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2022, Mystery & thriller/Action, 2h 26m

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Vikram videos, vikram   photos.

A special agent investigates a murder committed by a masked group of serial killers. However, a tangled maze of clues soon leads him to the drug kingpin of Chennai.

Genre: Mystery & thriller, Action

Original Language: Hindi

Director: Lokesh Kanagaraj

Producer: Kamal Hassan , R. Mahendran

Writer: Lokesh Kanagaraj

Release Date (Theaters): Jun 3, 2022  wide

Runtime: 2h 26m

Production Co: Raajkamal Films International

Cast & Crew

Kamal Hassan

Vijay Sethupathi

Fahadh Faasil

Antony Varghese

Chemban Vinod Jose

Shivani Narayanan

Kalidas Jayaram

Lokesh Kanagaraj

Screenwriter

Executive Producer

Girish Gangadharan

Cinematographer

Philomin Raj

Film Editing

Anirudh Ravichander

Original Music

Satheesh Kumar

Art Director

Pallavi Singh

Costume Design

R. Mahendran

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‘Vikram’ Review: A Tamil Action Legend Returns to Take Down a Drug Dealer in Thrilling Kollywood Hit

Director Lokesh Kanagaraj one-ups the excesses of American studio blockbusters in this twist-filled Indian blockbuster with considerable crossover appeal.

By Peter Debruge

Peter Debruge

Chief Film Critic

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Taking a page from James Cameron’s “True Lies,” with its go-big-or-go-home approach to set-pieces, Kanagaraj has pulled off a memorably over-the-top blockbuster and the year’s top-grossing Tamil-language hit (at $53.7 million and counting). There’s at least one other trick the helmer has learned from Hollywood — although the entire project can feel like an epic parody of studio hyperbole at times — and that’s the strategy of connecting the film to past and future projects (so far, just 2019’s “Kaithi”) through overlapping plotlines and characters: Call it the Lokesh Cinematic Universe.

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It will take the movie the next hour and a half to reveal what everyone in the audience assumes going in: that Haasan’s character — a consistently inebriated, bordello-frequenting buffoon who calls himself Karnan — wasn’t actually murdered. Nor was he the deadbeat his family and servants had been led to believe. He is, in fact … Vikram, leader of the Black Squad spy team, elite government agents betrayed and left for dead by their double-crossing superiors. The real mystery, which the movie enjoys teasing, is whether this seemingly contradictory fellow is a hero or a villain — a question eventually answered by a long anti-drug speech and the sight of Haasan blasting everyone away with a vintage Browning machine gun.

Kanagaraj likes his characters complicated, which makes the otherwise cartoonish film considerably more interesting. Also welcome is the way “Vikram” isn’t fazed by American body ideals: The film’s Pablo Escobar-like druglord Sandhanam (Vijay Sethupathi) is a massive ox of a man. And apart from the ankle-cutting little person (Jaffer Sadiq) who leads his crew, Faasil is frequently the shortest person on screen. Like a Jack Russell terrier, however, Amar compensates for his stature with sheer ferocity, intimidating everyone he crosses. (Haasan is no bodybuilder either, but fights hard, throwing his paunch into every punch.)

A two-ton shipment of an experimental raw substance (one gram of which makes a kilo of cocaine) has gone missing, and Sandhanam wants it back. Could he be the masked terrorist? Doubtful, since he operates so far above the law, he doesn’t need a disguise to kill with impunity. Sandhanam is slow and lumbering by nature, but keeps a blue, crystal-like substance that gives him Popeye-like powers: One bite and he goes into berserker mode. Even Sandhanam answers to somebody, taking calls from someone named Rolex, finally revealed (as Tamil star Suriya) in the very last scene.

The movie bulges at the seams with subplots and characters, though Kanagaraj makes it easy and entertaining to follow the twists, and some of the action scenes are better conceived and choreographed than what Hollywood is producing these days. A wedding banquet-turned-bloodbath is a high point of the first half, while Amar’s own ceremony (which he misses while on duty) feels like a missed opportunity. Just when you think the movie has no use for its female characters, along comes Agent Tina (Vasanthi) in the second half to steal the show, upstaging even Vikram.

Reviewed at Busan Film Festival, Oct. 7, 2022. Running time: 173 MIN.

• Production: (India) A Prime Media (in U.S.), Red Giant Movies (in India) release of a Kamal Haasan, Udhayanidhi Stalin presentation of a Raaj Kamal Films Int'l production. (World sales: AP International: Kilpauk, India.) Producer: Kamal Haasan.
• Crew: Director, writer: Lokesh Kanagaraj. Camera: Girish Gagadharan. Editor: Philomin Raj. Music: Anirudh Ravichander.
• With: Kamal Haasan, Fahadh Faasil, Vijay Sethupathi, Narain, Chemban Vinod Jose, Gayathrie, Aruldoss, Jaffer Sadiq, Vasanthi, Elango Kumaravel, Snthana Bharathi, Hareesh Peradi, Suriya. (Tamil, Hindi, Telugu, Kannada, Malayalam, English dialogue)

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Vikram Movie Review| Fulfilling action saves this ambitious multi-starrer

Clearly, Lokesh Kanagaraj isn’t one to make a film and forget about it. It’s well-known by now—especially after Lokesh himself published a statement on the eve of Vikram’s release—that the Kamal Haasan-film shares its universe with the filmmaker’s second, Kaithi. Set after the events of Kaithi, you see Bejoy (Narain) making an extended appearance, even as some other faces from Kaithi step in and out as well.

You learn that their boss is Sandhanam (Vijay Sethupathi, playing a drug-addled, quirky boss). I liked that Sethupathi experiments with his look and dialogue delivery in this film. As for the Lokesh filmography links, there’s quite a bit from Kaithi, including the protagonist being called the Ghost. I also found it hard not to think of Master given that you see Karnan (Kamal) getting hammered for much of the first half, even though Vikram doesn’t belong in the same universe.

Vikram’s first half is a fascinating exercise, marked by surprisingly swift appearances from Kamal Haasan, playing Karnan (and later, Vikram). Lokesh may have called a lot of attention to his admiration for Kamal Haasan (he called this film a ‘fanboy sambavam’), but well into an hour of the film, I was pleasantly surprised that there was no real urgency in utilising Kamal’s physical presence. I say ‘physical’ because his spiritual presence is smattered all over the film until the interval reveal.

Lokesh takes his time to introduce you to the world, to the motivations and fears of Sandhanam, to the ruthlessness and romance of Amar. It’s fair, I think, to say that his vision here isn’t as diluted as in Master. In fact, so much does Lokesh revels in these multi-starrers that for much of this film, it feels almost like Amar were the protagonist, even as he digs into the case of the police murders. Fahadh Faasil gets ample screen time to express himself, and I enjoyed that even his relationship with Gayathrie, as hurried as it is, feels fresh.

Kamal, of course, comes in with flourish, charisma, and quirk. Most importantly, he seems to be having a lot of fun in this film. In particular, his return to action territory is enjoyable and it is much credit to his energy reserves that I bought every set-piece he’s a part of. I enjoyed the attempts to create unique set-pieces in this film. One stunt sequence happens in silence, for instance. In another, there’s the beautiful idea of a man forced to kill many men in order to be able to feed a baby. The actor’s Americanised English still seems to come in the way of organic dialogue delivery, and his Chennai Thamizh, which seemed par for the course in the pre-Ranjith era, feels a tad exaggerated now. I also didn’t care for what seemed to be a passing dig at a dwarf.

In this film with as many impressive action blocks involving Kamal Haasan, my most favorite is one that doesn’t involve him. It features a woman, who gets a Tarantinoesque announcement of her identity. The violence is all tastefully shot and inventively choreographed, but after a while, it began ringing a bit hollow. For lack of it, even though Vikram stands against the idea that this could be a revenge story, it’s hard to see it as anything but that. The line about drugs affecting society rings fairly cursory too. Some other ideas too don’t affect as they should—like a toilet flush resulting in a bomb blast, like the resuscitation of a baby…

It’s perhaps the influence of The Dark Knight on a generation of filmmakers and filmgoers that it’s impossible not to think of the film when you see echoes elsewhere. In Vikram, for instance, there is a dialogue about masks being needed to do good. Characters wear a bit too much makeup to disguise themselves. And there’s even a dutiful government officer who loses his spouse and steps into the dark side. But where the English film, despite being about all the action, was a thorough dissection of humanity, of the sacrifice it takes to do good, of the interdependency of good and evil, Vikram is largely content to capture the carnage. It looks good, but I’m not sure it feels as good as a Kaithi did.

And yet, Vikram’s merits lie in how Lokesh refuses to have succumbed to the temptation of making a film that sings paeans for the superstar. Who knows, the filmmaker might well go on to realise his vision of creating a series of films connected to each other and occurring in the same universe—films that may bring into the fold more stars like Suriya and provide a platform in which they can play characters they couldn’t otherwise.

The future seems full of possibilities and that’s my most heartening takeaway from Vikram. If, however, you went all binary on me, and posed a variation of the question that was asked so famously to Velu Naicker—and in this film, to Vikram: “Vikram nalla padama ketta padama?” I’d have to take a page from their book and respond with a rather vague answer. Much like the morality of both characters, I’ll have to say it lies somewhere in between, and much like those two men, the film does tilt towards the good.

Director: Lokesh Kanagaraj Cast: Kamal Haasan, Fahadh Faasil, Vijay Sethupathi, Gayathrie Rating: 3/5

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A special investigator discovers a case of serial killings is not what it seems to be, and leading down this path is only going to end in a war between everyone involved. A special investigator discovers a case of serial killings is not what it seems to be, and leading down this path is only going to end in a war between everyone involved. A special investigator discovers a case of serial killings is not what it seems to be, and leading down this path is only going to end in a war between everyone involved.

• Lokesh Kanagaraj
• Rathna Kumar
• Kamal Haasan
• Vijay Sethupathi
• Fahadh Faasil
• 694 User reviews
• 22 Critic reviews
• 5 wins & 5 nominations

• Agent Vikram …

• ACP Prabhanjan

• Agent Uppiliappan …

• Agent Tina …

• Gayathri (Amar's wife)
• Prabanjan's wife

• Commissioner of Police

• Rudra Prathap

• Veerapandian

• Santhanam's first wife

• Santhanam's second wife
• All cast & crew
• Production, box office & more at IMDbPro

Best of 2022: Top 10 Most Popular Indian Movies

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Did you know

• Trivia Most of the guns and tankers which used in vikram is owned by Kamal Hassan with proper licence.
• Goofs The characters from Kanagaraj's earlier film, Kaithi featuring Dilli, Bejoy , Adaikalan & Anbu were given different names in it's Hindi dubbed version (Dilli became Shiva; Bejoy became Arjun; Adaikalan became Ranga & Anbu became Billa.) However in Vikram's hindi dubbed version, the original names were retained.
• Alternate versions There is an uncensored version of the film that was released overseas.
• Connections Followed by Leo (2023)
• Soundtracks Pathala Pathala (Tamil) Music by Anirudh Ravichander Lyrics by Kamal Haasan Vocals by Kamal Haasan

User reviews 694

• abhishekshatry
• Jun 3, 2022
• How long is Vikram? Powered by Alexa
• June 3, 2022 (India)
• akshaykumarmovies
• Official Raajkamal Films International (India)
• Karaikudi, Tamil Nadu, India
• Raajkamal Films International
• See more company credits at IMDbPro
• ₹1,500,000,000 (estimated)
• Jun 5, 2022
• $29,837,637

Technical specs

• Runtime 2 hours 55 minutes

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Gory Indian action thriller about revenge on drug cartels.

A Lot or a Little?

What you will—and won't—find in this movie.

Given the degree of blood and violence, there aren

Vikram is motivated by revenge. He and most of the

All characters are Indian and the film is set in I

People are choked, shot with rifles, beheaded, sla

References to sex work. A character fakes moaning.

"Dimwit," "wretched," "damn," "son of a gun," "psy

Songs and a scene from the 1995 movie Asuran shown

Centers around a drug cartel. Extreme drinking, sm

Parents need to know that Vikram is an extremely violent Indian action thriller with drugs and some strong language. When Agent Amar (Fahadh Faasil), a commander of a black-ops team, is tasked with putting a stop to a series of killings, his quest leads him to Vikram (Kamal Haasan), a man determined to seek…

Positive Messages

Given the degree of blood and violence, there aren't really any positive messages, despite attempts to condemn crime and drug cartels. Toxic masculinity is celebrated.

Positive Role Models

Vikram is motivated by revenge. He and most of the other male characters engage in incessant brutality and violence.

Diverse Representations

All characters are Indian and the film is set in India. Nearly all the male characters are portrayed as hypermacho alpha males displaying toxic masculinity traits. The female characters are either killed off or are reduced to damsels in distress.

Did we miss something on diversity? Suggest an update.

Violence & Scariness

People are choked, shot with rifles, beheaded, slapped, kicked, stabbed, sliced with blades and knives, chased, and violently beaten with hammers. Significant blood, wounds, scars, and gore. Weapons include military-grade machinery, fire canons, and machine guns. Dangerous driving leads to cars colliding, accidents, explosions. Characters are held hostage, bound in chains, forcefully injected with substances, and grotesquely tortured in interrogation scenes. Grenades and blasts severely injure people and damage property. Broken limbs, chopped off heads, and beheaded corpses are gorily displayed. In one scene, sexual harassment is implied. A child has a heart condition; they pass out and have to be resuscitated. Someone's fingers and ears are twisted. Discussion about suicide. A character is tied up, drenched with gasoline, and set on fire.

Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.

Sex, Romance & Nudity

References to sex work. A character fakes moaning. It is implied that people have sex under a blanket; no nudity. A character has a polygamous relationship.

Did you know you can flag iffy content? Adjust limits for Sex, Romance & Nudity in your kid's entertainment guide.

"Dimwit," "wretched," "damn," "son of a gun," "psycho," "bloody," "dogs," "shut up," "rogue," "pr--k," "scumbag," "hell," and "f--k."

Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.

Products & Purchases

Songs and a scene from the 1995 movie Asuran shown. The film features the Alsa Mall Shopping Complex in Chennai. Labels of Apple, Zomato, and Marshall are visible.

Drinking, Drugs & Smoking

Centers around a drug cartel. Extreme drinking, smoking, and drug use. A character drinks excessively, gets violent afterward, and passes out later. Drugs are heavily discussed, particularly cocaine. Elaborate scenes where drugs are shown being made. One character is repeatedly seen consuming pills, which make him aggressive.

Did you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide.

Parents Need to Know

Parents need to know that Vikram is an extremely violent Indian action thriller with drugs and some strong language. When Agent Amar (Fahadh Faasil), a commander of a black-ops team, is tasked with putting a stop to a series of killings, his quest leads him to Vikram (Kamal Haasan), a man determined to seek revenge on a malicious drug cartel. The violence is severe and constant. It includes chokings, beheadings, stabbings, beatings with hammers, and people being set on fire. Significant injury, gore, and blood is on display. Torture, blasts, and military-grade weapons are an active component of the film. Sexual harassment is implied in one scene. The film has extreme drinking, smoking, and drug consumption. Cocaine is excessively talked about and shown being made. People consume pills and alcohol, following which they become violent. There are references to polygamy and sex work. In one scene, sex is implied, but it's not graphic and there's no nudity. Language includes some use of "f--k" and "pr--k," along with some less severe insults, such as "dimwit" and "scumbag." The film is in Tamil, Telugu, Malayalam, Kannada, and Hindi with English subtitles available. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails .

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What's the Story?

In VIKRAM, Amar (Fahadh Faasil), a special agent, is tasked with the investigation into a spate of serial killings. Crossing paths with Vikram (Kamal Haasan), he soon realizes that things are not what they seem. Will the chaotic mishaps caused by a malicious drug cartel be put to an end with the endeavors of a revenge-fueled Vikram?

Is It Any Good?

This Indian action thriller, directed and co-written by Lokesh Kanagaraj, is gory, dark, and extremely violent. Vikram , with its almost three-hour duration, painfully drags a non-mysterious mystery that blares out random spurts of relentless violence. Belonging to the array of films where the undefeatable, bullet-proof hypermacho hero is obsessively revered, the movie does nothing to stand apart from its peers. Predictable, exhausting, and often hard to sit through, the movie disappoints in its inability to compel the viewer. There is no interesting tale to tell. Characters remain hollow, and there is barely any focus on any other individual apart from the film's titular hero.

Talk to Your Kids About ...

Families can talk about the violence in Vikram . Did you find it shocking or did it add to the story? What's the impact of media violence on kids?

How were drinking, smoking, and drugs portrayed? Were there consequences? Did it glamorize them? Why does that matter?

Nearly all the male characters are defined by their aggression and machismo. Did you find it problematic? What do you understand "toxic masculinity" to mean? How can you find positive gender representations in movies and on TV?

Discuss the language used in the movie. Did it seem necessary, or excessive? What did it contribute to the movie?

Movie Details

• In theaters : June 3, 2022
• On DVD or streaming : July 8, 2022
• Cast : Kamal Haasan , Fahadh Faasil , Vijay Sethupathi
• Director : Lokesh Kanagaraj
• Inclusion Information : Indian/South Asian actors
• Studio : Prime Media
• Genre : Action/Adventure
• Run time : 175 minutes
• MPAA rating : NR
• Last updated : August 14, 2023

Did we miss something on diversity?

Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.

Suggest an Update

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Vikram review: Kamal Haasan’s glorious comeback lays the groundwork for Tamil cinema’s most ambitious franchise

Vikram review: kamal haasan’s film marks the beginning of tamil cinema’s biggest franchise. fahadh faasil and vijay sethupathi make their presence felt with strong performances..

Lokesh Kanagaraj , with films like Kaithi and Master, is evolving into a filmmaker Tamil cinema needs to take seriously and celebrate. What he’s attempted and achieved with his latest film Vikram , which marks the glorious comeback of Kamal Haasan after a lull, is something that not many filmmakers can even envision, let alone execute. Read more: Kamal Haasan says he is glad audience is awaiting his comeback

A self-confessed Kamal Haasan fan, Lokesh not only paid a heartfelt tribute to his ‘guru’, with Vikram – a sequel of sorts to Kamal’s 1986 film of the same name – he teased the beginning of a franchise; one that could keep Kamal active for years to come. Vikram allows Kamal to have fun, and he’s helped by Fahadh Faasil and Vijay Sethupathi , who make their presence felt with strong performances

Vikram begins where Lokesh’s Kaithi left off. Months after the biggest drug bust Tamil Nadu police ever pulled, two containers full of drugs went missing in Chennai, and local gangs have to retrieve it at any cost before the crime lord and the leader of the drug mafia Rolex – played by Suriya – makes everybody pay. Meanwhile, a group of masked men are on a killing spree, taking the lives of some high-ranking officers, which includes a young official in the narcotics control bureau, played by Kalidas.

Kamal plays Karnan in the film. When his son becomes a victim of the gang, he sets out on a mission to take revenge. What feels like just another tale of revenge soon turns into a mission orchestrated by Karnan, who is introduced much later as agent Vikram – the original character essayed by Kamal in the 1986 film.

You’ve got to hand it to Lokesh Kanagaraj for bringing back Kamal’s highly-underrated agent Vikram character, three decades later; and using it so effectively in a story that couldn’t have been told better.

However, the film does falter at places and isn’t consistently engaging, but it manages to merge key characters from Lokesh’s earlier film Kaithi and sets the stage for what could be Tamil cinema’s biggest franchise in the making. What Lokesh manages to achieve with Vikram, which feels slightly long with nearly a three-hour running time, is to give a new generation of audiences a glimpse of Kamal Haasan’s versatility. It was rewarding to see the veteran shine after a long time.

If you can look at Vikram beyond some of its rough edges, this is easily the most satisfying love letter to Kamal Haasan from Lokesh Kanagaraj, who is his big fan. It is amazing to see Kamal warm up to a young filmmaker’s sensibilities and be willing to not hog all the limelight in the movie. For most of the first half, Kamal is nowhere to be seen, but he makes a solid impact in the scenes he’s present.

Fahadh Faasil gets the second most meaty part among the ensemble cast; and he’s terrific. Vijay Sethupathi continues to shine in peculiar roles that are best suited for his personality, and it’s refreshing to see Lokesh use him efficiently after Master.

Anirudh Ravichander’s music, especially the background score, plays a pivotal role in amplifying the overall experience of watching Vikram on the big screen, apart from the terrific action sequences. Suriya’s brief but powerful cameo is just the high one needs as you step out of Vikram.

Film: Vikram

Director: Lokesh Kanagaraj

Cast: Kamal Haasan, Fahadh Faasil, Vijay Sethupathi, Narain, Suriya and Kalidas Jayaram

• Kamal Haasan
• Vijay Sethupathi
• Fahadh Faasil

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Lokesh Kanagaraj's Kamal Haasan-starrer 'Vikram' is explosively charming | Movie Review

What happens in a face-off between a bunch of bad guys and the not-so-bad guys? You got it right if you thought "guns, action, and more action" was the probable answer.

But that's just glossing through the periphery of 'Vikram', starring Kamal Haasan, Fahadh Faasil and Vijay Sethupathy. 'Vikram' is driven strongly by emotion and bonds between individuals but elevated greatly by the use of guns and action that can only be pulled off so magnificently by an uncompromising filmmaker like Lokesh Kanagaraj.

The theme is cocaine and the underworld running its cartel. A dangerous gang is on the loose after a bunch of consignments carrying their substance is seized. So is a masked man whose identity remains a mystery till the interval.

Kamal Haasan thanks fans as 'Vikram' completes 100-day run in theatres

Multiple-record breaking film 'Vikram' to begin streaming on OTT on this date

The director had mentioned in several interviews that he is a fan of Kamal Haasan's works and this movie is a perfect tribute to the superstar, who is back on screen after a hiatus. Kamal has once again proved there is nothing he cannot do. He looks dapper than ever, handling guns (like a cowboy air rifle or a Hellboy M4) and does action with the ease of a man who has never shied away from experimenting on looks, stories and style throughout his career.

It's very evident that Lokesh's confidence in attempting some path-breaking techniques in the movie, has been derived from the presence of the actor, who has been credited for introducing global-style elements in his movies.

Fahadh Faasil is a delight to watch as he essays the role of a black squad agent, who is on an important mission. He owns the first half of the movie, making a huge impact throughout the movie as he shifts between playing the tough, reckless guy and a lover, who does not reveal his profession to the person that means the world to him.

It wouldn't be wrong to say he is the driving force of the film.

You don't see Vijay Sethupathi doing many villain roles these days, but when he does, he means business. Of course, his character is poles apart from the lover he played in the recently released movie 'Kaathuvaakula Rendu Kaadhal' and Vijay looks very comfortable in his role. Malayalee actor Chemban Vinod does not disappoint either in his role as a tainted cop.

Many movies are made as sequels, but Lokesh has never claimed that 'Vikram' would be a sequel to 'Kaithi' starring Karthik and Narain, which released in 2019. But, what else can one expect it to be when several references made in the movie, remind you of the scenes from the previous blockbuster. Narain's arrival on screen and the mention of a ghost, uttered by Fahadh Faasil in 'Vikram', confirms there is a lot of connection between the two movies. Whatever universe Lokesh has made us enter, it's overwhelming, but enticing, to say the least and you can expect either a sequel to Kaithi or Vikram in Lokesh's next.

The music by Anirudh, who is an established name in Tamil cinema, and cinematography by Girish Gangadharan are simply brilliant, blending so well with the movie and taking it to an altogether different realm. The stunts are also exceptional. For those who fancy watching guns do all the talking in action movies, 'Vikram' will blow your mind. It's not everyday that you see a canon or other olden-age ammunition part of a modern-day action movie.

Kamal's movies are incomplete, if there is no mention of politics or an ideology and in 'Vikram', ideology takes centre stage.

Overall, the makers have to be applauded for introducing a global-style of storytelling. The story ends, not with a bang, but with a promise that there is more to come.

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Vikram Movie Review: Kamal Haasan, Vijay Sethupathi and Fahadh Faasil shine in this uneven film

Director lokesh kanagaraj’s vikram, starring kamal haasan, vijay sethupathi and fahadh faasil, has several whistle-worthy moments. but, the plot becomes too generic after a point..

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• Vikram is an action entertainer directed by Lokesh Kanagaraj.
• Kamal Haasan, Vijay Sethupathi and Fahadh Faasil play lead roles.
• Suriya appears in a cameo in the film.

After an explosive trailer, all eyes were on Lokesh Kanagaraj’s Vikram, which brings together three powerful performers - Kamal Haasan, Vijay Sethupathi and Fahadh Faasil. Vikram is a part of the Kaithi universe and Lokesh Kanagaraj made it official just hours before the film’s release. So, those who are not familiar with Kaithi (Lokesh’s second film) might feel disconnected from Vikram.

In Vikram, Karnan (Kamal Haasan), Amar (Fahadh Faasil) and Sandhanam (Vijay Sethupathi) are at loggerheads. Multiple police officers die and a masked group of men claim responsibility. While Amar carries out the investigation, we are curious to know how they all came together. It is here that the ‘ghost’ gets exposed and transports us right into the story. Who or what is this 'ghost' and whether Amar and Sandhanam succeed in their mission, forms the story.

Lokesh Kanagaraj’s Vikram has his stamp all over it. In several interviews, the filmmaker spoke about his love for Kamal Haasan. Every frame in which Haasan appears will make you sit up and take notice. Though Kamal Haasan has less screen presence in the first half, he manages to keep us intrigued. After him, it is Fahadh’s show all the way. The investigation scenes in the first half pull us together when the film gets too generic. Vijay Sethupathi as Sandhanam seems like an extension of his character from Master.

Vikram is not a film without flaws. The action entertainer takes its own sweet time to establish the story, which tests our patience. But, once it does, there’s no stopping Vikram. The film has several whistle-worthy moments which will make you hoot for the actors. Watch out for the brilliant interval block and the lead up to it. Similarly, Suriya’s cameo as Rolex stole the show even though he appeared just for five minutes.

The action sequences are tastefully done and it is brilliant to see Kamal Haasan perform them with so much ease. In fact, it was such a delight to see Ulaganayagan back in action after four years. He scores in the action sequences as well as the emotional ones.

The supporting characters played by Kalidas Jayaram, Narain and Chemban Vinod Jose work extremely well. Vikram is also a technically sound film. Be it the cinematography by Girish Gangadharan or the crisp editing by Philomin Raj, the technical department worked in tandem. Another hero of Vikram is Anirudh Ravichander’s explosive background score. There’s variety and oomph, which helps in elevating important sequences.

Vikram, however, suffers from an uneven screenplay. If only the first half were etched in a taut manner, the film’s impact could have been a notch higher. The second half makes up for the negatives, though, but is it enough?

Overall, Vikram is a film that has some terrific performances and makes you inquisitive about the Lokesh Kanagaraj universe. Some of the scenes don’t land, but there are plenty to cherish and rejoice in.

3 out of 5 stars for Vikram. ALSO READ | Kamal Haasan's Vikram trailer lights up Burj Khalifa ahead of release. Watch Published By: Nairita Mukherjee Published On: Jun 3, 2022 --- ENDS ---

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Lokesh Kanagaraj brings together the espionage-filled world of Kamal Haasan's 1986 film Vikram and his own Kaithi's action-filled world of drug lordala and cops in Vikram.

Vikram Movie Review: An ambitious, but somewhat underwhelming action film

• Times of India

Vikram - Official Trailer

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Almaruf Rahaman 1 108 days ago

User 462 days ago.

A must watch movie. Gonna be a most sensible cinema for decades

Sakthivel Sridharan 613 465 days ago

I have been asking about my opinion a lot of times, why don't you just reply please

Somnath Chakravarty 11 477 days ago

Well, much contrary to this review I and multitude of others think Vikram to be one of the most electrifying action movies of this year and the performances of all the three leads were quite powerful. Also, the cameo of Suriya as Rolex was easily the best cameo of the year in any movies of 2022.

Sakthivel Sridharan 613 489 days ago

this movie is not just worth 3 stars, if you please watch the movie again, you will feel the same. So watch the film again and you will definitely like it. So please watch the film and please rate it higher than before.

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Vikram movie review: Kamal Haasan, Fahadh Faasil, Vijay Sethupathi serve up an entertaining action-thriller

One glimpse of Kamal Haasan in Lokesh Kanagaraj’s Vikram and you just know he is the G.O.A.T

Language: Tamil

In one of his pre-release interviews, director Lokesh Kanagaraj used a parable to describe the mood of Vikram – a story of a lion who was captured by circus people. In his absence, the other animals of the forest have taken over. His captors release the lion back into the wild, after using his prime years in the circus. The lion is now subdued, more hungry for applause than the hunt. The other animals try to use this opportunity to attack the lion. But the lion shows that he had stayed away by choice, not inability. He was, is, and will be the king of the jungle.

This story definitely sets the mood for Agent Vikram, but in a way can be used for Kamal Haasan as well. Vikram is the veteran actor’s first theatrical release in four long years. He has been absent in the feeding frenzy of box office collections. Several people had written him off. But all you need is one glimpse of the man to know why he is the king. (or should we say GOAT). In Vikram, Kamal Haasan is all swag. It’s not a role that demands a lot from the actor. But it is still a delight to see him in this all-guns-blazing (quite literally) action avatar.

Vikram is a multi-starrer in the truest sense of the word. Multiple narratives and ensemble casts have been a part of Lokesh Kanagaraj’s films. Kamal Haasan is no stranger to this space as well. The actor has a long line of ensemble films where he has been happy to make room for his fellow actors – whether it’s an intense drama like Virumandi or a comedy like Panchathanthiram. He does it again in Vikram. And this time it’s Fahadh Faasil sharing the glory. Both Fahadh Faasil and Vijay Sethupathi share the narrative and dramatic load. VJS is in his comfort zone with eccentricity but the stilted delivery, however, doesn’t hit the right note all the time. The film uses all its actors well, giving them all memorable moments.

The writing exploits Vikram and Kaithi ’s shared universe. The film has enough callback moments to Kaithi – not by plot, but by treatment. We have a similar moment to the ‘Jumbalakka’ one in Kaithi. The ‘lifetime’ settlement dialogue makes an appearance as well. Then, there are the meta moments. Vikram (Kamal Haasan) hands over his grandson to Amar (Fahadh), almost like handing over the mantle to carry the legacy forward. (In an earlier interview, Kamal had said that Fahadh was one of his favourite actors from the current generations.) The film’s emotional core struggles to breathe under the weight of building a franchise. But the surprises keep the curiosity alive. And thankfully, for once, we have female characters who are of actual relevance and significance to the story.

Vikram is not without flaws. There are loopholes and logical discrepancies – some more glaring than the others. But cinema is all about how a film creates a suspension of disbelief and sustains it. It is pacy – there’s a lovely rhythm in the shots and cuts. The camera dances around its characters so fluidly. (Cinematography by Girish Gangadharan and edited by Philomin Raj) This pace dips a bit in the second half, but Anirudh’s ridiculously electric score fills in to hold the fort.

Vikram is best experienced when seen with fresh eyes. But, unfortunately, it is a film that has been plagued with spoilers.

Vikram’s climax sets the stage for a sequel – which would be another casting coup for Lokesh if the film happens. It hints at one of Tamil cinema’s most exciting actor face-offs. Vikram’s charm lies in such novelties – both minor and major. Tamil cinema has not had great luck with franchises, but here is to hoping that we see Agent Vikram back in action soon.

Vikram is playing in cinemas

Rating: * * * 1/2

Ashameera Aiyappan is a film journalist who writes about Indian cinema with a focus on South Indian films.

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Vikram Movie Review: Kamal Haasan-Lokesh Kanagaraj Strike Gold With This Incredible Action Film!

Vikram , the highly anticipated film that marks the comeback of Kamal Haasan to the film industry, has finally hit the theatres. The movie, which is written and directed by Lokesh Kanagaraj, is touted to be a complete action thriller. Along with Kamal Haasan, Vikram features an extensive star cast including Vijay Sethupathi, Fahadh Faasil, and others.

Did Kamal Haasan and Lokesh Kanagaraj's film live up to the hype? Read the Vikram movie review here to know...

*NO SPOILERS*

What's Yay:

The three pillars - Kamal Haasan, Fahadh Faasil & Vijay Sethupathi

Writing, making, and the brilliant blend of two worlds

Perfect supporting cast

Music & technical aspects (especially action choreography)

Predictability of certain characters

Amar (Fahadh Faasil) and his team of agents are hired by the State police to track the killers of police officer Prapanjan (Kalidas Jayaram), his adoptive father Karnan (Kamal Haasan), and others. The investigation leads Amar and his team to the ruthless gangster Sandhanam (Vijay Sethupathi). Slowly, Amar discovers the actual identity of Karnan, whose real name is Vikram.

Script & Direction

Lokesh Kanagaraj, who is just 4-films old, tells you how to make a star-studded film with Vikram.

The movie marked Lokesh's first collaboration with his idol Kamal Haasan. But the brilliance of Vikram is that it is never restricted to a fanboy film. Instead, what we get is a well-written, well-made, incredible action film which is the crazy blend of two cinematic worlds.

Vikram is not entirely a Kamal Haasan show - it is indeed a film that celebrates the legend as both an actor and star. But at the same time, the two other main pillars - Fahadh Faasil and Vijay Sethupathi - too get author-backed roles that have well-defined character arcs.

Yes, there are some incredible movie references and mass moments that celebrate the Ulaganayagan. However, they are not just thrown into the narrative for the sake of it, but are placed intelligently. If the little predictability factor and confusion induced by the long list of characters are ignored, Vikram is an extremely well-made, solid action film. This Lokesh Kanagaraj directorial deserves to be watched on the big screen.

Performances

Kamal Haasan is purely brilliant as the titular character Vikram . The veteran actor is in his best form and reminds us why he is considered one of the finest actors of all time. But, Kamal Haasan graciously takes a back seat in the film whenever it is needed - especially in the first half.

Fahadh Faasil has to be one of those very rare actors who managed to sideline the rest of the cast - including the legend Kamal Haasan - in a film. He shows his amazing range as an actor in Vikram and shines like no other in the action scenes.

Vijay Sethupathi once again proves his versatility as Sandhanam, the ruthless antagonist who is also a complete family man. His combination scenes with Kamal Haasan are a delight to watch.

Suriya is an absolute revelation in his cameo appearance. The rest of the star cast including Chemban Vinod Jose, Narain, Kalidas Jayaram, Gayathrie Shankar, Arjun Das, Harish Uthaman, and others have played their parts to near perfection.

Anirudh Ravichander's extraordinary music has bought the crazy universe of Vikram to life. The musician has set the theatres on fire with his thumping background score that is going to stay with the viewers even after leaving the theatres. The songs too, are decent.

Technical Aspects

Anbarivu deserves a huge round of applause for the fantastically choreographed action sequences, that are an absolute treat to watch.

Girish Gangadharan has done a marvellous job by creating the crazy world of this Lokesh Kanagaraj directorial with his stunning visualisation. Philomin Raj's smooth editing makes Vikram an edge-of-the-seat watch, despite its long runtime. The art department has also done a splendid job.

Director Lokesh Kanagaraj has crafted a brilliant comeback vehicle for legend Kamal Haasan, with this incredible action film. The exceptional making, performances, and technical aspects make Vikram a must-watch theatrical experience!

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Home » Reviews » South Indian Movie Reviews

Vikram Movie Review: Kamal Haasan, Vijay Sethupathi & Fahadh Faasil Stir A Mad Tsunami As Lokesh Kanagaraj Creates Yet Another Blazing Spectacle

There is enough to pull you towards the theatres and it is all worth..

Star Cast: Kamal Haasan, Vijay Sethupathi & Fahadh Faasil Stir A Mad Tsunami As Lokesh Kanagaraj Creates Yet Another Blazing Spectacle

Director: Lokesh Kanagaraj

What’s Good: A mad tsunami of talent is approaching you faster than you think, and you need to surrender. Also, high time people across the country start taking Lokesh Kanagaraj seriously, man got style none can resist.

What’s Bad: There is brutal violence and that can bother some. But after a point, it also gets a bit repetitive and you are left thinking ‘this could have been avoided’.

Loo Break: There’s Haasan, Sethupathi, and Faasil on the big screen, is nature’s call more important to you than their magic at this point?

Watch or Not?: Please watch. The three stars definitely put on an amazing show but moreover one must acknowledge Kanagaraj and his gest to stay true to his amazing style.

Language: Tamil & Hindi (with subtitles in selected theatres)

Available On: Theatrical release

Runtime: 174 Minutes

Lokesh Kanagaraj’s idea to make an universe out of his films expands with Vikram. The movie begins where Kaithi ends. Two containers full of costly drugs go missing. the local Pablo Escobar, Santhanam (Vijay) is hell bent on finding it. Amid this is a group of masked killers killing people who have something in common. The police hire a shadow gang to find them out and the drama unfolds.

Vikram Movie Review: Script Analysis

Of course there are flaws, but one has to give writer director Lokesh Kanagaraj the due credits for being one of the most experimental filmmakers while staying true to his roots. Back to back actions sagas including Master , but all different from each other. Call it cherry on the cake, he gets to direct his ideal Kamal Haasan this time and he writes an unapologetic love letter to him with the film.

There is style, unimaginable action sequences, emotions, mysteries, suspense and all of this performed by some of the most talented actors Indian houses right now. I know every review will write at length about the massy appeal of the story and how Lokesh excels in giving yet another Tarantinoish saga but with a new soul. But what is actually to be praised here is the filmmaker marrying commercial elements to content based structure.

For example, look how he structures the film. Kamal Haasan has the mass appeal and even a glimpse of his eyes in the opening sequence had the entire hall roaring (a 7:00 am show was houseful). So in the first half where you are fresh and all attentive, he makes his selling point a mystery, and lets the other two amazing actors Fahadh and Vijay solve him. It’s almost like Kanagaraj understands the biggest risk of hiring three massive stars and makes a conscious effort to make them all shine. Such a treat.

The second half is where the filmmaker unleashes his Lion. Kamal Haasan takes over and the rest two kind of take the back seat. Remember I called it a love letter to the Ulaga Nayagan? You can see it here. The narrative entirely worships Haasan as he goes back to Vikram after decades and takes over from the filmmaker’s Kaithi. It is such an amazing way to create indulging and personal cinema.

The script does falter a bit when it loses its grip in between the multiple action sequences and you want them to end soon. The women still continue to be the oppressed gender in Kanagaraj’s world. There is one who rises above and shine, I will take that as a small step in the right direction.

Vikram Movie Review: Star Performance

Do I even need to elaborate how prolific the cast is, aren’t the names enough? Kamal Haasan is back in action after a very rough patch and it only makes me happy that the actor accepts his age on screen. He still has the panache to beat 100 men single handed and you won’t even question.

Fahadh Faasil gets to play the most interesting part as he transforms with the movie. There is a journey to his submission to the lawless justice and when you have an actor of Faasil’s calibre it only becomes hauntingly beautiful. He plays an undercover officer who is ruthless but with a frame that might not intimidated a child maybe. And that’s where the real power lies.

Vijay Sethupathi can play a table and you will pay to watch him do it. The man plays a baddie yet again and brings so much to a character that could also have been caricatured. Don’t want to spoil anything for you. Witness it yourself.

Vikram Movie Review: Direction, Music

Lokesh Kanagaraj deserves all the appreciation coming his way. He creates a spectacle from every dimension and make sure his world looks real and you surrender to his vision. The best part is how he treats all his characters as the heroes of their parts and even Arjun Das in a brief appearance gets a warm welcome.

Anirudh Ravicahnder only knows how to outdo himself. The music hooks you and doesn’t leave. So does the cinematography by Girish Gangadharan. I am living for his Arial shots.

Vikram Movie Review: The Last Word

Vikram is a mass entertainer that does not alienate the ones who try to find meat in a film. There is enough to attract you to the theatres and it is all worth. Go book your tickets.

Vikram Trailer

Vikram releases on 03 June, 2022.

Share with us your experience of watching Vikram .

Yet to watch Mohanlal’s latest release? Read our 12th Man Movie Review here.

Must Read: Kaathuvaakula Rendu Kaadhal Movie Review: Vijay Sethupati Starrer Is A Problematic Reminder Of Every Red Flagged 80’s Movie About Polyamory

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Vikram Movie Review

03 Jun 2022 | U/A | 174 Mins

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Vikram Movie Review: Kamal Haasan starrer is a visual delight with monster action blocks & BMG

Vikram Movie Review: Kamal Haasan is a visual delight in this action thriller.

By pinkvilla desk.

Name: vikram

Director: lokesh kanagaraj, cast: karthi,kamal haasan,suriya,vijay sethupathi,fahadh faasil,kalidas jayaram, writer: lokesh kanagaraj, rating: 3.5, where to watch: disney+ hotstar.

Vikram has been one of the most-awaited films from the Tamil film industry and this film, finally hit the screens today winning the hearts of fans across the world. Starring Kamal Haasan, Vijay Sethupathi and Fahadh Faasil in lead roles and Suriya Sivakumar in a pivotal role, this film is directed by Lokesh Kanagaraj. What Lokesh made is just ‘wow’. A Kamal Haasan’s film is back to the theatres after three and a half years and thanks to Lokesh for bringing him back in the most spectacular way. Here is our review:

Vikram actually begins where Karthi’s Kaithi ended. After many months of drug racket busts by the police of Tamil Nadu, two huge containers of drugs go missing in Chennai. Much before the police get caught of it, it is important for the local gangs in Chennai to retrieve it. To make sure it reaches him, Rolex, the mafia king, played by Suriya, pays his gang. In between of all this, a group of masked men are on a killing spree where they are killing a few high ranking officers in the city. Prapanchan, an official (Kalidas Jayaram) from the narcotics bureau control was also killed. 

Karnan (Kamal Haasan) is out on a mission to take revenge when he comes to know that his son is one of the victims of the gang. This starts as an act of revenge and ends up becoming a mission that is led by Karnan who is a lot later introduced as Vikram. This character is the same one essayed by Kamal in a film called Vikram that was released in 1986. Police Chief Jose (Chemban Vinod) brings a team of officers in black ops and this team is headed by Amar (Fahadh Faasil) and he starts digging into the life of Karnan. Also, the chief suspect behind all this crime is Sandhanam (Vijay Sethupathi) who is a fearsome drug lord and is in search of that shipment which can make him a king of the mafia. To our surprise, a lot is happening in the city and the cops are set to solve it. 

The first half of the film is at its best. Kamal Haasan is a visual delight in this action thriller. Watching him on the screen after a long time is such an exciting aspect to the audience and his fans as well. Vijay Sethupathi seems to be taking off from where he left the things in Master. He actually plays a ruthless villain and he nailed the character. He was fearsome in almost every scene. Fahadh Faasil and his acting skills need no introduction. All these three actors just nailed their performances offering their fans a terrific action film. 

Lokesh Kanagaraj is transforming Tamil cinema in the best way possible and he deserves the credit for this amazing adrenaline rush he has given to the fans. There are three monster fight blocks in the film and they are the action sequences fans have been waiting to watch in the theatres. Anirudh has set a benchmark yet again with his music. The background score composed by him elevates every scene in Vikram. On the whole, this film is worth your time and money! 

Watch Vikram movie trailer below: 

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‘Back to Black’ Review: Amy Winehouse Biopic Offers Crude Highlight Reel of Her Tragically Short Career

Vikram murthi.

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The gap between Winehouse’s music and her troubled personal life was never as dichotomous as people insisted; her personal demons fueled her music, and she nurtured a refreshingly rebellious persona . However, the trajectory of her life remains undoubtedly tragic because of its familiarity: talented, vulnerable star succumbs to self-destruction exacerbated by uncontrollable fame, a parasitic media culture, and numerous bad actors disguised as allies. It’s the type of narrative that lends itself not just to tabloid fodder but also to postmortem biographies, documentaries, and now an inadequate, pre-packaged biopic.

“ Back to Black ” strives to be a tribute to the late singer but ends up being a dull, cherry-picked view of an already well-documented life. At best, it says nothing new. At worst, it lingers on her misfortune, albeit in the most sanitized, estate-friendly way possible. Winehouse’s short life predictably dictates the film ’s plot: We watch as the artist, played by Marisa Abela , rises from her humble beginnings in small clubs to becoming a huge star beset by addiction and paparazzi. She falls in love with charming Blake Fielder-Civil (Jack O’Connell) at a pub over booze and billiards; not long after, they bond over hard drugs. Meanwhile, her father (Eddie Marsan) frets over losing his daughter to a lifestyle that’s seemingly eating her alive.

It’s not really fair that “Back to Black” operates in the shadow of the acclaimed 2015 documentary “Amy,” but so many of the biopic’s creative choices feel like desperate attempts at alibis for various implied accusations made in Asif Kapadia’s film. “Back to Black” seemingly goes out of its way to portray Mitch Winehouse as a valiant figure concerned about his daughter’s drug use from the jump (in an early scene, he lambasts her for smoking pot), which stands in sharp contrast to the archival doc’s depiction of him as a spotlight-hungry opportunist. The film also completely ignores the insidious commercial infrastructure around Winehouse that stood more to gain from her impulsivity than from protecting her health. “Back to Black” captures the unscrupulous nature of the paparazzi, but Taylor-Johnson largely treats them like wallpaper or background noise instead of an insidious force.

The numerous omissions and timeline alterations in “Back to Black” unfortunately contribute to a portrait of a woman solely responsible for her own demise rather than a partial victim of a profit-hungry system. Moral and ethical scruples aside, it’s not impossible to make a compelling film about someone’s death drive, but Taylor-Johnson leans on so many visual clichés that “Back to Black” becomes entirely unmemorable. Multiple scenes are peppered with blurred edges or faint double vision to illustrate intoxication. The film can’t get enough of Amy stumbling or running down a London street, sometimes in the rain with bottle in hand or alongside noxious photographers. (The only time “Back to Black” exhibits a sly sense of humor is when Blake offers Amy crack cocaine in a diamond ring box over a fast food dinner in their swanky hotel room following their wedding.) Taylor-Johnson frequently returns to the image of a caged bird throughout the film in case audiences forget the central groan-inducing metaphor. Aside from the very beginning, it’s rare that Taylor-Johnson depicts Amy as anything but an inevitable tragedy, something that the borderline-tasteless ending all but underlines.

The palpable sincerity behind “Back to Black” almost makes its myriad weaknesses more glaring. Everyone involved in the film approaches the late artist with love and respect, but its tawdry instincts and misguided sense of responsibility let her memory down. Its refusal to delve into the ugly realities of addiction or pop stardom generates a vague portrait of a lost girl in need of saving. Music, as the film version of Amy says, was Winehouse’s rehab, but in “Back to Black,” it’s basically an afterthought.

Focus Features’ “Back to Black” opens in the U.K. on Friday, April 12. The film will open in the U.S. on Friday, May 17.

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