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Top 34 Creative Writing Scholarships in May 2024

Gabriel Jimenez-Ekman is a content editor and writer at Scholarships360. He has managed communications and written content for a diverse array of organizations, including a farmer’s market, a concert venue, a student farm, an environmental NGO, and a PR agency. Gabriel graduated from Kenyon College with a degree in sociology.

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These creative writing scholarships are the best way to work on your writing without breaking the bank. Whether you want to study fiction, non-fiction, or poetry writing, we’ve got your back with these vetted opportunities. Remember to apply early and often to creative writing scholarships, because you never know which application reviewer your writing will stand out to!

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• The scholarship requires a fee to apply
• The scholarship provider’s privacy policy allows for the misuse of student data
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• Student are required to sign up for a site or service to apply*
• The scholarship seems primarily used for lead generation** or idea harvesting purposes***
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• There is no available contact information

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* There are certain exceptions to this, for example if the sponsoring organization is a major corporation or nonprofit with its own scholarship application system. ** Lead generation scholarships will require students to sign up for an app or website and require minimal (if any) application requirements. ***Idea harvesting scholarships will require students to submit blog posts or other materials that companies may use for marketing purposes.

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$10,000 “No Essay” Scholarship This scholarship has been verified by the scholarship providing organization.

Offered by Scholarships360

The Scholarships360 $10,000 “No Essay” Scholarship is open to all students who want some extra help paying for their education. Whether you are a high… Show More

The Scholarships360 $10,000 “No Essay” Scholarship is open to all students who want some extra help paying for their education. Whether you are a high school student who hopes to go to college, a graduate student who’s in a master’s program, or an adult learner who wants to return to school, you are eligible for our no essay scholarship. This scholarship will be awarded to students who get the most out of Scholarships360 scholarships and content. You will be a strong applicant if you apply to scholarships with the Scholarships360 platform. Finalists for this scholarship will be interviewed about their process for funding their education. Show Less

$2,000 Sallie Mae Scholarship This scholarship has been verified by the scholarship providing organization.

Offered by Sallie Mae

Sallie Mae will award $2,000 each month to eligible entrants. No essay or account sign-ups, just a simple scholarship for those seeking help paying for…

Sallie Mae will award $2,000 each month to eligible entrants. No essay or account sign-ups, just a simple scholarship for those seeking help paying for school.

“Pen to Paper” Scholarship for Storytellers This scholarship has been verified by the scholarship providing organization.

Do you fancy yourself a wordsmith? If you value creative writing as a form of communication, we encourage you to apply for the Pen to… Show More

Do you fancy yourself a wordsmith? If you value creative writing as a form of communication, we encourage you to apply for the Pen to Paper Scholarship for Storytellers! This scholarship is open to high school juniors and seniors (graduating class of 2024 or 2025), undergraduate, and graduate students who enjoy crafting stories and expressing ideas through the arrangement of words on paper. Whether you’re interested in poetry, short stories, novels, or screenplays, we want to hear from you. To apply for this scholarship, students must submit a 250-word piece of original creative writing. See the “Application Information” section below for details regarding essay prompts. Please note that applicants will be reviewed based on both the quality of their essay and quantity of scholarships applied for on the Scholarships360 platform. Scholarships360 users who are more active on the platform will be given higher consideration. Happy writing! Show Less

$40,000 Build a College List Scholarship This scholarship has been verified by the scholarship providing organization.

Offered by The College Board

Create a college list with six schools you're considering - no minimum GPA or essay required!

Francis D. Lyon Graduate Fellowship For Film Students

Offered by Phi Delta Theta Foundation

Lights, camera, action! The Francis D. Lyon Graduate Fellowship for Film Students is the ultimate opportunity for graduate students in the film industry or related… Show More

Lights, camera, action! The Francis D. Lyon Graduate Fellowship for Film Students is the ultimate opportunity for graduate students in the film industry or related fields such as theater/drama, writing, or entertainment. This prestigious award is given annually to one lucky recipient who will receive financial support to further their education and career. Don't miss out on this chance to shine in the spotlight! Phi Delta Theta membership is not required, so all eligible graduate students are encouraged to apply. Show Less

Niche $25,000 “No Essay” Scholarship This scholarship has been verified by the scholarship providing organization.

Offered by Niche

Easy scholarship open to all high school and college students, as well as anyone looking to attend college or graduate school in the next year!

Phyliss J. McCarthy Scholarship for Excellence in Writing

Offered by Learncurious.com

Are you a high school junior or senior with a love for creative writing? If so, consider applying for the Phyliss J. McCarthy Scholarship for… Show More

Are you a high school junior or senior with a love for creative writing? If so, consider applying for the Phyliss J. McCarthy Scholarship for Excellence in Writing! Each year, the scholarship awards up to $1,000 to the three applicants who submit the best responses to one of the "Narrative", "Meta", or "Wacky" prompts. As these prompts change each year, we recommend checking out the Learncurious.com website before applying. If you're a college-bound, high school upperclassman with a love for writing, we encourage you to apply! Keep on reading to learn more. Show Less

HSLDA Contests

Offered by Home School Legal Defense Association

The HSLDA Contests are funded by the Home School Legal Defense Association, an organization dedicated to protecting parents' rights to homeschooling and providing homeschooling families… Show More

The HSLDA Contests are funded by the Home School Legal Defense Association, an organization dedicated to protecting parents' rights to homeschooling and providing homeschooling families with the necessary resources. Each year, the Home School Legal Defense Association Contests award scholarships of varying amounts to multiple homeschooled students aged 7-19 (2nd graders through high school seniors) who create and submit original pieces of artwork, videos, or writing. The contests are split into six types: Poetry, Video, Photo, Short Story, Art, and Essay. Each year, the Poetry and Video Contests run from February 1 - April 1, the Photo and Short Story Contests run from June 1 - August 1, and the Art and Essay Contests run from October 1 - December 1. If this scholarship sounds like a fit for you, keep on reading for more application details! Show Less

$25k “Be Bold” No-Essay Scholarship This scholarship has been verified by the scholarship providing organization.

Offered by Bold.org

Open to high school students, college students, community college students, and graduate students.

Scholastic Art & Writing Awards

Offered by Alliance for Young Artists & Writers

Are you a middle or high school student with a love for creative writing or artwork? If so, consider applying for the Scholastic Art &… Show More

Are you a middle or high school student with a love for creative writing or artwork? If so, consider applying for the Scholastic Art & Writing Awards! The contest is broken up into 28 separate categories/competitions, each with its own age requirements and prompts. Winners will receive between $500 and $12,500, depending on the category. The awards are offered by the Alliance for Young Artists & Writers, a nonprofit organization with a mission to “identify students with exceptional artistic and literary talent and present their remarkable work to the world through the Scholastic Art & Writing Awards.”  If you’re a middle or high school student who’s been wanting to put their creative skills to work, this may be a great opportunity for you. We encourage you to apply! Show Less

Rover Scholarship

Offered by Rover

Do you have a beloved pet that has made a difference in your life? Each year, the Rover Scholarship awards $2,500 to the high school… Show More

Do you have a beloved pet that has made a difference in your life? Each year, the Rover Scholarship awards $2,500 to the high school senior or university student who writes the most thoughtful essay about how a pet has shaped who they are today. If you love your pet and want to put those feelings (and most cherished memories) into writing, we would encourage you to apply to this amazing op-paw-tunity! Show Less

$10,000 CollegeXpress Scholarship This scholarship has been verified by the scholarship providing organization.

Offered by CollegeXpress

Annual $10k scholarship from CollegeXpress open to all high school freshmen, sophomores, and juniors.

Women Leading Kentucky Undergraduate Scholarship

Offered by Women Leading Kentucky

Are you a female undergraduate student from Kentucky attending an in-state university? Further, are you majoring in Sports, Media, Engineering, Finance, Banking, Literature, Creative Writing,… Show More

Are you a female undergraduate student from Kentucky attending an in-state university? Further, are you majoring in Sports, Media, Engineering, Finance, Banking, Literature, Creative Writing, or Journalism? If so, you may be eligible for the Women Leading Kentucky Undergraduate Scholarship! Each year, the scholarship awards between $1,000 and $1,500 to female undergraduate students who demonstrate exceptional leadership and are attending a Kentucky college/university. If this sounds like a good opportunity for you, we encourage you to apply! Keep on reading to learn more. Show Less

Walgreens Expressions Challenge This scholarship has been verified by the scholarship providing organization.

Offered by Expressions by Walgreens

Are you a high school student in the U.S. passionate about any social or societal issue? Further, would you be interested in sharing your thoughts… Show More

Are you a high school student in the U.S. passionate about any social or societal issue? Further, would you be interested in sharing your thoughts on such matters through art? If so, consider applying for the Walgreens Expressions Challenge! The Challenge invites high school students to submit art in one of four categories (Spoken Word, Visual Arts, Media Art, or Creative Writing) on a social or societal topic they feel strongly about. Possible topic ideas include: the impact of social media, cyber bullying, mental health, gun violence, social justice, etc. If you're a high schooler passionate about art and using it for the greater good, we encourage you to apply! Keep on reading to learn more. Show Less

$1,000 Appily Easy College Money Scholarship This scholarship has been verified by the scholarship providing organization.

Offered by Appily

This easy scholarship from Appily is open to U.S. high school students (Class of 2025, 2026, 2027) and college transfer students. One scholarship will be… Show More

This easy scholarship from Appily is open to U.S. high school students (Class of 2025, 2026, 2027) and college transfer students. One scholarship will be awarded each month. Show Less

Alyssa Sandmeier Foundation Creative Writing Scholarship Competition

Offered by Alyssa Sandmeier Foundation

Are you a college-bound, Nebraskan high school senior with a passion for creative writing? If so, consider applying for the Alyssa Sandmeier Foundation Creative Writing… Show More

Are you a college-bound, Nebraskan high school senior with a passion for creative writing? If so, consider applying for the Alyssa Sandmeier Foundation Creative Writing Scholarship Competition! Each year, the scholarship awards $1,000 to the applicant who submit the best original piece of creative writing. Acceptable forms include, but are not limited to, poetry or song lyrics, short fiction, play/movie/television scripts, speeches, memories or diary entries, biographies, or personal essays. The scholarship was created in honor of Alyssa Sandmeier, a young girl whose passion for writing inspired her to write even while battling Leukemia complications. If you're a college-bound, Nebraskan high school senior with a passion for creative writing, we encourage you to apply. Keep on reading to learn more and carry on Alyssa's legacy today. Show Less

Bobette Bibo Gugliotta Memorial Scholarship for Creative Writing

Offered by Silicon Valley Community Foundation

The Bobette Bibo Gugliotta Memorial Scholarship for Creative Writing is open to students majoring in the creative writing field who have demonstrated creative writing ability.… Show More

The Bobette Bibo Gugliotta Memorial Scholarship for Creative Writing is open to students majoring in the creative writing field who have demonstrated creative writing ability. To be eligible, applicants must demonstrate a passion for creative writing, be graduating high school seniors or be graduates of a public or private high school in San Mateo County or Santa Clara County, and be planning to enroll or be currently enrolled in a four-year college or university as a full-time student. United States citizens and eligible non-citizens may apply. If you're a Northern Californian high school senior or soon-to-be graduate with a passion for creative writing, we encourage you to apply! Keep on reading to learn more. Show Less

$5,000 Christian Connector Scholarship This scholarship has been verified by the scholarship providing organization.

Offered by Christian Connector

Students applying to the $5,000 Christian Connector Scholarship must be current high school students (Class of 2025, 2026, or 2027) interested in attending a Christian…

Students applying to the $5,000 Christian Connector Scholarship must be current high school students (Class of 2025, 2026, or 2027) interested in attending a Christian university or college.

Lantos Activist Artist Scholarship

Offered by Lantos Foundation for Human Rights & Justice

The Lantos Activist Artist Scholarship recognizes and supports the work of activist artists in New Hampshire who tell human rights stories in unique, inspiring, and… Show More

The Lantos Activist Artist Scholarship recognizes and supports the work of activist artists in New Hampshire who tell human rights stories in unique, inspiring, and significant ways. Applicants are challenged to examine the influence of a particular activist artist or create their own piece of activist art. Acceptable forms of media include film, writing, theater, dance, music, painting, poetry, and drawing.  While two runners-up will be awarded $2,500 each, two first-place winners will be granted $5,000 each. If you're an artist from New Hampshire passionate about expressing raw emotions that can provoke attention and action on human rights crises, we encourage you to apply! Show Less

Archibald Rutledge Scholarship Program

Offered by South Carolina Department of Education

The Archibald Rutledge Scholarship Program offers twelfth-grade students (enrolled in a public school in South Carolina) the opportunity to compete for a scholarship in creative… Show More

The Archibald Rutledge Scholarship Program offers twelfth-grade students (enrolled in a public school in South Carolina) the opportunity to compete for a scholarship in creative writing, dance, music, theater, or visual arts. Students must be U.S. citizens and have attended public school in South Carolina for the past two years. Students planning to attend an out-of-state college or university are ineligible to apply. Entries produced in collaboration with others are not eligible for this competition. Students may compete in one arts area only. If you're a South Carolinian high school senior passionate about the arts, we encourage you to apply! Show Less

Additional scholarship categories

• Scholarships for English majors
• Easy scholarships
• Top scholarships for high school seniors
• Top scholarships for journalism students
• Top short story scholarships
• Top writing and essay scholarships

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Best Writing Scholarships in 2024

Showing 159 scholarships that match your search.

Immerse Education

The Immerse Education Essay Competition provides the opportunity for students aged 13-18 to submit essay responses to a pre-set question relating to their chosen subject. 10 winners will receive a 100% scholarship, with runner-up prizes also awarded. 100% Scholarship Award For Cambridge, Oxford, Sydney & London Summer School Essay Competition.

Categories: Critical Essay

Organization: Immerse Education.

Deadline: January 04, 2025.

Additional awards: Runner-ups: 50% of scholarship.

Categories: Critical Essay.

Apply now →

Creative Writing Award

The winner will be offered the opportunity to occupy during her or his first academic year the residence room where J. D. Salinger lived; and Leadership standing in the Ursinus writing community. The winner will be expected to join the previous award winners in reading subsequent creative portfolios, and will help the Office of Admission in selecting the next winner. Award winners are also expected to be prominent members of Ursinus’ Literary Society, The Lantern, and the creative writing community.

Categories: Critical Essay, Journalism, Nonfiction, Novel Writing, Personal Essay, Playwriting, Poetry, Portfolio, Research, Screenwriting, and Short Fiction

Organization: Ursinus College.

Deadline: January 15, 2025.

Categories: Critical Essay, Journalism, Nonfiction, Novel Writing, Personal Essay, Playwriting, Poetry, Portfolio, Research, Screenwriting, and Short Fiction.

The Sub Pop Loser Scholarship

Sub Pop Records is extremely proud to offer a grand total of $15,000 in college scholarship money to three eligible high school seniors. To apply you must submit a one-page essay using any combination of our questions as a guide (or write something completely your own, be inspired and creative!). Applicants must be residents of Washington or Oregon in pursuit of higher education.

Categories: Personal Essay

Organization: Sub Pop Records.

Deadline: March 23, 2025.

Additional awards: Second place scholarship of $5,000, third place scholarship of $3,000.

Categories: Personal Essay.

Islamic Scholarship Fund Program

Students who are Muslim or active members of the Muslim community may apply for the Islamic Scholarship Fund. The ISF awards multiple scholarships each year ranging from $3,000-$10,000, though the amounts and number of recipients will vary. Students must submit applications including essay questions, work samples, and letters of recommendation, and must also be majoring in an ISF-supported field related to media or politics.

Organization: Islamic Scholarship Fund.

Deadline: March 21, 2025.

Additional awards: Multiple awards of varying amounts will be given.

BBB Torch Talk Scholarship

BBB Foundation is a 501(c)3 organization dedicated to educating consumers on a variety of marketplace issues; this scholarship is in pursuit of that goal. Applicants must attend high school in Alaska, Hawaii, Idaho, Montana, Oregon, Washington or Western Wyoming, and will submit a 500-word essay for BBB’s online magazine Torch Talk on one of the given topics.

Organization: Better Business Bureau.

Deadline: March 16, 2025.

Flag House Scholarship Award

Do you know of an unsung history-maker in your community? Is there an organization in your community working to keep the legacy of a historically significant, but often overlooked, individual alive and relevant? Identify a person living or from the past whose professional work, activism, or personal story has made a significant impact on you or your community. Describe why their story is unique and explain how they have changed history. Response should be limited to 350 words.

Categories: Research and Critical Essay

Organization: The Star-Spangled Banner Flag House.

Deadline: March 26, 2025.

Categories: Research and Critical Essay.

Unpublished Writer's Award

The winner of this award receives $1,000, an invitation to accept the award at our annual awards ceremony, promotion on our website, and a feature of their work in our Magajournal and quarterly newsletter. Applicant must email an original, unpublished fiction work (short story or novel excerpt) not to exceed 2,000 typed words on double-spaced pages

Categories: Short Fiction and Novel Writing

Organization: Go On Girl! Book Club.

Deadline: March 31, 2025.

Additional awards: Invitation to awards ceremony, promotion through website and publications.

Categories: Short Fiction and Novel Writing.

Christine B. Dexter Scholarship

The Christine B. Dexter Scholarship was established in honor of Christine B. Dexter after her passing from stomach cancer in 2008. This scholarship awards undergrad students a $2,000 scholarship towards their fall tuition. All recipients demonstrate a history of community service and resilience through their cancer journey.

Organization: Christine B. Foundation.

Marguerite Young Endowment Fund

The Marguerite Young Endowment Fund was established at The Pittsburgh Foundation to provide scholarships for students who plan to study theology. Candidates must be attending a Protestant seminary as a master of Divinity candidate, preparing for full-time ministry and/or be a seminary intern at a Protestant Church. Application must includes proof of this, as well as a personal essay.

Organization: The Pittsburgh Foundation.

Incight Scholarship

The INCIGHT scholarship is open to students in Washington, Oregon, and California who have a documented disability. Applicants must complete two detailed essay responses (video essays also welcome) in order to be eligible. The number of awards and total amount awarded will be determined during the selection process, and winners will be notified in June.

Organization: INCIGHT.

Deadline: April 01, 2025.

The AAF-Greater Evansville Scholarship

The AAF-Greater Evansville awards scholarships to deserving high school and/or college students yearly in April. To be eligible, students must plan to pursue a career in advertising, marketing, public relations or graphic design. Application varies yearly but includes various education details and personal statements.

Categories: Journalism

Organization: American Advertising Federation of Greater Evansville.

Categories: Journalism.

Aspiring Literary Scholar Award

The winner of this award receives $1,000, an invitation to accept the award at our annual awards ceremony, promotion on our website, and a feature of their work in our Magajournal and quarterly newsletter. Candidate must submit an essay not to exceed 800 words on the topic "The Power of The Written Word."

Dr. Jerry Pournelle Scholarship

The Dr. Jerry Pournelle Scholarship may be awarded to a candidate of any gender majoring in engineering, math, biological or physical sciences, or “science fiction as literature” as an eligible field of study. Applicants must submit a 500-1,000 word essay on one of several scientific topics.

Categories: Research, Personal Essay, and Critical Essay

Organization: The Heinlein Society.

Categories: Research, Personal Essay, and Critical Essay.

Dr. Yoji Kondo Scholarship

The Dr. Yoji Kondo Scholarship may be awarded to a candidate of any gender majoring in engineering, math, biological or physical sciences, or “science fiction as literature” as an eligible field of study. Applicants must submit a 500-1,000 word essay on one of several scientific topics.

Jack & Julie Narcolepsy Scholarship

Project Sleep’s Jack & Julie Narcolepsy Scholarship is a national scholarship program to support students with narcolepsy and idiopathic hypersomnia. Students must complete an application form that includes a response to the esssay question: "If you could go back in time and speak to yourself on the day you were diagnosed, what would you say? Write a letter to yourself on that day."

Organization: Project Sleep.

What are writing scholarships?

Writing scholarships are financial awards given to students based primarily on written work, though other factors are usually taken into consideration as well. Most writing scholarships involve a prompt or series of prompts to which applicants must respond. Some writing scholarships — especially those that award large amounts of money — require applicants to submit past writing samples, or even a full portfolio.

The good news is that, with so many writing scholarships to choose from, you don’t have to apply for any that are “out of your league.” Indeed, though most students have heard of writing scholarships, you may not realize just how many different varieties there are! Here are five of the most common types of writing scholarships, all of which you can find in this directory.

1. Personal essay scholarships

Personal essay scholarships involve writing on a topic related to your own experience. You’ll often see personal essay prompts like, “How have your experiences influenced your choice of major?” and “What are your career aspirations and how do you plan to achieve them?” Other prompts may ask you to write about a role model, a life-changing event, an aspect of your identity, etc. Suggested length is usually about 500-1,000 words, but varies depending on the level of detail requested and how many essay questions are provided.

Just about every scholarship these days has a personal essay component of some kind. This is because personal essay responses both demonstrate writing skills and give the judges a clear sense of each applicant’s goals. No one wants to throw away money on an aimless student — so if you’re applying for a personal essay scholarship, make sure to convey both your writing abilities and your ambitions in your work!

2. Critical essay scholarships

Critical essay scholarships are more in line with what students might consider  “academic” essays. The prompts typically ask applicants to analyze works of literature. However, unlike open-ended English class essays, most critical essay scholarships provide a very specific prompt (e.g. “Examine The Great Gatsby in the context of its World War II-era revival”).

Critical essay scholarships can also involve non-literary subject matter. Some may ask applicants to evaluate a historical event or figure; others may ask them to defend their stance on a political or legal issue. Though the line between critical and personal essays can sometimes blur, for the purposes of this directory, we define critical essays as those that use evidence from an external source to prove a point.

3. Short fiction scholarships

Short fiction scholarships include scholarships for short stories, one-act plays, poetry, and any other form of fiction that isn’t a novel or full-length script. Short fiction scholarships tend to be easier to find than long-form fiction scholarships, since most judging panels don’t have time to read more than a few thousand words per entry. Therefore, if you write fiction and you’re hoping to nab yourself a scholarship, this category is the way to go! (That said, if you’re a hardline novelist, some places will accept a sample chapter or two as short fiction entries.)

4. Journalism scholarships

Journalism scholarships are for students interested in pursuing a career in news, magazine, and/or online journalism. These scholarship applications almost always ask for writing samples to show the candidate’s interest. Depending on the organization, they may prefer topical news reports, informative articles, thinkpieces, or a mix. Some journalism scholarships provide a prompt and ask applicants to write a new article, but the focus is usually on samples. Speaking of which…

5. Portfolio scholarships 

Portfolio scholarships are the most rigorous kind of writing scholarship, requiring a substantial body of work from each applicant — usually 5-10 pieces of writing, if not more. The upside is that awards for portfolio scholarships tend to be pretty sizable, and may even cover your entire tuition!

If you decide to apply to a portfolio scholarship, make sure you have several strong pieces of work in your oeuvre, and consider writing a few new pieces as well. What you shouldn’t do is rush through a dozen new pieces to throw together as a portfolio. If you don’t have samples at the ready from previous assignments or projects, you’ll be better off applying to a less intensive writing scholarship.

Why apply to writing scholarships?

Applying to writing scholarships is a huge undertaking, especially if you’re pursuing multiple scholarships at once. It can sometimes feel like the effort isn’t worth it, or that you have little chance of actually winning any awards. But in truth, submitting to writing scholarships is one of the best investments you can make in your education, your creative writing skills, and your professional life.

Scholarships for larger amounts do attract more applicants, but that doesn’t mean they’re impossible to land — only that you have to work a little harder to stand out. And you can definitely sway the odds in your favor by applying to lots of small scholarships ($500 or less) for which you’ll have fewer competitors. Remember that every little bit helps! For example, if you plan on taking out student loans, even a $500 scholarship could save you much more in interest down the line.

Another compelling reason to apply to writing scholarships is that oftentimes, you’ve already done the work, or the work required is minimal. For scholarships that require writing samples, you’ll simply submit what you’ve already written in the past — and even for scholarships with specific prompts, you rarely have to write more than a couple of pages. If you were seriously committed, you could apply to a scholarship every day, spending a single concentrated evening on each application.

Jumping off that thought, as English majors love to say: the more writing scholarships you apply for, the better a writer you’ll become. Writing tons of scholarship essays will make you a much more creative and efficient writer. Not only will this help with your personal writing projects, but it will also be invaluable to your education and even your career! Writing is a crucial skill for every major — you’ll always have to write papers and emails to professors, after all — and even if you don’t plan to pursue a writing-based job, you'll still need writing skills to polish your résumé.

Finally, remember that there’s a writing scholarship out there for everyone, no matter what your interests or intended field. This directory includes plenty of creative writing scholarships, yes; but there are also personal essay scholarships for future doctors, lawyers, salespeople, and so much more. You have nothing to lose by giving it a shot, so why not start searching for your dream writing scholarship today? (And if you’re unsure about your writing skills, you might benefit from some of the resources below.)

Resources to strengthen your writing skills

• 20 Writing Tips to Help You Become A Better Writer Today
• How to Stop Procrastinating and Build A Solid Writing Routine
• What is Creative Nonfiction? Memoirs, Literary Journalism, and More!
• How to Write a Memoir: Tell Your Amazing Story in 9 Steps
• How to Write a Fantastic Short Story In 7 Steps
• How to Self-Edit Your Manuscript Like a Pro
• 700+ Creative Writing Prompts to Inspire You
• 100+ Creative Writing Exercises for Authors

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• / Creative Writing
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UNIVERSITY OF LOUISVILLE

CREATIVE WRITING SCHOLARSHIPS and AWARDS

DEADLINE: March 15, 2024 no later than 11:59 P.M.

The monetary prize for the Driskell, McDowell, and Poetry awards is $250 for each.

Creative Writing Scholarships and Awards acknowledge excellence in creative writing by University of Louisville undergraduate and graduate students. Scholarship funds are distributed in varying amounts of tuition reimbursement. You do not have to be an English major to apply. Judges for the competition are the members of the English Department Creative Writing Committee.

Eligibility:

· The scholarships and awards are open to University of Louisville students, both undergraduate and graduate, who have successfully completed at least one creative writing course in Spring 2023, Fall 2023 or are currently enrolled in a creative writing course in Spring 2024.

 · Students are eligible for scholarships if they plan to graduate AFTER July 1, 2024. Note: If you are graduating BEFORE July 1, 2024 (for example: spring commencement) you may be eligible for awards, but not for scholarships. Scholarship funds are distributed in the form of tuition reimbursement and are therefore open only to students who will be enrolled in classes in the following academic year.

· Students who receive a scholarship must complete one creative writing course in the 2024-25 academic year. This does not apply to students who receive only a McDowell or Driskell award.

· Non-graduating undergraduate students are eligible for scholarships and the Leon V. Driskell Award. Students graduating before July 1, 2024 are eligible for the Driskell Award. A single application covers both opportunities.

· Non-graduating MA students are eligible for scholarships and the Sarah-jean McDowell Creative Writing Award. Students graduating before July 1, 2024 are eligible for the McDowell Award. A single application covers both opportunities.

· Ph.D. students are eligible for the Sarah-jean McDowell Creative Writing Award.

- Part-time status is acceptable if all other eligibility requirements are met.

· Prior to release of funds, all scholarships and awards are subject to administrative review for eligibility.

Students who wish to apply should prepare a submission containing the following material (please follow the directions closely):

1) A cover letter of less than 300 words that speaks to your experience in the creative writing program, including your participation in creative writing events beyond your course work. The letter should include your name, address (including zip code), university e-mail address, telephone number, student ID number, date of birth, level in school, list of creative writing courses taken (noting semester and year) and the name of the instructor/s; eligible students should also include the course number/instructor name of a creative writing course you would plan to take in 2024-2025 if given a scholarship. For all applicants, you must indicate the year and semester you plan to graduate. Previous recipients of Creative Writing Scholarships and Awards must indicate the year and semester of their prior award(s). Note: as long as all other eligibility requirements are met, you remain eligible for scholarships, even if you already received one in a previous year.

2) A sample of writing. Please submit up to 25 pages of Fiction, Creative Nonfiction, or Drama, 5-10 poems, or some combination of these.

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Choose Your Test

Sat / act prep online guides and tips, the 12 best creative writing colleges and programs.

College Info

Finding a dedicated creative writing program at a school you're excited about can be a real challenge, and that's even before you start worrying about getting in. Nonetheless, there are some great options. In order to help you find the best school for you, this list rounds up some of the best colleges for creative writing in the United States .

The Best Creative Writing Programs: Ranking Criteria

You should never take college rankings as absolute truth —not even the very official-seeming US News ones. Instead, use these kinds of lists as a jumping-off place for your own exploration of colleges. Pay attention not just to what the rankings are but to how the rankings are determined.

To help with that, I'll explain how I came up with this highly unscientific list of great creative writing colleges. I started by narrowing my search down to schools that offered a specific creative writing major. (If you don't see a school you were expecting, it's likely because they only have a minor.)

In ranking the schools, I considered five major criteria:

• #1: MFA Ranking —If a school has a great graduate creative writing program, it means you'll be taught by those same professors and the excellent graduate students they attract. Schools with strong MFA programs are also more likely to have solid alumni networks and internship opportunities. However, many schools with great undergrad programs do not offer MFAs, in which case I simply focused on the other four options.
• #2: General School Reputation —The vast majority of your classes won't be in creative writing, so it's important that other parts of the school, especially the English department, are great as well.
• #3: Extracurricular Opportunities —One of the key advantages of majoring in creative writing is that it can provide access to writing opportunities outside the classroom, so I took what kind of internship programs, author readings, and literary magazines the school offers into consideration.
• #4: Diversity of Class Options —I gave extra points to schools with a variety of genre options and specific, interesting classes.
• #5: Alumni/Prestige —This last criterion is a bit more subjective: is the school known for turning out good writers? Certainly it's less important than what kind of education you'll actually get, but having a brand-name degree (so to speak) can be helpful.

The Best Creative Writing Schools

Now, let's get to the good stuff: the list of schools! The exact numbering is always arguable, so look at it as a general trend from absolutely amazing to still super great, rather than fixating on why one school is ranked #3 and another is ranked #4.

#1: Northwestern University

Northwestern's undergrad creative writing program boasts acclaimed professors and an unparalleled track record of turning out successful writers (including Divergent author Veronica Roth and short-story writer Karen Russell).

Outside the classroom, you can work on the student-run literary journal, intern at a publication in nearby Chicago, or submit to the Department of English's yearly writing competition . The university is also home to a top journalism program , so if you want to try your hand at nonfiction as well, you'll have plenty of opportunities to do so.

#2: Columbia University

Like Northwestern, Columbia is home to both a world-class creative writing program and a top journalism school (plus one of the best English departments in the country), so you have a wide range of writing-related course options. Columbia also benefits from its location in New York City, which is bursting at the seams with publishing houses, literary journals, and talented authors.

#3: University of Iowa

The University of Iowa's big draw is the infrastructure of its graduate Writers' Workshop, which is often considered the best MFA program in the country.

As an English and Creative Writing major here, you'll take classes from great young writers and established professors alike, and get to choose from a wide range of topics. This major provides transferable skills important for a liberal arts major with a creative focus. You'll also have access to the university's impressive literary community, including frequent readings, writing prizes and scholarships, and the acclaimed literary journal The Iowa Review .

#4: Emory University

Emory is renowned for its dedicated undergrad creative writing program , which draws the very best visiting scholars and writers. Students here have the chance to attend intimate question-and-answer sessions with award-winning authors, study a range of genres, compete for writing awards and scholarships, and work closely with an adviser to complete an honors project.

#5: Oberlin College

A small liberal arts school in Ohio, Oberlin offers very different advantages than the schools above do. You'll have fewer opportunities to pursue writing in the surrounding city, but the quality of the teachers and the range of courses might make up for that. Moreover, it boasts just as impressive alumni, including actress and writer Lena Dunham.

#6: Hamilton College

Hamilton is another small college, located in upstate New York. It's known for giving students the freedom to pursue their interests and the support to help them explore topics in real depth, both inside and outside the classroom. Hamilton's creative writing program takes full advantage with small classes and lots of opportunities to intern and publish; it also has one of the best writing centers in the country.

#7: Brown University

Brown's Literary Arts program offers one of the top MFAs in the US as well as an undergraduate major . For the major, you must take four creative writing workshops and six reading-intensive courses, which span an array of departments and topics, from music and literature to Middle East studies and Egyptology.

#8: Washington University in St. Louis

Washington University has an excellent creative writing MFA program, lots of super specific class options, and a number of scholarships specifically earmarked for creative writing students. This school’s undergraduate English program also offers a concentration in creative writing that allows students to specialize in a specific genre: poetry, fiction, or creative nonfiction. If you’re interested in exploring your potential in a specific writing genre, Washington University could be a great pick for you.

#9: Massachusetts Institute of Technology

MIT might not be a school you generally associate with writing, but it actually has an excellent program that offers courses in digital media and science writing, as well as creative writing, and provides plenty of guidance on how graduates can navigate the tricky job market.

Not to mention the school is located in Cambridge, a haven for book lovers and writers of all kinds. Though it probably isn’t a good fit for students who hate science, MIT is a great place for aspiring writers who want to build writing skills that are marketable in a wide range of industries.

#10: University of Michigan

University of Michigan is one of the best state universities in the country and has a top-notch MFA program. This school’s undergrad creative writing sub-concentration requires students to submit applications for admittance to advanced creative writing courses. These applications give students crucial practice in both building a writing portfolio and articulating their interest in creative writing to an audience who will evaluate their work. If you're looking to attend a big school with a great creative writing major, this is a fantastic choice.

#11: Johns Hopkins University

Johns Hopkins is another school that's known more for engineering than it is for writing, but, like MIT, it has a dedicated writing program. As a major here, you must take not only courses in prose, poetry, and literature, but also classes on topics such as philosophy and history.

#12: Colorado College

Colorado College is a small liberal arts school known for its block plan , which allows students to focus on one class per three-and-a-half-week block. The creative writing track of the English major includes a sequence of four writing workshops and also requires students to attend every reading of the Visiting Writers Series.

Bonus School: New York University

I didn't include NYU in the main list because it doesn't have a dedicated creative writing major, but it's a great school for aspiring writers nonetheless, offering one of the most impressive creative writing faculties in the country and all the benefits of a Manhattan location.

How To Pick the Best Creative Writing School for You

Just because Northwestern is a great school for creative writing doesn't mean you should set your heart on going there. (The football fans are completely terrifying, for one thing.) So where should you go then?

Here are some questions to ask yourself when looking at creative writing programs to help you determine the best school for you:

Does It Have Courses You're Interested In?

Look at the course offerings and see whether they interest you. While you can't predict exactly what classes you'll love, you want to avoid a mismatch where what you want to study and what the program offers are completely different. For example, if you want to write sonnets but the school focuses more on teaching fiction, it probably won't be a great fit for you.

Also, don't forget to look at the English courses and creative writing workshops! In most programs, you'll be taking a lot of these, too.

What Opportunities Are There To Pursue Writing Outside of Class?

I touched on this idea in the criteria section, but it's important enough that I want to reiterate it here. Some of the best writing experience you can get is found outside the classroom, so see what kind of writing-related extracurriculars a school has before committing to it.

Great options include getting involved with the campus newspaper, working on the school's literary journal, or interning at the university press.

Who Will Be Teaching You?

Who are the professors? What kind of work have they published? Check teacher ratings on Rate My Professors (but make sure to read the actual reviews—and always take them with a grain of salt).

If you're looking at a big school, there's a good chance that a lot of your teachers will be graduate students. But that's not necessarily a bad thing: a lot of the best teachers I had in college were graduate students. Just take into consideration what kind of graduate program the school has. If there's a great creative writing MFA program, then the graduate students are likely to be better writers and more engaged teachers.

What Are the Alumni Doing Now?

If you have a sense of what you want to do after you graduate, see if any alumni of the program are pursuing that type of career. The stronger the alumni network is, the more connections you'll have when it comes time to get a job.

What About the Rest of the School?

Don't pick a school for which you like the creative writing program but dread everything else about it. Most of your time will be spent doing other things, whether hanging out in the dorms, exploring off campus, or fulfilling general education requirements.

Many schools require you to apply to the creative writing major, so make doubly sure you'll be happy with your choice even if you aren't accepted to the program.

What's Next?

Are you sure a creative writing major is the right fit for you? Read our post on the pros and cons of the major to help you decide what path to take in college.

For more general advice about choosing a college, check out our complete guide to finding the right school for you. Some major factors to consider include deciding whether you're interested in a small college or a big university , an in-state or out-of-state institution , and a public or private school .

Alex is an experienced tutor and writer. Over the past five years, she has worked with almost a hundred students and written about pop culture for a wide range of publications. She graduated with honors from University of Chicago, receiving a BA in English and Anthropology, and then went on to earn an MA at NYU in Cultural Reporting and Criticism. In high school, she was a National Merit Scholar, took 12 AP tests and scored 99 percentile scores on the SAT and ACT.

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The Thomas Wolfe Scholarship

The Creative Writing Program and the Department of English of the University of North Carolina at Chapel Hill are pleased to announce the Thomas Wolfe Scholarship.

It offers full four-year financial support to one incoming student per year, including tuition, room and board, books, a new laptop, and a summer stipend.

The Thomas Wolfe Scholarship’s level of support is comparable to that of the University’s well-known Morehead Scholarships. Whereas the Morehead Scholarship places broad emphasis on a candidate’s exemplary leadership, community service, academic excellence, and physical vigor, the Thomas Wolfe Scholarship seeks to identify and reward students with exceptionally focused literary ability and promise.

Current Winner

Elisa Troncoso

Previous winners, application information.

The Thomas Wolfe Scholarship will accept applications for its 24th national search  beginning September 1st, 2024 .

Please note that our application process involves two separate steps and two different dates, and all applicants must take both steps and meet both deadlines, to wit: Thomas Wolfe Scholarship applicants must apply  to the University of North Carolina at Chapel Hill  by the University’s October 15th, 2024 EARLY admission deadline and must meet all academic requirements for EARLY admission; and 2) Scholarship applicants must also apply  to The Thomas Wolfe Scholarship , with the deadline for submissions to the Scholarship being November 15th, 2024 (submissions must be electronically submitted by that date).   These are two distinct application processes and require different forms and separate online submissions.

The Thomas Wolfe Scholarship award will be based largely on written work submitted by candidates.  Artistic merit is the chief criterion of selection.  Students who write poetry, fiction, plays, creative nonfiction (personal essays, memoir, travel and nature essays, literary journalism, and lyric essays) are eligible. Multiple genre submissions are also encouraged. Submissions are limited to one application per student.

The application process requires the submission of a portfolio containing between forty (40) and fifty (50) pages of original creative writing composed in English. This work may be in any genre, and it may also be a combination of genres (for example: a short story, a short memoir, and three poems). In addition to completing the application, candidates must submit a five-hundred-word personal essay entitled “Why I Write.”

The age of entering students under The Thomas Wolfe Scholarship shall not exceed twenty-two (22) years. The scholarship is not available to undergraduate college students seeking to transfer to UNC-Chapel Hill from other institutions. All applicants should either be citizens of the United States and/or should be residing in the United States at the time of application.

The Board of Advisors of The Thomas Wolfe Scholarship may award the scholarship to a new recipient annually. However, the Board of Advisors may decide not to award the scholarship in any given year due to financial constraints, the quality of applicants, or other sufficient reason, in the Board’s sole discretion. The decision of the Board of Advisors will be final. The submission of an application will constitute assent to all conditions and stipulations expressed herein.

Application Materials:

• We are introducing a new online application system this year, available at: Thomas Wolfe Scholarship Application
• In preparation for filling out the application, you may wish to preview the questions in advance, which are available here: Application Questions for The Thomas Wolfe Scholarship 
• In preparation for the Writing Sample, please gather the following materials onto a SINGLE WORD or PDF Document that is double-spaced, 12-point type, with every page numbered:
• A Personal Essay of no more than five hundred (500) words, in which you introduce yourself as a writer and reader, as someone who aspires toward the writing life, entitled “Why I Write.”
• A Table of Contents for the Writing Sample that consists of titles, genres, and page numbers.
• A Writing Sample that consists of anywhere from forty (40) to fifty (50) pages of original creative writing composed in English, and that is arranged in the order listed in the Table of Contents. This work can be in any genre (poetry, fiction, plays, and creative nonfiction such as memoir or literary journalism). You may send in several different works of various genres. If submitting an excerpt of a longer work, please include a brief synopsis of the project. Please note that all work must be double-spaced, in 12-point type, with every page numbered.
• Must be on letterhead and must be submitted separately from the application by each recommender
• Please submit letters as PDF or WORD document only. We are unable to open SharePoint, OneDrive, or Google Doc files.
• The letter must be submitted by 11:59 pm on November 15, 2024 using this link:  Thomas Wolfe Scholarship Recommendation Form

** PLEASE NOTE:: YOUR SUBMISSION MUST BE COMPLETE at the time you electronically submit it . Requests for additions, updates, revisions will not be honored. Incomplete submissions will automatically disqualify the applicant. The entire application, including the Writing Sample and the 3 Letters of Recommendation,  must be received by 11:59 pm on November 15, 2024  at  Thomas Wolfe Scholarship Application  and at  Thomas Wolfe Scholarship Recommendation Form .

Frequently Asked Questions:

• If I am selected as the Thomas Wolfe Scholar, do I have to take creative writing classes at UNC? It is assumed by our Advisory Committee that only students who are deeply committed to the written word, the love of literature, the art of writing will apply for the Wolfe Scholarship. If students are applying for a scholarship that honors writing talent, it is also assumed that students will want to continue their study of writing at the college level. Students may choose to  major  in any discipline, but the Wolfe Scholar must agree to  minor  in Creative Writing.
• What if I’ve started college elsewhere or taken classes after high school graduation that would count as college credit?   To qualify as a candidate for the Wolfe Scholarship, you must plan to enter UNC-CH as a  first year student . College credits accumulated elsewhere, if transferable, should not exceed six hours, exclusive of AP and IB credits. You will be required to take a minimum of 12 hours each semester and complete your degree in four years. Students must be no older than 22 years of age and either a citizen or resident of the United States.
• I’m confused about the number of pages to send. If I am sending poems, for example, and one poem takes up half a page, should I begin the next poem on that same page, or should I write one poem per page?   One poem per page is fine. If you are a prose writer and a story or essay ends half-way down a page, you may begin your next story or essay on a new page.
• Is the Thomas Wolfe Scholarship judged separately from a regular UNC application?   Yes. The Thomas Wolfe Scholarship Program is altogether separate from UNC’s Office of Admissions. Our committee works with Admissions and often shares application information when it is in a candidate’s best interest. Candidates for the Wolfe Scholarship should plan to submit applications to the Office of Admissions by their  October 15th deadline. DO NOT send Admission materials along with your Wolfe application!  Admissions packets should be sent under separate cover to the  UNC  Admissions Office.  Applications/submissions for the Scholarship itself should be sent to The Thomas Wolfe Scholarship  by our November 15th deadline.
• When will I be notified about the status of my application?  This year’s deadline for materials is  November 15 . Your application will be read by several preliminary readers. You will receive notice in mid-to-late February indicating whether or not you have advanced as a semi-finalist. From the semi-finalist list, the Advisory Committee will select approximately 3-5 finalists who will be notified in early March of their status and invited to a Zoom interview. The new Wolfe Scholar will be named by mid-April.
• Am I at a disadvantage if I’ve never published anything or won a writing contest?   No. Many high school students who are excellent writers have never published their work. Your application will be evaluated on the basis of your giving evidence of genuine artistry.
• Should I send SAT scores and high school transcripts in my application?   No. Although we expect Wolfe Scholars to make good grades, our primary interest is in evaluating your writing skills.
• In my writing submission, are any subjects taboo?   There are no restrictions whatsoever placed on content. Censorship of manuscripts is prohibited by the Advisory Board.
• I have used profanity in some of my writing. When I apply, should I include or omit works that have “language”?   Applicants should not feel inhibited by the fact that what they deem superior work contains profanity. We can tell when an author, in being true to his or her characters, is letting them speak in their own voices, however profane and/or unsettling those voices may be from time to time, and when, on the other hand, an author is using profanity merely for sensational effect, in a simplistic attempt to engage the reader with shock value, rather than real wit and literary style.

For more information:

Please reach out to Gaby Calvocoressi and Stephanie Elizondo Griest, Co-Directors of The Thomas Wolfe Scholarship Program, at   [email protected] .

Creative Writing Program

The New School invites you to join a community of diverse writers, become part of New York City’s publishing world, and build a network of support on campus and beyond. Our prestigious MFA Creative Writing program is designed to help you develop your writing in supportive workshops and literature seminars led by an internationally recognized faculty and renowned authors.

books published annually by alumni and faculty

annual writing events, including the National Book Awards Finalist Reading

of admitted MFA students awarded merit-based university scholarships (2020–2021)

MFA in Creative Writing

As an MFA student at The New School, you can choose your concentration—in Arts Writing, Fiction, Nonfiction, Poetry, or Writing for Children and Young Adults—and receive personalized faculty mentorship and faculty and peer critiques. Innovative courses in publishing and multimedia storytelling engage you in the development of literature. Popular graduate minors include Impact Entrepreneurship and Transmedia and Digital Storytelling . Or you can apply to WriteOn NYC! , a New School–funded fellowship program providing MFA students with high-quality teaching experience in area middle schools and high schools. All students benefit from evening classes and events, which enable them to work or attend responsibilities during the day while enrolled in a  full-time program.

Related Programs

In addition to the renowned MFA in Creative Writing, The New School offers other programs and opportunities for writing students. These include noncredit courses and summer intensives, as well as an undergraduate major in the Bachelor’s Program for Adults and Transfer Students, the Writing and Democracy Honors Program, and undergraduate minors in related fields. Summer Writing Intensive Continuing Education Courses Writing & Democracy Honors Program BA in Creative Writing Undergraduate Creative Writing Courses

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The Writer’s Life in NYC

Creative Writing students come to The New School from across the United States and around the world to live the writer's life in New York City. Evenings with agents and editors, offered exclusively for MFA students, provide informal opportunities to meet publishing professionals.

The New School Bookshelf

We are proud to feature books recently published by The New School's Creative Writing community.

Sigrid Nunez, Faculty

Hurricane Child

Kacen callender, mfa '14.

The Impeachers

Brenda wineapple, faculty.

The January Children

Safia elhillo, mfa '15.

Mira Jacob, Faculty and MFA '01

Events & news.

• The Vera List Center for Art and Politics Presents New School New Books Event Series
• Adrian Madlener, History of Design and Curatorial Studies ’18, Explores Design Through Writing and Research
• The Vera List Center for Art and Politics Hosts Reading Room Featuring Faculty Books
• Richard Barone, School of Jazz and Contemporary Music Faculty Member, Debuts New Book about Music Scene in 1960’s Greenwich Village
• New Faculty Achievements from Across The New School Include Fellowships, Grants, and More
• Alexandra Kleeman, SPE Assistant Professor of Writing, Awarded Guggenheim Fellowship in Fiction

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To apply to any of our Master's, Doctoral, Professional Studies Diploma, and Graduate Certificate programs, complete and submit the New School Online Application.

MSt in Creative Writing

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College preference

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About the course

The MSt in Creative Writing is a two-year, part-time master's degree course offering a unique combination of high contact hours, genre specialisation, and critical and creative breadth.

The emphasis of the course is cross-cultural and cross-genre, pointing up the needs and challenges of the contemporary writer who produces their creative work in the context of a global writerly and critical community.

The MSt offers a clustered learning format of five residences, two guided retreats and one research placement over two years. The research placement, a distinguishing feature of the course, provides between one and two weeks' in-house experience of writing in the real world.

The first year concentrates equally on prose fiction, poetry, dramatic writing and narrative non-fiction. There is a significant critical reading and analysis component, which is linked to the writerly considerations explored in each of the genres. In your second year you will specialise in one of the following:

• short fiction
• radio drama
• screenwriting
• stage drama
• narrative non-fiction.

The residences in particular offer an intensive workshop- and seminar-based forum for ideas exchange and for the opening up of creative and critical frameworks within which to develop writerly and analytical skills. There is a strong element of one-to-one tutorial teaching. Tutorials take place within residences and retreats, and relate to the on-going work produced for the course.

You will be assigned a supervisor who will work closely with you throughout the development of the year two final project and extended essay. All assessed work throughout the two years of the course is subject to one-to-one feedback and discussion with a tutor. This intensive, one-to-one input, combined with the highly interactive workshop and seminar sessions, is a distinguishing feature of the course.

Supervision

The allocation of graduate supervision for this course is the responsibility of the Department for Continuing Education and this role will usually be performed by the Course Director.

You will be allocated a supervisor to guide and advise you on your creative and critical work throughout the second year.

It is not always possible to accommodate the preferences of incoming graduate students to work with a particular member of staff. Under exceptional circumstances a supervisor may be found outside the Department for Continuing Education.

The MSt is assessed by coursework. In the first year, four assignments (two creative, two critical), one creative writing portfolio and one critical essay are submitted. Work is set during each residence and handed in for assessment before the next meeting. Feedback on work submitted is given during tutorials within the residence or retreat. In the second year, submissions comprise one research placement report, one extended critical essay, and a final project – a substantial body of creative work in the genre of choice. 

You will be set specific creative and critical work to be completed between residences and handed in to set deadlines. Creative submissions in the first year must be in more than one genre. In the second year, submitted work focuses around the genre of your choice.

Graduate destinations

Graduate destinations have included publishing creative work in a chosen field, careers in arts/media, and doctoral programmes in creative writing.

Changes to this course and your supervision

The University will seek to deliver this course in accordance with the description set out in this course page. However, there may be situations in which it is desirable or necessary for the University to make changes in course provision, either before or after registration. The safety of students, staff and visitors is paramount and major changes to delivery or services may have to be made in circumstances of a pandemic, epidemic or local health emergency. In addition, in certain circumstances, for example due to visa difficulties or because the health needs of students cannot be met, it may be necessary to make adjustments to course requirements for international study.

Where possible your academic supervisor will not change for the duration of your course. However, it may be necessary to assign a new academic supervisor during the course of study or before registration for reasons which might include illness, sabbatical leave, parental leave or change in employment.

For further information please see our page on changes to courses and the provisions of the student contract regarding changes to courses.

Entry requirements for entry in 2024-25

Proven and potential academic excellence.

The requirements described below are specific to this course and apply only in the year of entry that is shown. You can use our interactive tool to help you  evaluate whether your application is likely to be competitive .

Please be aware that any studentships that are linked to this course may have different or additional requirements and you should read any studentship information carefully before applying. 

Degree-level qualifications

As a minimum, applicants should hold or be predicted to achieve the following UK qualifications or their equivalent:

• a first-class or upper second-class undergraduate degree with honours  in a related field.

For applicants with a degree from the USA, the minimum GPA normally sought is 3.6 out of 4.0.

If your degree is not from the UK or another country specified above, visit our International Qualifications page for guidance on the qualifications and grades that would usually be considered to meet the University’s minimum entry requirements.

GRE General Test scores

No Graduate Record Examination (GRE) or GMAT scores are sought.

Other qualifications, evidence of excellence and relevant experience 

• Assessors are looking for writers with a proven record of commitment to their craft, whose work demonstrates significant creative promise. You should be a keen reader, and bring an open-minded, questioning approach to both reading and writing. You will not necessarily have yet achieved publication, but you will have written regularly and read widely over a sustained period. You will be keen to dedicate time and energy and staying-power to harnessing your talent, enlarging your skills, and aiming your writerly production at consistently professional standards. It is likely you will have a first degree, or equivalent, although in some cases other evidence of suitability may be acceptable.
• Applicants do not need to be previously published, but the MSt is unlikely to be suitable for those who are just starting out on their writerly and critical development.

English language proficiency

This course requires proficiency in English at the University's  higher level . If your first language is not English, you may need to provide evidence that you meet this requirement. The minimum scores required to meet the University's higher level are detailed in the table below.

*Previously known as the Cambridge Certificate of Advanced English or Cambridge English: Advanced (CAE) † Previously known as the Cambridge Certificate of Proficiency in English or Cambridge English: Proficiency (CPE)

Your test must have been taken no more than two years before the start date of your course. Our Application Guide provides  further information about the English language test requirement .

Declaring extenuating circumstances

If your ability to meet the entry requirements has been affected by the COVID-19 pandemic (eg you were awarded an unclassified/ungraded degree) or any other exceptional personal circumstance (eg other illness or bereavement), please refer to the guidance on extenuating circumstances in the Application Guide for information about how to declare this so that your application can be considered appropriately.

You will need to register three referees who can give an informed view of your academic ability and suitability for the course. The  How to apply  section of this page provides details of the types of reference that are required in support of your application for this course and how these will be assessed.

Supporting documents

You will be required to supply supporting documents with your application. The  How to apply  section of this page provides details of the supporting documents that are required as part of your application for this course and how these will be assessed.

Performance at interview

Interviews are normally held as part of the admissions process.  

For those applying by the January deadline, interviews are generally held in February and March. For March applicants, interviews are generally held in March and April.

The decision to call an applicant for interview is based on the University Admission Board's assessment of your portfolio, statement of purpose, academic and professional track record and references. Interviews will be conducted in person or by telephone. All applicants whose paper submissions indicate they are qualified for entry will generally be interviewed, either in person or by telephone/Skype. There are always two interviewers. Interviews usually last up to approximately 30 minutes and provide an opportunity for the candidate to discuss his/her application and to explore the course in more detail.

The interview is designed to ascertain, through a range of questions, the shape and emphasis of the candidate's writing and reading, and general suitability for the demands of the MSt. 

How your application is assessed

Your application will be assessed purely on your proven and potential academic excellence and other entry requirements described under that heading.

References  and  supporting documents  submitted as part of your application, and your performance at interview (if interviews are held) will be considered as part of the assessment process. Whether or not you have secured funding will not be taken into consideration when your application is assessed.

An overview of the shortlisting and selection process is provided below. Our ' After you apply ' pages provide  more information about how applications are assessed . 

Shortlisting and selection

Students are considered for shortlisting and selected for admission without regard to age, disability, gender reassignment, marital or civil partnership status, pregnancy and maternity, race (including colour, nationality and ethnic or national origins), religion or belief (including lack of belief), sex, sexual orientation, as well as other relevant circumstances including parental or caring responsibilities or social background. However, please note the following:

• socio-economic information may be taken into account in the selection of applicants and award of scholarships for courses that are part of  the University’s pilot selection procedure  and for  scholarships aimed at under-represented groups ;
• country of ordinary residence may be taken into account in the awarding of certain scholarships; and
• protected characteristics may be taken into account during shortlisting for interview or the award of scholarships where the University has approved a positive action case under the Equality Act 2010.

Processing your data for shortlisting and selection

Information about  processing special category data for the purposes of positive action  and  using your data to assess your eligibility for funding , can be found in our Postgraduate Applicant Privacy Policy.

Admissions panels and assessors

All recommendations to admit a student involve the judgement of at least two members of the academic staff with relevant experience and expertise, and must also be approved by the Director of Graduate Studies or Admissions Committee (or equivalent within the department).

Admissions panels or committees will always include at least one member of academic staff who has undertaken appropriate training.

Other factors governing whether places can be offered

The following factors will also govern whether candidates can be offered places:

• the ability of the University to provide the appropriate supervision for your studies, as outlined under the 'Supervision' heading in the  About  section of this page;
• the ability of the University to provide appropriate support for your studies (eg through the provision of facilities, resources, teaching and/or research opportunities); and
• minimum and maximum limits to the numbers of students who may be admitted to the University's taught and research programmes.

Offer conditions for successful applications

If you receive an offer of a place at Oxford, your offer will outline any conditions that you need to satisfy and any actions you need to take, together with any associated deadlines. These may include academic conditions, such as achieving a specific final grade in your current degree course. These conditions will usually depend on your individual academic circumstances and may vary between applicants. Our ' After you apply ' pages provide more information about offers and conditions . 

In addition to any academic conditions which are set, you will also be required to meet the following requirements:

Financial Declaration

If you are offered a place, you will be required to complete a  Financial Declaration  in order to meet your financial condition of admission.

Disclosure of criminal convictions

In accordance with the University’s obligations towards students and staff, we will ask you to declare any  relevant, unspent criminal convictions  before you can take up a place at Oxford.

The department is committed to supporting you to pursue your academic goals. 

The Rewley House Continuing Education Library , one of the Bodleian Libraries, is situated in Rewley House. The department aims to support the wide variety of subjects covered by departmental courses at many academic levels. The department also has a collection of around 73,000 books together with periodicals. PCs in the library give access to the internet and the full range of electronic resources subscribed to by the University of Oxford. Wi-Fi is also available. The Jessop Reading Room adjoining the library is available for study. You will have access to the Central Bodleian and other Bodleian Libraries.

The department's Graduate School provides a stimulating and enriching learning and research environment for the department's graduate students, fostering intellectual and social interaction between graduates of different disciplines and professions from the UK and around the globe. The Graduate School will help you make the most of the wealth of resources and opportunities available, paying particular regard to the support and guidance needed if you are following a part-time graduate programme. The department’s graduate community comprises over 600 members following taught programmes and more than 70 undertaking doctoral research.

The department provides various IT facilities , including the Student Computing Facility which provides individual PCs for your use. Many of the department's courses are delivered through blended learning or have a website to support face-to-face study. In most cases, online support is delivered through a virtual learning environment. 

Depending on the programme you are taking with the department, you may require accommodation at some point in your student career. Rewley House is ideally located in central Oxford; the city's historic sites, colleges, museums, shops and restaurants are only a few minutes’ walk away. The department has 35 en-suite study bedrooms, all with high quality amenities, including internet access.

The Rewley House dining room has seating for up to 132 people. A full meal service is available daily. The department operates a Common Room with bar for students. 

Department for Continuing Education

The need for new learning opportunities throughout life is now recognised throughout society. An intensive, initial period of higher education is not always enough in times of rapid social, economic and technological change. The Department for Continuing Education is known worldwide as a leading provider of extended learning for professional and personal development.

The department provides high-quality, flexible, part-time graduate education, tailored for adults. Students can undertake graduate-level certificates, diplomas and taught master’s degrees in a wide range of subjects. Increasing numbers of courses are delivered in mixed mode, combining intensive periods of residence in Oxford with tutored online study.

The department recruits adult students of all ages on a regional, national and international level. Many courses are offered jointly with other academic departments around the University. Courses are offered in the following areas:

• Mathematical, physical and life sciences
• Medical and health sciences
• Social sciences .

All postgraduate students on the department's courses are members of its Graduate School. The Graduate School aims to provide a stimulating and enriching environment for learning and research. It also fosters intellectual and social interaction between students coming from different disciplines and professions. Interdisciplinary research seminars, training opportunities and other events are offered by the Graduate School in support of this goal.

All masters' and DPhil applicants are considered for Clarendon Scholarships . The department is committed to seeking scholarship support for other students wherever possible.

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The University expects to be able to offer over 1,000 full or partial graduate scholarships across the collegiate University in 2024-25. You will be automatically considered for the majority of Oxford scholarships , if you fulfil the eligibility criteria and submit your graduate application by the relevant December or January deadline. Most scholarships are awarded on the basis of academic merit and/or potential. 

For further details about searching for funding as a graduate student visit our dedicated Funding pages, which contain information about how to apply for Oxford scholarships requiring an additional application, details of external funding, loan schemes and other funding sources.

Please ensure that you visit individual college websites for details of any college-specific funding opportunities using the links provided on our college pages or below:

Please note that not all the colleges listed above may accept students on this course. For details of those which do, please refer to the College preference section of this page.

Further information about funding opportunities for this course can be found on the department's website.

Annual fees for entry in 2024-25

Further details about fee status eligibility can be found on the fee status webpage.

Information about course fees

Course fees are payable each year, for the duration of your fee liability (your fee liability is the length of time for which you are required to pay course fees). For courses lasting longer than one year, please be aware that fees will usually increase annually. For details, please see our guidance on changes to fees and charges .

Course fees cover your teaching as well as other academic services and facilities provided to support your studies. Unless specified in the additional information section below, course fees do not cover your accommodation, residential costs or other living costs. They also don’t cover any additional costs and charges that are outlined in the additional information below.

Where can I find further information about fees?

The Fees and Funding  section of this website provides further information about course fees , including information about fee status and eligibility  and your length of fee liability .

Additional information

This course has residential sessions (residences and retreats) in Oxford. You will need to meet your travel costs in attending these sessions. The tuition fee includes the cost of board and lodging during the residences and retreats (eg for a four day residence, three nights accommodation will be provided). Further, as part of your course requirements, you will need to complete a research placement in the second year. For this placement you will need to meet your travel and accommodation costs, and any other incidental expenses. You may be able to apply for small grants from your department and/or college to help you cover some of these expenses. Further information about departmental funding can be found on the department's website. Please check with your specific college for bursary or other funding possibilities.

Living costs

In addition to your course fees, you will need to ensure that you have adequate funds to support your living costs for the duration of your course.

For the 2024-25 academic year, the range of likely living costs for full-time study is between c. £1,345 and £1,955 for each month spent in Oxford. Full information, including a breakdown of likely living costs in Oxford for items such as food, accommodation and study costs, is available on our living costs page. The current economic climate and high national rate of inflation make it very hard to estimate potential changes to the cost of living over the next few years. When planning your finances for any future years of study in Oxford beyond 2024-25, it is suggested that you allow for potential increases in living expenses of around 5% each year – although this rate may vary depending on the national economic situation. UK inflationary increases will be kept under review and this page updated.

If you are studying part-time your living costs may vary depending on your personal circumstances but you must still ensure that you will have sufficient funding to meet these costs for the duration of your course.

Students enrolled on this course will belong to both a department/faculty and a college. Please note that ‘college’ and ‘colleges’ refers to all 43 of the University’s colleges, including those designated as societies and permanent private halls (PPHs). 

If you apply for a place on this course you will have the option to express a preference for one of the colleges listed below, or you can ask us to find a college for you. Before deciding, we suggest that you read our brief  introduction to the college system at Oxford  and our  advice about expressing a college preference . For some courses, the department may have provided some additional advice below to help you decide.

The following colleges accept students on the MSt in Creative Writing:

• Blackfriars
• Brasenose College
• Campion Hall
• Harris Manchester College
• Keble College
• Kellogg College
• Lady Margaret Hall
• Oriel College
• Regent's Park College
• St Catherine's College
• Somerville College
• Wadham College
• Wycliffe Hall

Before you apply

Our  guide to getting started  provides general advice on how to prepare for and start your application. You can use our interactive tool to help you  evaluate whether your application is likely to be competitive .

If it's important for you to have your application considered under a particular deadline – eg under a December or January deadline in order to be considered for Oxford scholarships – we recommend that you aim to complete and submit your application at least two weeks in advance . Check the deadlines on this page and the  information about deadlines and when to apply  in our Application Guide.

Application fee waivers

An application fee of £75 is payable per course application. Application fee waivers are available for the following applicants who meet the eligibility criteria:

• applicants from low-income countries;
• refugees and displaced persons; 
• UK applicants from low-income backgrounds; and 
• applicants who applied for our Graduate Access Programmes in the past two years and met the eligibility criteria.

You are encouraged to  check whether you're eligible for an application fee waiver  before you apply.

Do I need to contact anyone before I apply?

You do not need to make contact with the department before you apply but you are encouraged to visit the relevant departmental webpages to read any further information about your chosen course.

If you have any questions about the course, these should be directed to the course administrator via the contact details provided on this page.

Completing your application

You should refer to the information below when completing the application form, paying attention to the specific requirements for the supporting documents . 

If any document does not meet the specification, including the stipulated word count, your application may be considered incomplete and not assessed by the academic department. Expand each section to show further details.

Referees: Three overall, academic and/or professional

Whilst you must register three referees, the department may start the assessment of your application if two of the three references are submitted by the course deadline and your application is otherwise complete. Please note that you may still be required to ensure your third referee supplies a reference for consideration.

Your references will support your commitment to creative writing and suitability to pursue a course of this nature at graduate level. Both professional and academic references are acceptable.

Official transcript(s)

Your transcripts should give detailed information of the individual grades received in your university-level qualifications to date. You should only upload official documents issued by your institution and any transcript not in English should be accompanied by a certified translation.

More information about the transcript requirement is available in the Application Guide.

A CV/résumé is compulsory for all applications. Most applicants choose to submit a document of one to two pages highlighting their academic and writerly achievements and any relevant professional experience.

Statement of purpose: A maximum of 750 words

The statement of purpose should contain sufficient detail to allow it to be assessed against the indicated criteria.

Your statement should be written in English and explain your motivation for applying for the course at Oxford, your relevant experience and education, and the specific areas that interest you and/or in which you intend to specialise.

If possible, please ensure that the word count is clearly displayed on the document.

This will be assessed for:

• your reasons for applying
• evidence of motivation for and understanding of the proposed area of study
• the ability to present a reasoned case in English
• commitment to the subject, beyond the requirements of the degree course
• capacity for sustained and intense work
• reasoning ability and quality of written expression
• capacity to address issues of writerly and critical significance.

Written work: A maximum of 2,000 words of prose fiction or narrative non-fiction or 10 short poems or 15 minutes of dramatic writing (stage, screen, radio or TV)

Your portfolio of creative writing for assessment can be in any of the four genres, or in more than one. It should be clearly indicative of your ability in creative writing.

This will be assessed for excellence in creative writing.

Start or continue your application

You can start or return to an application using the relevant link below. As you complete the form, please  refer to the requirements above  and  consult our Application Guide for advice . You'll find the answers to most common queries in our FAQs.

Application Guide   Apply

ADMISSION STATUS

Closed to applications for entry in 2024-25

Register to be notified via email when the next application cycle opens (for entry in 2025-26)

12:00 midday UK time on:

Friday 19 January 2024 Latest deadline for most Oxford scholarships

Friday 1 March 2024 Applications may remain open after this deadline if places are still available - see below

A later deadline shown under 'Admission status' If places are still available,  applications may be accepted after 1 March . The 'Admissions status' (above) will provide notice of any later deadline.

*Three-year average (applications for entry in 2021-22 to 2023-24)

Further information and enquiries

This course is offered by the Department for Continuing Education

• Course page  and blog on  department website
• Funding information from the department
• Academic staff
• Departmental research
• Continuing Education Graduate School
• Postgraduate applicant privacy policy

Course-related enquiries

Advice about contacting the department can be found in the How to apply section of this page

✉ [email protected] ☎ +44 (0)1865 280145

Application-process enquiries

See the application guide

Visa eligibility for part-time study

We are unable to sponsor student visas for part-time study on this course. Part-time students may be able to attend on a visitor visa for short blocks of time only (and leave after each visit) and will need to remain based outside the UK.

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2024 duke english creative writing scholarship awards, april 23, 2024.

Quantá Holden | Duke English | Digital Communication Specialist

Duke English is delighted to share the 2024 Creative Writing Scholarships honorees. Each year, Duke English faculty members nominate undergraduate students for one of the Creative Writing Scholarships based on the exceptional work they submitted in one or more of their creative writing courses. The Creative Writing Committee selects the winners of the prestigious William M. Blackburn, Francis Pemberton, and Margaret Rose Knight Sanford Scholarships. Students nominated must be eligible for financial aid to receive these scholarships.

2024 Creative Writing Scholarship Recipients:

Frances Pemberton Scholarship Awarded to a junior or senior pursuing the study of creative writing.  This scholarship was created by the Trustees of The Mary Duke Biddle Foundation in memory and in honor of Francis Pemberton's service to the Biddle Foundation.

Ryan Copeland , ‘25

Margaret Rose Knight Sanford Scholarship Awarded to a female student who demonstrates particular promise in creative writing.  This scholarship was established in recognition of the untiring efforts of Margaret Rose Knight Sanford on behalf of Duke University.

Ali Thursland , ‘24

William Blackburn Scholarship Recognizes outstanding achievement in the field of creative writing.  Established in 1962 by students and friends of Professor William Blackburn (1899-1969) who first began teaching creative writing at Duke.

Jocelyn Chin , ‘24 Sage Cooley , ‘25 Joshua Lee , ‘26 Rani Teddy , ‘26

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Open Futures – Creative Writing Scholarship

If you identify as being from a Black background, you could be eligible to study our MA in Creative Writing for free.

The Open University is committed to driving change and ensuring that academic institutions remain inclusive and accessible for all members of society.

What is the Open Futures – MA in Creative Writing Scholarship?

The Open University offers a select number of students the opportunity for a full fee waiver scholarship to study the MA in Creative Writing .

Three scholarships are available in 2024/25. A scholarship will cover the full tuition cost of your qualification, up to 180 credits in total.

Eligibility

To be eligible for the scholarship, you’ll need to meet all the following criteria:

• Be ordinarily resident in the UK and eligible to pay a UK fee.
• Black African
• Black Caribbean
• Black Other
• Mixed – White and Black Caribbean
• Mixed – White and Black African
• Other mixed background (to include Black African, Black Caribbean or Black Other)
• Be intending to study the MA in Creative Writing  starting in the 2024/25 academic year.
• Have a personal annual income of not more than £25,000 per year or receive a UK qualifying benefit.
• Fulfil the entry requirements for the MA in Creative Writing.
• Be able to demonstrate your experience of, and a passion for, creative writing.

The full eligibility criteria for the academic year 2023/24 are listed in the scholarship terms and conditions .

Applications for the 2023/24 academic year are now closed.

Both successful and unsuccessful applicants will be notified of the outcome by email by 14 August 2023.

We are now open for applications for the 2024/25 academic year. To apply, you’ll need to download the full scholarship terms and conditions  and the scholarship application form .

Once completed, email your application and supporting evidence to our Student Fees team. You’ll find their contact details on the first page of the application form.

Applications close at midday on 24 July 2024 . We’ll email you by 14 August 2024 to confirm if you're successful.

Need more information?

If you’ve got a question about the Open Futures – MA in Creative Writing Scholarship or need help completing your application, our advisers are here to help. Don’t hesitate to call us on 0300 303 5303 or email us at [email protected] .

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• Creative Writing

The vital presence of creative writing in the English Department is reflected by our many distinguished authors who teach our workshops. We offer courses each term in fiction, poetry, nonfiction, screenwriting, playwriting, and television writing. Our workshops are small, usually no more than twelve students, and offer writers an opportunity to focus intensively on one genre. 

Apply to Creative Writing Workshops

Workshops are open by application to Harvard College undergraduates, graduate students, staff, and students from other institutions eligible for cross registration. Submission guidelines for workshops can be found under individual course listings; please do not query instructors.  Review all departmental rules and application instructions before applying.  

Fall 2024 Application Deadline: 11:59 pm ET on Sunday, April 7, 2024. Spring 2025 Application Deadline: TBD

Please visit our course listings for all the Fall 2024 workshops.

Our online submission manager (link below) will open for Fall 2024 applications on Friday, March 22 , 2024.

Students who have questions about the creative writing workshop application process should contact Case Q. Kerns at [email protected] .

Featured Faculty

Teju Cole  is a novelist, critic, and essayist, and is the first Gore Vidal Professor of the Practice. "Among other works, the boundary-crossing author is known for his debut novel “Open City” (2011), whose early admirers included Harvard professor and New Yorker critic James Wood." 

Faculty Bookshelf

Once the shore by paul yoon (2009).

The Isle of Youth by Laura van den Berg (2013)

See Now Then by Jamaica Kincaid (2013)

Sea Change by Jorie Graham

Creative Writing Workshops

• Spring 2024

English CACD. The Art of Criticism

Instructor: Maggie Doherty Wednesday, 12:00-2:45pm | Location: TBD Enrollment: Limited to 12 students Course Site

This course will consider critical writing about art–literary, visual, cinematic, musical, etc.—as an art in its own right. We will read and discuss criticism from a wide variety of publications, paying attention to the ways outlets and audience shape critical work. The majority of our readings will be from the last few years and will include pieces by Joan Acocella, Andrea Long Chu, Jason Farago, and Carina del Valle Schorske. Students will write several short writing assignments (500-1000 words), including a straight review, during the first half of the semester and share them with peers. During the second half of the semester, each student will write and workshop a longer piece of criticism about a work of art or an artist of their choosing. Students will be expected to read and provide detailed feedback on the work of their peers. Students will revise their longer pieces based on workshop feedback and submit them for the final assignment of the class. Apply via Submittable  (deadline: 11:59pm EDT on Sunday, April 7) Supplemental Application Information:  Please write a letter of introduction (1-2 pages) giving a sense of who you are, your writing experience, and your current goals for your writing. Please also describe your relationship to the art forms and/or genres you're interested in engaging in the course. You may also list any writers or publications whose criticism you enjoy reading. Please also include a 3-5-page writing sample of any kind of prose writing. This could be an academic paper or it could be creative fiction or nonfiction.

English CACW. Advanced Fiction Workshop

Instructor: Paul Yoon TBD | Location: TBD Enrollment: Limited to 12 students Advanced fiction workshop for students who have already taken a workshop at Harvard or elsewhere. The goal of the class is to continue your journey as a writer. You will be responsible for participating in discussions on the assigned texts, the workshop, engaging with the work of your colleagues, and revising your work. Supplemental Application Information:   * Please note: previous creative writing workshop experience required. * Please submit ONLY a cover letter telling me your previous creative writing workshop experience, either at Harvard or elsewhere; then tell me something you are passionate about and something you want to be better at; and, lastly, tell me why of all classes you want to take this one this semester. Again, please no writing samples.

English CBBR. Intermediate Poetry: Workshop

Instructor:  Josh Bell   Monday, 12:00-2:45pm | Location: Barker 018 Enrollment: Limited to 12 students Course Site

Initially, students can expect to read, discuss, and imitate the strategies of a wide range of poets writing in English; to investigate and reproduce prescribed forms and poetic structures; and to engage in writing exercises meant to expand the conception of what a poem is and can be. As the course progresses, reading assignments will be tailored on an individual basis, and an increasing amount of time will be spent in discussion of student work. Apply via Submittable  (deadline: 11:59pm EDT on Sunday, April 7)

Supplemental Application Information:  Please submit a portfolio including a letter of interest, ten poems, and a list of classes (taken at Harvard or elsewhere) that seem to have bearing on your enterprise.

English CCEP. Ekphrastic Poetry: Workshop

Instructor: Tracy K. Smith Wednesday, 3:00-5:45 pm | Location: Lamont 401 Enrollment: Limited to 12 students Course Site What can a poem achieve when it contemplates or even emulates a work of art in another medium? In this workshop, we'll read and write poems that engage with other art forms--and we'll test out what a foray into another artistic practice allows us to carry back over into the formal methods and behaviors of poetry. With poems by Keats, Rilke, Auden, Hughes, and Brooks, as well as Kevin Young, Evie Shockley, Ama Codjoe and other contemporary voices. Apply via Submittable  (deadline: 11:59pm EDT on Saturday, August 26) Supplemental Application Information:  Please submit a writing sample of 5-10 poems and an application letter explaining your interest in this course.

English CCFC. Poetry Workshop: Form & Content

Instructor: Tracy K. Smith Tuesday, 12:00-2:45pm | Location: Sever 112 Enrollment: Limited to 12 students Course Site

In this workshop, we’ll look closely at the craft-based choices poets make, and track the effects they have upon what we as readers are made to think and feel. How can implementing similar strategies better prepare us to engage the questions making up our own poetic material? We’ll also talk about content. What can poetry reveal about the ways our interior selves are shaped by public realities like race, class, sexuality, injustice and more? Apply via Submittable  (deadline: 11:59pm EDT on Saturday, August 26)   

Supplemental Application Information:  Please submit a writing sample of 5-10 poems and an application letter explaining your interest in this course.

English CCIJ. Intermediate Fiction Workshop

Instructor: Jesse McCarthy Thursday, 3:00-5:45 pm | Location: Barker 269 Enrollment: Limited to 12 students Course Site This is an intermediate course in the art of writing literary fiction. Previous experience with workshopping writing is encouraged but not required. The emphasis of the course will be learning how to read literature as a writer, with special attention given to the short story, novella, or short novel. We will read these works from the perspective of the writer as craftsperson and of the critic seeking in good faith to understand and describe a new aesthetic experience. We will be concerned foremost with how literary language works, with describing the effects of different kinds of sentences, different uses of genre, tone, and other rhetorical strategies. Together, we will explore our responses to examples of literature from around the world and from all periods, as well as to the writing you will produce and share with the class. As a member of a writing community, you should be prepared to respectfully read and respond to the work of others—both the work of your peers and that of the published writers that we will explore together. Apply via Submittable  (deadline: 11:59pm EDT on Saturday, August 26) Supplemental Application Information:  This course is by application only but there are no prerequisites for this course and previous experience in a writing workshop is not required . In your application please submit a short letter explaining why you are interested in this class. You might tell me a bit about your relationship to literature, your encounter with a specific author, book, or even a scene or character from a story or novel. Please also include a writing sample of 2-5 pages (5 pages max!) of narrative prose fiction.

English CCFS. Fiction Workshop

Instructor: Teju Cole Spring 2024: Tuesday, 6:00-8:45pm | Location: TBD Enrollment: Limited to 12 students Course Site Spring 2025: TBD This reading and writing intensive workshop is for students who want to learn to write literary fiction. The goal of the course would be for each student to produce two polished short stories. Authors on the syllabus will probably include James Joyce, Eudora Welty, Toni Morrison, Alice Munro, Jhumpa Lahiri, and Diane Williams.

Supplemental Application Information:   Please submit a cover letter saying what you hope to get out of the workshop. In the cover letter, mention three works of fiction that matter to you and why. In addition, submit a 400–500 word sample of your fiction; the sample can be self-contained or a section of a longer work.

English CLPG. Art of Sportswriting

Instructor: Louisa Thomas Spring 2024: Tuesday, 9:00-11:45am | Location: TBD Enrollment: Limited to 12 students Course Site Spring 2025: TBD

In newsrooms, the sports section is sometimes referred to as the “toy department” -- frivolous and unserious, unlike the stuff of politics, business, and war. In this course, we will take the toys seriously. After all, for millions of people, sports and other so-called trivial pursuits (video games, chess, children’s games, and so on) are a source of endless fascination. For us, they will be a source of stories about human achievements and frustrations. These stories can involve economic, social, and political issues. They can draw upon history, statistics, psychology, and philosophy. They can be reported or ruminative, formally experimental or straightforward, richly descriptive or tense and spare. They can be fun. Over the course of the semester, students will read and discuss exemplary profiles, essays, articles, and blog posts, while also writing and discussing their own. While much (but not all) of the reading will come from the world of sports, no interest in or knowledge about sports is required; our focus will be on writing for a broad audience.  Supplemental Application Information:  To apply, please write a letter describing why you want to take the course and what you hope to get out of it. Include a few examples of websites or magazines you like to read, and tell me briefly about one pursuit -- football, chess, basketball, ballet, Othello, crosswords, soccer, whatever -- that interests you and why.

English CALR. Advanced Screenwriting: Workshop

Instructor: Musa Syeed Spring 2024: Wednesday, 12:00-2:45pm | Location: TBA Enrollment: Limited to 12 students Course Site Spring 2025: TBD

The feature-length script is an opportunity to tell a story on a larger scale, and, therefore, requires additional preparation. In this class, we will move from writing a pitch, to a synopsis, to a treatment/outline, to the first 10 pages, to the first act of a feature screenplay. We will analyze produced scripts and discuss various elements of craft, including research, writing layered dialogue, world-building, creating an engaging cast of characters. As an advanced class, we will also look at ways both mainstream and independent films attempt to subvert genre and structure. Students will end the semester with a first act (20-30 pages) of their feature, an outline, and strategy to complete the full script.

Supplemental Application Information:  Please submit a 3-5 page writing sample. Screenplays are preferred, but fiction, creative non-fiction, poetry, and plays are acceptable as well. Also, please write a short note to introduce yourself. Include a couple films/filmmakers that have inspired you, your goals for the class, as well as any themes/subject matter/ideas you might be interested in exploring in your writing for film.

English CNFR. Creative Nonfiction: Workshop

Instructor: Darcy Frey Fall 2024: Wednesday, 3:00-5:45 pm | Location: TBD Enrollment: Limited to 12 students. Course Site Spring 2025: TBD

Whether it takes the form of literary journalism, essay, memoir, or environmental writing, creative nonfiction is a powerful genre that allows writers to break free from the constraints commonly associated with nonfiction prose and reach for the breadth of thought and feeling usually accomplished only in fiction: the narration of a vivid story, the probing of a complex character, the argument of an idea, or the evocation of a place. Students will work on several short assignments to hone their mastery of the craft, then write a longer piece that will be workshopped in class and revised at the end of the term. We will take instruction and inspiration from published authors such as Joan Didion, James Baldwin, Ariel Levy, Alexander Chee, and Virginia Woolf. This is a workshop-style class intended for undergraduate and graduate students at all levels of experience. No previous experience in English Department courses is required. Apply via Submittable  (deadline: 11:59pm ET on Sunday, April 7)

Supplemental Application Information:   Please write a substantive letter of introduction describing who you are as writer at the moment and where you hope to take your writing; what experience you may have had with creative/literary nonfiction; what excites you about nonfiction in particular; and what you consider to be your strengths and weaknesses as a writer. Additionally, please submit 3-5 pages of creative/literary nonfiction (essay, memoir, narrative journalism, etc, but NOT academic writing) or, if you have not yet written much nonfiction, an equal number of pages of narrative fiction.

English CKR. Introduction to Playwriting: Workshop

Instructor: Sam Marks TBD | Location: TBD Enrollment: Limited to 12 students This workshop is an introduction to writing for the stage through intensive reading and in-depth written exercises. Each student will explore the fundamentals and possibilities of playwriting by generating short scripts and completing a one act play with an eye towards both experimental and traditional narrative styles. Readings will examine various ways of creating dramatic art and include work from contemporary playwrights such as Ayad Aktar, Clare Barron, Aleshea Harris, Young Jean Lee, and Taylor Mac, as well established work from Edward Albbe, Caryl Churchill, Suzan Lori-Parks, and Harold Pinter. Supplemental Application Information:  No experience in writing the dramatic form is necessary. Please submit a 5-10 page writing sample (preferably a play or screenplay, but all genres are acceptable and encouraged). Also, please write a few sentences about a significant theatrical experience (a play read or seen) and how it affected you.

English CACF. Get Real: The Art of Community-Based Film

Instructor: Musa Syeed Wednesday, 12:00-2:45pm | Location: TBD Enrollment: Limited to 12 student Course Site

“I’ve often noticed that we are not able to look at what we have in front of us,” the Iranian director Abbas Kiarostami said, “unless it’s inside a frame.” For our communities confronting invisibility and erasure, there’s an urgent need for new frames. In this workshop, we’ll explore a community-engaged approach to documentary and fiction filmmaking, as we seek to see our world more deeply. We’ll begin with screenings, craft exercises, and discussions around authorship and social impact. Then we each will write, develop, and shoot a short film over the rest of the semester, building off of intentional community engagement. Students will end the class with written and recorded materials for a rough cut. Basic equipment and technical training will be provided.

Apply via Submittable  (deadline: 11:59pm EDT on Sunday, April 7)

Supplemental Application Information:  Please submit a brief letter explaining why you're interested to take this class. Please also discuss what participants/communities you might be interested in engaging with for your filmmaking projects. For your writing sample, please submit 3-5 pages of your creative work from any genre (screenwriting, poetry, fiction, non-fiction, etc.)

English CAFR. Advanced Fiction Workshop: Writing this Present Life

Instructor: Claire Messud Thursday, 3:00-5:45 pm | Location: TBD Enrollment: Limited to 12 students Course Site Intended for students with prior fiction-writing and workshop experience, this course will concentrate on structure, execution and revision. Exploring various strands of contemporary and recent literary fiction – writers such as Karl Ove Knausgaard, Rachel Cusk, Chimamanda Adichie, Douglas Stuart, Ocean Vuong, etc – we will consider how fiction works in our present moment, with emphasis on a craft perspective. Each student will present to the class a published fiction that has influenced them. The course is primarily focused on the discussion of original student work, with the aim of improving both writerly skills and critical analysis. Revision is an important component of this class: students will workshop two stories and a revision of one of these. Apply via Submittable  (deadline: 11:59pm ET on Sunday, April 7)

Supplemental Application Information:  Please submit 3-5 pages of prose fiction, along with a substantive letter of introduction. I’d like to know why you’re interested in the course; what experience you’ve had writing, both in previous workshops and independently; what your literary goals and ambitions are. Please tell me about some of your favorite narratives – fiction, non-fiction, film, etc: why they move you, and what you learn from them.

English CAKV. Fiction Workshop: Writing from the First-Person Point of View

Instructor:  Andrew Krivak Tuesday, 9:00-11:45 1m | Location: TBD Enrollment: Limited to 12 students Course Site This course is a workshop intended for students who are interested in writing longer form narratives from the first-person point of view. The “I” at the center of any novel poses a perspective that is all at once imaginatively powerful and narratively problematic, uniquely insightful and necessarily unreliable. We will read from roughly twelve novels written in the first-person, from Marilynne Robinson and W.G. Sebald, to Valeria Luiselli and Teju Cole, and ask questions (among others) of why this form, why this style? And, as a result, what is lost and what is realized in the telling? Primarily, however, students will write. Our goal will be to have a student’s work read and discussed twice in class during the semester. I am hoping to see at least 35-40 pages of a project —at any level of completion—at the end of term.  Apply via Submittable  (deadline: 11:59pm EDT on Sunday, April 7) Supplemental Application Information:  Please write a substantive letter telling me why you’re interested in taking this class, what writers (classical and contemporary) you admire and why, and if there’s a book you have read more than once, a movie you have seen more than once, a piece of music you listen to over and over, not because you have to but because you want to. Students of creative nonfiction are also welcome to apply.

English CCSS. Fiction Workshop: The Art of the Short Story

Instructor: Laura van den Berg Tuesday, 12:00-2:45 pm | Location: TBD Enrollment: Limited to 12 students Course Site This course will serve as an introduction to the fundamentals of writing fiction, with an emphasis on the contemporary short story. How can we set about creating “big” worlds in compact spaces? What unique doors can the form of the short story open? The initial weeks will focus on exploratory exercises and the study of published short stories and craft essays. Later, student work will become the primary text as the focus shifts to workshop discussion. Authors on the syllabus will likely include Ted Chiang, Lauren Groff, Carmen Maria Machado, and Octavia Butler. This workshop welcomes writers of all levels of experience. Apply via Submittable  (deadline: 11:59pm EDT on Sunday, April 7) Supplemental Application Information:  Please submit a letter of introduction. I’d like to know a little about why you are drawn to studying fiction; what you hope to get out of the workshop and what you hope to contribute; and one thing you are passionate about outside writing / school. Please also include a very brief writing sample (2-3 pages). The sample can be in any genre (it does not have to be from a work of fiction). 

Write an Honors Creative Thesis

Students may apply to write a senior thesis or senior project in creative writing, although only English concentrators can be considered. Students submit applications in early March of their junior year, including first-term juniors who are out of phase. The creative writing faculty considers the proposal, along with the student's overall performance in creative writing and other English courses, and notifies students about its decision in early mid-late March. Those applications are due, this coming year, on TBA . 

Students applying for a creative writing thesis or project must have completed at least one course in creative writing at Harvard before they apply. No student is guaranteed acceptance. It is strongly suggested that students acquaint themselves with the requirements and guidelines well before the thesis application is due. The creative writing director must approve any exceptions to the requirements, which must be made in writing by Monday, February 7, 2022. Since the creative writing thesis and project are part of the English honors program, acceptance to write a creative thesis is conditional upon the student continuing to maintain a 3.40 concentration GPA. If a student’s concentration GPA drops below 3.40 after the spring of the junior year, the student may not be permitted to continue in the honors program.

Joint concentrators may apply to write creative theses, but we suggest students discuss the feasibility of the project well before applications are due. Not all departments are open to joint creative theses.

Students who have questions about the creative writing thesis should contact the program’s Director, Sam Marks .

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Creative Writing

Read, write and rejoice..

Indulge your love of reading and polish your prose. When it comes to literary inspiration, our 27,000-acres of pure sublimity puts Walden Pond to shame. At the same time, the world’s largest campus is home to an intimate community built on mentorship and exchange. This means constant opportunities to have your work carefully considered—and to explore your fascinations to their fullest.

Reading critically and writing well are two of the most highly valued skills to any employer (in any profession). Understanding people and creative problem solving are two more. As a Creative Writing major, you’ll distinguish yourself by the strength of your discernment and expression.  

Small class sizes mean rare access to visiting writers and scholars—whether in workshops or one-on-one over lunch. Gain relevant experience through (paid) work for our newspaper, literary magazine, Writing Center, two campus museums or library.

English and Creative Writing FACULTY

Dr. Sandra Meek has taught writing at Berry since 1996 and is the founding member of Berry’s creative writing program. She has published more than 200 poems in literary journals and is the author of Still (Persea Books, 2020), named a “New & Noteworthy Poetry Book” by The New York Times Book Review . Other titles by Dr. Meek include An Ecology of Elsewhere (Persea, 2016), Road Scatter (Persea, 2012), Biogeography , winner of the Dorset Prize (Tupelo Press, 2008), Burn (2005) and Nomadic Foundations (2002), as well as an edited anthology, Deep Travel: Contemporary American Poets Abroad (Ninebark, 2007). A recipient of a National Endowment for the Arts Fellowship in Poetry and the Lucille Medwick Memorial Award from the Poetry Society of America, she has three times been awarded Georgia Author of the Year in Poetry and twice the Peace Corps Writers Award in Poetry.

With 88 miles of trails and forest, stream, lake and mountain ecosystems, our 27,000-acre campus is a boon to writers and readers alike. Archives, museums, libraries, a community of fellow scholars and writers and glorious nature—it’s all here.

Creative Writing Courses

Learn the technical and rhetorical elements of writing in online environments, including how to present information in online formats for a variety of purposes, audiences and clients.

Selected readings and advanced work in creative writing, poetry or prose, centered on landscape and the environment. May be offered as a residential or a study abroad course.

Creation of original scripts for theatre; instruction in the craft of playwriting and guidance toward constructive self-criticism.

Creative Writing LIVES

Khanaja Scott ’24 , a creative writing major, stretched her skills writing fantasy and poetry but now leans toward a career as an editor. While serving as a student director at Berry’s writing center, she discovered how much she loves coaching others. Khanaja says, "Effective writing isn’t a secret code that some people are ingrained with at birth; it’s a skill like anything else that can be practiced and improved at any point."

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Creative Writing Graduate Programs

About the Program and Placement Record

• Faculty Research Areas
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Creative Writing M.A.

• Admission Requirements
• Degree and Graduation Requirements
• Master's Essay
• Master's Thesis

Creative Writing Ph.D.

• Doctoral Dissertation
• Foreign Language Requirement
• Ph.D. Comprehensive Examination

One of the first universities in the country to offer a Ph.D. in Creative Writing, Ohio University continues as home to a thriving, widely respected graduate program with concentrations in poetry, fiction, and creative nonfiction.

Small by design, our graduate program offers a comprehensive curriculum, an award-winning faculty and the intimacy of small classes.

Placement Record

Over the past three years, seven of our nine graduating creative writing Ph.D. students have landed tenure-track jobs, post-doctorates, or prestigious visiting writer posts. Our MA graduates go on to study in the top MFA and Ph.D. programs.

• English M.A. Placements
• English Ph.D. Placements

Students in the Creative Writing M.A. and Ph.D. programs enjoy:

• Graduate stipends, up to $15,000 per year, with opportunities to teach a wide range of courses, including creative writing workshops
• Generous graduate student travel funding
• Editorial fellowships on New Ohio Review , Quarter after Eight , and Brevity
• Opportunities to interact with distinguished visiting writers

M.A. candidates complete two years of study and write a thesis of creative work in their genre. Doctoral candidates complete five years of study, comprehensive exams, a major critical essay, and a creative dissertation.

Literary Journals

The department and its students publish three literary journals:

• New Ohio Review , a national literary journal
• Quarter After Eight , a prose journal edited by graduate students
• Sphere , an undergraduate journal

Annual Events

The department hosts several annual events including an ambitious Spring Literary Festival that brings five nationally distinguished writers to campus for three-days of readings, craft talks, and student discussion. Recent visitors have included Tony Hoagland, Kathryn Harrison, Barry Lopez, Francine Prose, Peter Ho Davies, Kim Addonizio, David Shields, Robert Hass, Charles Simic, Yusef Komunyakaa, and Marilynne Robinson.

Visiting writers engage with our program year-round as well, appearing in both undergraduate and graduate classes, meeting one-on-one with select students, and offering evening readings in the intimate Galbreath Chapel.

In addition to a regular Dogwood Bloom reading series for our graduate students, the creative writing program hosts an annual Writers' Harvest benefit reading for the Southeastern Ohio Food Bank?s Second Harvest, a food distribution program serving Athens, Hocking, Perry, Vinton, Jackson, Gallia, Meigs, Morgan and Washington counties.

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Department of English

M.f.a. creative writing.

English Department

Physical Address: 200 Brink Hall

Mailing Address: English Department University of Idaho 875 Perimeter Drive MS 1102 Moscow, Idaho 83844-1102

Phone: 208-885-6156

Email: [email protected]

Web: English

Thank you for your interest in the Creative Writing MFA Program at the University of Idaho: the premier fully funded, three-year MFA program in the Northwest. Situated in the panhandle of Northern Idaho in the foothills of Moscow Mountain, we offer the time and support to train in the traditions, techniques, and practice of nonfiction, poetry, and fiction. Each student graduates as the author of a manuscript of publishable quality after undertaking a rigorous process of thesis preparation and a public defense. Spring in Moscow has come to mean cherry blossoms, snowmelt in Paradise Creek, and the head-turning accomplishments of our thesis-year students. Ours is a faculty of active, working writers who relish teaching and mentorship. We invite you in the following pages to learn about us, our curriculum, our community, and the town of Moscow. If the prospect of giving yourself three years with us to develop as a writer, teacher, and editor is appealing, we look forward to reading your application.

Pure Poetry

A Decade Working in a Smelter Is Topic of Alumnus Zach Eddy’s Poems

Ancestral Recognition

The region surrounding the University of Idaho is the ancestral land of both the Coeur d’Alene and Nez Perce peoples, and its campus in Moscow sits on unceded lands guaranteed to the Nez Perce people in the 1855 Treaty with the Nez Perce. As a land grant university, the University of Idaho also benefits from endowment lands that are the ancestral homes to many of the West’s Native peoples. The Department of English and Creative Writing Program acknowledge this history and share in the communal effort to ensure that the complexities and atrocities of the past remain in our discourse and are never lost to time. We invite you to think of the traditional “land acknowledgment” statement through our MFA alum CMarie Fuhrman’s words .

Degree Requirements

Three years to write.

Regardless of where you are in your artistic career, there is nothing more precious than time. A three-year program gives you time to generate, refine, and edit a body of original work. Typically, students have a light third year, which allows for dedicated time to complete and revise the Creative Thesis. (48 manuscript pages for those working in poetry, 100 pages for those working in prose.)

Our degree requirements are designed to reflect the real-world interests of a writer. Students are encouraged to focus their studies in ways that best reflect their artistic obsessions as well as their lines of intellectual and critical inquiry. In effect, students may be as genre-focused or as multi-genre as they please. Students must remain in-residence during their degrees. Typically, one class earns you 3 credits. The MFA requires a total of 54 earned credits in the following categories.

12 Credits : Graduate-level Workshop courses in Fiction, Poetry, and/or Nonfiction. 9 Credits: Techniques and Traditions courses in Fiction, Poetry, and/or Nonfiction 3 Credits : Internships: Fugue, Confluence Lab, and/or Pedagogy 9 Credits: Literature courses 12 Credits: Elective courses 10 Credits: Thesis

Flexible Degree Path

Students are admitted to our program in one of three genres, Poetry, Fiction, or Nonfiction. By design, our degree path offers ample opportunity to take Workshop, Techniques, Traditions, and Literature courses in any genre. Our faculty work and publish in multiple genres and value the slipperiness of categorization. We encourage students to write in as broad or focused a manner as they see fit. We are not at all interested in making writers “stay in their lanes,” and we encourage students to shape their degree paths in accordance with their passions. 

What You Study

During your degree, you will take Workshop, Techniques, Traditions, and Literature courses.

Our workshop classes are small by design (typically twelve students or fewer) and taught by core and visiting MFA faculty. No two workshop experiences look alike, but what they share are faculty members committed to the artistic and intellectual passions of their workshop participants.

Techniques studios are developed and taught by core and visiting MFA faculty. These popular courses are dedicated to the granular aspects of writing, from deep study of the poetic image to the cultivation of independent inquiry in nonfiction to the raptures of research in fiction. Such courses are heavy on generative writing and experimentation, offering students a dedicated space to hone their craft in a way that is complementary to their primary work.

Traditions seminars are developed and taught by core and visiting MFA faculty. These generative writing courses bring student writing into conversation with a specific trajectory or “tradition” of literature, from life writing to outlaw literature to the history of the short story, from prosody to postwar surrealism to genre-fluidity and beyond. These seminars offer students a dynamic space to position their work within the vast and varied trajectories of literature.

Literature courses are taught by core Literature and MFA faculty. Our department boasts field-leading scholars, interdisciplinary writers and thinkers, and theory-driven practitioners who value the intersection of scholarly study, research, humanism, and creative writing.

Award-Winning Faculty

We teach our classes first and foremost as practitioners of the art. Full stop. Though our styles and interests lie at divergent points on the literary landscape, our common pursuit is to foster the artistic and intellectual growth of our students, regardless of how or why they write. We value individual talent and challenge all students to write deep into their unique passions, identities, histories, aesthetics, and intellects. We view writing not as a marketplace endeavor but as an act of human subjectivity. We’ve authored or edited several books across the genres.

Learn more about Our People .

Thesis Defense

The MFA experience culminates with each student writing and defending a creative thesis. For prose writers, theses are 100 pages of creative work; for poets, 48 pages. Though theses often take the form of an excerpt from a book-in-progress, students have flexibility when it comes to determining the shape, form, and content of their creative projects. In their final year, each student works on envisioning and revising their thesis with three committee members, a Major Professor (core MFA faculty) and two additional Readers (core UI faculty). All students offer a public thesis defense. These events are attended by MFA students, faculty, community members, and other invitees. During a thesis defense, a candidate reads from their work for thirty minutes, answers artistic and critical questions from their Major Professor and two Readers for forty-five minutes, and then answer audience questions for thirty minutes. Though formally structured and rigorous, the thesis defense is ultimately a celebration of each student’s individual talent.

The Symposium Reading Series is a longstanding student-run initiative that offers every second-year MFA candidate an opportunity to read their works-in-progress in front of peers, colleagues, and community members. This reading and Q & A event prepares students for the third-year public thesis defense. These off-campus events are fun and casual, exemplifying our community centered culture and what matters most: the work we’re all here to do.

Teaching Assistantships

All students admitted to the MFA program are fully funded through Teaching Assistantships. All Assistantships come with a full tuition waiver and a stipend, which for the current academic year is roughly $15,000. Over the course of three years, MFA students teach a mix of composition courses, sections of Introduction to Creative Writing (ENGL 290), and additional writing courses, as departmental needs arise. Students may also apply to work in the Writing Center as positions become available. When you join the MFA program at Idaho, you receive teacher training prior to the beginning of your first semester. We value the role MFA students serve within the department and consider each graduate student as a working artist and colleague. Current teaching loads for Teaching Assistants are two courses per semester. Some members of the Fugue editorial staff receive course reductions to offset the demands of editorial work. We also award a variety of competitive and need-based scholarships to help offset general living costs. In addition, we offer three outstanding graduate student fellowships: The Hemingway Fellowship, Centrum Fellowship, and Writing in the Wild Fellowship. Finally, our Graduate and Professional Student Association offers extra-departmental funding in the form of research and travel grants to qualifying students throughout the academic year.

Distinguished Visiting Writers Series

Each year, we bring a Distinguished Visiting Writer to campus. DVWs interface with our writing community through public readings, on-stage craft conversations hosted by core MFA faculty, and small seminars geared toward MFA candidates. Recent DVWs include Maggie Nelson, Roger Reeves, Luis Alberto Urrea, Brian Evenson, Kate Zambreno, Dorianne Laux, Teju Cole, Tyehimba Jess, Claire Vaye Watkins, Naomi Shihab Nye, David Shields, Rebecca Solnit, Gabrielle Calvocoressi, Susan Orlean, Natasha Tretheway, Jo Ann Beard, William Logan, Aisha Sabatini Sloan, Gabino Iglesias, and Marcus Jackson, among several others.

Fugue Journal

Established in 1990 at the University of Idaho, Fugue publishes poetry, fiction, essays, hybrid work, and visual art from established and emerging writers and artists. Fugue is managed and edited entirely by University of Idaho graduate students, with help from graduate and undergraduate readers. We take pride in the work we print, the writers we publish, and the presentation of both print and digital content. We hold an annual contest in both prose and poetry, judged by two nationally recognized writers. Past judges include Pam Houston, Dorianne Laux, Rodney Jones, Mark Doty, Rick Moody, Ellen Bryant Voigt, Jo Ann Beard, Rebecca McClanahan, Patricia Hampl, Traci Brimhall, Edan Lepucki, Tony Hoagland, Chen Chen, Aisha Sabatini Sloan, sam sax, and Leni Zumas. The journal boasts a remarkable list of past contributors, including Steve Almond, Charles Baxter, Stephen Dobyns, Denise Duhamel, Stephen Dunn, B.H. Fairchild, Nick Flynn, Terrance Hayes, Campbell McGrath, W.S. Merwin, Sharon Olds, Jim Shepard, RT Smith, Virgil Suarez, Melanie Rae Thon, Natasha Trethewey, Philip Levine, Anthony Varallo, Robert Wrigley, and Dean Young, among many others.

Academy of American Poets University Prize

The Creative Writing Program is proud to partner with the Academy of American Poets to offer an annual Academy of American Poets University Prize to a student at the University of Idaho. The prize results in a small honorarium through the Academy as well as publication of the winning poem on the Academy website. The Prize was established in 2009 with a generous grant from Karen Trujillo and Don Burnett. Many of our nation’s most esteemed and celebrated poets won their first recognition through an Academy of American Poets Prize, including Diane Ackerman, Toi Derricotte, Mark Doty, Tess Gallagher, Louise Glück, Jorie Graham, Kimiko Hahn, Joy Harjo, Robert Hass, Li-Young Lee, Gregory Orr, Sylvia Plath, Mark Strand, and Charles Wright.

Fellowships

Centrum fellowships.

Those selected as Centrum Fellows attend the summer Port Townsend Writers’ Conference free of charge. Housed in Fort Worden (which is also home to Copper Canyon Press), Centrum is a nonprofit dedicated to fostering several artistic programs throughout the year. With a focus on rigorous attention to craft, the Writers’ Conference offers five full days of morning intensives, afternoon workshops, and craft lectures to eighty participants from across the nation. The cost of the conference, which includes tuition, lodging, and meals, is covered by the scholarship. These annual scholarship are open to all MFA candidates in all genres.

Hemingway Fellowships

This fellowship offers an MFA Fiction student full course releases in their final year. The selection of the Hemingway Fellow is based solely on the quality of an applicant’s writing. Each year, applicants have their work judged blind by a noted author who remains anonymous until the selection process has been completed. Through the process of blind selection, the Hemingway Fellowship Fund fulfills its mission of giving the Fellow the time they need to complete a substantial draft of a manuscript.

Writing in the Wild

This annual fellowship gives two MFA students the opportunity to work in Idaho’s iconic wilderness areas. The fellowship fully supports one week at either the McCall Outdoor Science School (MOSS), which borders Payette Lake and Ponderosa State Park, or the Taylor Wilderness Research Station, which lies in the heart of the Frank Church River of No Return Wilderness Area. Both campuses offer year-round housing. These writing retreats allow students to concentrate solely on their writing. Because both locations often house researchers, writers will also have the opportunity to interface with foresters, geologists, biologists, and interdisciplinary scholars.

Program History

Idaho admitted its first class of seven MFA students in 1994 with a faculty of four: Mary Clearman Blew, Tina Foriyes, Ron McFarland (founder of Fugue), and Lance Olsen. From the beginning, the program was conceived as a three-year sequence of workshops and techniques classes. Along with offering concentrations in writing fiction and poetry, Idaho was one of the first in the nation to offer a full concentration in creative nonfiction. Also from its inception, Idaho not only allowed but encouraged its students to enroll in workshops outside their primary genres. Idaho has become one of the nation’s most respected three-year MFA programs, attracting both field-leading faculty and students. In addition to the founders of this program, notable distinguished faculty have included Kim Barnes, Robert Wrigley, Daniel Orozco, Joy Passanante, Tobias Wray, Brian Blanchfield, and Scott Slovic, whose collective vision, rigor, grit, and care have paved the way for future generations committed to the art of writing.

The Palouse

Situated in the foothills of Moscow Mountain amid the rolling terrain of the Palouse (the ancient silt beds unique to the region), our location in the vibrant community of Moscow, Idaho, boasts a lively and artistic local culture. Complete with independent bookstores, coffee shops, art galleries, restaurants and breweries, (not to mention a historic art house cinema, organic foods co-op, and renowned seasonal farmer’s market), Moscow is a friendly and affordable place to live. Outside of town, we’re lucky to have many opportunities for hiking, skiing, rafting, biking, camping, and general exploring—from nearby Idler’s Rest and Kamiak Butte to renowned destinations like Glacier National Park, the Snake River, the Frank Church River of No Return Wilderness Area, and Nelson, BC. As for more urban getaways, Spokane, Washington, is only a ninety-minute drive, and our regional airline, Alaska, makes daily flights to and from Seattle that run just under an hour.

For upcoming events and program news, please visit our calendar .

For more information about the MFA program, please contact us at:  [email protected]

Department of English University of Idaho 875 Perimeter Drive MS 1102 Moscow, ID 83844-1102 208-885-6156

Bachelor of Science in Creative Writing – Journalism Captivate Your Readers

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100% online, 8-week courses

Transfer in up to 75% of the degree total

Expand Your Reporting and Writing Skills with an Online Journalism Degree from Liberty University

Have you ever wanted to write for a magazine, news journal, or website? If so, then this program might be for you! At Liberty, you can learn how to compose original text with your own creative flair. Our journalism degree can help you gain the research and writing skills needed to craft compelling pieces that captivate your reader and move them emotionally.

Liberty University’s Bachelor of Science (BS) in Creative Writing – Journalism is an exciting and dynamic degree program that can help prepare you for a career in the media industry. With a focus on writing for social media, news and print, and multimedia storytelling, this journalism major can help equip you with the skills and knowledge you need to excel in a variety of fields.

Ranked in the Top 10% of Niche.com’s Best Online Schools in America

• What Sets Us Apart?
• Private Nonprofit University
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• No Standardized Testing for Admission
• Transfer in up to 75% of an Undergrad Degree
• Transfer in up to 50% of a Grad/Doctoral Degree

Why Choose Liberty’s BS in Creative Writing – Journalism Degree?

There are many reasons why you might choose to pursue a Bachelor of Science in Creative Writing – Journalism. One of the main benefits of this degree is that it is 100% online, making it convenient and accessible for students with busy schedules. Additionally, this program is designed to be completed in just 120 credit hours, allowing you to earn your degree quickly and start your career sooner.

Furthermore, the Bachelor of Science in Creative Writing – Journalism program is unique in its focus on both creative writing and journalism. This means you’ll gain a well-rounded education that can provide a great foundation to begin a career in news media and content writing. Whether you want to be a journalist or branch out into other areas of writing, this degree can provide a pathway to accomplishing your goals.

Liberty’s online journalism degree is taught by experienced writers and journalists who have a wealth of knowledge to share. They’ll provide you with guidance and feedback as you develop your skills and work on your writing.

What Will You Study in Our Online Bachelor’s Degree in Journalism?

In the Bachelor of Science in Creative Writing – Journalism program, you can learn competencies that are essential for success in a variety of journalism and creative writing industries. From writing novellas to writing for theater and film, you have the opportunity to develop many abilities that can help boost your marketability. Some of the skills you can develop include:

• Writing and Storytelling : You can learn how to craft compelling stories that engage and inform your audience, whether writing news articles, feature stories, or multimedia content.
• Journalism Fundamentals : You will explore the basics of journalism, including how to conduct interviews, fact-check information, and write in a style that is appropriate for different types of media.
• Print and Digital Publishing : In today’s media landscape, digital skills are essential. You can learn how to use a variety of digital tools and build platforms that focus on maturing your writing skill and brand.
• Professional Skills : In addition to creative and technical skills, you can also develop the professional skills you need to succeed in the workplace – including teamwork, communication, and project management.

Additionally, you can learn how to write for cultural engagement and convey nuanced meaning in your work. Your studies will culminate in a senior capstone that will synthesize the knowledge and training you have gained over the course of this journalism degree.

Potential Career Opportunities

• Professional blogger
• Social media coordinator

Featured Courses

• WRIT 201 – Introduction to Creative Writing
• WRIT 400 – Editing for Publishing
• WRIT 404 – Print and Digital Publishing*
• WRIT 417 – Writing for Cultural Engagement*

*Course guide coming soon

Degree Information

• This program falls under the College of Arts and Sciences .
• View our Undergraduate Arts and Sciences Course Guides (login required).

Degree Completion Plan (PDF)

Not sure what to choose?

Speak to one of our admissions specialists to help you choose the program that best fits your needs.

• Tuition & Aid

Your success is our success, which is why we are committed to providing quality academics at an affordable tuition rate. While other colleges are increasing their tuition, we have frozen tuition rates for the majority of our undergraduate, graduate, and doctoral programs for the past 9 years – and counting.

To continue our mission of providing affordable education,  electronic textbooks are provided for all undergraduate courses at no cost to you. As a full-time student, this could save you an estimated $800-2,000 per year on textbooks!

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Admission Information for Undergraduate Online Degrees

Admission requirements.

• A non-refundable, non-transferable $50 application fee will be posted on the current application upon enrollment (waived for qualifying service members, veterans, and military spouses – documentation verifying military status is required) .
• Students may be allowed to enroll in up to 12 credit hours with Liberty with the submission of our High School Self-Certification Form (login required – you will first need to claim your Liberty Account ) .
• Unofficial transcripts can be used for acceptance purposes with the submission of a Transcript Request Form .

Applicants whose native language is other than English must submit official scores for the Test of English as a Foreign Language (TOEFL) or an approved alternative assessment. For information on alternative assessments or TOEFL waivers, please call Admissions or view the official International Admissions policy .

*Official high school transcript requirement may be waived with college transcripts from an accredited college/university showing at least 12 earned credit hours with an acceptable GPA.

Note: A 2.0 or above cumulative GPA is required for admission in good standing.

Transcript Policies

High school transcript policy.

Applicants may submit a High School Self-Certification Form in lieu of a final official high school transcript in order to enroll in up to 12 credit hours at Liberty University.

• Applicants may submit a college transcript showing 12 or more credits from an accredited institution and a High School Self-Certification Form in lieu of high school transcripts.

Students must submit official high school transcripts, or official college transcripts showing at least 12 credit hours earned with an acceptable grade point average (GPA) from an accredited institution, in order to register for additional courses.

The official high school transcript, GED requirement, and High School Self-Certification Form can be waived if the applicant has earned an associate degree or higher.

Final transcripts must reflect all coursework and final grades received for grades 9-12, a graduation date, and an overall GPA. (Mailed transcripts must be in a sealed and unopened envelope.)

Unofficial College Transcript Policy

Unofficial transcripts combined with a Transcript Request Form can be used for admission. Official transcripts are required within 60 days of the admissions decision or before non-attendance drops for the first set of matriculated classes, whichever comes first, and will prevent enrollment into future terms until all official transcripts have been received.

Before sending unofficial college transcripts, please make sure they include the following:

• Your previous school’s name or logo printed on the document
• Cumulative GPA
• A list of completed courses and earned credit broken down by semester
• Degree and date conferred (if applicable)

Official College Transcript Policy

An acceptable official college transcript is one that has been issued directly from the institution and is in a sealed envelope. If you have one in your possession, it must meet the same requirements. If your previous institution offers electronic official transcript processing, they can send the document directly to [email protected] .

If the student uses unofficial transcripts with a Transcript Request Form to gain acceptance, all official transcripts must be received within 60 days of the admissions decision or before non-attendance drops for the first set of matriculated classes, whichever comes first. Failure to send all official transcripts within the 60-day period will prevent enrollment into future terms until all official transcripts have been received.

Military Transfers

If you have military-only transfer credits (completed basic training and enlistment), you must request an official military transcript. Please go to the Military Transfer Credit webpage to request your military transcript.

International Applicants

If you are an international applicant, you may be required to have your international transcripts reviewed. Information regarding the transcript evaluation process for international students can be found by visiting NACES .

Admissions Office Contact Information

(800) 424-9595 Fax

(888) 301-3577

Email for Questions

[email protected] Email for Documents

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Liberty University is dedicated to providing world-class educational experiences to military students across the globe.

Who May Qualify?

• Active Duty
• Reserve/National Guard
• Veterans/Retirees
• Spouses of Service Members and Veterans/Retirees
• Current Department of Defense Employees

Available Benefits:

• Tuition discounts – $250 per credit hour for undergraduate courses
• Additional discount for veterans who service in a civilian capacity as a First Responder (less than $565 per course) *
• 8-week courses, 8 different start dates each year, and no set login times (may exclude certain courses such as practicums, internships, or field experiences)
• Potential college credit for military training

*Not applicable to certificates.

Frequently Asked Questions

Does liberty partner with and bestselling authors.

Liberty University has partnered with New York Times bestselling author and Christian novelist, Karen Kingsbury, to create the Karen Kingsbury Center for Creative Writing. Your curriculum includes content developed by Karen Kingsbury herself.

Is Liberty University accredited by anyone?

Liberty University holds institutional accreditation through the Southern Association of Colleges and Schools Commission on Colleges ( SACSCOC ).

Who teaches the classes in this degree program?

This online journalism bachelor’s degree is taught by experienced professionals who are experts in the fields of journalism and creative writing.

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Arts and Sciences Summer Exploration Program

The Arts and Sciences Summer Exploration program offers middle and high school students one-week intensive enrichment courses intended to introduce them to new areas of study or allow them to engage in content they may already have an interest in. In-person classes meet from 9:00 a.m. to 4:00 p.m. Monday through Friday, and are taught by Ohio State faculty, staff, and graduate students. Teaching is active, hands-on and encourages participants to engage with the instructional team and their fellow participants. These courses are not for grade or credit and are designed for self-motivated learners.  

Eligibility is based on a participant’s current grade level for the 2023-2024 school year. Students currently enrolled in 7 th and 8 th grades are eligible for middle school courses. Students currently enrolled in 9 th – 11 th grade are eligible for high school courses. 

If you have questions about this program, please contact [email protected] or call Courtney Price at 614-292-8208. 

The application deadline for Summer 2024 courses has passed. We invite you to sign up for updates  to receive information about our programs and be alerted when the when future application windows open.  

2024 Course Offerings

Explorations in creative writing.

Dates : June 3–7

Eligibility : Middle School (current grade 7-8)

Description : In this course, we will take a deep dive into poetry, fiction, and nonfiction writing! In each genre, we’ll be thinking about what it means to develop our own individual writing voice that’s unique to who we are. During the week, we will experiment with daily writing exercises based off prompts crafted to spark creativity and seek inspiration from reading classic and contemporary literary work, as well as different forms of art, such as music and collage. 

Through this course, participants will hone their writing voice in multiple genres. By the end of the course, each participant will have an impressive portfolio of writing developed in our supportive writing community. 

Prerequisites:  Previous experience with the subject matter is not required for this course.

Astronomy as a Gateway to the Data Sciences

Eligibility : High School (current grade 9-11)

Description : Astronomy has entered the “big data” era, in which huge collections of measurements are analyzed to attack the most challenging problems. In this course, we will explore how even the simplest data – the positions and brightness of stars – can address an active research problem. We will build the components of a data analysis pipeline using the most basic parts of the Python programming language, and use real data to search for young stars that have diffused away from the clusters they were born in. 

This course will explore many aspects of competency in the data sciences. This is a true research project! We do not know the answers in advance but will discover them as part of our course. This course will include small group exploration, interviews, peer teaching, and pair programming. Through this course students will learn basic statistical analysis, and gain experience in several fundamentals in the Python programming language. 

Prerequisites: 

• Participants should have completed high school algebra or geometry prior to taking this course. 
• Previous experience with astronomy and programming is not required for this course. 

Specific Course Requirements:

• Contact  [email protected] if lack of access to a personal computer would limit participation.

Sensational Science: Exploring Human Perception

Description : Discover the wonders and mysteries of how we perceive the world around us. Participants will explore not only the traditional five senses — sight, hearing, taste, smell, and touch — but also examine proprioception, nociception, balance, and the complex neural networks that integrate sensory information. 

Through a dynamic blend of lectures, hands-on experiments, interactive activities, and group discussions, participants will learn the science behind how we perceive our environment and ourselves. This course will enhance critical thinking and scientific inquiry skills through investigations of how our brains interpret sensory information. Going beyond the basics, this course will uncover the fascinating spectrum of sensory and perception disorders. From the challenges of navigating the world with color blindness or anosmia to the extraordinary experiences of synesthesia, students will gain a comprehensive understanding of how diverse the human experience of the world can be. 

Prerequisites:  Previous experience with the subject matter is not required for this course. 

Printmaking

Dates : June 10-14 Eligibility : Middle School (current grade 7-8)

Description : This studio-based, hands-on course will be held in the Ohio State Print Shop in Hopkins Hall. Participants will be introduced to a variety of printmaking techniques including screenprinting, relief printing, monoprinting, risography, and bookmaking. Participants will have the option to focus their work through the lens of comics, storytelling, and character design, if they so choose. At the end of the week participants will visit the Billy Ireland Cartoon Library on Ohio State campus, where they will view exhibitions and archives of comics and sequential art. 

Through this course, participants will learn how to operate specialized printing presses, tools, and equipment. Participants will create an original portfolio of printed works on paper and fabric. Participants will have the opportunity to share their prints and acquire works by their fellow participants through a course print exchange.

During this course students will use sharp tools and operate printmaking equipment. Students will be supervised and provided with personal safety training for every technique, but there is an inherent risk of injury.

Prerequisites: Previous studio art experience is not required to successfully participate in this course.

Course Specific Requirements:

• Close-toe shoes are recommended.
• Clothing may get art materials on them. Participants should dress accordingly.

Intercultural Competence for Future Global Leaders 

Dates : June 24-28

Description : Intercultural competence is conceptualized as a lifelong process that includes the development of the attitudes (respect and valuing of other cultures, openness, curiosity), knowledge (of self, culture, sociolinguistic issues) skills (listen, observe, interpret, analyze, evaluate, and relate), and qualities (adaptability, flexibility, empathy and cultural decentering) in order to behave and communicate effectively and appropriately to achieve one’s goals. 

In this course, participants will learn what it takes to become globally-minded and acquire the skills to navigate in multiple, diverse, global and local networks. Participants will understand the core concepts related to culture and intercultural competence, learn the basics of American Sign Language (ASL), develop cultural self-awareness, and understand the relationship between intercultural competence, citizenship and leadership. 

Course Specific Requirements: 

Application and deadline

The 2024 Arts and Sciences Summer Exploration Program application will remain open through May 15 . Space in each course is limited, so individual courses may fill before the May 15 deadline. 

If a participant requires an accommodation such as interpretation to participate in this program, please contact the program at [email protected] or 614-292-8208. Requests should be made as soon as possible. Requests made two weeks before the first day of a course will generally allow us to provide seamless access, but the university will make every effort to meet requests made after this date. 

We invite you to sign up for updates  to receive information about our programs and be alerted when the when future application windows open.    

Costs and aid

The program fee for the Arts and Sciences Summer Exploration 2024 program is  $550 per one-week course , which includes all course materials and activities, lunch, and snacks.

Limited need-based financial assistance may be available in the form of partial support. Financial assistance can be requested on the program application.  

Payment deadlines

Applicants have one week to accept their offer of admission to the program and pay the program fee. All payments must be made through the applicant portal. Once an offer is accepted and payment made, the parent or legal guardian must submit emergency contact and medical information, as well as signed Policy Acknowledgement and Consent forms no later than May 27, 2024.   

Refund Policy

The Arts and Sciences Summer Exploration Program recognizes that sometimes plans change. Participants may request a refund of the program fee by emailing [email protected] according to the following schedule:

• On or before May 1, 2024: 100% of program fee paid
• May 2 – May 15, 2024: 50% of program fee paid
• On or after May 16, 2024: No refund of program fee paid

Program Details

While plans for each course may differ slightly, the daily schedule follows this general model:

• Drop off 8:15 - 8:45 a.m.
• Morning session 9:00 - 11:30 a.m.
• Travel to lunch 11:30 - 11:45 a.m.
• Lunch at Traditions 11:45 - 12:45 p.m. 
• Travel time 12:30 - 12:45 p.m. 
• On campus activity 12:45 – 1:45 p.m.
• Afternoon session 2:00-3:45 p.m.
• Travel to pick-up location 3:45 - 4 p.m.
• Pick up 4:00 - 4:30 p.m.

Participants will always be escorted between pick-up/drop-off, their assigned classroom, the dining hall, and the on-campus activity by program staff. Additional information about the program will be emailed to participants and families, as needed, closer to the start of the program. 

Lunch will be provided daily at the Traditions at Scott dining hall and will be supervised by program staff. Traditions provides a wide variety of food options that meet the most common dietary needs and restrictions, including halal, gluten-free and vegetarian. However, kosher dining is not supported during summer term. 

The pick-up and drop-off location for students is the corner of Annie and John Glenn Avenue and Millikin Road, outside of the PAES building (see maps below). Please drop your child off from the eastbound lane of Annie and John Glenn Avenue. The drop-off/pick-up location will be marked with a sign and program staff will be present to check your child in and out of the program. 

If you are using a navigation system for directions, enter the following address: 305 Annie and John Glenn Avenue, Columbus, Ohio, 43210.

Please do not park in the drop-off/pick-up lane. If you need to park, or your child is driving themselves to and from the program, the closest surface lot parking is at the Ohio Stadium. The closest garage parking is Tuttle Garage. You can learn more about parking at Ohio State, including hourly rates, on the CampusParc website . 

The image above shows the ideal route to the drop off and pick up location. The image below shows the drop off and pick up lane from the street view. 

For those riding COTA, the closest bus stop to the drop-off/pick-up location is N. High Street & E. 15th Avenue. See the COTA website for more information. 

The first day of the program will kick-off with a brief orientation session. At 8:45 a.m. program staff will walk the students to the orientation location. At the orientation, students will receive a program t-shirt and lanyard, the program staff will be introduced, and the daily schedule will be reviewed. After orientation, students will be escorted to their classrooms and the morning session will begin.  

What to Wear

Participants should wear comfortable clothing appropriate for the classroom, as well as for a range of temperatures. For most courses, participants will spend most of the day inside air-conditioned classrooms. However, we will be walking between the drop-off/pick-up location, classrooms, campus locations and the dining hall. Dressing in layers and wearing comfortable walking shoes is recommended. Any course specific requirements are listed in the course description. 

Friday What to Wear

Each Friday on the last day of classes, we will take pictures of each class cohort. We encourage participants to wear their Arts & Sciences Summer Exploration t-shirt on Friday for this event!

Daily Packing List

• Cell phone and charger (optional)
• Any special academic materials needed for courses beyond this basic list will be provided by the program.
• Snacks and water: Participants should bring a refillable water bottle every day. While the program will provide an afternoon snack, participants are allowed to bring their own snacks. However, we request that, for the safety of participants with nut allergies, no snacks containing nuts be brought to the program.
• Personal medications in their original labeled containers (if taken during the day)
• Sunscreen and umbrella or rain jacket (optional)

The documents linked below are samples of the required program forms. Once an applicant accepts their offer of admission, the parent or legal guardian will receive an email from DocuSign with links to these forms. Forms must be reviewed and signed by May 27, 2024 .  

• Arts and Sciences Summer Exploration 2024 Policy Forms
• Arts and Sciences Summer Exploration 2024 Consent Forms

International Programs

Meet Jongkwan Yun: From South Korea to Iowa, gaining real-world experience in sport management

Jongkwan Yun is a senior at the University of Iowa (UI) majoring in sport and recreation management with a concentration area in communications public relations/journalism, while minoring in news and media literacy. Yun's interest in sports began as a ski instructor at Konjiam Resort in South Korea. When he was a student in sports management at a Korean college, he had a chance to study abroad in Canada and intern at IFung Sports Management, a Canadian soccer agency . These experiences led him to transfer to Iowa to further his undergraduate studies and gain work experience.  

“I was accepted to several colleges in the U.S. when I was looking to transfer, and the two biggest reasons I chose Iowa were credit recognition and field experience classes,” reflected Yun. “I chose my concentration area and minor because there is an unofficial saying in sport management: ‘A minor is mandatory, double major is optional.’ Also, Iowa ranks high in journalism.”

"Embrace the challenge! It is okay to get hit a lot and get hurt a lot — we are students at Iowa, where we have the support and resources to help us get back up if we fall."

Internship at the Iowa Cubs

After gaining hands-on field experience from the UI Athletic Department Fans First, Yun is currently interning in the operations and promotions department of the Iowa Cubs, the Triple-A affiliate of the Chicago Cubs, through curricular practical training (CPT). “The help from UI International Student and Scholar Services and Professor Anna Jensen, director of Office of Field Experience in sport and recreation management, was invaluable when getting a full-time CPT,” shared Yun, who is a recipient of the 2024 UI International Student Graduation Most Unique CPT Award.  

Future career aspirations

Looking ahead, Yun aims to land a position with a major South Korean company later this year, like Hyundai or CJ CheilJedang, both of which have a sport management and marketing department. If that does not work out, he plans to use Optional Practical Training (OPT) to work for a Major League team in the U.S. before returning to South Korea to work in the Korea Baseball Organization (KBO).  

Advice for international students

Yun suggested, “Take advantage of CPT and OPT opportunities. Many things can be learned through classes at school, but I think more things can be learned in the field while working.” Emphasizing his practical approach, he added, “It’s better to draw your dreams through one experience rather than through many contemplations.”

Yun’s closing message is a note of self-reflection and encouragement to fellow international students: Embrace the challenge! It is okay to get hit a lot and get hurt a lot — we are students at Iowa, where we have the support and resources to help us get back up if we fall. 

learn more about cpt and opt

International Programs  (IP) at the University of Iowa (UI) is committed to enriching the global experience of UI students, faculty, staff, and the general public by leading efforts to promote internationally oriented teaching, research, creative work, and community engagement.  IP provides support for international students and scholars, administers scholarships and assistance for students who study, intern, or do research abroad, and provides funding opportunities and grant-writing assistance for faculty engaged in international research. IP shares their stories through various media, and by hosting multiple public engagement activities each year.

• International Student Graduation Celebration
• international students and scholars

International Programs at the University of Iowa supports the right of all individuals to live freely and to live in peace. We condemn all acts of violence based on race, religion, gender identity, sexual orientation, and perceived national or cultural origin. In affirming its commitment to human dignity, International Programs strongly upholds the values expressed in the United Nations Universal Declaration of Human Rights .