective. Give yourself a broad topic to write about. Then, on a pad of paper or a word processor, write continuously for two or three minutes. Don’t stop, not even for a moment.

Write down anything that comes to mind, no matter how nonsensical it seems, as long as it somehow relates to the topic you began with. If you need to, time yourself to make sure you write for a few minutes straight.

When you’ve finished, read through what you’ve written and identify any useful ideas that have come out of the exercise.

Whichever strategy you use, you’ll probably come up with lots of ideas, but follow these tips to help you choose the best one.

Don’t feel you need to work logically

Good ideas often have strange origins. An apple fell on Isaac Newton’s head, and this gave us the idea of gravity. Mary Shelley had a dream, and this gave us her famous literary classic, Frankenstein .

It does not matter how you get your idea; what matters is that you find a good one.

Work from general to specific

Your first good idea won’t take the form of a fully-formed thesis statement . Find a topic before you find an argument.

You’ll need to think about your topic in broad, general terms before you can narrow it down and make it more precise.

Maintain momentum

Don’t be critical of your ideas at this stage – it can hinder your creativity. If you think too much about the flaws in your ideas, you will lose momentum.

Creative momentum is important: the first ten in a string of related ideas might be garbage, but the eleventh could be pure gold. You’ll never reach the eleventh if you shut down your thought process at the second.

Let ideas go

Don’t get too attached to the first appealing topic you think of. It might be a great idea, but it also might turn out to be a dud once you start researching and give it some critical thought .

Thinking about a new topic doesn’t mean abandoning an old one – you can easily come back to your original ideas later and decide which ones work best.

Choose a topic that interests you

A bored writer makes for boring writing. Try to find an idea that you’ll enjoy writing about, or a way to integrate your interests with your topic.

In the worst case scenario, pick the least boring topic of all of the boring topics you’re faced with.

Keep a notepad close

Good ideas will cross your mind when you least expect it. When they do, make sure that you can hold onto them.

Many people come up with their best ideas just before falling asleep; you might find it useful to keep a notepad by your bed.

Once you’ve settled on an idea, you’ll need to start working on your thesis statement and planning your paper’s structure.

If you find yourself struggling to come up with a good thesis on your topic, it might not be the right choice – you can always change your mind and go back to previous ideas.

Write a thesis statement Make an essay outline

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Generating Ideas for Your Paper

• Introduction

Good writing requires good ideas—intriguing concepts and analysis that are clearly and compellingly arranged. But good ideas don’t just appear like magic. All writers struggle with figuring out what they are going to say. And while there is no set formula for generating ideas for your writing, there is a wide range of established techniques that can help you get started.

This page contains information about those techniques. Here you’ll find details about specific ways to develop thoughts and foster inspiration. While many writers employ one or two of these strategies at the beginning of their writing processes in order to come up with their overall topic or argument, these techniques can also be used any time you’re trying to figure out how to effectively achieve any of your writing goals or even just when you’re not sure what to say next.

What is Invention?

Where do ideas come from? This is a high-level question worthy of a fascinating TED Talk or a Smithsonian article , but it also represents one of the primary challenges of writing. How do we figure out WHAT to write?

Even hundreds of years ago, people knew that a text begins with an idea and that locating this idea and determining how to develop it requires work. According to classical understandings of rhetoric, the first step of building an argument is invention. As Roman thinker Cicero argued, people developing arguments “ought first to find out what [they] should say” ( On Oratory and Orators 3.31). Two hundred years before Cicero, the Greek philosopher Aristotle detailed a list of more than two dozen ideas a rhetor might consider when figuring out what to say about a given topic ( On Rhetoric , 2.23). For example, Aristotle suggested that a good place to start is to define your key concepts, to think about how your topic compares to other topics, or to identify its causes and effects. (For ideas about using Aristotle’s advice to generate ideas for your own papers, check out this recommended technique .)

More recently, composition scholar Joseph Harris has identified three values important for writers just starting a project. Writers at early stages in their writing process can benefit from being: Receptive to unexpected connections You never know when something you read or need to write will remind you of that movie you watched last weekend or that anthropology theory you just heard a lecture about or that conversation you had with a member of your lab about some unexpected data you’ve encountered. Sometimes these connections will jump out at you in the moment or you’ll suddenly remember them while you’re vacuuming the living room. Harris validates the importance of “seizing hold of those ideas that do somehow come to you” (102). While you can’t count on these kinds of serendipities, be open to them when they occur. Be ready to stop and jot them down! Patient Harris supports the value of patience and “the usefulness of boredom, of letting ideas percolate” (102). It can take time and long consideration to think of something new. When possible, give yourself plenty of time so that your development of ideas is not stifled by an immediate due date. Compelled by the unknown According to Harris, “a writer often needs to start not from a moment of inspiration ( eureka! ) but from the need to work through a conceptual problem or roadblock. Indeed, I’d suggest that most academic writing begins with such questions rather than insights, with difficulties in understanding rather than moments of mastery” (102). Sometimes a very good place to begin is with what you don’t know, with the questions and curiosities that you genuinely want resolved.

In what follows, we describe ten techniques that you can select from and experiment with to help guide your invention processes. Depending on your writing preferences, context, and audience, you might find some more productive than others. Also, it might be useful to utilize various techniques for different purposes. For example, brainstorming might be great for generating a variety of possible ideas, but looped freewriting might help you develop those ideas. Think of this list as a collection of recommended possibilities to implement at your discretion. However, we think the first technique described below—“Analyzing the Assignment or Task”—is a great starting point for all writers.

Any of these strategies can be useful for generating ideas in connection to any writing assignment. Even if the paper you’re writing has a set structure (e.g., scientific reports’ IMRAD format or some philosophy assignments’ prescribed argumentative sequence), you still have to invent and organize concepts and supporting evidence within each section. Additionally, these techniques can be used at any stage in your writing process. Your ideas change and develop as you write, and sometimes when you’re in the middle of a draft or when you’re embarking on a major revision, you find yourself rethinking key elements of your paper. At these moments, it might be useful to turn to some of these invention techniques as a way to slow down and capture the ephemeral thoughts and possibilities swirling around your writing tasks. These practices can help guide you to new ideas, questions, and connections. No matter what you’re writing or where you are in the process, we encourage you to experiment with invention strategies you may not have tried before. Mix and match. Be as creative and adventurous with how you generate ideas just as you are creative and adventurous with what ideas you generate.

Some Invention Techniques

Analyzing the assignment or task.

What do I do? If you are writing a paper in response to a course instructor’s assignment, be sure to read the prompt carefully while paying particular attention to all of its requirements and expectations. It could be that the assignment is built around a primary question; if so, structure your initial thoughts around possible answers to that question. If it isn’t, use your close consideration of this assignment to recast the prompt as a question.

The following list of questions are ones that you can ask of the assignment in order to understand its focus and purpose as well as to begin developing ideas for how to effectively respond to its intensions. You may want to underline key terms and record your answers to these questions:

• When is this due?
• How long is supposed to be?
• Is the topic given to me?
• If I get to choose my topic, are there any stipulations about the kind of topic and I can choose?
• What am I expected to do with this topic? Analyze it? Report about it? Make an argument about it? Compare it to something else?
• Who is my audience and what does this audience know, believe, and value about my topic?
• What is the genre of this writing (i.e., a lab report, a case study, a research paper, a reflection, a scholarship essay, an analysis of a work of literature or a painting, a summary and analysis of a reading, a literature review, etc.), and what does writing in this genre usually look like, consist of, or do?

Why is this technique useful? Reading over the assignment prompt may sound like an obvious starting point, but it is very important that your invention strategies are informed by the expectations your readers have about your writing. For example, you might brainstorm a fascinating thesis about how Jules Verne served as a conceptual progenitor of the nuclear age, but if your assignment is asking you to describe the differences between fission and fusion and provide examples, this great idea won’t be very helpful. Before you let your ideas run free, make sure you fully understand the boundaries and possibilities provided by the assignment prompt.

Additionally, some assignments begin to do the work of invention for you. Instructors sometimes identify specifically what they want you to write about. Sometimes they invite you to choose from several guiding questions or a position to support or refute. Sometimes the genre of the text can help you identify how this kind of assignment should begin or the order your ideas should follow. Knowing this can help you develop your content. Before you start conjuring ideas from scratch, make sure you glean everything you can from the prompt.

Finally, just sitting with the assignment and thinking through its guidelines can sometimes provide inspiration for how to respond to its questions or approach its challenges.

Reading Again

What do I do? When your writing task is centered around analyzing a primary source, information you collected, or another kind of text, start by rereading it. Perhaps you are supposed to develop an argument about an interview you conducted, an article or short story you read, an archived letter you located, or even a painting you viewed or a particular set of data. In order to develop ideas about how to approach this object of analysis, read and analyze this text again. Read it closely. Be prepared to take notes about its interesting features or the questions this second encounter raises. You can find more information about rereading literature to write about it here and specific tips about reading poetry here .

Why is this technique useful? When you first read a text, you gain a general overview. You find out what is happening, why it’s happening, and what the argument is. But when you reread that same text, your attention is freed to attend to the details. Since you know where the text is heading, you can be alert to patterns and anomalies. You can see the broader significance of smaller elements. You can use your developing familiarity with this text to your advantage as you become something of a minor expert whose understanding of this object deepens with each re-read. This expertise and insight can help lead you towards original ideas about this text.

Brainstorming/Listing

What do I do? First, consider your prompt, assignment, or writing concern (see “Analyzing the Assignment or Task”). Then start jotting down or listing all possible ideas for what you might write in response. The goal is to get as many options listed as possible. You may wish to develop sub-lists or put some of your ideas into different categories, but don’t censor or edit yourself. And don’t worry about writing in full sentences. Write down absolutely everything that comes to mind—even preposterous solutions or unrealistic notions. If you’re working on a collaborative project, this might be a process that you conduct with others, something that involves everyone meeting at the same time to call out ideas and write them down so everyone can see them. You might give yourself a set amount of time to develop your lists, or you might stretch out the process across a couple of days so that you can add new ideas to your lists whenever they occur to you.

Why is this technique useful? The idea behind this strategy is to open yourself up to all possibilities because sometimes even the most seemingly off-the-wall idea has, at its core, some productive potential. And sometimes getting to that potential first involves recognizing the outlandish. There is time later in your writing process to think critically about the viability of your options as well as which possibilities effectively respond to the prompt and connect to your audience. But brainstorming or listing sets those considerations aside for a moment and invites you to open your imagination up to all options.

Freewriting

What do I do? Sit down and write about your topic without stopping for a set amount of time (i.e., 5-10 minutes). The goal is to generate a continuous, forward-moving flow of text, to track down all of your thoughts about this topic, as if you are thinking on the page. Even if all you can think is, “I don’t know what to write,” or, “Is this important?” write that down and keep on writing. Repeat the same word or phrase over again if you need to. If you’re writing about an unfamiliar topic, maybe start by writing down everything you know about it and then begin listing questions you have. Write in full sentences or in phrases, whatever helps keep your thoughts flowing. Through this process, don’t worry about errors of any kind or gaps in logic. Don’t stop to reread or revise what you wrote. Let your words follow your thought process wherever it takes you.

Why is this technique useful? The purpose of this technique is to open yourself up to the possibilities of your ideas while establishing a record of what those ideas are. Through the unhindered nature of this open process, you are freed to stumble into interesting options you might not have previously considered.

Invisible Writing

What do I do? In this variation of freewriting, you dim your computer screen so that you can’t see what you’ve written as you type out your thoughts.

Why is this technique useful? This is a particularly useful technique if while you are freewriting you just can’t keep yourself from reviewing, adjusting, or correcting your writing. This technique removes that temptation to revise by eliminating the visual element. By temporarily limiting your ability to see what you’ve written, this forward-focused method can help you keep pursuing thoughts wherever they might go.

Looped Freewriting

What do I do? This is another variation of freewriting. After an initial round of freewriting or invisible writing, go back through what you’ve written and locate one idea, phrase, or sentence that you think is really compelling. Make that the starting point for another round of timed freewriting and see where an uninterrupted stretch of writing starting from that point takes you. After this second round of freewriting, identify a particular part of this new text that stands out to you and make that the opening line for your third round of freewriting. Keep repeating this process as many times as you find productive.

Why is this technique useful? Sometimes this technique is called “mining” because through it writers are able to drill into the productive bedrock of ideas as well as unearth and discover latent possibilities. By identifying and expanding on concepts that you find particularly intriguing, this technique lets you focus your attention on what feels most generative within your freewritten text, allowing you to first narrow in and then elaborate upon those ideas.

Talking with Someone

What do I do? Find a generous and welcoming listener and talk through what you need to write and how you might go about writing it. Start by reading your assignment prompt aloud or just informally explaining what you are thinking about saying or arguing in your paper. Then be open to your listener’s reactions, curiosities, suggestions, and questions. Invite your listener to repeat in his or her own words what you’ve been saying so that you can hear how someone else is understanding your ideas. While a friend or classmate might be able to serve in this role, writing center tutors are also excellent interlocutors. If you are a currently enrolled UW-Madison student, you are welcome to make an appointment at our main writing center, stop by one of our satellite locations , or even set up a Virtual Meeting to talk with a tutor about your assignment, ideas, and possible options for further exploration.

Why is this technique useful? Sometimes it’s just useful to hear yourself talk through your ideas. Other times you can gain new insight by listening to someone else’s understanding of or interest in your assignment or topic. A genuinely curious listener can motivate you to think more deeply and to write more effectively.

Reading More

Sometimes course instructors specifically ask that you do your analysis on your own without consulting outside sources. When that is the case, skip this technique and consider implementing one of the others instead.

What do I do? Who else has written about your topic, run the kind of experiments you’ve developed, or made an argument like the one you’re interested in? What did they say about this issue? Do some internet searches for well-cited articles on this concept. Locate a book in the library stacks about this topic and then look at the books that are shelved nearby. Read where your interests lead you. Take notes about things other authors say that you find intriguing, that you have questions about, or that you disagree with. You might be able to use any of these responses to guide your developing paper. (Make sure you also record bibliographic information for any texts you want to incorporate in your paper so that you can correctly cite those authors.)

Why is this technique useful? Exploring what others have written about your topic can be a great way to help you understand this issue more fully. Through reading you can locate support for your ideas and discover arguments you want to refute. Reading about your topic can also be a way of figuring out what motivates you about this issue. Which texts do you want to read more of? Why? Capitalize on and expand upon these interests.

Visualizing Ideas

Mindmapping, clustering, or webbing.

What do I do? This technique is a form of brainstorming or listing that lets you visualize how your ideas function and relate. To make this work, you might want to locate a large space you can write on (like a whiteboard) or download software that lets you easily manipulate and group text, images, and shapes (like Coggle , FreeMind , or MindMapple ). Write down a central idea then identify associated concepts, features, or questions around that idea. If some of those thoughts need expanding, continue this map, cluster, or web in whatever direction is productive. Make lines attaching various ideas. Add and rearrange individual elements or whole subsets as necessary. Use different shapes, sizes, or colors to indicate commonalities, sequences, or relative importance.

Why is this technique useful? This technique allows you to generate ideas while thinking visually about how they function together. As you follow lines of thought, you can see which ideas can be connected, where certain pathways lead, and what the scope of your project might look like. Additionally, by drawing out a map of you may be able to see what elements of your possible paper are underdeveloped and may benefit from more focused brainstorming.

The following sample mindmap illustrates how this invention technique might be used to generate ideas for an environmental science paper about Lake Mendota, the Wisconsin lake just north of UW-Madison. The different branches and connections show how your mind might travel from one idea to the next. It’s important to note, that not all of these ideas would appear in the final draft of this eventual paper. No one is likely to write a paper about all the different nodes and possibilities represented in a mindmap. The best papers focus on a tightly defined question. But this does provide many potential places to begin and refine a paper on this topic. This mindmap was created using shapes and formatting options available through PowerPoint.

Notecarding

What do I do? This technique can be especially useful after you’ve identified a range of possibilities but aren’t sure how they might work together. On individual index cards, post-its, or scraps of paper, write out the ideas, questions, examples, and/or sources you’re interested in utilizing. Find somewhere that you can spread these out and begin organizing them in whatever way might make sense. Maybe group some of them together by subtopic or put them in a sequential order. Set some across from each other as conflicting opposites. Make the easiest organization decisions first so that the more difficult cards can be placed within an established framework. Take a picture or otherwise capture the resulting schemata. Of course, you can also do this same kind of work on a computer through software like Prezi or even on a PowerPoint slide.

Why is this technique useful? This technique furthers the mindmapping/clustering/webbing practice of grouping and visualizing your thoughts. Once ideas have been generated, notecarding invites you to think and rethink about how these ideas relate. This invention strategy allows you to see the big picture of your writing. It also invites you to consider how the details of sections and subsections might connect to each other and the surrounding ideas while giving you a sense of possible sequencing options.

The following example shows what notecarding might look like for a paper being written on the Clean Lakes Alliance—a not-for-profit organization that promotes the improvement of water quality in the bodies of water around Madison, Wisconsin. Key topics, subtopics, and possible articles were brainstormed and written on pieces of paper. These elements were then arranged to identify possible relationships and general organizational structures.

What do I do? Take the ideas, possibilities, sources, and/or examples you’ve generated and write them out in the order of what you might address first, second, third, etc. Use subpoints to subordinate certain ideas under main points. Maybe you want to identify details about what examples or supporting evidence you might use. Maybe you just want to keep your outline elements general. Do whatever is most useful to help you think through the sequence of your ideas. Remember that outlines can and should be revised as you continue to develop and refine your paper’s argument.

Why is this technique useful? This practice functions as a more linear form of notecarding. Additionally, outlines emphasize the sequence and hierarchy of ideas—your main points and subpoints. If you have settled on several key ideas, outlining can help you consider how to best guide your readers through these ideas and their supporting evidence. What do your readers need to understand first? Where might certain examples fit most naturally? These are the kinds of questions that an outline can clarify.

Asking Questions

Topoi questions.

In the introduction, we referenced the list that Aristotle developed of the more than two dozen ideas a person making an argument might use to locate the persuasive possibilities of that argument. Aristotle called these locations for argumentative potential “topoi.” Hundreds of years later, Cicero provided additional advice about the kinds of questions that provide useful fodder for developing arguments. The following list of questions is based on the topoi categories that Aristotle and Cicero recommended.

What do I do? Ask yourself any of these questions regarding your topic and write out your answers as a way of identifying and considering possible venues for exploration. Questions of definition: What is ____? How do we understand what ____ is? What is ____ comprised of?

Questions of comparison: What are other things that ____ is like? What are things that are nothing like ____?

Questions of relationship: What causes ____? What effects does ____ have? What are the consequences of ____?

Questions of circumstances: What has happened with ____ in the past? What has not happened with ____ in the past? What might possibly happen with ____ in the future? What is unlikely to happen with ____ in the future?

Questions of testimony: Who are the experts on ____ and what do they say about it? Who are people who have personal experience with ____ and what do they think about it?

If any of these questions initiates some interesting ideas, ask follow-up questions like, “Why is this the case? How do I know this? How might someone else answer this question differently?”

Why is this technique useful? The questions listed above draw from what both Aristotle and Cicero said about ways to go about inventing ideas. Questions such as these are tried-and-true methods that have guided speakers and writers towards possible arguments for thousands of years.

Journalistic Questions

What do I do? Identify your topic, then write out your answers in response to these questions:      Who are the main stakeholders or figures connected to ____?      What is ____?      Where can we find ____?  Where does this happen?      When or under what circumstances does ____ occur?      Why is ____ an issue?  Why does it occur? Why is it important?      How does ____ happen?

Why is this technique useful? This line of questioning is designed to make sure that you understand all the basic information about your topic. Traditionally, these are the kinds of questions that journalists ask about an issue that they are preparing to report about. These questions also directly relate to the Dramatistic Pentad developed by literary and rhetorical scholar Kenneth Burke. According to Burke, we can analyze anyone’s motives by considering these five parts of a situation: Act ( what ), Scene ( when and where ), Agent ( who ), Agency ( how ), and Purpose ( why ). By using these questions to identify the key elements of a topic, you may recognize what you find to be most compelling about it, what attracts your interest, and what you want to know more about.

Particle, Wave, Field Questions

One way to start generating ideas is to ask questions about what you’re studying from a variety of perspectives. This particular strategy uses particles, waves, and fields as metaphorical categories through which to develop various questions by thinking of your topic as a static entity (particle), a dynamic process (wave), and an interrelated system (field).

What do I do?

Ask yourself these questions about your issue or topic and write down your responses:

• In what ways can this issue be considered a particle, that is, a discrete thing or a static entity?
• How is this issue a wave, that is, a moving process?
• How is this issue a field, that is, a system of relationships related to other systems?

Why is this technique useful?

This way of looking at an issue was promoted by Young, Becker, and Pike in their classic text Rhetoric: Discovery and Change . The idea behind this heuristic is that anything can be considered a particle, a wave, and a field, and that by thinking of an issue in connection to each of these categories you’ll able to develop the kind of in-depth questions that experts ask about a topic. By identifying the way your topic is a thing in and of itself, an activity, and an interrelated network, you’ll be able to see what aspects of it are the most intriguing, uncertain, or conceptually rich.

The following example takes the previously considered topic—environmental concerns and Lake Mendota—and shows how this could be conceptualized as a particle, a wave, and a field as a way of generating possible writing ideas.

Particle: Consider Lake Mendota and its environmental concerns as they appear in a given moment. What are those concerns right now? What do they look like? Maybe it’s late spring and an unseasonably warm snap has caused a bunch of dead fish to wash up next to the Tenney Lock. Maybe it’s a summer weekend and no one can go swimming off the Terrace because phosphorous-boosted blue-green algae is too prevalent. Pick one, discrete environmental concern and describe it. Wave: Consider environmental concerns related to Lake Mendota as processes that have changed and will change over time. When were the invasive spiny water fleas first discovered in Lake Mendota? Where did they come from? What has been done to respond to the damage they have caused? What else could be proposed to resolve this problem. How is this (or any other environmental concern) a dynamic process? Field: Consider Lake Mendota’s environmental concerns as they relate to a range of disciplines, populations, and priorities. What recent limnology findings would be of interest to ice fishing anglers? How could the work being done on agricultural sustainability connect to the discoveries being made by chemists about the various compounds present in the water? What light could members of the Ho-Chunk nation shed on Lake Mendota’s significance? Think about how environmental and conservation concerns associated with this lake are interconnected across different community members and academic disciplines.

Moving Around

Get away from your desk and your computer screen and do whatever form of movement feels comfortable and natural for you. Get some fresh air, take a walk, go jogging, get on your bike, go for a swim, or do some yoga. There is no correct degree or intensity of movement in this process; just do what you can and what you’re most likely to enjoy. While you’re moving, you may want to zone out and give yourself a strategic break from your writing task. Or you might choose to mull your tentative ideas for your paper over in your mind. But whether you’re hoping to think of something other than your paper or you need to generate a specific idea or resolve a particular writing problem, be prepared to record quickly any ideas that come up. If bringing along paper or a small notebook and a pen is inconvenient, just texting yourself your new idea will do the trick. The objective with this technique is both to distance yourself from your writing concerns and to encourage your mind to build new connections through engaging in physical activity.

Numerous medical studies have found that aerobic exercise increases your body’s concentration of the proteins that help nerves grow in the parts of your brain where learning and higher thinking happens (Huang et al.). Similarly, from their review of the literature about how yoga benefits the brain, Desei et al. conclude that yoga boosts overall brain activity. Which is to say that moving physiologically helps you think.

Dr. Bonnie Smith Whitehouse, an associate professor of English at Belmont University and an alum of UW-Madison’s graduate program in Composition and Rhetoric Program and a former assistant director of Writing Across the Curriculum at UW-Madison, investigates the writerly benefits of walking. She provides a full treatment of how this particular form of movement can productively support writing in her book Afoot and Lighthearted: A Mindful Walking Log . In the following passage, she argues for a connection between creative processes and walking, but much of what she suggests is equally applicable to the beneficial value of other forms of movement.

A walk stimulates creativity after a ramble has concluded, when you find yourself back at your desk, before your easel, or in your studio. In 2014, Stanford University researchers Marily Opprezzo and Daniel L. Schwarz confirmed that walking increases creative ideation in real time (while the walker walkers) and shortly after (when the walker stops and sits down to create). Specifically, they found that walking led to an increase in “analogical creativity” or using analogies to develop creative relationships between things that may not immediately look connected. So when ancient Greek physician Hippocrates famously declared that walking is “the best medicine,” he seems to have had it right. When we walk, blood and oxygen circulate throughout the body’s organs and stimulate the brain. Walking’s magic is in fact threefold: it increases physical activity, boosts creativity, and brings you into the present moment.

Similarly, in her post about writing and jogging for the UW-Madison Writing Center’s blog, Literary Studies PhD student Jessie Gurd has explained:

What running allows me to do is clear my head and empty it of a grad student’s daily anxieties. Listening to music or cicadas or traffic, I can consider one thing at a time and turn it over in my mind. It’s a groove I hit after a couple of miles; I engage with the problem, question, or task I choose and roll with it until my run is over. In this physical-mental space, I sometimes feel like my own writing instructor as I tackle some stage of the writing process: brainstorming, outlining, drafting.

While Bonnie Smith Whitehouse walks as an important part of her writing process and Jessie Gurd runs to write, what intentional movement looks like for you can be adapted according to your interests, preferences, and abilities. Whether it’s strolling, jogging, doing yoga, or participating in some other form of movement, these physical activities allow you to take a purposeful break that can help you concentrate your mind and even generate new conceptual connections.

All aspects of writing require hard work. It takes work to develop organizational strategies, to sequence sentences, and to revise paragraphs. And it takes work to come up with the ideas that will fill these sentences and paragraphs in the first place. But if you feel burdened by the necessity to develop new concepts, the good news is that you’re not the first writer who’s had to begin responding to an assignment from scratch. You are backed by a vast history of other writers’ experiences, a history that has shaped a collective understanding of how to get started. So, use the experience of others to your advantage. Try a couple of these techniques and maybe even develop some other methods of your own and see what new ideas these old strategies can help you generate!

Works Cited

Aristotle. On Rhetoric: A Theory of Civic Discourse . Edited and translated by George Kennedy, Oxford University Press, 1991.

Burke, Kenneth. A Grammar of Motives . University of California Press, 1969.

Cicero, Marcus Tullius. On Oratory and Orators . Edited and translated by J.S. Watson, Southern Illinois University Press, 1986.

Desai, Radhika, et al. “Effects of Yoga on Brain Waves an Structural activation: A review.” Complementary Therapies in clinical Practice ,vol, 21, no, 2, 2015, pp. 112-118.

Gurd, Jessie. “Writing Offstage.” Another Word , The Writing Center at the University of Wisconsin-Madison, 7 October 2013, https://writing.wisc.edu/blog/writing-offstage/ . Accessed 5 July 2018.

Harris, Joseph. Rewriting: How to Do Things with Texts . Utah State University Press, 2006.

Huang, T. et al. “The Effects of Physical Activity and Exercise on Brain-Derived Neurotrophic Factor in Healthy Humans: A Review.” Scandinavian Journal of Medicine and Science in Sports , vol. 24, no. 1, 2013. Wiley Online Library , https://doi.org/10.1111/sms.12069 .

Oppezzo, Marily, and Daniel L. Schwartz. “Give Your Ideas Some Legs: The Positive Effect of Walking on Creative Thinking.” Journal of Experimental Psychology: Learning, Memory, and Cognition , vol. 40, no. 4, 2014, pp. 1142-52.

Smith Whitehouse, Bonnie, email message to author, 19 June 2018.

Young, Richard E., Alton L. Becker, and Kenneth L. Pike. Rhetoric: Discovery and Change . Harcourt College Publishing, 1970.

Writing Process and Structure

This is an accordion element with a series of buttons that open and close related content panels.

Getting Started with Your Paper

Interpreting Writing Assignments from Your Courses

Creating an Argument

Thesis vs. Purpose Statements

Developing a Thesis Statement

Architecture of Arguments

Working with Sources

Quoting and Paraphrasing Sources

Using Literary Quotations

Citing Sources in Your Paper

Drafting Your Paper

Introductions

Paragraphing

Developing Strategic Transitions

Conclusions

Revising Your Paper

Peer Reviews

Reverse Outlines

Revising an Argumentative Paper

Revision Strategies for Longer Projects

Finishing Your Paper

Twelve Common Errors: An Editing Checklist

How to Proofread your Paper

Writing Collaboratively

Collaborative and Group Writing

Tips for Online Students , Tips for Students

How To Write An Essay: Beginner Tips And Tricks

Updated: July 11, 2022

Published: June 22, 2021

Many students dread writing essays, but essay writing is an important skill to develop in high school, university, and even into your future career. By learning how to write an essay properly, the process can become more enjoyable and you’ll find you’re better able to organize and articulate your thoughts.

When writing an essay, it’s common to follow a specific pattern, no matter what the topic is. Once you’ve used the pattern a few times and you know how to structure an essay, it will become a lot more simple to apply your knowledge to every essay. 

No matter which major you choose, you should know how to craft a good essay. Here, we’ll cover the basics of essay writing, along with some helpful tips to make the writing process go smoothly.

Photo by Laura Chouette on Unsplash

Types of Essays

Think of an essay as a discussion. There are many types of discussions you can have with someone else. You can be describing a story that happened to you, you might explain to them how to do something, or you might even argue about a certain topic. 

When it comes to different types of essays, it follows a similar pattern. Like a friendly discussion, each type of essay will come with its own set of expectations or goals. 

For example, when arguing with a friend, your goal is to convince them that you’re right. The same goes for an argumentative essay. 

Here are a few of the main essay types you can expect to come across during your time in school:

Narrative Essay

This type of essay is almost like telling a story, not in the traditional sense with dialogue and characters, but as if you’re writing out an event or series of events to relay information to the reader.

Persuasive Essay

Here, your goal is to persuade the reader about your views on a specific topic.

Descriptive Essay

This is the kind of essay where you go into a lot more specific details describing a topic such as a place or an event. 

Argumentative Essay

In this essay, you’re choosing a stance on a topic, usually controversial, and your goal is to present evidence that proves your point is correct.

Expository Essay

Your purpose with this type of essay is to tell the reader how to complete a specific process, often including a step-by-step guide or something similar.

Compare and Contrast Essay

You might have done this in school with two different books or characters, but the ultimate goal is to draw similarities and differences between any two given subjects.

The Main Stages of Essay Writing

When it comes to writing an essay, many students think the only stage is getting all your ideas down on paper and submitting your work. However, that’s not quite the case. 

There are three main stages of writing an essay, each one with its own purpose. Of course, writing the essay itself is the most substantial part, but the other two stages are equally as important.

So, what are these three stages of essay writing? They are:

Preparation

Before you even write one word, it’s important to prepare the content and structure of your essay. If a topic wasn’t assigned to you, then the first thing you should do is settle on a topic. Next, you want to conduct your research on that topic and create a detailed outline based on your research. The preparation stage will make writing your essay that much easier since, with your outline and research, you should already have the skeleton of your essay.

Writing is the most time-consuming stage. In this stage, you will write out all your thoughts and ideas and craft your essay based on your outline. You’ll work on developing your ideas and fleshing them out throughout the introduction, body, and conclusion (more on these soon).

In the final stage, you’ll go over your essay and check for a few things. First, you’ll check if your essay is cohesive, if all the points make sense and are related to your topic, and that your facts are cited and backed up. You can also check for typos, grammar and punctuation mistakes, and formatting errors.  

The Five-Paragraph Essay

We mentioned earlier that essay writing follows a specific structure, and for the most part in academic or college essays , the five-paragraph essay is the generally accepted structure you’ll be expected to use. 

The five-paragraph essay is broken down into one introduction paragraph, three body paragraphs, and a closing paragraph. However, that doesn’t always mean that an essay is written strictly in five paragraphs, but rather that this structure can be used loosely and the three body paragraphs might become three sections instead.

Let’s take a closer look at each section and what it entails.

Introduction

As the name implies, the purpose of your introduction paragraph is to introduce your idea. A good introduction begins with a “hook,” something that grabs your reader’s attention and makes them excited to read more. 

Another key tenant of an introduction is a thesis statement, which usually comes towards the end of the introduction itself. Your thesis statement should be a phrase that explains your argument, position, or central idea that you plan on developing throughout the essay. 

You can also include a short outline of what to expect in your introduction, including bringing up brief points that you plan on explaining more later on in the body paragraphs.

Here is where most of your essay happens. The body paragraphs are where you develop your ideas and bring up all the points related to your main topic. 

In general, you’re meant to have three body paragraphs, or sections, and each one should bring up a different point. Think of it as bringing up evidence. Each paragraph is a different piece of evidence, and when the three pieces are taken together, it backs up your main point — your thesis statement — really well.

That being said, you still want each body paragraph to be tied together in some way so that the essay flows. The points should be distinct enough, but they should relate to each other, and definitely to your thesis statement. Each body paragraph works to advance your point, so when crafting your essay, it’s important to keep this in mind so that you avoid going off-track or writing things that are off-topic.

Many students aren’t sure how to write a conclusion for an essay and tend to see their conclusion as an afterthought, but this section is just as important as the rest of your work. 

You shouldn’t be presenting any new ideas in your conclusion, but you should summarize your main points and show how they back up your thesis statement. 

Essentially, the conclusion is similar in structure and content to the introduction, but instead of introducing your essay, it should be wrapping up the main thoughts and presenting them to the reader as a singular closed argument. 

Photo by AMIT RANJAN on Unsplash

Steps to Writing an Essay

Now that you have a better idea of an essay’s structure and all the elements that go into it, you might be wondering what the different steps are to actually write your essay. 

Don’t worry, we’ve got you covered. Instead of going in blind, follow these steps on how to write your essay from start to finish.

Understand Your Assignment

When writing an essay for an assignment, the first critical step is to make sure you’ve read through your assignment carefully and understand it thoroughly. You want to check what type of essay is required, that you understand the topic, and that you pay attention to any formatting or structural requirements. You don’t want to lose marks just because you didn’t read the assignment carefully.

Research Your Topic

Once you understand your assignment, it’s time to do some research. In this step, you should start looking at different sources to get ideas for what points you want to bring up throughout your essay. 

Search online or head to the library and get as many resources as possible. You don’t need to use them all, but it’s good to start with a lot and then narrow down your sources as you become more certain of your essay’s direction.

Start Brainstorming

After research comes the brainstorming. There are a lot of different ways to start the brainstorming process . Here are a few you might find helpful:

• Think about what you found during your research that interested you the most
• Jot down all your ideas, even if they’re not yet fully formed
• Create word clouds or maps for similar terms or ideas that come up so you can group them together based on their similarities
• Try freewriting to get all your ideas out before arranging them

Create a Thesis

This is often the most tricky part of the whole process since you want to create a thesis that’s strong and that you’re about to develop throughout the entire essay. Therefore, you want to choose a thesis statement that’s broad enough that you’ll have enough to say about it, but not so broad that you can’t be precise. 

Write Your Outline

Armed with your research, brainstorming sessions, and your thesis statement, the next step is to write an outline. 

In the outline, you’ll want to put your thesis statement at the beginning and start creating the basic skeleton of how you want your essay to look. 

A good way to tackle an essay is to use topic sentences . A topic sentence is like a mini-thesis statement that is usually the first sentence of a new paragraph. This sentence introduces the main idea that will be detailed throughout the paragraph. 

If you create an outline with the topic sentences for your body paragraphs and then a few points of what you want to discuss, you’ll already have a strong starting point when it comes time to sit down and write. This brings us to our next step… 

Write a First Draft

The first time you write your entire essay doesn’t need to be perfect, but you do need to get everything on the page so that you’re able to then write a second draft or review it afterward. 

Everyone’s writing process is different. Some students like to write their essay in the standard order of intro, body, and conclusion, while others prefer to start with the “meat” of the essay and tackle the body, and then fill in the other sections afterward. 

Make sure your essay follows your outline and that everything relates to your thesis statement and your points are backed up by the research you did. 

Revise, Edit, and Proofread

The revision process is one of the three main stages of writing an essay, yet many people skip this step thinking their work is done after the first draft is complete. 

However, proofreading, reviewing, and making edits on your essay can spell the difference between a B paper and an A.

After writing the first draft, try and set your essay aside for a few hours or even a day or two, and then come back to it with fresh eyes to review it. You might find mistakes or inconsistencies you missed or better ways to formulate your arguments.

Add the Finishing Touches

Finally, you’ll want to make sure everything that’s required is in your essay. Review your assignment again and see if all the requirements are there, such as formatting rules, citations, quotes, etc. 

Go over the order of your paragraphs and make sure everything makes sense, flows well, and uses the same writing style . 

Once everything is checked and all the last touches are added, give your essay a final read through just to ensure it’s as you want it before handing it in. 

A good way to do this is to read your essay out loud since you’ll be able to hear if there are any mistakes or inaccuracies.

Essay Writing Tips

With the steps outlined above, you should be able to craft a great essay. Still, there are some other handy tips we’d recommend just to ensure that the essay writing process goes as smoothly as possible.

• Start your essay early. This is the first tip for a reason. It’s one of the most important things you can do to write a good essay. If you start it the night before, then you won’t have enough time to research, brainstorm, and outline — and you surely won’t have enough time to review.
• Don’t try and write it in one sitting. It’s ok if you need to take breaks or write it over a few days. It’s better to write it in multiple sittings so that you have a fresh mind each time and you’re able to focus.
• Always keep the essay question in mind. If you’re given an assigned question, then you should always keep it handy when writing your essay to make sure you’re always working to answer the question.
• Use transitions between paragraphs. In order to improve the readability of your essay, try and make clear transitions between paragraphs. This means trying to relate the end of one paragraph to the beginning of the next one so the shift doesn’t seem random.
• Integrate your research thoughtfully. Add in citations or quotes from your research materials to back up your thesis and main points. This will show that you did the research and that your thesis is backed up by it.

Wrapping Up

Writing an essay doesn’t need to be daunting if you know how to approach it. Using our essay writing steps and tips, you’ll have better knowledge on how to write an essay and you’ll be able to apply it to your next assignment. Once you do this a few times, it will become more natural to you and the essay writing process will become quicker and easier.

If you still need assistance with your essay, check with a student advisor to see if they offer help with writing. At University of the People(UoPeople), we always want our students to succeed, so our student advisors are ready to help with writing skills when necessary. 

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List of Topics for How-to Essays

Choosing the Right Topic Is Critical to Success

Blend Images / Getty Images

• Writing Essays
• Writing Research Papers
• English Grammar
• M.Ed., Education Administration, University of Georgia
• B.A., History, Armstrong State University

Your first challenge in writing a how-to essay is deciding on a topic. If you're like many students, you might feel as though you don't know anything well enough to teach others. But that's not true. All people have something that they can do so well that they don't even think about how to do it anymore—they just do it.

Choosing the Right Topic

When you read over the list below you will realize that you do know many things in depth, some well enough to teach. Typically, your inspiration will be based on lateral thinking. For example, from the list below, you may decide to write an essay on how to cook a Scottish egg after you see "Crack an egg" in the list. Or you may decide to write about how to make an Excel spreadsheet with all of your homework listed, after seeing "Organize your homework" on the list. 

Narrow your choices to a few topics , and then brainstorm for a few minutes about each topic. Determine which one has the most potential — one that can be divided into five to 10 clear paragraphs that you can explain well.

Writing Tips

Some topics are easier than others to explain. Straightforward processes versus ones with lots of contingencies will be much less complicated to write out, for instance. If you find that you've chosen a topic that's just too broad, pick one portion of it to explain. Remember, you want your reader to be able to follow your instructions to successfully complete the process.

In your drafting, err on the side of too much detail and description rather than too little. (It's easier to cut material that you don't need than to add in it later.) If you're not allowed to use images with your instructions, choosing a topic that is aided by visuals makes writing the instructional process much more challenging, so take your assignment parameters into consideration as you choose what to write about.

If you know your topic so well that it comes naturally to you, it may be tough to write instructions for a beginner who has no knowledge of the topic, because you forget how much you didn't know when you first started. Have a partner try out your instructions during the drafting or revision phase (or both) to see what you've left out or what isn't explained clearly enough.

How-to Topics for a Process Essay 

• Raccoon-proof your campsite
• Make an obstacle course for squirrels
• Set a table
• Make a pet costume
• Start a band
• Make a piñata
• Make an omelet
• Start beekeeping
• Make a quilt
• Decorate a bedroom
• Create a podcast
• Start a recycling program
• Collect stamps
• Clean a bedroom
• Make a pizza
• Make a volcano
• Organize your homework
• Play the guitar
• Make a sock puppet
• Make a doll dress
• Write a letter to the editor
• Write a complaint
• Plan a party
• Plant a tree
• Create a cartoon character
• Improve your spelling
• Bake a layer cake
• Change a tire
• Drive a stick shift
• Make a Christmas stocking
• Learn to dance
• Do a magic trick
• Go bird watching
• Make a music video
• Make a candle
• Paint a picture
• Create art with crayons
• Create a web page
• Stay safe on the Internet
• Write a song
• Write a poem
• Make a handbag
• Tie a scarf
• Mow the lawn
• Make a hamburger
• Make pancakes
• Make a pillow
• Play football
• Make a sculpture
• Make a lamp
• Make shadow puppets
• Care for pets
• Build a tree house
• Play hide and seek
• Paint fingernails
• Make homemade slippers
• Tie macramé knots
• Make a sandwich
• Make chocolate milk
• Make hot chocolate
• Climb a tree
• Make a milkshake
• Sell old toys
• Ride a skateboard
• Eat crab legs
• Become a vegetarian
• Make a salad
• Design a jack-o-lantern
• Ride a horse
• Race turtles
• Catch lightning bugs
• Make a wildflower bouquet
• Cut paper dolls
• Eat an ice cream cone
• Change a diaper
• Make fruit punch
• Make a campaign poster
• Make a fake tattoo
• Interview a celebrity
• Catch a fish
• Make a snowman
• Make an igloo
• Make a paper fan
• Write a newsletter
• Crack an egg
• Make a necklace
• Tie a necktie
• Ride the subway
• Walk like a model
• Ride a motorcycle
• Pitch a tent
• Find something you've lost
• Curl your hair
• Saddle a horse
• Make a sandcastle
• Bob for apples
• Apply for a job
• Draw stick figures
• Open a bank account
• Learn a new language
• Ask for a later curfew
• Behave at a fancy dinner
• Ask somebody out
• Pose for a picture
• Wake up in a good mood
• Send Morse code messages
• Make a kite
• Hem your jeans
• Pitch a fastball
• Be a ghost hunter
• Make string art
• Mop a floor
• Peel an apple
• String popcorn
• Remix a song
• Walk a tightrope
• Stand on your head
• Find the Big Dipper
• Wrap a gift
• Roast a marshmallow
• Clean a window
• Make a campfire
• Have a yard sale
• Create a carnival in your yard
• Make balloon animals
• Plan a surprise party
• Wear eye makeup
• Invent a secret code
• Recognize animal tracks
• Train a dog to shake hands
• Make a paper airplane
• Pull a tooth
• Create playlists
• Play rock, paper, scissors
• Floss your teeth
• 50 Great Topics for a Process Analysis Essay
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• MBA Essay Tips
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• 50 Argumentative Essay Topics
• 25 Essay Topics for American Government Classes
• The Ultimate Guide to the 5-Paragraph Essay
• 40 Topics to Help With Descriptive Writing Assignments
• What an Essay Is and How to Write One

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• 4 Ways to Come Up With a Great Essay Idea

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It starts when you first get a choice of which question you want to answer, which might even first happen in primary school. Part of the challenge is figuring out which question you’d do best at answering; you’re not just regurgitating information any more, but needing to think critically about your own knowledge and abilities. From there, the choices increase. You might be given a choice of three or more essay questions. Or you might get just the one question, but you can choose factors within it – you might be asked, for instance, the extent to which a character in Hamlet lives up to their own moral code – the question is set for you, but you get to choose which character you want to write about. The same might happen for a period in history or a monarch, or an analysis of a case study. And finally you’ll get to the point where you might have a topic list to choose from, but the essay title itself will be entirely up to you.

You may even be offered the chance to do this a little earlier, where you get given a list of essay titles but also told that you can come up with your own if you’d like. Few students bother, and it can be a high-risk strategy – you might come up with a title that is much harder to answer than the ones provided for you – but it can also be a route to crafting a title that is perfect for you. All of the stages in this process – picking a question, picking a focus and, finally, picking a title – can be daunting when you haven’t done them before. In this article, we look at how to come up with essay titles that work for you.

1. Answer the question you want answered

The best way to come up with an idea for an essay is to consider what the question is that you would like to see answered. This can seem like quite a scary way of going about choosing a question, because it implies that the question has gone unanswered – that you’re suddenly going to come up with such an insightful question that no previous scholar in the field has contemplated. If that’s how you’re thinking about this, don’t. You’re not trying to compete with all of the other scholars in your field (at least, we hope not – if you are, you probably shouldn’t need to be reading this article), you’re just trying to do better than your peers, if possible. This method of coming up with an essay title isn’t about pinpointing a question that you want answered because it’s never before been asked.

Instead, it’s about coming up with an essay title that suits your concerns, your interests and your personal reaction to whatever it is that you’re studying. An off-the-shelf essay title might produce a boring answer because you don’t actually care whether or not the Treaty of Versailles was the main cause of the Second World War, or where morality originates (though you may find these things fascinating). But if, for instance, you can’t get through Jane Austen’s Emma without finding yourself infuriated by the title character, and wonder why on earth Austen would have made her heroine so aggravating – these might seem like petty complaints, but you can make an essay out of it. Austen described Emma as “a heroine whom no-one but myself will much like” – if you find Emma desperately dislikeable, you could probably produce quite an interesting essay on whether or not Austen was right in her assessment of the character. You can apply this principle to anything that strikes you as weird, as annoying, as not quite right, and use that instinct as a springboard to explore a topic properly. While you might prefer to react to your studies with a kind of deep, beard-stroking appreciation, the truth is that an awful lot of great academic investigations of various topics are based on someone looking at them and finding that something irritates them, or doesn’t quite seem to fit, and going on to look at that properly and work out why – and you can do the same.

2. Look at the context

If you look at your topic and nothing stands out to you, then it’s time to start making things stand out. The school curriculum actually makes this quite easy, because we seldom study the typical, run-of-the-mill events, people, books, discoveries and so on. We study the notable ones. We look at how a king did things differently to his predecessors, for instance, rather than the points of continuity – unless there was so much continuity as to be notable in its own right.

When your entire curriculum consists of notable things, however, you can end up with a skewed perspective. We focus more on the reign of Henry VIII – which changed life in Britain forever – than the reign of his father, Henry VII, who brought an end to the Wars of the Roses but arguably the act that had the greatest repercussions for us today was that he successfully handed on the throne to his son. If you’ve learned all about Henry VIII but not so much about Henry VII, you’re unlikely to understand quite how significant the changes enacted by Henry VIII were. This is why looking at the context is vital. This is particularly true for subject where you have to assess an artform, whether that’s Art History, Music, English Literature, Theatre Studies or Film Studies. If you only ever look at the canon – the high points of a particular era – you won’t come to understand what it is that made those particular pieces worthy of studying in the first place. For instance, many students will encounter Shakespeare as their sole example of 16th century drama – but that makes it very hard to see why Shakespeare’s work is so remarkable. Take a quick look at almost any of his competitors, though, and you’ll soon see the difference in depth and quality. And that gives you something to write about: what’s different and why it’s different. When you have a question set for you, your teacher is already drawing your attention to what is notable about the topic. They will ask why Hamlet is indecisive, or why Henry VIII decided to break with Rome – the things that, with greater study of the context, naturally strike people as strange. They won’t ask why Shakespeare wrote a play about a prince rather than a commoner, or why Henry VIII chose to take the throne rather than living out a happy life as a leading tennis player. When you don’t have a question written for you, you have to figure out what’s notable or what’s strange on your own, and that’s why context is so useful.

3. Use your third idea

Writing a column shortly after the death of her father, Alan Coren, Victoria Coren Mitchell recalled his advice on how to come up with a good idea. He said that you shouldn’t use the first idea that you have for something, as that’s the one that everyone will come up with. Nor should you use your second idea, as that’s what the cleverer people who do a little bit more thinking will come up with. You should use your third idea, as that’s the one that only you will be able to think of; it will be entirely your own.

This is excellent advice, and applicable in realms far beyond writing, such as choosing Christmas presents. If the options above for coming up with an essay title haven’t worked for you, try thinking of whatever ideas you can – even if they seem painfully obvious – and eventually you will work through all the ones that other people will think of, and get to something that will be your own to succeed at in your own way. Alan Coren’s description of the advantages of the “third idea” strategy focuses on originality, but that’s not its only advantage. Coming up with an idea that’s yours alone means coming up with an idea that will be right and suited to your thoughts and skills. Your first and second ideas will be based heavily in what you’ve been taught, which is a good base to work from but that might not reflect your interests entirely. Your third idea – hopefully – will come from your own ideas, even if you haven’t quite got a handle on what those ideas are yet. The third idea is also about letting yourself think a little more out of the box. Once you’ve got two nice, safe ideas down on paper, you should be in a position to think of something a bit less conventional. When you’re at school, your teacher might be marking your essay alongside those of twenty other people (or more if they have several classes). An unconventional approach will be a welcome relief among lots of identikit essays, and many teachers will prefer an essay that is interesting, takes risks and doesn’t get everything right over one that is technically perfect but comparatively dull.

4. Use unconventional brainstorming techniques

If all else fails, there are lots of brainstorming techniques available to come up with ideas for just about anything, and one of them might work for your essay. For instance, you could try: Writing down as many bad ideas as you can. This counter-intuitive brainstorming technique helps perfectionists by taking the pressure off. What would be a really terrible essay idea that would make your teacher angry with you for writing it? If you’re stuck in a loop of “can’t think of anything”, this technique can give your brain a jolt, and you may well find that instead of lots of bad ideas, you keep thinking of good ones.

Writing for a set period of time and not letting yourself stop.   – Give yourself a certain period of time, which could be five minutes, ten minutes, or the duration of a prog-rock classic, and write about the topic for that length of time. Don’t stop to allow yourself to think about it; just write. This might result in garbage along the lines of “Hamlet is very unkind to Ophelia and even more so to Rosencrantz and Guildenstern, and absolutely vile to his mother yet he is trying to be a good person, and Horatio still thinks well of him by the end of the play so clearly he is doing something right”, but keep going and you might find the seed of an idea appearing. This technique is related to the first point – whatever it is that you find yourself drifting towards when you’re forced to just keep writing is probably going to be a good topic to think about further.

Looking at it from someone else’s perspective.  – This technique has a very broad application across problem-solving: you can look at the issue from the perspective of yourself five years ago, or from the perspective of someone from another country, or someone from a hundred years in the past. For an essay, you might want to think about the approach that a friend would take. Seeing something through someone else’s eyes can highlight a fresh approach that you wouldn’t have thought of while you were fixated on writing the best essay that you yourself can write. Take an abstract noun.  – This works best for essays on creative works such as literature or art, but may have application in other fields. Think of an abstract noun – happiness, hope, love, purity, curiosity – and see how it might apply to the thing you’re looking at. Let’s say you’re writing about the Industrial Revolution – think about the role played by hope, or curiosity. You can see how the seeds of an idea can be generated by this approach. How do you come up with great essay ideas? Let us know in the comments! Image credits: Pen and paper , chimp , cat , tree , eureka , stopwatch , lightbulb .

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Essay Writing

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The Modes of Discourse—Exposition, Description, Narration, Argumentation (EDNA)—are common paper assignments you may encounter in your writing classes. Although these genres have been criticized by some composition scholars, the Purdue OWL recognizes the wide spread use of these approaches and students’ need to understand and produce them.

This resource begins with a general description of essay writing and moves to a discussion of common essay genres students may encounter across the curriculum. The four genres of essays (description, narration, exposition, and argumentation) are common paper assignments you may encounter in your writing classes. Although these genres, also known as the modes of discourse, have been criticized by some composition scholars, the Purdue OWL recognizes the wide spread use of these genres and students’ need to understand and produce these types of essays. We hope these resources will help.

The essay is a commonly assigned form of writing that every student will encounter while in academia. Therefore, it is wise for the student to become capable and comfortable with this type of writing early on in her training.

Essays can be a rewarding and challenging type of writing and are often assigned either to be done in class, which requires previous planning and practice (and a bit of creativity) on the part of the student, or as homework, which likewise demands a certain amount of preparation. Many poorly crafted essays have been produced on account of a lack of preparation and confidence. However, students can avoid the discomfort often associated with essay writing by understanding some common genres.

Before delving into its various genres, let’s begin with a basic definition of the essay.

What is an essay?

Though the word essay has come to be understood as a type of writing in Modern English, its origins provide us with some useful insights. The word comes into the English language through the French influence on Middle English; tracing it back further, we find that the French form of the word comes from the Latin verb exigere , which means "to examine, test, or (literally) to drive out." Through the excavation of this ancient word, we are able to unearth the essence of the academic essay: to encourage students to test or examine their ideas concerning a particular topic.

Essays are shorter pieces of writing that often require the student to hone a number of skills such as close reading, analysis, comparison and contrast, persuasion, conciseness, clarity, and exposition. As is evidenced by this list of attributes, there is much to be gained by the student who strives to succeed at essay writing.

The purpose of an essay is to encourage students to develop ideas and concepts in their writing with the direction of little more than their own thoughts (it may be helpful to view the essay as the converse of a research paper). Therefore, essays are (by nature) concise and require clarity in purpose and direction. This means that there is no room for the student’s thoughts to wander or stray from his or her purpose; the writing must be deliberate and interesting.

This handout should help students become familiar and comfortable with the process of essay composition through the introduction of some common essay genres.

This handout includes a brief introduction to the following genres of essay writing:

• Expository essays
• Descriptive essays
• Narrative essays
• Argumentative (Persuasive) essays

Choose Your Test

Sat / act prep online guides and tips, how to come up with great college essay ideas.

College Essays

Writing the college application essay is a tough gig. You've got to be charming, personal, memorable, and insightful--all in under two pages! But I'm going to tell you a secret: half of a great personal essay is a great topic idea. If you're passionate about what you're writing, and if you're truly documenting something meaningful and serious about yourself and your life, then that passion and meaning will come alive on the page and in the mind of your reader.

So how do you come up with an essay idea? The best way is to brainstorm your way to an event from your life that reveals a core truth about you. In this article, I will help you do just that. Keep reading to find 35 jumping off points that touch on every possible memory you could harness, as well as advice on how to use your brainstorming session to fully realize your idea for an essay topic.

What Makes an Essay Topic Great?

What does your application tell admissions officers about you? Mostly it's just numbers and facts: your name, your high school, your grades and SAT scores. These stats would be enough if colleges were looking to build a robot army, but they aren't.

So how do they get to see a slice of the real you? How can they get a feel for the personality, character, and feelings that make you the person that you are? It's through your college essay. The essay is a way to introduce yourself to colleges in a way that displays your maturity. This is important because admissions officers want to make sure that you will thrive in the independence of college life and work.

This is why finding a great college essay topic is so hugely important: because it will allow you to demonstrate the maturity level admissions teams are looking for. This is best expressed through the ability to have insight about what has made you into you, through the ability to share some vulnerabilities or defining experiences, and through the ability to be a creative thinker and problem solver.

In other words, a great topic is an event from your past that you can narrate, draw conclusions from, explain the effect of. Most importantly, you should be able to describe how it has changed you from the kind of person you were to the better person that you are now. If you can do all that, you are well ahead of the essay game.

How Do You Know If Your College Essay Topic Is Great?

Eric Maloof, the Director of International Admission at Trinity University in San Antonio, Texas has a great checklist for figuring out whether you're on the right track with your essay topic . He says, if you can answer "yes" to these two questions, then you've got the makings of a great essay:

• Is the topic of my essay important to me?
• Am I the only person who could have written this essay?

So how do you translate this checklist into essay topic action items?

Make it personal. Write about something personal, deeply felt, and authentic to the real you (but which is not an overshare). Take a narrow slice of your life: one event, one influential person, one meaningful experience—and then you expand out from that slice into a broader explanation of yourself.

Always think about your reader. In this case, your reader is an admission officer who is slogging through hundreds of college essays. You don't want to bore that person, and you don't want to offend that person. Instead, you want to come across as likable and memorable.

Put the reader in the experience with you by making your narrow slice of life feel alive. This means that your writing needs to be chock-full of specific details, sensory descriptions, words that describe emotions, and maybe even dialog. This is why it's very important to make the essay topic personal and deeply felt. Readers can tell when a writer isn't really connected to whatever he is writing about. And the reverse is true as well: deep emotion shows through your writing.

Coming Up With Great College Essay Ideas

Some people know right off the bat that they have to write about that one specific defining moment of their lives. But if you're reading this, chances are you aren't one of these people. Don't worry—I wasn't one of them either! What this means is that you—like me—will have to put in a little work to come up with the perfect idea by first doing some brainstorming.

I've come up with about 35 different brainstorming jumping off points that ask questions about your life and your experiences. The idea here is to jog your memory about the key life events that have shaped you and affected you deeply.

I recommend you spend at least two minutes on each question, coming up with and writing down at least one answer—or as many answers as you can think of. Seriously—time yourself. Two minutes is longer than you think! I would also recommend doing this over several sittings to get your maximum memory retrieval going—even if it takes a couple of days, it'll be worth it.

Then, we will use this list of experiences and thoughts to narrow your choices down to the one topic idea that you will use for your college essay.

Brainstorming Technique 1: Think About Defining Moments in Your Life

• What is your happiest memory? Why? What was good about it? Who and what was around you then? What did it mean to you?
• What is your saddest memory? Would you change the thing that happened or did you learn something crucial from the experience?
• What is the most important decision you've had to make? What was hard about the choice? What was easy? Were the consequences of your decision what you had imagined before making it? Did you plan and game out your choices, or did you follow gut instinct?
• What decision did you not have any say in, but would have wanted to? Why were you powerless to participate in this decision? How did the choice made affect you? What do you think would have happened if a different choice had been made?
• What the most dangerous or scary thing that you've lived through? What was threatened? What were the stakes? How did you survive/overcome it? How did you cope emotionally with the fallout?
• When did you first feel like you were no longer a child? Who and what was around you then? What had you just done or seen? What was the difference between your childhood self and your more adult self?
• What are you most proud of about yourself? Is it a talent or skill? A personality trait or quality? An accomplishment? Why is this the thing that makes you proud?

Brainstorming Technique 2: Remember Influential People

• Which of your parents (or parental figures) are you most like in personality and character? Which of their traits do you see in yourself? Which do you not? Do you wish you were more like this parent or less?
• Which of your grandparents, great-grandparents, or other older relatives has had the most influence on your life? Is it a positive influence, where you want to follow in their footsteps in some way? A negative influence, where you want to avoid becoming like them in some way? How is the world they come from like your world? How is it different?
• Which teacher has challenged you the most? What has that challenge been? How did you respond?
• What is something that someone once said to you that has stuck with you? When and where did they say it? Why do you think it's lodged in your memory?
• Which of your friends would you trade places with for a day? Why?
• If you could intern for a week or a month with anyone—living or dead, historical or fictional—who would it be? What would you want that person to teach you? How did you first encounter this person or character? How do you think this person would react to you?
• Of the people you know personally, whose life is harder than yours? What makes it that way—their external circumstances? Their inner state? Have you ever tried to help this person? If yes, did it work? If no, how would you help them if you could?
• Of the people you know personally, whose life is easier than yours? Are you jealous? Why or why not?

Brainstorming Technique 3: Recreate Important Times or Places

• When is the last time you felt so immersed in what you were doing that you lost all track of time or anything else from the outside world? What were you doing? Why do you think this activity got you into this near-zen state?
• Where do you most often tend to daydream? Why do you think this place has this effect on you? Do you seek it out? Avoid it? Why?
• What is the best time of day? The worst? Why?
• What is your favorite corner of, or space in, the place where you live? What do you like about it? When do you go there, and what do you use it for?
• What is your least favorite corner of, or space in, the place where you live? Why do you dislike it? What do you associate it with?
• If you had to repeat a day over and over, like the movie Groundhog Day , what day would it be? If you'd pick a day from your life that has already happened, why would you want to be stuck it in? To relive something great? To fix mistakes? If you'd pick a day that hasn't yet occurred, what would the day you were stuck in be like?
• If you could go back in time to give yourself advice, when would you go back to? What advice would you give? Why? What effect would you want your advice to have?

Brainstorming Technique 4: Answer Thought-Provoking Questions

• If you could take a Mulligan and do over one thing in your life, what would it be? Would you change what you did the first time around? Why?
• Or, if you could take another crack at doing something again, what would you pick? Something positive—having another shot at repeating a good experience? Something negative—getting the chance to try another tactic to avoid a bad experience?
• Which piece of yourself could you never change while remaining the same person? Your race? Ethnicity? Intellect? Height? Freckles? Loyalty? Sense of humor? Why is that the thing that you'd cling to as the thing that makes you who you are?
• Which of your beliefs, ideas, or tastes puts you in the minority? Why do you think/believe/like this thing when no one else seems to?
• What are you most frightened of? What are you not frightened enough of? Why?
• What is your most treasured possession? What would you grab before running out of the house during a fire? What is this object's story and why is it so valuable to you?
• What skill or talent that you don't have now would you most like to have? Is it an extension of something you already do? Something you've never had the guts to try doing? Something you plan on learning in the future?
• Which traditions that you grew up with will you pass on? Which will you ignore? Why?

Brainstorming Technique 5: Find a Trait or Characteristic and Trace It Back

• What are three adjectives you'd use to describe yourself? Why these three? Which of these is the one you're most proud of? Least proud of? When did you last exhibit this trait? What were you doing?
• How would your best friend describe you? What about your parents? How are the adjectives they'd come up with different from the ones you'd use? When have they seen this quality or trait in you?
• What everyday thing are you the world's greatest at? Who taught you how to do it? What memories do you have associated with this activity? Which aspects of it have you perfected?
• Imagine that it's the future and that you've become well known. What will you become famous for? Is it for something creative or a performance? For the way you will have helped others? For your business accomplishments? For your athletic prowess? When you make a speech about this fame, whom will you thank for putting you where you are?
• What do you most like about yourself? This is different from the thing you're most proud of—this is the thing that you know about yourself that makes you smile. Can you describe a time when this thing was useful or effective in some way?

How to Turn Your Brainstorming List Into an Essay Topic

Now that you have a cornucopia of daydreams, memories, thoughts, and ambitions, it's time to thin the herd, prune the dead branches, and whatever other mixed metaphors about separating the wheat from the chaff you can think of.

So how do you narrow down your many ideas into one?

Use the magic power of time. One of the best things you can do with your stack of college essay topics is to forget about them. Put them away for a couple of days so that you create a little mental space. When you come back to everything you wrote after a day or two, you will get the chance to read it with fresh eyes.

Let the cream rise to the top. When you reread your topics after having let them sit, do two things:

• Cross out any ideas that don't speak to you in some way. If something doesn't ring true, if it doesn't spark your interest, or if it doesn't connect with an emotion, then consider reject it.
• Circle or highlight any topics that pop out at you. If it feels engaging, if you get excited at the prospect of talking about it, if it resonates with a feeling, then put it at the top of the idea pile.

Rinse and repeat. Go through the process of letting a few days pass and then rereading your ideas at least one more time. This time, don't bother looking at the topics you've already rejected. Instead, concentrate on those you highlighted earlier and maybe some of the ones that were neither circled nor thrown away.

Trust your gut instinct (but verify). Now that you've gone through and culled your ideas several times based on whether or not they really truly appeal to you, you should have a list of your top choices—all the ones you've circled or highlighted along the way. Now is the moment of truth. Imagine yourself telling the story of each of these experiences to someone who wants to get to know you. Rank your possible topics in order of how excited you are to share this story. Really listen to your intuition here. If you're squeamish, shy, unexcited, or otherwise not happy at the thought of having to tell someone about the experience, it will make a terrible essay topic.

Develop your top two to four choices to see which is best. Unless you feel very strongly about one of your top choices, the only way to really know which of your best ideas is the perfect one is to try actually making them into essays. For each one, go through the steps listed in the next section of the article under "Find Your Idea's Narrative." Then, use your best judgment (and maybe that of your parents, teachers, or school counselor) to figure out which one to draft into your personal statement.

How to Make Your Idea Into a College Essay

Now, let's talk about what to do in order to flesh out your topic concept into a great college essay. First, I'll give you some pointers on expanding your idea into an essay-worthy story, and then talk a bit about how to draft and polish your personal statement.

Find Your Topic's Narrative

All great college essays have the same foundation as good short stories or enjoyable movies—an involving story. Let's go through what features make for a story that you don't want to put down:

A compelling character with an arc. Think about the experience that you want to write about. What were you like before it happened? What did you learn, feel, or think about during it? What happened afterwards? What do you now know about yourself that you didn't before?

Sensory details that create a "you are there!" experience for the reader. When you're writing about your experience, focus on trying to really make the situation come alive. Where were you? Who else was there? What did it look like? What did it sound like? Were there memorable textures, smells, tastes? Does it compare to anything else? When you're writing about the people you interacted with, give them a small snippet of dialog to say so the reader can "hear" that person's voice. When you are writing about yourself, make sure to include words that explain the emotions you are feeling at different parts of the story.

An insightful ending. Your essay should end with an uplifting, personal, and interesting revelation about the kind of person you are today, and how the story you have just described has made and shaped you.

Draft and Revise

The key to great writing is rewriting. So work out a draft, and then put it aside and give yourself a few days to forget what you've written. When you come back to look at it again look for places where you slow down your reading, where something seems out of place or awkward. Can you fix this by changing around the order of your essay? By explaining further? By adding details? Experiment.

Get advice. Colleges expect your essay to be your work, but most recommend having someone else cast a fresh eye over it. A good way to get a teacher or a parent involved is to ask them whether your story is clear and specific, and whether your insight about yourself flows logically from the story you tell.

Execute flawlessly. Dot every i, cross every t, delicately place every comma where it needs to go. Grammar mistakes, misspellings, and awkward sentence structure don't just make your writing look bad—they take the reader out of the story you're telling. And that makes you memorable, but in a bad way.

The Bottom Line

• Your college essay topic needs to come from the fact that essays are a way for colleges to get to know the real you , a you that is separate from your grades and scores.
• A great way to come up with topics is to wholeheartedly dive into a brainstorming exercise. The more ideas about your life that tumble out of your memory and onto the page, the better chance you have of finding the perfect college essay topic.
• Answer my brainstorming questions without editing yourself at first. Instead, simply write down as many things that pop into your head as you can—even if you end up going off topic.
• After you've generated a list of possible topics, leave it alone for a few days and then come back to pick out the ones that seem the most promising.
• Flesh out your top few ideas into full-blown narratives , to understand which reveals the most interesting thing about you as a person.
• Don't shy away from asking for help. At each stage of the writing process get a parent or teacher to look over what you're working on, not to do your work for you but to hopefully gently steer you in a better direction if you're running into trouble.

What's Next?

Ready to start working on your essay? Check out our explanation of the point of the personal essay and the role it plays on your applications .

For more detailed advice on writing a great college essay, read our guide to the Common Application essay prompts and get advice on how to pick the Common App prompt that's right for you .

Thinking of taking the SAT again before submitting your applications? We have put together the ultimate guide to studying for the SAT to give you the ins and outs of the best ways to study.

Anna scored in the 99th percentile on her SATs in high school, and went on to major in English at Princeton and to get her doctorate in English Literature at Columbia. She is passionate about improving student access to higher education.

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70 “How To” Essay Topics

Referred to by names such as process essay or process analysis essay, the How-To essay details the steps to complete an assigned task in the most efficient way possible.

What Are the Key Steps to Writing a “How To” Essay?

How-to essays are pretty straightforward in their writing process, but there are a few key things to remember to ensure that the reader understands the steps involved.

The most important part of writing a How-To essay is ensuring that every necessary step is included in the writing – especially in the order they must be carried out.

This means that the writer shouldn’t avoid any steps, skip around, or leave out key details.

Secondly, it is essential to be concise when writing a How-To essay. Avoid detailing unnecessary steps or processes not related to the essay’s main topic.

Finally, must use sequential phrasing to denote the order of the steps. Phrases such as “first,” “second,” and “third” are helpful when writing a How-To essay.

By following these key steps, the writer can ensure that their How-To essay is clear, concise, and easy to follow!

Steps for Writing a “How To” Essay

When it comes to writing a How-To essay, the following formatting structure will ensure that the essay is easy to follow for the reader.

Introductory Paragraph

The introductory paragraph should briefly introduce the topic of the essay and provide a general overview of the steps involved. It should also introduce the main point of each individual step.

To engage the reader better, be sure to open with an attractive hook statement that will capture the reader’s attention. For example, if you are writing a How-To essay about cooking pasta, you might open with the line “Nothing beats a hot plate of mac and cheese” to grab the reader’s attention.

The introduction paragraph should also end with a thesis statement that details the essay’s main point. For example, in the case of the pasta cooking example, the thesis statement would be, “This essay will outline the steps necessary to cook a perfect plate of pasta from start to finish.”

Pro tip: Your thesis statement shouldn’t simply detail the benefits of following the steps in the essay. For example, the pasta cooking thesis statement could be rewritten as “This essay will outline the steps necessary to cook a perfect plate of pasta, which will not only save you time and money but will also taste better than if you had ordered it from a restaurant.”

Body Paragraphs

Each body paragraph should detail one step in the overall process. The individual steps should be written sequentially, not skipping any steps and providing all necessary details.

The body paragraphs should each follow the same structure:

• 1st Sentence: A topic sentence that briefly discusses the step in the process.
• 2nd Sentence: A transitional sentence that details when this step should be completed in relation to the other steps in the process
• 3rd Sentence: A detailed explanation of how to complete this step, based on a combination of research and common sense.
• 4th Sentence: A concluding sentence that briefly restates the step.

This formula should be repeated for each and every step in the process being detailed. This may only require a few paragraphs for how-to essays describing simple processes. However, for more complicated topics, this may require many sections to ensure that every step has been covered and every necessary detail included.

Concluding Paragraph

The concluding paragraph should summarize the steps outlined in the essay and restate any key points. It can also include a brief discussion of why following these steps is beneficial or potential pitfalls when skipping certain steps.

In order to avoid any confusion, the concluding paragraph should also summarize the thesis statement for the essay. For the pasta cooking example, this would be “In conclusion, this essay has outlined the steps necessary to cook a perfect plate of pasta from start to finish. By following these steps, you will ensure that your pasta is cooked perfectly every time.”

Pro tip: If you’re feeling stuck, try outlining the steps for your essay on a piece of paper. This will help you see the process as a whole and better understand where each step should fit in.

How-To essays can be a great way to teach or inform the reader about a specific topic. By following the key steps detailed above, you can ensure that your How-To essay is written with maximum clarity and follows the proper format.

70 “How To” Essay Topics

When writing a How-To essay, the biggest challenge can be choosing a topic. Essay topics too broad or general can be too difficult to cover in a single essay. On the other hand, essay topics that are too specific can be too difficult for the writer, who might accidentally leave out critical steps or details.

In order to make it easier for you to choose a topic, we have compiled a list of 70 How-To Essay topics that can be broken down into a variety of categories. While this list is by no means exhaustive, it should give you a good starting point for your essay.

How-To Essay Topics About Life Skills

• How to make a bed properly
• How to pack for a trip
• How to study for a test
• How to write a resume
• How to network
• How to interview for a job
• How to give a presentation
• How to deal with stress
• How to make a budget
• How to save money
• How to cook a basic meal
• How to do laundry
• How to change a tire
• How to use public transportation
• How to ask for a raise
• How to deal with difficult people
• How to deal with passive-aggressive behavior
• How to make a good impression
• How to write a thank you letter
• How to speak in public
• How to make friends as an adult
• How to ace a job interview
• How to manage your time
• How to be an effective leader

How-To Essay Topics About Technology

• How to set up a wireless network at home
• How to download music legally online
• How to reset your browser’s homepage
• How to navigate social media sites like Facebook and Twitter
• How to use your phone’s camera
• How to set up a Bluetooth device
• How to use Zoom effectively
• How to use a VPN
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How-To Essay Topics About Fitness and Health

• How to get rid of belly fat
• How to lose weight fast
• How to do crunches properly
• How to do squats
• How to run faster
• How to jump higher
• How to stretch
• How to prevent sports injuries
• How to deal with pain
• How to improve your diet
• How to get in shape for summer
• How to lower blood pressure

How-To Essay Topics About Home Improvement

• How to paint a room
• How to hang curtains
• How to unclog a drain
• How to patch a hole in the wall
• How to fix a broken doorknob
• How to install crown molding
• How to install laminate flooring
• How to clean hardwood floors properly
• How to have an eco-friendly home
• How to decorate your home on a budget
• How to choose paint colors for your home
• How to make your home more energy-efficient

How To Essay Topics About Science

• How to make a volcano
• How to make a model of the solar system
• How to grow crystals
• How to make a simple electrical circuit
• How to make slime
• How to extract DNA from a strawberry
• How to make a terrarium
• How to make a potato battery
• How to measure pH level
• How to write a lab report
• How to identify different species of flora & fauna

Using these how-to writing prompts, students can have a great start to writing their own How-To essays. Remember to keep each step of the process for a smooth transition from one to another.

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Top 20 Unessay Project Ideas For Students [Revised]

In the area of education, there’s a constant quest to innovate and engage learners in meaningful ways. Traditional essays have long been the staple of academic assessment, but what if there was a way to break free from the constraints of this format and explore new avenues of expression and learning? Let’s enter into the concept of “Unessay project ideas.”

What is an Unessay?

Table of Contents

An Unessay is exactly what it sounds like – an unconventional approach to the traditional essay. It’s a departure from the standard written format, encouraging students to explore topics and express ideas through various creative mediums.

Unlike the typical essay, which often follows a rigid structure and formatting guidelines, Unessays offer freedom and flexibility in how information is presented.

Why Unessay Projects Matter

Unessay projects are not just about being different for the sake of it; they serve a crucial purpose in education. By allowing students to harness their creativity and personal interests, Unessays foster deeper engagement with course material. They encourage critical thinking, problem-solving, and self-expression – skills that are essential for success both inside and outside the classroom.

How Do We Write An Unessay?

Writing an Unessay involves breaking away from the traditional essay format and exploring creative and unconventional ways to present your ideas. Here’s a step-by-step guide on how to write an Unessay:

• Choose Your Topic: Select a topic that interests you and aligns with the assignment requirements.
• Brainstorm Ideas: Think outside the box and brainstorm different ways to approach the topic. Consider visual representations, multimedia presentations, creative writing, or alternative formats.
• Select Your Medium: Decide on the medium that best suits your topic and creative vision. Are you drawn to visual art, storytelling, or digital media?
• Research and Gather Materials: Conduct research to gather information and materials that will support your Unessay. This could include images, videos, quotes, data, or personal experiences.
• Plan Your Structure: Unlike traditional essays, Unessays don’t necessarily follow a linear structure. Plan how you’ll organize your content to effectively convey your message.
• Create Your Content: Start creating your Unessay using your chosen medium. This could involve writing, designing, recording, or producing content in a way that resonates with your audience.
• Experiment and Iterate: Don’t be afraid to experiment and try new things. Your Unessay is a creative expression of your ideas, so feel free to iterate and refine as you go.
• Incorporate Feedback: Seek feedback from peers, instructors, or mentors to improve your Unessay. Consider how you can incorporate their suggestions to enhance your work.
• Reflect and Revise: Reflect on your Unessay and consider what you’ve learned throughout the process. Make any necessary revisions to ensure your final product effectively communicates your message.
• Submit and Share: Once you’re satisfied with your Unessay, submit it according to the assignment guidelines. Consider sharing your work with others to inspire creativity and spark meaningful discussions.

Top 20 Unessay Project Ideas

• Interactive Documentary: Create an interactive documentary using multimedia elements such as video, audio, images, and text to explore a topic or issue from multiple perspectives.
• Virtual Reality Experience: Design a virtual reality (VR) experience that immerses users in a specific environment or scenario related to your topic of interest.
• Augmented Reality Exhibit: Develop an augmented reality (AR) exhibit that overlays digital content onto the physical world, allowing viewers to interact with information in innovative ways.
• Data Visualization Story: Tell a story using data visualization techniques such as charts, graphs, maps, and interactive data visualizations to convey complex information in a compelling manner.
• Animated Explainer Video: Create an animated video that explains a concept, process, or idea using engaging visuals, narration, and motion graphics.
• Podcast Series: Produce a podcast series featuring interviews, discussions, and storytelling related to your topic, allowing listeners to explore different perspectives and insights.
• Graphic Novel: Write and illustrate a graphic novel that explores themes, characters, and narratives relevant to your subject matter in a visually captivating format.
• Photography Essay: Compile a photography essay featuring a series of photographs accompanied by descriptive captions or narratives that explore a particular theme or concept.
• Interactive Game: Develop an interactive game or simulation that challenges players to explore and understand key concepts or phenomena related to your topic.
• Live Performance Piece: Create a live performance piece incorporating elements of theater, dance, music, or spoken word to convey ideas, emotions, and messages.
• Digital Collage: Produce a digital collage using images, text, and multimedia elements to create a visually dynamic representation of your topic or concept.
• Choose Your Own Adventure Story: Write a choose-your-own-adventure story where readers can navigate through different pathways and outcomes based on their choices, exploring various aspects of your topic.
• Video Essay Series: Produce a series of video essays that delve into different aspects or perspectives of your topic, combining narration, visuals, and analysis to engage viewers.
• Art Installation: Create an art installation using mixed media, sculpture, or interactive elements to evoke emotions, provoke thoughts, and stimulate dialogue around your chosen theme.
• Sound Collage: Compose a sound collage or audio montage incorporating ambient sounds, music, interviews, and other audio elements to create a sensory-rich exploration of your topic.
• Digital Storytelling Website: Design a multimedia website featuring interactive storytelling elements such as videos, animations, infographics, and interactive timelines to present your research or narrative.
• Comic Strip Series: Craft a series of comic strips or webcomics that humorously or artistically explore themes, characters, or events related to your subject matter.
• Experimental Film: Produce an experimental film or video art piece that pushes the boundaries of traditional filmmaking techniques to convey abstract concepts, emotions, or narratives.
• Interactive Map: Create an interactive map using GIS technology or digital mapping tools to visually represent geographical data, historical events, or social phenomena relevant to your topic.
• Digital Art Installation: Develop a digital art installation featuring interactive projections, digital sculptures, or immersive environments that invite viewers to explore and interact with your subject matter in unique ways.

Where To Find Project Ideas?

Finding project ideas can come from a variety of sources. Here are some places to explore for inspiration:

• Course Material: Look at your class syllabus, textbooks, or lecture notes for topics that interest you or that you’d like to delve deeper into.
• Personal Interests: Consider your hobbies, passions, and personal experiences. Projects that align with your interests are often more engaging and rewarding.
• Current Events: Stay updated on current events, news, and trends. Explore how these topics intersect with your academic studies or personal interests.
• Conversations and Collaborations: Engage in discussions with peers, instructors, mentors, or professionals in your field. Collaborating with others can spark new ideas and perspectives.
• Online Resources: Browse educational websites, forums, and social media platforms for project prompts, challenges, and inspiration.
• Creative Prompts: Explore creative writing prompts, art prompts, or design challenges to stimulate your imagination and generate project ideas.
• Problem-solving: Identify problems or challenges in your community, field of study, or personal life, and brainstorm creative solutions or projects to address them.
• Past Projects: Review past projects, assignments, or research papers you’ve completed for inspiration. Consider how you can expand, improve, or build upon previous work.
• Professional Journals and Publications: Read academic journals, magazines, or industry publications related to your field for ideas, research topics, and emerging trends.
• Extracurricular Activities: Participate in clubs, organizations, or extracurricular activities that align with your interests. These experiences can inspire project ideas and provide valuable insights.

Unessay project ideas represent a paradigm shift in education – one that celebrates creativity, personalization, and innovation.

By breaking free from the constraints of traditional essays, Unessays empowers students to explore topics in-depth, express themselves authentically, and engage with course material in meaningful ways.

So why not embrace the Unessay revolution and unleash the full potential of learning? The possibilities are endless.

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What does it take to write well? Author Steve…

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Subscriber only, what does it take to write well author steve almond has a few ideas., in this excerpt from his new book on the craft of writing, the author says to embrace doubt.

“We live with mystery,” the poet Mark Strand notes, “but we don’t like the feeling. I think we should get used to it.”

I never met Strand, though I saw him read back in 1999. That was the year I spent making deliriously bad poetry. I didn’t realize how bad it was at the time. I only knew that prose had become an insufficient vehicle for my genius; this was why my short stories kept getting rejected.

I was depressed and lonely, scrambling between adjunct teaching gigs driving a pale green Tercel with a rusted undercarriage that would eventually shed a wheel in traffic. Every Thursday, I drove to a hipster bar and abused the open mic. I haunted local readings, vibrating with angst and stabbing insights onto a napkin because I couldn’t be bothered to buy a notebook.

That was when I was feeling ambitious. Mostly, I got stoned and watched movies at the second-run theater in Davis Square. I’d coat my arteries in Milk Duds, then walk outside into the silence of who I was.

How wretched was my poetry, really?

Owed to Water

It is said the ocean forgets everything

forgets the lash of lightning and the stones

it grinds to sand and the planks it swallows

without joy or renunciation

I wasn’t ready to write about what was actually happening in my life. So I ravaged Roget’s Thesaurus and bound the resulting dreck into a manuscript titled, unpretentiously, “Seven Essential Dreams.”

My dad suggested therapy. I hated him for it, then went to see a psychiatrist who reminded me, a little, of my mother (also a psychiatrist) and who informed me, after our first session, that she didn’t have room for me in her schedule. I staggered onto the sidewalk and burst into tears. As if in a dream, or a bad poem, one of my students appeared. We both had to pretend it wasn’t happening, that she would not now race back to campus to inform the rest of the class.

Around this time, my mother flew to Boston for a series of interviews that represented the final exam of her psychoanalytic training. At dinner one night, I mentioned that I’d been writing poetry. “I once dated a poet,” she murmured. “A million years ago, at Antioch. Do you know Mark Strand?”

“Mark Strand,” I said. “Oh my God! Are you serious? I just saw him read.” And so on.

I had long since renounced the practice of showing her my pain. For years, I’d been playing the role of her charming youngest son, the one trying to be a writer across the country. But having her in town, right across the table, awakened an ancient desperation. I wanted her to comfort me. My brain has spared me a reliable memory of that meal. I remember only that I started to cry.

“I’m sorry you’re struggling, Stevie,” she said. “But I’ve got a lot on my mind.”

I hate telling you this. I hate that it happened. My mother was the person I loved most in the world. She was the person whose devotion to literature had become my own. She was also tired of caring for needy, self-absorbed men. The point isn’t that she was a bad mom. The point is that we had no idea, in that particular moment of torment, how to reach each other. We were lost in private orbits of doubt.

That’s my central feeling when I begin writing: doubt. I haven’t quite worked out what the story is about. I have, at most, a few stray associations, a fragment of dialogue, the faint outlines of a plot.

Even as I learn more about my characters, as their dreams and fears begin to coalesce, I often conceal this data from the reader because I experience this withholding as a form of authority.

A reader mired in doubt, after all, is in no position to judge me.

There are, of course, other reasons that I foist doubt upon the reader. I forget that the reader isn’t me, doesn’t have access to my memories, hasn’t been along for the journey of discovery. I’m wary of the pain I might encounter and concerned about exposing my private tribulations, or those of my beloveds. Whatever the reasons, the result is the same: I mire the reader in my confusion, rather than that of my characters.

I’m not the only one making this category error. As the fiction editor of a literary magazine, I rejected 90 percent of our submissions for the simple reason that they were needlessly confusing.

To be clear: the stories we tell (if they are honest) should be full of doubt. We, as a species, are full of doubt. In fact, our deepest stories arise  from our bewilderment. They represent a productive engagement with that bewilderment — a creative struggle to understand and make meaning from our destructive impulses, our disappointments and delusions, our unresolved traumas, the vaults of mayhem we calmly drag around.

In ninth grade, my English teacher, a brilliant ham by the name of Jim Farrell, read us the first chapter of “The Catcher in the Rye.” I was hypnotized by the voice of Holden Caulfield, at once sly and bereft.

Mostly, I loved how honest Holden was about his own confusion. He wasn’t on some epic quest to process his nervous breakdown. He was simply having it, on the page, hurtling through his lost weekend in New York City, offending the phonies, fretting over the ducks in Central Park, sobbing before his little sister.

To write so openly about doubt struck me as a revolutionary act. I had spent years hiding my own, mistaking uncertainty for weakness.

We’re all the same way. We present to the world a version of ourselves brimming with assurance, free of anguish, in control. We know it’s a lie, but we see everyone else participating in that lie; the result is a vast and insoluble loneliness.

As writers, we have to allow our characters to stumble, to fail, to wander off the trail and into bewilderment. We have to stop regarding our own misspent years as personal failures.

Yes, we were drinking too much, ruining friendships, hurling our bodies before our hearts. Yes, we were unable to get out of bed. Yes, we got fired, got dumped, got arrested, got hospitalized. Yes, we needed help. But we were also, in the midst of all that, deeply alive. Pathetic as we might have seemed from the outside, we were working to change, to grow, to forgive.

I see that now: all the work I was doing during my year of bad poetry. I was sad and isolated and creatively confused. But I wrote every day.

Years later, I would convert some of my bad poems into extremely short stories, which they had been, all along. Hiding behind even the worst of my poems was a true story I wasn’t ready to tell yet, usually a story about how confused I was, how ashamed, how lost.

We always turn away from unbearable feelings. We want to feel sure of ourselves. We want to skip the part of the story where the hero falls apart. But that’s the story the reader wants to hear, the one only another human being in pain can tell them.

Excerpt from “Truth is the Arrow, Mercy is the Bow: A DIY Manual for the Construction of Stories,” by Steve Almond. Copyright @2024 by Steven Almond. Used by permission of Zando, zandoprojects.com. All rights reserved.

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Guest Essay

José Andrés: Let People Eat

By José Andrés

Mr. Andrés is the founder of World Central Kitchen.

In the worst conditions you can imagine — after hurricanes, earthquakes, bombs and gunfire — the best of humanity shows up. Not once or twice but always.

The seven people killed on a World Central Kitchen mission in Gaza on Monday were the best of humanity. They are not faceless or nameless. They are not generic aid workers or collateral damage in war.

Saifeddin Issam Ayad Abutaha, John Chapman, Jacob Flickinger, Zomi Frankcom, James Henderson, James Kirby and Damian Sobol risked everything for the most fundamentally human activity: to share our food with others.

These are people I served alongside in Ukraine, Turkey, Morocco, the Bahamas, Indonesia, Mexico, Gaza and Israel. They were far more than heroes.

Their work was based on the simple belief that food is a universal human right. It is not conditional on being good or bad, rich or poor, left or right. We do not ask what religion you belong to. We just ask how many meals you need.

From Day 1, we have fed Israelis as well as Palestinians. Across Israel, we have served more than 1.75 million hot meals. We have fed families displaced by Hezbollah rockets in the north. We have fed grieving families from the south. We delivered meals to the hospitals where hostages were reunited with their families. We have called consistently, repeatedly and passionately for the release of all the hostages.

All the while, we have communicated extensively with Israeli military and civilian officials. At the same time, we have worked closely with community leaders in Gaza, as well as Arab nations in the region. There is no way to bring a ship full of food to Gaza without doing so.

That’s how we served more than 43 million meals in Gaza, preparing hot food in 68 community kitchens where Palestinians are feeding Palestinians.

We know Israelis. Israelis, in their heart of hearts, know that food is not a weapon of war.

Israel is better than the way this war is being waged. It is better than blocking food and medicine to civilians. It is better than killing aid workers who had coordinated their movements with the Israel Defense Forces.

The Israeli government needs to open more land routes for food and medicine today. It needs to stop killing civilians and aid workers today. It needs to start the long journey to peace today.

In the worst conditions, after the worst terrorist attack in its history, it’s time for the best of Israel to show up. You cannot save the hostages by bombing every building in Gaza. You cannot win this war by starving an entire population.

We welcome the government’s promise of an investigation into how and why members of our World Central Kitchen family were killed. That investigation needs to start at the top, not just the bottom.

Prime Minister Benjamin Netanyahu has said of the Israeli killings of our team, “It happens in war.” It was a direct attack on clearly marked vehicles whose movements were known by the Israel Defense Forces.

It was also the direct result of a policy that squeezed humanitarian aid to desperate levels. Our team was en route from a delivery of almost 400 tons of aid by sea — our second shipment, funded by the United Arab Emirates, supported by Cyprus and with clearance from the Israel Defense Forces.

The team members put their lives at risk precisely because this food aid is so rare and desperately needed. According to the Integrated Food Security Phase Classification global initiative, half the population of Gaza — 1.1. million people — faces the imminent risk of famine. The team would not have made the journey if there were enough food, traveling by truck across land, to feed the people of Gaza.

The peoples of the Mediterranean and Middle East, regardless of ethnicity and religion, share a culture that values food as a powerful statement of humanity and hospitality — of our shared hope for a better tomorrow.

There’s a reason, at this special time of year, Christians make Easter eggs, Muslims eat an egg at iftar dinners and an egg sits on the Seder plate. This symbol of life and hope reborn in spring extends across religions and cultures.

I have been a stranger at Seder dinners. I have heard the ancient Passover stories about being a stranger in the land of Egypt, the commandment to remember — with a feast before you — that the children of Israel were once slaves.

It is not a sign of weakness to feed strangers; it is a sign of strength. The people of Israel need to remember, at this darkest hour, what strength truly looks like.

José Andrés is a chef and the founder of World Central Kitchen.

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Addiction, Motherhood, and Jesus with writer Anne Lamott

Writer Anne Lamott has garnered a cult following with her shockingly honest prose on love, death, faith, writing and more. This hour, her wisdom from a career that has spanned 20 books and 40 years.

This episode of TED Radio Hour was produced by Rachel Faulkner White and edited by Sanaz Meshkinpour.

Our production staff also includes James Delahoussaye, Katie Monteleone, Fiona Geiran, Matthew Cloutier, and Harsha Nahata. Irene Noguchi is our executive producer. Our audio engineer was David Greenburg.