comparative dissertation examples

Home > USC Columbia > Arts and Sciences > Comparative Literature > Comparative Literature Theses and Dissertations

Comparative Literature Theses and Dissertations

Theses/dissertations from 2023 2023.

Constructing Selfhood Through Fantasy: Mirror Women and Dreamscape Conversations in Olga Grushin’s Forty Rooms , Grace Marie Alger

Eugene O’Neill Returns: Theatrical Modernization and O’Neill Adaptations in 1980s China , Shuying Chen

The Supernatural in Migration: A Reflection on Senegalese Literature and Film , Rokhaya Aballa Dieng

Breaking Down the Human: Disintegration in Nineteenth-Century Fiction , Benjamin Mark Driscol

Archetypes Revisited: Investigating the Power of Universals in Soviet and Hollywood Cinema , Iana Guselnikova

Planting Rhizomes: Roots and Rhizomes in Maryse Condé’s Traversée de la Mangrove and Calixthe Beyala’s Le Petit Prince de Belleville , Rume Kpadamrophe

Violence, Rebellion, and Compromise in Chinese Campus Cinema ----- The Comparison of Cry Me a Sad River and Better Days , Chunyu Liu

Tracing Modern and Contemporary Sino-French Literary and Intellectual Relations: China, France, and Their Shifting Peripheries , Paul Timothy McElhinny

Truth And Knowledge In A Literary Text And Beyond: Lydia Chukovskaya’s Sofia Petrovna At The Intersections Between Selves, Culture, And Paratext , Angelina Rubina

From Roland to Gawain, or the Origin of Personified Knights , Clyde Tilson

Theses/Dissertations from 2022 2022

Afro-Diasporic Literatures of the United States and Brazil: Imaginaries, Counter-Narratives, and Black Feminism in the Americas , David E. S. Beek

The Pursuit of Good Food: The Alimentary Chronotope in Madame Bovary , Lauren Flinner

Form and Voice: Representing Contemporary Women’s Subaltern Experience in and Beyond China , Tingting Hu

Geography of a “Foreign” China: British Intellectuals’ Encounter With Chinese Spaces, 1920-1945 , Yuzhu Sun

Truth and Identity in Dostoevsky’s Raskolnikov and Prince Myshkin , Gwendolyn Walker

Theses/Dissertations from 2021 2021

Postcolonial Narrative and The Dialogic Imaginatio n: An Analysis of Early Francophone West African Fiction and Cinema , Seydina Mouhamed Diouf

The Rising of the Avant-Garde Movement In the 1980s People’s Republic of China: A Cultural Practice of the New Enlightenment , Jingsheng Zhang

Theses/Dissertations from 2020 2020

L’ Entre- Monde : The Cinema of Alain Gomis , Guillaume Coly

Digesting Gender: Gendered Foodways in Modern Chinese Literature, 1890s–1940s , Zhuo Feng

The Deconstruction of Patriarchal War Narratives in Svetlana Alexievich’s The Unwomanly Face of War , Liubov Kartashova

Pushing the Limits of Black Atlantic and Hispanic Transatlantic Studies Through the Exploration of Three U.S. Afro-Latio Memoirs , Julia Luján

Taiwanese Postcolonial Identities and Environmentalism in Wu Ming-Yi’s the Stolen Bicycle , Chihchi Sunny Tsai

Games and Play of Dream of the Red Chamber , Jiayao Wang

Theses/Dissertations from 2019 2019

Convertirse en Inmortal, 成仙 ChéngxiāN, Becoming Xian: Memory and Subjectivity in Cristina Rivera Garza’s Verde Shanghai , Katherine Paulette Elizabeth Crouch

Between Holy Russia and a Monkey: Darwin's Russian Literary and Philosophical Critics , Brendan G. Mooney

Emerging Populations: An Analysis of Twenty-First Century Caribbean Short Stories , Jeremy Patterson

Time, Space and Nonexistence in Joseph Brodsky's Poetry , Daria Smirnova

Theses/Dissertations from 2018 2018

Through the Spaceship’s Window: A Bio-political Reading of 20th Century Latin American and Anglo-Saxon Science Fiction , Juan David Cruz

The Representations of Gender and Sexuality in Contemporary Arab Women’s Literature: Elements of Subversion and Resignification. , Rima Sadek

Insects As Metaphors For Post-Civil War Reconstruction Of The Civic Body In Augustan Age Rome , Olivia Semler

Theses/Dissertations from 2017 2017

Flannery O’Connor’s Art And The French Renouveau Catholique: A Comparative Exploration Of Contextual Resources For The Author’s Theological Aesthetics Of Sin and Grace , Stephen Allen Baarendse

The Quixotic Picaresque: Tricksters, Modernity, and Otherness in the Transatlantic Novel, or the Intertextual Rhizome of Lazarillo, Don Quijote, Huck Finn, and The Reivers , David Elijah Sinsabaugh Beek

Piglia and Russia: Russian Influences in Ricardo Piglia’s Nombre Falso , Carol E. Fruit Diouf

Beyond Life And Death Images Of Exceptional Women And Chinese Modernity , Wei Hu

Archival Resistance: A Comparative Reading of Ulysses and One Hundred Years of Solitude , Maria-Josee Mendez

Narrating the (Im)Migrant Experience: 21st Century African Fiction in the Age of Globalization , Bernard Ayo Oniwe

Narrating Pain and Freedom: Place and Identity in Modern Syrian Poetry (1970s-1990s) , Manar Shabouk

Theses/Dissertations from 2016 2016

The Development of ‘Meaning’ in Literary Theory: A Comparative Critical Study , Mahmoud Mohamed Ali Ahmad Elkordy

Familial Betrayal And Trauma In Select Plays Of Shakespeare, Racine, And The Corneilles , Lynn Kramer

Evil Men Have No Songs: The Terrorist and Literatuer Boris Savinkov, 1879-1925 , Irina Vasilyeva Meier

Theses/Dissertations from 2015 2015

Resurrectio Mortuorum: Plato’s Use of Ἀνάγκη in the Dialogues , Joshua B. Gehling

Two Million "Butterflies" Searching for Home: Identity and Images of Korean Chinese in Ho Yon-Sun's Yanbian Narratives , Xiang Jin

The Trialectics Of Transnational Migrant Women’s Literature In The Writing Of Edwidge Danticat And Julia Alvarez , Jennifer Lynn Karash-Eastman

Unacknowledged Victims: Love between Women in the Narrative of the Holocaust. An Analysis of Memoirs, Novels, Film and Public Memorials , Isabel Meusen

Making the Irrational Rational: Nietzsche and the Problem of Knowledge in Mikhail Bulgakov's The Master and Margarita , Brendan Mooney

Invective Drag: Talking Dirty in Catullus, Cicero, Horace, and Ovid , Casey Catherine Moore

Destination Hong Kong: Negotiating Locality in Hong Kong Novels 1945-1966 , Xianmin Shen

H.P. Lovecraft & The French Connection: Translation, Pulps and Literary History , Todd David Spaulding

Female Representations in Contemporary Postmodern War Novels of Spain and the United States: Women as Tools of Modern Catharsis in the Works of Javier Cercas and Tim O'Brien , Joseph P. Weil

Theses/Dissertations from 2014 2014

Poetic Appropriations in Vergil’s Aeneid: A Study in Three Themes Comprising Aeneas’ Character Development , Edgar Gordyn

Ekphrasis and Skepticism in Three Works of Shakespeare , Robert P. Irons

Theses/Dissertations from 2013 2013

The Role of the Trickster Figure and Four Afro-Caribbean Meta-Tropes In the Realization of Agency by Three Slave Protagonists , David Sebastian Cross

Putting Place Back Into Displacement: Reevaluating Diaspora In the Contemporary Literature of Migration , Christiane Brigitte Steckenbiller

Using Singular Value Decomposition in Classics: Seeking Correlations in Horace, Juvenal and Persius against the Fragments of Lucilius , Thomas Whidden

Theses/Dissertations from 2012 2012

Decolonizing Transnational Subaltern Women: The Case of Kurasoleñas and New York Dominicanas , Florencia Cornet

Representation of Women In 19Th Century Popular Art and Literature: Forget Me Not and La Revista Moderna , Juan David Cruz

53x+m³=Ø? (Sex+Me=No Result?): Tropes of Asexuality in Literature and Film , Jana -. Fedtke

Argentina in The African Diaspora: Afro-Argentine And African American Cultural Production, Race, And Nation Building in the 19th Century , Julia Lujan

Male Subjectivity and Twenty-First Century German Cinema: Gender, National Idenity, and the Problem of Normalization , Richard Sell

Theses/Dissertations from 2011 2011

Blue Poets: Brilliant Poetry , Evangelin Grace Chapman-Wall

Sickness of the Spirit: A Comparative Study of Lu Xun and James Joyce , Liang Meng

Dryden and the Solution to Domination: Bonds of Love In the Conquest of Granada , Lydia FitzSimons Robins

Theses/Dissertations from 2010 2010

The Family As the New Collectivity of Belonging In the Fiction of Bharati Mukherjee and Jhumpa Lahiri , Sarbani Bose

Lyric Transcendence: the Sacred and the Real In Classical and Early-Modern Lyric. , Larry Grant Hamby

Abd al-Rahman Al-Kawakibi's Tabai` al-Istibdad wa Masari` al-Isti`bad (The Characteristics of Despotism and The Demises of Enslavement): A Translation and Introduction , Mohamad Subhi Hindi

Re-Visions: Nazi Germany and Fascist Italy In German and Italian Film and Literature , Kristina Stefanic Brown

Plato In Modern China: A Study of Contemporary Chinese Platonists , Leihua Weng

Making Victims: History, Memory, and Literature In Japan's Post-War Social Imaginary , Kimberly Wickham

Theses/Dissertations from 2009 2009

The Mirrored Body: Doubling and Replacement of the Feminine and androgynous Body In Hadia Said'S Artist and Haruki Murakami'S Sputnik Sweetheart , Fatmah Alsalamean

Making Monsters: The Monstrous-Feminine In Horace and Catullus , Casey Catherine Moore

Not Quite American, Not Quite European: Performing "Other" Claims to Exceptionality In Francoist Spain and the Jim Crow South , Brittany Powell

Developing Latin American Feminist Theory: Strategies of Resistance In the Novels of Luisa Valenzuela and Sandra Cisneros , Jennifer Lyn Slobodian

Advanced Search

• Notify me via email or RSS
• Collections
• Disciplines

Submissions

• Give us Feedback
• University Libraries

Home | About | FAQ | My Account | Accessibility Statement

Privacy Copyright

• Utility Menu

GA4 Tracking Code

Gen ed writes, writing across the disciplines at harvard college.

• Comparative Analysis

What It Is and Why It's Useful

Comparative analysis asks writers to make an argument about the relationship between two or more texts. Beyond that, there's a lot of variation, but three overarching kinds of comparative analysis stand out:

• Coordinate (A ↔ B): In this kind of analysis, two (or more) texts are being read against each other in terms of a shared element, e.g., a memoir and a novel, both by Jesmyn Ward; two sets of data for the same experiment; a few op-ed responses to the same event; two YA books written in Chicago in the 2000s; a film adaption of a play; etc. 
• Subordinate (A  → B) or (B → A ): Using a theoretical text (as a "lens") to explain a case study or work of art (e.g., how Anthony Jack's The Privileged Poor can help explain divergent experiences among students at elite four-year private colleges who are coming from similar socio-economic backgrounds) or using a work of art or case study (i.e., as a "test" of) a theory's usefulness or limitations (e.g., using coverage of recent incidents of gun violence or legislation un the U.S. to confirm or question the currency of Carol Anderson's The Second ).
• Hybrid [A  → (B ↔ C)] or [(B ↔ C) → A] , i.e., using coordinate and subordinate analysis together. For example, using Jack to compare or contrast the experiences of students at elite four-year institutions with students at state universities and/or community colleges; or looking at gun culture in other countries and/or other timeframes to contextualize or generalize Anderson's main points about the role of the Second Amendment in U.S. history.

"In the wild," these three kinds of comparative analysis represent increasingly complex—and scholarly—modes of comparison. Students can of course compare two poems in terms of imagery or two data sets in terms of methods, but in each case the analysis will eventually be richer if the students have had a chance to encounter other people's ideas about how imagery or methods work. At that point, we're getting into a hybrid kind of reading (or even into research essays), especially if we start introducing different approaches to imagery or methods that are themselves being compared along with a couple (or few) poems or data sets.

Why It's Useful

In the context of a particular course, each kind of comparative analysis has its place and can be a useful step up from single-source analysis. Intellectually, comparative analysis helps overcome the "n of 1" problem that can face single-source analysis. That is, a writer drawing broad conclusions about the influence of the Iranian New Wave based on one film is relying entirely—and almost certainly too much—on that film to support those findings. In the context of even just one more film, though, the analysis is suddenly more likely to arrive at one of the best features of any comparative approach: both films will be more richly experienced than they would have been in isolation, and the themes or questions in terms of which they're being explored (here the general question of the influence of the Iranian New Wave) will arrive at conclusions that are less at-risk of oversimplification.

For scholars working in comparative fields or through comparative approaches, these features of comparative analysis animate their work. To borrow from a stock example in Western epistemology, our concept of "green" isn't based on a single encounter with something we intuit or are told is "green." Not at all. Our concept of "green" is derived from a complex set of experiences of what others say is green or what's labeled green or what seems to be something that's neither blue nor yellow but kind of both, etc. Comparative analysis essays offer us the chance to engage with that process—even if only enough to help us see where a more in-depth exploration with a higher and/or more diverse "n" might lead—and in that sense, from the standpoint of the subject matter students are exploring through writing as well the complexity of the genre of writing they're using to explore it—comparative analysis forms a bridge of sorts between single-source analysis and research essays.

Typical learning objectives for single-sources essays: formulate analytical questions and an arguable thesis, establish stakes of an argument, summarize sources accurately, choose evidence effectively, analyze evidence effectively, define key terms, organize argument logically, acknowledge and respond to counterargument, cite sources properly, and present ideas in clear prose.

Common types of comparative analysis essays and related types: two works in the same genre, two works from the same period (but in different places or in different cultures), a work adapted into a different genre or medium, two theories treating the same topic; a theory and a case study or other object, etc.

How to Teach It: Framing + Practice

Framing multi-source writing assignments (comparative analysis, research essays, multi-modal projects) is likely to overlap a great deal with "Why It's Useful" (see above), because the range of reasons why we might use these kinds of writing in academic or non-academic settings is itself the reason why they so often appear later in courses. In many courses, they're the best vehicles for exploring the complex questions that arise once we've been introduced to the course's main themes, core content, leading protagonists, and central debates.

For comparative analysis in particular, it's helpful to frame assignment's process and how it will help students successfully navigate the challenges and pitfalls presented by the genre. Ideally, this will mean students have time to identify what each text seems to be doing, take note of apparent points of connection between different texts, and start to imagine how those points of connection (or the absence thereof)

• complicates or upends their own expectations or assumptions about the texts
• complicates or refutes the expectations or assumptions about the texts presented by a scholar
• confirms and/or nuances expectations and assumptions they themselves hold or scholars have presented
• presents entirely unforeseen ways of understanding the texts

—and all with implications for the texts themselves or for the axes along which the comparative analysis took place. If students know that this is where their ideas will be heading, they'll be ready to develop those ideas and engage with the challenges that comparative analysis presents in terms of structure (See "Tips" and "Common Pitfalls" below for more on these elements of framing).

Like single-source analyses, comparative essays have several moving parts, and giving students practice here means adapting the sample sequence laid out at the " Formative Writing Assignments " page. Three areas that have already been mentioned above are worth noting:

• Gathering evidence : Depending on what your assignment is asking students to compare (or in terms of what), students will benefit greatly from structured opportunities to create inventories or data sets of the motifs, examples, trajectories, etc., shared (or not shared) by the texts they'll be comparing. See the sample exercises below for a basic example of what this might look like.
• Why it Matters: Moving beyond "x is like y but also different" or even "x is more like y than we might think at first" is what moves an essay from being "compare/contrast" to being a comparative analysis . It's also a move that can be hard to make and that will often evolve over the course of an assignment. A great way to get feedback from students about where they're at on this front? Ask them to start considering early on why their argument "matters" to different kinds of imagined audiences (while they're just gathering evidence) and again as they develop their thesis and again as they're drafting their essays. ( Cover letters , for example, are a great place to ask writers to imagine how a reader might be affected by reading an their argument.)
• Structure: Having two texts on stage at the same time can suddenly feel a lot more complicated for any writer who's used to having just one at a time. Giving students a sense of what the most common patterns (AAA / BBB, ABABAB, etc.) are likely to be can help them imagine, even if provisionally, how their argument might unfold over a series of pages. See "Tips" and "Common Pitfalls" below for more information on this front.

Sample Exercises and Links to Other Resources

• Common Pitfalls
• Advice on Timing
• Try to keep students from thinking of a proposed thesis as a commitment. Instead, help them see it as more of a hypothesis that has emerged out of readings and discussion and analytical questions and that they'll now test through an experiment, namely, writing their essay. When students see writing as part of the process of inquiry—rather than just the result—and when that process is committed to acknowledging and adapting itself to evidence, it makes writing assignments more scientific, more ethical, and more authentic. 
• Have students create an inventory of touch points between the two texts early in the process.
• Ask students to make the case—early on and at points throughout the process—for the significance of the claim they're making about the relationship between the texts they're comparing.
• For coordinate kinds of comparative analysis, a common pitfall is tied to thesis and evidence. Basically, it's a thesis that tells the reader that there are "similarities and differences" between two texts, without telling the reader why it matters that these two texts have or don't have these particular features in common. This kind of thesis is stuck at the level of description or positivism, and it's not uncommon when a writer is grappling with the complexity that can in fact accompany the "taking inventory" stage of comparative analysis. The solution is to make the "taking inventory" stage part of the process of the assignment. When this stage comes before students have formulated a thesis, that formulation is then able to emerge out of a comparative data set, rather than the data set emerging in terms of their thesis (which can lead to confirmation bias, or frequency illusion, or—just for the sake of streamlining the process of gathering evidence—cherry picking). 
• For subordinate kinds of comparative analysis , a common pitfall is tied to how much weight is given to each source. Having students apply a theory (in a "lens" essay) or weigh the pros and cons of a theory against case studies (in a "test a theory") essay can be a great way to help them explore the assumptions, implications, and real-world usefulness of theoretical approaches. The pitfall of these approaches is that they can quickly lead to the same biases we saw here above. Making sure that students know they should engage with counterevidence and counterargument, and that "lens" / "test a theory" approaches often balance each other out in any real-world application of theory is a good way to get out in front of this pitfall.
• For any kind of comparative analysis, a common pitfall is structure. Every comparative analysis asks writers to move back and forth between texts, and that can pose a number of challenges, including: what pattern the back and forth should follow and how to use transitions and other signposting to make sure readers can follow the overarching argument as the back and forth is taking place. Here's some advice from an experienced writing instructor to students about how to think about these considerations:

a quick note on STRUCTURE

     Most of us have encountered the question of whether to adopt what we might term the “A→A→A→B→B→B” structure or the “A→B→A→B→A→B” structure.  Do we make all of our points about text A before moving on to text B?  Or do we go back and forth between A and B as the essay proceeds?  As always, the answers to our questions about structure depend on our goals in the essay as a whole.  In a “similarities in spite of differences” essay, for instance, readers will need to encounter the differences between A and B before we offer them the similarities (A d →B d →A s →B s ).  If, rather than subordinating differences to similarities you are subordinating text A to text B (using A as a point of comparison that reveals B’s originality, say), you may be well served by the “A→A→A→B→B→B” structure.  

     Ultimately, you need to ask yourself how many “A→B” moves you have in you.  Is each one identical?  If so, you may wish to make the transition from A to B only once (“A→A→A→B→B→B”), because if each “A→B” move is identical, the “A→B→A→B→A→B” structure will appear to involve nothing more than directionless oscillation and repetition.  If each is increasingly complex, however—if each AB pair yields a new and progressively more complex idea about your subject—you may be well served by the “A→B→A→B→A→B” structure, because in this case it will be visible to readers as a progressively developing argument.

As we discussed in "Advice on Timing" at the page on single-source analysis, that timeline itself roughly follows the "Sample Sequence of Formative Assignments for a 'Typical' Essay" outlined under " Formative Writing Assignments, " and it spans about 5–6 steps or 2–4 weeks. 

Comparative analysis assignments have a lot of the same DNA as single-source essays, but they potentially bring more reading into play and ask students to engage in more complicated acts of analysis and synthesis during the drafting stages. With that in mind, closer to 4 weeks is probably a good baseline for many single-source analysis assignments. For sections that meet once per week, the timeline will either probably need to expand—ideally—a little past the 4-week side of things, or some of the steps will need to be combined or done asynchronously.

What It Can Build Up To

Comparative analyses can build up to other kinds of writing in a number of ways. For example:

• They can build toward other kinds of comparative analysis, e.g., student can be asked to choose an additional source to complicate their conclusions from a previous analysis, or they can be asked to revisit an analysis using a different axis of comparison, such as race instead of class. (These approaches are akin to moving from a coordinate or subordinate analysis to more of a hybrid approach.)
• They can scaffold up to research essays, which in many instances are an extension of a "hybrid comparative analysis."
• Like single-source analysis, in a course where students will take a "deep dive" into a source or topic for their capstone, they can allow students to "try on" a theoretical approach or genre or time period to see if it's indeed something they want to research more fully.
• DIY Guides for Analytical Writing Assignments

• Types of Assignments
• Unpacking the Elements of Writing Prompts
• Formative Writing Assignments
• Single-Source Analysis
• Research Essays
• Multi-Modal or Creative Projects
• Giving Feedback to Students

Assignment Decoder

How to Write a Comparative Analysis Dissertation: Useful Guidelines

Writing a dissertation involves more than just demonstrating your expertise in your chosen field of study. It also requires using important skills, such as analytical thinking. Without it, developing sound theories, introducing arguments, or making conclusions would be impossible. And nowhere is this ability more prominently showcased than in writing comparative analysis dissertations.

Comparative analysis is a helpful method you can use to do research. Remember writing compare-and-contrast essays at school? It’s actually very similar to conducting this type of analysis. But it also has plenty of peculiarities that make it a unique approach. Keep reading to learn more about it!

What Is a Comparative Analysis Dissertation?

Comparative analysis types.

• Possible Difficulties
• Elements of Comparative Analysis
• How to Write a Comparative Analysis Dissertation

Comparative analysis boils down to studying similarities and differences between two or more things, be it theories, texts, processes, personalities, or time periods. This method is especially useful in conducting social sciences , humanities, history, and business research.

Conducting a comparative analysis helps you achieve multiple goals:

• It allows you to find parallels and dissimilaritie s between your subjects and use them to make broader conclusions.
• Putting two or more things against each other also helps to see them in a new light and notice the usually neglected aspects.
• In addition to similarities and differences, conducting a comparative analysis helps to determine causality —that is, the reason why these characteristics exist in the first place.

Depending on your research methods, your comparative analysis dissertation can be of two types:

• Qualitative comparative analysis revolves around individual examples. It uses words and concepts to describe the subjects of comparison and make conclusions from them. Essentially, it’s about studying a few examples closely to understand their specific details. This method will be especially helpful if you’re writing a comparative case study dissertation.
• Quantitative comparative dissertations will use numbers and statistics to explain things. It helps make general statements about big sample groups. You will usually need a lot of examples to gather plenty of reliable numerical data for this kind of research.

There are no strict rules regarding these types. You can use the features of both in your comparative dissertation if you want to.

Possible Difficulties of Writing a Comparative Analysis Dissertation

As you can see, comparison is an excellent research method that can be a great help in dissertation writing . But it also has its drawbacks and challenges. It’s essential to be aware of them and do your best to overcome them:

• Your chosen subjects of comparison may have very little in common . In that case, it might be tricky to come up with at least some similarities.
• Sometimes, there may not be enough information about the things you want to study. This will seriously limit your choices and may affect the accuracy of your research results. To avoid it, we recommend you choose subjects you’re already familiar with.
• Choosing a small number of cases or samples will make it much more challenging to generalize your findings . It may also cause you to overlook subtle ways in which the subjects influence each other. That’s why it’s best to choose a moderate number of items from which to draw comparisons, usually between 5 and 40.
• It’s also essential that your dissertation looks different from a s high school compare-and-contrast essay. Instead, your work should be appropriately structured. Read on to learn how to do it!

Elements of Dissertation Comparative Analysis

Do you want your dissertation comparative analysis to be successful? Then make sure it has the following key elements:

• Context Your comparative dissertation doesn’t exist in a vacuum. It has historical and theoretical contexts as well as previous research surrounding it. You can cover these aspects in your introduction and literature review .
• Goals It should be clear to the reader why you want to compare two particular things. That’s why, before you start making your dissertation comparative analysis, you’ll need to explain your goal. For example, the goal of a dissertation in human science can be to describe and classify something.
• Modes of Comparison This refers to the way you want to conduct your research. There are four modes of comparison to choose from: similarity-focused, difference-focused, genus-species relationship, and refocusing.
• Scale This is the degree to which your study will be zooming on the subjects of comparison. It’s similar to looking at maps. There are maps of the entire world, of separate countries, and of smaller locations. The scale of your research refers to how detailed the map is. You will need to use similar scale maps for each subject to conduct a good comparison.
• Scope This criterion refers to how far removed your subjects are in time and space. Depending on the scope, there are two types of comparisons:
• Research Question This is the key inquiry that guides your entire study. In a comparative analysis thesis, the research question usually addresses similarities and differences, but it can also focus on other patterns you’ll be exploring. It can belong to one of the following types, depending on the kind of analysis you want to apply:

Want to write your research question quickly and easily? Try our thesis statement generator ! It has four modes depending on your type of writing, which helps it produce customized results.

• Data Analysis Here, you analyze similarities, differences, and relationships you’ve identified between the subjects. Make sure to provide your argumentation and explain where your findings come from.
• Conclusions This element addresses the research question and answers it. It can also point out the significance of similarities and differences that you’ve found.

How to Write a Comparative Analysis Dissertation

Now that you know what your comparative analysis should include, it’s time to learn how to write it! Follow the steps, and you’ll be sure to succeed:

• Select the Subjects This is the most critical step on which your entire dissertation will depend. To choose things to compare, try to analyze several important factors, including your potential audience , the overall goal of the study, and your interests. It’s also essential to check whether the things you want to discuss are sufficiently studied. While you research possible topics, you may stumble upon untrustworthy AI-generated content. Unfortunately, it’s getting increasingly difficult to differentiate it from human-made writing. To avoid getting into this trap, consider using an AI detection tool . It provides 100% accurate results and is completely free.
• Describe Your Chosen Items Before you can start comparing the subjects, it’s necessary to describe them in their social and historical contexts. Without taking a long, hard look at your topic’s background, it would be impossible to determine what you should pay attention to during your research. To describe your subjects properly, you will need to study plenty of sources and convey their content in your dissertation. Want to simplify this task? Check out our excellent free summarizer tool !
• Juxtapose Now, it’s time to do the comparison by checking how similar and different your subjects are. Some may think focusing on the resemblances is more critical, while others find contrasts more exciting. Both these viewpoints are valid, but the best approach is to find the right balance depending on your study’s goal.
• Provide Redescription Unlike previous steps, this one is optional. It involves looking at something for the second time after conducting the comparison. The point is that you might learn new things about your subjects during your study. They may even help shed light on each other (it’s called “ reciprocal illumination .”) This knowledge will likely deepen your understanding or even change it altogether. It’s a good idea to point it out in your comparative case study dissertation.
• Consider Rectification and Theory Formation These two processes are also optional. They involve upgrading your writing and theories after conducting your research. This doesn’t mean changing the topic of you study. Instead, it refers to changing how you think about your subjects. For example, you may gain some new understanding and realize that you weren’t using the right words to properly describe your subjects. That’s when rectification comes into play. Essentially, you revise the language used in your discussion to make it more precise and appropriate. This new perspective may even inspire you to come up with a new theory about your topic! In that case, you may write about it, too. Usually, though, rectification is enough. If you decide to do it, feel free to use our paraphrasing tool to help you find the right words.
• Edit and Proofread After you’re done writing the bulk of your text, it’s essential to check it and ensure it passes the plagiarism check. After all, even if you haven’t directly copied other people’s texts, there may still be some percentage of accidental plagiarism that can get you in trouble. To ensure that it doesn’t happen, use our free plagiarism detector .

And this is how you write a comparative analysis dissertation! We hope our tips will be helpful to you. Read our next article if you need help with a  literature review in a dissertation . Good luck with your studies!

Related Posts

Dissertation en francais: a mere dissertation in french.

Thesis Committee Members: Choosing the Right People

A thesis acknowledgement page: i want to thank…, a dissertation cartoon or a dissertation on cartoons, market penetration strategy dissertations: free writing strategies for you.

Department of Comparative Literature

You are here, recent dissertations in comparative literature.

Dissertations in Comparative Literature have taken on vast number of topics and ranged across various languages, literatures, historical periods and theoretical perspectives. The department seeks to help each student craft a unique project and find the resources across the university to support and enrich her chosen field of study. The excellence of student dissertations has been recognized by several prizes, both within Yale and by the American Comparative Literature Association.

2012 – Present

Scholars' Bank

Comparative literature theses and dissertations.

• By Issue Date

Search within this collection:

Recent Submissions

• Hydropoetics: Myth, Reality, and Literature in the Eastern Nile Basin  Endalew, Yewulsew ( University of Oregon , 2024-01-09 ) How do literary and folkloric traditions of the Nile inform the region’s water politics? My dissertation answers this question by analyzing poetry and songs from Ethiopia, Sudan, and Egypt—three of the five countries of ...
• 'Here is the Story': Weaving Kinship in Hemispheric American Literatures  Sturgis O'Coyne, Laurel ( University of Oregon , 2024-01-09 ) Well into the late-twentieth century, monolingualism persists as an organizing principle for national community even as the intrinsic multilingualism of the Americas nourishes interconnected histories and political ...
• Experiments with China in American Modernity  Lester, Jason ( University of Oregon , 2024-01-09 ) Experiments with China in American Modernity explores formulations of China within America’s early and interwar modernist period. I propose the concept of “transpacific experimentalism” to identify an emergent, sustained ...
• Authors and the Meta-Literary: The Politics of Publication in Contemporary Francophone Literature  Lejeune, Nadège ( University of Oregon , 2024-01-09 ) Literature written in the French language has often been divided into a hierarchical dichotomy valuing French literature (written by metropolitan French authors) over Francophone literature (other writers writing in French). ...
• Utopian Relationality: Intercorporeal Subjectivity in French Feminist Fiction  Okumu, Robin ( University of Oregon , 2022-10-04 ) Feminist fiction has always entertained a delicate relationship with the utopian literary genre since the traditional definition of “utopia” as a perfect but imaginary place runs contrary to feminist struggle for concrete ...
• Repetition Beyond Representation: Media, History and Event in Iran, 1951-1990  Nadalizadeh, Ahmad ( University of Oregon , 2021-11-23 ) My dissertation draws together postcolonial theory, film and visual studies, and questions of aesthetics and politics in the modern Middle East. Looking closely at Iran in the latter half of the 20th century, I explore ...
• Truth Disguised as Lies: How Aesop's Life Shaped Russian Aesopian Literature (1884-1984)  Larson, K. ( University of Oregon , 2021-11-23 ) My dissertation examines the origins of so-called “Aesopian,” or covertly subversive, narratives. While scholars have focused on fables as prototypes for these narratives, my project addresses the role played by the Vita ...
• Borders of the Global Anglophone: Locality, Language, and Feminist Futures in Namibian Literature  Ndakalako, Martha ( University of Oregon , 2021-11-23 ) Borders of the Global Anglophone considers the radical possibilities of three post-independence Anglophone literary works by Black Namibian women—at the intersection of debates in global Anglophone literature, African ...
• Paris by Way of the Moon: Translations of French Popular Fiction in Late-Qing China (1899-1912)  Moore, Robert ( University of Oregon , 2021-09-13 ) During the final years of the Qing dynasty, works from outside of China were finding greater and greater popularity among Chinese readers, due in large part to the fact that translators altered them significantly. I confront ...
• Before the World: Kaga No Chiyo & the Rustic-feminine Margins of Japanese Haiku  Crowson, Michelle ( University of Oregon , 2021-04-29 ) This dissertation tracks the transformation of the merchant-class female poet, Kaga no Chiyo, from a minor supplementary position as a collected feminine object to an interlocutor and exemplar of post-Bashō poetics in ...
• The Singing Bone: Collective Creativity & the Creation of a Queer Imaginary  Howard, Elizabeth ( University of Oregon , 2021-04-27 ) This dissertation examines how oral folklore and supernatural elements open to view queer ways of imagining in works by French writer Marie-Catherine d’Aulnoy (1650-1705), Scottish poet James Macpherson (1736-1796), and ...
• The Language Zone: Joseph Brodsky and the Making of a Bilingual Poet  Smirnova, Daria ( University of Oregon , 2020-12-08 ) My dissertation unites several aspects of Joseph Brodsky’s writing under the arc of his development as a bilingual and transnational writer. I make the case that Brodsky’s poetic sensibility was originally transnational, ...
• Transnational Peripheries: Narratives of Countryside, Migration, and Community in American and Nordic Modernisms  Pöllänen, Iida ( University of Oregon , 2020-09-24 ) Scholarship in modernist literary and cultural studies tends to privilege urban spaces while excluding rural regions from mappings of world literature. Regional writing has been both effeminized as a genre and seen as ...
• Critical Climates: Sturm und Drang and the Radical Poetics of Nature  Baumeister, Anna-Lisa ( University of Oregon , 2020-09-24 ) The dissertation develops a new reading of the status of nature in the Sturm und Drang period of the 1770s, in texts by authors ranging from the early Goethe, Schiller, and Herder, to J.M.R. Lenz, Friedrich Müller, and ...
• Ruling Aesthetics: Intermediality, Media Modernity and Early Thai Cinema (1868-1942)  Chunsaengchan, Palita ( University of Oregon , 2020-09-24 ) My dissertation investigates the unexplored connections among cinema, prose and poetry in Thai history, extending from the period of the reign of King Chulalongkorn (1868-1910) through the decade following the Siamese ...
• The Cross-Currents of Exilic Storytelling: Multilingual Memory and the Maritime Shift  Reid-Olds, Tera ( University of Oregon , 2020-09-24 ) This dissertation examines the discursive practices of multilingual communities in the novels of seven contemporary women writers: Marie-Célie Agnant, Gabriella Ghermandi, Gisèle Pineau, Erminia dell’Oro, Assia Djebar, ...
• Speaking After Silence: Presidential Rhetoric in the Wake of Catastrophe  Myers, Bess ( University of Oregon , 2019-09-18 ) This dissertation examines eulogies President Barack Obama delivered after instances of human-perpetrated catastrophe: violent events so cataclysmic that they rendered the rhetorical arena unsafe and thus impeded productive ...
• The Melodramatics of Turkish Modernity: Vurun Kahpeye [Strike the Slut] and its Cinematic Afterlife  Germen, Baran ( University of Oregon , 2019-01-11 ) Proposing melodrama as an aesthetics of victimhood, my dissertation examines the intermedial itineraries of notable feminist Halide Edib’s Vurun Kahpeye [Strike the Slut]. Originally serialized in 1923 and published as a ...
• Herbs and Beauty: Gendered Poethood and Translated Affect in Late Imperial and Modern China  Xiong, Ying ( University of Oregon , 2018-09-06 ) My dissertation is a comparative analysis of the juncture at which Chinese poetry became “modern.” The catalyst for this development was the early twentieth-century translation into Chinese of the European Romantics, which ...
• “Princely Feminine Graces”: Virtue and Power in Early Modern English and Spanish Literature  Eccleston, Rachel ( University of Oregon , 2018-04-10 ) This project analyzes the intersections between representations of female sovereignty used to promote and rethink feminine virtue in both early modern English and Spanish advice literature and literary texts published in ...

View more submissions

Search Scholars' Bank

All of scholars' bank, this collection.

• Adkins, Roger A., 1973- (1)
• Baumeister, Anna-Lisa (1)
• Bhattacharya, Sunayani (1)
• Chang, Jeong (1)
• Chunsaengchan, Palita (1)
• Cornwall, Amanda (1)
• Crowson, Michelle (1)
• Da Silva, Meyre (1)
• Eccleston, Rachel (1)
• Endalew, Yewulsew (1)
• ... View More
• Modernism (4)
• Comparative literature (3)
• American literature (2)
• Feminism (2)
• Film studies (2)
• Folklore (2)
• Globalization (2)
• Language, literature and linguistics (2)
• Melodrama (2)
• Modern literature (2)

Date Issued

• 2020 - 2024 (16)
• 2010 - 2019 (21)
• 2008 - 2009 (2)

Has File(s)

• Most Popular Items
• Statistics by Country
• Most Popular Authors

Recent PhD Dissertations

Of Unsound Mind: Madness and Mental Health in Asian American Literature

Carrie Geng

Cultural Capitals: Postwar Yiddish between Warsaw and Buenos Aires

Rachelle Grossman

Counter-Republics of Letters: Politics, Publishing, and the Global Novel

Elisa Sotgiu

‘Through the Looking Glass’: The Narrative Performance of Anarkali Aisha Dad

Indeterminate “Greekness”: A Diasporic and Transnational Poetics Ilana Freedman

Imagined Mothers: The Construction of Italy, Ancient Greece, and Anglo-American Hegemony Francesca Bellei

The Untimely Avant-Garde: Literature, Politics, and Transculturation in the Sinosphere (1909-2020) Fangdai Chen

Recovering the Language of Lament: Modernism, Catastrophe, and Exile Sarah Corrigan

Beyond Diaspora:The Off Home in Jewish Literature from Latin America and Israel Lana Jaffe Neufeld

Artificial Humanities: A Literary Perspective on Creating and Enhancing Humans from Pygmalion to Cyborgs Nina Begus

Music and Exile in Twentieth-Century German, Italian, and Polish Literature Cecily Cai

We Speak Violence: How Narrative Denies the Everyday Rachael Duarte Riascos

Anticlimax: The Multilingual Novel at the Turn of the 21st Century Matylda Figlerowicz

Forgetting to Remember: An Approach to Proust’s Recherche Lara Roizen

The Event of Literature:An Interval in a World of Violence Petra Taylor

The English Baroque:The Logic of Excess in Early Modern Literature Hudson Vincent

Porte Planète; Ville Canale –parisian knobs /visually/ turned to \textual\ currents Emma Zofia Zachurski

‘…not a poet but a poem’: A Lacanian study of the subject of the poem Marina Connelly The Tune That Can No Longer Be Recognized: Late Medieval Chinese Poetry and Its Affective Others Jasmine Hu The Invention of the Art Film: Authorship and French Cultural Policy Joseph Pomp Apocalypticism in the Arabic Novel William Tamplin The Sound of Prose: Rhythm, Translation, Orality Thomas Wisniewski

The New Austerity in Syrian Poetry Daniel Behar

Mourning the Living: Africa and the Elegy on Screen Molly Klaisner

Art Beyond the Norms: Art of the Insane, Art Brut, and the Avant-Garde from Prinzhorn to Dubuffet (1922-1949) Raphael Koenig

Words, Images and the Self: Iconoclasm in Late Medieval English Literature Yun Ni

Europe and the Cultural Politics of Mediterranean Migrations Argyro Nicolaou

Voice of Power, Voice of Terror: Lyric, Violence, and the Greek Revolution Simos Zenios

Every Step a New Movement: Anarchism in the Stalin-Era Literature of the Absurd and its Post-Soviet Adaptations Ania Aizman

Kino-Eye, Kino-Bayonet: Avant-Garde Documentary in Japan, France, and the USSR Julia Alekseyeva

Ambient Meaning: Mood, Vibe, System Peli Grietzer

Year of the Titan: Percy Bysshe Shelley and Ancient Poetry Benjamin Sudarsky

Metropolitan Morning: Loss, Affect, and Metaphysics in Buenos Aires, 1920-1940 Juan Torbidoni

Sophisticated Players: Adults Writing as Children in the Stalin Era and Beyond Luisa Zaitseva

Collecting as Cultural Technique: Materialistic Interventions into History in 20th Century China Guangchen Chen

Pathways of Transculturation: Chinese Cultural Encounters with Russia and Japan (1880-1930) Xiaolu Ma

Beyond the Formal Law: Making Cases in Roman Controversiae and Tang Literary Judgments Tony Qian

Alternative Diplomacies: Writing in Early Twentieth-Century Shanghai, Istanbul, and Beyond? Alice Xiang

The Literary Territorialization of Manchuria: Rethinking National and Transnational Literature in East Asia from the Frontier Miya Qiong Xie World Literature and the Chinese Compass, 1942-2012 Yanping Zhang

Anatomy of ‘Decadence’ Henry Bowles

Medicine As Storytelling: Emplotment Strategies in Doctor-Patient Encounters and Beyond (1870-1830) Elena Fratto

Platonic Footnotes: Figures of Asymmetry in Ancient Greek Thought Katie Deutsch

Children’s Literature Grows Up Christina Phillips Mattson

Humor as Epiphanic Awareness and Attempted Self-Transcendence Curtis Shonkwiler

Ethnicity, Ethnogenesis and Ancestry in the Early Iron Age Aegean as Background to and through the Lens of the Iliad Guy Smoot

The Modern Stage of Capitalism: The Drama of Markets and Money (1870-1930) Alisa Sniderman

Repenting Roguery: Penance in the Spanish Picaresque Novel and the Arabic and Hebrew Maqāma Emmanuel Ramírez Nieves

The “Poetics of Diagram” John Kim

Dreaming Empire: European Writers in the Fascist Era Robert Kohen

The Poetics of Love in Prosimetra across the Medieval Mediterranean Isabelle Levy

Renaissance Error: Digression from Ariosto to Milton Luke Taylor

The New Voyager: Theory and Practice of South Asian Literary Modernisms Rita Banerjee

Be an Outlaw, Be a Hero: Cinematic Figures of Urban Banditry and Transgression in Brazil, France, and the Maghreb Maryam Monalisa Gharavi

Bāgh-e Bi-Bargi: Aspects of Time and Presence in the Poetry of Mehdi Akhavān Sāles Marie Huber

Freund-schaft: Capturing Aura in an Unframed Literary Exchange Clara Masnatta

Class, Gender and Indigeneity as Counter-discourses in the African Novel: Achebe, Ngugi, Emecheta, Sow Fall and Ali Fatin Abbas

The Empire of Chance: War, Literature, and the Epistemic Order of Modernity Anders Engberg-Pedersen

Poetics of the unfinished: illuminating Paul Celan’s “Eingedunkelt” Thomas Connolly

Towards a Media History of Writing in Ancient Italy Stephanie Frampton Character Before the Novel: Representing Moral Identity in the Age of Shakespeare Jamey Graham

Transforming Trauma: Memory and Slavery in Black Atlantic Literature since 1830 Raquel Kennon

Renaissance Romance: Rewarding the Boundaries of Fiction Christine S. Lee

Psychomotor Aesthetics: Conceptions of Gesture and Affect in Russian and American Modernity, 1910s-1920s Ana Olenina

Melancholy, Ambivalence, Exhaustion: Responses to National Trauma in the Literature and Film of France and China Erin Schlumpf

The Poetics of Human-Computer Interaction Dennis Tenen

Novelizing the Muslim Wars of Conquest: The Christian Pioneers of the Arabic Historical Novel Luke Leafgren

Secret Lives of the City: Reimagining the Urban Margins in 20th-Century Literature and Theory, from Surrealism to Iain Sinclair Jennifer Hui Bon Hoa

Archaic Greek Memory and Its Role in Homer Anita Nikkanen

Deception Narratives and the (Dis)Pleasure of Being Cheated: The Cases of Gogol, Nabokov, Mamet, and Flannery O’Connor Svetlana Rukhelman

Aesthetic Constructs and the Work of Play in 20th Century Latin American and Russian Literature Natalya Sukhonos

Stone, Steel, Glass: Constructions of Time in European Modernity Christina Svendsen

See here for a full list of dissertations since 1904 .

Founded as a graduate program in 1904 and joining with the undergraduate Literature Concentration in 2007, Harvard’s Department of Comparative Literature operates at the crossroads of multilingualism, literary study, and media history.

© 2023 President and Fellows of Harvard College

Sign up to receive news and information about upcoming events, exhibitions, and more

Congratulations to our recent PhD Graduates!

Congratulations to mai nguyen ’24: 2023–2024 bowdoin undergraduate prize winner.

• Accessibility
• Digital Accessibility
• Report Copyright Infringement
• Institute for World Literature
• CompLit Intranet (Protected)

• Honors Theses - Examples

1.   A Carne e a Navalha :  Self-Reflective Representation of Marginalized Characters in Brazilian Narrative by Clarice Lispector, Eduardo Coutinho, and Racionias MCs by Corina Ahlswede, 2018

2.   The Travel of Clear Waters: A Case Study on the Afterlife of a Poem by Kaiyu Xu, 2019

3.   Examining Blurring: An Anti-anthropocentric Comparative Study of European Vampirism and Shuten Dōji by Yisheng Tang, 2018

4.  The Revolutionary Potential of Mythology  by Zachary Morgan, 2017

5.  “Use your authority!”: Pedagogy in William Shakespeare’s The Tempest by Wesley Boyko, 2018

6.  Train of Thought by Yana Zlochistaya, 2017

7.   “Between here and there”:  Assertion of the Poetic Voice in the Poetry of Rita Bouvier and Marilyn Dumont by Molly Kearnan, 2020

8.  Unveiling the Invaluable:  Female Voices, Affective Labor, and Play in Reḵẖtī Poetry by Elizabeth Gobbo, 2020

9.  The Prospect Garden of Forking Paths: Reading Jorge Luis Borges’s Fiction through Cao Xueqin’s Honglou meng and Buddhism by Jenny Chen, 2023

10.  La Politisation du Féminisme Littéraire et de la Différence Sexuelle chez Woolf et Cixous by Samantha Bonadio, 2023

11.  AENEAS’ EMPIRE AND CÉSAIRE’S EVASION: BLACK POETICS AS REFUSAL AND REDACTION IN CAHIER D’UN RETOUR AU PAYS NATAL   by des jackson, 2023

• Undergraduate Program
• Program Requirements
• Study Abroad
• Transfer Students
• Comp Lit Undergraduate Journal
• Annual Research Symposium
• Why I Majored in Comp Lit
• Undergrad Peer Representatives
• Commencement

ScholarWorks@UMass Amherst

Home > HFA > LLC > COMPLIT > COMPLIT_THESES

Comparative Literature Masters Theses Collection

Theses from 2023 2023.

ANTIFASCIST AUTOBIOGRAPHICAL WRITING BY THREE SOUTHERN EUROPEAN WOMEN WRITERS: NATÁLIA CORREIA, CONCHA ZARDOYA, AND LUDOVICA RIPA DI MEANA , Jessica R. Beasley, Comparative Literature

Languages of Exile in the Poetry of Aria Aber and Solmaz Sharif , Malavika Mujumdar, Comparative Literature

The Diaries of Käthe Kollwitz: 1916-1917 , Carolyn Provine, Comparative Literature

Translating Gender and Sexuality in The Awakening by Kate Chopin , Xiaobo Zhang, Comparative Literature

Theses from 2022 2022

Translating Calvino’s Dialectical Style , Ken W. Scriboni Jr, Comparative Literature

Theses from 2020 2020

A Translation of Dominik Nagl’s Grenzfälle with an Introductory Analysis of the Translation Process , Joseph Keady, Comparative Literature

Translating Anxiety in the Poetry of Maya Abu al-Hayyat , Julianne Zala, Comparative Literature

Theses from 2019 2019

The Man Who Had It All but Her: The Construction and Destruction of the Macho Image in Four Mexican Novels , Adriana Marmolejo Soto, Comparative Literature

'Choose a Language Like a Wedding Ring': Polysystems, Norms and Pseudotranslation in Lea Goldberg’s Poetry & Prose , Benjamin Rangell, Comparative Literature

A Translation of Vera Gherarducci’s Giorno Unico , Arianna Valocchi, Comparative Literature

Theses from 2018 2018

Translating Arab Cuisine into English: 101 Recipes , Paiman Salih, Comparative Literature

Theses from 2017 2017

Rewriting the Twentieth-century French Literary Right: Translation, Ideology, and Literary History , Marcus Khoury, Comparative Literature

Women On Trial: Translating Femininity Through Journalism , William B. Ollayos, Comparative Literature

Theses from 2016 2016

Colonialism, Education, and Gabon: an Examination of the Self-translation of Gabonese Citizens in Their Post-colonial Space Through Education and Language , Moussavou F. Batsielilit, Comparative Literature

Vielleicht hier, um zu sagen: Bildung and Elegy in the Duineser Elegien, Du côté de chez Swann, and Misérable miracle , Emily Heilker, Comparative Literature

Collaborative Approaches to Translation in Social Change Movements , Jocelyn D. Langer, Comparative Literature

Reimagining and Rewriting the Guantánamo Bay Detainee Library: Translation, Ideology, and Power , Muira N. McCammon, Comparative Literature

Songs of Ishq, Freedom and Rebellion: Selected Kafis of Bulleh Shah in Translation , Zainab Sattar, Comparative Literature

Re-envisioning a Discipline: Martin Wickramasinghe’s Contribution to Comparative Literature , Chamila Somirathna, Comparative Literature

Theses from 2015 2015

Translating Travel in the Spanish Sahara: English Versions of Sanmao's Stories of the Sahara , Ying Xu, Comparative Literature

Theses from 2013 2013

Rethinking Intersemiotic Translation through Cross-Media Adaptation in the Works of Joss Whedon , Liz Medendorp, Comparative Literature

A Translation of the Introduction and Part Iii of Free Jazz/ Black Power , Joshua Owsley, Comparative Literature

Towards a Neopragmatist Understanding of Translation: A Cross-Disciplinary and Cross-Medial Survey , Steffani Scheer, Comparative Literature

Theses from 2012 2012

A Translation of Shusaku Endo's Menamugawa no Nihonjin , Rio Hernandez, Comparative Literature

A Translation of Yun-T'aek Yi's Faust in Blue Jeans , Yonjoo Hong, Comparative Literature

Theses from 2010 2010

Un pie aquí y otro allá: Translation, Globalization, and Hybridization in the New World (B)Order , Jorge Jimenez-bellver, Comparative Literature

Theses from 2009 2009

A Translation from English to Spanish of Selected Chapters from Dionne Brand's What We All Long For , Lucia I. Prada-Gonzalez, Comparative Literature

On Becoming Virginia: The Story of a Man Who Crashed a Woman's Body: A Translation of Alejandro Tapia y Rivera's Postumo el envirginiado [1882] , Aaron M. M. Suko, Comparative Literature

Theses from 2008 2008

Euripides' Bakkhai and the Colonization of Sophrosune: A Translation with Commentary , Shannon K. Farley, Comparative Literature

On Becoming in Translation: Articulating Feminisms in the Translation of Marie Vieux-Chauvet's Les Rapaces , Carolyn P T Shread, Comparative Literature

Theses from 2007 2007

Queering Translation Studies , Cristiano A. Mazzei, Comparative Literature

Translation, Culture, And Censorship In Saudi Arabia (1988-2006) And Iraq (1979-2005) , Huda A. Yehia, Comparative Literature

Theses from 2006 2006

INTERPRETING IN A DIFFERENT LEGAL CULTURE: A STUDY OF CHINESE INTERPRETERS AT ANGEL ISLAND STATION (1910-1940) , Ting Guo, Comparative Literature

Advanced Search

• Notify me via email or RSS
• Collections
• Disciplines

Author Corner

• Login for Faculty Authors
• Faculty Author Gallery
• Expert Gallery
• University Libraries
• Comparative Literature Website
• UMass Amherst

This page is sponsored by the University Libraries.

© 2009 University of Massachusetts Amherst • Site Policies

Privacy Copyright

• Writing Home
• Writing Advice Home

The Comparative Essay

• Printable PDF Version
• Fair-Use Policy

What is a comparative essay?

A comparative essay asks that you compare at least two (possibly more) items. These items will differ depending on the assignment. You might be asked to compare

• positions on an issue (e.g., responses to midwifery in Canada and the United States)
• theories (e.g., capitalism and communism)
• figures (e.g., GDP in the United States and Britain)
• texts (e.g., Shakespeare’s Hamlet and Macbeth )
• events (e.g., the Great Depression and the global financial crisis of 2008–9)

Although the assignment may say “compare,” the assumption is that you will consider both the similarities and differences; in other words, you will compare and contrast.

Make sure you know the basis for comparison

The assignment sheet may say exactly what you need to compare, or it may ask you to come up with a basis for comparison yourself.

• Provided by the essay question: The essay question may ask that you consider the figure of the gentleman in Charles Dickens’s Great Expectations and Anne Brontë’s The Tenant of Wildfell Hall . The basis for comparison will be the figure of the gentleman.
• Developed by you: The question may simply ask that you compare the two novels. If so, you will need to develop a basis for comparison, that is, a theme, concern, or device common to both works from which you can draw similarities and differences.

Develop a list of similarities and differences

Once you know your basis for comparison, think critically about the similarities and differences between the items you are comparing, and compile a list of them.

For example, you might decide that in Great Expectations , being a true gentleman is not a matter of manners or position but morality, whereas in The Tenant of Wildfell Hall , being a true gentleman is not about luxury and self-indulgence but hard work and productivity.

The list you have generated is not yet your outline for the essay, but it should provide you with enough similarities and differences to construct an initial plan.

Develop a thesis based on the relative weight of similarities and differences

Once you have listed similarities and differences, decide whether the similarities on the whole outweigh the differences or vice versa. Create a thesis statement that reflects their relative weights. A more complex thesis will usually include both similarities and differences. Here are examples of the two main cases:

While Callaghan’s “All the Years of Her Life” and Mistry’s “Of White Hairs and Cricket” both follow the conventions of the coming-of-age narrative, Callaghan’s story adheres more closely to these conventions by allowing its central protagonist to mature. In Mistry’s story, by contrast, no real growth occurs.

Although Darwin and Lamarck came to different conclusions about whether acquired traits can be inherited, they shared the key distinction of recognizing that species evolve over time.

Come up with a structure for your essay

Note that the French and Russian revolutions (A and B) may be dissimilar rather than similar in the way they affected innovation in any of the three areas of technology, military strategy, and administration. To use the alternating method, you just need to have something noteworthy to say about both A and B in each area. Finally, you may certainly include more than three pairs of alternating points: allow the subject matter to determine the number of points you choose to develop in the body of your essay.

When do I use the block method? The block method is particularly useful in the following cases:

• You are unable to find points about A and B that are closely related to each other.
• Your ideas about B build upon or extend your ideas about A.
• You are comparing three or more subjects as opposed to the traditional two.

Want to create or adapt books like this? Learn more about how Pressbooks supports open publishing practices.

34 Comparative Summary

A Comparative Summary compares two or more works objectively and should:

• include a solid, descriptive title • identify common issues discussed • provide rigorous yet succinct summary of each work • exhibit a balanced discussion of each work • clearly identify of similarities and differences • clearly examine the root of disagreements (differences in argumentation, concepts defined, etc.) • utilize effective transitions throughout

Comparative Summary Sample

Writing That Works Copyright © 2021 by The Writing Center at The University of Baltimore is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

Share This Book

• Study and research support
• Academic skills

Dissertation examples

Listed below are some of the best examples of research projects and dissertations from undergraduate and taught postgraduate students at the University of Leeds We have not been able to gather examples from all schools. The module requirements for research projects may have changed since these examples were written. Refer to your module guidelines to make sure that you address all of the current assessment criteria. Some of the examples below are only available to access on campus.

• Undergraduate examples
• Taught Masters examples

Comparative Essay

How to Write a Comparative Essay – A Complete Guide

10 min read

People also read

Learn How to Write an Editorial on Any Topic

Best Tips on How to Avoid Plagiarism

How to Write a Movie Review - Guide & Examples

A Complete Guide on How to Write a Summary for Students

Write Opinion Essay Like a Pro: A Detailed Guide

Evaluation Essay - Definition, Examples, and Writing Tips

How to Write a Thematic Statement - Tips & Examples

How to Write a Bio - Quick Tips, Structure & Examples

How to Write a Synopsis – A Simple Format & Guide

Visual Analysis Essay - A Writing Guide with Format & Sample

List of Common Social Issues Around the World

Writing Character Analysis - Outline, Steps, and Examples

11 Common Types of Plagiarism Explained Through Examples

Article Review Writing: A Complete Step-by-Step Guide with Examples

A Detailed Guide on How to Write a Poem Step by Step

Detailed Guide on Appendix Writing: With Tips and Examples

Comparative essay is a common assignment for school and college students. Many students are not aware of the complexities of crafting a strong comparative essay. 

If you too are struggling with this, don't worry!

In this blog, you will get a complete writing guide for comparative essay writing. From structuring formats to creative topics, this guide has it all.

So, keep reading!

• 1. What is a Comparative Essay?
• 2. Comparative Essay Structure
• 3. How to Start a Comparative Essay?
• 4. How to Write a Comparative Essay?
• 5. Comparative Essay Examples
• 6. Comparative Essay Topics
• 7. Tips for Writing A Good Comparative Essay
• 8. Transition Words For Comparative Essays

What is a Comparative Essay?

A comparative essay is a type of essay in which an essay writer compares at least two or more items. The author compares two subjects with the same relation in terms of similarities and differences depending on the assignment.

The main purpose of the comparative essay is to:

• Highlight the similarities and differences in a systematic manner.
• Provide great clarity of the subject to the readers.
• Analyze two things and describe their advantages and drawbacks.

A comparative essay is also known as compare and contrast essay or a comparison essay. It analyzes two subjects by either comparing them, contrasting them, or both. The Venn diagram is the best tool for writing a paper about the comparison between two subjects.  

Moreover, a comparative analysis essay discusses the similarities and differences of themes, items, events, views, places, concepts, etc. For example, you can compare two different novels (e.g., The Adventures of Huckleberry Finn and The Red Badge of Courage).

However, a comparative essay is not limited to specific topics. It covers almost every topic or subject with some relation.

Comparative Essay Structure

A good comparative essay is based on how well you structure your essay. It helps the reader to understand your essay better. 

The structure is more important than what you write. This is because it is necessary to organize your essay so that the reader can easily go through the comparisons made in an essay.

The following are the two main methods in which you can organize your comparative essay.

Point-by-Point Method 

The point-by-point or alternating method provides a detailed overview of the items that you are comparing. In this method, organize items in terms of similarities and differences.

This method makes the writing phase easy for the writer to handle two completely different essay subjects. It is highly recommended where some depth and detail are required.

Below given is the structure of the point-by-point method. 

Block Method 

The block method is the easiest as compared to the point-by-point method. In this method, you divide the information in terms of parameters. It means that the first paragraph compares the first subject and all their items, then the second one compares the second, and so on.

However, make sure that you write the subject in the same order. This method is best for lengthy essays and complicated subjects.

Here is the structure of the block method. 

Therefore, keep these methods in mind and choose the one according to the chosen subject.

Mixed Paragraphs Method

In this method, one paragraph explains one aspect of the subject. As a writer, you will handle one point at a time and one by one. This method is quite beneficial as it allows you to give equal weightage to each subject and help the readers identify the point of comparison easily.

How to Start a Comparative Essay?

Here, we have gathered some steps that you should follow to start a well-written comparative essay.  

Choose a Topic

The foremost step in writing a comparative essay is to choose a suitable topic.

Choose a topic or theme that is interesting to write about and appeals to the reader. 

An interesting essay topic motivates the reader to know about the subject. Also, try to avoid complicated topics for your comparative essay. 

Develop a List of Similarities and Differences 

Create a list of similarities and differences between two subjects that you want to include in the essay. Moreover, this list helps you decide the basis of your comparison by constructing your initial plan. 

Evaluate the list and establish your argument and thesis statement .

Establish the Basis for Comparison 

The basis for comparison is the ground for you to compare the subjects. In most cases, it is assigned to you, so check your assignment or prompt.

Furthermore, the main goal of the comparison essay is to inform the reader of something interesting. It means that your subject must be unique to make your argument interesting.  

Do the Research 

In this step, you have to gather information for your subject. If your comparative essay is about social issues, historical events, or science-related topics, you must do in-depth research.    

However, make sure that you gather data from credible sources and cite them properly in the essay.

Create an Outline

An essay outline serves as a roadmap for your essay, organizing key elements into a structured format.

With your topic, list of comparisons, basis for comparison, and research in hand, the next step is to create a comprehensive outline. 

Here is a standard comparative essay outline:

How to Write a Comparative Essay?

Now that you have the basic information organized in an outline, you can get started on the writing process. 

Here are the essential parts of a comparative essay: 

Comparative Essay Introduction 

Start off by grabbing your reader's attention in the introduction . Use something catchy, like a quote, question, or interesting fact about your subjects. 

Then, give a quick background so your reader knows what's going on. 

The most important part is your thesis statement, where you state the main argument , the basis for comparison, and why the comparison is significant.

This is what a typical thesis statement for a comparative essay looks like:

Comparative Essay Body Paragraphs 

The body paragraphs are where you really get into the details of your subjects. Each paragraph should focus on one thing you're comparing.

Start by talking about the first point of comparison. Then, go on to the next points. Make sure to talk about two to three differences to give a good picture.

After that, switch gears and talk about the things they have in common. Just like you discussed three differences, try to cover three similarities. 

This way, your essay stays balanced and fair. This approach helps your reader understand both the ways your subjects are different and the ways they are similar. Keep it simple and clear for a strong essay.

Comparative Essay Conclusion

In your conclusion , bring together the key insights from your analysis to create a strong and impactful closing.

Consider the broader context or implications of the subjects' differences and similarities. What do these insights reveal about the broader themes or ideas you're exploring?

Discuss the broader implications of these findings and restate your thesis. Avoid introducing new information and end with a thought-provoking statement that leaves a lasting impression.

Below is the detailed comparative essay template format for you to understand better.

Comparative Essay Format

Comparative Essay Examples

Have a look at these comparative essay examples pdf to get an idea of the perfect essay.

Comparative Essay on Summer and Winter

Comparative Essay on Books vs. Movies

Comparative Essay Sample

Comparative Essay Thesis Example

Comparative Essay on Football vs Cricket

Comparative Essay on Pet and Wild Animals

Comparative Essay Topics

Comparative essay topics are not very difficult or complex. Check this list of essay topics and pick the one that you want to write about.

• How do education and employment compare?
• Living in a big city or staying in a village.
• The school principal or college dean.
• New Year vs. Christmas celebration.
• Dried Fruit vs. Fresh. Which is better?
• Similarities between philosophy and religion.
• British colonization and Spanish colonization.
• Nuclear power for peace or war?
• Bacteria or viruses.
• Fast food vs. homemade food.

Tips for Writing A Good Comparative Essay

Writing a compelling comparative essay requires thoughtful consideration and strategic planning. Here are some valuable tips to enhance the quality of your comparative essay:

• Clearly define what you're comparing, like themes or characters.
• Plan your essay structure using methods like point-by-point or block paragraphs.
• Craft an introduction that introduces subjects and states your purpose.
• Ensure an equal discussion of both similarities and differences.
• Use linking words for seamless transitions between paragraphs.
• Gather credible information for depth and authenticity.
• Use clear and simple language, avoiding unnecessary jargon.
• Dedicate each paragraph to a specific point of comparison.
• Summarize key points, restate the thesis, and emphasize significance.
• Thoroughly check for clarity, coherence, and correct any errors.

Transition Words For Comparative Essays

Transition words are crucial for guiding your reader through the comparative analysis. They help establish connections between ideas and ensure a smooth flow in your essay. 

Here are some transition words and phrases to improve the flow of your comparative essay:

Transition Words for Similarities

• Correspondingly
• In the same vein
• In like manner
• In a similar fashion
• In tandem with

Transition Words for Differences

• On the contrary
• In contrast
• Nevertheless
• In spite of
• Notwithstanding
• On the flip side
• In contradistinction

Check out this blog listing more transition words that you can use to enhance your essay’s coherence!

In conclusion, now that you have the important steps and helpful tips to write a good comparative essay, you can start working on your own essay. 

However, if you find it tough to begin, you can always hire our college paper writing service .

Our skilled writers can handle any type of essay or assignment you need. So, don't wait—place your order now and make your academic journey easier!

Frequently Asked Question

How long is a comparative essay.

A comparative essay is 4-5 pages long, but it depends on your chosen idea and topic.

How do you end a comparative essay?

Here are some tips that will help you to end the comparative essay.

• Restate the thesis statement
• Wrap up the entire essay
• Highlight the main points

Write Essay Within 60 Seconds!

Dr. Barbara is a highly experienced writer and author who holds a Ph.D. degree in public health from an Ivy League school. She has worked in the medical field for many years, conducting extensive research on various health topics. Her writing has been featured in several top-tier publications.

Paper Due? Why Suffer? That’s our Job!

Keep reading