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How and When to Use Images in an Essay

3-minute read

  • 15th December 2018

Pages of text alone can look quite boring. And while you might think that ‘boring’ is normal for an essay, it doesn’t have to be. Using images and charts in an essay can make your document more visually interesting. It can even help you earn better grades if done right!

Here, then, is our guide on how to use images in an academic essay .

How to Use Images in an Essay

Usually, you will only need to add an image in academic writing if it serves a specific purpose (e.g. illustrating your argument). Even then, you need to make sure images are presently correctly. As such, try asking yourself the following questions whenever you add an image in an essay:

  • Does it add anything useful? Any image or chart you include in your work should help you make your argument or explain a point more clearly. For instance, if you are analysing a film, you may need to include a still from a scene to illustrate a point you are making.
  • Is the image clearly labelled? All images in your essay should come with clear captions (e.g. ‘Figure 1’ plus a title or description). Without these, your reader may not know how images relate to the surrounding text.
  • Have you mentioned the image in the text? Make sure to directly reference the image in the text of your essay. If you have included an image to illustrate a point, for instance, you would include something along the lines of ‘An example of this can be seen in Figure 1’.

The key, then, is that images in an essay are not just decoration. Rather, they should fit with and add to the arguments you make in the text.

Citing Images and Illustrations

If you have created all the images and charts you want to use in your essay, then all you need to do is label them clearly (as described above). But if you want to use an image found somewhere else in your work, you will need to cite your source as well, just as you would when quoting someone.

The exact format for this will depend on the referencing system you’re using. However, with author–date referencing, it usually involves giving the source author’s name and a year of publication:

Image plus caption.

In the caption above, for example, we have cited the paper containing the image and the page it is on. We would then need to add the paper to the reference list at the end of the document:

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Gramblička, S., Kohar, R., & Stopka, M. (2017). Dynamic analysis of mechanical conveyor drive system. Procedia Engineering , 192, 259–264. DOI: 10.1016/j.proeng.2017.06.045

You can also cite an image directly if it not part of a larger publication or document. If we wanted to cite an image found online in APA referencing , for example, we would use the following format:

Surname, Initial(s). (Role). (Year).  Title or description of image  [Image format]. Retrieved from URL.

In practice, then, we could cite a photograph as follows:

Booth, S. (Photographer). (2014). Passengers [Digital image]. Retrieved from https://www.flickr.com/photos/stevebooth/35470947736/in/pool-best100only/

Make sure to check your style guide for which referencing system to use.

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When to Use an Image in an Essay: What You Need to Know

Author Image

by  Antony W

September 13, 2022

when to use an image in an essay

There’s a 98% chance that the essays you’ve written so far are pages of text alone. While plain text can make the work look dull, academic writing hardly ever requires you to use images, charts, and graphs in the essay. 

While that doesn’t mean you can’t include visuals in your assignment, it’s important to learn when to use an image in an essay.

You can add an image in your essay only if it serves a specific purpose such as illustrating an argument for more clarity. If you’re going to include an image in your essay, make sure you present it correctly and at the same time follow the standard citation rules.

In this guide, we’ll talk more about images in an essay, including why they’re important, when exactly to add one in your work, and the right way cite them.

In the end, you should be able to make a solid judgment as far as the inclusion of images in your work is concerned.

Key Takeaways 

  • The types of images you can use in an essay are pictures, graphs, and charts.
  • It’s acceptable to add an image in an essay to illustrate an argument for more clarity.
  • Images can be useful when explaining a process, showing an example, or in the instance when you want to grab your reader’s attention.
  • Be advised that you must follow the accepted citation rules when including an image in the essay.

What Type of Images Can You Include in An Essay?

Just because you can include an image in an essay doesn’t mean any image you include in the assignment will be a good fit.

Remember, the role of an image is to give your essay a better structure and make your writing readable and easy to understand.

Instructors don’t impose limits on the types of images a student can include in an essay.

For example, a student working on an IB Physics Internal Assessment can use charts, drawings, photos, and infographic to explain concepts that would be otherwise difficult to explain in words.

However, there are rule you must observe.

1. Pictures 

Pictures introduce breaks between blocks of words in an essay while adding meaning to the overall context of the assignment.

By themselves, pictures are worth a thousand words, which is another way to state that they’re descriptive enough to communicate a solid message.

While you can use any picture in your essay, provided it’s relevant for your topic, the image you choose to include must have meet the following requirements:

  • The image should be clear when viewed in web document and in print
  • You must have the legal right to use the image in your essay – otherwise you’d have to create your own
  • The image you choose should be relevant to the topic of your essay

The next thing you need to understand before including an image in an essay is placement .

In other words, where should you insert the picture?

  • End of the essay: Include the image in the reference section of your essay and then include a reference to the image in the body text of your essay.
  • In the body of the essay: Have the image inserted on a separate page within the body section of your essay. Don’t forget to mention the picture in the text so that your readers are aware that you’ve intentionally included it in your work.
  • Within body text: You can use in-text citations to include an image in your essay, but it’s best to avoid this option because it tends to alter the formatting of the paper.

The picture you include in your essay must have a source name, unique description, and a number to make it easy for your reader to find and reference the image if they want to.

Also, you should attribute the photo if you don’t own it so that you don’t violate the copyright ownership of the material. 

2. Graphs and Charts 

Graphs and charts are the best type of media to include in an essay.

Unlike standard pictures, graphs and charts can easily explain complex concepts in visuals than lengthy words would do. These types of images are useful because they can help you to:

  • Illustrate size, meaning, or a degree of influence
  • Compare two or more objects 
  • Provide an illustration of some statistics that are relevant to your study

The best thing about using graphs and charts in an essay is that you can explain complex concepts and make them easily understood.

So whether you want to show a comparison or believe that graphs and charts can communicate ideas better than words, you can add some visualization to your work to make your essay appear more appealing and easier to read.

You can use ready-made graphs and charts in your work provided you cite them properly.

Or you can use a software solution such as Microsoft PowerPoint to create your own.

Whether you download your media from the web or create them on your own, it’s important that you add appropriate naming and comments to enhance information clarity.  

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When to Use an Image in an Essay

The following are instance of when it would make sense to use an image in an essay:

1. When Explaining a Process

Some processes are difficult to explain because they are complex.

If you don't think words can adequately convey meaning or the message you wish to communicate, it would be best to use an image to simplify your explanations and bring out meaning.

2. If You Want to Show an Example

Any claim you make in your article or research paper must include proofs and specific examples.

To reinforce your argument, you might provide a graphic or chart as an easy-to-understand illustration.

Let’s say you want to talk about the effects of various medications on bacteria.

In such a case, it would make more sense to use a before-and-after photographs or graphs to illustrate your point.

3. Images Are Useful for Grabbing Reader’s Attention

You can use graphic pictures to draw the attention of your readers. When writing on works of art and cultures, it would make a lot of sense to include images in your piece of writing.

Final Thoughts

To be abundantly clear, images aren’t a requirement in essay writing.

So you should only include them if they serve unique and academically acceptable purpose.

You don’t want to add an aesthetic appeal to your essay when really there’s no need for you to do so in the first place. 

About the author 

Antony W is a professional writer and coach at Help for Assessment. He spends countless hours every day researching and writing great content filled with expert advice on how to write engaging essays, research papers, and assignments.

Calculate for all schools

Your chance of acceptance, your chancing factors, extracurriculars, using imagery in college essays: tips and importance.

As I start drafting my essays for college applications, how crucial is it to include imagery, and does anyone have strategies for incorporating it effectively without overdoing it?

Imagery can be a powerful tool in your essays, creating an immersive experience for the reader and showcasing your writing abilities. It's important to use it to bring your story to life, painting a vivid picture of experiences, settings, emotions, or actions. However, the key is balance. You want to enhance your narrative without detracting from your message or making the prose feel forced.

One strategy is to choose moments where detailed descriptions will add value, perhaps when setting the scene or emphasizing a pivotal moment in your story. It's often more impactful to illustrate one memorable instance in detail than to use flowery language throughout.

For example, instead of describing a general passion for nature, you could describe the intricate patterns of frost on leaves during an early morning hike. This paints a picture while telling something meaningful about your appreciation for detail and beauty. Keep it natural, and let your own voice shine through. Best of luck with your applications!

About CollegeVine’s Expert FAQ

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17.1 “Reading” Images

Learning outcomes.

By the end of this section, you will be able to:

  • Define the key concepts and elements of visual rhetoric.
  • Interpret visual information using the language of visual rhetoric.
  • Interpret images differently based on cultural considerations.
  • Choose digital and visual media according to the rhetorical situation and cultural context when writing for different audiences.
  • Make informed decisions about intellectual property issues regarding images.

To compose an effective essay or a strong visual, a creator works with a number of elements that are remarkably similar from one medium to the other. Both stories and pictures contain information presented by a creator who has a particular point of view and arranges the work in two-dimensional space. The information is likely to be open to multiple interpret , which may or may not be justified by the text. Although the sharing of personal opinions and beliefs has value, the focus here is on interpreting or analyzing texts in combination with your personal experiences.

Interpreting Visual Information

Both words and pictures convey information, but each does so in different ways that require interpretation. Interpretation is the sense a person makes of a piece of communication—textual, oral, or visual. It includes personal experience, the context in which the communication is made, and other rhetorical elements. (See Glance at Genre: Relationship Between Image and Rhetoric for a list of key terms related to visual elements and rhetoric.) By the time readers get to college, they have internalized strategies to help them critically understand a variety of written texts.

Images present a different set of challenges for critical readers. For example, in a photograph or drawing, information is presented simultaneously, so viewers can start or stop anywhere they like. Because visual information is presented in this way, its general meaning may be apparent at a glance, while more nuanced or complicated meanings may take longer to figure out and likely will vary from one viewer to another.

Some images, however, do not really lend themselves to interpretation. Before trying to engage in rhetorical discourse about an image, be sure it contributes something of value. For example, Figure 17.2 shows a punk rock concert featuring the band Naked Raygun with several concertgoers in the foreground. Such pictures are common forms of memorabilia that serve an archival function. The features common to visual rhetoric—point of view, arrangement, color, and symbol—do not inspire much in the way of discussion in this particular image. Parts are blurry, some of the figures are obscure, and the picture’s purpose is unclear. Therefore, any analysis of the image may be guided more by personal opinion than by critical thinking. Such images are not the focus of this chapter.

Figure 17.3 , in contrast, depicts not merely a moment in time for the sake of memory, although it certainly does that. It contains a central, dominant figure. The color red is bold and centers the figure, giving the image weight. It also conveys several political messages, both obvious and nuanced. The woman in the picture is wearing a mask, as people were either asked or mandated to do during the COVID-19 pandemic. The slogan on her mask reads “I can’t breathe,” words that were made infamous after Eric Garner (1970–2014) died as the result of an illegal chokehold inflicted by a New York City police officer during arrest. These words were repeated by George Floyd (1973–2020) in an 8-minute, 46-second video showing his murder by a Minnesota police officer who knelt on Floyd’s neck. The phrase became one of several slogans of the Black Lives Matter (BLM) movement, symbolizing the struggle that people of color endure when living in an implicitly and explicitly racist culture. Breathing—like blood—is fundamental, essential. Without breath, there is no life. Thus, this slogan draws attention to the fact that people of color may be brutalized for no reason other than their existence.

Placing the slogan on a mask is a design choice likely to provoke those who have argued against mandated mask wearing as an assault on personal liberty and who have proclaimed they could not breathe while wearing masks. Juxtaposition , or placing contrasting elements close together, is a technique that image creators often use for a variety of purposes: humor, irony, sarcasm, or—as in this case—disgust or outrage. The juxtaposition of the mask with a slogan referencing literal asphyxiation emphasizes the wearer’s view that state violence against people of color is a more serious threat to her existence than a mask. Thus, the image is open to multiple interpretations.

Thinking Critically

To think critically about visual information, first identify the objects, facts, processes, or symbols portrayed in the image. Taking all the information together, ask whether there is a main or unifying idea. Is the meaning open to multiple interpretations? Is it suggested but not stated? Is it clear and unambiguous? Are there multiple levels of meaning, both stated and unstated? When you view an image, pausing to answer such questions will sharpen your critical faculties, increase your understanding of the visual information you encounter, and help you use images more meaningfully in texts you create.

Visual Rhetoric

Written texts rely on strategies such as thesis statements, topic sentences, paragraphing, tone, and sentence structure to communicate their message to their audience. Images rely on different strategies, including point of view , arrangement , color , and symbol . When writing about images or including them in your writing, think critically about the visual strategies they use and the effect they will have on your audience.

Using these techniques may or may not make you a proficient artist or creator of images. However, familiarity with the technical language of the visual arts will certainly enable you to describe what you observe as you build the evidence that allows you to interpret an image, reflect on it, analyze it, and make persuasive arguments about it.

Point of View

In written texts, point of view refers to the “person” from whose vantage point the information is delivered, either a character in the story or a narrator outside the story. However, in photographs, drawings, and paintings, point of view refers to the place from which the image creator looks at the subject—where the photographer places their camera or the artist their easel.

Photographs that haven’t been manipulated in a darkroom or digitally by a computer only reproduce the subject in front of the camera, as it exists in the moment the shutter opens and closes. They do not show anything to the left or right, above or below, or what comes before or after. A camera aimed to the east omits information from the north, west, and south. In other words, any photograph is the result of placing a camera in a certain location, at a certain height and distance, at a specific time of day and using a particular lens, film, and perhaps a filter. All of these decisions about where, when, and how to place the camera create the visual point of view.

You can find good examples of these kinds of limited truths in real-estate advertisements featuring photographs of houses for sale. The photograph might not reveal a landfill next door or a factory across the street—though you might infer such limitations from a low selling price or confirm them by driving past the house.

The creator of Figure 17.4 chooses to highlight the digital waterfall with its seductive lighting and colors. Meanwhile, the people interacting with the computer are barely visible, standing off to the side, some nearly out of the frame. The silhouetted profiles and darkened faces lack identifying details. These features are emphasized by the blurred people in the background. These figures, too, are unidentifiable and are looking out of the frame, uninterested. The effect is to imply that the waterfall and its computer interface dominate human interaction and possibly even human existence.

To think critically about point of view, answer the following questions:

  • From what place or stance does the image creator view the subject?
  • What effect does this particular point of view have on the way viewers may think or feel about the subject?
  • What would happen if the vantage point were elsewhere—above or below, left or right?
  • What would change in the image if the point of view were changed?

Arrangement

In addition to point of view, artists use arrangement to signal an image’s significance to the reader. The term arrangement in visual texts might be compared to terms such as order , organization , and structure in verbal texts, though the differences are substantial. While writers arrange , or put together, a story, essay, or poem to take place over time—that is, the time readers need to follow the text, line by line, through a number of pages—image creators arrange pictures in the two-dimensional space of their viewfinder, paper, or canvas to invite viewers to read in space rather than time. This difference is also evident in sculpture and other three-dimensional works, which require viewers to move around them to read them spatially. In visual texts, then, arrangement refers to the ways in which the various parts of a picture come together to present a single coherent experience for the viewer.

In contrast to static images, which are read spatially, videos and some types of multimodal texts—those incorporating more than one genre, discipline, or literacy (for example, GIFs that incorporate pictures or videos with language)—combine elements of both time and space. That is, they invite viewers to examine an image in motion that changes over time. Video creators often mimic linear time by telling a story, or they repeat key images to be interpreted differently after being seen in various contexts within the video.

One element to examine is the use of pattern —predictable, repeated elements within the visual field that the eye notices and seems attracted to. Just as sonnets, sestinas, and haiku follow patterns of lines, so do visual compositions. But in these, patterns are created by light and color rather than words. Documentary and commercial photographers often use visual patterns to lead viewers to an intended meaning. Patterns are especially prominent in street art, where the elements of surrounding architecture and infrastructure interact with the work, as shown in Figure 17.5 .

Many patterns are suggested by mathematics. For example, the Möbius strip is both a mathematical construct and a visual enigma. It has one side and one boundary curve. It looks like a spiral, but it does not intersect itself. Thus, it gives the impression of being infinite. In Figure 17.5 , the artist capitalizes on these features of the Möbius strip, using it to depict the seemingly endless cycle of destruction (green tanks) and reconstruction (yellow steamrollers) in one of the world’s most contested pieces of real estate: the Gaza Strip.

Ownership and control of the Gaza Strip are disputed. Approximately two million people live there, many in refugee camps. Since the mid-20th century, the region has been fought over by Israel, Egypt, and Palestinian Arabs. As you contemplate the mural, think about the way its creator uses pattern and repetition to convey various ideas and emotions. The following questions may help:

  • Which elements within the mural are repeated?
  • Where is its center of gravity or weight?
  • Where do patterns of light/dark, large/small, and color lead the eye?
  • How do pattern and balance contribute to meaning in a two-dimensional image?
  • What does the arrangement suggest about the meaning of the image?

Color and Symbol

Pattern and arrangement are controlled by the image creator and intended to guide the viewer. Color and symbol allow the viewer greater latitude in interpreting the image, in part because particular colors suggest specific moods. Think about your personal reactions to different colors. What color might you select to paint your bedroom? What is your favorite color for, say, clothing or cars? While these may differ according to personal preference, traditional symbolic values are attached to different colors in literature and art. Why, for instance, does red often symbolize anger or war on the one hand and romance or passion on the other? Why does black often suggest danger or death? And why does white often stand for innocence or purity? Are the reasons for these associations arbitrary, cultural, or logical?

Particular colors also suggest or reinforce social and political ideas. What, for example, is suggested by adding a red, white, and blue American flag to a magazine advertisement for an American automobile, political poster, or bumper sticker? What is the meaning of a yellow ribbon tied to a tree in front of a house or an image of a yellow ribbon sticker attached to the tailgate of a pickup truck? By themselves, colors do not specify political positions, arguments, or ideas, but used in conjunction with specific words or forms—a flag or ribbon, for example—the emotional power of color can be influential.

Color associations globally are complicated and highly nuanced. The following overview is brief and simplified, to be considered merely as an introduction or starting point for your research and investigations into individual artistic expressions. When you interpret an artist’s use of color, one place to start is with the hues found in the natural world. Because blood is red, the color is often associated with life, heat, and passion. Yellow and green appear with the new growth of spring, so these colors often symbolize new beginnings, freshness, and hope. Both the sea and the sky are blue. Although these elements can be turbulent, many people find peace and tranquility as they reflect on them, and thus they are often associated with these emotions.

Regardless of colors’ natural associations, people from around the world understand colors differently. In China, for example, red is a celebratory color associated with holidays, feasts, and the giving of gifts, whereas in some parts of Africa the color may symbolize the sacrifice necessitated by the fight for independence. In the Western world, white can represent purity or innocence and is often worn by young women at their weddings. However, in parts of Asia, white is a color of mourning.

The colors mentioned so far are mostly primary colors: red, yellow, and blue. The secondary colors—orange, green, and purple—carry more complex meanings. Both orange and the bright shade of green called neon or chartreuse are easy to see in all light conditions. Therefore, they are often used for safety purposes, on caution signs or uniforms of emergency workers. The color orange is associated with the robes of Buddhist monks, thus representing in Buddhist cultures that which is holy, whereas in the Netherlands, orange is the color of the royal family and used for patriotic purposes.

In addition to connotations of spring, the color green is also associated with Islam. In the Christian tradition, yellow and gold are colors associated with riches and abundance. Holiness is also associated with the color blue in Egyptian, Hindu, and Christian cultures (in which blue has other associations as well). Because purple has traditionally been a difficult color to manufacture, its rarity meant that only the very wealthy, often nobility or royalty, could afford to wear it—hence its association with royals and even gods. However, some cultures, such as Thai, Brazilian, and Italian cultures, associate purple with bad luck or death. Again, this overview of colors’ different interpretations and associations is not intended as a guide for interpreting color in a visual image. Instead, consider all of the different ways in which color can be understood, some ways that the artist might intend for color to be interpreted, and the associations that colors have for you when you view a visual or digital image.

In this chapter, you have begun learning about how to interpret visual information through the lens of rhetoric. Color and its related symbolism help viewers interpret images.

Like colors, symbols are interpreted differently by individuals on the basis of their personal and cultural experiences. Here is an example of two state flags with very different symbolism: Figure 17.6 depicts the state flag of Mississippi that was adopted in 1894; Figure 17.7 depicts the one adopted in 2021. In 2021, under pressure from numerous organizations and in the wake of the Black Lives Matter movement, Mississippi replaced its state flag. The 1894 flag included the battle flag of the Confederacy , referencing Mississippi’s history of secession and violence during the Civil War (1861–1865); the single blue, white, and red bands were a reference to the stripes on the American flag. This historical allusion, coupled with the state’s history of enslavement and segregation, meant that the 1894 flag served as a stark reminder of efforts to silence Black Mississippians. In fact, Mississippi did not formally ratify the Thirteenth Amendment to the Constitution—proposed in 1865 to abolish slavery—until 2013, and the state remained segregated long after the Supreme Court outlawed the practice.

Mississippi continued to use the 1894 flag throughout the Reconstruction (1865–1877) and the Jim Crow laws (ca. 1877–c. 1950) and civil rights (1950s and 1960s) eras despite multiple and sustained efforts to remove any reference to the Confederate flag. In 2020, the increasing prominence of the Black Lives Matter movement created the context in which state lawmakers were forced to consider these problems as mainstream and urgent. Further, the state came under pressure from numerous organizations, including the Southeastern Conference athletics organization (SEC), which threatened to boycott the state by no longer holding major events there if the flag were not changed.

Submitted to the legislature by Starkville-based graphic designer Rocky Vaughan (b. ca. 1977) and collaborators Sue Anna Joe , Kara Giles , and Dominique Pugh , the new flag took effect in January 2021 after voters approved it and the governor ratified it. The current flag ( Figure 17.7 ) features a central vertical band of blue, flanked by two thin gold bands and encompassed by two broader red ones. The flag’s center is dominated by a single magnolia flower, crowned by a single gold star and encircled by 20 white ones. Beneath the flower are emblazoned the words “In God We Trust.”

The gold coloring is intended to celebrate Mississippi’s contributions to the world of art, music, and literature. The white stars symbolize Mississippi’s status as the 20th state of the Union; thus, the new flag symbolizes the state’s reintegration into the Union without reference to its seditious acts in the 19th century or lingering loyalty to the beliefs that motivated them. In addition, the single gold star honors the state’s indigenous people; no reference is made to the state’s history of enslavement and racism.

Thinking critically about color and symbol, ask yourself these questions:

  • Does the color enhance or distort the reality of the image?
  • Imagine the image in shades of black, white, and gray. What would be lost and what would be gained if color were subtracted?
  • Does the color work with or against the other compositional elements?
  • What symbols are incorporated into the image? How might those symbols be interpreted in various contexts?
  • What, if any, is the significance of referencing Indigenous but not Black Americans on the current flag?

Selecting and Incorporating Digital and Visual Media

In addition to analyzing visual and digital media, you may be asked to find, create, or manipulate such materials for a variety of situations and audiences. Following are some considerations to keep in mind, including copyright issues, appropriate selections, and technical manipulations .

Intellectual property laws are complicated, change frequently, and vary by country. Sharing an image is similar to quoting a text, with one exception: you must not only cite the author in a reference list or bibliography but also secure permission to use the image. To be safe, unless an image explicitly states that you are free to share it (public domain), assume it is protected by copyright.

The texts you write will have varying degrees of formality and require different levels of diction (word choice), syntax (sentence structure), content, and tone. Similarly, the images you select should reflect the tone , or attitude, that you wish to convey in your text. Ask yourself these questions to decide whether an image is appropriate for your text:

What is the image’s purpose? Include images only if they add to or supplement the text. Do not add images simply as “filler” or for audience entertainment. Such materials are more likely to confuse or distract readers than they are to enlighten or inform them.

Is the image humorous or sarcastic? Humor has value as entertainment by keeping the audience interested and engaged in your text and making it more memorable. However, determining what makes something funny is deeply personal. An image you find funny could be read with confusion or even offense by someone else. In formal communications, humor and sarcasm are better avoided because of the risk of misunderstanding. In creative contexts, you have greater latitude.

Does the image include text? Because you are already creating a text, you may wish to question the value of inserting an image with text. Consider what information the image provides in addition to the text. For example, in Figure 17.3 , the text “I can’t breathe” is enhanced by its placement on a mask and, further, by the mask’s presence on a Black woman. These details make the image with its text a valuable addition to a discussion or analysis.

Consider also the language of the text. You may be fluent in multiple languages, so an image with text in Spanish, French, or Japanese could have meaning for you. Will it have meaning for your audience? The same applies to images that include slang, jargon, or slogans with a limited shelf life. If you have to explain the image’s meaning before your readers understand it, the image is probably not worth including.

What is the image’s context? Where and when the image is placed can affect the viewer’s understanding and interpretation. A picture of poverty in one country is likely to look very different from poverty in another country. Some images can be considered universal, meaning they depict situations that have significance for all people, regardless of culture, ethnicity, or historical context. For example, an image of a mother and an infant is easily recognized by anyone anywhere and is likely to evoke similar thoughts and emotions.

What digital or technical requirements or manipulations are needed? Finally, when you think about including an image, you’ll need to consider the digital and technical requirements and manipulations necessary to do so. Aspects to consider include compatibility requirements, visibility on different devices and platforms, sizing, and placement. The technical details associated with these considerations are changing rapidly, so this chapter makes no recommendations regarding software programs or specifications. However, if an image is blurred or distorted—or invisible—the result will be confusion and frustration on the part of your reader.

Selecting an Appropriate Image

To practice selecting appropriate images, imagine you are writing an informational webpage about the Environmental Protection Agency (EPA) and its responsibilities in relation to the Clean Water Act . To illustrate those responsibilities, which of the following images would you use? Why? (Suggested answers follow.)

Suggested Answers

  • Sample image 1 seems like an obvious choice. It depicts the name and logo of the agency you are writing about, and nothing about it is likely to be considered controversial. However, by itself, it does not convey any useful information, so its purpose is unclear.
  • Sample image 2 depicts safe, clean drinking water from the tap. The glass emphasizes the clarity of the water, and its proximity to the tap shows the intimate role that water plays in daily life. It features no characters or setting, so it is not restricted by any obvious contextual clues. It is perfect for this piece.
  • Sample image 3 is emotionally powerful. It depicts a woman, older and likely with a low income, holding a jar of brownish liquid. The image appears to be old, based on the coloring of the photograph, the woman’s dress, and the home in the background. Its age could help make the rhetorical point that the EPA’s enforcement of the Clean Water Act, passed in 1972, has been effective. However, its context is unclear, raising questions about its composition. When and where was the photo taken? Is it set in the United States? And what is the liquid in the jar—water? Oil? Moonshine? The image raises too many questions to be useful in this context.

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When to Use an Image in an Essay

3-minute read

  • 30th June 2019

Pages of text alone can look quite dull. And while “dull” may seem normal enough for an essay , using images and charts can make a document more visually interesting. It can even help you boost your grades if done right! Here, then, is our guide on how to use an image in academic writing .

Usually, you will only need to add an image in academic writing if it serves a specific purpose (e.g., illustrating your argument). Even then, you need to make sure images are presently correctly. As such, try asking yourself the following questions whenever you add picture or chart in an essay:

  • Does it add anything useful? Any image or chart you include in your work should help you make your argument or explain a point more clearly. For instance, if you are analyzing a movie, you may need to include a still from a scene to illustrate your point.
  • Is the image clearly labelled? All images in your essay should come with clear captions (e.g., “Figure 1” plus a title or description). Without these, your reader may not know how images relate to the surrounding text.
  • Have you mentioned the image in the text? Make sure to reference any images you use in the text of your essay. If you have included an image to illustrate a point, for instance, you would include something along the lines of “An example of this can be seen in Figure 1.”

The key, then, is that images in an essay are not just decoration. Rather, they should fit with and add to the arguments you make in the text.

Citing Images and Illustrations

If you have created all the images you are using in your essay yourself, then all you need to do is label them clearly (as described above). But if you want to use an existing image you found somewhere else, you will need to cite your source as well, just as you would when quoting someone.

The format for this will depend on the referencing system you’re using. However, with author–date referencing, it usually involves giving the source author’s name and a year of publication. For example:

Image plus caption.

In the caption above, we have cited the page of the paper the image comes from using an APA-style citation. We would then need to add the full paper to the reference list at the end of the document:

Gramblička, S., Kohar, R., & Stopka, M. (2017). Dynamic analysis of mechanical conveyor drive system. Procedia Engineering , 192, 259–264. DOI: 10.1016/j.proeng.2017.06.045

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You can also cite an image directly if it not part of a larger publication or document. If we wanted to cite an image found online in APA referencing , for example, we would use the following format:

Surname, Initial(s). (Role). (Year).  Title or description of image  [Image format]. Retrieved from URL.

In practice, then, we could cite a photograph as follows:

Booth, S. (Photographer). (2014). Passengers [Digital image]. Retrieved from https://www.flickr.com/photos/stevebooth/35470947736/in/pool-best100only/

Make sure to check your style guide if you are not sure which referencing system to use when citing images in your work. And don’t forget to have your finished document proofread before you submit it for marking.

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Home / Guides / Citation Guides / Harvard Referencing / Harvard Referencing Style Examples / How to reference an image in Harvard style

How to reference an image in Harvard style

Referencing images can be confusing. Do you reference the photographer or the subject of the image itself? Do you include where you saw or found the image? What if you took the photograph yourself? This guide will help clear up the confusion!  

Below, the guide will cover how to cite images in different scenarios, both as an in-text citation and a reference. For each scenario, you will be given a citation structure, along with examples to illustrate each case.

Online images/photographs  

Today, finding and citing a digital or online image is simple. You’ll need the following information:

  • Photographer’s name
  • (Year published)  
  • Title of the photograph, italizised
  • Available at: URL (Accessed: the date you sourced the image)  

In-text citation structure and example:

(Photographer’s name, Year published)

Photographer’s name (Year published)

B.B. King’s beautiful Gibson semi-hollow body ES-355 guitar (Joseph, 2001) ……

Reference list structure and example:

Photographer’s Last Name, Initial. (Year published) Title of the photograph. Available at: URL (Accessed: the date you sourced the image)  

Joseph, J. (2001) Lucille. Available at: http://www.jackjoseph.co.uk/photo_23456.html (Accessed: 22 August 2016)

Online images/photographs from a curated collection  

As we know, the Internet has a vast repository of curated image collections, especially on sites like Tumblr, Pinterest and Instagram, to name just a few. The rules stay pretty much unchanged in this case, as well.  

You will just need to direct the viewer/reader to the source where you viewed or uploaded the image. You may cite relevant information about images sourced from such Internet collections as follows:

  • (Year published)
  • Title of the photograph/collection, italicized

Photographs by Gustavo Grandissimo (2015) …

Grandissimo, G. (2015) The heights of abstraction. Available at: https://instagram.com/theheightsofabstraction (Accessed: 10 August 2012)

Images without a listed photographer or artist  

You may cite information about images without a listed creator. You’ll need the following information:

  • Title of the photograph, italicized

As you can see in the image of the controversial protest rally ( Up in arms , 2019) …

Title of the photograph (Year published) Available at: URL (Accessed: the date you sourced the image)  

Up in arms (2019) Available at: http://www.therevolutionbeat.com/protests/2019/image_34567.html (Accessed: 10 March 2019)

Prints or slides

A print refers to a printed reproduction of a popular work of art or image. A slide, on the other hand, is a transparent photograph that consists of chromogenic dyes mounted inside a plastic frame to be projected onto a large screen.  

Information needed:

  • [Photograph]
  • Place of publication: Publisher’s name, if available

The expanding mushroom cloud from the resulting blast was captured on that fateful day (Tanaka, 1945)

Tanaka, N. (1945) The day Fat Boy fell to Earth [Photograph]. Hokkaido: Kurosawa Publishers  

Images photographed by you

It is not necessary to provide a reference to a photograph or image if you are the creator. However, check with your tutor about the most appropriate way to present original images or photographs in your work.

If you need to reference an original image, you can use the following citation structure:

  • Your name (Year published or taken)

…lays emphasis on the fact that the sun doesn’t need to be the focus of a picture (Koenig, 2019)

Your Last Name, Initial. (Year published) Title of the photograph [Photograph]  

Koenig, K. (2019) The sunset [Photograph]  

Published October 29, 2020.

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Purdue Online Writing Lab Purdue OWL® College of Liberal Arts

Using Images

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Welcome to the Purdue OWL

This page is brought to you by the OWL at Purdue University. When printing this page, you must include the entire legal notice.

Copyright ©1995-2018 by The Writing Lab & The OWL at Purdue and Purdue University. All rights reserved. This material may not be published, reproduced, broadcast, rewritten, or redistributed without permission. Use of this site constitutes acceptance of our terms and conditions of fair use.

Images can be used to enhance the textual content of a research poster. When selecting images, it is important to ensure that they are of a high-quality resolution and that they depict content relevant to your research. Photos should be saved as .jpg or .png files and adjusted for color and contrast if necessary.

Providing captions for your images allow you to contextualize the relevance of this visual content as it relates to your research. When utilizing maps, charts, or graphs, be sure to create labels to describe the data you are presenting. Take note of the citation style that you're using — APA, for example, has specific requirements for captioning and labeling graphs, tables, and figures. 

Image Credits: 

"Blurry running wolf"  by Tambako the Jaguar  is licensed with CC BY-ND 2.0.

"Happy wolf running in the snow" by Tambako the Jaguar is licensed with CC BY-ND 2.0.

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  • Images / Figures

Citing and referencing: Images / Figures

  • In-text citations
  • Reference list
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  • Government and other reports
  • Legal sources
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Turabian Contents

  • Introduction to Turabian Style
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  • Magazines / Newspapers
  • Citing a source within a source
  • University course materials / Theses / Exegeses

Rules for images

1. If you include any images in your document, also include a figure caption. See the "Positioning images in your document" box for more information.

2. If you refer to any visual material, i.e. art, design or architecture, you have seen in person and you are not including an image of it in your document, provide a detailed in-text citation or footnote. See the "Art, design and architecture you have seen in person" box for more information. 

3. If you have sourced an image from the web or a publication:

a) Notes Bibliography style: you need to include the publication information or web address in the footnote. See the "Images from the web" or "Images from books or other published sources" for more information. 

b) Author Date style: you need to include a brief in-text citation AND a full bibliography entry. See the "Images from the web" or "Images from books or other published sources" for more information. 

Positioning images in your document

  • Author-Date (Parenthetical citations)

Positioning images in your document 

Figures are any images that you include in your document, i.e. illustrations, diagrams, graphs, photographs, images of artworks and etc. Whenever you include a figure in your document, you also provide a caption. Captions give concise descriptions, explanations, legends, or identify elements—depending on the type of figure. Position a caption below each figure.

Begin each caption with a figure number. And in your text, refer to the particular figure as you introduce it, spell out the word 'figure' if its in your sentence, or abbreviate to 'fig.' if it's written in parenthesis i.e. "in figure 1 you can see..." or (see fig. 1).

You may be the author of a figure in your document or you may have sourced it from elsewhere. If figures aren’t your work, captions can provide reference information, i.e. authors, titles and sources. Some assessments may require you to include a courtesy line acknowledging the name of the source organisation, archive or database, followed by an access date and the web address. 

Example:  In his painting The Banquet of Cleopatra (see fig. 1), Venetian artist Giambattista Tiepolo portrays a famous contest where Cleopatra wins a wager with Mark Antony by dissolving a pearl earring in a glass of vinegar and drinking it.  Tiepolo stage this scene amid columns of the composite order (see fig. 2), which visually underline links to ancient Rome (see fig. 3). 

Image of Giambattista Tiepolo, The Banquet of Cleopatra, 1743-44

Figure 1. Giambattista Tiepolo,  The Banquet of Cleopatra , 1743-44, oil on canvas, 250 x 357 cm. Courtesy of the National Gallery of Victoria, accessed 12 March, 2020, https://www.ngv.vic.gov.au/explore/collection/work/4409/.

images in an essay

Figure 2. The composite order, showing a , the entablature and b , the column capital. Courtesy of OpenClipart-Vectors from Pixabay, accessed 12 March, 2020, https://pixabay.com/vectors/column-capital-composite-antiquity-148231/.

The Arch of Septimius Severus in Rome, 203 ce., triumphal arch, Roman Forum, Rome.

Figure 3. The Arch of Septimius Severus, 203 ce., Roman Forum, Rome. Courtesy of Artstor, accessed 12 March, 2020, https://library-artstor-org.ezproxy.lib.monash.edu.au.

Example:  In his painting  The Banquet of Cleopatra  (see fig. 1), Venetian artist Giambattista Tiepolo portrays a famous contest where Cleopatra wins a wager with Mark Antony by dissolving a pearl earring in a glass of vinegar and drinking it. Tiepolo stage this scene amid columns of the composite order (see fig. 2), which visually underline links to ancient Rome (see fig. 3). 

Figure 2. The composite order, showing  a , the entablature and  b , the column capital. Courtesy of OpenClipart-Vectors from Pixabay, accessed 12 March, 2020, https://pixabay.com/vectors/column-capital-composite-antiquity-148231/.

Figure 3. The Arch of Septimius Severus, 203 ce., Roman Forum, Rome. Courtesy of Artstor, accessed 12 March, 2020, https://library-artstor-org.ezproxy.lib.monash.edu.au.

Art, design and architecture you have seen in person

If you are referring to art, design or architecture and you are not including the image in your document, you only need to provide a detailed footnote.

Include the following information:

  • artist or designer
  • title of the work
  • year of creation of work
  • type of materials (optional)
  • dimensions of the work (optional)
  • location of item, e.g. name of the institution that houses the work, or city the building is in

Footnote     1. Giambattista Tiepolo, The Banquet of Cleopatra , 1743-44, oil on canvas, 250.3 x 357.0 cm, National Gallery of Victoria, Melbourne.

If you are referring to the actual artwork and you are not including the image in your document, you only need to provide a detailed in text citation. 

  • location of item, e.g. name institution that houses the work,  or city the building is in

Parenthetical (In Text)     (Georgia O'Keeffe, The Cliff Chimneys , 1938, Milwaukee Art Museum, Wisconsin )

Images from the web

  • Author-Date (Parenthetical citations)

If you found the image online you will need to include in your footnote:

  • title of work
  • access date

1. Giambattista Tiepolo, The Banquet of Cleopatra , 1743-44, oil on canvas, 250.3 x 357.0 cm, accessed 24 May, 2012, http://www.ngv.vic.gov.au/col/work/4409 .

2. Max Dupain, The Sunbaker , 1937, gelatin silver photograph, 38.0 x 43.1 cm, accessed 24 May, 2012 , http://www.ngv.vic.gov.au/col/work/7621 .

If you found the image online you need to include a brief parenthetical (in text) citation and a bibliography entry that includes:

​ Examples:

Parenthetical (In Text)

(Tiepolo 1743-44)

(Dupain 1937)

Bibliography

Tiepolo,  Giambattista. 1743-44.  The Banquet of Cleopatra. Oil on canvas. A ccessed 24 May, 2012.   http://www.ngv.vic.gov.au/col/work/4409 .

Dupain, Max. 1937. The Sunbaker . Photograph. A ccessed 24 May, 2012.  http://www.ngv.vic.gov.au/col/work/7621 .

Images from books or other published sources

If you found the image in a book or other published source you will need to include in the footnote:

  • date of creation of work
  • author of book
  • title of book
  • place of publication
  • date of publication
  • figure or plate number of the reproduction (optional)

1. Giambattista Tiepolo, The Banquet of Cleopatra , 1743-44, in Ted Gott and Laurie Benson, Painting and Sculpture before 1800 in the International Collections of the National Gallery of Victoria (Melbourne: National Gallery of Victoria, 2003), 102.

2. Max Dupain, "The Sunbaker", 1937, in Isobel Crombie, Body Culture: Max Dupain, Photography and Australian Culture 1919-1939 (Images Publishing Group in association with National Gallery of Victoria, 2004), 150, 17.1.

If you found the image in a book or other published source you will need to include an in text citation as well as a bibliography entry that includes:

(Georgia O'Keeffe, The Cliff Chimneys , 1938, in Lynes, Poling-Kempes, and Turner 2004, 25)

Lynes, Barbara Buhler, Lesley Poling-Kempes, and Frederick W. Turner. 2004. Georgia O'Keeffe and New Mexico: A sense of place . Princeton, NJ: Princeton University Press.

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How to Create an Engaging Photo Essay (with Examples)

Photo essays tell a story in pictures. They're a great way to improve at photography and story-telling skills at once. Learn how to do create a great one.

Learn | Photography Guides | By Ana Mireles

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Photography is a medium used to tell stories – sometimes they are told in one picture, sometimes you need a whole series. Those series can be photo essays.

If you’ve never done a photo essay before, or you’re simply struggling to find your next project, this article will be of help. I’ll be showing you what a photo essay is and how to go about doing one.

You’ll also find plenty of photo essay ideas and some famous photo essay examples from recent times that will serve you as inspiration.

If you’re ready to get started, let’s jump right in!

Table of Contents

What is a Photo Essay?

A photo essay is a series of images that share an overarching theme as well as a visual and technical coherence to tell a story. Some people refer to a photo essay as a photo series or a photo story – this often happens in photography competitions.

Photographic history is full of famous photo essays. Think about The Great Depression by Dorothea Lange, Like Brother Like Sister by Wolfgang Tillmans, Gandhi’s funeral by Henri Cartier Bresson, amongst others.

What are the types of photo essay?

Despite popular belief, the type of photo essay doesn’t depend on the type of photography that you do – in other words, journalism, documentary, fine art, or any other photographic genre is not a type of photo essay.

Instead, there are two main types of photo essays: narrative and thematic .

As you have probably already guessed, the thematic one presents images pulled together by a topic – for example, global warming. The images can be about animals and nature as well as natural disasters devastating cities. They can happen all over the world or in the same location, and they can be captured in different moments in time – there’s a lot of flexibility.

A narrative photo essa y, on the other hand, tells the story of a character (human or not), portraying a place or an event. For example, a narrative photo essay on coffee would document the process from the planting and harvesting – to the roasting and grinding until it reaches your morning cup.

What are some of the key elements of a photo essay?

  • Tell a unique story – A unique story doesn’t mean that you have to photograph something that nobody has done before – that would be almost impossible! It means that you should consider what you’re bringing to the table on a particular topic.
  • Put yourself into the work – One of the best ways to make a compelling photo essay is by adding your point of view, which can only be done with your life experiences and the way you see the world.
  • Add depth to the concept – The best photo essays are the ones that go past the obvious and dig deeper in the story, going behind the scenes, or examining a day in the life of the subject matter – that’s what pulls in the spectator.
  • Nail the technique – Even if the concept and the story are the most important part of a photo essay, it won’t have the same success if it’s poorly executed.
  • Build a structure – A photo essay is about telling a thought-provoking story – so, think about it in a narrative way. Which images are going to introduce the topic? Which ones represent a climax? How is it going to end – how do you want the viewer to feel after seeing your photo series?
  • Make strong choices – If you really want to convey an emotion and a unique point of view, you’re going to need to make some hard decisions. Which light are you using? Which lens? How many images will there be in the series? etc., and most importantly for a great photo essay is the why behind those choices.

9 Tips for Creating a Photo Essay

images in an essay

Credit: Laura James

1. Choose something you know

To make a good photo essay, you don’t need to travel to an exotic location or document a civil war – I mean, it’s great if you can, but you can start close to home.

Depending on the type of photography you do and the topic you’re looking for in your photographic essay, you can photograph a local event or visit an abandoned building outside your town.

It will be much easier for you to find a unique perspective and tell a better story if you’re already familiar with the subject. Also, consider that you might have to return a few times to the same location to get all the photos you need.

2. Follow your passion

Most photo essays take dedication and passion. If you choose a subject that might be easy, but you’re not really into it – the results won’t be as exciting. Taking photos will always be easier and more fun if you’re covering something you’re passionate about.

3. Take your time

A great photo essay is not done in a few hours. You need to put in the time to research it, conceptualizing it, editing, etc. That’s why I previously recommended following your passion because it takes a lot of dedication, and if you’re not passionate about it – it’s difficult to push through.

4. Write a summary or statement

Photo essays are always accompanied by some text. You can do this in the form of an introduction, write captions for each photo or write it as a conclusion. That’s up to you and how you want to present the work.

5. Learn from the masters

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Making a photographic essay takes a lot of practice and knowledge. A great way to become a better photographer and improve your storytelling skills is by studying the work of others. You can go to art shows, review books and magazines and look at the winners in photo contests – most of the time, there’s a category for photo series.

6. Get a wide variety of photos

Think about a story – a literary one. It usually tells you where the story is happening, who is the main character, and it gives you a few details to make you engage with it, right?

The same thing happens with a visual story in a photo essay – you can do some wide-angle shots to establish the scenes and some close-ups to show the details. Make a shot list to ensure you cover all the different angles.

Some of your pictures should guide the viewer in, while others are more climatic and regard the experience they are taking out of your photos.

7. Follow a consistent look

Both in style and aesthetics, all the images in your series need to be coherent. You can achieve this in different ways, from the choice of lighting, the mood, the post-processing, etc.

8. Be self-critical

Once you have all the photos, make sure you edit them with a good dose of self-criticism. Not all the pictures that you took belong in the photo essay. Choose only the best ones and make sure they tell the full story.

9. Ask for constructive feedback

Often, when we’re working on a photo essay project for a long time, everything makes perfect sense in our heads. However, someone outside the project might not be getting the idea. It’s important that you get honest and constructive criticism to improve your photography.

How to Create a Photo Essay in 5 Steps

images in an essay

Credit: Quang Nguyen Vinh

1. Choose your topic

This is the first step that you need to take to decide if your photo essay is going to be narrative or thematic. Then, choose what is it going to be about?

Ideally, it should be something that you’re interested in, that you have something to say about it, and it can connect with other people.

2. Research your topic

To tell a good story about something, you need to be familiar with that something. This is especially true when you want to go deeper and make a compelling photo essay. Day in the life photo essays are a popular choice, since often, these can be performed with friends and family, whom you already should know well.

3. Plan your photoshoot

Depending on what you’re photographing, this step can be very different from one project to the next. For a fine art project, you might need to find a location, props, models, a shot list, etc., while a documentary photo essay is about planning the best time to do the photos, what gear to bring with you, finding a local guide, etc.

Every photo essay will need different planning, so before taking pictures, put in the required time to get things right.

4. Experiment

It’s one thing to plan your photo shoot and having a shot list that you have to get, or else the photo essay won’t be complete. It’s another thing to miss out on some amazing photo opportunities that you couldn’t foresee.

So, be prepared but also stay open-minded and experiment with different settings, different perspectives, etc.

5. Make a final selection

Editing your work can be one of the hardest parts of doing a photo essay. Sometimes we can be overly critical, and others, we get attached to bad photos because we put a lot of effort into them or we had a great time doing them.

Try to be as objective as possible, don’t be afraid to ask for opinions and make various revisions before settling down on a final cut.

7 Photo Essay Topics, Ideas & Examples

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Credit: Michelle Leman

  • Architectural photo essay

Using architecture as your main subject, there are tons of photo essay ideas that you can do. For some inspiration, you can check out the work of Francisco Marin – who was trained as an architect and then turned to photography to “explore a different way to perceive things”.

You can also lookup Luisa Lambri. Amongst her series, you’ll find many photo essay examples in which architecture is the subject she uses to explore the relationship between photography and space.

  • Process and transformation photo essay

This is one of the best photo essay topics for beginners because the story tells itself. Pick something that has a beginning and an end, for example, pregnancy, the metamorphosis of a butterfly, the life-cycle of a plant, etc.

Keep in mind that these topics are linear and give you an easy way into the narrative flow – however, it might be difficult to find an interesting perspective and a unique point of view.

  • A day in the life of ‘X’ photo essay

There are tons of interesting photo essay ideas in this category – you can follow around a celebrity, a worker, your child, etc. You don’t even have to do it about a human subject – think about doing a photo essay about a day in the life of a racing horse, for example – find something that’s interesting for you.

  • Time passing by photo essay

It can be a natural site or a landmark photo essay – whatever is close to you will work best as you’ll need to come back multiple times to capture time passing by. For example, how this place changes throughout the seasons or maybe even over the years.

A fun option if you live with family is to document a birthday party each year, seeing how the subject changes over time. This can be combined with a transformation essay or sorts, documenting the changes in interpersonal relationships over time.

  • Travel photo essay

Do you want to make the jump from tourist snapshots into a travel photo essay? Research the place you’re going to be travelling to. Then, choose a topic.

If you’re having trouble with how to do this, check out any travel magazine – National Geographic, for example. They won’t do a generic article about Texas – they do an article about the beach life on the Texas Gulf Coast and another one about the diverse flavors of Texas.

The more specific you get, the deeper you can go with the story.

  • Socio-political issues photo essay

This is one of the most popular photo essay examples – it falls under the category of photojournalism or documental photography. They are usually thematic, although it’s also possible to do a narrative one.

Depending on your topic of interest, you can choose topics that involve nature – for example, document the effects of global warming. Another idea is to photograph protests or make an education photo essay.

It doesn’t have to be a big global issue; you can choose something specific to your community – are there too many stray dogs? Make a photo essay about a local animal shelter. The topics are endless.

  • Behind the scenes photo essay

A behind-the-scenes always make for a good photo story – people are curious to know what happens and how everything comes together before a show.

Depending on your own interests, this can be a photo essay about a fashion show, a theatre play, a concert, and so on. You’ll probably need to get some permissions, though, not only to shoot but also to showcase or publish those images.

4 Best Photo Essays in Recent times

Now that you know all the techniques about it, it might be helpful to look at some photo essay examples to see how you can put the concept into practice. Here are some famous photo essays from recent times to give you some inspiration.

Habibi by Antonio Faccilongo

This photo essay wan the World Press Photo Story of the Year in 2021. Faccilongo explores a very big conflict from a very specific and intimate point of view – how the Israeli-Palestinian war affects the families.

He chose to use a square format because it allows him to give order to things and eliminate unnecessary elements in his pictures.

With this long-term photo essay, he wanted to highlight the sense of absence and melancholy women and families feel towards their husbands away at war.

The project then became a book edited by Sarah Leen and the graphics of Ramon Pez.

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Picture This: New Orleans by Mary Ellen Mark

The last assignment before her passing, Mary Ellen Mark travelled to New Orleans to register the city after a decade after Hurricane Katrina.

The images of the project “bring to life the rebirth and resilience of the people at the heart of this tale”, – says CNNMoney, commissioner of the work.

Each survivor of the hurricane has a story, and Mary Ellen Mark was there to record it. Some of them have heartbreaking stories about everything they had to leave behind.

Others have a story of hope – like Sam and Ben, two eight-year-olds born from frozen embryos kept in a hospital that lost power supply during the hurricane, yet they managed to survive.

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Selfie by Cindy Sherman

Cindy Sherman is an American photographer whose work is mainly done through self-portraits. With them, she explores the concept of identity, gender stereotypes, as well as visual and cultural codes.

One of her latest photo essays was a collaboration with W Magazine entitled Selfie. In it, the author explores the concept of planned candid photos (‘plandid’).

The work was made for Instagram, as the platform is well known for the conflict between the ‘real self’ and the one people present online. Sherman started using Facetune, Perfect365 and YouCam to alter her appearance on selfies – in Photoshop, you can modify everything, but these apps were designed specifically to “make things prettier”- she says, and that’s what she wants to explore in this photo essay.

Tokyo Compression by Michael Wolf

Michael Wolf has an interest in the broad-gauge topic Life in Cities. From there, many photo essays have been derived – amongst them – Tokyo Compression .

He was horrified by the way people in Tokyo are forced to move to the suburbs because of the high prices of the city. Therefore, they are required to make long commutes facing 1,5 hours of train to start their 8+ hour workday followed by another 1,5 hours to get back home.

To portray this way of life, he photographed the people inside the train pressed against the windows looking exhausted, angry or simply absent due to this way of life.

You can visit his website to see other photo essays that revolve around the topic of life in megacities.

Final Words

It’s not easy to make photo essays, so don’t expect to be great at it right from your first project.

Start off small by choosing a specific subject that’s interesting to you –  that will come from an honest place, and it will be a great practice for some bigger projects along the line.

Whether you like to shoot still life or you’re a travel photographer, I hope these photo essay tips and photo essay examples can help you get started and grow in your photography.

Let us know which topics you are working on right now – we’ll love to hear from you!

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Ana Mireles is a Mexican researcher that specializes in photography and communications for the arts and culture sector.

Penelope G. To Ana Mireles Such a well written and helpful article for an writer who wants to inclue photo essay in her memoir. Thank you. I will get to work on this new skill. Penelope G.

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Sophia Bush comes out as queer, confirms relationship with Ashlyn Harris

Sophia Bush

Actor Sophia Bush came out as queer in an emotional essay in Glamour and confirmed she’s in a relationship with retired U.S. Women’s National Team soccer player Ashlyn Harris. 

“I sort of hate the notion of having to come out in 2024,” Bush wrote in a cover story for the fashion magazine published Thursday. “But I’m deeply aware that we are having this conversation in a year when we’re seeing the most aggressive attacks on the LGBTQIA+ community in modern history.” 

Bush noted that there were more than 500 anti-LGBTQ bills proposed in state legislatures last year and said this motivated her to “give the act of coming out the respect and honor it deserves.” 

“I’ve experienced so much safety, respect, and love in the queer community, as an ally all of my life, that, as I came into myself, I already felt it was my home,” she wrote. “I think I’ve always known that my sexuality exists on a spectrum. Right now I think the word that best defines it is queer . I can’t say it without smiling, actually. And that feels pretty great.”

The “One Tree Hill” star filed for divorce from entrepreneur Grant Hughes in August. People magazine first reported in October that Bush and Harris were dating, but neither confirmed nor commented on the report. The pair later attended an Oscar’s viewing party together in March . 

In the essay, Bush addressed online rumors that her relationship with Harris began before Harris had officially divorced from fellow soccer star Ali Krieger, in September. 

“Everyone that matters to me knows what’s true and what isn’t,” Bush wrote. “But even still there’s a part of me that’s a ferocious defender, who wants to correct the record piece by piece. But my better self, with her earned patience, has to sit back and ask, What’s the f------- point? For who? For internet trolls? No, thank you. I’ll spend my precious time doing things I love instead.”

Bush said that after news about her and Harris became public, her mom told her that a friend called and said, “Well, this can’t be true. I mean, your daughter isn’t gay .” 

“My mom felt that it was obvious, from the way her friend emphasized the word, that she meant it judgmentally,” Bush wrote. “And you know what my mom said? ‘Oh honey, I think she’s pretty gay. And she’s happy .’”

Bush wrote that she felt like she was wearing a weighted vest that she could finally put down. 

“I finally feel like I can breathe,” Bush wrote. “I turned 41 last summer, amid all of this, and I heard the words I was saying to my best friend as they came out of my mouth. ‘I feel like this is my first birthday,’ I told her. This year was my very first birthday.”

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Mother’s Day Essay In English (2024): Short and Long Essay Ideas For School Students

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Mother’s Day 2024: Mother’s Day is a special occasion that is celebrated in various parts of the world to express love and respect towards mothers. It will be celebrated on 12 May, 2024. The day is an event to honour the sacrifices and hard work of mothers in our society. It is a day that makes people remember the importance of mothers in the world. This Mother’s Day, make your mothers feel special by reciting these beautiful lines in front of them to show how much you love them and how much you care for them. In this article, we have included the best essay formats that can help students prepare for Mother’s Day. 

10 Lines On Mother’s Day For School Students

  • Mothers are the one who gives us life, care for us, and guide us through the path of life. 
  • God cannot be everywhere so they sent mothers to take care of us and our family. Mothers are the precious gift of god.  
  • We should appreciate our mothers for their affection by celebrating Mother's Day.
  • Mother's Day is an opportunity to express gratitude to our mothers and to know about their importance and significance in our lives.
  • Mother’s Day honours the core of motherhood. It is a day to show love and care to the mothers that they give us always.
  • Mothers only need care, love, and respect, which serve as the true meaning of celebrating Mother’s Day.
  • Mother’s Day serves as one of the best days to convey our heartiest respect and regards to mothers. On this day, people should thank the mother for everything she does.
  • The place of a mother is irreplaceable in the life of a child, and her contributions are endless. This day serves as a perfect example to appreciate her for growing up as a better human being.
  • Mother's Day is a beautiful celebration of motherhood to express our love and gratitude to the special women in our lives. A mother's love is pure and selfless which cannot be expressed in words. 
  • My mother is my greatest teacher and supporter. She has always been there for me to guide me through life's challenges and teach me valuable lessons along the way.

Mother’s Day Essay In 150 Words

Mothers are the epitome of beauty with brains. We should shower our mothers with love and respect every day and let’s not forget the sacrifices they made for us to protect us in every possible way. 

On this day, we should help our mothers with the daily household chores and also make special arrangements for them. Give her a card by writing down your feelings for your mother. Make handmade cards for her and bring her the utmost happiness by getting a surprise. 

Spend the day pampering your mothers by taking her out shopping, making her a delicious cake, and also going for a movie night. 

Mother’s Day Essay In 200 words

Mother’s Day is all about being grateful for the presence of this amazing human in our lives that god has given us. Always be grateful for your beautiful mother and express your heartfelt gratitude. 

Mothers are the most powerful creatures on this earth. Mother’s love is very precious. A bond between mother and child is one of the most beautiful bonds that one can cherish. Mothers make a lot of sacrifices for their family that is why we should always respect our mothers. 

To honour the importance of mothers in our lives, we celebrate this remarkable day as Mother’s Day. Mothers are extraordinary human beings who take a lot of pain to bring their children into this world. From raising the children to teaching them manners, a mother goes through it all. 

On Mother’s Day, special arrangements are being made for the mothers in schools and students become a part of it by participating in it. A mother’s selfless love and unwavering faith are the foundation of a family’s life that lasts through generations. It is time to reflect on their tireless efforts and show them the appreciation they truly deserve. Happy Mother’s Day! 

Additional Lines For Mother’s Day Essay Writing

  • A mother's love knows no bounds, she provides us with a blanket of warmth and comfort during every storm. 
  • Finding solace in a mother’s arms is all a child needs to make themselves the happiest. 
  • A mother’s laughter is the melody of music that fills our home with joy and sunshine. 
  • A child never forgets the life lessons that are being taught by a mother. A mother’s love and compassion know no limits. 
  • Mother’s guidance helps the children shape their lives by providing all the love and comfort to them. 
  • A Mother’s hug is a cocoon of love that turns beautiful moments into precious future memories. 
  • T his Mother's Day, let's not just celebrate her, but let's honour her, cherish her, and express our gratitude for all she does and all she is.
  • A mother’s love holds stories of resilience with her heart overflowing with dreams and ambitions.

Also, check 

Mother’s Day Speech in Hindi 2024: मदर्स डे पर छोटे और बड़े भाषण हिंदी में

Mother’s Day Speech in English for School Students (2024)

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Honeybees Invaded My House, and No One Would Help

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By Sarah Kliff

  • Published April 30, 2024 Updated May 2, 2024

Responding to fears of a “honeybee collapse,” 30 states have passed laws to protect the pollinators. But when they invaded my house, I learned that the honeybees didn’t need saving.

I noticed the first bee one afternoon as my dog gleefully chased it around the house. When the pest settled on a window by the stairwell, I swatted it with a cookbook and cleaned up the mess.

Five minutes later, another bee buzzed at the same window. Then a third in my kids’ room. When I heard a loud droning coming from inside a wall next to my son’s bed, the ominous situation finally hit me: The house was infested.

Listen to this article with reporter commentary

This was early April, the start of “swarm season,” when honeybee colonies search for places to build new hives. A small gap in the roof gave them access to our attic and put us on the honeybee real estate market.

But in those first frantic hours, as I darted from room to room slamming the book on them, we thought the insects might be wasps. My husband called an exterminator, who agreed to come the next morning. Then a bee-loving friend who saw a photo told us they were honeybees. When we updated the exterminator, he canceled the appointment.

Once honeybees move in, it turns out, they are particularly difficult to evict.

Several bees crawling at the bottom of a window screen with blinds.

Over the past two decades, fears of a collapsing honeybee population have inspired elegiac journalism and 30 state laws aiming to protect pollinators. Three states have given special tax breaks to beekeepers, and others have devoted millions to studying the disappearing colonies. In Washington, where I live, the DC Beekeepers Alliance notes that it is “illegal for pest control contractors to spray honeybees.”

As evening approached and a gray cloud of bees grew steadily outside our roof’s crack, we headed to a hotel, kids and energetic dog in tow. My 2-year-old danced around pretending to be a bee, her hands pointed into a stinger. My 5-year-old asked why the bees had chosen our house. Great question, bud.

My husband and I stared at our phones on the crisp hotel sheets, panic-searching online for answers. Bee species and humans are the only animals that can communicate directions to a new place without directly leading others there. And honeybees engage in an elaborate, democratic process to choose new homes. They prefer to build hives in tight spaces about the size of a large backpack, often within crawl spaces, walls and attics. Once established in a comfy spot, they can stay there indefinitely, building hives and producing honey.

We sent a few panicked messages to local WhatsApp groups, read blog posts about citronella deterrents and found a “ bee repellent ” Spotify track that sounded like a never-ending beep. We commanded the Alexa speaker back in our kids’ room to play the noise on loop all night.

The next morning, we returned to the infestation and started working the phones, to much disappointment. “When we identify a honeybee issue, we try to have a local beekeeper assist,” Ben Hottel, an entomologist and spokesman for Orkin, a pest control company, later told me.

One exterminator finally agreed to come by, only to dash our hopes upon arrival. He wouldn’t touch the bees but said that he knew a contractor who would commit illicit bee murder. We declined.

I considered buying a can of Raid, but I felt too guilty. I had a vague sense that honeybees needed saving, and some of my neighbors felt strongly about the issue. “They are so important to our ecosystem,” one neighbor advised on WhatsApp. “Their number is dwindling.” She suggested we call a beekeeper.

So we tried the swarm squad , a volunteer group of beekeepers who will collect wayward colonies. Unfortunately, the squad generally only deals with outdoor hives. A representative recommended a dozen other beekeepers with indoor expertise.

Every one of them told me the same thing: Our problem was too small.

When a colony is looking for a new home, it sends out a few hundred “scouts” to find options, each visiting 10 to 20 possible locations. When a scout likes a place, it returns to the hive and performs a “waggle” dance that tells its brethren exactly how far and in what direction they need to travel to find the potential home. The more vigorous the dance, the more a scout likes the location. Eventually, the thousands of hive dwellers vote on which place they like best.

Apparently, scouts were sizing up our home. To us, they were plenty alarming on their own. But the beekeepers reassured us that they were unlikely to sting; they didn’t have a hive or queen to defend. Call us back, they said, when you see a few thousand bees.

There was little else to do but wait and see if the colony would choose us. I repacked our suitcase for another night away. Maybe this was my family’s small contribution to saving an imperiled species, I thought.

What I wish I had known then: Honeybees do not need saving.

The same week that the bees turned up at my house, the journalist Bryan Walsh revisited a 2013 cover story for Time magazine in which he had lamented a future “world without bees.” Looking back, he said, the article didn’t hold up.

“A lot of the coverage at the height of the beepocalypse fears — my story included — used the mass death of honeybees as a symbol of how human beings had pulled nature out of whack,” Mr. Walsh wrote in a new essay in Vox . “But it’s not.”

Just last month, new federal data showed that the number of honeybee colonies has increased by 31 percent since 2007. A vast majority of those insects are used in commercial farming, carted from state to state to pollinate crops.

“Honeybees are not endangered nor at risk of extinction,” noted a 2023 report from the Xerces Society for Invertebrate Conservation. “The fact that honeybees are domesticated and managed negates the possibility of being endangered.”

Honeybees are an invasive species that were brought to the United States from Europe. Saving one of their colonies can actually hurt native bees, many of which are endangered. A recent study in Montreal found that when the number of honeybee hives rose in part of the city, the number of native bees declined.

“You are not helping a wild species” when you save a honeybee swarm, said Rich Hatfield, a senior conservation biologist at Xerces. “You are introducing 10,000 to 50,000 mouths to feed to an environment that may not have enough resources.”

The bees in my house were looking for resources. Left on our own, we cobbled together a plan to make our real estate seem as unappealing as possible.

We tried to sequester as many of the honeybees as possible in the attic. It was better if they didn’t leave, the beekeepers had said, so they couldn’t go waggle to their friends. They gravitate toward light, so we flipped on a lightbulb and watched a dozen immediately swarm around it.

Two beekeepers gave us their blessing to kill the honeybees that had already made it into our house, suggesting a vacuum method. Within minutes, honeybees filled our Dyson.

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Bees are most active in the warm temperatures of late afternoon. We anxiously waited for a swarm to descend. Around 4 p.m. we went outside and stared at the sky, just as we had a few days earlier for the solar eclipse .

The swarm never showed. By evening, fewer bees were roaming around the house, and the attic buzzing had grown softer. We slept at home with the Dyson near the bed.

The next morning, my son discovered dead bees in his playroom, and the dog ate some carcasses on the floor. Thirty-six hours after the honeybees had arrived, they were gone.

Stunned by the bizarre experience, I called Thomas Seeley, a professor at Cornell who has studied honeybee behavior for more than 40 years.

Ours had been a close call, Dr. Seeley said. The fact that a scout bee’s shimmy had convinced scores of others to check out our house meant that we were “clearly on the list of serious possibilities,” he said.

I peppered him with mitigation questions. Should we have tried citronella candles? No, they actually like that smell, he said, but moth balls could have helped. And what about the beeping Spotify track — did that help steer them away? Bees can’t hear, he said.

I searched for honeybee-related posts on my neighborhood email listserv, where people regularly write in looking for exterminators. “Don’t worry folks, I’m pro-bees!” read one message from a neighbor with a swarm last spring.

I noticed a new post, dated one week after the bees had left us. Bees had taken root on the poster’s deck, she said, attaching a photo of a dense yellow swarm. Perhaps, I thought, our scouts had found their new home.

“Called 311 and they weren’t super interested,” she wrote. “Any ideas? We’d like to save these bees.”

Audio produced by Parin Behrooz .

Video illustration by Yann Guichaoua/Creatas Video+/Getty Images

Sarah Kliff is an investigative health care reporter for The Times. More about Sarah Kliff

The Great Read

Here are more fascinating tales you can’t help reading all the way to the end..

When an illegal smoke shop opened across the street, an Upper West Side councilwoman, vowed to close it. What happened next was “like a Fellini movie.”

The diabetes drug Ozempic has become a phenomenon, and its inescapable jingle — a takeoff of the Pilot song “Magic” — has played a big part in its story .

A man’s five-year stay at the New Yorker Hotel cost him only $200.57. Now it might cost him his freedom .

Researchers are documenting deathbed visions , a phenomenon that seems to help the dying, as well as those they leave behind.

Around 2020, the “right” pants began to swing from skinny to wide. But is there even a consensus around trends anymore ?

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    like any other source within your essay, the full reference is included in your reference list. If you found the figure or table in a journal article, follow the guidance for referencing an article. If you found it on a webpage, reference the webpage. If the image is a film still, reference the film. Where do I find how to reference my source ...

  12. Tables, Images, & Appendices

    Tables, Images, & Appendices. For some papers and reports, you may choose to add a table, graph, chart, or image within the body of the draft. Or you may choose to include an appendix at the end of your paper. These can help to provide a visual representation of data or other information that you wish to relay to your reader.

  13. 17.1 "Reading" Images

    While writers arrange, or put together, a story, essay, or poem to take place over time—that is, the time readers need to follow the text, line by line, through a number of pages—image creators arrange pictures in the two-dimensional space of their viewfinder, paper, or canvas to invite viewers to read in space rather than time. This ...

  14. How to Structure an Essay

    The basic structure of an essay always consists of an introduction, a body, and a conclusion. But for many students, the most difficult part of structuring an essay is deciding how to organize information within the body. This article provides useful templates and tips to help you outline your essay, make decisions about your structure, and ...

  15. How to Write an Image Analysis Essay in 6 Easy Steps

    The photographer uses the image of children to symbolize the future. The non-human elements in the photo symbolize life and planet Earth. The author connects ideas represented by these images to get the message across." Step 5: Write the Body of Your Essay. At this point, we have everything we need to write the rest of the essay.

  16. When to Use an Image in an Essay

    Make sure to reference any images you use in the text of your essay. If you have included an image to illustrate a point, for instance, you would include something along the lines of "An example of this can be seen in Figure 1.". The key, then, is that images in an essay are not just decoration. Rather, they should fit with and add to the ...

  17. MLA Tables, Figures, and Examples

    MLA documentation for tables, figures, and examples. MLA provides three designations for document illustrations: tables, figures, and examples (see specific sections below). Tables. Refer to the table and its corresponding numeral in-text. Do not capitalize the word table. This is typically done in parentheses (e.g. " (see table 2)").

  18. Sensory Imagery in Creative Writing: Types, Examples, and ...

    Written by MasterClass. Last updated: Sep 29, 2021 • 6 min read. Sensory imagery is a literary device writers employ to engage a reader's mind on multiple levels. Sensory imagery explores the five human senses: sight, sound, taste, touch, and smell. Sensory imagery is a literary device writers employ to engage a reader's mind on multiple ...

  19. How to reference an image in Harvard style

    Today, finding and citing a digital or online image is simple. You'll need the following information: Photographer's name. (Year published) Title of the photograph, italizised. Available at: URL (Accessed: the date you sourced the image) In-text citation structure and example: (Photographer's name, Year published) OR.

  20. How to Create a Photo Essay: Step-by-Step Guide With Examples

    How to Create a Photo Essay: Step-by-Step Guide With Examples. Photo essays tell a story in pictures, and there are many different ways to style your own photo essay. With a wide range of topics to explore, a photo essay can be thought-provoking, emotional, funny, unsettling, or all of the above, but mostly, they should be unforgettable. Photo ...

  21. Exploring the Picture Essay: Tips, Best Practices, and Examples

    Exploring the Picture Essay: Tips, Best Practices, and Examples. April 18, 2023. Words by Jeff Cardello. A picture essay lets you harness the power of images to tell stories, evoke emotions, and convey a sense of place, time, and perspective. Picture essays drop viewers right into the action, letting them see things through the camera's lens ...

  22. Using Images

    Images can be used to enhance the textual content of a research poster. When selecting images, it is important to ensure that they are of a high-quality resolution and that they depict content relevant to your research. Photos should be saved as .jpg or .png files and adjusted for color and contrast if necessary. Providing captions for your ...

  23. Citing and referencing: Images / Figures

    1. If you include any images in your document, also include a figure caption. See the "Positioning images in your document" box for more information. 2. If you refer to any visual material, i.e. art, design or architecture, you have seen in person and you are not including an image of it in your document, provide a detailed in-text citation or ...

  24. How to Create an Engaging Photo Essay (+ Examples)

    A photo essay is a series of images that share an overarching theme as well as a visual and technical coherence to tell a story. Some people refer to a photo essay as a photo series or a photo story - this often happens in photography competitions. Photographic history is full of famous photo essays.

  25. Sophia Bush comes out as queer, confirms relationship with Ashlyn Harris

    Actor Sophia Bush came out as queer in an emotional essay in Glamour and confirmed she's in a relationship with retired U.S. Women's National Team soccer player Ashlyn Harris.

  26. How to Cite an Image

    Citing an image in APA Style. In an APA Style reference entry for an image found on a website, write the image title in italics, followed by a description of its format in square brackets. Include the name of the site and the URL. The APA in-text citation just includes the photographer's name and the year. APA format. Author last name, Initials.

  27. 'Baby Reindeer': Stephen King Writes Essay Praising ...

    (Photo by Scott Eisen/Getty Images for Warner Bros.) getty Baby Reindeer fan Stephen King loves the Netflix stalker series so much that he's gone from posting about it on X to writing an essay ...

  28. An Anatomy of Inspiration and an Essay on the Creative Mood

    Images. An illustration of a heart shape Donate. An illustration of text ellipses. More. Internet Archive Audio. Live ... An Anatomy of Inspiration and an Essay on the Creative Mood by Rosamond E.M.; With an Appendix of the Birth of a Poem By Robert Nichols Harding. Publication date 1940-01-01

  29. Mother's Day Essay In English (2024): Short and Long Essay ...

    Mother's Day Essay In 150 Words Mothers are the epitome of beauty with brains. We should shower our mothers with love and respect every day and let's not forget the sacrifices they made for us ...

  30. Honeybees Don't Need Saving, I Learned When They Invaded My House

    Responding to fears of a "honeybee collapse," 30 states have passed laws to protect the pollinators. But when they invaded my house, I learned that the honeybees didn't need saving.