Eon Essay Contest on The Precipice

About the scholarship.

The Eon Essay Contest on The Precipice scholarship is available to K-12, undergraduate, and graduate students. Residents of the U.S. (excluding Puerto Rico, Canada (excluding Quebec), and the United Kingdom are eligible to apply. Recipients are chosen for their essay submission.

  • Essay Required : Yes
  • Need-Based : No
  • Merit-Based : Yes
  • Resident of the U.S. (excluding Puerto Rico, Canada (excluding Quebec), and the United Kingdom
  • Current K12, undergraduate, or graduate student
  • Aged 13 to 24
  • Country : US, CA, GB
  • State : AL, AK, AR, AZ, CA, CO, CT, DE, DC, FL, GA, HI, ID, IL, IN, IA, KS, KY, LA, ME, MD, MA, MI, MN, MS, MT, MO, NE, NV, NH, NJ, NM, NY, NC, ND, OH, OK, OR, PA, RI, SC, SD, TN, TX, UT, VT, VA, WA, WV, WI, WY, CA-AB, CA-BC, CA-MB, CA-NB, CA-NL, CA-NT, CA-NS, CA-NU, CA-ON, CA-PE, CA-SK, CA-YT
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The Winners of Our 3rd Annual Personal Narrative Essay Contest for Students

Eight short, powerful essays from teenagers about the moments, big and small, that have shaped them.

eon essay contest winners

By The Learning Network

For a third year, we invited students from 11 to 19 to tell us short, powerful stories about a meaningful life experience for our Personal Narrative Writing Contest . And for a third year, we heard from young people across the globe about the moments, big and small, that have shaped them into who they are today: a first kiss that failed to meet expectations, a school assignment that led to self-acceptance, an incident at airport security that made the world look much less sweet, and more.

Our judges read more than 11,000 submissions and selected over 200 finalists — eight winners, 16 runners-up, 24 honorable mentions and 154 more essays that made it to Round 4 — whose stories moved us and made us think, laugh and cry. “I’m always blown away by the vulnerability and tenderness so many of these stories hold,” one judge commented.

Below, you can read the eight winning essays, published in full. Scroll to the bottom of this post to find the names of all of our finalists, or see them here in this PDF .

Congratulations, and thank you to everyone who shared their stories with us.

(Note to students: We have published the names, ages and schools of students from whom we have received permission to do so. If you would like yours published, please write to us at [email protected] .)

The Winning Essays

“the best friend question”, “504 hours”, “t.s.a. and cinnamon buns”, “lips or slug”, “the bluff”, “autocorrect”, “purple corn”.

By Blanche Li, age 13, Diablo Vista Middle School, Danville, Calif.

“All right, class, settle down! Your last Spanish essays were the worst I’ve read in my 22 years of teaching. So today, I’m requiring you to be specific. You must use new vocabulary to write about your best friend. I don’t want to hear that your best friend is nice. I want to know how. Begin, and no talking!” my Spanish teacher, Señora Morales, shouted at the class.

I sat with my pencil hovering over my paper and then slowly began to write in Spanish: My best friend is Hayley. She’s a soccer champion who colored a red streak in her hair to support her team. She plays cello, like I do, and we car pool to our orchestra every Saturday. She uses funny English words like “shenanigans” and “bamboozle,” and describes angry people as “ballistic.” We’ve been best friends since fourth grade.

This is my standard response to the “best friend” question, no matter who asks. The problem is, Hayley isn’t real. I had to come up with a fictional best friend because there have been too many writing prompts asking me to describe this person, too many moments when I’ve replied, “I don’t have one,” and too many times I’ve heard, “Why not? Are you just not the type of person who wants a best friend?” It’s as if people think I’m too introverted and gloomy to even bother. Truth is, during school, I’ve watched with envy the best friends who ice skate together and the best friends who call each other nicknames like “Homeskillet” and “Key Chain.”

Of course, I have plenty of acquaintances — those who I talk to at lunch about conspiracy theories: that the school’s macaroni and cheese has neither macaroni nor cheese and that our beloved janitor is actually God. But the friend who I can depend on when my bully calls me “Bleach” doesn’t exist.

I’ve often wondered, does not having a best friend make me defective? Should I be embarrassed that the only people I hang out with at the farmer’s market are my parents? Should I be worried that my primary cure for loneliness is my cats? Will I have to face heartbreak and failure alone?

Not having a best friend means I have no one to text late at night when I can’t fall asleep and no shoulder to cry on when I fail my orchestra audition. Sometimes I tell myself, “You’re such a baby; just toughen up. There’s no way you’ll ever succeed because you can’t deal with the smallest issues in life.” Considering these thoughts makes me lock myself in my room, sit against the door, and take psychology tests on my phone to prove why I am defective.

But as I scroll through my phone, I ask myself, what would Hayley say to me right now? As an imagined character, Hayley can say what my mind tells her to. So Hayley sits down and puts her arm around me. Her lips curl slightly upward, and her brown eyes zoom in on my face. She tells me, “You can only do so much, and bringing yourself down uses most of the ‘so much’ you can really do.”

When Señora Morales hands back my paper describing Hayley, she tells me, “She seems like a great friend!”

“Yeah,” I grin. “She’s the best friend I’ve ever had.”

By Lyat Melese, age 16, Thomas Jefferson High School for Science and Technology, Alexandria, Va.

The shrill sound of a whistle slices through the gym, slowly halting the bouncing basketballs, squeaking tennis shoes and background chatter. My P.E. teacher stands in the middle of the room, looking around in distaste at the disarray of basketballs, hula hoops, and volleyball nets. He asks for volunteers to help clear the gym.

Saanvi raises a lone hand into the air. Everybody else refuses to meet the teacher’s eyes, focusing on the floor, their hands or the ceiling.

I sigh as it strikes again.

It is hard to define the Amharic word in English. It describes the feeling comprising a mishmash of extreme empathy and the inability to say “no.” It is a trait I see in my mother and, much to my annoyance, myself. While yilugnta makes me a kind and respectful daughter at home, it makes me a pushover susceptible to guilt-tripping at school.

I raise my hand, “I can do it.”

Saanvi and I collect all the balls and ropes, rolling the carts into the storage room.

We are alone when she suddenly stops and looks at me.

“Did you get accepted?” she asks, referring to the highly selective admission to the local STEM high school.

“Yeah,” I reply. “You?”

She looks away. Her hands fist at her sides as a frown is etched on her face.

I look down. “I’m sorry. I know how badly you wanted to go.”

“You don’t understand,” she spits out. “You obviously got in because you are Black.”

I don’t respond, focusing instead on the colorful hula hoops I am stacking in a pile: green, yellow, blue.

When we first moved to America, my parents went to great lengths to avoid the term “Black.” They instilled in me that I was not just Black, I was Ethiopian. I used to think it was because they didn’t want me to forget my culture. Now I think they were protecting me because the term “Black” shoulders the weight of history.

My Nigerian neighbor always grits his teeth and talks to himself when he watches Nigerian news. He blames Britain for forcing the tribes together. He says Nigeria should not have existed. Now, his wife hides the remote because his blood pressure grows too high.

My mom’s friend’s African-American partner goes to town halls and protests every week. He still waits for the day he will get the reparations his ancestors were owed.

My mom tells me that we are not like them. Our ancestors were not colonized or enslaved. Don’t carry the burden that is not yours.

In my head, I want to scream that I did not choose to carry anything. It was shoveled on top of my head. Much like my yilugnta , it is a trait I have to own, no matter how I wish otherwise.

The age of shackles and scramble for land has long passed, but the aftermath reverberates in our ears, whispering words like “victim,” “predator” and “diversity hire.”

Black is black is black.

I turn back to look at Saanvi.

“The admissions are race-blind,” I state.

“Everybody knows that’s not true,” she scoffs. “So few Black people apply, you are guaranteed a spot.”

She pushes past my shoulders and marches out of the room.

Her bag lies forgotten on the floor, a key chain with a colorful peace sign dangling from the front.

I stare at it, contemplating leaving it there.

I pick up the straps and haul it over my shoulder, once more carrying the weight I do not own.

By Elise Spenner, age 15, Burlingame High School, Burlingame, Calif.

It felt like there was no air in the room. Mom sat on the mint green chair in the corner. The white exam paper crinkled under me as I gripped my knees to my chest and rocked back and forth. My tears blurred the cheery posters on human anatomy, balanced eating and mask etiquette into a mosh pit of swirling words and colors. The doctor’s words were garbled, blocked out by a rushing storm of shame.

“Hospital … patient care … check if they have beds.”

“Disordered eating … bradycardia … not enough blood to the heart …”

I didn’t need to listen to her. I already knew everything. I am a straight-A student. I have a solid grasp on cause and effect. Two plus two is four; not eating and exercising too much is an eating disorder. I’ve watched enough “Grey’s Anatomy” to know when doctors have bad news. I could tell by the way she walked into the room: the weary smile that screamed pity and heartache and the look that said, “I came into this profession to save lives, but that means I have to ruin yours.” I knew before that, when the nurse’s brow furrowed at the 42 on the heart rate monitor, and her icy fingers pressed my wrist to recalculate. I knew when I left that morning for my ritualistic five-mile run, leaving the remains of a breakfast pecked at and shuffled around on the plate. Of course I knew.

For a moment, as I listened and cried and the world swirled around me, I was relieved. Relieved that I could let go. That I wouldn’t have to think about what I ate or how fast I ran because my hands were being forcibly removed from the steering wheel.

But the world wouldn’t stay on hold until I was ready to start living again.

While I sat shellshocked, Mom canceled next week’s vacation to the bungalow rental by the beach. Dad sent a terse email to my soccer coach explaining why I would miss our first training camp in a year. For the next three weeks, I would participate in my summer courses from the four walls of a hospital room, with my computer angled to block out the nurse that would routinely flush my IV, the tangled mess of green and yellow wires that would tie me to a 24-hour heart rate monitor, and the makeshift sofa that one of my parents would sacrifice their back to sleep on each night. And two months later, my dad would open the mail to find a bill for hundreds of thousands of dollars. Enough to account for the 504 hours I would spend in a hospital room, the 126 meals and snacks I would eat over those 504 hours, and the nurses who would wait on me for every single one of those 504 hours.

As I rocked compulsively on the glaring, white exam paper, relief quickly gave way to guilt. Gnawing guilt that in my undying pursuit for some ideal, I had destroyed my parents, my relationships and my life. I thought the numbers on the scale were some test to be passed or game to be won, until winning left me in a hospital bed for the summer. My choices were real. And the consequences? They were even more real.

First, after I finished sobbing, I wanted to scream, “Why me?” Then I wanted to pray to a god I didn’t believe in to turn back the clock and rewrite my story. But finally, with my face still buried in my knees, all I could do was whisper “I’m sorry” over and over and over again.

By Ruhani Chhabra, age 16, Mission San Jose High School, Fremont, Calif.

“You’re going to have to take that thing off, sir.”

Yet another T.S.A. officer had just arrived. I cast a nervous glance at my father, who was extremely calm, even as he explained — for the third time — that he couldn’t unwrap the turban on his head. One, it would take too long to put back on. Two, it was against his faith.

The sentence hung heavily in the cinnamon-scented air. I resisted the urge to run through the metal detectors, shoes on and everything.

Make no mistake, I didn’t want to be embarrassed about my religion; in Sikhism, dignity is as fundamental as the turban. But when you’re 12 years old, awkward, pimply and painfully aware of the stares and mutterings from speedy holiday travelers, it’s hard to muster that pride.

It shouldn’t have turned out like this. My father and I had embarked on an impromptu trip to surprise his relatives, and the events resembled a Charlie Brown Christmas special — until we reached that dreaded corner of the airport.

To distract myself, I concentrated on the sugary aroma coming from the diner in the terminal. We always ate there before our flights; I loved their cinnamon buns. I associated a peculiar sense of freedom with those baked goods — their sweet taste meant we’d finished with security, freed of scrutiny.

Having brown skin and a head-covering means you’re practically begging for a “random” T.S.A. check. I figured that out at around the same age that I learned how to put on an airplane seatbelt on my own. However, this demand was significantly worse. Still, I wanted him to comply, wanted to rid myself of the scathingness of being “different.”

My father, who knew he would forever be considered “different” from the moment he walked into this country, persisted. He’d been to this airport before, and they let him have his turban scanned instead of removing it — what could’ve changed?

“It’s the holiday season,” the palest officer said, rolling his eyes. “Security is tighter. Just make a decision. Can’t you see your little girl’s waiting too?”

If I was embarrassed before, it was nothing compared to how I felt now. With all eyes on me, I wanted to shrink to the ground.

I had always feared the possibility of such humiliating “precautions” imposed on my father, and I had always thought that I would speak up. Even a simple “Don’t talk to him that way” would suffice.

Yet I looked up, turned to my father, and said, “Just take it off.” And the way he sighed let me know that I’d won. It was a rather haunting victory.

Perhaps I’m being too harsh on my younger self. After all, I was severely insecure and surrounded by years worth of schoolyard ignorance (“So … why does your dad wear that rag?”), which morphed into my buried shame, and it took me a while to realize I had to dispel it. It took me even longer to learn how.

In the years to come, I’d discover the cathartic space of transcribing my feelings on paper. At that moment, though, I simply internalized everything: the embarrassment, the confusion and, most of all, the gnawing guilt. I watched impassively as my father removed his turban, every layer of meaningful fabric peeled away in front of a whole crowd.

The officers, circling him like angry piranhas, took one long look and then dismissed us. It was over.

Or so I thought. My father, never one to hold a grudge, still bought me some cinnamon buns. I took them onto the flight and looked out the window at the bright blue American sky, wondering why they didn’t taste as sweet as before.

By Daniella Canseco, age 17, Saint Mary’s Hall, San Antonio

When I was younger, I romanticized the thought of my first kiss. I thought it would be the most extravagant thing I would experience with the most handsome boy ever. I wanted the whole shebang: a Zac Efron look-a-like, roses, candles. When I did have my first kiss, was it like this? Nope. My first kiss was in a church parking lot after a musty dinner at the local food court. Just like everyone else, I remember the experience vividly, even though I try to forget.

The first red flag with this guy should’ve been the fact that when my mother Googled him, a picture of my last failed attempt at a relationship came up. They knew each other. Why didn’t I bail that very moment? Well, I was so desperate for even a hue of male validation that I put my blinders on for all red flags. I even ignored the fact that he had shirtless mirror pictures on his Instagram. How I cringe.

In my blue Mazda with the sticker “Let me see your kitties” on the back, I drove into the desolate Mission City Church parking lot, not knowing what fate awaited me. For about 30 minutes this guy showed me his entire music library, which consisted of subpar rap songs that his ex-girlfriend had introduced him to, and his entire camera roll, which was all pictures of him shirtless in front of a mirror, except for two, which were, surprisingly, shirtless pictures of him not in front of a mirror. So unpredictable!

A heavy rain started and, with each drop of water smacking my car, a loud slap would reverberate inside and inhibit our ability to hear one another. This unfortunate turn of events resulted in a conversation where the question “WHAT?” was said every other statement. We made small talk by screaming (well, him just screaming about himself at me) for about 10 minutes until the atmosphere in the car thickened with anticipation.

“Have you ever been kissed before?” he asked, breaking the silence.

“HAVE YOU EVER BEEN KISSED BEFORE?!” he howled at me.

Taken aback by this overwhelming question, I felt heat rush to my face as my body tinged with panic: Will he think I’m weird if I say no? Should I lie? I shouldn’t have eaten that Greek salad with onions.

“It’s OK if you haven’t.”

I pulled out my metaphorical white flag of surrender and admitted to my lack of achievement of this milestone. Suddenly, I saw his body lean over the dashboard that separated us; his hand reached for my cheek and, just like that, he started kissing me. The fumes of hot onion breath were shared between us as his wet lips slid against mine like a slug. This went on for a good three seconds, which really felt like a good three years, until I pushed him away, overwhelmed by the discomfort I had just experienced. My hand lunged for my cup of water as I attempted to wash down the dissatisfaction of something I had yearned for for years.

“Oh, are you OK?” he questioned, as I violently gulped down my water.

“ARE!? YOU!? OK!?”

“OH! YEAH, I-I JUST NEED TO GET BACK.”

I drove him back to his house, the only sounds the ending of the once violent storm and his ex-girlfriend’s rap music playlist. The awkward end-of-date goodbye ensued, and I drove back home in silence rethinking what happened, my lofty expectations deflated. Most of life’s presumptions will not be close to reality, but that’s just how things work.

By Marion Cook, age 14, The Wheeler School, Providence, R.I.

Thirty feet below me and the quivering gray of the diving board, the ocean howled its lonely tune. It whispered and wept like a child lost at the market. It was restless. The wind blew to the same beat at which my heart quickened. It thumped almost audibly despite the shouts of encouragement from strangers, their presence adding a touch of surrealness to my already fraught situation.

I wonder how many people I disappointed that day. I wonder if they remembered my face as I disappeared into the lottery of daily life.

Slowly, my cousins began to run off the sharp angle of the board. I watched some of them fall; there was always this flutter of panic before they all resurfaced, laughing.

I wanted to, too. I wanted to be like them. They said it felt like flying. I remembered thinking that I wanted to know what it felt like to have wings.

The concept of voluntary risk leaked from my brain in the same way water leaks through one’s cupped hands. I think I blame cancer. My mom was diagnosed. Skin cancer. On her head. Not like one surgery and it’s gone type cancer, like fighting for more time type cancer. I was nine years old. Instead of worrying about what to wear to school, I worried about whether or not my mom would wake up in the morning. And how I wouldn’t know until later because a hospital bed cradled her arms and IV bags hugged her, instead of me.

I didn’t really think about my partially broken urge to take on fear because I was too busy with school and birthday parties and the full-time occupation of being the kid of a sick person.

So I didn’t. For years I would come back. Sometimes I would watch my cousins or strangers fall and just say that I didn’t feel like it or that I had just dried off or that the water was too cold. The ocean didn’t judge me, and the sky didn’t care.

But I still felt regretful whenever I walked away. Slowly, I remembered that I had still wanted to know what it felt like to fly.

All of life is temporary and like a dream in the sense that when it will end is as obscure as the already forgotten beginning. Perhaps the greatest people are those who understand that risk is what makes life count. You can be alive for lifetimes without ever really living at all. Sometimes fear is what makes existence tangible as we crisscross our strings of consciousness, floating haphazardly in the void.

I remembered this. I think, to some degree at least, it saved me in a way. I ran off the board. Partially because heights and I are not compatible, and partially because life’s too short to spend time hesitating.

And I did fall. I think I screamed. The whole ordeal happened as spontaneously as the disease that had engulfed my mother. It was over faster, though. And hurt less than radiation and needles and drugs sometimes did. My mom was there that day. Despite relapses and tumors, by the time I was 14, she was extraordinarily cancer-free. The ocean consumed me. I felt small again, like a kid, like I had traveled back to before the Big Bang, and everything forever was silence and the bubbles caused by the air escaping my lungs. And then I resurfaced. I was OK.

I was going to be OK.

By Ellen Xu, age 16, Del Norte High School, San Diego

I stare at the texts on my phone screen, sent from Dad an ocean away: “Love you.” “Miss you.” “Call?” When I was young, I used to play a game where I would repeat a word enough times for it to sound foreign. Now, I’m playing the same game but in reverse, attempting to remember what it was like when his texts still held their meaning.

Out of habit, I type out “Lub”— my way of saying “love”— and press send, a fraction of a second too late before I see the letters rearrange themselves on their own accord. “Lin.” My mom’s name. Not again. I’m convinced autocorrect has a mind of its own; or, maybe it knows that there is a part of me that has a hard time letting go, that wants to revert to a time when her name was not taboo when sent to him.

Dad moved to China the summer after sixth grade. I remember the long nights we would sit at kitchen table discussions, a tug of war between “job” and “family.” Whenever I look back, I’m reminded of the movie “Interstellar”; not just because it was our favorite movie, but because if I had only been smart enough like Murphy, I would have told him to stay. It was not long after he left that distance severed the bond between my parents, like the expanding universe pulling stars out of orbit. Like Cooper pounding his fist on an interdimensional bookshelf, I am banging on the keyboard hoping the right words will fall out. But all that ends up on the other side is empty text and autocorrect.

I write “Lub” again, this time removing the autocorrect and appending a gauche apology. He texts back: “Call for just one minute?” I think of all the things I want to say: It’s not the same to call. It’s been two years since I was last with you. I just had my first driving lesson today and don’t you remember promising me years ago that you would be the one to teach me to drive? Do you know how many memories we’ve traded for texts and calls?

But I don’t say this. I bite back the frustration and text back “OK,” and in the next instant, his face lights up my screen.

We don’t say much in that minute. He doesn’t ask me how I am, because “good” is never a good enough answer. I don’t ask about his new life, his job, his family, or any of the questions I used to hurl at him. His tear-filled smile, creased with hope and sadness, makes me swallow all the things I want to say. The fact that he is OK with this, that he would keep calling and texting me every night even if I never answered, that just being able to see me on the other side of the screen is enough, makes it enough for me to let go. To move past my anger and regret at how, when I needed it the most, my words came out jumbled in those crucial moments at the kitchen table, where I could have changed things.

I’m not angry anymore. He looks at me and tells me he loves me. And for once, my words come out just as I want them to: no longer autocorrecting to the bitterness of a past left behind.

“I lub you, too.”

By Lillian Sun, age 17, Thomas Jefferson High School for Science and Technology, Alexandria, Va.

Part of my youth remains in China, in the suburbs of Hangzhou where the children feed stray cats on the open streets and the elders take leisurely walks in the quiet parks. The roads were barely wide enough for one car to pass through, not that very many people knew how to drive. My grandpa owned a bicycle that he used to take me to wherever I wanted to go. At 70 years old, he could still pedal the two of us through the town fast enough for the wind to tousle my hair and send my hat flying.

The bicycle only had room for one passenger, so I walked with my grandpa and grandma whenever all three of us went downtown in the summer. We bought our groceries in a spacious multistory shopping mall that sold everything from cellphones to raw meat. I wasn’t tall enough back then to push the cart and decided to drift from stall to stall, eyeing the different foods on display designed to catch the eye of a wandering child. No matter how much I begged, my grandpa never bought me shiny red candy or steamed custard buns: Wai puo and I can cook better food for you.

Once back in our apartment, my grandparents got to work, creating an aroma that seeped through the kitchen and into the living room where I was reading an old book. Within half an hour, a whole steamed fish, white rice, and purple corn were laid out on the table. I always finished the fish and rice first, leaving the corn for last.

My grandparents only bought the freshest vegetables, especially so when it came to purple corn. They knew which corn was the most tender just by looking at the husks. Then, they boiled the corn for a good 10 minutes on their gas stove to ensure that it was fully cooked.

I was not a patient granddaughter and often burned my fingers picking up the purple corn, though my complaints were forgotten after the first bite. The kernels stuck to my teeth and filled my mouth with warmth. I chewed the glutinous corn until my jaw ached and my teeth were stained purple, leaving a wholesome aftertaste on my tongue.

After two years of living with my grandparents, I flew back to the United States. The streets here were loud and dogs barked all day long. The corn in American grocery stores was pale yellow, small and watery. I didn’t burn my fingers when I ate it, nor did I chew it for very long. Juice from the corn dripped down onto my plate and I wished I was back in China, walking hand in hand with my grandparents. Here in America, I could eat all the candy I wanted, but there were only so many pieces I could swallow before the sugar became nauseating and I threw up, crying.

My mother eventually found frozen purple corn at a Chinese supermarket, packaged in Styrofoam and plastic wrap. When boiled, the corn softened to a chewy texture, but I could no longer taste Hangzhou summers in this purple corn.

Student Personal Narrative Contest Finalists

In alphabetical order by the writer’s last name.

Daniella Canseco, age 17, St. Mary’s Hall, San Antonio: “Lips or Slug?”

Ruhani Chhabra, age 16, Mission San Jose High School, Fremont, Calif.: “T.S.A. and Cinnamon Buns”

Marion Cook, age 14, The Wheeler School, Providence, R.I.: “The Bluff”

Blanche Li, age 13, Diablo Vista Middle School, Danville, Calif.: “The Best Friend Question”

Lyat Melese, age 16, Thomas Jefferson High School for Science and Technology, Alexandria, Va.: “Guilted”

Elise Spenner, age 15, Burlingame High School, Burlingame, Calif.: “504 Hours”

Lillian Sun, age 17, Thomas Jefferson High School for Science and Technology, Alexandria, Va.: “Purple Corn”

Ellen Xu, age 16, Del Norte High School, San Diego: “Autocorrect”

Bailee Cook, age 17, Hanford High School, Richland, Wash.: “To Cry”

Esther Lee, age 16, St. Paul Preparatory, Seoul: “Warmth Behind Unfamiliarity”

Anjanette Lin, age 14 Groton School, Groton, Mass.: “Orange Nikes”

Jimmy Lin, age 17, BASIS International Park Lane Harbor, Huizhou, Guangdong, China: “The Front Seat”

Robin Linden, age 13, The Wheeler School, Providence, R.I.: “Goodnight, Mom”

Sybellah Kidd-Shugart, age 15, Sprayberry High School, Marietta, Ga.: “A Watch Wound Back Seven Years”

Sim Khanuja, age 17, Kirkwood High School, Kirkwood, Mo.: “An Angel’s Eyes”

Maximus Masucci, Harmony Middle School, Purcellville, Va.: “How I Learned to Break Out of My Shell: An Autistic Boy’s Perspective on Communication”

Pranav Moudgalya, age 17, University High School, Irvine, Calif.: “Talking Turkey”

Jack Quach, age 17, St. Ignatius High School, San Francisco: “A Mighty Pen”

Sum Yu Tian, age 15, The Hockaday School, Dallas: “The Ever-Moving Train”

Ryan Thomas, age 16, Hinsdale Central High School, Hinsdale, Ill.: “The Pyrotechnician”

Yihan (Laura) Wang, age 13, Shrewsbury International School Bangkok Riverside, Bangkok: “Confession”

Elizabeth Warren, age 17, The Hockaday School, Dallas: “El Xbox”

Stella Wu, age 16, Taipei American School, Taipei, Taiwan: “Anonymous”

Jerry Xu, age 16, Sacred Heart Schools Atherton, Atherton, Calif.: “What’s in a Name?”

Honorable Mentions

Jayda Brain, age 15, Illawarra Christian School, Albion Park, Australia: “The Viking Revenge Flume”

Claire Beeli, age 15, Woodrow Wilson High School, Long Beach, Calif.: “When Airplanes and Rocket-Copters Were Stars”

Tony Cai, age 17, Phillips Exeter Academy, Exeter, N.H.: “A Coin Never Delivered”

Czarina Datiles, age 16, Academy of Our Lady of Peace, San Diego: “Bystander”

Jinane Ejjed, age 13, The Seven Hills School, Walnut Creek, Calif: “The Flying Turtle”

Elena Green, age 17, Washington-Liberty, Arlington, Va.: “Modern Education”

Viona Huang, age 16, Diamond Bar High School, Diamond Bar, Calif: “Born a Crime”

Chloe Jacobs, age 17, Choate Rosemary Hall, Wallingford, Conn.: “Heart Hearth”

Yoo Jin Cho, age 16, Presbyterian Ladies’ College, Sydney: “Lost Your Voice?”

Eve Kaplan, age 16, Community High School, Ann Arbor, Mich.: “Boy Crazy”

Liana Kim, age 15, W. T. Woodson High School, Fairfax, Va.: “Echoes of My Blood”

Gwen McNulty, age 14, Lincoln High Schoo, Lincoln, R.I.: “You Don’t Dry Them”

Asher Mehr, age 17, De Toledo High School, West Hills, Calif.: “I Remember August”

Atena Mori, age 16, Iolani School, Honolulu: “Not Throwing Away Any Soup”

Eojin P.: “Withering Cards”

Anya Pan, age 14, International School of Beijing, Beijing: “White Rabbit Under the Sun”

Raymond Pan, age 17, Aurora High School, Aurora, Ontario: “10,000 Kilometers”

Stewart Payne, age 16, Western Albemarle High School, Crozet, Va.: “Playing Games”

Arian Salamat, age 17, Branham High School, San Jose, Calif.: “Boneco”

Alexander Sayette, age 16, Winchester Thurston School, Pittsburgh, Pa.: “400 Meters”

Lauren Strauch, age 18, St. Mary’s Hall, San Antonio: “Two Women Baking”

Cheyenne Toma, age 17, Leonardtown High School, Leonardtown, Md.: “Mourning the Dad I Never Had in Nine Innings”

Paul Wallace, age 16, Glenbrook North High School, Northbrook, Ill.: “Unholy Night”

Madison Xu, age 17, Horace Mann School, Bronx, N.Y.: “Table for Three”

Round 4 Finalists

A PDF of all the winners and 154 more great narratives that made it to Round 4.

Thank you to all of our contest judges!

Sara Aridi, Erica Ayisi, Edward Bohan, Julia Carmel, Amanda Christy Brown, Kathryn Curto, Nicole Daniels, Dana Davis, Shannon Doyne, Alexandra Eaton, Jeremy Engle, Arden Evers, Vivian Giang, Caroline Gilpin, Michael Gonchar, Robyn Green, Emma Grillo, Annissa Hambouz, Michaella Heavey, Kimberly Hintz, Callie Holtermann, Jeremy Hyler, Susan Josephs, Tina Kafka, Shira Katz, Varya Kluev, Megan Leder, Phoebe Lett, Kathleen Massara, Keith Meatto, Sue Mermelstein, Andy Newman, Amelia Nierenberg, John Otis, Fran Pado, Kim Pallozzi, Olivia Parker, Ken Paul, Anna Pendleton, Raegen Pietrucha, Natalie Proulx, Christina Roberts, Kristina Samulewski, Katherine Schulten, Juliette Seive, Jesica Severson, Rachel Sherman, Ana Sosa, Arman Tabatabai, Mark Walsh and Kim Wiedmeyer

The Summer Cohort Regular Application Deadline I is April 14, 2024.  

Click here to apply.

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Winning the Eon Essay Contest - 8 Tips to Help You Ace It

Participating in essay contests, such as The Eon Essay Contest , empowers students to enrich their academic portfolios, refine their writing skills, and learn more about fundamentals in politics and society. This competition invites students aged 13 to 24 to analyze economic theory, existential risks, and the future of humanity, with a focus on Toby Ord's thought-provoking book, "The Precipice."

When you mention your participation and potential achievements in such an essay contest in your college admission process, it signals to admissions officers your intellectual curiosity, analytical abilities, and commitment to tackling real-world complexities. Admissions officers seek students who are not just academically accomplished but also curious and capable of independent, critical thinking. Your involvement in this prestigious contest demonstrates these qualities, making your college application stand out. It underscores your dedication to academic excellence, which is highly regarded in the eyes of admissions officers.

This comprehensive guide will provide an in-depth exploration of the contest, including eligibility criteria, submission requirements, distinct prompts tailored to different age brackets, and 8 tips for creating a winning essay.

Who is Eligible to Participate?

To participate, you must be a student aged 13 to 24, which includes grade-school, undergraduate, and graduate students. Such a large age range for those submitting essays makes the competition a lot more competitive, and thus a lot more prestigious since you are pitted against college students.

Submission Requirements

To enter, visit the Contest Site and complete the "Contest Entry Form" by the submission deadline, which is set at midnight Pacific Time on June 15, 2023. A complete entry includes:

A written essay in English, based on "The Precipice" by Toby Ord, responding to one of the prompts mentioned below.

The essay must not exceed 1,200 words in length, excluding the title, footnotes, endnotes, and citations.

The essay should be double-spaced and in PDF format.

The PDF file name should contain your name, while the essay itself should maintain anonymity.

Prompts for the Eon Essay Contest

There are three distinct prompts tailored to different age categories. This may change from year to year so be sure to check the official website to confirm what the judges are looking for.

3-18 age bracket:

Prompt: Pick a transformative technology you believe will be created someday. Imagine you hold a position of responsibility for it, whether as a scientist developing the technology, a government official regulating it, or a corporate executive selling it to the public. How would you approach your job to have the greatest chance of preserving humanity’s potential? What are the risks you face?

19-21 age bracket:

Prompt: If the ideas in this book are correct, what does that imply about what a group you are familiar with should be doing differently? What could incentivize them to do that? You may talk about a group like a research lab, a government body, a nonprofit, a media company, a corporation, or an international organization.

22-24 age bracket:

Prompt: What, according to you, is missing from this book? This missing piece can be data, analysis, or an argument. The missing piece can either strengthen or weaken a conclusion from the book.

Is the Eon Essay Contest Prestigious?

Prestige and recognition are critical factors to consider when deciding to participate in an essay contest. Prestige and recognition for essay contests is often associated with their funders. It is worth noting that the Eon Essay Contest received its funding from a grant from Open Philanthropy, a research and grantmaking foundation that makes grants based on the doctrine of “effective altruism.” Open Philanthropy, which is financed primarily by billionaire Facebook co-founder and Asana CEO Dustin Moskovitz and his wife Cari Tuna, who have demonstrated interest in the politics of Artificial Intelligence regulation.

The contest used a stringent grading system, with essays assessed on a scale from 0 to 40. Each essay had the potential to earn a maximum of 10 points in four crucial categories:

Writing style

Originality of ideas

Depth and sophistication of analysis

It's notable that fewer than 100 essays received a score of 30 or above. These exceptional essays closely followed the strategies outlined in the tips provided here. To simplify, if you submitted a well-written essay in the previous year's contest, your chances of securing the top prize were roughly 1% . The top prize in the contest carries an expected value of $15,000, though it's important to remember that winners were not chosen randomly, and multiple prizes were awarded in addition to the top prize.

While the monetary aspect is undoubtedly a factor, it is not the sole consideration when deciding whether to enter the contest. Another equally important factor is the opportunity for learning and exposure to profound ideas. All entrants to this contest are exposed to the vital concepts discussed in "The Precipice." If you find the book summary intriguing, this contest might serve as the motivation you need to access the book at a local library and start reading it.

8 Tips to Excel in The Eon Essay Contest:

Make sure you have a comprehensive understanding of the book and its key theme To embark on your journey to success in "The Precipice Essay Contest," it's crucial to approach it with a comprehensive understanding of the source material. Begin by reading "The Precipice" by Toby Ord attentively, ensuring you have a firm grasp of its core ideas and arguments. This is the foundation upon which your essay will be built. Dive into the book's contents, explore the nuances of Ord's perspective on existential risks, and identify the key takeaways that resonate with you. Developing a deep understanding of the source material will enable you to craft an insightful and meaningful essay that resonates with the contest's evaluators.

Research and cite key insights Crafting a winning essay demands comprehensive research to substantiate your arguments. After selecting your prompt, delve into the subject matter by gathering relevant information and data from credible sources. Reference academic journals, books, authoritative websites, and expert opinions to bolster your points with well-founded evidence. Citations and proper referencing are crucial to demonstrate the reliability of your sources. Well-supported arguments and a robust foundation of evidence will add depth and authenticity to your essay, setting it apart as a well-researched and credible piece.

Solidify your thesis Your thesis statement serves as the core of your essay, encapsulating your primary argument. It's essential to develop a clear and compelling thesis that aligns seamlessly with your chosen prompt. Your thesis should not only address the prompt but also present a unique perspective or argument. It's the "hook" that captures your readers' attention and guides them through the essay. A well-structured and thought-out thesis statement not only clarifies your point of view but also shapes the entire essay, ensuring a cohesive and convincing narrative.

Stick to the prompt and work on structure and organization One element of what makes this competition so prestigious for an essay contest is the competitiveness of winning the top award. In the previous edition of the contest, held in 2022, "The Precipice Essay Contest" received over 1,500 entries. However, it's important to note that only about 1,000 entries directly responded to the essay prompts. The remainder consisted of off-topic essays, many of which were originally written for other scholarship applications or as part of school assignments. The essay in the Entry must respond to the essay prompt for the entrant’s applicable Age Category. Address the prompt in a way that resonates authentically with your interests and expertise. This approach allows you to write from a place of genuine passion and insight. Effective organization is fundamental to the success of your essay. Ensure that your essay is well-structured with a logical flow. Begin with an engaging introduction that introduces the topic, highlights your thesis, and entices your readers to continue. Follow this with well-organized body paragraphs that present your arguments coherently, with each paragraph supporting a distinct aspect of your thesis. Finally, conclude with a concise yet impactful summary of your key points. A well-structured essay allows your readers to follow your arguments seamlessly and makes a lasting impression.

Refer to past entries of the Eon Essay Contest To gain a better understanding of what the judges are looking for and to refine your own approach, consider reviewing past winning entries and essays of distinction from the Eon Essay Contest. This can provide insights into the style, depth, and quality of writing that resonates with the contest evaluators. Pay attention to the themes, arguments, and the way previous winners have structured their essays. While you should always bring your unique perspective, drawing inspiration from past entries can be a valuable part of your preparation.

Write and revise Given the particular judging process of the Eon Essay Contest, writing and revising multiple drafts is crucial. After you've drafted your initial essay, take the time to review and refine it. Pay close attention to your thesis statement, arguments, and evidence. Ensure that your essay is well-structured and logically flows from one point to another. Eliminate any unnecessary or redundant content, and keep your writing concise and on point. Don't hesitate to seek feedback from teachers, mentors, or peers, and be open to making improvements based on their suggestions. Multiple revisions can help you fine-tune your essay and increase its chances of being recognized by the judges.

Seek constructive feedback Your essay will benefit significantly from external input. Share your essay with mentors, teachers, or peers who can provide valuable feedback. Multiple perspectives can enhance your arguments, improve clarity, and refine your overall presentation. Constructive criticism and suggestions from others can guide you in addressing potential weaknesses in your essay and strengthening your arguments. Once you've written your essay, the next critical step is meticulous editing. Scrutinize your essay thoroughly to eliminate any errors in grammar, spelling, and overall coherence. A well-edited essay not only reflects your attention to detail but also ensures that your message is conveyed clearly. It presents a polished and professional piece that leaves a strong impression on the evaluators.

Adhere to the word limit It is essential to strictly adhere to the 1,200-word limit imposed by the contest guidelines. Demonstrating your ability to convey your ideas concisely is not only a testament to your writing skills but also ensures that your essay meets the contest's requirements. Straying beyond the word limit can result in disqualification, making adherence to this constraint a fundamental aspect of your essay preparation.

By following these eight tips, you can enhance your chances of success and make a meaningful impact through your essay. Remember that this competition is not just about winning, but also about expanding your knowledge and fostering a deeper understanding of existential risks.

Participating in essay contests, such as the Eon Essay Contest, can significantly enhance your college admission prospects. It showcases your commitment to academic excellence, strong writing skills, critical thinking abilities, intellectual depth, and interest in learning new things.

Admissions officers value students who are academically accomplished and willing to explore complex ideas beyond the regular curriculum.

Engaging with thought-provoking essay prompts demonstrates your curiosity, initiative, and strong work ethic necessary for college success. Moreover, it provides an opportunity to earn scholarships, making it an attractive prospect for both your academic and financial future. Whether you win or not, incorporating your contest experience into your college application can create a unique and memorable personal statement that sets you apart from other applicants.

One other option – Lumiere Research Scholar Program

If you are passionate about research at the intersection of literature, culture, and art you could also consider applying to the Lumiere Research Scholar Program , a selective online program for students I founded with researchers at Harvard and Oxford. Last year, we had over 4000 students apply for 500 spots in the program! You can find the application form here.

Stephen is one of the founders of Lumiere and a Harvard College graduate. He founded Lumiere as a PhD student at Harvard Business School. Lumiere is a selective research program where students work 1-1 with a research mentor to develop an independent research paper.

Image Source: The Precipice by Toby Ord

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Eon Essay Contest on The Precipice

Sponsored by: Eon Essay Contest

Apply Online

The Eon Essay Contest is open to all students (high school, undergraduate, and graduate) aged 13 to 24. To enter, you must read the book The Precipice by Toby Ord and write an essay of up to 1,200 words on one of the essay prompts provided on the contest website. The Precipice explores the science behind existential risks, which are risks that threaten the destruction of humanity’s long term potential. Ending these risks is among the most pressing moral issues of our time. One $15,000 prize, three $5,000 prizes, six $2,000 prizes.

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Eon Essay Contest

Get detailed information on Eon Essay Contest and its eligibility criteria, application deadline, rewards and more.

  • Religious Scholarships
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Scholarship Overview

Deadline: 06/15/2023

Email: [email protected]

[email protected]

Contact Information: Neha Singh, Administ

Neha Singh, Administ

Website: Link

Awards Available: 10 awards

About the Scholarship

Eligibility criteria.

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Effective Altruism Forum EA Forum

Announcing a student essay contest on the precipice.

Students are invited to enter an essay contest on The Precipice ! Please spread the word to high school, undergraduate, and graduate students. 

What is the Eon Essay Contest?

The Eon Essay Contest is an essay contest for students with a top prize of 15,000 USD. Students read the book The Precipice: Existential Risk and the Future of Humanity by Toby Ord, a philosopher at Oxford University. Students then write an essay of up to 1,200 words. Further details and the essay prompts are available on the contest website .

Students who cannot otherwise access the book can request a free copy .

Why are you running this contest?

The Precipice discusses some of the most important issues of our time. It raises awareness about existential risks, which are risks that threaten humanity’s long-term potential. Addressing these risks may be among the most pressing moral issues of our time. This contest raises awareness about the importance of addressing these risks. 

For a summary of the ideas in the book, you can watch this twenty minute video . 

Who would be a good entrant?

Students who are curious and have the ability to carefully consider new ideas will be good entrants. Students with a wide range of interests are encouraged to enter. After all, as The Precipice says, 

Understanding [existential] risks requires delving into physics, biology, earth science and computer science; situating this in the larger story of humanity requires history and anthropology; discerning just how much is at stake requires moral philosophy and economics; and finding solutions requires international relations and political science.

High school, undergraduate, and graduate students from any country are invited to enter. We expect most entrants who will be able to engage critically with this material will be 16 or older, although younger students may enter. 

Need further details?

Please email [email protected] with any questions.

* * * 

How can you help?

  • Please spread word about the contest to potential entrants, especially to students unfamiliar with effective altruism or longtermism . You may send these students a link to the contest website: www.eonessaycontest.com .
  • Please spread word about the contest to any teachers, counselors, or other school staff you know. You may send these professionals all the information above the three star divider (* * *) as a blurb.
  • If you are an undergraduate or graduate student familiar with EA and longtermism who would like to grade essays this summer, please fill out this short expression of interest form .

How can we collaborate?

  • If you are running an outreach program for students, please email [email protected] . I may be able to send information about your program to students who participate in the essay contest.
  • If you are thinking of running a similar outreach project and would like help or advice, please email [email protected] .

Who is funding this contest?

This contest is funded by a grant from Open Philanthropy . 

Neha Singh is responsible for running this contest. Akash Wasil worked with her to draft this announcement. We are grateful to Catherine Low for providing feedback on a draft of this post.

More posts like this

When do people start knowing if they moved on to the next part or when does the judging period end

Rules clarification: are current undergraduate students who will be graduating prior to the June 15th deadline eligible, provided that they submit their essay before they graduate?

Yes, they are. Thank you for asking; I've edited the website to try to make this clearer. 

Eon Essay Contest — The Precipice Essay Contest (2023)

Open Philanthropy recommended a grant of $73,000 to Eon Essay Contest to support an essay contest on  The Precipice  by Toby Ord. This  contest  will award cash prizes to winners, and is open to high school students and young people in other age brackets.

This follows Open Philanthropy’s October 2021 support for the previous iteration of this contest and falls within its focus area of growing and empowering the EA community .

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Annual Essay Contests for CUNY Students

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03.29.2023 | by Ayesha Fareed

There are plenty of chances for student writers to showcase their skills and creativity for prizes. Never hesitate to embrace opportunities for your work to be published and shared — you never know who will see what you wrote. Here are some annual essay contests that you should enter. Even if you miss the deadline this year, you can always apply next year. 

CUNY Ethics and Morality Contest

The CUNY Ethics and Morality Contest is an annual contest led by the Asian American/Asian Research Institute (AAARI) and funded by the Chynn Family Foundation. It serves to promote thinking amongst college students about virtue, ethics and morality and the impacts these values have had on their lives. Students have the chance to win $1,000 and the contest is generally open during the fall semester . 

“Atlas Shrugged” Essay Contest

The “Atlas Shrugged” Essay Contest is open to high school, college and graduate students who are asked to reflect on the philosophical themes of Ayn Rand’s “Atlas Shrugged.” Students can request a free e-book and access writing resources from the website if they need. They can win up to $10,000.

Deadline: November 6th, 2023 at 11:59 p.m .

Eon Essay Contest 

The Eon Essay Contest, funded by the Players Philanthropy Fund, is open worldwide to three age brackets: students from ages 13 to 18, 19 to 21 and 22 to 24. Students may participate if they are attending school part-time or full-time during the 2022-2023 or 2023-2024 school year. Students must read “The Precipice” and respond to the prompt for their age bracket to potentially win up to $15,000. 

Deadline: June 15th, 2023 , 12 AM (PST) . 

Jane Austen Society of North America (JASNA) Essay Contest  

For this contest, students can write about a topic inspired by the theme of the upcoming JASNA Annual General Meeting: Pride and Prejudice. They can win $1,000 in addition to free registration and two nights of lodging for the 2023 Annual General Meeting in Denver, Colorado (transportation to the conference is not provided). 

Deadline: June 1st, 2023 .

International Essay Contest for Young People  

Students (until the age of 25) may apply for this essay contest in the ‘Youth’ category and must submit an essay under the theme “Youth Creating a Peaceful Future.” Students can win approximately $740.  

Deadline: June 15th, 2023.  

Platt Family Essay Contest  

This annual essay contest is open to full-time students attending an American university or college during the Spring 2023 semester. Here’s the prompt: “2023 is the 160th anniversary of the Emancipation Proclamation. Does Abraham Lincoln deserve the title of ‘The Great Emancipator’? Why or why not?” Students may win up to $1,500.

Deadline: July 31st, 2023 . 

La Luz Scholarship

This scholarship is open to all first-generation college students regardless of their immigration status. Students must plan to enroll full-time in an accredited community college, public or private university or graduate school for the following school year. As of yet, there are no updates regarding the scholarship, but it is usually accessible in the beginning of August .

Elie Wiesel Prize in Ethics 

Though this contest is currently closed, it opens every fall and asks students to write about various ethical dilemmas. Students can explore their concerns in relation to society as a whole. The most recent topic asked students to explore challenges that awakened their conscience and more. For this contest, participants must obtain a faculty sponsor. They can win up to $10,000 and the deadline is generally by the end of the year.  

For all of these contests, and essays in general, you can get assistance from your respective college’s writing centers. Hunter College’s Rockowitz Writing Center , CCNY’s writing center and the Graduate Center’s Writing Center provide students with resources to improve their writing, consisting of individual consultations, walk-in appointments, workshops and other programming. You can also always ask professors to help you review your essay! 

Ayesha Fareed

Ayesha Fareed

This is Ayesha! I am a book-loving introvert who loves to read the classics and explore the world of poetry and prose. These days, I find myself delving more into the world of realism.

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eon essay contest winners

Eon Essay Contest — The Precipice Essay Contest

Table of contents.

Open Philanthropy recommended two grants totaling $240,000 to Niharika (Neha) Singh to run the Eon Essay Contest, which is an essay contest on  The Precipice  by Toby Ord. The grant will pay for contractors to review essay submissions, copies of  The Precipice  to mail to contestants, and prizes for contest winners.

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Eon Essay Contest Application Guide

Eon Essay Contest Application Guide

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The Eon Essay Contest is a brainchild of the Players Philanthropy Fund and is funded by Open Philanthropy. The contest is open to grade-school, undergraduate, or graduate students from 13 – 24 years of age. Every entrant is expected to read The Precipice: Existential Risk and the Future of Humanity by Toby Ord and then write an essay of 1,200 words or more.

There are three age brackets in the contest, which are 13-18, 19-21, and 22-24, and each age bracket has a task their essay is expected to solve.

Prize Breakdown

  • One first-place winner: $15,000 (selected from all entrants)
  • Three second-place winners: $5,000 (selected one from each age bracket)
  • Six third place winners:$2,000 (selected two from each age bracket)
  • Total prize: $42,000
  • Number of Winners: 10
  • Opening Date: November 15 (Subject to change)
  • Submission Deadline: June 15 (subject to change)
  • Potential winners receive notification via email five days after review and judgment, and they have ten days to respond to the email.

Eligibility Requirements

  • Country: All entrants must be legal residents of the 50 states of the United States of America or the District of Columbia excluding Puerto Rico, Canada excluding the province of Quebec, and the United Kingdom.
  • Age: 13 to 24
  • Educational Level: Grade school, undergraduate, and graduate (full-time, part-time in a public or private school, registered homeschool, or any legally recognized educational institution).
  • Access to internet

Prompts for the Eon Essay Contest

Each age bracket gets a specific prompt for their essay. Always check the contest’s official website for the updated version of the prompts before submitting your entry.

3-18 age bracket:

Prompt: Pick a transformative technology you believe will be created someday. Imagine you hold a position of responsibility for it, whether as a scientist developing the technology, a government official regulating it, or a corporate executive selling it to the public. How would you approach your job to have the greatest chance of preserving humanity’s potential? What are the risks you face?

19-21 age bracket:

Prompt: If the ideas in this book are correct, what does that imply about what a group you are familiar with should be doing differently? What could incentivize them to do that? You may talk about a group like a research lab, a government body, a nonprofit, a media company, a corporation, or an international organization.

22-24 age bracket:

Prompt: What, according to you, is missing from this book? This missing piece can be data, analysis, or an argument. The missing piece can either strengthen or weaken a conclusion from the book.

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March 20, 2024 | Shawn Kornegay - Neag School of Education

Connecticut’s 2024 Letters About Literature Contest Winners Named

UConn's Neag School of Education, Department of English, and Connecticut Writing Project, co-sponsors of the 31st annual Letters About Literature contest, are proud to announce Connecticut’s winners for the 2023-24 academic year.

Male educator gives certificate to young male student while another male educator in the background looks on.

Doug Kaufman, left, congratulates a winner from the Letters About Literature contest in 2023; Jason Courtmanche is pictured in the background. (Shawn Kornegay/Neag School)

UConn’s Neag School of Education , Department of English , and Connecticut Writing Project (CWP) , co-sponsors of the 31st annual Letters About Literature contest, are proud to announce Connecticut’s winners for the 2023-24 academic year.

Each year, students in grades four through 12 are invited to read a text, broadly defined, and write a letter to the author (living or dead) about how the text affected them personally. Submissions are grouped according to grade level (grades four to six; grades seven and eight; and grades nine to 12).

All submissions were read and scored by Neag School alumni teacher-volunteers. Of the 878 submissions from Connecticut students this year, there were 526 students who received honorable mentions. Each Letters About Literature semi-finalist and honorable mention recipient received a letter of recognition.

A second set of judges, all pre-service teachers, then read and scored the 91 semi-finalists — twice for each submission — and selected a total of nine winners, three per grade level. Then one student per grade level was named Top Prize. Each of the nine winners will receive a gift card: the three Top Prize winners get $200 each and the six others get $100 each. The winning recipients will be recognized at a ceremony later in the spring.

Neag School associate professor Doug Kaufman , CWP director Jason Courtmanche , and Department of English Ph.D. candidate Margaret McFarlane served as the contest’s representatives for the state of Connecticut.

Letters About Literature Finalists for the State of Connecticut

The following are the contest finalists, listed with their respective school’s and teacher’s names, as well as the work of literature that is the focus of their essay, with access to their winning submissions in PDF format.

Level I (Grades 4-6)

  • Top Prize Winner: Erioluwa Shokunbi , John Ferrero, Macdonough Elementary (Middletown), Gone by Michael Grant
  • Winner: Ema He , Lucinda Kulvinskas, King Phillip Middle School (West Hartford), The Wild Robot Protects by Peter Brown
  • Winner: Ria Shenoy , Ximena Franco-Bao, West Woods Upper Elementary School (Farmington), Wonder by R.J. Palacio

Level II (Grades 7-8)

  • Top Prize Winner: Emma Allen, Kristin Liu, The Country School (Madison), Instructions Before Dancing by Nicola Yoon
  • Winner: Ella Yu, Jessica Kerelejza, King Phillip Middle School (West Hartford), Little Women by Louisa May Alcott
  • Winner: Ava Hill, Sara Tamborello, Segwick Middle School (West Hartford), The Wish by Nicholas Spark

Level III (Grades 9-12)

  • Top Prize Winner: Brian Park, Lennoz Debra, Hotchkiss School (Salisbury), Theme for English B by Langston Hughes
  • Winner: Noah Tork, Lucy Abott, Notre Dame (West Haven), Night by Ellie Wiesel
  • Winner: Emerson Smith , Katherine Gabbay, Ridgefield High School (Ridgefield), The Virgin Suicides by Jefrey Eugenides

Letters About Literature Contest Judges

Alumni, students, and friends of the Neag School of Education and the University of Connecticut judged the Letters About Literature contest submissions this past fall. The judges selected semi-finalists at each of the three competition levels. Thank you to the first-round contest judges:

  • Sarah Abbey
  • Lea Attanasio
  • Leah Baranauskas
  • Sian Charles-Harris
  • Celina DaSilva
  • Caitlin Davidson
  • Mirelinda Dema
  • Kristina Dukette
  • Hayley Gomez
  • Migdalia Gonsalves
  • Denise Grant
  • Katie Grant
  • Jill Kneisl
  • Lindsay Larsen
  • Lindsey Le-Gervais
  • Laura Milligan
  • Melissa Oberlander
  • Katie Owens
  • Alex Andy Phuong
  • Jamie Pisacane
  • Christy Rybczyk
  • Jaclyn Sanzari
  • Allison Stroili
  • Robert Zupperoli

Students in the Neag School and Department of English judged the Letters About Literature semifinalist essays this past month. Thank you to the contest judges, who are current students in the Neag School of Education Integrated Bachelor’s/Master’s program with a second major or concentration in English or UConn students majoring in English:

  • Grace Carpenter
  • Mckenzie Dayton
  • Amanda Faubel
  • Emily Feest
  • Chloe Goodi
  • Vashonti Mac
  • Brenna McNeec
  • Evelyn Mcname
  • Georgia Mills Rent
  • Molly Morga
  • Thomas Murray
  • Sofia Oyola Morale
  • Shannon Palme
  • Lillian Sol
  • Grian Wizne

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  • Owensboro student named winner in Kentucky essay contest

H ENDERSON, Ky. (WEHT) – A student from Owensboro was named as one of the winners of this year’s Kentucky Secretary of State Essay Contest.

Jacob Rudy, a senior at Apollo High School, was announced as one of four winners. The contest was open to all high school students in Kentucky. Students were asked to answer the question, “What can students do to address the mutual distrust of people of opposing political parties?”

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For the latest news, weather, sports, and streaming video, head to FOX 56 News.

Owensboro student named winner in Kentucky essay contest

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    Closes: 6/15/2024. The Eon Essay Contest on The Precipice scholarship is available to K-12, undergraduate, and graduate students. Residents of the U.S. (excluding Puerto Rico, Canada (excluding Quebec), and the United Kingdom are eligible to apply. Recipients are chosen for their essay submission.

  4. Eon Essay Contest

    Open Philanthropy recommended a grant of $73,000 to Eon Essay Contest to support an essay contest on The Precipice by Toby Ord. This contest will award cash prizes to winners, and is open to high school students and young people in other age brackets. This follows our October 2021 support for the previous iteration of this contest and falls within our […]

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    Published Jan. 20, 2022 Updated Jan. 25, 2022. For a third year, we invited students from 11 to 19 to tell us short, powerful stories about a meaningful life experience for our Personal Narrative ...

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    Participating in essay contests, such as The Eon Essay Contest, empowers students to enrich their academic portfolios, refine their writing skills, and learn more about fundamentals in politics and society. This competition invites students aged 13 to 24 to analyze economic theory, existential risks, and the future of humanity, with a focus on Toby Ord's thought-provoking book, "The Precipice ...

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    The Eon Essay Contest is open to all students (high school, undergraduate, and graduate) aged 13 to 24. To enter, you must read the book The Precipice by Toby Ord and write an essay of up to 1,200 words on one of the essay prompts provided on the contest website. The Precipice explores the science behind existential risks, which are risks that ...

  8. Eon Essay Contest

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  9. Eon Essay Contest Details

    Unigo $10,000 Scholarship. Unigo Monthly Scholarship. Niche $2,000 No Essay Scholarship. Easy No Brainer Scholarships. Eon Essay Contest is raising awareness about the importance of avoiding existential risks. Existential risks are risks that threaten humanity's entire future. Examples include pandemics, nuclear warfare, and artificial ...

  10. Announcing a Student Essay Contest on The Precipice

    The Eon Essay Contest is an essay contest for students with a top prize of 15,000 USD. Students read the book The Precipice: Existential Risk and the Future of Humanity by Toby Ord, a philosopher at Oxford University. Students then write an essay of up to 1,200 words. Further details and the essay prompts are available on the contest website.

  11. Eon Essay Contest

    Eon Essay Contest. Eon Essay Contest. To enter, you must be a student (grade-school, undergraduate, or graduate), read The Precipice, and submit an essay of up to 1,200 words on one of the prompts below. Age 13-18 Bracket: Pick a transformative technology you think will be created someday. Imagine that you are in a position of responsibility ...

  12. Eon Essay Contest

    Open Philanthropy recommended a grant of $73,000 to Eon Essay Contest to support an essay contest on The Precipice by Toby Ord. This contest will award cash prizes to winners, and is open to high school students and young people in other age brackets. This follows Open Philanthropy's October 2021 support for the previous iteration of this contest and falls within its focus area of growing ...

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    Description. The Eon Essay Contest is open to students between the ages of 13 and 24. To be considered, you must read the book The Precipice: Existential Risk and the Future of Humanity by Toby Ord, and submit a 1,200 word - essay on the prompt that coordinates with your age bracket.

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  20. Owensboro student named winner in Kentucky essay contest

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