the case study of vanitas is it good

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Is The Case Study of Vanitas Any Good? Our Review

So, is The Case Study of Vanitas actually any good?

Published: 18 Feb 2022 8:56 AM +00:00 Updated: 18 Feb 2022 11:41 AM +00:00

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What is the case study of vanitas all about, is the case study of vanitas any good, are there any negatives, is the case study of vanitas worth watching.

When the first cour of The Case Study of Vanitas aired in summer 2021, it quickly became one of the most beloved shonen anime of the season. We're now at the second cour , and there were naturally high expectations, given how stunning the first twelve episodes were. So, is The Case Study of Vanitas actually any good? Read on, to find out if Part 2 lives up to the hype.

The Case Study of Vanitas is based on a manga of the same name by Jun Mochizuki, who has also penned Pandora Hearts, so you know what kind of aesthetic to expect. Produced by Studio Bones, also home to Fullmetal Alchemist and Wolf's Rain, it is the story of Noé, a young, idealistic vampire, and Vanitas, an obnoxious human who becomes his ally and travel companion.

Armed with the book of Vanitas, a cursed grimoire created by an old vampire - from whom the current Vanitas derived his name - the constantly bantering duo travel around, saving vampires whose true name has been corrupted, causing unnatural bloodlust.

The anime is colorful, upbeat, breathtaking to watch, and occasionally moving. But there's a shadow looming over the entertaining narrative as Noé, who is also the story's narrator, starts recounting the events by admitting that the journey ended with him killing Vanitas .

Even before watching The Case Study of Vanitas, you have to admit that its credentials are excellent. The author is known for eye-catching, comfortably familiar yet unique settings, and studio Bones has produced some excellent anime over the years.

Does the anime live up to it all? That largely depends on your expectations. The art is definitely the show's strongest point. The Case Study of Vanitas is arguably one of the most good-looking shows of the season. Whether you're watching an epic battle between the main characters and Charlatan, or a breather episode in alternative Paris, it's all bound to look stunning.

Of course, art alone can't sustain a popular shonen show - you need characterization and plot for that. We'll be honest here: The Case Study of Vanitas is entertaining, with a decent plot, world-building, and characters, but it is not groundbreaking in that regard. We've seen pairings between a naive, enthusiastic character, and a brooding, mysterious one, a great many times. The same can be said for modernized vampires who are peaceful until corrupted. As for the plot, it's pretty straightforward and largely dependent on battles, as is the case with most shonen works.

Does this mean that The Case Study of Vanitas is not good? Certainly not! There's nothing wrong with using formulas that have succeeded before. They're popular for a reason, and there are many little ways to freshen them up.

The Case Study of Vanitas h is good in that regard. It gives you a simple plot, where Vanitas, Noé, and the friends they make along the way, roam the world, solving mysteries and saving vampires. Despite the often high stakes, you can almost imagine that they'll go on like this forever.

But knowing from the beginning that Noé ends up killing Vanitas makes this a more complicated experience. You can't help wondering: at what point will things change so drastically? What will it take for the relationship between the two leads to become irreparable? Is Noé even a reliable narrator? Such questions will make you want to go on, even when the plot is a little bit underwhelming.

Similarly, the characters fit into archetypes, but a few of them come to life pretty well. Noé is a naive, idealistic character, but he is not any idealistic character. He gets adorably enthusiastic about the sights he encounters for the first time, he loves cats, and he manages to make friends in unlikely places.

Such little things make the characters stand out, and combined with their often heartbreaking backstories, they make you care about them. Their interactions are also fun to watch, and there's a wide range of them; rivalries, friendships, romances, and surrogate family relationships all have a place here.

Once again, this depends on what you consider as negative. Going into the show, you might want to know that Vanitas is a bit of a problematic figure. He is completely out of touch with his and others' feelings, which makes him rather unlikeable, especially early on. This becomes especially apparent in his relationship with Jeanne . At first, he acts all flirty around her, disregarding the fact that she doesn't seem to care about him, which is, unfortunately, a bit too common in male-female anime dynamics.

Thankfully, the second cour and later manga chapters subvert this a bit, as we're given reasons for both Jeanne's passive behavior and Vanitas' emotional immaturity, which is associated with intense self-loathing. In other ways, the show subverts gender expectations, as was the case with the same-sex dancing partners during a ball in the first cour. Moreover, Vanitas' problematic behavior is at least acknowledged in-universe, as Noé himself can barely stand him at times, but it's still something you might want to know before you start watching.

Related: When Will The Case Study of Vanitas Part 2 Be Dubbed in English? When to Expect a Dub Release Date for the Anime

Overall, there's a lot to love about The Case Study of Vanitas. It's a beautifully animated show with fun character interaction and a rather conventional plot that is made less so using a bold storytelling move.

If knowing from the beginning that something very bad is going to happen is a dealbreaker for you, then you should probably not watch the show, but if you're intrigued by this, by all means, give Vanitas a chance.

The show might not appeal to those who enjoy completely unconventional storylines, and characters, but if you're ok with some fantasy and shonen formulas, The Case Study of Vanitas might be the best that the Winter 2022 season has to offer!

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The Case Study of Vanitas (2021–2022)

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The Summer 2021 Preview Guide The Case Study of Vanitas

How would you rate episode 1 of the case study of vanitas community score: 4.4, what is this.

Rumors revolving around The Book of Vanitas , a clockwork grimoire of dubious reputation, draw Noé, a young vampire in search of a friend's salvation, to Paris. What awaits him in the City of Flowers, however, is not long hours treading the pavement or rifling through dusty bookshops in search of the tome. Instead, his quarry comes to him...in the arms of a man claiming to be a vampire doctor! Thrust into a conflict that threatens the peace between humans and vampires, will Noé cast in his lot with the curious and slightly unbalanced Vanitas and his quest to save vampirekind?

The Case Study of Vanitas is based on Jun Mochizuki's manga and streams on Funimation on Fridays.

How was the first episode?

The first episode of the The Case Study of Vanitas suffers heavily from a problem I've come to call “proper noun-itis.” Proper nouns are thrown around with no real explanation or context. Worse yet, there is no viewpoint character around to ask the dumb questions that would clear things up and clue us into what's going on.

From what I can piece together, vampires are real and have basically existed living in the shadows of society ever since mankind tried to exterminate them all. Now, however, there is some sort of “Malady” that is corrupting vampires and making them go berserk. It does this by messing with their “True Names”—and only the “Book of Vanitas” can repair the damage.

I'll be the first to admit this is a surface level understanding at best. When it comes down to it, all this first episode really does is show us what happens when a vampire goes berserk and how to cure them. It then tells us that the latter is an amazing feat. It doesn't, however, explain why this is the case.

But that's only the start to the confusion. Usually with long-established fictional entities like vampires, we can assume certain rules: sunlight is bad, a stake through the heart can kill them, etc. But this episode breaks rules right away by having one vampire feed on another, leaving me wondering if any of the normal vampire rules apply beyond the blood-drinking part. Then we have Vanitas himself, who claims to be human but should be dead several times over from the damage he takes throughout the episode if that were true.

Amid all the confusion, there is, however, one major redeeming quality: this anime is beautifully animated. The lines and colors are crisp and clean while the action is dynamic and fluid. This is somewhat to be expected given that the anime's director is Tomoyuki Itamura, who's been one of the directors on pretty much every iteration of the Monogatari Series.

It's solid eye-candy, at the very least. However, I'm not sure that's enough to keep me watching long term. At this point, I'll give the series one more episode to hook me and if not, well, there are plenty of other anime this season for me to pick up.

I am extremely pleased to report that the premiere of The Case Study of Vanitas has officially delivered everything the trailers promised: stylish animation and design work supporting a fantastically detail-oriented representation of old Paris, lush music including a catchy opening theme song, and two beautiful young men with some powerful homoerotic chemistry between them. I did well to choose it as my second most-anticipated, I think.

Things started strong with “Sora to Utsuru” by sasanomaly, which is an absolute bop that stands to be the best opening of the season. The accompanying video, featuring Vanitas and Noé going on a date (or outing, if you really insist on ignoring the subtext) through well-known Paris landmarks, sets the tone for the show and creates expectations of just who the two protagonists are. It's a lot of fun and I'll definitely be watching it with every episode.

The episode itself dabbles a bit more into vaguely gothic/steampunk imagery, with children's book illustrations at the start to explain just what vampires are in this world (they are born, not sired, and weak to the light of the blue moon), airships flying over the city, and baroque, ornate fixtures everywhere you look. It is in this world that Noé, a dead-ringer for Blood Blockade Battlefront's Zapp Renfro, seeks the Book of Vanitas, which can supposedly bring ruin to vampires. He encounters a young lady vampire who turns out to be suffering from a terrible illness, but both of them are saved by Vanitas, a young man carrying the book that Noé seeks.

It's a feast for every sense, but the main draw for me, and I suspect many other potential audience members, is the dynamic between Noé and Vanitas. It's no secret that there's a lot of gay subtext between them, and they're pretty as all get-out, but that alone isn't enough. It would be so easy to fall into the same sort of relationship as Holmes and Watson, the highly intelligent one solving cases while the other one assists, but things between Noé and Vanitas are much more balanced. Yes, Vanitas is smart and capable, but he's also a klutz and kind of a doofus when he's not curing vampiric illnesses. Noé seems to be a good foil, but he is neither straight man nor dunce, just intelligent and goofy in his own ways that play well off Vanitas. Oh, and he has a cat. Natsuki Hanae and Kaito Ishikawa do excellent jobs portraying both of them, with their quirks and foibles.

The Case Study of Vanitas is the third premiere I've watched, and the first one I'm excited to continue watching.

I am one very happy Victorianist – The Case Study of Vanitas, based on the manga of the same name by the creator of Pandora Hearts, is an exquisite picture of late 19th century France. The visuals for this episode are spectacular, even if we discount the smooth movements of the fight scene between Noé and Vanitas on the airship, the period details are beautifully ornate, right down to the one thing that almost no anime gets right, the number of petticoats under a woman's full skirt. It isn't 100% perfect, but when it looks this nice, that hardly matters.

It's also another type of personal rare beast: a vampire story that intrigues me. While we don't get much vampire lore in this episode, what little there is makes it look as if The Case Study of Vanitas is working with its own mythology, one a bit similar to the manga Dead Girl Murder Farce's in how vampires are born, not made, and live among the general population in relative openness. They don't run around attacking humans willy-nilly, either – if they do, it's a sign that there's something wrong with them, sort of like how nocturnal animals walking around in daylight is a sign that they're rabid. And honestly, that's feeling like a fairly close comparison at the moment; when Amelia gives in to her illness (as Vanitas terms it), she immediately bites Noé, a bite that he fears is poisoned by whatever's ailing her. That doesn't do anything to Noé's determination to save her, but it does give him pause, which is when Vanitas comes rushing in to the rescue.

Vanitas is, at this moment, the biggest obstacle for the series to overcome. He's the off-key instrument in the orchestra, frantically frolicking through the show like a, well, stereotypical anime character, when everyone else is moving to a more stately, gilded beat. While this is doubtless purposeful and meant to establish that Vanitas is his own person not bound by the constraints of society, he's also an effective mood killer, which may not be a great thing, either here or going forward. But hey, at least he looks gorgeous.

Even if Vanitas is annoying, he may be worth dealing with for the rest of the package this episode gives us. There was clearly consultation with someone fluent in French, as the newspaper headlines are all in real, readable condition, as is young Noé's book of fairy tales, and the French words scattered about are also fitting – the airship is called “La baleine,” meaning “the whale,” and the Church's vampire- vanquishers are called “chasseurs,” which means “hunters.” The characters also pronounce “vampire” the French way, “vampeer” not “vampire,” which is a nice bit of setting establishment. This is definitely a show worth keeping an eye on, because it has style, worldbuilding, and characters who all have definite potential – even if Vanitas proves to be the worst aspect of his own series.

After a couple of awkward, run-of-the-mill nonstarters, premiere season has now truly kicked into gear. While Vanitas here is by no means rewriting the formula on vampire anime or supernatural action series at large, this first episode steps up to the plate with such confidence and flair it's hard not to get caught up in it all.

A big part of that is its presentation – Director Tomoyuki Itamura has brought every ounce of the visual flair and experimentation that characterized his work on the Monogatari series to Studio Bones, and painted both a lavish and attractive picture with it all. The mix of different visual styles, ornate environmental designs, and over-the-top direction melds perfectly with Vanitas ' world of steampunk technology, gorgeous vampires, and ridiculous fashion. While the action is largely subdued for this introductory story, what little we see here is as sharp and on point as one could ask for, and in general this premiere just looks fantastic at every opportunity.

The story is a bit closer to average, at least so far. There are some interesting twists to be sure – rather than the dark-haired waif being a vengeful vampire, he's a human seeking to heal the vicious maladies turning otherwise peaceful vampires into rampaging monsters. Our assumed everyman perspective character is himself a vampire, with seemingly a history and secret all his own. But otherwise this story is fairly typical for this sort of supernatural action fantasy. But the series also seems fully aware of that and self-consciously soaks in its own silliness, both embracing its gothic aesthetic and occasionally undercutting it with comedy at just the right moments. In tone, it's actually similar to Studio Bones' SK8 the Infinity from earlier this year – it's silly, it knows it, but it also wants to have as much fun as possible rather than apologizing for it.

More than anything, that's what this premiere promises to be: fun. It strikes an almost perfect balance with its tone and indulgent setting, and when a show looks this nice that's just about everything you could ask for. I'm very much looking forward to sinking my teeth into Vanitas , both the man and the show at large.

I love it when an anime comes along so early in the Preview Guide to blow my expectations out of the water, because it's always nice to know that you'll have at least one kickass new show to look forward to in a new season. From the scratchy and stylish line art of the fairy tale prologue, to the gorgeous alternate-history Victiorian era aesthetics of the show's world, to the delightful characters and intriguing story — The Case Study of Vanitas is a premiere that basically does everything right when it comes to getting its blood-soaked hooks into its audience so it can leave them begging for more.

For one, Noé makes for an excellent perspective character to follow as the events on the airship unfold; not only does he have a floofy cat named Murr, but we learn that he is a vampire himself, which makes a lot of sense of his desire to protect his new friend Amelia and keep her from losing control and feasting on the blood of innocent humans. Even though Vanitas is a Bones production, the distinct visual flair of director Tomoyuki Itamura comes through clear as day by the time the premiere is done. Not only does the titular Vanitas flash that signature Monogatari grin all over the place once he shows up to put a stop to Amelia's rampage, but Vanitas is positively brimming with animation flourishes and confident direction that makes the whole thing sing, even before the fantasy action set pieces get going in the second half.

I really love the whole concept of a secret community of somewhat benevolent vampires, and the malnomen curse that corrupts their true nature and causes them to become the monstrous bloodsuckers that humans have come to fear in their myths. This makes Vanitas a kind of trickster vampire hunter/healer combo, which is a great spin on the usual dynamic, and it makes his relationship with Noé that much more interesting, especially given the ominous foreshadowing that caps off the episode. An odd-couple pair of vampires whose friendship may or may not lead to soul-crushing tragedy? With a boatload of stylish action and fun comedy in between? Hell yes, absolutely, give me more of this as soon as (in)humanly possible, please!

this article has been modified since it was originally posted; see change history

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Strongest Characters in The Case Study of Vanitas: Vanitas, Noe, & More

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The Case Study of Vanitas is a story based in a fictional 19th-century Paris where humans and vampires share the city. The story revolves around Vanitas and his companion, Noe Archiviste. They are on a quest to heal cursed vampires through the Book of Vanitas. It goes into detail about the Vampire born under the Blue Moon. He was isolated because of their fear, and thus, he swore vengeance against the vampires born under the Red Moon. His name was none other than Vanitas. The narrative is a memoir from the eyes of Noe Archiviste. He delves into how he came to meet Vanitas, their journey together, and how it eventually ends.

While he derives his name from an old vampire and uses his grimoire The Book of Vanitas. One wouldn’t be harshly criticized if they had mistaken Vanitas for a vampire. And that speaks for Vanitas himself, who is a human first and foremost. While he isn’t physically weak, he compensates for his lack of strength with his intelligence and grimoire. A combination of these two allows him to manipulate the actual names of vampires, making him a formidable presence within the series.

Noe Archiviste

The sole survivor of the Archiviste clan, Noe is the narrator of the series and accompanies Vanitas on his journey of curing Vampires. While one may argue that Noe has been defeated several times within the series. It might be accurate, but his compassion and kindness prevent him from having a severe physical altercation.

Despite being a vampire himself, Noe treats vampires and humans as equally good creatures. It’s this good virtue that pulls him down from time to time. But make no mistake, with his ability to relive memories just by drinking the respective person’s blood. It is safe to say one wouldn’t want to get on his wrong side.

Lucius Oriflamme

He is one of the most powerful and influential characters in The Case Study of Vanitas. Despite his young age, he serves as the Grand Duke to the Vampire Queen herself. He’s an aristocrat through and through.

Despite his childlike demeanor, he’s quite skilled at manipulating others with his strategic ploys and engagement in political scenarios to further his motive and maintain his clan’s position of power. To top it off, he holds Jeanne as his Chevalier.

Prolific, Revered, and the guardian of Lucius Oriflamme, Ruthven is often considered one of the most essential characters in The Case Study of Vanitas. Playing a pivotal role in ending the war between humans and vampires, he now finds himself as a member of the Senate and is well-known amongst humans as well.

He sought peace between humans and vampires during the war, even acting as a peacemaker. Having been betrayed by his students, he no longer shares the same passion and is ready to use any means to seek his desires. Cold, ruthless, and feared by vampire society, with his powers yet to be showcased, he’s just a testament to the man that is Ruthven.

Jean-Jacques Chastel

Chastel is the protector and longtime companion of Chloe d’Apchier and the last surviving member of the d’Apchiers. His loyalty knows no bounds, as he goes on to sign a contract with the devil itself just to realize Chloe’s wish. He turns himself into the very beast the village feared in exchange for his actual name. He wreaks havoc on anyone who tries to hurt Chloe, a symbol of his genuine and sincere feelings towards her.

The post Strongest Characters in The Case Study of Vanitas: Vanitas, Noe, & More appeared first on ComingSoon.net - Movie Trailers, TV & Streaming News, and More .

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Vanitas no Karte Part 2

The Case Study of Vanitas Part 2

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