critique essay about the life of pi

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Ang Lee's "Life of Pi" is a miraculous achievement of storytelling and a landmark of visual mastery. Inspired by a worldwide best-seller that many readers must have assumed was unfilmable, it is a triumph over its difficulties. It is also a moving spiritual achievement, a movie whose title could have been shortened to "life."

The story involves the 227 days that its teenage hero spends drifting across the Pacific in a lifeboat with a Bengal tiger. They find themselves in the same boat after an amusing and colorful prologue, which in itself could have been enlarged into an exciting family film. Then it expands into a parable of survival, acceptance and adaptation. I imagine even Yann Martel , the novel's French-Canadian author, must be delighted to see how the usual kind of Hollywood manhandling has been sidestepped by Lee's poetic idealism.

The story begins in a small family zoo in Pondichery, India, where the boy christened Piscine is raised. Piscine translates from French to English as "swimming pool," but in an India where many more speak English than French, his playmates of course nickname him "pee." Determined to put an end to this, he adopts the name " Pi ," demonstrating an uncanny ability to write down that mathematical constant that begins with 3.14 and never ends. If Pi is a limitless number, that is the perfect name for a boy who seems to accept no limitations.

The zoo goes broke, and Pi's father puts his family and a few valuable animals on a ship bound for Canada. In a bruising series of falls, a zebra, an orangutan, a hyena and the lion tumble into the boat with the boy, and are swept away by high seas. His family is never seen again, and the last we see of the ship is its lights disappearing into the deep — a haunting shot that reminds me of the sinking train in Bill Forsyth's " Housekeeping " (1987).

This is a hazardous situation for the boy ( Suraj Sharma ), because the film steadfastly refuses to sentimentalize the tiger (fancifully named "Richard Parker"). A crucial early scene at the zoo shows that wild animals are indeed wild and indeed animals, and it serves as a caution for children in the audience, who must not make the mistake of thinking this is a Disney tiger.

The heart of the film focuses on the sea journey, during which the human demonstrates that he can think with great ingenuity and the tiger shows that it can learn. I won't spoil for you how those things happen. The possibilities are surprising.

What astonishes me is how much I love the use of 3-D in "Life of Pi." I've never seen the medium better employed, not even in " Avatar ," and although I continue to have doubts about it in general, Lee never uses it for surprises or sensations, but only to deepen the film's sense of places and events.

Let me try to describe one point of view. The camera is placed in the sea, looking up at the lifeboat and beyond it. The surface of the sea is like the enchanted membrane upon which it floats. There is nothing in particular to define it; it is just … there. This is not a shot of a boat floating in the ocean. It is a shot of ocean, boat and sky as one glorious place.

Still trying not to spoil: Pi and the tiger Richard Parker share the same possible places in and near the boat. Although this point is not specifically made, Pi's ability to expand the use of space in the boat and nearby helps reinforce the tiger's respect for him. The tiger is accustomed to believing it can rule all space near him, and the human requires the animal to rethink that assumption.

Most of the footage of the tiger is of course CGI, although I learn that four real tigers are seen in some shots. The young actor Suraj Sharma contributes a remarkable performance, shot largely in sequence as his skin color deepens, his weight falls and deepness and wisdom grow in his eyes.

The writer W.G. Sebold once wrote, "Men and animals regard each other across a gulf of mutual incomprehension." This is the case here, but during the course of 227 days, they come to a form of recognition. The tiger, in particular, becomes aware that he sees the boy not merely as victim or prey, or even as master, but as another being.

The movie quietly combines various religious traditions to enfold its story in the wonder of life. How remarkable that these two mammals, and the fish beneath them and birds above them, are all here. And when they come to a floating island populated by countless meerkats, what an incredible sequence Lee creates there.

The island raises another question: Is it real? Is this whole story real? I refuse to ask that question. "Life of Pi" is all real, second by second and minute by minute, and what it finally amounts to is left for every viewer to decide. I have decided it is one of the best films of the year.

Read and make comments here .

Roger Ebert

Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.

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Life of Pi (2012)

Rated PG for emotional thematic content throughout, and some scary action sequences and peril

127 minutes

Tabu as Gita

Suraj Sharma as Pi

Rafe Spall as Writer

Gerard Depardieu as Cook

Directed by

• David Magee

Based on the novel by

• Yann Martel

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A critical review of ‘Life of Pi’

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The tale of a young man, a tiger and God, Yann Martel ‘s bestselling novel “ Life of Pi ” had been dubbed “unfilmable” countless times before Ang Lee’s adaptation screened. The Oscar-winning helmer handily silenced skeptics, delivering a pic praised by critics as a remarkable visual achievement.

Popular on Variety

Several reviewers felt compelled to catalog the stunning images of the survival parable, acknowledging the stellar work by the visual effects team and cinematographer Claudio Miranda. Joe Morgenstern of the Wall Street Journal fondly recalled, among other memorable sights, “a whale breaching in the night, immensely phosphorescent.”

But perhaps the most reverential praise was reserved for the lifelike computer-generated imagery of Richard Parker, Pi’s Bengal tiger companion. Not particularly enthusiastic about the film, A.O. Scott of the New York Times still described the physical details of the beast as “so perfectly rendered that you will swear that Richard Parker is real.”

The 3D also drew special attention, including favorable comparisons to James Cameron’s stereoscopic milestone “Avatar.” Even the Chicago Sun-Times’ Roger Ebert, a vocal skeptic of the technology, praised Lee’s use of the cinematic tool.

“What astonishes me is how much I love the use of 3D in ‘Life of Pi,’ ” Ebert wrote. “Although I continue to have doubts about it in general, Lee never uses it for surprises or sensations, but only to deepen the film’s sense of places and events.”

The visual pleasures of the film might have been universally praised, but critics were less in sync about the film’s framing device, featuring adult Pi (Irrfan Khan) telling his story to a writer (Rafe Spall) decades later. Betsy Sharkey of the Los Angeles Times referred to their conversations as the “weakest link” in an “otherwise lyrical film.”

However, other writers were more focused on how these scenes establish a deeper, existential twist for the visual feast. While David Edelstein of New York Magazine described the scenes as “clunky,” he suggested that they pay off.

“The movie has a sting in its tail that puts what you’ve seen in a startlingly harsh context,” Edelstein wrote.

Variety said: “Summoning the most advanced digital-filmmaking technology to deliver the most old-fashioned kind of audience satisfaction, this exquisitely beautiful adaptation of Yann Martel’s castaway saga has a sui generis quality that’s never less than beguiling, even if its fable-like construction and impeccable artistry come up a bit short in terms of truly gripping, elemental drama.” — Justin Chang

Eye on the Oscars 2013: Best Picture Are directors behind punishing run times? | The upset that wasn’t an upset: ‘Shakespeare in Love’ Critics praise, punch nominees Pointed critiques accompany plaudits for the contenders, giving voters plenty to chew on “Amour” | “Argo” | “Beasts of the Southern Wild” | “Django Unchained” | “Les Miserables” | “Life of Pi” | “Lincoln” | “Silver Linings Playbook” | “Zero Dark Thirty”

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Themes and Analysis

By yann martel.

Martel's exquisite novel 'Life of Pi' with its two versions of Pi's journey, is open to interpretation. This section has interpreted the novel's key moments, themes, and symbols.

About the Book

Article written by Mizpah Albert

M.A. in English Literature and a Ph.D. in English Language Teaching.

‘ Life of Pi ‘ narrates the story of Pi, an Indian Boy, and his survival alone after a shipwreck with a Bengal Tiger. The novel explores the idea that multiple ways exist to interpret reality and that our perceptions and beliefs shape the human experience.

‘ Life of Pi ‘ explores a wide range of themes that include but are not limited to survival, faith, and the power of storytelling.

Survival at Sea

Most of Pi’s story revolves around his struggle for survival at sea. Being stranded in the Ocean, Pi faces hunger, thirst, and the harsh realities of nature. The presence of Richard Parker adds to the tension, as Pi must find a way to coexist with the fierce predator. He constructs a makeshift raft to keep a safe distance from the tiger and finds food and water for them. 

The novel explores the human-animal relationship, highlighting the complexity and mystery within this realm. The boundaries between humans and animals in ‘ Life of Pi ‘ become increasingly blurred as the story progresses. As Pi spends days and weeks at sea with Richard Parker, Pi realizes the necessity of establishing dominance, finding ways to communicate, and coexisting with the dangerous animal to ensure his safety on the lifeboat. Richard Parker, in particular, displays emotions, intelligence, and survival instincts that blur the boundaries between human and animal consciousness. Pi develops a unique bond with the tiger, which challenges traditional notions of wild animals being mere threats to humans.

Religion vs Spirituality

Pi’s early life in Pondicherry is marked by his exploration and embrace of different religions, including Hinduism, Christianity, and Islam. He finds value in each of these faiths, highlighting his belief system’s inclusive and syncretic nature. Organized religion provides structure, rituals, and a sense of community but can also be associated with dogma and rigid beliefs. In the novel, Pi’s rationalist father criticizes Pi’s religious pursuits and encourages him to focus on practicality and reality.

However, Pi’s spiritual journey goes beyond organized religion. He seeks a personal and direct connection with the divine, embracing a more mystical and experiential form of spirituality. He finds solace and a sense of wonder in the natural world, viewing it as a manifestation of the divine. His natural experiences, such as witnessing the beauty of the ocean and the sky, become moments of profound spiritual connection. Pi’s connection with animals, particularly Richard Parker, also serves as a source of spiritual awakening, highlighting the potential for finding the divine in unexpected places. The novel suggests that spirituality can be a more individual and subjective experience, emphasizing the importance of personal interpretation and direct encounters with the sacred.

Throughout the ordeal, Pi’s spiritual beliefs play a significant role in helping him cope with the challenges. He prays to different gods, finding comfort and strength in his faith. His spiritual journey becomes a central aspect of the novel, highlighting the power of faith and the human need for meaning in the face of adversity.

Imagination and The Power of Storytelling

In the story of ‘ Life of Pi ,’ imagination and storytelling become essential tools for the characters to navigate the challenges of their lives. The novel celebrates the power of the human mind to create meaning, find solace, and transform even the most challenging experiences through the lens of imagination and narrative. It does not definitively answer whether the animal or human stories are true. Instead, it suggests that truth is a subjective and complex concept. The novel blurs the line between imagination and reality, leaving readers to contemplate the intricate relationship between storytelling, belief, and the nature of truth.

Key Moments

• The Fictitious Author meets Mr Adirubasamy.
• The Author meets Pi, who tells him his story.
• Pi makes an outstanding introduction to his name on the first day of high school.
• Pi explores and embraces multiple religions, including Hinduism, Christianity, and Islam.
• Pi’s family decides to move to Canada.
• Unexpected calamity befalls his life, and Pi loses his family in the shipwreck.
• Pi is in a lifeboat with a wounded zebra, an orangutan, a hyena, and a ferocious Bengal Tiger.
• Pi realizes the necessity and establishes dominance over Richard Parker to ensure his safety on the lifeboat. 
• Pi learns to communicate and coexist with Richard Parker.
• Pi and Richard Parker encounter a mysterious carnivorous island.
• After 227 days at sea, Pi and Richard Parker finally reach the coast of Mexico.
• Richard Parker disappears into the jungle.
• Pi recounts his remarkable survival story to Japanese officials investigating the shipwreck. 
• Pi tells an alternate version of events involving human characters instead of animals.

Writing Style / Narrative Technique

The writing style and narrative technique are crucial in capturing the readers’ imagination and drawing them into the protagonist’s extraordinary journey in any literary work. In ‘ Life of Pi,’  Yann Martel employs several literary techniques to create a captivating and thought-provoking narrative.

Narrating Style

The novel incorporates a Frame narrative and First person narrative. The frame narrative is used in the Author’s note at the beginning, where the fictitious author elaborates on how he happens to come across Pi’s story, and in the end. Besides, a major part of the story is narrated in the first-person perspective of the protagonist, Pi Patel. These multiple narrative styles allow the readers to intimately experience the story’s events through Pi’s eyes, thoughts, and emotions. It creates a deep connection between the readers and the protagonist, making the journey more personal and relatable.

Writing Style

Yann Martel’s writing is rich with vivid descriptions of the settings, characters, and events. Whether it’s the lush landscape of Pondicherry, the desolate expanse of the Pacific Ocean, or the intricate behaviors of the animals, the author’s use of sensory details brings the story to life and enhances the readers’ immersion.

The tone in ‘ Life of Pi ‘ shifts seamlessly between adventure, humor, suspense, and introspection. These shifts contribute to the dynamic nature of the story, keeping readers engaged and emotionally invested throughout the novel.

Elements of Magical Realism

In ‘ Life of Pi, ‘ Martel blends elements of realism and fantasy to a certain extent. The presence of the Bengal Tiger throughout his journey, his survival at sea under extreme conditions, dreamlike description of the sea, and two versions of the story add to this perspective. Above all, the most prominent example is the mysterious island. The island initially seems idyllic and provides food and water for Pi. However, it is revealed that the island has carnivorous plants that consume animals at night, and the island turns out to be predatory in itself. This surreal aspect of a floating, self-sustaining island challenges the boundaries of reality.

Symbols and Allegory

The symbolism and allegory in ‘ Life of Pi ‘ contribute to the novel’s complexity and depth. They offer multiple layers of interpretation, encouraging readers to reflect on the human condition, the mysteries of existence, and the significance of faith and storytelling in navigating life’s challenges.

The Animals on the Lifeboat

The animals on the lifeboat symbolize various aspects of human nature and survival instincts. Mainly, Richard Parker represents Pi’s personality’s raw, instinctual, and primal side, embodying the struggle for survival in the face of adversity.

The Lifeboat and the Ocean

The lifeboat and the vast ocean represent life’s isolated and unpredictable journey. The lifeboat becomes a microcosm of the world, where Pi must confront the harsh realities and challenges of existence. With its immensity and uncertainty, the ocean symbolizes the vastness of the unknown and the constant flux of life.

The Carnivorous Island

The carnivorous island is a powerful allegory that symbolizes illusion, temptation, and the dangers of complacency. Appearing as a safe haven, it lures Pi with its abundance of food and fresh water. However, it soon reveals its true nature as a threat to his survival. The island serves as a reminder that what may seem perfect and appealing could have hidden dangers.

Pi’s Multiple Religions

Pi practicing multiple religions symbolizes the human search for meaning and understanding in the face of the unknown and the unexplainable. His eclectic religious practices reflect the universal human quest for spiritual fulfillment and the desire to find answers to life’s most profound questions.

The mysterious whale that appears near the novel’s end can be seen as an allegory for the enigmatic and unfathomable nature of the universe. Its appearance adds a sense of wonder and awe, leaving readers with an understanding of the vastness and complexity of existence.

The Colour Orange

The color orange is a recurring symbol in the novel, representing hope, survival, and resilience. The orange lifebuoy, Orange Juice (the Orangutan), and the orange lifejacket become vital symbols of hope and survival for Pi’s journey.

The Theme of Storytelling

The novel itself is an allegory for the power of storytelling and imagination. Pi’s ability to tell different versions of his journey challenges the notion of absolute truth and emphasizes the importance of narrative in finding meaning and understanding in life.

What is the recurrent message in Life of Pi?

The story of ‘ Life of Pi ‘ is a testament to the strength of human will and the capacity to find hope and meaning in the face of adversity. Initially awaiting his impending death, Pi soon finds hope and learns to survive and coexist with the tiger.

How does Pi Establish Dominance over Richard Parker?

Pi Patel gradually establishes dominance over Richard Parker, the Bengal tiger, as he navigates the challenges of survival on the lifeboat. Some of the key behaviors Pi uses to gain authority include Territory Management, Eye Contact and Confidence, Vocal Assertiveness, Training and Conditioning, Learning Tiger Behavior, and others.

What does Orange Juice (the Orangutan) symbolize?

Orange Juice’s maternal and nurturing instincts symbolize motherly love and protection. She represents the comfort and security that a mother figure can provide, especially in times of distress.

How does Martel portray the human-animal relationship in Life of Pi?

‘ Life of Pi ‘ presents the human-animal relationship as a multifaceted and emotionally charged bond that transcends simple notions of dominance or hierarchy. It explores the mutual dependency, emotional depth, and transformative power that can emerge from the encounter between humans and animals, encouraging readers to reflect on their own relationships with the animal world and the intrinsic value of all living beings.

What is a frame narrative?

A frame narrative, also known as a “frame story” or “framing device,” is a literary technique where a story is presented within the context of another story. It acts as a narrative framework surrounding the main story, providing context, structure, and a perspective through which the inner story is conveyed.

About Mizpah Albert

Mizpah Albert is an experienced educator and literature analyst. Building on years of teaching experience in India, she has contributed to the literary world with published analysis articles and evocative poems.

Cite This Page

Albert, Mizpah " Life of Pi Themes and Analysis 📖 " Book Analysis , https://bookanalysis.com/yann-martel/life-of-pi/themes-analysis/ . Accessed 12 April 2024.

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Critic’s Pick

‘Life of Pi’ Review: A Boy and a Tiger, Burning Brightly

Human ingenuity and animal grace course through this rich, inventive play about difficult choices and the stories we tell to make sense of them.

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By Alexis Soloski

The butterflies enter first, quivering gaily atop their sticks. Then a giraffe pokes her head in. A goat gambols. A hyena cackles. One zebra runs on. Then another. An orangutan swings through while her baby reposes on a branch nearby. Above, monkeys and meerkats chitter. In the first act of “Life of Pi,” a menagerie — menacing, delightful — entrenches itself on the stage of Broadway’s Gerald Schoenfeld Theater.

With dazzling imagination and sublime control, the show’s cast and crew conjure a delirious, dynamic, highly pettable world. And oh, is it a wonder. Though the play is ostensibly about one boy’s fraught survival after a disaster, that story is somewhat thin. “Life of Pi” instead succeeds as a broader tribute to human ingenuity and animal grace.

Directed by Max Webster and adapted by the playwright Lolita Chakrabarti from Yann Martel’s Booker Prize-winning novel, “Life of Pi” begins more somberly, in Mexico, in 1978. A grayed-out hospital room houses a sole patient, Pi Patel (Hiran Abeysekera). A Japanese cargo ship en route to Canada has sunk. Among its passengers were Pi and his family, who had set out from Pondicherry, India. And among its freight were the animals Pi’s zookeeper father tended. All aboard have drowned, except Pi, a traumatized 17-year-old who washed up in this fishing village after 227 days lost at sea.

Visiting him this morning are Mr. Okamoto (Daisuke Tsuji), a representative from the Japanese Ministry of Transport, and Lulu Chen (Kirstin Louie), from the Canadian Embassy. These guests have been charged with learning what happened to Pi. For their benefit, he spins a fantastic tale — incredible in every sense — about sharing a lifeboat with animals, initially several then finally just one, Richard Parker, an enormous, sinuous, very hungry Bengal tiger.

Between Richard Parker and Pi, adamant carnivore and lifelong vegetarian, there is a desperate struggle for dominance. Richard Parker needs to eat. Pi would prefer not to be eaten. But these two passengers eventually achieve a détente, even a kind of friendship, a hallucinatory acknowledgment of what is human within the animal and animal within the human. It is the example of Richard Parker — and his companionship, however imagined — that allows Pi to survive.

“You’re the only reason I’m alive,” a despairing Pi says to his friend, midjourney. “It’s just you and me.”

But “Life of Pi” is a much larger affair than this small-man-big-cat duo. The cast runs to 24 actors, many of them also puppeteers, with a small fleet of crew members to make the whole show seaworthy. (The play originated in Sheffield, England, before moving to the West End and then to the American Repertory Theater in Boston, so yes, it floats.) Martel’s novel — absorbing, florid — is a work of magical realism. Webster, the director, makes sure to deliver the magic and the realism both.

Nodding to techniques pioneered by Robert Lepage and Improbable Theater, Webster encourages a beautiful synchrony of lighting (Tim Lutkin), video (Andrzej Goulding), sound (Carolyn Downing) and set (Tim Hatley, who also designed the costumes). Aided by the other production elements, the mise-en-scène constantly moves and shifts. The room becomes the boat. The boat recedes into the room. Sometimes both room and boat are there at once and a person might have to clap her hands across her mouth to stop herself from oohing, especially when the schools of fish surface or the stars begin to flicker. We are in the realm of fantasy here, of symbolism, but squint just a little and waves appear. Even from the mezzanine, I could feel — almost — a salt spray.

And the puppetry ! Between Milky White of “Into the Woods” and the dinosaur and mammoth of “The Skin of Our Teeth,” New York has not been starved of extraordinary stick and cloth creations. But the animals here, designed by Nick Barnes and Finn Caldwell, with movement direction by Caldwell, prowl and canter and leap with astonishing character and style. And Richard Parker, animated by three puppeteers at any given time, is the show’s striped jewel. Chuffing, growling and panting as he stalks the boat’s perimeter, he is at once beguiling, gentlemanly and quite dangerous. Abeysekera — a petite hurricane of an actor with reeling limbs and a clarion voice — is excellent in an exhausting role.

But Richard Parker (very briefly voiced by Brian Thomas Abraham) makes the more indelible impression. When he finally slunk onto dry land, I worried for him as I did not worry for Pi. He seemed so thin.

Toward the start of his tale, Pi promises his listeners that his story will make them believe in God. But while Martel’s novel has a deep and sometimes tendentious concern with religion and philosophy, Chakrabarti’s adaptation engages with these questions only glancingly.

At its most abstract, this a play about how we come to terms with our own choices, even with our own survival, and the stories we might tell to make those choices and that survival make sense. Trauma requires language, Pi insists. If you don’t find words to compass it, he says, “it becomes a wordless darkness, and you will never defeat it.” Yet language tends to recede whenever the animals are onstage. Want wonder? Want divinity? Look to the tiger burning bright. And then look to the human hands that tend the flame.

Eventually Pi offers an alternative version of what happened on that lifeboat, which Webster also stages. Stripped of animals, allegory and visual pleasure, this account is more plausible, though much darker. “Which is the better story?” Pi asks.

Depends what he means by “better.” But of course it’s the one with the animals. Because faced with such horror, or even with the ordinary hardships of daily life, anyone would prefer the fantasy, especially when it is rendered with such richness and invention. (A different show might have questioned the morality of extracting such pleasure, such delight, from a tale of privation. Not this one.) Significantly, neither story redeems what Pi has suffered. But only one has a tiger in it.

That roaring that you will hear at the show’s end? It’s the sound of a standing ovation.

Life of Pi At the Gerald Schoenfeld Theater, Manhattan; lifeofpibway.com . Running time: 2 hours 10 minutes.

Booklover Book Reviews

Life of Pi, Book Review: Yann Martel’s life-affirming gem

The Life of Pi novel, Yann Martel’s debut, truly deserves the accolades it has received. I was thoroughly engaged and entertained by this tale. Read my full review including some memorable book quotes below and we answer your burning question – was Life of Pi based on a true story?

Life of Pi Book Synopsis

The 2002 Man Booker Prize-winning international bestseller, Life of Pi

One boy, one boat, one tiger . . .

After the tragic sinking of a cargo ship, a solitary lifeboat remains bobbing on the wild, blue Pacific. The only survivors from the wreck are a sixteen-year-old boy named Pi, a hyena, a zebra (with a broken leg), a female orang-utan – and a 450-pound Royal Bengal tiger. The scene is set for one of the most extraordinary and best-loved works of fiction in recent years.

A Lesson in Persistence: Yann Martel’s manuscript was rejected by at least five London publishing houses before being accepted by Knopf Canada, which published it in September 2001. The novel has since sold more than ten million copies worldwide.

Genre: Literature, Fantasy, Action-Adventure

Disclosure: If you click a link in this post we may earn a small commission to help offset our running costs.

Book Review

Life of Pi is poignant, inspirational and life-affirming.

The predominant narrator is our protagonist Piscine Molitor Patel, who prefers to be called Pi. Interspersed within Pi’s telling of his story of survival as a teenager, is commentary from a reporter writing an article on the life of Pi many years later.

Pi grew up in a zoo and his knowledge of animal behaviours and traits is the foundation from which he shapes his view of the world and people in general. Even the most dour of individuals could not help liking this character. His self-possession and belief is utterly charming.

Irreverent observational gems, such as the following comment by Pi when delivering his considered review of the castaway survival manual he finds in the lifeboat, consistently brought a smile to my face.

“The injunction not to drink urine was quite unnecessary. No-one called ‘pissin’ during his childhood would be caught dead with a cup of pee at his lips, even alone in a life boat in the middle of the Pacific.”

I also found the disarming simplicity of the 16-year-old character’s discussions on the differences and similarities of the world’s three major religions and his thoughts on religion in general both appealing and quite profound.

In Life of Pi Yann Martel has written such a very clever story.

There is often conjecture about novels that go on to win high-profile awards such as the Man Booker Prize, but in my opinion there should be no argument when it comes to this novel.

This story will be one that stays with me long after reading it. I strongly recommend men and women, young and old acquainting themselves with this character Pi – he is one of the most admirable, believable and inspirational characters you are likely to meet in the world of fiction.

“It is true that those we meet can change us, sometimes so profoundly that we are not the same afterwards, even unto our names.”

Audiobook format

I listened to Life of Pi on audio and strongly recommend this format. The version I listened to was narrated by Jeff Woodman . His delivery really brought to life the humour and irony the protagonist manages to find in his dire predicament.

If you haven’t tried an audiobook before this is a wonderful example of the real value of this reading format. The latest Audible edition of the audiobook is narrated by British comedian, actor and broadcaster Sanjeev Bhaskar — listen to an audiobook sample. Sounds fabulous also.

“The world isn’t just the way it is. It is how we understand it, no? And in understanding something, we bring something to it, no? Doesn’t that make life a story?”

The Story 5 / 5 ;  The Writing 5 / 5

Where to get your copy of Life of Pi

More inspiring reads.

• The Alchemist by Paulo Coelho
• The Little Prince by Antoine de Saint-Exupery
• A Wrinkle In Time by Madeleine L’Engle
• The Book Thief by Markus Zusak
• The Museum of Forgotten Memories by Anstey Harris

More Life of Pi book reviews

‘Martel displays the clever voice and tremendous storytelling skills of an emerging master.’ – Publishers Weekly

‘Life of Pi could renew your faith in the ability of novelists to invest even the most outrageous scenario with plausible life.’-  The New York Times Book Review

‘Despite the extraordinary premise and literary playfulness, one reads Life of Pi not so much as an allegory or magical-realist fable, but as an edge-of-seat adventure.’ – The Guardian 

‘A real adventure: brutal, tender, expressive, dramatic, and disarmingly funny. . . . It’s difficult to stop reading when the pages run out.’ —  San Francisco Chronicle

Was Life of Pi based on a true story?

No, the original novel was purely fictional. But director Ang Lee wanted the movie adaptation to have depth and realism, and so reportedly consulted with real-life shipwreck survivor Steven Callahan, who spent 76 days on a life raft.

Why was Life of Pi controversial?

Some have suggested that Yann Martel’s 2001 novel is very similar to Brazilian author Moacyr Scliar’s 1981 novella  Max and the Cats , about a man in a lifeboat with a jaguar.

The Life of Pi Movie

This novel was adapted for the big screen by screenwriter David Magee and directed by Ang Lee . The movie won four Oscars including Best Director and won the Golden Globe Award for Best Original Score.

About the Book Author, Yann Martel

Yann Martel was born in Spain in 1963 of Canadian parents. After studying philosophy at university, he travelled and worked at odd jobs before turning to writing. In addition to the Man Booker Prize-winning  Life of Pi , which has been translated into over fifty languages and has sold over thirteen million copies worldwide, he is the author of the novels  Self, Beatrice and Virgil  and  The High Mountains of Portugal , the stories  The Facts Behind the Helsinki Roccamatios , and the collection of letters to the Prime Minister of Canada,  What is Stephen Harper Reading?  He lives in Saskatchewan, Canada.

Watch a video of an interview with Yann Martel on Life of Pi — source Manufacturing Intellect .

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Life of Pi – review

No one can doubt the technical brilliance of Ang Lee's new film, an adaptation of Yann Martel's Booker-winning bestseller from 2001, a widely acclaimed book that I should say I have yet to read. The effects are stunning, more impressive than anything in the new hi-tech Hobbit, and on that score, Peter Jackson can eat his heart out. But for the film itself, despite some lovely images and those eyepopping effects, it is a shallow and self-important shaggy-dog story – or shaggy-tiger story – and I am bemused by the saucer-eyed critical responses it's been getting.

Pi is Pi Patel, played as a teenager by Suraj Sharma and as an adult by Irrfan Khan, and it is the adult Pi we see recounting his story to an inquisitive author (Rafe Spall), who yearns to hear something that will cure his writer's block. Pi tells him it might do more: it might enable him to believe in God. As a teen, Pi and his family journeyed by steamer from India to Canada, where his father hoped to restart his business as a zookeeper, and he brought his zoo animals with him. A storm wrecks the ship, and Pi finally finds himself all alone on a lifeboat with an adult Bengal tiger; in the existential ordeal that follows, Pi and the tiger face the battle to survive.

The digitally created tiger is incredible, or rather, very credible. I expected it to be an obvious CGI beast or uncanny-valley creature. It's better than that. Every second it was on screen, I thought: that unreal tiger really is mindblowingly real-looking – how did they do that? Well, I suspended my disbelief in good faith – and my scepticism about "magic realism" also – and Lee's brilliant digital work made that easy. But the adventures of Pi and the tiger are cancelled by an exasperating ending, the crux of which is a question Pi asks Rafe Spall's writer, and the answer he receives. Both seem founded on some fatuous assumptions. This is an awards-season movie if ever there was one. It deserves every technical prize going.

• Drama films
• Yann Martel
• Irrfan Khan

More on this story

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by Yann Martel

• Life of Pi Summary

Life of Pi tells the fantastical story of Pi Patel, a sixteen-year-old South Indian boy who survives at sea with a tiger for 227 days. Pi, born Piscine Molitor Patel , grows up in the South Indian city of Pondicherry, where his father runs the zoo. A precocious and intelligent boy, by the age of fifteen Pi—Hindu from an early age—has also adopted Christianity and Islam, and considers himself a pious devotee to all three religions.

Thanks to government upheaval that has long been distressing Pi’s father, the Patels decide to close the Pondicherry Zoo and move to Canada when Pi is sixteen. Pi, his mother, father, and brother Ravi all board the Tsimtsum along with the zoo’s animal inhabitants (who are on their way to be sold around the world).

An unexplained event causes the Tsimtsum to sink, and Pi is the only human to make it onto the lifeboat and survive. Along with Pi, the lifeboat contains a hyena, a zebra, Orange Juice the orangutan, and Richard Parker the tiger. The hyena kills and devours both the zebra and Orange Juice, before Richard Parker kills the hyena. Pi is left alone on a lifeboat with an adult male tiger.

There is no land in sight and the ocean is shark-infested, so Pi builds a raft which he attaches to the lifeboat, to keep himself at a safer distance from Richard Parker. Eventually, however, life on the raft proves too exhausting, and Pi realizes that if Richard Parker gets hungry enough, he will swim to it and kill Pi. So Pi decides that he must tame Richard Parker. Using a whistle, seasickness, and a turtle-shell shield, Pi manages to assert his authority over Richard Parker and delineate his own territory on the lifeboat, where he is comparatively safe from the tiger.

While at sea, Pi and Richard Parker face many challenges, traumas, tragedies, and miraculous occurrences. They never have sufficient food and fresh water, and the constant exposure is highly painful. A severe storm, which they miraculously survive, destroys the raft. Pi manages to capture and kill a bird. They are almost crushed by an oil tanker, which then passes by without seeing them.

During an especially severe period of starvation, Pi and Richard Parker both go blind. While blind, Pi hears a voice, and realizes that they have drawn near another lifeboat that contains a similarly starving and blind Frenchman. Pi and this man converse for a while, and bring their boats together. The Frenchman climbs onto Pi’s boat, and immediately attacks him, planning to kill and eat him. He doesn’t realize that there is a tiger on the boat, however, and accidentally steps into Richard Parker’s territory. The tiger immediately attacks and kills him. Pi, saved at the cost of his attacker’s life, describes this as the beginning of his true moral suffering.

Pi and Richard Parker come upon a weird island that is made of algae with trees protruding from it, teeming with meerkats but no other life. Pi and Richard Parker stay on the island for weeks, eating the algae and the meerkats, growing stronger, and bathing in and drinking from the fresh water ponds. They never stay on the island at night, however, Pi because he feels safer from the tiger in his delineated territory, and Richard Parker for a reason unknown to Pi. Pi eventually starts to sleep on the island, and while doing so realizes that the island is carnivorous—it emits acid at night that dissolves anything on its surface. Greatly disturbed by this, Pi takes Richard Parker, and they leave the island.

Pi and Richard Parker eventually land on the Mexican beach. Richard Parker immediately runs off into the jungle without acknowledging Pi, which Pi finds deeply hurtful. Pi is found, fed, bathed, and taken to a hospital. There, two Japanese men come to question Pi about what caused the Tsimtsum to sink. He tells his story, which they do not believe, so he offers them a more plausible version, with the animal characters replaced by other humans, which casts doubt on the original story.

Throughout the novel, the story is interrupted by the author’s notes on Pi as he is now, telling this story to the author. After recovering in Mexico he went to Canada, where he spent a year finishing high school and then studied Religion and Zoology at the University of Toronto. At some point, he got married, and he now has two children. He still thinks of Richard Parker, and is still hurt by his final desertion.

Life of Pi Questions and Answers

The Question and Answer section for Life of Pi is a great resource to ask questions, find answers, and discuss the novel.

What is flight distance? Why is this important for zookeepers to know?

Flight distance is the amount of space that one animal will allow another animal before fleeing. Zookeepers need to be aware of this distance in order to keep from frightening the animals.

how pi describe the hyena

"I am not one to hold a prejudice against any animal, but it is a plain fact that the spotted hyena is not well served by its appearance. It is ugly beyond redemption. Its thick neck and high shoulders that slope to the hindquarters look as...

Please state your question.

Study Guide for Life of Pi

Life of Pi is a novel by Yann Martel. Life of Pi study guide contains a biography of author Yann Martel, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

• About Life of Pi
• Life of Pi Video
• Character List

Essays for Life of Pi

Life of Pi essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Life of Pi written by Yann Martel.

• Living a Lie: Yann Martel’s Pi and his Dissociation from Reality
• A Matter of Perspective: The Invention of a Story in Martel’s Life of Pi
• Religion as a Coping Mechanism in Life of Pi
• Hope and Understanding: Comparing Life of Pi and Bless Me, Ultima
• Religious Allegories in Life of Pi

Lesson Plan for Life of Pi

• About the Author
• Study Objectives
• Common Core Standards
• Introduction to Life of Pi
• Relationship to Other Books
• Bringing in Technology
• Notes to the Teacher
• Related Links
• Life of Pi Bibliography

Wikipedia Entries for Life of Pi

• Introduction
• Inspiration

Search form

• Study break
• Reading zone
• B1 graded reading

The Life of Pi: book review (B1)

Seven million readers can’t be wrong. What makes The Life of Pi so special?

Instructions

Do the preparation exercise first and then read the book review. If you find it too easy, try the next level. If it's too difficult, try the lower level. After reading, do the exercises to check your understanding.

Preparation

The book and its author.

The Life of Pi tells the story of Pi, a teenage boy from India, who finds himself trapped in a lifeboat in the Pacific Ocean with a tiger. It is the third book by the Canadian author Yann Martel, and was published in 2001. It has sold seven million copies worldwide, won several prizes and been translated into 41 languages. Yann Martel is the son of a diplomat and spent his childhood in Costa Rica, Canada, France and Mexico. After finishing university in Canada, he spent two years travelling round India and then decided to be a writer.

At the start of the book, we learn about Pi’s childhood in Pondicherry in India. His father owns the city zoo and the family home is in the zoo. When they aren’t at school, Pi and his brother help their father at the zoo and he learns a lot about animals. Pi is very interested in religion. His family are Hindu, but he is curious about Christianity and Islam too and decides to believe in all three religions.

When Pi is 16, his parents decide to close the zoo and move to Canada. They sell some of the animals to zoos in North America and the family travel by ship to Canada taking the animals with them. On the way, there is a terrible storm and the ship sinks. Sadly, Pi’s family and the sailors all die in the storm, but Pi lives and finds himself in a lifeboat with a hyena, zebra, orang-utan and an enormous tiger. At first, Pi is scared of the animals and jumps into the ocean. Then he remembers there are sharks in the water and decides to climb back into the lifeboat. One by one, the animals in the lifeboat kill and eat each other, till only Pi and the tiger are left alive. Luckily for Pi, there is some food and water on the lifeboat, but he soon needs to start catching fish. He feeds the tiger to stop it killing and eating him. He also uses a whistle and his knowledge of animals to control the tiger and show it that he’s boss.

Pi and the tiger spend 227 days in the lifeboat. They live through terrible storms and the burning heat of the Pacific sun. They are often hungry and ill. Sometimes, Pi finds comfort in his three religions, but sometimes he feels sad and lonely. Finally, they arrive at the coast of Mexico, but you will have to read the book to find out what happens in the end!

What do the reviewers think?

It’s a great book and I couldn’t stop reading it, but I didn’t want it to end either! As you read, you share Pi’s emotional journey through hope, despair, exhaustion, loneliness and joy. There’s one chapter where Pi sings 'Happy Birthday' to his mother on the day that he guesses is her birthday, even though he thinks she is dead. It’s a heart-breaking moment and it made me want to cry. Alex, 15

I found some sections of the book very boring and slow. For me, there were too many chapters without any action and just long explanations of Pi’s thoughts or his memories. Also, to be honest, I found the plot really unrealistic. I think the tiger would have eaten Pi straight away! Danny, 16

What a fascinating book! I enjoyed the story, but I also learnt a lot about animal psychology, religion and how to survive a shipwreck (you never know, it might happen to you one day!). I would recommend this book to anyone, old or young, men and women. It’s a good read! Paula, 18

Robin Newton

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Life of pi Essay 400 words For Students

Yann Martel’s novel “Life of Pi” offers a captivating narrative that delves into themes of survival, faith, and the unwavering human spirit. The story follows Piscine Molitor Patel, a young Indian boy stranded on a lifeboat in the vast Pacific Ocean alongside an unexpected companion, a Bengal tiger named Richard Parker. This essay aims to delve into the intricacies of the tale, examining its allegorical depth, character evolution, and philosophical underpinnings.

Table of Contents

Essay On The Extraordinary Journey of Self-Discovery – An Analysis of “Life of Pi”

Allegory of the human experience:.

At its core, “Life of Pi” serves as an allegory, using its unique premise to convey profound philosophical concepts. The Pacific Ocean serves as an expansive stage where the human experience is magnified. Pi’s lifeboat journey parallels the broader journey of life itself, marked by challenges, uncertainty, and the quest for significance. His survival amid the ocean’s vastness symbolizes the resilience of human determination in the face of adversity.

Character Development:

The protagonist, Pi, undergoes significant character growth throughout the novel. Initially a curious and spiritually open young boy, Pi practices Hinduism, Christianity, and Islam simultaneously. This diversity of faiths mirrors the novel’s overarching theme of religious tolerance and the various paths individuals take to find spiritual fulfillment. As the plot unfolds, Pi’s faith is tested as he grapples with isolation, hunger, and the primal instincts required for survival. His evolving relationship with Richard Parker, the tiger, serves as a metaphor for the human struggle to reconcile with our primal nature.

Survival Instinct and Primal Nature:

Pi’s survival instincts unveil his primal nature, illustrating how humans can adapt under extreme circumstances. To endure, Pi must confront and tame his fear of Richard Parker, essentially grappling with the untamed facets of his own being. This internal struggle underscores the dual nature of human existence and the necessity of striking a balance between our civilized selves and our innate instincts.

The Power of Storytelling:

Integral to “Life of Pi” is Pi’s act of storytelling, offering a framework to interpret his journey’s events. His survival narrative, which includes his unlikely companionship with a tiger, challenges the boundaries between reality and fiction. This prompts readers to contemplate the subjective nature of truth and the role of storytelling in shaping our perceptions of the world.

The Role of Faith:

Faith emerges as a central motif, encapsulating humanity’s quest for meaning beyond the tangible realm. Pi’s dedication to multiple religions showcases the intricate layers of faith and how it can offer solace and guidance during times of turmoil. The open-ended conclusion, presenting two conflicting versions of Pi’s ordeal, encourages readers to ponder the significance of faith and the narratives we choose to embrace.

Conclusion:

In summation, “Life of Pi” transcends its survival tale label, presenting a multi-dimensional narrative. Yann Martel masterfully weaves allegory, character growth, and philosophical exploration, inviting readers to contemplate the complexities of the human experience. Through Pi’s remarkable journey, the novel traverses themes of survival, faith, and the interplay between human and primal aspects. “Life of Pi” compels us to question the boundaries of reality, the potency of storytelling, and the unyielding resilience of the human spirit amid the unknown.

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Home — Essay Samples — Literature — Life of Pi — Yann Martel’s “The Life Of Pi”: Book Review

Yann Martel's "The Life of Pi": Book Review

• Categories: Book Review Life of Pi Literature Review

About this sample

Words: 980 |

Published: Oct 2, 2020

Words: 980 | Pages: 2 | 5 min read

Works Cited

• Martel, Yann. Life of Pi. Harcourt, 2001.
• Bocking, Brian. “Life of Pi, Virtue, and the Question of Religion.” Literature and Theology, vol. 29, no. 2, 2015, pp. 150–162.
• Forbes, Bruce David. “Cognitive Ecology, Religion, and The Life of Pi.” CrossCurrents, vol. 63, no. 2, 2013, pp. 233–252.
• Gifford, James. “The Limits of Literary Interpretation : Life of Pi and the Philosophical Significance of Animal Symbolism.” Journal of Critical Animal Studies, vol. 10, no. 2, 2012, pp. 62–79.
• Higginson, James. “Animals, Empathy, and the Ethics of Narrative: Yann Martel’s Life of Pi.” Philosophy and Literature, vol. 37, no. 2, 2013, pp. 404–417.
• Jolly, Margaretta. “Sacred Spaces and Literary Practices in Yann Martel’s Life of Pi.” Religion and the Arts, vol. 17, no. 1–2, 2013, pp. 127–152.
• Kavenna, Joanna. “The Resilience of Religion in Life of Pi.” The Spectator, 30 June 2018, www.spectator.co.uk/article/the-resilience-of-religion-in-life-of-pi.
• Malik, Ameena. “Faith, Fiction, and the Human Journey: Yann Martel’s Life of Pi.” Religion and the Arts, vol. 20, no. 5, 2016, pp. 625–644.
• Mathur, Piyush. “Animals as Narrative Devices in Yann Martel’s Life of Pi.” Journal of Indian Writing in English, vol. 42, no. 1, 2014, pp. 1–8.
• Sinclair, Mark. “Writing Faith: Pi Patel and Yann Martel.” Literary Imagination, vol. 18, no. 3, 2016, pp. 348–366.

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Self-Exploration: the Essence of Identity in the Life of Pi

This essay about “The Life of Pi” explores the intricate process of identity formation through the protagonist’s experiences. It highlights how Pi’s multicultural upbringing in India shapes his beliefs and values, and how his harrowing ordeal at sea forces him to confront the depths of his own being. The essay discusses Pi’s evolving understanding of identity as a fluid and multifaceted phenomenon, as well as the metaphorical significance of his relationship with the Bengal tiger, Richard Parker. Ultimately, it emphasizes the transformative power of self-discovery, inviting readers to contemplate the complexities of human nature and the quest for authenticity amidst life’s challenges.

How it works

In Yann Martel’s captivating tale, “The Life of Pi,” we are transported into a world where the boundaries of identity blur amidst the vast expanse of the ocean. Through the protagonist’s remarkable journey, we are invited to contemplate the essence of self-discovery and its profound implications for human existence.

Pi’s odyssey begins in the vibrant landscapes of India, where he is raised in a household that embraces the rich tapestry of cultural and religious diversity. From an early age, Pi finds himself drawn to the intricacies of Hinduism, Islam, and Christianity, each offering him a unique lens through which to perceive the world.

This cultural mosaic forms the foundation of Pi’s identity, shaping his beliefs, values, and worldview in profound ways.

However, it is not until Pi finds himself adrift at sea, sharing a lifeboat with a Bengal tiger named Richard Parker, that he truly confronts the depths of his own being. Stripped of the trappings of civilization, Pi must tap into his inner reserves of strength and resilience in order to survive. In the crucible of adversity, he discovers facets of himself that were previously dormant, unlocking hidden reservoirs of courage, ingenuity, and compassion.

The relationship between Pi and Richard Parker serves as a poignant metaphor for the complexities of human nature. As they navigate the treacherous waters of the Pacific Ocean, they become entwined in a delicate dance of survival and companionship, each relying on the other for sustenance and support. In Richard Parker, Pi sees a reflection of his own primal instincts and untamed desires, prompting him to confront the darkest corners of his own psyche with a newfound sense of introspection.

Through his journey, Pi comes to understand that identity is not a fixed construct but rather a fluid and evolving phenomenon. It is shaped by our experiences, relationships, and the choices we make along the way. In embracing the multiplicity of his own identity, Pi transcends the limitations of labels and categories, embracing the full spectrum of human experience with an open heart and mind.

In the end, “The Life of Pi” is more than just a tale of survival; it is a testament to the transformative power of self-discovery. As Pi navigates the uncharted waters of his own soul, he invites us to embark on a similar journey of introspection and exploration. For in the depths of our own being, we may discover truths that illuminate the path to our truest selves, guiding us towards a deeper understanding of who we are and why we are here.

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