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Photography Dissertation Topics

Published by Carmen Troy at January 4th, 2023 , Revised On August 11, 2023

If you are an avid photographer and wish to spend your life doing something that you love, which is obviously photography, you must be thinking about pursuing it further. To become an expert and professional photographer, you will need to study it formally. While many people claim that they can become experts without admission to an institution, you must remember that the basic things you learn from an expert teacher and practice it under his guidance will help you understand and explore photography more than your imagination.

Anyhow, if you have made the right decision of being admitted into a photography course, you must be anxious to graduate and practice it professionally. Hold up! You will need to go through one final phase of writing a dissertation.

If you are supposed to write a photography dissertation but do not really know where to start, you can have a look at some of the most exciting and debatable photography topics suggested by experts.

You may also want to start your dissertation by requesting a brief research proposal from our writers on any of these topics, which includes an introduction to the problem, research question , aim and objectives, literature review , along with the proposed methodology of research to be conducted. Let us know if you need any help in getting started.

Check our example dissertation to get an idea of how to structure your dissertation .

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2022 Photography Dissertation Topics

Topic 1: an evaluation of the impact of digitalisation on the altering conceptions and communication of contemporary photography..

Research Aim: The research aims to evaluate the impact of digitalisation on the altering conceptions and communication of contemporary photography.

Objectives:

To analyse the concept of contemporary photography.
To evaluate the influence of digitalisation photographic conceptions and communication.
To evaluate the impact of digitalisation on the altering conceptions and communication of contemporary photography.

Topic 2: Investigating the influence of digital photography evolution on the photography methods and affinity towards the profession.

Research Aim: The research aims to investigate the influence of digital photography evolution on the photography methods and affinity towards the profession.

To analyse the impact of digital tools and technologies on photography as a profession.
To identify the evolution in photographic methods and the perceptions towards photography as a profession.
To investigate the influence of digital photography evolution on the photography methods and affinity towards the profession.

Topic 3: An evaluation of the present technologies and cultural methods associated with snapshot photography.

Research Aim: The research aims to evaluate the present technologies and cultural methods associated with snapshot photography.

To analyse the concept of snapshot photography and identify the available technologies.
To evaluate the cultural and social contributions to snapshot photography.
To investigate the impact of present technologies and cultural methods on snapshot photography

Topic 4: Evaluating the impact of visual storytelling on the changing landscape of mass media and society.

Research Aim: The research aims to evaluate the impact of visual storytelling on the changing landscape of mass media and society.

To analyse the concept of applications of visual storytelling.
To examine the alterations in the mass media and societal landscape due to the new forms of photography and presentation.
To investigate the impact of visual storytelling on the changing landscape of mass media and society.

Topic 5: An investigation into the impact of mobile technology on the choices of photojournalism and its associated professional values in society.

Research Aim: The research aims to investigate the impact of mobile technology on the choices of photojournalism and its associated professional values in society.

To analyse the impact of mobile technology on the scope and extent of photography.
To investigate the photojournalism choices of invidious and the accepted professional societal values.
To critically evaluate the impact of mobile technology on the choices of photojournalism and its associated professional values in society.

Topic no.1: photojournalism during Arab spring

Research Aim: Arab spring was a series of anti-govt protests that spread all around the Arab countries in the 2010s. The role of photographers was exceptionally crucial at that point when they were continuously informing the world about the ground realities of the conflict. The aim of the research is to study the role of photojournalists in disseminating accurate information during the Arab spring.

Topic no.2: Scope of photography in the age of social media

Research Aim: Photography was a supplementary hobby and interest, but today it is a full-fledged profession that many aspire to pursue. Photography has gained immense importance, especially in the age of the internet, given that it provides many channels for sharing. The main aim of the research would be to examine and evaluate the scope of photography in the age of social media.

Topic no.3: Photography and ethics

Research Aim: No matter what you take as a subject of photography, you must never avoid the basic ethical norms suggested for photography. The aim of the research will be to study different cases in which the photographers followed and violated the ethics to understand the consequences of each regard.

Topic no.4: Photography and the reflection of culture

Research Aim: Each photographer has his own style, which is usually influenced by many things. This research will study culture as one of the determining factors that affect the style of photography. The research will thoroughly explain the reflection of the photographer’s culture in his photography.

Topic no.5: Photography and advanced editing trend

Research Aim: There are many tools that help us make an image more appealing by making significant modifications. The research aims to explore and identify the impact of advanced editing software and tools on the essence of photography.

Topic no.6: Impact of photo manipulation and self-image

Research Aim: Artificial intelligence has gone so far ahead in advancement that it is able to do anything, merely anything. The prompt changes in the physical features while taking photos are exciting, but on the other hand, they are very harmful. People make themselves look appealing through filters, but when they look at themselves, in reality, they lose their self-esteem. The research will aim to study photo manipulation and its impacts on self-image.

Topic no.7: Art of photography in the 1800s

Research Aim: The main aim of the research would be to discover, understand, and evaluate the art of photography in the 1800s. It is evident that photography would be completely different back in those times, but how much different is a question that the research will address.

Also Read: How to Write Dissertation Aims and Objectives?

Topic no.8: Role of director of photography in a movie

Research Aim: When we watch a movie, we heap praises on the actors, story, and songs, but we do not realize the leading individual behind the lens who makes it look the way it does and connect to the audience. If the audience feels emotional, it is the art of camera work that makes a scene emotional, and it goes for all scenes such as dramatic, happy, and anxious. The main aim of the research is to vastly study the role of the director of photography in a movie.

Topic no.9: Photojournalism during the pandemic

Research Aim: The current pandemic posed severe threats to humans economically, politically, and societaly. People were circumscribed to their homes due to the surging infected toll. The main aim of the research would be to find out how photojournalists documented covid-19.

Topic no.10: Instagram; a photo-sharing medium

Research Aim: The broad aim of the research would be to study and evaluate Instagram as one of the most popular photo-sharing mediums. It will explore and analyze the thriving trends and the nature of images that are considered instagrammable by photographers.

Topic no.11: Photography and storytelling

Research Aim: Photographs are not merely images but are capable of telling stories if they are being taken rightly. The researcher will take a sample of a few images and critically analyze how they are capable of delivering impactful stories.

How Can ResearchProspect Help?

ResearchProspect writers can send several custom topic ideas to your email address. Once you have chosen a topic that suits your needs and interests, you can order for our dissertation outline service which will include a brief introduction to the topic, research questions , literature review , methodology , expected results , and conclusion . The dissertation outline will enable you to review the quality of our work before placing the order for our full dissertation writing service !

Topic no.12: Risks of wildlife photography:

Research Aim: While wildlife photography is one of the fascinating types of photography, it requires lots of guts and passion for pursuing. The research will identify the most common problems wildlife photographers face and what security services are offered to the photographers working for an organization.

Topic no.13: Photography vs. painting

Research Aim: The main aim of the research is to compare and contrast photography and painting and figure- out the similarities and differences. It will also determine the best one amongst them with respect to different variables such as depth, story, flexibility, etc.

Topic no.14: Trends in wedding photography

Research Aim: Wedding photography has improved and has become creatively advanced in the last few years. The aim of the research would be to identify and analyze the current trends in wedding photography and forecast the ones for the upcoming years.

Topic no.15: Nature photography:

Research Aim: Nature photography is a vast field that incorporates multiple types. The aim of the research is to study nature photography in detail and explore the features and techniques of each type.

Topic no.16: Evolution of camera

Research Aim: Nowadays, we use our smartphone cameras; some years back, digital cameras were commonly used, and in that way, it goes way back to giant cameras. The main of the research would be to critically analyze and evaluate the evolution of the camera over the period of time.

Topic no.17: Photography lenses and specialties

Research Aim: Lenses are the hearts of cameras, and therefore, cameras are unuseful without lenses. The research will aim to check and evaluate the different types of lenses and offer true insights into their capabilities.

Topic no.18: Improvements required in photography

Research Aim: The research will aim to identify and discuss the major problems in photography that need to be addressed. The researcher can survey different photographers and figure out the improvements that they spire to see in the field of photography.

Topic no.19: Photo manipulation and their repercussions:

Research Aim: Photo alterations and manipulations have become very easy with the different tools and software. They, on the high levels, are used for political gains and propaganda. The aim of the research would be to explain the repercussions of photo manipulations and alterations. The researcher can conduct case studies to find the most accurate results.

Topic no.20: War photography:

Research Aim: War photography is not less intimidating than wildlife photography; in fact, it is more dangerous. The aim of the research would be to explain photographs taken in war situations. The researcher can pick a couple of different wars from the recent timeline and provide critical analysis.

Conducting photography research can be one of the most exciting things, but when it comes to writing, students become dreadful. But do not worry, we have got your back. Whether you want a section of the dissertation to be written impeccably or the whole of it, we are here. Don’t wait; click here.

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Frequently Asked Questions

How to find photography dissertation topic.

To find a photography dissertation topic:

Explore genres, history, or techniques.
Examine contemporary photography issues.
Investigate cultural or societal impacts.
Analyze the intersection of photography with other fields.
Consider personal passion and relevance.
Choose a unique and feasible research area.

artistswithavision

A list of the most interesting dissertation topics on photography.

Developing a dissertation on a photography topic can be intriguing. There are many aspects of photography to consider based on what interests you the most. There are example papers to consider written on similar topics you can read for inspiration. You should also keep project guidelines close by to ensure your topic idea is suitable for what you need to produce. Here is some advice on developing topic ideas on photography along with writing prompts to encourage your own creativity.

Start with What You Know and Research

Writing a dissertation may include completing quite a bit or research. This may include looking at other works related to your topic. In doing so you may wonder if you could do something different that hasn’t been done before. When learning more about your idea this is when it becomes clear on whether you can present something different and fresh. The best place to start looking for a topic is you and what you know.

Think about what you have learned so far and how to take it and make it into something unique. This can give leads on where to look for further insight on your idea. This could also help in brainstorming or when you need further perspective or different angle of the idea. Be open to review what you come up with to you instructor. They can also give insight on how to make your idea into a solid topic.

10 Interesting Ideas for a Potential Dissertation Topic

The aspect of photography itself can be broken up into different subjects. Thinking about how photography is used can give a number of ideas to consider quickly. As you understand more about how photography is used in daily life or through career interests it offers more insight to consider for a good topic. Think about what is trending and controversial topics related to this subject. Here are 10 possible writing prompts for developing a good photography topic for your project.

Using an iPhone to take pictures.
The art of Selfies.
Popular places to take pictures.
Most important features of a good camera.
Technology advances in picture taking.
High definition technology and its role in movies.
How did scrapbooking get started?
The inventor of the camera or aspect of photography.
Photography as a hobby.
Elements that make a photo ugly.

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Home > Photography > Photography Masters Theses

Photography Masters Theses

Graduate students in the Photography program develop visual and critical expertise through course work, seminars, independent studio work and critiques designed to provide a deep understanding of contemporary art practices and criticism. Working in personal studios, students have access to state-of-the-art technical facilities that allow for the exploration of film-based and digital photography, digital video and multimedia production.

In the final semester, MFA candidates focus on creating a comprehensive body of work under the guidance of a thesis committee. All Photography graduate students produce a thesis book that includes a written narrative and a body of visual work. They also participate in the RISD Graduate Thesis Exhibition , a large-scale public show held annually.

Graduate Program Director: Brian Ulrich

These works are licensed under a Creative Commons Attribution-NonCommercial-No Derivative Works 4.0 License .

Theses from 2023 2023

Mistranslated , Hee Young Cha

In a Condition of No Light , Alana Perino

Coast to Coast , Zeyuan Ren

Garden Etiquette , Kai Wasikowski

Theses from 2022 2022

Rememory , Jonathan Mark Jackson

The great delusion , Beth Johnston

Mason & Dixon: History and Identity in the Borderlands , Drew Leventhal

Bewildering narrative , Ali Newhard

Dead Letter Room , Allie Tsubota

Theses from 2021 2021

Imaging "Interracial": performing racialized desire in "interracial" heterosexual hardcore pornography , Megan Christiansen

Becoming a precipice: the liminality of queer cruising , Chance DeVille

Wounds need air , Camilla Jerome

Martyr (in exile) , Xinyi Mei

I just can't get you out of my head : frenetic vortex, animal as image - field notes (1989-2021) , Steffanie A. Padilla

Fossil morphology , Leah Zhang

Theses from 2020 2020

The knots on the underside of the carpet , Lily Colman

Amor fati , Keavy Handley-Byrne

First sweet truth , Jessina Lynn Leonard

These inadvertent marks , Thomas Wilder

Make yourself at home , Han Seok You

Theses from 2018 2018

Between gods and animals : deconstructing heteronormative masculines pursuit to sustain power , Shawn Bush

Pretend power , Rosemary Engstrom

Theses from 2017 2017

Naturally occurring form , Margaret Kristensen

Theses from 2016 2016

Once there was there wasn't , Svetlana Bailey

Theses from 2015 2015

Mid- , Elise Kirk

The Void, The Mystery, The Vast Array, The Infinity of Unities, The Otherworld, The Absolute, The Hidden Order, The Randomness, The Infraworld, The Nothing, The Zone of Immaterial Sensibility, The Silence, The Hollow of Space, The Ineffable, The Emptiness, The Wild , Drew Ludwig

Theses from 2011 2011

Seven Seas Without , Ambereen Siddiqui

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Browse through the thesis descriptions below, or use Ctrl+F / command+F to search for specific keywords.

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Adam Finkelston – NOW YOU SEE ME – 2023

Now You See Me, is an ongoing series of photography-based linocut self-portraits. The title alludes to the familiar ending of the axiom, “now you don’t”— implying that while you see me… my body, my experiences, and perspectives on my life, there are many parts of my existence that you don’t see in these images. The storytelling aspect of my images illustrates only moments and pieces of my truth. The images are about me, but they are also about a character I play. The character represents a man who inhabits constructed spaces acting out the dramas and moments of reflection in everyday life. In this thesis, I intend to make a connection between the indexicality of photography and the gestural aspects of printmaking. These two ways of making images – photography and printmaking – are emblematic of the balance between reality and fiction in my work. My prints seek to show visualizations of my own thoughts and feelings. By starting with a photograph, I can capture my poses and surroundings in a realistic way, but by departing from the photograph into drawing and printmaking, I can add or subtract from the original photograph, incorporating details and quasi-surrealist imagery to enhance the impact of the images. Editing out personal details allows for clarity and a deeper connection to the universal, harnessing the totality of human experience. The gestural expectations and nature of drawing and printmaking add a fictional element to the reality of the photograph. A drawing is always necessarily removed from whatever it represents. Even in a direct observational drawing, the artist is a filter between reality and its interpretation. In these prints I am rooted in photographic reality but adding my own interpretations and reveries through the addition of drawing and printmaking

Harrison Irving Loomis – American Moments – 2023

I see the spectacle of society. Brady’s photographs of civil war battlefields haunt my mind as I walk across the grounds of an American fort in Maryland, where history is performed by reenactors as though trapped in time. As I photographed tourists performing for their own images at Niagara Falls, I question whether their digital keepsakes hold any value, a bad picture becomes a forgotten experience, but a great experience should be remembered. In Times Square, tourists stare at the billboards of New York advertising, thinking they’ve found the beating heart of a city, when the local office workers just try to avoid it. Those same office workers might be happy to go to a baseball game, but they’ll be focused on their laptops more than the game, like the suits I found in box seats at Comerica Park. The structures of most stadiums organize people like a mini city, each person in their place, at levels determined by class. While everyone is free to walk Boston Common, only the privileged will get to look out on it without stepping outside, divided by apartment walls and glass windows. Yet everyone comes together to enjoy the fireworks show on New Year’s Eve, the dazzling lights and concussive blasts remind them they’ve been alive for another year and ask what they’ll do in the next. My photographs claim that it doesn’t really matter, the spectacle will still be there, in different forms, in different colors, in different American Moments. Sometimes I wish I could just enjoy the show...

Jessica Bonifas – Filmmaking is a River: My Journey Towards the Camera – 2023

I use filmmaking as a tool to alleviate suffering. During difficult times in my life I turned to the camera as I am able to express myself freely without explanations or words. The camera acts as a bridge between myself and others, allowing people to cross into the mind of the filmmaker. I’ve titled my most recent film, Fulaing is a Gaelic word meaning to suffer. I use the Gaelic language as a homage to my Irish heritage and for the preservation of the language itself. This short experimental film was shot on Super 8 analog film and projected in the gallery. I use fulaing to describe how I feel sometimes as a mother, filmmaker, and human struggling to survive in the world today. Fulaing is a piece of my story told in a loose experimental style to express the adversities that I have faced, and overcome, in my life

J udit German-Heins – A MONSTER IN THE SHAPE OF A WOMAN – 2023

This work is centered on my experience as a woman, a survivor, a host. It acts as a proof of my existence. My photographic images are drawn from stories, dreams, and feelings about my own experiences and illustrate struggles that I and many women face through their lives. I am interested in the complexity of being a woman biologically, socially and historically. My photographs are made with the wet-plate collodion technique, commonly used in the late -19th century. The slow process of pouring the sticky, volatile, and flammable emulsion, which records my experiences for centuries to come, allows me to embrace my past gradually. As I carefully mix acid, alcohol and salt to let the molecules work together to bring the latent images alive, I wonder about and consider my body as a collection of cells that encompass my ancestral history and that also carry traces of my children — dead and alive. For me, noble metals I use interpret and capture the intrinsic value of a female body and soul.

R. Kevin Combs – The Milltown – 2023

In this thesis, I will introduce you to the Town of Fries and many of its characters. The characters include me, some of the residents, and even the fog. We may find that the fog obfuscates certain truths about small town life, and occasionally, represents the differences I believe we have in this country. I will tell you stories about how the town was built from the ground up at the turn of the twentieth century to use the natural resources in the area and to exploit the tendency for wages to be lower in the Appalachian Mountains than in other parts of the country. I will tell you the story of the Town of Fries through my photographs and narration. You might even call it a performance. The story will provide a lesson in tolerance in a divided age and may assist in lifting the veil of fog that is a metaphor for our society and culture.

MFA Photography and Integrated Media Thesis Menu (2013-2022) Online Thesis Folder

Cotton Miller – The Limbo of Loss - 2013

Our entire lives we spend counting, counting up and counting down. The good things we count down to, and the bad things always seem insurmountable. When we are young, we think more is almost always better. As we get older in age and experience we begin to realize less is almost always more. Counting isn’t always about quantifying; it’s about identifying patterns. Counting is an attempt to find order or structure to gain understanding about the thing being counted. The myelin sheath is the protective layer of the axons in the brain, similar to the insulated coating on electrical wires, and in MS the immune system breaks down this protective barrier. When myelin is lost, and the brain-blood barrier is broken, the axons can no longer effectively conduct signals, which will manifest as a variety of symptoms including physical and cognitive disability. After the demyelination occurs, the symptoms that are experienced might subside, but never be fully extinguished. The possibility of loss, the inevitability of loss, and the uncertainty can be equally as powerful and life altering as the actual loss. According to Kübler-Ross, who introduced the hypothesis of the Five Stages of Grief, “The limbo of loss is in itself a loss to be mourned. Uncertainty can be an excruciating existence. It is the loss of life, going nowhere or going nowhere slowly without knowing if there will be a loss. This has become the foundation of my work, the idea that the mind is distinctly different than the brain.

Tommy Matthews 2013

If I ever build a house I will make it very skinny and tall with all the rooms built on top of each other, strung together through each other’s dreams as we slept. What about the person on the bottom then? Who was holding me in their dreams? Maybe this is what it means to grow up, to care and to provide instead of to receive. I grabbed the framed family photos and laid them flat on their backs, and carefully stacked one on top of the other till they made up a half-foot of thickness. Stepping on the frames I was conscious to keep my weight on the outside edges of the stack where it felt more secure. With time enough to make one last move I followed Vitus to the path that careened down a dirt embankment and bottomed out in a small opening of trees. The forest floor was hidden by arching ferns rising as high as my waist. An old felled Douglas fir was there; having collapsed long ago it was now a nursery log. It was half hollowed out inside and I crumpled my body in its opening. Vitus wedged himself alongside me and curled up in the shape of a scallop. As consciousness began to slip away I was eased to know I’d wake here, happy to be held in the grace of this great nurturer of the forest.

Nikki Seggara - Thalassophobia: A Philosophical Narrative On Congenital Fear – 2013

Though I have no recollection of it, it took years for my mother to get me to willingly bathe. She recalls that, even as an infant bathing in the sink, I would scream to the top of my lungs - even harder at the prospect of getting my head wet to wash my hair. It was the thought of deep water terrified me; the thought of what lies beneath - this trepidation of being pulled under, either trapped and unable to surface, or overcome by a creature where my vulnerable body, drifting in the vast sea, gave me no fighting chance. They could feel the pounding of my heart and the panic I struggled to contain for fear of giving myself away. It was the thought that my body could forever be lost in the lower depths, never to reemerge. I could never escape the feeling that this was...my fate. This question of shared phobia has enveloped the deepest corners of my mind. As an artist, I choose to make work that is symbolic of my quest for reasoning behind my fear. There are many who claim that innate fear exists, without any presence of personal history as a factor. These proclivities have been analyzed at great lengths for at least 50 years within the field of Ethology. Ethologists are particularly concerned with innate behavior, and believe that such behaviors are the result of genetics and in the way genes have been modified during evolution to deal with particular environments (Eibl-Eibesfeldt and Kramer) Konrad Lorenz, often described as the ‘father of ethology,’ spoke about this V-shaped shadow as a releasing mechanism for an innate fear response. The same fear response is witnessed in apes, who are all congenitally frightened of snakes, one of the few innate animal-based fears to also be widely present in humans. It is a grandiose notion, that my fears were ingrained into my brain from ancient genetic blueprints, passed down from generation to generation. She paradoxically loved what she also feared, as do I.

Angelina Kidd – Imagining the Unknown - 2013

I believe there is a soul and that it is energy manifested as light. We are connected to the cosmos through the very calcium in our bones and the iron in our blood, which originated from stars that died billions of years ago. My belief is that the earthly body is separate from the soul and that our light energy returns to the cosmos. Energy will not cease to exist, as it cannot be destroyed according to Laws of Thermodynamics. Therefore, if the soul is light energy, then it does not disappear and is instead transformed. Twenty-three years ago, my mother’s life was transformed by cancer. As I approach the same age of her departure, I am constantly aware of my own existence. This is why my investigation into the unknown is relevant and personal. I have no evidence for the human soul or the afterlife, as my research does not set out to prove this. Instead, my consciousness chooses to have faith in having a soul and this leads me into an artistic investigation of how I perceive the afterworld. With my light constructions, I do not seek to exploit this emotion; rather, I aim to provide a visual salve and to encourage my viewer to consider that after death, life will be unknown.

Anna Yeroshenko - Enduring Peripheries

An analysis of 1980’s architectural aesthetic and a physical thesis portfolio of re-photographed folded paper abstractions of architecture in the Boston area.

Anne Eder – Myth as a Semiological Language

Thesis dealing with nature, myths, magic, talismanic objects accompanied by a physical portfolio consisting of an outdoor installation in the Emerald Necklace featuring her giant moss-men made of objects and materials found in nature.

Danielle Ezzo – The Intentional Object

Thesis focused upon the concept of intimacy and its relationship to her professional work as a re-touching artist. This was supported by large scale photographs of only the actual re-touched elements of fashion model portraits and bodies.

E V Krebs – so-totally-ev.tumblr.com

A thesis that is a total interactive experience, different for every “reader” depending upon the links the “reader” elects to follow. A traditional thesis felt too static, whereas the Tumblr venue allowed her to create avenues for exploration through the use of hyperlinks; developing a sense of depth as the “reader” clicked, going deeper and deeper.

Lanai King – Clot: A personal Exploration of Blood as Myth and Medium

Thesis analyzing candidate’s personal psychosis and fear of blood and her exploration of using blood as a medium in artistic expression. Thesis was supported by a video illustrating short vignettes of her explorations.

Natalie Rzucidlo – 2,364 Cuts

A these that explored the relationships and differences between hand-made and industrial objects by mirroring the automatic repetition of a machine through the process of paper cutting and realization through lithography. Physical work were monumental paper abstractions graphically illustrating sound.

Nicole Carriere – The Big Picture

Thesis dealing with the dissection of family photographs through visual language, symbols, and performance of gender.

Tabitha Sherrell – Untitled

Thesis focused upon three generations of women within a single family and supported by large scale photographs of tableaus illustrating reconstructed domestic spaces. Writing dealt with the analysis of posing, and the way photography is used to represent the self and family.

Taylor Singmaster – My Father’s Daughter

Thesis written as an autobiography to document values instilled through childhood and realized in adult life. The thesis was supplemented with a video of the candidate’s work with Down Syndrome afflicted children and how her future career would be dedicated to a foundation dealing with this disease.

Tomi Ni – Wu Xing

Thesis about the lives and existence of illegal aliens, living in building and room-sized communities and their sacrifices to pay off the fees for smuggling them into America and keeping their family healthy, educated, and hopeful. Physical work in the form of photographs of this life.

Crystal Foss – Seeing the self Through the Forest of Judgement: Self Portrait & Power

Thesis engaged in a representation of her life being judged by others for being an overweight young woman. The visual work supplemented the writing and consisted of video, music, and uncompromising mural sized self-portraits.

Katie Doyle – 13 Ways of Looking at X

Thesis analyzing Wallace Steven’s poem, Thirteen Ways of Looking at a Blackbird. The thesis deconstructed the poem and then reconstructed it in the form of a journal to represent how the identical sentiments related to her present life. Physical work existed in the form of a video illustrating the relationships of words and images.

Kwangtae Kim – Soul Scape

A thesis discussing non-representational forms of photography as an invitational bridge into a state of meditation. The physical work took the form of massive scaled photographic abstractions of natural objects, such as his child’s hair, or water, seen in a way to obstruct identification. These works were painted upon in the style of a Sumi calligrapher.

Maryam Zahirimehr – In the Name of God, The Beneficent, The Merciful

A written thesis telling the stories of her life growing up female in the strict Muslim culture of Iran and how those experiences shaped her future. A video illustrating one particular story enhanced the reader’s experience by bringing the story to life. This thesis was subsequently accepted and shown at the Cannes Film Festival.

Maura O’Donnell – Untitled

This thesis considers the female as it is contested in American culture. The work speaks to the confusion of specific roles of woman, and the communication of contradictory views of femininity. The work and the manner in which it is shown translate the ugly encounters she experiences on a regular basis. Physical work consisted of short vignettes in video format.

Natalie Titone – The Excavation of Meaning

Thesis exploring the immigrant experience in America through the memories, textures, and materials used by the people building a life for subsequent generations. Writing dealt with a narrative story-telling experience and physical work was realized by laminations of photographic images from family albums onto porcelain and ceramic materials. Techniques were learned while in an internship at Harvard University.

Traci Marie Lee - The Implications and Consequences of the Snapshot and the Constructed Image

This thesis documented her search for knowledge about a southern aunt who was a pioneer in women being active in politics. The thesis was based on an envelope of pictures and newspaper clippings and was resolved in the thesis through paper constructions and video, with a strong concentration on sound.

Alicia Turbitt – Hearing what Seeing Says

This thesis documented the degeneration of sight of her sister’s boyfriend and his efforts to remain in a normal life in spite of his increasing loss of sight. The physical thesis work was in video form and featured vignettes such as all of his friends taking turns teaching him how to drive a car down a dark road in the winter.

John Dearing – Chemical Geometry - 2017

Dedicated to a 19 th c. path of investigation following Herschel’s Anthotype process, John made hundreds of combinations of food sources and chemistry and painted the solutions on papers exposed to UV light over time. The thesis included research into chemical additives to our food, the effect of UV rays on those solutions, and the nature of abstract expressionism and constructivist painting, the forms he created for his tests on paper.

Natalie Schaeffer – Trust - 2017

A series of lengthy video vignettes in an installation that illustrated the state of a multi-year relationship in the midst of a decision to go forward. The written component supported the process and analysis of the video investigation.

Noelle BuAbbud – Triduum - 2017

This thesis involved a trinity of videos revolving around the visual perception and recognition of the human body in a state of suffering or sorrow. Research detailed the paintings and sculptures she felt were emotionally profound because of the ways in which artists such as Caravaggio, Picasso, Goya, and Kollwitz depicted grief and suffering through the physicality of the human figure. Videos illustrated the research and were in the subjective forms of shadows, as in the parable from Plato’s Cave.

Xiao Zhao – Ferryman - 2017

This thesis focused on the parables, spirituality and theology of Zen Buddhism and that belief system’s impact upon him growing up in China, and his relationship with his grandmother who was a shaman. Visual components were photographic abstractions.

Sara Bonnick - Acts of Almost Touching (And Other Short Stories, Poems, and Analysis) - 2017

This thesis explored the aftermath of intimacy and was represented through a series of videos, photo-sculpture, and installation. Her work formed a language of clothing as it related to emotional connection of direct physical contact. She investigated the concept through repetition, mending, healing, repairing, and attaching. All alterations to an article of clothing displayed a psychological repurposing interaction and compromise between two bodies. The written component was formed via short stories and free verse poetry.

Britney Segermeister - 2018

In a dissection of social media, its features and influences can often be misinterpreted as an assortment of symptoms associated with a variety of mental illnesses. The ability to rapidly change personas, and impulsively construct personalities, could be a description if Dissociative Identity Disorder or nothing more than editing pictures of yourself on a number of unrelated sites. My thesis project is a visual depiction of signs and aspects of mental illness interpreted by the unique etiquette, trends and algorithms of social media.

Casey Cullen 2018 – 22 Poplar - 2018

My thesis, 22 Poplar, is a partial collection of the many memories my childhood home inspired, and in a very real way, a thank you to the people here, and gone, who raised me in it. I am interested in how memories, old and new, personal and familial, coalesce to fill and define personal domestic spaces. My investigation questions how memories, and the events associated with them, are affected by the removal or change of a key component in that moment. My memories, of our home, and the objects within, are now the only things I have left of my grandfather. After he passed, could some part of his being have gone to the same elusive space where memories reside? Probably not, but I would like to think my interpretation of the faux colonial house on 22 Poplar Street will get me a little closer to wherever his beautiful spirit rests.

Candice Inc 2018 – She Knows Me Now - 2018

In collaboration with my mother, my thesis explores the complexities of communication within a mother-daughter relationship following the death of her husband… my father. Throughout our life together, my mom and i were able to talk about anything and everything without conditions. The traumatic death of my father completely altered our dynamic and we became strangers to each other. Unable to recognize the unique pain and loss that the other was experiencing, our ability to understand one another reached a point where spoken language failed. The only way for me to speak at this point was through the trust in my art and visual expression. Words were useless and so I turned to images. In our recent past, this created an even greater problem because my visual approach to telling the story of my suffering was even more incoherent to her than speech. I was forcing her to learn my side of the story, my truth. Children need to recognized by their parents and my mother’s resistance to that adjusted view of her adult daughter continues to be a constant battle for myself. It is a struggle being an artist and a daughter. She Knows Me Now is a test for us. Testing my responsibilities as her daughter, testing us both to not attack or point a finger of blame, and testing my responsibilities as an artist where telling my truths is my priority.

Rebecca Chappelear - 2018

My work explores the evidence that contributed to my family’s dysfunction and ultimately its collapse, brought on by my stepfather’s own separate trauma and depression—complications that had been ingrained into his personality long before we entered his life. My images are constructions based the events that took place during the period that he and my mother were married, in which time I had gone from my mid-teens to my early twenties, and my sister from kindergarten into eighth grade. A photographic narrative allows me to select the memories that are crucial to my and my audience’s understanding of the events that took place; moments that of course were not photographed, as a family reserves the taking of pictures for times meant to be remembered and looked back upon. With the creation of these photographs, I am able to investigate my experience with a man whose role as as my father deteriorated as he was engulfed by his alcoholism and depression.

Samantha Nieto – Catholic Girlhood Narrative - 2018

Growing up, I idolized everything Disney; Mickey Mouse was my god, The Sensational Six were my saints. Disney movies became my homilies and scriptures, they taught me life lessons and helped me imagine that I could be anything I wanted to be. My Lady of Guadalupe, Pocahontas, was my hero as a child and brought strength to me as an adult. She was the only Disney “Princess” I figured I could be due to our similar dark hair and complexion, which I eventually learned to appreciate. Because of her, I knew I was my own heroine princess who didn’t need a prince charming to save the day, I only needed to have faith and believe. My work is interested in the idea and systems of belief as it occurs in my life and in the objects that represent my values and what I believe in. I am expressing my beliefs from the past, and the present. Each piece represents a time in my life, with reference to a foundation of the Mexican catholic faith I grew up with and have transformed from. I am interested in the connection that one has with faith, symbols and objects of value stemming from childhood memories and experiences testing faith. With time, all these elements look different and change meaning as we age.

Brittney Callahan – Paradise Entertainment Feature of the Week: Splint – 2018

Watching television has been part of my daily ritual since childhood. Every time it was turned on, I was able to enter into new worlds that were exotic compared to my house. Each story on the screen filled me with hope, inspired me with passion, and took me to a place where everything, no matter how terrible, seemed to have a purpose, an arc, and an end. These visual narratives birthed the idea of an equational life, one that seemed simple and mathematical. After I realized that life couldn’t be firmly calculated, I decided to invent my own alternative realities of which I could control through photography and video. My primary interest is in self-construction, how identities and personalities are formed, how they manifest and shift, and the characterization of “self”. With my current work, I am utilizing the techniques of cinema and theater to construct a fictitious reality, that emulates the surface of a world that I have long-envied and idolized: Hollywood. The process of performing in my designed space is cathartic because, instead of being a passive spectator to someone else’s constructed narrative, I create my own and actively participate in it.

Gretjen Helene – Susurrus – 2019

I am currently working on a 24 minute linear video titled ‘Susurrus’ that will be exhibited within the interactive installation ‘Lost In Thought.’ ‘Susurrus’ is a collage of moving imagery which I am calling a living collage mindscape. This projected video is central in the installation and will be introduced by 11 paced photographs titled ‘Framed,’ and accompanied by a resin sculpture titled ’60% water’. For the sake of this introduction to my work, I will concentrate on the video ‘Susurrus’ alone. A discussion about the other installation elements would disrupt their intended affects.

JiSun Lee – The planet, LOVE – 2019

Art allows me to express unexplainable emotions and feelings I have never felt before. Meaning by emotions, for example, sadness and happiness have to co-exist to reveal each other’s existence and the value they have.I always had a hard time controlling my emotions. It may be because I’m a sensitive person; I feel my emotions in huge waves. Many incidences happened to me because my inability to express and control my emotions, Love, relationships, avoidance, jealousy, hatred, anger, and happiness, aresometimes hard for me to express this with words. But I am learning from these contradicting emotions like the light and the dark. After creating my art, I have discovered myself in the process of expressing emotion through art. And I learned to control myself. This is the way I protect myself. The only way to express my sensitive emotions that cannot be created in words because there’s no words for them. My language -I speak through my art.

Kristen Matuszak – Confined In My Skin – 2019

When deciding to create my book, “Confined In My Skin,” I was distinctively thinking aboutcinema, and film reels in particular. The viewer experiences my book the way they would acinematic film, I am continuously manipulating the perception of the viewer. They see what theywant to see, then as they flip through the pages, they get a sense of something much darkerand deeper than their original intake of the work.

Molly Meador – RabbitRabbitRabbit – 2019

The main conceptual focus in this work is obsession, but it has become clear that my living definition of this word is different than the normal interpretation. This is not a project about how obsession can affect a person, and it’s not about obsession as a direct, generally temporary mental state in relation to a specific topic. It’s about how it affects me and the resulting compulsions that occur as a way to live with and control these fixations. It’s about how the obsession can be used and dealt with, but it’s not a solution. An obsession, though intense and consuming, can be finite and have a course. There is a difference between an obsession and an obsessive personality. A life defined by obsession cannot sustain itself with any sort of harmony unless an order is established. That necessity is where this project comes from; and to establish an order to something, you must sometimes first tear it apart.

Vanessa Fischer – This Way Through The Darkness – 2019

I still desire to create a space to preserve and experience my past, only now these memories live outside of my mind in my art. This Way Through the Darkness stems from the Memory Box I created as an adolescent while mourning the loss of my mother. Looking at household surfaces has been my way of connecting to the memory of my mom, because these were the surfaces she touched every day, the same surfaces I have in my life today

Will Harris – Evelyn Beckett – 2019

In this work I confront the complexities of my Nana, Evelyn Beckett’s dementia, by fabricating the pieces that have gone missing. Within my Nana's mind, history and fiction collide, creating something strangely new, haunting and at times painfully beautiful. Ten years ago was now ten minutes ago. There were no seasons; the clocks stood still. My grandmother was both lost and reborn. Fragments of the person I used to know would come to me now and then, but she was no longer my Nana and there was no one to hold our familial history together.

Byron Hocker – Red Sky Morning – 2020

I have found ways to escape the daunting task of everyday life. I can use photography to play. I am able to convert the seriousness of life to my own comedic circus. Roland Barth in Camera Lucida said it more eloquently than I when he wrote, “What pricks me is the discovery of this equivalence. In front of the photograph of my mother as a child, I tell myself: She is going to die, I shudder...over a catastrophe which has already occurred. Whether or not the subject is already dead, every photograph is a catastrophe.” Because of this truth, I must play and create because it is all too serious. I can also transform these people, my family, into anyone I want when I am in control of the photograph.

Ge Wang – A Reluctant Citizen – 2020

Photography has been a narrative tool for my family. I did not have much of my own voice in the family narrative because my parents were the photographers. I picked up photography soon after I left China and started to live alone in the US. I became the executor behind the camera, recording my very own story. Even still, I still lose my sense of time here very often. The memories I have formed in America have never managed to dig themselves a deep hole in my mind.

Lys Ciani – Field Notes – 2020

I practice camera-less photography and assume the rights to these elemental processes in hopes of gaining a more grounded and intrinsic understanding of the landscapes I observe, interpret, and create. I’ve adopted this type of field work as a personal collection of visual-mappings of uninhabited environments. Field notes are composed of two components: descriptive information and the observer’s reflection about the study that is being conducted. Each print carries light, minerals, and contaminants of the water; literal recordings of the environment they took form in. Untidy records recalling weather conditions, time of day, and where on the bend they were made. They coalesce to form a portrait, a trace of the shifting identity of a riverbed.

Matt Klos – Field Notes – 2020

In the last four years I have been acclimating, building, and modifying my life. Creating a new normal and reestablishing what it means to be me both physically and psychologically. Paralysis is the metaphorical-well of inspiration I draw upon to create my images, sculptures and studio working environment. I utilize my paralysis as both coping mechanism and visual source, documenting and interpreting my body’s devastation within the fine lines of reality and fabrication.

Anna Clem – To the Garden and Back – 2021

To the Garden and Backconsists of four distinct series—The Perennial Garden, Floating Petals, Tucked into the Garden Bed, and Visitor—and a video piece called In Her Garden, through which I have examined from all sides my longing for the impossible return to innocence, obsession with preservation, and my present-day “gardens.”

Faith Ninivaggi – Present History – 2021

I’ve stared into the eyes of murderers and abusers. I’ve studied and documented the masterful kinesics of great athletes, influential politicians, and infamous public figures. Through my lens, I’ve captured victories and tragedies. I’ve documented the literal forces of nature. I’ve talked to thousands of strangers, tapping on shoulders, stopping people in the streets, and knocking on doors...all for the chance to tell their story through photographs.

Fangwei Xu – The Sun – 2021

The Sun is a series of works that touch on ideology and its relationship to social context, gaze, and subconsciousness, represented by various media. Ideology for me is nothing but a framework, and it requires the context of media to deliver the meaning. Humans have countless ways to explain an idea, like in China, there are multiple words to define snow, or rain, and each method of expression, each medium corresponds to a different kind of cultural interpretation: superficial or cognitive, conscious or unconscious, temporary or permanent, literal or connotative.

John Nanian –Chepiwanoxet – 2021

This thesis will explore the idea of place by trying to un-derstand what a small spit of land in Narragansett Bay called Chepi-wanoxet was before colonial ownership. After visiting the area countless times with and without a camera, I am, in collab-oration with the island and the sea around it, attempting to make drawings and light-markings, using organic and light-sensitive materials, and imperfection to show its essence and its meaning to me.

Wenshuai Shi (Ace) – Isolation – 2021

I have made a series of photographic and video works using "isolation" as the theme. From my initial project “HOME,” completed in Shanghai in 2018 and 2019, to my recent project, “My Fear Journal,” made in Boston this past year. This past year, my intention was to illustrate to the viewer not the state of my loneliness, but the process of my thinking, reflecting on isolation.

Zachary Hayes – Seeing is Believing, Looking is Loving – 2021

In Seeing is Believing, Looking is Loving, I shall discuss the internal complexities of being able to relate and empathize with others and how photography acts as a vehicle for me to be able to do these things. Here you will be introduced to I (Want To) Love You, a body of images that I have pulled from my personal catalogs of people that I choose to commit myself to.

Abigail Egan – In This Home – 2022

My thesis, titled In This Home, is about documenting experiences with my family that are reshaped by the passage of time and the evolution of technology, while navigating my conflicting ethical responsibilities to my art and to my family amidst a world of digital obsession. Sharing my art with a wider audience for the first time, this body of work investigates the layers of emotion within the family home, exploring the intricacies of loving one’s family unconditionally.

Ariana Sanchez – From Here to There – 2022

My move to New England was a complete 180 from what I had known in Florida. Once settled, I explored my new neighborhood and started photographing its characteristics, searching for ways I could connect both as a person and a photographer. There were days that I wished I could go back to Florida and experience that environment once more. Here in Cambridge I once again felt like an outsider, wondering if this was just another temporary place for me. I still don’t know. My images simultaneously represent my comfort and discomfort to where I am; to where I hope to belong. My desire for “home” is strong. It’s difficult to put down roots in shifting soil.

Jill Bemis – Homing Instinct – 2022

Homing Instinct is an exploration of walking and the physicality of film photography as it mirrors a poetic and visceral connection to the land. An ephemerality lingers within the work–a longing to experience and hold on as larger forces cause land and home to change forms. The work holds space for lightness but also defies it through an ominous representation of the cycles of loss within nature. I am especially drawn to the birds that live between land and sky, between rooted experience and unmoored wonder. I have a yearning to understand what it is like to be a bird, and a simultaneous acceptance of knowing that I never will. There is both a separation and a closeness between us. I do not pretend to understand why, but the observed experience of a bird feels wildly linked to my own returning to the marsh.

Monica Philbin – Otherworld – 2022

I began this thesis as a journey to find myself and to piece together evidence of the spirit world in my photographs to show my mom. I soon realized that it would probably be impossible to make a photograph of an actual ghost and subsequently turned my focus up on the mysteries found in my secular and manageable world. Photography has become my way to express myself and to communicate with the world.

Natasha Major – The Outpouring – 2022

The Outpouring is the title of this document that moves between memoir and musing, examining how I came to understand photography as a mediator between inner and outer life as well as how my process has developed and deepened over the last two years. Two artist books are connected to the written document: For an Anxious Mind (2021) and The Light Here and Elsewhere (2022), each is a vessel for communicating a particular feeling or an experience. The Outpouring discusses the organizing principles of each work, what led to their conception and the artists who have helped me locate my work in a larger context.

Quentin Gong – One, And Two Stories – 2022

Dramatizing what I have experienced allows me to turn my ordinary experience into a more interesting story. In this way I use my own personal life as a basis for my films. Snap Out of It and Mary were two short films I made in 2021 and 2022. These films are about ordinary people’s stories, and they are both created based on my personal life experience. We are all born ordinary, but we all have the potential to experience extraordinary lives.

Tiziana Meneghel-Rozzo – The Power of Camera-less Photography to Communicate a Haptic Experience – 2022

Through my projects, I am searching for a way to visually communicate a moment experienced in time through what it brings to light: a face, a tear, the physical act of leaving an impression or sharing an emotional gesture. I use photography as a way to connect and communicate a lived experience and to visualize bodily intimacies. In my images I like to wonder, imagine, and question what I am looking at — what I know and do not know. It is within the dark realities of a chaotic world that I, as an artist, feel compelled to respond with marks that carry meaning within them. In the two projects that follow, Haptic a nd Tears, I use a 20th-century photographic technique to focus on touch and contact, to convey meaning at the level of physical operation.

Travis Flack – Lifelong Obsession With Oblivion – 2022

As of right now, photography has been in my life for more than half the years I have lived on this planet. It has moved with me, and sometimes in spite of me, marking creative growth, existential frustration along with the very specific idiosyncrasies that I now realize are the traits that define me as an artist. In conjunction with this medium that I have chosen as a method of explanation and expression is this other entity, a need for extremes of varying intensities that I have come to realize is the driving force behind a lot of the subjects I choose. These intense experiences have broken down my existence in complex ways, making me feel like someone who is in a constant state of repair or rebuilding. Lifelong Obsession With Oblivion started out as the calculated detonation of my life in order to review it. From this exploded view the work mutated, from the very literal physical form to the figurative forensic symbolic investigation. Lifelong Obsession With Oblivion is a photographic survey about surrendering, about giving into something that completely consumes you to the point of complete, wonderful, beautiful deconstruction.

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194 Photography Essay Topic Ideas & Examples

🏆 best photography topic ideas & essay examples, 👍 good essay topics on photography, 🎓 simple & easy photography essay titles, 💡 most interesting photography topics to write about, 🔍 interesting topics to write about photography, ❓ photography essay questions.

Photograph Description: Nature The photograph reflects a marvelous landscape combining the elements of human interference in the form of buildings; it is necessary to underline the fact that the picture is to be referred to as representational […]
Personal Interest in Photography Most of Cotton’s photographs were devoted to the exploration of the serenity and beauty in the natural world, as can be seen in the photographs below. We will write a custom essay specifically for you by our professional experts 808 writers online Learn More
Is Photography an Art and Why? In brief, photography is an art since it uses a variety of human actions to create aural, visual, or performative artifacts that show the author’s creativity or technical proficiency and are intended to be admired […]
Pathos, Ethos, and Logos in Photography The audience’s personal experiences affects its interpretation of what the picture depicts, it might be close to the communication the photographer had wished to convey or a totally different perspective.
Eastman Kodak and Photographic Film Industry Major Changes This kind of study enables the marketer to evaluate the performance of the company in the market. Therefore, the application of the model is inevitable in case the market is to understand the performance of […]
Publishing Controversial Photographs: To Be or Not To Be? Harte took some pictures of the rescue operation, including an image capturing the moment when the rescuers found the body of a drowned boy and showed it to the family.
Steve McCurry’s Photographs This approach has revealed the impacts of war on the lives of many people across the globe. McCurry had the opportunity to capture the portrait of a monk in Tibet.
Photography: Art Creation & Reflection The thematic connection between the two pieces is based on the illusionary vision of the simple scenes and experimental approach to the art of photography.
Photography as a Mass Medium To demonstrate this fact, the study explores the works of Sontag in her article titled, On Photography, and shows how digital photography changes her analysis about the “photographic way of seeing” life.
Note-Taking and Crime Scene Photography Concerning the effectiveness of notes, generally, they should contain a high level of detail, and straightforwardness and cover all areas of the crime scene.
Reflection of Photographic Arts The knowledge influences the choice of image and the position of the subject in the photograph. The knowledge of the fundamentals of photographic arts creates a world of possibilities.
Impacts of Photography on Advertising So as to discuss this topic, this paper shall: trace the development of photography on advertising; discuss the positive impacts of photography on advertising; and discuss the negative impacts of photography on advertising.
Invention of Photography and Its Social Impact Although photography was invented in its full form only in 1835, an understanding of the social impact that was a result of the invention of photography is rightly portrayed by Azoulay in his article “The […]
Photography as a Career It is of essence to note that a number of variations exist in the field of photography, for example, self-employment and commercial photographing are just some of the ways one can successfully earn a living […]
Photography in the E-Business: Marketing Strategy Business owners or those in the photography business are now thinking of possible and probably the best way to reach a wider market in the most fashionable and quickest way.
The Development of Lithography and Photography in the Nineteenth Century For this reason, when the reproduction techniques of lithography and photography came up, most of the artists at the time viewed this as a gold mine. As to whether lithography and photography resulted in a […]
Sports Photography and Its Evolution The death of Niepce was announced in 1833, but the experiment was still been performed by Daguerre and he succeeded in the development of the daguerreotype finally in 1837.
Gordon Parks, an American Photographer After the death of his mother in 1926, Parks was forced to move to Minneapolis, where he made a living by affiliating himself with a number of odd jobs, such as the job of a […]
The Visual Argument in the Photograph The photograph and the remark appeal to pathos, striving to first show the emotions of the child in the picture and then accentuating how the words shown through the hand around the boy’s neck can […]
Photographs Depicting Sufferings of Real People Recording reality may run counter to the goals and ideals of the person making the recording. The dilemma of reaction to shocking photographs is often limited by the viewer’s psychological predisposition and internal values.
Dharker’s Postcards From God Book and Carter’s Family Photograph Human poverty might have many colors, and the worth of the chosen non-literary work is in the possibility of conveying the struggle in the face of inevitability.
The Connection of History and Photography Overall, photography falls under the visual sources of chronological data that historians can use to understand and write about recorded events.
Photography Comparison and Contrast The focus on the naked parts of the body, like dirty and scratched hands, necks, and faces, allows for learning about the terror and horror of that period. In my photo, the style differs due […]
An Analysis of a Photograph By Mike Wells This spread of technology-enabled many people to document the environment around them and allowed millions of people to relate to stories of others told through photographs.”A Starving Boy and a Missionary” is one of the […]
Photography Exhibition: Examples of the Works This is an outstanding piece of art which made me, for instance, think of our world and humanity: first of all I thought about the perfection of the both, and then I passed to contemplations […]
Yosemite National Park and Connecting With the History of Photography By the time the Yosemite series was started, Carleton Watkins was a famous master of the so called wet-collodion technique that made use of the “mammoth” plates made of glass to allow for the better […]
“Film und Foto” Exhibition and Surrealism in Photography Surrealism is considered to be a cultural movement of the early twentieth century and is commonly reflected in the works of art and writings.
Melancholy Objects in Photography The purpose of this paper is to develop a critical evaluation of Sontag’s claim of melancholy and Photography, with reference to a photograph taken for a tombstone in a cemetery. In fact, the grave looks […]
Photographer Diane Arbus’ Creativity Analysis Therefore, Arbus showed consistency with the portrayed ugliness of the subjects in the photographs. This enabled Arbus to capture moments that genuinely depicted the feelings of the people in their environment.
Privacy and Photography in Public Places According to the protectors of privacy, it is inappropriate to take photographs and circulate them without the consent of the individuals.
Concept of Documentary Photography The purpose of composition in this case is to bring out a distinction between the different elements of a work that is being portrayed in such a manner that the elements of the work that […]
Jeff Wall, a Contemporary Photographer and His Works Most of the photographer’s works are staged, depicting everyday scenes related to the problems of representation and the history of art.
Photography: An Artist Statement In the first image, I arranged the details in the composition to guide the observer through the place I captured by the camera. With the help of the play of the light and shadow, I […]
Photography: Critical Analysis The vertical, restive position of the pencil in each of the slides is indicative of a resort to have finished a particular task, presumably that of writing on the foolscap, with the pencil resting in […]
Visual Art and Photography Ice Sculpting is truly an art of its own, and even though this style of art is not permanent, unless a person were to place the item into the freezer, this would still be categorized […]
Imogen Cunningham, an American Female Photographer The high contrast and neutral tones of the image bring to the viewer’s attention a variety of details, including the woman’s hair, her wrinkles, and the unevenness of her skin.
Nikki S. Lee and Photography Considered to be one of a kind, the unique nature of this exhibition placed her in the limelight. In ‘The Seniors Project’, Lee managed to transform herself to fit the image of an old woman […]
Lighting in Painting, Film, and Photography Due to the lack of detail and the unobstructed silhouette lighting, the viewer can witness the anguish of the photography’s subject. Finally, “The Entombment of Christ” is a famous example of chiaroscuro lighting in art.
The “Close Enough” Exhibition of Photographs Each of the authors presents their vision of connections and relations in global moments, communities, and individual subjects.”Close Enough” deserves a lot of attention in the context of its importance and significance to the world […]
The Photograph “Melissa Shook in a Lonely Home” by Elizabeth Hammer Munemura The presentation of the idea of malnourished flowers in the room depicts the state of homelessness in the series. The photograph was taken behind the scenes to familiarize the actors and actresses involved in the […]
Matthew Brandt’s Approach to Photography The artist labors over the production of his images, turning the creation of his work into grueling physical labor by utilizing long-forgotten techniques acquired from the earliest photographers in the tradition of photography, making his […]
Walter Benjamin’s Article: The Invention of Photography In “The Work of Art in the Age of Mechanical Reproduction”, Walter Benjamin discusses how the invention of photography and other mechanical reproduction forms has changed how people perceive works of art.
Canadian Regional Geography in Photographs Because of the combination of two types of climate and the terrain, there is a wide difference of ecosystems. The second image is likely Atlantic Canada, as there are fishermen on it, while the most […]
Photography as Quick-Paced Creative Medium Photography is interesting since it helps keeps memories alive and prosperous because it freezes a scene that lasts forever. In capturing moments of importance and beauty, photography helps one revisit memories in a way otherwise […]
The Background of Photography and the History of Racial Strife Overall, Ardizonne argues that Day’s work was destructive to the political discourse, based on an assessment of the pictures and the content of the anthropological section.
The Ellen Terry Photograph by Julia Margaret Cameron The value of the artwork is that it reminds the world that people are all the same. An interesting fact about the artwork is that the picture was taken during the honeymoon of the actress.
The Search for Truth: Early Photography, Realism, and Impressionism European colonialism led to the popularity of ethnography and the emergence of Orientalism the Western representation of the Middle East visually or literary.
Photography of Global Disasters: Violence or Not? There is a moral dilemma in people’s urge to respond to suffering photographs of others by either just looking at the pictures or doing something to stop the disaster.
Special Features of the Photography by Luc Delahaye and Ansel Adams The above photograph is one of the works by Ansel Adams, who is recognized as a pioneer in the evolutionary field of expertise.
Significance of the Photographs Created by T. Simon and J. Riis In turn, Riis presents a unique perspective on the immorality of the Victorian neighborhoods serving as evidence of erroneous people’s attitudes towards appropriateness.
Photographer Lene and The Heart Project Lene has had an opportunity to work in a large variety of creative mediums, utilizing the skills acquired in a number of projects. The use of paint, charcoal, and mosaic in her art creates a […]
“Tom Torlino Student File” Photograph Analysis The before and after photo of a native American student is vivid evidence of American influence on the disappearing cultural heritage. What was the impact of such boarding schools on the identity and values of […]
The History of Photography of the Nineteenth and Twentieth Century They assured the recognition of photography as a kind of art. Alfred Stieglitz created a series of clouds photographs that combined the technical and aesthetic principles of his work.
Ethics in the Age of Digital Photography by Long In his article, ‘Ethics in the age of digital photography,’ Long expresses his concern over the problem of “the public…losing faith” in photojournalists.
Composing With Light or Color in Photography Light, shadow and color are the components of an image. The balance between each element affects the quality of the image.
Photography, Impression and Alfred Stieglitz A striking example of this is the emergence of photography as a category of art after the invention of the camera.
Macro Photography: Features, Techniques, and Common Mistakes It is customary to call macro photography the shooting of objects comparable in size to the size of a film frame or much smaller than it.
Town Photography Studio Online Branding In order to convince our potential customers about the quality of our new product, we need to use attractive images of the new product which can easily capture the attention of our potential customers.
Dream Deferred: Timeless Relevance. Poem and Photograph Review The relevance of showcasing social inequality through voices and faces of the Afro-Americans in the United States draws the parallel between the historical and contemporary context.
The Beauty of Photography: An Opinion However, ultimately, I leaned toward the DSLR cameras and still photography rather than the motion of the film. As a result, good photos make one look at the situation from a different angle, capturing a […]
Chris Hondros: War Photographer This leads the author of the current paper to discovering the key three topics that have to be covered in order to evaluate Hondros’ contribution to war photography during the first decade of the 21st […]
Jack Dykinga’s Photography In addition, this use of light adds to the beauty of color harmony and color saturation in the picture. Because of the duly chosen perspective and the angle of shooting along with the time of […]
Margaret Bourke-White: A Historically Significant Photographer Among Bourke-White’s exclusive works are the photos of the First Five-Year Plan in the Soviet Union, the daily struggle of the Allied infantrymen in the Italian campaign, the siege of Moscow, and the conflict between […]
Julia Margaret Cameron: A British Photographer As the photographer later wrote in her unfinished memoir “Annals of my glass house”, from the moment of the first shot, the camera had become a link to the world of artists, scientists, and writers.
History in Abbass Studios Ltd. Fonds’ Photographs The approximate creation date of the collection is mentioned as 1940 the year when the eldest of the Abbass brothers became interested in photography. George was in charge of the office and the studio.
HDRI and Tonal Mapping in Photography The science of High dynamic range imaging has developed the dynamic range of processing, transmission, and representation of imaging photography beyond the traditional forms.
Photography: Robin Fox’s Proof of Concept The subject and concept of the exhibition is as unique as it can be and the gallery is the best place where the photos can be exhibited.
Horst Wackerbath and His Great Photography This mystic twist in Wackerbath’s work keeps people looking out for more of his works in a bid to try to understand not only how he manages to pull such a delicate feat, but also […]
Knowing Andy Warhol’s Life and Photography The Post-Modernist Movement of pop art and culture in the latter half of the twentieth century was a revolutionary movement and it was started by the American artist Andy Warhol’s very amundane’ looking paintings of […]
Without Sanctuary: Lynching Photography The photographs in Without Sanctuary provide a record of the intolerance and racism that was standard in the United States at the turn of the twentieth century.
Ansel Adams and John Sexton: World Photography The first assumption that we can make about these works is that both of them achieve an effect of optical illusion and this is one of the most difficult tasks for a photographer to carry […]
Has Digital Technology Improved the Quality of Photographs? In the case of our apple, most of the wavelengths are absorbed with the exception of those that lie on the red end of the spectrum.
Photograph Works by Laura McPhee This particular feature in the works of Laura McPhee impresses the viewer owing to the mastership of the photographer in playing with the background and foreground.
Evaluating Evidence: Paperwork and Photographs The paperwork evidence is one of the main evidence, as it is the prejudicial evidence of the witness, who walked the cemetery and saw the act of vandalism of the tomb.
Photography Exhibition “Threads” in Melbourne The subject matter of the photograph under consideration is the nature of identity or, to be more exact, the exploration of it.
Pia Johnson’s Photography Exhibition The main aim of the photographer is to stop the time and to make people to be delighted by the beauty of the picture, as the time is the substance which flows fast and the […]
Three Questions About Photography If they do, it is through the main webpage where it is displayed and the user is not allowed to copy the image.
Photo Art: Photographic Exhibition This is the photo produced by Samantha Everton in 2009 as a part of her Vintage Dolls series: The photo is installed in a frame during the exhibition to ensure the considerable attention the viewers […]
Photographic Exhibition in Melbourne Australia The concept of space in the exhibit depicts that of loose and un-articulated. But nowhere in the exhibit were photos shown of men or women building gabions baskets, or showing the river.
The Exhibition “The Arlen Ness Photographic Exhibition” Watching the landscape in reality and the same view on the photo, the viewer may not notice the difference as the professional photographer, the artist tries to make his/her photos so realistic and inconceivable that […]
“China and Its People in Early Photographs” by John Thompson In spite of the fact the majority of his works are believed to be documentaries, Johnson is often referred to a photojournalist, because he often focused attention on the social aspect of human relationships, it […]
Atta Kim: Presentation of a Photographer While many techniques Atta uses are not new, in some context the works of Atta can be considered as a philosophical opinion that was visualized using photography.
Photography: Brief History of Invention At that time all images produced were in black and white and eventually all masters of the art came to believe that the only artistic way to record photographic images was in black and white. […]
Photographic Pioneer: Paul Strand One of her eyes is a stone eye and with the other eye she is trying to view something on her left side.
Edward Steichen in History of Photography Edward Steichen is one of the central figures in the history of photos. The astonishing sale charge of the print is, in part, featured to its one-of-a-kind personality and to its curiosity.
Contribution of Modernity to Photography and Film Movements Modernity in visual arts and cinema is part of the ever-changing world, wherein the establishment of ideas, different people in the world of art participates in experimenting with the forms and styles of art, thus […]
History of Photography: Brief Overview of the Most Exciting and Impressive Ways of Cultural Representation Photography is one of the most interesting and impressive ways and techniques of culture representation. For instance, photography documented the culture of the 1920s and world wars, the Great Depression-era, and the liberation movement.
History of Photography: Road and Poplar Trees Analysis The picture artistically depicts the distance between the poplar trees making the trees on the right side to be smaller than the left side.
Snapshot vs. Fine-Art Photography in Digital Age The scale of distribution of everyday photography is associated with the improvement of photographic technology and the spread of electronic and digital technologies, making exploring snapshot photography particularly relevant. To analyse the functions of snapshot […]
Edward Weston’s Modernist Photographs More attention should be paid to the analysis of Weston’s photographs and the comparison of their style to my photographs. The object in my black-and-white photograph looks like a kind of tubes, which texture is […]
Photography & Folk Art: America in the 1930s Exhibition The exhibition “Photography + Folk Art: Looking for America in the 1930s” is a remarkable venue where visitors can see and even feel the atmosphere of the years of the Great Depression in the United […]
”Preferences for Photographic Art Among Hospitalized Patients With Cancer” by Hanson ET Al. The opinions of stakeholders, who are patients and nursing staff, as well as the outcomes of treatment, are factors that influence the response to the research question.
Philosophy of Photography as an Art In conclusion, it is necessary to stress that photography is a specific form of art that involves the use of technology.
Photographs and Danto’s View on Art This argument comes from the idea of the philosophic meaning of art and its ability to impact viewers by representing some objects of reality in unusual ways.
Robinson, Emerson, and Photography as an Art Both of them viewed the newly created form of image capture as a medium for the expression of art, but their views on the nature of the movement were radically different.
“The Valley of the Shadow of Death” the Photography by Roger Fenton Finally, from the standpoint of war, such a large number of cannonballs on the road testifies to the scale of the hostilities, which also makes one wonder about the alarming consequences of attacks. Therefore, the […]
Photography Changes Who We Think We Might Be This essay is interesting and was chosen because Bergen is famous for her acting and not for photography, yet she clearly has a passion for this trade.
A Distinct Camera Vision in Jacques-Henri Lartigue’s Photograph Also, there is no focus on the man’s feet because the camera concentrated on the leap in water, and the feet remain out of the water.
Moholy Nagy’s “Laci and Lucia” Photography In order to make it fit the life in the 21st century, the famous quote by Laszlo Moholy Nagy can be rewritten in the following way: “The illiterate of the future will be the one […]
Andreas Gursky’s “The Rhine II” Photography In The Rhine II, the photographer attempts to deliver “an accurate image of a modern river” and invites viewers to see the river enclosed in the deep-colored stripes of grass, concrete, and the clouded sky.
Nature and Animals in Photographs In the picture, a viewer sees the glassy and smooth water surface, the banks and fir trees covered with snow, and a high dome of the mountain in the center of the photograph.
Photography: Is It Possible to Recapture the Past? The problem of photography is twofold: the problem of representation, and the presumption of reality that the photographic images elicits in the viewer the pervasive belief that a photograph depicts a referent, a real “how […]
Photography: A Cultural History In the middle of the 1850s, there were many photographers, whose projects caused people’s admiration, and the works of Edouard Baldus, Imperial Library of the Louvre, and Roger Fenton, Rievaulx Abbey, may be considered as […]
A Critique of a Photographer’s Works: Matthew Abbott Matthew Abbott underlines one simple fact that Istanbul is the only place where East has all chances to meet West, this is why it is hard to predict the traditions and interests of Turkish people, […]
Richard Drew’s Photography: Visualizing September 11 This would have ensured that I had accommodated the rights of media, clients, society, and other stakeholders while still adhering to media ethics.
Hector Mediavilla Photographic Series “The Congolese Sape” The photographer’s decision to organize the order of photographs influences the viewer’s interpretation of the image. The photographer captures an image from a focal position; the decision to capture the image is influenced by the […]
“Memorial Day” by Anthony Suau: Photography Analysis The background of the image is blurry, indicating that when Suau took the photograph, he had one central area of focus and opted to indiscriminately isolate the other items in the shot.
Photography and Society Through History: Political and Ideological Functions Another example of a thoroughly politicized photo, which during the course of the thirties was meant to promote the cause of Communism, is Alexander Rodchenko’s Pioneer with Trumpet:
Photography and Its History This is termed as documentary photography in which a value of a photograph is measured by its worth of objectivity, which depends on the subject matter, the perception of why it is taken, and the […]
Michael Lesy’s Wisconsin Death Trip: Photograph Analysis As highlighted by the focus of the light and the enlargement of the image, this makes the ribs of the horse to be the photo’s point of focus.
Modern Art: Painting, Sculpture, Architecture, Photography Duchamp and his work have a connection through the refusal to accept the views of the majority of artists and art lovers.
Photographs in a Written Society Visual literature requires one to have the ability to analyze, interpret, and understand images with the aim of acquiring meaning through the cultural context in which the image exists.
Perspectives on Photography In his essay, John Berger states that the war in Vietnam was one of the most influential transformations of the world.
The History of War Photography The purpose of this report is to identify basic trends in the development of war photography and determine the conceptual, stylistic, and technical changes observed in the course of its formation.
Fascination With Crime Through the Art of Photography The image is not for the faint of heart; however, it is fascinating in a way it is shot. It is evident that the robber fired a bullet into the camera to hide his identity.
Photography: The Art of Seeing The images that she deals with are associated with saucer magnolia blossoms and she aims to capture the exquisiteness of trees hence bringing-forth that magnificence to the attention of her audience.
Timothy Hogan’s Photography Taking into consideration the infinite backing from the greatest producers, retouchers, and workshops in the professional photography niche, it is quite reasonable that Hogan and his team managed to furnace the lifelong contacts that provide […]
Photography Ethics, Reliability, and Principles As a result, it is often possible to guarantee that the photo provided in the news is not a product of Photoshop.
The “We Are All Equal” Photography by Haley Bell In spite of the fact that the photograph is rather straightforward in its message, it is important to focus on this image of a young white woman’s hand with words saying that we are all […]
The Photograph Description and Criticism In this picture, the foreground is where the woman is seated and the background depicts transparent window of the apartment The photograph was likely taken in a broad daylight since outside the apartment to be […]
Photography Company’s Public Relations Campaign The accomplishment of each aim will be performed following the specificity of the targeted audience that is supposed to be composed of the middle-class population of the Seattle Area. In the meantime, they expect that […]
Child Labor, Great Depression and World War II in Photographs The impression is of isolation and yearning for daylight, freedom, and a childhood foregone, in the midst of a machine-dominated world.
Social Documentary Photography Then and Now In the first place, he tried to inform people about the diversity of life in the city, which was a common trend for the beginning of the twentieth century.
Hine’s Indianapolis and Kruger’s Help! Photography Nevertheless, unlike Lewis Hine, Barbara Kruger chooses to combine different media, and in this way, she departs from the canons of the modernist art. Overall, this comparison indicates that the works of Lewis Hine and […]
The Photography Gallery in Melbourne The photos are mounted on glass and owing to the fact that the setting is indoor, a lot of lighting is applied to prevent any darkness.
Melbourne’ Keith Gallery: Photography Analysis However, at the entrance of the gallery, I took a picture that shows the entry of the gallery that has photos on it.
The Basic Critical Theory for Photography According to Berger, images depend on the way of seeing of the person who has taken them. Berger insists that ‘publicity images’ and ‘advertising images’ have the same meanings.
Andy Goldsworthy: Sculptor and Photographer Besides, the vast majority of artworks of this sculptor are installed in nature in the woods, fields, plains, at the ponds, or rivers.
Lewis Hine’s Photography Art Being born at the age of great changes and stresses, Lewis since his childhood was interested in the imprinting of some great moments of the history of American society.
Technologies: Amateur Film vs. Cell Phone Photography An analysis of the advantages and disadvantages of the two forms of photography concludes the paper. Cellphone and film cameras have apertures that regulate the quantity of light passing to the sensor and film, respectively.
Photographic Representation of War Photography captures the moments that are gone, portrays the reality of the past, and preserves the images that used to be real at the second when the photo was taken.
Photography in Arabic Countries New and new tendencies and fashion took over the generations of European and American photographers, while for the photographers of Arabic and Middle Eastern countries the art of taking pictures was still new.
The Pool’ Pictures Balance in Photography Because of the unique combination of urban background and the green elements, as well as the presence of such details as the cast iron, the change in the pictures of the pool not only shows […]
The Photography of the Arctic Ice Panoramic View The vivid play of light and color in the picture brings out the striking separation of the detached mass from the main iceberg.
Photograph Discussion: Physical Elements and Content Telling from the photograph, the three boys were part of the group playing games in the background and were called to attention by the photographer.
Photography: Finding Beauty in the Ordinary Therefore, the beauty that the photo represents is largely derived from the actual object. While Sontang acknowledges that the close-up is a reflection of truth, it is still subject to the photographer’s viewpoint.
The Photographic Approaches Towards American Culture of Robert Frank and Gary Winogrand Frank practiced many forms of photography and he did photography both for the commercial and fashion purposes and was considered an influential American photographer who was also a mentor to many young American artists.
Photographic Approaches for Manuel Alvarez Bravo and Ann Parker In this review, a comparison is made of the photographic approaches of Ann Parker and Manuel Alvarez Bravo, looking for similarities and differences in their art.
Surrealist Photography and Experimental Photography These two techniques showcase objects in an in-depth manner, concentrating specifically on the surroundings of the image and creation of an abstract form of art that shaped the history of photography.
Photography and Beauty Perception His resistance stemmed from the fact that in the early decades of photography, photographs were meant to idealize images and for a picture to be considered beautiful, its subject had to be something beautiful.
Araki Nobuyoshi and Photography He promoted a new genre of art which is up to date cherished in Japan and other parts of the world.
Photographic Approaches Towards Landscapes: Peter Henry Emerson He insisted that science was a core part of art and photography and thus, he endeavored to prove how the two were completely dependent. He was able to capture the economical effects of the depression […]
A Comparison of Photographic Approaches Towards American Culture Siskind, on the other hand, used photography as a skylight into the subconscious minds of Americans and a technique to react to the dirty happenings experienced in World War II.
Photography of High-End Art However, in order to capture the beauty and uniqueness of the original artwork, as well as incorporate a range of innuendoes concerning the artist, the era that the art was created in, etc, very specific […]
The Description of Nature in Jack Dykinga’ Photographs There are several aspects of these photographs that I would like to discuss, namely the interplay of light and shadow and structured space. This is the main lesson that I learned from the works of […]
Jack Dykinga’s Outdoor Photography The works of Jack Dykinga have longed appealed to because this photographer is always able to emphasize the beauty of nature by paying attention to color patterns and space.
Photography’s Impact on Society The pictures taken from scenes of dying soldiers in the American civil war are some of the reasons that evoked strong emotions, which led to the end of the war.
The Impact of Nineteenth Century Photography on Visual Representation and the Development of Visual Culture The essay concludes with a showcasing of a number of nineteenth century photographs that illustrate the wide range of uses, particularly in the realm of portraiture, that photographers of the nineteenth century employed the photographic […]
Weegee and Goldin’s Photography This paper compares Weegee and Goldin’s photography to address the connection between the middle years of the twentieth century, when photography began to expose realities in life, and the modern distrustful era.
Mads Nissen, a Danish Documentary Photographer He has helped in expressing the plight of the minority groups in the society and also in championing of human rights of the people all over the world.
History of Photography Culture Thus, as a result of the credibility, reliability and realism of photography, the development of photography was closely related to the industrial revolution, the scientific revolution and advancement in philosophy.
Critical Analysis of Barthes’s Camera Lucida-Reflections on Photography He maintained that a picture has a potential to create deceitfulness in the fantasy of ‘what is’, where the description of ‘What was’ is so specific.
“Escaping to Reality: Fashion Photography in the 1990s” by Elliot Smedley Written by Elliot Smedley, “Escaping to Reality: Fashion Photography in the 1990s” explores how contemporary fashion photography is adopting realistic styles by using realistic activities contrary to ideal styles that had dominated art and photography […]
Surrealism in Photography Surrealism, which started after the World War I, in photography is one of the indicators of most important revolutions that have taken place over the history in the area of photography.
The Art of Photography: Seizing the Moment Flying The vividness of the gender stereotypes which the art of photography disclosed was incredible, because of the new ideas of gender gap and the gender prejudices which the boldest photographers dared to take picture of.
Critique of a Photographer, Tom Williams The major point is that the works of Tom Williams can be found in both private and public collections, this is why the popularity of his works raises day by day, and, it is quite […]
Exhibitions at the International Center of Photography Focusing on the photographs by Chim, it is possible to feel as the part of the European society between the 1930s and 1950s.
Photographer Jeff Wall and His Paintings The room is clearly in a state of disarray as the dishes and several other things in the room are unattended to.
Photography Art in 20th Century In its turn, this reflected the fact that during the course of the 20th century’s initial phase, the classical conventions of physics have been thoroughly revised, due to the emergence of the Theory of Relativity.
Photography: Jimmy Nelson’s Piece of Art According to Nelson, the Maasai are part of the few tribes in the world that are quickly fading due to civilization and the increasing need for the world to form a global community.
Photographer – Robert Frank This element is evidenced by Rodeo which was taken in 1954 in New York city because one can not identify the face of the guy who is leaning on the dustbin but since Robert’s photos […]
Social Uses of Photography: Post-Mortem Photographs The art of photography was invented by Louis Daguerre in the 18th century; this invention promoted the representatives of the middle class family with an opportunity to memorize the events and people and not to […]
The Exhibit Twilight Visions at the International Center of Photography The medium of photography in the post World War I period was almost too deliciously convenient a vehicle for certain proponents of the Dadaists and the Surrealists.
Evolution of Photography: Trying to Seize the Moment In his book A Concise History of Photography, Helmut Gernsheim takes the reader onto a time travel, explaining the origins of photography and telling about the opportunities that photography offers.
What Is the Difference Between Film and Digital Photography?
What Is the Most Popular Photography Website?
How Does Photography Affect the Social and Political Arena?
How Photography Has Changed Our View of the World?
Why Was Post-Mortem Photography Popular?
When Was Photography First Invented?
How Romanticism and Photography Shaped Western Modernitymodern?
What Was Photography Originally Called?
How Digital Processes Change Photography?
What Photography Can and Really Should Document?
What Is the Best Photography Course for Beginners?
Why Photography Is an Art?
What Would the World Be Like Without Photography?
How Photography Has Changed Changing Business Environment?
How Did Joseph Nicephore Contribute to the Early Development of Photography?
What Is the Target Market for Portrait Photography?
What Are the 4 Styles of Photography?
How Has Fashion Photography Changed and Developed Over the Years?
How Did Photography Reflect the Values and Stereotypes That Underlay European Colonialism?
Why Is Photography So Important?
How Does Photography Affect Our Lives?
Which Type of Camera Is Best for Photography?
Why Is Digital Photography Better Than Traditional?
How Are Music and Photography Related?
What Are the 7 Principles of Photography?
How Did Female Surrealists Aim to Subvert the Male Gaze Within Surrealist Photography?
How Photography Works and Has Evolved?
How Have Photography and Photojournalism Transformed Media?
What Was the Effect of Photography on Painting in the Nineteenth Century?
What Makes a Good Food Photography?
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Photography Dissertation Topics

Photography is an art form worthy of critical attention, so it’s no surprise that many Arts and Culture students choose to write a photography dissertation. In particular, the technological innovation of photography coupled with its varying sociocultural impacts has encouraged many students to want to write a dissertation on photography. But how you should you go about choosing a topic for your photography dissertation? The following sub-sections provide suggestions on the most recent trends and innovations in photography, particularly concerning technological developments, ethics, and the evolution of photography trends.

Digital Photography

Photojournalism and communications, photography, ethical, cultural, and societal perspectives, the evolution of photography, photography and global politics, photojournalism during the covid-19 pandemic.

Digital photography emerged as a technological innovation during the 1990s, and since then, it has developed into a computer mediated approach to photography. The old methods of taking pictures have, therefore, been improved and enhanced by digital technologies. Also, it has not only replaced the silicon chips and old photography methods, but it has also introduced more advanced methods, as photography has now adopted the use of information technology. This could be an interesting subject area to examine if searching for topics related to technological trends and developments in photography. Examples of topics in this area are listed below:

How has digitalisation modified the position of photography in society?
The evolution to Digital Photography and its impact on photography methods.
A review of the current technologies, cultural methods, and the social practices of snapshot photography.
How has visual reporting transformed the landscape of news reporting and journalism?
An analysis of Visual Storytelling during the current era of Post-Industrialist Journalism.

Photojournalism refers to the process of reporting using either still or changing images. The development of photojournalism has been closely aligned with evolving technological trends, and photojournalists have adopted more enhanced approaches for reporting events. Nonetheless, the major core value of photojournalism remains significant, as photojournalists continuously search for the opportunity to witness significant events and share the evidence of such events. Photojournalism also focuses on highlighting important social topics and encourages discussions about public response. Therefore, this is an interesting research area if you are fascinated with journalism and photography. Some relevant topics in this area are listed below:

The impact of Mobile Technology on the significance and role of Photojournalism in the Society.
The challenges of Photojournalism: Realism, the nature of news and the philanthropic narrative.
How has the current era of network media and social media websites impacted on the Photojournalism?
Is Digitalisation destroying Photojournalism?
Exploring the relationship between the professional values of photojournalism and the process of digital photo editing and the generation of online news videos.
Reconsidering Photojournalism: Investigating the constantly shifting work routines and professionalism of Photojournalists in the Digital Era.

Since its early days, photography has prompted several debates with regards to its ethical application and misappropriation in society. Nonetheless, the creation of images has aided in the creation and communication of cultural identity and history. The current ethical, cultural, and societal perspectives about photography would be an interesting research area. Below are some suggestions of topics related to this area of photography:

Digital age and mass surveillance: The ethical perspective of visual photography.
The Integrity of digital images: The current principles and practices of image manipulation in document photography and photojournalism.
A study on visual photography, particularly the relationship between images, objects, and general photographic representations within the cultural and social contexts.
A critique of Visual Ethnography and Cultural Representation in Photography.
Compassion, integrity, and the media: Examining current issues in cultural photography.
Image ethics: The ethical privileges of the subjects in pictures, movies, and television.
Truth or Fiction? The impact of ethical and societal perspectives on media imagery during the digital era.
Professional photography and privacy: Are the personal ethics of a professional photographer adequate?

The field of photography has evolved over the past decade, with vast technical and theoretical developments to the standards of photography since it was created in 1839. Therefore, this is an interesting research area, as it gives you the opportunity to investigate the source of a specific innovation or method and examine any historical implications. The suggested research topics in this area are listed below:

The evolution from camera obscura photography and the era of photographic illusions to the current use of modern, digital, cameras for photography.
The effect of photography on historical events, including the Civil War.
The transformation of photography: How has the development of photography impacted Law and Culture?
An examination of the realism of Landscape Photography.
How has the use of modern photographic trends transformed news reports and the recording of significant social events?
What is the impact of photography on the evolution of social media websites and communication systems?
Closing the gap between Research and Practice: The Interrelationship between Photography and Hyper-realistic Art

Considering the current visual and digital era, it is apparent that images shape worldwide events and the society’s perspectives about them. Also, factors such as television programs and photographs impact on global politics as different phenomena are viewed, including wars, economic downturns, election advertisements, and humanitarian catastrophes. Therefore, visual politics have become the norm, with the use of digital platforms across the political spectrum, from extremist recruitment campaigns to social justice movements. Thus, this is an interesting research area, with a wide range of topics. Some of these topics are listed below:

A discourse analysis of how photography can be used to support political propaganda in the United Kingdom.
How does images and photographic representations of political activities impact global politics?
An exploratory review of the discourse and subjectivity of photographs within the political landscape.
What are the political functions of images and visual artefacts?
Photography and Politics: The impact of photography in the Political world.

The current Covid-19 pandemic has become one of the most severe pandemics of this era, with significant economic, societal, and political impacts. Therefore, this would be an interesting area of research, with a wide range of topics that can be investigated. Some of these topics are suggested below:

How are leading Photojournalists worldwide documenting the resulting impact of Covid-19 on societies?
Photojournalism: What are the ethical issues of reporting the impact of Covid-19?
What are the roles and responsibilities of photojournalists during the current pandemic?
A review of the approach to news reporting by photojournalists during Covid-19 pandemic.

Photography Thesis Ideas

Micah mcdunnigan.

Graduate-level photography students, and sometimes undergraduates, culminate their program of instruction with a thesis. A thesis is a novel creation using tools the student acquired during his course of instruction. In photography, students use technical skills they have acquired, and concepts behind the form, to create a portfolio.

Explore this article

Conveying a Story
Beauty in Unexpected Places
Understanding Emotions
Photojournalism

1 Conveying a Story

Photography is not about simply capturing a snapshot of an objective reality. As students will have learned during their courses -- and probably realized before they started formally studying photography -- photography uses real-world images to convey the world as the photographer sees it. In this way, a photographer can tell a story by preparing a scene for his camera. Some photography students experiment with ways to tell stories with photographs as their thesis.

2 Beauty in Unexpected Places

Most people are familiar with conventional images of beauty: the picturesque landscape, the 20-something on the street, the touched-up photograph of the supermodel on a magazine cover. Leonard Nimoy, famous as an actor but also a photographer, undertook a project to show beauty in photographs of women who were overweight but comfortable with their body image. Students can follow in this vein to seek out beauty in unexpected places, and capture it using what they have learned in photography class.

3 Understanding Emotions

Art expresses the infinite range of human emotions. These include basic contentment and fear of the unknown, to more abstract notions such as awe and the sublime. Photography students working on their thesis can experiment with expressing emotions with photographs. Different items evoke these emotions in different individuals, just as different individuals notice different items in any given situation. Students can use what they've learned to prepare scenes, or simply photograph everyday situations, and use their technical skills to emphasize the scene's elements that evoke the photographer's emotions. By emphasizing these elements in the photographs, they can communicate what the photographer felt, and why.

4 Photojournalism

Not all photography is purely artistic. Photojournalists use their skills to capture real-life scenes that tell, and supplement, very real stories. Photojournalists -- especially those covering chaotic or violent situations -- do not always have the freedom or ability to frame scenes that other photographers could. Students specializing in photojournalism can choose to do their thesis on ways in which photojournalists can capture discrete events amid fluid scenes. Students can use protests and demonstrations as a laboratory for these techniques.

1 SMITH Magazine: Full On With Leonard Nimoy
2 Academy of Art University: Graduate Student Showcase -- School of Photography
3 Digital Photography School: Telling Stories With Photos

About the Author

Micah McDunnigan has been writing on politics and technology since 2007. He has written technology pieces and political op-eds for a variety of student organizations and blogs. McDunnigan earned a Bachelor of Arts in international relations from the University of California, Davis.

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Online Dissertation Resources

Dissertations, useful links to online dissertations and theses, university of roehampton theses & masters dissertations, using a thesis held in the roehampton repository in your own work, academic writing style guides.

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We have a range of online resources to help plan, write and finish your dissertation. Although this is aimed primarily at 3rd Year Undergraduates and Postgraduate Taught students, it contains information that can be useful to Postgraduate Research Students.

Sage Research Methods (Library Database) Provides a range of useful tools including a Project Planner, which breaks down each stage of your research from defining your topic, reviewing the literature to summarising and writing up.
Literature Reviews Checklist - Handout
Components of a Dissertation (document) A useful guide to the central components of a dissertation. By the end you should be able to: --Understand the core elements that should be in your dissertation --Understand the structure and progression of a strong dissertation
Dissertation Workshop - Handouts Includes a planning template and outline
Dissertation Workshop Slides
Writing Your Dissertation Guide - Handout

Other Resources

Reading Strategies (PDF document) An interactive document on reading at university.
How To Write A Literature Review Video - Queen's University Belfast 10 minute video
Start to Finish Dissertations Online Webinar from Manchester
A to Z of Literature Reviews - University of Manchester 20 minute tutorial
Appendices A short example of how to use and cite appendices in your dissertations, essays or projects

Check out these recordings to help you through your Dissertation writing process, from start to finish.

Dissertation Planning and Writing Series

Starting Your Dissertation (Video) 46 minutes This webinar recording will help you with the early stages of planning, researching and writing your dissertation. By the end you should be able to: --Understand the challenges and opportunities of writing a dissertation --Move towards refining your subject and title --Know what steps to take to progress with your dissertation
Writing Your Dissertation (Video) 52 minutes This webinar recording will help guide you through the middle stages of writing your dissertation. By the end you should be able to: --Identify the key parts of a high quality dissertation --Understand how to structure your dissertation effectively --Know how to increase the fluency and strength of your argument across an extended piece of writing
Finishing Your Dissertation (Video) 59 minutes This webinar recording aims to guide you through the final stages of writing your dissertation. By the end you should be able to: --Identify key features that should be included in your dissertation --Know how to ensure your dissertation has a strong and cohesive structure --Proofread your work.
Using Word to Format Long Documents (Video) 1 hour and 22 minutes A video tutorial on how to format long documents such as Essays and Dissertations using Word. By the end you should be able to: --Create a Table of Contents --Know how to insert page numbers --Be familiar with how to use the various auto-formatting and styles functions to manage longer documents

A selection of external sources that would be of particular use to 3rd Year Undergraduate students and Postgraduate students.

Please note that the Library does not hold Undergraduate or Masters Dissertations. For information on print and online doctoral theses please see below information on University of Roehampton Thesis Collection

National thesis service provided by the British Library which aims to maximise the visibility and availability of the UK's doctoral theses. NOTE: EthOS is currently unavailable due to ongoing issues following a serious cyber security incident at the BL (January 2024).

EBSCO Open Dissertations is an online thesis and dissertation database with access to over 800,000 electronic theses and dissertations worldwide.

DART-Europe E-theses Portal Free access to nearly 800,000 open access research theses from 615 universities in 28 European countries.
Open Access Theses and Dissertations OATD.org aims to be the best possible resource for finding open access graduate theses and dissertations published around the world. Metadata (information about the theses) comes from over 1100 colleges, universities, and research institutions. OATD currently indexes 5,153,410 theses and dissertations.

The university holds a selection of theses and master dissertations awarded by the University of Roehampton.

2013 onwards, Digital Theses

Roehampton Research Explorer - Student Theses

Theses subject to an embargo are not accessible digitally or in hard copy until the embargo period elapses. Embargoes may be applied to protect the rights of the author whilst they explore opportunities for publication, or where sensitive information is held within the thesis.

Please note that there is a short delay in recently submitted theses appearing on our repository. If you cannot find the thesis you are looking for, please contact the Research Office .

2004-2013, Print Theses & Masters Dissertations

The University holds a print Theses Collection (including some Masters dissertations) on the 2 nd Floor of the Library. The holdings are not complete as the criteria for inclusion was set by academic departments, and threshold varied between department. Not all student work would be made available to view. The selected works were intended to provide examples of work for students. Some examples were kept in-house, used for teaching purposes, and not available within the library. Library print holdings were usually kept for up to 10 years and reviewed for relevance.

To search for print theses and masters dissertations use UR Library Search to search for a title or topic and filter by Format > Book > Theses, Dissertation.

1985-2004, Roehampton Institute of Higher Education (RIHE)

Dissertations and theses published between 1985-2004 were awarded by the University of Surrey. The holdings are not complete as the criteria for inclusion was set by academic departments, and threshold varied between department. Not all student work would be made available to view. The selected works were intended to provide examples of work for students.

To search for digitised copies of RHIE theses go to the University of Surrey’s Open Research repository .

You may re-use material from a thesis in the same way you would any other source, i.e. by providing a full citation to the thesis in question, and by not re-using material in a way that may breach the rights of the author.

If you feel your own copyright has been affected by content held in the University of Roehampton repository, please refer to our take down policy and contact us immediately.

Government Guidance on exceptions to copyright Details of the exceptions to copyright that allow limited use of copyright works without the permission of the copyright owner.
Academic Style Guides Resource List See the style guides available in the Library for a variety of disciplines
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Photography Dissertation Topics

Updated on
Apr 6, 2023

It is no more a secret what photography has done to the world. Photography had progressed gradually in a positive direction for a very long time. If you have a keen interest in photography, you must opt for photography dissertation topics . However, do you know what a dissertation is? The dissertation is an academic writing piece that focuses on students’ independent research. If you want to know more about photography dissertation topics, how to structure a photography dissertation, and much more, then Keep Reading!

This Blog Includes:

How to structure photography dissertation, how to choose photography dissertation topics, ethical and cultural issues on societal photography , digital photography dissertation topics, photography evolution dissertation topics, dissertation topic ideas on photography and global politics.

Another basic thing that you must focus on in order to write a photography dissertation is the basic structure of a photography dissertation. Thus, here is a basic structure of a photography dissertation;

Covid-19 Photography Dissertation Topics

Coming up next are a couple of these themes:

How are world-renowned photojournalists documenting the effects of Covid-19 on society?
Photojournalism: Reporting on the effects of Covid-19 has ethical repercussions.
What are the responsibilities and tasks of photojournalists during the current pandemic?
An examination of how photojournalists reported on the Covid-19 pandemic

If you’re taking a media class and are interested in photography, the following digital photography dissertation topics might be helpful.

How has digitalization affected photography’s place in society?
A look at modern snapshot photography technology, cultural approaches, and social activities A look at the development of digital photography and its implications for photography techniques How has visual reporting affected the landscape of news reporting and journalism?
Visual Storytelling in Post-Industrial Journalism: An Investigation

Some of the photography evolution dissertation topics ideas are as follows:

What role has photography played in the development of communication and social media platforms?
The Relationship Between Hyper-Realism Art and Photography: Bridging the Gap Between Research and Practice In what ways have recent photography trends altered news reporting and the documentation of significant social events?
The rise and fall of photography: How has photography’s development affected law and culture?

Also, Read; 90+ Dissertation Topics for Students in 2022

Consider the following subject areas in this area:

What impact do photos and visual portrayals of political occasions have on worldwide governmental issues?
An examination of the rhetoric and subjectivity of images in the political landscape Photography and Politics: Politics and photography: how do images and other visual artifacts serve political ends?
A talk investigation of how photography might be utilized in the Unified Realm to help political misleading publicity.

Ans. You need to think about how much research has been done on the subject, whether it’s worth doing more research on it, how original your choice might be, and whether or not it’s relevant to the field.

Ans. Most expositions are 100 to 300 pages long. Chapters, main divisions, and subdivisions may be required for lengthy dissertations, as should be the case with all dissertations.

Ans. The quality of your written English for an upper-first-class dissertation should be up to par with what is expected of any serious academic research project, or absolutely perfect. Your familiarity with the academic register ought to come naturally to you, lending a tone of constant assurance throughout.

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Photography & Image-making

Master of arts / master of fine arts in photography & image-making.

The program focuses on new types of visual storytelling: still images, video, and multimedia, with a curriculum that emphasizes knowledge and transdisciplinary skill sets and understands photography as a hybrid and emerging art form.

The program is suitable for students who want to understand better how to navigate in an image-driven society, to be not only makers but visual thinkers, capable of relating to different fields with a critical analytical capacity, inventiveness, knowing how to juggle with the technological and communication means available today, and ready to offer creative solutions through images .

Based on the intersection of visual phenomena, new media, critical studies, and creative production, the program offers a unique blend of studio practice and theoretical and art historical training. At PCA, students can complete either a Master of Art (MA) or a Master of Fine Arts (MFA) in Photography and Image Making. These programs’ first two semesters (fall and spring) follow a common curriculum. MFA students then continue for two semesters of study in the following year to receive the MFA degree, suitable for an academic career.

Molly Lynch

Nona griffin, steve bisson, maximiliano battaglia, christophe beauregard, tara bogart, lillian davies, linda jarvin, collin kluchman, ali ghorbani moghaddam, laurent pernot, lisa salamandra, sofijasilvia, klaus speidel, ma curriculum, one-year program, contemporary issues i.

This course explores a variety of critical aesthetic and practical issues relevant to today’s expressive photographer. This class includes readings, critiques, and discussions examining critical theory in the digital age. It examines specific models and matrixes that define current trends. Topics will include: print/online photography, socially engaged art/photography, photography/installation/art and social/documentary practice. This course will explore the relationships between concept, process and transmission have expanded dramatically with the introduction of digital media techniques.

Seminar I: Portfolio Production

This course serves as a critical and technical exploration of the language and theory of Photography and Image-Making. Students develop their own individual identities as professionals working with still and moving images, placing their work within conceptual and historical contexts. Independent and personalized readings and research projects accompany the work done in the studio, which in the last semester is focused on developing research methodology and methods for the thesis project. The final portfolio can focus on still or moving images, or contain a combination of the two. The outcome is an original and coherent visual project.

Digital Lab I: Video

A hands-on step-by-step technical lab class, where editing video will take students beyond the basics to a professional workflow for digital video editing. Students will learn how to produce a professional looking video including – storyboarding, pre-production essentials, shooting scripts, camera movement (theory and practice), sound recording and editing, use of music, titles and credits. Premiere Pro will be the main software for moving images, and all essential tools and plug-ins (like Magic Bullet or After Effects) their options and use, the character of each menu or tool option critical for video editing will be covered at a practical level.

Digital Lab II: Photo

A hands-on step-by-step technical lab class where inputting images, editing, and printing will take students beyond the basics to a professional workflow for digital photography. A range of tools will be presented, including advanced film scanning, working with RAW files, masks, compositing and grayscale and color inkjet printing. Students will work with Photoshop for still images. All essential tools and plug-ins (e.g., Portraiture), their options and use, the character of each menu or tool option critical for photographic editing will be covered at a practical level. Students will master advanced color and B&W editing methods, scanning, masks, selections, and layers to establish an efficient non-destructive workflow.

Visual Narratives

“There are countless forms of narrative in the world. First of all, there is a prodigious variety of genres, each of which branches out into a variety of media, as if all substances could be relied upon to accommodate man’s stories.” Roland Barthes

Throughout the 20th century, the narrative has been criticized, rejected, deconstructed, and still plays an essential role in art today. Visual artists have created myths and experimented with new forms of narratives through their creative practices. This course will explore the functions of visual narrative in human culture by analyzing the history of narrative from ancient to contemporary art. The course alternates between theory, research and practice. Students will be able to develop artistic projects exploring narrative from the conceptual and curatorial point of view.

Masters Electives

You may select an elective from the many course offerings in your department or in other departments with the approval of your department chair.

Drawing Technology and Perception
Advanced Printmaking*
Intellectual Property Rights
Concept Development Storytelling
Photography as Installation*
Photography in the Expanded Field*
History of New Media*
Designer’s Ethical and Social Responsibility
Educational Principles
Alternative Processes Image-Making*
Digital Fabrication Design
The Art of Code I & II
4D Studio I & II*
The Fashion Editorial
Design Thinking
Social Entrepreneurship
Project Management*

* Undergraduate level courses

Contemporary Issues II

Seminar ii: portfolio development.

This year-long course serves as a critical and technical exploration of the language and theory of photography and film. Students develop their own individual identities as professionals working with still and moving images, placing their work within conceptual and historical contexts. Independent and personalized readings and research projects accompany the work done in the studio, which in the second semester is focused on developing the final degree portfolio. The final portfolio can focus on still or moving images, or contain a combination of the two. At least one project in each medium (photography and video) is required. The outcome is an original and coherent set of images.

Marketplace for Art and Design

This course introduces and outlines the role, purpose, and perception of “art” and “design” in various marketplaces and contexts for the emerging arts entrepreneur. Topics include issues in marketing aesthetic products; case studies on art fairs, art institutions, and cultural events; models of consumer behavior, art, and technology; macro-economic issues that affect the arts industries, arts policy, and access; art-as-business; design in the international context; merchandising; difficulties and the impact of the various business environments on art and design disciplines.

Degree Project

Students will focus on the technical exploration of the language and theory of Photography and Image-making to develop their final degree project (it can focus on still or moving images, or contain a combination of the two.) Emphasis will be on students executing, understanding and discussing quality work, succesful composition, productive conceptualization and creative problem solving.

MFA Curriculum

Introduction to research & methodology.

The course provides introductory-to-advanced-level research and methodology instruction, covering topics from art and design theory to the use of technology. This course focuses in depth on various research methods currently used to inform the design process. It builds on knowledge and skills acquired in the first semester to introduce students to specific research methods for designers and artists. The course will cover research in physical human factors; human cognitive factors; cultural human factors; and ethnographic fieldwork. Students will learn how to apply these methods to the design process through hands-on projects requiring a multidisciplinary approach.

In this section, students will be introduced to the basic tenets of research in order to support their reasoning with respect to the design process. Foremost, they will learn to formulate a design research problematic; engage in data gathering and analysis; differentiate between primary and secondary research sources; carry out quantitative and qualitative research.

Educational Principles and Radical Pedagogies

This seminar is offered in parallel to the studio course devoted to education. Students will be given an overview of historical and current pedagogical theory that is specific to the teaching or art and design. They will be asked to consider the role of diversity and culture on learning, as well the role of the teacher as a decision maker and facilitator. Additionally, this course will introduce alternative approaches to building a learning environment, drawing upon recent experiments in art education that challenge the traditional structure of a ‘school’. Students will study: how to generate motivation, involvement, and integration in respect to learner’s development and experience; the planning and design of learning activities for different levels of experience; how to write assessment procedures and appropriate feedback on performance, competence, and knowledge.

Intermediate Research & Methodology

Contemporary issues iii, seminar iii: portfolio development.

This course serves as a critical and technical exploration of the language and theory of Photography and Image-making. Students develop their own individual identities as professionals working with still and moving images, placing their work within conceptual and historical contexts. Independent and personalized readings and research projects accompany the work done in the studio, which in the last semester is focused on developing research methodology and methods for the thesis project. The final portfolio can focus on still or moving images, or contain a combination of the two. The outcome is an original and coherent visual project.

Digital Lab IlI: New Media and Technology

This course offers a critical introduction to new (digital) media and technology, focusing on the relationship between “old” and “new” media and emphasizing both the cultural meanings of media in general and media as pedagogy. This course gives the chance to observe, participate, and explore new media literacy, learning, and making across formal and informal learning settings. This is not a course about technology; rather, it is a course about the activity-the doing, the participatory culture-that surrounds new media, the use and the learning born through that activity. During the course, a number of guests will join to discuss their work in new media.

Written Research

Building on the research, critical thinking, and writing skills developed in the first three semesters of the seminar, in the final semester, each student will be responsible for the production of a 40 to-60 page thesis paper and the corresponding body of work, culminating in a public exhibition or conference. For their final paper, each student will be responsible for identifying an urgent, critical, or current problem, that may stand independently of the student’s studio practice. Rigorously researched and constructed, this paper will provide the platform for ongoing lines of investigation. Students should be versed in the critical voices and issues surrounding their own practice and develop the communication and research skills necessary to assert their own critical voice in regard to their evolving practice. Faculty and guest lectures will guide each student to a reading list appropriate to their research and final exhibition. For their final exhibition, the students will focus on creating a body of work and build a portfolio based on their artistic research, documenting the process and their different projects. This is done under the guidance and support of an internal and external thesis committee.

Seminar IV: Portfolio Organization

Mfa degree project.

Photography and the Marketplace*

Frequently Asked Questions

What makes this program stand out.

Paris makes our Master of Arts (MA) / Master of Fine Arts (MFA) in Photography & Image-making one of a kind. The city offers some of the most important photography-related events in the world, not to mention the countless exhibitions, extraordinary museums, bookshops and galleries. Paris is the world capital of photography. In such a context, we encourage students to develop an awareness of their artistic practice, personal storytelling, assets, and potential vocations .

In an image-driven society, it is essential to comprehend your role within it; this is what we aim for through the program. Provide the technical but also conceptual and theoretical means of understanding . The program, therefore, offers a rare space where the student can develop a portfolio and acquire further depth while measuring against the contemporary scenario and the challenges, including ethical, of society. The program encourages students to navigate their values, understand their cultural roots, appreciate diversity and discover their voice and specificities through a dialogue with expert and teachers active in image-making and photography.

During their studies, students face numerous opportunities to visit the city’s cultural institutions (museums, galleries, foundations), attend PCA talks, crits and lectures with experts and professionals, and participate in portfolio readings. Students can intern at studios, agencies, and other working opportunities Paris offers .

Students of Master of Arts (MA) / Master of Fine Arts (MFA) in Photography & Image-making

profit from a field trip to Venice at the European Cultural Centre, where they meet curators and experts of the art and creative industry connected to Biennale and other international cultural institutions.

What is the range of disciplines from which the students will be pooled?

We seek to have a highly diverse student group. Candidates from backgrounds in fine art, printmaking, photography and demonstrated technical skills (black & white and color photography, digital photography, lighting techniques, common software programs for editing) are all encouraged to apply.

How do you know if the program is right for you?

The department makes great efforts to attract students that are diverse in practice, background, and career goals. The proposed MA/MFA programs give practitioners and theorists the opportunity to research and develop the new boundaries of image-making made possible by technological change within the context of post-industrial culture. As a result, the department doesn’t favor any particular visual aesthetic. We are committed to supporting and nurturing each student’s individual creative trajectory. If you’re interested in combining technical knowledge and principles of photography and image-making research, theory and academia, this is the perfect program for you.

What are the prerequisites?

The program is open to any applicant who has successfully completed an undergraduate degree (BFA, BA, BSc, BID, BArch, etc.) with a studio component, or acquired basic technical skills (photography, art, video, editing software, printing, lighting, image-making, etc.) through other educational or professional experiences. Your previously acquired technical skills and creative potential will be evaluated through your portfolio.

What are the advantages of studying in Paris?

Paris is the most suitable place to study photography worldwide . Since its beginning, photography has found fertile ground here, and even today, Paris represents the undisputed point of reference for those who want to understand, study, and explore the past and future of lens-based arts. Every week, Paris, through its extraordinary museums, galleries, and foundations , offers students multiple cultural opportunities and exhibitions to help them understand how image-making is evolving, as much as to observe artistic and curatorial works.

Paris is a learning environment like no other . Jeu de Paume, Foundation Henri-Cartier Bresson, European Museum of Photography, the ParisPhoto fair, and the Photo Saint-Germain festival, are just some of the many institutions that make studying photography in Paris a unique experience in the world.

What are concrete projects students can expect to complete?

This program focuses on technical skills and cognitive needs that arise from the continuous development of the image industry. Students will be able to:

Show an ability to include visual references and textual evidence within the body of a written thesis;
Locate and propose a specific pathway within research and/or studio work;
Produce quality artwork that is technically, aesthetically and conceptually at a professional level;
Apply methods of work and thought, encompassing the research, production, and reflection in a framework of aesthetic, artistic, social and ethical issues, within a culture of change;
Explore a variety of digital technologies for the explicit purpose of employing them to create various narrative forms;
Manage grant process: identify private and public funding priorities and opportunities, develop a consistent and workable program plan, write clearly defined goals and objectives, prepare a complete program budget in a grant format, etc.;
Prepare art residency and exhibition proposals for those who plan to pursue a fine arts path;
Respond to professional and public art commissions.

How do faculty facilitate the collaborative work?

Our PCA faculty, all active professionals, is best suited to impart the skills and knowledge required to prepare students to enter a rapidly changing professional world. They facilitate much the way a project manager would-by having a weekly meeting to make sure everyone is working towards a commonly defined goal. Then they break down to smaller teams/individuals to define milestones and address any difficulties.

What are the faculty’s credentials?

Their expertise lies in Contemporary Photography, Advanced Printing Techniques, Curatorial Studies, Art History, Intellectual Property, Professional Business Practices, Editorial, Concept and Storytelling, Art Direction, Marketing and Teaching Methods.

What are the expected outcomes in terms of employability?

Students graduating from the MA/MFA programs would be prepared to enter the international job market with specific knowledge and skills in photography and image-making, but also in a wide range of disciplines and fields, including fine art, commercial photography, video and multimedia production, editing, college-level education, web design, curating, and museum & gallery management.

The Master in Photography and Image-making offers to students a practiced-based opportunity with a professional creative production. The program focuses on tailored education and an individual approach giving to students the possibility to expand their network with of professionals (e.g. museums, galleries, industry, etc.) through guest speakers, meetings with alumni, monthly portfolio reviews, access to the career services office, industry credentials and contacts, etc. The first-year also provides an excellent preparation for higher level research degrees, with an increasing number of graduates undertaking research in photography and image making related subjects, in practice or theory or entering academia.

What types of projects and companies will alumni be prepared for?

PCA has closely established links with industry and other partners through past industry sponsorship agreements with companies such as L’Oreal, Hermès, Shiseido, Galeries Lafayette, Les Compagnons du Devoir, Promod, Picto and more. Our career services office assists students with securing internships. New links are sought and explored, to provide photography and image-making students with a pertinent professional network.

If freelancing/entrepreneurship is not your cup of tea, alumni will be able to work in a whole slew of fields like photography (advertising/commercial, documentary/photojournalism), editing and postproduction (story structure for still image and moving image), new media (digital media and its impact on the processes of making and experiencing photography), story (concept, management, fiction and non-fiction) or business practices/business skills (writing, social media, marketing). The MFA program will prepare students to become scholars who redefine the creative role of photography within the contemporary culture (teaching assistantships, etc.)

What will students have in terms of a portfolio by the end of the program(s)? Is a portfolio even the right way to look at the end result?

Upon successful completion of the MA/MFA Degree Portfolio and Thesis, students are expected to have achieved demonstrable skills in image capturing and editing, an understanding of applied research methodologies, and increased teamwork and management skills. They will have practised talking about their skills and competencies with professional employers and clients.

What are some of the past thesis research topics students have chosen to explore?

A selection of past topics include:

Brother, I’ve Got Your Back: Capturing Physical Intimacy Through the Lens of American Masculinity;
Borders expanded: from street to earth. You can photograph anything now;
Family Portraits: Intimate distance;
Evolution of Contemporary Inkjet Printing;
Contemporary Photography. A dialogue with the viewer: blurring the lines between fashion and documentary photography;
Exploring the soul through photography;

What do alumni go on to do?

Alumni from our Master of Arts (MA) / Master of Fine Arts (MFA) in Photography & Image-making, depending on their interests and background, can cultivate their artistic practice, apply to artistic residencies, and propose their portfolio to galleries, curators, and festivals .

Alongside this, they can use their excellent experience in the image-making world in publishing, documentation, advertising, and archiving, as well as education, laboratories, workshops, or participatory processes concerning specific communities and thematic or geographical issues.

Students enrolled in the MFA program can also continue with an academic career, the prospect of teaching, or undertaking a PhD program and doing research.

Image Making

Photography & image making, archeology of seeing curated by steve bisson, chair of photography, class of '24 graduating show at bastille design center: symbioses, pca's end of the year shows 2024, pca graduate students hold an exhibition at espace usanii, chair of fashion design lucas maethger and pca alumni daisy sleiman featured in latest edition of l'officiel arabia, mfa photography & image making graduate giulia sidoli selected for circulation(s) - festival, “jeux de mains”, a new exhibition by mfa photography & image-making students, faculty maximiliano battaglia begins filmmaking residency at l'air arts, pca talks presents: yining he, pca chair of photography steve bisson curate exhibition on ukraine "in the midts of the immense steppe", pca talks presents: sarker protick, steve bisson new chair of photography at pca, degree exhibition at bastille design center, pca photography lunch talks presents: raúl armando jiménez, off bratislava festival of contemporary photography open call, pca faculty steve bisson curates a photography exhibition in peru, pca lunch talks: heidi rondak, pca faculty, klaus speidel, invites pca community to figures de pensée : finissage et performance, students helping students : paris college of art digital skills workshops - spring 2022, surrounded... in a good way with patrick hubbard '23, fernando jiménez fierro revealed, francisco mantecón competition opens the call for its 15th edition, pca faculty steve bisson curates the upcoming photography exhibition at lab27, blurring the lines' partner opens the exhibition earthlings at atelier néerlandais in paris, the 3rd international photography conference "blurring the lines", pca photo lunch talks: rufus barkley, pca lunch talks: cameron tidball-sciullo, pca talks presents: amak mahmoodian, filipa cruz will be representing pca at sdb’s international awards & conference 2021, liac 2021, pca mtnm lunch talk with la fabrique des communs pédagogiques.

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Tourism and Photography (SEM Analysis) - Master Thesis

This research analysed the relationship between photographing and tourist experience, and evaluated its implications on the visitors’ post-visit behavioural intentions. Using data collected from international first-time Caucasian visitors to The Forbidden City in Beijing, China, the study performed in the first stage CFA of Hosany and Gilbert’s (2010) Destination Emotional Scale to confirm the validity of the 15-dimensional construct. One-way ANOVA and SEM were then used to determine the factors leading to emotional experience and to assess the effects of photographing on various aspects of the visitors’ encounter with the cultural attraction. Drawing on a survey with 804 valid returns, study findings reveal that photographing tends to influence the visitors’ emotional experience and to negatively affect their perception towards a place. SEM results further confirmed that photographing does not only influence the individual model constructs examined in this study, but also to a certain extent their relationship to each other.

Related Papers

Patrick Edlinger

Kipkorir Reuben

Journal of Destination Marketing & Management

Scott McCabe

Dr. Khaled Odeh

Tourism Management

Svetlana Stepchenkova , Hany Kim

Sameer Hosany

This study is an extension of Hosany and Gilbert’s original research on the development of a scale measuring the diversity and intensity of tourists’ emotional experiences toward destinations: the Destination Emotion Scale (DES). The DES consists of 15 items, representing three emotional dimensions: joy, love, and positive surprise. Although the DES displays solid psychometric properties, additional evidence is required of the scale’s validity. Using data collected from international tourists visiting two distinct destinations, Petra (Jordan) and Thailand, this study further examines the scale’s construct validity. Adopting state-of-the-art procedures guiding scale validation, results confirm the unidimensionality, reliability, convergent, discriminant, and nomological validity of the DES. In particular, discriminant validity tests show that emotions and place attachment are related but distinct constructs. The DES provides a useful tool for marketers and researchers to measure tourists’ emotional responses toward destinations.

Journal of Travel Research

Siripan deesilatham

Electronics

Norazirah Ayob

In recent years, the competition in the tourism market has become more and more fierce. Tourism destinations need to ensure they have sufficient sources of tourists, and thus, improving their market competitiveness, image, and reputation are particularly important. For this reason, tourism academia has always attached great importance to the study of tourism destination image. Many studies have shown that tourists’ travel behavior is largely influenced by their perception of tourism destinations. Research on heritage tourism from the supply perspective is relatively abundant, whereas not much research has been conducted on the demand side, and the influence of heritage tourism on the perception of a destination’s image has rarely been discussed. This study examines destination image perceptions through three components: cognition, affection, and quality of experience. We propose a conceptual model that clarifies how the quality of experience mediates the formation of cognition and a...

Birgit Muskat

The purpose of this study is to empirically test an integrative model linking tourists’ emotional experiences, perceived overall image, satisfaction, and intention to recommend. The model was tested using data collected from domestic tourists visiting Sardinia, Italy. Results show that tourists’ emotional experiences act as antecedents of perceived overall image and satisfaction evaluations. In addition, overall image has a positive influence on tourist satisfaction and intention to recommend. The study expands current theorizations by examining the merits of emotions in tourist behavior models. From a practical perspective, the study offers important implications for destination marketers.

Özlem Güzel

As the emotions settling in the center of the consumptions, the level of the emotional arousal directly affects the human behaviors. As tourists choose the destinations according to the emotions formed by pre-experience and the post-experience, the understanding the formation of the emotional arousal in tourism sector has been a mediator to understand the post-experience behaviors. In this context, the purpose of this study is to identify the dimensions of tour experiences and to investigate the relationship between the tour experience dimensions, emotional arousal, and post-experience behaviors. To examine the relationship between the parameters, a questionnaire based on four dimensions of the 4E model (Escapism, Education, Entertainment and Esthetics) of Pine and Gilmore (1998) were conducted on tourists who visited Pamukkale popular with the white terraces and Hierapolis ancient city in Turkey. The data was analyzed with Structural Equitation Model (SEM). Results of this study indicate that tour experiences can be represented in terms of 4E dimensions demonstrating adequate reliability and validity. As the tour experience was disclosed in 4E model dimensions, only escapism, entertainment and esthetics have positive effects on emotional arousal. And also it was determined that the tourists’ emotional arousal affect the post-experience behavior positively as being a fundamental determinants of satisfaction and post experience intentions.

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FLEET LIBRARY | Research Guides

Rhode island school of design, index to photography graduate theses: by department.

Thesis Year / Student Name
Across Departments
By Department

Theses Indexed by Department

Architecture

Digital + Media

Furniture Design

Global Arts & Cultures

Graphic Design

Jewelry + Metalsmithing

Industrial Design

Interior Architecture

Landscape Architecture

Nature-Culture-Sustainability

Photography

Printmaking

Teaching & Learning in Art + Design

Thesis Shelving Locations

RISD REF. Masters' Theses 1st Floor / Mezzanine The most recent 3-5 years of theses are shelved here. Located on the Mezzanine of the 1st Floor Reading Room, this is a browsable collection with a dedicated study area. Available during 1st Floor Hours
RISD Storage Masters' Theses Basement Storage Fill out a Storage Request form at the Circulation Desk or Research Help Desk on the 1st Floor of the library. Available during 1st Floor Hours
RISD Archives 2nd Floor / Special Collections & Archives Reading Room From the 15 West lobby, take elevators 5 or 6 to the 2nd Floor and follow the signs. Available By Appointment Only
Digital Commons (Online) Varying by department, the most recent 3-5 years may be available as pdf in Digital Commons . A link to the pdf is included in the catalog record.

Library Maps

First Floor | Second Floor Questions? Contact a Research Librarian

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Photography: Master's Thesis Projects

Last Updated: Apr 18, 2024 11:49 AM
URL: https://libguides.academyart.edu/photography

Photography
Film + Video
Culture + Lifestyle
Exhibits + Events
Prescriptions
Photographers
Designers/Architects
Organizations/Mags
Museums/Galleries
ANNOUNCEMENTS
COLLECTIONS
EXHIBITIONS
30/30 WOMEN
CONTRIBUTORS
SUBMISSIONS
30/30 WOMEN PHOTOGRAPHERS

I was born and raised in a working-class city, Elektrostal, Moscow region. I received a higher education in television in Moscow. I studied to be a documentary photographer. My vision of the aesthetics of the frame was significantly influenced by the aesthetics of my city – the endless forests and swamps of the Moscow region with endless factories, typical architecture and a meagre color palette. In this harsh world, people live and work, raise children, grow geranium, throw parties and live trouble, run a ski cross. They are the main characters of my photo projects.

I study a person in a variety of circumstances. We blog with friends with stories of such people. We are citizen journalists. In my works, I touch upon the topics of homelessness, people’s attitude to their bodies, sexual objectification, women’s work, alienation and living conditions of different people. The opportunity to communicate with my characters gives me a sense of belonging and modernity of life.

My photos create the effect of presence, invisible observation of people. I don’t interfere with what’s going on, I’m taking the place of an outside observer. I’m a participant in exhibitions in Rome (Loosenart Gallery), Collaborated with the Russian Geographical Community.

30 Under 30 Women Photographers 2021

--> --> Unhealed Mar 3 – Sep 15, 2024 Moderna Museet Malmö, Sweden The international group exhibition Unhealed delves into the aftermath of the uprisings and revolutions, that swept through the Arab world starting in 2010. These events altered the lives of millions of people, many of whom as a consequence now live in Sweden. With this exhibition, Moderna Museet Malmö proudly presents seventeen artist who, in poignant and thought-provoking ways, have addressed this still unfolding chapter in history. (more…) Show Post >
--> --> A Zona / Diogo Simões Publication Pierre von Kleist Editions International A Zona is Diogo Simões’s first book. Twelve years in the making, it marks the arrival of a major force in Portuguese photography. All the photos were done in Margem Sul, Tagus river south bank, opposite Lisbon. (more…) Show Post >
--> --> Chris Killip. A Retrospective Feb 22 – May 19, 2024 Deutsche Börse Photography Foundation Eschborn, Germany We are honouring the work of influential British photographer Chris Killip (1946-2020) with a comprehensive retrospective. Killip poignantly documented the lives of people in the north of England, who were particularly affected by the economic shifts of the 1970s and 1980s. His portraits, landscapes and architectural photographs show both the consequences and challenges of deindustrialisation and those brought on by the political changes in the wake of Margaret Thatcher’s accession to power in 1979. (more…) Show Post >
--> --> Alice Peach: X Splits The Line Publication Printer Fault Press International Our first photo-book by Alice Peach (Bari, 1996) compiles a series of photographs taken between 2017 and 2022 in Berlin, London, Milan, Torre a Mare, Amsterdam and Antwerp. Following a play between children’s drawing books to connect the dots and numbers, it invites the viewer to follow the same exercise to navigate these imaginary shapes through different visual moments. (more…) Show Post >
--> --> Doug Aitken: Return to the Real Sep 24, 2023 – Jun 16, 2024 SCHAUWERK Sindelfingen Sindelfingen, Germany From September 24, 2023 to June 16, 2024, SCHAUWERK Sindelfingen presents a solo exhibition of the American artist Doug Aitken (*1968). Aitken, a highly acclaimed artist with a career spanning over three decades, actively creates artwork across various mediums such as film, installation, sculpture, and performance. His art explores significant social developments of our time, delving into themes of alienation, isolation, and the complex relationships between humans, nature, and technology. (more…) Show Post >
--> --> Tropical Modernism: Architecture and Independence Mar 2 – Sep 22, 2024 Victoria & Albert Museum London, UK The V&A will stage a major architecture exhibition on the architectural style of Tropical Modernism. In the late 1940s, British architects Jane Drew and Maxwell Fry developed the tools of Tropical Modernism in West Africa, adapting a Modernist aesthetic that valued function over ornament to the hot, humid conditions of the region. Britain’s unique contribution to International Modernism was a colonial architecture, developed against the background of anti-colonial struggle. (more…) Show Post >
--> --> Walker Art Center Minneapolis, USA Featured Profile The Walker Art Center is a catalyst for the creative expression of artists and the active engagement of audiences. Focusing on the visual, performing, and media arts of our time, the Walker takes a global, multidisciplinary, and diverse approach (more…) Show Post > See Full Profile >
--> --> Sung Hwan Kim: Protected by roof and right-hand muscles Dec 2, 2023 – May 12, 2024 Van Abbemuseum Eindhoven, The Netherlands Wander through ten rooms in which artist Sung Hwan Kim (1975, South Korea) brings dreamy environments to life. In his exhibition Sung Hwan Kim: Protected by roof and right-hand muscles , video installations mix with collage, performance, music and light. Kim, both artist and designer of the exhibition, takes you into his poetic world of innovative storytelling. (more…) Show Post >
--> --> Zahrin Kahlo Photo / Video Artist Featured Profile Zahrin Kahlo is originally Moroccan but lives and works in Italy as a photographer and video artist. She pursued classical studies, receiving a degree in Foreign Literature. After graduating she began to travel fascinated by countries described by her favorite writers… (more…) Show Post > See Full Profile >

photography
film + video
culture + lifestyle
exhibits + events
prescriptions
photographers
designers/architects
organizations/mags
museums/galleries

When the landfill site is closed, discharge water filtration and clarification equipment is installed, the territory is covered with specific material and backfilled. Then many tubes used to purify gas are installed. The greatest danger in landfill restoration is the groundwater contamination. In and around Moscow there are a few dozens of waste deposits, some of which are growing higher than multistoried residential houses standing nearby.

During my work on the project, I visited 7 landfills in Moscow and the Moscow region. Some objects were guarded, and it was so absurd that the guards actually guarded a heap of rubbish.

While in these landfills, I saw that the liquid produced by the rotting waste flows out of the pipes sticking out on the slopes into the nearby rivers. Working on this project I wanted to show the rubbish not in the way everyone is used to see it. What is seen in front of our eyes is hilly landscapes, hiding million tons of consumer waste — a typical view of the contemporary system. We do not always see what is hidden.

Nikita Zhirkov

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university of new orleans
campus news
the uno st. claude gallery presents ‘blind spot’

CAMPUS NEWS: APRIL 15, 2024

Mfa thesis exhibition, the uno st. claude gallery presents ‘blind spot’.

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Paige DeVries’ “A Room with a View” is part of her MFA thesis exhibition at the UNO St. Claude Gallery in New Orleans.

The UNO St. Claude Gallery in New Orleans presents Paige DeVries’ Master of Fine Arts thesis exhibition titled “Blind Spot.” Her paintings and photography address ideas of the sublime in the suburban and urban landscape. DeVries’ work demonstrates how domestic spaces, like the exterior of a home or yard, are intimate portraits of humanity and the environment. The paintings and photographs use unconventional color and intimate imagery to blur the line between the banal and the provocative in New Orleans neighborhoods.

The exhibition, which opened April 13 with a reception and gallery walk through with DeVries discussing her work, will be on display through May 4. Gallery hours are Saturdays and Sundays, 12–5 p.m. The exhibition is free and open to the public. The UNO St. Claude Gallery is located at 2429 St. Claude Ave., New Orleans.

DeVries lives in New Orleans and will earn an MFA from the University of New Orleans in May 2024. She is a current artist-in-residence at the New Orleans Museum of Art and upcoming resident at the Joan Mitchell Center. Her work has been featured in New American Paintings and shown at the Ogden Southern Museum of Art and Contemporary Arts Center of New Orleans. DeVries has an upcoming solo exhibition at Good Children Gallery in July 2025 where she is a gallery member.

For more information contact the artist at (406)-274-0885, email her at [email protected] or visit www.paigedevries.org .

UNO-CHART helped the state of Louisiana create a hazard mitigation plan. FEMA requires such plans for states to receive disaster aid and grants.

UNO-CHART Helps Craft State Hazard Mitigation Plan

College sports executive and University of New Orleans alumna Kiki Baker Barnes will serve as the principal speaker at the University’s spring 2024 commencement ceremony.

College Sports Executive Kiki Baker Barnes To Serve as Spring 2024 Commencement Speaker

The 33rd annual Dr. Ivan Miestchovich Economic Outlook & Real Estate Forecast Seminar for New Orleans will be held April 9 at the University of New Orleans.

UNO Presents the 2024 Dr. Ivan Miestchovich Economic Outlook & Real Estate Forecast Seminar on April 9

Bibliography
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Dissertations / Theses on the topic 'Architectural photography'

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Consult the top 50 dissertations / theses for your research on the topic 'Architectural photography.'

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Pickersgill, Robert Sean, and sean pickersgill@unisa edu au. "Architecture and Horror: Analogical Explorations in Architectural Design." RMIT University. Architecture and Design, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090525.162052.

Poe, Rachel. "Architectural insomnia." Thesis, University of Iowa, 2017. https://ir.uiowa.edu/etd/5603.

Gordon, Sophie. "Monumental visions : architectural photography in India, 1840-1901." Thesis, SOAS, University of London, 2011. http://eprints.soas.ac.uk/12776/.

Acar, Sibel. "Intersections:architecture And Photography In Victorian Britain." Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/3/12611169/index.pdf.

Stead, Sarah. "PLACE, SPACE, AND FORM CAPTURED THROUGH PHOTOGRAPHIC MEDITATION." Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4193.

Brüllman, Claire Bonney. "Thérèse Bonney : the architectural photographs /." Online version, 1995. http://bibpurl.oclc.org/web/33468.

Bakht, Nazli. "Analysis Of The Limits Of Representation Of Architectural Photographic Images In Periodicals." Master's thesis, METU, 2007. http://etd.lib.metu.edu.tr/upload/12608921/index.pdf.

Coskun, Esatcan. "Documentation Of Architecture: Photography As An Objective Tool?" Master's thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/12611407/index.pdf.

Boddy, Adrian. "Max Dupain and the photography of Australian architecture." Thesis, Queensland University of Technology, 1996. https://eprints.qut.edu.au/36005/25/__qut.edu.au_Documents_StaffHome_StaffGroupR%24_rogersjm_Desktop_36005_Vol1_Digitised%20Thesis%20Vol%201%20Compressed%20%20Boddy.pdf.

Korah, Thommen. "Robust spatiotemporal analysis of architectural imagery." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 190 p, 2008. http://proquest.umi.com/pqdweb?did=1459917971&sid=8&Fmt=2&clientId=8331&RQT=309&VName=PQD.

Akyol, Melike. "Photograph As An Architectural Document: A Visual Archive For Metu Campus." Master's thesis, METU, 2012. http://etd.lib.metu.edu.tr/upload/12614752/index.pdf.

Green, Nigel. "Photography and the representation of modernist architectural space : from the melancholy fragment to the colour of utopia." Thesis, University of Kent, 2007. http://www.research.ucreative.ac.uk/id/eprint/1060.

Szumita, Lauren. "Toward a New Landscape: The Architectural Photography of Gabriele Basilico, 1978-1984." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/18740.

Worden, Roderick. "In Hiding…" ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1349.

Ditcher, Kamille. "Exploring the Materials of Architectural Development." Thesis, Virginia Tech, 2012. http://hdl.handle.net/10919/32884.

Koca, Asli. "Authentication Of Space: The Photograph As A Raw Material For Architectural Production." Master's thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/3/12611454/index.pdf.

Breger, Alexander J. "Sub-Urbana /." Online version of thesis, 2008. http://hdl.handle.net/1850/7794.

Sniderman, Julia. "An adaptation of visitor employed photography to study enivironmental [sic] perceptions in the historic/cultural landscape a case study of the Bristol, Rhode Island Historic District /." [Madison, Wisc.] : Univ. of Wisconsin-Madision, 1986. http://catalog.hathitrust.org/api/volumes/oclc/15358719.html.

Hayt, Andrew, and Andrew Hayt. "Critical Approaches to Architectural Environments: The Photography of Eric Mendelsohn and Wolfgang Tillmans." Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/624142.

McCain, Ian Carl. "Prolonging Architectural Design: How can Image Be Manipulated to Extend Vitality." Cincinnati, Ohio : University of Cincinnati, 2008. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1212067831.

Otte, Gary (Gary James) Carleton University Dissertation Architecture. "Photographing the void: the camera and the representation of Islamic architecture." Ottawa, 1999.

Galstyan, Vigen. "TRANSLATING RUINS: Photography of Cultural Heritage and the Project of Armenian Cultural Modernity, 1860-1904." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/20230.

Richardson, Emily. "Articulating space : the translation of modern architectural space into filmic space through artists' film and moving image practice." Thesis, Royal College of Art, 2019. http://researchonline.rca.ac.uk/3844/.

Hemsoll, David. "Studies in architectural and artistic imitation during the time of Raphael and Michelangelo." Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/6053/.

Ashworth, Brad. "Architecture Lucida : photography and design--a center for photographic studies." Thesis, Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/23780.

Costa, Eduardo Augusto. "'Brazil builds' e a construção de um moderno, na arquitetura." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281584.

Figueiredo, Fernando Stankuns de Paula. "O novo mundo do espaço: Le Corbusier e o papel da fotografia na mediação entre o público e a arquitetura." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-16112012-151004/.

Edgar, Brenda Lynn. "Le motif éphémère : ornement photographique et architecture au XXe siècle." Thesis, Paris 1, 2013. http://www.theses.fr/2013PA010585.

Raina, Priyanka. "Architectures for computational photography." Thesis, Massachusetts Institute of Technology, 2013. http://hdl.handle.net/1721.1/82393.

Brüllmann, Claire Bonney. "Thérèse Bonney : the architectural photographs /." Zürich : Zentralstelle der Studentenschaft, 1995. http://catalogue.bnf.fr/ark:/12148/cb37009246c.

Persson, Skare Ragnar. "Exploring Architecture : Time, Photography and Virtuality." Thesis, KTH, Arkitektur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-169193.

Malan, Andre. "The use of historical photographs as source for cultural histor : the Sammy Marks photograph collection." Diss., University of Pretoria, 1996. http://hdl.handle.net/2263/37292.

White, Douglas Burton. "Light in Architecture: Smithsonian Museum of Photography." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/64853.

Catrica, Paulo. "Subtopia : photography, architecture and the new towns programme." Thesis, University of Westminster, 2012. https://westminsterresearch.westminster.ac.uk/item/8z4y8/subtopia-photography-architecture-and-the-new-towns-programme.

Robertson, Duncan Paul. "Recovering geometric models from photographs of architectural scenes." Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.616042.

Pelser, Suraya. "(De)Constructing worlds: high Modernism, architecture and photography." Master's thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/27852.

Albahari, Steven W. "Photographic representation." Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/71053.

Rodríguez, Gustavo A. (Gustavo Adolfo Rodríguez Martin) 1974. "Blurring spatial limits : photography and spatial definition." Thesis, Massachusetts Institute of Technology, 2002. http://hdl.handle.net/1721.1/69765.

Chávez, Saldarriaga María Alejandra. "Centro de Artes Visuales." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/656638.

Levitsky, Maria. "Invisible Cities: Photographic Fictions of Architecture." ScholarWorks@UNO, 2012. http://scholarworks.uno.edu/td/1457.

Blankinship, Erik Jackson 1974. "Building history : learning with archival photographs." Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/64553.

McDonald, Mary Catherine. "National Museum of Film and Photography." Thesis, Virginia Tech, 1998. http://hdl.handle.net/10919/33106.

MARCHETTI, GUSTAVO. "DESIGN REVIEW: ARCHITECTURE AND PHOTOGRAPHY IN MÓDULO MAGAZINE (1955-1965)." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2016. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=32491@1.

Jurado, Barroso Pauline. "Photographier des ruines modernes, en témoin d'une histoire de l'urbanisme récent." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSES041.

Chesnais, Pascal Roger. "A graphic/photographic arthroscopy simulator." Thesis, Massachusetts Institute of Technology, 1988. http://hdl.handle.net/1721.1/72263.

De, Kadt Christopher R. J. "Digital reconstruction of District Six architecture from archival photographs." Master's thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/6390.

Schnarr, Christopher E. "Moments between the surface : photography and fiction." Virtual Press, 1995. http://liblink.bsu.edu/uhtbin/catkey/935913.

PERVIZ, ERVIN. "THE CINCINNATI MUSEUM OF BLACK AND WHITE PHOTOGRAPHY." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179415583.

Stephens, Stanton. "Charles and Ray Eames : furniture, architecture, interior design, film and photography." Thesis, De Montfort University, 1991. http://hdl.handle.net/2086/4252.

Sert, Gul Berrak. "A Survey On Photographic Representation In Architectural Magazine Covers: Covers Of Arredamento-mimarlik." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/12608044/index.pdf.

Victor Mukhin

Scientific Program

Title : Active carbons as nanoporous materials for solving of environmental problems

However, up to now, the main carriers of catalytic additives have been mineral sorbents: silica gels, alumogels. This is obviously due to the fact that they consist of pure homogeneous components SiO2 and Al2O3, respectively. It is generally known that impurities, especially the ash elements, are catalytic poisons that reduce the effectiveness of the catalyst. Therefore, carbon sorbents with 5-15% by weight of ash elements in their composition are not used in the above mentioned technologies. However, in such an important field as a gas-mask technique, carbon sorbents (active carbons) are carriers of catalytic additives, providing effective protection of a person against any types of potent poisonous substances (PPS). In ESPE “JSC "Neorganika" there has been developed the technology of unique ashless spherical carbon carrier-catalysts by the method of liquid forming of furfural copolymers with subsequent gas-vapor activation, brand PAC. Active carbons PAC have 100% qualitative characteristics of the three main properties of carbon sorbents: strength - 100%, the proportion of sorbing pores in the pore space – 100%, purity - 100% (ash content is close to zero). A particularly outstanding feature of active PAC carbons is their uniquely high mechanical compressive strength of 740 ± 40 MPa, which is 3-7 times larger than that of such materials as granite, quartzite, electric coal, and is comparable to the value for cast iron - 400-1000 MPa. This allows the PAC to operate under severe conditions in moving and fluidized beds. Obviously, it is time to actively develop catalysts based on PAC sorbents for oil refining, petrochemicals, gas processing and various technologies of organic synthesis.

Victor M. Mukhin was born in 1946 in the town of Orsk, Russia. In 1970 he graduated the Technological Institute in Leningrad. Victor M. Mukhin was directed to work to the scientific-industrial organization "Neorganika" (Elektrostal, Moscow region) where he is working during 47 years, at present as the head of the laboratory of carbon sorbents. Victor M. Mukhin defended a Ph. D. thesis and a doctoral thesis at the Mendeleev University of Chemical Technology of Russia (in 1979 and 1997 accordingly). Professor of Mendeleev University of Chemical Technology of Russia. Scientific interests: production, investigation and application of active carbons, technological and ecological carbon-adsorptive processes, environmental protection, production of ecologically clean food.

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Photography Dissertation Topic Ideas
Photography Dissertation Topics. Topic no.1: photojournalism during Arab spring. Topic no.2: Scope of photography in the age of social media. Topic no.3: Photography and ethics. Topic no.4: Photography and the reflection of culture. Topic no.5: Photography and advanced editing trend. Topic no.6: Impact of photo manipulation and self-image.
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Photography Masters Theses. Graduate students in the Photography program develop visual and critical expertise through course work, seminars, independent studio work and critiques designed to provide a deep understanding of contemporary art practices and criticism. Working in personal studios, students have access to state-of-the-art technical ...
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MFA Photography and Integrated Media Thesis Menu (2013-2022) Cotton Miller - The Limbo of Loss - 2013. ... generally temporary mental state in relation to a specific topic. It's about how it affects me and the resulting compulsions that occur as a way to live with and control these fixations. It's about how the obsession can be used and ...
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Photography Dissertation Topics - over 40 free, excellent Master & Bachelor dissertation topics will help you get started with your proposal or dissertation. Services. ... Photography Dissertation Topics. Photography is an art form worthy of critical attention, so it's no surprise that many Arts and Culture students choose to write a ...
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PHOTOGRAPHY 10. make a real connection to people and can be employed as a positive agent for understanding the challenges and opportunities facing our world today" (Griffin, 2008). According to . National Geographic, their selection of hired photographers is not of a typical photography school graduate.
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Dissertations & Theses
To search for print theses and masters dissertations use UR Library Search to search for a title or topic and filter by Format > Book > Theses, Dissertation. 1985-2004, Roehampton Institute of Higher Education (RIHE) Dissertations and theses published between 1985-2004 were awarded by the University of Surrey.
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This thesis is in support of the Master of Fine Arts exhibition entitled The McFarlands at East Tennessee State University, Slocumb Galleries, Johnson City, Tennessee, November 5th - 9th, 2007. This artist's photographic survey, which lasted approximately two years, investigated the lifeworld of a family in a rural Appalachian town.
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At PCA, students can complete either a Master of Art (MA) or a Master of Fine Arts (MFA) in Photography and Image Making. These programs' first two semesters (fall and spring) follow a common curriculum. MFA students then continue for two semesters of study in the following year to receive the MFA degree, suitable for an academic career.
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Depending on its age and condition, a thesis is physically stored in one of three places in the library. Look for LOCATION in the catalog record t o determine where it's kept.. RISD REF. Masters' Theses 1st Floor / Mezzanine The most recent 3-5 years of theses are shelved here.
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A Subject Guide for the School of Photography. ... Photography; Master's Thesis Projects; Search this Guide Search. Photography: Master's Thesis Projects. A Subject Guide for the School of Photography. This page is not currently available due to visibility settings. Last Updated: Mar 19, 2024 8:18 AM;
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Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles. Consult the top 50 dissertations / theses for your research on the topic 'Fine art photography.'. Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the ...
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I was born and raised in a working-class city, Elektrostal, Moscow region. I received a higher education in television in Moscow. I studied to be a documentary photographer. My vision of the aesthetics of the frame was significantly influenced by the aesthetics of my city - the endless forests and swamps of the Moscow region with endless factories, typical architecture and a meagre color palette.
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The UNO St. Claude Gallery in New Orleans presents Paige DeVries' Master of Fine Arts thesis exhibition titled "Blind Spot." Her paintings and photography address ideas of the sublime in the suburban and urban landscape. DeVries' work demonstrates how domestic spaces, like the exterior of a home or yard, are intimate portraits of humanity and the environment. The paintings and ...
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Victor Mukhin
Catalysis Conference is a networking event covering all topics in catalysis, chemistry, chemical engineering and technology during October 19-21, 2017 in Las Vegas, USA. Well noted as well attended meeting among all other annual catalysis conferences 2018, chemical engineering conferences 2018 and chemistry webinars.
Active carbons as nanoporous materials for solving of environmental
Catalysis Conference is a networking event covering all topics in catalysis, chemistry, chemical engineering and technology during October 19-21, 2017 in Las Vegas, USA. Well noted as well attended meeting among all other annual catalysis conferences 2018, chemical engineering conferences 2018 and chemistry webinars.

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Photography Dissertation Topics

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2022 Photography Dissertation Topics

Topic 2: Investigating the influence of digital photography evolution on the photography methods and affinity towards the profession.

Topic 3: An evaluation of the present technologies and cultural methods associated with snapshot photography.

Topic 4: Evaluating the impact of visual storytelling on the changing landscape of mass media and society.

Topic 5: An investigation into the impact of mobile technology on the choices of photojournalism and its associated professional values in society.

Topic no.1: photojournalism during Arab spring

Topic no.2: Scope of photography in the age of social media

Topic no.3: Photography and ethics

Topic no.4: Photography and the reflection of culture

Topic no.5: Photography and advanced editing trend

Topic no.6: Impact of photo manipulation and self-image

Topic no.7: Art of photography in the 1800s

Topic no.8: Role of director of photography in a movie

Topic no.9: Photojournalism during the pandemic

Topic no.10: Instagram; a photo-sharing medium

Topic no.11: Photography and storytelling

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Topic no.12: Risks of wildlife photography:

Topic no.13: Photography vs. painting

Topic no.14: Trends in wedding photography

Topic no.15: Nature photography:

Topic no.16: Evolution of camera

Topic no.17: Photography lenses and specialties

Topic no.18: Improvements required in photography

Topic no.19: Photo manipulation and their repercussions:

Topic no.20: War photography:

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