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Brave New World

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Brave New World: Introduction

Brave new world: plot summary, brave new world: detailed summary & analysis, brave new world: themes, brave new world: quotes, brave new world: characters, brave new world: symbols, brave new world: theme wheel, brief biography of aldous huxley.

Historical Context of Brave New World

Other books related to brave new world.

• Full Title: Brave New World
• When Written: 1931
• Where Written: France
• When Published: 1932
• Literary Period: Modernism
• Genre: Dystopian fiction
• Setting: London and New Mexico, under the fictional World State government
• Climax: The debate between Mustapha Mond and John
• Antagonist: The World State; Mustapha Mond
• Point of View: Third Person

Extra Credit for Brave New World

Lukewarm Reception. Though Brave New World is now considered to be one of the most important works of dystopian fiction ever written, its reception in the 1930s was much more restrained, even negative. It was dismissed by some reviewers as an unsophisticated joke and as repugnant in its account of promiscuous sexuality. Granville Hicks, an American Communist, even attacked Huxley as privileged, saying his book showed that Huxley was out of touch with actual human misery.

The Doors of Rock and Roll. As one might expect, Huxley's book about his experiences with hallucinogenic drugs, The Doors of Perception , was a cult classic among certain groups. One of those groups was a rock and roll band in search of a name. After Jim Morrison and his friends read Huxley's book, they had one: The Doors.

Brave New World

Introduction to brave new world.

Aldous Huxley ’s dystopic novel , Brave New World , was published in 1932. It became an instant hit for the way it presented the futuristic world as amazing and stunning at that time when WWII was still not on the horizon and the people were technologically not as advanced as presented in this novel. On account of the ingenious presentation of that social fabric, the novel was ranked as the best English novel of the century. Huxley wrote sequels in essay form Brave New World Revisited (1958), and with his final novel, Island (1962). The story revolves around the World State where people have been put into hierarchical order after they come out of hatcheries and are graded on the basis of their functions and performance duly monitoring and surveilled.

Summary of Brave New World

The story starts from the Hatching and Conditioning Centre, located in London where its director and assistants are lecturing the touring boys. They learn about processes Bokanovsky and Podsnap used for creating identical human beings through the embryonic processes in which different human beings are produced in factories into separate castes of Alpha and Beta at the top. The Alpha takes up the higher positions in the World States and other positions go to other castes in hierarchical order. The last race, the Epsilons, are occupying the final stage at the bottom of the hierarchy for doing labor. One of the employees also informs the boys about the vaccination procedure. From there, they visit the Nursery and see the programming of the infants through different techniques. Such as the use of ‘Soma’ drugs to escape unpleasant experiences.

When the students come into the open, they see games and sexual acts where a World Controller, Mustapha Mond, delivers a lecture to the touring students about history, the State’s narrative , and the nation’s ideology. Simultaneously, Lenina talks to Fanny about her intimacy with Henry Foster at which Fanny rebukes her for becoming too intimate and not being promiscuous. However, Lenina also informs her that she has already met Bernard Marx, a short and funny-looking guy for an Alpha caste and different than his peers.

Meanwhile, Bernard becomes furious about Lenina’s mention in the conversation of Henry and one of the assistants. Engaged in work, Lenina then informs Bernard that she would be gladdened to have the trip to the Savage Reservation. Meanwhile, Bernard meets his friend, Helmholtz Watson, for having disenchanted from the World Estate on account of their shortcomings. When Bernard applies for permission to visit the reservation, he has to go through the rigors of listening to the director’s tales before winning it. The director becomes nostalgic by mentioning his own trip to Reservation twenty years ago with a woman who was never to be recovered. He also learns about his exile and reviles at it but then moves to the reservation.

When he is on the reservation, he and Lenina are surprised to see its aging population contrary to the youth of the World State. They also watch religious rituals going on and they meet John, who narrates the story of Linda, his mother having met years back. Bernard senses Linda associated with his director in the past and learns about her ostracization from the village because of her willingness to sleep with various men and her book reading habit developed by Pope, her former lover. When Bernard agrees to take John to his world, he also asks him to take Linda with him.

Then Bernard promises him and asks Mustapha for permission to take Linda back. All of them fly back to London where the Director is waiting to confront Bernard, but he brings John and Linda instead and forces the Director to resign. So, John becomes a big hit in the society of London on account of his alienated look. However, he does not fit well in this world and with Lenina. Although Bernard becomes promiscuous, John hardly touches Lenina who becomes confused over his self-control and tries to seduce him on many occasions but fails. Despite Bernard’s insistence, John stays reclusive and refuses to meet important guests. Bernard, then, introduces him to Helmholtz and others and ridicules the reading of Romeo and Juliet by John for these ideas being foreign to the World State and its existing cultural milieu.

Lenina soon takes to John, visiting his apartment and taking soma. She confesses her feelings for him and he reciprocates. Hearing this she offers herself to him but ridiculed by the promiscuity of the World state he curses by using the lines from Shakespeare. However, John rebuffs her every effort. During this time, he comes to know about the death of Linda while Lenina was in the bathroom. He, later, says goodbye to her at the Hospital for the Dying. John is left to meet the clones having their soma ration. He tries to raise a rebellion among them but only causes riots which attract the attention of Helmholtz and Bernard.

However, the police arrive and arrest them all to bring them to Mustapha Mond. There they hold a debate on the policies, leading to John argue his cause and Mond responding to his arguments . While John argues in the favor of art and religion, Mond rejects his claims , adding these are useless things. Soon he exiles Helmholtz and throws Bernard out, threatening to reassign him to Iceland. Meanwhile, John says goodbye to them and stays far away in an abandoned lighthouse to purify himself by starving and flagellating. This catches the attention of a photographer leading many sight viewers to visit John. Meanwhile, Lenina arrives at which John calls her ‘strumpet’ and whipping her and himself. He cries out at her ‘Kill it, kill it’. The intensity of emotion leads the crowd to engage a party in which John participates. At the final realization, he commits suicide for submitting to the World State after that.

Major Themes in Brave New World

• Commodification: The novel shows the commodification of life in that human beings are being hatched, brought up, taught, and eliminated as if they are commodities. When the touring students come to know about hatcheries, they also learn how they are run. Thomas is monitoring Hatcheries and Conditioning Centers where Marx and Foster have been born to lead others. Crowne and Linda, too, show commodified human beings. When John visits the World State, he comes to know the application of this commodification by the upper class to keep on ruling the lower class. The purpose of commodification has been shared by Bokanvosky’s process in which it has been ensured that the new generation conforms to the social structure they are going to live in.
• Dystopian Society: The novel presents a dystopian society where human beings have lost not only their freedom but also their independence. Emotionless, they are being marked in the D.H.C. assembly line. Even if they have some common sense , they keep it to themselves such as Thomas and Marx. Human natural conditioning and mental preparation have also created a dystopia where human beings have become subservient to machines and mechanical behavior. That is why Lenina fails in hooking John who questions this very culture of the World State.
• Utilitarianism: The novel shows utilitarianism through the efforts of Big Brother to establish the Hatcheries for human production as well as conditioning. The savage, John, who visits the World State, comes to know this mechanical routine and detests it. He thinks that Soma food does not fit human beings. Instead of appreciating, he rather berates it and debates it with Mustapha. However, John preaches that though this system utilizes human beings, it is not akin to nature such as taking soma to experience human emotions is unnatural. Lenina’s engagement in promiscuity and her suicide points to the absence of this natural element she could not brook.
• Misuse of Science: brave new world shows the thematic strand of the misuse of science in that human engineering through hatching and conditioning has created desired characters. However, they do not conform to the new ethical framework of the World State. The director briefs the student about the paid voluntary work and conditioning of the Alpha males. The characters of Helmholtz and Bernard Marx have been conditioned, yet they are independent in their thinking most of the time. When Marx does not conform to the standards set by the World State, he is exiled. Similarly, hypnopedia for children and soma food point to this misuse of science.
• Dehumanization: The novel presents the dehumanization of its characters through different strategies adopted by the political elite. Human engineering and scientific techniques have successfully changed the behavior of some characters, yet humanity emerges from Lenina who does not find peace or Helmholtz and Marx who do not conform to the existing rules. Although soma has done its job well, yet the use of Bokanvosky’s process has, to some extent, makes dehumanization possible.
• Consumer Society: The theme of consumerism is significant in the novel in that human beings in the World State are primarily consumers who are fed with specific conditioning and specific food, soma, in order for them to conform to the social fabric created by the World State. That is why John does not become its consumer and shows other characters independence of thinking beyond marketing mechanism.
• Human Emotions: The novel sheds light on human emotions that though they could be engineered, robbed, taken away, and even subverted, yet human beings have the capability to feel empathy, sympathy and realize the dearth of these emotions. That is why when Lenina does not feel soma resolving her problems, she commits suicide and Bernard Marx has shown his desire to control his emotions.
• Genetic Engineering: The production line of the Hatchery and Conditioning center shows that the genetic engineering of humanity and its threat to the natural life cycle is not a figment of imagination. The creation of Alpha males or even the best human beings as argued by Mustapha does not seem a far-fetched idea. The subversion of the thoughts of Lenina and Bernard Marx and the surprising arguments of John show that humanity is facing this threat now .
• New Totalitarianism: The theme of new totalitarianism is significant. It is seen through characters like Mustapha Mond or Bernard Marx, as they are being controlled by the center. The World State has produced a culture where individuals have lost their individuality. Thomas views this as an “inescapable social identity” of every individual that conforms to the social structure engineered by the World State.

Major Characters Brave New World

• Bernard Marx: Bernard Marx is one of the protagonists along with John as they meet during the trip of the students to the hatchery. His special task is to teach sleep learning. Belonging to Alpha plus class has blessed him to think independently, a feature that makes him unfit for the World State society. It is, however, attributed to his stunted growth due to alcohol addiction. His mental independence has given him a feature that makes him empathetic toward others. Most of his character traits show that his condition is not executed properly and that his indifference lies in this. That is why he does not enjoy taking soma and feels a grudge against Lenina for enjoying her life. He leaves the World State by the end after his meeting with Helmholtz as he does not seem to fit into the society where his life constantly faces threats.
• John the Savage: Despite his supposed savageness, John is an important character in the novel. He was brought up on the Savage Reservation where he has learned sympathy and empathy, his two manly traits. Despite his otherness in the World State, he seems supposedly unethical except when he comes to know about Malpais. He could not understand the promiscuity of his mother and the enjoyment of the Malpasian males. His poetic rendering stays with him despite his tour of the World State and giving priority to freedom and not reconciling with existing contradictions, he ends his life.
• Helmholtz Watson: The character of Helmholtz Watson is equally important when starts to involve in the building of a new culture through engaging himself in emotional engineering. Befriending Bernard Marx has given him a point to vie for his attractiveness and intelligence despite his efforts to rationalize his dislike for him. Surprisingly, he loves poetry and lashes out at the wrong cultural engineering at the World State policy though he has been brought upon in a culture different from that of John the Savage. When he helps John to throw away soma by the end, he is exiled from the World State, considering his assistance an act of rebellion.
• Lenina Crowne: A teenager of just 19, Lenina Crowne is a female character of the novel who is working in the hatchery as a technician. Despite her being a lucky figure in the World State, she is promiscuous and becomes easy-going with almost everyone. Being in a relationship with Henry Foster does not impact her. She often uses soma to support her emotional state and goes to the reservation to enjoy life with Marx. When John spurns her advances by the end, she disappears from the novel.
• Mustapha Mond: As the controller in the country, Mond presides over the administration of one zone to consolidate the reins of the government. He controls the people about their do’s and don’ts in this connection and knows what to put on the pedestal of sacrifice for the greater good of the state. Although he is a physicist, he loves to please the public by proving that history is just a bunk and nothing else. He has evolved his own concepts about different social and individual values and finally lets John go to his mother by the end of the novel.
• Henry Foster: As an Alpha male, Foster musters the courage to flirt with Lenina, though, he quits immediately sensing his own future going to dogs. His casual behavior angers Bernard who warns him after which he moves on with the conventions, not showing his waywardness.
• Linda: Belonging to Beta-minus class, Linda is another significant female character who has a savage son, has brought upon on the reservations, yet she works in the Fertilizing Room. Having become a prostitute, Linda shows her other side that she cannot tolerate the type of life. Not able to bear it anymore, she takes too much soma to take her life.
• Thomas: Working as a D. H. C., Thomas is well-known in his circle as Tomakin and only appears in the initial chapters of the story. He briefs the students about the working of the hatchery and its role in the World State. Having a pedantic persona , Tomakin keeps a close watch on rebellious people like Bernard to whom he dispatches to Iceland as punishment. He resigns after Bernard confronts him about John to whom he fathered on the Reservation.
• Fanny Crowne: A friend of Lenina, Fanny presents herself as a typical lady in the World State. She is not her relative, yet she has a strong impact on Lenina in ruining her life by asking her to become promiscuous. Despite her own conditioning, she advises others to go wayward which is rather a surprising thing about her.
• Benito Hoover: A minor character, Hoover loves Lenina despite belonging to the Alpha class in the state. His name signifies two great dictators of the WWII era.

Writing Style of Brave New World

The writing style of Brave New World is known for highly detailed and technologically loaded diction . The characters are conditioned to live in that technologically modified world where the use of emotions is considered an abomination. The overall ironic style is called a mocking style in which the most vital information is held to be disclosed quite late in the text. It happens not only in the case of Bernard but also in Lenina. However, in terms of language, Huxley is highly precise to the point of clinical accuracy. He knows how to use diction appropriately to convey suitable meanings. For figurative language and literary devices , the author mostly turned toward metaphors , similes, irony , and sarcasm .

Analysis of the Literary Devices in Brave New World

• Action: The main action of the novel comprises the whole life and growth of the political landscape of the World State as shown through Mustapha Mond, John, Bernard, and Lenina. The falling action occurs John could not brook the situation, isolates himself, and engages in punishing himself. The rising action moment of the novel arrives when Marx and Lenina visit the Savage Reservation and meets John.
• Anaphora : The novel shows examples of anaphora such as, i. We slacken off the circulation when they’re right way up, so that they’re half starved, and double the flow of surrogate when they’re upside down. They learn to associate topsy-turvydom with well-being; in fact, they’re only truly happy when they’re standing on their heads. (Chapter-One) The example shows the repetitious use of “they’re.”
• Alliteration : brave new world shows the use of alliteration at several places as the examples given below, i. Government’s an affair of sitting, not hitting. You rule with the brains and the buttocks, never with the fists. For example, there was the conscription of consumption. (Chapter-3) ii. “As though I’d been saying something shocking,” thought Lenina. “He couldn’t look more upset if I’d made a dirty joke–asked him who his mother was, or something like that.” (Chapter-4) iii. But though the separating screen of the sky-signs had now to a great extent dissolved, the two young people still retained their happy ignorance of the night . (Chapter-5) Both of these examples from the novel show the use of consonant sounds such as the sound of /s/ occurring after an interval to make the prose melodious and rhythmic.
• Allusion : The novel shows good use of different allusions as given in the below examples, i. “Well, Lenina,” said Mr. Foster, when at last she withdrew the syringe and straightened herself up. (Chapter-I) ii. “O wonder!” he was saying; and his eyes shone, his face was brightly flushed. “How many goodly creatures are there here! How beauteous mankind is!” (Chapter-8) iii. He hated Popé more and more. A man can smile and smile and be a villain. Remorseless, treacherous, lecherous, kindless villain. What did the words exactly mean? (Chapter-8) iv. Did he dare? Dare to profane with his unworthiest hand that … No, he didn’t. The bird was too dangerous. His hand dropped back. How beautiful she was! How beautiful! (Chapter-9) The first example shows the reference to Lenin, the second to The Tempest by Shakespeare and the third to Hamlet , and the fourth to Romeo and Juliet both by Shakespeare.
• Antagonist : Mustapha Mond is the antagonist of the novel as he appears to have tried his best to spread the domination of the World State by working as the Controller.
• Conflict : The novel shows both external and internal conflicts. The external conflict is going on between John who has been bred up in the natural world and other characters who have been conditioned. There is also an internal conflict in the mind of Lenina who could not brook this controlling atmosphere .
• Characters: The novel shows both static as well as dynamic characters. The young boy, John, is a dynamic character as he shows a considerable transformation in his behavior and conduct by the end of the novel. However, all other characters are static as they do not show or witness any transformation such as Mustapha Mond, Bernard Marx, and Helmholtz Watson as well as Fanny.
• Climax : The climax in the novel occurs when Linda commits suicide and John vows to bring a revolution to change the system.
• Foreshadowing : The novel shows many instances of foreshadows. For example, i. A SQUAT grey building of only thirty-four stories. Over the main entrance the words, CENTRAL LONDON HATCHERY AND CONDITIONING CENTRE, and, in a shield, the World State’s motto , COMMUNITY , IDENTITY, STABILITY. (Chapter-1) ii. INFANT NURSERIES. NEO-PAVLOVIAN CONDITIONING ROOMS, announced the notice board. (Chapter-II) The mention of state, slogans, and nurseries show that this is some modern state set in the future. Therefore, this is an apt use of foreshadows.
• Hyperbole : The novel shows various examples of hyperboles such as, i. He was digging in his garden–digging, too, in his own mind, laboriously turning up the substance of his thought. Death–and he drove in his spade once, and again, and yet again. (Chapter-18) ii. The Savage nodded. “I ate civilization.” “What?” “It poisoned me; I was defiled. And then,” he added, in a lower tone , “I ate my own wickedness. (Chapter-18) Both examples exaggerate things as digging the mind and eating civilization are exaggerations .
• Imagery : brave new world shows the use of imagery . A few examples are given below, i. Hot tunnels alternated with cool tunnels. Coolness was wedded to discomfort in the form of hard X-rays. By the time they were decanted the embryos had a horror of cold. They were predestined to emigrate to the tropics, to be miner and acetate silk spinners and steel workers. Later on their minds would be made to endorse the judgment of their bodies. (Chapter-1) ii. There was a loud noise, and he woke with a start. A man was saying something to Linda, and Linda was laughing. She had pulled the blanket up to her chin, but the man pulled it down again. His hair was like two black ropes, and round his arm was a lovely silver bracelet with blue stones in it. (Chapter-8) iii. A moment later he was inside the room. He opened the green suit-case; and all at once he was breathing Lenina’s perfume, filling his lungs with her essential being. His heart beat wildly; for a moment he was almost faint. (Chapter-9) The above examples show images of feeling, sight, color, and sound.
• Metaphor : brave new world shows perfect use of various metaphors as given in the below examples, i. Two shrimp-brown children emerged from a neighbouring shrubbery, stared at them for a moment with large, astonished eyes, then returned to their amusements among the leaves. (Chapter-4) ii. Lenina did her best to stop the ears of her mind; but every now and then a phrase would insist on becoming audible. (Chapter-6) iii. The rock was like bleached bones in the moonlight. (Chapter-8) These examples show that several things have been compared directly in the novel as the first shows a comparison of children to fish, Lenina’s mind to a body, and rock to bones.
• Mood : The novel shows various moods; it starts with quite a dry and rocking mood and turns to be highly exciting at times and tragic when it reaches Linda’s suicide.
• Motif : Most important motifs of the novel, Brave New World, are sex, drugs, and consumerism.
• Narrator : The novel is narrated from the third-person point of view , which is the author himself.
• Personification : The novel shows examples of personifications such as, John began to understand. “Eternity was in our lips and eyes,” he murmured. (Chapter-11) ii. Pierced by every word that was spoken, the tight balloon of Bernard’s happy self-confidence was leaking from a thousand wounds. (Chapter-12) These examples show as if the eternity and balloon have feelings and lives of their own.
• Protagonist : Bernard Marx is the protagonist of the novel. The novel starts with his entry into the world and moves forward as he grows and transforms.
• Repetition : The novel shows the use of repetition as given in the below example, i. “ Silence , silence,” whispered a loud speaker as they stepped out at the fourteenth floor, and “Silence, silence,” the trumpet mouths indefatigably repeated at intervals down every corridor. The students and even the Director himself rose automatically to the tips of their toes. They were Alphas, of course, but even Alphas have been well conditioned. “Silence, silence.” All the air of the fourteenth floor was sibilant with the categorical imperative. (Chapter-2) This passage from the second chapter shows the repetition of “silence.”
• Setting : The setting of the novel is the dystopian future country of the World State showing events of 632AF.
• Simile : The novel shows good use of various similes as given in the below examples, i. The tropical sunshine lay like warm honey on the naked bodies of children tumbling promiscuously among the hibiscus blossom. (Chapter-4) ii. Like the vague torsos of fabulous athletes, huge fleshy clouds lolled on the blue air above their heads. (Chapter-4) iii. At Brentford the Television Corporation’s factory was like a small town. (Chapter-4) iv. Words can be like X-rays, if you use them properly–they’ll go through anything. (Chapter-4) These are similes as the use of the word “like” shows the comparison between different things. The first example shows sunshine compared to honey, the torsos of athletes to clouds, the factory to a town, and the words to X-rays.

Related posts:

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• Brave New World Characters
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• All the World’s a Stage
• Once the World Was Perfect
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• Aldous Huxley

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Brave New World

By aldous huxley, brave new world essay questions.

Discuss Huxley's vision of a utilitarian society.

Huxley's utilitarian society seeks the greatest amount of happiness for the greatest amount of people. Happiness is stability and emotional equilibrium in people's lives rather than things that we might associate with happiness, such as achievement, advancement, love, and beauty. Instead, the greatest happiness comes through scientific and social conditioning that makes each person content with who they are and what they do.

Why does Mustapha Mond insist that science must be constrained in the same way that art and religion are?

Society must restrict science because too much scientific progress can result in social instability. Science, for instance, can reduce the amount of labor necessary to keep lower castes busy and upper castes satisfied with their work. Thus, society must suppress the advent of certain ideas. Huxley comments on the scientific progress of the twentieth century, which caused a great amount of advancement but which also led to mechanisms of war.

What traits of humanity does John Savage represent in the novel?

John Savage represents humanity's base desire for beauty. His love of Shakespeare - the ultimate achievement in art and beauty, according to Huxley - represents his desire for aesthetic transcendence in the human soul. John shows the reader how beauty can come from tragedy and how turmoil and unhappiness are necessary conditions for great art.

Discuss Huxley's use of character development in the novel.

Like many novels that depict dystopian futures, Huxley's novel relies less on character development than it does on the personification of social and political thought in the names, attitudes, traits, and flaws of each character. For instance, Bernard Marx personifies the unrest and hubris of socialist thought. The reader should not understand each character for their personality so much as for the thoughts and ideas that they represent.

Is Huxley’s society able to suppress religious impulses completely?

The government cannot completely suppress religious impulses in society, but they were able to control such impulses. When Bernard participates in the Solidarity Service, the participants feel a kind of Fordian Holy Ghost in a ritualized ceremony that engenders belonging and solidarity amongst the citizens. Both John Savage and Mustapha Mond agree that humans have an innate impulse towards belief in a god, but Mond sees that impulse as useless and something that society must control in order to ensure stability.

In what ways does Huxley moralize sexuality in the novel?

Huxley uses irony to make a statement about the social use of sexuality in modern society. Monogamous sex, which was a chief moral value of Victorian society and the generations that followed, was ironically a mechanism that released great moral depravity in humanity. Sexual plurality, which Huxley’s readers would have considered a moral vice, is a chief component of social stability. Huxley's views on the subject are therefore mixed. He believes that the structures of monogamous sex incite lust and passion in those that cannot restrain themselves, but he also recognizes that a society of complete sexual freedom deprives people of the base desires that, in a way, make a person human.

Do you believe that Huxley's blindness influenced the way he viewed society? Why or why not?

Huxley's blindness, a condition he suffered from beginning in his childhood, did influence his views on science and art. Huxley claimed that his love of both science and literature helped him to realize the limitations of both. His blindness kept him from devoting his training to a kind of science that valued only the achievement of progress, an idea that he rejects in his novel. Progress can be as harmful to society as it is helpful. Because of his blindness, Huxley entered a career in journalism and literature that taught him to appreciate his own affliction. His pain and turmoil opened his mind to the beauty in art and the suffering that must accompany great achievement.

Why does John Savage kill himself at the end of the novel?

John takes his own life at the end of the novel because he has become a sacrifice for the continuation of society. John feels trapped between two ideals. On the one hand, he seeks to represent the base nature of humanity, a state of unhappiness and fear that nevertheless produces beauty. On the other hand, he desires to become a part of the ritualized mob of humanity, which he cannot do on the reservation. However, when he becomes a part of the ritual with the mob in the final chapter, he realizes that being such a sacrifice robs him of all individualism. Caught between these two extremes, he feels that he will never belong anywhere.

Do you believe that Mustapha Mond is the antagonist of the novel? Why or why not?

Mustapha Mond is not an antagonist in the traditional literary sense. He displays both good and bad characteristics. In one sense, his knowing desire for control and power over humanity makes him a sinister character, but in another sense, his motivation is to create the most happiness possible for people. He recognizes that humanity, when left to its own devices, is depraved. Therefore, his motivation is to benefit the whole society, even if that motivation leads to a world deficient of emotion and beauty.

In your opinion, is this brave new world a utopia or a dystopia?

Huxley's imagined world contains elements of both a utopia and a dystopia. As a utopia, the world has achieved a peace and harmony that was very much on the minds of Huxley's readers at the close of World War I and during the beginnings of fascist states in Italy and Germany. As a dystopia, however, Huxley shows how such a stable world deprives humanity of the beauty and love that creates identity, as shown in the characters of John Savage and Helmholtz Watson. In the end, Huxley's world is an achievement that requires too great a sacrifice.

Brave New World Questions and Answers

The Question and Answer section for Brave New World is a great resource to ask questions, find answers, and discuss the novel.

The Marrow Thieves

Chapter please?

On page 29, what is the hypnopaedic proverb about "dating"?

My page numbers don't match yours but I recall it was something like "everyone belongs to everyone else."

what is a "soma holiday" ? why does lenina go on one?

A soma holiday is a drug induced form of relaxation.

Study Guide for Brave New World

Brave New World study guide contains a biography of Aldous Huxley, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

• About Brave New World
• Brave New World Summary
• Brave New World Video
• Character List

Essays for Brave New World

Brave New World essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Brave New World by Aldous Huxley.

• Methods of Control in 1984 and Brave New World
• Cloning in Brave New World
• God's Role in a Misery-Free Society
• Character Analysis: Brave New World
• Influences Behind Brave New World and Fahrenheit 451

Lesson Plan for Brave New World

• About the Author
• Study Objectives
• Common Core Standards
• Introduction to Brave New World
• Relationship to Other Books
• Bringing in Technology
• Notes to the Teacher
• Related Links
• Brave New World Bibliography

Wikipedia Entries for Brave New World

• Introduction

• Brave New World

Aldous Huxley

• Literature Notes
• Society and the Individual in Brave New World
• Book Summary
• About Brave New World
• Character List
• Summary and Analysis
• Character Analysis
• Bernard Marx
• John the Savage
• Mustapha Mond
• Helmholtz Watson
• Character Map
• Aldous Huxley Biography
• Critical Essays
• Brave New World Revisited: Further Thoughts on the Future
• Full Glossary for Brave New World
• Essay Questions
• Practice Projects
• Cite this Literature Note

Critical Essays Society and the Individual in Brave New World

"Every one belongs to every one else," whispers the voice in the dreams of the young in Huxley's future world — the hypnopaedic suggestion discouraging exclusivity in friendship and love. In a sense in this world, every one  is  every one else as well. All the fetal conditioning, hypnopaedic training, and the power of convention molds each individual into an interchangeable part in the society, valuable only for the purpose of making the whole run smoothly. In such a world, uniqueness is uselessness and uniformity is bliss, because social stability is everything.

In the first chapter, the D.H.C. proudly explains the biochemical technology that makes possible the production of virtually identical human beings and, in doing so, introduces Huxley's theme of individuality under assault. Bokanovsky's Process, which arrests normal human development while promoting the production of dozens of identical eggs, deliberately deprives human beings of their unique, individual natures and so makes overt processes for controlling them unnecessary.

The uniformity of the Gammas, Deltas, and Epsilons is accomplished by careful poisoning with alcohol and produces — in Huxley's word — "sub-human" people, capable of work but not of independent thought. For these lower-caste men and women, individuality is literally impossible. As a result, built on a large foundation of identical, easily manipulated people, the society thrives. Stability lives, but individuality — the desire and/or ability to be different — is dead.

"When the individual feels, society reels," Lenina piously reminds Bernard, who strives without success for a genuine human emotion beyond his customary peevishness. This inability is a kind of tragic flaw in Bernard. Even love — acknowledging and cherishing another's unique identity — represents a threat to stability founded on uniformity. The dystopia's alternative — recreational sex — is deliberately designed to blur the distinctions among lovers and between emotions and urges, finding its social and ritual expression in "Orgy-Porgy."

This organized release of sexual urges undercuts passion, the intense feeling of one person for another, as the individuals subordinate even their own sexual pleasure to the supposed joy of their society's unity. At the Solidarity Service, Bernard finds the exercise degrading, just as anyone clinging to any idealism about sex would be revolted. John's sensitive feelings about love suffer even from the representation of such an orgy at the feelies. Significantly, it is the morning after his own experience of "orgy-porgy" that John commits suicide. His most private, cherished sense of love and of self, he feels, has been violated.

In Huxley's dystopia, the drug soma also serves to keep individuals from experiencing the stressful negative effects of conflicts that the society cannot prevent. Pain and stress — grief, humiliation, disappointment — representing uniquely individual reactions to conflict still occur sometimes in the brave new world. The people of the brave new world "solve" their conflict problems by swallowing a few tablets or taking an extended soma -holiday, which removes or sufficiently masks the negative feelings and emotions that other, more creative, problem-solving techniques might have and which cuts off the possibility of action that might have socially disruptive or revolutionary results.

The society, therefore, encourages everyone to take soma as a means of social control by eliminating the affects of conflict. John's plea to the Deltas to throw away their soma , then, constitutes a cry for rebellion that goes unheeded. Soma- tized people do not know their own degradation. They are not even fully conscious that they are individuals.

Both Bernard and John struggle against the society's constant efforts to undermine their individuality, but one character reveals a deeper understanding of the stakes than the other. Bernard rails loudly about the inhumanity of the system. His outrage stems from the injustices he suffers personally, but he apparently is unwilling or unable to fathom a debate or course of action against the malady because he is an Alpha Plus upon whom the process has been at least partially successful. Once Bernard receives the sexual and social attention he believes is his due, his complaints continue merely as a show of daring and bravado. He sees no reason and feels no moral or social compunction to fight for the rights of others oppressed by the social system.

John, on the other hand, truly challenges the brave new world with a view of freedom that includes everyone, even the Deltas who reject his call for rebellion. Although John, like Bernard, suffers from the oppression of the World State, John is able to frame his objections philosophically and debate the issue face to face with World Controller Mustapha Mond because, although John is genetically an Alpha Plus, he has not undergone the conditioning necessary to conform. His objection is not only his own lack of comfort, but the degradation of slavery imposed by the society. John's acceptance of a free human life with all its danger and pain represents an idealistic stand beyond Bernard's comprehension or courage. Flawed, misguided, John nevertheless dares to claim his right to be an individual.

By the end of the novel, all the efforts to free the individual from the grip of the World State have failed, destroyed by the power of convention induced by hypnopaedia and mob psychology. Only Helmholtz and Bernard, bound for banishment in the Falkland Islands, represent the possibility of a slight hope — a limited freedom within the confines of a restrictive society.

The battle for individuality and freedom ends with defeat in Brave New World — a decision Huxley later came to regret. In Brave New World Revisited , a series of essays on topics suggested by the novel, Huxley emphasizes the necessity of resisting the power of tyranny by keeping one's mind active and free. The individual freedoms may be limited in the modern world, Huxley admits, but they must be exercised constantly or be lost.

Previous Aldous Huxley Biography

Next Brave New World Revisited: Further Thoughts on the Future

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Introduction & Overview of Brave New World

Brave New World Summary & Study Guide Description

Written in 1931 and published the following year, Aldous Huxley's Brave New World is a dystopian—or anti-utopian—novel. In it, the author questions the values of 1931 London, using satire and irony to portray a futuristic world in which many of the contemporary trends in British and American society have been taken to extremes. Though he was already a best-selling author, Huxley achieved international acclaim with this now classic novel. Because Brave New World is a novel of ideas, the characters and plot are secondary, even simplistic. The novel is best appreciated as an ironic commentary on contemporary values.

The story is set in a London six hundred years in the future. People all around the world are part of a totalitarian state, free from war, hatred, poverty, disease, and pain. They enjoy leisure time, material wealth, and physical pleasures. However, in order to maintain such a smoothly running society, the ten people in charge of the world, the Controllers, eliminate most forms of freedom and twist around many traditionally held human values. Standardization and progress are valued above all else. These Controllers create human beings in factories, using technology to make ninety-six people from the same fertilized egg and to condition them for their future lives. Children are raised together and subjected to mind control through sleep teaching to further condition them. As adults, people are content to fulfill their destinies as part of five social classes, from the intelligent Alphas, who run the factories, to the mentally challenged Epsilons, who do the most menial jobs. All spend their free time indulging in harmless and mindless entertainment and sports activities. When the Savage, a man from the uncontrolled area of the world (an Indian reservation in New Mexico) comes to London, he questions the society and ultimately has to choose between conformity and death.

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Huxley's Brave new world : essays

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35 Brave New World Essay Topics

Table of Contents

Choosing the Right “Brave New World” Essay Topic

Selecting an intriguing essay topic on Aldous Huxley’s dystopian novel, “Brave New World,” can set the stage for your instructor’s first impression of your work. If the topic naturally piques your interest, writing becomes more effortless. Ideally, narrow down topics, as they tend to provide clearer direction. However, before you embark on writing, ensure you have an organized outline and adequate sources to support your essay.

Potential Essay Topics on “Brave New World”

• Character Discontentment: Explore why characters like Bernard and John are dissatisfied in society compared to others. Example .
• Realism of the Caste System: Analyze the book’s caste system – is it realistic or mere fiction?
• Sacrifices for Greater Good: Identify instances in the novel where citizens endure hardships for a more significant cause.
• Religion vs. Science: Using the plot of Brave New World , discuss the roles of religion and science in the novel’s society.
• John’s Uniqueness: Examine John’s differences from the rest of the nation’s people.
• Illusion of Contentment: Argue why such a government form would be detrimental, even if its citizens seem content.
• Perfection vs. Imperfection: Does the novel portray an ideal or flawed world?
• Dehumanization: Identify the techniques of dehumanization depicted in the story.
• Happiness vs. Reality: Delve into the question of whether a society can be genuinely happy and yet grounded in reality.
• Relevance Today: Discuss parallels between the book’s themes and today’s world. How has Huxley’s vision impacted our modern perspective?

Symbolism and Motifs in Beowulf

• The role of dragons in ancient literature and Beowulf.
• The significance of the mead hall and community bonding.
• Water’s symbolic role in Beowulf’s challenges and battles.
• The representation of light and darkness in the poem.
• The importance of armor and shields in the poem.

Historical and Cultural Context

• Beowulf’s relationship with historical Scandinavian events.
• How Beowulf reflects Anglo-Saxon values and beliefs.
• Paganism vs. Christianity in Beowulf.
• The societal structure and its influence on the narrative.
• The depiction of funeral rites and their significance.

Character Analyses

• Unferth’s role and contrast with Beowulf.
• The depiction of women: Wealhtheow and Grendel’s mother.
• King Hrothgar’s leadership vs. Beowulf’s heroism.
• The significance of Wiglaf and the idea of loyalty.
• Analyzing Aeschere’s importance to Hrothgar and the story.

Narrative Techniques and Literary Devices

• The role of the scop (bard) in Beowulf.
• The use of kennings and their impact on imagery.
• Alliteration and its rhythmic role in Beowulf.
• The function of epic similes in the poem.
• The influence of oral tradition on the narrative style.

Themes and Philosophies

• The concept of fate (wyrd) in Beowulf.
• The price of pride and its consequences.
• The exploration of mortality and legacy.
• The balance between courage and recklessness.
• Revenge as a driving force in Beowulf.

Comparative Analyses

• Beowulf and modern superheroes: parallels and contrasts.
• Comparing Beowulf to other epics like “The Iliad” or “Gilgamesh”.
• Beowulf and the Norse sagas: similarities and differences.
• The idea of the monstrous in Beowulf vs. other literature.
• Beowulf’s influence on Tolkien’s “The Lord of the Rings”.

Broader Perspectives

• Beowulf’s relevance in the 21st century.
• The challenges and merits of translating Beowulf.
• How adaptations (like movies or novels) have interpreted Beowulf.
• The depiction of heroism in Beowulf vs. modern culture.
• The ethics and values presented in Beowulf and their applicability today.

In-depth Explorations

• The importance of loyalty and kinship in the poem.
• The nature of evil: Analyzing Grendel and his lineage.
• The concept of legacy in Beowulf’s final act.
• The depiction of aging and its impact on heroism.
• The influence of external forces, like God or fate, on characters’ decisions.

Beowulf’s Battles

• A detailed look into Beowulf’s battle with the dragon.
• Strategy and might: The takedown of Grendel.
• Psychological warfare: Beowulf vs. Grendel’s mother.
• The consequences and aftermath of each of Beowulf’s battles.
• The role of supernatural vs. human strength in Beowulf’s combat scenes.

Engaging Ideas to Explore

• Elements of Personality: Explore the personality traits emphasized in the World State.
• Sexuality and Roles: Examine the portrayal and significance of sexuality in the world state.
• Societal Conflicts: Identify and discuss the main conflicts present within the novel’s society.
• Marriage and Relationships: Dive into how relationships, especially marriage, are perceived and executed in this dystopian setting.
• Drugs and Contentment: Discuss the use of drugs in the society and their impact on achieving personal contentment.

Further Assistance

There’s a plethora of essay topics centered around “Brave New World.” If you struggle to pinpoint the perfect topic or formulating your essay, consider reaching out to professional platforms like writeondeadline.com for expert guidance.

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Brave New World: A+ Sample Critical Essay Outlines

The following essay topics are relating to an entire book. Each of these topics is a brave new world essay sample and thesis outline. You can use them as pickup points for your essay paper. 

Essay Outline #1

Thesis statement: The individuals who govern this Brave New World might not be normal, but they aren’t abnormal. Their main aim is social stability and not anarchy. From the novel, social stability is set to be very vital. Here is why:

• The stable societies don’t see the need for an international war or a civil conflict. 
• A stable society cannot cause the need or want of any war, including a civil one. In (I), everyone sees the need or want, but in (II), neither the need nor want exists. 
• Any stable society shouldn’t take from other communities. If they get everything provided, then there is no need for any war. Greed and envy aren’t necessary. 
• For a society to be stable, a few firm and constant people have to control it. People have to think they own everything they need, whether they have it or not. They should see control as generous. 

Essay Outline #2

Thesis statement: Two societies exist in John, the Savage. John is a stranger in both two cultures. How does it build him to be perfect for changing flaws in the new world?

• John, as a stranger, notices paradoxes existing in this new world. 
• He sees the religious influence around things. Mustapha Mond holds that religion is unnecessary.  The T sign made resembles the cross sign.  The solidarity group looks like the rites of Christian communion. 
• Linda informs John that this other place is a perfect civilization.  John becomes a savage after losing his identity.  John can’t continue to see the same faces of the poor Bokanovsky Group Castes.  Savage John recognizes why Shakespeare’s plays and other books are unavailable for everyone. Even these higher castes don’t have them.  He sees no meaning in words like freedom for the castes. 
• The salvage. Because of social stability, people lose their spirits.  The new world doesn’t acknowledge heroes and martyrs and heroes. 

Essay Outline #3

Thesis statement: John uses Shakespeare’s plays, Romeo and Juliet, the Tempest, and Othello. They aid him in expressing his feelings in the novel. 

• John’s work is from Shakespeare’s plays. The plays influence the views of his two worlds. 
• He remembers the words of Othello after seeing Lenina or Linda in a bad state. Othello makes the use of baset words to explain Desdemona and the imagined lover.  John perceives the mother as the downfall of women after her mother’s open and free sex with the pope.  Lenina sexually relates with John. John uses words that describe women as whores erupt in his mind. 
• Bernard offers to bring John to London. John decides to use Miranda’s words from The Tempest.  He describes his thoughts about the new world.  The moment he gets to the Electrical Equipment Corporation, John vomits. “The brave new world” words make him vomit after sticking in his throat.  Up to the end of this novel, John doesn’t see the need to think about Miranda’s words. He can’t use them to substantiate what is before his eyes. 
• John thinks of how Lenina is romantic. His mind swarms into Romeo’s words that center on Juliet.  The first time his eyes see Lenina at a reservation, John remembers Juliet.  While in London, Lenina goes round in John’s mind as he wishes her to be. He uses words that describe Juliet. 

What is hypnopedia teaching in the Brave New World?

Sleep teaching or hypnopedia means governing bodies teach children class distinctions and morality. To impart the knowledge to a child, the tutor repeats messages and slogans while the child sleeps. The tutor has to be near the child. Doing this aims at instilling the slogans and messages in a child’s memory. The data and slogans boost societal ideals about proper behavior. It also promotes class roles about conformity and sex. 

In the second chapter, the director expounds on the sleep teaching principle. The director holds on to the fact that one can’t teach science using hypnopedia. It’s because one has to know what science is all about. Children can only learn moral education using this hypnopedia teaching. 

The above outline is a perfect example of a good essay. It has a summary of the best points from the brave new world novel. 

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Novel Response: Brave New World Essay

Introduction, the theme of tailor-made programs, how the theme relates with the real life situation.

Authored by Aldous Huxley in 1932, Brave New World is a must-read fascinating chef-d’oeuvre that features the manager of hatchery who wittingly introduces several boys in a research with a sole agenda of tampering with the bright future of the boys in the name of tailor-made programs.

Huxley utilizes a lot of creativity in using this approach to reach young people, symbolized by ‘boys’ in the masterwork, aiming at voicing a word of caution to them especially when they adopt scientific methods of doing things. According to Huxley, tailor-made work programs and production systems as evidenced in the novel have led to the loss of direction of many young people and more so students.

The author addresses the theme of tailor-made programs through various depictions of characters in the book. He uses changes in the environment to elaborate the effects of tailor-made programs. For instance, he uses changes in the world state society of the characters to illustrate how the changes influence their lives in a negative way. For instance, he uses a character such as Bernard to demonstrate the negative impact of a change in an environment or simply the impact of tailor-made programs on young people.

Bernard is against sexual and immoral behaviors that are evident in the world state society when he first encounters them. However, when he changes the environment by meeting new friends (a symbol of advanced technology), he changes his behaviors and begins to behave like the people in this world state by getting involved in promiscuous sexual relationships.

These programs affect most of the characters that are used in the program negatively. One example of the character is Bernard who, after being exposed to a different environment, behaves differently from the way he used to behave. Another character is John who takes his life away after his views on personal values and world-state society clash.

The clash leads to negative consequences that see his hanging after he is blindly influenced to change his once adorable behavior. In addition, the use of soma is very popular among the youths. The youths use this drug to attain happiness. They have failed to understand the negative impacts of the drug on their health. Therefore, the programs lead many youths to engage in deviant behaviors that the society does not uphold.

The theme depicted in the book rhymes with the real life situation. Many youths are prone to the use of drugs upon their completion of school. They aspire to attain happiness. They do not want to face the truth. Furthermore, peer influence is one f the problems that the youth face. When they engage in a constructive or gainful employment, they proceed to seek happiness by getting involved in deviant behaviors such as promiscuous sex and drug use.

As Huxley has demonstrates, tailor-made programs can be of benefit to the society. However, they can as well lead to more problems and challenges to those at risk like the young people and students. Many young people who have the opportunity to engage in these programs do not utilize them well.

However, they use them to expose themselves to the dangers smoking, drug abuse, and irresponsible sexual behaviors. They seek happiness instead of the truth. In most cases, these uncouth behaviors have led to their death. Likewise, in the real world, the programs have the potential of transforming youths. Nevertheless, because they do not use them well, they are misled. They end up ruining their life in pursuit of happiness. Therefore, there is the need for young people to be cautious in everything they do.

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IvyPanda. (2020, July 1). Novel Response: Brave New World. https://ivypanda.com/essays/novel-response-brave-new-world/

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IvyPanda . 2020. "Novel Response: Brave New World." July 1, 2020. https://ivypanda.com/essays/novel-response-brave-new-world/.

1. IvyPanda . "Novel Response: Brave New World." July 1, 2020. https://ivypanda.com/essays/novel-response-brave-new-world/.

Bibliography

IvyPanda . "Novel Response: Brave New World." July 1, 2020. https://ivypanda.com/essays/novel-response-brave-new-world/.

• Tailor-made work programs: Their Impact on Young People in a Modern Society
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• Biographical Analysis of Aldous Huxley’s Brave New World
• Circumstance and Individual in Huxley's "Brave New World"
• Quotations in Aldous Huxley's "Brave New World"
• Dystopias "Brave New World" by Huxley and "1984" by Orwell
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A Guide to the Total Solar Eclipse

By Rivka Galchen

On April 8th, the moon will partly and then entirely block out the sun. The total eclipse will be visible to those in a hundred-and-fifteen-mile-wide sash, called the path of totality, slung from the hip of Sinaloa to the shoulder of Newfoundland. At the path’s midline, the untimely starry sky will last nearly four and a half minutes, and at the edges it will last for a blink. On the ground, the lunacy around total eclipses often has a Lollapalooza feel. Little-known places in the path of totality—Radar Base, Texas; Perryville, Missouri—have been preparing, many of them for years, to accommodate the lawn chairs, soul bands, food trucks, sellers of commemorative pins, and porta-potties. Eclipse viewers seeking solitude may also cause problems: the local government of Mars Hill, Maine, is reminding people that trails on Mt. Katahdin are closed, because it is mud season and therefore dangerous. I have a friend whose feelings and opinions often mirror my own; when I told her a year ago that I had booked an Airbnb in Austin in order to see this eclipse, she looked at me as if I’d announced I was bringing my daughter to a pox party.

Altering plans because of this periodic celestial event has a long tradition, however. On May 28, 585 B.C., according to Herodotus, an eclipse led the Medes and Lydians, after more than five years of war, to become “alike anxious” to come to peace. More than a hundred years before that, the Assyrian royalty of Mesopotamia protected themselves from the ill omen of solar eclipses—and from other celestial signs perceived as threatening—by installing substitute kings and queens for the day. Afterward, the substitutes were usually killed, though in one instance, when the real king died, the stand-in, who had been a gardener, held the throne for decades. More recently, an eclipse on May 29, 1919, enabled measurements that recorded the sun bending the path of light in accordance with, and thus verifying, Einstein’s theory of general relativity .

Any given spot on the Earth witnesses a total solar eclipse about once every three hundred and seventy-five years, on average, but somewhere on the planet witnesses a total solar eclipse about once every eighteen months. In Annie Dillard’s essay “ Total Eclipse ,” she says of a partial solar eclipse that it has the relation to a total one that kissing a man has to marrying him, or that flying in a plane has to falling out of a plane. “Although the one experience precedes the other, it in no way prepares you for it,” she writes. During a partial eclipse, you put on the goofy paper eyeglasses and see the outline of the moon reducing its rival, the sun, to a solar cassava, or slimmer. It’s a cool thing to see, and it maybe hints at human vulnerability, the weirdness of light, the scale and reality of the world beyond our planet. But, even when the moon blocks ninety-nine per cent of the sun, it’s still daylight out. When the moon occludes the whole of the sun, everyday expectations collapse: the temperature quickly drops, the colors of shadows become tinny, day flips to darkness, stars precipitously appear, birds stop chirping, bees head back to their hives, hippos come out for their nightly grazing, and humans shout or hide or study or pray or take measurements until, seconds or minutes later, sunlight, and the familiar world, abruptly returns.

It is complete earthly luck that total eclipses follow such a dramatic procession. Our moon, which is about four hundred times less wide than our sun, is also about four hundred times closer to us. For this reason, when the Earth, moon, and sun align with one another, our moon conceals our sun precisely, like a cap over a lens. (I stress “our moon” because other moons around other planets, including planets that orbit other stars, have eclipses that almost certainly don’t line up so nicely.) If our moon were smaller or farther away, or our sun larger or nearer, our sun would never be totally eclipsed. Conversely, if our moon were larger or closer (or our sun smaller or farther away) then our sun would be wholly eclipsed—but we would miss an ecliptic revelation. During totality, a thin circle of brightness rings the moon. Johannes Kepler thought that the circle was the illumination of the atmosphere of the moon, but we now know that the moon has next to no atmosphere and that the bright circle (the corona) is the outermost part of the atmosphere of the sun . A million times less bright than the sun itself, the corona is visible (without a special telescope) only during an eclipse. If we’re judging by images and reports, the corona looks like a fiery halo. I have never seen the sun’s corona. The first total solar eclipse I’ll witness will be this one.

The physicist Frank Close saw a partial eclipse on a bright day in Peterborough, England, in June, 1954, at the age of eight. Close’s science teacher, using cricket and soccer balls to represent the moon and the sun, explained the shadows cast by the moon; Close attributes his life in science to this experience. The teacher also told the class that, forty-five years into the future, there would be a total eclipse visible from England, and Close resolved to see it. That day turned out to be overcast, so the moon-eclipsed sun wasn’t visible—but Close described seeing what felt to him like a vision of the Apocalypse, with a “tsunami of darkness rushing towards me . . . as if a black cloak had been cast over everything” and then the clouds over the sun dispersing briefly when totality was nearly over. Close has since seen six more eclipses and written two books about them, the first a memoir of “chasing” eclipses (“ Eclipse: Journeys to the Dark Side of the Moon ”) and the second a general explainer (“ Eclipses: What Everyone Needs to Know ”).

“I’ve tried to describe each of the eclipses I’ve seen, and I do describe them, but it’s not really describable. There’s no natural phenomenon to compare it to,” he told me recently. Describing an eclipse to someone who hasn’t seen one is like trying to describe the Beatles’ “Good Day Sunshine” to someone who has never heard music, he said. “You can describe notes, frequencies of vibration, but we all know that’s missing the whole thing.” Total eclipses are also close to impossible to film in any meaningful way. The light level plummets, which your eye can process in a way that, say, your mobile phone can’t.

In the half hour or so before totality, as the moon makes its progress across the circle of the sun, colors shift to hues of red and brown. (Dillard, a magus of describing the indescribable, writes that people looked to her as though they were in “a faded color print of a movie filmed in the Middle Ages”—the faces seemed to be those of people now dead, which made her miss her own century, and the people she knew, and the real light of day.) As more of the sun is covered, its light reaches us less directly. “Much of the light that you will be getting is light that has been scattered by the atmosphere from ten to twenty miles away,” Close said. Thus the color shift.

He showed me the equipment that he has used to watch six eclipses: a piece of cardboard about the size of an LP sleeve, with a square cut out of the middle, covered by dark glass. “I used gaffer tape to affix a piece of welder’s glass,” he said. There are small holes at the edge of the board, so he can see how shadows change as the moon eclipses more, and then less, of the sun. When sunlight comes from a crescent rather than from a circle, shadows become elongated along one axis and narrowed along another. “If you spread out your fingers, and look at the shadow of your hand, your fingers will look crablike, as if they have claws on them,” Close said.

Each eclipse Close has seen has been distinct. On a boat in the South Seas, the moon appeared more greenish black than black, “because of reflected light from the water,” he said. In the Sahara, the millions of square miles of sand acted as a mirror, so it was less dark, and Close could see earthshine making the formations on the moon’s surface visible. At another eclipse, he found himself focussed on the appearance of the light of the sun as it really is: white. “We think of it as yellow, but of course that’s just atmospheric scattering, the same mechanism that makes the sky appear blue,” he said. When he travelled to Jackson Hole, Wyoming, with his family, in 2017, his seven-year-old grandson said, half a minute before totality, that the asphalt road was “moving.” “It was these subtle bands of darker and lighter, moving along at walking pace. The effect it gave to your eye was that you thought the pavement was rippling,” Close said. He had never seen that before.

The moon doesn’t emit light; it only reflects it, like a mirror. In Oscar Wilde’s play “ Salomé ,” each character sees in the moon something of what he fears, or desires. The etymology of “eclipse” connects to the Greek word for failure, and for leaving, for abandonment. In Chinese, the word for eclipse comes from the term that also means “to eat,” likely a reference to the millennia-old description of solar eclipses happening when a dragon consumes the sun. If the moon is a mirror, then the moon during a solar eclipse is a dark and magic mirror.

A Hindu myth explains eclipses through the story of Svabhanu, who steals a sip of the nectar of the gods. The Sun and the Moon tell Vishnu, one of the most powerful of the gods. Vishnu decapitates Svabhanu, but not before he can swallow the sip of nectar. The nectar has made his head, now called Rahu, immortal. As revenge, Rahu periodically eats the Sun—creating eclipses. But, his throat being cut, he can’t swallow the Sun, so it reëmerges again and again. Rahu is in the wrong, obviously, but in ancient representations of him he is often grinning. To me, he looks mischievous rather than frightening.

The first story I can remember reading that featured an eclipse is Mark Twain’s “ A Connecticut Yankee in King Arthur’s Court .” The wizard Merlin imprisons an engineer named Hank Morgan, who has accidentally travelled from nineteenth-century America to sixth-century Camelot. Morgan, a man who dresses and acts strangely for the sixth century, finds himself, as one would, sentenced to be burned at the stake. But he gets out of it—by convincing others that he is the cause of an eclipse that he knew would occur. As seems only natural for a beloved American story, it’s the (man from the) future that wins this particular standoff, over the ancient ways of Merlin.

To Close, the beginning of an eclipse feels like “a curtains-up statement from the heavens: Science works. Come back in an hour.” He finds it particularly moving that someone, using only measurements and reason, and the laws of celestial motion, could have predicted the April 8th eclipse down to the minute, maybe to the second. The eclipse that surprised the warring Medes and Lydians into peace may not have been a surprise to all; it is said to have been predicted by Thales of Miletus.

I asked Close if he’d ever met someone on his eclipse journeys who wasn’t much impressed. He said no. Still, it’s possible that I and my mirror friend both have the right intuition about this experience we’ve never had. In the last chapter of Roberto Bolaño’s novella “French Comedy of Horrors,” the young narrator witnesses an eclipse while at a soda fountain with his friends; he also witnesses the people around him witnessing the eclipse, including a couple doing a dance “that was somehow anachronistic but at the same time terrifying.” On his way home, he answers a ringing pay phone and finds himself in a lengthy conversation with a stranger who claims to be a member of the Clandestine Surrealist Group, writers living in Paris’s sewer system. The stranger invites the narrator (who wants desperately to be a poet) to join them, at an appointed time and place, months into the future—but says that they can’t pay for his ticket.

His whole eclipse day is banal (soda fountain, pay phone, the price of things) but also tempting, literally surreal, and like a dream. When our hero finally makes it home, at dawn, he sees Achille, the local drunk. Achille tells him that “the eclipse thing wasn’t such a big deal and that people were always getting excited about nothing. In his opinion, true and incredible things happened in the sky every day.” Nature’s everyday wonders might be the more clandestine ones. ♦

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