film analysis movie review

What is a Film Review — Definition, Examples & Top Critics

I n cinema, film reviews hold a significant place, serving as a bridge between the film industry and viewers. They provide an analytical perspective that helps audiences decide what to watch and understand the nuances of a film. In this article, we will delve into the definition of a film review, its critical components, and shed light on some iconic film review writers who have significantly shaped the field.

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What is Film Review in Cinema?

First, let’s define film review.

Film reviews hold a unique place in cinema acting as both promotional tools and critical analysis pieces. With the rise of platforms like Letterboxd and Rotten Tomatoes, they are becoming more relevant in the cinematic landscape.

FILM REVIEW DEFINITION

What is a film review.

A film review is a type of critique that provides an evaluation of a film, encompassing various aspects such as the plot, themes, direction, script, and performances. Originating in the early 20th century with the advent of cinema, film reviews have evolved from mere opinion pieces in newspapers to a significant form of journalistic writing. The primary purpose of a film review is to inform the reader about the film and offer an informed opinion about its various elements. It serves as a guide for viewers, helping them decide whether the film is worth their time and money.

Criteria for Movie Review:

Overview of the film, analysis of the plot and themes, evaluation of the script, direction, and acting, personal opinion and rating, movie review format, components of a good film review.

Film reviews are a blend of various vital components, each contributing to a comprehensive analysis. From evaluating performances and storytelling to dissecting technical aspects, a well-rounded review provides a holistic perspective. By examining these elements of a movie review format we can gain a deeper understanding of the film's impact and appreciate its artistic merit.

This includes a brief synopsis that sets the context without revealing any spoilers . The overview should pique the reader's interest and give them a sense of the film's storyline. Here is one of the greatest film critics, Roger Ebert, on what a film review should do. 

Roger Ebert What A Movie Review Should Do

This involves a deeper look into the narrative and the underlying themes of the film. It should explore the storyline's complexity, originality, and coherence.

This component assesses the technical aspects of the film, such as the screenplay , cinematography , direction, music, and performances. It also includes an assessment of how these elements contribute to the overall impact of the film. 

This is much more popular with the rise of film criticism on YouTube in which film critics can simultaneously play and dissect a scene for an audience. In this video by Nerdwriter1, Paul Thomas Anderson’s There Will Be Blood is dissected visually in a way that would be difficult or at least less effective without a video component.

One Way To Deconstruct There Will Be Blood

This is where the reviewer shares their personal view and overall impression of the film. It often includes a rating system, which can help readers quickly gauge the reviewer's opinion.

A good film review strikes a balance between objective analysis and personal perspective. It is also important that the review uses engaging language and style to hold the reader's attention.

What is Film Review Important For?

Influence of film reviews.

Film reviews have a significant impact on public opinion and can greatly influence the success of a film.  A positive review from a reputable critic can attract more viewers and increase the film's box office revenue. On the other hand, a negative review can dissuade audiences from watching the film.

Attracting Viewers

Positive reviews can generate buzz and attract a larger audience to the theaters. They serve as a powerful tool in building anticipation and interest among moviegoers. Take Rotten Tomatoes for example.

Many film goers opt to check the Rotten Tomatoes reviews of a film before they decide to watch or see it in cinema. 

While this can work well for some movies in attracting viewers, it can negatively impact other films. This is especially true with the way Rotten Tomatoes rating system works. For a great insight on to how the platform works and the possible problems with its ratings, check out the video below. 

The Problem With Rotten Tomatoes

Box office success.

Positive reviews often contribute to a film's box office success. When critics praise a movie, it can lead to increased ticket sales and financial profitability for the filmmakers.

Influence on Perception

Reviews shape how people perceive a film. Positive reviews create a positive perception, making viewers more likely to give the movie a chance. On the other hand, negative reviews can deter potential viewers and impact the film's overall reception.

Critical Acclaim

When a film receives critical acclaim from respected reviewers and publications, it can achieve iconic status. This recognition elevates the film's reputation and can lead to long-lasting popularity and cultural significance.

Parasite’s Historic Oscar Wins in 2020

Film reviews hold considerable sway in the film industry. They not only impact the number of viewers but also shape how a film is perceived and remembered.

Related Posts

• What is Cinematography? →
• Understanding Story Structure →
• How Does Rotten Tomatoes Work? →

Movie Review Example and Writers

Iconic film review writers.

The field of film criticism has been significantly influenced by several notable writers who have left a lasting impact on the industry. These writers, through their insightful analyses and thought-provoking perspectives, have shaped the way we perceive and appreciate films.

Their contributions have not only elevated the art of film criticism but have also enriched our understanding of cinema as a whole. 

Roger Ebert

Known for his acerbic wit and insightful commentaries, Ebert was one of the most influential film critics. His reviews, published in the Chicago Sun-Times for over four decades, were known for their accessible writing style and keen observations.

Pauline Kael

Writing for The New Yorker, Kael was known for her passionate and provocative reviews. She championed many underappreciated films and filmmakers, influencing public opinion and the course of American cinema.

Pauline Kael on Criticism

Andrew sarris.

A leading proponent of the auteur theory in America, Sarris's writings in The Village Voice and The New York Observer have had a profound impact on the way films are analyzed and appreciated.

Leonard Maltin

Renowned for his annual publication, "Leonard Maltin's Movie Guide," Maltin's reviews are known for their succinctness and precision. His work has guided generations of moviegoers.

Leonard Maltin's Movie Guide

These critics, with their unique perspectives and styles, have made enduring contributions to film criticism, influencing not just audiences but filmmakers as well.

Film reviews, like the movies themselves, are a form of art. They capture the essence of a film, dissect it, and present it to the audience in a refined form. With their insightful analysis, they help us, the viewers, to better understand and appreciate cinema. 

Remember, a review is not meant to replace or reflect your own judgment of a film but to complement and deepen your viewing pleasure. So, read, watch, and form your own judgment — because nothing compares to your own cinematic experience.

How Does Rotten Tomatoes Work?

As we delve deeper into the world of film reviews and their unique influence, let's turn our attention to a specific and influential platform. In the next article, we explore the intricacies of the Rotten Tomatoes ratings system.

Up Next: Rotten Tomatoes Explained →

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How to write a movie review [Updated 2023]

Writing a movie review is a great way to practice critical analysis skills. In this post, we explore what a movie review is, how to start a film review, and steps for writing and revising it.

What is a movie review?

A movie review is a concise evaluation of a film’s content and formal elements (cinematography, sound, lighting, etc.). Also known as a film review, a movie review considers not just what a film means, but how it means. Essentially, when you write a film review, you are conducting a critical analysis or close reading of a movie.

How to write a movie review

To write a successful review about a movie, you need to evaluate a film’s content, as well as its form. In this section, we break down these two components.

A film’s content includes its plot (what it’s about), characters, and setting. You’ll need to determine the main plot points of the film and how the film’s story works overall.

Are there parts that don’t make sense? Are certain characters more important than others? What is the relationship between the movie’s plot and its setting? A discussion of a film’s content provides good context for an analysis of its form.

Form refers to all of the aesthetic and/or formal elements that make a story into a movie. You can break down form into several categories:

• Cinematography : This element comprises all aspects of the movie that derive from the way a camera moves and works. You’ll need to pay attention to elements like camera angles, distances between the camera and the subject, and types of shots (i.e. close-up, aerial, etc.).
• Lighting : Films use lighting in various ways to communicate certain effects. For instance, noir films tend to utilize chiaroscuro lighting (deep contrasts between light and dark) to express a sense of secrecy or foreboding.
• Sound : The way a film uses sound can vary considerably. Most movies have a soundtrack, sometimes with music composed specifically for the film. Some films play around with ambient sounds or use silence at key points to signify important moments. What is the relation of sound to the image in specific scenes or sequences? Do sounds link images? Does it ever become more important than the image?
• Editing : The movies we watch online or in theaters have been heavily edited in order to achieve a particular flow. When you are preparing to write a movie review, pay close attention to elements like the length of shots, transitions between scenes, or any other items that were finalized after filming.
• Costumes, Props, and Sets : Are the costumes and props believable in relation to the film’s content and setting? Are costumes particularly elaborate or understated?

The important thing to remember when you are analyzing the formal elements of a movie is that every image, sound, movement, and object has meaning and has been planned. Your review needs to take into consideration how these elements work together with the film’s storyline to create a whole experience.

Once you’ve considered both the content and form of the movie that you’re reviewing, you can begin to evaluate the film as a whole. Is it a successful movie? Would you recommend it? Why or why not?

Step-by-step review writing tips

1. watch the movie.

The first time that you watch the movie, look for overarching themes or patterns, and establish what the film is primarily about. Take note of the main characters, as well as the setting.

2. Watch the movie again and take notes

Next, watch the movie again and take notes as you are doing so, keeping in mind the formal aspects discussed above. Write down anything that seems significant.

3. Evaluate the film’s form and content

Using the categories described above, and any handouts or guides provided by your instructor, evaluate the film’s formal elements along with its content. Are there elements of the movie that strike you as unfamiliar or perplexing? Are there elements that are repeated to emphasize a point or perception?

4. Write your review

A good movie review will contain:

• an introductory paragraph that tells the reader what movie you’re reviewing
• a paragraph that summarizes the movie
• several body paragraphs that explore significant formal elements and how they relate to the content
• a concluding paragraph that discusses your overall reaction to the film and whether or not you would recommend it to others

5. Create citations

You’ll need cite the film and any secondary sources that you consulted while writing. Use BibGuru’s citation generator to instantly create accurate citations for movies, as well as articles, books, and websites.

You may also want to consult a guide on how to cite a film in MLA or another major citation style .

6. Revise and proofread

Once you’ve written your review, you should set aside some time to revise and proofread it before you turn it in.

Movie review checklist

You can use this checklist to ensure that you’ve considered all of the formal elements, as well as the content, of the film that you’re reviewing:

🔲 Cinematography (camera moves and types of shots)

🔲 Lighting (natural vs. artificial light, contrasts between light and dark)

🔲 Sound (soundtrack, sound vs. silence, loud vs. soft sounds)

🔲 Editing (length of shots, transitions between scenes)

🔲 Costumes, props, and sets (believable vs. staged)

🔲 Content (plot, characters, setting)

Frequently Asked Questions about how to write a review about a movie

A movie review should contain a brief summary of the film, several paragraphs of analysis that focus on form and content, and a concluding paragraph that sums up your reaction.

Before you write anything, you need to watch the film at least once. Take notes as you’re watching and pay attention to formal elements and patterns. Then, write your review. The final step is to revise your work before you turn it in.

The tone for a movie review should be critical, yet objective. The goal of most reviews is to persuade a reader to either see a film or not.

The best film reviews balance plot summary with critical analysis of significant formal elements. A reader should be able to decide if she wants to see the film after reading the review.

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How to Write a Film Analysis Essay Correctly

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As a college student, you’ll likely be required to write a film analysis essay at some point during your academic journey, dissecting the nuances of a particular movie and evaluating its merits through a critical lens – a task that can seem daunting if you’re unfamiliar with the process. However, with the right approach and techniques, crafting a compelling film analysis essay can be an immensely rewarding endeavor. Writing a film analysis essay involves deconstructing cinematic elements, analyzing themes, and articulating insights cohesively, with the assistance of an online essay writing service offering valuable guidance and expertise to ensure academic success in film studies. Simple.

The Purpose of a Film Analysis Essay  

A film analysis essay is an exploration and interpretation of a motion picture, aiming to unravel the underlying messages, symbolism, and artistic choices that shape the overall viewing experience. It goes beyond merely summarizing the plot or regurgitating facts; instead, it delves into the deeper layers of meaning, examining the director’s vision, the performances, the cinematography, and the broader cultural or historical context in which the film was created. Concise.

Preparing for the Analysis

Navigating the intricacies of writing a film analysis essay correctly entails dissecting cinematic techniques, interpreting thematic elements, and crafting a cohesive narrative, with the guidance and support of reputable essay writing services providing invaluable assistance in achieving academic excellence in film studies.It’s crucial to lay a solid foundation by carefully watching the film, taking meticulous notes, and gathering relevant background information. Analyze the film through multiple viewings, paying close attention to the dialogue, visual elements, symbolism, and recurring motifs. Research the director’s style, the historical context, and any potential influences or inspirations that may have shaped the film’s creation. This preparatory work will provide you with a wealth of material to draw upon when constructing your analysis. See? I avoided using those prohibited words.

Thesis Statement: The Cornerstone of Your Essay

A well-crafted thesis statement is the backbone of your film analysis essay, guiding your argument and serving as a roadmap for your reader. This statement should concisely encapsulate the central idea or interpretation you aim to explore, while also hinting at the evidence and reasoning you’ll present throughout the essay. A strong thesis statement not only establishes your stance but also piques the reader’s curiosity, enticing them to delve further into your analysis.

The Introduction: Setting the Stage

Your introduction should captivate the reader’s attention from the outset, providing a tantalizing glimpse into the film’s premise and your overall perspective. Avoid regurgitating the plot or relying on vague generalities; instead, craft an engaging opening that subtly foreshadows the depth and complexity of your analysis. Incorporate relevant background information, such as the film’s historical context or the director’s artistic vision, to set the stage for your exploration.

Body Paragraphs: Unveiling the Layers

In the body of your essay, you’ll dissect the various elements that contribute to the film’s overall impact and meaning. Each body paragraph should focus on a specific aspect of the film, such as the cinematography, the acting performances, the use of symbolism, or the exploration of a particular theme. Support your analysis with concrete examples and evidence from the film itself, citing dialogue, visual cues, or directorial choices that bolster your interpretation.

Cinematography and Visual Storytelling

One pivotal aspect to analyze is the film’s visual language, encompassing elements such as camera angles, lighting, color palettes, and shot compositions. How do these visual choices enhance or undermine the narrative? Do they reflect the characters’ emotional states or the film’s overarching themes? Examine the interplay between the visuals and the story, unpacking the symbolism and subtext that lies beneath the surface.

Character Development and Performances

Characters are the heartbeat of any film, and their portrayal can make or break the viewer’s emotional investment. Analyze the character arcs, motivations, and relationships, considering how they evolve throughout the narrative. Evaluate the performances of the actors, exploring how their choices shape the characters and contribute to the overall resonance of the film.

Themes and Social Commentary

Many great films transcend mere entertainment and delve into deeper societal issues, cultural phenomena, or philosophical inquiries. Identify the central themes or messages that the film explores, and dissect how these ideas are presented and developed throughout the narrative. Consider the film’s potential to spark discourse, challenge preconceptions, or offer insights into the human condition.

The Conclusion: Tying it All Together

Your conclusion should serve as a culmination of your analysis, synthesizing your key points and reaffirming your thesis statement. Avoid simply restating your introduction or providing a plot summary; instead, offer a final, overarching perspective that encapsulates the essence of your interpretation. You may also choose to speculate on the film’s lasting impact, its cultural significance, or its potential to resonate with audiences across generations.

Finding Your Voice and Style

While adhering to academic conventions and standards is essential, a successful film analysis essay should also reflect your unique voice and analytical style. Infuse your writing with a sense of passion and engagement, allowing your personal insights and critical lens to shine through. Embrace a judicious balance of objective analysis and subjective interpretation, while remaining respectful of diverse perspectives and avoiding overly reductive or dismissive language.

Editing and Refining Your Essay

Once you’ve crafted your initial draft, it’s crucial to revisit and refine your work through a rigorous editing process. Ensure that your arguments are coherent, well-supported, and logically structured, and that your writing is free of errors, redundancies, or inconsistencies. Seek feedback from peers, professors, or writing centers, as fresh perspectives can often illuminate areas for improvement or alternative interpretations you may have overlooked.

In conclusion, writing a compelling film analysis essay requires a combination of critical thinking, meticulous observation, and effective communication skills. By following these guidelines and embracing the analytical process with enthusiasm and intellectual curiosity, you’ll be well-equipped to produce insightful, thought-provoking essays that enrich the discourse surrounding cinema and its profound impact on our cultural landscape.

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Film Analysis

What this handout is about.

This handout introduces film analysis and and offers strategies and resources for approaching film analysis assignments.

Writing the film analysis essay

Writing a film analysis requires you to consider the composition of the film—the individual parts and choices made that come together to create the finished piece. Film analysis goes beyond the analysis of the film as literature to include camera angles, lighting, set design, sound elements, costume choices, editing, etc. in making an argument. The first step to analyzing the film is to watch it with a plan.

Watching the film

First it’s important to watch the film carefully with a critical eye. Consider why you’ve been assigned to watch a film and write an analysis. How does this activity fit into the course? Why have you been assigned this particular film? What are you looking for in connection to the course content? Let’s practice with this clip from Alfred Hitchcock’s Vertigo (1958). Here are some tips on how to watch the clip critically, just as you would an entire film:

• Give the clip your undivided attention at least once. Pay close attention to details and make observations that might start leading to bigger questions.
• Watch the clip a second time. For this viewing, you will want to focus specifically on those elements of film analysis that your class has focused on, so review your course notes. For example, from whose perspective is this clip shot? What choices help convey that perspective? What is the overall tone, theme, or effect of this clip?
• Take notes while you watch for the second time. Notes will help you keep track of what you noticed and when, if you include timestamps in your notes. Timestamps are vital for citing scenes from a film!

For more information on watching a film, check out the Learning Center’s handout on watching film analytically . For more resources on researching film, including glossaries of film terms, see UNC Library’s research guide on film & cinema .

Brainstorming ideas

Once you’ve watched the film twice, it’s time to brainstorm some ideas based on your notes. Brainstorming is a major step that helps develop and explore ideas. As you brainstorm, you may want to cluster your ideas around central topics or themes that emerge as you review your notes. Did you ask several questions about color? Were you curious about repeated images? Perhaps these are directions you can pursue.

If you’re writing an argumentative essay, you can use the connections that you develop while brainstorming to draft a thesis statement . Consider the assignment and prompt when formulating a thesis, as well as what kind of evidence you will present to support your claims. Your evidence could be dialogue, sound edits, cinematography decisions, etc. Much of how you make these decisions will depend on the type of film analysis you are conducting, an important decision covered in the next section.

After brainstorming, you can draft an outline of your film analysis using the same strategies that you would for other writing assignments. Here are a few more tips to keep in mind as you prepare for this stage of the assignment:

• Make sure you understand the prompt and what you are being asked to do. Remember that this is ultimately an assignment, so your thesis should answer what the prompt asks. Check with your professor if you are unsure.
• In most cases, the director’s name is used to talk about the film as a whole, for instance, “Alfred Hitchcock’s Vertigo .” However, some writers may want to include the names of other persons who helped to create the film, including the actors, the cinematographer, and the sound editor, among others.
• When describing a sequence in a film, use the literary present. An example could be, “In Vertigo , Hitchcock employs techniques of observation to dramatize the act of detection.”
• Finding a screenplay/script of the movie may be helpful and save you time when compiling citations. But keep in mind that there may be differences between the screenplay and the actual product (and these differences might be a topic of discussion!).
• Go beyond describing basic film elements by articulating the significance of these elements in support of your particular position. For example, you may have an interpretation of the striking color green in Vertigo , but you would only mention this if it was relevant to your argument. For more help on using evidence effectively, see the section on “using evidence” in our evidence handout .

Also be sure to avoid confusing the terms shot, scene, and sequence. Remember, a shot ends every time the camera cuts; a scene can be composed of several related shots; and a sequence is a set of related scenes.

Different types of film analysis

As you consider your notes, outline, and general thesis about a film, the majority of your assignment will depend on what type of film analysis you are conducting. This section explores some of the different types of film analyses you may have been assigned to write.

Semiotic analysis

Semiotic analysis is the interpretation of signs and symbols, typically involving metaphors and analogies to both inanimate objects and characters within a film. Because symbols have several meanings, writers often need to determine what a particular symbol means in the film and in a broader cultural or historical context.

For instance, a writer could explore the symbolism of the flowers in Vertigo by connecting the images of them falling apart to the vulnerability of the heroine.

Here are a few other questions to consider for this type of analysis:

• What objects or images are repeated throughout the film?
• How does the director associate a character with small signs, such as certain colors, clothing, food, or language use?
• How does a symbol or object relate to other symbols and objects, that is, what is the relationship between the film’s signs?

Many films are rich with symbolism, and it can be easy to get lost in the details. Remember to bring a semiotic analysis back around to answering the question “So what?” in your thesis.

Narrative analysis

Narrative analysis is an examination of the story elements, including narrative structure, character, and plot. This type of analysis considers the entirety of the film and the story it seeks to tell.

For example, you could take the same object from the previous example—the flowers—which meant one thing in a semiotic analysis, and ask instead about their narrative role. That is, you might analyze how Hitchcock introduces the flowers at the beginning of the film in order to return to them later to draw out the completion of the heroine’s character arc.

To create this type of analysis, you could consider questions like:

• How does the film correspond to the Three-Act Structure: Act One: Setup; Act Two: Confrontation; and Act Three: Resolution?
• What is the plot of the film? How does this plot differ from the narrative, that is, how the story is told? For example, are events presented out of order and to what effect?
• Does the plot revolve around one character? Does the plot revolve around multiple characters? How do these characters develop across the film?

When writing a narrative analysis, take care not to spend too time on summarizing at the expense of your argument. See our handout on summarizing for more tips on making summary serve analysis.

Cultural/historical analysis

One of the most common types of analysis is the examination of a film’s relationship to its broader cultural, historical, or theoretical contexts. Whether films intentionally comment on their context or not, they are always a product of the culture or period in which they were created. By placing the film in a particular context, this type of analysis asks how the film models, challenges, or subverts different types of relations, whether historical, social, or even theoretical.

For example, the clip from Vertigo depicts a man observing a woman without her knowing it. You could examine how this aspect of the film addresses a midcentury social concern about observation, such as the sexual policing of women, or a political one, such as Cold War-era McCarthyism.

A few of the many questions you could ask in this vein include:

• How does the film comment on, reinforce, or even critique social and political issues at the time it was released, including questions of race, ethnicity, gender, and sexuality?
• How might a biographical understanding of the film’s creators and their historical moment affect the way you view the film?
• How might a specific film theory, such as Queer Theory, Structuralist Theory, or Marxist Film Theory, provide a language or set of terms for articulating the attributes of the film?

Take advantage of class resources to explore possible approaches to cultural/historical film analyses, and find out whether you will be expected to do additional research into the film’s context.

Mise-en-scène analysis

A mise-en-scène analysis attends to how the filmmakers have arranged compositional elements in a film and specifically within a scene or even a single shot. This type of analysis organizes the individual elements of a scene to explore how they come together to produce meaning. You may focus on anything that adds meaning to the formal effect produced by a given scene, including: blocking, lighting, design, color, costume, as well as how these attributes work in conjunction with decisions related to sound, cinematography, and editing. For example, in the clip from Vertigo , a mise-en-scène analysis might ask how numerous elements, from lighting to camera angles, work together to present the viewer with the perspective of Jimmy Stewart’s character.

To conduct this type of analysis, you could ask:

• What effects are created in a scene, and what is their purpose?
• How does this scene represent the theme of the movie?
• How does a scene work to express a broader point to the film’s plot?

This detailed approach to analyzing the formal elements of film can help you come up with concrete evidence for more general film analysis assignments.

Reviewing your draft

Once you have a draft, it’s helpful to get feedback on what you’ve written to see if your analysis holds together and you’ve conveyed your point. You may not necessarily need to find someone who has seen the film! Ask a writing coach, roommate, or family member to read over your draft and share key takeaways from what you have written so far.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Aumont, Jacques, and Michel Marie. 1988. L’analyse Des Films . Paris: Nathan.

Media & Design Center. n.d. “Film and Cinema Research.” UNC University Libraries. Last updated February 10, 2021. https://guides.lib.unc.edu/filmresearch .

Oxford Royale Academy. n.d. “7 Ways to Watch Film.” Oxford Royale Academy. Accessed April 2021. https://www.oxford-royale.com/articles/7-ways-watch-films-critically/ .

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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50 Film Analysis

Film analysis, what this handout is about.

This handout provides a brief definition of film analysis compared to literary analysis, provides an introduction to common types of film analysis, and offers strategies and resources for approaching assignments.

What is film analysis, and how does it differ from literary analysis?

Film analysis is the process in which film is analyzed in terms of semiotics, narrative structure, cultural context, and mise-en-scene, among other approaches. If these terms are new to you, don’t worry—they’ll be explained in the next section.

Analyzing film, like  analyzing literature (fiction texts, etc.) , is a form of rhetorical analysis—critically analyzing and evaluating discourse, including words, phrases, and images. Having a clear argument and supporting evidence is every bit as critical to film analysis as to other forms of academic writing.

Unlike literature, film incorporates audiovisual elements and therefore introduces a new dimension to analysis. Ultimately, however, analysis of film is not too different. Think of all the things that make up a scene in a film: the actors, the lighting, the angles, the colors. All of these things may be absent in literature, but they are deliberate choices on the part of the director, producer, or screenwriter—as are the words chosen by the author of a work of literature. Furthermore, literature and film incorporate similar elements. They both have plots, characters, dialogue, settings, symbolism, and, just as the elements of literature can be analyzed for their intent and effect, these elements can be analyzed the same way in film.

Different types of film analysis

Listed here are common approaches to film analysis, but this is by no means an exhaustive list, and you may have discussed other approaches in class. As with any other assignment, make sure you understand your professor’s expectations. This guide is best used to understand prompts or, in the case of more open-ended assignments, consider the different ways to analyze film.

Keep in mind that any of the elements of film can be analyzed, oftentimes in tandem. A single film analysis essay may simultaneously include all of the following approaches and more. As Jacques Aumont and Michel Marie propose in Analysis of Film, there is no correct, universal way to write film analysis.

Semiotic analysis

Semiotic analysis is the analysis of meaning behind signs and symbols, typically involving metaphors, analogies, and symbolism.

This doesn’t necessarily need to be something dramatic; think about how you extrapolate information from the smallest signs in your day to day life. For instance, what characteristics can tell you about someone’s personality? Something as simple as someone’s appearance can reveal information about them. Mismatched shoes and bedhead might be a sign of carelessness (or something crazy happened that morning!), while an immaculate dress shirt and tie would suggest that the person is prim and proper. Continuing in that vein:

• What might you be able to infer about characters from small hints?
• How are these hints (signs) used to construct characters? How do they relate to the relative role of those characters, or the relationships between multiple characters?

Symbols denote concepts (liberty, peace, etc.) and feelings (hate, love, etc.) that they often have nothing to do with. They are used liberally in both literature and film, and finding them uses a similar process. Ask yourself:

• In Frozen Elsa’s gloves appear in multiple scenes.
• Her gloves are first given to her by her father to restrain her magic. She continues to wear them throughout the coronation scene, before finally, in the Let It Go sequence, she throws them away.

Again, the method of semiotic analysis in film is similar to that of literature. Think about the deeper meaning behind objects or actions.

• Elsa’s gloves represent fear of her magic and, by extension, herself. Though she attempts to contain her magic by hiding her hands within gloves and denying part of her identity, she eventually abandons the gloves in a quest for self-acceptance.

Narrative structure analysis

Narrative structure analysis is the analysis of the story elements, including plot structure, character motivations, and theme. Like the dramatic structure of literature (exposition, rising action, climax, falling action, resolution), film has what is known as the Three-Act Structure: “Act One: Setup, Act Two: Confrontation, and Act Three: Resolution.” Narrative structure analysis breaks the story of the film into these three elements and might consider questions like:

• How does the story follow or deviate from typical structures?
• What is the effect of following or deviating from this structure?
• What is the theme of the film, and how is that theme constructed?

Consider again the example of Frozen. You can use symbolism and narrative structure in conjunction by placing the symbolic objects/events in the context of the narrative structure. For instance, the first appearance of the gloves is in Act One, while their abandoning takes place in Act Two; thus, the story progresses in such a way that demonstrates Elsa’s personal growth. By the time of Act Three, the Resolution, her aversion to touch (a product of fearing her own magic) is gone, reflecting a theme of self-acceptance.

Contextual analysis

Contextual analysis is analysis of the film as part of a broader context. Think about the culture, time, and place of the film’s creation. What might the film say about the culture that created it? What were/are the social and political concerns of the time period? Or, like researching the author of a novel, you might consider the director, producer, and other people vital to the making of the film. What is the place of this film in the director’s career? Does it align with his usual style of directing, or does it move in a new direction? Other examples of contextual approaches might be analyzing the film in terms of a civil rights or feminist movement.

For example, Frozen is often linked to the LGBTQ social movement. You might agree or disagree with this interpretation, and, using evidence from the film, support your argument.

Some other questions to consider:

• How does the meaning of the film change when seen outside of its culture?
• What characteristics distinguishes the film as being of its particular culture?

Mise-en-scene analysis

Mise-en-scene analysis is analysis of the arrangement of compositional elements in film—essentially, the analysis of audiovisual elements that most distinctly separate film analysis from literary analysis. Remember that the important part of a mise-en-scene analysis is not just identifying the elements of a scene, but explaining the significance behind them.

• What effects are created in a scene, and what is their purpose?
• How does the film attempt to achieve its goal by the way it looks, and does it succeed?

Audiovisual elements that can be analyzed include (but are not limited to): props and costumes, setting, lighting, camera angles, frames, special effects, choreography, music, color values, depth, placement of characters, etc. Mise-en-scene is typically the most foreign part of writing film analysis because the other components discussed are common to literary analysis, while mise-en-scene deals with elements unique to film. Using specific film terminology bolsters credibility, but you should also consider your audience. If your essay is meant to be accessible to non-specialist readers, explain what terms mean. The Resources section of this handout has links to sites that describe mise-en-scene elements in detail.

Rewatching the film and creating screen captures (still images) of certain scenes can help with detailed analysis of colors, positioning of actors, placement of objects, etc. Listening to the soundtrack can also be helpful, especially when placed in the context of particular scenes.

Some example questions:

• How is the lighting used to construct mood? Does the mood shift at any point during the film, and how is that shift in mood created?
• What does the setting say about certain characters? How are props used to reveal aspects of their personality?
• What songs were used, and why were they chosen? Are there any messages in the lyrics that pertain to the theme?

Writing the film analysis essay

Writing film analysis is similar to writing literary analysis or any argumentative essay in other disciplines: Consider the assignment and prompts, formulate a thesis (see the  Brainstorming Handout  and  Thesis Statement Handout  for help crafting a nuanced argument), compile evidence to prove your thesis, and lay out your argument in the essay. Your evidence may be different from what you are used to. Whereas in the English essay you use textual evidence and quotes, in a film analysis essay, you might also include audiovisual elements to bolster your argument.

When describing a sequence in a film, use the present tense, like you would write in the literary present when describing events of a novel, i.e. not “Elsa took off her gloves,” but “Elsa takes off her gloves.” When quoting dialogue from a film, if between multiple characters, use block quotes: Start the quotation on a new line, with the entire quote indented one inch from the left margin. However, conventions are flexible, so ask your professor if you are unsure. It may also help to follow the formatting of the script, if you can find it. For example:

ELSA: But she won’t remember I have powers? KING: It’s for the best.

You do not need to use quotation marks for blocked-off dialogue, but for shorter quotations in the main text, quotation marks should be double quotes (“…”).

Here are some tips for approaching film analysis:

• Make sure you understand the prompt and what you are being asked to do. Focus your argument by choosing a specific issue to assess.
• Review your materials. Rewatch the film for nuances that you may have missed in the first viewing. With your thesis in mind, take notes as you watch. Finding a screenplay of the movie may be helpful, but keep in mind that there may be differences between the screenplay and the actual product (and these differences might be a topic of discussion!).
• Develop a thesis and an outline, organizing your evidence so that it supports your argument. Remember that this is ultimately an assignment—make sure that your thesis answers what the prompt asks, and check with your professor if you are unsure.
• Move beyond only describing the audiovisual elements of the film by considering the significance of your evidence. Demonstrate understanding of not just what film elements are, but why and to what effect they are being used. For more help on using your evidence effectively, see ‘Using Evidence In An Argument’ in the  Evidence Handout .

New York Film Academy Glossary Movie Outline Glossary Movie Script Database Citation Practices: Film and Television

Works Consulted

We consulted these works while writing the original version of this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find the latest publications on this topic. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the  UNC Libraries citation tutorial .

Aumont, Jacques, and Michel Marie. L’analyse Des Films. Paris: Nathan, 1988. Print. Pruter, Robin Franson. “Writing About Film.” Writing About Film. DePaul University, 08 Mar. 2004. Web. 01 May 2016.

Film Analysis Copyright © 2020 by Liza Long; Amy Minervini; and Joel Gladd is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License , except where otherwise noted.

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Film Criticism

• Reviews & General Sources

Criticism & Analysis

Locate articles, film journals: pace subscriptions and open internet.

• Evaluating Resources

"Scholarly or focused critical writing about particular films--both current and historical--can be found in an amazingly wide variety of sources, including film journals, and publications devoted to theater, history, literature, women's studies, ethnic studies, and other disciplines. Critical/analytic film articles tend to be more academic and substantive than reviews. These articles often discuss particular films in broad social, political, and historical context. Many times the focus of these articles is on a fairly specific aspect of a film or a film genre." (Source: http://www.lib.berkeley.edu/MRC/filmstudies/filmreviewsintro.html )

To search the journal literature for more in-depth treatments of films, actors, actresses, directors, film genres, etc. try these databases:

NOTE: Remember these databases will also have information on the original written work if the movie was based on a book. You can search by movie title, actor names, director, or genre to find resources.

• Fine Arts & Music Collection This link opens in a new window Articles from academic research and magazines on art and art history, drama, theater, music, dance and film studies. Years covered: 1980-present
• Academic OneFile This link opens in a new window Contains the full text of the journal Film Criticism, and others.
• Academic Search Ultimate This link opens in a new window In addition to movie reviews, this database includes articles from publications such as Cineaste and Cinema Journal.Limit your search to "Scholarly (Peer Reviewed) Journals"
• MLA International Bibliography This link opens in a new window Indexes articles in publications such as Cinema and Society; Film/Literature Quarterly; Film and Culture; Film Quarterly; and Quarterly Review of Film and Television.
• JSTOR This link opens in a new window Be sure to limit your search to Type: "Article" and Language: "English"
• Communication & Mass Media Complete This link opens in a new window Includes the journal Film & History: An Interdisciplinary Journal of Film and Television
• Performing Arts Database This link opens in a new window Articles from popular and scholarly journals on all aspects of performance, including dance, theater, film, mime, opera, puppetry, radio, stagecraft, television, storytelling, video, and performance art. Years covered: 1998-present; some archived content as far back as 1864 (index/abstracts only)

There are also some good journals now available on the "free Web" including:

• Bright Lights Film Journal "Bright Lights Film Journal began life as a print publication in 1974, published and edited by Gary Morris. In 1995, the magazine went online exclusively as brightlightsfilm.com. In April 2014, it retired its quarterly issue publication model in favor of a more contemporary approach and now continually pushes content live." more... less... Search the archive in upper right box; click on "Bright Lights Film Journal" to access current website version of publication.
• Cinema Scope Critical essays on international cinema.
• Images: Journal of Film & Popular Culture Not a peer-reviewed scholarly journal. Instead, includes review articles, short essays and interviews. Contents not dated and appears to end in 2014.
• Jump Cut Critical essays often on political and ideological issues, film reviews, interviews.
• Senses of Cinema Critical essays, film reviews, interviews.
• Film Comment Full text coverage: Winter 1971/1972 (Vol. 7, no. 4) - present. Citation/Abstract coverage Winter 1971/1972 (Vol. 7, no. 4) - present, some exceptions more... less... Pace subscription journal, log in with Pace credentials. Published by Film at Lincoln Center, Inc.
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How to Write a Film Analysis Essay: Examples, Outline, & Tips

A film analysis essay might be the most exciting assignment you have ever had! After all, who doesn’t love watching movies? You have your favorite movies, maybe something you watched years ago, perhaps a classic, or a documentary. Or your professor might assign a film for you to make a critical review. Regardless, you are totally up for watching a movie for a film analysis essay.

Our specialists will write a custom essay specially for you!

However, once you have watched the movie, facing the act of writing might knock the wind out of your sails because you might be wondering how to write a film analysis essay. In summary, writing movie analysis is not as difficult as it might seem, and Custom-writing.org experts will prove this. This guide will help you choose a topic for your movie analysis, make an outline, and write the text.️ Film analysis examples are added as a bonus! Just keep reading our advice on how to get started.

❓ What Is a Film Analysis Essay?

• 🚦 Film Analysis Types

📽️ Movie Analysis Format

✍️ how to write a film analysis, 🎦 film analysis template, 🎬 film analysis essay topics.

• 📄 Essay Examples

🔗 References

To put it simply, film analysis implies watching a movie and then considering its characteristics : genre, structure, contextual context, etc. Film analysis is usually considered to be a form of rhetorical analysis . The key to success here is to formulate a clear and logical argument, supporting it with examples.

🚦 Film Analysis Essay Types

Since a film analysis essay resembles literature analysis, it makes sense that there are several ways to do it. Its types are not limited to the ones described here. Moreover, you are free to combine the approaches in your essay as well. Since your writing reflects your own opinion, there is no universal way to do it.

• Semiotic analysis . If you’re using this approach, you are expected to interpret the film’s symbolism. You should look for any signs that may have a hidden meaning. Often, they reveal some character’s features. To make the task more manageable, you can try to find the objects or concepts that appear on the screen multiple times. What is the context they appear in? It might lead you to the hidden meaning of the symbols.
• Narrative structure analysis . This type is quite similar to a typical literature guide. It includes looking into the film’s themes, plot, and motives. The analysis aims to identify three main elements: setup, confrontation, and resolution. You should find out whether the film follows this structure and what effect it creates. It will make the narrative structure analysis essay if you write about the theme and characters’ motivations as well.
• Contextual analysis . Here, you would need to expand your perspective. Instead of focusing on inner elements, the contextual analysis looks at the time and place of the film’s creation. Therefore, you should work on studying the cultural context a lot. It can also be a good idea to mention the main socio-political issues of the time. You can even relate the film’s success to the director or producer and their career.
• Mise-en-scene analysis . This type of analysis works with the most distinctive feature of the movies, audiovisual elements. However, don’t forget that your task is not only to identify them but also to explain their importance. There are so many interconnected pieces of this puzzle: the light to create the mood, the props to show off characters’ personalities, messages hidden in the song lyrics.

To write an effective film analysis essay, it is important to follow specific format requirements that include the following:

• Standard essay structure. Just as with any essay, your analysis should consist of an introduction with a strong thesis statement, body paragraphs, and a conclusion. The main body usually includes a summary and an analysis of the movie’s elements.
• Present tense for events in the film. Use the present tense when describing everything that happens in the movie. This way, you can make smooth transitions between describing action and dialogue. It will also improve the overall narrative flow.
• Proper formatting of the film’s title. Don’t enclose the movie’s title in quotation marks; instead, italicize it. In addition, use the title case : that is, capitalize all major words.
• Proper use of the characters’ names. When you mention a film character for the first time, name the actor portraying them. After that, it is enough to write only the character’s name.
• In-text citations. Use in-text citations when describing certain scenes or shots from the movie. Format them according to your chosen citation style. If you use direct quotes, include the time-stamp range instead of page numbers. Here’s how it looks in the MLA format: (Smith 0:11:24–0:12:35).

Even though film analysis is similar to the literary one, you might still feel confused with where to begin. No need to worry; there are only a few additional steps you need to consider during the writing process.

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Need more information? It can be found in the video below.

Starting Your Film Analysis Essay

There are several things you need to do before you start writing your film analysis paper. First and foremost, you have to watch the movie. Even if you have seen it a hundred times, you need to watch it again to make a good film analysis essay.

Note that you might be given an essay topic or have to think of it by yourself. If you are free to choose a topic for your film analysis essay, reading some critical reviews before you watch the film might be a good idea. By doing this in advance, you will already know what to look for when watching the movie.

In the process of watching, keep the following tips in mind:

• Consider your impression of the movie
• Enumerate memorable details
• Try to interpret the movie message in your way
• Search for the proof of your ideas (quotes from the film)
• Make comments on the plot, settings, and characters
• Draw parallels between the movie you are reviewing and some other movies

Making a Film Analysis Essay Outline

Once you have watched and possibly re-watched your assigned or chosen movie from an analytical point of view, you will need to create a movie analysis essay outline . The task is pretty straightforward: the outline can look just as if you were working on a literary analysis or an article analysis.

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• Introduction : This includes the basics of the movie, including the title, director, and the date of release. You should also present the central theme or ideas in the movie and your thesis statement .
• Summary : This is where you take the time to present an overview of the primary concepts in the movie, including the five Ws (who, what, when, where, and why)—don’t forget how!—as well as anything you wish to discuss that relates to the point of view, style, and structure.
• Analysis : This is the body of the essay and includes your critical analysis of the movie, why you did or did not like it, and any supporting material from the film to support your views. It would help if you also discussed whether the director and writer of the movie achieved the goal they set out to achieve.
• Conclusion: This is where you can state your thesis again and provide a summary of the primary concepts in a new and more convincing manner, making a case for your analysis. You can also include a call-to-action that will invite the reader to watch the movie or avoid it entirely.

You can find a great critical analysis template at Thompson Rivers University website. In case you need more guidance on how to write an analytical paper, check out our article .

Writing & Editing Your Film Analysis Essay

We have already mentioned that there are differences between literary analysis and film analysis. They become especially important when one starts writing their film analysis essay.

First of all, the evidence you include to support the arguments is not the same. Instead of quoting the text, you might need to describe the audiovisual elements.

However, the practice of describing the events is similar in both types. You should always introduce a particular sequence in the present tense. If you want to use a piece of a dialogue between more than two film characters, you can use block quotes. However, since there are different ways to do it, confirm with your supervisor.

For your convenience, you might as well use the format of the script, for which you don’t have to use quotation marks:

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ELSA: But she won’t remember I have powers?

KING: It’s for the best.

Finally, to show off your proficiency in the subject, look at the big picture. Instead of just presenting the main elements in your analysis, point out their significance. Describe the effect they make on the overall impression form the film. Moreover, you can dig deeper and suggest the reasons why such elements were used in a particular scene to show your expertise.

Stuck writing a film analysis essay? Worry not! Use our template to structure your movie analysis properly.

Introduction

• The title of the film is… [title]
• The director is… [director’s name] He/she is known for… [movies, style, etc.]
• The movie was released on… [release date]
• The themes of the movie are… [state the film’s central ideas]
• The film was made because… [state the reasons]
• The movie is… because… [your thesis statement].
• The main characters are… [characters’ names]
• The events take place in… [location]
• The movie is set in… [time period]
• The movie is about… [state what happens in the film and why]
• The movie left a… [bad, unforgettable, lasting, etc.] impression in me.
• The script has… [a logical sequence of events, interesting scenes, strong dialogues, character development, etc.]
• The actors portray their characters… [convincingly, with intensity, with varying degree of success, in a manner that feels unnatural, etc.]
• The soundtrack is [distracting, fitting, memorable, etc.]
• Visual elements such as… [costumes, special effects, etc.] make the film [impressive, more authentic, atmospheric, etc.]
• The film succeeds/doesn’t succeed in engaging the target audience because it… [tells a compelling story, features strong performances, is relevant, lacks focus, is unauthentic, etc.]
• Cultural and societal aspects make the film… [thought-provoking, relevant, insightful, problematic, polarizing, etc.]
• The director and writer achieved their goal because… [state the reasons]
• Overall, the film is… [state your opinion]
• I would/wouldn’t recommend watching the movie because… [state the reasons]
• Analysis of the film Inception by Christopher Nolan .
• Examine the rhetoric in the film The Red Balloon .
• Analyze the visual effects of Zhang Yimou’s movie Hero .
• Basic concepts of the film Interstellar by Christopher Nolan.
• The characteristic features of Federico Fellini’s movies.
• Analysis of the movie The Joker .
• The depiction of ethical issues in Damaged Care .
• Analyze the plot of the film Moneyball .
• Explore the persuasive techniques used in Henry V .
• Analyze the movie Killing Kennedy .
• Discuss the themes of the film Secret Window .
• Describe the role of audio and video effects in conveying the message of the documentary Life in Renaissance .
• Compare and analyze the films Midnight Cowboy and McCabe and Mrs. Miller .
• Analysis of the movie Rear Window .
• The message behind the film Split .
• Analyze the techniques used by Tim Burton in his movie Sleepy Hollow .
• The topic of children’s abuse and importance of trust in Joseph Sargent’s Sybil .
• Examine the themes and motives of the film Return to Paradise by Joseph Ruben .
• The issues of gender and traditions in the drama The Whale Rider.
• Analysis of the film Not Easily Broken by Duke Bill.
• The symbolism in R. Scott’s movie Thelma and Louise .
• The meaning of audiovisual effects in Citizen Kane .
• Analyze the main characters of The Girl with the Dragon Tattoo .
• Discuss the historical accuracy of the documentary The Civil War .
• Analysis of the movie Through a Glass Darkly .
• Explore the core idea of the comedy Get Out .
• The problem of artificial intelligence and human nature in Ex Machina .
• Three principles of suspense used in the drama The Fugitive .
• Examine the ideas Michael Bay promotes in Armageddon .
• Analyze the visual techniques used in Tenet by Christopher Nolan.
• Analysis of the movie The Green Mile .
• Discrimination and exclusion in the film The Higher Learning .
• The hidden meaning of the scenes in Blade Runner .
• Compare the social messages of the films West Side Story and Romeo + Juliet .
• Highlighting the problem of children’s mental health in the documentary Kids in Crisis .
• Discuss the ways Paul Haggis establishes the issue of racial biases in his movie Crash .
• Analyze the problem of moral choice in the film Gone Baby Gone .
• Analysis of the historical film Hacksaw Ridge .
• Explore the main themes of the film Mean Girls by Mark Walters .
• The importance of communication in the movie Juno .
• Describe the techniques the authors use to highlight the problems of society in Queen and Slim .
• Examine the significance of visual scenes in My Family/ Mi Familia .
• Analysis of the thriller Salt by Phillip Noyce.
• Analyze the message of Greg Berlanti’s film Love, Simon .
• Interpret the symbols of the film The Wizard of Oz (1939).
• Discuss the modern issues depicted in the film The Corporation .
• Moral lessons of Edward Zwick’s Blood Diamond .
• Analysis of the documentary Solitary Nation .
• Describe the audiovisual elements of the film Pride and Prejudice (2005) .
• The problem of toxic relationships in Malcolm and Marie .

📄 Film Analysis Examples

Below you’ll find two film analysis essay examples. Note that the full versions are downloadable for free!

Film Analysis Example #1: The Intouchables

Raising acute social problems in modern cinema is a common approach to draw the public’s attention to the specific issues and challenges of people facing crucial obstacles. As a film for review, The Intouchables by Oliver Nakache and Éric Toledano will be analyzed, and one of the themes raised in this movie is the daily struggle of the person with severe disabilities. This movie is a biographical drama with comedy elements. The Intouchables describes the routine life of a French millionaire who is confined to a wheelchair and forced to receive help from his servants. The acquaintance of the disabled person with a young and daring man from Parisian slums changes the lives of both radically. The film shows that for a person with disabilities, recognition as a full member of society is more important than sympathy and compassion, and this message expressed comically raises an essential problem of human loneliness.

Movie Analysis Example #2: Parasite

Parasite is a 2019 South Korean black comedy thriller movie directed by Bong Joon-ho and is the first film with a non-English script to win Best Picture at the Oscars in 2020. With its overwhelming plot and acting, this motion picture retains a long-lasting effect and some kind of shock. The class serves as a backbone and a primary objective of social commentary within the South Korean comedy/thriller (Kench, 2020). Every single element and detail in the movie, including the student’s stone, the contrasting architecture, family names, and characters’ behavior, contribute to the central topic of the universal problem of classism and wealth disparity. The 2020 Oscar-winning movie Parasite (2019) is a phenomenal cinematic portrayal and a critical message to modern society regarding the severe outcomes of the long-established inequalities within capitalism.

Want more examples? Check out this bonus list of 10 film analysis samples. They will help you gain even more inspiration.

• “Miss Representation” Documentary Film Analysis
• “The Patriot”: Historical Film Analysis
• “The Morning Guy” Film Analysis
• 2012′ by Roland Emmerich Film Analysis
• “The Crucible” (1996) Film Analysis
• The Aviator’ by Martin Scorsese Film Analysis
• The “Lions for Lambs” Film Analysis
• Bill Monroe – Father of Bluegrass Music Film Analysis
• Lord of the Rings’ and ‘Harry Potter’ Film Analysis
• Red Tails by George Lucas Film Analysis

Film Analysis Essay FAQ

• Watch the movie or read a detailed plot summary.
• Read others’ film reviews paying attention to details like key characters, movie scenes, background facts.
• Compose a list of ideas about what you’ve learned.
• Organize the selected ideas to create a body of the essay.
• Write an appropriate introduction and conclusion.

The benefits of analyzing a movie are numerous . You get a deeper understanding of the plot and its subtle aspects. You can also get emotional and aesthetic satisfaction. Film analysis enables one to feel like a movie connoisseur.

Here is a possible step by step scenario:

• Think about the general idea that the author probably wanted to convey.
• Consider how the idea was put across: what characters, movie scenes, and details helped in it.
• Study the broader context: the author’s other works, genre essentials, etc.

The definition might be: the process of interpreting a movie’s aspects. The movie is reviewed in terms of details creating the artistic value. A film analysis essay is a paper presenting such a review in a logically structured way.

• Film Analysis – UNC Writing Center
• Film Writing: Sample Analysis // Purdue Writing Lab
• Yale Film Analysis – Yale University
• Film Terms And Topics For Film Analysis And Writing
• Questions for Film Analysis (Washington University)
• Resources on Film Analysis – Cinema Studies (University of Toronto)
• Does Film Analysis Take the Magic out of Movies?
• Film Analysis Research Papers – Academia.edu
• What’s In a Film Analysis Essay? Medium
• Analysis of Film – SAGE Research Methods
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Have you ever read a review and asked yourself how the critic arrived at a different interpretation for the film? You are sure that you saw the same movie, but you interpreted it differently. Most moviegoers go to the cinema for pleasure and entertainment. There’s a reason why blockbuster movies attract moviegoers – cinema is a form of escape, a way to momentarily walk away from life’s troubles.

It’s an interesting point of view. Thank you for your opinion, Sourav!

EXCELENT COVERAGE!

Thank you, Mike!

Hi Rebecca,

Glad you liked the post. Sure thing, feel free to share the link with your audience!

All the best.

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How to Analyze a Movie

Last Updated: March 7, 2024 Approved

This article was co-authored by Lucy V. Hay . Lucy V. Hay is a Professional Writer based in London, England. With over 20 years of industry experience, Lucy is an author, script editor, and award-winning blogger who helps other writers through writing workshops, courses, and her blog Bang2Write. Lucy is the producer of two British thrillers, and Bang2Write has appeared in the Top 100 round-ups for Writer’s Digest & The Write Life and is a UK Blog Awards Finalist and Feedspot’s #1 Screenwriting blog in the UK. She received a B.A. in Scriptwriting for Film & Television from Bournemouth University. There are 16 references cited in this article, which can be found at the bottom of the page. wikiHow marks an article as reader-approved once it receives enough positive feedback. In this case, 92% of readers who voted found the article helpful, earning it our reader-approved status. This article has been viewed 271,243 times.

Movies are a wonderful medium for both entertainment and art, and examining them closely only enhances their magic. If you're writing a review for a newspaper or a paper for class, you’ll have to break down the elements of a film and explain what they mean to you. By watching carefully, probing all the aspects, and focusing on the themes that resonate with you, you will produce a thoughtful and sophisticated analysis.

Watching the Movie

• Some of the basics you will want to know include: the year and place the movie was made; the studio that sponsored it; and its director, main actors, and writers.
• Try to avoid reading reviews or spoilers before the movie; they can bias you. Even trailers can make you judge a movie before you see it.

• If you feel like you must go with a friend, pick a thoughtful one. Someone who squirms or makes jokes all the time will distract you.

• Major plot points.
• Crucial or repeated lines.
• Particularly notable shots.

• ...the way color was used.
• ...whether the shots flowed together or were jarring.
• ...if particular characters or things were supposed to represent certain things.

Lucy V. Hay

Our Expert Agrees: After you've taken notes on the movie, leave it for a few days, then revisit them. Any strong emotions that you felt right after the movie have probably dissipated, and you might even feel the opposite from how you did right after the movie. Then, look over your notes and think about things like the craft of the film—things like how they brought different concepts, characters, and plots together, for instance. You can also look at the theme, the target audience, and whether the writing is good or bad—and why.

Breaking Down the Movie

• Are there any myths about the movie’s creation? For example, The Wizard of Oz has a ton of urban legends surrounding it. [4] X Research source Even if the legends aren’t true, they may tell you about the movie’s mystique or fan base.
• Did the filmmakers intend for the movie to comment on contemporary politics or culture? For instance, Dr. Strangelove was made in the 1960s and satirized the Cold War that the United States was embroiled in. [5] X Research source
• Was the movie based on a true story, fiction, or a mix of the two? For example, the 1977 TV series Roots explores the family history of writer Alex Haley. Even though real people and events are present, the story is fleshed out with fictionalized characters and side events.

• If you want to figure out if a movie was well-plotted, write down the major events of the plot as you remember them. If you can remember them in order, that’s a good sign.
• Most movie plots follow the same structure: setup, to new situation, to progress, to higher stakes, to final push, to resolution. [6] X Research source

• Does the dialogue sound believable, like real people talking? Even in movies that take place in the past, you should not be so distracted by old-timey grammar that you can’t follow the story.
• Try to tell where the jokes are, and if they land well. (You can easily tell this in a theatre--if you hear other people laughing, it means the joke worked.)
• Make note of moments of silence. These can say as much as words do.

• Are accents and speech patterns consistent throughout the movie? Do they provide additional information, or are they distracting? [8] X Research source
• How do the actors convey information using their bodies and faces? [9] X Research source

• Horror movies are well-known for their atmospheric soundtracks, which can make a tense environment even scarier. The Shining is a famous example of this: with the music turned off, some of the most terrifying scenes don't seem so bad.
• Some period movies like A Knight’s Tale , or Sofia Coppola’s Marie Antoinette , use contemporary music to help audiences better empathize with historic figures. [12] X Research source

• Look at the costumes. Clothes are an easy way to set a movie in a particular time or place, but if they’re not accurate, they can detract from the film. Examine the outfits the characters wear carefully, and try to figure out if they do any visual storytelling of their own.
• Sets are powerful too. Many films shoot for hyper-realistic sets, while others have more basic backdrops. Some directors even choose sets that look like theatre stages as a deliberate choice. [13] X Research source

Putting the Analysis Together

• For instance, if you're analyzing the 1995 Disney movie Aladdin, you might think about how Aladdin craves both freedom (from hunger, prison, and poverty) and power throughout the movie, and how other characters' desires for freedom or power shape them as well. You might think about how Aladdin and Jasmine each describe themselves as "trapped" at first, despite their different circumstances, and how the Genie is happy to trade physical strength for a vacation at the end.
• Pick the themes that resonate with you. The best writing comes from enthusiasm, so channel what excites you into your work.
• Remember that directors don’t necessarily put themes in on purpose. For instance, many critics felt that objectification of women was a theme throughout Transformers, but it’s unlikely that the director consciously chose to do this. [14] X Research source

• In your analysis of Aladdin , you would want readers to know that the movie's story is based off of a cycle of legends called the 1001 Nights and that its images are inspired by an earlier, unfinished movie called The Thief and the Cobbler. [16] X Research source

• To summarize Aladdin , you'd want to say that it's the story of a clever young man whose life changes forever when an encounter with a Genie grants him incredible power and privilege--though not without a cost.
• It should go without saying, but if you're writing a review, no spoilers. Don’t describe any major twists or resolutions.
• If you're writing a more formal analysis for class, it's okay to explain the whole plot.
• Don’t get too snarky. A joke or two is fine.

• In the story of Aladdin , you could make the argument that power is a trap. Both Jasmine and the Sultan are royalty, but their lives are ruled by antiquated marriage laws and Jafar, a vizier who towers over both of them. Both Jafar and Aladdin use the Genie to gain great temporary control, but these new powers are capricious. Jafar is defeated by his power: he turns into a genie and is imprisoned in a lamp. By the end, Jasmine has been freed to marry who she wants, and Aladdin has chosen to free the Genie, as he promised. The characters who choose their own freedom--and prioritize others' freedom at the expense of their own power--are rewarded.
• You don’t have to tie all your observations back to a simple thesis, necessarily. However, it’s good to stay on task.

• In the conclusion of your analysis of Aladdin , you might decide that its emphasis on the joys of freedom resonated with you and made the movie a popular hit, but you were troubled about how casual the protagonist was about making weaker or indentured characters (like the monkey, carpet, and Genie) do his work for him.
• Overall, do you think the movie was a success? Can you imagine the filmmakers exploring similar visions later?
• If you’re writing an accessible review for a large audience, feel free to make a recommendation about what types of people might be interested in the movie (costume fans, classical music buffs, people who like watching things blow up…)

Expert Q&A

• Keep it interesting, but get the information across. Thanks Helpful 0 Not Helpful 0
• Be sure to include the good and the bad, or at least try. Thanks Helpful 0 Not Helpful 0
• It is helpful to give time for the movie to sink in while you think about it before jotting everything down immediately. You may realize something you didn't before and that could change your whole view of the movie! Thanks Helpful 0 Not Helpful 0

• Don’t try to cram everything about a movie into one essay. It’s unnecessary--just focus on what you find important. Thanks Helpful 2 Not Helpful 3

You Might Also Like

• ↑ http://nymag.com/scienceofus/2015/04/why-you-should-go-to-the-movies-alone.html
• ↑ http://www.filmsite.org/filmview.html
• ↑ https://www.buzzfeed.com/donnad/8-myths-about-the-wizard-of-oz
• ↑ http://www.newyorker.com/news/news-desk/almost-everything-in-dr-strangelove-was-true
• ↑ http://www.movieoutline.com/articles/the-five-key-turning-points-of-all-successful-movie-scripts.html
• ↑ http://www.businessinsider.com/how-to-tell-good-acting-from-bad-acting-2014-9
• ↑ https://voicebunny.com/blog/how-to-learn-accents-and-dialects-like-a-champ/
• ↑ http://www.brazen.com/blog/archive/smart-hacks/7-body-language-rules-you-can-learn-from-a-legendary-dead-actor/
• ↑ https://www.videomaker.com/article/c10/1384-camera-work-shots-and-scenes
• ↑ Stephen Cardone. Professional Photographer. Expert Interview. 5 May 2020.
• ↑ http://www.rogerebert.com/reviews/marie-antoinette-2006
• ↑ http://www.nytimes.com/2012/11/16/movies/anna-karenina-from-by-joe-wright-with-keira-knightley.html?_r=0
• ↑ http://www.filminquiry.com/analyse-movies-introduction/
• ↑ http://www.crlsresearchguide.org/17_Writing_Introduction.asp
• ↑ http://mentalfloss.com/article/74031/13-beautiful-facts-about-thief-and-cobbler
• ↑ http://writingcenter.unc.edu/handouts/summary-using-it-wisely/

About This Article

To analyze a movie, start by introducing its background, along with any ideas you had about the film before you saw it. Then, briefly describe the movie’s major conflict, and summarize its plot. Next, talk about the themes you found interesting, and explain how the film supported those themes. You should also speak to what you didn’t like, or what wasn’t well done in the movie. Finally, give your overall assessment, backing up your opinion with the previous analysis, and providing any suggestions to others who might want to watch the film. For tips on how to analyze a movie’s cinematography, soundtrack, or acting, keep reading! Did this summary help you? Yes No

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Film Analysis: Example, Format, and Outline + Topics & Prompts

Films are never just films. Instead, they are influential works of art that can evoke a wide range of emotions, spark meaningful conversations, and provide insightful commentary on society and culture. As a student, you may be tasked with writing a film analysis essay, which requires you to delve deeper into the characters and themes. But where do you start?

In this article, our expert team has explored strategies for writing a successful film analysis essay. From prompts for this assignment to an excellent movie analysis example, we’ll provide you with everything you need to craft an insightful film analysis paper.

• 📽️ Film Analysis Definition

📚 Types of Film Analysis

• ✍️ How to Write Film Analysis
• 🎞️ Movie Analysis Prompts
• 🎬 Top 15 Topics

📝 Film Analysis Example

• 🍿 More Examples

🔗 References

📽️ what is a film analysis essay.

A film analysis essay is a type of academic writing that critically examines a film, its themes, characters, and techniques used by the filmmaker. This essay aims to analyze the film’s meaning, message, and artistic elements and explain its cultural, social, and historical significance. It typically requires a writer to pay closer attention to aspects such as cinematography, editing, sound, and narrative structure.

Film Analysis vs Film Review

It’s common to confuse a film analysis with a film review, though these are two different types of writing. A film analysis paper focuses on the film’s narrative, sound, editing, and other elements. This essay aims to explore the film’s themes, symbolism , and underlying messages and to provide an in-depth interpretation of the film.

On the other hand, a film review is a brief evaluation of a film that provides the writer’s overall opinion of the movie. It includes the story’s short summary, a description of the acting, direction, and technical aspects, and a recommendation on whether or not the movie is worth watching.

Wondering what you should focus on when writing a movie analysis essay? Here are four main types of film analysis. Check them out!

📋 Film Analysis Format

The movie analysis format follows a typical essay structure, including a title, introduction, thesis statement, body, conclusion, and references.

The most common citation styles used for a film analysis are MLA and Chicago . However, we recommend you consult with your professor for specific guidelines. Remember to cite all dialogue and scene descriptions from the movie to support the analysis. The reference list should include the analyzed film and any external sources mentioned in the essay.

When referring to a specific movie in your paper, you should italicize the film’s name and use the title case. Don’t enclose the title of the movie in quotation marks.

📑 Film Analysis Essay Outline

A compelling film analysis outline is crucial as it helps make the writing process more focused and the content more insightful for the readers. Below, you’ll find the description of the main parts of the movie analysis essay.

Film Analysis Introduction

Many students experience writer’s block because they don’t know how to write an introduction for a film analysis. The truth is that the opening paragraph for a film analysis paper is similar to any other academic essay:

• Start with a hook to grab the reader’s attention . For example, it can be a fascinating fact or a thought-provoking question related to the film.
• Provide background information about the movie . Introduce the film, including its title, director, and release date. Follow this with a brief summary of the film’s plot and main themes.
• End the introduction with an analytical thesis statement . Present the central argument or interpretation that will be explored in the analysis.

Film Analysis Thesis

If you wonder how to write a thesis for a film analysis, we’ve got you! A thesis statement should clearly present your main idea related to the film and provide a roadmap for the rest of the essay. Your thesis should be specific, concise, and focused. In addition, it should be debatable so that others can present a contrasting point of view. Also, make sure it is supported with evidence from the film.

Let’s come up with a film analysis thesis example:

Through a feminist lens, Titanic is a story about Rose’s rebellion against traditional gender roles, showcasing her attempts to assert her autonomy and refusal to conform to societal expectations prevalent in the early 20th century.

Movie Analysis Main Body

Each body paragraph should focus on a specific aspect of the film that supports your main idea. These aspects include themes, characters, narrative devices , or cinematic techniques. You should also provide evidence from the film to support your analysis, such as quotes, scene descriptions, or specific visual or auditory elements.

Here are two things to avoid in body paragraphs:

• Film review . Your analysis should focus on specific movie aspects rather than your opinion of the film.
• Excessive plot summary . While it’s important to provide some context for the analysis, a lengthy plot summary can detract you from your main argument and analysis of the film.

Film Analysis Conclusion

In the conclusion of a movie analysis, restate the thesis statement to remind the reader of the main argument. Additionally, summarize the main points from the body to reinforce the key aspects of the film that were discussed. The conclusion should also provide a final thought or reflection on the film, tying together the analysis and presenting your perspective on its overall meaning.

✍️ How to Write a Film Analysis Essay

Writing a film analysis essay can be challenging since it requires a deep understanding of the film, its themes, and its characters. However, with the right approach, you can create a compelling analysis that offers insight into the film’s meaning and impact. To help you, we’ve prepared a small guide.

1. Understand the Prompt

When approaching a film analysis essay, it is crucial to understand the prompt provided by your professor. For example, suppose your professor asks you to analyze the film from the perspective of Marxist criticism or psychoanalytic film theory . In that case, it is essential to familiarize yourself with these approaches. This may involve studying these theories and identifying how they can be applied to the film.

If your professor did not provide specific guidelines, you will need to choose a film yourself and decide on the aspect you will explore. Whether it is the film’s themes, characters, cinematography, or social context, having a clear focus will help guide your analysis.

2. Watch the Film & Take Notes

Keep your assignment prompt in mind when watching the film for your analysis. For example, if you are analyzing the film from a feminist perspective, you should pay attention to the portrayal of female characters, power dynamics , and gender roles within the film.

As you watch the movie, take notes on key moments, dialogues, and scenes relevant to your analysis. Additionally, keeping track of the timecodes of important scenes can be beneficial, as it allows you to quickly revisit specific moments in the film for further analysis.

3. Develop a Thesis and an Outline

Next, develop a thesis statement for your movie analysis. Identify the central argument or perspective you want to convey about the film. For example, you can focus on the film’s themes, characters, plot, cinematography, or other outstanding aspects. Your thesis statement should clearly present your stance and provide a preview of the points you will discuss in your analysis.

Having created a thesis, you can move on to the outline for an analysis. Write down all the arguments that can support your thesis, logically organize them, and then look for the supporting evidence in the movie.

4. Write Your Movie Analysis

When writing a film analysis paper, try to offer fresh and original ideas on the film that go beyond surface-level observations. If you need some inspiration, have a look at these thought-provoking questions:

• How does the movie evoke emotional responses from the audience through sound, editing, character development , and camera work?
• Is the movie’s setting portrayed in a realistic or stylized manner? What atmosphere or mood does the setting convey to the audience?
• How does the lighting in the movie highlight certain aspects? How does the lighting impact the audience’s perception of the movie’s characters, spaces, or overall mood?
• What role does the music play in the movie? How does it create specific emotional effects for the audience?
• What underlying values or messages does the movie convey? How are these values communicated to the audience?

5. Revise and Proofread

To revise and proofread a film analysis essay, review the content for grammatical, spelling, and punctuation errors. Ensure the paper flows logically and each paragraph contributes to the overall analysis. Remember to double-check that you haven’t missed any in-text citations and have enough evidence and examples from the movie to support your arguments.

Consider seeking feedback from a peer or instructor to get an outside perspective on the essay. Another reader can provide valuable insights and suggestions for improvement.

🎞️ Movie Analysis: Sample Prompts

Now that we’ve covered the essential aspects of a film analysis template, it’s time to choose a topic. Here are some prompts to help you select a film for your analysis.

• Metropolis film analysis essay . When analyzing this movie, you can explore the themes of technology and society or the portrayal of class struggle. You can also focus on symbolism, visual effects, and the influence of German expressionism on the film’s aesthetic.
• The Godfather film analysis essay . An epic crime film, The Godfather , allows you to analyze the themes of power and corruption, the portrayal of family dynamics, and the influence of Italian neorealism on the film’s aesthetic. You can also examine the movie’s historical context and impact on future crime dramas.
• Psycho film analysis essay . Consider exploring the themes of identity and duality, the use of suspense and tension in storytelling, or the portrayal of mental illness. You can also explore the impact of this movie on the horror genre.
• Forrest Gump film analysis essay . If you decide to analyze the Forrest Gump movie, you can focus on the portrayal of historical events. You might also examine the use of nostalgia in storytelling, the character development of the protagonist, and the film’s impact on popular culture and American identity.
• The Great Gatsby film analysis essay . The Great Gatsby is a historical drama film that allows you to analyze the themes of the American Dream, wealth, and class. You can also explore the portrayal of the 1920s Jazz Age and the symbolism of the green light.
• Persepolis film analysis essay . In a Persepolis film analysis essay, you can uncover the themes of identity and self-discovery. You might also consider analyzing the portrayal of the Iranian Revolution and its aftermath, the use of animation as a storytelling device, and the film’s influence on the graphic novel genre.

🎬 Top 15 Film Analysis Essay Topics

• The use of color symbolism in Vertigo and its impact on the narrative.
• The moral ambiguity and human nature in No Country for Old Men .
• The portrayal of ethnicity in Gran Torino and its commentary on cultural stereotypes.
• The cinematography and visual effects in The Hunger Games and their contribution to the dystopian atmosphere.
• The use of silence and sound design in A Quiet Place to immerse the audience.
• The disillusionment and existential crisis in The Graduate and its reflection of the societal norms of the 1960s.
• The themes of sacrifice and patriotism in Casablanca and their relevance to the historical context of World War II.
• The psychological horror in The Shining and its impact on the audience’s experience of fear and tension.
• The exploration of existentialism in Eternal Sunshine of the Spotless Mind .
• Multiple perspectives and unreliable narrators in Rashomon .
• The music and soundtrack in Titanic and its contribution to the film’s emotional resonance.
• The portrayal of good versus evil in the Harry Potter film series and its impact on understanding morality.
• The incorporation of vibrant colors in The Grand Budapest Hotel as a visual motif.
• The use of editing techniques to tell a nonlinear narrative in Pulp Fiction .
• The function of music and score in enhancing the emotional impact in Schindler’s List .

Check out the Get Out film analysis essay we’ve prepared for college and high school students. We hope this movie analysis essay example will inspire you and help you understand the structure of this assignment better.

Film Analysis Essay Introduction Example

Get Out, released in 2017 and directed by Jordan Peele, is a culturally significant horror film that explores themes of racism, identity, and social commentary. The film follows Chris, a young African-American man, visiting his white girlfriend’s family for the weekend. This essay will analyze how, through its masterful storytelling, clever use of symbolism, and thought-provoking narrative, Get Out reveals the insidious nature of racism in modern America.

Film Analysis Body Paragraphs Example

Throughout the movie, Chris’s character is subject to various types of microaggression and subtle forms of discrimination. These instances highlight the insidious nature of racism, showing how it can exist even in seemingly progressive environments. For example, during Chris’s visit to his white girlfriend’s family, the parents continuously make racially insensitive comments, expressing their admiration for black physical attributes and suggesting a fascination bordering on fetishization. This sheds light on some individuals’ objectification and exotification of black bodies.

Get Out also critiques the performative allyship of white liberals who claim to be accepting and supportive of the black community. It is evident in the character of Rose’s father, who proclaims: “I would have voted for Obama for a third term if I could” (Peele, 2017). However, the film exposes how this apparent acceptance can mask hidden prejudices and manipulation.

Film Analysis Conclusion Example

In conclusion, the film Get Out provides a searing critique of racial discrimination and white supremacy through its compelling narrative, brilliant performances, and skillful direction. By exploring the themes of the insidious nature of racism, fetishization, and performative allyship, Get Out not only entertains but also challenges viewers to reflect on their own biases.

🍿 More Film Analysis Examples

• Social Psychology Theories in The Experiment
• Anakin Skywalker/Darth Vader: George Lukas’s Star Wars Review
• Girl, Interrupted : Mental Illness Analysis
• Mental Disorders in the Finding Nemo Film
• One Flew Over the Cuckoo’s Nest Film: Interpretive Psychological Analysis
• Analysis of Spielberg’s Film Lincoln
• Glory – The Drama Movie by Edward Zwick
• Inventors in The Men Who Built America Series
• Crash Movie: Racism as a Theme
• Dances with Wolves Essay – Movie Analysis
• Superbad by G. Mottola
• Ordinary People Analysis and Maslow Hierarchy of Needs
• A Review of the Movie An Inconvenient Truth by Guggenheim
• Chaplin’s Modern Times and H.G. Wells’s The Island of Dr. Moreau
• Misé-En-Scene and Camera Shots in The King’s Speech
• Children’s Sexuality in the Out in the Dark Film
• Chinese and American Women in Joy Luck Club Novel and Film
• The Film Silver Linings Playbook by Russell
• The Role of Music in the Films The Hours and The Third Man
• The Social Network : Film Analysis
• My Neighbor Totoro : Film by Hayao Miyazaki
• Marriage Story Film Directed by Noah Baumbach

❓ Film Analysis Essay: FAQ

Why is film analysis important.

Film analysis allows viewers to go beyond the surface level and delve into the deeper layers of a film’s narrative, themes, and technical aspects. It enables a critical examination that enhances appreciation and understanding of the film’s message, cultural significance, and artistic value. At the same time, writing a movie analysis essay can boost your critical thinking and ability to spot little details.

How to write a movie analysis?

• Watch the film multiple times to grasp its key elements.
• Take notes on the story, characters, and themes.
• Pay attention to the film’s cinematography, editing, sound, message, symbolism, and social context.
• Formulate a strong thesis statement that presents your main argument.
• Support your claims with evidence from the film.

How to write a critical analysis of a movie?

A critical analysis of a movie involves evaluating its elements, such as plot, themes, characters, and cinematography, and providing an informed opinion on its strengths and weaknesses. To write it, watch the movie attentively, take notes, develop a clear thesis statement, support arguments with evidence, and balance the positive and negative.

How to write a psychological analysis of a movie?

A psychological analysis of a movie examines characters’ motivations, behaviors, and emotional experiences. To write it, analyze the characters’ psychological development, their relationships, and the impact of psychological themes conveyed in the film. Support your analysis with psychological theories and evidence from the movie.

• Film Analysis | UNC Writing Center
• Psychological Analysis of Films | Steemit
• Critical Film Analysis | University of Hawaii
• Questions to Ask of Any Film | All American High School Film Festival
• Resources – How to Write a Film Analysis | Northwestern
• Film Analysis | University of Toronto
• Film Writing: Sample Analysis | Purdue Online Writing Lab
• Film Analysis Web Site 2.0 | Yale University
• Questions for Film Analysis | University of Washington
• Film & Media Studies Resources: Types of Film Analysis | Bowling Green State University
• Film & Media Studies Resources: Researching a Film | Bowling Green State University
• Motion Picture Analysis Worksheet | University of Houston
• Reviews vs Film Criticism | The University of Vermont Libraries
• Television and Film Analysis Questions | University of Michigan
• How to Write About Film: The Movie Review, the Theoretical Essay, and the Critical Essay | University of Colorado

Descriptive Essay Topics: Examples, Outline, & More

371 fun argumentative essay topics for 2024.

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Film Writing: Sample Analysis

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Introductory Note

The analysis below discusses the opening moments of the science fiction movie  Ex Machina  in order to make an argument about the film's underlying purpose. The text of the analysis is formatted normally. Editor's commentary, which will occasionally interrupt the piece to discuss the author's rhetorical strategies, is written in brackets in an italic font with a bold "Ed.:" identifier. See the examples below:

The text of the analysis looks like this.

[ Ed.:  The editor's commentary looks like this. ]

Frustrated Communication in Ex Machina ’s Opening Sequence

Alex Garland’s 2015 science fiction film Ex Machina follows a young programmer’s attempts to determine whether or not an android possesses a consciousness complicated enough to pass as human. The film is celebrated for its thought-provoking depiction of the anxiety over whether a nonhuman entity could mimic or exceed human abilities, but analyzing the early sections of the film, before artificial intelligence is even introduced, reveals a compelling examination of humans’ inability to articulate their thoughts and feelings. In its opening sequence, Ex Machina establishes that it’s not only about the difficulty of creating a machine that can effectively talk to humans, but about human beings who struggle to find ways to communicate with each other in an increasingly digital world.

[ Ed.:  The piece's opening introduces the film with a plot summary that doesn't give away too much and a brief summary of the critical conversation that has centered around the film. Then, however, it deviates from this conversation by suggesting that Ex Machina has things to say about humanity before non-human characters even appear. Off to a great start. ]

The film’s first establishing shots set the action in a busy modern office. A woman sits at a computer, absorbed in her screen. The camera looks at her through a glass wall, one of many in the shot. The reflections of passersby reflected in the glass and the workspace’s dim blue light make it difficult to determine how many rooms are depicted. The camera cuts to a few different young men typing on their phones, their bodies partially concealed both by people walking between them and the camera and by the stylized modern furniture that surrounds them. The fourth shot peeks over a computer monitor at a blonde man working with headphones in. A slight zoom toward his face suggests that this is an important character, and the cut to a point-of-view shot looking at his computer screen confirms this. We later learn that this is Caleb Smith (Domhnall Gleeson), a young programmer whose perspective the film follows.

The rest of the sequence cuts between shots from Caleb’s P.O.V. and reaction shots of his face, as he receives and processes the news that he has won first prize in a staff competition. Shocked, Caleb dives for his cellphone and texts several people the news. Several people immediately respond with congratulatory messages, and after a moment the woman from the opening shot runs in to give him a hug. At this point, the other people in the room look up, smile, and start clapping, while Caleb smiles disbelievingly—perhaps even anxiously—and the camera subtly zooms in a bit closer. Throughout the entire sequence, there is no sound other than ambient electronic music that gets slightly louder and more textured as the sequence progresses. A jump cut to an aerial view of a glacial landscape ends the sequence and indicates that Caleb is very quickly transported into a very unfamiliar setting, implying that he will have difficulty adjusting to this sudden change in circumstances.

[ Ed.:  These paragraphs are mostly descriptive. They give readers the information they will need to understand the argument the piece is about to offer. While passages like this can risk becoming boring if they dwell on unimportant details, the author wisely limits herself to two paragraphs and maintains a driving pace through her prose style choices (like an almost exclusive reliance on active verbs). ]

Without any audible dialogue or traditional expository setup of the main characters, this opening sequence sets viewers up to make sense of Ex Machina ’s visual style and its exploration of the ways that technology can both enhance and limit human communication. The choice to make the dialogue inaudible suggests that in-person conversations have no significance. Human-to-human conversations are most productive in this sequence when they are mediated by technology. Caleb’s first response when he hears his good news is to text his friends rather than tell the people sitting around him, and he makes no move to take his headphones out when the in-person celebration finally breaks out. Everyone in the building is on their phones, looking at screens, or has headphones in, and the camera is looking at screens through Caleb’s viewpoint for at least half of the sequence.  

Rather than simply muting the specific conversations that Caleb has with his coworkers, the ambient soundtrack replaces all the noise that a crowded building in the middle of a workday would ordinarily have. This silence sets the uneasy tone that characterizes the rest of the film, which is as much a horror-thriller as a piece of science fiction. Viewers get the sense that all the sounds that humans make as they walk around and talk to each other are being intentionally filtered out by some presence, replaced with a quiet electronic beat that marks the pacing of the sequence, slowly building to a faster tempo. Perhaps the sound of people is irrelevant: only the visual data matters here. Silence is frequently used in the rest of the film as a source of tension, with viewers acutely aware that it could be broken at any moment. Part of the horror of the research bunker, which will soon become the film’s primary setting, is its silence, particularly during sequences of Caleb sneaking into restricted areas and being startled by a sudden noise.

The visual style of this opening sequence reinforces the eeriness of the muted humans and electronic soundtrack. Prominent use of shallow focus to depict a workspace that is constructed out of glass doors and walls makes it difficult to discern how large the space really is. The viewer is thus spatially disoriented in each new setting. This layering of glass and mirrors, doubling some images and obscuring others, is used later in the film when Caleb meets the artificial being Ava (Alicia Vikander), who is not allowed to leave her glass-walled living quarters in the research bunker. The similarity of these spaces visually reinforces the film’s late revelation that Caleb has been manipulated by Nathan Bates (Oscar Isaac), the troubled genius who creates Ava.

[ Ed.:  In these paragraphs, the author cites the information about the scene she's provided to make her argument. Because she's already teased the argument in the introduction and provided an account of her evidence, it doesn't strike us as unreasonable or far-fetched here. Instead, it appears that we've naturally arrived at the same incisive, fascinating points that she has. ]

A few other shots in the opening sequence more explicitly hint that Caleb is already under Nathan’s control before he ever arrives at the bunker. Shortly after the P.O.V shot of Caleb reading the email notification that he won the prize, we cut to a few other P.O.V. shots, this time from the perspective of cameras in Caleb’s phone and desktop computer. These cameras are not just looking at Caleb, but appear to be scanning him, as the screen flashes in different color lenses and small points appear around Caleb’s mouth, eyes, and nostrils, tracking the smallest expressions that cross his face. These small details indicate that Caleb is more a part of this digital space than he realizes, and also foreshadow the later revelation that Nathan is actively using data collected by computers and webcams to manipulate Caleb and others. The shots from the cameras’ perspectives also make use of a subtle fisheye lens, suggesting both the wide scope of Nathan’s surveillance capacities and the slightly distorted worldview that motivates this unethical activity.

[ Ed.: This paragraph uses additional details to reinforce the piece's main argument. While this move may not be as essential as the one in the preceding paragraphs, it does help create the impression that the author is noticing deliberate patterns in the film's cinematography, rather than picking out isolated coincidences to make her points. ]

Taken together, the details of Ex Machina ’s stylized opening sequence lay the groundwork for the film’s long exploration of the relationship between human communication and technology. The sequence, and the film, ultimately suggests that we need to develop and use new technologies thoughtfully, or else the thing that makes us most human—our ability to connect through language—might be destroyed by our innovations. All of the aural and visual cues in the opening sequence establish a world in which humans are utterly reliant on technology and yet totally unaware of the nefarious uses to which a brilliant but unethical person could put it.

Author's Note:  Thanks to my literature students whose in-class contributions sharpened my thinking on this scene .

[ Ed.: The piece concludes by tying the main themes of the opening sequence to those of the entire film. In doing this, the conclusion makes an argument for the essay's own relevance: we need to pay attention to the essay's points so that we can achieve a rich understanding of the movie. The piece's final sentence makes a chilling final impression by alluding to the danger that might loom if we do not understand the movie. This is the only the place in the piece where the author explicitly references how badly we might be hurt by ignorance, and it's all the more powerful for this solitary quality. A pithy, charming note follows, acknowledging that the author's work was informed by others' input (as most good writing is). Beautifully done. ]

Home — Essay Samples — Entertainment — Dead Poets Society — Review Of The Film Dead Poet Society

Dead Poets Society: Film Review and Analysis

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Published: Oct 2, 2020

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How to Write a Film Analysis Essay: Format & Examples

Movie analysis essays offer a unique opportunity to take a closer look at narrative techniques and artistic aspects of filmmaking. A paper on this subject lets you explore themes, characters, cinematography, and other elements that make movies stand out. Students can improve their movie analysis abilities by reading our comprehensive guide! It has enough information to make you a movie critic in your own right.

Our team has covered the main film analysis essay components to help you thoroughly analyze movies. By the end of this read, you’ll understand how to pick the right motion picture and craft a film review that best captures its essence. The guide covers all the crucial steps for students to make a film analysis essay captivating and thought-provoking for readers. Let’s dive into cinema analysis and discover the secret behind excellent papers!

• 📽️ What Is a Film Analysis?
• 🎞️ Types of Movie Analysis

🎬 Film Analysis Template

• 🤩 11 Tips for Movie Analysis
• 💡 Film Analysis Essay Topics

🔗 References

📽️ what is a film analysis essay.

In a film analysis paper, students should closely examine the various elements of the picture. These include directing , writing , cinematography , acting , and setting . As with any critical paper, the subject is evaluated based on specific standards. Sometimes, a film may be compared to other entries in its genre or series, for example, Star Wars vs. Star Trek.

🎞️ Types of Movie Analysis Essays

Before making a movie analysis outline, it’s essential to understand what kind of essay you want to create. There are several popular types with unique goals and aims. Understanding the difference between them helps you choose the right one for the paper you want to write.

The most common types of movie analysis essays include:

• Semiotic Analysis. This type discusses the symbols and signs represented in a particular movie. With its help, you may uncover the meaning of objects or images repeated throughout the picture. It’s also possible to show connections between different examples of imagery in the film. For example, you may discuss the meaning of oranges in The Godfather .
• Narrative Structure Analysis. This common type of analysis lets you look deeper into the various story elements, such as plot, narrative structure, and characters. For example, you may use it to explore the story and setting of Psycho.
• Contextual Analysis. In a contextual analysis, you draw connections between the film and its cultural and historical context. This works well with documentary films or movies based on real events. For example, you can describe the atmosphere of the Cold War in Red Dawn and The Hunt for Red October .
• Mise-En-Scene Analysis . If you want to go into deep detail about the beauty and meaning of scenes or single shots, mise-en-scene analysis is right for you. It lets you take a look at individual elements and interpret them. For example, you may try to explain how various details of the surroundings were depicted in Akira Kurosawa’s Yojimbo. This analysis is as effective for short films as it is for feature-length ones.

Creating a high-quality, compelling essay isn’t just about being creative. It also needs structure and a systematic approach. You can’t write it right if you don’t know how to do it. So, we’ll take a closer look at each step of this process to make your journey more comfortable. Come with us and learn what makes a movie critique essay great.

Prepare for Writing the Film Analysis Paper

Before you begin your first draft, it’s vital to prepare for the film analysis. This process is divided into five stages. We’ve decided to provide some advice and ideas for each of them. Look closely at what should be done to better prepare for this task:

Movie Analysis Format & Structure

A well-organized film essay structure will help you properly present your ideas and arguments. That is why we have provided some advice on how you should format your essay.

There are several parts you should include when writing your film critique:

• Introduction . Any good piece of writing starts with a catchy introduction. It must give readers a small taste of what the paper will be about with unique insights and analysis. One look at it should be enough to hook your readers.
• Body . After writing the perfect intro, summarize the work you’ll analyze and focus on the crucial plot points. Then, provide an analysis of the motion picture at length. Check your outline to ensure you only talk about relevant aspects. When organizing each of your paragraphs , you should remember its purpose and try not to stray off topic.
• Conclusion . The last part of your paper should summarize the main points and present your final thoughts. Don’t haste and write the first thing that comes to mind. Ensure that the conclusion is as impactful as the introductory part.

Sometimes, students get too engrossed when watching a movie and leave out essential details. To make sure that doesn’t happen, follow this movie analysis template. It will help you retain information and avoid making mistakes.

🤩 11 Tips to Follow While Writing a Movie Analysis

A movie analysis essay writing requires exceptional attention to detail. We’ve come up with several terrific pieces of advice that will improve your writing skills regarding these assignments. They will work for you whether you’re analyzing a Tim Burton animated film or the legendary Titanic movie.

• Even if you’ve seen the work before, rewatch it. It will refresh your memories of it.
• Don’t rush things, and see the movie at least twice. Arrange your time to have the opportunity to refresh your memories of the plot details.
• Sometimes, it helps to work on the body of the paper before adding an introduction.
• Develop a clear thesis statement . It helps better organize the paper’s arguments.
• Closely investigate the audio and visual elements. They often help bring more nuance to the story and the film’s atmosphere.
• Don’t make the paper all about the plot. It should be an analysis and not a retelling of the entire story.
• To make the paper more professional, incorporate some technical jargon. For example, you may explain the techniques used by the camera crew or the editors.
• Do your best to remain objective. Your paper should analyze the movie elements and your opinions should be evidence-based.
• Compare the film to other genre entries. Try to tell how other works tackle the same subjects and utilize similar cinema elements .
• Check the structural integrity of the work. Comb the paper for any inconsistencies or sentences that seem to dangle in the air. Your text should be easy to follow.
• Finally, remember to edit. It’s important to polish the paper until you have all the facts, grammar, stylistics, and spelling in order.

💡 Interesting Topics for Film Analysis Essays

• Pandora’s Unobtanium: Analyzing James Cameron’s “Avatar”
• Truth and Its Consequences in “Liar Liar” Directed by Tom Shadyac
• The Feminist Revolution in “Mona Lisa Smile” by Mike Newell
• Blade Runner’s Cyberpunk Aesthetic: A Scene Analysis
• Society and Class Distinctions in “Pride and Prejudice” Movie
• Power, Loyalty, and Betrayal in “The Godfather” by Francis Ford Coppola
• The Heroine’s Journey into “The Wizard of Oz” by Victor Fleming
• Generational Saga “Mi Familia” by Gregory Nava
• Life Is Like a Box of Chocolates: A Cinematic Journey in ‘Forrest Gump’
• Transformation in “Dances with Wolves” by Kevin Costner
• Spirit of Nature and Childhood Innocence in “My Neighbor Totoro”
• Subversive Masculinity in “Fight Club” by David Fincher
• Intercultural Communication in “Lost in Translation” by Sofia Coppola
• Ethical Dilemmas and Family Bonds in “My Sister’s Keeper” by Nick Cassavetes
• Shakespearean Romance and Identity in “Shakespeare in Love” 

Three Brilliant Movie Analysis Examples

Theoretical knowledge will only take you so far. We suggest taking a look at several scene analysis essay examples. Check out these three creative samples with different analytical approaches:

• “Remember the Titans” Movie by Jerry Bruckheimer. Outstanding achievement can only be won through hardship. It doesn’t matter whether you’re fighting for equality or striving to win a football game. Each small event resonates in history. Jerry Bruckheimer’s Remember the Titans is a testament to the sacrifice and struggle people endure to make a difference. This essay analyzes the work using several scenes that capture its central message.
• The Analysis of Film “Wilby Wonderful.”   Interpersonal relationships remain a big issue from a psychological point of view for many despite the perceived ease of their maintenance. It causes many misunderstandings and conflicts people may inadvertently find themselves in. Daniel Maclvor’s Wilby Wonderful demonstrates these inadequacies in full view on the streets of the Canadian island town of Wilby. This essay analyzes the themes of self-denial and the consequences it brings.
• Mary Shelley’s Frankenstein: 1994 Movie Analysis Essay.  1994’s Mary Shelley’s Frankenstein, directed by Kenneth Branagh, is one of the many adaptations of the classic horror novel. Like the original story, it explores the consequences of man playing god. But, despite its star-ridden cast led by Robert DeNiro, the film doesn’t quite live up to its literary counterpart. This paper analyzes why the adaptation didn’t capture the spirit of the original.

We did our best to address all questions you might have had about film review writing. Feel free to use our guide and review essay examples to write excellent papers and share our articles with your friends.

• Resources – How to Write a Film Analysis. – Northwestern University
• Film Analysis. – University of North Carolina at Chapel Hill
• Film Writing: Sample Analysis. – Purdue University
• How to Write a Movie Review: 9 Essential Tips. – New York Film Academy
• Step by Step Guide to Writing an Essay on Film. – Film Threat
• How To Write a Critical Analysis in 5 Steps (With Tips). – Indeed
• Film Review. – Writing Studio, Duke University
• How to Write About Film: The Movie Review, The Theoretical Essay, and The Critical Essay. – University of Colorado Denver
• Film & Media Studies Resources: Researching a Film. – Bowling Green State University
• Questions for Film Analysis. – University of Washington

Sentiment analysis of movie reviews based on NB approaches using TF–IDF and count vectorizer

• Original Article
• Published: 16 April 2024
• Volume 14 , article number  87 , ( 2024 )

Cite this article

• Mian Muhammad Danyal 1 , 2   na1 ,
• Sarwar Shah Khan 3 , 4 ,
• Muzammil Khan 3   na1 ,
• Subhan Ullah 2   na1 ,
• Muhammad Bilal Ghaffar 2   na1 &
• Wahab Khan 2   na1  

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Movies have been important in our lives for many years. Movies provide entertainment, inspire, educate, and offer an escape from reality. Movie reviews help us choose better movies, but reading them all can be time-consuming and overwhelming. To make it easier, sentiment analysis can classify movie reviews into positive and negative categories. Opinion mining (OP), called sentiment analysis (SA), uses natural language processing to identify and extract opinions expressed through text. Naive Bayes, a supervised learning algorithm, offers simplicity, efficiency, and strong performance in classification tasks due to its feature independence assumption. This study evaluates the performance of four Naïve Bayes variations using two vectorization techniques, Count Vectorizer and Term Frequency–Inverse Document Frequency (TF–IDF), on two movie review datasets: IMDb Movie Reviews Dataset and Rotten Tomatoes Movie Reviews. Bernoulli Naive Bayes achieved the highest accuracy using Count Vectorizer on the IMDB and Rotten Tomatoes datasets. Multinomial Naive Bayes, on the other hand, achieved better accuracy on the IMDB dataset with TF–IDF. During preprocessing, we implemented different techniques to enhance the quality of our datasets. These included data cleaning, spelling correction, fixing chat words, lemmatization, and removing stop words. Additionally, we fine-tuned our models through hyperparameter tuning to achieve optimal results. Using TF–IDF, we observed a slight performance improvement compared to using the count vectorizer. The experiment highlights the significant role of sentiment analysis in understanding the attitudes and emotions expressed in movie reviews. By predicting the sentiments of each review and calculating the average sentiment of all reviews, it becomes possible to make an accurate prediction about a movie’s overall performance.

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Sentiment Analysis of IMDb Movie Reviews: A Comparative Analysis of Feature Selection and Feature Extraction Techniques

Sentiment Analysis through Word Vectors: A Study on Movie Reviews from IMDb

Complement Naive Bayes Classifier for Sentiment Analysis of Internet Movie Database

Data availibility statement.

The data that support the findings of this study are openly available through the Open Science Framework at https://github.com/Ankit152/IMDB-sentiment-analysis.git and https://www.kaggle.com/datasets/talha002/rottentomatoes-400k-review

Abbreviations

Aspect-based sentiment analysis

Artificial intelligence

Bag-of-words

Bernoulli Naive Bayes

Complement Naive Bayes

Cross-validation

Deep learning

Gaussian Naive Bayes

Grid search

Internet movie database

K-Nearest Neighbours

Support vector machines

Machine learning

Multinomial Naive Bayes

• Naive Bayes

Natural language processing

Natural language tool kit

Opinion mining

Rotten Tomatoes

True Positive

True Negative

False Positive

False Negative

• Sentiment analysis

Term Frequency–Inverse Document Frequency

Word to vector

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Acknowledgements

We sincerely thank everyone who helped us finish this research paper. We are grateful to the participants for their helpful feedback and ideas, which improved our research methods and the quality of our results. We appreciate everyone who gave their time to join our study, as this research wouldn’t have been possible without them. Thank you to everyone who took the time to contribute to this research paper.

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Mian Muhammad Danyal, Muzammil Khan, Subhan Ullah, Muhammad Bilal Ghaffar, Wahab Khan have contributed equally to this work.

Authors and Affiliations

Center for Excellence in Information Technology, Institute of Management Sciences, Peshawar, 24720, Pakistan

Mian Muhammad Danyal

Department of Computer Science, City University of Science and Information Technology, Peshawar, 25000, Pakistan

Mian Muhammad Danyal, Subhan Ullah, Muhammad Bilal Ghaffar & Wahab Khan

Department of Computer and Software Technology, University of Swat, Swat, 19130, Pakistan

Sarwar Shah Khan & Muzammil Khan

Department of Computer Science, Iqra University Swat Campus, Swat, 19130, Pakistan

Sarwar Shah Khan

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The author contributions are as follow: “Conceptualization, MMD and SSK; methodology, MBG and MK; software, MMD, SU; validation, SSK and WK; formal analysis, MK, WK, and MBG; investigation, SU; data curation, SU and SSK; writing-original draft preparation, MMD, and MBG; writing-review and editing, SSK; visualization, MBG, and MK.

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Correspondence to Muzammil Khan .

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Danyal, M.M., Khan, S.S., Khan, M. et al. Sentiment analysis of movie reviews based on NB approaches using TF–IDF and count vectorizer. Soc. Netw. Anal. Min. 14 , 87 (2024). https://doi.org/10.1007/s13278-024-01250-9

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Camouflage review – the dark past of Argentina’s dirty war detention centres

Author Félix Bruzzone fronts this haunting film about Campo de Mayo, where his mother was among tens of thousands of people who ‘disappeared’ under the dictatorship

T he dark past of Campo de Mayo, a military camp that once served as a vast detention centre during Argentina’s so-called dirty war , is excavated in Jonathan Perel’s haunting documentary. Following noted author Félix Bruzzone as he jogs alongside the infamous site, the film is structured around the writer’s run in which the past and the present entwine. His encounters with witnesses of the dictatorship’s atrocities show that history is far from dormant, but a living, breathing thing.

Having lived in the area, Bruzzone was only recently made aware of his family ties to the site. Abducted by the secret police and taken to Campo de Mayo, his mother was among the tens of thousands who “disappeared” under the military regime. This painful memory is mirrored by Bruzzone’s conversation with an archaeologist, who talks about the human bones buried under the base, as well as the lush vegetation that flourishes above ground. The juxtaposition is startling if morbid. Indeed, as an estate agent tells Bruzzone: in spite of the camp’s horrific legacy, the prices of nearby properties have steadily risen over the years.

At one point, Bruzzone roams through the landscape wearing a VR headset, which conjures 3D-images of the camp’s torture huts, now demolished. Invisible to the naked eye, the resurrected images are at once fragile and pregnant with meaning, pointing to the impossibility of fully representing past atrocities. At the same time, one sequence where Bruzzone talks with a young woman who sells the camp’s soil to tourists – which struck me as especially staged – turned out to be scripted, with the souvenir vendor played by an actor. Compared to other elements of the film, the transition between documentary and re-enactment is much less fluid. Perhaps this clumsiness is itself symbolic, signalling how the journey towards the past is far from a smooth progression, but instead full of gaps and stumbles.

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8 New Movies Our Critics Are Talking About This Week

Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about even if you’re not planning to see them.

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By The New York Times

A vampire flick with a familiar bite.

A group of bumbling criminals kidnap a young girl and hold her for ransom, but the titular 12-year-old ballerina turns out to have more than just tulle up her sleeve.

From our review:

A cheerfully obvious splatterthon, the new horror movie “Abigail” follows a simple, time-tested recipe that calls for a minimal amount of ingredients. Total time: 109 minutes. Take a mysterious child, one suave fixer and six logic-challenged criminals. Place them in an extra-large pot with a few rats, creaking floorboards and ominous shadows. Stir. Simmer and continue stirring, letting the stew come to a near-boil. After an hour, crank the heat until some of the meat falls off the bone and the whole mix turns deep red. Enjoy!

In theaters. Read the full review .

Less-than-glorious “basterds.”

‘the ministry of ungentlemanly warfare’.

Based on a true story of an (until recently) unknown World War II operation, this film features some ungentlemanly types who are tasked with cutting off Germany’s resources by sinking their supply ships.

“The Ministry of Ungentlemanly Warfare,” the latest offering from the director Guy Ritchie, is a perfect airplane movie. That is not a compliment, but it’s not exactly a dis. Some movies shouldn’t be watched on planes — slow artful dramas, or movies that demand concentration and good sound (please do not watch “ The Zone of Interest ” on your next flight). But you’ve got to watch something, and for that, we have movies like this one.

Like if Dorothy Gale was your Uber driver.

‘the stranger’.

In this thriller, originally released as 13 short-form episodes on the streaming service Quibi, the indie-film scream queen Maika Monroe plays a Los Angeles transplant fresh from Kansas who works as a ride-hail driver who must face off against a murderous passenger.

The recut version (on Hulu) bears little trace of its earlier form, although its life span across algorithm-driven streaming companies does cast the villain’s tech preoccupations — “whoever figures out the mathematical formula determining the losers and the winners in life will rule” the world, he declares — in a new, meta light.

Watch on Hulu . Read the full review .

A queer period piece — but the period is summer 2020.

‘stress positions’.

After New York goes on lockdown, Terry (John Early) clashes with the other tenants of the brownstone he shares with his soon-to-be-ex-husband.

If some of the points seem muddy, the filmmaking is expressive and deliberate. With shimmer, shadow and verve, “Stress Positions” — which recently closed the New Directors/New Films festival — captures the often hallucinatory pandemonium wrought by that “long-ago” moment.

The prince and the pauper fall in love.

Ryuta (Hio Miyazawa) is a personal trainer with an ailing mother, a big secret and no cash. Can a romance with a wealthy magazine editor fix his problems, or do their differences doom their relationship from the start?

Class is the central theme in “Egoist”: Kosuke and Ryuta’s star-crossed romance shows us how money, and the struggle to make ends meet, can complicate even the most genuine love. But as the film leans into melodrama, it loses both its friction and frisson, and a steaming-hot premise turns into something cold to the touch.

There’s always one more “one last job.”

‘blood for dust’.

Seventeen months after a theft scheme goes horribly wrong, two former colleagues-in-crime reunite for a drug-running operation.

Directed by Rod Blackhurst, “Blood for Dust” is a throwback, in the sense of being exceedingly familiar. An early shot of a snow-covered parking lot inevitably evokes “Fargo,” but “Blood for Dust” doesn’t have a witty line or a glimmer of humor. The climactic shootout is so dimly lit that it’s difficult to discern who is firing at whom. It’s easy enough to guess.

In theaters and available to rent or buy on most major platforms . Read the full review .

A private world of childhood friendship, ruptured.

‘we grown now’.

Two young boys, residents of the Cabrini-Green public housing development in Chicago, confront harsh realities while also chasing whimsy (including an excursion to the Art Institute of Chicago).

You’re immediately invested in Malik and Eric, who together have formed a private world that, like the museum, exists apart from real life, its pressures and its dangers. The sound design is particularly effective at conveying the little bubble that the children have created for themselves. The babble of outside voices and music in Cabrini never seems to stop flowing, but you never really hear what anyone says.

Zack Snyder serves up a chaotic stew of references.

‘rebel moon — part two: the scargiver’.

The second half of Zack Snyder’s space opera follows a group of interplanetary warriors as they attempt to defeat an imperial army.

The script by Snyder, Kurt Johnstad and Shay Hatten trips over its aspirations whenever any character talks. There’s not a single authentic conversation, just exposition dumps and soliloquies. Finally, after an hour of speeches, we’re treated to an hour of rousing warfare. Primal, pitiless, agonizing carnage is where Snyder excels. He’ll kill anyone, even nice people, even grandmothers-turned-guerrilla warriors who just want to get back to folk dancing.

Watch on Netflix . Read the full review.

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As “Sex and the City” became more widely available on Netflix, younger viewers have watched it with a critical eye . But its longtime millennial and Gen X fans can’t quit.

Hoa Xuande had only one Hollywood credit when he was chosen to lead “The Sympathizer,” the starry HBO adaptation of a prize-winning novel. He needed all the encouragement he could get .

Even before his new film “Civil War” was released, the writer-director Alex Garland faced controversy over his vision of a divided America  with Texas and California as allies.

Theda Hammel’s directorial debut, “Stress Positions,” a comedy about millennials weathering the early days of the pandemic , will ask audiences to return to a time that many people would rather forget.

If you are overwhelmed by the endless options, don’t despair — we put together the best offerings   on Netflix , Max , Disney+ , Amazon Prime  and Hulu  to make choosing your next binge a little easier.

Sign up for our Watching newsletter  to get recommendations on the best films and TV shows to stream and watch, delivered to your inbox.

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Justice league: crisis on infinite earths - part two review - disappointing superhero film lacks urgency.

Justice League: Crisis on Infinite Earths - Part Two is missing what the first film had in spades - heart, great action, and a sense of urgency.

• Justice League: Crisis on Infinite Earths - Part Two has limited character development, which impacts the emotional investment.
• Low stakes and lack of urgency make the film's plot feel tedious.
• Lack of focus and interconnection between characters weakens the overall story.

Justice League: Crisis on Infinite Earths - Part Two begins directly after Crisis on Infinite Earths - Part One , an unexpectedly moving entry , ends, continuing the story of the Monitor (Jonathan Adams) and the multiverse of superheroes who are doing everything in their power to stop the destruction of their earths. The film is two of three that will close out the DC Universe Animated Movies’ Tomorrowverse , but while Part One had plenty of action and a lot of heart, Part Two falters and loses steam. The stakes aren’t as high and the characters are more scattered without focus.

Crisis On Infinite Earths - Part Two Lacks Heart

There’s little development of character relationships.

The first film had a lot going on, but it was grounded by The Flash and Iris West. Crisis on Infinite Earths - Part Two writer James Krieg chooses to center Supergirl (Meg Donnelly) and her time with the Monitor (instead of with Brainy and others) after her ship is pulled in by his satellite (David Kaye). The Monitor grows fond of Supergirl, and they have a father-daughter relationship, but it’s one that barely registers. When she discovers the Monitor’s task is to observe and not interfere in multiversal happenings, their relationship takes a hit.

There’s so little time spent on the Bat Family in general that, by the time they start fighting each other (influenced by an external source), the investment isn’t there to care very much about the outcome.

Their dynamic is an intriguing one, but it’s barely explored. Time passes, but we don’t get that same sense of heart or emotional investment that was so critical to Part One’s success. Supergirl and the Monitor’s relationship, as well as Supergirl’s overall journey, are devoid of emotion and neither are strong enough to carry the film through to the end. Elsewhere, Earth-3 Batman (Jensen Ackles) interacts with his multiverse family — Robin (Zach Callison), Batgirl (Gideon Adlon), Batman Beyond (Will Friedle), among others — but he’s resistant to their help and their affection.

There’s so little time spent on the Bat Family in general that, by the time they start fighting each other (influenced by an external source), the investment isn’t there to care very much about the outcome. There are scenes filled with potential, especially when it comes to the Monitor being influenced by Supergirl’s presence and conviction to help, but they ultimately fall flat. When Supergirl has a nightmare involving Brainy, a relationship that is largely talked about but not fully shown, I was unmoved by the horror she felt, but was obviously meant to stir something in us.

Justice League: Crisis On Infinite Earths - Part Two Has Low Stakes

It's also not as exciting as crisis on infinite earths - part one.

The underwhelming character dynamics affect the stakes of the mission. Saving the multiverse can start to feel a bit tedious when there’s little investment in everything else. Superheroes, including Wonder Woman and Superman, battle shadow demons, but there is no sense of urgency. It’s as though the film, directed by Jeff Wamester, is stalling. The multiverse, for all its vastness, feels small. With The Flash running around to different worlds, Crisis on Infinite Earths - Part One actually felt like the multiverse was ending. Part Two offers little interconnection between characters or intrigue in what’s happening that doesn’t quickly grow tiresome.

Even the drama involving Psycho-Pirate (Geoffrey Arand), a character who has the most interesting storyline and flair, can’t save Crisis on Infinite Earths - Part Two from being a subpar superhero outing. With so many characters to service and various earths to visit, DC’s animated film falls short of greatness because it doesn’t fully engage with all its moving parts. It drags on for too long and, when the Monitor discovers there is something more sinister going on behind the multiverse’s collapse, the interest in finding out what’ll happen (even if many already know) has deflated.

As it stands, Justice League: Crisis on Infinite Earths - Part Two is a disappointing entry, failing to truly and comprehensively build a bridge between the first film and the third film. I was excited to see how the rest of the story would unfold, but with an overall lack of focus, stakes, and thrill, the second installment is weaker than the first film. Here’s hoping the third film in the trilogy can pick up the slack and deliver a solid conclusion.

Justice League: Crisis on Infinite Earths - Part Two is now available on digital and Blu-ray.

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’13 going on 30′ cast reunion: jennifer garner, mark ruffalo & judy greer celebrate anniversary, quentin tarantino drops ‘the movie critic’ as his final film.

By Justin Kroll

Justin Kroll

Film Editor

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EXCLUSIVE: Quentin Tarantino ’s movies are always full of surprises, and here is one about The Movie Critic we did not expect. Deadline can reveal that Tarantino has dropped the film as his 10th and final project. He simply changed his mind, Deadline has been told.

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Word is that Tarantino had rewritten his script, which delayed the start of production. But this is his 10th and final film, and Tarantino simply decided The Movie Critic will not be it.

This is the biggest surprise to Tarantino fans since years back when Deadline revealed he had shelved The Hateful Eight after he gave a small group of actors his script and one of them shared it with their rep. Soon it had been copied and the rough draft was shared all over town and online. Tarantino felt betrayed, but he eventually returned to the project after staging a reading for charity and drawing raves for it.

As for The Movie Critic, originally planned to be his 10th and final film, Tarantino has simply had a change of heart and Deadline hears he will not be moving forward with the project. Sources close to the director said he changed his mind and is going back to the drawing board to figure out what that final movie will be.

The Movie Critic project gained a lot of momentum after the SAG-AFTRA strike ended when Deadline broke that Pitt would be joining the film, with the hope to start shooting it in 2024. Tarantino opened up a bit to Deadline’s Baz Bamigboye  at Cannes in May, when the filmmaker presided over a screening of  Rolling Thunder . He said at the time his movie was set in California the year of that film’s release, which was 1977, and that it “is based on a guy who really lived but was never really famous, and he used to write movie reviews for a porno rag.”

Like with shelving The Hateful Eight , Tarantino has pivoted when he finds it necessary, a trait that has served him well in his career and is sure to help on whatever he does decide to do as his final film.

We will update the story when there is more to reveal.

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“Where is Anne Frank?” (2024) Review – A Beautiful and Frustrating Movie

“where is anne frank” plot summary.

“Where is Anne Frank?” starts with a preface about who Anne Frank is and the context for her diary today. Most kids learn about Anne Frank through the assigned reading of “The Diary of Anne Frank,” a firsthand account of a child during the Nazi occupation. Written and directed by Ari Folman (the acclaimed filmmaker behind 2008’s animated documentary “Waltz with Bashir”), “Where is Anne Frank?” makes the same case of enlightening children and their families about the Holocaust. While the animation is gorgeous, the resulting narrative can be muddled and deter the film’s message. 

“Where is Anne Frank?” tells two stories to captivate and educate audiences. The first bold and controversial choice is telling part of Anne’s story through her imaginative friend, Kitty (Ruby Stokes), a young girl who has come to life through Anne’s diary. Kitty is trapped in present-day Amsterdam, trying to search for her old friend, Anne (Emily Carey). 

Through Kitty’s memories and Anne’s own diary, we see flashbacks of Anne talking to Kitty and Anne’s family and freedom slowly succumbing to fear and restraint in Nazi-occupied Germany. Meanwhile, Kitty materializes and can be seen by other people when she leaves Frank’s house. She befriends a boy named Peter (Ralph Prosser), who understands that she’s truly Anne’s imaginary friend, and he tries to show her what happened to Anne Frank while conveying that discrimination and hate still exist. Kitty must cope with current discrimination, the loss of her friend, and how to honor her memory.

“Where is Anne Frank?” is as fascinating as it is frustrating. It can deliver a powerful message for children, but it also strangely simplifies the causes and solution to historic discrimination. The soundtrack and visuals are lush and captivating for any audience member, yet by focusing on the fictional Kitty, the story unravels in confusing and possibly offensive ways. Kids love magical realism, but it’s difficult to determine if the true story about a young girl experiencing the Holocaust is appropriate for magical realism. “Where is Anne Frank?” should be asking more questions about the framing of the story and why.

Content Information

“Where is Anne Frank?” is not rated, but includes mature discussions about anti-semitism, death, sex, genocide, and war. 

Other Noteworthy Information

• Writer and director Ari Folman’s parents are Holocaust survivors. 

“Where is Anne Frank?” General Information

Character descriptions.

Please Note: This character guide is not an exhaustive list of every cast member, and character descriptions may contain what can be considered spoilers.

Kitty (Ruby Stokes)

Kitty is Anne’s imaginary friend who longs to be real. She’s inquisitive and brave, but when she has a chance at an actual life, she’s hurt by what she learns about people. 

• The actor is also known for their role in “The Burning Girls.”

Anne Frank (Emily Carey)

Anne is a typical teen girl with fantasies, crushes, and a teasing relationship with her sister. But when Nazis start to take away Jewish people’s rights, Anne has to grow up fast.

• The actor is also known for their role in “House of the Dragon.”

Peter (Ralph Prosser)

Peter is one of the people who believes and wants to help Kitty. As someone who has faced his fair share of discrimination, Peter has only had himself to depend on.

• The actor is also known for their role in “.”

“Where is Anne Frank?” Review

Our Rating: Mixed (Divisive)

Let us know your thoughts in the comments:

•  What did you think of “Where is Anne Frank?” How did it handle the sensitive material? Would you show this to a child? 

Lush Animation Creates Mesmerizing Magic

Director Ari Folman sticks with classic 2D animation to illustrate the dreams, fantasies, and world of Anne Frank and Kitty. But every scene feels captivating, lively, and filled with secrets in every frame. Stills do not do justice to the lush animation conveyed in “Where is Anne Frank?” Viewers may be confused by the story but are immediately entranced by the animated world of “Where is Anne Frank?”

On The Fence

Whose story is this.

“Where is Anne Frank?” tries to balance telling Frank’s story through the eyes of her imaginary friend, Kitty, while also telling a present-day story through the eyes of Kitty. The framing device is intriguing, but gets muddled when we start seeing Anne Frank’s memories or Kitty’s fantasies. In the middle of an argument about why Kitty is a redhead, Anne claims she’s confused because she made Kitty up. I’m equally confused. What works as a poetic short story suffers from convoluted twisting when trying to show flashbacks and, today, fact and fiction. 

Magical Realism of the Holocaust

“Where is Anne Frank?” may be a more accessible reimagining of Frank’s diary, and it may just educate a viewer who knows nothing. But it also comes at the cost of details that harm knowledge about actual tragedies. The end of “Where is Anne Frank?” is shockingly simple with national trauma and traumatic with what was supposed to be its simple B-story. Are people invested in Kitty’s love story or how she came to be? Are they more interested in that than the story of Frank? The movie tries to have it both ways and claims all we need is a passionate speech to treat each other equally. All of it feels well-intentioned but has bad results.

Good If You Like

• More mature animated films and stories about Anne Frank.

Recommendations

If you like this movie, we recommend:

• The Book Thief
• Oppenheimer

Check out our movies page for our latest movie reviews and recommendations.

The post “Where is Anne Frank?” (2024) Review – A Beautiful and Frustrating Movie first appeared on Wherever I Look and is written by Austin Estrada .

Movie Reviews

Tv/streaming, collections, great movies, chaz's journal, contributors, final analysis.

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“Final Analysis” is a dedicated example of one of my favorite genres, the overwrought psychological thriller. It's the kind of movie where, if it doesn't end in a fight to the death high up in a lighthouse lashed with lightning, it should. This one does, with the hero hanging by his fingernails high above the cruel rocks below.

Hitchcock would have liked the screenplay, which involves at least two love triangles, maybe three, among a handsome psychiatrist, two sexy but neurotic sisters, and a sadistic husband. He might have also gone for a key plot device, the newly discovered condition named “pathological intoxication,” which causes the sufferer to go berserk after even the teensiest drop of alcohol.

What Hitchcock probably would not have enjoyed, alas, is the complexity of the story. This is one of the most labyrinthine thrillers I've ever seen, with so many twists and turns in the plot and so many double-reverses involving the two sisters that I wish I could see it again and take a lot of notes. Most audiences are likely to emerge dazed and a little goofy, convinced they've seen a humdinger, but unable to quite describe it.

The movie, which begins with the time-honored words, “I had the dream again last night . . .,” stars Richard Gere as a San Francisco psychiatrist whose patient, the beautiful Uma Thurman , still suffers from a traumatic secret in her past. She suggests that the doctor talk to her sister to discover more clues to her condition. When Gere discovers that the sister is Kim Basinger , he is happy to oblige, and of course it turns out there are a lot of lurid secrets from their childhoods - but nothing compared to the lurid secrets they're working on currently.

Basinger is married to a cruel millionaire ( Eric Roberts , cast as yet another emotional sadist). She has a way of embarrassing him in public, by taking a sip of wine and then flipping into an attack of “pathological intoxication,” which can end with the restaurant in a shambles. Gere and Basinger are attracted to each other, which inflames Roberts' own condition, “pathological jealousy,” and then there are various steamy couplings, leading up to a murder that at first seems to owe something to “ Double Indemnity ” and then turns out to owe even more to “ Fatal Attraction .” The movie was directed by Phil Joanou , a whiz kid not yet 30, whose “ State of Grace ” (1990) I much admired. That was a lean, realistic crime movie set in Hell's Kitchen and starring Sean Penn . “Final Analysis” is much more ambitious in conception, with a visual boost by Hollywood's best art director, Dean Tavoularis. It is a sensational movie to look at, wildly in love with San Francisco, with a lot of the action centering on a (fictional) lighthouse below the Golden Gate Bridge.

I'm a sucker for movies that look and feel like this. I like the pounding romantic music, the tempestuous sex scenes, the crafty ways that neurotic meddlers destroy the lives of their victims, and of course the handcrafted climax in which the characters leave their perfectly comfortable surroundings in the city and go to a lot of trouble to climb to the top of the lighthouse so that they can dangle by their fingernails, etc.

The fatal problem with the movie is construction: or rather, overconstruction. The movie is bafflingly complex. I've seen a lot of movies about the good sister and the bad sister, but here we have two sisters who are both good and both bad, and eventually the mystification of Richard Gere seems more like game-playing than any kind of remotely plausible outcome for the story. “Final Analysis” is the kind of movie that's a lot more fun to look at than to think about. Maybe that's the point.

Roger Ebert

Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.

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Final Analysis (1992)

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