interior design thesis statement examples

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Past Thesis Titles

All M.F.A. students in Interior Architecture complete theses. Theses cover a wide range of topics within interior architecture and reflect the variety of student research interests. The thesis topic is developed by the student in concert with her/ his faculty in the first year of study. The following theses have been completed by graduate students since 1990. All IAR theses since 2005 are available online through the UNCG Library .

The Department of Interior Architecture UNC Greensboro

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What Do You Need To Write a Great Interior Design Thesis?

If you are an interior design graduate student, you most likely have plans to further your studies in this field.  One of the best ways to do this is by writing a superb thesis for your graduate level. This will not only show the faculty about your seriousness in this profession but also prepare you for the tougher tasks ahead.  

Writing a thesis is not easy and before you get started, you need to identify and understand all the requirements. This article explores different things you need to write a superb interior design thesis including choosing the best topic, outlining your paper, reading sample papers from ThessisHelpers , among other things.

Read on and learn how you can ace your thesis project.

Start With The Project Requirements

It is true you have an idea of what to write about but this should wait first. The most important thing you need to write a great thesis is to understand the rules and guidelines. Every college has its unique writing philosophy and you need to follow the set requirements to avoid intermittent revisions. Discuss the project requirements with other students and seek clarification from your professor before you start writing.  

1. A Great Topic

Your thesis is only as great as the topic you choose. Many MA students rush to pick the topic while this task is the most important in the writing process. Now that you know the writing guidelines start brainstorming for project ideas from different sources including family and friends, your teachers, other students, online writing services among other sources.

Choose an interesting topic that will engross you during research and which readers will also enjoy. Don’t choose a very broad topic because you have neither the time nor the space to exhaust it all. Your topic should also benefit the interior design industry and the academic community.

2. Create A Writing Schedule

You have to reorganize your life when you start working on your thesis to avoid stress. You can do this by creating a writing schedule. Poor organization is one of the main causes of stress in college according to a survey by College Parents and to overcome the challenge; you have to plan your writing and other responsibilities.

3. Write Down Your Thesis Objectives

The rule of thumb in writing is always to have a goal when you start writing. If you have no idea what your thesis will achieve, there’s no need for writing it. Set clear objectives and goals for your paper as these will act as the yardsticks to guide you. If you write without any objectives, you will not only struggle during research but readers will get confused along the way and lose attention.

4. Set Your Thesis Within The Interior Design Context

If you want your thesis to have a great impact, then take time to observe the contemporary interior design world and write something that provides a solution or provokes new thinking in your chosen profession. For instance, you can talk about the impact of interior design on the environment or such a mind-provoking idea. Avoid academic topics that add no value to your profession.

You should consider using an essay writing professional to augment your thoughts. With these few ideas, you can write a great interior design thesis with an impact on the industry.

Interior Design Guide to Research

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• Avoiding Plagiarism
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Subject Guide

Books on Writing Theses

Books on writing about art, libraries' thesis guide.

The Pratt Libraries provide information on researching, formatting as well as submitting your MFA thesis.

Information on formatting & submiting your thesis can be located in two spots:

     The Pratt Libraries' Student Services Web page

     The Libraries' Thesis Submittal Guide

Title & Signature Pages

Theses submited to the Libraries need to be accompanied by both a Title page and Signatures page.

The Interior Design thesis requires two signatures:

     (1) Advisor 

     (2) Department Chair

Here are MFA Sample Title & Signatures pages

In our Graduate Thesis Submission Guide we also have a title page generator to help!

Thesis Writing Help

Pratt's Writing and Tutorial Center (WTC) is located in North Hall on the 1st floor.  The WTC offers Master's thesis preparation and editing assistance.  Call (718) 636-3459 to make an appointment to discuss thesis prepartation, or walk-in for editiorial assistance. 

Thesis Formatting Help

We're here to help! Don't hesitate to visit, call, IM or email the library staff at the Reference Desk for thesis formatting help, questions about citations, submission deadlines, etc..  

Contact the Reference Desk Staff in Brooklyn at:

     In-person: 1st Floor of Brooklyn Library

     Phone: (718) 636 – 3704 

     Email: [email protected] 

     Chat: IM with us via the Libraries' Homepage , available 9am-5pm Mon.- Fri.

Help with Research

• Chat-w/-A-Librarian New! Chat online with a librarian (Mon-Fri, 9am-5pm).
• Ask-A-Librarian Call, email, or visit our Reference Desk :) Brooklyn: (718) 636-3704 Manhattan: (212) 647-7539 Email: [email protected] Location: The Reference Desk is on the 1st Floor of the Brooklyn Library.
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• Last Updated: May 3, 2024 6:08 PM
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How to write the perfect design dissertation

Tutors and students from top design colleges share their advice.

Studying design is about crafting a great design portfolio that will wow potential employers, right? Well, yes. But don't discount the importance of astute creative thinking, and expressing yourself eloquently through the written word. In short, your design dissertation matters.

"I don't believe that design students should be focused entirely on portfolio work," argues Myrna MacLeod , programme leader for Graphic Design at Edinburgh Napier University. "They should also be able to demonstrate an interest in the contexts that underpin their work, and the histories and connections that have informed our practice."

• 5 top tips for graduate designers

"Think of a dissertation as an opportunity, not a burden," urges Craig Burston , Graphic and Media Design course leader at London College of Communication (LCC). "It gives us visually-minded people an opportunity to demonstrate that we too can construct arguments and distil complex notions." 

As Burston points out, this is not just an academic exercise: the power of persuasion is often key to success as a commercial designer. "Clients seek clarity, and project concepts or proposals need to be put into context," he says.

Read on to discover some top tips from leading tutors and their students for nailing your design dissertation…

01. Treat it like a design brief

"A great dissertation should be a designed artefact, and portfolio-worthy in its own right," says Burston. And like a design brief, it should be about solving a problem: "Make sure it has clearly stated aims, strong focus, and doesn't lack opinion or rhetoric," he adds.

• Best laptops for graphic design

"The value of a designed dissertation as a portfolio piece is that it's a holistic view of the individual," agrees Sarah James , senior lecturer in Visual Communication at Arts University Bournemouth (AUB). 

"It shows, type, editorial, research and aesthetic skill, as well as the personal interests and convictions of the individual."

James identifies AUB student Maarit Koobas , who investigated responsive type in both her dissertation and final project, as a particularly strong example of this. "Her design version was one of the most authentic, restrained and elegantly expressive I have ever received," she enthuses.

Koobas conducted a huge amount of initial research into both the contexts in which responsive type can be seen – such as advertising, product design, science and material cultures – and the theories behind its analysis, including semiotics, philosophy and politics. "Creating and analysing ideas, before they end up in your portfolio, is what design is all about," argues Koobas.

• 5 must-read books for design students

02. Write about your passion

"To develop essay questions, AUB students are asked to consider what they love, hate or are puzzled by in their practice – essentially, what moves them," says James. 

"A poor dissertation is inauthentically chosen for ease as opposed to interest," she adds. "It rambles and blusters, using complex language to mask insufficient research." 

"You can tell a mile off when the writer isn't interested," agrees Burston. "How can you expect the reader to care about it if you don't? Write about something that reflects your interests, focus and direction. I've read fascinating dissertations on topics as diverse as patterns in nature, and Brutalist car parks. Make me interested in what interests you."

For Edinburgh Napier graduate Fiona Winchester , this topic turned out to be typography in graphic novels. "I love reading them, but I think people still don't take them seriously as an art form, which is a shame," she says. For her dissertation, she conducted qualitative interviews using modified pages with and without imagery (shown above). 

Her advice is simple: "Narrow down your idea to be as precise as possible. The smaller your question, the easier it is to research and try to answer it."

If you're struggling to get the ball rolling on the actual writing process, Winchester advocates starting with whichever bit you have ideas for. "If you're stuck, it's so much easier to write in whatever order it comes to you, and then edit it into a dissertation, than to try write straight through from beginning to end," she insists.

03. Don't be afraid to talk to people

"I always think my students get the most out of the new streams of knowledge they find from talking to people," says McLeod. "It breaks down barriers and allows them to find answers to problems. Hopefully they will adopt that approach when designing for people also."

In some cases, this can involve interviewing your design heroes. "Students are very surprised when they send a question to Stefan Sagmeister , Milton Glaser or Michael Wolff and they reply with the most precious nugget of knowledge," smiles McLeod. 

But remember: it's your dissertation, so don't get lazy and expect your interview subject to do all the heavy lifting.

In other cases, it could be as simple as asking friends or family to help proofread. "It is quite daunting writing such a large body of text," admits Kaori Toh , a recent graduate from Central Saint Martins, whose dissertation explored the politics of design and technology.

"I often felt I'd get lost in all that text and research," she confesses. "Therefore, I would often send my drafts to a couple of friends to have them look through, and keep my writing cohesive."

04. Reflect on your design practice 

Most of all, dissertations are an opportunity to reflect on, and develop, your creative process as a designer. "Ultimately, it's your job to make your work relevant and credible, and the dissertation helps you learn how to do this," adds Burston. 

Of course, writing doesn't always come easily to visually minded people – and Burston highlights the fact that dyslexia is not uncommon amongst designers. 

"You're not on your own – in our profession, quite the opposite in fact – so do seek academic support, and just enjoy thinking and writing about 'stuff' that informs your practice," is his advice.

One of Burston's stand-out students from this year, Tom Baber , welcomed support from the university to help with his dyslexia. Baber's dissertation focused on type design, and particularly the extent to which the longwinded design process is worth the effort, compared to using an existing typeface.

"I saw it as an opportunity to approach other type designers and see what they thought. Turns out I'm not the first to ask the question," he smiles. "Writing my dissertation helped me change from a 'maker' mentality to a 'designer' mentality, and be more critical of my ideas."

Related articles:

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• The skills every design graduate needs
• 5 alternative routes into design education

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How To Write An Interior Design Concept Statement

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20 Thesis topics related to Residential Design

A residence is one of the first projects any architecture student is asked to design as part of the curriculum , as a residence is one of the first examples of architecture we all see and so many of us are fortunate to live in. Residential projects may seem very easy to comprehend and design, but the various types of residences that are in use today and the different user groups they are targeted towards make it a vast topic, something that requires huge amounts of research to design. 

Choosing a residential project as a thesis topic in the final year of B.Arch. would be like coming full circle – applying all the knowledge you have gained in the last five years on the very first project typology you were taught to design.

So, here are 20 thesis topics related to residential typology that any architecture student can take up.

1. Mixed-Use Buildings | Residential Design

With the global pandemic forcing people to stay confined in their houses, the development of mixed-use buildings with residential, commercial and office spaces all in one place will help with similar circumstances in the future. A student would need to do extensive research on how to properly combine all different places and the purposes they serve to create a building that fulfils functionality and is also aesthetically pleasing. 

Mixed-use buildings as a thesis topic will help a student when they start working because of its huge potential as a future trend in architecture.

2. Vertical Housing

With the increasing population and declining availability of open land, vertical housing is one of the best solutions available to tackle the requirements of the current and future generations. Vertical housing is residential buildings where architects arrange spaces vertically instead of horizontally, to create more units in a smaller footprint. 

These buildings also contain community areas and green spaces interspersed with the residential units to encourage people to be more social and not stay confined in their high-rise apartments .  

Using this as a thesis topic will be extremely beneficial as there are high chances of designing similar projects when students start professionally practising after getting their degrees.

3. Community living | Residential Design

One of the first markers of human beings settling down and becoming civilized is when they started living in communities with individual houses and common spaces for gathering. Since then, human beings have always preferred to live in a society. 

Be it apartment complexes with high-rise buildings , or housing estates with horizontal, community living in urban areas are a topic that can be taken up as a thesis project related to residential use. Community living will help one understand how to design spaces that can be used by different people to live together in harmony.

4. Row Houses

Row houses are defined as a series of houses connected through common sidewalls. They are a great way to build individual houses in smaller areas and with lesser materials, making them cheaper. 

Row houses might already be in use in the  USA and European countries , but they have huge potential in third-world countries and in places like India where there is a space crunch issue, making them a good thesis topic under the residential typology.

5. Tiny Houses | Residential Design

These are houses that have a total area of less than 400 ft 2 or 37 m 2 and are a good alternative to traditional houses when the available open land is smaller than average. Tiny houses have a wide variety of design considerations and this leads to innovative spaces that are multifunctional and furniture that is multi-purpose. 

Compacting a whole house in an area that is less than 400 ft 2 is a challenge that will help thesis students in designing residential areas in the future, as the availability of free land is reducing every day.

6. Shipping Container Homes

20 ft or 40 ft steel containers that have been used to carry different types of goods in ships can be used as a readymade or prefabricated skeleton to build a house. These homes are a good way to re-purpose shipping containers that have been abandoned or thrown away and are easier and faster to build as the exterior structure is already available. 

The containers can be stacked vertically or horizontally to create everything from tiny houses to mansions. Shipping container homes are an intriguing and unique residential thesis topic for students.

Yurts are portable houses consisting of a latticework of wood or bamboo covered by a round tent and have been the traditional houses for many tribes in central Asia, especially in Mongolia. Yurts are a unique aspect of vernacular architecture that can be adapted in different climates around the world with the use of more modern materials like steel for the latticework and insulating fabrics for the tent. 

Yurts as a residential thesis topic will give students a different look in a sustainable and vernacular approach to designing. 

8. Earthships | Residential Design

Pioneered by architect Michael Reynolds, Earthships are a type of passive solar earth shelter that is built with both natural and up-cycled materials. These residential units are structures built on the principle that the six human needs of energy, garbage management, sewage treatment, shelter, clean water and food can be met through environmentally sustainable building design. 

Earthships are intended to be simple, “off-the-grid” homes with minimal dependence on fossil fuels and public utilities and can be constructed by people with little building knowledge. The scope of Earthships as self-sustainable and ecological single-family residences is huge and something that can be taken up by architecture students for their final year thesis.

9. Cob Houses

These are houses built of clay, sand and straw that are recyclable and non-polluting when demolished. Cob houses are inexpensive, energy-efficient houses suitable for hot climates that are also extremely durable and earthquake-resistant. 

Even though these types of houses have traditionally been user-built, an architect’s perspective will help in enhancing its ecological and sustainable features and lead to better planning and usability of spaces. Cob houses should be explored as a thesis topic in the residential typology.

10. Cave houses | Residential Design

Caves served as the very first human dwellings – they served as a shelter against natural calamities and wild animals. In recent years, cave dwellings have made a comeback, in the form of carving contemporary houses inside existing caves. These houses contain contemporary elements like doors and windows, modern electrical and bathroom fittings and also connections to public utilities and “off-the-grid” options for the same. 

Designing cave houses is a challenge because one has to carve out different rooms in accordance with the inside of the cave and major changes cannot be done to the structure of the cave. Cave houses provide the option to utilize existing natural shelter formations instead of disrupting green areas, and hence are a good residential topic for the thesis as they are becoming more popular.

Ipshita Seth has been in love with words for as long she can remember and now that she's studying Architecture, she's found a new love for writing about designing spaces, history of buildings, construction technologies and everything else that comes with them. She has joined RTF to give words to her dreams.

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Home > Interior Architecture > Interior Architecture Masters Theses

Interior Architecture Masters Theses

• Master of Arts (MA) in Adaptive Reuse, a one-year+ program

• Master of Design (MDes) in Interior Studies / Adaptive Reuse, a two-year+ program

• Master of Design (MDes) in Interior Studies / Exhibition + Narrative Environments, a two-year+ program

Both programs take an innovative and progressive approach to addressing design issues intrinsic to the reuse and transformation of existing structures. US News & World Report and Design Intelligence have both ranked RISD’s Interior Architecture programs among the top in the country.

Each MA candidate produces a final project that begins with a research component in the fall and evolves into a studio/design project in the spring. MDes candidates demonstrate competency through self-directed Degree Projects that include a seminar on theory, a research component and a studio component. Each DP focuses on the transformation of an existing structure of their choice in the city of Providence. All MA and MDes candidates also participate in the RISD Graduate Thesis Exhibition , a large-scale public show held annually.

Graduate Program Director: Markus Berger

These works are licensed under a Creative Commons Attribution-NonCommercial-No Derivative Works 4.0 License .

Theses from 2023 2023

the people's food project , Grace Barrett

Kala in my Moholla - art in my neighborhood , Priyata Bosamia

Nature as Material, Time as Tool , Chuchu Chen

FROM VAULT TO PLATFORM （Democratizing Museums through the Lens of the Metaverse）） , Zhaoyang Cui

Intensifying the Experience of Contemporary Art , Wanjin Feng

Manifesto of Poor Images: Re-imagine Guggenheim in the Post-digital Age , Mengning He

Adding Subtraction: Wasting Time in Space , Daeun Kim

NEW CHAPTER , Gunju Kim

A Cloud Above , Jiwon Kim

Greening Seoul : A New Toolkit for Adaptive Reuse , Woojae Kim

A.R. Futuristic Scenario in Seun , Yookyung Lee

Eviction to Placement: Rethinking the current supportive housing systems for hidden homeless families , Fang-Min Liou

The Mobile Senior University , YOUSHURUI LI

making pla(y)ces: softening the city through play , Shivani Pinapotu

Interstice , Shravan Rao

Overlooked Modi Vivendi , Natalia Silva

Chinese tea ceremony spirit revival , Hongli Song

Nurturing Haven: A Safe Place for Single Mothers , Meng Su

A Day Stood Still , Yuting Sun

Imaginatorium for children with visual impairment , Xueyun Tang

Reconcile Liminality , Zefeng Wang

Illusion of Consumption, Architectural Rebellion: Unraveling the Maze of Consumption , Xinjie Xiang

Beyond Burial - Transforming Death: A New Ritual of Farewell and the Ecological Return of the Body to Nature , Chang Xie

Interactive Architecture - Intervention of Virtual Business on Commercial Space , Yihao George Xu

On the Power of Attainable Architecture Community Engagement and Interaction through Architecture: A New Approach to Architectural Exhibitions , Jianing Yang

Glowing Under the Bridge—A Healing Space for Wounded Souls , Ruier Zhao

Moving Narration: A journey through history , Yincheng Zhu

Finding Psychological Healing in College Settings , Dici Zou

Theses from 2022 2022

Notes in improvisation : Spatializing Black Identity through music , Esther Akintoye

Dying differently: designing a death-oriented psychedelic treatment center , Grace Caiazza

Blurred lines : Border crossing between Macau and Zhuhai , Weiwei Chen

Regenerative residences: shrinking stress levels in the sky , Peter de Lande Long

Adaptive reduce: forging architectural futures through degrowth , Erika Kane

Unfolding embodied experience: a process-driven immersive exhibition design model , Mooa Seongah Kang

Block Chain Home , Jonggun Lee

Last sunset : design to alleviate social isolation for Chinese elderly , Linghui Li

Rebuilding Collective effervescence : a "Ballroom" for post-pandemic revelry , Di Ma

Re:Connection: exercises in unplugging and mindfully reconnecting , E. J. Roseman

Dear City, give me some space; creating space for ephemeral forces in a city , Abinaya Sivaprakasam Thamilarasan

From invisible to visible: the third wave/way of intervention for Dashilar , Jiali Tian

Endless construction : occupant activism and authorship , Jiayi Wang

Beyond Spectacle : parametric design to life in space , Ding Xu

Design for designers : An incubator for young designers to grow , Jiajie Yang

The Cthulhu Journey : storytelling through an architectural immersive experience , Rui Zhang

Theses from 2021 2021

Posthuman ecologies , Christine Chang

Loneliness / Togetherness : Interiority and connection under isolation , Huaqin Chen

Space between memories: pause , Young Jae Cho

Cultural acupuncture: decentralization and deocratization in Chinese exhibition design , Ruohan Duan

Adaptive reuse as evidence of scientific progress: recontextualizing a space for growing knowledge , Kayci Gallagher

Reclaiming modern architecture: an urban visual narrative of Kuwait City , Yara Hadi

Unraveling the living: reframing cramped housing as a social living , Dong-zoo Han

Beyond pasta: understanding Italian American culinary culture in Federal Hill , Chufan He

Going back , Zhiyi Hilary He

Augmented city , Xing Huan

Woven healing: reimagining the rural health center , Mahasweta Jayachandran

Living · Sharing · Connecting : rebirth of Longchang Apartments Heritage Community , Linhong Jiang

Migrating architecture: vernacular futurism , Yichu Jiang

The second home: breaking the cycle of lonely death , Woohee Kim

Reinforcing connection within collective housing: a new vision of Red Steel City , Guangyi Niu

Ascents and descents in the 21st Century: restoring Chand Baori , Japneet Pahwa

Nossa quadra, nossa historia: the power of collaborative and communal outdoor spaces as a tool for belonging & agency , Rebecca Maria Pepl

Terminal: through the "windows" of a Tram Car Museum , Yuyi Si

Ritualizing of space in the 21st century: fostering of communal identity through celebration of Tamil culture , Mridula Swaminathan

Sensory refreshment: TCM reconsidered , Ni Tang

Remember me: how we can modify the home for people with dementia , Wenjin Wang

The retrieval of memory: holding time in the Shanghai gasometers , Liman Wei

Fostering cultural understanding: mirroring ways of living in Providence, RI, USA and Beijing, PRC , Jiarui Tina Wu

The future of Beijing urban courtyards , Zhuoqi Xu

Remembering Chinatown: a fusion of food, identity, & memory , Robert Yang

Overflowing boundaries: competition and mutualism in urban villages , Chen Zhang

Rural acupuncture: carefully introducing tourism within an underground village , Shangyun Zhou

Theses from 2020 2020

Lacunae in the urban landscape , Meriem Aiouna

Melting away - Ilha Formosa , Hao-Chun Chang

Behind appearance : hidden dimensions in the work of Wassily Kandinsky and Paul Klee , Ning Ding

Realistic utopia : utopian architecture exhibition at Arcosanti , Xiao Fang

Contextualize , Jiaai He

Community pop-up galleries : the instruction manual , Mary Iorio

Living under surveillance , Fan Jia

Urban memory : Beijing City wall ruins reconstruction & exhibition , Yuan Jin

Dialogue across time : Atlanta, 1996 and 2020 , Qianyu Liu

Exploration and autonomy : wild children in the city , Xiaojie Li

Getting closer : exploring re-contextualization in exhibition , Yiran Mu

Generating tension : memorial of sexual slavery , Mary Park

Ciudad informal : a new model for urban living , Rebeca Isabel Peña Reinoza

The milky way : agritourism on a Chinese dairy farm , Wanyue Qiao

Reactivating street life : fostering more communal interaction in Longtang , Ziyang Qiu

Banoo-Serai : an all women sanctuary , Kimia Rahnavardi

Envisioning work : an autism friendly and anxiety free office , Naixin Ren

Re-connect , Xin Ren

Creating a safe haven : a study on coastal resilience in a time of climate change & sea-level rise in the Philippines , Maria Carla Victoria M. Sebastian

Unite the divided : the transition between death and life , Qing Shi

Practicing a senior living , Siyu Shuai

Re-source : Re-source your resources , Raquel Swartz

Lived-in grassland : nomadic architecture in the nomadic community of Mongolia , Linxi Wang

Living and alive : homeless shelter design , Zixu Wang

Re-occupation : buildings, ideology and decolonization in Northeastern China , Ziyu Wei

The ultimate task of public libraries : introducing architecture as pedestal , Elaine Wu

Reality behind beauty : Hayao Miyazaki's perspective of human and nature , Tianyang Wu

Individuality : enhance living in Shenzhen's urban village , Lanting Zhong

Theses from 2019 2019

[Super] structure : expanding the network / reclaiming the path , Anna Albrecht

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Interior Design Concepts: Development, Examples, and More

We are pulling back the curtain a bit today and going deep into how a design develops in the office before you come to the design presentation and see all the beautiful drawings and material samples.

As designers, encompassing your favorite design styles is essential when it’s time to plan your new build or remodel. However, interior design is much more than simply following the latest design trends. There are several key interior design concepts that play vital roles in the design process of any space. Our team of professional interior designers is well acquainted with these concepts and knows just how to introduce them to your space with ease.

What Is An Interior Design Concept?

Interior design concepts are the big-picture building blocks of any room’s design.

These concepts are used as guides to make important design decisions such as what type of high-end flooring to use, what countertops to choose, what artisan piece of luxury furniture will make the space pop, and which dreamy drapery is best for a room.

Think of interior design concepts as elements that work together to create a cohesive and beautiful room. As your interior designer , we will use these concepts through the conceptual design phase to develop your vision and bring it to life.

The Development Process of Interior Design Concepts

You may be wondering, “How is a design concept developed?”. The process is different depending on the interior designer you work with, but in general, we will figure out what is needed to accomplish a beautiful design. We develop those concepts starting with ideas and thoughts and translate them into finishes, cabinetry design, and specific material selections.

Our Alisha Taylor Interiors team is full of design experts, but even we have our favorite interior design concepts! Read on to get a sneak peek into some of our preferred interior design concepts we love to work into our designs at Alisha Taylor.

Interior Design Concept Examples

Let’s take a look at some classic interior design concept examples prevalent in the design industry.

Interior design balance is something that all designers pay very close attention to because it can make or break a space’s design. There are different ways to create a balanced look, including symmetry, asymmetry, and radial balance.

Symmetrical Balance is a traditional balance method that uses the same pieces on both sides of a room. For example, an interior designer may place the same small side table on either side of a bed for a cohesive style.

Asymmetrical Balance is less traditional and a more unique style that many may prefer. Instead of matching pieces on different sides of an object, asymmetry comes into play. You may see this in a design element such as placing a large mirror and a smaller painting on opposite sides of a fireplace.

Radial Balance is when items are distributed evenly around a central piece or focal point. This adds personality to a space and can be a great design concept to use for those with eye-catching staircases.

Focal Point

When you walk into a room, there’s always that one element that draws your eyes immediately. This is the focal point. A design must have at least one focal point to feel complete. And if there is more than one focal point you must make sure they don’t compete for attention. One should lead, one should then follow.

That classic four-post bed frame with a lovely duvet you’ve dreamed of in your master bedroom is a coveted focal point example. Other design elements would fall secondary to the bed frame since it is the emphasis of the room. Focal points can play a huge role in balancing a space.

Harmony is used to unite spaces in your home together. Your small details fall perfectly into place among the chosen furniture, creating a concept of cohesive serenity. Harmony works alongside balance to bring serenity and comfort to your home design.

Unique Details

Unique details go a long way in luxury home design. Adding gold accents, a statement chandelier, or unique details such as an interesting ceiling can give your room that extra flair you desire. Never underestimate what those small details and finishes can do!

Rhythm consists of many different elements, including contrast, repetition, transition, and progression. Think of it as having a cohesiveness to your home design that flows gracefully from one room to the next. Rhythm can also appear in a single space, a way for your eye to flow from one element to the next.

Repetition calls for specific pieces recurring throughout a space to create rhythm, such as using a color scheme or pattern across multiple rooms or design aspects.

Transition has to do with where your eyes naturally flow. Creating smooth transitions between spaces increases the balance and harmony of your home. An arched doorway is a stunning example of a transitional element that is smoother than the straight edges of a traditional door.

Progression occurs when you increase or decrease the number of items in a certain area, such as a cluster of candles or a collection of throw pillows.

Hopefully, you now have a better idea of what interior design concepts are and why they are important to a polished interior. Trust Alisha Taylor to be your interior designer and rest assured your home will meet the guidelines that these interior design concepts provide.

Plan Your Next Design with Alisha Taylor

At Alisha Taylor Interiors, luxury design concepts are our specialty. With nearly 20 years of experience, Alisha Taylor uses her expertise to bring your dream home to life.

The designers at Alisha Taylor Interiors will sit down with you and help you discover the perfect, timeless design concept for your home. Then, using the concepts we discussed and the design idea you hope to make a reality, we will craft the interior design plan of your dreams.

You can feel secure and confident in the design process with Alisha Taylor. Contact us to get started on your next interior design project!

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FREE 3+ Interior Design Problem Statement Samples in PDF | DOC

3+ Interior Design Problem Statement Samples

A great environment manifested in a physical space is important to anyone’s mental health and well-being . A healthy environment is definitely interrelated with a healthy mind. This is why interior design is an important career, but it’s often overlooked. Interior designers specialize in creating healthier environments, increasing space efficiency, boosting functional space usage, improving lighting effects, improving color effects, improving textures, and much more. When you hire a good interior designer, you can be rest assured that your home’s main space will not be compromised during the remodeling process. As a budding interior designer you need to know that before you even start your a design project , you need to plan everything out first. If you’re looking for assistance with this, look no further! In this article, we offer you with free and ready-to-use samples Interior Design Problem Statement in PDF and DOC formats that you could use for your design thinking process. Keep on reading to find out more!

Interior Design Problem Statement

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A problem statement is a concise description of the problem that also contains a vision and approaches for resolving the issue. It’s essentially a clear, succinct summary of the issues that need to be addressed, and it’s used to center and focus the team at the outset to keep them on track. Problem statements are succinct summaries of design issues. They are used by design teams to characterize present and ideal states, as well as to freely find user-centered solutions. Essentially, a problem statement provides a framework for any home design or renovation project.

A good interior design problem statement will guide you through the design process and clarify all you need to know. One of its purposes is to tell your client origin of your design. A problem statement might vary from one interior designer to another, but you can use our great templates listed above so that you wouldn’t have to burdened with making a statement from scratch. Other than that, you can follow these steps so that you can write one of your own:

Describe how you achieved your aim after stating the purpose of your design. Make a long list of descriptive sentences that convey the design’s goal, focus, and fundamental concept. It’s important to resist the urge to sell one’s self. It is not your intention to use your design idea statement as a sales pitch.

You may need to make changes to your design concept statement to meet your client’s requirements. Client feedback frequently has a substantial impact on the direction of a design and, consequently, the creation of your interior design problem statement. Follow your client’s demands and instructions to the letter if they have a specific vision in mind and want a detailed report of how it is being satisfied in the design idea.

An important tip is to not write your design concept statement in the first person. Your own preferences and wishes have no bearing on this paper. A design concept, vision, or solution should be about your client’s demands and the realization of their environment, not about you. You should make sure that you are able to explain the vision/concept understandably.

Avoid using flowery or ambiguous words such as  “beautiful” and “marvelous”; these terms are vague and inadequate to describe the appearance or atmosphere of an interior space. As much as possible, don’t use too many adjectives and be as specific as possible.

This statement not only gives potential customers a visual representation of your design ideas for the space they want to remodel or update, but it also allows you to convey your inspiration and vision in a way that sets you apart from other interior designers who are competing for the same clients.

In a nutshell, an interior design project is divided into phases that gradually define the distribution, parts, and finishes, which are then translated into a budget for the project’s development and manufacturing down to the last detail.

Interior design that is pleasing to the eye and soul is a joy to behold. It has the ability to instill confidence, empathy, pride, inventiveness, security, and vitality in others.

Overall, an interior design problem statement is necessary in order to to help the designer win client bids and guide them through each stage of the design process. Thus, it’s crucial to write it as concisely and strongly as much as we can. To help you get started with this, download our easily customizable and printable samples of Interior Design Problem Statement today.

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