descriptive essays books

The Best Descriptive Writing Examples From Books!

by Stefanie Newell | Mar 21, 2021 | Tips For Writers

As a newbie writer, you may be starting to figure out your own personal style of writing. You are discovering what kind of narrator you are best with, what length of books you prefer, what genre you want to write in, along with so many other things that factor into what your books will be like and what audience they will attract. Despite all of these things, one thing that is essential in whatever you explore is descriptive writing. Descriptive writing brings your readership into your writing by taking advantage of their imaginations. In this post, you will find descriptive writing examples that will help you utilize the senses to the best of your abilities as a writer.

3 Descriptive Writing Examples

1. “In the late summer of that year we lived in a house in a village that looked across the river and the plain to the mountains. In the bed of the river there were pebbles and boulders, dry and white in the sun, and the water was clear and swiftly moving and blue in the channels. Troops went by the house and down the road and the dust they raised powdered the leaves of the trees. The trunks of the trees too were dusty and the leaves fell early that year and we saw the troops marching along the road and the dust rising and leaves, stirred by the breeze, falling and the soldiers marching and afterward the road bare and white except for the leaves.” –Ernest Hemingway, A Farewell to Arms

If you are looking for advanced descriptive writing examples, then this excerpt fits the bill. Hemingway uses only the sense of sight, but the scene is very easy to imagine. He uses things that everyone can recognize no matter who they are and he uses them to his advantage. This is what you want to strive for when using descriptive language. This is the kind of descriptive writing that would work extremely well in fiction or nonfiction, no discrimination.

2. “It was lit by thousands and thousands of candles that were floating in midair over four long tables, where the rest of the students were sitting. These tables were laid with glittering golden plates and goblets. At the top of the hall was another long table where the teachers were sitting […] The hundreds of faces staring at them looked like pale lanterns in the flickering candlelight […] Harry looked upward and saw a velvety black ceiling dotted with starts […] It was hard to believe there was a ceiling there at all, and that the Great Hall didn’t simply open on to the heavens.” –J.K. Rowling, Harry Potter and the Sorcerer’s Stone

The Harry Potter series provides lot of great descriptive writing examples due to the fact that it is meant for children. It still teaches a good lesson to newbie writers though. Sometimes, the most obvious descriptive writing is the way to go! You know your story, and sometimes that can lead to you accidently leaving out important details. Once you have finished your writing, it is always a good idea to go back and make sure you didn’t leave any descriptive language out accidentally.

3. “The flowers were unnecessary, for two o’clock a greenhouse arrived from Gatsby’s, with innumerable receptacles to contain it. An hour later the front door opened nervously, and Gatsby, in a white flannel suit, silver shirt, and gold-colored tie, hurried in. He was pale, and there were dark signs of sleeplessness beneath his eyes.” –F. Scott Fitzgerald, The Great Gatsby

This descriptive writing example is short, but it gives a lot of information to the reader in just a few words. The description of Gatsby in this instance is very easy to picture in your mind. Just the idea of him being pale with dark circles under his eyes leads the reader to imagine the face of a very tired man. You don’t always have to exhaust yourself with descriptive writing, keep it short and precise. As long as you can picture your character from your writing, your readers will be able to as well.

Using descriptive language can be challenging, especially if you are a newbie writer . So, bookmark this blog and use these descriptive writing examples as a guide if you ever need a little help with your newest creation!

A Guide to Descriptive Writing

by Melissa Donovan | Jan 7, 2021 | Creative Writing | 8 comments

What is descriptive writing?

Writing description is a necessary skill for most writers. Whether we’re writing an essay, a story, or a poem, we usually reach a point where we need to describe something. In fiction, we describe settings and characters. In poetry, we describe scenes, experiences, and emotions. In creative nonfiction, we describe reality. Descriptive writing is especially important for speculative fiction writers and poets. If you’ve created a fantasy world, then you’ll need to deftly describe it to readers; Lewis Carroll not only described Wonderland  (aff link); he also described the fantastical creatures that inhabited it.

But many writers are challenged by description writing, and many readers find it boring to read — when it’s not crafted skillfully.

However, I think it’s safe to say that technology has spoiled us. Thanks to photos and videos, we’ve become increasingly visual, which means it’s getting harder to use words to describe something, especially if it only exists in our imaginations.

What is Descriptive Writing?

One might say that descriptive writing is the art of painting a picture with words. But descriptive writing goes beyond visuals. Descriptive writing hits all the senses; we describe how things look, sound, smell, taste, and feel (their tactile quality).

The term descriptive writing can mean a few different things:

• The act of writing description ( I’m doing some descriptive writing ).
• A descriptive essay is short-form prose that is meant to describe something in detail; it can describe a person, place, event, object, or anything else.
• Description as part of a larger work: This is the most common kind of descriptive writing. It is usually a sentence or paragraph (sometimes multiple paragraphs) that provide description, usually to help the reader visualize what’s happening, where it’s happening, or how it’s happening. It’s most commonly used to describe a setting or a character. An example would be a section of text within a novel that establishes the setting by describing a room or a passage that introduces a character with a physical description.
• Writing that is descriptive (or vivid) — an author’s style: Some authors weave description throughout their prose and verse, interspersing it through the dialogue and action. It’s a style of writing that imparts description without using large blocks of text that are explicitly focused on description.
• Description is integral in poetry writing. Poetry emphasizes imagery, and imagery is rendered in writing via description, so descriptive writing is a crucial skill for most poets.

Depending on what you write, you’ve probably experimented with one of more of these types of descriptive writing, maybe all of them.

Can you think of any other types of descriptive writing that aren’t listed here?

How Much Description is Too Much?

Classic literature was dense with description whereas modern literature usually keeps description to a minimum.

Compare the elaborate descriptions in J.R.R. Tolkien’s  Lord of the Rings  trilogy  with the descriptions in J.K. Rowling’s  Harry Potter series  (aff links). Both series relied on description to help readers visualize an imagined, fantastical world, but Rowling did not use her precious writing space to describe standard settings whereas Tolkien frequently paused all action and spent pages describing a single landscape.

This isn’t unique to Tolkien and Rowling; if you compare most literature from the beginning of of the 20th century and earlier to today’s written works, you’ll see that we just don’t dedicate much time and space to description anymore.

I think this radical change in how we approach description is directly tied to the wide availability of film, television, and photography. Let’s say you were living in the 19th century, writing a story about a tropical island for an audience of northern, urban readers. You would be fairly certain that most of your readers had never seen such an island and had no idea what it looked like. To give your audience a full sense of your story’s setting, you’d need pages of detail describing the lush jungle, sandy beaches, and warm waters.

Nowadays, we all know what a tropical island looks like, thanks to the wide availability of media. Even if you’ve never been to such an island, surely you’ve seen one on TV. This might explain why few books on the craft of writing address descriptive writing. The focus is usually on other elements, like language, character, plot, theme, and structure.

For contemporary writers, the trick is to make the description as precise and detailed as possible while keeping it to a minimum. Most readers want characters and action with just enough description so that they can imagine the story as it’s unfolding.

If you’ve ever encountered a story that paused to provide head-to-toe descriptions along with detailed backstories of every character upon their introduction into the narrative, you know just how grating description can be when executed poorly.

However, it’s worth noting that a skilled writer can roll out descriptions that are riveting to read. Sometimes they’re riveting because they’re integrated seamlessly with the action and dialogue; other times, the description is deftly crafted and engaging on its own. In fact, an expert descriptive writer can keep readers glued through multiple pages of description.

Descriptive Writing Tips

I’ve encountered descriptive writing so smooth and seamless that I easily visualized what was happening without even noticing that I was reading description. Some authors craft descriptions that are so lovely, I do notice — but in a good way. Some of them are so compelling that I pause to read them again.

On the other hand, poorly crafted descriptions can really impede a reader’s experience. Description doesn’t work if it’s unclear, verbose, or bland. Most readers prefer action and dialogue to lengthy descriptions, so while a paragraph here and there can certainly help readers better visualize what’s happening, pages and pages of description can increase the risk that they’ll set your work aside and never pick it up again. There are exceptions to every rule, so the real trick is to know when lengthy descriptions are warranted and when they’re just boring.

Here are some general tips for descriptive writing:

• Use distinct descriptions that stand out and are memorable. For example, don’t write that a character is five foot two with brown hair and blue eyes. Give the reader something to remember. Say the character is short with mousy hair and sky-blue eyes.
• Make description active: Consider the following description of a room: There was a bookshelf in the corner. A desk sat under the window. The walls were beige, and the floor was tiled. That’s boring. Try something like this: A massive oak desk sat below a large picture window and beside a shelf overflowing with books. Hardcovers, paperbacks, and binders were piled on the dingy tiled floor in messy stacks.  In the second example, words like  overflowing  and  piled are active.
• Weave description through the narrative: Sometimes a character enters a room and looks around, so the narrative needs to pause to describe what the character sees. Other times, description can be threaded through the narrative. For example, instead of pausing to describe a character, engage that character in dialogue with another character. Use the characters’ thoughts and the dialogue tags to reveal description: He stared at her flowing, auburn curls, which reminded him of his mother’s hair. “Where were you?” he asked, shifting his green eyes across the restaurant to where a customer was hassling one of the servers.

Simple descriptions are surprisingly easy to execute. All you have to do is look at something (or imagine it) and write what you see. But well-crafted descriptions require writers to pay diligence to word choice, to describe only those elements that are most important, and to use engaging language to paint a picture in the reader’s mind. Instead of spending several sentences describing a character’s height, weight, age, hair color, eye color, and clothing, a few, choice details will often render a more vivid image for the reader: Red hair framed her round, freckled face like a spray of flames. This only reveals three descriptive details: red hair, a round face, and freckles. Yet it paints more vivid picture than a statistical head-to-toe rundown:  She was five foot three and no more than a hundred and ten pounds with red hair, blue eyes, and a round, freckled face.

10 descriptive writing practices.

How to Practice Writing Description

Here are some descriptive writing activities that will inspire you while providing opportunities to practice writing description. If you don’t have much experience with descriptive writing, you may find that your first few attempts are flat and boring. If you can’t keep readers engaged, they’ll wander off. Work at crafting descriptions that are compelling and mesmerizing.

• Go to one of your favorite spots and write a description of the setting: it could be your bedroom, a favorite coffee shop, or a local park. Leave people, dialogue, and action out of it. Just focus on explaining what the space looks like.
• Who is your favorite character from the movies? Describe the character from head to toe. Show the reader not only what the character looks like, but also how the character acts. Do this without including action or dialogue. Remember: description only!
• Forty years ago we didn’t have cell phones or the internet. Now we have cell phones that can access the internet. Think of a device or gadget that we’ll have forty years from now and describe it.
• Since modern fiction is light on description, many young and new writers often fail to include details, even when the reader needs them. Go through one of your writing projects and make sure elements that readers may not be familiar with are adequately described.
• Sometimes in a narrative, a little description provides respite from all the action and dialogue. Make a list of things from a story you’re working on (gadgets, characters, settings, etc.), and for each one, write a short description of no more than a hundred words.
• As mentioned, Tolkien often spent pages describing a single landscape. Choose one of your favorite pieces of classic literature, find a long passage of description, and rewrite it. Try to cut the descriptive word count in half.
• When you read a book, use a highlighter to mark sentences and paragraphs that contain description. Don’t highlight every adjective and adverb. Look for longer passages that are dedicated to description.
• Write a description for a child. Choose something reasonably difficult, like the solar system. How do you describe it in such a way that a child understands how he or she fits into it?
• Most writers dream of someday writing a book. Describe your book cover.
• Write a one-page description of yourself.

If you have any descriptive writing practices to add to this list, feel free to share them in the comments.

Descriptive Writing

Does descriptive writing come easily to you, or do you struggle with it? Do you put much thought into how you write description? What types of descriptive writing have you tackled — descriptive essays, blocks of description within larger texts, or descriptions woven throughout a narrative? Share your tips for descriptive writing by leaving a comment, and keep writing!

Further Reading: Abolish the Adverbs , Making the Right Word Choices for Better Writing , and Writing Description in Fiction .

I find descriptions easier when first beginning a scene. Other ones I struggle with. Yes, intertwining them with dialogue does help a lot.

I have the opposite experience. I tend to dive right into action and dialogue when I first start a scene.

I came across this article at just the right time. I am just starting to write a short story. This will change the way I describe characters in my story.

Thank you for this. R.G. Ramsey

You’re welcome!

Great tips and how to practise and improve our descriptive writing skills. Thank you for sharing.

You’re welcome, Bella.

Hello Melissa

I have read many of your articles about different aspects of writing and have enjoyed all of them. What you said here, I agree with, with the exception of #7. That is one point that I dispute and don’t understand the reason why anyone would do this, though I’ve seen books that had things like that done to them.

To me, a book is something to be treasured, loved and taken care of. It deserves my respect because I’m sure the author poured their heart and soul into its creation. Marking it up that way is nothing short of defacing it. A book or story is a form of art, so should a person mark over a picture by Rembrandt or any other famous painter? You’re a very talented author, so why would you want someone to mark through the words you had spent considerable time and effort agonizing over, while searching for the best words to convey your thoughts?

If I want to remember some section or point the author is making, then I’ll take a pen and paper and record the page number and perhaps the first few words of that particular section. I’ve found that writing a note this way helps me remember it better. This is then placed inside the cover for future reference. If someone did what you’ve suggested to a book of mine, I’d be madder than a ‘wet hen’, and that person would certainly be told what I thought of them.

In any of the previous articles you’ve written, you’ve brought up some excellent points which I’ve tried to incorporate in my writing. Keep up the good work as I know your efforts have helped me, and I’m sure other authors as well.

Hi Stanley. Thanks so much for sharing your point of view. I appreciate and value it.

Marking up a book is a common practice, especially in academia. Putting notes in margins, underlining, highlighting, and tagging pages with bookmarks is standard. Personally, I mark up nonfiction paperbacks, but I never mark up fiction paperbacks or any hardcovers (not since college).

I completely respect your right to keep your books in pristine condition. And years ago, when I started college, I felt exactly the same way. I was horrified that people (instructors and professors!) would fill their books with ugly yellow highlighting and other markips. But I quickly realized that this was shortsighted.

Consider an old paperback that is worn and dog-eared. With one look, you know this book has been read many times and it’s probably loved. It’s like the Velveteen Rabbit of books. I see markups as the same — that someone was engaging with the book and trying to understand it on a deeper level, which is not disrespectful. It’s something to be celebrated.

Sometimes we place too much value on the book as a physical object rather than what’s inside. I appreciate a beautiful book as much as anyone but what really matters to me is the information or experience that it contains. I often read on a Kindle. Sometimes I listen to audio books. There is no physical book. The experience is not lessened.

I understand where you’re coming from. I used to feel the same way, but my mind was changed. I’m not trying to change yours, but I hope you’ll understand.

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Module 4: Writing in College

Descriptive essays, learning objectives.

• Describe techniques for writing effective descriptive essays or effective passages with description

Description

Figure 1 . C.S. Lewis, author of the fictitious book series, “The Chronicles of Narnia” is an expert at using descriptive writing.

Description is a rhetorical mode you’ll want in your toolbox because it places your reader in the scene you’re describing. You’ll likely relate this tool to fiction, because the best novels use description to capture our imagination. But description can be important in a personal narrative, a compare and contrast essay, and even a research paper.

Take a look at the detailed imagery in this example from Between the World and Me , by Ta-Nehisi Coates.

It was always right in front of me. The fear was there in the extravagant boys of my neighborhood, in their large rings and medallions, their big puffy coats and full-length fur-collared leathers, which was their armor against their world. . . . I think back on those boys now and all I see is fear, and all I see is them girding themselves against the ghosts of the bad old days when the Mississippi mob gathered ’round their grandfathers so that the branches of the black body might be torched, then cut away. (14)

Coates does so much work in this description of the young men in his neighborhood. Their coats and rings are not literally armor, but the descriptive language allows us to see these things as their armor against a fear driven by a history of lynching. In just a few carefully chosen descriptive words and images, Coates makes an emotional appeal for a different way of seeing these “extravagant boys.” He takes us both to the streets of Baltimore where these boys walk and to the “bad old days” of Mississippi where African-Americans could be lynched with impunity. Clearly, Coates’s use of language transports his reader with compelling, sensory language.

The following passage, for example, could be used in a petition to give the Jemaa el-Fnaa, a marketplace in Marrakesh, protected UNESCO status:

During the day it is predominantly occupied by orange juice stalls, water sellers with traditional leather water-bags and brass cups, youths with chained Barbary apes and snake charmers, despite the protected status of these species under Moroccan law. As the day progresses, the entertainment on offer changes: the snake charmers depart, and late in the day the square becomes more crowded, with Chleuh dancing-boys (it would be against custom for girls to provide such entertainment), story-tellers (telling their tales in Berber or Arabic, to an audience of locals), magicians, and peddlers of traditional medicines.As darkness falls, the square fills with dozens of food-stalls as the number of people on the square peaks. The square is edged along one side by the Marrakesh souk, a traditional North African market catering both for the common daily needs of the locals, and for the tourist trade. On other sides are hotels and gardens and cafe terraces, and narrow streets lead into the alleys of the medina quarter. Once a bus station, the place was closed to vehicle traffic in the early 2000s. The authorities are well aware of its importance to the tourist trade, and a strong but discreet police presence ensures the safety of visitors.

Vivid description can help your audience make an emotional connection to your subject, which is where the true power of the written word lies.

Like many rhetorical strategies for writing essays, description rarely stands alone. So you will be called upon to use your descriptive writing skills in many different kinds of essays.

You can’t compare two items unless you describe them. You can’t illustrate abstract concepts or make them vivid and detailed without concrete description.

We have five senses: touch, taste, smell, sight, and sound. So, what does it look like, feel like, smell like, or taste like to be hot?

• “The sweat mixed with its salt stung my eyes, and it dripped from my forehead and slid down my brow.”

In concrete “show, not tell” description, leaves are not “soft” but “velvet”; sirens are not “loud” as much as they “start my Labrador to howling and vibrate the glass panes in my front door.”

Show, Don’t Tell

Russian short story author and physician Anton Chekhov succinctly demonstrates how to show rather than tell in the following quote:

Don’t tell me the moon is shining; show me the glint of light on the broken glass.

The following illustrates a progressive improvement in description:

• My friend is big.
• My friend Jamie weighs 320 pounds and is 5’10”.
• Since he would never let me risk danger on my own, Jamie scrunched his 5’10’’ frame and all 320 pounds through the narrow cave entrance and into the black tunnel behind me.

Descriptions when using abstract words or concepts are even more important when using concrete objects. For example, your instructor crooks her arm and cups her right hand, stating, “Pretend I am holding a grapefruit. Describe it.” You and your classmates shout out words: “yellow,” “juicy,” “softball-sized,” “pink and pulpy,” and so on. She then cups the left hand and says, “Pretend I am holding love. Describe it.” What would you say? And how do you qualify love and make it distinct? Yes, love is “patient” and “kind,” “sexy” and “luscious,” but these are still abstract words that can have differing meanings to different people. Does love “warm me like a cup of hot chocolate by a fire”? Does it “get up first on a cold morning to make coffee”?

Description is about creating pictures; words are your paint.

Sample Descriptive Essay

Here you’ll see a traditional or typical sample descriptive essay from a beginning writing class. In this assignment, the student was asked to write an essay describing an important day, such as a first date, and to follow MLA guidelines in the essay.

• Modification, adaptation, and original content. Authored by : Audrey Fisch for Lumen Learning. Provided by : Lumen Learning. License : CC BY: Attribution
• Description Essay. Provided by : Boundless. Located at : https://courses.lumenlearning.com/boundless-writing/chapter/types-of-rhetorical-modes/ . License : CC BY-SA: Attribution-ShareAlike
• Descriptive Essay. Provided by : Excelsior College Online Writing Lab. Located at : https://owl.excelsior.edu/rhetorical-styles/descriptive-essay/ . License : CC BY: Attribution
• The Chronicles of Narnia book series. Authored by : MorningbirdPhoto. Provided by : Pixabay. Located at : https://pixabay.com/photos/books-reading-series-narnia-1141911/ . License : Other . License Terms : https://pixabay.com/service/terms/#license

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• Writing Tips

How to Write a Descriptive Essay

4-minute read

• 26th February 2020

A descriptive essay, as the name may suggest, is an essay in which you describe something. The idea is to create a vivid picture of something – a person, object, place or experience – for your reader.

But how do you write a descriptive essay? We have a few helpful tips to share.

1. Brainstorming and Organizing Your Ideas

Your first step should be to brainstorm ideas . Think about the qualities of what you’re describing. As well as physical qualities, make notes about any thoughts, memories, and emotions you associate with your subject matter.

This brainstorming will give you the raw material for your descriptive essay. The next step is to create an essay outline. Typically, this will include:

• An Introduction – An outline of what you will describe and the “thesis” for your essay (i.e., a key theme that will run through your essay and guide your description). For instance, if writing about an inspirational teacher, you could mention the importance of education in the introduction.
• Main Body – A series of paragraphs in which you describe your subject. Each paragraph should cover a single main point, then lead neatly on to the next one, adding to the overall picture you’re creating for the reader.
• Conclusion – A final paragraph where you summarize your overall essay. This is also a good place to reaffirm your essay thesis, emphasizing how your description reflects this.

Before you start writing, then, make some notes about what each paragraph in your essay will include. This will then guide the drafting process, making sure your essay has a clear structure.

2. Use Vivid, Sensory Language

A descriptive essay should paint a picture for your reader. And this means you need to use vivid, exciting language rather than a formal, academic tone. Ideas for making your essay more linguistically engaging include:

• Using sensory language to evoke how something looked, smelled, etc.
• Writing in the present tense to make the situation feel immediate.
• Describing feelings and thoughts elicited by the subject of your essay.
• Looking for dynamic adjectives and adverbs to use (e.g., you could say something made you “happy,” but “elated” or “delighted” may be stronger).
• Using metaphors, similes, and other literary techniques .

Keep your introduction in mind while writing. The language you use should serve the “thesis” you set out there, drawing the reader’s attention to specific aspects of the thing you’re describing.

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3. Show, Don’t Tell

“Show, don’t tell” refers to a technique used by authors to make their writing more engaging. Essentially, all this means is using action, description, and dialogue to paint a picture for the reader rather than simply stating something in plain language. We can see the difference below:

Telling: Miss Hardy was an engaging speaker.

Showing: When Miss Hardy spoke, everyone listened. Her voice bubbled with enthusiasm, bringing even the most mundane subjects to life.

In the first sentence, we simply tell the reader that Miss Hardy was an engaging speaker. But in the second, we try to help the reader picture being in her class, listening to her speak. And by engaging the reader’s imagination like this, we can make our description more memorable.

4. Editing and Proofreading Your Descriptive Essay

Once you have a first draft, you’ll be ready to start editing. The idea here is to go back over your essay – at least once, but possibly multiple times – to look for ways you could improve it. This drafting process may involve:

• Making sure your writing is clear, well structured, and impactful.
• Rewriting passages that feel clichéd or that could be stronger.
• Reading your essay out loud to see how well it flows.
• Ensuring that the central theme of your essay is present throughout.

And when you’ve finished redrafting, go through the essay one more time to remove any typos that remain. Alternatively, you can submit your descriptive essay for proofreading . With the expert eye of a professional editor on your side, you can be confident your writing is the best it can be.

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Descriptive Essays

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What is a descriptive essay?

The descriptive essay is a genre of essay that asks the student to describe something—object, person, place, experience, emotion, situation, etc. This genre encourages the student’s ability to create a written account of a particular experience. What is more, this genre allows for a great deal of artistic freedom (the goal of which is to paint an image that is vivid and moving in the mind of the reader).

One might benefit from keeping in mind this simple maxim: If the reader is unable to clearly form an impression of the thing that you are describing, try, try again!

Here are some guidelines for writing a descriptive essay.

• Take time to brainstorm

If your instructor asks you to describe your favorite food, make sure that you jot down some ideas before you begin describing it. For instance, if you choose pizza, you might start by writing down a few words: sauce, cheese, crust, pepperoni, sausage, spices, hot, melted, etc. Once you have written down some words, you can begin by compiling descriptive lists for each one.

• Use clear and concise language.

This means that words are chosen carefully, particularly for their relevancy in relation to that which you are intending to describe.

• Choose vivid language.

Why use horse when you can choose stallion ? Why not use tempestuous instead of violent ? Or why not miserly in place of cheap ? Such choices form a firmer image in the mind of the reader and often times offer nuanced meanings that serve better one’s purpose.

• Use your senses!

Remember, if you are describing something, you need to be appealing to the senses of the reader. Explain how the thing smelled, felt, sounded, tasted, or looked. Embellish the moment with senses.

• What were you thinking?!

If you can describe emotions or feelings related to your topic, you will connect with the reader on a deeper level. Many have felt crushing loss in their lives, or ecstatic joy, or mild complacency. Tap into this emotional reservoir in order to achieve your full descriptive potential.

• Leave the reader with a clear impression.

One of your goals is to evoke a strong sense of familiarity and appreciation in the reader. If your reader can walk away from the essay craving the very pizza you just described, you are on your way to writing effective descriptive essays.

• Be organized!

It is easy to fall into an incoherent rambling of emotions and senses when writing a descriptive essay. However, you must strive to present an organized and logical description if the reader is to come away from the essay with a cogent sense of what it is you are attempting to describe.

Descriptive Essay

Definition of descriptive essay.

A descriptive essay , as the name implies, is a form of essay that describes something. In this genre , students are assigned the task of describing objects, things, places, experiences, persons, and situations. The students use sensory information to enable readers to use their five senses of touch, taste, smell, hearing, and sight to understand the topic of the essay.

Qualities of a Descriptive Essay

• Clear and Concise
• Use of Images
• Use of Five Senses

As far as clear and concise language is concerned, it is necessary to describe things precisely. Imagery is used to make things seem real and remarkable. The use of the five senses creates the imagery, or a mental picture, for each reader.

Difference Between a Description and a Descriptive Essay

A description could be just a paragraph, or it could be longer, as needed to fully describe the thing. However, a descriptive essay has five paragraphs. It is written in a coherent way with a good thesis statement at the end of the introduction , three body paragraphs , and a conclusion .

Examples of Descriptive Essays in Literature

Example #1:  the corner store (by eudora welty).

“Our Little Store rose right up from the sidewalk; standing in a street of family houses, it alone hadn’t any yard in front, any tree or flower bed. It was a plain frame building covered over with brick. Above the door, a little railed porch ran across on an upstairs level and four windows with shades were looking out. But I didn’t catch on to those. Running in out of the sun, you met what seemed total obscurity inside. There were almost tangible smells — licorice recently sucked in a child’s cheek, dill pickle brine1 that had leaked through a paper sack in a fresh trail across the wooden floor, ammonia-loaded ice that had been hoisted from wet croker sacks and slammed into the icebox with its sweet butter at the door, and perhaps the smell of still untrapped mice.”

This description of the “Little Store” is not only clear and concise, but also has images and sensory information about the store building.

Example #2: And the Orchestra Played On (by Joanne Lipman)

“The hinges creaked when I opened the decrepit case. I was greeted by a cascade of loose horsehair — my bow a victim of mites, the repairman later explained. It was pure agony to twist my fingers into position. But to my astonishment and that of my teenage children — who had never heard me play — I could still manage a sound. “It turned out, a few days later, that there were 100 people just like me. When I showed up at a local school for rehearsal, there they were: five decades worth of former students. There were doctors and accountants, engineers and college professors. There were people who hadn’t played in decades, sitting alongside professionals like Mr. K.’s daughter Melanie, now a violinist with the Chicago Symphony Orchestra. There were generations of music teachers.”

In the first paragraph of this descriptive excerpt, the author clearly describes the decrepit nature of the violin case, as well as the damage time has done to the bow. The second paragraph is a description of the characters , and their similarities.  Both use sensory information for effective descriptions.

Example #3: Yarn (by Koyoko Mori)

“The yellow mittens I made in seventh-grade home economics proved that I dreamed in color. For the unit on knitting, we were 1 supposed to turn in a pair of mittens. The two hands had to be precisely the same size so that when we held them together, palm to palm, no extra stitches would stick out from the thumb, the tip of the fingers, or the cuff. Somewhere between making the fourth and the fifth mitten to fulfill this requirement, I dreamed that the ball of yellow yarn in my bag had turned green. Chartreuse, leaf, Granny Smith, lime, neon, acid green. The brightness was electric. I woke up knowing that I was, once again, doomed for a D in home ec.”

See the use of colors in this paragraph by Koyoko Mori. This is called “pure description,” in that the description appeals to the senses. The use of word “brightness” in the last line is striking one.

Example #4: The Taj Mahal (by Salman Rushdie)

“And this, finally, is why the Taj Mahal must be seen: to remind us that the world is real, that the sound is truer than the echo, the original more forceful than its image in a mirror. The beauty of beautiful things is still able, in these image-saturated times, to transcend imitations. And the Taj Mahal is, beyond the power of words to say it, a lovely thing, perhaps the loveliest of things.”

Check this short description of the Taj Mahal by Salman Rushdie. This description presents a different picture of the Taj Mahal.

Function of Descriptive Essay

A descriptive essay presents a person, place, or thing, in a way that readers feel as if it is in front of their eyes, or that they are tasting it, or that they can hear it, or that they can smell it. Writers use sensory information to describe object . The object of the writer is to present a picture of something as honestly as he can.

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Descriptive Essay Writing

Descriptive Essay Examples

Amazing Descriptive Essay Examples for Your Help

Published on: Jun 21, 2023

Last updated on: Mar 1, 2024

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Descriptive essays are very commonly assigned essays. This type of essay enhances students' writing skills and allows them to think critically. 

A descriptive essay is often referred to as the parent essay type. Other essays like argumentative essays, narrative essays, and expository essays fall into descriptive essays. Also, this essay helps the student enhance their ability to imagine the whole scene in mind by appealing senses.

It is assigned to high school students and all other students at different academic levels. Students make use of the human senses like touch, smell, etc., to make the descriptive essay more engaging for the readers. 

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Examples make it easy for readers to understand things in a better way. Also, in a descriptive essay, different types of descriptions can be discussed. 

Here are some amazing examples of a descriptive essay to make the concept easier for you. 

Descriptive Essay Example 5 Paragraph

5 paragraphs essay writing format is the most common method of composing an essay. This format has 5 paragraphs in total. The sequence of the paragraphs is as follows;

• Introduction
• Body Paragraph 1
• Body Paragraph 2 
• Body Paragraph 3
• Conclusion 

Following is an example of a descriptive essay written using the famous 5 paragraph method. 

5 Paragraph Descriptive Essay

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Descriptive Essay Example About A Person

Descriptive essays are the best option when it comes to describing and writing about a person.  A descriptive essay is written using the five human senses. It helps in creating a vivid image in the reader’s mind and understanding what the writer is trying to convey. 

Here is one of the best descriptive essay examples about a person. Read it thoroughly and try to understand how a good descriptive essay is written on someone’s personality.

Descriptive Essay Example About a Person

Descriptive Essay Example About A Place

If you have visited a good holiday spot or any other place and want to let your friends know about it. A descriptive essay can help you explain every detail and moment you had at that place. 

Here is one of the good descriptive essay examples about a place. Use it as a sample and learn how you can write such an essay. 

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Descriptive Essay Example for Grade 6

Descriptive essays are frequently assigned to school students. This type of essay helps the students enhance their writing skills and helps them see things in a more analytical way.

If you are a 6 grader and looking for a good descriptive essay example, you are in the right place.  

Descriptive Essay Example for Grade 7

Here is one of the best descriptive essay examples for grade 7. 

Descriptive Essay Example for Grade 8

If you are looking for some amazing descriptive essay examples for grade 8, you have already found one. Look at the given example and see what a well-written descriptive essay looks like. 

Descriptive Essay Example for Grade 10

Essay writing is an inevitable part of a student's academic life . No matter your grade, you will get to write some sort of essay at least once. 

Here is an example of a descriptive essay writing for grade10. If you are also a student of this grade, this example might help you to complete your assignment.

Descriptive Essay Example for Grade 12

If you are a senior student and looking for some essay examples, you are exactly where you should be. 

Use the below-mentioned example and learn how to write a good essay according to the instructions given to you. 

Descriptive Essay Example College

Descriptive essays are a great way to teach students how they can become better writers. Writing a descriptive essay encourages them to see the world more analytically.

Below is an example that will help you and make your writing process easy.

College Descriptive Essay Example

Descriptive Essay Example for University

Descriptive essays are assigned to students at all academic levels. University students are also assigned descriptive essay writing assignments. As they are students of higher educational levels, they are often given a bit of difficult and more descriptive topics. 

See the example below and know what a descriptive essay at the university level looks like. 

Short Descriptive Essay Example

Every time a descriptive essay isn't written in detail. It depends on the topic of how long the essay will be.  

For instance, look at one of the short descriptive essay examples given below. See how the writer has conveyed the concept in a composed way. 

Objective Descriptive Essay Example

When writing an objective description essay, you focus on describing the object without conveying your emotions, feelings, or personal reactions. The writer uses sight, sound, or touch for readers' minds to bring life into pictures that were painted by words.

Here is an example that you can use for your help. 

Narrative and Descriptive Essay Example

A narrative descriptive essay can be a great way to share your experiences with others. It is a story that teaches a lesson you have learned. The following is an example of a perfect narrative descriptive essay to help you get started.

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How to Start a Descriptive Essay? - Example

If you don't know how to start your descriptive essay, check this example and create a perfect one. 

How to Start a Descriptive Essay - Example

Subjective Descriptive Essay Example

It is a common concept that a descriptive essay revolves around one subject. Be it a place, person, event, or any other object you can think of. 

Following is one of the subjective descriptive, easy examples. Use it as a guide to writing an effective descriptive essay yourself. 

Writing a descriptive essay is a time-consuming yet tricky task. It needs some very strong writing, analytical, and critical thinking skills. Also, this is a type of essay that a student can not avoid and bypass. 

But if you think wisely, work smart, and stay calm, you can get over it easily. Learn how to write a descriptive essay from a short guide given below. 

How to Write a Descriptive Essay?

A writer writes a descriptive essay from their knowledge and imaginative mind. In this essay, the writer describes what he has seen or experienced, or ever heard from someone. For a descriptive essay, it is important to stay focused on one point. Also, the writer should use figurative language so that the reader can imagine the situation in mind. 

The following are some very basic yet important steps that can help you write an amazing descriptive essay easily. 

• Choose a Topic

For a descriptive essay, you must choose a vast topic to allow you to express yourself freely. Also, make sure that the topic you choose is not overdone. An overdone will not grab the attention of your intended audience. Check out our descriptive essay topics blog for a variety of intriguing topic suggestions.

• Create a Strong Thesis Statement

A thesis statement is the essence of any academic writing. When you select the descriptive essay topic, then you create a strong thesis statement for your essay.  

A thesis statement is a sentence or two that explains the whole idea of your essay to the reader. It is stated in the introductory paragraph of the essay. The word choice for creating the thesis statement must be very expressive, composed, and meaningful. Also, use vivid language for the thesis statement.  

• Collect the Necessary Information

Once you have created the thesis statement and are done writing your essay introduction . Now, it's time to move toward the body paragraphs. 

Collect all necessary information related to your topic. You would be adding this information to your essay to support your thesis statement. Make sure that you collect information from authentic sources. 

To enhance your essay, make use of some adjectives and adverbs. To make your descriptive essay more vivid, try to incorporate sensory details like touch, taste, sight, and smell.

• Create a Descriptive Essay Outline

An outline is yet another necessary element of your college essay. By reading the descriptive essay outline , the reader feels a sense of logic and a guide for the essay. 

In the outline, you need to write an introduction, thesis statement, body paragraphs and end up with a formal conclusion.

Proofreading is a simple procedure in which the writer revises the written essay. This is done in order to rectify the document for any kind of spelling or grammatical mistakes. Thus, proofreading makes high-quality content and gives a professional touch to it. 

You might be uncertain about writing a good enough descriptive essay and impress your teacher. However, it is very common, so you do not need to stress out. 

Hit us up at CollegeEssay.org and get an essay written by our professional descriptive essay writers. Our essay writing service for students aims to help clients in every way possible and ease their stress. Get in touch with our customer support team, and they will take care of all your queries related to your writing. 

You can always enhance your writing skills by leveraging the power of our AI essay writing tools .

Place your order now and let all your stress go away in a blink! 

Barbara P (Literature)

Barbara is a highly educated and qualified author with a Ph.D. in public health from an Ivy League university. She has spent a significant amount of time working in the medical field, conducting a thorough study on a variety of health issues. Her work has been published in several major publications.

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5 Examples of How to Write a Good Descriptive Paragraph

Disassemble good writing to see what makes It tick

• Writing Essays
• Writing Research Papers
• English Grammar
• Ph.D., Rhetoric and English, University of Georgia
• M.A., Modern English and American Literature, University of Leicester
• B.A., English, State University of New York

A good descriptive paragraph is like a window into another world. Through the use of careful examples or details, an author can conjure a scene that vividly describes a person, place, or thing. The best descriptive writing appeals to multiple senses at once—smell, sight, taste, touch, and hearing—and is found in both fiction and nonfiction .

In their own way, each of the following writers (three of them students, two of them professional authors) have selected a belonging or a place that holds special meaning to them. After identifying that subject in a clear topic sentence , they proceed to describe it in detail while explaining its personal significance.

"A Friendly Clown"

"On one corner of my dresser sits a smiling toy clown on a tiny unicycle―a gift I received last Christmas from a close friend. The clown's short yellow hair, made of yarn, covers its ears but is parted above the eyes. The blue eyes are outlined in black with thin, dark lashes flowing from the brows. It has cherry-red cheeks, nose, and lips, and its broad grin disappears into the wide, white ruffle around its neck. The clown wears a fluffy, two-tone nylon costume. The left side of the outfit is light blue, and the right side is red. The two colors merge in a dark line that runs down the center of the small outfit. Surrounding its ankles and disguising its long black shoes are big pink bows. The white spokes on the wheels of the unicycle gather in the center and expand to the black tire so that the wheel somewhat resembles the inner half of a grapefruit. The clown and unicycle together stand about a foot high. As a cherished gift from my good friend Tran, this colorful figure greets me with a smile every time I enter my room."

Observe how the writer moves clearly from a description of the head of the clown to the body to the unicycle underneath. More than sensory details for the eyes, she provides touch, in the description that the hair is made of yarn and the suit of nylon. Certain colors are specific, as in cherry-red cheeks and light blue, and descriptions help the reader to visualize the object: the parted hair, the color line on the suit, and the grapefruit analogy. Dimensions overall help to provide the reader with the item's scale, and the descriptions of the size of the ruffle and bows on the shoes in comparison to what's nearby provide telling detail. The concluding sentence helps to tie the paragraph together by emphasizing the personal value of this gift.

"The Blond Guitar"

by Jeremy Burden

"My most valuable possession is an old, slightly warped blond guitar―the first instrument I taught myself how to play. It's nothing fancy, just a Madeira folk guitar, all scuffed and scratched and fingerprinted. At the top is a bramble of copper-wound strings, each one hooked through the eye of a silver tuning key. The strings are stretched down a long, slim neck, its frets tarnished, the wood worn by years of fingers pressing chords and picking notes. The body of the Madeira is shaped like an enormous yellow pear, one that was slightly damaged in shipping. The blond wood has been chipped and gouged to gray, particularly where the pick guard fell off years ago. No, it's not a beautiful instrument, but it still lets me make music, and for that I will always treasure it."

Here, the writer uses a topic sentence to open his paragraph then uses the following sentences to add specific details . The author creates an image for the mind's eye to travel across by describing the parts of the guitar in a logical fashion, from the strings on the head to the worn wood on the body.

He emphasizes its condition by the number of different descriptions of the wear on the guitar, such as noting its slight warp; distinguishing between scuffs and scratches; describing the effect that fingers have had on the instrument by wearing down its neck, tarnishing frets, and leaving prints on the body; listing both its chips and gouges and even noting their effects on the color of the instrument. The author even describes the remnants of missing pieces. After all that, he plainly states his affection for it.

"Gregory"

by Barbara Carter

"Gregory is my beautiful gray Persian cat. He walks with pride and grace, performing a dance of disdain as he slowly lifts and lowers each paw with the delicacy of a ballet dancer. His pride, however, does not extend to his appearance, for he spends most of his time indoors watching television and growing fat. He enjoys TV commercials, especially those for Meow Mix and 9 Lives. His familiarity with cat food commercials has led him to reject generic brands of cat food in favor of only the most expensive brands. Gregory is as finicky about visitors as he is about what he eats, befriending some and repelling others. He may snuggle up against your ankle, begging to be petted, or he may imitate a skunk and stain your favorite trousers. Gregory does not do this to establish his territory, as many cat experts think, but to humiliate me because he is jealous of my friends. After my guests have fled, I look at the old fleabag snoozing and smiling to himself in front of the television set, and I have to forgive him for his obnoxious, but endearing, habits."

The writer here focuses less on the physical appearance of her pet than on the cat's habits and actions. Notice how many different descriptors go into just the sentence about how the cat walks: emotions of pride and disdain and the extended metaphor of the dancer, including the phrases the "dance of disdain," "grace," and "ballet dancer." When you want to portray something through the use of a metaphor, make sure you are consistent, that all the descriptors make sense with that one metaphor. Don't use two different metaphors to describe the same thing, because that makes the image you're trying to portray awkward and convoluted. The consistency adds emphasis and depth to the description.

Personification is an effective literary device for giving lifelike detail to an inanimate object or an animal, and Carter uses it to great effect. Look at how much time she spends on the discussions of what the cat takes pride in (or doesn't) and how it comes across in his attitude, with being finicky and jealous, acting to humiliate by spraying, and just overall behaving obnoxiously. Still, she conveys her clear affection for the cat, something to which many readers can relate.

"The Magic Metal Tube"

by Maxine Hong Kingston

"Once in a long while, four times so far for me, my mother brings out the metal tube that holds her medical diploma. On the tube are gold circles crossed with seven red lines each―"joy" ideographs in abstract. There are also little flowers that look like gears for a gold machine. According to the scraps of labels with Chinese and American addresses, stamps, and postmarks, the family airmailed the can from Hong Kong in 1950. It got crushed in the middle, and whoever tried to peel the labels off stopped because the red and gold paint came off too, leaving silver scratches that rust. Somebody tried to pry the end off before discovering that the tube falls apart. When I open it, the smell of China flies out, a thousand-year-old bat flying heavy-headed out of the Chinese caverns where bats are as white as dust, a smell that comes from long ago, far back in the brain."

This paragraph opens the third chapter of Maxine Hong Kingston's "The Woman Warrior: Memoirs of a Girlhood Among Ghosts," a lyrical account of a Chinese-American girl growing up in California. Notice how Kingston integrates informative and descriptive details in this account of "the metal tube" that holds her mother's diploma from medical school. She uses color, shape, texture (rust, missing paint, pry marks, and scratches), and smell, where she has a particularly strong metaphor that surprises the reader with its distinctness. The last sentence in the paragraph (not reproduced here) is more about the smell; closing the paragraph with this aspect adds emphasis to it. The order of the description is also logical, as the first response to the closed object is how it looks rather than how it smells when opened.

"Inside District School #7, Niagara County, New York"

by Joyce Carol Oates

"Inside, the school smelled smartly of varnish and wood smoke from the potbellied stove. On gloomy days, not unknown in upstate New York in this region south of Lake Ontario and east of Lake Erie, the windows emitted a vague, gauzy light, not much reinforced by ceiling lights. We squinted at the blackboard, that seemed far away since it was on a small platform, where Mrs. Dietz's desk was also positioned, at the front, left of the room. We sat in rows of seats, smallest at the front, largest at the rear, attached at their bases by metal runners, like a toboggan; the wood of these desks seemed beautiful to me, smooth and of the red-burnished hue of horse chestnuts. The floor was bare wooden planks. An American flag hung limply at the far left of the blackboard and above the blackboard, running across the front of the room, designed to draw our eyes to it avidly, worshipfully, were paper squares showing that beautifully shaped script known as Parker Penmanship."

In this paragraph (originally published in "Washington Post Book World" and reprinted in ​"Faith of a Writer: Life, Craft, Art"), Joyce Carol Oates affectionately describes the one-room schoolhouse she attended from first through fifth grades. Notice how she appeals to our sense of smell before moving on to describe the layout and contents of the room. When you walk into a place, its overall smell hits you immediately, if it's pungent, even before you've taken in the whole area with your eyes. Thus this choice of chronology for this descriptive paragraph is also a logical order of narration, even though it differs from the Hong Kingston paragraph. It allows the reader to imagine the room just as if he were walking into it.

The positioning of items in relation to other items is on full display in this paragraph, to give people a clear vision of the layout of the place as a whole. For the objects inside, she uses many descriptors of what materials they are made from. Note the imagery portrayed by the use of the phrases "gauzy light," "toboggan," and "horse chestnuts." You can imagine the emphasis placed on penmanship study by the description of their quantity, the deliberate location of the paper squares, and the desired effect upon the students brought about by this location.

• Kingston, Maxine Hong. The Woman Warrior: Memoirs of a Girlhood Among Ghosts. Vintage, 1989.
• Oates, Joyce Carol. The Faith of a Writer: Life, Craft, Art. HarperCollins e-books, 2009.
• Maxine Hong Kingston’s "The Woman Warrior"
• Practice in Supporting a Topic Sentence with Specific Details
• How to Write a Descriptive Paragraph
• Definition and Examples of Agreement in English Grammar
• Model Place Descriptions
• 40 Topics to Help With Descriptive Writing Assignments
• 42 Must-Read Feminist Female Authors
• Writing a Descriptive Essay
• Expanding Sentences With Adjectives and Adverbs
• Writing Descriptive Paragraphs
• How to Write Interesting and Effective Dialogue
• How to Write a Narrative Essay or Speech
• detail (composition)
• Description in Rhetoric and Composition
• 100 Major Works of Modern Creative Nonfiction
• How to Write a Great Book Report

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36 Mentor Text Children’s Books to Teach Sensory Description

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I highly recommend using mentor text children’s books to teach sensory description because good writing models for our kids how good writers use all their five senses in their writing to show, not tell. Use picture books in your writing workshop to teach growing writers descriptive writing using sensory images, vivid verbs , precise adjectives, and rich figurative language .

Certainly, many poetry books capture this kind of vivid description in compact phrases. But today, I want to share a list of my favorite mentor texts, both picture books and middle grade books , that model for younger writers how published writers use sensory images to describe.

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Mentor Text PICTURE BOOKS to Teach Sensory Description

My Friend Earth by Patricia MacLachlan, illustrated by Francesca Sanna A  personified  Earth as a lovely, dark-skinned girl wakes up for spring.  Captivating lush, layered illustrations and die-cut-out pages plus lyrical text intertwine to create a dazzling reading experience that celebrates the Earth’s seasons  and her care for its creatures. “ Under the white — the silent seed is cradled in the dark soil. Watching. ”

Fry Bread: A Native American Family Story by Kevin Noble Maillard, illustrated by Juana Martinez-Neal This beautifully written gem celebrates Native American culture through the lens of the food Fry Bread. Repetitive text starts each two-page spread, “ Fry bread is… ” then descriptive, lyrical verse follows each statement, elaborating on the meaning. “ Fry bread is sound / The skillet clangs on the stove / The fire blazes from below / Drop the dough in the skillet / The bubbles sizzle and pop. ” This rich text paired with evocative illustrations culminates in a wonderful book that will show children Native American traditions of family, food, and love.

CHAPTER BOOKS to Teach Writing Description

The Twits   by Roald Dahl Roald Dahl is a master of language, particularly description. In the typical dark humor of Dahl, this book is about the Twits, who are mean and awful people. The book’s descriptions stand out so that readers can vividly picture these characters… and learn from the writing craft.

  Mr. Twit was one of these very hair-faced men. The whole of his face except for his forehead, his eyes and his nose, was covered with thick hair. The stuff even sprouted in revolting tufts out of his nostrils and ear-holes. “

What the Moon Saw by Laura Resau Mexican-American Clara Luna doesn’t know anything about her father’s Mexican heritage until she spends the summer with her grandparents in rural Mexico. There, she discovers the beauty of her grandparents’ life and culture and grows into her own identity. This is one of my all-time favorite books and an excellent choice for teaching (modeling) how to write and describe using sensory images.

“ I caught a whiff of a nice smell– soil, campfires, leather. It came from Abuelo. Then I noticed the smell that clung to Abuelita. She didn’t smell like perfume counters in department stores the way other grandmothers did. She smelled like chiles roasting, chocolate melting, almonds toasting. And like herbs–the teas that Dad gave me when I was sick. “

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Melissa Taylor, MA, is the creator of Imagination Soup. She's a mother, former teacher & literacy trainer, and freelance education writer. She writes Imagination Soup and freelances for publications online and in print, including Penguin Random House's Brightly website, USA Today Health, Adobe Education, Colorado Parent, and Parenting. She is passionate about matching kids with books that they'll love.

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Ubrechor Active Member

Excerpts of brilliant descriptive writing.

Discussion in ' Descriptive Development ' started by Ubrechor , Jun 16, 2011 .

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); I'm trying to break out of the habit I've formed over the years of supplying my writing with so many adjectives, adverbs and fancy linguistic devices that I smother the true meaning and give my potential readers literary indigestion. I know that the very greatest authors are never "too wordy", but instead take the time to choose the very best words to describe in a brief way exactly what they mean. I would really find it interesting (and I'm sure others would as well) if people all posted some of their all-time favourite descriptions from books that they've read. Could be a paragraph of description, or just one really good sentence. And it could be describing a character or a setting or a feeling, or anything really. I'm just looking for really top quality description from your favourite authors. --- I'm currently reading Writing For Pleasure And Profit by Michael Legat (which, incidentally, has some great, in-depth tips and advice for the beginner and experienced writer). One excerpt I found there was from Barbara Willard's The Sprig of Broom : "It was mid-October, the harvest well stored. The sun was as hot as if it shone in the first week of September, but a tumbling sky threw great clouds before the wind, and when the sun was obscured then all the promise of winter was in the air. But it was magic weather, a gift to sweeten the sadness of the ending year. There were still blackberries, thick and dripping with juice, but these would remain on the bushes, for by now, as it was said, the Devil had spat on them and they should not be eaten. So birds gorged themselves, and the ground and the leaves of the brambles were strewn with purple droppings. The water, half shadow and half glitter, threw back the colours of beech and bracken tossing them over the boulders like gold and copper coins." This excerpt, Legat goes on to say, "almost goes over the top in its richness - almost, but not quite , because Barbara Willard is a first-class writer and knows what she is doing." I just thought it painted such a vibrant picture of the scene in my mind that I was wondering: - how many other people have had this problem of overflowing their writing with description upon description - if anyone else had come across any similar passages whereupon they just thought "wow, that is some great descriptive writing!"  

EdFromNY Hope to improve with age Supporter Contributor

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); "Oh! but he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous old sinner! Hard and sharp as a flint, from which no steel had ever struck out generous fire; secret and self-contained, and solitary as an oyster." - Charles Dickens, "A Christmas Carol"  

Declan New Member

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); Ubrechor said: ↑ I'm trying to break out of the habit I've formed over the years of supplying my writing with so many adjectives, adverbs and fancy linguistic devices that I smother the true meaning and give my potential readers literary indigestion. I know that the very greatest authors are never "too wordy", but instead take the time to choose the very best words to describe in a brief way exactly what they mean. I would really find it interesting (and I'm sure others would as well) if people all posted some of their all-time favourite descriptions from books that they've read. Could be a paragraph of description, or just one really good sentence. And it could be describing a character or a setting or a feeling, or anything really. I'm just looking for really top quality description from your favourite authors. --- I'm currently reading Writing For Pleasure And Profit by Michael Legat (which, incidentally, has some great, in-depth tips and advice for the beginner and experienced writer). One excerpt I found there was from Barbara Willard's The Sprig of Broom : "It was mid-October, the harvest well stored. The sun was as hot as if it shone in the first week of September, but a tumbling sky threw great clouds before the wind, and when the sun was obscured then all the promise of winter was in the air. But it was magic weather, a gift to sweeten the sadness of the ending year. There were still blackberries, thick and dripping with juice, but these would remain on the bushes, for by now, as it was said, the Devil had spat on them and they should not be eaten. So birds gorged themselves, and the ground and the leaves of the brambles were strewn with purple droppings. The water, half shadow and half glitter, threw back the colours of beech and bracken tossing them over the boulders like gold and copper coins." This excerpt, Legat goes on to say, "almost goes over the top in its richness - almost, but not quite , because Barbara Willard is a first-class writer and knows what she is doing." I just thought it painted such a vibrant picture of the scene in my mind that I was wondering: - how many other people have had this problem of overflowing their writing with description upon description - if anyone else had come across any similar passages whereupon they just thought "wow, that is some great descriptive writing!" Click to expand...

Suadade New Member

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); Me, I'm really more of a fan of short & snappy sentences that kind of set the scene with a few crude brush strokes so the imagination naturally fills in the rest. This often crops up in song lyrics, of course, because when writing lyrics you don't have that many words to work with. Currently I'm reading Tom Wolfe's The Bonfire of the Vanities and Tom Wolfe doesn't strike me as an author who likes saying things with a few words. Here's a description of a character that I liked, though: "Kramer liked to survey his face and his build in the mornings. What with his wide, flat features, his blunt nose, his big neck, nobody ever took him for Jewish at first. He might be Greek, Slavic, Italian, even Irish - in any event, something tough. He wasn't happy that he was balding on top, but in a way that made him look tough, too. He was balding the way a lot of professional football players were balding. And his build... But this morning he lost heart. Those powerful deltoids, those massive sloping trapezii, those tightly bunched pectorals, those curving slabs of meat, his biceps - they looked deflated. He was ****ing atrophying !" What I like about this is that it's not just a crass description of the character's appearance; the subtext details a number of things about the character as well. His neurotic relationship to his own Jewishness, his infatuation with his own perceived toughness, the thousand minor annoyances that have come with his new child (his physique isn't up to par because the baby has gotten in the way of his exercise). So, subtext, I suppose, is important. All good authors are capable of saying things without putting them into so many words, and of saying many things at once, as well. Other than that, if you really just want a straight-up description, I guess a certain beauty (as in, this is enjoyable to read) and vividness (as in, this reading makes me see what is being described in my head) of the language is what I'd look for first-hand.  

ImaginaryRobot New Member

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); I love the way Salinger can use description to capture a character in just a few words. This paragraph from his story The Laughing Man is so smooth and beautiful and manages to convey a vivid sense of the people being described as well as the narrator: Off hand, I can remember seeing just three girls in my life who struck me as having unclassifiably great beauty at first sight. One was a thin girl in a black bathing suit who was having a lot of trouble putting up an orange umbrella at aJones Beach, circa 1936. The second was a girl aboard a Caribbean cruise ship in 1939, who threw her cigarette lighter at a porpoise. And the third was the Chief's girl, Mary Hudson. I stole the general framework of that paragraph and used it in one of my own stories. Everyone in my writing group picked it as their favorite paragraph. I hated telling them where I got the idea from. Karen Russell is another writer who I would gladly steal from - though I haven't yet. Her collection of stories St. Lucy's Home for Girls Raised by Wolves is haunting and evocative without ever feeling forced. Here is a great paragraph from the story Haunting Olivia . ...I take a running leap down the pier -- "Ayyyyiii!" -- and launch over the water. It's my favorite moment: when I'm one toe away from flight and my body takes over. The choice is made, but the consequence is still just an inky shimmer beneath me. And I'm flying, I'm rushing to meet my own reflection -- Gah! Phrases like "one toe away from flight" and "just an inky shimmer" are somehow perfect in the context of the story.  

darkhaloangel Active Member

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); Anything by Angela Carter is usually very beautiful - but as an interesting piece of literature there is Jon Mcgregors If No One Speaks of Remarkable Things, which is an entirely descriptive novel.  

thewordsmith Contributor Contributor

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); Just off-hand, I can't give you a f'rinstance of of a piece of writing that particularly moved me. I can say that I have found the writing of some writers, such as Martin Cruz Smith, Kurt Vonnegut, and Ernest Hemingway to be filled with some epic bits of writing (though some of Vonnegut's work fails miserably, too) while other, more commonly lauded authors, such as Stephen King and John Grisham, to be rather pedestrian and not at all worthy of most of the accolades piled upon them. Also, if you have not read it, I found Randy Pausch's "The Last Lecture" to be quite moving on so many different levels. Full of colorful and descriptive passages as well as emotion-filled details. I loved it so much I bought dozens of copies and gave them to everyone I know last Christmas. What I find most amusing, as well as egoistically soothing is to peruse something of my own work which I have not read in a long while, come across a particularly well-phrased passage and think, "Wow! I wish I'd written that!" and then realize ... HEY! I DID! )  

Tesoro Contributor Contributor

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); I usually have the opposite problem, and in that way I'm not a very "girly" writer (it seems to me at least that writers that writes according to the topic's example are usually women) and my descriptions are more like the kind Suadade said, more about characters that scenery. more about feelings and attitude than looks and surroundings. I would like to be able to give more detailed descriptions of the milieu though, usually it is something I add with revision, because it doesn't come naturally to me while writing the scene in the first draft, even though I see it clearly in my head. (Sorry if I replied even though I had no example of descriptive writing to contribute with. )  

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); thewordsmith said: ↑ Stephen King Click to expand...

Leonardo Pisano Active Member

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); thewordsmith said: ↑ What I find most amusing, as well as egoistically soothing is to peruse something of my own work which I have not read in a long while, come across a particularly well-phrased passage and think, "Wow! I wish I'd written that!" and then realize ... HEY! I DID! ) Click to expand...

barnz New Member

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); My writing can go back and forth: Sometimes I feel I'm too sparse with description, other times I go on and on. I'll fix it in post, I think. If that's the kind of writing you like to read and want to write - stories rich in lush imagery and description - then go for it, take the Steinbeck route and spend the first hundred pages describing the setting and such. Just remember to watch your pacing and keep it relevant to the conflicts in your writing. The passage you posted didn't really do it for me however - I felt drawn out of the story. Of course, it was only a passage, if i was embedded in the book already it probably would have been fine. We're not painting a landscape though, we're writing a story. More of a pinhole camera than anything, writing needs a focus, something to ground the reader and give the story movement and conflicts. And Stephen King is lauded because he demonstrates an extraordinary understanding of human interactions and emotion, I think.  

SteamWolf New Member

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); My favorites all seem to come from Terry Pratchett and Douglas Adams as they always make for brilliant descriptive writing. Pratchett: '...the river Ankh is so polluted even an athiest could walk across it.' Very little description of the river, but it brings up a huge amount of imagination for the reader. Some of my stories have had parts pointed out by readers as being memorable which is always nice, as they seem to be things I have written off the cuff with very little planning put into them.  

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); barnz said: ↑ And Stephen King is lauded because he demonstrates an extraordinary understanding of human interactions and emotion, I think. Click to expand...

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); Yes, he's brilliant at one liners! Way too many to list. Though I notice his later work has been slipping into literature  

Ged New Member

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); Contains spoilers. King Renly's camp, Catelyn's viewpoint, from A Clash of Kings. .SpoilerTarget"> Spoiler Renly's battles were already coming apart as the rumors spread from mouth to mouth. The nightfires had burned low, and as the east began to lighten the immense mass of Storm's End emerged like a dream of stone while wisps of pale mist raced across the field, flying from the sun on wings of wind. Morning ghosts, she had heard Old Nan call them once, spirits returning to their graves. And Renly one of them now, gone like his brother Robert, like her own dear Ned. Click to expand...

mammamaia nit-picker-in-chief Contributor

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); one of the best at it in contemporary work is james lee burke... i'm currently reading his entire robicheaux series and reading his descriptions is like watching a 3-d movie!  

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); Some great descriptions here, guys! I love the Pratchett one-liners mammamaia said: ↑ one of the best at it in contemporary work is james lee burke... i'm currently reading his entire robicheaux series and reading his descriptions is like watching a 3-d movie! Click to expand...

LaGs Banned

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); Here's an excerpt from Nabokov's Lolita: She trembled and twitched as I kissed the corner of her parted lips and the hot lobe of her ear. A cluster of stars palely glowed above us, between the silhouettes of long thin leaves; that vibrant sky seemed as naked as she was under her light frock. I saw her face in the sky, strangely distinct, as if it emitted a faint raidiance of its own. Her legs, her lovely live legs, were not so close together, and when my hand located what it sought, a dreamy and eerie expression, half-pleasure, half-pain, came over those childish features. She sat a little higher than I, and whenever in her solitary ecstacy she was led to kiss me, her head would bend with a sleepy, soft drooping movement that was almost woeful, and her bare knees caught and compressed my wrist, and slackened again; and her quivering mouth, distorted by the acridity of some mysterious potion, with a sibilant intake of breath came near to my face. She would try to relive the pain of love by first roughly rubbing her dry lips against mine; then my darling would draw away with a nervous toss of her hair, and then again come darkly near and let me feed on her open mouth, while with a generosity that was ready to offer her everything, my heart, my throat, my entrails, I gave her to hold in her awkward fist the scepter of my passion. Click to expand...

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); ^Wow, that's some ghastly purple shizz right there. "Scepter of my passion?" TF?  

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); ubrechor... here are a few of his gems from "Sunset Limited"... they demonstrate james lee burke's power to write paragraph-long sentences you simply can't complain about being too long, yet also capture the essence of a person or a room, in a single medium-sized sentence: Just before the sun broke above the Gulf's rim, the wind, which had blown the waves with ropes of foam all night, suddenly died and the sky became as white and brightly grained as polished bone, as though all color had been bled out of the air, and the gulls that had swooped and glided over my wake lifted into the haze and the swells flattened into an undulating sheet of liquid tin dimpled by the leathery backs of stingrays. The eastern horizon was strung with rain clouds and the sun should have risen out of the water like a mist-shrouded egg yolk, but it didn't. Its red light mushroomed along the horizon, then rose into the sky as a cross, burning in the center, as though fire were trying to take the shape of a man, and the water turned the heavy dark color of blood. ------------------------ She was one of those rare women gifted with eyes that could linger briefly on yours and make you feel, rightly or wrongly, you were genuinely invited into the mystery of her life. ------------------------ All the furniture in the living room was white, the floor covered with straw mats, blond, wood-bladed ceiling fans turning overhead. Click to expand...

JeffS65 New Member

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); Catcher in the Rye: "If you really want to hear about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth." Sets the tone straight away and no flowery language.  

Gigi_GNR Guys, come on. WAFFLE-O. Contributor

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); The Blind Assassin by Margaret Atwood blew me away with its writing. Very descriptive and almost poetic prose.  

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); Lolita is full of great descriptions. Here's one I think is particularly brilliant: One night, she managed to deceive the vicious vigilance of her family. In a nervous and slender-leaved mimosa grove at the back of their villa we found a perch on the ruins of a low stone wall. Through the darkness and the tender trees we could see the arabesques of lighted windows which, touched up by the colored inks of sensitive memory, appear to me now like playing cards--presumably because a bridge game was keeping the enemy busy. She trembled and twitched as I kissed the corner of her parted lips and the hot lobe of her ear. A cluster of stars palely glowed above us, between the silhouettes of long thin leaves; that vibrant sky seemed as naked as she was under her light frock. I saw her face in the sky, strangely distinct, as if it emitted a faint radiance of its own. Her legs, her lovely live legs, were not too close together, and when my hand located what it sought, a dreamy and eerie expression, half-pleasure, half-pain, came over those childish features. She sat a little higher than I, and whenever in her solitary ecstasy she was led to kiss me, her head would bend with a sleepy, soft, drooping movement that was almost woeful, and her bare knees caught and compressed my wrist, and slackened again; and her quivering mouth, distorted by the acridity of some mysterious potion, with a sibilant intake of breath came near to my face. She would try to relieve the pain of love by first roughly rubbing her dry lips against mine; then my darling would draw away with a nervous toss of her hair, and then again come darkly near and let me feed on her open mouth, while with a generosity that was ready to offer her everything, my heart, my throat, my entrails, I gave her to hold in her awkward fist the scepter of my passion.  

googletag.cmd.push(function() { googletag.display('funpub_a097e34e490e5d6d6750423f63b80c4f'); }); with all due respect to m. nabokov, can you imagine any respected author today describing what the whole world saw trying to escape a us congressman's grey bvd's as 'the scepter of my passion'!? ;-)  

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• The Writing Process
• Addressing the Prompt
• Originality
• Timed Writing (Expectations)
• Integrated Writing (Writing Process)
• Shape and Organization
• Introduction Paragraphs
• Body Paragraphs
• Conclusion Paragraphs
• Example Essay
• Timed Writing (The Prompt)
• Integrated Writing (TOEFL Task 1)
• Integrated Writing (TOEFL Task 2)

Descriptive Writing

• Example Descriptive Writing 1
• Example Descriptive Writing 2
• Skill: Word Choice
• Sources: Quoting
• Revise: Descriptive Writing
• Timed Writing (Choose a Position)
• Integrated Writing (Word Choice)
• Comparison Writing
• Example Comparison Writing 1
• Example Comparison Writing 2
• Skill: Unity
• Sources: Summarizing
• Revise: Comparison Writing
• Timed Writing (Plans & Obstacles)
• Integrated Writing (Summarizing)
• Cause-Effect Writing
• Example Cause-Effect Writing 1
• Example Cause-Effect Writing 2
• Skill: Cohesion
• Sources: Paraphrasing
• Revise: Cause-Effect Writing
• Timed Writing (Revising)
• Integrated Writing (Revising)
• Additional Resources
• Appendix 1: Development
• Appendix 2: Punctuation
• Appendix 3: Using Academic Vocabulary
• Appendix 4: Finding Sources
• Appendix 5: In-Text Citations
• Appendix 6: Simple Sentences
• Appendix 7: Compound Sentences
• Appendix 8: Complex Sentences Part 1
• Appendix 9: Complex Sentences Part 2
• Translations

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The purpose of a descriptive essay is simply to describe a subject. In this descriptive essay you will describe an important historical figure. Think about this person's attributes or characteristics. You may also describe things they accomplished.

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15.4: Descriptive Essay

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Learning Objectives

• Read an example of the descriptive rhetorical mode.

America’s Pastime

As the sun hits my face and I breathe in the fresh air, I temporarily forget that I am at a sporting event. But when I open my eyes and look around, I am reminded of all things American. From the national anthem to the international players on the field, all the sights and sounds of a baseball game come together like a slice of Americana pie.

First, the entrance turnstiles click and clank, and then a hallway of noise bombards me. All the fans voices coalesce in a chorus of sound, rising to a humming clamor. The occasional, “Programs, get your programs, here!” jumps out through the hum to get my attention. I navigate my way through the crowded walkways of the stadium, moving to the right of some people, to the left of others, and I eventually find the section number where my seat is located. As I approach my seat I hear the announcer’s voice echo around the ball park, “Attention fans. In honor of our country, please remove your caps for the singing of the national anthem.” His deep voice echoes around each angle of the park, and every word is heard again and again. The crowd sings and hums “The Star-Spangled Banner,” and I feel a surprising amount of national pride through the voices. I take my seat as the umpire shouts, “Play ball!” and the game begins.

In the fifth inning of the game, I decide to find a concessions stand. Few tastes are as American as hot dogs and soda pop, and they cannot be missed at a ball game. The smell of hot dogs carries through the park, down every aisle, and inside every concourse. They are always as unhealthy as possible, dripping in grease, while the buns are soft and always too small for the dog. The best way to wash down the Ball Park Frank is with a large soda pop, so I order both. Doing my best to balance the cold pop in one hand and the wrapped-up dog in the other, I find the nearest condiments stand to load up my hot dog. A dollop of bright green relish and chopped onions, along with two squirts of the ketchup and mustard complete the dog. As I continue the balancing act between the loaded hot dog and pop back to my seat, a cheering fan bumps into my pop hand. The pop splashes out of the cup and all over my shirt, leaving me drenched. I make direct eye contact with the man who bumped into me and he looks me in the eye, looks at my shirt, tells me how sorry he is, and then I just shake my head and keep walking. “It’s all just part of the experience,” I tell myself.

Before I am able to get back to my seat, I hear the crack of a bat, followed by an uproar from the crowd. Everyone is standing, clapping, and cheering. I missed a home run. I find my aisle and ask everyone to excuse me as I slip past them to my seat. “Excuse me. Excuse me. Thank you. Thank you. Sorry,” is all I can say as I inch past each fan. Halfway to my seat I can hear discarded peanut shells crunch beneath my feet, and each step is marked with a pronounced crunch.

When I finally get to my seat I realize it is the start of the seventh inning stretch. I quickly eat my hot dog and wash it down with what is left of my soda pop. The organ starts playing and everyone begins to sing “Take Me Out to the Ball Game.” While singing the song, putting my arms around friends and family with me, I watch all the players taking the field. It is wonderful to see the overwhelming amount of players on one team from around the world: Japan, the Dominican Republic, the United States, Canada, and Venezuela. I cannot help but feel a bit of national pride at this realization. Seeing the international representation on the field reminds me of the ways that Americans, though from many different backgrounds and places, still come together under common ideals. For these reasons and for the whole experience in general, going to a Major League Baseball game is the perfect way to glimpse a slice of Americana.

Online Descriptive Essay Alternatives

Susan Berne visits New York and describes her impressions in Where Nothing Says Everything , also called Ground Zero :

• http://thepurpleenglishteacher.files...groundzero.pdf
• http://www.nytimes.com/2002/04/21/tr...verything.html

Heather Rogers provides a detailed description (book excerpt) of a landfill that challenges the reader to consider his or her own consumption and waste in The Hidden Life of Garbage :

• http://www.alternet.org/story/27116
• http://books.google.com/books?id=efU...hill+of+early+ morning%22&source=bl&ots=7c4hoFLhTp&sig=ngecGSS27blb9zoy8wLaJX8la_o&hl=en&ei=Vi7xTKDKG4zSsAP2hdGtCw&sa=X&oi=book_result&ct=result&resnum= 1&ved=0CBgQ6AEwAA#v=onepage&q&f=false

50 Must-Read Books with Gorgeous Writing

Melissa Baron

Melissa is the author of TWICE IN A LIFETIME from Alcove Press and represented by Laura Cameron at Transatlantic Agency. She lives in Chicago and works as a technical writer to pay the bills. She is a former English major, and has never met a semicolon she didn’t accidentally abuse in some fashion. In her spare time, she explores Chicago, writes a lot, and hangs out with her fiancé and two cats. You can find her on Instagram and TikTok @melissabaronwrites.

View All posts by Melissa Baron

We book lovers read so much, and so widely, that we’ve seen it all. The good, the bad, the so-bad-it’s-good, the meh, the life changing. And we’ve all been exposed to countless writing styles. Some exceptionally beautiful books, however, rise above the rest…not just because it was well-written or it spoke to us or it felt like home, but because the writing knocked our socks off.

These are the novels that end up with a thousand gorgeous lines scattered across social media, first lines scribbled in notebooks, underlined and reread over and over again because you didn’t want to forget it (and you read it out loud, too, because how is this sentence so perfect? ). Whole books of quotable, gorgeous material that are a joy to read because of the author’s use of language.

This is a list of books with gorgeous writing from beginning to end. Lush, descriptive, poignant language that paints a beautiful picture of the story you chose. Pick up one of these beauties, and know that you’re in for a treat you’ll savor for weeks to come after reading.

Their Eyes Were Watching God by Zora Neale Hurston

“Janie Crawford left her hometown to get married, and comes back alone after a two year absence. Her story spans 40 years of her life and how Janie sought love in four relationships that shaped her. This is a novel about relationships, culture, politics, and tradition, through the eyes of a African-American woman growing up in the early 1900s, and it is gorgeously told.”

The Ocean at the End of the Lane by Neil Gaiman

“A man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered Lettie Hempstock. As he sits by the pond (that she’d claimed was an ocean), the unremembered past floods back. And it is too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.”

The God of Small Things by Arundhati Roy

“Seven-year-old twins Estha and Rahel see their world shaken irrevocably by the arrival of their beautiful young cousin, Sophie. It is an event that  leads to an illicit liaison and tragedies accidental and intentional, exposing “big things [that] lurk unsaid” in a country drifting dangerously toward unrest.” The writing in this novel is so incredible, the story so moving and heartbreaking, that this one’s a must.

Deathless by Catherynne M. Valente

“Koschei the Deathless is to Russian folklore what giants or wicked witches are to European culture: the villain of countless stories which have been passed on through story and text for generations. Young Marya Morevna transforms from a clever peasant girl to Koschei’s beautiful bride, to his eventual undoing. Along the way there are Stalinist house elves, magical quests, secrecy and bureaucracy, and games of lust and power.”

Her Body And Other Parties by Carmen Maria Machado

“A wife refuses her husband’s entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store’s prom dresses. One woman’s surgery-induced weight loss results in an unwanted houseguest. These short stories bend genre to shape startling narratives that map the realities of women’s lives and the violence visited upon their bodies.”

Beloved by Toni Morrison

“Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe’s new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.”

Honorable mention: Everything else Toni Morrison has written.

Call Me By Your Name by André Aciman

“A sudden and powerful romance blossoms between an adolescent boy and a summer guest at his parents’ cliffside mansion on the Italian Riviera. Each is unprepared for the consequences of their attraction, when, during the restless summer weeks, unrelenting currents of obsession, fascination, and desire intensify their passion and test the charged ground between them. Recklessly, the two verge toward the one thing both fear they may never truly find again: total intimacy.”

The Scorpio Races by Maggie Stiefvater

“It happens at the start of every November: the Scorpio Races. Riders attempt to keep hold of their water horses long enough to make it to the finish line. Some riders live. Others die. At nineteen, Sean Kendrick is the returning champion. Puck Connolly is different. She never meant to ride in the Scorpio Races. But fate hasn’t given her much of a choice. So she enters the competition—the first girl ever to do so. She is in no way prepared for what is going to happen.”

Honorable mention: The Raven Boys series

Heart Berries by Terese Marie Mailhot

“Having survived a profoundly dysfunctional upbringing only to find herself hospitalized and facing a dual diagnosis of post traumatic stress disorder and bipolar II disorder; Terese Marie Mailhot is given a notebook and begins to write her way out of trauma. The result is this memoir, a memorial for Mailhot’s mother, a social worker and activist who had a thing for prisoners; a story of reconciliation with her father―an abusive drunk and a brilliant artist―who was murdered under mysterious circumstances; and an elegy on how difficult it is to love someone while dragging the long shadows of shame.”

The Haunting of Hill House by Shirley Jackson

“Four seekers arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a “haunting”; Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.”

Giovanni’s Room by James Baldwin

“Set in the 1950s Paris of American expatriates, liaisons, and violence, a young man finds himself caught between desire and conventional morality. With a sharp, probing imagination, this classic narrative delves into the mystery of loving and creates a moving, highly controversial story of death and passion that reveals the unspoken complexities of the human heart.”

Seraphina by Rachel Hartman

“Seraphina is a half-dragon, descended from a dragon mother who took human form and a father who has no particular fondness for Seraphina’s kind. Not that anyone else does either. Hers is a world where dragons and humans live and work side by side—but below the surface, tensions and hostilities are on the rise. When a member of the royal family is brutally murdered, she’s suddenly thrust into the spotlight, drawn into the investigation alongside the dangerously perceptive Prince Lucian. As the two uncover a sinister plot to destroy the wavering peace of the kingdom, Seraphina’s struggle to protect her secret becomes increasingly difficult…and its discovery could mean her very life.”

Daughter of Smoke & Bone by Laini Taylor

“Around the world, black hand prints are appearing on doorways, scorched there by winged strangers who have crept through a slit in the sky. In a dark and dusty shop, a devil’s supply of human teeth grows dangerously low. And in the tangled lanes of Prague, a young art student is about to be caught up in a brutal otherworldly war.”

All the Light We Cannot See by Anthony Doerr

“Marie-Laure lives in Paris near the Museum of Natural History, where her father works. When she is twelve, the Nazis occupy Paris and father and daughter flee to where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel. In a mining town in Germany, Werner Pfennig, an orphan, grows up with his younger sister, enchanted by a crude radio they find that brings them news and stories from places they have never seen or imagined. Werner becomes an expert at building and fixing these crucial new instruments and is enlisted to use his talent to track down the resistance. Deftly interweaving the lives of Marie-Laure and Werner, Doerr illuminates the ways, against all odds, people try to be good to one another.”

The House of the Spirits by Isabel Allende

“Allende’s debut novel brings to life the triumphs and tragedies of three generations of the Trueba family. The patriarch Esteban is a volatile, proud man whose voracious pursuit of political power is tempered only by his love for his delicate wife, Clara, a woman with a mystical connection to the spirit world. When their daughter Blanca embarks on a forbidden love affair in defiance of her implacable father, the result is an unexpected gift to Esteban: his adored granddaughter Alba, a beautiful and strong-willed child who will lead her family and her country into a revolutionary future.”

The Song of Achilles by Madeline Miller

“Miller’s novel is a thrilling, profoundly moving, and utterly unique retelling of the legend of Achilles and the Trojan War. A tale of gods, kings, immortal fame, and the human heart, it brilliantly reimagines Homer’s enduring masterwork, The Iliad . An action-packed adventure, an epic love story, and a marvelously conceived and executed page-turner.”

Honorable mention: Circe

Your Heart is a Muscle the Size of a Fist by Sunil Yapa

“Grief-stricken after his mother’s death and three years of wandering the world, Victor is longing for a family and a sense of purpose. He believes he’s found both when he returns home to Seattle only to be swept up in a massive protest. With young, biracial Victor on one side of the barricades and his estranged father—the white chief of police—on the opposite, the day descends into chaos, capturing in its confusion the activists, police, bystanders, and citizens from all around the world who’d arrived that day brimming with hope. By the day’s end, they have all committed acts they never thought possible.”

The Wrath & the Dawn by Renée Ahdieh

“Every dawn brings horror to a different family in a land ruled by a killer. Khalid, the eighteen-year-old Caliph of Khorasan, takes a new bride each night only to have her executed at sunrise. So it is a suspicious surprise when sixteen-year-old Shahrzad volunteers to marry Khalid. But she does so with a clever plan to stay alive and exact revenge on the Caliph for the murder of her best friend and countless other girls. Shazi’s wit and will, indeed, get her through to the dawn that no others have seen, but with a catch…she’s falling in love with the very boy who killed her dearest friend. She discovers that the murderous boy-king is not all that he seems and neither are the deaths of so many girls. Shazi is determined to uncover the reason for the murders and to break the cycle once and for all.”

Whiskey & Ribbons by Leesa Cross-Smith

“Evi—a classically-trained ballerina—was nine months pregnant when her husband Eamon was killed in the line of duty on a steamy morning in July. Now, it is winter, and Eamon’s adopted brother Dalton has moved in to help her raise six-month-old Noah. This is told in three intertwining, melodic voices: Evi in present day, as she’s snowed in with Dalton during a freak blizzard; Eamon before his murder, as he prepares for impending fatherhood and grapples with the danger of his profession; and Dalton, as he struggles to make sense of his life next to Eamon’s, and as he decides to track down the biological father he’s never known.”

Station Eleven by Emily St. John Mandel

“Set in the eerie days of civilization’s collapse, Station Eleven tells the spellbinding story of a Hollywood star, his would-be savior, and a nomadic group of actors roaming the scattered outposts of the Great Lakes region, risking everything for art and humanity.”

Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz

“Aristotle is an angry teen with a brother in prison. Dante is a know-it-all who has an unusual way of looking at the world. When the two meet at the swimming pool, they seem to have nothing in common. But as the loners start spending time together, they discover that they share a special friendship—the kind that changes lives and lasts a lifetime. And it is through this friendship that Ari and Dante will learn the most important truths about themselves and the kind of people they want to be.”

The Gods of Tango by Carolina De Robertis

“Arriving in Buenos Aires in 1913, with only a suitcase and her father’s cherished violin to her name, seventeen-year-old Leda is shocked to find that the husband she has travelled across an ocean to reach is dead. Unable to return home, alone, and on the brink of destitution, she finds herself seduced by the tango, the dance that underscores every aspect of life in her new city.”

A Monster Calls by Patrick Ness

“The monster in Conor’s backyard is not the one he’s been expecting—the one from the nightmare he’s had every night since his mother started her treatments. This monster is ancient. And wild. And it wants something from Conor. Something terrible and dangerous. It wants the truth. From the final idea of award-winning author Siobhan Dowd—whose premature death from cancer prevented her from writing it herself—Patrick Ness has spun a haunting and darkly funny novel of mischief, loss, and monsters both real and imagined.”

White Oleander by Janet Fitch

“White Oleander tells the unforgettable story of Ingrid, a brilliant poet imprisoned for murder, and her daughter, Astrid, whose odyssey through a series of Los Angeles foster homes—each its own universe, with its own laws, its own dangers, its own hard lessons to be learned-becomes a redeeming and surprising journey of self-discovery.”

The Things They Carried by Tim O’Brien

“A collection of linked short stories by American novelist Tim O’Brien, about a platoon of American soldiers fighting on the ground in the Vietnam War, and the things they carried with them depending on their priorities, their superstitions, their dreams, and the things they hold closest to their hearts.”

Fierce Femmes and Notorious Liars by Kai Cheng Thom

“This is the sort-of true coming-of-age story of a young Asian trans girl, pathological liar, and kung-fu expert who runs away from her parents’ abusive home in a rainy city called Gloom. Striking off on her own, she finds her true family in a group of larger-than-life trans femmes who live in a mysterious pleasure district known only as the Street of Miracles. Under the wings of this fierce and fabulous flock, the protagonist blossoms into the woman she has always dreamed of being, with a little help from the unscrupulous Doctor Crocodile. When one of their number is brutally murdered, she joins her sisters in forming a vigilante gang to fight back against the transphobes, violent johns, and cops that stalk the Street of Miracles.”

Shadow and Bone by Leigh Bardugo

“Surrounded by enemies, the once-great nation of Ravka has been torn in two by the Shadow Fold, a swath of near impenetrable darkness crawling with monsters who feast on human flesh. Now its fate may rest on the shoulders of one lonely refugee. Alina Starkov has never been good at anything. But when her regiment is attacked on the Fold and her best friend is brutally injured, Alina reveals a dormant power that saves his life—a power that could be the key to setting her war-ravaged country free.”

Moonbath by Yanick Lahens

“After she is found washed up on shore, Cétoute Olmène Thérèse, bloody and bruised, recalls the circumstances that led her there. Her voice weaves hauntingly in and out of the narrative, as her story intertwines with those of three generations of women in her family, beginning with Olmène, her grandmother. Olmène, barely sixteen, catches the eye of the cruel and powerful Tertulien Mésidor, despite the generations-long feud between their families which cast her ancestors into poverty. As the family struggles through political and economic turmoil, the narrative shifts between the voices of four women, their lives interwoven with magic and fraught equally with hope and despair, leading to Cétoute’s ultimate, tragic fate.”

The Devourers by Indra Das

“On a cool evening in Kolkata, India, beneath a full moon, as the whirling rhythms of traveling musicians fill the night, college professor Alok encounters a mysterious stranger with a bizarre confession and an extraordinary story. Tantalized by the man’s unfinished tale, Alok will do anything to hear its completion. So Alok agrees, at the stranger’s behest, to transcribe a collection of battered notebooks, weathered parchments, and once-living skins.”

Invisible Man by Ralph Ellison

“The nameless narrator of the novel describes growing up in a black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of “the Brotherhood”, and retreating amid violence and confusion to the basement lair of the Invisible Man he imagines himself to be.”

The Life Before Her Eyes by Laura Kasischke

“Diana stands before the mirror preening with her best friend, Maureen. Suddenly, a classmate enters holding a gun, and Diana sees her life dance before her eyes. In a moment the future she was just imagining—a doting wife and mother at the age of forty—is sealed by a horrific decision she is forced to make. In prose infused with the dramatically feminine sensuality of spring, we experience seventeen-year-old Diana’s uncertain steps into womanhood.”

When the Moon Was Ours by Anna-Marie McLemore

“To everyone who knows them, best friends Miel and Sam are as strange as they are inseparable. Roses grow out of Miel’s wrist, and rumors say that she spilled out of a water tower when she was five. Sam is known for the moons he paints and hangs in the trees and for how little anyone knows about his life before he and his mother moved to town. But as odd as everyone considers Miel and Sam, even they stay away from the Bonner girls, four beautiful sisters rumored to be witches. Now they want the roses that grow from Miel’s skin, convinced that their scent can make anyone fall in love. And they’re willing to use every secret Miel has fought to protect to make sure she gives them up.”

The Night Circus by Erin Morgenstern

“The circus arrives without warning. It is simply there, when yesterday it was not. It is called Le Cirque des Rêves, and it is only open at night. Behind the scenes, a fierce competition is underway: a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them both, this is a game in which only one can be left standing. Despite the high stakes, Celia and Marco soon tumble headfirst into love, setting off a domino effect of dangerous consequences, and leaving the lives of everyone, from the performers to the patrons, hanging in the balance.”

Winter’s Tale by Mark Helprin

“One night in winter, Peter Lake—orphan and master-mechanic—attempts to rob a fortress-like mansion on the Upper West Side. Though he thinks the house is empty, the daughter of the house is home. Thus begins the love between Peter Lake, a middle-aged Irish burglar, and Beverly Penn, a young girl, who is dying. Peter Lake, a simple, uneducated man, because of a love that, at first he does not fully understand, is driven to stop time and bring back the dead.”

The Sleepwalker’s Guide to Dancing  by Mira Jacob

“Celebrated brain surgeon Thomas Eapen has been sitting on his porch, talking to dead relatives. At least that is the story his wife, Kamala, prone to exaggeration, tells their daughter, Amina, a photographer living in Seattle. Reluctantly Amina returns home and finds a situation that is far more complicated than her mother let on, with roots in a trip the family, including Amina’s rebellious brother Akhil, took to India twenty years earlier. Amina soon realizes that the only way she can help her father is by coming to terms with her family’s painful past. In doing so, she must reckon with the ghosts that haunt all of the Eapens.”

The Shadow Lines by Amitav Ghosh

“Opening in Calcutta in the 1960s, this novel follows two families—one English, one Bengali—as their lives intertwine in tragic and comic ways. The narrator, Indian born and English educated, traces events back and forth in time, from the outbreak of World War II to the late twentieth century, through years of Bengali partition and violence, observing the ways in which political events invade private lives.”

The Strange and Beautiful Sorrows of Ava Lavender by Leslye Walton

“Foolish love appears to be the Roux family birthright, an ominous forecast for its most recent progeny, Ava Lavender. Ava—in all other ways a normal girl—is born with the wings of a bird. In a quest to understand her peculiar disposition and a growing desire to fit in with her peers, sixteen-year old Ava ventures into the wider world, ill-prepared for what she might discover and naive to the twisted motives of others.”

The Secret History by Donna Tartt

“Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality their lives are changed profoundly and forever, and they discover how hard it can be to truly live and how easy it is to kill.”

Jellicoe Road by Melina Marchetta

“Abandoned by her mother on Jellicoe Road when she was eleven, Taylor Markham, now seventeen, is finally being confronted with her past. But as the reluctant leader of her boarding school dorm, there isn’t a lot of time for introspection. And while Hannah, the closest adult Taylor has to family, has disappeared, Jonah Griggs, the boy who might be the key to unlocking the secrets for Taylor’s past, is back in town, moody stares and all.”

Strange the Dreamer by Laini Taylor

“The dream chooses the dreamer, not the other way around—and Lazlo Strange, war orphan and junior librarian, has always feared that his dream chose poorly. Since he was five years old, he’s been obsessed with the mythic lost city of Weep, but it would take someone bolder than he to cross half the world in search of it. Then a stunning opportunity presents itself, in the form of a hero called the Godslayer and a band of legendary warriors, and he has to seize his chance or lose his dream forever.”

A Teaspoon of Earth and Sea by Dina Nayeri

“Growing up in a small rice-farming village in 1980s Iran, eleven-year-old Saba Hafezi and her twin sister, Mahtab, are captivated by America.  So when her mother and sister disappear, leaving Saba and her father alone in Iran, Saba is certain that they have moved to America without her. But her parents have taught her that “all fate is written in the blood,” and that twins will live the same life, even if separated by land and sea. As she grows up in the warmth and community of her local village, falls in and out of love, and struggles with the limited possibilities in post-revolutionary Iran, Saba envisions that there is another way for her story to unfold.”

The Book Thief by Markus Zusak

“It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still. Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement.”

We Were Liars by E. Lockhart

“This novel focuses on the theme of self-acceptance, family morals, and the possibly-deadly consequences of one’s mistakes. It is centered on the wealthy, seemingly perfect Sinclair family, who spend every summer gathered on their private island. However, not every summer is the same—when something happens to Cadence during the summer of her fifteenth year, the four “Liars” re-emerge two years later to prompt Cadence to remember the incident.”

The Poisonwood Bible by Barbara Kingsolver

“A story told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil. What follows is a suspenseful epic of one family’s tragic undoing and remarkable reconstruction over the course of three decades in postcolonial Africa.”

A Certain Slant of Light by Laura Whitcomb

“In the class of the high school English teacher she has been haunting, Helen feels them: for the first time in 130 years, human eyes are looking at her. They belong to a boy, and Helen—terrified, but intrigued—is drawn to him. The fact that he is in a body and she is not presents this unlikely couple with their first challenge. But as the lovers struggle to find a way to be together, they begin to discover the secrets of their former lives and of the young people they come to possess.”

The Kite Runner by Khaled Hosseini

“The unforgettable, heartbreaking story of the unlikely friendship between a wealthy boy and the son of his father’s servant, caught in the tragic sweep of history, The Kite Runner transports readers to Afghanistan at a tense and crucial moment of change and destruction. A powerful story of friendship, it is also about the power of reading, the price of betrayal, and the possibility of redemption; and an exploration of the power of fathers over sons—their love, their sacrifices, their lies.”

One Hundred Years of Solitude by Gabriel Garcí­a Márquez

“This is the story of seven generations of the Buendía Family in the town of Macondo. The founding patriarch of Macondo, José Arcadio Buendía, and Úrsula Iguarán, his wife (and first cousin), leave Riohacha, Colombia, to find a better life and a new home. One night of their emigration journey, while camping on a riverbank, José Arcadio Buendía dreams of “Macondo”, a city of mirrors that reflected the world in and about it. Upon awakening, he decides to establish Macondo at the river side.” Magical realism at its finest.

The King Must Die by Mary Renault

“This bildungsroman and historical novel traces the early life and adventures of Theseus, a hero in Greek mythology. Rather than retelling the myth, Renault constructs an archaeologically and anthropologically plausible story that might have developed into the myth. She captures the essentials while removing the more fantastical elements, such as monsters and the appearances of gods.”

The Garden Party and Other Stories by Katherine Mansfield

In fifteen funny, colorful, poignant and mysterious stories, modernist  Mansfield examines a range of themes integral to the human experience, from marriage, family, and death to duty, disillusionment, and regret in this commanding collection.”

Everything, Everything by Nicola Yoon

“What if you couldn’t touch anything in the outside world? Never breathe in the fresh air, feel the sun warm your face…or kiss the boy next door? In Everything, Everything , Maddy is a girl who’s literally allergic to the outside world, and Olly is the boy who moves in next door…and becomes the greatest risk she’s ever taken.”

What are your favorite books with gorgeous writing? 

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The Essential Joan Didion

Her distinctive prose and sharp eye were tuned to an outsider’s frequency, telling us about ourselves in essays that are almost reflexively skeptical. Here’s where to start.

Credit... John Bryson/Getty Images

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By Alissa Wilkinson

Alissa Wilkinson is a movie critic at The Times. Her book “We Tell Ourselves Stories: Joan Didion and the American Dream Machine” will be published by Liveright next year.

• Published April 26, 2024 Updated April 28, 2024

The Joan Didion many people know is constructed from a few artifacts the real writer left behind when she died in 2021 . There’s her much-imitated (and sometimes parodied) 1967 essay “Goodbye to All That,” about leaving New York. There’s the packing list enumerated in her essay “The White Album,” written between 1968 and 1978, which is sometimes cited as aspirational , even instructional . There are the iconic photographs of Didion taken by Julian Wasser in 1968, commissioned for a profile in Time — particularly one in which she’s smoking while leaning against her Stingray, cooler than anyone has ever been, a vibe echoed in the 2003 ad Didion shot for the fashion brand Celine . And, of course, there’s her most famous line — “We tell ourselves stories in order to live” — which opens “The White Album” and is frequently invoked, wrongly, for inspiration.

Didion was not really out to inspire us. She was looking at us and telling us what she saw, including our compulsion to weave myths for survival. Her distinctive prose and sharp eye were always tuned to an outsider’s frequency, even when she was actually an insider (as with most of her writing on Hollywood). Her essays are almost reflexively skeptical; she wrote with authority borne not so much from experience as from a refusal to give in to dogma.

And her work, which spanned well over a half-century, reads like an account of a country careering toward a cliff. Didion may be best known as the California writer who chronicled midcentury cultural decay, but her body of work is much wider and deeper. She wrote on Hollywood and Washington, New York and Sacramento, Terri Schiavo and Martha Stewart, grief and hypocrisy and Latin American politics, and somehow it all drove toward the same point: Narratives are coping mechanisms. If we want to truly understand ourselves, we have to understand not just the stories we make up together, but the tales behind them.

In the years since her death, Didion’s star has only risen, with a museum exhibit , revivals of her play , a buzzed-about estate sale and the New York Public Library’s forthcoming unveiling of her joint archive with her husband, the writer John Gregory Dunne, who died in 2003. In the meantime, the state of the world has felt ever more confusing, and the line between reality and make-believe more blurred. So there’s never been a better time to dip your toe — or plunge your whole self — into the work of one of the finest, most perceptive writers in American letters.

I want to start with the foundational text.

“Slouching Towards Bethlehem” (1968) was Didion’s second book — her first was the 1963 novel “Run River,” written in her 20s as a Vogue staffer in New York. But even though 13 books of nonfiction and four novels followed it, “Slouching,” published when she was 33, remains fundamental to Didion’s oeuvre, and helped establish her reputation as a practitioner of the New Journalism.

Like all of her collections, the book consists of essays written on assignment for a variety of outlets: The New York Times Magazine, The American Scholar, Holiday, Vogue and The Saturday Evening Post. Taken together, they start to convey a portrait of the cultural critic as a young woman, and especially her sense, nurtured from a very young age, that the world was coming apart at the seams.

The book’s title comes from one of its essays, about the decaying vibes in late ’60s Haight-Ashbury. That’s in turn plucked from a Yeats poem, quoted as an epigraph. In the preface she writes that the essay was reported and drafted in an attempt to beat a despairing writer’s block: “If I was to work again at all,” she writes, “it would be necessary for me to come to terms with disorder.”

Didion often spoke of writing as the way she figured out what she thought, which makes the title essay a must-read for understanding the author. But “Slouching Towards Bethlehem” is a jewel chest, and the shiniest gem inside it might be “Goodbye to All That,” Didion’s classic essay about falling in and out of love with New York City.

The often-quoted “On Self-Respect,” which also appears in this collection, has a funny origin story: Didion wrote it as a Vogue staffer because the editors had put the headline on the cover without assigning a writer, and she happened to be around.

Was there a sequel?

Not exactly. But “The White Album” (1979) is kind of a follow-up to “Slouching Towards Bethlehem,” though it also works all on its own. The book’s title essay is somewhat autobiographical, an account of Didion’s life in Los Angeles during the 1960s, when she and Dunne were raising their daughter, Quintana Roo, and spending a great deal of their time with movie stars and rockers. Written as a series of vignettes, the essay floats from Didion’s psychological trouble to her encounters with familiar figures — the Black Panthers, the Doors, the Manson family. There’s a sense in which the essay is responsible for the way many of us born later “remember” the late 1960s; you could spot its DNA, for instance, in certain seasons of “Mad Men,” or in Quentin Tarantino’s film “ Once Upon a Time … in Hollywood .”

On the whole, the essays in “The White Album” feel more descriptive of Didion’s life than earlier writings, but she expertly toed a fine line that made her readers (especially women) feel they knew her, even though she never really revealed a lot about herself in her writing. Other standouts in the collection include “The Women’s Movement,” which will give you a sense for Didion’s reluctance to call herself a feminist, and “Holy Water,” which becomes a personal history by way of California history.

I want to read Didion at her most vicious.

The cattiest (and thus maybe the funniest) essay Didion ever wrote was “Pretty Nancy,” a portrait of Nancy Reagan when she was the first lady of California. Didion, part of the fifth generation of a well-off Sacramento family, had absolutely no use for either Reagan from the moment the Gipper stepped into politics. For her, the Reagans became the prevailing metaphor for everything that was wrong with the American political scene, because she believed they thought, acted, campaigned and governed like Hollywood figures. “She has told me that the governor never wore makeup even in motion pictures, and that politics is rougher than the picture business because you do not have the studio to protect you,” Didion writes near the end of the profile, when the tone of irritated disdain is practically dripping off the page.

Despite inflicting a significant sting — Nancy Reagan mentions the essay in her own memoirs — “Pretty Nancy” wasn’t collected in any of Didion’s books until the final one, “Let Me Tell You What I Mean” (2021). It’s a perfect glimpse into a young, irritated writer who knew exactly what she was doing.

Did she ever get swoony?

Words like “unsparing” and “cleareyed” are usually applied to Didion’s cultural analysis, but if you want to see her in full weak-kneed mode, read the essay “John Wayne: A Love Story.” (It’s collected in “Slouching Towards Bethlehem.”) In 1965, she finally landed a pitch she’d been longing for: The Saturday Evening Post commissioned Didion to travel to northern Mexico, where “The Sons of Katie Elder” — a western she’d later brush off in a paragraph-long review in Vogue — was shooting. The star was John Wayne, whom Didion had worshiped since watching him in a converted aircraft hangar on the Army base where her father was stationed during World War II. He became her idea of manhood, safety, strength.

Wayne-like characters pop up across Didion’s fiction, as does her longing for the kind of security this line represented to her. But Wayne as an actual person was important to her, too. When she finally met her hero on set, he was just coming off a lung cancer scare; she mentions his “bad cold and a racking cough, so tired by late afternoon that he kept an oxygen inhalator on the set.” Famously, he’d used his diagnosis, and his tough-guy stature, to encourage people in the smoke-filled era to get screened for the disease.

John Wayne is key to Didion’s story for more than just entertainment reasons. Her political views, until well into adulthood, were sternly conservative, not as right wing as Wayne’s but nearly so — she used to announce at Hollywood dinner parties, seemingly for shock value, that she had voted for Barry Goldwater. She switched affiliations after the California Republican Party embraced Richard Nixon, but as late as the 1990s she was still saying she’d have voted for Goldwater in every election since, had he run.

Didion also ended up working in the movie industry, in one way or another, for her entire life, and it’s not hard to believe she was hooked on the business by her love of Wayne.

How much of a Hollywood insider was Didion, really?

Didion and Dunne considered themselves novelists first and journalists second, but they really paid their bills by writing and doctoring scripts. Their first produced movie was the 1971 addict drama “The Panic in Needle Park,” starring Al Pacino in his first leading role, and Kitty Winn, who won Best Actress at Cannes for the role. The pair wrote a number of scripts together, including “Play It as It Lays,” “A Star Is Born” (the Barbra Streisand one), “True Confessions,” “Up Close and Personal” and the HBO short film “Hills Like White Elephants.” If you really want a great overview of Hollywood through their eyes, you can’t do better than two of Dunne’s books: “The Studio” (1969), about life on the back lot at 20th Century Fox, and “Monster” (1997), about the travails they experienced getting “Up Close and Personal” made.

But Didion wrote about Hollywood, too. One of her most astute essays, “Hollywood: Having Fun,” was first published in The New York Review of Books in 1973, then lightly revised and published as “In Hollywood” in “The White Album.”

“Hollywood: Having Fun” is a careening tour through the wheeling and dealing of the movie business, and also a way for Didion to take out-of-touch East Coast movie critics to task. (She specifically names Pauline Kael of The New Yorker, with whom Didion had briefly shared a movie review column at Vogue. By 1973, Kael was arguably the most powerful movie critic in America; Didion airily suggests she’s full of hogwash.) Didion believes that “much of what is written about pictures and about picture people approaches reality only occasionally and accidentally,” because if you don’t experience Hollywood directly then you can’t possibly understand how the sausage gets made and, thus, understand what you’re really seeing up on the screen.

What’s clear is that, having worked as a movie critic herself for a while, she’s not particularly interested in critics’ thoughts anymore, which leads to this brilliant line: “Making judgments on films is in many ways so peculiarly vaporous an occupation that the only question is why, beyond the obvious opportunities for a few lecture fees and a little careerism at a dispiritingly self-limiting level, anyone does it in the first place.” You said it, Joan.

What about Didion’s fiction?

Most people will tell you to read “Play It as It Lays” (1970), her second novel, and they’re not wrong. Like the screenplay version she and Dunne later wrote, Didion’s novel is a bleak tale of a melting-down actress in a tumultuous 1960s Hollywood.

But of her five novels, the best is “Democracy” (1984). Occasionally I think it might be the Great American Novel. Narrated by a journalist named Joan Didion, it’s mostly the story of Inez Victor, the wife of a Kennedy-style senator who ran a failed campaign for president. But Inez has been in love since she was a teenager with a man named Jack Lovett, whose occupation is unclear (C.I.A. agent? War profiteer?) but who, for her, represents safety. He is the John Wayne figure in the book. He can’t keep bad things away, but he can fix them.

“Democracy” ends tragically — all of Didion’s novels end tragically — yet with a note of romantic hope that turns the whole thing into a sweeping epic. You can almost hear the strings swelling.

I want to understand Didion’s politics.

Good luck. She did start out very conservative, and trended leftward into adulthood after getting fed up with Nixon and Reagan. Yet she remained very difficult to pin down. Her early work is full of takedowns of idealism on the right and the left, as if she is always looking at these matters through narrowed eyes.

But if you want to see, roughly, where she landed, then the place to go is her book “Political Fictions,” a collection of essays that had the misfortune to be published on Sept. 11, 2001. They’re mostly reporting from campaigns of figures like Michael Dukakis and Jesse Jackson, or the travails of an impeached Bill Clinton, and the eye she casts is clearly one that wears Hollywood-colored glasses. Everything in a campaign or a presidency, she writes, is carefully choreographed in much the same way as a movie set. This is a sign, to her, of political decline, a category error that renders politics as flat, useless and commodified. The candidate is a product being sold to the public, just like a movie star. Don’t miss the review of Newt Gingrich’s work in “Political Fictions,” which she manages to take apart by simply listing his metaphors and references.

Once you’re done with “Political Fictions,” pick up “Where I Was From,” published a few years later, in which Didion retreads her own work and life story. It’s a re-evaluation, after both her parents’ deaths, of the myths and ideas she absorbed as a young girl in California, and thus a re-evaluation more broadly of American myths and legends. (She does some of the same work in the slim book “Fixed Ideas: America Since 9/11,” which fiercely questions dogma that arose in the wake of the attacks and, in particular, ideas and articles published by The New York Times.)

What is one Didion essay that can’t be missed?

Didion’s most consequential essay may be “Sentimental Journeys, ” first published in The New York Review of Books in 1991 and later collected in “After Henry” (1992). It concerns the infamous case of the Central Park jogger and the railroaded confessions of the so-called Central Park Five, five teenagers wrongfully accused of the crime and sent to prison. In a full-page ad he personally paid to place in four local papers, Donald J. Trump, then a local businessman, called for their execution . In 2002, their convictions were vacated. (One of them, Yusef Salaam, is now a New York City councilman.)

In “Sentimental Journeys,” Didion comes at the case sideways, examining the stories that New Yorkers tell themselves about the city and its inhabitants. She writes about how racism distorts this story, and questions whether the jogger’s name should have been released to the public. And she explores how a single case such as this one, though hardly the only of its kind, can be wound up by the news media, politicians and opportunists into representing something much bigger and much less logical.

Her diagnosis has aged breathtakingly well. “In a city in which grave and disrupting problems had become general — problems of not having, problems of not making it, problems that demonstrably existed, among the mad and the ill and the underequipped and the overwhelmed, with decreasing reference to color — the case of the Central Park jogger provided more than just a safe, or structured, setting in which various and sometimes only marginally related rages could be vented,” she wrote. In typical Didion fashion, that could have been written yesterday.

What was she thinking about near the end of her life?

Didion’s final two decades were filled with loss. On Dec. 30, 2003, Dunne and Didion returned home from visiting their daughter, Quintana Roo Dunne, in the hospital, where she was in a coma. Dunne suddenly dropped dead from a heart attack. Didion told the story of her year of grief in “The Year of Magical Thinking” (2005), which won the National Book Award. Just before the book was published, Quintana died. Didion toured in the midst of her grief, then wrote a theatrical adaptation, which opened on Broadway in March 2007, starring Didion’s longtime friend Vanessa Redgrave as the author.

“The Year of Magical Thinking” is intense and cyclical, evoking the mind caught in a state of grief as much through its form as its content. Many who have read it in the middle of grief (including me) have found it profoundly cathartic. It’s representative of a writer who has turned her famously perceptive gaze upon herself, something she continued in “Blue Nights” (2011), which reflects on her daughter’s life.

It’s often overlooked, but as a supplement to reading these late Didion books, don’t miss her essay “ The Case of Theresa Schiavo ,” published several months before Quintana died. In it she wrestles fervently with the fate of Schiavo, a woman on life support who had become a source of national political debate. Once you know from her books what she went through while Quintana was on life support, the essay takes on a whole new meaning. Didion made the personal both cultural and political — a practice she’d honed over a storied career.

An earlier version of this article referred incorrectly to the woman known as the Central Park jogger. She survived the attack; she was not murdered.

An earlier version of this article misstated the title of a screenplay Joan Didion wrote with her husband. It was “The Panic in Needle Park,” not “The Panic at Needle Park.”

How we handle corrections

Alissa Wilkinson is a Times movie critic. She’s been writing about movies since 2005. More about Alissa Wilkinson

Get to Know the Literary Greats

Expand your literary knowledge of some of the world’s most accomplished authors with our essential guides to their work..

James Baldwin: He   wrote with the kind of clarity that was as comforting as it was chastising. His writing — pointed, critical, angry — is imbued with love. Here’s where to start  with his works.

Henry James: A patron saint of exquisite verbosity, James made a career examining the clash of American innocence with European cunning. Here are his best works .

Larry McMurtry: A wildly prolific son of Texas, the novelist was a tangle of contradictions. This guide can help you navigate his bulging bibliography .

Vladimir Nabokov: Clever and dexterous, the author’s writing delights in puzzles, puns and lepidoptera. Here’s where to start .

J.M. Coetzee: His spare, icily precise books explore humanity’s most serious themes, including South Africa’s legacy of apartheid. And not all of them are downers .

Ursula K. Le Guin: Her powerful imagination turned hypothetical elsewheres into vivid worlds governed by forces of nature, technology, gender, race and class a far cry from our own. Here’s where to dive in .

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Salman Rushdie's memoir 'Knife' recounts his attack and recovery

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A new start after 60: after a decade of rejections, I got my first novel published. Now I’ve got my dream, I won’t stop!

After a successful career as a talent agent – representing Michael Parkinson, Ulrika Jonsson and Adam Ant – Melanie Cantor became disillusioned with TV. So she took up writing – and refused to give up on her passion.

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A t 61, after a decade writing four unpublished manuscripts and receiving hundreds of rejections from agents and publishers, Melanie Cantor got an email in 2019 from the literary agent Felicity Blunt. “It started off positively and I was just waiting for the ‘but’ to arrive, but it never did,” Cantor says. “She said she wanted to represent me.”

In 2020, Dorset-based Cantor’s debut novel Life and Other Happy Endings , about a woman with three months to live who spends her remaining time writing letters to those who have wronged her, came out. Its publication was the culmination of a lifelong fascination with writing.

“My father was an artist and even though I couldn’t draw for toffee, words were my creativity,” she says. “I used to write stories and poetry. When I was given a guitar at 15, I even wrote songs. I never thought being a writer was possible, though, since the only option if you were good at English in the 60s was to become a teacher.”

Rather than work in education, Cantor became a secretary for the theatre publicist Peter Thompson and developed her own roster of clients. In the 90s, she made the switch to talent management, founding her own agency that represented everyone from Michael Parkinson to Ulrika Jonsson and Adam Ant. Yet by 2008, she was becoming disillusioned and decided to take a new direction.

“The industry had moved towards reality TV and I just wasn’t as passionate about work any more,” she says. “I had just turned 50 and having spent so long working on other people’s interests, it was time to do something for me. I decided to get back to writing.”

Aside from a manuscript in 2001, after being inspired by the bestselling comedy novel The Girls’ Guide to Hunting and Fishing, Cantor hadn’t written anything long-form since she was a teenager. She decided to enrol on a writing course to hone her skills. “I spent five days in Oxford and it was eye-opening,” she says. “We had to read out the pages we wrote every day. It was so embarrassing when it got to me because mine wasn’t poetic like the others. But I did make everyone laugh.”

After meeting an agent through the course, Cantor was encouraged to write a manuscript that focused on the celebrity world she had worked in. “It almost got picked up by HarperCollins but failed in the sales and marketing tests and that was devastating,” she says. “I went out and got drunk and met someone who told me: ‘Rejection is what makes you a writer.’ I’d learn that over the next decade!”

Drawn to creating characters and plotlines, Cantor wrote every day, regardless of the rejections, with her dog Mabel by her side. “Writing brought me such pleasure,” she says. “Even if it was just for myself, I loved living with these characters and when I wrote it was so meditative, I would lose track of time. It’s only when I finished a draft and pressed send – to an agent – that it got scary.”

Cantor produced three more manuscripts before she began working with a freelance editor, who helped shape Life and Other Happy Endings. It was published, however, as the Covid pandemic hit and she was unable to attend any events to meet readers. Happily, her follow-up comic novel, The F**k It List, which recounts a new start for a 40-year-old single woman who decides to become a mother, is about to be published.

“I’m so excited to connect with the readers and keep telling these stories of powerful, independent women,” she says. “Not everyone will like your work but I’m so thrilled to be able to entertain the people who engage with it. It makes all that rejection worth it.”

Now 66, Cantor is working on her third novel and a screenplay adaptation of The F**k It List that she is hoping will get picked up. “Now that I’ve started, I won’t stop,” she says. “I want to show people that failure is simply part of the journey of life. If you keep going, time, luck and talent will combine in your favour.”

The F**K It List by Melanie Cantor is published by Penguin on 9 May (£8.99).

Tell us: has your life taken a new direction after the age of 60? Fill in the online form at theguardian.com/new-start-after-60

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Kevin McCarthy Hasn’t Landed a Book Deal Yet

April 29, 2024 at 12:30 pm EDT By Taegan Goddard Leave a Comment

Former Speaker Kevin McCarthy (R-CA) “has privately met with publishers and literary agents about writing a book,” Semafor reports.

“Still, one publishing insider said that a deal has not yet materialized for the former Republican leader.”

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About Political Wire

Goddard spent more than a decade as managing director and chief operating officer of a prominent investment firm in New York City. Previously, he was a policy adviser to a U.S. Senator and Governor.

Goddard is also co-author of You Won - Now What? (Scribner, 1998), a political management book hailed by prominent journalists and politicians from both parties. In addition, Goddard's essays on politics and public policy have appeared in dozens of newspapers across the country.

Goddard earned degrees from Vassar College and Harvard University. He lives in New York with his wife and three sons.

Goddard is the owner of Goddard Media LLC .

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