george orwell narrative essays

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Facing Unpleasant Facts: Narrative Essays Hardcover – Deckle Edge, January 1, 2008

• Print length 308 pages
• Language English
• Publisher Houghton Mifflin Harcourt
• Publication date January 1, 2008
• Dimensions 5.75 x 1.25 x 8.5 inches
• ISBN-10 0151013616
• ISBN-13 978-0151013616
• See all details

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Editorial Reviews

From publishers weekly, about the author.

GEORGE ORWELL (1903–1950) served with the Imperial Police in Burma, fought with the Republicans during the Spanish Civil War, and was a member of the Home Guard and a writer for the BBC during World War II. He is the author of many works of nonfiction and fiction.

GEORGE PACKER  is a staff writer for the New Yorker and author of The Assassin's Gate: America in Iraq and other works. He lives in Brooklyn.

GEORGE ORWELL (19031950) served with the Imperial Police in Burma, fought with the Republicans during the Spanish Civil War, and was a member of the Home Guard and a writer for the BBC during World War II. He is the author of many works of nonfiction and fiction.

GEORGE PACKER is a staff writer for the New Yorker and author of The Assassin's Gate: America in Iraq and other works. He lives in Brooklyn.

Product details

• Publisher ‏ : ‎ Houghton Mifflin Harcourt; 1st edition (January 1, 2008)
• Language ‏ : ‎ English
• Hardcover ‏ : ‎ 308 pages
• ISBN-10 ‏ : ‎ 0151013616
• ISBN-13 ‏ : ‎ 978-0151013616
• Item Weight ‏ : ‎ 1.1 pounds
• Dimensions ‏ : ‎ 5.75 x 1.25 x 8.5 inches
• #3,216 in European Literature (Books)
• #4,366 in Essays (Books)

About the author

George orwell.

George Orwell is one of England's most famous writers and social commentators. Among his works are the classic political satire Animal Farm and the dystopian nightmare vision Nineteen Eighty-Four. Orwell was also a prolific essayist, and it is for these works that he was perhaps best known during his lifetime. They include Why I Write and Politics and the English Language. His writing is at once insightful, poignant and entertaining, and continues to be read widely all over the world.

Eric Arthur Blair (George Orwell) was born in 1903 in India, where his father worked for the Civil Service. The family moved to England in 1907 and in 1917 Orwell entered Eton, where he contributed regularly to the various college magazines. From 1922 to 1927 he served with the Indian Imperial Police in Burma, an experience that inspired his first novel, Burmese Days (1934). Several years of poverty followed. He lived in Paris for two years before returning to England, where he worked successively as a private tutor, schoolteacher and bookshop assistant, and contributed reviews and articles to a number of periodicals. Down and Out in Paris and London was published in 1933. In 1936 he was commissioned by Victor Gollancz to visit areas of mass unemployment in Lancashire and Yorkshire, and The Road to Wigan Pier (1937) is a powerful description of the poverty he saw there.

At the end of 1936 Orwell went to Spain to fight for the Republicans and was wounded. Homage to Catalonia is his account of the civil war. He was admitted to a sanatorium in 1938 and from then on was never fully fit. He spent six months in Morocco and there wrote Coming Up for Air. During the Second World War he served in the Home Guard and worked for the BBC Eastern Service from 1941 to 1943. As literary editor of the Tribune he contributed a regular page of political and literary commentary, and he also wrote for the Observer and later for the Manchester Evening News. His unique political allegory, Animal Farm was published in 1945, and it was this novel, together with Nineteen Eighty-Four (1949), which brought him world-wide fame.

It was around this time that Orwell's unique political allegory Animal Farm (1945) was published. The novel is recognised as a classic of modern political satire and is simultaneously an engaging story and convincing allegory. It was this novel, together with Nineteen Eighty-Four (1949), which finally brought him world-wide fame. Nineteen Eighty-Four's ominous depiction of a repressive, totalitarian regime shocked contemporary readers, but ensures that the book remains perhaps the preeminent dystopian novel of modern literature.

Orwell's fiercely moral writing has consistently struck a chord with each passing generation. The intense honesty and insight of his essays and non-fiction made Orwell one of the foremost social commentators of his age. Added to this, his ability to construct elaborately imaginative fictional worlds, which he imbued with this acute sense of morality, has undoubtedly assured his contemporary and future relevance.

George Orwell died in London in January 1950.

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The Best George Orwell Essays Everyone Should Read

By Dr Oliver Tearle (Loughborough University)

George Orwell (1903-50) is known around the world for his satirical novella Animal Farm and his dystopian novel Nineteen Eighty-Four , but he was arguably at his best in the essay form. Below, we’ve selected and introduced ten of Orwell’s best essays for the interested newcomer to his non-fiction, but there are many more we could have added. What do you think is George Orwell’s greatest essay?

1. ‘ Why I Write ’.

This 1946 essay is notable for at least two reasons: one, it gives us a neat little autobiography detailing Orwell’s development as a writer; and two, it includes four ‘motives for writing’ which break down as egoism (wanting to seem clever), aesthetic enthusiasm (taking delight in the sounds of words etc.), the historical impulse (wanting to record things for posterity), and the political purpose (wanting to ‘push the world in a certain direction’).

2. ‘ Politics and the English Language ’.

The English language is ‘in a bad way’, Orwell argues in this famous essay from 1946. As its title suggests, Orwell identifies a link between the (degraded) English language of his time and the degraded political situation: Orwell sees modern political discourse as being less a matter of words chosen for their clear meanings than a series of stock phrases slung together.

Orwell concludes with six rules or guidelines for political writers and essayists, which include: never use a long word when a short one will do, or a specialist or foreign term when a simpler English one should suffice.

We have analysed this classic essay here .

3. ‘ Shooting an Elephant ’.

This is an early Orwell essay, from 1936. In it, he recalls his (possibly fictionalised) experiences as a police officer in Burma, when he had to shoot an elephant that had got out of hand. Orwell extrapolates from this one event, seeing it as a microcosm of imperialism, wherein the coloniser loses his humanity and freedom through oppressing others.

We have analysed this essay here .

4. ‘ Decline of the English Murder ’.

In this 1946 essay, Orwell writes about the British fascination with murder, focusing in particular on the period of 1850-1925, which Orwell identifies as the golden age or ‘great period in murder’ in the media and literature. But what has happened to murder in the British newspapers?

Orwell claims that the Second World War has desensitised people to brutal acts of killing, but also that there is less style and art in modern murders. Oscar Wilde would no doubt agree with Orwell’s point of view!

5. ‘ Confessions of a Book Reviewer ’.

This 1946 essay makes book-reviewing as a profession or trade – something that seems so appealing and aspirational to many book-lovers – look like a life of drudgery. Why, Orwell asks, does virtually every book that’s published have to be reviewed? It would be best, he argues, to be more discriminating and devote more column inches to the most deserving of books.

6. ‘ A Hanging ’.

This is another Burmese recollection from Orwell, and a very early work, dating from 1931. Orwell describes a condemned criminal being executed by hanging, using this event as a way in to thinking about capital punishment and how, as Orwell put it elsewhere, a premeditated execution can seem more inhumane than a thousand murders.

We discuss this Orwell essay in more detail here .

7. ‘ The Lion and the Unicorn ’.

Subtitled ‘Socialism and the English Genius’, this is another essay Orwell wrote about Britain in the wake of the outbreak of the Second World War. Published in 1941, this essay takes its title from the heraldic symbols for England (the lion) and Scotland (the unicorn). Orwell argues that some sort of socialist revolution is needed to wrest Britain out of its outmoded ways and an overhaul of the British class system will help Britain to defeat the Nazis.

The long essay contains a section, ‘England Your England’, which is often reprinted as a standalone essay, written as the German bomber planes were whizzing overhead during the Blitz of 1941. This part of the essay is a critique of blind English patriotism during wartime and an attempt to pin down ‘English’ values at a time when England itself was under threat from Nazi invasion.

8. ‘ My Country Right or Left ’.

This 1940 essay shows what a complex and nuanced thinker Orwell was when it came to political labels such as ‘left-wing’ and ‘right-wing’. Although Orwell was on the left, he also held patriotic (although not exactly fervently nationalistic) attitudes towards England which many of his comrades on the left found baffling.

As with ‘England Your England’ above, the wartime context is central to Orwell’s argument, and lends his discussion of the relationship between left-wing politics and patriotic values an urgency and immediacy.

9. ‘ Bookshop Memories ’.

As well as writing on politics and being a writer, Orwell also wrote perceptively about readers and book-buyers – as in this 1936 essay, published the same year as his novel Keep the Aspidistra Flying , which combined both bookshops and writers (the novel focuses on Gordon Comstock, an aspiring poet).

In ‘Bookshop Memories’, reflecting on his own time working as an assistant in a bookshop, Orwell divides those who haunt bookshops into various types: the snobs after a first edition, the Oriental students, and so on.

10. ‘ A Nice Cup of Tea ’.

Orwell didn’t just write about literature and politics. He also wrote about things like the perfect pub, and how to make the best cup of tea, for the London Evening Standard in the late 1940s. Here, in this essay from 1946, Orwell offers eleven ‘golden rules’ for making a tasty cuppa, arguing that people disagree vehemently how to make a perfect cup of tea because it is one of the ‘mainstays of civilisation’. Hear, hear.

3 thoughts on “The Best George Orwell Essays Everyone Should Read”

Thanks, Orwell was a master at combining wisdom and readability. I also like his essay on Edward Lear, although some of his observations are very much of their time: https://edwardleartrail.wordpress.com/2018/10/16/george-orwell-on-edward-lear/

The Everyman edition of Orwell’s essays (1200 pages !) is my desert island book. I like Shooting the Elephant altho Julian Barnes seems to believe this is fictitious. Is this still a live debate ?

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The Orwell Foundation is delighted to make available a selection of essays, articles, sketches, reviews and scripts written by Orwell.

This material remains under copyright in some jurisdictions, including the US, and is reproduced here with the kind permission of  the Orwell Estate . All queries regarding rights should be addressed to the Estate’s representatives at A. M. Heath literary agency.

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Sketches For Burmese Days

• 1. John Flory – My Epitaph
• 2. Extract, Preliminary to Autobiography
• 3. Extract, the Autobiography of John Flory
• 4. An Incident in Rangoon
• 5. Extract, A Rebuke to the Author, John Flory

Essays and articles

• A Day in the Life of a Tramp ( Le Progrès Civique , 1929)
• A Hanging ( The Adelphi , 1931)
• A Nice Cup of Tea ( Evening Standard , 1946)
• Antisemitism in Britain ( Contemporary Jewish Record , 1945)
• Arthur Koestler (written 1944)
• British Cookery (unpublished, 1946)
• Can Socialists be Happy? (as John Freeman, Tribune , 1943)
• Common Lodging Houses ( New Statesman , 3 September 1932)
• Confessions of a Book Reviewer ( Tribune , 1946)
• “For what am I fighting?” ( New Statesman , 4 January 1941)
• Freedom and Happiness – Review of We by Yevgeny Zamyatin ( Tribune , 1946)
• Freedom of the Park ( Tribune , 1945)
• Future of a Ruined Germany ( The Observer , 1945)
• Good Bad Books ( Tribune , 1945)
• In Defence of English Cooking ( Evening Standard , 1945)
• In Front of Your Nose ( Tribune , 1946)
• Just Junk – But Who Could Resist It? ( Evening Standard , 1946)
• My Country Right or Left ( Folios of New Writing , 1940)
• Nonsense Poetry ( Tribune , 1945)
• Notes on Nationalism ( Polemic , October 1945)
• Pleasure Spots ( Tribune , January 1946)
• Poetry and the microphone ( The New Saxon Pamphlet , 1945)
• Politics and the English Language ( Horizon , 1946)
• Politics vs. Literature: An examination of Gulliver’s Travels ( Polemic , 1946)
• Reflections on Gandhi ( Partisan Review , 1949)
• Rudyard Kipling ( Horizon , 1942)
• Second Thoughts on James Burnham ( Polemic , 1946)
• Shooting an Elephant ( New Writing , 1936)
• Some Thoughts on the Common Toad ( Tribune , 1946)
• Spilling the Spanish Beans ( New English Weekly , 29 July and 2 September 1937)
• The Art of Donald McGill ( Horizon , 1941)
• The Moon Under Water ( Evening Standard , 1946)
• The Prevention of Literature ( Polemic , 1946)
• The Proletarian Writer (BBC Home Service and The Listener , 1940)
• The Spike ( Adelphi , 1931)
• The Sporting Spirit ( Tribune , 1945)
• Why I Write ( Gangrel , 1946)
• You and the Atom Bomb ( Tribune , 1945)

Reviews by Orwell

• Anonymous Review of Burmese Interlude by C. V. Warren ( The Listener , 1938)
• Anonymous Review of Trials in Burma by Maurice Collis ( The Listener , 1938)
• Review of The Pub and the People by Mass-Observation ( The Listener , 1943)

Letters and other material

• BBC Archive: George Orwell
• Free will (a one act drama, written 1920)
• George Orwell to Steven Runciman (August 1920)
• George Orwell to Victor Gollancz (9 May 1937)
• George Orwell to Frederic Warburg (22 October 1948, Letters of Note)
• ‘Three parties that mattered’: extract from Homage to Catalonia (1938)
• Voice – a magazine programme , episode 6 (BBC Indian Service, 1942)
• Your Questions Answered: Wigan Pier (BBC Overseas Service)
• The Freedom of the Press: proposed preface to Animal Farm (1945, first published 1972)
• Preface to the Ukrainian edition of Animal Farm  (March 1947)

External links are being provided for informational purposes only; they do not constitute an endorsement or an approval by The Orwell Foundation of any of the products, services or opinions of the corporation or organisation or individual. The Foundation bears no responsibility for the accuracy, legality or content of the external site or for that of subsequent links. Contact the external site for answers to questions regarding its content.

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Facing unpleasant facts : narrative essays

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George Orwell

Narrative essays.

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Orwell continues to be the benchmark for all would-be essayists because he achieved a perfect balance of clarity of prose and originality of insight. Consequently, he's marvellously readable, an effect he achieved without sacrificing a scrap of his fierce, wintry intelligence. There can be few writers who are as delightful discussing the class system as they are the common toad; Orwell was one of them

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