last book i read essay

How to Answer: What Is the Last Book You Read?

Asking about recent reads is a common question many interviewers will ask. Sometimes this question will be phrased as “what book would you recommend that I read?” Or perhaps, “tell me about your favorite book.” If you are not an avid reader, do not fear! Here is how to craft a response that is genuine, intelligent, and insightful.

What Is The Purpose?

Talking about books with a potential employer – what is the purpose of this? What are they really trying to find out? There are a few differing opinions on the matter. First, this could simply be a conversation starter. The interviewer wants to get to know you a little bit and is curious about what kinds of books you read. Another purpose of this question could be to see how well-read you are (in other words, how many books you read, and what kind). In some corporate environments, being well-read is really important to the company.

Take Time To Prepare

Regardless of the purpose behind the question, we will help you to answer it to the best of your ability. Having a quick summary and keynotes from your book of choice at the ready can be an extreme advantage during your next interview. The truth is, you can choose to talk about any book you have read in the past, not just your last read. Carefully explore options available in the literary world and find ways to professionally talk about them. If you’re having trouble deciding which book to bring up in conversation, this is the blog for you. Keep reading to learn how to answer: what is the last book you read?

Choose a Book You Have Actually Read

While in theory, it might seem like a good idea to do a quick google search for a complex and scholarly novel, it is best to choose a book you have actually read. Simply reading the SparkNotes version will not give you the ability to intelligently summarize the book and have a conversation on it. What if that happens to be the interviewer’s favorite book, and wants to talk more about it? Nope, better to be honest, no matter what book you choose. Maybe choose a book that shares a little bit about you as a person. If you are interested in airplanes, pick a book that focuses on aviation. If you are a history geek, choose a book that focuses on the era that you are most interested in. This is a great way to spark some interesting conversation and help the interviewer get to know you better.

Example: My father was a piolet so I have always been interested in airplanes. The aviation-based novel I just completed inspired me to get my piolet’s license!

Or: To be honest, I’ve always loved cooking books. I enjoy simply reading them to learn about different recipes and techniques. I read them as someone else would read a novel!

Why these are good responses:

You are sharing a unique personal fact about yourself
These responses sound genuine, truthful, and personal
Further conversation might spark from your responses

Choose a Book That Teaches a Lesson

If you are still having trouble finding the perfect book to talk about, and are not an avid reader, find a book that teaches a lesson. Pieces of literature that are based around morals, values, and lessons will show your interviewer that you strive to learn. Being interested in growing and learning new things is a great trait that is very attractive to many interviewers. Try looking into The 7 Habits Of Highly Effective People by Steven Covey. You can order yourself a copy off Amazon, here ! If you like reading YA novels, try to think about one that you learned something from.

Example: The 7 Habits Of Highly Effective People has helped me uncover methods to work more productively in a team-based environment.

Why this is a good response:

Choosing books that specifically focus on teaching the reader show that you are willing to learn
Shows that you have a growth mindset
Communicates that you are committed to teamwork

Find a Success-Based Read

Another fabulous topic you can search for when finding a book to discuss in an interview are success story-based reads. These can be autobiographies or short stories of triumph in any area that interests you. For example, you can choose a book that tells the story of a successful businessperson, inventor, athlete, or artist. Stories that focus on success are a great way to show your interviewer you strive for the best. It can also be a great way to segue into talking about your own personal success stories. If you are looking for a book that is sure to get you inspired, check out Grit: The Power of Passion and Perseverance by Angela Duckworth. You can find the link to order yourself a copy on Amazon, here !

Example: The book Grit by Angela Duckworth inspired me to never give up on any task I set my mind to. The success stories in this book inspired me to go back to school to finish my undergraduate degree.

Shows that you learned something from the book you read
Communicates that you have been impacted positively
Segways into sharing more accomplishments and strengths

What if Books Are Just Not Your Thing?

For some people, the thought of finishing an entire book seems almost impossible. If your most recent read was not a book, that is okay, too! Be honest with your interviewer if you prefer to spend your time reading other types of writing. If you are interested in poetry, for example, you can talk about your favorite poet. If you are a movie fan, speak about a script you have read recently and films you have watched that were inspired by your reading.

Even if your answer might sound a little unconventional, it will help your interviewer get to know you and discover if you are a good fit for the company. Sometimes revealing a hobby that is writing-related will allow you to connect further with the interviewer. Even if the only reading you do is the newspaper, that says something about your style, and you should be honest and genuine with the interviewer!

Example: I enjoy reading poetry in my free time, my favorite poet is Edgar Allen Poe. His poetry inspired me to begin writing poems myself.

Shows your genuine interests
Does not seem fabricated/lets the employer know more about you
Gives you a unique competitive edge to help your interview stand out

More to explore:

How to Answer: What are your pet peeves? – here
How to Answer: How do you boost your confidence? – here
How to Answer: What salary expectations do you have? – here

If you follow these tips, you’ll be well on your way to impressing your interviewer. Do you have any book recommendations you would like to share? Let us know!

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6 Paragraphs on ‘A Book I Have Recently Read’

A Book I Have Recently Read: Books are the best resources of people. With which no earthly wealth can be compared. By reading books we can keep our mind healthy and happy. A good book opens the eyes of the human mind as well as expands and develops the knowledge and intellect and helps to light the mind. Many people like to read story books or other kinds of books. Reading books is a good habit. ‘A Book I Have Recently Read’ is an important paragraph for the students. In this post I have presented six paragraphs on ‘A Book I Have Recently Read’.

A Book I Have Recently Read

Reading books is my passion. I have recently read a book named “ Pather Panchali “. It was written by famous writer Bibhutibhusan Bandopadhyay. The novel is about a little village boy named Apu. The main characters of the book are Apu, Durga, Harihar and Sarbajaya. Harihar and Sarbajaya, a rustic couple, spent their days in miserable distress. But they dreamt of a rosy future. Apu and Durga are their children. Durga died a premature death. It was a great shock to the family. One cannot shed tears when one reads about the death of Apu’s dearest sister Durga. The novel gives us a very living picture of the beauty of a remote village in Bengal. The story reminds us of the hardship of the thousands of poor and helpless people of our country. Really it is an immortal creation of Bibhutibhushan Bandyopadhyay.

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I have little time to read books other than school books. But l heard the story of “Ramer Sumati” written by Saratchandra Chattapadhyay from my grandpa. The story charmed me very much. Recently I managed to have a copy of the book which I finished in a single sitting. It is entirely the story of a joint family of rural Bengal. Here are a few principal characters – Ramlal, the hero, Shyamlal, his step-brother and Narayani, the wife of Shyamlal. Apart from them there are Shyamla’s son and Digambari, his mother-in-law. Ramlal lost his mother when he was only two and a half years old. Narayani, the sister-in-law brought him up with all motherly love and affection. Digambari could not tolerate the sweet relationship between the two. Ramlal was very wayward and that was at the root of all problems. The ancestral home was partitioned and Ramlal was separated much to the pain of Narayani. The author’s portrayal of the characters of Ramlal and Narayani is simply unique. Details of the book cannot be given in this short span. But everybody should go through the book whenever he gets a chance.

Also read : Paragraph on Corona Virus (Covid-19)

I am a genuine book lover. Reading books is my passion. Whenever I get spare time I read story books, novels etc. I am a big fan of cricket as well. My father recently gifted me the autobiography of Sachin Tendulkar “Sachin Tendulkar – Playing It My Way” on my birthday. The book is really very interesting. Sachin Tendulkar is not only a great player but also has become an icon. So a chance to peek into the life of such an icon is always sought after. The chapters describe all the important events of his life. The reader is bound to respect the legend more after going through the book. The book not only brings out Sachin’s passion for cricket but also reveals how caring a father and gentle son he is. I will cherish the experience of reading the book forever and this will be a guide force in my life. I wish to read it once again in future.

A Book I Have Recently Read

Reading books is my passion. I have recently read William Shakespeare’s “The Tempest”. It is the last play of the great playwright, which was written in 1611 at Stafford. Prospero was a learned man. He did not like to rule Milan as merely a Duke. His power was his wisdom. His brother, Antonio, took advantage of this craving for knowledge and conspired to drive him away from Milan with the help of the king of Naples, Alonoso.

Prospero and his daughter eventually took shelter in an alien island. It was a mystic land of which Prospero was little aware. Caliban was an evil spirit which was living in that island. Gradually, Prospero dominated Caliban and became a supreme power by way of his white magic. Dr. Faustus of Marlowe exercised necromancy, but Prospero used his magic for the welfare of the world. Hence his magic was a boon not a bane. His daughter, Miranda, was a lovable and beautiful young lady. Caliban wanted to seduce Miranda, but in vain. At last Ferdinand, the prince of Naples, came to the mysterious land. Miranda was very much appalled to see a beautiful young man for the first time. Seeing Ferdinand, she cried out, “O brave new world.” Later Miranda and Ferdinand fell in love. Prospero wanted to test Ferdinand’s devotion to his daughter. Ferdinand won the mind of Prospero. Using his white magic, Prospero taught everyone including his brother good lessons. Alonso, Antonio and Sebastian realized their misdeed. Gonzalo, who helped Prospero once to escape from his cruel brother, was rewarded.

Finally, everyone was reconciled. Prospero returned to Milan with his daughter and he freed Ariel, the spirit which helped Prospero in fulfilling his desires while living in the alien island. The happy reunion of the play implies the fact that Prospero is a major figure who by way of using his white magic helps everyone reconcile in spite of shortcomings. Honesty and goodness have been rewarded. I felt much aesthetic pleasure while reading the play. Shakespeare’s language, his style, above all, his blending of tragedy and comedy gave to my mind a soothing effect which I cannot forget ever.

Books are our best friends. Even in today’s world of internet and mobile, the importance of books cannot be ignored. I am a genuine book lover. Reading books is my passion. Whenever I get spare time I read story books, novels etc. Recently I have read Bibhutibhushan’s classic novel ‘Chander Pahar’. I loved the book so much that I have lost count of the number of times I flipped through the book even after I had finished reading it.

The book ‘Chander Pahar’ records the adventures of Shankar, the main character of the novel. Shankar, a young bengali boy, faces many adventures in Africa where he goes in connection with his job on the railways. He encounters many ferocious animals like lions, black mamba etc. But the real adventure begins when Shankar accompanies Diago Alverage, a European adventurer, to the Kilimanjaro mountain in search of diamonds. In the course of the events Diago gets killed by a terrible animal called ‘Buniyp’ and Shankar is left all alone in that unknown land of adversity and danger. But he braves it with extraordinary courage and valour.

After a great struggle, he is saved from the desert. Shankar is the embodiment of courage. I love the character very much. I am attracted by Bibhutibhusan Bandyopadhyay’s great narrative skill. He makes the description of African jungles and Shankar’s adventures alive with his narrative skill. Author’s creativity makes Shankar’s character one of the most popular characters of Bengali literature. Whenever I read the novel, I find myself engrossed in it. My mind also travels with Shankar in the land of Africa and feels the adventure. This is why ‘Chander Pahar’ holds such a special place in my mind.

Books are our best friends. Even in today’s world of internet and mobile, the importance of books cannot be ignored. I am a genuine book lover. Reading books is my passion. Whenever I get spare time I read story books, novels etc. Of all the books I have read, I like ‘The Story of My Life’ by Helen Keller the most. The episode centres round the hard struggle of life of Helen Keller. She writes with a natural ease and power, hardly equaled by any other writer of that category. In this book we see that Helen Keller became blind and deaf after a serious illness in her childhood. However, the day when Miss Sullivan came to her as her teacher was the most memorable day in her life. After a long hard process Helen learnt to read, in raised letters in Braille method . She learnt to write also in a special type of typewriter. In the book ‘The Story of My Life’ an account of the first twenty two years of Helen Keller’s life has been given. During this time she came into contact with many noble and affectionate persons. In her autobiography Helen describes her experiences with so much ease and sincerity in such a lucid style that it cannot but arouse love and wonder for her. But the most striking feature of this book is her strong will and iron determination to cross all the hurdles of a handicapped person in her own life. And therefore, it has the universal appeal to all the readers throughout the world. Everybody should go through the book whenever he gets a chance.

Paragraph on ‘My Hobby”

Paragraph On ‘My Aim In Life’

8 thoughts on “6 Paragraphs on ‘A Book I Have Recently Read’”

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How to write a literary analysis essay | A step-by-step guide

How to Write a Literary Analysis Essay | A Step-by-Step Guide

Published on January 30, 2020 by Jack Caulfield . Revised on August 14, 2023.

Literary analysis means closely studying a text, interpreting its meanings, and exploring why the author made certain choices. It can be applied to novels, short stories, plays, poems, or any other form of literary writing.

A literary analysis essay is not a rhetorical analysis , nor is it just a summary of the plot or a book review. Instead, it is a type of argumentative essay where you need to analyze elements such as the language, perspective, and structure of the text, and explain how the author uses literary devices to create effects and convey ideas.

Before beginning a literary analysis essay, it’s essential to carefully read the text and c ome up with a thesis statement to keep your essay focused. As you write, follow the standard structure of an academic essay :

An introduction that tells the reader what your essay will focus on.
A main body, divided into paragraphs , that builds an argument using evidence from the text.
A conclusion that clearly states the main point that you have shown with your analysis.

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Step 1: reading the text and identifying literary devices, step 2: coming up with a thesis, step 3: writing a title and introduction, step 4: writing the body of the essay, step 5: writing a conclusion, other interesting articles.

The first step is to carefully read the text(s) and take initial notes. As you read, pay attention to the things that are most intriguing, surprising, or even confusing in the writing—these are things you can dig into in your analysis.

Your goal in literary analysis is not simply to explain the events described in the text, but to analyze the writing itself and discuss how the text works on a deeper level. Primarily, you’re looking out for literary devices —textual elements that writers use to convey meaning and create effects. If you’re comparing and contrasting multiple texts, you can also look for connections between different texts.

To get started with your analysis, there are several key areas that you can focus on. As you analyze each aspect of the text, try to think about how they all relate to each other. You can use highlights or notes to keep track of important passages and quotes.

Language choices

Consider what style of language the author uses. Are the sentences short and simple or more complex and poetic?

What word choices stand out as interesting or unusual? Are words used figuratively to mean something other than their literal definition? Figurative language includes things like metaphor (e.g. “her eyes were oceans”) and simile (e.g. “her eyes were like oceans”).

Also keep an eye out for imagery in the text—recurring images that create a certain atmosphere or symbolize something important. Remember that language is used in literary texts to say more than it means on the surface.

Narrative voice

Ask yourself:

Who is telling the story?
How are they telling it?

Is it a first-person narrator (“I”) who is personally involved in the story, or a third-person narrator who tells us about the characters from a distance?

Consider the narrator’s perspective . Is the narrator omniscient (where they know everything about all the characters and events), or do they only have partial knowledge? Are they an unreliable narrator who we are not supposed to take at face value? Authors often hint that their narrator might be giving us a distorted or dishonest version of events.

The tone of the text is also worth considering. Is the story intended to be comic, tragic, or something else? Are usually serious topics treated as funny, or vice versa ? Is the story realistic or fantastical (or somewhere in between)?

Consider how the text is structured, and how the structure relates to the story being told.

Novels are often divided into chapters and parts.
Poems are divided into lines, stanzas, and sometime cantos.
Plays are divided into scenes and acts.

Think about why the author chose to divide the different parts of the text in the way they did.

There are also less formal structural elements to take into account. Does the story unfold in chronological order, or does it jump back and forth in time? Does it begin in medias res —in the middle of the action? Does the plot advance towards a clearly defined climax?

With poetry, consider how the rhyme and meter shape your understanding of the text and your impression of the tone. Try reading the poem aloud to get a sense of this.

In a play, you might consider how relationships between characters are built up through different scenes, and how the setting relates to the action. Watch out for dramatic irony , where the audience knows some detail that the characters don’t, creating a double meaning in their words, thoughts, or actions.

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Your thesis in a literary analysis essay is the point you want to make about the text. It’s the core argument that gives your essay direction and prevents it from just being a collection of random observations about a text.

If you’re given a prompt for your essay, your thesis must answer or relate to the prompt. For example:

Essay question example

Is Franz Kafka’s “Before the Law” a religious parable?

Your thesis statement should be an answer to this question—not a simple yes or no, but a statement of why this is or isn’t the case:

Thesis statement example

Franz Kafka’s “Before the Law” is not a religious parable, but a story about bureaucratic alienation.

Sometimes you’ll be given freedom to choose your own topic; in this case, you’ll have to come up with an original thesis. Consider what stood out to you in the text; ask yourself questions about the elements that interested you, and consider how you might answer them.

Your thesis should be something arguable—that is, something that you think is true about the text, but which is not a simple matter of fact. It must be complex enough to develop through evidence and arguments across the course of your essay.

Say you’re analyzing the novel Frankenstein . You could start by asking yourself:

Your initial answer might be a surface-level description:

The character Frankenstein is portrayed negatively in Mary Shelley’s Frankenstein .

However, this statement is too simple to be an interesting thesis. After reading the text and analyzing its narrative voice and structure, you can develop the answer into a more nuanced and arguable thesis statement:

Mary Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as.

Remember that you can revise your thesis statement throughout the writing process , so it doesn’t need to be perfectly formulated at this stage. The aim is to keep you focused as you analyze the text.

Finding textual evidence

To support your thesis statement, your essay will build an argument using textual evidence —specific parts of the text that demonstrate your point. This evidence is quoted and analyzed throughout your essay to explain your argument to the reader.

It can be useful to comb through the text in search of relevant quotations before you start writing. You might not end up using everything you find, and you may have to return to the text for more evidence as you write, but collecting textual evidence from the beginning will help you to structure your arguments and assess whether they’re convincing.

To start your literary analysis paper, you’ll need two things: a good title, and an introduction.

Your title should clearly indicate what your analysis will focus on. It usually contains the name of the author and text(s) you’re analyzing. Keep it as concise and engaging as possible.

A common approach to the title is to use a relevant quote from the text, followed by a colon and then the rest of your title.

If you struggle to come up with a good title at first, don’t worry—this will be easier once you’ve begun writing the essay and have a better sense of your arguments.

“Fearful symmetry” : The violence of creation in William Blake’s “The Tyger”

The introduction

The essay introduction provides a quick overview of where your argument is going. It should include your thesis statement and a summary of the essay’s structure.

A typical structure for an introduction is to begin with a general statement about the text and author, using this to lead into your thesis statement. You might refer to a commonly held idea about the text and show how your thesis will contradict it, or zoom in on a particular device you intend to focus on.

Then you can end with a brief indication of what’s coming up in the main body of the essay. This is called signposting. It will be more elaborate in longer essays, but in a short five-paragraph essay structure, it shouldn’t be more than one sentence.

Mary Shelley’s Frankenstein is often read as a crude cautionary tale about the dangers of scientific advancement unrestrained by ethical considerations. In this reading, protagonist Victor Frankenstein is a stable representation of the callous ambition of modern science throughout the novel. This essay, however, argues that far from providing a stable image of the character, Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as. This essay begins by exploring the positive portrayal of Frankenstein in the first volume, then moves on to the creature’s perception of him, and finally discusses the third volume’s narrative shift toward viewing Frankenstein as the creature views him.

Some students prefer to write the introduction later in the process, and it’s not a bad idea. After all, you’ll have a clearer idea of the overall shape of your arguments once you’ve begun writing them!

If you do write the introduction first, you should still return to it later to make sure it lines up with what you ended up writing, and edit as necessary.

The body of your essay is everything between the introduction and conclusion. It contains your arguments and the textual evidence that supports them.

Paragraph structure

A typical structure for a high school literary analysis essay consists of five paragraphs : the three paragraphs of the body, plus the introduction and conclusion.

Each paragraph in the main body should focus on one topic. In the five-paragraph model, try to divide your argument into three main areas of analysis, all linked to your thesis. Don’t try to include everything you can think of to say about the text—only analysis that drives your argument.

In longer essays, the same principle applies on a broader scale. For example, you might have two or three sections in your main body, each with multiple paragraphs. Within these sections, you still want to begin new paragraphs at logical moments—a turn in the argument or the introduction of a new idea.

Robert’s first encounter with Gil-Martin suggests something of his sinister power. Robert feels “a sort of invisible power that drew me towards him.” He identifies the moment of their meeting as “the beginning of a series of adventures which has puzzled myself, and will puzzle the world when I am no more in it” (p. 89). Gil-Martin’s “invisible power” seems to be at work even at this distance from the moment described; before continuing the story, Robert feels compelled to anticipate at length what readers will make of his narrative after his approaching death. With this interjection, Hogg emphasizes the fatal influence Gil-Martin exercises from his first appearance.

Topic sentences

To keep your points focused, it’s important to use a topic sentence at the beginning of each paragraph.

A good topic sentence allows a reader to see at a glance what the paragraph is about. It can introduce a new line of argument and connect or contrast it with the previous paragraph. Transition words like “however” or “moreover” are useful for creating smooth transitions:

… The story’s focus, therefore, is not upon the divine revelation that may be waiting beyond the door, but upon the mundane process of aging undergone by the man as he waits.

Nevertheless, the “radiance” that appears to stream from the door is typically treated as religious symbolism.

This topic sentence signals that the paragraph will address the question of religious symbolism, while the linking word “nevertheless” points out a contrast with the previous paragraph’s conclusion.

Using textual evidence

A key part of literary analysis is backing up your arguments with relevant evidence from the text. This involves introducing quotes from the text and explaining their significance to your point.

It’s important to contextualize quotes and explain why you’re using them; they should be properly introduced and analyzed, not treated as self-explanatory:

It isn’t always necessary to use a quote. Quoting is useful when you’re discussing the author’s language, but sometimes you’ll have to refer to plot points or structural elements that can’t be captured in a short quote.

In these cases, it’s more appropriate to paraphrase or summarize parts of the text—that is, to describe the relevant part in your own words:

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The conclusion of your analysis shouldn’t introduce any new quotations or arguments. Instead, it’s about wrapping up the essay. Here, you summarize your key points and try to emphasize their significance to the reader.

A good way to approach this is to briefly summarize your key arguments, and then stress the conclusion they’ve led you to, highlighting the new perspective your thesis provides on the text as a whole:

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

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By tracing the depiction of Frankenstein through the novel’s three volumes, I have demonstrated how the narrative structure shifts our perception of the character. While the Frankenstein of the first volume is depicted as having innocent intentions, the second and third volumes—first in the creature’s accusatory voice, and then in his own voice—increasingly undermine him, causing him to appear alternately ridiculous and vindictive. Far from the one-dimensional villain he is often taken to be, the character of Frankenstein is compelling because of the dynamic narrative frame in which he is placed. In this frame, Frankenstein’s narrative self-presentation responds to the images of him we see from others’ perspectives. This conclusion sheds new light on the novel, foregrounding Shelley’s unique layering of narrative perspectives and its importance for the depiction of character.

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Caulfield, J. (2023, August 14). How to Write a Literary Analysis Essay | A Step-by-Step Guide. Scribbr. Retrieved April 12, 2024, from https://www.scribbr.com/academic-essay/literary-analysis/

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The Last Book in the Universe by Rodman Philbrick

On all of the books I have read in my fourteen years of life, none have them have surprised me like this novel, The Last Book in the Universe by Rodman Philbrick. This science-fiction novel, in my opinion, HAS the potential to become a motion picture movie. Enthralling, amazing, spectacular, and I give thanks for this reading experience to my Language Arts teacher, Mrs. Shaykhudtinov who forced this book upon us. This novel begins with Spaz, a teenage epileptic, complaining how he can not use a needle probe. In his time, the needle probe is a needle you plug in your head and you can watch television, read novels, and surf the internet all at once. If Spaz were to plug on one, he would suffer a seizure. Unfortunately, that is why his name is Spaz, due to the seizure spasms he has. Spaz was sent to rip off this old gummy 9old man), Ryter, by the latchboss, Billy Bizmo and his followers, the Bully Bangers. The latch is like a state and Billy Bizmo and the Bully Bangers could be compared to the way Lord Voldermolt and the Death Eaters ruled in the book Harry Potter or in real life the mafia. Ryter is a lower-class person who lives in the Stacks, which is a little concrete box staked ten high in rows of a hundred only assorted boxes. It smell quiet rancid because of the lack of plumbing. The problem is if you don't give half of your belongings to the Bangers, you would get killed! During Spaz's trek to Ryter's house, he got lost and has to bribe a small sickly little boy, who can not speak, with a choxbar (chocolate bar) to show him Ryter was waiting for Spaz. Ryter had everything he owned out and ready for Spaz. After Ryter's mistake of not protecting his book, it becomes evident that Ryter is hiding the last book in the universe. Spaz does not believe him because books are in libraries and libraries were destroyed in the Big Shake. Big Shake was a natural disaster which killed 1 billion people and shorten the average life expectancy 20 years! According to Ryter, people have forgotten most things because the probes had softened their minds. Ryter tells Spaz about how he wants to write a story and how uses a “voicewriter”. A voicewriter is like talking into a microphone and words are appearing on the screen. After Spaz's meeting with Ryter, Spaz runs into a proov, a genetically improved human, at the market. In Spaz's eyes she is the most beautiful thing. This proov, Lanaya, fed him protein bars, carboshakes and choxbars. Later in his home in Crypts, Spaz watches his favorite 3D movie; he placed himself as the hero and Lanaya as the female lead. Spaz tells Billy about the proofs and Billy tells him to avoid contact with a Proov or risk getting killed. Later Spaz went back to Ryter's house and ran into Little Face, the little kid from the last visit. At Ryter's house, Ryter pester Spaz about his past. It turns out that Spaz's little adopted sister Bean, had developed blood sickness or leukemia, when she was 8. The remedy lady gave Bean a liquid medication which was very vulgar tasting. Bean had looked up to Spaz and only took her medication if Spaz gave it to her. Bean's condition had gotten better and one day Spaz got so excited he had s seizure, Charly his foster dad though he was a treat to Bean, Charly and Spaz began to fight and things escaladed out of control between Charly and kicked Spaz out of the house. Ryter told Spaz that the electric needles would have caused him to forget Bean. That angered Spaz and he left angry. Back home at the Crypts, he received a latch runner who brings the news of Bean's condition had worsen and waned to see Spaz for the last time. Latch Runners are illegal because the latch bosses like to control information. Spaz was thought that Billy Bizmo would be his protection through the latches. Billy rejected his request and tries to sneak out through following the edge. Spaz runs into Little Face and gets attacked by an angry mob. Spaz has a seizure and is saved by Ryter how demands he comes along. They traveled by the Pipe and later found out Little Face followed them. In the Break in the Pipe, they were kidnapped by the Monkey Boys. They meet Mongo the Magnificent who was so addicted to the probes, he was hooked on one for a year and he had ooze all over him and was very dirty. It was the only thing keeping alive. With Ryter's persuasion, they replaced Mongo with Great Gorm. They continued there travel through the rusty gunk filled Pipe. Ryter even compared it to an Odyssey. On the way to Bean's latch, they run into Lanaya, child of Eden when were all of the proovs lived. Ryter protects the Lanaya from hunger crazies and was almost eaten himself. As a sign of appreciation, Lanaya offers them a ride to Bean's lath. On the way there they ran into my favorite character. This appreciation was short-lived, when Lanaya and Spaz often fight over every little thing. Lotti Getts, the biker chick from *heck. She was so in charge, she had sharpened bladders on the nails. Her followers, the Vandals were there too. Lotti had threatened them to find the Latch Runner distributing the needle probes. They made a plan to go to Traderville to obtain probes. There, there was an incident with Vida Bleek and the Furies and Lotti Getts. There is a latch boss war and Lotti was the victor, Lotti let them leave the latch. Finally, they go Bean's house and were greeted by Charly and Kay, his former foster parents. It was Charly who sent the latch runner, for Bean. Bean saw Spaz and was cheered up. The next day, bean entered a coma and Ryter and Lanaya taker her to Eden in a glass case with Spaz. On there way back, they ran into Lotti Getts with a bagged head of Vida Bleek. In Eden, it was hard to see the Proovs because they were taught to blend into their surroundings. Spaz and Ryter met Jin and Bree, Lanaya's parents. After intense research, they find out that the proovs did not keep a record of normal diseases. The Primary Lab people had the idea to put modified genes to prevent the cancer from spreading and to kill them. It worked for Bean with in the next few days' she was back to normal. After leaving the lab, Bean and Jin played checkers and they kept playing until one reached stalemate. Bree adopts Little Face and Spaz, Bree and Ryter get deported but after they remove the needle probes. People in Ryter's and Spaz's latch put the blame on Ryter. This punishment was to tied to the ends of jetbikes and o be dragged until death. But before Ryter died, the last book in the universe was destroyed and the true came out that Billy Bizmo is Spaz's dad. Spaz ignores Billy Bizmo and does not want a relationship with Billy. People began to call him, Ryter and he used Ryter's voicewriter to finish Ryter's story. Bree sent him a Latch Runner of encouragement. To me, I think that this book is about self-sacrifice, loyalty and a sense of belonging. I give this book a 5 out 5 stars and recommended it to every person. This book will move you, feel the pain.

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Marion Winik ** ** is the author of nine books, including The Big Book of the Dead (Counterpoint, 2019) and First Comes Love (Vintage, 1997). Her essays have been published in The New York Times , AGNI , The Sun , and elsewhere; her column at BaltimoreFishbowl.com has been running since 2011. A professor at the University of Baltimore, she reviews books for The Washington Post , Oprah Daily , and People and hosts the NPR podcast The Weekly Reader . She was a commentator on NPR’s All Things Considered for fifteen years. marionwinik.com (updated 4/2024)

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The 10 Best Essay Collections of the Decade

Ever tried. ever failed. no matter..

Friends, it’s true: the end of the decade approaches. It’s been a difficult, anxiety-provoking, morally compromised decade, but at least it’s been populated by some damn fine literature. We’ll take our silver linings where we can.

So, as is our hallowed duty as a literary and culture website—though with full awareness of the potentially fruitless and endlessly contestable nature of the task—in the coming weeks, we’ll be taking a look at the best and most important (these being not always the same) books of the decade that was. We will do this, of course, by means of a variety of lists. We began with the best debut novels , the best short story collections , the best poetry collections , and the best memoirs of the decade , and we have now reached the fifth list in our series: the best essay collections published in English between 2010 and 2019.

The following books were chosen after much debate (and several rounds of voting) by the Literary Hub staff. Tears were spilled, feelings were hurt, books were re-read. And as you’ll shortly see, we had a hard time choosing just ten—so we’ve also included a list of dissenting opinions, and an even longer list of also-rans. As ever, free to add any of your own favorites that we’ve missed in the comments below.

The Top Ten

Oliver sacks, the mind’s eye (2010).

Toward the end of his life, maybe suspecting or sensing that it was coming to a close, Dr. Oliver Sacks tended to focus his efforts on sweeping intellectual projects like On the Move (a memoir), The River of Consciousness (a hybrid intellectual history), and Hallucinations (a book-length meditation on, what else, hallucinations). But in 2010, he gave us one more classic in the style that first made him famous, a form he revolutionized and brought into the contemporary literary canon: the medical case study as essay. In The Mind’s Eye , Sacks focuses on vision, expanding the notion to embrace not only how we see the world, but also how we map that world onto our brains when our eyes are closed and we’re communing with the deeper recesses of consciousness. Relaying histories of patients and public figures, as well as his own history of ocular cancer (the condition that would eventually spread and contribute to his death), Sacks uses vision as a lens through which to see all of what makes us human, what binds us together, and what keeps us painfully apart. The essays that make up this collection are quintessential Sacks: sensitive, searching, with an expertise that conveys scientific information and experimentation in terms we can not only comprehend, but which also expand how we see life carrying on around us. The case studies of “Stereo Sue,” of the concert pianist Lillian Kalir, and of Howard, the mystery novelist who can no longer read, are highlights of the collection, but each essay is a kind of gem, mined and polished by one of the great storytellers of our era. –Dwyer Murphy, CrimeReads Managing Editor

John Jeremiah Sullivan, Pulphead (2011)

The American essay was having a moment at the beginning of the decade, and Pulphead was smack in the middle. Without any hard data, I can tell you that this collection of John Jeremiah Sullivan’s magazine features—published primarily in GQ , but also in The Paris Review , and Harper’s —was the only full book of essays most of my literary friends had read since Slouching Towards Bethlehem , and probably one of the only full books of essays they had even heard of.

Well, we all picked a good one. Every essay in Pulphead is brilliant and entertaining, and illuminates some small corner of the American experience—even if it’s just one house, with Sullivan and an aging writer inside (“Mr. Lytle” is in fact a standout in a collection with no filler; fittingly, it won a National Magazine Award and a Pushcart Prize). But what are they about? Oh, Axl Rose, Christian Rock festivals, living around the filming of One Tree Hill , the Tea Party movement, Michael Jackson, Bunny Wailer, the influence of animals, and by god, the Miz (of Real World/Road Rules Challenge fame).

But as Dan Kois has pointed out , what connects these essays, apart from their general tone and excellence, is “their author’s essential curiosity about the world, his eye for the perfect detail, and his great good humor in revealing both his subjects’ and his own foibles.” They are also extremely well written, drawing much from fictional techniques and sentence craft, their literary pleasures so acute and remarkable that James Wood began his review of the collection in The New Yorker with a quiz: “Are the following sentences the beginnings of essays or of short stories?” (It was not a hard quiz, considering the context.)

It’s hard not to feel, reading this collection, like someone reached into your brain, took out the half-baked stuff you talk about with your friends, researched it, lived it, and represented it to you smarter and better and more thoroughly than you ever could. So read it in awe if you must, but read it. –Emily Temple, Senior Editor

Aleksandar Hemon, The Book of My Lives (2013)

Such is the sentence-level virtuosity of Aleksandar Hemon—the Bosnian-American writer, essayist, and critic—that throughout his career he has frequently been compared to the granddaddy of borrowed language prose stylists: Vladimir Nabokov. While it is, of course, objectively remarkable that anyone could write so beautifully in a language they learned in their twenties, what I admire most about Hemon’s work is the way in which he infuses every essay and story and novel with both a deep humanity and a controlled (but never subdued) fury. He can also be damn funny. Hemon grew up in Sarajevo and left in 1992 to study in Chicago, where he almost immediately found himself stranded, forced to watch from afar as his beloved home city was subjected to a relentless four-year bombardment, the longest siege of a capital in the history of modern warfare. This extraordinary memoir-in-essays is many things: it’s a love letter to both the family that raised him and the family he built in exile; it’s a rich, joyous, and complex portrait of a place the 90s made synonymous with war and devastation; and it’s an elegy for the wrenching loss of precious things. There’s an essay about coming of age in Sarajevo and another about why he can’t bring himself to leave Chicago. There are stories about relationships forged and maintained on the soccer pitch or over the chessboard, and stories about neighbors and mentors turned monstrous by ethnic prejudice. As a chorus they sing with insight, wry humor, and unimaginable sorrow. I am not exaggerating when I say that the collection’s devastating final piece, “The Aquarium”—which details his infant daughter’s brain tumor and the agonizing months which led up to her death—remains the most painful essay I have ever read. –Dan Sheehan, Book Marks Editor

Robin Wall Kimmerer, Braiding Sweetgrass (2013)

Of every essay in my relentlessly earmarked copy of Braiding Sweetgrass , Dr. Robin Wall Kimmerer’s gorgeously rendered argument for why and how we should keep going, there’s one that especially hits home: her account of professor-turned-forester Franz Dolp. When Dolp, several decades ago, revisited the farm that he had once shared with his ex-wife, he found a scene of destruction: The farm’s new owners had razed the land where he had tried to build a life. “I sat among the stumps and the swirling red dust and I cried,” he wrote in his journal.

So many in my generation (and younger) feel this kind of helplessness–and considerable rage–at finding ourselves newly adult in a world where those in power seem determined to abandon or destroy everything that human bodies have always needed to survive: air, water, land. Asking any single book to speak to this helplessness feels unfair, somehow; yet, Braiding Sweetgrass does, by weaving descriptions of indigenous tradition with the environmental sciences in order to show what survival has looked like over the course of many millennia. Kimmerer’s essays describe her personal experience as a Potawotami woman, plant ecologist, and teacher alongside stories of the many ways that humans have lived in relationship to other species. Whether describing Dolp’s work–he left the stumps for a life of forest restoration on the Oregon coast–or the work of others in maple sugar harvesting, creating black ash baskets, or planting a Three Sisters garden of corn, beans, and squash, she brings hope. “In ripe ears and swelling fruit, they counsel us that all gifts are multiplied in relationship,” she writes of the Three Sisters, which all sustain one another as they grow. “This is how the world keeps going.” –Corinne Segal, Senior Editor

Hilton Als, White Girls (2013)

In a world where we are so often reduced to one essential self, Hilton Als’ breathtaking book of critical essays, White Girls , which meditates on the ways he and other subjects read, project and absorb parts of white femininity, is a radically liberating book. It’s one of the only works of critical thinking that doesn’t ask the reader, its author or anyone he writes about to stoop before the doorframe of complete legibility before entering. Something he also permitted the subjects and readers of his first book, the glorious book-length essay, The Women , a series of riffs and psychological portraits of Dorothy Dean, Owen Dodson, and the author’s own mother, among others. One of the shifts of that book, uncommon at the time, was how it acknowledges the way we inhabit bodies made up of variously gendered influences. To read White Girls now is to experience the utter freedom of this gift and to marvel at Als’ tremendous versatility and intelligence.

He is easily the most diversely talented American critic alive. He can write into genres like pop music and film where being part of an audience is a fantasy happening in the dark. He’s also wired enough to know how the art world builds reputations on the nod of rich white patrons, a significant collision in a time when Jean-Michel Basquiat is America’s most expensive modern artist. Als’ swerving and always moving grip on performance means he’s especially good on describing the effect of art which is volatile and unstable and built on the mingling of made-up concepts and the hard fact of their effect on behavior, such as race. Writing on Flannery O’Connor for instance he alone puts a finger on her “uneasy and unavoidable union between black and white, the sacred and the profane, the shit and the stars.” From Eminem to Richard Pryor, André Leon Talley to Michael Jackson, Als enters the life and work of numerous artists here who turn the fascinations of race and with whiteness into fury and song and describes the complexity of their beauty like his life depended upon it. There are also brief memoirs here that will stop your heart. This is an essential work to understanding American culture. –John Freeman, Executive Editor

Eula Biss, On Immunity (2014)

We move through the world as if we can protect ourselves from its myriad dangers, exercising what little agency we have in an effort to keep at bay those fears that gather at the edges of any given life: of loss, illness, disaster, death. It is these fears—amplified by the birth of her first child—that Eula Biss confronts in her essential 2014 essay collection, On Immunity . As any great essayist does, Biss moves outward in concentric circles from her own very private view of the world to reveal wider truths, discovering as she does a culture consumed by anxiety at the pervasive toxicity of contemporary life. As Biss interrogates this culture—of privilege, of whiteness—she interrogates herself, questioning the flimsy ways in which we arm ourselves with science or superstition against the impurities of daily existence.

Five years on from its publication, it is dismaying that On Immunity feels as urgent (and necessary) a defense of basic science as ever. Vaccination, we learn, is derived from vacca —for cow—after the 17th-century discovery that a small application of cowpox was often enough to inoculate against the scourge of smallpox, an etymological digression that belies modern conspiratorial fears of Big Pharma and its vaccination agenda. But Biss never scolds or belittles the fears of others, and in her generosity and openness pulls off a neat (and important) trick: insofar as we are of the very world we fear, she seems to be suggesting, we ourselves are impure, have always been so, permeable, vulnerable, yet so much stronger than we think. –Jonny Diamond, Editor-in-Chief

Rebecca Solnit, The Mother of All Questions (2016)

When Rebecca Solnit’s essay, “Men Explain Things to Me,” was published in 2008, it quickly became a cultural phenomenon unlike almost any other in recent memory, assigning language to a behavior that almost every woman has witnessed—mansplaining—and, in the course of identifying that behavior, spurring a movement, online and offline, to share the ways in which patriarchal arrogance has intersected all our lives. (It would also come to be the titular essay in her collection published in 2014.) The Mother of All Questions follows up on that work and takes it further in order to examine the nature of self-expression—who is afforded it and denied it, what institutions have been put in place to limit it, and what happens when it is employed by women. Solnit has a singular gift for describing and decoding the misogynistic dynamics that govern the world so universally that they can seem invisible and the gendered violence that is so common as to seem unremarkable; this naming is powerful, and it opens space for sharing the stories that shape our lives.

The Mother of All Questions, comprised of essays written between 2014 and 2016, in many ways armed us with some of the tools necessary to survive the gaslighting of the Trump years, in which many of us—and especially women—have continued to hear from those in power that the things we see and hear do not exist and never existed. Solnit also acknowledges that labels like “woman,” and other gendered labels, are identities that are fluid in reality; in reviewing the book for The New Yorker , Moira Donegan suggested that, “One useful working definition of a woman might be ‘someone who experiences misogyny.'” Whichever words we use, Solnit writes in the introduction to the book that “when words break through unspeakability, what was tolerated by a society sometimes becomes intolerable.” This storytelling work has always been vital; it continues to be vital, and in this book, it is brilliantly done. –Corinne Segal, Senior Editor

Valeria Luiselli, Tell Me How It Ends (2017)

The newly minted MacArthur fellow Valeria Luiselli’s four-part (but really six-part) essay Tell Me How It Ends: An Essay in Forty Questions was inspired by her time spent volunteering at the federal immigration court in New York City, working as an interpreter for undocumented, unaccompanied migrant children who crossed the U.S.-Mexico border. Written concurrently with her novel Lost Children Archive (a fictional exploration of the same topic), Luiselli’s essay offers a fascinating conceit, the fashioning of an argument from the questions on the government intake form given to these children to process their arrivals. (Aside from the fact that this essay is a heartbreaking masterpiece, this is such a good conceit—transforming a cold, reproducible administrative document into highly personal literature.) Luiselli interweaves a grounded discussion of the questionnaire with a narrative of the road trip Luiselli takes with her husband and family, across America, while they (both Mexican citizens) wait for their own Green Card applications to be processed. It is on this trip when Luiselli reflects on the thousands of migrant children mysteriously traveling across the border by themselves. But the real point of the essay is to actually delve into the real stories of some of these children, which are agonizing, as well as to gravely, clearly expose what literally happens, procedural, when they do arrive—from forms to courts, as they’re swallowed by a bureaucratic vortex. Amid all of this, Luiselli also takes on more, exploring the larger contextual relationship between the United States of America and Mexico (as well as other countries in Central America, more broadly) as it has evolved to our current, adverse moment. Tell Me How It Ends is so small, but it is so passionate and vigorous: it desperately accomplishes in its less-than-100-pages-of-prose what centuries and miles and endless records of federal bureaucracy have never been able, and have never cared, to do: reverse the dehumanization of Latin American immigrants that occurs once they set foot in this country. –Olivia Rutigliano, CrimeReads Editorial Fellow

Zadie Smith, Feel Free (2018)

In the essay “Meet Justin Bieber!” in Feel Free , Zadie Smith writes that her interest in Justin Bieber is not an interest in the interiority of the singer himself, but in “the idea of the love object”. This essay—in which Smith imagines a meeting between Bieber and the late philosopher Martin Buber (“Bieber and Buber are alternative spellings of the same German surname,” she explains in one of many winning footnotes. “Who am I to ignore these hints from the universe?”). Smith allows that this premise is a bit premise -y: “I know, I know.” Still, the resulting essay is a very funny, very smart, and un-tricky exploration of individuality and true “meeting,” with a dash of late capitalism thrown in for good measure. The melding of high and low culture is the bread and butter of pretty much every prestige publication on the internet these days (and certainly of the Twitter feeds of all “public intellectuals”), but the essays in Smith’s collection don’t feel familiar—perhaps because hers is, as we’ve long known, an uncommon skill. Though I believe Smith could probably write compellingly about anything, she chooses her subjects wisely. She writes with as much electricity about Brexit as the aforementioned Beliebers—and each essay is utterly engrossing. “She contains multitudes, but her point is we all do,” writes Hermione Hoby in her review of the collection in The New Republic . “At the same time, we are, in our endless difference, nobody but ourselves.” –Jessie Gaynor, Social Media Editor

Tressie McMillan Cottom, Thick: And Other Essays (2019)

Tressie McMillan Cottom is an academic who has transcended the ivory tower to become the sort of public intellectual who can easily appear on radio or television talk shows to discuss race, gender, and capitalism. Her collection of essays reflects this duality, blending scholarly work with memoir to create a collection on the black female experience in postmodern America that’s “intersectional analysis with a side of pop culture.” The essays range from an analysis of sexual violence, to populist politics, to social media, but in centering her own experiences throughout, the collection becomes something unlike other pieces of criticism of contemporary culture. In explaining the title, she reflects on what an editor had said about her work: “I was too readable to be academic, too deep to be popular, too country black to be literary, and too naïve to show the rigor of my thinking in the complexity of my prose. I had wanted to create something meaningful that sounded not only like me, but like all of me. It was too thick.” One of the most powerful essays in the book is “Dying to be Competent” which begins with her unpacking the idiocy of LinkedIn (and the myth of meritocracy) and ends with a description of her miscarriage, the mishandling of black woman’s pain, and a condemnation of healthcare bureaucracy. A finalist for the 2019 National Book Award for Nonfiction, Thick confirms McMillan Cottom as one of our most fearless public intellectuals and one of the most vital. –Emily Firetog, Deputy Editor

Dissenting Opinions

The following books were just barely nudged out of the top ten, but we (or at least one of us) couldn’t let them pass without comment.

Elif Batuman, The Possessed (2010)

In The Possessed Elif Batuman indulges her love of Russian literature and the result is hilarious and remarkable. Each essay of the collection chronicles some adventure or other that she had while in graduate school for Comparative Literature and each is more unpredictable than the next. There’s the time a “well-known 20th-centuryist” gave a graduate student the finger; and the time when Batuman ended up living in Samarkand, Uzbekistan, for a summer; and the time that she convinced herself Tolstoy was murdered and spent the length of the Tolstoy Conference in Yasnaya Polyana considering clues and motives. Rich in historic detail about Russian authors and literature and thoughtfully constructed, each essay is an amalgam of critical analysis, cultural criticism, and serious contemplation of big ideas like that of identity, intellectual legacy, and authorship. With wit and a serpentine-like shape to her narratives, Batuman adopts a form reminiscent of a Socratic discourse, setting up questions at the beginning of her essays and then following digressions that more or less entreat the reader to synthesize the answer for herself. The digressions are always amusing and arguably the backbone of the collection, relaying absurd anecdotes with foreign scholars or awkward, surreal encounters with Eastern European strangers. Central also to the collection are Batuman’s intellectual asides where she entertains a theory—like the “problem of the person”: the inability to ever wholly capture one’s character—that ultimately layer the book’s themes. “You are certainly my most entertaining student,” a professor said to Batuman. But she is also curious and enthusiastic and reflective and so knowledgeable that she might even convince you (she has me!) that you too love Russian literature as much as she does. –Eleni Theodoropoulos, Editorial Fellow

Roxane Gay, Bad Feminist (2014)

Roxane Gay’s now-classic essay collection is a book that will make you laugh, think, cry, and then wonder, how can cultural criticism be this fun? My favorite essays in the book include Gay’s musings on competitive Scrabble, her stranded-in-academia dispatches, and her joyous film and television criticism, but given the breadth of topics Roxane Gay can discuss in an entertaining manner, there’s something for everyone in this one. This book is accessible because feminism itself should be accessible – Roxane Gay is as likely to draw inspiration from YA novels, or middle-brow shows about friendship, as she is to introduce concepts from the academic world, and if there’s anyone I trust to bridge the gap between high culture, low culture, and pop culture, it’s the Goddess of Twitter. I used to host a book club dedicated to radical reads, and this was one of the first picks for the club; a week after the book club met, I spied a few of the attendees meeting in the café of the bookstore, and found out that they had bonded so much over discussing Bad Feminist that they couldn’t wait for the next meeting of the book club to keep discussing politics and intersectionality, and that, in a nutshell, is the power of Roxane. –Molly Odintz, CrimeReads Associate Editor

Rivka Galchen, Little Labors (2016)

Generally, I find stories about the trials and tribulations of child-having to be of limited appeal—useful, maybe, insofar as they offer validation that other people have also endured the bizarre realities of living with a tiny human, but otherwise liable to drift into the musings of parents thrilled at the simple fact of their own fecundity, as if they were the first ones to figure the process out (or not). But Little Labors is not simply an essay collection about motherhood, perhaps because Galchen initially “didn’t want to write about” her new baby—mostly, she writes, “because I had never been interested in babies, or mothers; in fact, those subjects had seemed perfectly not interesting to me.” Like many new mothers, though, Galchen soon discovered her baby—which she refers to sometimes as “the puma”—to be a preoccupying thought, demanding to be written about. Galchen’s interest isn’t just in her own progeny, but in babies in literature (“Literature has more dogs than babies, and also more abortions”), The Pillow Book , the eleventh-century collection of musings by Sei Shōnagon, and writers who are mothers. There are sections that made me laugh out loud, like when Galchen continually finds herself in an elevator with a neighbor who never fails to remark on the puma’s size. There are also deeper, darker musings, like the realization that the baby means “that it’s not permissible to die. There are days when this does not feel good.” It is a slim collection that I happened to read at the perfect time, and it remains one of my favorites of the decade. –Emily Firetog, Deputy Editor

Charlie Fox, This Young Monster (2017)

On social media as in his writing, British art critic Charlie Fox rejects lucidity for allusion and doesn’t quite answer the Twitter textbox’s persistent question: “What’s happening?” These days, it’s hard to tell. This Young Monster (2017), Fox’s first book,was published a few months after Donald Trump’s election, and at one point Fox takes a swipe at a man he judges “direct from a nightmare and just a repulsive fucking goon.” Fox doesn’t linger on politics, though, since most of the monsters he looks at “embody otherness and make it into art, ripping any conventional idea of beauty to shreds and replacing it with something weird and troubling of their own invention.”

If clichés are loathed because they conform to what philosopher Georges Bataille called “the common measure,” then monsters are rebellious non-sequiturs, comedic or horrific derailments from a classical ideal. Perverts in the most literal sense, monsters have gone astray from some “proper” course. The book’s nine chapters, which are about a specific monster or type of monster, are full of callbacks to familiar and lesser-known media. Fox cites visual art, film, songs, and books with the screwy buoyancy of a savant. Take one of his essays, “Spook House,” framed as a stage play with two principal characters, Klaus (“an intoxicated young skinhead vampire”) and Hermione (“a teen sorceress with green skin and jet-black hair” who looks more like The Wicked Witch than her namesake). The chorus is a troupe of trick-or-treaters. Using the filmmaker Cameron Jamie as a starting point, the rest is free association on gothic decadence and Detroit and L.A. as cities of the dead. All the while, Klaus quotes from Artforum , Dazed & Confused , and Time Out. It’s a technical feat that makes fictionalized dialogue a conveyor belt for cultural criticism.

In Fox’s imagination, David Bowie and the Hydra coexist alongside Peter Pan, Dennis Hopper, and the maenads. Fox’s book reaches for the monster’s mask, not really to peel it off but to feel and smell the rubber schnoz, to know how it’s made before making sure it’s still snugly set. With a stylistic blend of arthouse suavity and B-movie chic, This Young Monster considers how monsters in culture are made. Aren’t the scariest things made in post-production? Isn’t the creature just duplicity, like a looping choir or a dubbed scream? –Aaron Robertson, Assistant Editor

Elena Passarello, Animals Strike Curious Poses (2017)

Elena Passarello’s collection of essays Animals Strike Curious Poses picks out infamous animals and grants them the voice, narrative, and history they deserve. Not only is a collection like this relevant during the sixth extinction but it is an ambitious historical and anthropological undertaking, which Passarello has tackled with thorough research and a playful tone that rather than compromise her subject, complicates and humanizes it. Passarello’s intention is to investigate the role of animals across the span of human civilization and in doing so, to construct a timeline of humanity as told through people’s interactions with said animals. “Of all the images that make our world, animal images are particularly buried inside us,” Passarello writes in her first essay, to introduce us to the object of the book and also to the oldest of her chosen characters: Yuka, a 39,000-year-old mummified woolly mammoth discovered in the Siberian permafrost in 2010. It was an occasion so remarkable and so unfathomable given the span of human civilization that Passarello says of Yuka: “Since language is epically younger than both thought and experience, ‘woolly mammoth’ means, to a human brain, something more like time.” The essay ends with a character placing a hand on a cave drawing of a woolly mammoth, accompanied by a phrase which encapsulates the author’s vision for the book: “And he becomes the mammoth so he can envision the mammoth.” In Passarello’s hands the imagined boundaries between the animal, natural, and human world disintegrate and what emerges is a cohesive if baffling integrated history of life. With the accuracy and tenacity of a journalist and the spirit of a storyteller, Elena Passarello has assembled a modern bestiary worthy of contemplation and awe. –Eleni Theodoropoulos, Editorial Fellow

Esmé Weijun Wang, The Collected Schizophrenias (2019)

Esmé Weijun Wang’s collection of essays is a kaleidoscopic look at mental health and the lives affected by the schizophrenias. Each essay takes on a different aspect of the topic, but you’ll want to read them together for a holistic perspective. Esmé Weijun Wang generously begins The Collected Schizophrenias by acknowledging the stereotype, “Schizophrenia terrifies. It is the archetypal disorder of lunacy.” From there, she walks us through the technical language, breaks down the Diagnostic and Statistical Manual ( DSM-5 )’s clinical definition. And then she gets very personal, telling us about how she came to her own diagnosis and the way it’s touched her daily life (her relationships, her ideas about motherhood). Esmé Weijun Wang is uniquely situated to write about this topic. As a former lab researcher at Stanford, she turns a precise, analytical eye to her experience while simultaneously unfolding everything with great patience for her reader. Throughout, she brilliantly dissects the language around mental health. (On saying “a person living with bipolar disorder” instead of using “bipolar” as the sole subject: “…we are not our diseases. We are instead individuals with disorders and malfunctions. Our conditions lie over us like smallpox blankets; we are one thing and the illness is another.”) She pinpoints the ways she arms herself against anticipated reactions to the schizophrenias: high fashion, having attended an Ivy League institution. In a particularly piercing essay, she traces mental illness back through her family tree. She also places her story within more mainstream cultural contexts, calling on groundbreaking exposés about the dangerous of institutionalization and depictions of mental illness in television and film (like the infamous Slender Man case, in which two young girls stab their best friend because an invented Internet figure told them to). At once intimate and far-reaching, The Collected Schizophrenias is an informative and important (and let’s not forget artful) work. I’ve never read a collection quite so beautifully-written and laid-bare as this. –Katie Yee, Book Marks Assistant Editor

Ross Gay, The Book of Delights (2019)

When Ross Gay began writing what would become The Book of Delights, he envisioned it as a project of daily essays, each focused on a moment or point of delight in his day. This plan quickly disintegrated; on day four, he skipped his self-imposed assignment and decided to “in honor and love, delight in blowing it off.” (Clearly, “blowing it off” is a relative term here, as he still produced the book.) Ross Gay is a generous teacher of how to live, and this moment of reveling in self-compassion is one lesson among many in The Book of Delights , which wanders from moments of connection with strangers to a shade of “red I don’t think I actually have words for,” a text from a friend reading “I love you breadfruit,” and “the sun like a guiding hand on my back, saying everything is possible. Everything .”

Gay does not linger on any one subject for long, creating the sense that delight is a product not of extenuating circumstances, but of our attention; his attunement to the possibilities of a single day, and awareness of all the small moments that produce delight, are a model for life amid the warring factions of the attention economy. These small moments range from the physical–hugging a stranger, transplanting fig cuttings–to the spiritual and philosophical, giving the impression of sitting beside Gay in his garden as he thinks out loud in real time. It’s a privilege to listen. –Corinne Segal, Senior Editor

Honorable Mentions

A selection of other books that we seriously considered for both lists—just to be extra about it (and because decisions are hard).

Terry Castle, The Professor and Other Writings (2010) · Joyce Carol Oates, In Rough Country (2010) · Geoff Dyer, Otherwise Known as the Human Condition (2011) · Christopher Hitchens, Arguably (2011) · Roberto Bolaño, tr. Natasha Wimmer, Between Parentheses (2011) · Dubravka Ugresic, tr. David Williams, Karaoke Culture (2011) · Tom Bissell, Magic Hours (2012) · Kevin Young, The Grey Album (2012) · William H. Gass, Life Sentences: Literary Judgments and Accounts (2012) · Mary Ruefle, Madness, Rack, and Honey (2012) · Herta Müller, tr. Geoffrey Mulligan, Cristina and Her Double (2013) · Leslie Jamison, The Empathy Exams (2014) · Meghan Daum, The Unspeakable (2014) · Daphne Merkin, The Fame Lunches (2014) · Charles D’Ambrosio, Loitering (2015) · Wendy Walters, Multiply/Divide (2015) · Colm Tóibín, On Elizabeth Bishop (2015) · Renee Gladman, Calamities (2016) · Jesmyn Ward, ed. The Fire This Time (2016) · Lindy West, Shrill (2016) · Mary Oliver, Upstream (2016) · Emily Witt, Future Sex (2016) · Olivia Laing, The Lonely City (2016) · Mark Greif, Against Everything (2016) · Durga Chew-Bose, Too Much and Not the Mood (2017) · Sarah Gerard, Sunshine State (2017) · Jim Harrison, A Really Big Lunch (2017) · J.M. Coetzee, Late Essays: 2006-2017 (2017) · Melissa Febos, Abandon Me (2017) · Louise Glück, American Originality (2017) · Joan Didion, South and West (2017) · Tom McCarthy, Typewriters, Bombs, Jellyfish (2017) · Hanif Abdurraqib, They Can’t Kill Us Until they Kill Us (2017) · Ta-Nehisi Coates, We Were Eight Years in Power (2017) · Samantha Irby, We Are Never Meeting in Real Life (2017) · Alexander Chee, How to Write an Autobiographical Novel (2018) · Alice Bolin, Dead Girls (2018) · Marilynne Robinson, What Are We Doing Here? (2018) · Lorrie Moore, See What Can Be Done (2018) · Maggie O’Farrell, I Am I Am I Am (2018) · Ijeoma Oluo, So You Want to Talk About Race (2018) · Rachel Cusk, Coventry (2019) · Jia Tolentino, Trick Mirror (2019) · Emily Bernard, Black is the Body (2019) · Toni Morrison, The Source of Self-Regard (2019) · Margaret Renkl, Late Migrations (2019) · Rachel Munroe, Savage Appetites (2019) · Robert A. Caro, Working (2019) · Arundhati Roy, My Seditious Heart (2019).

Emily Temple

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NPR defends its journalism after senior editor says it has lost the public's trust

David Folkenflik

NPR is defending its journalism and integrity after a senior editor wrote an essay accusing it of losing the public's trust. Saul Loeb/AFP via Getty Images hide caption

NPR is defending its journalism and integrity after a senior editor wrote an essay accusing it of losing the public's trust.

NPR's top news executive defended its journalism and its commitment to reflecting a diverse array of views on Tuesday after a senior NPR editor wrote a broad critique of how the network has covered some of the most important stories of the age.

"An open-minded spirit no longer exists within NPR, and now, predictably, we don't have an audience that reflects America," writes Uri Berliner.

A strategic emphasis on diversity and inclusion on the basis of race, ethnicity and sexual orientation, promoted by NPR's former CEO, John Lansing, has fed "the absence of viewpoint diversity," Berliner writes.

NPR's chief news executive, Edith Chapin, wrote in a memo to staff Tuesday afternoon that she and the news leadership team strongly reject Berliner's assessment.

"We're proud to stand behind the exceptional work that our desks and shows do to cover a wide range of challenging stories," she wrote. "We believe that inclusion — among our staff, with our sourcing, and in our overall coverage — is critical to telling the nuanced stories of this country and our world."

NPR names tech executive Katherine Maher to lead in turbulent era

She added, "None of our work is above scrutiny or critique. We must have vigorous discussions in the newsroom about how we serve the public as a whole."

A spokesperson for NPR said Chapin, who also serves as the network's chief content officer, would have no further comment.

Praised by NPR's critics

Berliner is a senior editor on NPR's Business Desk. (Disclosure: I, too, am part of the Business Desk, and Berliner has edited many of my past stories. He did not see any version of this article or participate in its preparation before it was posted publicly.)

Berliner's essay , titled "I've Been at NPR for 25 years. Here's How We Lost America's Trust," was published by The Free Press, a website that has welcomed journalists who have concluded that mainstream news outlets have become reflexively liberal.

Berliner writes that as a Subaru-driving, Sarah Lawrence College graduate who "was raised by a lesbian peace activist mother ," he fits the mold of a loyal NPR fan.

Yet Berliner says NPR's news coverage has fallen short on some of the most controversial stories of recent years, from the question of whether former President Donald Trump colluded with Russia in the 2016 election, to the origins of the virus that causes COVID-19, to the significance and provenance of emails leaked from a laptop owned by Hunter Biden weeks before the 2020 election. In addition, he blasted NPR's coverage of the Israel-Hamas conflict.

On each of these stories, Berliner asserts, NPR has suffered from groupthink due to too little diversity of viewpoints in the newsroom.

The essay ricocheted Tuesday around conservative media , with some labeling Berliner a whistleblower . Others picked it up on social media, including Elon Musk, who has lambasted NPR for leaving his social media site, X. (Musk emailed another NPR reporter a link to Berliner's article with a gibe that the reporter was a "quisling" — a World War II reference to someone who collaborates with the enemy.)

When asked for further comment late Tuesday, Berliner declined, saying the essay spoke for itself.

The arguments he raises — and counters — have percolated across U.S. newsrooms in recent years. The #MeToo sexual harassment scandals of 2016 and 2017 forced newsrooms to listen to and heed more junior colleagues. The social justice movement prompted by the killing of George Floyd in 2020 inspired a reckoning in many places. Newsroom leaders often appeared to stand on shaky ground.

Leaders at many newsrooms, including top editors at The New York Times and the Los Angeles Times , lost their jobs. Legendary Washington Post Executive Editor Martin Baron wrote in his memoir that he feared his bonds with the staff were "frayed beyond repair," especially over the degree of self-expression his journalists expected to exert on social media, before he decided to step down in early 2021.

Since then, Baron and others — including leaders of some of these newsrooms — have suggested that the pendulum has swung too far.

Author Interviews

Legendary editor marty baron describes his 'collision of power' with trump and bezos.

New York Times publisher A.G. Sulzberger warned last year against journalists embracing a stance of what he calls "one-side-ism": "where journalists are demonstrating that they're on the side of the righteous."

"I really think that that can create blind spots and echo chambers," he said.

Internal arguments at The Times over the strength of its reporting on accusations that Hamas engaged in sexual assaults as part of a strategy for its Oct. 7 attack on Israel erupted publicly . The paper conducted an investigation to determine the source of a leak over a planned episode of the paper's podcast The Daily on the subject, which months later has not been released. The newsroom guild accused the paper of "targeted interrogation" of journalists of Middle Eastern descent.

Heated pushback in NPR's newsroom

Given Berliner's account of private conversations, several NPR journalists question whether they can now trust him with unguarded assessments about stories in real time. Others express frustration that he had not sought out comment in advance of publication. Berliner acknowledged to me that for this story, he did not seek NPR's approval to publish the piece, nor did he give the network advance notice.

Some of Berliner's NPR colleagues are responding heatedly. Fernando Alfonso, a senior supervising editor for digital news, wrote that he wholeheartedly rejected Berliner's critique of the coverage of the Israel-Hamas conflict, for which NPR's journalists, like their peers, periodically put themselves at risk.

Alfonso also took issue with Berliner's concern over the focus on diversity at NPR.

"As a person of color who has often worked in newsrooms with little to no people who look like me, the efforts NPR has made to diversify its workforce and its sources are unique and appropriate given the news industry's long-standing lack of diversity," Alfonso says. "These efforts should be celebrated and not denigrated as Uri has done."

After this story was first published, Berliner contested Alfonso's characterization, saying his criticism of NPR is about the lack of diversity of viewpoints, not its diversity itself.

"I never criticized NPR's priority of achieving a more diverse workforce in terms of race, ethnicity and sexual orientation. I have not 'denigrated' NPR's newsroom diversity goals," Berliner said. "That's wrong."

Questions of diversity

Under former CEO John Lansing, NPR made increasing diversity, both of its staff and its audience, its "North Star" mission. Berliner says in the essay that NPR failed to consider broader diversity of viewpoint, noting, "In D.C., where NPR is headquartered and many of us live, I found 87 registered Democrats working in editorial positions and zero Republicans."

Berliner cited audience estimates that suggested a concurrent falloff in listening by Republicans. (The number of people listening to NPR broadcasts and terrestrial radio broadly has declined since the start of the pandemic.)

Former NPR vice president for news and ombudsman Jeffrey Dvorkin tweeted , "I know Uri. He's not wrong."

Others questioned Berliner's logic. "This probably gets causality somewhat backward," tweeted Semafor Washington editor Jordan Weissmann . "I'd guess that a lot of NPR listeners who voted for [Mitt] Romney have changed how they identify politically."

Similarly, Nieman Lab founder Joshua Benton suggested the rise of Trump alienated many NPR-appreciating Republicans from the GOP.

In recent years, NPR has greatly enhanced the percentage of people of color in its workforce and its executive ranks. Four out of 10 staffers are people of color; nearly half of NPR's leadership team identifies as Black, Asian or Latino.

"The philosophy is: Do you want to serve all of America and make sure it sounds like all of America, or not?" Lansing, who stepped down last month, says in response to Berliner's piece. "I'd welcome the argument against that."

"On radio, we were really lagging in our representation of an audience that makes us look like what America looks like today," Lansing says. The U.S. looks and sounds a lot different than it did in 1971, when NPR's first show was broadcast, Lansing says.

A network spokesperson says new NPR CEO Katherine Maher supports Chapin and her response to Berliner's critique.

The spokesperson says that Maher "believes that it's a healthy thing for a public service newsroom to engage in rigorous consideration of the needs of our audiences, including where we serve our mission well and where we can serve it better."

Disclosure: This story was reported and written by NPR Media Correspondent David Folkenflik and edited by Deputy Business Editor Emily Kopp and Managing Editor Gerry Holmes. Under NPR's protocol for reporting on itself, no NPR corporate official or news executive reviewed this story before it was posted publicly.

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Masters Round 3 Winners and Losers: Augusta National’s Teeth, Brooks Koepka and One More Round With Verne Lundquist

Author: SI Golf Staff

AUGUSTA, Ga. – Day 3 of the 2024 Masters is in the books, and there are winners and losers going into championship Sunday. We call ’em like we see ’em around here. They are:

Augusta National : With a heavy breeze Saturday, the golf course didn’t give up a lot of low scores. Scottie Scheffler played a solid round of golf , but not a great one. Collin Morikawa played a terrific round and has an excellent chance to win. So when people talk about lengthening Augusta to 8,000 yards? Not so fast. A little breeze and fast greens have a way of leveling the playing field.

Collin Morikawa: He played the best round among the leaders, finishing with a 3-under 69, including four birdies in his first eight holes. He had 10 consecutive pars to finish his round and is one stroke behind Scheffler. He will play in the final group with Scheffler on Sunday. Game on.

Max Homa: The Californian started Saturday with a share of the lead and a round of 17 pars and one bogey kept him squarely in the hunt. Playing in the penultimate pairing with Ludvig Åberg might be perfect for Homa given how he’s chasing his first major title.

Chris Kirk: The University of Georgia product has won six times on Tour but Saturday’s low round of 68 has to be among his very best.

Jon Rahm: There will be no repeat for the 2023 winner, who squeezed inside the cut at 5 over and had a quiet, even-par Saturday. Will be interesting to see if he has more fight next month at the PGA Championship or if a narrative starts to develop about his game now that he’s with LIV Golf.

Brooks Koepka: The Big Game Hunter who lives for majors has been a non-factor this week with rounds of 73-73-76. He came to Augusta off a 77-77 weekend at Doral, which many disregarded but maybe there was something to that.

Golf fans: It’s starting to set in that we’re about to lose Verne Lundquist from our TV screens. When Bryson DeChambeau three-putted the par-3 16th, immediately after a double bogey at 15, the legend delivered another great quip in saying the wheels had come off and now the rims were, too. Man, is he going to be missed.

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Annie Jacobsen: 'What if we had a nuclear war?’

The author and Pulitzer prize finalist, who has written the latest pick for the New Scientist Book Club, Nuclear War: A scenario, on the "shocking truths" about a nuclear attack

By Annie Jacobsen

12 April 2024

The Titan nuclear missile in the silo in Arizona, US

Michael Dunning/Getty Images

Not long after the last world war, the historian William L. Shirer had this to say about the next world war. It “will be launched by suicidal little madmen pressing an electronic button. Such a war will not last long and none will ever follow it. There will be no conquers and no conquests, but only the charred bones of the dead on an uninhabited planet.”

As an investigative journalist, I write about war, weapons, national security and government secrets. I’ve previously written six books about US military and intelligence programmes – at the CIA, The Pentagon, Defense Advanced Research Projects Agency– all designed to prevent, or deter, nuclear world war III . In the course of my work, countless people in the upper echelons of US government have told me, proudly, that they’ve dedicated their lives to making sure the US never has a nuclear war. But what if it did?

“Every capability in the [Department of Defense] is underpinned by the fact that strategic deterrence will hold,” US Strategic Command (STRATCOM), which is responsible for nuclear deterrence, insists publicly. Until the autumn of 2022, this promise was pinned on STRATCOM’s public Twitter feed. But to a private audience at Sandia National Laboratories later that same year, STRATCOM’s Thomas Bussiere admitted the existential danger inherent to deterrence. “Everything unravels itself if those things are not true.”

If deterrence fails – what exactly would that unravelling look like? To write Nuclear War: A scenario , I put this question to scores of former nuclear command and control authorities. To the military and civilian experts who’ve built the weapon systems, been privy to the response plans and been responsible for advising the US president on nuclear counterstrike decisions should they have to be made. What I learned terrified me. Here are just a few of the shocking truths about nuclear war.

The US maintains a nuclear launch policy called Launch on Warning. This means that if a military satellite indicates the nation is under nuclear attack and a second early-warning radar confirms that information, the president launches nuclear missiles in response. Former secretary of defense William Perry told me: “Once we are warned of a nuclear attack, we prepare to launch. This is policy. We do not wait.”

The US president has sole authority to launch nuclear weapons. He asks permission of no one. Not the secretary of defense, not the chairman of the joint chief of staff, not the US Congress. “The authority is inherent in his role as commander in chief,” the Congressional Research Service confirms. The president “does not need the concurrence of either his [or her] military advisors or the US Congress to order the launch of nuclear weapons”.

When the president learns he must respond to a nuclear attack, he has just 6 minutes to do so. Six minutes is an irrational amount of time to “decide whether to release Armageddon”, President Ronald Reagan lamented in his memoirs. “Six minutes to decide how to respond to a blip on a radar scope… How could anyone apply reason at a time like that?” And yet, the president must respond. This is because it takes roughly just 30 minutes for an intercontinental ballistic missile to get from a launch pad in Russia, North Korea or China to any city in the US, and vice versa. Nuclear-armed submarines can cut that launch-to-target time to 10 minutes, or less.

Today, there are nine nuclear powers, with a combined total of more than 12,500 nuclear weapons ready to be used. The US and Russia each have some 1700 nuclear weapons deployed – weapons that can be launched in seconds or minutes after their respective president gives the command. This is what Shirer meant when he said: “Such a war will not last long and none will ever follow it.”

Nuclear war is the only scenario other than an asteroid strike that could end civilisation in a matter of hours. The soot from burning cities and forests will blot out the sun and cause nuclear winter. Agriculture will fail. Some 5 billion people will die. In the words of former Soviet leader Nikita Khrushchev, “the survivors will envy the dead”.

I wrote Nuclear War: A scenario to demonstrate – in appalling, minute-by-minute detail – just how horrifying a nuclear war would be. “Humanity is one misunderstanding, one miscalculation away from nuclear annihilation,” UN secretary-general António Guterres warned the world in 2022. “This is madness. We must reverse course.”

Nuclear War: A Scenario by Annie Jacobsen, published by Torva (£20.00), is available now. It is the latest pick for the New Scientist Book Club: sign up here to read along with our members

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Air transport is increasingly used to export fruit and vegetables to countries where they cannot be grown or are out of season. Do the benefits of this trend outweigh the drawbacks? With the growth in aviation, many countries now choose this mode of transport to export food such as fruit and vegetables to places where they are not in season or cannot be grown. I would argue that this has more positive than negative effects. The first positive effect is that it helps local farm ...
Write a letter to the editor to give your opinion about a magazine that you purchased. Include Why you bought it What you liked and disliked about it Suggestions for improvement Dear editer I've purchased few days ago, your feetball magazine via your website. I received the magine yesterday and I finished reading it this morning, I'm writing you this letter to give you seme foodback I am a football fan and I really enjoy reading feetball news. I have been following footba ...

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NPR in Turmoil After It Is Accused of Liberal Bias

An essay from an editor at the broadcaster has generated a firestorm of criticism about the network on social media, especially among conservatives.

Uri Berliner, wearing a dark zipped sweater over a white T-shirt, sits in a darkened room, a big plant and a yellow sofa behind him.

By Benjamin Mullin and Katie Robertson

NPR is facing both internal tumult and a fusillade of attacks by prominent conservatives this week after a senior editor publicly claimed the broadcaster had allowed liberal bias to affect its coverage, risking its trust with audiences.

Uri Berliner, a senior business editor who has worked at NPR for 25 years, wrote in an essay published Tuesday by The Free Press, a popular Substack publication, that “people at every level of NPR have comfortably coalesced around the progressive worldview.”

Mr. Berliner, a Peabody Award-winning journalist, castigated NPR for what he said was a litany of journalistic missteps around coverage of several major news events, including the origins of Covid-19 and the war in Gaza. He also said the internal culture at NPR had placed race and identity as “paramount in nearly every aspect of the workplace.”

Mr. Berliner’s essay has ignited a firestorm of criticism of NPR on social media, especially among conservatives who have long accused the network of political bias in its reporting. Former President Donald J. Trump took to his social media platform, Truth Social, to argue that NPR’s government funding should be rescinded, an argument he has made in the past.

NPR has forcefully pushed back on Mr. Berliner’s accusations and the criticism.

“We’re proud to stand behind the exceptional work that our desks and shows do to cover a wide range of challenging stories,” Edith Chapin, the organization’s editor in chief, said in an email to staff on Tuesday. “We believe that inclusion — among our staff, with our sourcing, and in our overall coverage — is critical to telling the nuanced stories of this country and our world.” Some other NPR journalists also criticized the essay publicly, including Eric Deggans, its TV critic, who faulted Mr. Berliner for not giving NPR an opportunity to comment on the piece.

In an interview on Thursday, Mr. Berliner expressed no regrets about publishing the essay, saying he loved NPR and hoped to make it better by airing criticisms that have gone unheeded by leaders for years. He called NPR a “national trust” that people rely on for fair reporting and superb storytelling.

“I decided to go out and publish it in hopes that something would change, and that we get a broader conversation going about how the news is covered,” Mr. Berliner said.

He said he had not been disciplined by managers, though he said he had received a note from his supervisor reminding him that NPR requires employees to clear speaking appearances and media requests with standards and media relations. He said he didn’t run his remarks to The New York Times by network spokespeople.

When the hosts of NPR’s biggest shows, including “Morning Edition” and “All Things Considered,” convened on Wednesday afternoon for a long-scheduled meet-and-greet with the network’s new chief executive, Katherine Maher , conversation soon turned to Mr. Berliner’s essay, according to two people with knowledge of the meeting. During the lunch, Ms. Chapin told the hosts that she didn’t want Mr. Berliner to become a “martyr,” the people said.

Mr. Berliner’s essay also sent critical Slack messages whizzing through some of the same employee affinity groups focused on racial and sexual identity that he cited in his essay. In one group, several staff members disputed Mr. Berliner’s points about a lack of ideological diversity and said efforts to recruit more people of color would make NPR’s journalism better.

On Wednesday, staff members from “Morning Edition” convened to discuss the fallout from Mr. Berliner’s essay. During the meeting, an NPR producer took issue with Mr. Berliner’s argument for why NPR’s listenership has fallen off, describing a variety of factors that have contributed to the change.

Mr. Berliner’s remarks prompted vehement pushback from several news executives. Tony Cavin, NPR’s managing editor of standards and practices, said in an interview that he rejected all of Mr. Berliner’s claims of unfairness, adding that his remarks would probably make it harder for NPR journalists to do their jobs.

“The next time one of our people calls up a Republican congressman or something and tries to get an answer from them, they may well say, ‘Oh, I read these stories, you guys aren’t fair, so I’m not going to talk to you,’” Mr. Cavin said.

Some journalists have defended Mr. Berliner’s essay. Jeffrey A. Dvorkin, NPR’s former ombudsman, said Mr. Berliner was “not wrong” on social media. Chuck Holmes, a former managing editor at NPR, called Mr. Berliner’s essay “brave” on Facebook.

Mr. Berliner’s criticism was the latest salvo within NPR, which is no stranger to internal division. In October, Mr. Berliner took part in a lengthy debate over whether NPR should defer to language proposed by the Arab and Middle Eastern Journalists Association while covering the conflict in Gaza.

“We don’t need to rely on an advocacy group’s guidance,” Mr. Berliner wrote, according to a copy of the email exchange viewed by The Times. “Our job is to seek out the facts and report them.” The debate didn’t change NPR’s language guidance, which is made by editors who weren’t part of the discussion. And in a statement on Thursday, the Arab and Middle Eastern Journalists Association said it is a professional association for journalists, not a political advocacy group.

Mr. Berliner’s public criticism has highlighted broader concerns within NPR about the public broadcaster’s mission amid continued financial struggles. Last year, NPR cut 10 percent of its staff and canceled four podcasts, including the popular “Invisibilia,” as it tried to make up for a $30 million budget shortfall. Listeners have drifted away from traditional radio to podcasts, and the advertising market has been unsteady.

In his essay, Mr. Berliner laid some of the blame at the feet of NPR’s former chief executive, John Lansing, who said he was retiring at the end of last year after four years in the role. He was replaced by Ms. Maher, who started on March 25.

During a meeting with employees in her first week, Ms. Maher was asked what she thought about decisions to give a platform to political figures like Ronna McDaniel, the former Republican Party chair whose position as a political analyst at NBC News became untenable after an on-air revolt from hosts who criticized her efforts to undermine the 2020 election.

“I think that this conversation has been one that does not have an easy answer,” Ms. Maher responded.

Benjamin Mullin reports on the major companies behind news and entertainment. Contact Ben securely on Signal at +1 530-961-3223 or email at [email protected] . More about Benjamin Mullin

Katie Robertson covers the media industry for The Times. Email: [email protected] More about Katie Robertson

10 books to add to your reading list in April

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Critic Bethanne Patrick recommends 10 promising titles, fiction and nonfiction, to consider for your April reading list.

April’s book releases cover some difficult topics, including Salman Rushdie discussing his 2022 maiming, Leigh Bardugo’s fiction about the dark arts and Ada Limón’s poetry anthology about our fragile world. However, like April, there is also sunshine: Leif Enger’s wild Great Lakes love story, Helen Tworkov’s beautiful memoir of Buddhism and a collection of the inimitable Maggie Nelson’s essays. Happy reading, happy spring!

I Cheerfully Refuse: A Novel By Leif Enger Grove Press: 336 pages, $28 (April 2)

An unusual and meaningful surprise awaits readers of Enger’s latest, which takes place largely on Lake Superior, as a man named Rainy tries to reunite with his beloved wife, Lark. While the world around this couple, a dystopian near-future American where billionaires control everything, could not be bleaker, the author’s retelling of the myth of Orpheus (who went to the underworld to rescue his wife) contains the authentic hope of a born optimist.

The Familiar: A Novel By Leigh Bardugo Flatiron Books: 400 pages, $30 (April 9)

Bardugo departs from novels of dark academia in a standalone to make the hairs on your neck stand up, set in 16th century Spain. A hidden Sephardic Jew and scullery maid named Luzia Cotado matches wits with fellow servant Guillén Santángel. Luzia discovers a secret of Guillén’s, but she’s already fallen in love with him. And because he knows hers, too, they might both avoid the Spanish Inquisition. It’s a gorgeous tale of enchantments both supernatural and earthly.

The Sleepwalkers: A Novel By Scarlett Thomas Simon & Schuster: 304 pages, $28 (April 9)

A couple honeymoons at a Greek resort. What could go wrong? In Thomas’ hands, plenty – especially as the author has never written a comfortable story; her books, from “PopCo ” to “Oligarchy,” crackle with unreliable characters, as well as big philosophical ideas. In this case, the new marriage’s breakdown is chronicled through letters between the spouses, and sometimes bits of ephemera, that ultimately untangle a dark mystery relating to the title.

The Garden: A Novel By Clare Beams Doubleday: 304 pages, $28 (April 10)

Few novels of literary fiction are written as well as “The Garden,” let alone given its sadly relevant retro setting, a 1940s country-estate obstetrical program. Irene Willard walks through its gates having endured five miscarriages; pregnant again, she and her war-veteran husband George desperately hope for a live birth. But as Irene discovers more about the woman who controls all here, Dr. Bishop, she fears carrying to term as much as she once feared pregnancy loss.

Reboot: A Novel By Justin Taylor Pantheon: 304 pages, $28 (April 23)

David Crader, former teen TV heartthrob, just wants to reboot his career when his old show “Rev Beach” has a moment. His life has devolved through substance abuse, divorce and underemployment. But when he and colleagues launch a remake, devolution continues: The protagonist’s struggles are mirrored by climate-change issues, from flooding to wildfires. Despite that darkness, Taylor’s gift for satire might make this a must-read for 2024 beach bags.

You Are Here: Poetry in the Natural World By Ada Limón (Editor) Milkweed Editions: 176 pages, $25 (April 2)

A wondrous artist herself, Limón is currently poet laureate of the United States, and this anthology is part of her signature project, “You Are Here,” which will also feature poetry as public art in seven national parks. Released in conjunction with the Library of Congress, the collection features 50 previously unpublished poems by luminaries including Jericho Brown, Joy Harjo, Carl Phillips and Diane Seuss, each focusing on a piece of regional landscape.

Like Love: Essays and Conversations By Maggie Nelson Graywolf Press: 336 pages, $32 (April 2)

While all of the pieces in Nelson’s new book have previously been published elsewhere, they’re made fresh here both through being collected and through their chronological placement. Readers can practically watch Nelson’s incisive mind growing and changing as she speaks with colleagues such as Hilton Als and Judith Butler, or as she writes about queerness, motherhood, violence, the lyrics of Prince and the devastating loss of a friend.

Knife: Meditations After an Attempted Murder By Salman Rushdie Random House: 204 pages, $28 (April 16)

On Aug. 12, 2022, the author Salman Rushdie was speaking at upstate New York’s Chautauqua festival when a man rushed the stage and attempted to murder him. Rushdie, a target of Iranian religious leaders since 1989, was permanently injured. In this book, he shares his experience for the first time, having said that this was essential for him to write. In this way, he answers violence with art, once again reminding us all that freedom of expression must be protected.

Lotus Girl: My Life at the Crossroads of Buddhism and America By Helen Tworkov St. Martin’s Essentials: 336 pages, $29 (April 16)

Tworkov, founder of the magazine Tricycle, chronicles her move from a 1960s young-adult interest in Buddhism to travels through Asia and deep study in the United States of the different strands that follow the Buddha’s teachings. Tworkov mentions luminaries such as the artist Richard Serra, the composer Charles Mingus and the Dalai Lama, but she’s not name-dropping. Instead, she’s strewing fragrant petals from her singular path to mindfulness that may help us find ours.

The Demon of Unrest: A Saga of Hubris, Heartbreak, and Heroism at the Dawn of the Civil War By Erik Larson Crown: 592 pages, $35 (April 30)

Even diehard Civil War aficionados will learn from Larson’s look at the six months between Lincoln’s 1860 election and the surrender of Union troops under Maj. Robert Anderson at Charleston’s Ft. Sumter. Larson details Anderson’s secret Christmas redeployment and explores this individual’s contradictions as a former slave owner who loyally follows Lincoln’s orders. The author also shares first-person perspective from the famous diaries of the upper-class Southerner Mary Chesnut. All together, the book provides a riveting reexamination of a nation in tumult.

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tour des alpes 2023 parcours

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Accueil Courses cyclistes Tour des Alpes Le parcours et les favoris du Tour des Alpes 2023

Le parcours et les favoris du Tour des Alpes 2023

Le Tour des Alpes 2023 débute ce lundi 17 avril. Voici le parcours et les favoris de cette 46ème édition du Tour des Alpes.

16 avril 2023

Mis à jour le 16 avril 2023

Benjamin Blériot

La 46ème édition du Tour des Alpes débute ce lundi 17 avril. Les coureurs s’élanceront pour 5 étapes à travers le massif. Créée en 1962, la course fait partie du calendrier UCI Pro Series. L’an dernier, Romain Bardet (Team DSM) s’était adjugé le classement général devant Michael Storer (Groupama-FDJ) et Thymen Arensman (Team DSM).

Le parcours du Tour des Alpes 2023

1ʳᵉ étape : Rattenberg – Alpbach (127.5 km)

2ème étape : Reith im Alpbachtal – Ritten (165.2 km)

Étape 3 : Ritten – Brentonico San Valentino (162.5 km)

Étape 4 : Rovereto – Predazzo (152.9 km)

Étape 5 : Cavalese – Brunico (144.5 km)

Les favoris du Tour des Alpes 2023

Aleksandr Vlasov (Bora-Hansgrohe)

Il sera l’un des favoris de ce Tour des Alpes.

Santiago Buitrago (Bahrain-Victorious)

Le grimpeur colombien aura une belle carte à jouer.

Tao Geoghegan Hart (Ineos Grenadiers)

il sera l’un des leaders de la formation Ineos.

Hugh Carthy (EF Education-EasyPost)

8ème de Tirreno-Adriatico, il sera à surveiller.

Thymen Arensman (Ineos Grenadiers)

3ème l’an dernier, le Néerlandais trentera de faire aussi bien.

Jack Haig (Bahrain-Victorious)

10ème de Paris-Nice, il tentera de monter en puissance avant le Giro.

Geraint Thomas (Ineos Grenadiers)

Après un début de saison discret, il essaiera de jouer les premiers rôles.

Comment suivre le Tour des Alpes 2023 ?

Toutes les étapes seront diffusées sur la chaîne l’Équipe 21 et Eurosport 1.

Courses cyclistes

Tour des Alpes

1# Tour des Alpes : victoire de Bouchard

2# Tour des Alpes : Bilbao au sprint

3# Tour des Alpes : victoire de Kämna

4# Tour des Alpes : Lopez en solitaire

Tao Geoghegan Hart remporte la 1ère étape du Tour des Alpes devant Felix Gall

2ème étape Tour des Alpes : nouvelle victoire de Tao Geoghegan Hart

Lennard Kämna s’impose sur la 3ème étape du Tour des Alpes

Gregor Mühlberger s’impose sur la 4ème étape du Tour des Alpes

Tao Geoghegan Hart a remporté, ce vendredi, le Tour des Alpes 2023. Simon Carr (EF Education-EasyPost) a lui remporté la 5ème et dernière étape.

Aleksandr Vlasov (Bora-Hansgrohe) n'a pas pris le départ de la 5ème et dernière étape du Tour des Alpes 2023.

L'Autrichien Félix Grosschartner (Bora-Hansgrohe) remporte la 5ème et dernière étape du Tour des Alpes entre Val du Chiese et Riva del Garda 120.9. Dans...

L'étape reine de ce Tour des Alpes menait les coureurs de Naturno à Pieve di Bono 168.6 km. 3 coureurs se sont dégagés dans...

3ème étape de ce 45ème Tour des Alpes entre Imst et Naturno 162 km. Echappée dès la 1ère difficulté, et c'est au bout que...

Simon Yates (GBR BikeExchange) s'est montré le plus costaud sur la 2ème étape du Tour des Alpes entre Innsbruck et Feichten 121.5 km. A...

De retour au calendrier depuis 2019, absence due au covid, le Tour des Alpes menait les coureurs de Bressanone à Insbruck 140.6 km. Sur...

Le Russe Pavel Sivakov apporte à son équipe le dernier sous les couleurs Sky avec sa victoire finale sur le 43ème Tour des Alpes....

L’Anglais Tao Geoghegan Hart (Sky) a remporté la 4ème étape du Tour des Alpes en réglant le sprint d’un groupe de 4 coureurs. Il...

L'Italien Fausto Masnada (Androni Giocattoli Sidermec) a placé une ultime attaque pour aller remporter en solitaire la troisième étape du Tour des Alpes. Il...

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--> Tour des Alpes 2023 : parcours et profils des étapes

16 avril 2023 à 16:30 0

Du lundi 17 au vendredi 21 avril se déroule le Tour des Alpes 2023 (Tour of the Alps), une course par étapes italienne classée en UCI 2.Pro. L’an passé , le Français Romain Bardet s’était imposé devant Michael Storer et son coéquipier Thymen Arensman. Découvrez le parcours et toutes les étapes en détails :

Etape 1 (lundi 17 avril) : Rattenberg – Alpbach, 127.5 km

Parcours | Itinéraire horaire | Profil du dernier km | Guide technique

Etape 2 (mardi 18 avril) : Reith im Alpbachtal – Ritten/Renon, 165.2 km

Etape 3 (mercredi 19 avril) : Ritten/Renon – Brentonico San Valentino, 162.5 km

Etape 4 (jeudi 20 avril) : Rovereto – Predazzo, 152.9 km

Etape 5 (vendredi 21 avril) : Cavalese – Bruneck/Brunico, 144.5 km

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Tour des Alpes 2023

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Tour des Alpes - Le parcours complet du Tour des Alpes 2023 déjà révélé

Par Titouan LABOURIE le 09/12/2022 à 21:55

Vidéo - Romain Bardet a remporté cette course en 2022

Le détail des cinq étapes.

Dès la première étape, les coureurs doivent gravir trois ascensions classées et termineront au sommet d'Alpbach. Nous ne verrons probablement pas encore de très gros écarts, même si les coureurs emprunteront une montée de 5,2km à 10,1% dans le final. Les deux étapes suivantes se terminent également en montée, avec des arrivées à Ritten (deux ascensions se suivent, 4,5km à 8% puis 3,9km à 8,5%) et à Brentonico San Valentino (15,5km à 7,5%). Les deux dernières étapes se terminent par une descente, mais ont le plus de dénivelés. L'anné e dernière, Romain Bardet (Team DSM) remportait sa première course par étapes depuis le Tour de l'Ain 2013 à l'occasion de ce Tour des Alpes .

ðŸ‡¦ðŸ‡¹ðŸ‡®ðŸ‡¹ TOUR OF THE ALPS, 17/4 - 21/4/2023 pic.twitter.com/2wUgzxKoFE — ammattipyöräily (@ammattipyoraily) November 4, 2022

A LIRE AUSSI

Les 18 premières équipes annoncées, dont 9 worldtour, le 47e tour des alpes... 13 250m de dénivelé positif , l'info en continu.

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7 avr. 2023
3 min de lecture

Tour des Alpes 2023 : Parcours et Favoris

Le Tour des Alpes fêtera sa 47ème édition en 2023 et s'élancera le 17 avril prochain. Courue sur 2 pays - Italie et Autriche - à travers un parcours montagneux, l'épreuve joue le rôle de répétition générale avant le Tour d'Italie, prévu début Mai. Présentation de la course, du parcours et des favoris, en rodage !

Histoire de la course

L'histoire du Tour des Alpes, autrefois nommé Tour du Trentin, est assez riche. La première édition a lieu en 1962 et se court alors sur un jour seulement. Partant et arrivant de Trente, la course est remportée par Enzo Moser, frère de Francesco Moser. Après une seconde édition, la course ne sera plus disputée jusqu'en 1979. Cette année-là, l'épreuve remplacera le Tour de Sardaigne pour ne plus jamais s'interrompre (hormis l'édition 2020, en raison de la pandémie).

En 2017, l'épreuve abandonne le nom de Tour du Trentin pour laisser place au Tour des Alpes; volonté des régions traversées par la course afin d'y promouvoir le tourisme. La course s'étend aussi géographiquement et intègre l'ouest de l'Autriche.

Enfin, en 2020, elle a intégré l'UCI ProSeries, le deuxième niveau du cyclisme international.

L'épreuve a donc construit sa réputation sur un parcours montagneux difficile, composée en 2023 de 5 étapes en ligne, dont chacune comprendra au minimum un dénivelé positif de 2300 mètres. Commencée à Clès dans le Trentin, l'épreuve s'achèvera en Autriche à Lienz.

Traditionnellement disputé sur la deuxième quinzaine d'avril, le Tour des Alpes précède de quelques semaines le Giro. La course joue donc un rôle important dans l'approche du Tour d'Italie puisqu'elle permet aux favoris de tester aussi bien leur condition que la concurrence ! L'épreuve consacre donc généralement un coureur spécialiste de course à étapes et de Grand Tour.

Niveau palmarès justement, l'Italie domine nettement les débats avec 29 victoires, loin devant la France ou le Royaume-Uni (2 victoires seulement). Vous ne serez donc pas surpris de voir l'Italien Damiano Cunego truster le classement avec 3 victoires finales, en 2004, 2006 et 2007.

Côté français, Luc Leblanc (1997), Thibaut Pinot (2018) et Romain Bardet (2023) sont les seuls lauréats tricolores.

Record de victoires

Damiano Cunego X3

Moser, Savoldelli, Casagrande, Nibali X2

Parcours et profil des étapes du Tour of The Alps 2023

Comme chaque année, la course sera réservé aux grimpeurs exclusivements. Une préparation idéale pour le Giro ! 3 arrivées au sommet difficile, notamment l'étape 3 qui sera décisive pour le classement général. Les autres étapes offrent cependant le terrain pour renverser la course.

1re étape : Rattenberg›Alpbach (127km)

2e étape: Reith im Alpbachtal›Ritten (165km)

3e étape: Ritten›Brentonico san valentino (162.5km)

4e étape: Rovereto›Brentonico San Valentino (152.9km)

5e étape: Cavalese›Brunico (144.5km)

Favoris du Tour des Alpes 2023

La préparation se poursuit pour les coureurs du Tour d’Italie avec l’un des passages important, la course tremplin : Le Tour des Alpes. Mais tous ces coureurs ne seront pas les grands favoris du Giro, qui eux ont choisi de ne pas courir de courses à étape en avril ! Vlasov, 5e du Tour de France 2023 est le favori de la course mais ne réalise pas une grande saison jusque là. Ineos est l'épouvantail sur le papier avec Thomas, qui sera leur leader sur le Giro, mais aussi Arensman, Geoghegan Hart et Sivakov. Les quatre seront aussi alignés sur le Giro. On suivra avec attention la forme de Kämna, qui peut prétendre à mieux qu'un simple équiper de luxe. Côté français Bouchard visera un top 5, tout comme Paret-Peintre.

++++ Vlasov, Geoghegan Hart

+++ Sivakov, Buitrago, Carthy

++ Kamna, Uijtebroecks, Thomas, Bouchard, Pozzovivo, Paret-Peintre, Gall

+ Haig, Arensman, Sosa, Fortunato, Cepeda, Traeen, Riccitello, Vanhoucke, Bizkarra

Preview cyclisme

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Commentaires

Cyclisme sur route 2023

Tour des alpes 2023 : profil des étapes.

CYCLISME – C’est ce lundi 17 avril que débute le Tour des Alpes 2023. Découvrez le profil des étapes de cette 47ème édition .

1ère étape – Rattenberg – Alpbach : Lundi 17 avril 2023

Étape de moyenne montagne longue de 127,5 km.

Passionné de sport et entrepreneur depuis mes 18 ans, la création de Dicodusport m'a semblé évidente pour participer à la médiatisation d'un plus grand nombre de sports. Le chemin est long mais avec une équipe des plus motivées et les Jeux Olympiques de Paris 2024 en point de mire, nous y arriverons ! Journaliste dans le monde du sport depuis plus de 5 ans, je traite aussi bien de football, de rugby, de biathlon que de cyclisme.

Vos commentaires sont pris en compte mais ne s'affichent pas actuellement suite à un souci technique.

Votre adresse e-mail ne sera pas publiée. Les champs obligatoires sont indiqués avec *

Classement Pro D2 2023-2024

PRO D2 2023-2024 - Découvrez le classement de la saison régulière de Pro D2 2023-2024, qui se déroule du jeudi...

Ligue 1 (J27) : Lille trop fort pour Lens

LIGUE 1 2023-2024 - Au terme d'une partie parfaitement maîtrisée, Lille remporte le derby du Nord face à Lens (2-1)...

EuroCoupe Playoffs : Inarrêtable, le Paris Basketball écarte les Lions et accède à la finale !

EUROCOUPE 2023/24 - Le Paris Basketball a assuré sa qualification pour la finale en l'emportant ce vendredi sur le parquet...

Tennis de table : Étival décroche sa place en finale de la Ligue des Champions féminine

SAISON ETTU 2023/2024 - Après le succès de l'aller, Étival a fini le travail à domicile et verra bien la...

EUROCOUPE 2023/24 - La JL Bourg s'est inclinée ce vendredi sur le parquet du Besiktas, 81-70. Dans le coup en première période, les Bressans se sont effondrés dans le second acte, payant leur déchet au tir comme dans la protection de la gonfle. Une ultime rencontre départagera donc les deux équipes à Ekinox mercredi prochain.

EuroCoupe Playoffs : La JL Bourg grille un joker à Istanbul et disputera une belle décisive à Ekinox

EUROCOUPE 2023/24 - La JL Bourg s'est inclinée ce vendredi sur le parquet du Besiktas, 81-72. Dans le coup en...

Classement général Tour des Alpes 2023

Ben o’connor has come of age: the australian returns to the tour of the alps.

Decathlon AG2R-La Mondiale's captain is one of the many youngsters who broke out at the Tour of the Alps. Following his stage victory in Merano and securing the young rider classification in 2018, O'Connor is set to return to the Euregio roads with significant ambitions from April 15 to 19.

Melinda adds flavour to #TotA’s Green Jersey

#tota and fc südtirol’s bike day a resounding success (on and off the field).

Consulter les parcours détaillés des étapes de l’Edition 2022 :

MERCREDI 25 MAI 2022

Charvieu-Chavagneux -> Charvieu-Chavagneux 118,1 KM

JEUDI 26 MAI 2022

Les Abrets en Dauphiné – VDD -> Saint Quentin Fallavier CAPI 161,2 KM

VENDREDI 27 MAI 2022

Siège CCEL St Exupery -> Toussieu CCEL 145,5 KM

SAMEDI 28 MAI 2022

St Maurice L’Exil -> Beaurepaire 174,0 KM

DIMANCHE 29 MAI 2022

Entre-2-Guiers/Les Echelles -> Allevard 133,1 KM

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Tour des Alpes - Course en ligne Hommes - Étape 1

Classements généraux

Classement général

Etape actuelle, prochaine étape, dernières infos, carr s'offre la dernière étape, geoghegan hart la victoire finale.

21/04/2023 à 17:37

Mühlberger s'impose, Geoghegan Hart reste leader

20/04/2023 à 16:28

EN DIRECT : Rattenberg - Alpbach

Tour des Alpes - 17 avril 2023

Suivez Tour des Alpes Rattenberg - Alpbach en direct avec Eurosport. Rattenberg - Alpbach commence à 11:55 le 17 avril 2023.

Suivez les dernières informations du cyclisme et retrouvez Tour des Alpes . Résultats , Classements et les parcours. Une fois Rattenberg - Alpbach terminée, n'oubliez pas de consulter le programme complet des étapes et de vous tenir informé en direct de la prochaine étape. Vous pouvez également retrouver une liste des Vainqueurs précédents .

Suivez Romain Bardet, Tadej Pogacar, Thibaut Pinot et d'autres coureurs majeurs pour découvrir qui domine cette saison. Suivez les équipes cyclistes les plus en vue en action - Bora-Hansgrohe, Jumbo Visma, Ineos Grenadiers et Cofidis pour n'en citer que quelques-unes.

Les fans de cyclisme peuvent découvrir les derniers titres de l'actualité Tour des Alpes , des interviews, des commentaires d'experts, des reprises et des temps forts. Suivez tous les grands événements de la saison, notamment le Tour de France, le Giro et la Vuelta.

Faites d'Eurosport votre source principale d'information pour le sport en ligne, du cyclisme au football, au tennis, au snooker et bien plus encore. Profitez des mises à jour en direct des plus grandes compétitions sportives.

Cyclisme sur route : Julian Alaphilippe pour concurrencer Mathieu van der Poel sur le Tour des Flandres 2024 ? | Présentation, parcours programme, et comment regarder

Le Tour des Flandres 2024 se tient le dimanche 31 mars.

Un parcours long de 270,8 km entre Anvers et Audenarde attend le peloton pour le deuxième Monument de la saison

Cette 108e édition pourrait rentrer dans l'histoire en cas de victoire de Mathieu van der Poel . Grandissime favori après avoir remporté l'E3 Saxo Classic , sa première victoire en 2024, le Néerlandais peut égaler le record de trois victoires sur De Ronde van Vlaanderen actuellement co-détenu par six hommes.

Son rival de toujours, le Belge Wout van Aert , est forfait à cause de sa chute sur À travers la Flandre et manquera toutes les Classiques restantes. Tadej Pogacar , tenant du titre, est aussi absent mais les prétendants restent nombreux avec notamment Julian Alaphilippe , Alberto Bettiol ou Stefan Küng .

Parcours, programme, favoris, comment regarder en direct : découvrez tout ce qu'il faut savoir sur le Tour des Flandes 2024 .

LIRE AUSSI - Comment se qualifier en cyclisme pour Paris 2024 ?

Cyclistes à suivre au Tour des Flandres 2024

Tim Wellens aura les mains libres sur le Tour des Flandres 2024. En l'absence de son coéqupier Tadej Pogacar , il sera le leader de l'équipe UAE Team Emirates.

Mads Pedersen , qui a battu van der Poel au sprint sur Gand-Wevelgem est aussi attendu mais dans quel état ? Le Danois a été impliqué dans une chute sur À Travers les Flandres cette semaine.

Julian Alaphilippe , avec la Soudal Quick-Step, va tenter de dynamiter la course. Après sa neuvième place sur Milan-San Remo , où il aurait pu viser mieux une sans crevaison, l'ancien double champion du monde pourra-t-il prétendre à la victoire ? Il a le profil pour.

Le Slovène Matej Mohoric (Bahrain Victorious) peut aussi espérer faire un bon résultat. Excellent descendeur, il réalise un bon début de saison. Son style agressif, fait d'attaques incessantes, peut être redoutable sur cette course.

Parmi les autres outsiders, on retrouve le Suisse Stefan Küng ou l'Américain Matteo Jorgenson qui a gagné Paris-Nice et À Travers la Flandre.

Retrouvez la liste complète des participants ici, sur le site officiel du Tour de Flandres .

LIRE AUSSI - Calendrier du circuit mondial UCI en 2024

Parcours du Tour des Flandres 2024

Le peloton va parcourir 270,8 km entre Anvers et Audenarde lors de l'édition 2024 du Tour des Flandres. Véritable course de mouvement pensée pour les coureurs qui aiment attaquer, la plus belle des classiques flandriennes est faite de montées, de pavés et de routes escarpées qui sont la signature de ce Monument .

Le Tour des Flandres peut se gagner, mais surtout se perdre, dans les monts pavés mythiques que sont le Vieux Quaremont , le Paterberg ou le Koppenberg .

Les pourcentages, comme les milliers de spectateurs, s'y comptent en dizaines pour un spectacle total.

Programme du Tour des Flandres 2024

10h00 : Départ d'Anvers (Steenplein)
16h29 environ : Arrivée à Audenarde (Minderbroedersstraat)

Palmarès du Tour des Flandres

2023 : Tadej Pogacar (SLO)
2022 : Mathieu van der Poel (NED)
2021 : Kasper Asgreen (DEN)
2020 : Mathieu van der Poel (NED)
2019 : Alberto Bettiol (ITA)

LIRE AUSSI - Mathieu van der Poel rêve de VTT aux JO de Paris 2024

Comment regarder le Tour des Flandres 2024 ?

Pour voir le Tour des Flandres 2024 , rendez-vous dès 9h45 sur Eurosport ou à partir de 13h45 sur France Télévisions .

LIRE AUSSI - Paris 2024 dévoile le parcours des épreuves de cyclisme sur route

Contenu associé

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E3 Saxo Classic : Mathieu van der Poel s'impose en solitaire, Wout Van Aert termine troisième | Résultats, classement et résumé

Cyclisme | Classiques flandriennes 2024 : Présentation, coureurs, calendrier et comment regarder Alaphilippe, Laporte, van Aert et van der Poel en direct

Cyclisme sur route : Programme de Julian Alaphilippe en 2024 | Calendrier de ses courses avec le Giro et les Jeux Olympiques

Milan-San Remo 2024 | Jasper Philipsen l'emporte au sprint

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Solitaire du Figaro : le parcours dévoilé, des festivités à Rouen pendant une semaine

De Rouen (Seine-Maritime) à La Turballe (Loire-Atlantique) en passant par Gijón (Espagne) et Royan (Charente-Maritime), le parcours d’une des courses en solitaire les plus difficiles au monde, la Solitaire du Figaro, a été dévoilé à Rouen, vendredi 24 mars 2024, avec son lot d’animations dans la capitale normande.

« À la première approche, Rouen peut surprendre », reconnaît Malo Le Peru, chef de projet de La Solitaire du Figaro Paprec, présent dans la capitale normande ce vendredi 29 mars 2024 pour une conférence de presse autour de l’évènement.

Rouen, ville de Grand départ

Pourtant, c’est bien Rouen qui a été choisi comme ville de Grand départ. Selon le chef de projet, la ville maritime, portuaire et fluviale répond à tous les critères avec des bateaux qui seront amarrés à proximité du centre-ville, accessibles gratuitement au public.

« Et puis ces remontées et descentes de la Seine, c'est l’occasion pour le public d’assister à l’arrivée des bateaux sous voiles, c’est assez rare », s’enthousiasme Malo Le Peru. Le jour du départ, la descente de la Seine est avant tout un convoyage technique, « l’enjeu pour nous c’est que les bateaux partent de Rouen et arrivent jusqu’au port du Havre sans problème parce qu’ils prennent le départ deux jours après », développe-t-il.

Une semaine de village évènementiel

Le village sera ouvert à partir du samedi 17 août jusqu’au vendredi 23 août, jour du départ des voiliers. « C’est avant tout la rencontre entre les marins et le public, des animations pour les petits et les grands, une scène animée toute la journée », explique Malo Le Peru.

Des animations musicales, des animations nautiques avec les clubs locaux le CVSAE (Club de voile de Saint-Aubin-lès-Elbeuf) et le YCR 76 (Yacht club Rouen 76). « On va pouvoir se défier sur des concours de winch (manivelle servant à monter et descendre les voiles) qui plaisent toujours au grand public », se réjouit Malo.

Avec l’Armada, le seul point commun est la présence de bateaux. 50 000 visiteurs sont attendus à Rouen pour cette 55 ème édition de la Solitaire du Figaro Paprec (contre six millions lors de la dernière édition de l’Armada).

Le village départ de la célèbre course est l’occasion d’une fête maritime avec pour objectif premier une grande présentation des marins. « C’est important pour nous que le public découvre les marins et essaie de s’identifier à ces profils-là, on a des hommes, des femmes de 18 à 62 ans ». Actuellement, 38 navigateurs se sont positionnés pour participer à la course.

Visites des embarcations « spartiates »

Assez rare dans la discipline, il sera possible de visiter les bateaux, habituellement sous le secret technologique. « Je pense que le public va être surpris par ces bateaux-là, ils sont très spartiates, il n’y a pas de cuisine, pas de toilettes et pourtant les marins y restent plusieurs jours d’affilée », explique le chef de projet.

« Ils vont pouvoir y découvrir toutes les petites annotations de leurs équipes, les petits mots d’encouragement cachés dans le bateau. La course est dure et peut-être que visiter les bateaux ça racontera cette difficulté », confie Malo Le Peru.

Le parcours détaillé de Rouen à La Turballe

C’est l’une des courses des plus difficiles au monde. « Le plus long des formats courts avec des temps de sommeil extrêmement courts », précise Yann Chateau, directeur de la course la Solitaire du Figaro Paprec avec des cycles de quatre nuits en mer puis trois nuits à terre. Et contrairement au Vendée Globe, lors de la Solitaire du Figaro, tous les marins naviguent sur le même voilier monocoque.

Les skippers doivent repousser leurs limites assez loin pour performer. « C’est une grande fierté d’accueillir cette course, une des plus belles au monde », s’est réjoui Nicolas Mayer-Rossignol, président de la Métropole Rouen-Normandie lors de la conférence de presse organisée ce vendredi 29 mars 2024.

La 55 ème édition de la Solitaire du Figaro Paprec se disputera en trois étapes inédites du 17 août au 15 septembre. La première ralliera Rouen à Gijón en Espagne sur 615 milles nautiques. La deuxième entre Gijón et Royan (Charente-Maritime) sur 605 milles nautiques et la dernière étape ralliera Royan à La Turballe (Loire-Atlantique) sur 620 milles nautiques.

Au total, 1840 milles nautiques (soit plus de 3400 kilomètres) de course côtière et hauturière, au contact et courue au temps. L’arrivée est programmée le 12 septembre 2024.

Pour aller plus loin :

Notre sélection d’articles à explorer sur le même thème.

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Les Dolomites vous font rêver ? Voici comment les découvrir en train

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Malgré les idées reçues, voyager en montagne sans voiture, et par le train, c'est possible, même en Italie. Voici nos conseils pour côtoyer les sommets des Dolomites sans prendre le volant.

La voie du Nord : en train sur la Bolzano-San Candido

La voie du sud : de feltre à cortina.

Situées à cheval entre le Trentin-Haut-Adige et la Vénétie, les Dolomites font rêver. Appelées « Montages Pâles » jusqu'en 1796, elles sont ensuite baptisées Dolomites en hommage à Déodat Gratet de Dolomieu, géologue français dont les travaux portèrent sur la pierre dolomie, dont le massif est riche. Son plus haut sommet, la Marmolada, culmine à 3343 mètres. Autres géants, le Plan de Corrona (2277m), les Tre Cime di Lavaredo (2999m) ou les Cinque Torri (2361m), sont des destinations prisées des skieurs en hiver, des randonneurs l'été. Entre les cimes, les lacs d'altitude reflètent les sapins. Autrefois, une ligne de train traversait entièrement le massif, de Dobbiaco à Calalzo. Hélas, démantelée en 1964, elle a été remplacée par une piste cyclable, certes splendide. Pour aborder le massif, il ne nous reste plus que deux lignes : côté Vénétie, de Feltre à Colalzo, côté Trentin-Haut-Adige, la Bolzano San Candido. Complétées par un réseau de bus et de télésièges, elles permettent de passer des vacances dans les Dolomites sans voiture, et sans renoncer pour autant ni à la nature ni aux paysages splendides.

Allemands et Italiens se mêlent dans les rues de Bolzano , capitale de la province autonome du même nom. Agréable, à l'architecture alpine et aux façades colorées en style italien, Bolzano est une bonne introduction à ce voyage. Avant de quitter la ville en train, on embarque pour un voyage vertical vers le plateau du Renon, qu'on atteint en télécabine. Là haut, une ligne de train relie sept villages plongés dans une nature verdoyante, d'où contempler les cimes des Dolomites. Pour s'approcher de ces montagnes scintillantes, on redescend à Bolzano où monter à bord du train régional pour Fortezza . En route, on s'arrête à Bressanone , belle cité sur le chemin entre l'Autriche et l' Italie . Un bus roule jusqu'à l' Abbazia di Novacela , qu'on visite pour goûter ses vins d'altitude frais et équilibrés. À Fortezza, changement de cap : le train continue vers le col de Brennero pour gagner l' Autriche , nous, on change de ligne pour parcourir la Val Pusteria, qui commence cpoté italien et se prolonge après la frontière. À Brunico , on monte à bord du téléphérique vers le Plan de Corrones , où visiter le musée de la Montagne fondé par l'alpiniste Reinhold Messner, skier ou randonner, à moins qu'on ne préfère déjeuner dans le panoramique restaurant d'altitude AlpiNN, qui sert un tiramisù mémorable. À Dobbiaco , le lac de montagne n'est pas bien loin de la gare, et un bus emporte les marcheurs vers les Tre Cime, sommet emblématique du massif. Enfin, à Versiaco , la télécabine décolle directement de la gare jusqu'au Mont Helm, à la frontière avec l'Autriche. Le train s'arrête là, mais à vélo, on peut poursuivre l'exploration de la Val Pusteria jusqu'à Lienz, une balade réalisable en journée.

Certes, les Dolomites n'ont pas de frontières officielles, mais on peut tout de même dire que Feltre en est la porte d'entrée Sud. Des trains venus de Trévise , dans la plaine, circulent jusqu'à sa gare, en contrebas de l'éperon où pousse le centre-ville. Si au Nord, l'influence autrichienne est palpable, ici, c'est Venise qui a étendu sa domination, d'où les palais au style rappelant la cité lagunaire. Le train poursuit sa course entre le Piave et le flanc des montagnes du Parc National des Dolomiti Bellunesi pour arriver à Belluno , la « grande ville » du coin. Ici aussi, la Renaissance vénitienne a laissé palais et tours. Pour la visiter, on suit un parcours piéton baptisé percorso rosso ou percorso Dolomiti , qui part du centre d'information du parc des Dolomites pour explorer Piazza Mercato , passer sous la Torre Civica et rejoindre le Duomo. Les autocars de la compagnie Dolomitibus permettent de s'aventurer dans la montagne, en direction d' Agordo , village perché d'où partent des sentiers de randonnée. En train, on ira jusqu'à Calalzo , au bout de la ligne. Un bus CortinaLink, assuré par Trenitalia, permet enfin de gagner Cortina d'Ampezzo, station huppée surnommée la Reine des Dolomites . Située dans une conque entre trois sommets, la petite ville aux magasins de luxe est prisée pour la beauté de son domaine skiable, qui compte 120 km de pistes. Depuis le centre, un téléphérique grimpe au refuge Faloria. Depuis ce chalet, la vue plonge sur le massif enneigé. On y trouve des chambres, un spa et une table agréable pour déguster la gastronomie italienne montagnarde.

Bon à savoir :

Côté Nord, la région Trentin-Haut-Adige propose une carte dite MobilCard ou MuseumCard, qui ouvre les portes de 89 lieux culturels et permet de prendre les transports gratuitement. Certains hôtels vous offriront la GuestCard, version gratuite de la MobilCard, le temps de votre séjour.

Tous les billets sont à acheter sur Trenitalia ou en gare. S'agissant de trains régionaux, le tarif est fixe et le placement libre.

EN VIDÉO - SNCF : LES BILLETS DE TRAIN POUR LES VACANCES D'ÉTÉ PARTENT VITE

En Italie, ces cinq trains d’époque vous font voyager dans le temps et dans l'espace
Au pied de l’Etna et le long de la Méditerranée : nos conseils pour faire le tour de la Sicile en train
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Vous aimez l’archéologie ? À la découverte de la fascinante Éphèse

Éphèse fut l’une des plus puissantes cités grecques d’Asie mineure, même si les ruines les plus spectaculaires sont un héritage de l’époque romaine. La cité qui héberge les restes du temple d’Artémis, l’une des sept merveilles du monde, dévoile un impressionnant complexe archéologique qui réveille sa splendeur passée. Balade fascinante au cœur du « Pompéi turc ».

Visiter Lisbonne et sa région en 3 jours : itinéraire jour par jour et conseils

La capitale portugaise plaît, beaucoup. Mais voici comment vraiment profiter de Lisbonne et prolonger le plaisir à Cascais et Sintra sur un long week-end.

Partir sur les Chemins de Compostelle : ce qui pourrait vous surprendre

À partir d’avril, les marcheurs comment à reprendre leur bâton de pèlerin vers Saint-Jacques de Compostelle. Novices ou confirmés, ils ne sont pas à l'abri de surprises qui pimenteront le parcours, côté français comme espagnol.

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Actualité cycliste

Tour des Alpes 2023, étape 1, parcours et profil

Ce lundi, les coureurs du Tour des Alpes 2023 vont disputer la première étape, qui partira de Rattenberg pour s’achever à Alpbach le tout en Autriche. Dès l’entame de cette course d’une durée de cinq jours, ce sera du costaud avec un parcours certes court de 127,5 mais particulièrement compliqué dans sa partie finale. Clairement, les meilleurs grimpeurs sont déjà attendus pour passer à l’action et faire des premières différences au niveau du classement général.

Le peloton s’élancera dans le village de Rattenberg pour un départ fictif prévu à 11h50. Le kilomètre zéro interviendra quasiment dans la foulée avec un départ donné à 11h55. Le vainqueur de cette première étape est attendu au mieux sur la ligne d’arrivée à 15h06 (40 km/h de moyenne).

D’entrée, une explication entre cadors ?

Au vu du profil proposé pour démarrer ce Tour des Alpes, la course austro-italienne pourrait bien démarrer sur les chapeaux de roue. Avec des prétendants au classement général, qui risqueraient déjà de se dévoiler et se mettre en évidence. Ce lundi 17 avril, il y aura quasiment 2 500 mètres de dénivelé (2 470m D+) répartis sur seulement 127,5 kilomètres au programme. Une sacrée entrée en matière d’autant plus que les difficultés sont concentrées dans les 45 derniers kilomètres.

Lire aussi : La liste des coureurs engagés et des abandons

Effectivement, jusqu’au kilomètre 74,6 pour être précis, le tracé reste largement abordable. Par contre, cela se complique nettement par la suite avec d’abord la montée du Brandenberg (6,1 kms à 6,1%) . Elle sera suivie de deux courtes ascensions non répertoriées, à Aschau (1,6 kms à 9,8%) et à Reith im Alpbachtal (2 kms à 5,6%) où au sommet sera d’ailleurs tracée la ligne du sprint intermédiaire. De quoi grappiller des secondes de bonifications. Mais le plus difficile arrive dans la foulée en devant franchir Kerschbaumer Sattel, qui fait 5,2 kilomètres à 10,1% de moyenne . De quoi permettre assurément aux plus forts de se détacher. Au passage au sommet, il restera 11,3 kilomètres à parcourir dont les 6,2 derniers kilomètres à 4,8% pour rejoindre l’arrivée située à Alpbach .

Le programme TV du lundi 17 avril

Ce lundi, la diffusion aura lieu à la fois sur la chaîne l’Equipe et Eurosport. D’un côté, sur la chaîne gratuite, vous aurez rendez-vous avec Claire Bricogne pour l’émission Ça va frotter , accompagné par Patrick Chassé et des consultants Christophe Riblon et Cédric Pineau qui commenteront ensuite la course du jour. Le direct débutera à partir de 13h .

Sur la chaîne payante, l’un des journalistes parmi Guillaume di Grazia, Colin Bourgeat, Jérémy Sahakian, Thomas Bihel et Louis-Pierre Frileux accompagné du consultant David Moncoutié, seront aux commentaires à partir de 13h30 . La durée de diffusion des images de la course est estimée aux alentours de 1h45.

Les favoris de la 1re étape

*** Tao Geoghegan Hart, Aleksandr Vlasov ** Thymen Arensman, Jack Haig * Aurélien Paret-Peintre, Lennard Kämna, Hugh Carthy, Santiago Buitrago

Lire aussi : Toute l’actualité du cyclisme sur route 2023

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Les dates des étapes du Tour des Alpes 2023. Lundi 17 avril 2023 - Etape 1 | Rattenberg - Alpbach (127,5 kms) Classement de l'étape - Tous les classements à l'issue de l'étape. Mardi 18 avril 2023 - Etape 2 | Reith im Alpbachtal - Ritten (165,2 kms) Classement de l'étape - Tous les classements à l'issue de ...

Le Tour des Alpes 2023 (2.Pro) se déroulera du 17 au 21 avril prochain sur un peu plus de 750 km. Au travers de 5 étapes, le parcours concocté par les organisateurs de l'épreuve propose des profils variés qui satisferont surtout les profils de grimpeurs.

La 46 e édition du Tour des Alpes (nom officiel : Tour of the Alps 2023) a lieu du 17 au 21 avril 2023, en Autriche et en Italie, sur cinq étapes et un parcours d'un total de 752,6 km. La course fait partie du calendrier UCI ProSeries 2023 en catégorie 2.Pro.

Le parcours du Tour des Alpes 2023. 1ʳᵉ étape : Rattenberg - Alpbach (127.5 km) 2ème étape : Reith im Alpbachtal - Ritten (165.2 km) Étape 3 : Ritten - Brentonico San Valentino (162.5 km)...

16 avril 2023 à 16:30 0. Du lundi 17 au vendredi 21 avril se déroule le Tour des Alpes 2023 (Tour of the Alps), une course par étapes italienne classée en UCI 2.Pro. L'an passé, le Français Romain Bardet s'était imposé devant Michael Storer et son coéquipier Thymen Arensman.

Le parcours du Tour des Alpes 2023, qui se déroulera entre le lundi 17 et le vendredi 21 avril, a été dévoilé par l'organisation. Et il sera encore plus dur et attractif que les années...

Parcours et favoris du Tour des Alpes 2023 qui s'élancera le 17 avril. Le Tour des Alpes fêtera sa 47ème édition en 2023 et s'élancera le 17 avril prochain. Courue sur 2 pays - Italie et Autriche - à travers un parcours montagneux, l'épreuve joue le rôle de répétition générale avant le Tour d'Italie, prévu début Mai.

Le parcours et le profil détaillé du Tour des Alpes 2023. Etape 1 (lundi 17 avril) : Rattenberg - Alpbach, 127.5 km. Le Tour des Alpes débute par une course de 127,5 kilomètres entre Rattenberg et Alpbach. Deux sommets sont réunis dans les 10 derniers kilomètres.

Tour des Alpes 2023 Parcours, Étapes & Résultats - Calendrier Cyclisme - Route | Eurosport. Publicité. Tour des Alpes étapes et résultats 2023. 2023. Rattenberg Alpbach. 17/04. Étape 1...

Profils des étapes du Tour des Alpes 2023. Lundi 17 avril 2023 - Etape 1 | Rattenberg - Alpbach (127,5 kms) Profil de la 1ère étape. Mardi 18 avril 2023 - Etape 2 | Reith im Alpbachtal - Ritten (165,2 kms) Profil de la 2e étape. Mercredi 19 avril 2023 - Etape 3 | Ritten - Brentonico San Valentino (162,5 kms) Profil de la 3e étape.

Quelles sont les différentes étapes du Tour des Alpes 2023 ? Première étape : Rattenberg - Alpbach (127.5 km) Aucune étape ne sera simple sur ce Tour des Alpes. La première étape...

à 21h00. Par. Nicolas Jacquemard. Photo Icon Sport. CYCLISME - C'est ce lundi 17 avril que débute le Tour des Alpes 2023. Découvrez le profil des étapes de cette 47ème édition. 1ère étape - Rattenberg - Alpbach : Lundi 17 avril 2023. Étape de moyenne montagne longue de 127,5 km. © Pro Cycling Stats. Deuxième étape. Nicolas Jacquemard.

Profil de la 4e étape du tour des Alpes 2023. Photo : @touroftheAlps. Au lendemain de l'étape reine remportée par Lennard Kämna, place à une nouvelle étape de montagne à l'occasion de cette 4e étape du Tour des Alpes 2023.

Profil de la 2e étape du Tour des Alpes 2023. Photo : Tour of the Alps. Ce mardi, les coureurs du Tour des Alpes 2023 vont disputer la deuxième étape, qui partira de Reith im Alpbachtal en Autriche pour s'achever à Ritten / Renon en Italie.

Classement général Tour des Alpes 2023. le 21 avril 2023. afficher uniquement les Français. L'ÉQUIPE. chrono. filtrer : cyclisme. 14:15. Cyclisme, A travers la Flandre. La course sur la...

La 46e édition du Tour des Alpes (nom officiel : Tour of the Alps 2023) a lieu du 17 au 21 avril 2023, en Autriche et en Italie, sur cinq étapes et un parcours d'un total de 752,6 km. La course fait partie du calendrier UCI ProSeries 2023 en catégorie 2.Pro. Équipes.

Le Tour des Alpes 2023 (2.Pro) qui se dispute du lundi 17 au vendredi 21 avril propose un parcours montagneux qui a attiré de nombreux coureurs qui viseront le Giro 2023 quelques jours plus tard. Romain Bardet, le vainqueur sortant étant absent, la succession est donc ouverte.

5. Levico Terme. Friday 19 April — 118.6 km. Discover the #TOTASpirit. Premium Sponsors. The Official Website of the UCI Pro Series Stage Race, held in the Alps between Italy and Austria, through Tirol, Südtirol and Trentino (April 18-22, 2022)

Le Parcours 2023 de l'Alpes Isère Tour - 32ème édition Consulter les parcours détaillés des étapes de l'Edition 2022 : MERCREDI 25 MAI 2022 Charvieu-Chavagneux -> Charvieu-Chavagneux118,1 KM Détails du parcours - Etape 1 JEUDI 26 MAI 2022 Les Abrets en Dauphiné - VDD -> Saint Quentin Fallavier CAPI161,2 KM Détails du parcours - Etape.

21/04/2023. 0. 775. Profil de la 5e et dernière étape du Tour des Alpes 2023. Photo : @D.R. Ce vendredi, place à la 5e et dernière étape du Tour des Alpes 2023. Au programme du parcours du jour, Tao Goeghegan Hart le leader de la course et ses adversaires vont avoir quelque 144,5 kilomètres à parcourir entre Cavalese et Brunico.

Du 17 au 19 février se déroule le Tour des Alpes Maritimes et du Var 2023. En trois étapes, dans le Sud de la France, les coureurs trouveront un terrain de jeu idéal pour ceux qui aiment passer à l'attaque.

Étape 1 | Hommes | 17.04.2023. Terminé. Rattenberg Alpbach. 1. T. Geogheghan Hart. SCO. 2. F. Gall. AUT. 3. H. Carthy. ENG. Résumé. Résultats. Classements généraux. Etapes. Infos. Publicité. Ad....

Dénivelé. 13 250 m. Site officiel. Site officiel. 2023. Documentation. La 47e édition du Tour des Alpes (nom officiel : Tour of the Alps 2024) a lieu du 15 au 19 avril 2024, en Autriche et en Italie, sur cinq étapes et un parcours d'un total de 709,3 km. La course fait partie du calendrier UCI ProSeries 2024 en catégorie 2.Pro.

Le Tour des Flandres 2024 se tient le dimanche 31 mars.. Un parcours long de 270,8 km entre Anvers et Audenarde attend le peloton pour le deuxième Monument de la saison. Cette 108e édition pourrait rentrer dans l'histoire en cas de victoire de Mathieu van der Poel.Grandissime favori après avoir remporté l'E3 Saxo Classic, sa première victoire en 2024, le Néerlandais peut égaler le ...

De Rouen (Seine-Maritime) à La Turballe (Loire-Atlantique) en passant par Gijón (Espagne) et Royan (Charente-Maritime), le parcours d'une des courses en solitaire les plus difficiles au monde ...

Tour des Alpes 2023, étape 3, parcours et profil. Par. Laurent DEVERNET. - 18/04/2023. 0. 871. Profil de la 3e étape du Tour des Alpes 2023. Photo : @TouroftheAlps. Mercredi, les coureurs du Tour des Alpes (UCI 2.Pro) vont disputer la 3e étape entre Ritten et Brentonico San Valentino.

Malgré les idées reçues, voyager en montagne sans voiture, et par le train, c'est possible, même en Italie. Voici nos conseils pour côtoyer les sommets des Dolomites sans prendre le volant.

17/04/2023. 0. 934. Profil de la 1re étape du Tour des Alpes 2023. Photo : Tour of the Alps. Ce lundi, les coureurs du Tour des Alpes 2023 vont disputer la première étape, qui partira de Rattenberg pour s'achever à Alpbach le tout en Autriche.

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Don Winslow's crime saga continues in 'City of Dreams': 5 new must-read books this week

In search of something good to read? USA TODAY's Barbara VanDenburgh scopes out the shelves for this week’s hottest new book releases. All books are on sale Tuesday.

For more must-read book recommendations, check out the 20 books we are most excited about this spring, including Laura Dern and Diane Ladd's memoir " Honey, Baby, Mine " and Nana Kwame Adjei-Brenyah fierce new novel " Chain Gang All Stars "; our favorite books of 2022 that received perfect four-star reviews; and the juiciest recent celebrity memoirs from Matthew Perry , Tom Felton , William Shatner , Jennette McCurdy and more.

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‘City of Dreams’

By Don Winslow (William Morrow, fiction)

What it's about: The crime saga continues in this follow-up to Winslow’s bestselling “ City on Fire .” An East Coast crime war has Danny Ryan on the run from the Mafia and the FBI. He lands in California to start life over, but a beautiful movie star with a dark past pulls him right back in.

The buzz: "You wouldn’t want to spend time with these gangsters in real life, but they’re top-notch company on the page," reads a ★★★½ (out of four) review for "City on Fire," this book's precursor.

'City on Fire' review: Don Winslow's new gangster shoot-‘em-up is a wild ride

"City of Dreams" at Amazon for $21
"City of Dreams" at Bookshop for $26.96

‘Not Funny: Essays on Life, Comedy, Culture, Et Cetera’

By Jena Friedman (Atria/One Signal, nonfiction)

What it's about: The Academy Award-nominated writer and stand-up comedian (“Borat Subsequent Moviefilm”) subversively reflects on modern cultural flashpoints – sexism, cancel culture, celebrity worship – in a debut essay collection .

The buzz: Kirkus Reviews calls it "a serious memoir with jokes, self-deprecating yet rarely self-diminishing."

"Not Funny: Essays on Life, Comedy, Culture, Et Cetera" at Amazon for $25.19
"Not Funny: Essays on Life, Comedy, Culture, Et Cetera" at Bookshop for $26.03

'Good Girls: A Story and Study of Anorexia'

By Hadley Freeman (Simon & Schuster, nonfiction)

What it's about: Freeman couples her own experience with anorexia nervosa, including several years in psychiatric wards and decades of self-destructive behavior, with deep reporting to offer insight and make sense of the condition.

The buzz: "If you need to understand anorexia, look no further. This is the book for you," says a starred Kirkus review .

"Good Girls: A Story and Study of Anorexia" at Amazon for $25.19
"Good Girls: A Story and Study of Anorexia" at Bookshop for $26.03

'The Last Animal'

By Ramona Ausubel (Riverhead, fiction)

What it's about: A widowed mother and research scientist takes her two teenage daughters on a scientific expedition around the world, from studying a frozen baby mammoth in Siberia to an exotic animal farm in Italy, and hatch a plan that just might change the world.

The buzz: "An amazing amount of humor, pizazz, wisdom, and wonder packed into a story that is essentially about processing grief," says a starred Kirkus review .

"The Last Animal" at Amazon for $22.78
"The Last Animal" at Bookshop for $26.04

'The Five Sorrowful Mysteries of Andy Africa'

By Stephen Buoro (Bloomsbury, fiction)

What it's about: Teenager Andrew Aziza, aka Andy Africa , comes of age in Nigeria, reckoning with his identity and desires under the shadow of colonialism.

The buzz: "This bold, spirited tale deserves attention," says Publishers Weekly .

"The Five Sorrowful Mysteries of Andy Africa" at Amazon for $28
"The Five Sorrowful Mysteries of Andy Africa" at Bookshop for $26.04

New Speech Topics | Persuasive Short Essay writing Topic IELTS | English Proverbs

Essay Writing about A BOOK I HAVE READ

A book i have read.

Of all the possessions in the world, books are the most valuable, especially to those who are the lovers of books. Books contain a priceless treasure which friends cannot match, brothers cannot give and time cannot destroy. A good book is a good friend. Many books written by great authors led to the downfall of many empires and rise of new nations. “The Social Contract” written by Rousseau brought about the French Revolution. Karl Marx’s “Das Kapital” gave birth to the communist movement and socialist governments.

Reading is my hobby and I have read many books. The book I read recently is the Malayalam version of the Ramayana. This great book has acted as a source of culture and civilization for more than two thousand years. It is written in a simple language which any one can understand. The story is simple, but enlightening. The book has many charms of its own. It has a philosophical value. It provides a moral code for the people to follow.

The story is centred round Rama, the legendary hero of the ancient India. Its starts in the kingdom of Ayodhya in the north part of India in the early period of the Aryan settlement. As directed by his father Dasaratha, Rama went into exile for fourteen years with his wife Sita and his stepbrother Lakshmana. Ravana, the cruel king of Lanka stole away Sita treacherously. Rama, with the help of a monkey army, invaded Lanka, defeated and killed Ravana and set Sita free. He came back victoriously after fourteen years and ascended the throne of Ayodhya and ruled for years in a just way.

The Ramayana teaches us a great moral lesson. It upholds the ideal of duty and sacrifice. Rama went into exile in order to obey his father as a dutiful son. Lakshmana sacrificed his comforts for his brother. The Ramayana sets a good example of womanhood in Sita. Besides these, the book gave me a deep understanding about the social and political conditions of ancient times. Thus the book has historical importance. The story unfolds the social and religious life of the people in the entire sub-continent. The great victory of good overall is a theme running through this great epic.

The book contains noble saying of great sages. The poetic beauty of the verse makes the book immortal. The Ramayana teaches us virtues and morals and thus it helps in building up one’s character. It advocates truth, love, sacrifice and bravery. It upholds justice and duty. The book has ever been a source of inspiration for the people of India.

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this website is very useful for school kids

How to Answer: What Is the Last Book You Read?

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A Book I Have Recently Read

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