the great gatsby analytical essay

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Essays on The Great Gatsby

The great gatsby essay topic examples.

Whether you want to analyze the American Dream, compare and contrast characters, vividly describe settings and characters, persuade readers with your viewpoints, or share personal experiences related to the story, these essay ideas provide a diverse perspective on the themes and complexities within the book.

Argumentative Essays

Argumentative essays require you to analyze and present arguments related to the novel. Here are some topic examples:

• 1. Argue whether the American Dream is achievable or illusory, as depicted in The Great Gatsby .
• 2. Analyze the moral ambiguity of Jay Gatsby and the consequences of his relentless pursuit of the American Dream.

Example Introduction Paragraph for an Argumentative Essay: F. Scott Fitzgerald's The Great Gatsby is a tale of ambition, decadence, and the elusive American Dream. This essay delves into the complex theme of the American Dream, exploring whether it remains attainable or has transformed into a tantalizing illusion, luring individuals like Jay Gatsby into its enigmatic embrace.

Example Conclusion Paragraph for an Argumentative Essay: In conclusion, the analysis of the American Dream in The Great Gatsby invites us to reevaluate our perceptions of success and fulfillment. As we contemplate the fate of Jay Gatsby and the characters entangled in his world, we are challenged to define our own version of the American Dream and the sacrifices it may entail.

Compare and Contrast Essays

Compare and contrast essays enable you to examine similarities and differences within the novel or between it and other literary works. Consider these topics:

• 1. Compare and contrast the characters of Jay Gatsby and Tom Buchanan, exploring their contrasting worldviews and motivations.
• 2. Analyze the similarities and differences between the portrayal of the Jazz Age in The Great Gatsby and Ernest Hemingway's The Sun Also Rises .

Example Introduction Paragraph for a Compare and Contrast Essay: The characters and settings in The Great Gatsby and other literary works offer a rich tapestry for comparison and contrast. This essay embarks on a journey to compare and contrast the enigmatic Jay Gatsby and the brash Tom Buchanan, delving into their contrasting values, aspirations, and roles within the novel.

Example Conclusion Paragraph for a Compare and Contrast Essay: In conclusion, the comparison and contrast of Jay Gatsby and Tom Buchanan illuminate the divergent paths individuals can take in pursuit of their desires. As we consider the consequences of their choices, we are prompted to reflect on the complexities of ambition and morality.

Descriptive Essays

Descriptive essays allow you to vividly depict settings, characters, or events within the novel. Here are some topic ideas:

• 1. Describe the opulent parties at Gatsby's mansion, emphasizing the decadence and extravagance of the Jazz Age.
• 2. Paint a detailed portrait of Daisy Buchanan, focusing on her beauty, charm, and the allure she holds for Gatsby.

Example Introduction Paragraph for a Descriptive Essay: The Great Gatsby immerses readers in the lavish world of the Roaring Twenties. This essay embarks on a descriptive exploration of the extravagant parties at Gatsby's mansion, capturing the opulence and hedonism of the era, as well as the illusions they create.

Example Conclusion Paragraph for a Descriptive Essay: In conclusion, the descriptive portrayal of Gatsby's parties serves as a vivid snapshot of the Jazz Age's excesses and the fleeting nature of indulgence. Through this exploration, we are reminded of the allure and transience of the materialistic pursuits that captivated the characters of the novel.

Persuasive Essays

Persuasive essays involve arguing a point of view related to the novel. Consider these persuasive topics:

• 1. Persuade your readers that Nick Carraway is the moral compass of the story, serving as the voice of reason and morality.
• 2. Argue for or against the idea that Gatsby's love for Daisy is genuine and selfless, despite his questionable methods.

Example Introduction Paragraph for a Persuasive Essay: The Great Gatsby presents a tapestry of characters with complex moral dilemmas. This persuasive essay asserts that Nick Carraway emerges as the moral compass of the story, guiding readers through the labyrinth of decadence and disillusionment in the Jazz Age.

Example Conclusion Paragraph for a Persuasive Essay: In conclusion, the persuasive argument regarding Nick Carraway's role as the moral compass underscores the importance of ethical navigation in a world characterized by excess and moral ambiguity. As we reflect on his influence, we are compelled to consider the enduring value of integrity and virtue.

Narrative Essays

Narrative essays offer you the opportunity to tell a story or share personal experiences related to the themes of the novel. Explore these narrative essay topics:

• 1. Narrate a personal experience where you encountered the allure of materialism and extravagance, similar to the characters in The Great Gatsby .
• 2. Imagine yourself as a character in the Jazz Age and recount your interactions with Jay Gatsby and Daisy Buchanan.

Example Introduction Paragraph for a Narrative Essay: The themes of The Great Gatsby resonate with the allure of a bygone era. This narrative essay delves into a personal encounter with the seductive pull of materialism and extravagance, drawing parallels to the characters' experiences in the novel.

Example Conclusion Paragraph for a Narrative Essay: In conclusion, the narrative of my personal encounter with the allure of materialism reminds us of the timeless nature of the themes in The Great Gatsby . As we navigate our own desires and ambitions, we are encouraged to contemplate the balance between aspiration and morality.

The Significance of Nick's Account in The Great Gatsby

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Corruption in The Great Gatsby Analysis

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"The Great Gatsby": Theme and Symbols

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The Portrayal of Female Characters in F.s. Fitzgerald’s The Great Gatsby

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April 10, 1925, F. Scott Fitzgerald

Novel; Fiction, Tragedy

Jay Gatsby , Nick Carraway, Daisy Buchanan, Tom Buchanan, Myrtle Wilson, Jordan Baker, Meyer Wolfsheim, George B. Wilson, Trimalchio, Mr. Gatz

F. Scott Fitzgerald wrote "The Great Gatsby" with multiple motivations in mind. Firstly, he sought to critique the materialistic excesses and moral decay of the Roaring Twenties, a period of post-World War I prosperity. Fitzgerald aimed to expose the disillusionment and hollowness behind the glittering facade of the American Dream. Additionally, he drew inspiration from his own experiences and observations of the wealthy elite and their decadent lifestyles. Through the character of Jay Gatsby, Fitzgerald explored themes of unrequited love, longing, and the pursuit of an unattainable ideal. Ultimately, Fitzgerald's intent was to capture the essence of an era and offer a profound commentary on the human condition.

The story revolves around Jay Gatsby, a mysterious millionaire, and his pursuit of Daisy Buchanan, a married woman with whom he had a romantic past. Narrated by Nick Carraway, a young man from the Midwest, the novel delves into the opulent and extravagant lives of the wealthy elite in Long Island. As Gatsby throws lavish parties in the hope of rekindling his relationship with Daisy, the narrative explores themes of love, wealth, illusion, and the disillusionment that comes with the pursuit of the American Dream.

The American Dream , decadence, idealism, resistance to changes, social excess, caution.

The influence of "The Great Gatsby" extends far beyond its initial publication in 1925. F. Scott Fitzgerald's novel has become a literary classic, revered for its exploration of themes such as wealth, love, and the elusive American Dream. It remains relevant due to its timeless portrayal of human desires, societal decadence, and the consequences of relentless pursuit. The book's vivid characters and atmospheric prose have inspired countless writers and artists, shaping the landscape of American literature. With its commentary on the dark underbelly of the Jazz Age, "The Great Gatsby" continues to captivate readers, serving as a cautionary tale and a poignant reflection of the human condition.

1. During F. Scott Fitzgerald's lifetime, approximately 25,000 copies of the book were sold. However, since then, it has gained immense popularity, selling over 25 million copies and establishing itself as one of the most renowned American novels. 2. The Great Gatsby did not have its original title as the author considered various options, ranging from "Under the Red, White and Blue" to "The High-Bouncing Lover." These alternative titles were potentially revealing too much about the content prematurely. 3. In 1926, just a year after its publication, the book was adapted into a film, demonstrating its quick transition from page to screen. 4. Fitzgerald's cause of death is believed to have been tuberculosis rather than a heart attack. Sadly, he passed away at the age of 44. 5. The price of this famous novel at the time of its publication in 1925 was $2, representing its value in that era. 6. The Great Gatsby did not immediately receive critical acclaim upon release. However, it has since garnered recognition and praise, becoming a significant literary work.

"The Great Gatsby" has made a significant impact on various forms of media, captivating audiences across generations. The novel has been adapted into several films, with notable versions including the 1974 adaptation starring Robert Redford and the 2013 adaptation featuring Leonardo DiCaprio. These cinematic interpretations have brought the story to life visually, further immersing audiences in the opulent world of Jay Gatsby. Additionally, the novel has been referenced and alluded to in countless songs, television shows, and even video games, solidifying its cultural significance. Its themes of love, wealth, and the pursuit of the American Dream continue to resonate and inspire creative works in popular culture.

“In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since. ‘Whenever you feel like criticizing any one,’ he told me, ‘just remember that all the people in this world haven't had the advantages that you've had.’” “I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life.” “Let us learn to show our friendship for a man when he is alive and not after he is dead.” “So we drove on toward death through the cooling twilight.” “I hope she'll be a fool -- that's the best thing a girl can be in this world, a beautiful little fool.”

Studying "The Great Gatsby" holds great importance due to its enduring relevance and literary significance. The novel offers profound insights into themes such as wealth, love, social class, and the corruption of the American Dream. Its exploration of the Jazz Age exposes the allure and emptiness of a materialistic society, making it a compelling study of human desires and societal decay. F. Scott Fitzgerald's masterful prose and symbolic imagery provide rich material for analyzing character development, narrative techniques, and social commentary. Moreover, delving into the novel's historical context allows for a deeper understanding of the cultural and societal shifts of the 1920s.

The inclusion of "The Great Gatsby" as an essay topic for college students stems from its exploration of themes like the American Dream, the juxtaposition of poverty and wealth, and the destructive allure of corruption. The character of Gatsby embodies the American spirit and can be paralleled to contemporary individuals fixated on materialism and fame as measures of romantic success. Furthermore, this literary masterpiece holds a significant place in American literature, as F. Scott Fitzgerald skillfully weaves socio-cultural elements into each sentence, providing a timeless portrayal of American life that resonates across generations. The choice to analyze and write about "The Great Gatsby" allows students to delve into these thought-provoking themes and examine their relevance to society.

1. Stallman, R. W. (1955). Conrad and The Great Gatsby. Twentieth Century Literature, 1(1), 5–12. (https://doi.org/10.2307/441023) 2. John Jerrim, Lindsey Macmillan, (2015). Income Inequality, Intergenerational Mobility, and the Great Gatsby Curve: Is Education the Key?, Social Forces, Volume 94, Issue 2. (https://academic.oup.com/sf/article/94/2/505/2583794) 3. Robert C. Hauhart (2013) Religious Language and Symbolism in The Great Gatsby’s Valley of Ashes, ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 26:3 (https://www.tandfonline.com/doi/abs/10.1080/0895769X.2013.798233) 4. Burnam, T. (1952). The Eyes of Dr. Eckleburg: A Re-Examination of “The Great Gatsby.” College English, 14(1), 7–12. (https://www.jstor.org/stable/371821) 5. Tom Phillips (2018) Passing for White in THE GREAT GATSBY: A Spectroscopic Analysis of Jordan Baker, The Explicator, 76:3. (https://www.tandfonline.com/doi/full/10.1080/00144940.2018.1489769?scroll=top&needAccess=true&role=tab) 6. Matterson, S. (1990). The Great Gatsby and Social Class. In: The Great Gatsby. The Critics Debate. Palgrave, London. (https://link.springer.com/chapter/10.1007/978-1-349-20768-8_9) 7. Licence, A. (2008). Jay Gatsby: martyr of a materialistic society: Amy Licence considers religious elements in The Great Gatsby. The English Review, 18(3), 24+. (https://go.gale.com/ps/i.do?id=GALE%7CA173676222&sid=googleScholar&v=2.1&it=r&linkaccess=abs&issn=09558950&p=LitRC&sw=w&userGroupName=anon%7E5a84816e) 8. Khodamoradpour, Marjan and Anushiravani, Alireza, (2017) Playing the Old Tunes: A Fiskean Analysis of Baz Luhrmann's 2013 Cinematic Adaptation of the Great Gatsby. International Letters of Social and Humanistic Sciences, Volume 71. (https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3020752) 9. Anderson, H. (1968). THE RICH BUNCH IN" THE GREAT GATSBY". Southern Quarterly, 6(2), 163. (https://www.proquest.com/openview/6a9e704a476d873aada2d2529821b95a/1?pq-origsite=gscholar&cbl=2029886)

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The Great Gatsby

F. scott fitzgerald, ask litcharts ai: the answer to your questions.

Welcome to the LitCharts study guide on F. Scott Fitzgerald's The Great Gatsby . Created by the original team behind SparkNotes, LitCharts are the world's best literature guides.

The Great Gatsby: Introduction

The great gatsby: plot summary, the great gatsby: detailed summary & analysis, the great gatsby: themes, the great gatsby: quotes, the great gatsby: characters, the great gatsby: symbols, the great gatsby: literary devices, the great gatsby: quizzes, the great gatsby: theme wheel, brief biography of f. scott fitzgerald.

Historical Context of The Great Gatsby

Other books related to the great gatsby.

• Full Title: The Great Gatsby
• Where Written: Paris and the US, in 1924
• When Published: 1925
• Literary Period: Modernism
• Genre: Novel
• Setting: Long Island, Queens, and Manhattan, New York in the summer of 1922
• Climax: The showdown between Gatsby and Tom over Daisy
• Point of View: First person

Extra Credit for The Great Gatsby

Puttin' on the Fitz. Fitzgerald spent most of his adult life in debt, often relying on loans from his publisher, and even his editor, Maxwell Perkins, in order to pay the bills. The money he made from his novels could not support the high-flying cosmopolitan life his wife desired, so Fitzgerald turned to more lucrative short story writing for magazines like Esquire. Fitzgerald spent his final three years writing screenplays in Hollywood.

Another Failed Screenwriter. Fitzgerald was an alcoholic and his wife Zelda suffered from serious mental illness. In the final years of their marriage as their debts piled up, Zelda stayed in a series of mental institutions on the East coast while Fitzgerald tried, and largely failed, to make money writing movie scripts in Hollywood.

A Summary and Analysis of F. Scott Fitzgerald’s The Great Gatsby

By Dr Oliver Tearle (Loughborough University)

The Great Gatsby is the quintessential Jazz Age novel, capturing a mood and a moment in American history in the 1920s, after the end of the First World War. Rather surprisingly, The Great Gatsby sold no more than 25,000 copies in F. Scott Fitzgerald’s lifetime. It has now sold over 25 million copies.

If Fitzgerald had stuck with one of the numerous working titles he considered for the novel, it might have been published as Trimalchio in West Egg (a nod to a comic novel from ancient Rome about a wealthy man who throws lavish parties), Under the Red, White and Blue , or even The High-Bouncing Lover (yes, really).

How did this novel come to be so widely acclaimed and studied, and what does it all mean? Before we proceed to an analysis of Fitzgerald’s novel, here’s a quick summary of the plot.

The Great Gatsby : plot summary

Nick Carraway, the narrator of the novel, is a young man who has come to New York to work on the stock exchange. He lives on the island of West Egg, where his neighbour is the wealthy Jay Gatsby, who owns a mansion.

One evening, Nick is dining with his neighbours from East Egg, Tom and Daisy Buchanan. Tom is having an affair, and goes to answer the phone at one point; Daisy follows him out of the room, and their fellow guest, a woman named Jordan Baker, explains to Nick about Tom’s mistress.

A short while after this, Nick is with Tom when Tom sets up a meeting with his mistress, Myrtle, the wife of a garage mechanic named Wilson. Nick attends a party with Tom and Myrtle; Tom hits his mistress when she mentions Daisy’s name.

In the summer, Gatsby throws a number of lavish parties at his mansion. He meets Jordan Baker again and the two are drawn to each other. Nobody seems to know the real Gatsby, or to be able to offer much reliable information about his identity. Who is he?

Gatsby befriends Nick and drives him to New York. Gatsby explains that he wants Nick to do him a favour: Jordan Baker tells him that Daisy was Gatsby’s first love and he is still in love with her: it’s the whole reason Gatsby moved to West Egg, so he could be near Daisy, even though she’s married to Tom. Gatsby wants Nick to invite both him and Daisy round for tea.

When they have tea together, Gatsby feels hopeful that he can recover his past life with Daisy before she was married. However, he knows that Daisy is unlikely to leave Tom for him. When she expresses a dislike for his noisy parties, he scales down his serving staff at his house and tones down the partying.

When they are all at lunch together, Tom realises that Daisy still loves Gatsby. Tom goads Gatsby as he realises he’s losing his mistress and, now, his wife. While staying together in a suite at the Plaza Hotel, Daisy tells Tom that she loves both men.

On their way back home, Gatsby’s car accidentally hits and kills Myrtle Wilson, Tom’s mistress, who has rushed out into the road after her husband found out about her affair. Tom finds her body and is distraught. Nick learns that Daisy, not Gatsby, was driving the car when Myrtle was killed.

Gatsby also tells Nick that he had built himself up from nothing: he was a poor man named James Gatz who made himself rich through the help of a corrupt millionaire named Dan Cody.

The next day, Nick finds Gatsby dead in his own swimming pool: Wilson, after his wife was killed by Gatsby’s car, turned up at Gatsby’s mansion to exact his revenge. Wilson’s body is nearby in the grass. The novel ends with Nick winding up Gatsby’s affairs and estate, before learning that Tom told Wilson where he could find Gatsby so he could take revenge.

The Great Gatsby : analysis

The Great Gatsby is the best-known novel of the Jazz Age, that period in American history that had its heyday in the 1920s. Parties, bootleg cocktails (it’s worth remembering that alcohol was illegal in the US at this time, under Prohibition between 1920 and 1933), and jazz music (of course) all characterised a time when Americans were gradually recovering from the First World War and the Spanish flu pandemic (1918-20).

One reason The Great Gatsby continues to invite close analysis is the clever way Fitzgerald casts his novel as neither out-and-out criticism of Jazz Age ‘values’ nor as an unequivocal endorsement of them. Gatsby’s parties may be a mere front, a way of coping with Daisy’s previous rejection of him and of trying to win her back, but Fitzgerald – and his sympathetic narrator, Nick Carraway – do not ridicule Gatsby’s behaviour as wholly shallow or vacuous.

Fitzgerald’s choice to have a first-person narrator, rather than a more detached and impersonal ‘omniscient’ third-person narrator, is also significant. Nick Carraway is closer to Gatsby than an impersonal narrator would be, yet the fact that Nick narrates Gatsby’s story, rather than Gatsby telling his own story, nevertheless provides Nick with some detachment, as well as a degree of innocence and ignorance over Gatsby’s identity and past.

Nick Carraway is both part of Gatsby’s world and yet also, at the same time, an observer from the side-lines, someone who is not rich and extravagant as many in Gatsby’s circle are, yet someone who is ushered into that world by an enthusiastic Jay Gatsby, who sees in Carraway a man in whom he can confide.

Nevertheless, Fitzgerald deftly sets the world of West Egg, with Gatsby’s mock-chateau and swimming pool, against the rather grittier and grimier reality for most Americans at the time. If Gatsby himself symbolises the American dream – he has made himself a success, absurdly wealthy with a huge house and a whole retinue of servants, having started out in poverty – then there are plenty of reminders in The Great Gatsby that ‘the American dream’ remains just that, a dream, for the majority of Americans:

About half way between West Egg and New York the motor-road hastily joins the railroad and runs beside it for a quarter of a mile, so as to shrink away from a certain desolate area of land. This is a valley of ashes – a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens where ashes take the forms of houses and chimneys and rising smoke and finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air.

This is the grey, bleak, industrial reality for millions of Americans: not for them is the world of parties, quasi-enchanted gardens full of cocktails and exotic foods, hydroplanes, and expensive motorcars.

Yet the two worlds are destined to meet on a personal level: the Valley of Ashes (believed to be modelled on Corona dump in Queens, New York, and inspired by T. S. Eliot’s The Waste Land ) is where Wilson’s garage is located. The dual tragedy of Gatsby’s and Wilson’s deaths at the end of the novel symbolises the meeting of these two worlds.

The fact that Gatsby is innocent of the two crimes or sins which motivate Wilson – his wife’s adultery with Tom and Daisy’s killing of Myrtle with Gatsby’s car – hardly matters: it shows the subtle interconnectedness of these people’s lives, despite their socioeconomic differences.

What’s more, as Ian Ousby notes in his Introduction to Fifty American Novels (Reader’s Guides) , there is more than a touch of vulgarity about Gatsby’s lifestyle: his house is a poor imitation of a genuine French chateau, but he is no aristocrat; his car is ‘ridiculous’; and his very nickname, ‘the Great Gatsby’, makes him sound like a circus entertainer (perhaps a magician above all else, which is apt given the magical and enchanted way Carraway describes the atmosphere and detail at Gatsby’s parties).

And ultimately, Gatsby’s lavish lifestyle fails to deliver happiness to him, too: he doesn’t manage to win Daisy back to him, so at the same time Fitzgerald is not holding up Gatsby’s ‘success’ uncritically to us.

Is Gatsby black? Although he is known for having been played in film adaptations by Robert Redford and Leonardo DiCaprio, and the novel does not state that Gatsby is an African American, the scholar Carlyle V. Thompson has suggested that certain clues or codes in the novel strongly hint at Gatsby being a black American who has had to make his own way in the world, rising from a poor socio-economic background, and not fully accepted by other people in his social circle because of racial discrimination.

Whether we accept or reject this theory, it is an intriguing idea that, although Fitzgerald does not support this theory in the novel, that may have been deliberate: to conceal Gatsby’s blackness but, as it were, hide it in plain sight.

In the last analysis, The Great Gatsby sums up the Jazz Age, but through offering a tragedy, Fitzgerald shows that the American dream is founded on ashes – both the industrial dirt and toil of millions of Americans for whom the dream will never materialise, and the ashes of dead love affairs which Gatsby, for all of his quasi-magical properties, will never bring fully back to life.

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10 thoughts on “A Summary and Analysis of F. Scott Fitzgerald’s The Great Gatsby”

I regret the several hours wasted in slogging through this low-prole distraction.

You might want to start with something like Dick and Jane.

One of my favorite novels. I have always loved this book. No matter how may times I read it, more is revealed.

The Great Gatsby is one of my favorite novels. Thank you for the detailed analysis! I can also add that Fitzgerald includes lots of symbols in the novel. To my mind, one of the most vivid symbols is a giant billboard with the face of Doctor TJ Eckleburg which is towering over the Valley of Ashes. These eyes are watching the dismal grey scene of poverty and decay. I guess the billboard symbolizes the eyes of God staring at the Americans and judging them. In case seomeone is interested in symbols in The Great Gatsby, there is a nice article about it. Here: https://custom-writing.org/blog/symbols-in-the-great-gatsby

While I could imagine and accept a modern film version of Gatsby as black, I really can’t espouse the notion that Fitzgerald had that in mind. If you know anything about American society in the 1920s, you’d know that you didn’t have to be black or of some other minority to be outside the winner’s circle. US society may still have tons of problems accepting that all people are created equal, but back then, they weren’t even thinking about blacks et al very much. They were quite happy to ostracize Italians, Irish, Catholics, etc, without batting an eye.

This is such a widely misunderstood book, by scholars as well as regulars.

Daisy was the victim of love. She would’ve married Jay while he was in the army. Also, Jay’s so-called symbolic “reaching” is nothing more than him trying to understand self love, to attain it, to unravel the “mystery! ” of it. But he never realizes he’s totally in love with himself, which is his biggest issue other than preying on Daisy’s real love.

And Nick ” Carraway” …. Care-a-way, care-a-way… What self-appointed moral man witnesses nakedly two married plotters sceam against a neighbor they like, or any person in serious need of legal, emotion aid, AND DOES NOTHING. Yeah, care a way, Nick, just not your way! And Come On!! who the hell doesn’t judge others….that’s the ENTIRE POINT OF EVERY BOOK AND LIFE.

WHAT preyed on Gatsby preys upon every person everywhere. Influences of life and choices we make because if them. Gatsby’s such an interesting, centralized , beloved character because he represents everyone’s apparent embracement of the childhood notion, ” we can have it all and make our own consequences, and if not, let’s see if I can manipulate time successfully. Gatsby’s us the full human demonstration of self love at all costs and quite deliberately finding a way disguise and masquerade and mutate and thus deny this very fact while simultaneously trying to make it MAGICAL AND MYSTICAL.

ARTISTS, from geniuses to so-called laypeople, are all simple people with very basic emotions. That’s where ALL starts. They are not Gods, nor do they desire misunderstanding. Frankly, they just wanna see if you have any common sense. Once you get passed that, all literature resembles EVERY aspect of life.

A terrific novel and not bad adaptation as a movie by DiCaprio, I thought! While some of the comments on here are a little excessive, there is much to be said for the symbolism in the book. I rather like the fact that ‘West Egg’ and ‘East Egg’ surely hints at questioning who is the ‘good egg’ and who is ‘the bad egg’. The place names are so unusual that this must be deliberate (‘bad egg’ has been around since at least 1855) and we’re left to wonder just what is good and bad here. No character comes out smelling of roses in this story, which – for me – makes the novel utterly compelling.

Well said, Ken. It’s the subtlety of the characterisation which makes it for me – I know a lot of critics and readers praise the prose style, but I think it’s the way Fitzgerald uses Carraway’s narration to reveal the multifaceted (and complex) nature of Gatsby, Daisy, Tom, and even himself that is so masterly. I’ve just finished analysing the opening paragraphs of the novel and will post that up soon!

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The Great Gatsby

Introduction to the great gatsby.

F. Scott Fitzgerald, one of the greatest American writers, wrote The Great Gatsby. It was first published on 10th April 1925 and did not win instant applause. However, later it became the most read American novel , read by a diverse range of audiences. As time passed, it impacted the American generations, proving an all-time bestseller and a masterpiece. The novel shows the regions of West Egg and East Egg near Long Island known for its prosperity during the Jazz Era after World War 1. The story revolves around the obsession of the millionaire, Jay Gatsby for a fashionable woman, Daisy. She is very popular among the military officers for her parties. On account of the exploration of a host of themes, the novel has been termed Fitzgerald’s magnum opus.

Summary of The Great Gatsby

The story of the novel, The Great Gatsby , revolves around a young man, Nick Carraway, who comes from Minnesota to New York in 1922. He is also the narrator of the story. His main objective is to establish his career in the bonds. Nick rents a house in West Egg on Long Island, which is a fictional village of New York. He finds himself living amidst the huge mansions of the rich and famous . Right across the water, there is a refined village of East Egg. Nick’s cousin Daisy and her wealthy husband Tom Buchanan live in that part of the village. Tom is known to be cruel, absurdly rich as well. One day Nick goes to meet Daisy and Tom for dinner. There, he meets Jordan Baker, Daisy’s friend. Daisy is a well-known golf champion. She tells him about Tom’s affair. Apparently, Tom has a mistress in New York City. Daisy secretly confesses to Nick that she is not happy with Tom. Once Nick returns to his house in West Egg, he sees his neighbor, Jay Gatsby. Jay is standing alone in the dark calling out to a green light across the bay. The place points to Tom’s and Daisy’s place.

After a few months, Tom introduces Nick to his mistress, Myrtle Wilson. Myrtle is married George Wilson, who is not as lively or joyful as Tom. According to Nick, George is “a valley of ashes”. He also compares George to an industrial wasteland supervised by Doctor T.J. Eckleburg. They meet her at the garage where George works as a repairman. Tom, Nick, and Myrtle go to her apartment in Manhattan. Myrtle’s sister and some other friends join them. As they are heavily drunk, they fall into an argument . Tom punches Myrtle in the nose when she talks about Daisy and insults her. Nick also wakes up in a train station.

A few months pass, Nick grows comfortable with the noises and lights of dazzling parties held at his neighbor Jay Gatsby’s house. Jay always has the famous and rich people gather on Saturday nights . There all the rich and famous enjoy Gatsby’s extravagant bar and enjoy listening to jazz orchestra. One day, Nick receives an invitation from Gatsby to one of these parties. There he meets Jordan and spends most of the evening. Nick notices that Jay is mostly absent during his parties. He overhears the guests talking about Gatsby’s dark past. Later, Nick meets him at the end of the party. While at first, he doesn’t know who Jay Gatsby was. Nick is properly introduced to Gatsby asking Jordan to speak privately. When Jordan returns she doesn’t share any details of the conversation between her and Jay Gatsby.

Nick becomes even more suspicious about this mystery character and decides to learn more about him through Jordan.  Nick continues to see Jordan Baker. He also gets acquainted with Jay Gatsby at the same time. During one of the drives for lunch in Manhattan, Gatsby tries to dismiss the rumors that has been reaching Nick. Jay tells Nick that his parents were very wealthy people and were dead. He studied in Oxford and discharged as a war hero after World War 1. Nick doesn’t believe Jay at this point. At lunch, Nick is introduced to Gatsby’s business partner, Meyer Wolfsheim. Meyer is known to fix the World Series in 1919. (This character was based on a real person and a real event from the author’s time). Nick meets Jordan Baker. She reveals Nick about her conversation with Gatsby. Gatsby knew Daisy, Nick’s cousin five years before. While he lived in Louisville, Jay and Daisy were in love. When Jay left to fight in the war, Daisy married Tom Buchanan. Gatsby bought his current mansion on West Egg to be across the water to see Daisy from distance.

Gatsby request Nick to invite Daisy to his house so that he can meet her. After a few days Jay Gatsby, invited by Nick, meets Daisy over tea. Daisy is surprised to see Gatsby after five years gap. Initially, they are quiet and hesitant, making the meeting extremely awkward. Nick observes this and leaves them alone for some time. He believes that by giving them a little privacy, they might talk and sort things out. Surprisingly, when Nick returns, Jay and Daisy speak without any uneasiness in the environment. Jay Gatsby is beaming with happiness; and Daisy is crying happy tears. Later, they head to Jay Gatsby’s mansion. Gatsby begins to show all his rooms and artifacts to her.

Few days pass, with Daisy and Jay Gatsby meeting frequently, Tom comes to know about Daisy’s meeting with Gatsby. He doesn’t like it. One day, Tom unwillingly attends Jay Gatsby’s party with Daisy. Daisy feels uncomfortable at the party. She is disgusted by the bad behavior of the rich crowd at West Egg. Tom assumes that Gatsby has a business of selling goods illegally. He accuses Jay Gatsby at the party and also shares his frustration with Nick after the party. Gatsby tries to ignore all the fight and asks Daisy to leave Tom. He begs her to tell the truth to Tom that she does not love him. Gatsby asks Daisy to marry him after they separate. He confesses that he had never stopped loving Daisy.

Right after that incident, Jay Gatsby stops throwing his wild parties. Daisy visits him almost every afternoon. One day, Nick is invited for lunch by the Buchanans. Jay Gatsby and Jordan are also invited. During the lunch, Daisy compliments Gatsby in front of everyone. This also proves as a declaration of her love for Jay Gatsby. Tom also notices Daisy but chooses not to react. He requests them to come to the town. Daisy and Jat Gatsby go to Tom’s car. However, Tom takes Jay Gatsby’s car with Jordan and Nick. Tom stops for the fuel at George Wilson’s garage in the valley of ashes. Wilson breaks the news to Tom that he had been planning to go west of the city with his wife Myrtle to raise more money.

Hearing the news Tom is visibly mad and speeds towards Manhattan. He catches up with Daisy and Gatsby. They go to a parlor at the Plaza Hotel, while Tom is still disturbed by hearing George’s and Myrtle’s moving news. While having a drink Tom confronts Gatsby about his and Daisy’s relationship. Daisy tries her best to calm them down. However, Gatsby begs Daisy to reveal the truth of their love. When Tom continues to threaten Jay Gatsy, Daisy threatens to leave Tom. Out of prejudice, Tom tells them that he had been investigating Gatsby. He concludes that Jay Gatsby was selling illegal alcohol at drugstores in Chicago with Wolfsheim. Gatsby denies the allegations and tries to diffuse the situation. However, Daisy loses hope. They leave the Plaza, just as Nick turns 30, without celebrating his birthday.

While returning, Daisy drives Gatsby’s car. On the way they accidentally hit Myrtle. Just before the accident Myrtle and George had a severe argument. She runs toward the street thinking Tom is still driving Gatsby’s car. While Jay Gatsby and Daisy see Myrtle they don’t stop. Daisy is afraid to stop and is caught by a couple of witnesses. Tom who is following them from Plaza stops his car after seeing the accident scene and the crowd on the road. Tom is shocked and heartbroken after seeing Myrtle’s dead body in Wilson’s garage. Wilson reveals to Tom that a yellow car was responsible for the accident. Tom tells that the car was not his and leaves to East Egg while mourning. When Nick sees Jay Gatsby at the Buchanans’ mansion he comes to know that Daisy caused the accident. However, Gatsby tells him that he will take the blame if his car is found. Jay also decides to be at Daisy’s house as a guard to protect her from Tom.

The next day, Nick asks Gatsby to disappear, as his car will eventually be traced. Gatsby refuses to leave. He reveals the truth of his past to Nick. Jay Gatsby was from a poor farming family and met Daisy while serving in the army in Louisville. As he was too poor to marry, he did use illegal methods to gain his wealth after the war. Proving that Tom was correct.

Nick returns for work unwillingly. Gatsby desperately waits for Daisy’s call. After a few days, George Wilson visits Tom at the East Egg. He tells him that Gatsby killed Myrtle. After revealing the new George barges into Gatsby’s mansion. Gatsby is relaxing by his pool when George shoots him and then turns the gun on himself. Nick is shocked and arranges Jay Gatsby’s funeral. Nick and Jay Gatsby’s father is the only audience at the funeral. Eventually, Daisy and Tom leave Long Island without revealing their new address. Nick returns to the Midwest and realizes that his life in the East was never good.

Major Themes in The Great Gatsby

• The American Dream: The novel, Great Gatsby , presents the theme of the American Dream through its character of Jay Gatsby. When Nick meets him, he overemphasizes his lifestyle. He even desires to be in his parties and introduces him to Daisy when a chance arises. Therefore, Gatsby meets Daisy and tries to revive his past love, seeing that he has achieved fame through his riches and would get her now . However, Daisy disappears from his life after the accident. Nick with his American dream is the only friend in the end who arranges his funeral. The frequent uses of business and business jargon show the theme of the American Dream.
• Home: The novel shows its theme of home through different characters. Nick leaves home and returns when he learns about the importance of home distinctively different from the mansions of East Egg and West Egg. Jay Gatsby, too, learns that mansions do not become home of a person. That is why he reverts to Daisy to set up a home but fails in his attempts.
• Money: Money is not only an important theme but also a theme in the novel. Money brings a few characters close to each other. The discussion of places like East Egg and West Egg and new and old money shows that money makes the mare go for Nick, Tom, Daisy as well as Gatsby. However, by the end, Nick comes to know that money is not everything as he performs funeral rites of Gatsby alone with nobody else besides his dead body.
• Materialism: Materialism is another significant theme of The Great Gatsby in that it shows its ravages and destruction where it is desired to be the most important value. The lush and extravagant parties, the mysterious and rich lifestyles, and extravagant shows of wealth do not go side by the side the sincerity of relations in the human world. Gatsby’s lifestyle attracts others, but nobody knows his mental condition, though, he fails to win Daisy by the end of the novel when meets his end, as she is already married.
• Past: Past is a constant theme in the novel that Gatsby, Tom, and Daisy want to leave their past but it constantly haunts them. Gatsby has made remarkable progress in his life. Daisy and Tom have caused quite a scandal in their previous city of Chicago, the reason that they are running away from it. Jordan Baker also tries to bury her past life. Nick then clearly explains it to Daisy that he cannot bring back the past.
• The hollowness of Upper Class: The novel shows the hollowness of the elite class or upper strata of the American society through the characters of Jay Gatsby as well as the region of East Egg as corrupt and devoid of the moral and ethical framework but West Egg as the social fabric tied in a morality. When Nick learns about Gatsby and Daisy, he reaches the conclusion by the end that all is rotten to the core.
• Life and Death: Fitzgerald has presented the theme of life and death through the parties that are being thrown in the West Egg region in New York and through the character of Nick and Gatsby. However, it is Owl Eyes that shows the looming shadow of death amid life. Death is shown to end Jay Gatsby’s life of extravagance.
• Love and Marriage: The novel shows two strained marriages of Tom with Daisy and Myrtle Wilson with George Wilson as bad examples of marriages. Although Nick and Gatsby are in search of love and they find it to some extent, this is not the real love but just a type of tender curiosity in Nick’s words.
• Class: The novel shows the class system through different characters such as Gatsby represents the upper strata, for Nick is seeking to join this class despite his being form the middle class. The incompatibility of the marriage of Myrtle with George shows this class difference.

Major Characters in The Great Gatsby

• Jay Gatsby: James Gatz or Jay Gatsby is the main protagonist , known for his mysterious past and extravagant lifestyle. His parties and mansion located in West Egg make other characters seek his attention and be invited to his parties. Later, he reveals the truth to Nick that he was a young man from a poor family and lived in Dakota. He made fortune after serving in WWI in the army and knew Daisy then. His love, though, stays unrequited until the end as Daisy gave importance to money. Though he amasses a vast fortune. George Wilson kills him by the end of having an affair with his wife. Though in reality, Daisy commits the crime and kills Myrtle, but Jay takes the blame upon himself.
• Nick Carraway: Nick is the narrator of the story. He is from a rich family from Minnesota and wants to join the upper class of the society by joining the bond business in New York. Hence, he moves to the city. Nick is seen as an honest and responsible man. He joins Gatsby and Buchanan’s just to experience the East Egg society. Once, Nick gets close to Gatsby, he comes to know the truth and stands by him. When Gatsby is killed by George, he arranges his funeral and leaves East Egg for good.
• Daisy Buchanan: Daisy Buchanan is Tom’s wife. In the past, she was with Gatsby while he was serving in World War 1. She leaves Jay Gatsby because of his financial status. Through her cousin Nick, she meets Jay Gatsby after five years. She kills Myrtle in an accident. She leaves Gatsby when takes the blame on himself to protect her. She is quite selfish and immature.
• Tom Buchanan: Tom is a former soccer player from Yale and comes from an elite family. However, the brutal and deeply insecure, the reason that he often displays racism. He is dominating over his wife, Daisy, and condemns her for meeting Gatsby. While he disapproves, Daisy’s choice, he has a mistress, Myrtle. Tom is also a bully and a narcissist.
• Jordan Baker: Jordan is a strong woman and Daisy’s old friend who once won golf tournament through deceit. However, unlike her friend, she is quite cold in manners and does not respond to Nick’s advances.
• Myrtle Wilson: Myrtle is Tom’s mistress and promiscuous woman. She crosses social boundaries if she finds a chance. In her desperation, she marries George, the owner of a garage, but continues her affair with Tom. When she picks up a fight with her husband over the move, she runs to the street where speeding Daisy accidentally kills her. though Gatsby takes the blame.
• George Wilson: A poor and lazy garage owner, George Wilson. He married ambitious Myrtle but faces agony and mental torture over her affair with Tom. He later murders Gatsby assuming Gatsby had killed Myrtle by accident.
• Meyer Wolfsheim: Meyer is Gatsby’s colleague and famous for his involvement in the world of crime and fixing series. He is a mixture of morality and the criminal world and offers condolence on the death of Gatsby.
• Dan Cody: Dan is one of those men who exploited the Gold Rush and won riches. Gatsby became his disciple and learned the art of making money but didn’t receive anything else. Though he left some fortune for Gatsby, it was taken away by his previous wife.

 Writing Style of The Great Gatsby ‎

Fitzgerald applies wry and elegiac which also includes sophisticated style in The Great Gatsby . The language, though, creates a sense of loss and nostalgia , becomes poetic, at times, loaded with figurative images. In one way, it seems to be an extended elegy that laments the corruption of a whole class merely for the abstract concept of a dream which is rotten to the core on account of greed, avariciousness, and lasciviousness that it breeds. However, when the novel shows metaphorical language and elaborate images, it seems highly sophisticated. Fitzgerald is an expert writer and knows where to apply what type of language.

Analysis of Literary Devices in The Great Gatsby

• Action: The main action of the novel comprises Jay Gatsby yearning for Daisy’s affection. He took the blame for the accident and faced sequences as George Wilson kills him. The rising action comprises the reunion of Daisy and Gatsby, while the falling action is the death of Gatsby or maybe his final funeral rites.
• Allegory : The Great Gatsby shows some strands of allegory in the character of Gatsby who is a symbol of something to be re-created through dreams . However, as a representative figure of every common American, Gatsby seems to have made it an allegory, for his dream of winning his love after having won a Gothic mansion and name in the parties proves a miserable failure.
• Antagonist : Tom Buchanan is the antagonist of the novel, The Great Gatsby . He is not only an imposing figure but also a dominating man who represents obstacles that stand between a man’s desire and his attempts to reach his goal. He does not let Daisy and Gatsby meet to fulfill their desire of marriage after loving each other.
• Allusion : Some of the allusions used in The Great Gatsby are such as a reference to Midas, a Greek legend , another to Morgan, an American financier, to Maecenas, an art patron of Rome, to Oxford, a university in England and to Rockefeller, a self-styled billionaire of the 19 th century.
• Conflict : There are two types of conflicts in the novel, The Great Gatsby . The first one is the external conflict going on between Jay Gatsby and Tom Buchanan, the husband of Daisy how to dodge him to win his wife. The internal conflict goes in the mind of Gatsby about himself, about his love and renewal of relationship with Daisy.
• Characters: The Great Gatsby presents both static as well as dynamic characters. The young man, Nick Carraway, the narrator is a dynamic character . He not only sees the entire situation but also sees his friends and near and dear ones in a wider perspective . His opinion also changes from good to bad by the end of the novel about different characters such as Tome, Jordan, and Daisy. However, Gatsby and Tom stays the same and does not show any change. Therefore, they are static characters .
• Climax : The climax in The Great Gatsby takes place when the group of all of them is coming back from New York and Myrtle is killed by Gatsby. Then Gatsby shows greatness by taking the blame and getting killed by George.
• Foreshadowing : The novel, The Great Gatsby , shows several examples of foreshadowing . Its fourth chapter shows the first such example when Nick sees that the gambler Wolfsheim is the friend of Gatsby which points to the means of his riches. The second example occurs when Jordan asks Nick that Gatsby wants to meet Daisy which clearly shows that he is going to rekindle his old love.
• I’m p-paralysed with happiness.’ (Chapter-1)
• The Flowers were unnecessary, for at two o’clock a greenhouse arrived from Gatsby’s, with innumerable receptacles to contain it. (Chapter-5)
• ‘FIer family is one aunt about a thousand years old. (Chapter-1) All these three examples show good use of the literary device of hyperbole .
• If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. (Chapter-1)
• He wouldn’t say another word. His correctness grew on him as we neared the city. We passed Port Roosevelt, where there was a glimpse of red-belted ocean-going ships, and sped along a cobbled slum lined with the dark, undeserted saloons of the faded-gilt nineteen-hundreds.” (Chapter-4)

In the first example, the passage shows the description of a person while the second presents the description of Port Roosevelt. In both descriptions, Fitzgerald has used senses of sound, sight, and hearing extensively.

• Metaphor : The Great Gatsby shows various metaphors throughout the novel. For example, 1. The lawn started at the beach and ran towards the front door for a quarter of a mile, jumping over sundials and brick walks and burning gardens. 2. Twenty miles from the city a pair of enormous eggs, identical in contour and separated only by a courtesy bay, jut out into the most domesticated body of saltwater in the Western hemisphere, the great wet barnyard of Long Island Sound. 3. “So we beat on, boats against the current, borne back ceaselessly into the past.” The first metaphor compares the law to an animal , the second the places to eggs, and the last compares life to a voyage.
• Mood : The novel, The Great Gatsby, shows a very serious mood that depicts pessimism and vapidity along with uselessness of the riches. It also becomes somber at the ugliness of the Valley of Ashes and the sad at the death of Gatsby.
• Motif : The most important motifs of the novel, The Great Gatsby, are judgment, infidelity, and wealth which occur recurrently in the storyline.
• Narrator : The novel, The Great Gatsby , has been narrated in a first-person narrative by Nick Carraway. It presents impressions of the place, society, and events from his personal point of view .
• Half a dozen fingers pointed at the amputated wheel. (Chapter-3)
• Blinded by the glare of the headlights and confused by the incessant groaning of the horns , the apparition stood swaying for a moment before he perceived the man in the duster. (Chapter-3)
• The Dead dream fought on as the afternoon slipped away trying to touch what was no longer tangible. (Chapter-7) The first example shows fingers, second apparition, and the third dead dream as if they have lives of their own.
• Protagonist : Although it seems that Nick Carraway is the protagonist, yet he is not. He is only the narrator. It is Jay Gatsby who is the real protagonist of the novel. It is because he demonstrates greatness by the end by telling truth to Nick, taking the blame on himself, and getting killed.
• Paradox : The Great Gatsby, at the deep level, shows that Gatsby is a person of many paradoxes. He idealizes the American Dream and has become a gentleman to be liked. However, he has left this world with a single friend at his funeral.  
• Rhetorical Questions: The novel shows the use of rhetorical questions in several places. For example, 1. What could you make of that, except to suspect some intensity in his conception of the affair that couldn’t be measured? 2. Who wants to go to town?’ demanded Daisy insistently. The first example shows the use of a rhetorical question posed by Nick that he does not want an answer. The second shows the same used by Daisy.
• Theme : A theme is a central idea that the novelist or the writer wants to stress upon. The novel, The Great Gatsby , not only shows class, society, American Dream, and mortality but also demonstrates loneliness and the impacts of riches or wealth.
• Setting : The setting of the novel, The Great Gatsby , is the city of New York and its Long Island with two fictional towns East Egg and West Egg.
• Simile : The novel shows good use of various similes. For example, 1. Instead of being the warm center of the world, the Middle West now seemed like the ragged edge of the universe. (Chapter-1) 2. They (bonds) stood on my shelf in red and gold like new money from the mint. (Chapter-1)
• The first simile compares the Middle West to a ragged edge, while the second compares the gold to new money.
• Symbol: The Great Gatsby shows various symbols such as the green light, the clothes of Gatsby, and the Valley of Ashes as well as his car which shows that it is due to the new money that he has earned. Even the East Egg and West Egg or symbols of capitalism and materialism.
• Irony : The novel shows irony in that, though, Gatsby is the center of attention of the parties, nobody shows up at his funeral except one person. The second irony is that Gatsby shows shyness when meeting Daisy despite his mundane success. The third example of irony is that Myrtle wants to die at the hands of Tom but it is Daisy who becomes her killer, for she was driving the car.

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Need to write about a theme for a Great Gatsby assignment or just curious about what exactly a theme is? Not sure where to start? Learn here what a theme is, what the main themes in The Great Gatsby are, and what the best tips for writing about themes for your English/Language Arts class essays are.

We will also link to our specific articles on each theme so you can learn even more in-depth about themes central to Gatsby .

What Is a Theme? Why Should You Care?

First things first: what exactly is a theme? In literature, a theme is a central topic a book deals with. This central topic is revealed through plot events, the actions and dialogue of the characters, and even the narrator's tone. Themes can be very broad, like love, money, or death, or more specific, like people versus technology, racial discrimination, or the American Dream.

In short, a book's theme can usually answer the question, "what's the point of this book?". They're the "so what?" of literary analysis. Also, note that books can definitely have more than one major theme —in Gatsby we identify seven!

Knowing a book's major theme(s) is crucial to writing essays, since many assignments want you to connect your argument to a book's theme. For example, you might be asked to write an essay about a prompt like this: "How does the life of Jay Gatsby exemplify (or deconstruct) the idea of the American Dream?" This prompt has you connect specific details in Jay Gatsby's life to the larger theme of the American Dream. This is why many teachers love theme essays: because they encourage you to connect small details to big ideas!

Furthermore, the AP English Literature test always has an essay question that has you analyze some aspect of a book and then "compare it to the theme of the work as a whole." (If you want specific examples you can access the last 15 years of AP English Literature free response questions here , using your College Board account.) So this skill won't just help you in your English classes, it will also help you pass the AP English Literature test if you're taking it!

So keep reading to learn about the major themes in Gatsby and how they are revealed in the book, and also to get links to our in-depth articles about each theme.

Overview of Key Themes in The Great Gatsby

Before we introduce our seven main themes, we'll briefly describe how the story and characters suggest the major Great Gatsby themes. Remember that the story is set in the 1920s, a period when America's economy was booming, and takes place in New York: specifically the wealthy Long Island towns of West Egg and East Egg, as well as Manhattan and Queens.

As you should know from the book ( check out our summary if you're still hazy on the details!), The Great Gatsby tells the story of James Gatz , a poor farm boy who manages to reinvent himself as the fabulously rich Jay Gatsby, only to be killed after an attempt to win over his old love Daisy Buchanan . Daisy is married to Tom Buchanan , and they're both from old money, causing them to look down Gatsby's newly rich crowd (and for Tom to look down at Gatsby himself).

Meanwhile, Tom is having an affair with Myrtle Wilson , the wife of mechanic George Wilson . Through the Wilsons, we see the struggles of the working class in dismal Queens , NY. As if they didn't already have it hard enough, Myrtle is killed in a hit-and-run accident (caused by Daisy Buchanan), and George, who's manipulated by Tom to believe that Jay Gatsby was both his wife's lover and her murderer, ends up shooting Gatsby and then himself.

The whole story is told by Nick Carraway , a second cousin of Daisy's and classmate of Tom's who moves in next to Gatsby's mansion and eventually befriends Jay -- and then comes to deeply admire him, despite or perhaps because of Jay's fervent desire to repeat his past with Daisy. The tragic chain of events at the novel's climax, along with the fact that both the Buchanans can easily retreat from the damage they caused, causes Nick to become disillusioned with life in New York and retreat back to his hometown in the Midwest.

Aside from having a very unhappy ending, the novel might just ruin swimming pools for you as well.

The fact that the major characters come from three distinct class backgrounds (working class, newly rich, and old money) suggests that class is a major theme. But the rampant materialism and the sheer amount of money spent by Gatsby himself is a huge issue and its own theme. Related to money and class, the fact that both Gatsby and the Wilsons strive to improve their positions in American society, only to end up dead, also suggests that the American Dream -- and specifically its hollowness -- is a key theme in the book as well.

But there are other themes at play here, too. Every major character is involved in at least one romantic relationship , revealing that they are all driven by love, sex, and desire -- a major theme. Also, the rampant bad behavior (crime, cheating, and finally murder) and lack of real justice makes ethics and morality a key theme. Death also looms large over the novel's plot, alongside the threat of failure.

And finally, a strong undercurrent to all of these themes is identity itself: can James Gatz really become Jay Gatsby, or was he doomed from the start? Can someone who is not from old money ever blend in with that crowd? Could Gatsby really aspire to repeat his past with Daisy, or is that past self gone forever?

In short, just by looking at the novel's plot, characters, and ending, we can already get a strong sense of Gatsby's major themes. Let's now look at each of those themes one by one (and be sure to check out the links to our full theme breakdowns!).

The 7 Major Great Gatsby Themes

Money and Materialism : Everyone in the novel is money-obsessed, whether they were born with money (Tom, Daisy, Jordan, and Nick to a lesser extent), whether they made a fortune (Gatsby), or whether they're eager for more (Myrtle and George). So why are the characters so materialistic? How does their materialism affect their choices? Get a guide to each of the characters' material motivations and how they shape the novel.

Society and Class: Building on the money and materialism theme, the novel draws clear distinctions between the kind of money you have: old money (inherited) or new money (earned). And there is also a clear difference between the lifestyles of the wealthy, who live on Long Island and commute freely to Manhattan, and the working class people stuck in between, mired in Queens. By the end of the novel, our main characters who are not old money (Gatsby, Myrtle, and George) are all dead, while the inherited-money club is still alive. What does this say about class in Gatsby? Why is their society so rigidly classist? Learn more about the various social classes in Gatsby and how they affect the novel's outcome.

The American Dream : The American Dream is the idea anyone can make it in America (e.g. gain fame, fortune, and success) through enough hard work and determination. So is Jay Gatsby an example of the dream? Or does his involvement in crime suggest the Dream isn't actually real? And where does this leave the Wilsons, who are also eager to improve their lot in life but don't make it out of the novel alive? Finally, do the closing pages of the novel endorse the American Dream or write it off as a fantasy? Learn what the American Dream is and how the novel sometimes believes in it, and sometimes sees it as a reckless fantasy.

Love, Desire, and Relationships : All of the major characters are driven by love, desire, or both, but only Tom and Daisy's marriage lasts out of the novel's five major relationships and affairs. So is love an inherently unstable force? Or do the characters just experience it in the wrong way? Get an in-depth guide to each of Gatsby's major relationships.

Death and Failure: Nick narrates Gatsby two years after the events in question, and since he's obviously aware of the tragedy awaiting not only Gatsby but Myrtle and George as well, the novel has a sad, reflective, even mournful tone. Is the novel saying that ambition is inherently dangerous (especially in a classist society like 1920s America), or is it more concerned with the danger of Gatsby's intense desire to reclaim the past? Explore those questions here.

Morality and Ethics: The novel is full of bad behavior: lying, cheating, physical abuse, crime, and finally murder. Yet none of the characters ever answer to the law, and God is only mentioned as an exclamation, or briefly projected onto an advertisement . Does the novel push for the need to fix this lack of morality, or does it accept it as the normal state of affairs in the "wild, wild East"?

The Mutability of Identity: Mutability just means "subject to change," so this theme is about how changeable (or not!) personal identity is. Do people really change? Or are our past selves always with us? And how would this shape our desire to reclaim parts of our past? Gatsby wants to have it both ways: to change himself from James Gatz into the sophisticated, wealthy Jay Gatsby, but also to preserve his past with Daisy. Does he fail because it's impossible to change? Because it's impossible to repeat the past? Or both?

How to Write About The Great Gatsby Themes

So now that you know about the major themes of The Great Gatsby , how can you go about writing about them? First up: look closely at your prompt.

Sometimes an essay prompt will come right out and ask you to write about a theme , for example "is The American Dream in Gatsby alive or dead?" or "Write about the relationships in Gatsby. What is the novel saying about the nature of love and desire?" For those essays, you will obviously be writing about one of the novel's major themes. But even though those prompts have big-picture questions, make sure to find small supporting details to help make your argument.

For example, if you're discussing the American Dream and arguing it's dead in the novel, don't just make that claim and be done with it. Instead, you can explore Gatsby's past as James Gatz, George Wilson's exhausted complacency, and Myrtle's treatment at the hands of Tom as examples of how the American Dream is treated in the novel. Obviously those examples are far from exhaustive, but hopefully you get the idea: find smaller details to support the larger argument.

On the other hand, many essay prompts about Gatsby will look like a question about something specific, like a character or symbol:

• Explore Tom and Daisy as people who 'retreat into their money.'
• What does the green light at the end of Daisy's dock represent? How does its meaning change throughout the novel?
• Show how Fitzgerald uses clothing (and the changing of costumes) to tell the reader more about the characters and/or express theme(s).

These prompts are actually a chance for you to take that detailed analysis and connect it to one of the larger themes—in other words, even though the prompt doesn't state it explicitly, you should still be connecting those more focused topics to one of the big-picture themes.

For example, if you talk about Tom and Daisy Buchanan, you will definitely end up talking about society and class. If you talk about the green light, you will end up talking about dreams and goals, specifically the American Dream. And if you discuss clothing to talk about the characters, you will definitely touch on money and materialism, as well as society and class (like how Gatsby's pink suit makes him stand out as new money to Tom Buchanan, or how Myrtle adopts a different dress to play at being wealthy and sophisticated).

In short, for these more specific prompts, you start from the ground (small details and observations) and build up to discussing the larger themes, even if the prompt doesn't say to do so explicitly!

What's Next?

Now you're an expert on themes, but what about symbols? If you need to write about the important symbols in The Great Gatsby, check out our symbols overview for a complete guide.

Want a full analysis of Jay Gatsby and his backstory? Not sure how his story connects with the American Dream? Get the details here .

Want to go back to square one? Get started with Chapter 1 of our Great Gatsby plot summary.

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The Great Gatsby: Analysis and Feminist Critique

The great gatsby: abstract, introduction, the great gatsby: summary and analysis.

This Great Gatsby essay explores one of the greatest novels written in the 1920s. It was created in the days when the society was by far patriarchal, and the concept of the American dream was different. Essays on The Great Gatsby usually explore how much men had dominated society, which led to women discrimination and objectification; the novel will help us understand the concept of feminist critique.

The feminist critique is an aspect that seeks to explore the topic of men domination in the social, economic, and political sectors. It aims to expose how much women characters have been discriminated in the society through the study of literature. This sample essay on The Great Gatsby will apply the concept of feminist critique with reference to the F. Scott Fitzgerald’s work to expose some of the aspects of patriarchal society as revealed in the novel.

The Great Gatsby starts by bringing in a male character, Nick Carraway, as the narrator. First, the narrator is just from the First World War and seeks to settle and takes a job in New York. Searching for wealth and happiness, he rents a bungalow in West Egg next to a generous and mysterious bachelor Jay Gatsby, who owned a mansion.

Nick describes the mansion as “a colossal affair by any standard – it is an imitation of some Hotel de villa in Normandy, with a tower on one side, spanking new under a thin beard of raw ivy, and a marble swimming pool, and more than forty acres of lawn and garden” (Fitzgerald 1).

The introduction analysis brings out a theme of male occupying a more significant portion of wealth. These two men were relatively young and yet so rich to own such property at their age. The mentioned women, Daisy, Jordan, and Myrtle, are just an attachment to the men in the society since they all at some level depict an aspect of lack of independence since men dominate every aspect of life.

Socially, men seem to dominate in the relationships in The Great Gatsby. Tom’s financial power sets him way ahead of that he can afford to have an affair outside marriage. That’s what he does in an open way as he invites Nick, Daisy’s cousin, to meet his mistress Myrtle Wilson. Nick’s reflection on the relationship between Tom and Daisy, Tom, and Myrtle shows a break of social norms.

Tom’s relationship with the two women is abusive and of so much control. He abuses Myrtle publicly in the name of making her straight by even beating her. Tom comes out as a man who has so much power to bully everybody, including Myrtle’s husband Wilson, he also has so much control in Daisy, his wife.

Usually, one will expect that Nick being a cousin to Daisy, will resist seeing their close relatives get involved in extra-marital affairs. Nick being a man, supports other men, Tom and Gatsby, in their moves. After knowing that Gatsby had been in love with Daisy before she got married, he allows reconnection to happen in his own house although Gatsby’s credibility was still in question to him.

He admires Gatsby’s having “an extraordinary gift for hope, a romantic readiness he had never found in any other person and which it was not likely he could ever find again” (Fitzgerald 1). This admiration overpowered his questions on Gatsby’s character and that of his company. This shows that men’s dominance was critical since women were to follow what the men wanted them to, not their choices.

The novel was written in a time when men could batter women if dissatisfied by their actions, absolutely ignoring women’s rights. In the meeting with Myrtle, when an argument ensued between Tom and the mistress, Tom broke her nose to shut her up. The whole thing looks normal and even when George complains to him, he is not moved by his cry.

Tom is the dominant character in the novel. He harasses people starting with his wife, his mistress, George and even Gatsby. Tom is seen doing the same thing Gatsby does, dating a married woman, but he has the guts to confront him on his affair with Daisy. When Myrtle died, he fires a battle between Gatsby and George by convincing him that Gatsby had an affair with Myrtle.

George kills Gatsby before killing himself as a sign of revenge. The revenge was purely egotistic to reclaim his position as Myrtle’s husband since his status as a man on top of the relationship had been invalid. This leaves a mark in moral decadence, which only happens in a patriarchal society that cannot be controlled by any other voice than the male voice.

The novel has so much influence geographically and culturally due to the approach used and the structure itself. Tom Buchanan’s treatment of his wife and mistress and Gatsby’s manipulation of Daisy, Tom’s wife, brings out the aspect of male domination. The male has a dominant part in the exploitation of power in the relationships, and marital status is nothing of a worry when one wants to pursue their mistresses. Men in the text have idolized women, and they justify their reasons for the exploitation of women.

For example, Gatsby’s life is made true by the fact that he managed to have a relationship with a lady he had loved before. He does everything to get her, which include him “buying a house in West Egg just so that Daisy would be just across the bay” (Fitzgerald 1). This was a crucial sport in being strategic in his plans.

Tom, on the other hand, uses his physical and financial powers to prove that he is in control. He and Gatsby set social structures that attract women to them. However, Nick, the narrator, was not able to relate with the unpredictable and manipulative Jordan Baker. Jordan Baker’s character of believing that she could do as much as a man could do scared him away. She is unlike Daisy, who chose to stay with Tom, although she was in the relationship for financial gains.

Gatsby describes her as one with “voice is full of money” (Fitzgerald 1). For Jordan’s belief in herself, Nick later blames his failure to cope with her on her partying, smoking, and drinking character without really revealing that he had the same character as being pragmatic.

Women in the great gatsby had been accustomed to so much submission; an example is in Daisy’s character. She has a complacent kind of character that makes it difficult to make her own decisions.

She exhibits incapacity to have an independent sense of self-will that Gatsby takes advantage of to win her by flattering her with words like “You always have a green light that burns all night at the end of your dock” (Fitzgerald 1). The fact that she had a relationship before with Gatsby was enough to lead her in deciding to have an affair with him.

Myrtle also belongs to the same types of women as Daisy as she engages in a relationship with another woman’s husband just because they met and liked each other. This aspect manages to bring out a clear definition of gender roles and identity in the earlier days when the novel was written. Men ask, and women respond without looking at what could be affected in their decisions.

The Great Gatsby sample essay shows how the novel brings out an aspect of both genders reclaiming their positions in society in terms of gender relations. Though the male has dominated, and the female has proven to be dependent on men, they both need to redefine themselves as the victims of social norms.

The male gender has dominated the economic and social part of the society making sure that the role of women is reduced to being subjects to the male exercise of power. This has been shown clearly by women getting trapped in the misogyny and manipulation set by men hence making it hard for them to stand by their choices. Their gender nature dictates the character choice in the male-dominated world.

The male exercise their power over the significant female characters by ensuring that they remain the sole financial sources, and the women exercise their dependence by remaining in their marriages despite their involvement in affairs outside marriage. Though there are men like George, who have lost their position, they still exhibit their ego by defending their marriages.

Fitzgerald, Scott. The Great Gatsby. University of Adelaide, 2005. Web.

• Short Summary
• Summary (Chapter 1)
• Summary (Chapter 2)
• Summary (Chapter 3)
• Summary (Chapter 4)
• Summary (Chapter 5)
• Summary (Chapter 6)
• Summary (Chapter 7)
• Summary (Chapter 8)
• Summary (Chapter 9)
• Symbolism & Style
• Quotes Explained
• Essay Topics
• Essay Samples
• Questions & Answers
• F. Scott Fitzgerald’s Biography
• Chicago (A-D)
• Chicago (N-B)

IvyPanda. (2023, October 28). The Great Gatsby: Analysis and Feminist Critique. https://ivypanda.com/essays/the-great-gatsby/

"The Great Gatsby: Analysis and Feminist Critique." IvyPanda , 28 Oct. 2023, ivypanda.com/essays/the-great-gatsby/.

IvyPanda . (2023) 'The Great Gatsby: Analysis and Feminist Critique'. 28 October.

IvyPanda . 2023. "The Great Gatsby: Analysis and Feminist Critique." October 28, 2023. https://ivypanda.com/essays/the-great-gatsby/.

1. IvyPanda . "The Great Gatsby: Analysis and Feminist Critique." October 28, 2023. https://ivypanda.com/essays/the-great-gatsby/.

Bibliography

IvyPanda . "The Great Gatsby: Analysis and Feminist Critique." October 28, 2023. https://ivypanda.com/essays/the-great-gatsby/.

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Literary Analysis Essay Writing

Literary Analysis Essay Topics

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Good Literary Analysis Essay Topic Ideas

How to choose a literary analysis essay topic , tips to write a compelling literary analysis essay.

You’re a literature student, and you’ve been assigned to work on a literature analysis essay, but you’re not sure which topic to go for. It’s a tricky situation!

We understand that choosing a worthy topic for a literary analysis essay is never an easy task. But don’t you worry!

For literature students, we know the importance of drafting an excellent literary analysis essay . And for an exceptional essay, one needs a standout topic.

That’s why in this blog, we have gathered more than 200 exciting and interesting literary analysis essay ideas for you to get started. 

Read on! 

If you are a high school or a college student, and you’re having difficulty coming up with a good topic for your essay, choose from the topic list below.  

Literary Analysis Essay Topics Middle School

• The Red Badge of Courage by Stephen Crane 
• Reservation Blues by Sherman Alexie
• Harry Potter’s powers in the Harry Potter novels by J.K. Rowling 
• To Kill a Mockingbird by Harper Lee 
• Allegory in Lord Byron’s Vision of Judgement 
• Impact of Henry Miller and Gordon Byron’s life on their legacy 
• Comparative analysis of Dickens VS Thackeray 
• Canterbury Tales VS Decameron 
• The irony in Jerome’s stories
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Literary Analysis Essay Topics for High School

• The representation of justice in Harper Lee's To Kill a Mockingbird
• Analyze the theme of friendship in John Steinbeck's Of Mice and Men
• Explore the theme of identity in J.K. Rowling's Harry Potter series
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• Discuss the concept of heroism in J.R.R. Tolkien's The Lord of the Rings
• The use of foreshadowing in George Orwell's Animal Farm
• The representation of mental health in Sylvia Plath's The Bell Jar
• The impact of war on individuals in Tim O'Brien's The Things They Carried
• The use of symbolism and allegory in Lois Lowry's The Giver
• Discuss the role of cultural identity in Amy Tan's The Joy Luck Club

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Literary Analysis Essay Topics For College

• Literary devices used in The Night by Elie Wiesel 
• The portrayal of the escape theme in Into The Wild by Jon Krakauer 
• The evolution of Celie's character in 'The Color Purple' by Alice Walker
• Jane Austen's critique of social class and marriage in Pride and Prejudice
• Shed light on the theme of chaos in Sherlock Holmes by Sir Arthur Conan Doyle
• Examine the historical events of World War II and their significance in Elie Wiesel's “Night.”
• The power of love in The Princess Bride by William Goldman 
• The Adventures of Huckleberry Finn by Mark Twain 
• Presentation of dreams in Of Mice and Men by John Steinbeck 
• The Rocking Horse Winner by D.H. Lawrence 

Literary Analysis Essay Prompts in Classics

• The portrayal of fate in Romeo and Juliet 
• The portrayal of love in Romeo and Juliet 
• Concept of mortality in Shakespeare’s play Hamlet 
• Misogyny in Hamlet 
• Witchcraft in Shakespeare’s play Macbeth 
• The tragic flaws and character development of King Lear in William Shakespeare's play
• The philosophical underpinnings of justice and governance in Plato's 'The Republic
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Social Literary Analysis Essay Topics

• Social injustice in Oliver Twist 
• Ethnicity in Burmese Days by Orwell
• Torture and injustice in Night by Elie Wiesel
• Vanity Fair - the culture of the 19th century according to Thackeray 
• The portrayal of the Civil Western Society in Heart of Darkness by Joseph Conrad
• The role of women in society in the 18th Century according to Jane Austen 
• Escape from society and its rules in Into the Wild by John Krakauer 
• The place of women in the society in Hamlet 
• Social status of women in the 17th century portrayed by Jane Austen in Emma 
• The wrongs of the modern society in Fight Club by Palahniuk 

War and Peace Topics for Literary Analysis Essay

• The portrayal of war and violence in the poems of Stephen Crane
• Literary works during WWI
• War setting in Gone with the Wind by Margaret Mitchell
• The depiction of war in Homer’s plays
• Toni Morrison’s views on the civil war
• The war between demons and angels in Paradise Lost
• War in the Mother Courage and Her Child by Bertolt Brecht
• The portrayal of war and peace by George Orwell
• Concept of war in A Fable by Faulkner
• Steinbeck’s presentation of injustice in The Grapes of Wrath

Literary Analysis Essay Topics for Movies

• Comparison between the book and film “Sense and Sensibility.” 
• The portrayal of women in the “Little Women.” 
• Imitation of society and class in “The Great Gatsby.”
• The ideas of love and trust in “Can You Ever Forgive Me?” 
• The good and evil in “A Wrinkle in Time.” 
• Feminity in Sense and Sensibility 
• The role of Saruman and Gandalf 
• Spirituality and religion in “Lord of the Flies.” 
• Oskar’s struggle to find a sense of home in “The Tin Drum.”
• Jealousy and male pride in “The Dead.” 

Literary Analysis Essay Topics for the Subject of Race

• “Waiting for the Barbarians” by J.M. Coetzee
• Race and Injustice in Harper Lee’s To Kill A Mockingbird
• Race and fellowship in Melville’s Moby Dick
• “Under The Feet Of Jesus”
• Description of culture and tradition in “Girl” by Jamaica Kincaid
• Interracial relationship in Back to Life by Wendy Coakley
• Bridge of Scarlet Leaves by McMorris
• The Art Of Love by Hong Ying
• Multiculturalism in the Captain Underpants series by Dev Pilkey
• Imitation of slavery in The Adventures of Huckleberry Finn

General Literary Analysis Essay Topics

• Focalization techniques in When I Lay Dying
• Historical background of Duma’s Novels
• The use of imagery in Walt Whitman’s works
• Male and female characters in Beowulf
• Character analysis of Emmy in Vanity Fair
• Character analysis of Rebeca in Vanity Fair
• The complicated relationship between mother and daughter in Beloved
• Beauty standards in The Bluest Eye
• Comparison in the portrayal of death by Keats and Blake
• The idea of death in Renaissance literature

1984 Literary Analysis Essay Topics

• Roles of genders in the novel
• What role does the Ministry of Truth play in the story?
• The theme of subversion of love in 1984
• The importance of memory in 1984
• Totalitarian society in George Orwell's 1984
• Analyze the role O'Brien plays in Winston's life
• An in-depth analysis of the novel 1984 by George Orwell
• How is the historical background reflected in 1984?
• Lack of privacy in 1984
• Propaganda and totalitarianism in Orwell’s “1984”

Hamlet Literary Analysis Essay Topics

• A theme of revenge in Hamlet
• Explore Hamlet’s relationship with Ophelia
• Explore Hamlet’s mental state
• Discuss Hamlet's relationship with Gertrude
• Ghost in Hamlet
• Was Hamlet truly mad?
• Is Hamlet a villain or a hero?
• How does Shakespeare present the idea of madness in Hamlet?
• Is Hamlet’s love for Ophelia genuine?
• Tragedies in Hamlet VS Romeo and Juliet

Romeo and Juliet Literary Analysis Essay Topics

• Discuss the development of characters during the play
• Examine the role of women in Romeo and Juliet.
• What is the role of history in Romeo and Juliet?
• Analyze the Romeo and Juliet play
• Romeo and Juliet: Fate or Free Will?
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• Rosaline in Romeo and Juliet
• The love language of Romeo and Juliet
• A fate analysis essay on Romeo and Juliet
• The death of Romeo and Juliet

Macbeth Literary Analysis Essay Topics

• Macbeth’s mental state
• The role of morality in the play “Macbeth”
• Describe the use of figurative language in Macbeth
• The symbolism of blood in Macbeth
• Applying imagery in Macbeth to advance the story
• Lady Macbeth character analysis
• What role did social hierarchies play in the play?
• Analysis of gender roles in Macbeth
• Role of women in Macbeth by William Shakespeare
• Is Lady Macbeth a dominant heroine?

Beowulf Literary Analysis Essay Topics

• Why is Beowulf a work of Christian propaganda?
• What is the main idea of the story?
• The meaning of rings in Beowulf
• Which of Beowulf's fights was most heroic?
• How do Beowulf’s heroic qualities affect the story?
• Discuss the digression's role in Beowulf
• Analyze the significance of the mead hall in Beowulf.
• The difference between Beowulf and Modern-Day Heroes
• Beowulf’s personality traits in the epic story
• Analysis of Beowulf's symbols and their importance

Frankenstein Literary Analysis Essay Topics

• Analyze what fire is trying to symbolize.
• Frankenstein: The theme of guilt
• Discuss any romantic elements in “Frankenstein”
• The family relationship in Frankenstein by Mary Shelley
• Who is more human, Frankenstein or the monster?
• Romantic and gothic Frankenstein elements
• Sacrifices for ambitions in the novel Frankenstein
• Relationship between Victor and Frankenstein
• Romanticism in Mary Shelley’s Frankenstein
• Family Values and Frankenstein

The Great Gatsby Literary Analysis Essay Topics

• Discuss the novel as a cautionary tale
• The meaning of wealth in the novel
• What is the novel’s title meaning?
• Explain how the novel demonstrates the characteristics of modernism
• Explore the symbolism of the “green light” in “The Great Gatsby”
• Discuss the role of women in the 1920s society as portrayed in “The Great Gatsby”
• Dreams are the main theme in “The Great Gatsby”
• What makes The Great Gatsby great?
• The Great Gatsby: Winter Thoughts
• What role does money play in Fitzgerald’s novel?

The Crucible Literary Analysis Essay Topics

• Relate the Crucible to modern society
• Analyze the most important theme of 'The Crucible.'
• What are the dynamics of puritanism?
• Examine the importance of religion in 1953 in work
• The use of fear tactics in “The Crucible”
• John Hale in The Crucible
• Morality and The Crucible
• The Crucible Critical Lens
• The sinful confessions in Arthur Miller’s The Crucible

Fahrenheit 451 Literary Analysis Essay Topics

• History of the Fireman in Fahrenheit 451
• Discuss the roles of both nature and technology play in Fahrenheit 451
• The use of Parallelism in Fahrenheit 451
• Analyze the three parts of Fahrenheit 451
• Discuss the dual image of fire in the novel
• How relevant is Fahrenheit 451 today?
• The role of Clarisse McClellan in “Fahrenheit 451”
• Analyze Mildred Montag
• Discuss the usage of literary quotes in Fahrenheit 451
• Examine the novel's main title

Literary Analysis Essay Topics For Othello

• Examine the portrayal of women in ‘Othello’
• A true reason for Othello's demise
• Consider Othello’s suicide
• The real motives of Iago in Othello
• Women's roles in Shakespeare’s Othello and Hamlet
• Gender roles and racism in “Othello”
• Discuss Othello's relationship
• Analysis of The Film “Othello” By Oliver Parker
• Explore themes of love and betrayal within Shakespeare's work of literature, “Othello”
• How was Emilia treated by the men in the play “Othello”?

Lord of The Flies Literary Analysis Essay Topics

• The symbolism of the conch shell and its significance in the novel
• Analyze the themes of civilization versus savagery in “Lord of the Flies”
• Explore the character development of Ralph and Jack in the story
• Discuss the role of fear and the “beast” in the boys' descent into chaos
• The portrayal of innate human nature and its consequences on the deserted island
• Analyze the role of Piggy and his glasses as symbols of knowledge and reason
• Analyze the use of irony in the story and its implications for the characters
• Discuss the themes of power and leadership in the struggle for dominance
• Examine the relationship between the boys' names and their personalities
• The role of the island's setting in shaping the events and characters of the story

Literary Analysis Essay Topics For The Catcher In The Rye

• Analyze the novel from the perspective of Bildungsroman
• Analyze literary devices used in “The Catcher in the Rye”
• Discuss the theme of death in the novel
• Analyze the theme of self-discovery from the novel
• Describe the story's topic of loneliness
• Analyze growing up in the novel
• Why does Holden love the Museum of Natural History?
• The Role of Dialogue in The Catcher in the Rye
• Describe the novel's portrayal of phoniness and naivety
• Describe the character of Holden

Interesting Literary Analysis Essay Topics

• War, existentialism, and love in “A Farewell to Arms”
• Sense of Sin in The Scarlet Letter 
• Analyze the use of biblical allusions and religious symbolism in William Golding's novels
• Analyze the symbolism of the “white whale” in Melville's work of literature, “Moby-Dick”
• Lies and deceit in “The Godfather” 
• Analyze the portrayal of fear and the human psyche in William Golding's novels
• The symbols used to describe nature by William Wordsworth
• Comparison between urban and rural settings of nature in the dystopia of Huxley
• Decay and revival in post-apocalyptic novels
• A religious and spiritual journey in “Jude the Obscure”

Now that you have the liberty to choose from a wide range of literary analysis example topics, you could use some help on how to opt for a good topic. 

To select a good and worthy topic for your literary analysis essay, follow the tips provided below:

• Always go for an interesting topic for an engaging piece of paper
• Look for an idea with available research material to support your analysis
• Ensure your topic allows for an in-depth analysis rather than a surface-level summary
• Choose an idea that challenges you to think critically and make meaningful connections
• Avoid overly broad topics; instead, focus on a specific aspect or element of the work.
• Choose an idea that best reflects your stance on the chosen work.
• Analyze the topic deeply before you start writing about it
• Balance personal interest with the potential appeal to your target audience
• Make sure that the theme of the work is visible in your essay topic 

Here are some tips for you to pen down a compelling literary analysis essay!

Essay writing is an essential part of academics. Students always require some tips and tricks to draft perfect essays and score good grades.

To make your literary analysis essay impeccable, follow the tips provided below:

• Thoroughly read the chosen literary work
• Identify the main themes, settings, and characters
• Understand the purpose of the work 
• Pay attention to the tools and techniques used by the author to deliver the message
• Pick an interesting literary analytical essay topic for your essay.
• To write an analytical essay effectively, draft a perfect literary analysis essay outline
• Develop a strong thesis statement 
• Craft strong topic sentences to guide and structure your analysis effectively
• Prove and support all your statements using phrases and quotes from work
• Write your literary essay from the third-person perspective
• Write in the present tense
• Avoid writing a plot summary of the work
• Use multiple literary terms to write your essay professionally
• Always cite properly

Literary Analysis Essay Example

To sum it up , writing a literary analysis essay can be extremely daunting if your analyzing abilities are weak. From selecting the right literary analysis topic to writing a conclusion for your essay, the process is lengthy.

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The Great Gatsby review – a literary classic becomes a Broadway dud

The Broadway Theatre, New York

F Scott Fitzgerald’s novel makes an underwhelming transfer to the stage in a bombastic yet misfiring new production

The musical currently playing at the Broadway Theatre, twirling drunkenly in 1920s opulence, is The Great Gatsby.

Though, perhaps, the latest revival of F Scott Fitzgerald’s novel should be renamed The Gimmicky Gatsby. An attempt to evoke awe through hyper-extended dance intervals and flaccid sets, this remount prioritizes a good time over any purposeful recreation of the American classic.

This Gatsby, directed by Marc Bruni, still follows veteran Nick Carraway (Noah J Ricketts) as he moves near Long Island, New York, to chase the post-Great War high. It’s a chance to “misbehave” as the musical’s punchy opening number lays bare with music by Jason Howland.

Nick happens upon the Gatsby (a talented Jeremy Jordan), who has his sights set on Daisy (Eva Noblezada), his unrequited love. But Daisy is already married to Tom (John Zdrojeski), a hot-tempered brute drowning in old money.

The production splashes in excess, but of the Las Vegas residency kind. Golden-lacquered set pieces and a dizzying projection screen recreate the Gatsby mansion (and a bevy of other locations). The “nouveau riche” mansion isn’t as opulent or lush as one might imagine, feeling closer in spirit to a mega-church.

The book by Kait Kerrigan swings for laughs, which begin to thin by the musical’s second act. “Who knew Manhattan was so expensive,” Carraway says, slapstick-style. Kerrigan is also more interested in the Gatsby-Daisy love story than any rigorous analysis of class or the American dream, with songs bookending the colliding romances.

Nathan Tysen’s lyrics are mostly expositional, trying to fill gaps in the story. Gatsby’s ballad For Her about building his wealth to inevitably net Daisy doesn’t evoke love so much as justification.

All of Howland’s songs, a cascading list featuring the brassy fixtures of 20s jazz, are sung beautifully by Gatsby’s talented cast. Noblezada, fresh off a starring role in Hadestown, is a delicate Daisy, bringing powerhouse vocals when describing her commitment to marriage in For Better or Worse. But ultimately, much of Howland’s music melts together, not quite framing emotional hilltops.

Choreography by Dominique Kelley is apt, capturing the era’s giddy nature with the occasional Charleston. Missteps in story and direction would be more or less fine if the show itself was entertaining. But it’s only tepidly so.

Kerrigan’s book tries to capture all of Gatsby with a thudding recall. There’s the billboard featuring spectacles, the infamous Green Light, and, of course, the old v new money divide. There’s also a pointed underlining of Gatsby’s tango with the black market, set to a matrix-style, trench coat dance number titled Shady. But it all never quite blends together.

Under Bruni’s direction, Kerrigan jerks us through a rotary of locations and corresponding plot events, often leaving dead air as characters zoom away in their on-stage sports cars.

Hyper-fixation on the love story also doesn’t work in a world where Gatsby’s central characters are underdeveloped and rife with cliches. Kerrigan’s Gatsby punctuates every sentence with an “old sport”, a grating tagline.

Tom is an abusive antagonist through and through. But moments of his physical violence toward Daisy and his mistress Myrtle (Sara Chase) are sped through due to issues in Bruni’s pacing. When Myrtle’s nose is broken by Tom in a seedy uptown apartment, humor immediately plops in, a tonal bust.

Of course, the flatness of these characters could signal towards their glibness in Scott’s original text. They are vapidly bourgeois after all. But this revival doesn’t seem to be in on the joke, attempting to carve out a genuine spark and interest in Nick and Jordan (Samantha Pauly plays an old money golfer who waves off marriage). We know so little about either of them, it’s hard to truly care when their relationship veers off-course.

As the musical wraps with a flurry of the novel’s best quotes and the inevitable lesson that the rich are callous and horrible, it’s clear this Gatsby attempts to throw it all at the wall, indulge in more of everything.

Too bad none of it quite sticks.

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The Great Gatsby review: A glitzy take on F. Scott Fitzgerald's novel that values spectacle over substance

Eva Noblezada and Jeremy Jordan delight as Daisy Buchanan and Jay Gatsby, star-crossed lovers who spark up a secret romance years after they first met.

Emlyn Travis is a news writer at  Entertainment Weekly  with over five years of experience covering the latest in entertainment. A proud Kingston University alum, Emlyn has written about music, fandom, film, television, and awards for multiple outlets including MTV News,  Teen Vogue , Bustle, BuzzFeed,  Paper Magazine , Dazed, and NME. She joined EW in August 2022.

If this Broadway season has taught us anything, it’s that the book-to-film-to-musical adaptation pipeline is not only alive, but it’s thriving . In the last two months alone, Water For Elephants , The Notebook , and The Outsiders have all been transformed into productions that have reignited interest in their original texts — or, at least, inspired theatergoers to rent their film versions when they get home. Now, The Great Gatsby is the latest to throw its boater hat into the ring in a lavish new production that, sadly, values spectacle over substance. 

Based on F. Scott Fitzgerald’s 1925 novel, The Great Gatsby , which opened at the Broadway Theatre on Thursday, follows bondsman Nick Carraway (Noah J. Ricketts) as he moves to West Egg and becomes neighbors-turned-unexpected-pals with self-made millionaire and resident party god Jay Gatsby (Jeremy Jordan). Plunged headfirst into an ongoing war between new and old money, Nick finds himself joining a plan to help Gatsby reunite with his old flame Daisy Buchanan (Eva Noblezada). The only problem? Daisy is married to the abusive “brute” Tom Buchanan (the stellar John Zdrojeski), setting the pair’s romance on a crash course for disaster. 

Matthew Murphy and Evan Zimmerman

Despite having a heavily-dissected novel to rely upon, The Great Gatsby ’s book, written by Kait Kerrigan, doesn’t seem to know what it wants to be. Its tone swings wildly back and forth between a dramatic, straight-laced romance between Gatsby and Daisy one moment, and then a wacky comedy peppered with overly raunchy punchlines about testicles, orgies, and characters having loud, bed-squeaking sex behind a wall the next. It eventually finds its footing in the second act as it explores some of the book’s larger themes, but the significant delay causes the musical’s biggest gut-punches to fall flat because most of its characters — aside from Daisy — still remain underdeveloped sketches of themselves. 

Its music, written by Jason Howland with lyrics by Nathan Tysen, is similarly a mixed bag. While some songs come off a bit heavy-handed with their references to the text like Daisy and Gatsby’s duet “My Green Light,” there are a handful of solid tracks that offer a fresh and fun spin on the material, like mobster Wolfsheim’s (Eric Anderson) wickedly good “Shady” and Daisy’s poignant rumination on her loveless marriage, “For Better or Worse.” It also certainly helps that Gatsby has some of the best voices on Broadway performing these tracks every evening too — its soaring ballads “For Her” and “Beautiful Little Fool” might not be the strongest songs lyrically, but explode with emotion thanks to Jordan and Noblezada’s incredible vocal performances. 

Gatsby ’s Tony-nominated leads, Jordan and Noblezada, revel in the whimsical naivety and rampant toxicity that Gatsby and Daisy possess, portraying the couple as obsessed lovers caught within one another’s vortex. Pauly’s Jordan is a feminist firecracker that feels like a breath of fresh air amongst her haughty peers and, despite having his role being heavily stripped back, Rickett still manages to make Nick a witty, steadfast friend that is too pure for this world. When they’re all together onstage, Gatsby explodes with life and energy that can’t be replicated. Seriously, you know a cast is crushing it when their complicated performances make Tom seem like the most understandable guy in the room. 

Further adding to the magic is designer Linda Cho’s dazzling period costumes that, in tandem with Paul Tate DePoo III’s beautiful scenic and projection design, make Gatsby a true visual feast — complete with crackling fireworks, bedazzled flapper 'fits, and cars that frequently go for a spin across its stage. Everything comes together in sparkling detail during Gatsby’s decadent parties, where the musical’s powerful ensemble leaps, sways, and tap dances their way through Dominique Kelley’s energetic choreography. Like Kerrigan, director Marc Bruni struggles with pacing during the first act, but gets into the groove by its second as reality steps in to ruin the group's revelry.

Those attending Great Gatsby expecting nothing more than a glitzy, glamorous romp through the Roaring Twenties will find themselves satisfied, but others hoping to find a deeper take on the novel's exploration of the American dream, old money versus new money, and love will find themselves feeling adrift. The Great Gatsby is a great big Broadway extravaganza that may dazzle viewers at first but, much like the green light, perfection remains close, yet just out of reach.  C+

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Review: A New ‘Great Gatsby’ Leads With Comedy and Romance

This musical adaptation, now on Broadway, is a lot of Jazz Age fun. But it forgot that Fitzgerald’s 1925 novel endures because it is a tragedy.

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By Laura Collins-Hughes

Jay Gatsby — self-made enigma, party host extraordinaire and talk of the summer season in West Egg, Long Island — doesn’t carry his insecurities lightly. The facade of his wealth-drenched life is a grand and precarious creation, and propping it up requires constant vigilance.

His is new money, so he has to prove his worth to the snobberati. Thus his pathetic habit of showing that photo of himself in his Oxford days to people he has barely met. Or, more endearingly, his over-the-top insistence on glamming up the humble cottage of his neighbor, Nick Carraway, when the lost love of Gatsby’s life, the fabled Daisy Fay Buchanan, is coming over for tea.

In the new musical “ The Great Gatsby ,” which opened on Thursday night at the Broadway Theater, the grass outside the cottage is groomed, flowers are everywhere, and a fleet of servants is ferrying food. And Jeremy Jordan’s Gatsby is an adorably panicked basket case, second-guessing in charming comic song his plan to ambush Eva Noblezada’s Daisy with a reunion.

“She is late, so I’m off to go scream in a jar,” he sings, but Daisy arrives before he can flee. Unsuavely, he topples into some greenery.

It’s a perfectly winsome scene, and a highlight of this ultimately underwhelming new adaptation, which has a book by Kait Kerrigan (making her Broadway debut), music by Jason Howland (“Paradise Square”) and lyrics by Nathan Tysen (also “Paradise Square”). Comedy and romance are strong suits of this production by Marc Bruni (“Beautiful: The Carole King Musical”), which ran in the fall at the Paper Mill Playhouse in New Jersey.

There are plenty of big dance numbers, too (by Dominique Kelley), with some standout tap. The 1920s costumes (by Linda Cho) are fun to look at, Daisy’s in particular: all those handkerchief hemlines, wafting on air. Gatsby’s yellow Rolls-Royce and Tom’s blue coupe drive onstage, extravagantly. And while the fireworks we see in the distance are projections, other sparkling pyrotechnics are delightfully real.

The darker elements of “The Great Gatsby” prove more elusive, which blunts the impact overall. So does the show’s anodyne Broadway sound, which is poppy and pleasant without being memorable. It summons neither the Jazz Age, like the soundtrack to Jack Clayton’s 1974 movie adaptation did, nor a spirit of wild abandon, like the soundtrack to Baz Luhrmann’s 2013 take. The score to this “Great Gatsby” is missing a vital urgency.

This is not, by the way, the other high-profile musical adaptation you may have heard about since F. Scott Fitzgerald’s 1925 novel entered the public domain in 2021. Next month, the Tony Award winner Rachel Chavkin directs “ Gatsby ,” with a book by the Pulitzer Prize winner Martyna Majok and a score by Florence Welch and Thomas Bartlett, in Cambridge, Mass.

Bruni’s Broadway production has the tremendous asset of a terrific core cast, including Noah J. Ricketts as the decent, disillusioned narrator, Nick, who, in this telling, is for some unnecessary reason Gatsby’s tenant; Samantha Pauly as Jordan Baker, a famous golfer and anti-marriage New Woman who enjoys a screwball romance with Nick; and John Zdrojeski as Tom Buchanan, Daisy’s pampered, polo-playing bully of a husband.

She should of course be rid of him. Still, they are a handsome pair; their clothes, screaming silently of luxury, hang elegantly on them both. Their infant daughter, Pammy, wears less flattering clouds of lace. When Jordan objects to such little-girl outfits on principle, Daisy replies with absolute nonchalance: “But there’s nothing to be done about that. It’s how babies dress.”

Noblezada and Pauly are easy with humor, and Kerrigan has taken care to deepen Daisy and Jordan, who, with their talk of the limitations of life for women, sound practically “ Suffs ”-adjacent. Noblezada gives Daisy steel at her center that further ensures she isn’t a manic pixie dream girl, even if the incurably dreamy Gatsby perceives her through gauze.

As for theatrical illusion, it, too, is precarious; at Saturday’s matinee, technical glitches shattered it repeatedly in Act I. Projections, integral to Paul Tate dePoo III’s set design, would blink out and disappear, leaving vast expanses of matte black screen where a vision of splendor had been.

And so it was for Gatsby’s and Daisy’s reunion. There they stood in front of the cottage, laying eyes on each other for the first time in years, when much of the little house and its surrounding copse — the parts that aren’t three-dimensional scenery — abruptly vanished, along with the ambience. A bit on the nose for a show with mirages as a theme, and more than a bit distracting.

Even with flawless tech, the projections have a hyper-vividness reminiscent of video games. If that’s a deliberate attempt to question the solidity of all the sumptuousness — like the sozzled party guest in Fitzgerald’s novel who, wandering into Gatsby’s library, is astonished to find that the books are real — the aesthetic is nonetheless jarring, particularly for a show set a century ago.

The musical’s truly unbalancing trouble, though, is its rendering of Tom’s affair with the working-class Myrtle Wilson (Sara Chase), the one character the show doesn’t take seriously or treat with dignity. Even when tragedy befalls her, there’s a laugh line in the immediate aftermath. We know more about Myrtle’s husband, George (Paul Whitty), the gas station owner, than we do about her. And what we do know is so one-note tawdry that it’s difficult to believe Tom would set up an entire down-low life with her.

The implosion of the summer hinges not only on Daisy and Tom’s notorious, soul-corrupted carelessness, but also on the Wilsons. No matter how much this adaptation wants to riff on other elements, it needs to set up their part of the story so that the wider devastation lands.

But this “Great Gatsby,” which is not terribly bothered, either, with the moral shadings of its title character’s rise and fall, is principally interested in a good time. When Nick utters the novel’s sober final line, about “boats against the current,” the words have no heft. An ensemble of dancers is upstaging him anyway, wanting to give the audience one last moment at the party.

The Great Gatsby

At the Broadway Theater, Manhattan; broadwaygatsby.com . Running time: 2 hours 30 minutes.

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THE GREAT GATSBY

Two hours and 30 minutes, with one intermission. At the Broadway Theatre, 53rd Street and Broadway.

Forget East Egg and West Egg. The creators of the new musical “The Great Gatsby,” which opened Thursday night on Broadway, have laid an egg.

This song-and-dance version of F. Scott Fitzgerald’s enduring 1925 novel about, among other things, American excess in the aftermath of World War I is excessive all right. 

The gaudy barrage of clone ballads by composer Jason Howland and lyricist Nathan Tysen (“Paradise Square”), indiscriminately handed out to any character who wants one, blare like a foghorn on the Long Island Sound.

And the attractive art deco sets by Paul Tate dePoo III are so opulent and oversize that I had a flashback to watching “King Kong” in the very same theater six years ago.

But now, a monkey isn’t captive — your favorite novel is.

Inferior “Gatsby,” directed bigly by Marc Bruni, is a hodgepodge of many other shows that came before it.

During an impressive all-company tap number called “La Dee Dah With You,” the show briefly ventures into “Anything Goes” Land. Many other bombastic songs have the volume, if not the tunefulness, of gothic musicals like “The Secret Garden” or “Jekyll & Hyde.”

What “The Great Gatsby” almost never brings to mind, though, is “The Great Gatsby.” 

The musical, a patchwork quilt of discordant styles that belongs in a box, becomes the latest in a long line of adaptations of this beloved novel to mess up a story that’s far more satisfying to read and imagine. It completely misses its intoxicating atmosphere, meaning and layered characters.

One of the rare smart decisions of the night is the casting of Noah J. Ricketts as our man Nick Carraway, a modest Midwesterner who moves to a Long Island cottage in “new money” West Egg. 

The actor has a pretty voice and a naturally easygoing persona that contrasts with the cartoonish East Coast impressions on display that are akin to what Katharine Hepburn might have behaved like as a chauffeur.

Nick’s cousin Daisy (power-singer Eva Noblezada) is married to Tom Buchanan (John Zdrojeski), and they live, in artificial bliss, across the water in upper-crust East Egg. 

Awful Tom is having an indiscreet affair with Myrtle (Sara Chase), the wife of garage owner George Wilson (Paul Whitty). A knowing Daisy sings a lilting number in the garden about her rocky marriage called “For Better or Worse.” 

“Worse?!” I thought.

Nick’s greatest object of fascination is the mysterious, loud-party-throwing inhabitant of the mansion next door to his house. That’s Jay Gatsby, who just so happens to be Daisy’s old flame that still longs for her.

As the enigmatic title character, Jeremy Jordan, when in song, sounds like a million bucks, even in walloping numbers such as “For Her” and “Past Is Catching Up to Me.” 

When he speaks, however, one must adjust for inflation. The actor cakes on an ill-advised mid-Atlantic accent that boggles the ears. Rather than contribute magnetism and mystique, the shaky brogue turns a literary icon into a weirdo.

During a scene in which he reunites with Daisy, a dumb ditty called “Only Tea,” the musical suddenly about-faces into a cheesy farce. 

An army of servants arrive with trays and floral arrangements as though they’re about to start singing “Be Our Guest.” Nick and Daisy’s acidic pal Jordan Baker (a detached Samantha Pauly) do cute bits in unison. Gatsby attempts to hide from Daisy behind a small tree branch to get a laugh.

The multiple personalties pile on a song later when we’re suddenly tossed into an absurdly passionate love story as the pair sings a drippy duet called, oy, “My Green Light.”

The second act, thankfully, finds a more consistent and appropriate tone. One would hope so, as there are several deaths in quick succession.

Early on, that aforementioned tap dancing, choreographed by Dominique Kelley, is thrilling, even if it’s a short-lived distraction from the many, many head-scratchers.

For instance, an inordinate amount of time and music are given to Myrtle and George, who are turned into a much sadder Adelaide and Nathan Detroit. Expensively staged, Myrtle’s fate is unintentionally funny.

There’s also too much of sleazy criminal Meyer Wolfsheim (Eric Anderson), who gets a jazzy back-from-intermission song called “Shady” that could have been cut. Why not focus on enriching the main characters before giving everybody else their five throwaway minutes?

Theater and film rarely know what to do with “Gatsby.” They often decide, as this musical sometimes does, to focus on the escape to sexy speakeasies with flappers.

But the best version I’ve seen was Elevator Repair Service’s “Gatz” downtown. Every single word of the novel was read out loud over several breezy hours by actors wearing nothing more than office garb. Audiences were entranced, not by schlocky love songs but the unadorned words of a great American novel.

Last year, New York got an immersive “Gatsby” experience that quickly closed. This summer, another musical take by Florence Welch will premiere at the American Repertory Theater in Massachusetts. 

The quality of the Florence & the Machine singer’s adaptation remains to be seen. But, even though Fitzgerald’s book is in the public domain, let’s cool it on giving so many “Gatsby’s” the green light.

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