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Guide to the ALM Capstone Project

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Creative Writing and Literature Capstone

"Capstone is about building a writing community for life. We are a lively, fun, small group of writers supporting each other, scaffolding our projects, giving excellent feedback, and sowing the seeds for a fruitful professional writing career." — Elisabeth Sharp McKetta, Instructor

The capstone course for Creative Writing and Literature, CREA E-599, directly follows the precapstone course, CREA E-597, in which students built the world of their books and produced the first story or chapter of them.

The Creative Writing and Literature program offers two capstone sequences: fiction (section 1) and fiction or nonfiction (section 2).

CREA E-599 (Sections 1 and 3): Capstone: Developing the Manuscript: Fiction provides you with an opportunity to complete an additional two stories or chapters of your manuscript for a total of 50-60 pages of original fiction—the equivalent of a thesis.

CREA E-599 (Section 2): Capstone: Developing the Manuscript: Fiction and Non-Fiction offers you the opportunity to complete an additional two stories, essays, or chapters of your manuscript for a total of 50-60 pages of original fiction or non-fiction—the equivalent of a thesis.

The capstone sequence provides you with a supportive writing community over the academic year. Your instructor will guide and facilitate workshops as you write your capstone project, and you and your peers will offer feedback for each other in lively group discussion. This environment allows you the opportunity to develop your work while learning from each other in an active and engaging way.

Prerequisites

Registration is limited to officially admitted candidates in the Master of Liberal Arts, creative writing and literature, who have successfully completed the precapstone course, CREA E-597, with the same instructor in the previous fall term. Candidates must be in good academic standing with all degree course requirements successfully completed by the end of the fall term. The only exception to this is the on-campus summer residency which may be completed after the capstone. No other course registration is allowed simultaneously with the capstone. Candidates who do not meet these requirements are dropped from the course.

CREA E-599 (Sections 1 and 3):  Capstone: Developing the Manuscript: Fiction

Leah De Forest, MFA, Writer Katie Beth Kohn, MA

CREA E-599 (Section 2):  Capstone: Developing the Manuscript: Fiction or Nonfiction

Elisabeth Sharp McKetta, PhD, Writer (elisabethsharpmcketta.com)

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• CREA E-599 (Sections 1 and 3): Capstone: Developing the Manuscript: Fiction
• CREA E-599 (Section 2): Capstone: Developing the Manuscript: Fiction or Nonfiction

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Creative Writing

Creative Writing Master Class with Kadahj Bennett

About the creative writing thread.

The Creative Writing thread incorporates Poetry, Print Pressing (word art), Creative Writing, Screen and Script Writing, Fiction Writing, Comedic Improv, and much more.  All students will be able to participate in the Creative Writing Masterclass, Keynote Speaker, and Information Session about curricular and extra-curricular Creative Writing opportunities at Harvard.  We will also be offering some smaller form elective Workshops in the discipline.

Resident Artist: Kadahj Bennett

Kadahj is performer/writer/musician/spoken word artist. Recent credits include Tyler from THE HALLS (web series, Beyond Measure Productions), and Hank from HOW WE GOT ON (Company One). Kadahj is a Posse Scholar, graduate of Hamilton College and Boston Arts Academy alum. Currently a teaching artist in the Boston area, Kadahj moonlights as a lyricist/vocalist for two bands, Danceluja (Boston) & the Downbeat Keys (Brooklyn).

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Rewriting the Boundaries of Creative Writing

On the fourth floor of Lamont Library, large windows light up the sleek offices and conference rooms of the Harvard English Department’s creative writing space. Inside, you can find books written by the College’s faculty strewn across the shelves and students meeting with their professors to discuss their short stories or creative theses. The space is built to inspire.

But who gets access to this space?

In 2012, The Crimson reported that many students expressed dissatisfaction with the exclusivity of the creative writing program at Harvard. Admission to any of the workshops hinges on an application,which must include a cover letter, writing supplement, and short response about experience with previous critical literature courses. At the time, the English department offered 13 creative writing courses with a cap of 12 students each. In 2018, that number rose to 20 workshops, which similarly took the form of small seminar-style courses. But the demand for academic creative writing opportunities rose, too. The English department chair at the time, Nicholas J. Watson, explained that the department had received an enormous amount of interest in 2018: a total of 800 applications from 500 individual students.

In 2019, The Crimson’s Editorial Board questioned the exclusivity of creative writing, considering the program’s then 60 percent acceptance rate.

“We believe that creative writing-based classes that emphasize a student's originality of thought, rather than their ability to learn and mimic an established academic style, are invaluable,” the Editorial Board wrote, also referencing the value of creative writing in revitalizing the humanities. “The English Department should continue making positive adjustments to the creative writing program to ensure that its benefits are available to all.”

This spring, the Department is offering 18 creative writing workshops in total, and students’ interest in the creative writing program has grown even more, says Sam W. Marks, a senior lecturer on playwriting.

“There’s something about the program that is exciting, because of its intimate nature,” he says. “We definitely want to preserve that while also increasing accessibility, and that’s the conversation that we're going to keep having.” He pointed out that the Department is in the early stages of developing initiatives to make creative writing within reach for more students.

But in the meantime, those who choose to pursue creative writing outside of the classroom may still confront selectivity. Student writing organizations such as The Advocate and The Lampoon all have required “comps,” or semester-long educational or evaluative processes, which are highly competitive.

An organization called the Harvard Creative Writing Collective, founded in the summer of 2021, works to combat the exclusivity of creative writing at Harvard. The group’s mission statement declares a dedication to “creating a radically inclusive community of writers on campus.”

The organization’s President and founder, Brammy Rajakumar ’23, shared that the organization was born out of her desire to expand access to creative writing, especially beyond English concentrators. Rajakumar herself is a joint concentrator in Chemistry and English, showcasing how a creative field can inform work in any discipline.

Rajakumar seeks to ensure that the HCWC’s openness will allow anyone with any level of interest in creative writing to pursue that field. “We are always focused on lowering the barrier to engaging with creative writing and making the writing world more flexible and feasible,” she says.

HCWC hosts weekly teas and poetry readings, as well as events with guest speakers who work at the intersection of writing and other fields. “We just want to create a space where people could just drop by and say ‘hey,’” Rajakumar says. There is no pressure to prepare prior to an event and no experience needed to try your hand at an open mic event or share your writing with the group.

All of these initiatives — which include a folder for people to share and comment on work, for those who would prefer not to do so in-person — aim to foster a sense of community among writers. “It's also all about the connection, the people you know, and people who know people who you know,” Rajakumar says. For her, meeting other writers and sharing opportunities is an essential aspect of creative writing.

Service is also a key element of the HCWC’s mission. The group recently worked in conjunction with StoryWish, a student organization that empowers “chronically ill children to dream big and write their own storybooks,” and the Phillips Brooks House Association Mission Hill Afterschool program. Together, they taught elementary school children how to develop storylines, identify the parts of a story, and even try their hand at their own, according to Rajakumar. This workshop aims to help students “develop their own voice and ideas and be creative, especially if they might not be otherwise exposed to creative writing programs,” Rajakumar wrote in a follow-up email statement.

Between the English Department’s efforts to expand access to creative writing courses, and the founding of student organizations like the HCWC, the future looks bright for a culture of inclusivity within the creative writing world at Harvard.

— Magazine writer Michal Goldstein can be reached at [email protected].

— Magazine writer Jem K. Williams can be reached at [email protected].

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Harvard Creative Writing Collective

A student-run, radically inclusive organization at harvard for those interested in the joys and craft of creative writing..

The Harvard Creative Writing Collective (CWC) is a student organization dedicated to creating a radically inclusive community of writers on campus. Our goal is to make the art and joy of writing accessible to students across campus by providing resources, hosting events, and building camaraderie. Founded in the summer of 2021, we are currently operating with a board of 6 members and an active community of 30+ writers. We have a slate of events lined up for the fall 2021 semester, which include talks and workshops by invited speakers whom we hope to host in person. 

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List of All U.S. Colleges with a Creative Writing Major

Writing has been my passion practically since I learned to read in kindergarten. I would write stories about princesses and my family dog, Gansett. When it came time to look at colleges, I was set on attending one with a strong creative writing program. Ultimately, I graduated from Johns Hopkins University with a B.A. in Writing Seminars.

Today, colleges across the country offer creative writing as a major. Because writing skills are essential for a wide range of careers, and because most curricula emphasize broad liberal arts competencies, a degree in creative writing can set you up for success in numerous fields, whether you want to be an editor or a lawyer.

Interested in majoring in creative writing? Learn which schools offer the major and what to look for in a program.

Overview of the Creative Writing Major

Creative writing is about more than spinning tales. For your major, you’ll generally need to pursue a curriculum grounded in literature, history, foreign language, and other humanities courses, along with distribution courses, if the college requires them.

Most creative writing majors must participate in workshops, in which students present their work and listen to peer critiques, usually with a certain number of advanced courses in the mix. In some cases, colleges will ask you to specialize in a particular genre, such as fiction, poetry, or playwriting. 

To succeed in creative writing, you’ll need to have a tough spine, in order to open yourself up to feedback from your classmates and instructors. You may need to give readings in public — if not as an undergraduate, certainly during your career. Of course, a passion for creating is essential, too, as is a willingness to revise your work and learn from the greats and your peers.

A creative writing major opens up doors to many careers, including journalism, content marketing, copywriting, teaching, and others. Even careers that don’t center around writing often have a strong writing component: you’ll need to write reports, deliver presentations, and so on.

Some writers go on to earn an MFA, which will help you hone your craft. It’s also often a prerequisite for teaching creative writing at the college level.

What to Look for in a College as a Creative Writing Major

Published authors on faculty.

Many world-renowned authors have another claim to fame: professorships. Writers who have taught their craft include (among many others):

• Maya Angelou (Wake Forest University)
• Colson Whitehead (many colleges, including Vassar College and Columbia University)
• Stephen Dixon (Johns Hopkins University)
• Viet Thanh Nguyen (University of Southern California)
• Eula Biss (Northwestern University)
• Toni Morrison (Princeton University)

Be aware that as an undergraduate, you may not be able to learn from the greats. That’s why it’s important to look into which courses these faculty teach before you have dreams of being mentored by Salman Rushdie — who is a Distinguished Writer in Residence at NYU.

Genres Offered

While many schools that have creative writing majors offer fiction and poetry courses and tracks, there are some niche genres that could be more difficult to find. If you’re interested in playwriting, for example, you won’t find that at every school. Before you decide on a program, be sure it includes the genres you’d like to explore further, whether that’s flash fiction, creative nonfiction, or something else.

Workshopping Opportunities

The core of most quality creative writing curriculum is workshopping. This means sharing your work in your classes and listening to your peers discuss and critique it. While this may sound intimidating, it can do a lot to help you hone your work and become a better writer. Look for colleges that make this the bedrock of their curriculum.

Showcasing Opportunities

Are there opportunities to present your work, such as college-sponsored readings where undergraduates can participate? Or, perhaps the school has a great literary journal. At my school, students could submit their plays and have them performed by fellow students. 

List of All U.S. Colleges With a Creative Writing Major

What are your chances of acceptance.

No matter what major you’re considering, the first step is ensuring you’re academically comparable to students who were previously accepted to the college or university. Most selective schools use the Academic Index to filter out applicants who aren’t up to their standards.

You’ll also want to demonstrate your fit with the school and specific major with the qualitative components of your application, like your extracurriculars and essays. For a prospective creative writing major, the essay is particularly important because this is a way to demonstrate your writing prowess. Activities might include editing your school’s newspaper or literary journal, publishing your work, and participating in pre-college writing workshops.

Want to know your chances of being accepted to top creative writing schools? Try our Chancing Engine (it’s free). Unlike other calculators, it takes your individual profile into account, including academic stats and qualitative components like your activities. Give it a try and get a jumpstart on your journey as a creative writing major!

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Master of Fine Arts in Creative Writing The Write Stuff for Writers

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Grow Your Writing Passion into a Career with Liberty’s Online MFA in Creative Writing

Many people write creatively, but few hone their skills to develop their writing craft to its highest form. Even fewer learn the other skills it takes to become a successful writer, such as the steps needed to get a book published and into the hands of readers. Liberty’s 100% online Master of Fine Arts (MFA) in Creative Writing can help you develop your writing passion into a career so you can set your works free to impact culture and the world.

Employers in every industry need professionals who have strong writing skills, so you can be confident that your ability to write effectively can also help set you apart in your current career. With in-demand writing expertise and the ability to customize your degree with electives in literature or writing practice, Liberty’s online MFA in Creative Writing can help you achieve your professional writing goals.

Our online MFA in Creative Writing is designed to help you build on your writing skills with specific workshops dedicated to the craft of fiction, poetry, creative nonfiction, or screenwriting. With a work-in-progress approach to writing practice and mentorship from our faculty of experienced writers and scholars, you can learn the specific skills you need to make your writing stand out.

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Why Choose Liberty’s MFA in Creative Writing?

Our online MFA in Creative Writing is mainly offered in an 8-week course format, and our tuition rate for graduate programs hasn’t increased in 9 years. Through our program, you can study the writing process and develop your creative skills through workshops with experienced writing professionals. With our flexible format, you can grow in your creative writing while continuing to do what is important to you.

As a terminal degree, the online MFA in Creative Writing can also help you pursue opportunities to teach writing at the K-12 or college level. You will gain comprehensive and in-depth exposure to writing, literature, publishing, and many other professional writing skills that you can pass on to students. Partner with the Liberty family and learn under faculty who have spent years in the field you love. Your career in professional writing starts here.

What Will You Study in Our MFA in Creative Writing?

The MFA in Creative Writing program is designed to help you become an excellent creative writer across the genres of creative fiction, nonfiction, screenwriting, and poetry. You can learn how to produce aesthetically and culturally engaged creative works while gaining professional knowledge and practice. You will also study foundational contemporary literature so that you have a background in studying important works to draw on for your writing.

To help you in your professional writing, you will also study many essential skills in editing, layout, and the business of publishing so that you can best position yourself for success in the market. Through your creative writing courses and workshops, you can develop your craft so that you will be ready for your thesis project.

Here are a few examples of the skills Liberty’s MFA in Creative Writing can help you master:

• Marketing your projects and pursuing new writing opportunities
• Organizing writing and adapting it to different types of writing
• Tailoring writing to specific audiences and markets
• Understanding what makes art effective, compelling, and impactful
• Writing compelling stories that engage readers

Potential Career Opportunities

• Book and magazine writer
• Business communications specialist
• Creative writing instructor
• Publications editor
• Screenwriter
• Website copy editor and writer
• Writing manager

Featured Courses

• ENGL 600 – Editing, Layout, and Publishing
• ENGL 601 – Writing as Cultural Engagement
• ENGL 603 – Literary Theory and Practice
• WRIT 610 – Writing Fiction

Degree Information

• This program falls under the College of Arts and Sciences .
• View the Graduate Arts and Sciences Course Guides (login required).
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Admission Information for the Master of Fine Arts in Creative Writing (MFA)

Admission requirements.

• A non-refundable, non-transferable $50 application fee will be posted on the current application upon enrollment (waived for qualifying service members, veterans, and military spouses – documentation verifying military status is required) .
• Unofficial transcripts can be used for acceptance purposes with the submission of a Transcript Request Form .
• Creative Writing Sample – A creative writing sample of one creative writing work of at least 2,500 words or a culmination of creative writing samples totaling 2,500 words.*
• Applicants whose native language is other than English must submit official scores for the Test of English as a Foreign Language (TOEFL) or an approved alternative assessment. For information on alternative assessments or TOEFL waivers, please call Admissions or view the official International Admissions policy .

*A sample of one or more poems totaling a minimum of 750 words may also be submitted. Song lyrics are not accepted at this time as writing samples.

Preliminary Acceptance

If you are sending in a preliminary transcript for acceptance, you must:

• Be in your final term and planning to start your master’s degree after the last day of class for your bachelor’s degree.
• Complete a Bachelor’s Self-Certification Form confirming your completion date. You may download the form from the Forms and Downloads page or contact an admissions counselor to submit the form on your behalf.
• Submit an official/unofficial transcript to confirm that you are in your final term. The preliminary transcript must show a minimum of 105 completed credit hours.
• If you are a current Liberty University student completing your undergraduate degree, you will need to submit a Degree/Certificate Completion Application .
• Send in an additional, final official transcript with a conferral date on it by the end of your first semester of enrollment in the new master’s degree.

Dual Enrollment

Please see the Online Dual Enrollment page for information about starting graduate courses while finishing your bachelor’s degree.

Transcript Policies

Unofficial college transcript policy.

Unofficial transcripts combined with a Transcript Request Form can be used for admission. Official transcripts are required within 60 days of the admissions decision or before non-attendance drops for the first set of matriculated classes, whichever comes first, and will prevent enrollment into future terms until all official transcripts have been received.

Before sending unofficial college transcripts, please make sure they include the following:

• Your previous school’s name or logo printed on the document
• Cumulative GPA
• A list of completed courses and earned credit broken down by semester
• Degree and date conferred (if applicable)

Official College Transcript Policy

An acceptable official college transcript is one that has been issued directly from the institution and is in a sealed envelope. If you have one in your possession, it must meet the same requirements. If your previous institution offers electronic official transcript processing, they can send the document directly to [email protected] .

If the student uses unofficial transcripts with a Transcript Request Form to gain acceptance, all official transcripts must be received within 60 days of the admissions decision or before non-attendance drops for the first set of matriculated classes, whichever comes first. Failure to send all official transcripts within the 60-day period will prevent enrollment into future terms until all official transcripts have been received.

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Available Benefits:

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• 8-week courses, 8 different start dates each year, and no set login times (may exclude certain courses such as practicums, internships, or field experiences)

*Not applicable to certificates.

Frequently Asked Questions

What is an mfa in creative writing.

A Master of Fine Arts degree, or MFA, is a terminal degree in an artistic craft that demonstrates that you have achieved the highest level of training and skill in your discipline. Like a doctorate, an MFA often allows you to teach courses at the graduate level while also providing many opportunities for scholarship and leadership in education. If you want to grow your creative writing skills to become the best writer you can be, then the Master of Fine Arts can help you get there.

How will students work towards developing their writing skills?

With creative writing workshops and a thesis project, you will receive support and guidance to help you become the best writer you can be.

How long will it take to complete the MFA in Creative Writing?

You can complete the MFA in Creative Writing in just 48 credit hours!

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The Purdue On-Campus Writing Lab and Purdue Online Writing Lab assist clients in their development as writers—no matter what their skill level—with on-campus consultations, online participation, and community engagement. The Purdue Writing Lab serves the Purdue, West Lafayette, campus and coordinates with local literacy initiatives. The Purdue OWL offers global support through online reference materials and services.

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A Harvard Referencing Generator is a tool that automatically generates formatted academic references in the Harvard style.

It takes in relevant details about a source -- usually critical information like author names, article titles, publish dates, and URLs -- and adds the correct punctuation and formatting required by the Harvard referencing style.

The generated references can be copied into a reference list or bibliography, and then collectively appended to the end of an academic assignment. This is the standard way to give credit to sources used in the main body of an assignment.

👩‍🎓 Who uses a Harvard Referencing Generator?

Harvard is the main referencing style at colleges and universities in the United Kingdom and Australia. It is also very popular in other English-speaking countries such as South Africa, Hong Kong, and New Zealand. University-level students in these countries are most likely to use a Harvard generator to aid them with their undergraduate assignments (and often post-graduate too).

🙌 Why should I use a Harvard Referencing Generator?

A Harvard Referencing Generator solves two problems:

• It provides a way to organise and keep track of the sources referenced in the content of an academic paper.
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A well-formatted and broad bibliography can account for up to 20% of the total grade for an undergraduate-level project, and using a generator tool can contribute significantly towards earning them.

⚙️ How do I use MyBib's Harvard Referencing Generator?

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• If citing a book, website, journal, or video: enter the URL or title into the search bar at the top of the page and press the search button.
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Creative Writing a Gateway to Creative Climate Solutions

How poetry and art are crucial in the climate crisis .

• by Malia Reiss
• May 06, 2024

“Raging Floods.” “Climate Migrants.” “Coral Reefs Gone.” These are the kinds of stories spanning today’s headlines. As temperatures are rising globally, morale is steadily sinking. 

New solutions are needed to combat this crisis, environmentally and emotionally. UC Davis creative writing master’s students and professors say that creative storytelling and art may be the keys to helping the world process these changes, and that collaborations with scientists can give rise to new, innovative solutions.

“Art and poetry are going to play a pivotal role in adapting human behavior to these new circumstances that are vastly different from anything we’ve known,” said poetry master’s student Trevor Bashaw . 

Imagining a better (or worse) future 

Free of limitations, art is a portal to reimagine the world.

In 2020, UC Davis English professor Michael Ziser and geology professor Nicholas Pinter took graduate students on a white water rafting trip down the Colorado River and through the Grand Canyon. They also invited two famous science fiction writers, Paolo Bacigalupi and Kim Stanley Robinson , both of whom write about a climate-apocalyptic world. 

“The advantage science fiction writers have is that they have license to completely reimagine things,” said Ziser. “They can just pose a solution and think about how it may work out. It encourages people to imagine, what world do they prefer to be a part of?” 

The authors and students entered the Grand Canyon on March 10, 2020. They emerged two weeks later to a world shut down amid a global pandemic. The merging of science and science fiction felt all too relevant.

Bacigalupi’s thriller novel, The Water Knife , tells a dark, futuristic story where the Southwestern U.S. is engaged in a violent war for water. Bacigalupi attended the Grand Canyon trip with graduate students studying the same river system he wrote about drying up. 

Robinson's novels also explore what the future may look like under continued corruption and failure to address world crises like climate change. On the trip, students read Robinson's Pacific Edge, part of his series depicting the future of California. 

By inviting these authors, Pinter and Ziser hoped to encourage the merging of art and science and to give graduate student scientists a new way of looking at the future of their study systems. 

“Any channel by which we can get more people from different walks of life to be thinking about these problems, the better,” said Ziser. “These problems require our coordinated response as a civilization.” 

Collaborations between scientists and artists can generate solutions that one party may not have been able to accomplish on its own. 

“Everyone is being asked to hyperspecialize, and I think that age is over,” said Ziser. “We need to keep a multi-pronged approach to understanding the world.” 

To poetry master’s student Bashaw, the divide between art and science isn’t clean cut, and separating the two can limit progress.

“The sciences and the arts have a lot to learn from each other, in terms of knowledge bases and methodologies,” said Bashaw. “The writer’s workshop is a lot more similar to a lab than people may realize; a lot of scientific discoveries were made through creative accidents; and art is pushed forward by technological advances.”  

With collaborations like these, new ways of thinking can emerge. Art can be a limitless tool toward furthering scientific discovery. 

“Everything is trapped by its genre. But when we try to imagine something radically different, we create something bigger,” said Pinter. 

Where processing has a place 

For creative solutions to be acted upon, policymakers, scientists, and the public need to reach common ground. UC Davis creative writing master’s students contend that art and writing not only generate innovative solutions, but also open gateways to these solutions. 

“With climate change, there’s a lot of grieving that we need to do as a community,” said Bashaw. “I don’t think we have even emotionally accepted it’s occurring.” 

Bashaw thinks that only when humanity can process the climate crises can the world come together to carry out solutions. To them, art is where processing has a place.

“In art and poetry, there can be more room for love and feeling and all of these things that make us human,” said Bashaw.

In their own writing, Bashaw draws parallels between processing the queer experience and processing the climate crisis. They describe their writing as “queer eco-poetics,” which focuses on how individuals relate to nature and constructed  environments. 

“Poetry can transform what feels scary into all kinds of different things and bring a sense of peace,” said Bashaw. “I want people to feel seen without shame.  I think of my writing as home-making and finding peace within place.” 

Connie Pearson, a creative nonfiction master’s student at UC Davis, also believes that art can bring to life the human emotional experience within major world crises.

“It’s a real sweet spot: seeing what’s going on, combined with how somebody is processing,” said Pearson. 

Pearson’s work comprises personal essays centered around her experiences being an animal activist. By diving into her vulnerable and personal experience, she hopes to humanize the activism she’s been part of since 1980. 

“Vulnerability is so crucial in writing,” said Pearson. “I connect so much more to pieces written from the personal lens.” 

Processing and healing 

Climate change is a global phenomenon, and will require everyone working together to reach a solution. This is a daunting task, but with solutions posed by both scientists and artists together, and with a shift in mindset, the future could heal. 

“Art allows you to sit with the unknown and ambiguity in a way that’s not paralyzing, but exciting,” said Bashaw. “We need to help people process and confront this looming phenomenon.”

Malia Reiss is a science news intern with UC Davis Strategic Communications. She studies environmental science and management at UC Davis.

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Writers' Workshop

Jayne anne phillips wins 2024 pulitzer prize for fiction.

Written by Sara Epstein Moninger

University of Iowa alumna Jayne Anne Phillips has won the 2024 Pulitzer Prize for Fiction, and three other Iowa Writers' Workshop graduates were named finalists for Pulitzer literary awards, which were announced May 6.

Phillips, who earned an MFA in 1978, was recognized for her novel Night Watch . The Pulitzer judges described the book as “a beautifully rendered novel set in West Virginia’s Trans-Allegheny Lunatic Asylum in the aftermath of the Civil War where a severely wounded Union veteran, a 12-year-old girl, and her mother, long abused by a Confederate soldier, struggle to heal.”

Yiyun Li, who graduated with a Master of Science in 2000 and two MFAs (fiction and nonfiction) in 2005, was a finalist in fiction for her book of short stories Wednesday’s Child . Li’s short stories and novels have won numerous awards, including the PEN/Hemingway Award for A Thousand Years of Good Prayers and the PEN/Faulkner Award for Fiction for The Book of Goose . She currently serves as director of Princeton University’s creative writing program.

Additionally, two alumnae were recognized as finalists for the 2024 Pulitzer Prize in Poetry:

Jorie Graham, who graduated with an MFA in 1978 and won a Pulitzer in 1996 for The Dream of the Unified Field , was named a finalist for To 2040 . Graham, one of the most celebrated poets of her generation, is a former longtime faculty member in the Iowa Writers’ Workshop. Among her poetry collections are The End of Beauty , Place , and Sea Change . She currently is the Boylston Professor of Oratory and Rhetoric at Harvard University.

Robyn Schiff, who graduated with an MFA in 1999, was named a finalist for Information Desk: An Epic , a book-length poem in three parts set in the Metropolitan Museum of Art. Schiff, who has been a visiting faculty member in the UI Department of English, also is the author of Worth , Revolver , and A Woman of Property , which was a finalist for the Los Angeles Times Book Prize. She teaches at the University of Chicago and co-edits Canarium Books.

Pulitzer Prizes are awarded annually to honor achievements in journalism, literature, and music. See the full list of 2024 Pulitzer winners .