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• How to write a literary analysis essay | A step-by-step guide

How to Write a Literary Analysis Essay | A Step-by-Step Guide

Published on January 30, 2020 by Jack Caulfield . Revised on August 14, 2023.

Literary analysis means closely studying a text, interpreting its meanings, and exploring why the author made certain choices. It can be applied to novels, short stories, plays, poems, or any other form of literary writing.

A literary analysis essay is not a rhetorical analysis , nor is it just a summary of the plot or a book review. Instead, it is a type of argumentative essay where you need to analyze elements such as the language, perspective, and structure of the text, and explain how the author uses literary devices to create effects and convey ideas.

Before beginning a literary analysis essay, it’s essential to carefully read the text and c ome up with a thesis statement to keep your essay focused. As you write, follow the standard structure of an academic essay :

• An introduction that tells the reader what your essay will focus on.
• A main body, divided into paragraphs , that builds an argument using evidence from the text.
• A conclusion that clearly states the main point that you have shown with your analysis.

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Table of contents

Step 1: reading the text and identifying literary devices, step 2: coming up with a thesis, step 3: writing a title and introduction, step 4: writing the body of the essay, step 5: writing a conclusion, other interesting articles.

The first step is to carefully read the text(s) and take initial notes. As you read, pay attention to the things that are most intriguing, surprising, or even confusing in the writing—these are things you can dig into in your analysis.

Your goal in literary analysis is not simply to explain the events described in the text, but to analyze the writing itself and discuss how the text works on a deeper level. Primarily, you’re looking out for literary devices —textual elements that writers use to convey meaning and create effects. If you’re comparing and contrasting multiple texts, you can also look for connections between different texts.

To get started with your analysis, there are several key areas that you can focus on. As you analyze each aspect of the text, try to think about how they all relate to each other. You can use highlights or notes to keep track of important passages and quotes.

Language choices

Consider what style of language the author uses. Are the sentences short and simple or more complex and poetic?

What word choices stand out as interesting or unusual? Are words used figuratively to mean something other than their literal definition? Figurative language includes things like metaphor (e.g. “her eyes were oceans”) and simile (e.g. “her eyes were like oceans”).

Also keep an eye out for imagery in the text—recurring images that create a certain atmosphere or symbolize something important. Remember that language is used in literary texts to say more than it means on the surface.

Narrative voice

Ask yourself:

• Who is telling the story?
• How are they telling it?

Is it a first-person narrator (“I”) who is personally involved in the story, or a third-person narrator who tells us about the characters from a distance?

Consider the narrator’s perspective . Is the narrator omniscient (where they know everything about all the characters and events), or do they only have partial knowledge? Are they an unreliable narrator who we are not supposed to take at face value? Authors often hint that their narrator might be giving us a distorted or dishonest version of events.

The tone of the text is also worth considering. Is the story intended to be comic, tragic, or something else? Are usually serious topics treated as funny, or vice versa ? Is the story realistic or fantastical (or somewhere in between)?

Consider how the text is structured, and how the structure relates to the story being told.

• Novels are often divided into chapters and parts.
• Poems are divided into lines, stanzas, and sometime cantos.
• Plays are divided into scenes and acts.

Think about why the author chose to divide the different parts of the text in the way they did.

There are also less formal structural elements to take into account. Does the story unfold in chronological order, or does it jump back and forth in time? Does it begin in medias res —in the middle of the action? Does the plot advance towards a clearly defined climax?

With poetry, consider how the rhyme and meter shape your understanding of the text and your impression of the tone. Try reading the poem aloud to get a sense of this.

In a play, you might consider how relationships between characters are built up through different scenes, and how the setting relates to the action. Watch out for  dramatic irony , where the audience knows some detail that the characters don’t, creating a double meaning in their words, thoughts, or actions.

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Your thesis in a literary analysis essay is the point you want to make about the text. It’s the core argument that gives your essay direction and prevents it from just being a collection of random observations about a text.

If you’re given a prompt for your essay, your thesis must answer or relate to the prompt. For example:

Essay question example

Is Franz Kafka’s “Before the Law” a religious parable?

Your thesis statement should be an answer to this question—not a simple yes or no, but a statement of why this is or isn’t the case:

Thesis statement example

Franz Kafka’s “Before the Law” is not a religious parable, but a story about bureaucratic alienation.

Sometimes you’ll be given freedom to choose your own topic; in this case, you’ll have to come up with an original thesis. Consider what stood out to you in the text; ask yourself questions about the elements that interested you, and consider how you might answer them.

Your thesis should be something arguable—that is, something that you think is true about the text, but which is not a simple matter of fact. It must be complex enough to develop through evidence and arguments across the course of your essay.

Say you’re analyzing the novel Frankenstein . You could start by asking yourself:

Your initial answer might be a surface-level description:

The character Frankenstein is portrayed negatively in Mary Shelley’s Frankenstein .

However, this statement is too simple to be an interesting thesis. After reading the text and analyzing its narrative voice and structure, you can develop the answer into a more nuanced and arguable thesis statement:

Mary Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as.

Remember that you can revise your thesis statement throughout the writing process , so it doesn’t need to be perfectly formulated at this stage. The aim is to keep you focused as you analyze the text.

Finding textual evidence

To support your thesis statement, your essay will build an argument using textual evidence —specific parts of the text that demonstrate your point. This evidence is quoted and analyzed throughout your essay to explain your argument to the reader.

It can be useful to comb through the text in search of relevant quotations before you start writing. You might not end up using everything you find, and you may have to return to the text for more evidence as you write, but collecting textual evidence from the beginning will help you to structure your arguments and assess whether they’re convincing.

To start your literary analysis paper, you’ll need two things: a good title, and an introduction.

Your title should clearly indicate what your analysis will focus on. It usually contains the name of the author and text(s) you’re analyzing. Keep it as concise and engaging as possible.

A common approach to the title is to use a relevant quote from the text, followed by a colon and then the rest of your title.

If you struggle to come up with a good title at first, don’t worry—this will be easier once you’ve begun writing the essay and have a better sense of your arguments.

“Fearful symmetry” : The violence of creation in William Blake’s “The Tyger”

The introduction

The essay introduction provides a quick overview of where your argument is going. It should include your thesis statement and a summary of the essay’s structure.

A typical structure for an introduction is to begin with a general statement about the text and author, using this to lead into your thesis statement. You might refer to a commonly held idea about the text and show how your thesis will contradict it, or zoom in on a particular device you intend to focus on.

Then you can end with a brief indication of what’s coming up in the main body of the essay. This is called signposting. It will be more elaborate in longer essays, but in a short five-paragraph essay structure, it shouldn’t be more than one sentence.

Mary Shelley’s Frankenstein is often read as a crude cautionary tale about the dangers of scientific advancement unrestrained by ethical considerations. In this reading, protagonist Victor Frankenstein is a stable representation of the callous ambition of modern science throughout the novel. This essay, however, argues that far from providing a stable image of the character, Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as. This essay begins by exploring the positive portrayal of Frankenstein in the first volume, then moves on to the creature’s perception of him, and finally discusses the third volume’s narrative shift toward viewing Frankenstein as the creature views him.

Some students prefer to write the introduction later in the process, and it’s not a bad idea. After all, you’ll have a clearer idea of the overall shape of your arguments once you’ve begun writing them!

If you do write the introduction first, you should still return to it later to make sure it lines up with what you ended up writing, and edit as necessary.

The body of your essay is everything between the introduction and conclusion. It contains your arguments and the textual evidence that supports them.

Paragraph structure

A typical structure for a high school literary analysis essay consists of five paragraphs : the three paragraphs of the body, plus the introduction and conclusion.

Each paragraph in the main body should focus on one topic. In the five-paragraph model, try to divide your argument into three main areas of analysis, all linked to your thesis. Don’t try to include everything you can think of to say about the text—only analysis that drives your argument.

In longer essays, the same principle applies on a broader scale. For example, you might have two or three sections in your main body, each with multiple paragraphs. Within these sections, you still want to begin new paragraphs at logical moments—a turn in the argument or the introduction of a new idea.

Robert’s first encounter with Gil-Martin suggests something of his sinister power. Robert feels “a sort of invisible power that drew me towards him.” He identifies the moment of their meeting as “the beginning of a series of adventures which has puzzled myself, and will puzzle the world when I am no more in it” (p. 89). Gil-Martin’s “invisible power” seems to be at work even at this distance from the moment described; before continuing the story, Robert feels compelled to anticipate at length what readers will make of his narrative after his approaching death. With this interjection, Hogg emphasizes the fatal influence Gil-Martin exercises from his first appearance.

Topic sentences

To keep your points focused, it’s important to use a topic sentence at the beginning of each paragraph.

A good topic sentence allows a reader to see at a glance what the paragraph is about. It can introduce a new line of argument and connect or contrast it with the previous paragraph. Transition words like “however” or “moreover” are useful for creating smooth transitions:

… The story’s focus, therefore, is not upon the divine revelation that may be waiting beyond the door, but upon the mundane process of aging undergone by the man as he waits.

Nevertheless, the “radiance” that appears to stream from the door is typically treated as religious symbolism.

This topic sentence signals that the paragraph will address the question of religious symbolism, while the linking word “nevertheless” points out a contrast with the previous paragraph’s conclusion.

Using textual evidence

A key part of literary analysis is backing up your arguments with relevant evidence from the text. This involves introducing quotes from the text and explaining their significance to your point.

It’s important to contextualize quotes and explain why you’re using them; they should be properly introduced and analyzed, not treated as self-explanatory:

It isn’t always necessary to use a quote. Quoting is useful when you’re discussing the author’s language, but sometimes you’ll have to refer to plot points or structural elements that can’t be captured in a short quote.

In these cases, it’s more appropriate to paraphrase or summarize parts of the text—that is, to describe the relevant part in your own words:

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The conclusion of your analysis shouldn’t introduce any new quotations or arguments. Instead, it’s about wrapping up the essay. Here, you summarize your key points and try to emphasize their significance to the reader.

A good way to approach this is to briefly summarize your key arguments, and then stress the conclusion they’ve led you to, highlighting the new perspective your thesis provides on the text as a whole:

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

• Ad hominem fallacy
• Post hoc fallacy
• Appeal to authority fallacy
• False cause fallacy
• Sunk cost fallacy

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By tracing the depiction of Frankenstein through the novel’s three volumes, I have demonstrated how the narrative structure shifts our perception of the character. While the Frankenstein of the first volume is depicted as having innocent intentions, the second and third volumes—first in the creature’s accusatory voice, and then in his own voice—increasingly undermine him, causing him to appear alternately ridiculous and vindictive. Far from the one-dimensional villain he is often taken to be, the character of Frankenstein is compelling because of the dynamic narrative frame in which he is placed. In this frame, Frankenstein’s narrative self-presentation responds to the images of him we see from others’ perspectives. This conclusion sheds new light on the novel, foregrounding Shelley’s unique layering of narrative perspectives and its importance for the depiction of character.

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English 1101

In the News: Researching and Writing about Current Events

V. Literary Analysis

Feel free to print out the entire Unit V, if necessary for easier access.

11/28 – 12/12

Story telling is a craft with roots stretching back to the beginning of humankind. It has been at once an art form, a science and a catalyst for the development of critical thinking skills. Critical thinking skills are necessary for – “parsing”, researching and writing about current events and related controversies. Composing the Literary Analysis unit requires transferring such critical thinking skills. Analyze the short story by identifying and describing problems, comparing and contrasting and explaining cause and effect relationships.

The short stories (see the list of short stories under “Readings” below), are assigned based on general themes selected at the beginning of the course. For more information on writing the literary analysis, see the links immediately below. Use the Literary Analysis Planning Worksheet to brainstorm, plan and get feedback during the planning stages of the Literary Analysis Essay.

For practice in analyzing short stories, use the Short Story Worksheet below to analyze short stories found in the videos listed below. Feel free to being the completed Short Story Worksheet to class as a resource for contributing to class discussions.

Literary Analysis Essays

Literary Terms

The due dates for  the following articles and videos are listed in the Unit Schedule, at the end of this unit.

Adici, Chimamanda Ngozi, “A Private Experience” [Women]

Eco, Umberto, “The Gorge” [Environmentalism]

Far, Sui Sin, “In the Land of the Free” [Immigration]

Hughes, Langston, “Seven People Dancing” [Racism]

Muslim, Kristina Ong, “Day of the Builders” [Technology]

Wong, Elizabeth, “China Doll”

Dassani, Rajeev, “A Day’s Work ” [immigration]

DUST, “Seam” [Technology]

Griffiths, D.W., “The Painted Lady” [Women]

Kampenhout, Willem, “The Surface” [Environmentalism]

Lemon, Kerith, “A Social Life” [Social Media and Entertainment]

Sanger, Erin, “The Bombshell” [Racism]

Literary Analysis Worksheet

This Literary Analysis Worksheet can be used to brainstorm about how given authors (or filmmakers) use literary and dramatic elements to make specific persuasive points. Use this worksheet to analyze assigned short stories and video dramas. is useful while analyzing assigned short stories and videos that contain short dramas. When answering. type the name of the work of short story or video being examined in the space provided at the top of the form. While answering the various questions, be sure to include evidence from the short story or video to support the points that you make. Refer to your completed worksheet during class discussions and small group collaborations. To access the worksheet, click on the link below.

DOWNLOAD WORKSHEET

Literary Analysis Essay Planning Worksheet

This worksheet is useful during the brainstorming phase of composing the literary analysis essay. completed worksheet can also serve as a basis for creating an outline that helps to create the first draft of the essay. It might help to first study the Literary Analysis Assignment Description below. Then complete the planning worksheet immediately below. In answering the questions, be sure to reference specific sections or pages of the short story. For this assignment, select the story [see the list above] that most relates to the overall theme assigned to your small group at the beginning of the course. Be sure to type the name of the story in the appropriate space at the top of the worksheet. To access the worksheet, click on the link below.

Literary Analysis Essay Assignment Description

After selecting the short story that most directly relates to the theme selected at the beginning of the term, be sure to consider the short story in the light of information gained while composing the first three assigned essay of the term. Information gained through the brainstorming phase of this assignment (using the Planning Worksheet) will also be useful. In composing the essay, be sure to answer the following questions:  

• What is the main problem addressed in this short story?
• What statement about this problem does the author appear to be making? In other words, what point is the author trying to make?
• In what ways does the author arrange the elements of the plot and characterization in order to make this point?
• In what ways does information from your earlier essays help to understand the story?
• Is the author’s story consistent with or contradictory to your own conclusions from earlier research?
• If not, what changes would you have made in the story so that it would be more in agreement with your own viewpoint?

  Possible Outline

• Very Brief Plot Summary
• Very Brief Statement of Problem with which the Story Deals
• Thesis: Point Author is Making in this Story
• Itinerary: Brief Summary List of Main Ways the Author Makes His Points
• Author’s Strategy #1 [Plot?]
• Author’s Strategy #2 [Characterizations?]
• Author’s Strategy #3 [Other Literary Elements?]
• Other Observations [Considering your Previous Research]
• WORKS CITED PAGE

Unit Five – Literary Analysis

Unit Six Schedule

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Literary Analysis Essay Planning Sheet

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How to plan an essay: Essay Planning

• What's in this guide
• Essay Planning
• Additional resources

How to plan an essay

Essay planning is an important step in academic essay writing.

Proper planning helps you write your essay faster, and focus more on the exact question.  As you draft and write your essay, record any changes on the plan as well as in the essay itself, so they develop side by side.

One way to start planning an essay is with a ‘box plan’.

First, decide how many stages you want in your argument – how many important points do you want to make? Then, divide a box into an introduction + one paragraph for each stage + a conclusion.

Next, figure out how many words per paragraph you'll need.

Usually, the introduction and conclusion are each about 10% of the word count. This leaves about 80% of the word count for the body - for your real argument. Find how many words that is, and divide it by the number of body paragraphs you want. That tells you about how many words each paragraph can have.

Remember, each body paragraph discusses one main point, so make sure each paragraph's long enough to discuss the point properly (flexible, but usually at least 150 words).

For example, say the assignment is

Fill in the table as follows:

Next, record each paragraph's main argument, as either a heading or  topic sentence (a sentence to start that paragraph, to immediately make its point clear).

Finally, use dot points to list useful information or ideas from your research notes for each paragraph. Remember to include references so you can connect each point to your reading.

The other useful document for essay planning is the marking rubric .

This indicates what the lecturer is looking for, and helps you make sure all the necessary elements are there.

Pathways and Academic Learning Support

• << Previous: What's in this guide
• Next: Additional resources >>
• Last Updated: Feb 15, 2024 1:23 PM
• URL: https://libguides.newcastle.edu.au/essay_planning

ELA Common Core Lesson Plans

• Create Characters Lesson Plan
• Creative Writing Lesson Plan: Using Details
• How to Write a Cause and Effect Essay
• How to Write a Conclusion for an Essay Lesson Plan
• How to Write a Persuasive Essay
• How to Write a Reflective Essay
• How to Write an Article Critique and Review
• How to Write an Introduction to an Essay
• How to Write a Problem Solution Essay
• Lesson Plan: Effective Sentence Structure
• Lesson Plan: Improve Writing Style with Improved Sentence Structure
• Logical Fallacies Lesson Plan with Summary & Examples
• Teaching Active and Passive Voice
• Teaching How to Revise a Rough Draft
• Teaching Instructional Articles: How to Write Instructions
• Teaching Word Choice: Using Strong Verbs
• Using Imagery Lesson Plan
• Writing for Audience and Purpose
• Writing Transitions Lesson
• Analyzing Humor in Literature Lesson Plan
• Analyzing Shakespeare Strategies
• Fun Reading Lesson Plan

How to Write a Literary Analysis.

• How to Annotate and Analyze a Poem
• Lesson Plan for Teaching Annotation
• Literary Terms Lesson Plan
• Literature Exemplars – Grades-9-10
• Teaching Short Story Elements
• Using Short Stories to Teach Elements of Literature
• Bill of Rights Lesson Plan
• Fun Ideas for Teaching Language
• Comma Rules: How to Use Commas
• Difference between Denotation and Connotation
• Effective Word Choice Lesson Plan
• Fun Grammar Review Game or Vocabulary & Language Arts
• Lesson Plans for Substitute Teachers and Busy English Teachers
• Lesson Plan: Creating the Perfect Title
• 4.08 – Lesson Plan: Using Semicolons Correctly
• Pronoun-Antecedent Agreement Lesson Plan
• Sentence Combining Made Easy Lesson Plan
• Strategies for Teaching Vocabulary
• Using Tone Effectively Lesson Plan
• 4.12 – Word Choice Lesson Plan: Eliminate and Replace “To Be” Verbs
• Using Voice in Writing Effectively Lesson Plan
• Speaking & Listening
• Teacher Guide Central

Lesson Plan: How to Write a Literary Analysis

Remember when you assigned a literary analysis or an interpretive essay and all you got was 237 summaries of a short story you'd already read 15 times, so you slammed your hand in the filing cabinet drawer until you drew blood and broke every finger?

The better option, of course, would have been to teach students how to write an interpretive essay or to teach students how to write a literary analysis.

Would you like a rubric? Of course, you would: Literary Analysis Generic Rubric .

The Basics of Writing a Literary Analysis

Use the following guidelines for teaching how to write an interpretive essay or how to write a literary analysis:

• The introduction must introduce the literary work, capture the reader's attention , and include a clearly written thesis statement that contains the literary interpretation.
• The body of the essay must support the thesis statement through evidence--facts, examples, summaries--and commentary--opinions, analysis, interpretation, insight.
• The conclusion summarizes the interpretation and allows the writer to draw attention to the most important aspects of the analysis.

An 'A' essay does the following:

• Identifies the author, title, and gives a brief summary of the literary work.
• Provides a clear interpretation of the author's message and purpose.
• Provides details, quotations

Writing and Drafting

• Reread the literary work several times. This seems logical to teachers. It's not logical for students. Read through the first time to get a feel for the work. Reread and look for passages and ideas that stand out or have special meaning.
• Before drafting, brainstorm possible interpretations. A good strategy is to write annotations as you read.
• Discuss the interpretation with others who have read the work. As a teacher, it's important to have class discussions on works being analyzed.
• Make sure you have a clear answer to the following questions as you write or revise:
• What is the main point of the essay? This main point should be clearly identified in the thesis statement.
• What evidence best supports the interpretation ?
• Are there any points that should be added to clarify the interpretation?
• Is there any superfluous evidence that could be deleted?

Common Pitfalls

Writing a Summary : No matter how many times you emphasize that you do not want a summary, you'll still get them. The only way to eliminate this error is to model analysis and give really low grades to students who summarize rather than analyze.

Listing Facts : A close relative of the summary is listing facts. It's also called the, "I'll list as many facts as I can about this literary work and hope the teacher doesn't grade it very closely" syndrome. Explain that listing facts without explaining how the fact supports the thesis statement or why that fact is important is useless.

Having No Evidence : At the other end of the bad analysis spectrum is the no evidence analysis. It consists of nothing but conjecture.

Mini Lesson

Teach how to write a literary analysis or how to write an interpretive essay and avoid the common pitfalls before you assign the essay. Try this exercise.

• Write down a specific quotation or example from a literary work.
• Underneath the quote write the phrase this shows________ .
• Complete the sentence two times for each quotation.
• Discuss answers and point out the difference between analysis and summary.
• Once students have the basic idea down, assign the essay.
• Another option is to have them answer discussion questions in the following format: 1 detail from the story, with 2 pieces of analysis.

Common Core Standards

Teaching how to write a literary analysis satisfies the following ELA Common Core Standards.

• RL.9-10.1 Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
• L.9-10.2 Determine a theme or central idea of a text and analyze in detail its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text.
• RL.9-10.3 Analyze how complex characters (e.g., those with multiple or conflicting motivations) develop over the course of a text, interact with other characters, and advance the plot or develop the theme.
• W.9-10.1 Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and relevant and sufficient evidence.
• W.9-10.1a Introduce precise claim(s), distinguish the claim(s) from alternate or opposing claims, and create an organization that establishes clear relationships among claim(s), counterclaims, reasons, and evidence.
• W.9-10.1b Develop claim(s) and counterclaims fairly, supplying evidence for each while pointing out the strengths and limitations of both in a manner that anticipates the audience's knowledge level and concerns.
• W.9-10.2b   Develop the topic with well-chosen, relevant, and sufficient facts, extended definitions, concrete details, quotations, or other information and examples appropriate to the audience's knowledge of the topic. W.9-10.2a  Introduce a topic; organize complex ideas, concepts, and information to make important connections and distinctions; include formatting (e.g., headings); graphics (e.g., figures, tables); and multimedia when useful to aiding comprehension.
• W.9-10.1c   Use words, phrases, and clauses to link the major sections of the text, create cohesion, and clarify the relationships between claim(s) and reasons, between reasons and evidence, and between claim(s) and counterclaims.
• W.9-10.2f   Provide a concluding statement or section that follows from and supports the information or explanation presented (e.g., articulating implications or the significance of the topic).
• W.9-10.3c   Use a variety of techniques to sequence events so that they build on one another to create a coherent whole.
• W.9-10.4   Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience.
• L.9-10.1  Demonstrate command of the conventions of standard English grammar and usage when writing or speaking.

Types of Essays

Step-by-step instructions for writing different types of essays can be accessed by the following links.

• Problem-Solution Essay
• Persuasive Essay
• Narrative Essay
• Instructional Article
• Literary Analysis
• How to Write a Tall-Tale
• How to Write an Article Critique
• Cause and Effect Essay

Last Updated on December 6, 2016 by Trenton Lorcher

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10+ literary analysis practice worksheets + activities for your ELA class

by mindroar | Oct 10, 2022 | blog | 0 comments

Now, our previous post was about how to teach your students to do a literary analysis or critical analysis.  By now, you might be wondering if you can easily find a literary analysis practice worksheet to help your ELA students learn critical analysis skills. 

I figured that a follow-up post of worksheets and activities that you can quickly and easily use would be in order.

So if you are teaching your students literary analysis skills and you need a little help, check out these great literary analysis activities and worksheets to use in your ELA classroom.

1. Nouvelle ELA – quote analysis

The first resource we have for you today is this PowerPoint and analyzing quotes activity by Nouvelle ELA.  

The aim of the resources is to help your students learn to analyze and embed quotes in their writing.

In this fun literary analysis lesson, students analyze movie quotes and then have scaffolded help to practice embedding those quotes into their writing.  Students practice the skills of:

• Identifying who said the quote
• Summarizing the context of the quote, and
• Analyzing why the quote matters

Included in the activity are

• an editable PowerPoint that introduces how to analyze quotes
• an Interactive notebook lesson
• literary quote analysis homework worksheet that is print and go
• and an editable literary quote analysis homework sheet

2. A moonlighting English teacher – prose analysis and close reading

The second literary analysis practice worksheet we have today is this prose analysis and close reading bundle by A moonlighting English teacher.

The bundle includes activities to help students understand over 55 high-level literary terms, as well as practice and improve their skills in close reading and critical analysis.

While most of the resources were designed with specific texts in mind, most are able to stand alone as individual lessons or resources and are easily adaptable to whatever texts you are using in your class.  

Included in the bundle are:

• a list of every literary term and definition covered in each activity  in the bundle
• AP Literature prose analysis essay materials, including prose analysis passages and activities from The Poisonwood Bible , The Things They Carried , The Good Earth , Nectar in a Sieve , and Remembering
• an AP Literature prose analysis essay activity that helps students break down two official sample essays
• AP Literature prose essay materials, including advice and model outlines, a self-assessment, an a general rubric
• seven creative activities to analyze literary devices in any novel or story, which is also distance-learning compatible
• an activity to scaffold improving prose analysis commentary using Nectar in a Sieve
• an activity on diction and motifs using The Good Earth
• two quote analysis activities using The Good Earth
• a nonfiction analysis and a rhetorical analysis handout
• an activity on humor using The Poisonwood Bible
• an activity on specific syntax devices using The Poisonwood Bible and an activity on the usage of low diction using The Things They Carried
• a general AP Literature prose analysis essay practice/outline worksheet
• creative activities on tone using The Poisonwood Bible and irony using Cry, the Beloved Country
• and a self-created prose essay assignment 

3. Reading the rapids – identifying literary elements

Other great literary analysis lessons include these ones by Reading the rapids.  This fun bundle will help your students identify literary elements.

Students learn and reinforce their learning by watching animated shorts, using graphic organizers, applying their learning in activities, and assessing their peers.  Literary elements students learn about include:

• direct and indirect characterization 
• types of conflict (man vs self/man/society/technology/nature/supernatural) 
• what is and is not an inference
• types of irony 
• juxtaposition
• mood and tone
• personification

The bundle covers many different CCSS and each lesson plan states which skills are covered in that lesson.

The author also has this great free literary device inventory and reflection to help you work out your students’ level of knowledge about literary devices.  It also uses animated shorts so that the activity is fun and engaging for students to complete.

3. Tracee Orman – showing evidence from the text

The next literary analysis practice worksheet is included in this activity by Tracee Orman. In the activities, students will learn how to adequately show evidence from the text. 

In the activity, students use three non-fiction texts and questions to practice citing evidence from the text.  Suggested answers for each question are included, as well as the evidence students should use.

The passages include interesting scenarios including

• a woman and her son are sprayed with poop from a plane flying overhead
• a woman takes in two kittens only to find out they’re bobcats
• a federal court rules on whether a monkey (or other animal/non-human) can sue for copyright infringement.

The files are provided as non-editable PDFs or a Google slides version of the worksheet for students to respond to digitally.

4. Reading and writing haven – analyzing different text types

The next literary analysis practice worksheet we have for you is this bundle by Reading and writing haven. The bundle enables students to practice analyzing a variety of texts, including non-fiction, fiction, paired texts, short films, movies, advertisements, and poetry.  

The materials and the scaffolding guiding questions and prompts enable students to better understand how to analyze texts.  Included in the bundle are  

• a direct instruction presentation and guided notes that breaks down the concept of analyzing 
• a whole-class analyzing activity that uses a poem, a short film, and two political cartoons (suggested use is included) 
• an assignment that contains scaffolded questions to use with any text
• a short film analysis assignment (of Night and Day ) with scaffolded questions and an extended response (film available on YouTube)
• seven graphic organizers to use with a variety of texts (commercials, songs, fiction, nonfiction, poems, movies, and paired texts – text suggestions/recommendations with links are included)
• a pre- and post-assessment 
• a literary analysis essay example to help move students from analyzing verbally to analyzing in a literary analysis format
• an editable single-point rubric and outline with guiding questions to accompany the literary analysis essay
• a unit overview (recommendations for order and text ideas)
• suggested texts and links to sources to use for whole-class modeling purposes

5. Secondary Sara – finding evidence from the text

Another way to get your students to practice literary analysis when studying any novel is by using this fun activity by Secondary Sara.

The Common Core-aligned activity is set up as a “conspiracy theory” that students have to “prove”.  To do so, students practice finding and using evidence to back up a claim. 

In the activity, student groups choose a question about the novel and come up with a “conspiracy theory” (thesis) to answer that question.

While reading, small groups gather text evidence from the novel and analyze it using a four-step method: What does it SAY?, What does it MEAN?, Why does it MATTER?, How does it prove your THESIS?

Once they have completed the novel and graphic organizer, students give presentations on their thesis and the evidence they collected to support it. 

The rest of the class actively listens by following along with their own listening guide to track who said what.

You can also use an optional follow-up essay assignment to individually assess literary analysis skills.

Included in the download are:

• a rubric that clearly assesses speaking standards
• teacher guide that provides essential questions, I Can statements, CCSS standards for grades 6-8, a sample calendar of lessons, and tips for successful implementation of the group project. 
• directions sheet and rubric
• thesis statement development/approval sheet
• case file planning sheet (chart to collect and analyze text evidence while reading)
• listening guide for presentations
• sample PowerPoint template to give students so they know how to format and organize all of their evidence (and it helps them transition into an essay later)
• literary analysis essay assignment (directions and rubric)
• Google, Word, and PDF versions
• bonus pages: a nonfiction activity to research what conspiracy theories are, evaluating evidence in a theory mini-lesson, and analyzing the quality of an essay’s claims mini-lesson 

7. Write on with Miss G – low-risk literary analysis practice

Another fun literary analysis practice worksheet is included in this speed-dating lesson by Write on with Miss G.  The discussion and literary analysis activities work with any novel.

In the activity, students are paired up to discuss questions aligned with the Common Core standards.  After each round, students rotate to a new partner and discuss a new question.

By the end of class, students will have interacted with 15+ peers and discussed 15+ questions! This means students get lots of low-risk, repeated practice in the peer-to-peer setting. 

This literary analysis practice activity enables your entire class to participate in literary analysis in a low-risk setting and set students up for success in whole-class discussions (that you can do following the speed-dating lesson).

This activity works best at the end of a novel, as it contains questions that ask about “the big picture” (theme, symbolism, etc.)

• detailed teacher instructions
• editable student worksheet with an exit ticket
• 27 editable  Common Core-aligned question cards 
• blank question cards (so you can add your own questions)

Literary elements covered in the questions include

• author’s choices
• author’s purpose
• character development
• word choice
• point of view
• objective summary
• and structure

8. Tracee Orman – interactive flipbook

Another literary analysis practice worksheet is included in this interactive notebook flipbook for any novel by Tracee Orman.

You can choose to use the literary analysis activity as an interactive flipbook, or you can choose to use them as literary analysis practice worksheets.  

The activities cover six main areas.  These areas are

• character development: students must analyze how the setting, events, and other characters have influenced each other
• setting: students analyze how the setting affects the tone of the story and how different themes utilize the setting to convey their messages
• point-of-view: students evaluate either first-person, third-person limited, or third-person omniscient narration–depending on the novel or story–and how different events, the setting, and other characters impact the way it is narrated; students also analyze why the author chose that perspective and how it influences different themes 
• plot analysis: students choose different events from the novel and analyze how each contributes to the tension and conflict in the story; students also evaluate the author’s structure of the story and why/how the author uses various literary techniques for storytelling
• literary and figurative devices: students examine the words used in various quotes and how they change or impact the tone and mood of the story; students also identify and explain various figurative language devices such as simile, metaphor, personification, hyperbole, idiom, and imagery
• overall effects: students dissect a theme to see which characters, events, and elements of the setting helped deepen its meaning of it.

Using these literary analysis practice worksheets or interactive notebooks, students practice higher-level critical-thinking skills which include analysis, synthesis, inference, summarizing, and more.

The activities can be used at any point in the text and can be reused at any point, making them even more versatile. They are perfect for stations, group work, or individual independent reading.

9. Teen tech university – analyzing author’s tone

The next literary analysis practice worksheet is included in this activity by Teen tech university, which focuses on teaching students how to analyze the author’s tone in writing.  

Included in the product are

• an analyzing tone Google Slides presentation (30+ slides)
• DIDLS charts for strategic tone analysis – they show students how to analyze diction, imagery, details, language, and syntax
• four poems to analyze – they are all on the same subject but have a different tone
• teacher’s key for ALL poems and activities
• tone tweets activity – students analyze 15 real-life tweets with a student handout and a teacher answer key
• engaging reading passages for practice and application
• an assessable application activity – a high school graduation where two teens with very different viewpoints
• a writing application activity – My greatest fear
• tone words reference sheet (positive, neutral, and negative connotation)
• annotation activities for active reading and examples
• teacher notes and pacing guide
• Google Drive sharing links for all resources AND pdf handouts provided for printing options.

10. Celebrating Secondary – literary analysis of short films

Another fun way to get your students to practice literary analysis is to use short films to introduce, practice, or review the process.  This bundle by Celebrating secondary enables students to practice literary analysis in a low-risk setting by analyzing short films.

Included in the bundle are two products: Literary analysis using Pixar short films and Literary analysis using short films.  Literary topics and skills covered by the activities include:

• characterization
• connotation
• social commentary
• author’s purpose
• and many more

The product includes links to Pixar shorts, including Bao, Lou, Lifted, Partly Cloudy, and La Luna .  It also includes links to short films, including Lambs, Nuggets, Snack Attack, Soar, and The Little Shoemaker .

A suggested answer key is included, but because the activities are analysis-based answers will vary.  

11. Miss Fits – “recipe” of a text analysis

The last literary analysis practice worksheet is included in this recipe book project by Miss Fits.

In the CCSS-aligned project, students show their understanding and interpretation of the main ideas and themes of a literary work in a fun and creative way. They will practice citing textual evidence to support their examination of a literary work, including themes and characterization. 

This activity works fantastically with books that have a large emphasis on food, such as 

Lara Esquivel’s Like Water for Chocolate , Eat, Pray, Love by Elizabeth Gilbert, Sweetbitter by Stephanie Danler, or The Joy Luck Club by Amy Tan.  

However, it can also be used with other texts, with the creator saying she’s used it with a class reading George Orwell’s 1984 and another student using it as an alternative project for  The Handmaid’s Tale.

Included in the product are:

• an assignment sheet explaining the objective and instructions for the project
• rubric (editable version also included)
• an imagery tracker
• a creative symbolism exercise
• step-by-step recipe worksheet to help students create their projects, and
• sample entries

Want more literary analysis content?

Check out these blog posts

• Literary analysis: how to teach your ELA students to analyze
• 5 research-backed reasons you should be teaching mind mapping

Want a literary analysis example to show your ELA students? Sign up to have an example literary analysis of Jane Austen’s Emma delivered to your inbox.

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• ELA G4:M1:U2:L9

Writing a Literary Essay: Analyzing a Model

In this lesson, daily learning targets, ongoing assessment.

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• ELA G4:M1:U2

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These are the CCS Standards addressed in this lesson:

• RL.4.10: By the end of the year, read and comprehend literature, including stories, dramas, and poetry, in the grades 4-5 text complexity band proficiently, with scaffolding as needed at the high end of the range.
• RI.4.10: By the end of year, read and comprehend informational texts, including history/social studies, science, and technical texts, in the grades 4-5 text complexity band proficiently, with scaffolding as needed at the high end of the range.
• W.4.2: Write informative/explanatory texts to examine a topic and convey ideas and information clearly.
• W.4.4: Produce clear and coherent writing in which the development and organization are appropriate to task, purpose, and audience.
• W.4.5: With guidance and support from peers and adults, develop and strengthen writing as needed by planning, revising, and editing.
• I can use the Painted Essay structure to analyze a model. ( W.4.2, W.4.4, W.4.5 )
• Painted Essay(r) template
• Prepare the materials required for the Painted Essay (see Materials).
• Preview the Painting an Essay lesson plan to familiarize yourself with what will be required of students (see supporting materials).
• Post: Learning target and Working to Become Ethical People anchor chart.

Tech and Multimedia

• Work Time A: Rather than using colored pencils on the displayed model literary essay, consider highlighting or using colored text on a word-processing document.

Supports guided in part by CA ELD Standards and 4.I.B.6 and 4.II.A.1

Important points in the lesson itself

• The basic design of this lesson supports ELLs with opportunities to unpack an example of the work they are expected to complete during the remainder of the unit. They are also empowered to use a color-coding system that will help them understand essay structure using visual prompts.
• ELLs may find it challenging to absorb an abundance of information and terminology about essay structure. Remind students that this structure is an expanded version of the paragraph structure they completed in prior lessons. Think aloud each part while analyzing the model essay in order to clarify the purpose of each component of the structure. Reassure students that even if they do not understand everything today, they will have plenty of opportunities to work with the concepts throughout the unit and the year.
• In Work Time A, ELLs are invited to participate in an optional Language Dive. This conversation guides them through expanding the meaning of the focus statement in the model literary essay. It also provides students with further practice using the language structure from the model literary essay focus statement. Students may draw on this sentence when writing their informative essays later in the unit. A consistent Language Dive routine is critical in helping all students learn how to decipher compelling sentences and write their own. In addition, Language Dive conversations hasten overall English language development for ELLs. Preview the Language Dive Guide and consider how to invite conversation among students to address the questions and goals suggested under each sentence strip chunk (see supporting materials). Select from the questions and goals provided to best meet your students' needs. Consider providing students with a Language Dive log inside a folder to track Language Dive sentences and structures and collate Language Dive note-catchers.

Levels of support

For lighter support:

• During the Language Dive, challenge students to generate questions about the sentence before asking the prepared questions. Example: "What questions can we ask about this sentence? Let's see if we can answer them together." (What does it mean to find inspiration?)

For heavier support:

• Create a puzzle of the model literary essay using index cards. Paste each paragraph on a different index card. Use colored index cards according to the established Painted Essay colors. Challenge students to put the paragraph together in the correct order without looking at their papers.
• Multiple Means of Representation (MMR): In Work Time A, students analyze a model essay in preparation to write their own essay. Help students engage with the model essay in multiple ways. Color-code the model on display with the same colors that the students use during the Painted Essay exercise.
• Multiple Means of Action and Expression (MMAE): In the basic structure of this lesson, students get multiple representation cues with the color-coding provided by the Painted EssayO template. However, some students may find covering the entire essay in one lesson overwhelming. Consider chunking the explicit instruction for each part of the essay into multiple lessons to provide time for students to comprehend new information.
• Multiple Means of Engagement (MME): This lesson continues work that students will use to write an informational essay on their expert group's poet. Build engagement for the informational essay by telling students that they get to become experts about a specific poet. Then they will be able to teach others all about the poet and demonstrate their knowledge.

Key:  Lesson-Specific Vocabulary (L); Text-Specific Vocabulary (T); Vocabulary Used in Writing (W)

• The Painted Essay, structure, analyze (L)
• Model literary essay (one per student and one to display)
• Informative Essay Prompt: What Inspires Poets? (from Lesson 6, one per student and one to display)
• Vocabulary logs (from Unit 1, Lesson 3; one per student)
• Annotated model literary essay (for teacher reference)
• Painted Essay(r) template (one per student)
• Paintbrushes (one per student)
• Read, yellow, blue, and green watercolor paint (one set per pair)
• Cups of water (one per pair)
• Painting an Essay lesson plan (for teacher reference)
• Red, yellow, blue, and green colored pencils (one set; for teacher modeling)
• Paper (blank; one per student)
• Informative Writing Checklist (one per student and one to display)
• Language Dive Guide: Model Literary Essay (optional; for ELLs; for teacher reference)
• Language Dive Note-catcher: Model Literary Essay (optional; for ELLs; one per student and one to display)
• Language Dive Sentence strip chunks: Model Literary Essay (one to display)
• Working to Become Ethical People anchor chart (begun in Unit 1, Lesson 2)
• Independent Reading: Sample Plan ( see the Tools page ; for teacher reference)

Materials from Previous Lessons

New materials.

Each unit in the 3-5 Language Arts Curriculum has two standards-based assessments built in, one mid-unit assessment and one end of unit assessment. The module concludes with a performance task at the end of Unit 3 to synthesize their understanding of what they accomplished through supported, standards-based writing.

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English Literature Structured Essay Plan

Subject: English

Age range: 16+

Resource type: Worksheet/Activity

Last updated

21 June 2019

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A resource created to help A level English Literature students plan their essays better, however it’s suitable for any year group or subject that requires having a structured essay plan.

Structured as follows: Introduction Point 1 (Example, evaluations/personal reaction) Point 2 Point 3 Point 4 Conclusion

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