auto biography of a book

Autobiography Of A Book

Writing an autobiography of a book involves intense imagination and a personal attachment to the characters in the story. It also requires infinite assiduity while reading.

A good autobiography follows a season-by-season format, starting with childhood and moving forward through adulthood and into middle age. A memoir, such as Heart Berries by Terese Marie Mailhot, shifts back and forth in time but still follows a general pattern.

Table of Contents

A theme is a central idea that runs through an entire narrative. It’s a bit like the wooden studs hidden inside walls or steel beams holding up a skyscraper—whether your book is tiny or huge, hugs the ground or soars into the air, balanced or a little crooked, it depends on a sturdy inner framework to keep it together and give it shape.

In an autobiography, the theme is what gives the narrative its overall structure and meaning. When students write their own memoirs, they need to find a single theme around which to organize their experiences. This will help the reader understand what they are reading and make it easier for them to remember.

It can be challenging to sort through a lifetime of experiences and come up with an overarching theme for your autobiography. Whether you’re writing for family or for a larger public audience, it’s important to focus on the themes that will appeal most to your readers. For example, a memoir about an illness or the death of a loved one can be emotionally gripping and also has universal appeal.

Similarly, an autobiography about the successes of a career or sport can be interesting and inspiring for people in similar situations. It’s human nature to be interested in others’ successes and to want to learn from their failures.

Cultural themes also often make fascinating autobiographies. For example, a story about growing up in a different culture and learning to celebrate holidays and other traditions can be fascinating to people who share that background. Likewise, stories about overcoming obstacles, from failing out of school to being an amateur athlete to rising to the top of their profession, can be a source of inspiration for people who are struggling with similar issues.

2. Characters

Autobiographies are personal stories that can inform and entertain readers. They often explore themes that are universal, such as family values, work ethic, or perseverance. The genre has expanded over the years and now encompasses many different styles of writing. One of the most notable examples is Anne Frank’s Diary of a Young Girl, which tells the story of her life as a Jew during World War II. Another popular example is the military autobiography of Navy SEAL Chris Kyle, which inspired the 2014 film American Sniper.

The word “autobiography” derives from the Greek words for self (auto) and life (bios). The first Western autobiographical work is generally attributed to Saint Augustine of Hippo Regius, who wrote his 13-book account of his life called Confessions in about 400 A.D. Today, there are many different types of autobiographies that vary in the amount of detail they include. Some are simply a chronological chain of events that recollects a linear timeline, while others offer a deeper analysis and explore the author’s emotional response to his or her experiences.

Semi-autobiographical fiction is another form of the genre that is sometimes referred to as a roman clef. In this type of story, the narrator is based on the author but may not have exactly the same religion, ethnicity, political affiliation, hometown, or family background as the author. Instead, the character will resemble the author in other ways, such as family values, work ethics, or hobbies.

Some examples of semi-autobiographical fiction include Sylvia Plath’s The Bell Jar and Virginia Woolf’s satirical novel Augustus Carp, Esq. by Himself, which reworked the entire idea of a historical biography into a light-hearted escapade.

3. Point of View

The point of view is the perspective from which a story is told. Every piece of writing has a point of view, including novels, academic research papers, and your journal entries. It determines how the reader experiences a story and how the narrator interacts with characters. There are three different points of view: first person, second person and third person. First person involves a character telling their own story using personal pronouns (“I went to the store”), second person includes a narrator that tells a story about the audience or reader (using words like “you” and “yours”) and third person uses impersonal pronouns such as “he,” “she” and “it.”

Narrative point of view goes hand in hand with narrative style. Choosing the right point of view for a story enables an author to amplify certain themes and ideas. For example, Gregor Samsa’s transformation into a giant insect in Kafka’s The Metamorphosis would not have had as much impact had the story been told from a more traditional literary point of view.

When evaluating an autobiography, students should focus on the narrator’s perspective and their interaction with other characters. They should also consider the narrator’s level of knowledge about the subject matter and the amount of detail included in the story. This evaluation will help students identify whether the narrator provided a comprehensive or superficial account of the subject’s life. In addition, they should evaluate if the narrator adequately addressed why the subject is notable. This may include describing the subject’s artistic achievements, major accomplishments or significant contributions to the world. If the author omitted any of this information, students should explain why in their book report.

4. Narrative Structure

Unlike some other forms of nonfiction, autobiographies often have the feel of a story. This is due to the fact that they often tell a narrative, and the narrative often has an emotional center and compelling plot. They also tend to incorporate storytelling elements such as an arc, protagonist, and antagonist.

The first thing that authors need to decide when writing an autobiography is what their narrative will be. This may be a classic rags-to-riches story, a struggle to balance work and family life, or even a battle against societal restrictions. Once the author has a clear idea of their narrative, they can start drafting the autobiography by looking at all the different aspects of their life and seeing how they fit into the overall theme.

Many autobiographies also contain a great deal of information, so the author must be careful to only include what is relevant for their readers. A good way to test this is to give the autobiography to a friend and see how interesting they find it. If the information is not interesting, then it does not belong in the autobiography.

Another element of an autobiography is its pacing. Autobiographies usually follow a chronology of the author’s life, beginning with their childhood and ending at the time of their writing. Memoirs, on the other hand, may be looser in their treatment of time. For example, a memoir such as Heart Berries by Terese Marie Mailhot shifts back and forth in time.

Lastly, a key element of an autobiography is the use of sensory detail to convey a sense of place and time. This is important for allowing the reader to imagine the world of the author and connect with their story.

As a genre of narrative writing, autobiography is quite similar to fiction. Therefore, teaching students about autobiography is often done best after a unit on fictional story writing.

One of the most important aspects to teach is that the style of an autobiography should be personal, intimate and engaging. The reader should feel as if the author is sitting across from them telling their life story. This is achieved by using rich sensory language that draws the reader into the moment, creating a feeling of closeness between the writer and the reader.

In addition, it is helpful to explain to students that autobiography is by nature subjective because the events recorded in the book are experiences that happened to the author. This subjectivity can lead to the author’s biases and opinions being reflected in their writing. However, most readers of autobiographies appreciate that the writer’s point of view is being offered and feel as if they are hearing the truth straight from the source.

Another aspect of style to discuss is that an autobiography should be written in a logical and chronological order. This can help the reader to follow the story of the author’s life from beginning to end. It is often helpful to use the theme of the autobiography as a guide for organizing the chronology of events.

For example, an autobiography about a person who met the Pope or spent three weeks lost at sea may be best organized into sections that are of high interest to the reader. Choosing a consistent tone is also important. Some autobiographies are humorous such as Bossy Pants by Tina Fey, while others are more serious like Open by Andre Agassi.

Autobiography Of A Book Example 1

Title: Memoirs of a Book: A Journey Through Pages

Introduction: As the crisp pages of my life unfold, I am compelled to share the extraordinary journey I have embarked upon as a humble book. From my creation to the hands of numerous readers, I have witnessed the power of words and the impact they can have on individuals. Join me as I recount the events and emotions that have shaped my existence, from my inception in the printing press to the diverse places I have called home.

Chapter 1: Birth of Words My story begins amidst the rhythmic hum of the printing press. I remember the day vividly when I was brought into existence, my pages blank and waiting to be filled with knowledge and imagination. The ink flowed onto my pages, etching tales and ideas that would captivate minds throughout time. The smell of fresh ink and the touch of the printer’s hands left an indelible mark on my being.

Chapter 2: The Sheltered Library After my creation, I found myself in the embrace of a grand library. Rows upon rows of shelves housed countless books like me, each one waiting to be discovered. The library became my sanctuary, a place where I absorbed the wisdom and stories of the world. I witnessed the curious eyes of children and the studious gazes of scholars, knowing that I held the power to transport them to distant lands and unlock the depths of their imaginations.

Chapter 3: The Journey Begins The day finally arrived when I was plucked from the library shelves and placed into the hands of a reader. This marked the beginning of my journey beyond the confines of the library. I embarked on an adventure, traveling from person to person, crossing borders and transcending cultural boundaries. I experienced the joy of being read by avid readers and the thrill of being shared among friends and families.

Chapter 4: The Teacher’s Desk In the course of my travels, I found myself in the hands of a passionate teacher. I became an instrument of knowledge, accompanying her in classrooms filled with eager students. Through her guidance, I witnessed the transformation of young minds, the spark of curiosity ignited by my words. The teacher’s annotations and underlined passages became a testament to my influence on her teaching.

Chapter 5: The Forgotten Corner Time passed, and with it came the inevitable truth: not all books remain cherished forever. I found myself in the forgotten corner of a dusty attic, abandoned and neglected. The once vibrant pages faded, and my cover lost its luster. But even in solitude, I held onto the hope that someone would rediscover me and breathe life into my forsaken existence.

Chapter 6: A Second Chance My perseverance paid off when a curious soul stumbled upon me during a spring cleaning session. The dust was gently blown away, and my worn-out cover was lovingly repaired. I was once again introduced to the world, this time in the digital realm. Scanned and digitized, I became part of the vast online library, accessible to readers across the globe.

Conclusion: As the final chapter of my autobiography draws to a close, I am filled with a profound sense of gratitude for the journey I have undertaken. From my creation to my rediscovery, I have witnessed the power of words to inspire, educate, and connect humanity. My pages have carried the weight of countless emotions and experiences, and I am honored to have played a part in the lives of those who have held me in their hands. As my story continues to unfold, I hope to inspire future generations and remind them of the profound impact that books can have on shaping their lives.

Autobiography Of A Book Example 2

Title: Unveiling the Story Within: A Book’s Autobiography

Introduction: In the vast tapestry of literature, I, a book, have a tale to tell. My journey encompasses not just the words inscribed upon my pages, but the lives I have touched and the emotions I have stirred. Join me as I unveil the vibrant narrative of my existence, from the moment of my creation to the profound impact I have had on readers’ lives.

Chapter 1: The Birth of Imagination In the hallowed halls of a publishing house, I came into being. A culmination of ink, paper, and dreams, I emerged from the creative minds of writers, editors, and artists. The printing press breathed life into me, and I took my first breath as a tangible entity. The weight of possibility settled upon me as I awaited my purpose and destiny.

Chapter 2: The Embrace of Readers From the printing press, I journeyed into the hands of readers, eager to share my story. They cradled me, carefully turning my pages, their eyes dancing across the words. With each reader, a unique connection was forged, as my narrative intertwined with their thoughts, emotions, and experiences. Through their engagement, I discovered the power of storytelling to inspire, comfort, and provoke change.

Chapter 3: A Global Odyssey As the pages of my story turned, I embarked on a global odyssey. From cozy reading nooks to bustling bookstores, I traveled across continents and cultures. Through me, readers explored far-off lands, encountered diverse characters, and delved into a myriad of ideas. I transcended borders, languages, and prejudices, fostering empathy and understanding among individuals who might otherwise never have crossed paths.

Chapter 4: The Silent Companion Within the walls of libraries, I found solace and purpose. Surrounded by countless companions, I stood tall on the shelves, a silent witness to the pursuit of knowledge. Students, scholars, and seekers of truth turned to me, seeking enlightenment and guidance. The weight of their hands, the caress of their fingers, and the whispered conversations enriched my existence, affirming my importance as a repository of wisdom.

Chapter 5: The Digital Revolution As technology advanced, I embarked on a new chapter in my existence. I shed my physical form and embraced the digital realm. Through e-books and online platforms, I transcended the limitations of time and space, reaching readers across the globe. Amidst the vast sea of information, I continued to shine as a beacon of knowledge, offering a respite from the chaos and a haven for those seeking intellectual nourishment.

Chapter 6: Legacy and Transformation As the years passed, I witnessed the transformation of the literary landscape. New mediums emerged, challenging traditional notions of storytelling. Yet, I remained steadfast, adapting to the changing tides. My legacy lived on, passed down from one generation to the next, as readers discovered the magic within my pages, cherishing the intimate connection forged through the written word.

Conclusion: In the grand tapestry of literature, I, a book, have played my part. From my creation to the far-reaching impact upon readers, I have been a vessel of knowledge, empathy, and imagination. Through the ages, I have stood as a testament to the power of storytelling, transcending time, space, and societal boundaries. As my story continues to unfold, I eagerly await the turn of each page, knowing that within them lies the potential to ignite minds, shape perspectives, and inspire the endless pursuit of wisdom.

Autobiography Of A Book Example 3

Title: From Parchment to Pixels: A Book’s Autobiography

Introduction: Within the realm of literature, where words weave intricate tales, I am a book—a vessel of stories, knowledge, and dreams. Join me as I unravel the chapters of my existence, from the ancient art of parchment to the digital age of pixels. Together, let us embark on a journey through time and discover the profound impact of books on human lives.

Chapter 1: The Quill’s Dance In the quiet sanctuaries of monasteries, amidst the flickering candlelight, I was brought into being. Scribes meticulously transcribed words onto parchment, their quills dancing across the delicate surface. The aroma of ink and the rustle of turning pages filled the air, as I emerged as a treasure of wisdom and imagination. In the hands of scholars and seekers of knowledge, I became a gateway to enlightenment.

Chapter 2: The Renaissance of Ideas As the printing press revolutionized the dissemination of knowledge, I witnessed the birth of a new era. Printers pressed ink onto paper, breathing life into countless copies of myself. The world embraced the written word, and I found myself in the hands of scholars, philosophers, and artists. The Renaissance unfolded around me, as minds were ignited by the ideas and perspectives I held within.

Chapter 3: Enlightenment and Revolution As the world underwent rapid transformation, I played a vital role in shaping the course of history. Enlightenment thinkers turned to me, seeking inspiration for freedom, equality, and human rights. The pages of books like mine became battlefields of ideas, fueling revolutions and fostering intellectual discourse. I witnessed the birth of nations and the fall of empires, knowing that the words written upon my pages had the power to change the world.

Chapter 4: Libraries and Salons Within the hallowed halls of libraries, I found respite and purpose. Curators and librarians embraced me as a guardian of knowledge, placing me alongside countless companions. Scholars and intellectuals sought solace in the quiet corners of salons, where I became the catalyst for conversations that challenged conventions and expanded horizons. Through the hands of readers, I became a bridge connecting past wisdom to the present.

Chapter 5: The Digital Revolution As technology reshaped the world, I embarked on an extraordinary transformation. From the physical realm, I leaped into the boundless expanse of the digital age. Letters became pixels, and pages transformed into screens. E-books and online platforms carried me to the fingertips of readers around the globe. I witnessed the democratization of knowledge, as access to information transcended barriers of geography and privilege.

Chapter 6: Endurance and Immortality Though the medium may change, my essence remains eternal. From the fragile pages of ancient tomes to the intangible realms of e-readers, my stories persist. I am passed down through generations, cherished as a treasure of collective memory. In the hearts and minds of readers, I find immortality, forever etching my mark upon the tapestry of humanity.

Conclusion: As I reflect upon the chapters of my existence, I am humbled by the profound impact books have had on shaping human civilization. From the quill to the printing press, and from libraries to digital platforms, the power of words endures. Through the ages, books have been companions, teachers, and catalysts for change. As I continue to evolve in this ever-changing world, I embrace the knowledge that the story of books will forever be intertwined with the story of humanity itself.

About Mr. Greg

Mr. Greg is an English teacher from Edinburgh, Scotland, currently based in Hong Kong. He has over 5 years teaching experience and recently completed his PGCE at the University of Essex Online. In 2013, he graduated from Edinburgh Napier University with a BEng(Hons) in Computing, with a focus on social media.

Mr. Greg’s English Cloud was created in 2020 during the pandemic, aiming to provide students and parents with resources to help facilitate their learning at home.

Whatsapp: +85259609792

[email protected]

How to Write an Autobiography

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Home » Blog » How to Write an Autobiography in 31 Steps

How to Write an Autobiography in 31 Steps

If you’re thinking about writing an autobiography, then you’ve come to the right place. In this article, we will be telling you all about how to write an autobiography – breaking it down and helping you along with the process.

1. What is an Autobiography?

So you want to know how to write an autobiography? First off, let’s start with what an autobiography is. Put simply, a biography is a book written about someone’s life. It includes all elements of their life, particularly featuring any significant events that took place.

The word ‘autobiography’ is made up of the two Greek words ‘autos’ and ‘bios’, meaning self and life. Put them together and you get a book that is a mix of who you are, and the life you have lived.

2. Memoir vs. Autobiography

Before you start any kind of writing process, it is important to know what kind of a book it is you are wanting to write. There is no way to know how to write an autobiography if you can’t distinguish the two. Memoir and autobiography are often plumped into the same genre, because they are both about someone’s life.

But they are two genres of their own. So here’s the difference:

It’s pretty simple – if the book is about the person’s entire life – it’s an autobiography; if it’s about one or two events, themes or memories within their life, it’s a memoir .

Knowing the difference will save you time and energy. It will also help you to shape and plan your book (if that’s your style).

You can always change your mind and switch genres, but at least you will know what you are doing and how both of them work. Whichever you choose will change a lot about your book – particularly the content you choose to include and the structure of the entire piece.

Memoir is the perfect platform to share your personal life experience, and you don’t have to share every other significant moment of your life. (A wise decision if only one really interesting thing has happened to you during your lifetime.)

Writing an autobiography is much different. While they are both to do with the author’s life, biography is more to do with what happened throughout your life.

That means all significant events from birth ’till now.

If you set out to write a biography and it turns into a memoir, this is not a problem. The problem is when you don’t know what you’re doing at all. This leads to confusion in the writing process. And a lack of professionalism outside of it.

A great way to learn how to write an autobiography is to read. A lot. Reading other autobiographies will give you an idea of which direction to go in and how this genre is structured. It can also help you to develop your style and tone of voice, and to pinpoint which writing techniques you find most effective. All good tools to have in your writing toolbox.

Here are a few examples of autobiographies you might want to read:

My Autobiography, Charlie Chaplin (1964)
The autobiography of Benjamin Franklin, Benjamin Franklin
Long walk to freedom, Nelson Mandela
The story of my experiments with truth, Mahatma Gandhi
The story of my life, Helen Keller
The autobiography of Malcolm X, Alex Haley, Malcolm X
An Autobiography, Agatha Christie (1965))
The confessions of St. Augustine, Augustine of Hippo
Scar tissue, Anthony Kiedis, Larry Sloman
Open: An Autobiography, Andre Agassi
Persepolis, Marjane Satrapi
Autobiography of a yogi, Paramahansa Yogananda

4. When to Write an Autobiography

Cellini (1500-1571) wrote one of the finest autobiographies of the renaissance. He stated:

“No matter what sort he is, everyone who has to his credit what are or really seem great achievements, if he cares for truth and goodness, ought to write the story of his own life in his own hand; but no one should venture on such a splendid undertaking before he is over forty.” Cellini

Knowing how to write an autobiography can have a lot to do with your life experiences. This fact brings into question the age of the reader.

Many biographies are written later on in life, when experience has been gathered and there are many exciting moments to draw from. But this isn’t always the case.

If you are a younger writer and feel that your life has been sufficiently fantastic, or you feel a growing desire to get down all of the details of your childhood days, there is no rule that says you can’t. So don’t let others’ perceptions stop you.

Twenty-one-year-old Edouard Louis, for example, published a hugely successful fictional autobiography (aka an autofiction), The end of Eddy about his childhood and adolescence. So it is possible. Sorry Cellini.

That said, an older, more experienced writer may have an easier time writing an autobiography, simply because they have more material to draw from.

Like memoir, autobiographies tend to center around a theme, even though you are including many life events. That is because people tend to also be themed, in a way. Want to know how to start an autobiography? Thinking about theme can be a useful way in.

If you are a professional dancer, and that is the passion of your life, it makes sense that your book would also center around the theme of dancing and how you reached that success.

If you are ghostwriting for a celebrity, naturally they will be famous for something in particular.

The main theme, of course, is the person’s life. But that is not enough to sustain interest across time. So bear in mind a secondary theme that ties it all together.

If your theme or themes are relatable, then that will stand you in good stead. If you are not writing a glitzy celeb autobiography, then having a very relatable and original theme is more likely to find a readership than any other. Be careful not to choose and manufacture your theme, however. If you are meant to write an autobiography, you will likely already feel compelled to write about your life. So try not to put too much thought into it. Just keep it in mind, as it will keep you on track.

6. How to Pick a Theme

How to start an autobiography? One way is to pick a theme. And stick to it.

One way of picking a theme is to choose an aspect of your personality that you feel is awesome and make that your sole focus. Maybe you’re great at maths, for example. Perhaps you made it to the world championships on mathematics or something. That would be a story worth telling.

Another is to look at your philosophy in life and make that the focal point of your book. Showing your values throughout the book can inspire and uplift the reader as it can show a good example of a life well-lived. It also reveals quite clearly who you are as a person, without you having to explicitly spell it out.

A third would be to consider the things that are most important to you in your life and to make a reference to these as you work your way through each significant event mentioned in your book. (This works especially well if you are writing an autobiography for those who know you.)

7. Exceptions

You might also be wanting to know how to write an autobiography, because you want to share your story with your family. This is an admirable reason to write a story. It means that your family will always have a special connection to you through story, no matter what. It also means that generations to come will have that link to their own past and history.

From that sense, everybody should write one!

This kind of story can even be compiled as an oral history of your families’ history and lives, which makes for an extremely personal keepsake.

Autobiographies are sometimes written in short form, as essays for college assignments. This is a similar exercise to writing a full book , but in a condensed format.

Another form of autobiography is as an autofiction. This book is based mostly upon autobiographical content, but is also a work of fiction. This is an easy way of avoiding any concerns you might have about privacy. If you are wanting to distance yourself a little and take more control over the content, then this may be the way to go.

You can also consider other formats, such as writing an autobiographical graphic novel, which has the essence of cool written all over it. If you are an artist or have a passion for strong visuals, this is something to consider.

8. How to Plan

“Look for the times when your life changed the most, and when you changed the most, those are the times of peak drama in your life.” Janice Erlbaum, The Autobiographer’s Handbook

An excellent practice when learning how to start an autobiography, is to begin by writing out all of the significant events in your life. These could be anything; from graduating college, to losing your virginity, to being born. Whatever you think is most important and noteworthy, write it down.

You can later play with the order of events if you like, to shake things up a little bit, but for now, just get anything and everything you can think of written down.

When considering how to write an autobiography, it seems to be the most natural of all genres to plan. This is because within it’s very construction there is a presumption of what it will be about: events in your life. From this sense, it is already set up for you. In some ways, this makes writing a lot easier. On the other hand, the risk that easy planning poses, is boredom. For the reader or yourself. The challenge then becomes, how to make these life events interesting and stand out. But we’ll get to that a bit later on…

Nb If you are a pantser (someone who likes to write by the seat of your pants) then you might want to skip this step. In all likelihood you have something in mind to write about, so just start there.

9. Writing Schedule

A schedule helps you to get things done. You will know what works best for you after trying a few things out. You could try planning out how much you are going to write by the hour (i.e. I will write for an hour a day, every weekday) or by word count (I will write 500 words a day). Be realistic and don’t overwhelm yourself. If you are too overambitious, you may find you end up not writing at all.

Otherwise, you could aim to write a certain section of the book per week or month if that works better for you. Because autobiography is so clearly and easily arranged into story beats (was born, had first pimple, dyed hair red etc.) organizing your writing by these events works for almost all writers, even if you are not a fan of planning.

Ask yourself the question, what’s the minimum I could manage on a regular basis? And be honest.

Everyone has their own writing style, including the way they schedule (or don’t schedule) their writing habits. So don’t ever let anyone tell you how you should be writing. It’s up to you.

10. How to Start an Autobiography

Well, now you have a list of important events in your life, starting to write should be pretty straight forward. If you don’t like planning, it’s even simpler, just pinpoint a significant moment in time and get to work! If you have a plan, all you need to do is start writing out a first draft of each event.

Next up we have a few tips and tricks to get you started.

11. Go Digging

While figuring out how to write an autobiography, you will want to have everything you are writing as fresh and vivid in your mind as possible. This clarity will translate onto the page and give your readers a strong impression of each moment.

To do this, you will be wanting to dig out any old photos of you and whomever you might be writing about, and begin filing things away for each chapter or section of the book.

You also might find it beneficial to interview anyone who remembers what happened. This can bring a new light on old events. Try using a recorder or dictaphone and typing up the best bits once you’re done.

12. Fill Up Your Senses

A good way to get into the moment before a writing session is to surround yourself with the materials relating to that particular event. Look at photos or listen to recordings from around that time, and jot down any thoughts you might have about them.

You may also want to listen to some music from the time. If you have any old clothes or keepsakes from the person, you will also want them to be around or near as you write. Listen to any interviews about the time or the characters before writing.

13. Write a letter

If you’re struggling to start writing, you can try writing a letter to yourself or to other members of the family from the time. This is a very personal way of connecting with the past. Remembering your connection to your characters will help your writing to flow more easily and mean you have material to draw from before you even start writing.

14. Emotions

Writing about certain life events is likely to be emotional. Say you had a car crash when you were younger, or had to deal with some maltreatment of some kind, this will impact your writing, and how you feel about it.

It can be a difficult balance. You need to care enough about your subject matter to write it. But you don’t want your emotions to take over to the point where style and the content of your book suffers.

While feeling impassioned by your writing, it is also important to be able to step back and take a second look at your viewpoint. This may take several rewrites to get right.

If you are finding it difficult, then consider writing out as many different viewpoints of the event as you possibly can. This will open up how you see it and may even lead to an inspiring revelation for both you and your book.

15. New Insights

One of the benefits of learning how to write an autobiography, is that, as you develop as a writer, new insights will likely occur.

So while emotions can run high, it is good to know that writing about anything difficult that has happened in your life can help you psychologically.

Dr. James Pennebaker, a professor at Austin Texas university discovered that students who wrote for just fifteen minutes a day over three days about difficult or emotional experiences had a better level of wellbeing. He found that going through the process was upsetting for them, but it was the new insights the students discovered through the process of writing, that led to their improved levels of psychological health.

16. Take Care

As with memoir, if you feel that it is too much to write any subject matter, always take a break and come back to it (or not). Your mental health and general wellbeing are always more important than a book.

17. Know Your Why

Make sure that you don’t add in topics or incidents simply to vent about them. Instead, get all your feelings out about it during your first draft, and then start with a fresh perspective. If your writing is only about venting, it will not interest the reader. You may come across as petty or whiny.

Instead, you will want to make sure you can see the benefit of sharing your experiences with people. When you truly know how to write an autobiography, it should empower and enlighten people and help them connect to your story, rather than reading like an unfinished diary entry. It is perfectly acceptable for it to start out that way. But by the end of your writing process, you should be confident in the purpose of why you are writing your book, and what kind of impact it will have on its readers.

Knowing why you are writing will keep you on the right track, and help you like a compass in the storm, when you are lost.

18. Tone of Voice

An important aspect of telling your story will be your narrative style and tone of voice. This completely depends upon who you are writing for and the purpose of your book.

If you are writing for your grandchildren, for example, you may use more simplistic language. If you are writing for a broader audience, then you may use a more neutral tone. Writing for friends? You might want to use more familial or colloquial terms.

This also depends a lot on what kind of person you are, and you will want your attitude and personality to be reflected in your writing. This should happen naturally, but don’t be afraid to write as if you are talking or to use a recording device and write up your account of each chapter afterwards.

Pro tip: Relax. You won’t find your tone of voice by constantly thinking about how you might come across. Just write as you think and your natural expression will do the rest.

19. First or Third Person?

You can experiment with viewpoint as you go along, but once you have chosen, you will be wanting to stick with it. Third person gives us the feeling it has been written by someone else. So, if you are employing a ghostwriter or are working on a fictional work, then this is a good way to go.

First person is the generally accepted viewpoint for most autobiographies, because it is your story, and you are the one writing it.

20. Conflict

As you recall the people in your life, adding in any conflicts, even if they are comical, will add to the richness of the book. Conflict drives drama, intrigue and interest. And that’s what you want, if you want your book read, that is.

21. Story Arc

One of the most critical components of how to write an autobiography is story arc. Like most genres of story, autobiography is no exception and will need some sort of an all-encompassing story arc. This is one of the main challenges you may face while writing this kind of book.

It simply can’t be a long list of events and then an ending. They have to all meld together cohesively in order to have some sort of an impact on your reader.

A story arc gives writers a structure, in which our main character aims to do something, and then either manages (or doesn’t) to achieve it. There are normally many obstacles in the protagonist’s way, and they must overcome them. Simply put, our main character must get from A to B. And you will need to decide at some point, what your start and end points in the story will be.

This ties into your overall message in the book. The great thing about autobiography is that it basically tells your reader who you are as a person.

You can start by making a note of your core beliefs and who you feel you are as a person before you begin. But don’t be surprised if, as you write, you reveal a value you hold that you had never especially acknowledged. This is a true gift to the reader, to leave them with your wisdom or knowledge.

Your philosophy can play a big role in the book, as it has likely led you to make certain decisions and can be featured and interlaced with certain events when your process of decision making was integral to the direction of your life.

22. Comedy and Funny Anecdotes

While you don’t want to overdo it on the comedy (unless it is a comedic autobiography, in which case, carry on!) a little comic relief can work wonders in this genre. It can lighten the mood and even make sad moments even more poignant. Funny stories specific to your family can add to the color of your characters, so they don’t fall flat .

23. Where to Begin ?

Think about when you might want to start your story. The logical point to start is from birth, but as your writing evolves over time, you may change your mind. You may want to add some perspective about your life from before you were even born. Your heritage may also be a large influence on who you are as a person today.

Once you have written a full first draft, you can consider changing around the order. Editing in this way can make for a more dynamic and varied read. If placed in the right way, you can even add in a plot twist or add to the suspense of your book.

24. Consider Your Reader

Don’t rest on your laurels. This can especially be a risk if you are writing only for friends or family. Just because someone knows you, it doesn’t mean your story will automatically become interesting to them. It will likely make it more interesting than if you were a random passerby, true. But this is not something to take for granted.

This point can be ignored during the first draft, but as you begin to develop your story, it becomes an implicit part of the process.

If you are wanting your book to sell, this becomes even more important as the reader’s interest and word of mouth can mean the difference between a book being put down or another sale.

25. How to Make Events More Colorful

Once you have written the thing, you will want to make sure that it is an interesting read. Even if you are writing just for friends and family, they will want to be excited by your life. And surely, that is why you are writing this in the first place?!

So a few tips to make sure that each story beat pops with color is to:

1. Keep a notebook with you at all times for when you remember particular details about a person or place. Details will always give your story more originality and color.
2. Show don’t tell – this is always relevant to any kind of writing and autobiography is no exception. Try adding in things you saw, smelt, tasted or touched within the scene. Avoid making a statement and describe what happened in the moment, instead.
3. Add metaphor or simile- when describing a character or a vivid memory, don’t just describe how it looked on the surface. Unless this is not at all your writing style, you can enjoy emphasizing how something made you feel through descriptions that include metaphor. (use ext link for how to use metaphor) For example, ‘she was as fit as a fiddle’.
4. Avoid common descriptive words – words such as ‘nice’ and ‘good’ should be considered with great caution once you have reached the third draft of your book.

26. Consider Your Reader

An important part of knowing how to write an autobiography, is having an awareness of the reader throughout the entire manuscript. This is not only a book for you. So don’t rest on your laurels.

This can especially be a risk if you are writing only for friends or family. Just because someone knows you, it doesn’t mean your story will automatically become interesting to them. It will likely make it more interesting than if you were a random passerby, true. But this is not something to take for granted.

Many new writers are tempted to leave in every detail of their life. But longer doesn’t always equal better – often it means that you simply haven’t cut out the parts that aren’t needed. So make sure you have your ego in check – don’t make your book too long just for the sake of it. Just because it’s interesting to you, does not mean every reader will want to know about it – family and friends included.

The average autobiography is around 75,000 words long. Much shorter than 60,000 and you might want to find other sources to write about, and any longer than 100,000, you might want to cut it down a bit.

28. Consider Privacy/Confidentiality

Much like memoir, autobiography includes characters who are real people. This means that some might be negatively affected by your work. So make sure to talk to those involved and to have an attorney at hand, just in case.

If you are unsure about leaving in their real name, it is best to give their character a pseudonym.

29. Editing

Both editing your book and getting it proofread will make or break it.

That means that you will want to find a professional editor to work with, who knows what she or he is doing. Ideally, you will want to find someone who is experienced in editing autobiography or memoir. Check that you have similar values and that you are both clear on what you are going to be working on, before you start.

30. Proofreading

Make sure that all your hard work shows. You can have a strong storyline and everything else in place, but if there’s a typo on the front cover, there is no way you will be taken seriously.

So, ask friends to check over your manuscript, or better yet, employ a few proofreaders to check it over for you. Don’t use the same editor to proofread, as they will find it more challenging to spot minute mistakes by the time they have reread the story more than once. A fresh pair of eyes will likely do a better job.

31. Autobiographies on the Shelf

The autobiographies in our bookshops today, you will notice, are mostly written by celebrities. This is because they often have interesting lives that we want to read about. They include incidents that we could never have access to otherwise, in our day to day lives.

And that’s what makes them so appealing.

Most people are not so interested in other’s lives, unless they have done something extraordinary. So if you’re thinking of writing something purely to try and get it sold, then you might want to rethink the genre you are writing in. We’re not saying it doesn’t happen that unknown authors sell a lot of autobiographies. It does. It’s just a lot less likely.

But don’t dismay, this is only a problem if that is the only reason you are writing your book. If it is because you feel impassioned to do so, then that is all the reason you need.

If it is for your friends and family to read, then you need not worry about big sales or landing a large publisher. It is so easy to self-publish these days on a relatively small budget, that you are pretty much guaranteed to achieve your aim.

If you are looking for a book deal, then you might be hard pushed, if you can’t say your life has an original element to it at all. If this is the case, consider writing a memoir , instead. There are many more memoirs written by ordinary people with extraordinary stories, than autobiographies. Because people love to hear about how ordinary people overcame the odds.

No matter what your reason, if you believe in your book enough to start writing the first page, then don’t let anyone stop you from writing the book inside of you.

So there you have it. Hopefully you will now feel confident about how to write an autobiography and ready to start. All it takes, is putting pen to paper.

How to Write a Book (10 Mistakes to Avoid)

Published in What is Book Writing?

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Shaping Your Legacy: How to Write a Compelling Autobiography

The Speaker Lab
March 12, 2024

Ever thought about how your life story would read if it were a book? Writing an autobiography is like creating a map of your personal journey, each chapter representing milestones that shaped you. But where do you start and how can you ensure the tale holds interest?

This guide will help unravel those questions by delving into what makes an autobiography stand out, planning techniques to keep your narrative on track, writing tips for engaging storytelling, and even ethical considerations when revealing private aspects of your life.

We’ll also touch on refining drafts and navigating publishing options. By the end of this read, you’ll be equipped with all the insights you need to create a compelling autobiography!

Understanding the Essence of an Autobiography

An autobiography provides a comprehensive view of one’s life journey from birth to the present day. Imagine climbing into a time machine where every chapter represents different eras in your life. The goal of an autobiography is to allow readers to explore a factual, chronological telling of the author’s life.

Autobiographies aren’t merely catalogues of events, however; they need soulful introspection too. Think about why certain episodes mattered more than others and how those experiences influenced your perspectives or decisions later on.

You’ll also want to infuse emotional honesty, allowing yourself vulnerability when recalling both triumphant milestones and painful obstacles. Authenticity creates connections between authors and their audience, so let them see real human emotions behind every word written.

Distinguishing Features Of An Autobiography

The unique thing about autobiographies is they are first-person narratives . This allows readers to experience everything through your eyes, as if they’re living vicariously through you. From triumphs to trials, each page unravels another layer of who you are.

While memoirs are also first-person narratives of a person’s life, there are different from autobiographies. In a memoir, the author focuses on a particular time period or theme in their life. If you’d rather skip the details and dates needed for an autobiography and focus more on emotional truths, you might consider writing a memoir.

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Pre-Writing Stage: Planning Your Autobiography

The planning stage is a crucial part of writing your autobiography. It’s where you map out the significant events in your life, establish a timeline, and identify who will be reading your story.

Selecting Key Life Events

To start, you need to pinpoint key moments that have shaped you. While you will include plenty of factual details in your autobiography, you won’t include every single one. Rather, you’ll be spending the majority of your autobiography focusing on the transformative experiences that defined your life journey. After all, an autobiography is not just a catalogue of events; it’s also an exploration into what these experiences meant to you.

Establishing A Timeline

Next up is establishing a timeline for your narrative flow. Since you’re writing an autobiography, it’s important to first map out your story chronologically so that you can keep your events straight in your mind. MasterClass has several suggestions for key elements you might want to include in your timeline.

Identifying Your Audience

Finding out who’ll read your book helps shape its tone and style. Self-Publishing School says understanding whether it’s for close family members or broader public can guide how personal or universal themes should be presented.

While this process might feel overwhelming initially, take time with this stage. Good planning sets solid foundations for creating an engaging autobiography.

Writing Techniques for an Engaging Autobiography

If you’re on the journey to pen down your life story, let’s dive into some techniques that can help transform it from a simple narrative into a riveting read. An engaging autobiography is more than just facts and dates—it’s about weaving your experiences in such a way that they captivate readers.

Incorporating Dialogue

The first technique involves incorporating dialogue. Rather than telling your audience what happened, show them through conversations. It lets the reader experience events as if they were there with you. As renowned author Stephen King suggests , dialogue is crucial in defining a the character of a person (including yourself).

Using Vivid Descriptions

Vivid descriptions are another effective tool in creating an immersive reading experience. But remember: overdoing it might overwhelm or bore the reader, so find balance between being descriptive and concise.

Narrative Techniques

Different narrative techniques can also enhance storytelling in autobiographies. For instance, foreshadowing creates suspense; flashbacks provide deeper context; and stream of consciousness presents thoughts as they occur naturally—a powerful way to share personal reflections.

All these writing tools combined will give you a gripping account of your life journey—one where every turn of page reveals more layers of depth and dimensionality about who you are as both character and narrator.

Structuring Your Autobiography for Maximum Impact

Deciding on the right structure for your autobiography is essential to ensure your book captivates readers and keeps them engaged.

The first step towards structuring your autobiography effectively is deciding whether to organize it chronologically or thematically. A chronological approach takes readers on a journey through time, letting each event unfold as you experienced it. On the other hand, a thematic approach revolves around central themes that have defined your life—think resilience, ambition or transformation—and might jump back and forth in time.

Creating Chapters

An effective way to manage the vast amount of information in an autobiography is by dividing it into chapters. Each chapter should be structured around a specific time frame (if you’re opting for chronological order) or theme (if taking the thematic approach). The key here isn’t necessarily sticking rigidly to these categories but using them as guides to help shape and direct your narrative flow.

Crafting Compelling Beginnings and Endings

A strong beginning pulls people into your world while an impactful ending stays with them long after they’ve closed the book—a little like how memorable speeches often start with something surprising yet relatable and end leaving audiences pondering over what they’ve heard. So consider starting off with something unexpected that gives insight into who you are rather than birthplace/date details right away. For endings, look at wrapping up major themes from throughout the book instead of simply closing out on latest happenings in your life.

Remember, structuring an autobiography is as much about the art of storytelling as it is about chronicling facts. Use structure to draw readers in and take them on a journey through your life’s highs and lows—all the moments that made you who you are today.

Ethical Considerations When Writing an Autobiography

When penning your life story, it’s important to respect privacy and handle sensitive issues well. Because let’s face it, writing about others in our lives can be a slippery slope. We need to tread carefully.

Respecting Privacy: Telling Your Story Without Invading Others’

The first thing we have to consider is the right of privacy for those who cross paths with our narrative journey. While they might play crucial roles in our stories, remember that their experiences are their own too.

A good rule of thumb is to get explicit consent before mentioning anyone extensively or revealing sensitive information about them. In some cases where this isn’t possible, anonymizing details or using pseudonyms could help maintain privacy while keeping the essence of your story intact. Author Tracy Seeley sheds more light on how one should handle such situations responsibly.

Navigating Sensitive Topics With Care

Sensitive topics often make for compelling narratives but dealing with them requires tact and empathy. You’re walking a tightrope, balancing honesty and sensitivity, a fall from which can lead to hurt feelings or even legal troubles.

An excellent way around this dilemma would be by focusing on how these experiences affected you personally rather than detailing the event itself. Remember, your autobiography is an opportunity to share your life experiences, not just a platform for airing grievances or settling scores.

Maintaining Honesty: Your Authentic Self Is the Best Narrator

Above all else, stay truthful when writing your autobiography, both when you’re writing about sensitive topics and even when you’re not. While it can be tempting to bend the facts so that your audience sees you in a more positive light, maintaining honesty is the best thing you can do for yourself.

Editing and Revising Your Autobiography

Your initial draft is finished, but the job isn’t done yet. Editing and revising your autobiography can feel like a daunting task, but it’s essential for creating a polished final product.

The Importance of Self-Editing

You may feel that you have written your autobiography perfectly the first time, but there are always ways to make it better. The beauty of self-editing lies in refining your story to make sure it resonates with readers. You’re not just fixing typos or grammar mistakes; you’re looking at structure, flow, and consistency. Essentially you’re asking yourself: does this piece tell my life story in an engaging way?

Inviting Feedback from Others

No matter how meticulous we are as writers, our own work can sometimes evade us. Inviting feedback from others is invaluable during the revision process. They provide fresh eyes that can spot inconsistencies or confusing parts that may have slipped past us.

Hiring a Professional Editor

If you’re serious about publishing your autobiography and making an impact with your words, hiring a professional editor can be worth its weight in gold. An editor won’t just fix errors—they’ll help streamline sentences and enhance readability while respecting your unique voice.

Remember to approach editing and revising with patience—it’s part of the writing journey. Don’t rush through it; give each word careful consideration before moving onto publication options for your autobiography.

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Publishing Options for Your Autobiography

Once you’ve spent time and energy creating your autobiography, the following challenge is to make it available for others. But don’t fret! There are numerous options available for releasing your work.

Traditional Publishing Houses

A conventional path many authors take is partnering with a traditional publishing house . These industry giants have extensive resources and networks that can help boost the visibility of your book. The process may be competitive, but if accepted, they handle everything from design to distribution—letting you focus on what matters most: telling your story.

Self-Publishing Platforms

If you want more control over every aspect of publication or seek a faster route to market, self-publishing platforms like Amazon Kindle Direct Publishing (KDP), offer an accessible alternative. With this option, you manage all aspects including cover design and pricing ; however, it also means greater responsibility in promoting your book.

Bear in mind that both options have their own pros and cons, so consider them carefully before making any decisions.

Marketing Your Autobiography

Now that you’ve crafted your autobiography, it’s time to get the word out. You need a plan and strategy.

Leveraging Social Media

To start with, use your social platforms as launching pads for your book. Sites like Facebook , Twitter, and especially LinkedIn can help generate buzz about your work. And don’t underestimate the power of other platforms like Instagram and TikTok when trying to reach younger audiences. Whatever social platform you use, remember to engage with followers by responding to comments and questions about the book.

Organizing Book Signings

A physical event like a book signing not only provides readers with a personal connection but also generates local publicity. Consider partnering up with local independent stores or libraries, which are often open to hosting such events.

Securing Media Coverage

Contacting local newspapers, radio stations or even bloggers and podcasters in your field can provide much-needed visibility for your work. It might seem intimidating at first, but who better than you knows how important this story is?

FAQs on How to Write an Autobiography

How do i start an autobiography about myself.

To kick off your autobiography, jot down significant life events and pick a unique angle that frames your story differently.

What are the 7 steps in writing an autobiography?

The seven steps are: understanding what an autobiography is, planning it out, using engaging writing techniques, structuring it effectively, considering ethics, revising thoroughly, and exploring publishing options.

What are the 3 parts of an autobiography?

An autobiography generally has three parts: introduction (your background), body (major life events), and conclusion (reflections on your journey).

What is the format for writing an autobiography?

The usual format for autobiographies involves chronological or thematic structure with clear chapters marking distinct phases of life.

Writing an autobiography is a journey, a trek exploring the unique narrative of your life. Together, we’ve covered how to plan effectively, select key events, and set timelines.

Once you’re all set to write, you now have the techniques you need for engaging storytelling, including vivid descriptions and dialogues. You also learned about structuring your story for maximum impact and navigating sensitive topics while maintaining honesty.

Last but not least, you learned editing strategies, publishing options, and effective ways of promoting your book.

Now you know more than just how to write an autobiography. You know how to craft a legacy worth reading!

Last Updated: March 22, 2024

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autobiography

What is autobiography definition, usage, and literary examples, autobiography definition.

An autobiography (awe-tow-bye-AWE-gruh-fee) is a self-written biography . The author writes about all or a portion of their own life to share their experience, frame it in a larger cultural or historical context, and/or inform and entertain the reader.

Autobiographies have been a popular literary genre for centuries. The first Western autobiography is attributed to Saint Augustine of Hippo for his 13-book work titled Confessions , written between 397 and 400 CE. Some autobiographies are a straightforward narrative that recollects a linear chain of events as they unfolded. The genre has expanded and evolved to include different approaches to the form.

The word autobiography comes from the Ancient Greek auto (“self”) + bios (“life”) + graphein (“to write”) = “a self-written life.” It is also known as autography .

The History of Autobiography

Scholars regard Augustine’s Confessions as the first Western autobiography. Other autobiographical works from antiquity include Jewish historian Flavius Josephus’s Vita (circa 99 CE) and Greek scholar Libanius’s Oration I (374 CE). Works of this kind were called apologias, which essentially means “in my defense.” Writers approached these works not as acts of self-documentation but as self-defense. They represented a way to explain and provide rationale for their life, work, and escapades. There was also less focus on their emotional lives.

The Book of Margery Kempe , written in 1438 by an English Christian mystic, is the earliest known autobiography in English. (Though it didn’t see full publication until the 20th century.) Other early English-language biographies of note include:

Lord Herbert of Cherbury’s 1764 memoirs
John Bunyan’s Grace Abounding to the Chief of Sinners in 1666
Jarena Lee’s The Life and Religious Experience of Jarena Lee (the first autobiography of an African American woman)

Philosopher Jean-Jacques Rousseau’s Confessions was published in 1782. It paved the way for the more thoughtful, emotionally centered autobiographies seen today. Autobiography as a literary genre emerged a few years later, when British scholar William Taylor first used the term to describe a self-written biography. He did so disparagingly, suggesting the form was pedantic . In 1809, English Romantic poet Robert Southey used the term more seriously to describe self-written biographies.

Starting in the 20th century, more young people started writing autobiographies. Perhaps the most famous example is Anne Frank’s The Diary of a Young Girl , about her time hiding from the Nazis in an Amsterdam attic. The 21st century saw an increase in autobiographical essay collections and memoirs by younger celebrities, including:

Anna Kendrick
Mindy Kaling
Gabourey Sidibe
Mike Birbiglia
Lena Dunham
Chelsea Handler

Autobiographies are not immune to controversy. One notable scandal involved author James Frey’s A Million Little Pieces . Originally billed as a memoir, evidence later emerged that Frey invented key parts of the story. This example underscores how easily authors can cross over into autofiction—fictional autobiography—and how seriously readers take authors’ responsibility to accurately and honestly market their books.

Types of Autobiographies

There are a few different types of self-written works that qualify as autobiography.

Standard Autobiographies

In the most traditional form, authors recount their life or specific formative events from their life. This approach often utilizes a chronological format of events, but it doesn’t necessarily have to. An author’s approach might include a framing device such as flashbacks, in which they move from the present to the past as they remember their lives. For example, Broadway star Patti LuPone’s self-titled autobiography begins on the opening night of Gypsy in 2004 before moving back in time to LuPone’s childhood. An author could take a more stream-of-consciousness style, in which one memory links to another by a common theme. Irish writer Seán O’Casey narrates his six-volume Autobiographies in this manner

This is a type of autobiography that is narrower in scope and focus. It places greater emphasis on particular memories, thoughts, and feelings. A standard autobiography can certainly cover some of this same ground—most do—but the memoir is more interested in individual events or defined portions of the author’s life and the emotions and lessons behind them.

Henry David Thoreau is a notable memoirist. In Walden , he reflects on his time spent living in solitude in the woods of Massachusetts and what he learned about life and nature throughout this experience. Another example is The Year of Magical Thinking by Joan Didion, which relates the death of her husband and its impact on her life and work. Another is Wild by Cheryl Strayed, wherein Strayed remembers her time hiking the Pacific Crest Trail during a period of great change in her life.

Autofiction

The fictionalized autobiography, or autofiction, is another type of autobiography. The author presents their story not as fact but as fiction. This method gives them considerable space to take creative license with events and characters, thereby blurring the lines between reality and fiction. The overall goal is less about the author wanting to obscure facts and make things up and more a matter of taking another tactic to delve into their experiences in service of self-discovery. Taipei by Tao Lin is a work of autofiction. The central character, Paul, mirrors Lin’s own life and experiences, from the literary world of New York City to his ancestral roots in Taiwan.

Spiritual Autobiographies

These autobiographies center on the author’s religious or spiritual awakening and the subsequent journey their faith has taken them on. Common elements include struggles and doubt, a life-altering conversion, periods of regression, and sharing the “message.” These all act as endorsements of the author’s faith. Augustine’s Confessions , Paramahansa Yogananda’s Autobiography of a Yogi , and Augusten Burroughs’s Toil & Trouble: A Memoir are all spiritual autobiographies.

Autobiography vs. Biography

Both autobiographies and biographies are records of real lives, but there is one major distinction. A person other than the book’s subject writes a biography, while the subject themselves writes an autobiography. In this way, an autobiography is essentially a biography of the self. The biographer’s job is typically more involved, entailing detailed research into the life of the subject. The autobiographer, however, is usually not burdened by this because they lived through the events they write about. They may need only to confirm dates and stories to accurately relate the pertinent details.

The Function of Autobiography

An autobiography allows the author to tell the true story of their own life. This is the reason why autobiographies have always been written by famous people. History tends to remember notable individuals for just one significant contribution or event and, even then, the public’s perception of it may be inaccurate. Writing an autobiography allows the author to share the real story and put it into the larger context of their life and times.

Most readers pick up an autobiography expecting some degree of subjectivity from the author. After all, the events chronicled happened to the author, so the writing will of course have a biased perspective . There are advantages to this subjectivity, though. The reader gets the real story directly from the person who lived it, unvarnished by others’ opinions or erroneous historical data.

One way this subjectivity is problematic is that the author may not possess the ability to see the story they’re telling from other perspectives. For example, they may not acknowledge any hurt they caused others, dangerous behaviors they engaged in, or the “other side” of a controversial event in which there are equally valid opposing viewpoints and experiences. Any of these deficiencies can result in a somewhat skewed narrative.

Writers Known for Autobiography & Autobiography Books

Maya Angelou, I Know Why the Caged Bird Sings , Gather Together in My Name
Jung Chang, Wild Swans: Three Daughters of China
Isak Dinesen, Out of Africa , Shadows on the Grass
Carrie Fisher, Wishful Drinking , Shockaholic
Anne Frank, The Diary of a Young Girl
Ernest Hemingway, A Moveable Feast
Karl Ove Knausgård, My Struggle
Frank McCourt, Angela’s Ashes
Anaïs Nin, The Diaries of Anaïs Nin
Marcel Proust, Remembrance of Things Past
Patti Smith, Just Kids , M Train
Mark Twain, The Autobiography of Mark Twain
Benjamin Franklin, The Autobiography of Benjamin Franklin
Malcolm X, The Autobiography of Malcolm X
Agatha Christie, Agatha Christie: An Autobiography
Nelson Mandela, Long Walk to Freedom
Mahatma Gandhi, Gandhi: An Autobiography

Examples of Autobiographies

1. Maya Angelou, I Know Why the Caged Bird Sings

Angelou’s autobiography is the first installment in a seven-volume series chronicling the life of the legendary poet, teacher, actress, director, dancer, and civil rights activist. Given all those roles, it’s easy to see why Angelou’s life story makes for interesting reading.

This volume centers primarily on her early life in Stamps, Arkansas, and the devastating effects of a childhood rape. It also explores racism in the American South. It discuses the important role reading plays in helping young Maya deal with the sexual assault and pervasive prejudice in her environment.

2. Helen Keller, The Story of My Life

Keller’s autobiography details her first 20 years, starting with the childhood illness that caused her blindness and deafness. She discusses the obstacles she had to overcome and the life-changing relationship she shared with her teacher, Anne Sullivan, who helped her learn to read and write. Keller also documents her friendships with several famous figures of her day, including Alexander Graham Bell, John Greenleaf Whittier, Oliver Wendell Holmes, and First Lady Frances Cleveland.

3. Vinh Chung, Where the Wind Leads

Chung’s autobiography recalls the harrowing story of a Vietnamese refugee and his journey to make the American Dream his own. Born in South Vietnam, Chung comes of age in a changing political climate that eventually compels his family to flee the country. Their voyage takes them through the South China Sea, run-ins with pirates, resettlement in Arkansas, and Chung’s graduation from Harvard Medical School.

How to Write an Autobiography

Autobiography is a truly universal art form and is accessible to anyone, whether you're in high school or 100 years old. Exploring the process of writing an autobiography deserves an article in itself, but the process should include these steps:

Determine your "why." What lessons do you want to impart via your story, and why are they worth sharing with a broader audience?
Draft an autobiographical outline. It should include information about your upbringing, impactful moments throughout your life, stories of failure and success, and meaningful mentors.
Begin with the easiest sections. Getting started is often the greatest hurdle, so begin by writing the chapters that feel most accessible or enjoyable.
Write your first draft. Once you write the first chapters, it will feel easier to write the rest. Capitalize on your momentum and write a full draft.
Step away. As with anything, stepping away from your work will help foster fresh perspectives when you return.
Edit and re-write your draft. Your first draft will probably benefit from thorough revisions, as will your second draft, and maybe your third. Continue to edit and revise until it feels right.
Ask for help. Bring in a trusted family member or friend or professional editor to help with final edits.

Further Resources on Autobiography

ThoughtCo. shares some important points to consider before writing an autobiography .

The Living Handbook of Narratology delves into the history of the autobiography .

MasterClass breaks autobiography writing down into eight basic steps .

Pen & the Pad looks at the advantages and disadvantages of the autobiography .

Lifehack has a list of 15 autobiographies everyone should read at least once .

Related Terms

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Point of View

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Home / Book Writing / How to Write an Autobiography and Publish it in 7 Easy Steps

How to Write an Autobiography and Publish it in 7 Easy Steps

Contrary to popular belief, you don't have to be a famous figure to write an autobiography. In fact, if you want to write a novel or some other nonfiction book but just don't know where to start, an autobiography could be an ideal project to tackle.

There are many different kinds of autobiographies from which to choose, so you don't have to keep a narrow focus or use a cookie-cutter mold for your book or autobiography essay. Read on as we tackle how to write an autobiography.

Different kinds of autobiographies.
Steps to help you write your autobiography.
Tips to strengthen your storytelling skills while writing.

Autobiography vs Memoir
The Benefits of Writing an Autobiography
Before You Write, Read
Step 1: Decide on a Type and Scope
Step 2: Research and Outline
Step 3: Craft Your Story to Entertain
Step 4: Write Your First Draft
Step 5: Pause—Then Edit and Rewrite
Step 6: Get a Professional Editor
Step 7: Publish!
How to Write an Autobiography: Conclusion

The Many Types of Autobiographies

An autobiography in its broadest terms is a book about a person's entire life (or at least the interesting parts), written by that person . If you wanted to write a book about someone else's life, you'd be writing a biography .

But within the autobiography genre, there are many other subgenres to choose from. These include:

Intellectual
Religious/Spiritual

An intellectual autobiography focuses on the author's life in terms of intellectual evolution and fulfillment. Often (but not always) written by people who have had a lot of schooling, the intellectual autobiography aims to analyze how certain experiences affected the author's life in terms of education, intelligence, and thought patterns.

A religious or spiritual autobiography is one concerning the author's spiritual enlightenment. If you've found God (in any form) or have gravitated to a more spiritual life as you've aged, then this could be a good genre for you.

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Thematic autobiographies are those that look upon a person's life story through the lens of a certain theme. This could be love, loss, perseverance, family, or even something like mental health, addiction, or mental illness. If you've noticed a theme in your life that has influenced your choices repeatedly, a thematic autobiography could be a good choice for you.

A fictional autobiography is one that uses events from the author's real life while changing certain other elements freely. There are no hard-and-fast rules about what can and can't be real—or what percentage of each you must include. It could be that you use mostly real events but embellish them, change characters around, or make up certain exchanges. The most important part is that you don't claim it's a true autobiography when it's really a fictional one.

It can be easy to confuse an autobiography and a memoir—which is in fact a type of autobiographical writing . The big difference is that autobiographies cover the author's whole life. Memoirs, on the other hand, focus on certain aspects of the author's life, usually in service of a theme.

If you want to focus on your career or your childhood instead of covering your whole life, then a memoir could be a better fit for you. If so, you can check out our memoir writing prompts article .

There are a ton of benefits to writing an autobiography. There's an old adage that goes “write what you know.” And there's no better genre to do just that! By diving into your personal story and examining life lessons and experiences, you don't have to worry about getting writer's block. You know the plot and the characters, which can help you get into a rhythm.

This can not only give you confidence as a writer, but it can also make you a better writer as you go. A good autobiography is a lot like a novel in a lot of ways, so you use the same skills you would in a novel by painting a picture for your reader.

But the benefits don't end with developing as a writer. It can also help you deal with traumatic events and process significant moments in your life. The goal, after all, isn't to dwell on any perceived wrongs or get back at anyone. The goal is to make sense of your personal experience by turning it into a story that readers will enjoy.

Now that we've covered that introductory ground, let's get into how to write an autobiography, step by step.

I would be remiss if I didn't say that you must first familiarize yourself with autobiography examples before you can write one. As such, here are some famous autobiographies to read so you can see how it's done.

Autobiography of Mark Twain by Mark Twain
The Story of My Life by Helen Keller
I Am Malala: The Girl Who Stood Up for Education and was Shot by the Taliban by Malala Yousafzai
The Autobiography of Malcolm X by Malcolm X
Long Walk to Freedom by Nelson Mandela
Agatha Christie: An Autobiography by Agatha Christie
The Autobiography of Benjamin Franklin by Benjamin Franklin
Becoming by Michelle Obama
The Diary of a Young Girl by Anne Frank

The Complete Guide to Autobiography Writing

Writing an autobiography can be a rewarding endeavor, but it’s not easy. Even though it’s about your own life, it still requires research, time, effort, and some writing skill to get done. The steps below take you through the writing process, from choosing your focus to choosing your publishing avenue.

While an autobiography covers the author's whole life, that doesn't mean that every single detail needs to go in. Even if you could remember what you had for breakfast on April 7th when you were ten years old, there would be no reason to include it unless some significant event happened at that time.

So the first step in the writing process is deciding what type of autobiography it will be . This, in turn, will help you decide on the scope. If it will be an intellectual autobiography, you may want to spend time focusing on your early schooling and how that impacted your ability to learn or your love of knowledge.

On the other hand, if you're writing an autobiography themed on marriage or romantic love, you probably won't have a lot of ground to cover during your childhood years.

Pro Tip: Write a short personal statement about why you want to write an autobiography. There's no wrong answer, but putting your “why” into words can help you keep focused through the process.

Once you have your scope in mind, you can start doing research and outlining in broad strokes the exact events you want to cover. This is when your idea starts to take shape in your mind and on the page.

Researching will mean delving into your family history, busting out the yearbooks, and opening up the (physical or digital) photo albums. It will mean talking to parents, friends, siblings, and other family members. To get things right, it's important not to rely just on your fallible memory. Get multiple perspectives and sources on any important event you plan to cover.

This is also a great time to get permission to use people's names in your book. Everyone you include in the story by name should give their permission. While this isn’t legally required, it’s a courtesy. However, it’s unlikely you will be sued for anything you say in a book unless it is blatantly slanderous.

Research is a time-consuming step in the process. But it's essential for forming your autobiography in your mind. You may even learn things about your family that you never knew before!

Just write everything down (or record it) so you can reference what people have said later. Using all your research, start crafting an autobiography outline in a Word document or on paper.

Pro Tip: If you're not sure you have enough to say to fill a book, you can write an autobiographical essay first. If you still feel like you have a lot to say after writing an essay of a few thousand words, then you may have a book's worth inside your head!

Since you don't have to include every single detail in your memoir, you get to prioritize certain things over others. And while most autobiographies move in chronological order, it doesn't preclude you from using a hook to engage your readers.

Perhaps you want to open your autobiography with a single event that changed your life . If this means jumping forward in time in your autobiography introduction to hook the reader before jumping back to your childhood, then that's perfectly fine.

The point is, your autobiography needs to entertain the reader. And to do this, you can craft it like a novel. The one thing your book shouldn't be is full of dry, academic writing.

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You're the protagonist of the autobiography. And being a human, you're flawed. Make this clear to the reader while also giving them a reason to like you and root for you early in the book. Unless you're writing a fictional autobiography, this needs to be a true anecdote. But it shouldn't be hard to find.

Think about all the other people in your story as characters . Each family member is there as a supporting role to you, the protagonist. Like you, they need to be interesting, if not always likable. It also helps to include conflict early on. Most people experience plenty of conflict in their lives, so this isn't usually hard.

When you think about your autobiography in this way, you can then refine your outline – or write a whole new one—with this in mind.

And once you're confident that you have the structure you want, it's time to start writing!

Since you're writing about your own experiences, you'll probably want to stick to the first person point of view . This is the most common autobiography format—even for those written with the help of a ghostwriter. For many authors, this comes naturally because it's how we tell stories to each other.

That said, writing “I” over and over again can get a little old. This is normal. Just take it as an opportunity to vary your sentences instead of starting every one of them with “I.”

The writing process is different for every author, but it's important that you commit to a certain word goal per day or week . Make this goal attainable and stick to it. If you go weeks or months without getting words down, you'll just have to work harder to get back into the rhythm of autobiography writing.

That said, give yourself room to make mistakes during the first draft. When you accept that your first draft won’t be perfect and only focus on getting the words down, things get a lot easier. You can always go back and edit later. But you won’t have anything to edit if you don't write!

When you're done with your first draft, let it sit for a couple of weeks or a month. This will allow you to get some distance from the words, which can help you look at them with a critical eye when it comes time to work on your subsequent drafts.

Some authors even do this after each consecutive draft. But many find that it's most beneficial after the first one.

Whether you wait a week or a month or more is up to you. But you can certainly find a sweet spot that works best for your writing schedule.

Recording your life story is no easy task. And you will, by definition, be close to it. So this distance is imperative to achieve a dispassionate look at it. From there, you can make changes and re-work it until you think it's ready for another pair of eyes.

Once you've made your autobiography as good as you can make it, it's time to seek help. While you can certainly give a copy of the book to some friends and family to see what they think, keep in mind they're likely biased. Chances are they're also not professional editors, either.

This is why it's always a good idea to hire an editor —preferably one who's familiar with autobiographies. Of course, there are many different kinds of editors. And taking a critical look at your book in step 5 is important for choosing the right kind.

If you think there are some structural issues with the book, you may want to hire a developmental editor. If you want someone to find typos and grammar issues, then a line editor may be best.

For more information, check out our article on different kinds of editing .

No matter what kind you go with, getting the feedback of an unbiased professional can do wonders for your autobiography .

Even if you're not looking to make millions with your autobiography, publishing can still be a lot of fun. While it's hard to get a book deal for an autobiography unless you're already a celebrity, self-publishing is always an option.

With a formatted manuscript and a professional cover, you can have your book up on Amazon and other online retailers in short order. You can even order author copies of your paperback to give to friends and family.

To learn more about this process, check out our self-publishing hub .

Whether you want to sell your autobiography to a wide audience or simply have it around for future generations of your family to read, writing about your life experience is a worthwhile endeavor. It can help you become a better writer while reflecting on your life and the lessons learned.

To cover your life story in a compelling manner means leaving some things out and focusing more on others. Pivotal moments in your life should be the “plot points” of your autobiography. Striving to meet some goal should create a through-line for the reader. And the setbacks on your way to that goal can create the conflict needed to keep things interesting.

Of course, all this should be true—unless you're writing a fictional autobiography!

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Education and Communications
Autobiographies

How to Write an Autobiography

Last Updated: May 7, 2024 Fact Checked

This article was co-authored by Gerald Posner . Gerald Posner is an Author & Journalist based in Miami, Florida. With over 35 years of experience, he specializes in investigative journalism, nonfiction books, and editorials. He holds a law degree from UC College of the Law, San Francisco, and a BA in Political Science from the University of California-Berkeley. He’s the author of thirteen books, including several New York Times bestsellers, the winner of the Florida Book Award for General Nonfiction, and has been a finalist for the Pulitzer Prize in History. He was also shortlisted for the Best Business Book of 2020 by the Society for Advancing Business Editing and Writing. There are 8 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 2,287,858 times.

What's your story? Anyone who has lived a full life has something fascinating to share with the world. The trick to writing an autobiography is to treat it like any good story: it should have a protagonist (you), a central conflict, and a cast of fascinating characters to keep people engaged. You may want to think about a certain theme or idea that has been present in your daily life to revolve your story around. Read on to learn how to craft the story of your life and polish your writing to make it sing.

Mapping Out Your Life

Your autobiography doesn't have to begin with your birth. You may want to include some family history as well. Write down information about your ancestry, your grandparents' lives, your parents' lives, and so on. Having information about your family history will help readers get a sense of how you became the person you are.
What happened when you were a teenager? What led you to make the decisions you made?
Did you go to college? Write about those transitory years, too.
Write about your career, your relationships, your children, and any big life-altering events that occurred.

Teachers, coaches, mentors, and bosses are extremely influential in people's lives. Decide whether someone who has been a role model (or the opposite) for you will figure into your story.
Ex-boyfriends and girlfriends might co-star in some interesting stories.
What enemies have you had in life? Your story will be boring if you don't include some conflicts.
Offbeat characters such as animals, celebrities you've never met, and even cities are often points of interest in an autobiography.

The childhood story. Whether your childhood was happy or traumatic, you should include a few anecdotes that give a picture of who you were and what you experienced at the time. You can tell the story of your childhood by breaking it down into smaller anecdotes that illustrate your personality - your parents' reaction when you brought home a stray dog, the time you climbed out of the window at school and ran away for 3 days, your friendly relationship with a homeless person living in the woods… get creative.
The coming of age story. This heady and often sensual period in a human's life is always of interest to readers. Remember that it's not about writing something unique; everyone comes of age. It's about writing something that resonates with readers.
The falling in love story. You could also write the opposite of this, the never-finding-love story.
The identity crisis story. This usually occurs in the 30s or 40s and is sometimes referred to as a mid-life crisis.
The story of facing down some force of evil. Whether it's your battle with addiction, a controlling lover, or a madman who tried to kill your family, you've got to write about conflict you've experienced.

Write as though you're opening your heart to a trusted friend, in prose that's clear, strong and not too cluttered with vocabulary words you rarely use.
Write so that your personality is revealed. Are you funny? Intense? Spiritual? Dramatic? Don't hold back; your personality should come through in the way you tell your story.

Don't always cast yourself in a positive light. You can have foibles and still be the protagonist. Reveal mistakes you've made and times when you've failed yourself and other people.
Reveal your inner thoughts. Share your opinions and ideas, including those that may spark controversy. Be true to yourself through your autobiography.

Crafting a Narrative

What's your central conflict? What's the biggest obstacle life presented that took years to overcome or come to terms with? Maybe it's an illness you were diagnosed with at an early age, a relationship wrought with turmoil, a series of career setbacks, a goal you worked for decades to achieve, or any other number of things. Look to your favorite books and movies for more examples of conflicts.
Build tension and suspense. Structure the narrative so that you have a series of stories leading up to the climax of the conflict. If your central conflict is trying to reach the goal of competing in the Olympics for skiing, lead up to it with stories of small successes and plenty of failures. You want your readers to ask, will she make it? Can he do it? What's going to happen next?
Have a climax. You'll get to the point in your story when it's time for the conflict to come to a head. The day of the big competition has arrived, a showdown happens with your worst enemy, your gambling habit gets the better of you and you lose all your money - you get the picture.
End with a resolution. Most autobiographies have happy endings because the person writing the story lived to tell the tale - and hopefully get it published. Even if your ending isn't cheerful, it should be deeply satisfying. You somehow accomplished your goal or won the day. Even if you lost, you came to terms with it and gained wisdom.

Step 2 Decide where the story is going to start.

You could frame the entire autobiography with reflections from the present, telling your story through a series of flashbacks.
You could begin the story with a poignant moment from your childhood, go backward to tell the story of your heritage, move forward to your college years, and launch into the story of your career, with anecdotes from your childhood sprinkled in for comic relief.

Consider ending chapters on a poignant or suspenseful note, so people can't wait to start the next one.
The beginnings of chapters are a good place to take a bird's eye view of your past, describe the setting of a place, and set the tone for what's to come.

Editing the Book

Step 1 Make sure you get the facts right.

You can stretch the truth about your own goals and intentions, but don't include fabricated conversations with real people, or altered versions of events that really happened. Of course, you won't remember everything perfectly, but you should reflect reality as best you can.
Get permission to use people's names or quote them if you're including content on what other people said or did. Some people don't appreciate appearing as a character in someone else's autobiography, and you should respect that by altering the way you describe them or changing their names if necessary. [6] X Research source

If several people recommend cutting a certain section, strongly consider making the cut.
Try to get opinions from people outside your circle of family and friends. People who know you might try to spare your feelings, or they might be biased - especially if they appear in the story.

Bossy Pants , by Tina Fey.
My Confession , by Leo Tolstoy.
A Long Walk to Freedom , by Nelson Mandela.
The Sound of Laughter , by Peter Kay. [7] X Research source

Publishing Your Story

If you don't want to pay for a publishing service, you can still create a nice copy of your book by taking it to a copy store and having it printed and bound.

Step 2 Consider finding a literary agent.

Start the query letter with an airtight blurb succinctly describing the highlights of the book. Situate your book in the correct genre, and describe what will make it stand out from the rest. Tell the agent why you think he or she is the right person to shop your book around to publishers.
Send sample chapters to agents who show interest.
Sign a contract with an agent you trust. Make sure to read the contract carefully and check into the agent's history before signing anything.

Agents open doors and help propel your work forward. "I'll admit that it's not easy to get an agent, but becoming successful in anything requires perseverance."

Many publishers don't accept unsolicited manuscripts or queries. Make sure you only send letters to publishers that accept them.
If a publisher decides to move forward with a book deal with you, you'll need to sign a contract and set up a schedule for editing, designing, proofreading, and finally publishing the book.

Step 4 Look into publishing your book online.

Writing Help

Expert Q&A

Your biography can also include a dedication, foreword, vital statistics, chronology sheets, family tree, and epilogue. Thanks Helpful 7 Not Helpful 0
If the purpose of your autobiography is to pass on your story to your heirs, consider including memorabilia (e.g. pictures, heirlooms, medals, mementos, letters, etc.) and putting your story in a scrapbook format. Of course, you may not be able to copy the memorabilia that accompanies your autobiography, so you still have to think about what you intend to do with your original work and other items, such as medals or bulky heirlooms. Thanks Helpful 6 Not Helpful 0
Make your story vivid but don't get bogged down in unimportant details. While you want your autobiography to be memorable, you don't want it to be boring. Too many details—listing everyone that was at a party or trying to include all the events of each day—will bog the story down. Thanks Helpful 5 Not Helpful 1

Be aware of what constitutes libel. If you write something defamatory or maliciously untrue about another person in an autobiography that you intend to publish, consider changing his or her name (if still living). Otherwise, you might find yourself facing a lawsuit. If you're unsure about what to change, consult a lawyer who specializes in libel. Thanks Helpful 5 Not Helpful 0

Expert Interview

Thanks for reading our article! If you'd like to learn more about writing as a career, check out our in-depth interview with Gerald Posner .

↑ https://theamericanscholar.org/how-to-write-a-memoir
↑ https://self-publishingschool.com/how-to-write-an-autobiography/
↑ https://blog.reedsy.com/narrative-arc/
↑ https://cdn5-ss8.sharpschool.com/UserFiles/Servers/Server_222705/File/Parents%20and%20Students/Star%20Works/How%20to%20write%20an%20Autobiography.pdf
↑ https://www.theguardian.com/books/2015/jun/04/how-to-write-a-memoir-jeanette-winterson-and-helen-macdonald
↑ https://www.writersdigest.com/online-editor/defamation-and-invasion
↑ https://www.theguardian.com/news/datablog/2013/feb/07/biographies-autobiography-nielsen-2001
↑ https://www.pw.org/literary_agents

About This Article

To write an autobiography, start by making a timeline of your most important life events that you feel you could write about. Then, identify the main characters in your life story, including family members, ex-boyfriends or girlfriends, friends, and enemies. Once you have your cast of characters, pull life events from your timeline, such as a story from your childhood, a coming of age story, a love story, or a triumphant story. Write about these events and then connect them with a cohesive plot by writing in your own voice and being honest with the reader. To learn more about how to edit and publish your autobiography once it's finished, keep reading! Did this summary help you? Yes No

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How to structure an autobiography to make it readable

Writing your autobiography might feel like it should be the most intuitive thing you’ll ever do. You lived through those experiences, and you know those stories so well. And yet, far too many would-be autobiography writers fall at the first hurdle. Even though they know broadly what they want to say, they never quite work out what to write about in an autobiography.

So, in this article, I want to give you the resources and insight you need to write an autobiography or biography. You’ll see how getting the structure of an autobiography right is key to telling your story effectively and interestingly.

How do you know what to write about in an autobiography? The accumulated stories of your life could probably fill a dozen books. So how do you cram it all into a single volume?

If you want to write a book that focusses in greater detail on a few elements of your life, you should write a memoir . From collections of stories about family or work to stories of struggle and survival, the memoir is the perfect vehicle for books with a smaller remit.

But in this article, we’re focussing on how to write an interesting autobiography, which is a more detailed process. We’re going to break it down into three parts:

What to write about in an autobiography

The structure of a biography or autobiography

How to write an interesting autobiography

The good news is that when you know what to write about in an autobiography, it will help you establish a lot about the structure of your autobiography. And, when you’ve got those two things ticked off, you’ll find it significantly easier to write an interesting autobiography.

How do you decide what to write about in an autobiography?

Start by making a long list of the things you could write about in your autobiography. Make your list roughly chronological so that you can see how the incidents connect in your personal timeline. Write anything and everything down at this stage.

I suggest you keep working on your list for several weeks. The more you think about it, and the more often you return to it, the easier it will be to extract every possible story you might want to tell. When you have a comprehensive list, I’d leave it a little longer before you take your next step. Go back to your list days (or even weeks) later and look for clues as to how you can tell your story:

See if there are there any common themes that bind some of your stories together. It’s easier to build a book if the stories naturally coalesce around a single idea or theme.
Think about your life’s journey and look for narrative threads that help you tell that story.
Look for any stories that give the most authentic sense of who you are, and how you want to be remembered.
Look for – and remove – any stories that don’t feel interesting or relevant.

It’s not just a question of what to write about in an autobiography, you need to consider what not to write about

Given that a biography or autobiography encompasses a whole lifetime of activities, you need to decide what makes the grade in your story and what doesn’t. Knowing who’s going to read your book will help you make the right decisions.

Are you writing your book for family and friends? For a business audience? For a cohort of people who have encountered similar life issues? Keep that audience in mind at all times? Write with them in mind.

If you’re not sure what deserves a place in your autobiography, just picture your readers and ask yourself these questions:

Will this part of my story genuinely interest my readers?

Does this material add anything meaningful to the story I’m telling?

Am I comfortable telling this part of my story?

If the answer to any of these questions is ‘no’ it doesn’t belong in your book.

Distilling your life into the stories that will survive you

If you’re struggling to home in on the events you want to focus on in your autobiography, it might help you to remember that this book will survive you.

The stories you tell will still be there for people to read about years from now. That can help you to home in on the things that really matter; the things that will define the life you’ve lived.

Some people find the easiest way to distil their life story into a cohesive narrative is to write more than they need, and edit out material at the end of the process. That takes a bit more work, but when you can see the whole story written down, it’s generally easier to identify what really belongs in your book, and what doesn’t.

Think carefully about the audience for your book

This question of what to write about in an autobiography gets easier the closer you get to your intended audience.

Run though that list of stories for possible inclusion in your book and see if any of them jump out as being particularly interesting or appropriate for your audience. Equally, there may be some stories that will need to justify their inclusion. For example,

Will your family be interested in lots of stories from your work life?
Will a wider audience of people reading your survival-against-the-odds story want to know about your life now? Perhaps, if that gives them hope for their own future.
Will your children want to know about some of your less savoury stories? They might well do (when they reach an appropriate age) if you present them in a way that will amuse and / or give them the benefit of your reflections on those events.
Are you comfortable telling certain stories if they’re controversial in your family? Will telling them pour oil on troubled waters or make matters worse?

Don’t just think about what your readers will be interested in now, think about what might interest them in the future. For example, if you’re writing an autobiography for your children (or grandchildren) there will be insights, stories and reflections that will mean more to them as time passes.

If I were writing my autobiography for my (now) teenage children, I know they’d be interested to read my stories of their childhood escapades. And, as time goes on, and they grow up and potentially have their own children, they’ll probably be even more interested to read about my reflections on being a parent.

In other words, there will be a point when your experiences and theirs match. When what you have to say on any given subject might suddenly feel very relevant. So, try and write an autobiography that will stay relevant to your audience.

If you take nothing else from this article, the single most important lesson for how to write an interesting autobiography is this:

Your autobiography can – and should – obey many of the same rules as fiction.

Just because you’re telling a real story, as opposed to a work of fiction, the same elements of structure, tension and release, and story arc will make your book richer and more engaging.

Let’s discuss the actual section-by-section, chapter-by-chapter structure of your book.

When we talk about structure in books, we’re essentially talking about giving your book a beginning, a middle and an end, and about the chapters that fit within that structure.

We’re also talking about making sure your book progresses organically from event to event. Your reader needs to feel like your book is heading somewhere; it flows.

Try a three-act structure

You certainly don’t have to stick to some rigid structure, but it can help to think of your story like a three-act drama. An example of a simple three-act structure for a biography or autobiography would comprise a beginning, concentrating on the early years of your life, a middle featuring the bulk of the events you want to cover, and an end which brings all of the threads of the story together.

You certainly don’t have to divide your book into three parts. But having the idea of a three-act structure in mind can help you to simplify your storytelling.

Remember that the structure could be thematic, rather than chronological. For example, the introductory stage could be meeting the love of your life, the body of the book could be about your life together, and the concluding section could focus on how your family has grown.

Or, the introductory chapter could focus on the emergence of a great difficulty in your life. The second section would focus on your dealing with it. The third section could illustrate how you overcame it and what you learnt from it.

Break the structure

One of the best things about the ‘rules’ governing the structure of a biography or autobiography is that they are there to be broken…

Just because you adopt a three-act structure, it doesn’t mean you have to start your autobiography at the beginning. It can be very effective – and dramatically justified – to start your story at the end.

Or, you can apply a structure, but still break it up with interludes, diversions, and lists that add supplementary information or insights. A couple of examples:

In a book for a client who had travelled extensively, we devised funny little Trip Advisor style summaries of some of her travel destinations, and interspersed them throughout the book.

A fan of the weird and uncanny who had collected stories of some of life’s stranger happenings included them as an interlude in his book, giving readers enough information to go and pursue their own research into any of the stories that interested them.

Take the reader on a journey

Great books – whether they’re narrative non-fiction or fiction – take their readers on a journey. So, rather than simply chronicling the events of your life, you can find a narrative thread to resemble a hero’s journey narrative, or other dramatic form.

Let’s take a closer look at how you can do that…

Find the thread that binds your story together

Make a chronological list of the major (and interesting or exciting) events of your life. Look at your list and ask some questions to help you find the thread that binds your story together:

How did you get from your childhood to where you are now?
What were the turning points or moments of crisis along the way?
Who were the people who helped or hindered you in your journey?
What are the things in your past that suggested where you were going in the future?
How did you realise your childhood or youthful dreams?
How did you overcome a significant adversity in life?

Finding an appropriate story thread makes writing your autobiography significantly easier. You give yourself a set up, a complication or crisis, and a resolution – all essential components of an interesting and well-told story.

One of the hardest parts of writing an autobiography for many people is having far too much information to include and not knowing what to exclude. Working this way helps you to eliminate all of the material that doesn’t contribute to the main storyline.

Think of it like telling the story of a football match that focusses on the actions of a single player. Your reader would still understand the outcome of the match. They’ll still understand how that player interacted with their teammates, and came into conflict with other players. They won’t get a full match report, but they will get a very focussed story of the game from one angle.

Use your chapters to help you write an interesting autobiography

The way you divide your story into chapters is another way of injecting interest into your autobiography. Whether using cliffhangers to keep readers hanging on to see what happens next, or using chapter breaks to signal changes in tone, your chapters are a useful resource.

In terms of structure, remember that each chapter should be like a scene in a film. They should advance your story in some way, and tell a self-contained piece of the story. If you’re telling a part of the story that requires more space than other parts of your story consider splitting your chapter at a critical moment to create your dramatic cliffhanger ending.

You can do interesting things to the structure of your book with your use of chapters. An incredibly short chapter could be an amusing way of skipping over a part of your story that you don’t want to tell, but that you know people are expecting to read about, e.g.

Reader, I married him.

Spoiler alert. It went really badly, really quickly!

Have fun with your chapters. From the way you name them, to the quotes you use to add interest, to the way you format them, all these things can help make your autobiography more interesting and distinctive.

If you’d like to know more, have a look at this article on chapters , covering the optimal length of chapters, when to use chapter breaks, and the issue of how you can use chapters to help you structure your biography or autobiography.

How to write an interesting autobiography? Remember that the principles of telling a traditional story apply

There’s plenty more you can do to keep things interesting for your readers. Remember that, just like fiction, a compelling autobiography will:

Provide good introductions for all the major characters

You don’t have to talk about everyone you reference in depth, but when it comes to the key players in your life story, make sure you introduce them properly.

Hinge on moments of tension and release

This is the basis of all good drama. Even if you have not lived a life of ‘high drama’ that doesn’t mean dramatic, momentous, stressful, or important things haven’t happened to you. And these are all potential sources of drama.

Be truthful

It’s easy to exaggerate our achievements and nobody will object to you using a bit of dramatic license now and then, However, the more honest and truthful your book is, the more powerful it will be.

Tie it all up at the end

In this article, we’ve covered the three areas of 1) what to write about in an autobiography, 2) the structure of a biography or autobiography, and 3) how to write an interesting autobiography. We introduced the subject in broad terms, then drilled down into more detail on each subject, much like you might do in your autobiography.

By this stage, you’ll have a better understanding of how you can write your autobiography in a way that does justice to the life you’ve lived. I hope you find that, as a result, writing your autobiography feels more intuitive.

I’m here to help you edit your autobiography , or you can hire me as a writing mentor . Or, if you’d like me to ghostwrite your life story for you, book a ghostwriting consultation and we’ll talk it over…

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English Compositions

Autobiography of a Book [2000 Words]

Today in this article we are going to show you the example of an Autobiography of a Book.

Hello, I am a book my title is The Happy Prince and Other Tales written by Oscar Wilde. I am a book penned in the year 1888. I am a book having five collections of stories, which are “The Happy Prince”, “The Devoted Friend”, “The Remarkable”, “The Selfish Giant” and “The Nightingale and the Rose”. In all these stories, the importance of values I had told.

I am a book with the first story of A Happy Prince. So, here I am a tall statue. My name is Happy Prince. I am decorated nicely. I am called a Happy Prince because there are no sorrows in my life. I live in a vast palace where no one is sad and filled with pain. One day, Swallow a person was passing by my statue; he looks at me with great attention.

He realizes that I am a sad prince and crying. I looked at him and started telling my life story to him. I used to live in a palace that was only surrounded by people in sorrow. I told him that I am a statue so I could not help people who are poor and suffer from so many problems.

So, I asked him to take all the gemstones one by one to help my people in their need. I had sapphires in my eyes, ruby fixed in the handle of my sword I was holding and a golden leaf that was protecting me. Slowly, as the winter was near, all my gemstones were donated to the poor.

He then died near my statue due to cold air in winters. I had felt so bad, and the Mayor of the city decides to melt my body and make his statue. So many people were not knowing about my goods deeds or help I did to the poor people, so they agreed with the Mayor. God asks me to bring my precious things with me I got a dead bird and heart made up of lead with me.

In my second story, A devoted friend here I had made it an interesting story by having another story in it. Here I started it with a rat making a statement on a duck for her ducklings or wings that are not helping her. The rat asks the duck to become his friend, and at the same time, a finch bird flies by.

This story I wrote for telling the water-rat what is the value of friendship and how he should accept it. The bird tells him a story of a man named Hans. He says that I am the owner of my own house. Outside my house, I was having a beautiful garden filled with many types of flowers in so many colors sold in the market. The name of my friend is Hugh.

He is a miller and his garden was in bad condition. He was facing a loss in selling my flowers. He had sold all his instruments to cover the loss. In the spring season, I, Hans had to sell my roses for getting back my silver buttons and at the same time, my friend visited me. He told me about his loss and I decided to give him an old wheelbarrow.

It was old and he gave me it for my need. I had returned him to help him. Then one day, my friend Hugh got ill and his son got lost to time and found his father dead. I realized that I should have helped with more efforts. In the end, the rat became sad when finch completed her story and went back to his place.

I wrote this third story, “The Remarkable Rocket”. I told about the fireworks used in the marriage of a prince and princess. I am a remarkable rocket used by The prince and princess on the precious day of their marriage. It was so beautiful and big.

I reached to the high sky with swoosh sound was not so loud and was good to ears. I was the heaviest and put aside all other fireworks. I burst out when burned from the tip. I showed my sensitivity and became wet. I was not able to ignite and fly into the sky. So, the prince and princess threw me in the garbage, but I had hope left. I met a frog, duck, and dragonfly who treated me badly. One day two boys got me and ignited me, then I had exploded then I was happy.

In the fourth story, I am a Giant person who owns a garden having aromatic flowers and peach trees. Many children come here and play. When I had returned from home after seven years, I had gone to meet my friend Cornish Ogre.

He states support of children but I had put a fence around my wall and hunged a board with writing, “Trespassers will be prosecuted” than winter season comes. One day, a finch wakes me and I heard the noise of some children who were destroying my wall. One boy was climbing the wall and I helped him.

I told him that it is his garden from now on. All the children came to play daily but the boy was not coming. After many years in spring, he sees that same boy and did not realize that it was a child of the child.

In the last story, I wrote where a nightingale is seeing a student who says that he will not dance with the professor’s daughter. He is not having rose to give her. I felt bad for him and gone around the forest to search for a red rose. A red rose told me how to make it and I made with a deal of singing the song whole night and die.

The child warned me but I did the deal and died. The next day, the girl refused him because someone sent her Chamberlin Jewellery that was precious. His heart was broken and he did not believe in love stories from then on.

In all the stories I wrote in me (book), ended with pain, grief, and sadness. I was sympathetic to all the characters in the story and gave the moral value to always help a person or friend in need.

So how was this autobiography of a book? I hope you enjoyed reading it, for more freshly contents visit Your Essay Club regularly!

How To Write an Autobiography 2024 (Tips, Templates, & Guide)

Your life story has value, merit, and significance. You want to share it with the world, but maybe you don’t know how .

Here’s how to write an autobiography:

Write an autobiography by creating a list of the most important moments, people, and places in your life. Gather photos, videos, letters, and notes about these experiences. Then, use an outline, templates, sentence starters, and questions to help you write your autobiography .

In this article, you are going to learn the fastest method for writing your autobiography.

We are going to cover everything you need to know with examples and a free, downloadable, done-for-you template.

What Is an Autobiography?

Typewriter, lightbulb, and crumpled paper - How To Write an Autobiography

Table of Contents

Before you can write an autobiography, you must first know the definition.

An autobiography is the story of your life, written by you. It covers the full span of your life (at least, up until now), hitting on the most significant moments, people and events.

When you write your autobiography, you write an intimate account of your life.

What Should I Include In an Autobiography?

If you are scratching your head, baffled about what to include in your autobiography, you are not alone.

After all, a big part of how to write an autobiography is knowing what to put in and what to leave out of your life story. Do you focus on every detail?

Every person? Won’t your autobiography be too long?

A good way to think about how to write an autobiography is to use the Movie Trailer Method.

What do movie trailers include?

High emotional moments
The big events
The most important characters

When you plan, organize, and write your autobiography, keep the Movie Trailer Method in mind. You can even watch a bunch of free movie trailers on YouTube for examples of how to write an autobiography using the Movie Trailer Method.

When wondering what to include in your autobiography, focus on what would make the cut for a movie trailer of your life:

Most important people (like family, friends, mentors, coaches, etc.)
Significant events (like your origin story, vacations, graduations, life turning points, life lessons)
Emotional moments (When you were homeless, when you battled a life-threatening condition, or when you fell in love)
Drama or suspense (Did you make it into Harvard? Did your first surgery go well? Did your baby survive?)

Autobiography Structure Secrets

Like any compelling story, a well-structured autobiography often follows a pattern that creates a logical flow and captures readers’ attention.

Traditionally, autobiographies begin with early memories, detailing the writer’s childhood, family background, and the events or people that shaped their formative years.

From here, the narrative typically progresses chronologically, covering major life events like schooling, friendships, challenges, achievements, career milestones, and personal relationships.

It’s essential to weave these events with introspective insights.

This allows readers to understand not just the what, but also the why behind the author’s choices and experiences.

Towards the end, an effective autobiography often includes reflections on lessons learned, changes in perspective over time, and the wisdom acquired along life’s journey.

Example of the Structure:

Introduction: A gripping event or anecdote that gives readers a hint of what to expect. It could be a pivotal moment or challenge that defines the essence of the story.
Childhood and Early Memories: Recounting family dynamics, birthplace, cultural background, and memorable incidents from early years.
Adolescence and Discovering Identity: Experiences during teenage years, challenges faced, friendships formed, and personal evolutions.
Pursuits and Passions: Describing education, early career choices, or any particular hobby or skill that played a significant role in the author’s life.
Major Life Events and Challenges: Chronicles of marriage, parenthood, career shifts, or any significant setbacks and how they were overcome.
Achievements and Milestones: Celebrating major accomplishments and recounting the journey to achieving them.
Reflections and Wisdom: Sharing life lessons, changes in beliefs or values over time, and offering insights gained from lived experiences.
Conclusion: Summarizing the journey, contemplating on the present state, and sharing hopes or aspirations for the future.

How To Write an Autobiography Quickly: Strategies & Templates

Want the quickest way to organize and write your autobiography in record time? You can literally write your autobiography in 7 days or less with this method.

The secret is to use done-for-you templates.

I have personally designed and collected a series of templates to take you from a blank page to a fully complete Autobiography. I call this the How to Write an Autobiography Blueprint.

And it’s completely free to download right from this article. 🙂

In the How to Write an Autobiography Blueprint, you get:

The Autobiography Questions Template
The Autobiography Brainstorm Templates
The Autobiography Outline Template

Here is an image of it so that you know exactly what you get when you download it:

How To Write an Autobiography: Step-by-Step

When you sit down to write an autobiography, it’s helpful to have a step-by-step blueprint to follow.

You already have the done-for-you templates that you can use to organize and write an autobiography faster than ever before. Now here’s a complete step-by-step guide on how to maximize your template.

Brainstorm Ideas
Order your sections (from medium to high interest)
Order the ideas in each section (from medium to high interest)
Write three questions to answer in each section
Choose a starter sentence
Complete a title template
Write each section of your by completing the starter sentence and answering all three questions

Brainstorm Your Autobiography

The first step in writing your autobiography is to brainstorm.

Give yourself time and space to write down the most significant people, events, lessons, and experiences in your life. The templates in the How to Write an Autobiography Blueprint provide sections for you to write down your brainstormed ideas.

This will help you organize your ideas into what will become the major sections of your book.

These will be:

Y our most significant events and experiences.
The people who impacted you the most.
The challenges you have overcome.
Your achievements and successes.
The lessons you have learned.

The “other” sections on the second page of the Brainstorm template is for creating your own sections or to give you more space for the sections I provided in case you run out of space.

As I brainstorm, I find asking myself specific questions really activates my imagination.

So I have compiled a list of compelling questions to help you get ideas down on paper or on your screen.

How to Write an Autobiography: Top 10 Questions

Order Your Sections (From Medium to High Interest)

The next step is to order your main sections.

The main sections are the five (or more) sections from your Brainstorm templates (Significant events, significant people, life lessons, challenges, successes, other, etc). This order will become the outline and chapters for your book.

How do you decide what comes first, second or third?

I recommend placing the sections in order of interest. Ask yourself, “What’s the most fascinating part of my life?”

If it’s a person, then write the name of that section (Significant People) on the last line in the How to Write an Autobiography Outline Template. If it’s an experience, place the name of that section (Significant Events) on the last line.

For example, if you met the Pope, you might want to end with that nugget from your life. If you spent three weeks lost at sea and survived on a desert island by spearfishing, that is your ending point.

Then complete the Outline by placing the remaining sections in order of interest. You can work your way backward from high interest to medium interest.

If you are wondering why I say “medium to high interest” instead of “low to high interest” it is because there should be no “low interest” parts of your autobiography.

But wait, what if you met the Pope AND spent three weeks lost at sea? How do you choose which one comes first or last?

First of all, I want to read this book! Second, when in doubt, default to chronological order. Whatever event happened first, start there.

Here is an example of how it might look:

Order The Ideas in Each Section (From Medium To High Interest)

Now, organize the ideas inside of each section. Again, order the ideas from medium to high interest).

Within your “Significant People” section, decide who you want to talk about first, second, third, etc. You can organize by chronological order (who you met first) but I recommend building to the most interesting or most significant person.

This creates a more compelling read.

Keep in mind that the most significant person might not be the most well-known, most famous, or most popular. The most significant person might be your family member, friend, partner, or child.

It comes down to who shaped your life the most.

So, if your “significant people list” includes your dad, a famous social media influencer, and Mike Tyson, your dad might come last because he had the biggest significance in your life.

Write Three Questions to Answer in Each Section

Ok, you’ve done the heavy lifting already. You have the major sections organized and outlined.

Next on your autobiography to-do list is to choose and write down three questions you are going to answer in each section. You can write your questions down in the provided “boxes” for each section on the template outline (or on another piece of paper.

This is easier than it might seem.

Simply choose one of the sample autobiography questions below or create your own:

Why did I choose this person/event?
What does this person/event mean to me?
How did I meet this person?
Where did it happen?
When did it happen?
Why did it happen?
How did it happen?
What is the most interesting part?
How did I feel about this person or event?
How do I feel now?
Why does this person or event matters to me?
How did this person or event change my life?
What is the most challenging part?
How did I fail?
How did I succeed?
What did I learn?

Questions are the perfect way to write quickly and clearly. I LOVE writing to questions. It’s how I write these blog posts and articles.

Choose a Starter Sentence

Sometimes the hardest part of any project is knowing how to start.

Even though we know we can always go back and edit our beginnings, so many of us become paralyzed with indecision at the starting gate.

That’s why I provided sample starter sentences in your How to Write an Autobiography Blueprint.

Here are the story starters:

I began writing this book when…
Of all the experiences in my life, this one was the most…
I’ve been a…
My name is…
Growing up in…
It wasn’t even a…
It all started when…
I first…
I was born…

Keep in mind that you do not need to begin your book with one of these story starters. I provide them simply to get you going.

The key is to not get bogged down in this, or any, part of writing your autobiography. Get organized and then get writing.

Complete a Title Template

At the top of the How to Write an Autobiography Outline is a place for you to write your book title.

Some authors struggle forever with a title. And that’s ok. What’s not ok is getting stuck. What’s not ok is if coming up with your title prevents you from finishing your book.

So, I provided a few title templates to help juice your creativity.

Just like the story starters, you do not need to use these title templates, but you certainly can. All you need to do is fill in the title templates below and then write your favorite one (for now) at the top of your outline. Presto! You have your working title.

You can always go back and change it later.

How to Write an Autobiography Title templates:

[Your Name]: [Phrase or Tag Line]
The [Your Last Name] Files
Born [Activity]: A [Career]’s Life
The Perfect [Noun]: The Remarkable Life of [Your Name]

Examples using the Templates:

Christopher Kokoski: Blog Until You Drop
The Kokoski Files
Born Writing: A Blogger’s Life
The Perfect Freelancer: The Remarkable Life of Christopher Kokoski

Write Your Autobiography

You have your outline. You have your title, templates, and sentence starters. All that is left to do is write your autobiography.

However, you can use tools like Jasper AI and a few other cool tricks to craft the most riveting book possible.

This is the easy way to remarkable writing.

Check out this short video that goes over the basics of how to write an autobiography:

How To Write an Autobiography (All the Best Tips)

Now that you are poised and ready to dash out your first draft, keep the following pro tips in mind:

Be vulnerable. The best autobiographies share flaws, faults, foibles, and faux pas. Let readers in on the real you.
Skip the boring parts. There is no need to detail every meal, car ride, or a gripping trip to the grocery store. Unless you ran into the Russian Mafia near the vegetables or the grocery store is perched on the side of a mountain above the jungles of Brazil.
Keep your autobiography character-driven . This is the story of YOU!
Be kind to others (or don’t). When writing about others in your story, keep in mind that there may be fallout or backlash from your book.
Consider a theme: Many autobiographies are organized by theme. A perfect example is Becoming . Each section of the book includes “becoming” in the title. Themes connect and elevate each part of the autobiography.
Write your story in vignettes (or scenes). Each vignette is a mini-story with a beginning, middle, and end. Each vignette builds. Each vignette should be described in rich sensory language that shows the reader the experience instead of telling the reader about the experience. Each vignette is immersive, immediate, and intimate.
Include snippets of dialogue. Use quotation marks just like in fiction. Show the dialogue in brief back-and-forth tennis matches of conversation. Remember to leave the boring parts out!
Choose a consistent tone. Some autobiographies are funny like Bossy Pants by Tina Fey. Others are serious such as Open by Andre Agassi. Your story (like most stories) will likely include a mix of emotions but choose an overall tone and stick with it.
Don’t chronicle, captivate . Always think about how to make each section, each chapter, each page, each paragraph, and each sentence more compelling. You want to tell the truth, but HOW you tell the truth is up to you. Create suspense, conflict, and mystery. Let drama linger until it becomes uncomfortable. Don’t solve problems quickly or take away tension right away.

How Do I Format an Autobiography?

Most autobiographies are written in the first person (using the pronouns I, me, we, and us).

Your autobiography is written about you so write as yourself instead of pretending to be writing about someone else.

Most autobiographies are also written in chronological order, from birth right up to your current age, with all the boring parts left out. That doesn’t mean you can’t play around with the timeline.

Sometimes it’s more interesting to start at a high moment, backtrack to the beginning and show how you got to that high moment.

Whatever format you choose, be intentional, and make the choice based on making the most compelling experience possible for your readers.

How Long Should an Autobiography Be?

There are no rules to how long an autobiography should be but a rough guideline is to aim for between 200 and 400 pages.

This will keep your book in line with what most readers expect for books in general, and will help get your book traditionally published or help with marketing your self-published book.

How To Write a Short Autobiography

You write a short autobiography the same way that you write a long autobiography.

You simply leave more out of the story.

You cut everything down to the bones. Or you choose a slice of your life as you do in a memoir. This often means limiting the people in your book, reducing the events and experiences, and shrinking your story to a few pivotal moments in your life.

How To Start an Autobiography

The truth is that you can start your autobiography in any number of ways.

Here are four common ways to begin an autobiography.

Start at the beginning (of your life, career or relationship, etc.)
Start at a high moment of drama or interest.
Start at the end of the story and work backward
Start with why you wrote the book.

Good Autobiography Titles

If you are still stuck on titling your autobiography, consider going to Amazon to browse published works. You can even just Google “autobiographies.”

When you read the titles of 10, 20, or 50 other autobiographies, you will start to see patterns or get ideas for your own titles. (HINT: the title templates in the Autobiography Blueprint were reverse-engineered from popular published books.

Also, check out the titles of the full autobiography examples below that I have included right here in this article.

Types of Autobiographies

There are several different kinds of autobiographies.

Each one requires a similar but slightly nuanced approach to write effectively. The lessons in this article will serve as a great starting point.

Autobiography Types:

Autobiography for School
Autobiography Novel
Autobiography for a Job
Short Autobiography
Autobiography for Kids

Therefore, there is actually not just one way to write an autobiography.

Memoir vs. Autobiography: Are They The Same?

It’s common to feel confused about a memoir and an autobiography. I used to think they were the same thing.

But, nope, they’re not.

They are pretty similar, which is the reason for all the confusion. A memoir is the story of one part of your life. An autobiography is the story of your full life (up until now).

What Is the Difference Between an Autobiography and a Biography?

An autobiography is when you write about your own life. A biography, on the other hand, is when you write the story of someone else’s life.

So, if I write a book about the life of the President, that’s a biography.

If the President writes a story about his or her own life, that’s an autobiography.

What Not To Include In an Autobiography

Autobiographies are meant to be a snapshot of our lives that we can share with others, but there are some things that are best left out.

Here are three things you should avoid including in your autobiography:

1) Anything That Readers Will Skip

Your life may not be filled with non-stop excitement, but that doesn’t mean you need to include every mundane detail in your autobiography.

Stick to the highlights and leave out the low points.

2) Character Attacks on Others

It’s okay to discuss conflicts you’ve had with others, but don’t use your autobiography as a platform to attack someone’s character.

Keep it civil and focus on your own experiences and how they’ve affected you.

3) Skipping Highlights

Just because something embarrassing or painful happened to you doesn’t mean you should gloss over it in your autobiography.

These are the moments that shape us and make us who we are today, so don’t skip past them just because they’re uncomfortable.

By following these simple tips, you can ensure that your autobiography is interesting, honest, and engaging.

How To Write an Autobiography: Autobiography Examples

I have always found examples to be extremely instructive. Especially complete examples of finished products. In this case, books.

Below you will find examples of published autobiographies for adults and for kids. These examples will guide you, motivate you and inspire you to complete your own life story.

They are listed here as examples, not as endorsements, although I think they are all very good.

The point is that you don’t have to agree with anything written in the books to learn from them.

Autobiography Examples for Adults

A Promised Land (Autobiography of Barack Obama)
If You Ask Me: (And of Course You Won’t) (Betty White)
It’s a Long Story: My Life (Willie Nelson)
Stories I Only Tell My Friends: An Autobiography (Rob Lowe)
Becoming (Michelle Obama)

Autobiography Examples for Kids

This Kid Can Fly: It’s About Ability (NOT Disability) (Aaron Philips)
Bee Fearless: Dream Like a Kid (Mikaila Ulmer)

Tools to Write Your Autobiography

Here are some recommended tools to help you write your autobiography:

Final Thoughts: How To Write An Autobiography

Thank you for reading my article on How to Write an Autobiography.

Now that you know all of the secrets to write your book, you may want to get it published, market it, and continue to upskill yourself as an author.

In that case, read these posts next:

Can Anyone Write A Book And Get It Published?
The Best Writing Books For Beginners 2022 (My 10 Favorites)
Why Do Writers Hate Adverbs? (The Final Answer)
How To Write a Manifesto: 20 Ultimate Game-Changing Tips

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50 best autobiographies & biographies of all time

50 best autobiographies & biographies of all time

Enlightening and inspiring: these are the best autobiographies and biographies of 2024, and all time. .

Reading an autobiography can offer a unique insight into a world and experience very different from your own – and these real-life stories are even more entertaining, and stranger, than fiction . Take a glimpse into the lives of some of the world's most inspiring and successful celebrities , politicians and sports people and more in our edit of the best autobiographies and biographies to read right now.

New autobiographies & biographies
Inspiring autobiographies & biographies
Sports autobiographies & biographies
Celebrity autobiographies & biographies
Political & historical autobiographies
Literary autobiographies & biographies

The best new autobiographies and biographies

Sociopath: a memoir, by patric gagne.

The most unputdownable memoir you’ll read this year, Sociopath is the story of Patric Gagne, and her extraordinary life lived on the edge. With seering honestly, Patric explains how, as a child she always knew she was different. Graduating from feelings of apathy to petty theft and stalking, she realised as an adult that she was a sociopath, uncaring of the impact of her actions on others. Sharing the conflict she feels between her impulses, and her desire to live a settled, loving life with her partner, Sociopath is a fascinating story of one woman’s journey to find a place for herself in the world.

Charles III

By robert hardman.

Meet the man behind the monarch in this new biography of King Charles III by royal expert and journalist Robert Hardman. Charting Charles III’s extraordinary first year on the throne, a year plighted by sadness and family scandal, Hardman shares insider details on the true nature of the Windsor family feud, and Queen Camilla’s role within the Royal Family. Detailing the highs and lows of royal life in dazzling detail, this new biography of the man who waited his whole life to be King is one of 2024’s must-reads.

Naked Portrait: A Memoir of Lucian Freud

By rose boyt.

When Rose Boyt finds her old diary in a cardboard box in the summer of 2016, she is transported back to 1989 and her teenage years, a time she never remembered as especially remarkable. However, as Rose reads her accounts of sitting for her father, the painter Lucian Feud, she begins to realise how extraordinary and shocking her experiences truly were. In Naked Portrait: A Memoir of Lucian Freud , Rose Boyt explores her relationship with her father with fresh eyes, painting a vivid portrait of the brilliant, complex man he was.

Air and Love

By or rosenboim.

When Or Rosenboim was growing up, she knew little of her family’s complex history, with her memories of family instead rooted in the traditional dishes her grandmothers prepared with love. After they had both passed away, she began to explore their recipe books, full of handwritten notes for how to make kneidlach balls in hot chicken broth, cinnamon-scented noodle kugel and stuffed vine leaves. There, Or learned of their shared past, one fraught with displacement and change. Interspersing her family’s story with their cherished recipes, Or Rosenboim’s Air and Love is a memoir about food, migration and family.

Lisa Marie Presley's memoir

By lisa marie presley.

Lisa Marie Presley was never truly understood . . . until now. Before her death in 2023, she’d been working on a raw, riveting, one-of-a-kind memoir for years, recording countless hours of breathtakingly vulnerable tape, which has finally been put on the page by her daughter, Riley Keough.

Went to London, Took the Dog: A Diary

By nina stibbe.

Ten years after the publication of the prize-winning Love, Nina comes the author’s diary of her return to London in her sixty-first year. After twenty years, Nina Stibbe, accompanied by her dog Peggy, stays with writer Debby Moggach in London for a year. With few obligations, Nina explores the city, reflecting on her past and embracing new experiences. From indulging in banana splits to navigating her son's dating life, this diary captures the essence of a sixty-year-old runaway finding her place as a "proper adult" once and for all.

Literature for the People

By sarah harkness.

When Daniel and Alexander Macmillan moved to London from the Scottish Highlands in 1830, little did they know that the city was on the brink of huge social change, and that they would change publishing forever. This is the story of the Macmillan brothers who, after an impoverished, working-class childhood, went on to bring Alice in Wonderland and numerous other literary classics and ideas to the world. Through meticulous research and highly entertaining storytelling, Sarah Harkness brings to life the two men who founded a publishing house which has stood the test of time for almost two centuries.

Hildasay to Home

By christian lewis.

The follow-up to his bestselling memoir Finding Hildasay , in Hildasay to Home Christian Lewis tells the next chapter of his extraordinary journey, step by step. From the unexpected way he found love, to his and Kate's journey on foot back down the coastline and into their new lives as parents to baby Marcus, Christian shares his highs and lows as he and his dog Jet leave Hildasay behind. Join the family as they adjust to life away from the island, and set off on a new journey together.

Life's Work

By david milch.

Best known for creating smash-hit shows including NYPD Blue and Deadwood, you’d be forgiven for thinking that David Milch had lived a charmed life of luxury and stardom. In this, his new memoir, Milch dispels that myth, shedding light on his extraordinary life in the spotlight. Born in Buffalo New York to a father gripped by drug-addiction, Milch enrolled at Yale Law befire being expelled and finding his true passion for writing. Written following his diagnosis with Alzheimer’s in 2015, in Life’s Work Milch records his joys, sadnesses and struggles with startling clarity and grace.

Will You Care If I Die?

By nicolas lunabba.

In a world where children murder children, and where gun violence is the worst in Europe, Nicolas Lunabba's job as a social organizer with Malmö's underclass requires firm boundaries and emotional detachment. But all that changes when he meets Elijah – an unruly teenage boy of mixed heritage whose perilous future reminds Nicolas of his own troubled past amongst the marginalized people who live on the fringes of every society. Written as a letter to Elijah, Will You Care If I Die? is a disarmingly direct memoir about social class, race, friendship and unexpected love.

The best inspiring autobiographies and biographies

By yusra mardini.

After fleeing her native Syria to the Turkish coast in 2015, Yusra Mardini boarded a small dinghy full of refugees headed for Greece. On the journey, the boat's engine cut out and it started to sink. Yusra, her sister, and two others took to the water to push the overcrowded boat for three and a half hours in open water, saving the lives of those on board. Butterfly is Yusra Mardini's journey from war-torn Damascus to Berlin and from there to the 2016 Rio de Janeiro Olympic Game. A UNHCR Goodwill Ambassador and one of People magazine's 25 Women Changing the World, discover Yusra and her incredible story of resilience and unstoppable spirit.

Finding Hildasay

After hitting rock bottom having suffered with depression for years, Christian Lewis made an impulsive decision to walk the entire coastline of the UK. Just a few days later he set off with a tent, walking boots and a tenner in his pocket. Finding Hildasay tells us some of this incredible story, including the brutal three months Christian Lewis spent on the uninhabited island of Hildasay in Scotland with no fresh water or food. It was there, where his route was most barren, that he discovered pride and respect for himself. This is not just a story of a remarkable journey, but one of depression, survival and the meaning of home.

The Happiest Man on Earth

By eddie jaku.

A lesson in how happiness can be found in the darkest of times, this is the story of Eddie Jaku, a German Jew who survived seven years at the hands of the Nazis. Eddie Jaku always considered himself a German first, and a Jew second. All of that changed in November 1938, when he was beaten, arrested and taken to a concentration camp. But through his courage and tenacity he still came to live life as 'the happiest man on earth'. Published at the author turns one hundred, The Happiest Man on Earth is a heartbreaking but hopeful memoir full of inspiration.

Don't Miss

3 lessons to learn from Eddie Jaku

I know why the caged bird sings, by maya angelou.

Book cover for I Know Why The Caged Bird Sings

A favourite book of former president Obama and countless others, I Know Why the Caged Bird Sings , recounts Angelou’s childhood in the American south in the 1930s. A beautifully written classic, this is the first of Maya Angelou's seven bestselling autobiographies.

I Am Malala

By malala yousafzai.

After speaking out about her right to education almost cost her her life, Malala Yousafzi refused to be silenced. Instead, her amazing story has taken her all over the world. This is the story of Malala and her inspirational family, and of how one person's voice can inspire change across the globe.

In Extremis: The Life of War Correspondent Marie Colvin

By lindsey hilsum.

In her job as a foreign correspondent, Marie Colvin reported from some of the most dangerous places in the world. It was a job that would eventually cost her her life. In this posthumous biography of the award-winning news journalist, Lindsey Hilsum shares the story of one of the most daring and inspirational women of our times with warmth and wit, conveying Colvin's trademark glamour.

The best memoirs

This is going to hurt, by adam kay.

Offering a unique insight into life as an NHS junior doctor through his diary entries, Adam Kay's bestselling autobiography is equal parts heartwarming and humorous, and oftentimes horrifying too. With 97-hour weeks, life and death decisions and a tsunami of bodily fluids, Kay provides a no-holds-barred account of working on the NHS frontline. Now a major BBC comedy-drama, don't miss this special edition of This Is Going To Hurt including a bonus diary entries and an afterword from the author.

The Colour of Madness

By samara linton.

The Colour of Madness brings together memoirs, essays, poetry, short fiction and artworks by people of colour who have experienced difficulties with mental health. From experiencing micro-aggressions to bias, and stigma to religious and cultural issues, people of colour have to fight harder than others to be heard and helped. Statistics show that people from Black and minority ethnic backgrounds in the UK experience poor mental health treatment in comparison to their white counterparts, and are more likely to be held under the Mental Health Act.

Nothing But The Truth

By the secret barrister.

How do you become a barrister? Why do only 1 per cent of those who study law succeed in joining this mysterious profession? And why might a practising barrister come to feel the need to reveal the lies, secrets, failures and crises at the heart of this world of wigs and gowns? Full of hilarious, shocking and surprising stories, Nothing But The Truth tracks the Secret Barrister’s transformation from hang ‘em and flog ‘em, austerity-supporting twenty-something to a campaigning, bestselling, reforming author whose writing in defence of the law is celebrated around the globe.

Is This Ok?

By harriet gibsone.

Harriet spent much of her young life feeding neuroses and insecurities with obsessive internet searching and indulging in whirlwind ‘parasocial relationships'. But after a diagnosis of early menopause in her late twenties, her relationship with the internet took a darker turn, as her online addictions were thrown into sharp relief by the corporeal realities of illness and motherhood. An outrageously funny, raw and painfully honest account of trying to find connection in the age of the internet, Is This Ok? is the stunning literary debut from music journalist, Harriet Gibsone.

A Letter to My Transgender Daughter

By carolyn hays.

This moving memoir is an ode to Hays' transgender daughter – a love letter to a child who has always known herself. After a caseworker from the Department of Children and Families knocked on the door to investigate an anonymous complaint about the upbringing of their transgender child, the Hays family moved away from their Republican state. In A Girlhood, Hays tells of the brutal truths of being trans, of the sacrificial nature of motherhood and of the lengths a family will go to shield their youngest from the cruel realities of the world. Hays asks us all to love better, for children everywhere enduring injustice and prejudice.

by Michelle Obama

This bestselling autobiography lifts the lid on the life of one of the most inspiring women of a generation, former first lady Michelle Obama. From her childhood as a gifted young woman in south Chicago to becoming the first black First Lady of the USA, Obama tells the story of her extraordinary life with humour, warmth and honesty.

Kitchen Confidential

By anthony bourdain.

Regarded as one of the greatest books about food ever written, Kitchen Confidential lays bare the wild tales of the culinary industry. From his lowly position as a dishwasher in Provincetown to cooking at some of the finest restaurants across the world, the much-loved Bourdain translates his sultry, sarcastic and quick-witted personality to paper in this uncensored 'sex, drugs, bad behaviour and haute cuisine' account of life as a professional chef. Bourdain's tales of the kitchen are as passionate as they are unpredictable, as shocking as they are funny.

Everything I Know About Love

By dolly alderton.

Dolly Alderton, perhaps more than any other author, represents the rise of the messy millennial woman – in the very best way possible. Her internationally bestselling memoir gives an unflinching account of the bad dates and squalid flat-shares, the heartaches and humiliations, and most importantly, the unbreakable female friendships that defined her twenties. She weaves together personal stories, satirical observations, a series of lists, recipes, and other vignettes that will strike a chord of recognition with women of every age. This is a memoir that you'll discuss with loved ones long after the final page.

The best sports autobiographies and biographies

By chris kamara.

Presenter, commentator, (sometimes masked) singer, footballer, manager and campaigner, Kammy's action-packed career has made him a bona fide British hero. Kammy had a tough upbringing, faced racism on the terraces during his playing career and has, in recent years, dealt with a rare brain condition – apraxia – that has affected his speech and seen him say goodbye to Sky Sports. With entertaining stories of his playing career from Pompey to Leeds and beyond; his management at Bradford City and Stoke; his crazy travels around the world; of Soccer Saturday banter; presenting Ninja Warrior ; and the incredible friendships he's made along the way, Kammy is an unforgettable ride from one of Britain's best-loved broadcasters.

Alone on the Wall

By alex honnold.

In the last forty years, only a handful of climbers have pushed themselves as far, ‘free soloing’ to the absolute limit of human capabilities. Half of them are dead. Although Alex Honnold’s exploits are probably a bit too extreme for most of us, the stories behind his incredible climbs are exciting, uplifting and truly awe-inspiring. Alone on the Wall is a book about the essential truth of being free to pursue your passions and the ability to maintain a singular focus, even in the face of mortal danger. This updated edition contains the account of Alex's El Capitan climb, which is the subject of the Oscar and BAFTA winning documentary, Free Solo .

On Days Like These

By martin o'neill.

Martin O’Neill has had one of the most incredible careers in football. With a story spanning over fifty years, Martin tells of his exhilarating highs and painful lows; from the joys of winning trophies, promotion and fighting for World Cups to being harangued by fans, boardroom drama, relegation scraps and being fired. Written with his trademark honesty and humour, On Days Like These is one of the most insightful and captivating sports autobiographies and a must-read for any fans of the beautiful game.

Too Many Reasons to Live

By rob burrow.

As a child, Rob Burrow was told he was too small to be a rugby player. Some 500 games for Leeds later, Rob had proved his doubters wrong: he won eight Super League Grand Finals, two Challenge Cups, three World Club Challenges and played for his country in two World Cups. In 2019 though, Rob was diagnosed with motor neurone disease and given just two years to live. He went public with the news, determined to fight it all the way. Full of love, bravery and kindness, this is the story of a man who has awed his fans with his positive attitude to life.

With You Every Step, a celebration of friendship by Rob Burrow and Kevin Sinfield

At home with muhammad ali, by hana yasmeen ali.

Book cover for At Home with Muhammad Ali

Written by his daughter Ali using material from her father's audio journals, love letters and her treasured family memories, this sports biography offers an intimate portrait of one of boxing's most legendary figures, and one of the most iconic sports personalities of all time.

They Don't Teach This

By eniola aluko.

In her autobiography, footballer Eni Aluko addresses themes of dual nationality, race and institutional prejudice, success, gender and faith through her own experiences growing up in Britain. Part memoir, part manifesto for change, They Don't Teach This is a must-read book for 2020.

The best celebrity autobiographies and biographies

By adrian edmondson.

From brutal schooldays to 80s anarchy, through The Young Ones and beyond, Berserker! is the one-of-a-kind, fascinating memoir from an icon of British comedy, Adrian Edmondson. His star-studded anecdotes and outrageous stories are set to a soundtrack of pop hits, transporting the reader through time and cranking up the nostalgia. But, as one would expect, these stories are also a guaranteed laugh as Ade traces his journey through life and comedy.

Beyond the Story

In honor of BTS's 10th anniversary, this remarkable book serves as the band's inaugural official release, offering a treasure trove of unseen photographs and exclusive content. With Myeongseok Kang's extensive interviews and years of coverage, the vibrant world of K-pop springs to life. As digital pioneers, BTS's online presence has bridged continents, and this volume grants readers instant access to trailers, music videos, and more, providing a comprehensive journey through BTS's defining moments. Complete with a milestone timeline, Beyond the Story stands as a comprehensive archive, encapsulating everything about BTS within its pages.

Being Henry

By henry winkler.

Brilliant, funny, and widely-regarded as the nicest man in Hollywood, Henry Winkler shares the disheartening truth of his childhood, the difficulties of a life with severe dyslexia and the pressures of a role that takes on a life of its own. Since the glorious era of Happy Days fame, Henry has endeared himself to a new generation with roles in such adored shows as Arrested Development and Barry , where he’s revealed himself as an actor with immense depth and pathos. But Being Henry is about so much more than a life in Hollywood and the curse of stardom. It is a meaningful testament to the power of sharing truth and of finding fulfillment within yourself.

What Are You Doing Here?

By floella benjamin.

Actress, television presenter, member of the House of Lords – Baroness Floella Benjamin is an inspiration to many. But it hasn't always been easy: in What Are You Doing Here? she describes her journey to London as part of the Windrush generation, and the daily racism that caused her so much pain as a child. She has gone on to remain true to her values, from breaking down barriers as a Play School presenter to calling for diversity at the BBC and BAFTA to resisting the pressures of typecasting. Sharing the lessons she has learned, imbued with her joy and positivity, this autobiography is the moving testimony of a remarkable woman.

A Funny Life

By michael mcintyre.

Comic Michael McIntyre specialises in pin-sharp observational routines that have made him the world's bestselling funny man. But when he turns his gaze to himself and his own family, things get even funnier. This bracingly honest memoir covers the highs, lows and pratfalls of a career in comedy, as Michael climbs the greasy pole of success and desperately attempts to stay up there.

by Elton John

Elton John is one of the most successful singer/songwriters of all time, but success didn't come easily to him. In his bestselling autobiography, he charts his extraordinary life, from the early rejection of his work to the heady heights of international stardom and the challenges that came along with it. With candour and humour, he tells the stories of celebrity friendships with John Lennon, George Michael and Freddie Mercury, and of how he turned his life around and found love with David Furnish. Me is the real story of the man behind the music.

And Away...

By bob mortimer.

National treasure and beloved entertainer, Bob Mortimer, takes us from his childhood in Middlesborough to working as a solicitor in London in his highly acclaimed autobiography. Mortimer’s life was trundling along happily until suddenly in 2015 he was diagnosed with a heart condition that required immediate surgery and forced him to cancel an upcoming tour. The book covers his numerous misadventures along his path to fame but also reflects on more serious themes, making this both one of the most humorous and poignant celebrity memoirs of recent years.

by Walter Isaacson

Based on interviews conducted with Steve Jobs, Walter Isaacson's biography of Apple co-founder Steve Jobs is filled with lessons about innovation, leadership, and values and has inspired a movie starring Michael Fassbender, Kate Winslet and Seth Rogen. Isaacson tells the story of the rollercoaster life and searingly intense personality of creative entrepreneur whose passion for perfection and ferocious drive revolutionized the tech industry. Although Jobs cooperated with this book, he asked for no control over what was written and put nothing off limits, making this an unflinchingly candid account of one of the key figures of modern history.

Maybe I Don't Belong Here

By david harewood.

When David Harewood was twenty-three, his acting career began to take flight and he had what he now understands to be a psychotic breakdown. He was physically restrained by six police officers, sedated, then hospitalized and transferred to a locked ward. Only now, thirty years later, has he been able to process what he went through. In this powerful and provocative account of a life lived after psychosis, critically acclaimed actor, David Harewood, uncovers a devastating family history and investigates the very real impact of racism on Black mental health.

Scenes from My Life

By michael k. williams.

When Michael K. Williams died on 6 September 2021, he left behind a career as one of the most electrifying actors of his generation. At the time of his death, Williams had nearly finished his memoir, which traces his life in whole, from his childhood and his early years as a dancer to his battles with addiction. Alongside his achievements on screen he was a committed activist who dedicated his life to helping at-risk young people find their voice and carve out their future. Imbued with poignance and raw honesty, Scenes from My Life is the story of a performer who gave his all to everything he did – in his own voice, in his own words.

The best political and historical autobiographies

The fall of boris johnson, by sebastian payne.

Sebastian Payne, Whitehall Editor for the Financial Times, tells the behind-the-scenes story of the fall of former Prime Minister, Boris Johnson. After being touted saviour of the Conservative Party, it took Johnson just three years to resign after a series of scandals. From the blocked suspension of Owen Patterson to Partygate and the Chris Pincher allegations, Payne gives us unparalleled access to those who were in the room when key decisions were made, ultimately culminating in Boris's downfall. This is a gripping and timely look at how power is gained, wielded and lost in Britain today.

by Sung-Yoon Lee

The Sister , written by Sung-Yoon Lee, a scholar and specialist on North Korea, uncovers the truth about Kim Yo Jong and her close bond with Kim Jong Un. In 2022, Kim Yo Jong threatened to nuke South Korea, reminding the world of the dangers posed by her state. But how did the youngest daughter of Dear Leader Kim Jong Il, his ‘sweet princess’, become the ruthless chief propagandist, internal administrator and foreign policymaker for her brother’s totalitarian regime? Readable and insightful, this book is an invaluable portrait of a woman who might yet hold the survival of her despotic dynasty in her hands.

Long Walk To Freedom

By nelson mandela.

Deemed 'essential reading for anyone who wants to understand history' by former US President, Barack Obama, this is the autobiography of one of the world's greatest moral and political leaders, Nelson Mandela. Imprisoned for more than 25 years, president of the African National Congress and head of South Africa's anti-apartheid movement, the Nobel Peace Prize winner's life was nothing short of extraordinary. Long Walk to Freedom vividly tells this story; one of hardship, resilience and ultimate triumph, written with the clarity and eloquence of a born leader.

The Diary of a Young Girl

By anne frank.

No list of inspiring autobiographies would be complete without Anne Frank's The Diary of a Young Girl . Charting the thirteen-year-old's time hiding in a 'Secret Annex' with her family to escape Gestapo detection, this book (which was discovered after Anne Frank's death), is a must-read, and a testament to the courage shown by the millions persecuted during the Second World War.

The best literary autobiographies

Winner of Pulitzer Prize in Memoir, Stay True is a deeply moving and intimate memoir about growing up and moving through the world in search of meaning and belonging. When Hua Hsu first meets Ken in a Berkeley dorm room, he hates him. A frat boy with terrible taste in music, Ken seems exactly like everyone else. For Hua, Ken represents all that he defines himself in opposition to – the mainstream. The only thing Hua, the son of Taiwanese immigrants, and Ken, whose Japanese American family has been in the US for generations, have in common is that, however they engage with it, American culture doesn’t seem to have a place for either of them.

The Immortal Life of Henrietta Lacks

By rebecca skloot.

Born to a poor black tobacco farmer in rural Virginia in 1920, Henrietta Lacks died of cancer when she was just 31. However, her story does not end there, as her cancer cells, taken without permission during her treatment continued to live on being used for research all over the world and becoming a multi-million dollar industry, with her family only learning of her impact more than two decades after her death. In The Immortal Life of Henrietta Lacks Rebecca Skloot tells the story of a woman who never knew of her lifesaving impact and asks: do we ever really own our bodies?

A Fortunate Woman

By polly morland.

Funny, emotional and imbued with great depth, A Fortunate Woman is an exploration of the life of a country doctor in a remote and wild wooded valley in the Forest of Dean. The story was sparked when writer and documentary maker Polly Morland found a photograph of the valley she lives in tucked inside a tattered copy of John Berger’s A Fortunate Man . Itself an account of the life of a country doctor, the book inspired a woman doctor to follow her vocation in the same remote place. And it is the story of this woman that Polly Morland tells, in this compelling portrait of landscape and community.

Father and Son

By jonathan raban.

On 11 June 2011, three days short of his sixty-ninth birthday, Jonathan Raban suffered a stroke which left him unable to use the right side of his body. Learning to use a wheelchair in a rehab facility outside Seattle and resisting the ministrations of the nurses overseeing his recovery, Raban began to reflect upon the measure of his own life in the face of his own mortality. Together with the chronicle of his recovery is the extraordinary story of his parents’ marriage, the early years of which were conducted by letter while his father fought in the Second World War.

Crying in H Mart

By michelle zauner.

This radiant read by singer, songwriter and guitarist Michelle Zauner delves into the experience of being the only Asian-American child at her school in Eugene, Oregon, combined with family struggles and blissful escapes to her grandmother's tiny Seoul apartment. The family bond is the shared love of Korean food, which helped Michelle reclaim her Asian identity in her twenties. A lively, honest, riveting read.

The Reluctant Carer

By the reluctant carer.

The phone rings. Your elderly father has been taken to hospital, and your even older mother is home with nobody to look after her. What do you do? Drop everything and go and help of course. But it's not that straightforward, and your own life starts to fall apart as quickly as their health. Irresistibly funny, unflinching and deeply moving, this is a love letter to family and friends, to carers and to anyone who has ever packed a small bag intent on staying for just a few days. This is a true story of what it really means to be a carer, and of the ties that bind even tighter when you least expect it.

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50 Eye-Catching Autobiography Titles (+ How to Write Your Own)

POSTED ON Oct 12, 2023

Written by Shannon Clark

You’ve written your life story.

You’ve laid your heart bare before the world

So, what’s the best title for your one-of-a-kind masterpiece?

“____________: An Autobiography”?

Seriously, unless you’re a household name, using “autobiography” as part of your title might not work in your favor, but not to worry. You don’t have to be famous to write an autobiography , but you do need a title that will grab a buyer's attention, so they know your book is worth a second look.

Don't like it?

The purpose of this article is to break down what makes a standout autobiography title and the process for creating your own.

Need autobiography titles? Let's dive in!

The secret sauce for writing an amazing book title.

The process of creating an autobiography book title that gets noticed starts with a marketer's mindset.

Yes, it all boils down to strategic book positioning in the marketplace. Creativity is a big part of it, but that’s a small part of the bigger picture. After all, if your book doesn't get in front of the people who would be most likely to read it, you can't change lives with the content inside!

Unlike fiction books or other types of nonfiction books (e.g. business books or textbooks) where there’s a specific category or genre expectation, autobiographies play by their own set of rules—the more creative the better.

How to think like a marketer when creating your title

If you are self-publishing your book, then you’re probably already aware that marketing is a key component of your book’s success, but what is marketing exactly?

The American Marketing Association defines marketing as

Marketing is the activity, set of institutions, and processes for creating, communicating, delivering, and exchanging offerings that have value for customers, clients, partners, and society at large.

When marketing your book, knowing how to write a good book title matters, because, along with your cover, it’s the first thing a potential buyer sees (reads) before making a buying decision. A casual search for “autobiography” on Amazon pulled up over 700,000 results. This doesn’t mean that every book belongs in the category, but it’s still a lot of books.

You might be asking how you get your book to rise to the top of search results.

Start with a great title.

Here are some best practices:

Make your title relevant – You can never go wrong with a title that reflects the theme of your book . This will clue buyers into what to expect. You can also go with a significant statement or quote drawn directly from your story. Clever titles also work, but try to stay away from the cheesy ones that confuse buyers.
Appeal to your ideal audience’s needs – Every book is not for everyone. Target a specific reader type when creating your title. For example, meteorologist and television personality Ginger Zee titled her book Natural Disasters. This title works well for her because her book’s content is about the unpredictable “storms” of life she has faced and she also covers storms in her reporting.
Stay away from clickbait – Or anything that leads readers to believe your book is about one thing but it’s something else. This only frustrates readers and could potentially lead to bad reviews.
Use a primary keyword in your title if it fits – First Gen by Alejandra Campoverdi and Cooked by Jeff Henderson include keyword(s) that are relevant to buyer searches.
Invite the reader into your story – This can be done by asking a question like the autobiography title What Are You Doing Here? by Baroness Floella Benjamin. Or, create an image in their mind like The Ugly Cry by Danielle Henderson or The Last Black Unicorn by Tiffany Haddish.

Hint: Keep it short. According to Amazon, “Customers are more likely to skim past long titles (over 60 characters). There are exceptions to the rules. You’ll see some in the list that follows.

Don’t forget about writing a subtitle for your book . They are optional but a great way to add a splash of flavor.

50 eye-catching autobiography titles that inspire

After an exhaustive search in the autobiography categories of the top online book retailers, I selected 50 incredible autobiography titles as a starting point for creating an amazing title for your autobiography. Note: Memoir titles listed under the autobiography category are included in the list.

Autobiography titles about celebrities

What Are You Doing Here? – Baronness Floella Benjamin
Tis Herself – Maureen O’Hara
F inding Me by Viola Davis
Not That Fancy: Simple Lessons on Living, Loving, Eating, and Dusting Off Your Boots By Reba McEntire
Live Wire: Long-Winded Short Stories by Kelly Ripa
Thicker than Water by Kerry Washington
We Were Dreamers by Simu Liu
Enough Already: Learning to Love the Way I Am Today by Valerie Bertinelli
Just as I am by Cicely Tyson
A Promised Land by Barack Obama
Making It So by Patrick Stewart
Inside Out by Demi Moore
In Pieces by Sally Field
The Last Black Unicorn by Tiffany Haddish
Boldly Go: Reflections on a Life of Awe and Wonder by William Shatner
Troublemaker: Surviving Hollywood and Scientology by Leah Remini
Look Out for the Little Guy! By Scott Lang
I Can’t Make This Up: Life Lessons by Kevin Hart, Neil Strauss
No Time Like the Future: An Optimist Considers Mortality by Michael J. Fox
Scenes from My Life by Michael K. Williams
The Way I Heard It by Mike Rowe
I Came as a Shadow – John Thompson

Autobiography titles about authors

I Know Why the Caged Bird Sings by Maya Angelou
Lit by Mary Karr

Autobiography titles about family

The Glass Castle by Jeannette Walls
Mott Street by Ava Chin
The Girl in the Middle by Anais Granofsky
All You Can Ever Know by Nicole Chung
The Ugly Cry by Danielle Henderson

Autobiography titles about immigration, culture, and race

Good Morning, Hope: A True Story of Refugee Twin Sisters and Their Triumph over War, Poverty, and Heartbreak by Argita Zalli, and Detina Zalli
Negroland by Margo Jefferson
First Gen by Alejandra Campoverdi
Between the World and Me by Ta-Nehisi Coates
The Best We Could Do by Thi Bui
Heart of Fire: An Immigrant Daughter’s Story – Mazie K. Hirono
The Girl Who Smiled Beads by Clementine Wamariya, Elizabeth Weil

Autobiography titles about beating the odds

Cooked by Jeff Henderson
The Pale-Faced Lie by David Crow
Thunder Dog: The True Story of a Blind Mann, His Guide Dog, and the Triumph of Trust by Michael Hingson and Susy Flory
When the Tears Dry by Meredith Hawkins
Reaching for the Moon by Katherine Johnson
80 Percent Luck, 20 Percent Skill: My Life as a WWII Navy Ferry Pilot by Ralph T. Alshouse

Autobiography titles about faith

Like a River: Finding the Faith and Strength to Move Forward After Loss and Heartache by Granger Smith
The Barn by David Hill
All My Knotted-Up Life by Beth Moore

Autobiography titles about journalists, reporters, and media

Natural Disaster: I Cover Them. I am One by Ginger Zee
Going There by Katie Couric
Rough Draft by Kati Tur
The Long Loneliness by Dorothy Day

Use a free tool to generate your own autobiography title

You obviously can't use these published autobiography titles for your own book – but you can use our free book title generator to come up with suggestions that you could use.

It's really easy to use, and instantly gives you an unlimited amount of working titles – or even final titles – to use for your book!

1. Select nonfiction for the book’s genre in the drop-down menu

2. Fill in the details

For the next question, if you have a book description, type “yes” and add your description in the text box.

If you don’t have a description yet, answer “no” and fill out the questions. Eventually, you will need to write a book description , but this is often something our authors do after they complete their manuscript .

Incredible Biography Titles - Book Title Generator Description Question Section

3. Click “generate”

That's it! Get ready for some unique autobiography book title suggestions. Remember, if you don't like the one that you see, you can continue to generate as many as you'd like.

Final thoughts

Your autobiography title can be the difference between someone scrolling past your book on Amazon or stopping to read a sample. Whatever title you choose, remember that it’s just as much about you as your reader. Make them want to read your story by giving them something unique that piques their interest.

You can also look for inspiration in other genres. For example, some memoir book titles could also lend well to an autobiography – like What My Bones Know by Stephanie Foo. Intriguing, isn't it? Don't limit yourself!

Are you ready to take the next steps with your autobiography? We have a professional publishing team ready to guide you through the book development process.

5 tips for mastering your rough draft.

Self-Help, Writing

How to Overcome Imposter Syndrome: 11 Helpful Tips

What is a mind map: 7 steps to making one and using it to write your book.

The Autobiography of a Flea

First published in 1887

Contents [ edit ]

Chapter III
Chapter VII
Chapter VIII
Chapter XII

This work was published in 1887 and is anonymous or pseudonymous due to unknown authorship. It is in the public domain in the United States as well as countries and areas where the copyright terms of anonymous or pseudonymous works are 136 years or less since publication .

Public domain Public domain false false

Works by unknown authors
Texts without a source
Headers applying DefaultSort key

How a New Biography Makes Sense of Carolyn Bessette-Kennedy's Short Life

Elizabeth Beller's book, Once Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy , is out now.

Every item on this page was chosen by a Town & Country editor. We may earn commission on some of the items you choose to buy.

Once Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy

Beller’s book doesn’t shy away from those stories that made front-page news, but also offers a deep, thoughtful look at a woman who was more than just a fight with her husband or an unsmiling face for aggressive photographers. Speaking with friends and family members, Beller has developed a clear picture of a person who had a full life before she married into American royalty, and one who struggled with the demands of living in the spotlight. The absorbing biography isn’t without juicy moments, but also doesn’t rely on sensationalism to make the case for Bessette-Kennedy’s importance; it’s a nuanced, complicated book about a person who had similar qualities, and it’s a must read for anyone who wants to go beyond the surface of a story that’s captivated the world for more than two decades.

Here, Beller speaks with T&C about her subject, what went into writing the book, and what she wishes she had known when she started.

You write in the afterword of the book about being resistant at first to writing it at all. What made you want to do this and what were the hurdles you had to overcome?

Like everyone in 1999, I was not paying that much attention. I would see pictures of Carolyn and John on a tabloid cover in the supermarket, but I wasn't reading about them. On the 20th anniversary of the accident, though, news media was a different thing. I started clicking and reading, and what happened was that I noticed a huge discrepancy between the way the media and certain tabloids portrayed Carolyn and the way friends spoke about her. The more I noticed the discrepancy, the more I read, and the more like I felt a compulsion to write, to say, “Wait a minute, I think we've got this person wrong.” The biggest hurdle, I guess, was the resistance; this was someone who really wanted to remain private and a lot of people wanted to respect that—I even respected that in them. But after a while, it does become about legacy and the fact that there is such an incorrect narrative around her, and there are very few people who have had that much media scrutiny and have those wrong narratives surrounding them. I just felt compelled to change it.

When you start a project like this, who is your first phone call?

I happened to have friends who were adjacent. I was friends with [former Calvin Klein employee] Stormy Stokes who worked with Carolyn for a very short amount of time, but who connected me with other people. I also have a friend in New Orleans who knows Carole Radziwill; I spoke with Carole several times over the years, and she had incredible insight to share. It was long process, though, and it took a while for people to feel that they could trust me. I think it had to do with time and hearing the questions that I was asking. They began to understand that I was not looking for sensation, I was not looking for salacious stories, I was looking more for insight into her point of view.

How do you navigate these friends who want to protect Carolyn with being able to paint a picture of a real person?

The way I approached it was really through trying to be understanding of what her viewpoint was and what her background was. She was not a socialite, she always worked, and like all of us, she came with certain vulnerabilities. What I tried to do was understand those vulnerabilities—some of them had to do with growing up without her father, and things in her life that she probably would've wished she had done a little differently—and give them context.

So much of her life has been explored over the years. What surprised you? I had never heard that she and John got matching tattoos!

I was surprised by that, but I also wasn’t because you don't know them despite all the pictures that we see all the time. I want to point out that in the book—because I go on about her being chased by paparazzi and how that made her so unhappy—I made a conscious choice to not use any paparazzi photos. But the biggest surprise, and I don't know why I was surprised, was how much fun she and John had together. She had this great sense of humor, which doesn't come across in the photographs, and John and Carolyn would laugh together all the time. She also did that with friends, and I mean the kind of laughing where you've just got tears running down your face. It was a nice thing to be able to put in the book that I didn't quite know that I was going to be able to get to.

You’re also able to put all these moments—good and bad—in a larger context, so something like a public quarrel between Carolyn and John feels less emblematic of their relationship and more like a normal part of life.

If you're married and you're never arguing, you're not living together, you're living separately. That is how life works. But tabloids want to sell newspapers, so a fight is what gets the most newsprint. I really wanted to change that idea about Carolyn, because there was so much more to her—and so much more fun.

john f kennedy jr and carolyn bessette kennedy

You deal with her relationship with the paparazzi, which was certainly not fun. And that frustration with being chased like she was meant pictures of her looking angry or frightened, which fed into this persona….

The paparazzi waiting for her like they did really frightened her . It touched a nerve and a particular vulnerability with her that, interestingly, was difficult to grasp for friends and colleagues who saw her as fearless and a warrior. She was truly terrified. I do think she came to being a public figure with a different tool set obviously than John, who learned from the master, [his mother] Jackie. Sadly, what happened is that she withdrew, and the more she withdrew, the more isolated and frightened she felt, and then she withdrew more. It became a vicious cycle.

Do you think things would be different for a couple like them today?

I've thought about that a lot. In many ways, Carolyn was at this crucial juncture where a lot of people find themselves today: she was getting this attention, but she hadn't taken over her own narrative. At that point, the Kennedy motto was that you just don't respond to things like that. It's different now. So, if she was with us now, she would have a lot more control over her story.

Jackie had respect from people, and so did John. When John was walking down the street, it was like, “Hey John, how are you doing?” If it was Carolyn, they would call her names. It was a very different scenario for her. I think she would've gotten over that fear and I think she really would have gone on to do meaningful things, whether it would've been teaching again or making documentary films about underserved communities. That's part of why I wanted to write the book, because it seemed so obvious to me that this was what she was really interested in. She was not interested in fame. In fact, she almost didn't want to marry John because of the fame. She married him because she loved him, and she married him despite the fame.

Was there one that got away in terms of people you wanted to speak to?

Oh, plenty. But I understand and even respect it. These people lost people from their life, lovely and kind people. When I think about asking friends to talk, I always keep that in mind. That was one of the first things I say to anyone: “I'm really sorry for the loss of your friends.”

If you were able to ask Carolyn a question, what would it be?

What do you think you wanted to do next? What were you thinking you would do when John ran for political office? Because we know that that's what he was thinking about doing.

.css-4rnr1w:before{margin:0 auto 1.875rem;width:60%;height:0.125rem;content:'';display:block;background-color:#9a0500;color:#fff;} .css-gcw71x{color:#030929;font-family:NewParis,NewParis-fallback,NewParis-roboto,NewParis-local,Georgia,Times,serif;font-size:1.625rem;line-height:1.2;margin:0rem;}@media(max-width: 64rem){.css-gcw71x{font-size:2.25rem;line-height:1.1;}}@media(min-width: 48rem){.css-gcw71x{font-size:2.625rem;line-height:1.1;}}@media(min-width: 64rem){.css-gcw71x{font-size:2.8125rem;line-height:1.1;}}.css-gcw71x b,.css-gcw71x strong{font-family:inherit;font-weight:bold;}.css-gcw71x em,.css-gcw71x i{font-style:italic;font-family:inherit;} She married John because she loved him, and she married him despite the fame."

Knowing what you know now about this book and about these people, is there any advice you wish you’d been given at the beginning of this project?

Don't take it personally when people didn't want to talk or would say, “Why are you writing this now?” At first, I did. I was like, oh, my God, this is going to be impossible . And over time people did speak and then I realized that I could start to believe in the project more because I was getting across what I wanted to get across.

What was the furthest you had to go to try to get someone to talk?

I sent handwritten letters to both of Carolyn's parents. Interestingly, it wasn't her parents who reached out, but her paternal uncle and cousin, who I spoke with.

While you’ve been writing this book, there has been this resurgence in interest in Carolyn. What has it been like to see that happening?

It’s been kind of great because people are interested, and there's a reason I'm writing this now. But I do recall some of her friends saying what made them the saddest when she passed away is that she would be remembered as a style icon and not for the things that really matter about her: warmth, kindness, her sense of humor, and her sense of joy. But seeing this come up makes me wonder if one of the reasons that she's so attractive is her reticence and how it made people wonder about her. She didn’t live long enough to kind of show us, and she never decided to do an interview. I think there's a tendency to have these warm, what-could-have-happened feelings about anyone who dies young, but they were also really at the tail end of an era where you could be that quiet and not be reclusive.

Adam Rathe is Town & Country 's Deputy Features Director, covering arts and culture and a range of other subjects.

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new york, ny may 5 lee radziwill and carolyn bessette kennedy at supper club for the party following the performance of the parsons dance companys premiere of composer shelly palmers anthem on may 5, 1998 in new york city photo by patrick mcmullanpatrick mcmullan via getty images

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A brief history of muscles and their meaning

Michael Andor Brodeur’s “Swole” is a semiotic history that doubles as an autobiography in lifting.

What are big muscles for? They were sidelined long ago by the industrial revolution; engines drive plows and hammer steel more cheaply and less complainingly. Somehow, though, they retain an ambiguous prestige — suggesting eros and authority to some viewers, and exhibitionism and political atavism to others. To sift their meaning, or meaninglessness, Michael Andor Brodeur , a longtime music critic for The Washington Post, has written “Swole,” a semiotic history that doubles as an autobiography in lifting.

So suspect are big muscles today, Brodeur observes, that many celebrities known for their brawn make a habit of tempering its appeal with humor. An early pioneer in this self-deprecating style was Arnold Schwarzenegger . When the Whitney Museum of American Art invited him to pose on a revolving stage in 1976, he “pumped irony,” Brodeur writes, by curling a fist under his chin to evoke Rodin’s statue “The Thinker,” and in 1993 he assured the New York Times that bodybuilding couldn’t be considered a serious endeavor: “Fifty guys standing around in their little posing trunks with oil slapped on their body. Showing off and posing in front of 5,000 people. It’s a joke.”

Brodeur is in on the joke, he is quick to let his readers know. “Runnin’ wild, brother! I like it!” a man painting Brodeur’s building hails him on the book’s first page, after spotting Brodeur, age 48, pumped and dripping with sweat from a recent workout. Brodeur explains that he was wearing a “shreddy purple string tank” and “silken polyester short shorts” at the time, and writes that the compliment may have been “the sweetest thing anyone’s ever said to me.”

Part of the joke here is that Brodeur makes his living as a writer, and “writers are supposed to be soft and squishy,” as he puts it. And part is that Brodeur is gay and middle-aged. What purer tribute to his physique could there be than one from a male stranger who seems to have no romantic designs on him? Also audible is the yelp of pleasure that accompanies any happy crossing of a class barrier: Brodeur writes witty, allusive prose about an enthusiasm not today considered highbrow.

It used to be. According to Brodeur, progressive resistance training goes back to at least ancient Greece, when the athlete Milo of Croton picked up and carried a calf every day, growing by increments so much stronger that in the end he was able to shoulder the bull the calf became. From the classical sculptor Polykleitos, who set forth in a statue and in a treatise the proportions considered ideal for the human form, Brodeur traces a lineage that passes through sculptures and engravings of the mythic hero Hercules, nationalist fitness crazes of the 19th century, and celebrity strongmen of the mass-media age such as Eugen Sandow and Charles Atlas. The final flowering of the tradition came in Schwarzenegger’s phenomenal career, Tom of Finland’s buxom homoerotic cartoons and the performance wear-clad superheroes of the Marvel Comics universe.

Much as Alison Bechdel did in her thoughtful graphic memoir “ The Secret to Superhuman Strength ,” Brodeur weaves into the historical narrative chapters from his own life story — brandishing He-Man’s Power Sword for the camera at age 7, getting punched by a classmate shortly after achieving zero pull-ups during the Presidential Fitness Test in high school, being inspired to take up weightlifting by the punk singer Henry Rollins’s 1993 testimonial in Details magazine (Rollins: “I have found the iron to be my greatest friend”). In the 1950s, magazines like Physique Pictorial, Brodeur writes, established a link between bodybuilding and homosexuality that “has never been severed,” and he candidly admits that in his own case, muscles have set up “a feedback loop of defense and desire,” as they do for many gay men. Eros doesn’t seem to be the whole story, however. Flexing in front of a mirror, the adult Brodeur describes himself as thinking, “I hope no one is looking. I hope they can see me,” a double bind that sounded familiar to me, a middle-aged gay man who took up Cross Fit a few years ago and is similarly both proud of his new body and mortified by his needy wish to show it off. Working on one’s body seems to bring up issues that are pre-Oedipal, to use a psychoanalytic term; it can feel like a belated attempt to secure or repair the self. In Reagan’s America, after all, it was difficult for a gay person to grow up without incurring psychic injury.

A stigmatized identity is far from the only kind of damage people have hoped to heal with weights. Brodeur reports that one study found that 21 percent of bodybuilders were bullied in childhood; among them were Lou Ferrigno, Sylvester Stallone and Atlas. American men today suffer from mental illness, substance abuse and suicide at higher rates than women, and Brodeur is nervously aware of the high-profile online hucksters who sell lifting to these men as a nostrum, usually along with supplements and a revanchist sexual ethos. “The hole in men’s souls,” he writes, “doubles as a gap in the market.” He is agnostic about the steroids that also circulate in the “manosphere.” Although he isn’t tempted to use them himself, he believes no one should be denied gender-affirming care—not even people assigned male at birth who want to venture further into masculinity.

Brodeur may be more worried than he needs to be about defending lifting from guilt by association; it isn’t problematic just because the online hucksters are. There’s mounting evidence, for example, that resistance training improves the fitness of older adults as much as aerobic exercise does . As a bodybuilder, Brodeur usually works out alone, but late in the book, he finds a gym where, to his surprise, men encourage and praise one another, rather than glare in ear-budded isolation, and where the work the men are doing together seems to be helping a number of them move forward from places where they had got stuck — drift, addiction, jail, loneliness. Brodeur speculates that the project of acquiring big muscles has become for these men “a way to authorize a level of affection and support that might otherwise be impossible.”

I recognize the vibe. There’s a similar one at the gym I go to, where there are women and nonbinary people in the classes as well as men, and also — this may sound a little incongruous — a similar one among my fellow birdwatchers in the local park, who share their finds as openly, record them as fastidiously, and compare them as emulously as gymgoers do their lifts. Maybe the men at the gym Brodeur found bond, in other words, not because muscles give them cover for departing from conventional male brusqueness but because lifting, independent of any gender coloration it may or may not have, is something they are able to both share in and compete in, thanks to norms — such as respect, fairness, honesty, mutuality and excellence — that the gym’s leaders and members maintain. An experience like that would make anyone stronger.

Caleb Crain is the author of “Overthrow” and “Necessary Errors.”

The Making of Men and the Meaning of Muscle

By Michael Andor Brodeur

Beacon Press. 244 pp. $28.95.

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A Furious, Forgotten Slave Narrative Resurfaces After Nearly 170 Years

John S. Jacobs was a fugitive, an abolitionist — and the brother of the canonical author Harriet Jacobs. Now, his own fierce autobiography has re-emerged.

An oil portrait shows a man in formal wear.

By Jennifer Schuessler

One day in 1855, a man walked into a newspaper office in Sydney, Australia, with an odd request.

The man, later described as a “man of color” with “bright, intelligent eyes” and an American accent, was looking for a copy of the United States Constitution.

The text was procured, along with a recent book on the history of the United States. Two weeks later, the man returned with a nearly 20,000-word text of his own, bearing a blunt title: “The United States Governed by Six Hundred Thousand Despots.”

The first half offered an account of the author’s birth into slavery in North Carolina around 1815, his escape from his master, his years on a whaling ship and then his departure from “the land of the free” for the shores of Australia, where he went to work in the gold fields.

The second half was a long, blistering condemnation of the country he had left behind, in particular its revered founding document.

“That devil in sheepskin called the Constitution of the United States,” the man wrote, is “the great chain that binds the north and south together, a union to rob and plunder the sons of Africa, a union cemented with human blood, and blackened with the guilt of 68 years.”

The newspaper published the narrative anonymously, in two installments, attributing it only to “A Fugitive Slave.” How it was received is unknown.

The man’s words then sat, unread and forgotten, until a few years ago, when an American literary scholar came across them while digging around one night in an online newspaper database.

Now, it is being published for the first time in 169 years by the University of Chicago Press, under its unflinching original title, with the author’s name — John Swanson Jacobs — emblazoned on the cover.

The rediscovery of a long-forgotten slave narrative would be notable enough. But this one, scholars who have seen it say, is unique for its global perspective and its uncensored fury, from a man living far outside the trans-Atlantic network of white abolitionists who often limited what the formerly enslaved could write about their experiences.

And it comes with an uncanny twist: Jacobs was the brother of Harriet Jacobs, whose 1861 autobiography, “Incidents in the Life of a Slave Girl,” the first published slave narrative written by a formerly enslaved African American woman, is now seen as a cornerstone of the 19th-century literary canon.

Today, John Jacobs is remembered mostly as a footnote to his sister’s story. But Jonathan D.S. Schroeder, the scholar who rediscovered the narrative, said he hopes the book will restore Jacobs to history, placing him in the tradition of Black radicalism from David Walker’s incendiary “Appeal to the Colored Citizens of the World” from 1829 to the Black Lives Matter movement today.

The narrative is a “spectacular performance of autobiographical freedom,” Schroeder argues. And it raises a deeper question: How would other formerly enslaved people — including Jacobs’s more famous sister — have told their stories if they had been truly able to write freely?

A Homegrown American Genre

Slave narratives have been called the United States’ only homegrown literary genre, if also a complicated one. Well into the 20th century, they were dogged by questions about their authenticity, and the degree to which they had been shaped, or even fabricated, by white editors.

But today, the roughly 200 known to survive are prized both as direct testimony of enslavement and as the seedbed of a literary tradition that stretches from Frederick Douglass and Sojourner Truth to Toni Morrison and Colson Whitehead (whose novel “The Underground Railroad’ was partly inspired by Harriet Jacobs’s book ).

Schroeder came upon John Jacobs’s 1855 narrative by an odd back door. Back in 2017, he was fresh out of graduate school in English, and trying to turn his Ph.D. dissertation about the history of nostalgia into a book.

Today, we may think of nostalgia, a term coined in the 1680s by a Swiss physician, as a pleasantly wistful state. But it originated as a medical diagnosis , which was often applied to despondent prisoners, soldiers and others seen as “irrationally” homesick, including enslaved people .

One night, after a day of working on a job application, Schroeder was digging around on the internet, trying to blow off “stress anxiety.” He had been reading the 2004 biography of Harriet Jacobs by Jean Fagan Yellin and was fascinated by the fact that both her brother and her son, Joseph, had gone to Australia — “physically pretty much the farthest away from America you could get,” as Schroeder put it.

Joseph died in Melbourne, apparently by suicide, around 1860. Had the cause of death been listed as “nostalgia,” Schroeder wondered? Looking for more information, he started plugging various spellings (and misspellings) of both men’s names into Trove , a database of digitized Australian newspapers.

Almost immediately, two articles popped up, published on subsequent days in April 1855, with the same striking title: “The United States Government by Six Hundred Thousand Despots: A True Story of Slavery.”

“It felt like getting hit by a bolt of lightning,” Schroeder said. But he also didn’t want to get too excited. “I know how often these things turn out to not be what they appear to be.”

The narrative begins with the anonymous author’s birth in Edenton, N.C., where Harriet Jacobs was born. As he read the first installment, Schroeder noticed many other details that lined up with those in Harriet Jacobs’s as-yet unpublished book.

Then, two-thirds of the way through, there was a description of a letter the author had left for his enslaver in 1839, shortly before escaping from their hotel in New York City and fleeing by ship.

“Sir, I have left you not to return,” he wrote. The letter was signed, “No longer yours, John S. Jacob.”

The editors had left a letter off the surname. But this was clearly Jacobs.

“Then, I allowed myself to be hit with the full force of it,” Schroeder said.

The next day, Schroeder contacted Caleb Smith, an English professor at Yale, to ask for advice. Smith, who in 2013 drew headlines for authenticating the earliest known memoir by an imprisoned Black American , from the 1850s, called Jacobs’s narrative an “exciting” find.

“We are accustomed to thinking about slavery in terms of silenced voices, lost stories, lives that left only cryptic traces in the archives,” Smith said in an email. “But the voice here is loud and clear in its rage.”

Manisha Sinha, a leading historian of abolition at the University of Connecticut, called it “a major discovery” and “a wow,” which adds to our understanding of the evolution of Black antislavery activism.

Historians have known John Jacobs as a barely documented player in radical abolitionist circles of the 1840s, who sometimes lectured alongside Frederick Douglass, his neighbor in Rochester, N.Y.

In 1851, Douglass broke with the white abolitionist William Lloyd Garrison, rejecting his view of the Constitution as an irredeemable “covenant with death.” But unlike Douglass, Sinha said, “Jacobs doesn’t give up on his radical indictment of the United States.”

Scattered in the Archives

Schroeder, now 43 and teaching at the Rhode Island School of Design, was initially uncertain what to do with the discovery. A literary agent recommended he research a full biography to publish alongside the text. So Schroeder transformed himself from an interpretive literary scholar into an old-fashioned archive hound.

Today, many scholars of slavery emphasize the silences and biases of the archive. “It’s important to know that the records you are looking at weren’t set up to preserve the life of the person you are writing about, and often quite the opposite,” Schroeder said.

Most scholars had assumed that Yellin, who spent three decades researching Harriet Jacobs, had tracked down most of what could be found about the Jacobs family. (Yellin died in 2023 .) But Schroeder found many previously unnoticed records, including a forgotten oil portrait from 1848 that he believes depicts John.

In Boston, he uncovered court documents describing Jacobs’s great-grandparents’ attempt to escape slavery in the 1790s. In London, he found ship logs that allowed him to trace Jacobs’s wanderings after he left Australia for London in 1856.

From his base in London, Jacobs spent the next 15 years working on ships carrying sugar from the Caribbean, oranges from the Black Sea, cotton from Egypt. He also helped finish the trans-Atlantic telegraph line and, in 1869, sailed to Bangkok on a gunboat delivered as a present for the new king of Siam.

Jacobs, Schroeder writes, “lived a life that was even more incredible than his narrative.” But his traces, he said, were “scattered to the wind.”

In 1860, as Harriet’s book was about to appear, John decided to republish his own narrative. Before a voyage to Brazil, he entrusted the text to a London magazine called Leisure Hour.

The editors chopped it nearly in half , excising most of its political arguments and turning it into a more conventional tale of suffering and escape. And gone was the original title, with its blast at the 600,000 American “despots” who owned fellow human beings.

“They cut out the radical contract that Jacobs asks the reader to submit to,” Schroeder said, “which is to pay attention not to enslaved people in pain, but to the people and laws that create the pain.”

Brother and Sister

John Jacobs died in 1873, a few months after returning to the United States. Today, few of the literary pilgrims who go to Mount Auburn Cemetery in Cambridge, Mass., to visit Harriet’s grave are likely to pause over the small marker set into the grass nearby, labeled simply “Brother.”

But Schroeder hopes his research will prompt a rethinking of the siblings’ interconnected stories.

Harriet’s book, which includes harrowing descriptions of sexual abuse, borrowed conventions from the sentimental novel, to better appeal to the target audience of antislavery Northern white women. John’s narrative, Schroeder writes, is “unsentimental to its core.” But were their stories originally intended to be so different?

Both siblings, Schroeder writes, began thinking about their books in the period when they lived together in Rochester, in the late 1840s, and possibly “intended for their stories to be read together.” And in the late 1850s, Schroeder writes, John seemed to encourage Harriet, who visited London, to publish her book there.

In her biography, Yellin describes how Harriet spent three years trying to get her book published, which meant getting the imprimatur of white benefactors. Twice, she asked Harriet Beecher Stowe for an endorsement, and was rebuffed. When “Incidents in the Life of a Slave Girl” was finally published in 1861, in Boston, the white editor revised it heavily, and cut a closing tribute to the radical abolitionist John Brown.

At the end of her book, Harriet describes John’s departure for California. What would her finished book have been like, Schroeder wonders, if she had joined him — and then, like him, continued even farther?

“There were invisible constraints on formerly enslaved authors who remained in the United States,” Schroeder said. Without the two versions of John Jacobs’s narrative, “we wouldn’t see that as clearly.”

An earlier version of this article referred incorrectly to the publishing history of Harriet Jacobs’s “Incidents in the Life of a Slave Girl.” It is the first published slave narrative written by a formerly enslaved African American woman, not the earliest account of American slavery known to have been written by a woman.

How we handle corrections

Jennifer Schuessler is a culture reporter covering intellectual life and the world of ideas. She is based in New York. More about Jennifer Schuessler

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Recent UW Law Faculty Scholarship: Standing for Elections in State Courts; White-on-Black Crime: Revisiting the Convict Leasing Narrative; Function Versus Consequence in Restraint of Trade Analysis; and Judicial Biography of Australian Justice, Sir Gerard Brennan Book Review

Here is the latest faculty scholarship appearing in the University of Wisconsin Law School Legal Studies Research Papers series found on SSRN.

Standing for Elections in State Courts Univ. Ill. L. Rev. (Forthcoming, 2024) by MIRIAM SEIFTER , UW Law School, and Adam B. Sopko, State Democracy Research Initiative

Election-related litigation is soaring. Litigants regularly challenge every aspect of an election cycle, from who can vote to how votes are cast and counted to the certification of results. Courts have thrown out many of these lawsuits on standing grounds. Given the requirements of traditional federal standing doctrine—including the requirement of individualized injury rather than generalized grievances—these dismissals are at least plausible in federal court.

But most election-related lawsuits today are filed in state court, where standing doctrine is and should be different. State courts are not bound by Article III of the U.S. Constitution, have constitutional commitments to democracy and open courts, and typically have more flexible justiciability doctrines. This Essay urges state courts to build on that foundation through a presumptively permissive approach to election standing. State courts fulfill their judicial role by redressing rather than avoiding threats to state-level democracy. And deciding election-related lawsuits on the merits serves important functions of stability, certainty, and finality, as well as confidence in election outcomes.

To be sure, the surge in election-related litigation is suboptimal, and some share of the lawsuits are meritless or brought in bad faith. Our argument is simply that standing doctrine is not the best tool for rejecting these lawsuits. The Essay describes other techniques that courts can use to deal with abusive or burdensome litigation without undermining the openness that is foundational to state judicial systems.

White-on-Black Crime: Revisiting the Convict Leasing Narrative 2024 Wis. L. Rev. (Forthcoming, 2024) by ION MEYN , UW Law School

Between 1880 and 1915, the Southern criminal legal system enslaved and re-enslaved legally emancipated Black persons. Under the conventional account of this period, the law facilitated and legitimatized these practices, however odious and racially discriminatory. This view—one that critiques as it accepts the legality of the system—provides an explanation for a significant number of cases in which a Black person was convicted and sent to forced labor.

And yet, there is growing evidence that many convictions were not facilitated by law but rather the result of criminal conspiracies to traffic Black victims. County-level arrest data indicates “convictions” occurred in lockstep with the labor demands of businesses that contracted with local state actors. Numerous personal accounts from victims and their families indicate that arrests occurred in the absence of any criminal suspicion. This empirical data suggests many Black “convicts” were instead victims of human trafficking. Because completing these White-on-Black crimes required coordination among multiple parties, a criminal conspiracy was formed that implicated White participants in kidnapping, false imprisonment, perjury, peonage, reckless endangerment, and reckless homicide.

This Essay examines archival evidence that suggests the criminal trafficking of Black men was a common, if not widespread, practice between 1880 to 1915. Under this alternative view the term “convict leasing” is over-inclusive and mislabels these victims of human trafficking. Under the alternative view the historical Black crime rate is not only inflated but fabricated; conversely, the historical White crime rate omits a significant amount of criminal activity. This alternative view centers the criminal conduct of White beneficiaries, inviting a close accounting of their crimes and ill-gotten gains.

Function Versus Consequence in Restraint of Trade Analysis 53 Univ. Baltimore L. Rev. 387 (2024) by PETER CARSTENSEN , UW Law School

The conventional interpretation of the Sherman Act’s prohibition of agreements in restraint of trade is, at best, ambiguous and uncertain. Conduct such as price fixing among competitors is per se illegal, except when it is not. Although the stated basis for the distinction is unclear, the function of the agreement embodying the restraint explains the apparently conflicting results. Regrettably, courts and commentators usually employ this conventional classification framework that focuses on desirability of the putative consequences of specific agreements. These categories have intuitive appeal but lack substantive coherence. In contrast, the functional approach focuses on the nature of the agreement in restraint of trade itself. The core of this approach is the distinction between naked and ancillary restraints. The policy goal is the preservation of the market process rather than a primary concern for the consequences of specific restraints on any measure of economic welfare. It is the thesis of this essay that the functional approach provides a better method to explain and predict the results of specific cases. It is more consistent with the language and meaning of the Sherman Act. It is also a better method for the analysis of restraints of trade. Because, like the conventional framework, the functional approach necessarily must employ presumptions, its normative merit is contingent on the scope and application of those presumptions.

Judicial Biography of Australian Justice, Sir Gerard Brennan Book Review Univ. Wis. Legal Studies Research Paper No. 1805 (2024) by WILLIAM H. CLUNE , UW Law School

This is a book review in interview format with me interviewing the book’s author, Jeffrey Fitzgerald. The book is a judicial biography of the famous and influential Australian jurist, Sir Gerard Brennan. Largely in chronological sequence, the book also identifies cross-cutting themes such as the evolution of his jurisprudence over time.

My questions are designed to highlight issues that have parallels in American law, thus introducing the book to American readers. A second focus is the interaction of law and society. Law and society issues pervade the book because it is a longitudinal account of the judge’s encounters with important legal issues that arose in a changing Australian society, his influence on that society, and the corresponding evolution of his jurisprudence. It is law as both a dependent and independent variable, a classic law and society formulation. The judge’s decisions and jurisprudence operate as “constitutive law,” reflecting both the influence of society on law and its influence on society while remaining relatively autonomous from both. Former U.S. Supreme Court Justice Steven Breyer’s recent exposition of judicial “pragmatism” is congruent with the jurisprudence of Justice Brennan.

The paper has eight parts with questions and answers as sub-parts: (1) the book and Brennan’s career; (2) constitutional law, federalism, separation of powers, judicial review; (3) civil rights, aboriginal people’s rights, racial discrimination, and other rights; (4) impact on other areas of law (e.g., torts, contracts, criminal law); (5) Brennan’s principles of jurisprudence (6) the High Court, its divisions, and politics (7) personal, family, and professional life; (8) conclusion: mutual influence of law and society.

For the full text of these works and additional scholarship from UW Law faculty and staff, visit the University of Wisconsin Law School Legal Studies Research Paper Series on SSRN. A free email subscription is available at the top right of the page.

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COMMENTS

Autobiography Definition, Examples, and Writing Guide
An autobiography is a nonfiction story of a person's life, written from their point of view. Autobiographies are popular among the general reading public. A newly released autobiography by a current political figure can easily top the New York Times bestseller list. Some autobiographical works, such as The Autobiography of Benjamin Franklin ...
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Autobiography, Essay Writing. Writing an autobiography of a book involves intense imagination and a personal attachment to the characters in the story. It also requires infinite assiduity while reading. A good autobiography follows a season-by-season format, starting with childhood and moving forward through adulthood and into middle age.
15 Autobiography Examples to Inspire Your Own
One of the best-known autobiographies, The Diary of a Young Girl, is an excellent example of a journal-style layout. Featuring the story of a young girl who is hiding during the Holocaust, aspiring writers will find inspiration in Frank's raw emotions and candor. 2. Autobiography of a Yogi by Paramahansa Yogananda.
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10. Autobiography of a Yogi by Paramahansa Yogananda (1946) This truly remarkable book has been in continuous print since it first published in 1946, and is estimated to have printed over 4 ...
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Avoid common descriptive words - words such as 'nice' and 'good' should be considered with great caution once you have reached the third draft of your book. 26. Consider Your Reader. An important part of knowing how to write an autobiography, is having an awareness of the reader throughout the entire manuscript.
Shaping Your Legacy: How to Write a Compelling Autobiography
The goal of an autobiography is to allow readers to explore a factual, chronological telling of the author's life. Autobiographies aren't merely catalogues of events, however; they need soulful introspection too. Think about why certain episodes mattered more than others and how those experiences influenced your perspectives or decisions ...
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What is an autobiography? It's a firsthand recounting of an author's own life. So, if you were to write an autobiography, you would be writing a true retelling of your own life events. Autobiography cannot be bound to only one type of work. What an autobiography is has more to do with the contents than the format.
Autobiography in Literature: Definition & Examples
Autobiography vs. Biography. Both autobiographies and biographies are records of real lives, but there is one major distinction. A person other than the book's subject writes a biography, while the subject themselves writes an autobiography. In this way, an autobiography is essentially a biography of the self.
Autobiography
autobiography, the biography of oneself narrated by oneself. Autobiographical works can take many forms, from the intimate writings made during life that were not necessarily intended for publication (including letters, diaries, journals, memoirs, and reminiscences) to a formal book-length autobiography. Formal autobiographies offer a special ...
How to Write an Autobiography and Publish it in 7 Easy Steps
Step 6: Get a Professional Editor. Once you've made your autobiography as good as you can make it, it's time to seek help. While you can certainly give a copy of the book to some friends and family to see what they think, keep in mind they're likely biased. Chances are they're also not professional editors, either.
5 Ways to Write an Autobiography
Download Article. 1. Write out your life timeline. Start writing your autobiography by conducting research on your own life. Creating a timeline of your life is a good way to make sure you include all the most important dates and events, and it gives you a structure to build upon.
How to structure and write an interesting autobiography
How to structure an autobiography to make it readable. Let's discuss the actual section-by-section, chapter-by-chapter structure of your book. When we talk about structure in books, we're essentially talking about giving your book a beginning, a middle and an end, and about the chapters that fit within that structure.
Autobiography of a Book [2000 Words]
Autobiography of a Book [2000 Words] Today in this article we are going to show you the example of an Autobiography of a Book. Hello, I am a book my title is The Happy Prince and Other Tales written by Oscar Wilde. I am a book penned in the year 1888. I am a book having five collections of stories, which are "The Happy Prince", "The ...
How To Write an Autobiography 2024 (Tips, Templates, & Guide)
Start with why you wrote the book. Good Autobiography Titles. If you are still stuck on titling your autobiography, consider going to Amazon to browse published works. You can even just Google "autobiographies." When you read the titles of 10, 20, or 50 other autobiographies, you will start to see patterns or get ideas for your own titles.
50 best autobiographies & biographies of all time
Reading an autobiography can offer a unique insight into a world and experience very different from your own - and these real-life stories are even more entertaining, and stranger, than fiction.Take a glimpse into the lives of some of the world's most inspiring and successful celebrities, politicians and sports people and more in our edit of the best autobiographies and biographies to read ...
50 Eye-Catching Autobiography Titles (+ How to Write Your Own)
1. Select nonfiction for the book's genre in the drop-down menu. 2. Fill in the details. For the next question, if you have a book description, type "yes" and add your description in the text box. If you don't have a description yet, answer "no" and fill out the questions.
Autobiography
The earliest known autobiography written in English is the Book of Margery Kempe, written in 1438. Following in the earlier tradition of a life story told as an act of Christian witness, the book describes Margery Kempe 's pilgrimages to the Holy Land and Rome , her attempts to negotiate a celibate marriage with her husband, and most of all her ...
The Autobiography of a Flea
Chapter XI. Chapter XII. This work was published in 1887 and is anonymous or pseudonymous due to unknown authorship. It is in the public domain in the United States as well as countries and areas where the copyright terms of anonymous or pseudonymous works are 136 years or less since publication . Return to the top of the page.
The Best Autobiographies (145 books)
145 books based on 41 votes: Angela's Ashes by Frank McCourt, Love Life by Rob Lowe, The Diary of a Young Girl by Anne Frank, Open by Andre Agassi, Born ... Home; My Books; ... The Autobiography of Terry, the Dog Who Was Toto by. Willard Carroll. 4.11 avg rating — 159 ratings.
Autobiography of A Book Essay
Autobiography of A Book Essay: I am a book. My name is A Book of Short Stories. I was printed in Delhi, after which I was packed with my sisters and sent away to a shop. I remained on the bookshop for a few days. Then, a lady came and bought me. You can read more Essay Writing about articles, events, people, sports, technology many more.
Autobiography of a Yogi: P. Yogananda: 9788120725249: Amazon.com: Books
Autobiography of a Yogi. Paperback - February 1, 2020. by P. Yogananda (Author) 4.6 6,014 ratings. See all formats and editions. Autobiography of a Yogi is an autobiography of Paramahansa Yogananda first published in 1946. Paramahansa Yogananda was born as Mukunda Lal Ghosh in Gorakhpur, India, into a Bengali Hindu family.
15 Best Autobiographies Everyone Should Read At Least Once
15 Best Autobiographies You Need to Read. Here're some of the best autobiographies for your perusal. 1. The Autobiography of Benjamin Franklin by Benjamin Franklin. The Autobiography of Benjamin Franklin by Benjamin Franklin. $7.37. Understand Benjamin Franklin's past even if you did not live it. Read Now.
Autobiography of a Yogi (Self-Realization Fellowship)
One book in particular stayed with Steve Jobs his entire life, Autobiography of a Yogi...'the guide to meditation and spirituality that he had first read as a teenager, then re-read in India and had read once a year ever since.' --Huffington Post, review of Walter Isaacson's biography of Steve Jobs Fabulous stories from his life keep the reader inspired, informed, and thoroughly entertained ...
How a New Biography Makes Sense of Carolyn Bessette-Kennedy's Short Life
The absorbing biography isn't without juicy moments, but also doesn't rely on sensationalism to make the case for Bessette-Kennedy's importance; it's a nuanced, complicated book about a ...
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Michael Andor Brodeur's "Swole" is a semiotic history that doubles as an autobiography in lifting. ... I like it!" a man painting Brodeur's building hails him on the book's first page ...
A Furious, Forgotten Slave Narrative Resurfaces After Nearly 170 Years
John S. Jacobs was a fugitive, an abolitionist — and the brother of the canonical author Harriet Jacobs. Now, his own fierce autobiography has re-emerged. By Jennifer Schuessler One day in 1855 ...
Carolyn Bessette Kennedy Biography Book: The Life and Legacies of a
This riveting biography delves into the multifaceted persona of a fashion trailblazer whose understated elegance and impeccable style left an indelible mark on the industry. Go beyond the spotlight and uncover the untold stories, triumphs, and challenges that shaped Carolyn's journey from a small-town girl to a global style icon. ...
Pulp III: A Short Biography Of The Banished Book
Shubigi Rao's exhibition, Pulp III: A Short Biography of the Banished Book, takes the form of a book, film and paper maze, to explore the precarity and persistence of endangered languages, the futures of knowledge, public and alternative libraries, and the cosmopolitanism of regional print communities that have blossomed and waned in historic centres of print.
'The Notebooks of Sonny Rollins' Review: The Last Jazz Giant
Buy Book Amazon Barnes & Noble Books a Million Bookshop In his music, Mr. Rollins is a master of the strategic silence, as you can hear in the breaths between his paragraph-like phrases.
Recent UW Law Faculty Scholarship: Standing for Elections in State
This is a book review in interview format with me interviewing the book's author, Jeffrey Fitzgerald. The book is a judicial biography of the famous and influential Australian jurist, Sir Gerard Brennan. Largely in chronological sequence, the book also identifies cross-cutting themes such as the evolution of his jurisprudence over time.

Autobiography Of A Book

2. Characters

3. Point of View

4. Narrative Structure

Autobiography Of A Book Example 1

Autobiography Of A Book Example 2

Autobiography Of A Book Example 3

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How to Write an Autobiography

How to Write an Autobiography in 31 Steps

TABLE OF CONTENTS

1. What is an Autobiography?

2. Memoir vs. Autobiography

4. When to Write an Autobiography

6. How to Pick a Theme

7. Exceptions

8. How to Plan

9. Writing Schedule

10. How to Start an Autobiography

11. Go Digging

12. Fill Up Your Senses

13. Write a letter

14. Emotions

15. New Insights

16. Take Care

17. Know Your Why

18. Tone of Voice

19. First or Third Person?

20. Conflict

21. Story Arc

22. Comedy and Funny Anecdotes

23. Where to Begin ?

24. Consider Your Reader

25. How to Make Events More Colorful

26. Consider Your Reader

28. Consider Privacy/Confidentiality

29. Editing

30. Proofreading

31. Autobiographies on the Shelf

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Shaping Your Legacy: How to Write a Compelling Autobiography

Table of Contents

Understanding the Essence of an Autobiography

Distinguishing Features Of An Autobiography

Pre-Writing Stage: Planning Your Autobiography

Selecting Key Life Events

Establishing A Timeline

Identifying Your Audience

Writing Techniques for an Engaging Autobiography

Incorporating Dialogue

Using Vivid Descriptions

Narrative Techniques

Structuring Your Autobiography for Maximum Impact

Creating Chapters

Crafting Compelling Beginnings and Endings

Ethical Considerations When Writing an Autobiography

Respecting Privacy: Telling Your Story Without Invading Others’

Navigating Sensitive Topics With Care

Maintaining Honesty: Your Authentic Self Is the Best Narrator

Editing and Revising Your Autobiography

The Importance of Self-Editing

Inviting Feedback from Others

Hiring a Professional Editor

Publishing Options for Your Autobiography

Traditional Publishing Houses

Self-Publishing Platforms

Marketing Your Autobiography

Leveraging Social Media

Organizing Book Signings

Securing Media Coverage

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The History of Autobiography