maamannan movie review malayalam

• Photogallery
• വർഷങ്ങൾക്ക് ശേഷം
• ധ്യാൻ ശ്രീനിവാസൻ
• സൂര്യ - ജ്യോതിക
• malayalam News
• malayalam cinema
• movie review
• Vadivelu, Udayanidhi Stalin, Fahad Faasil, Keerthy Suresh Starrer Maamannan Movie Review Rating In Malayalam

ഫിലിം റിവ്യൂ

ക്രിട്ടിക്സ് റേറ്റിങ്

വായനക്കാരുടെ റേറ്റിങ്, സിനിമ റേറ്റ് ചെയ്യാനായി സ്ലൈഡ് ചെയ്യൂ.

Recommended News

മൂവി റിവ്യൂ

• Cast & crew
• User reviews

The community that was exploited by the town's influential man, who completely rules due to the powerful backing of the authorities. A man collects evidence to flip him upside down when he w... Read all The community that was exploited by the town's influential man, who completely rules due to the powerful backing of the authorities. A man collects evidence to flip him upside down when he was helpless to stop his endless torture. The community that was exploited by the town's influential man, who completely rules due to the powerful backing of the authorities. A man collects evidence to flip him upside down when he was helpless to stop his endless torture.

• Mari Selvaraj
• Fahadh Faasil
• Keerthy Suresh
• 62 User reviews
• 9 Critic reviews

• Rathinavelu

• CM Sindhanai Rajan

• Salem Sundaram

• Shanmugavel
• All cast & crew
• Production, box office & more at IMDbPro

More like this

Did you know

• Trivia This is said to be the final film for the lead actor, Udayanidhi Stalin.
• Goofs None of the characters speak a Salem accent, although the film is set here.

Rathinavelu : I have seen for many days here. He would not sit down no matter who says, at my house.

Veeran : Did you tell him?

User reviews 62

• vibhus-17780
• Jun 29, 2023
• How long is Maamannan? Powered by Alexa
• June 29, 2023 (India)
• Red Giant Movies
• See more company credits at IMDbPro

Technical specs

• Runtime 2 hours 37 minutes

Related news

Contribute to this page.

• See more gaps
• Learn more about contributing

More to explore

Recently viewed

• English News
• Entertainment

Maamannan Review: Is Udhayanidhi Stalin, Fahadh Faasil, Keerthy Suresh's film worth watching? Read THIS

Maamannan Twitter Review: Fans and critics who saw the film Maamannan in the United States express their thoughts on social media. Did the film genuinely connect with the audience's emotions, as Dhanush had stated? Check out these intriguing Twitter reviews of the film Maamannan

Maamannan, directed by Mari Selvaraj and starring Udayanidhi Stalin, Keerthy Suresh, Fahadh Faasil, and Vadivelu, is in theatres today (June 29, 2023) worldwide. While Mari Selvaraj's comments on Thevar Magan in front of Kamal Haasan at the Maamannan audio launch generated controversy, and the film lacked buzz, Dhanush's tweet yesterday urged fans to book seats. "Mari Selvaraj's Maamannan is an emotional work." Mari, please accept my heartfelt congratulations. Vadivelu sir and Udhayanidhi Stalin have both given excellent performances. Fahadh and Keerthy Suresh did an excellent job. The interval will cause theatres to explode. Finally, AR Rahman Sir.. BEAUTIFUL," Dhanush exclaims.

Dhanush voiced his support for Mamannan while appearing in the film Karnan, directed by Mari Selvaraj. Many harsh comments have piled up under Dhanush's post, with some writing things like "Anna, don't even join with him," "Don't wish for Mari," and "This guy is working too hard for the money he got for promotions (Kodutha kaasukku mela koovuran)." Netiens Contrast Nenjukku Needhi with Maamannan "I'd like to see how Maamannan fits into UdhayanidhiStalin's politics," one of them says. Nenjuku Needhi, in my opinion, was a decent remake that was changed to reflect Dravidian politics."

On the other side, Red Giant Movies tweeted, "All eyes on him (Mari Selvaraj), and he's all set to leave us speechless once again with his story." Many Vadivelu fans are anticipating the film with the hope that "this might turn out to be VADIVELU's lifetime best role ever."

According to sources, the first performance in Tamil Nadu would begin at 9 a.m. Let us wait till 12 p.m. today to learn the precise crowd reaction to the film Maamannan. Maamannan Day 1 Box Office:  Mari Selvaraj's Maamannan is predicted to gross roughly Rs. 10 crores at the box office on its first day. According to early indications, the pre-booking collection has surpassed Rs. 6 crores. This is often regarded as Stalin's greatest compilation. It is worth noting that the picture received harsh criticism and had low advance bookings till yesterday afternoon. It is also stated that many Tamil Nadu fans purchased their seats for the film Maamannan just after actor Dhanush's gratitude tweet.

The film is said to have a total budget of Rs. 35 crores. Considering the budget, the day one collection reports are too good, and it will definitely make a good profit for the producer of the film.

• Fahadh Faasil
• Keerthy Suresh
• Maamannan Review
• Udhayanidhi Stalin

RELATED STORIES

Family Star: Vijay Deverakonda, Mrunal Thakur's kissing scene LEAKED online-WATCH

Deepika Padukone posts cryptic note amid her pregnancy on 'complaining' and 'praying'; read on

‘Heeramandi’: Sonakshi Sinha looks stunning in saree as she promotes her song 'Tilasmi Bahein'

Sushmita Sen shares her wedding plans; here's what she wants from her future husband

'The Kerala Story' star Adah Sharma buys Sushant Singh Rajput's apartment, says 'I got overwhelmed'

Recent Stories

Anand Mahindra offers a job to brave girl who told Alexa to mimic a dog to ward off monkey attack

Heatwave in India: 'Wear light clothes, avoid outdoor activities,' Kolkata doctor advises citizens

3 major reasons why waiting for iOS 17.5 update is worth it

Karnataka Weather department issues 18 precautions as heatwave from Chattisgarh hits state

Cyrus Mistry's sons, Firoz Mistry and Zahan Mistry, are India’s richest billionaires under 30, reveals Forbes

Recent Videos

Noticed the water sprinklers on Nitin Gadkari's campaign rath? (WATCH)

Ravi Kishan on campaign trail on a Bullet Enfield (WATCH)

Sudarsan Pattnaik honours LK Advani with Bharat Ratna tribute sand art at Puri beach (WATCH)

From AI to UPI, what Bill Gates and PM Modi will discuss during interaction in Delhi (WATCH)

Bengaluru water crisis: Residents under scrutiny for defying orders on Holi pool parties, rain dance (WATCH)

• TN Navbharat
• Times Drive
• ET Now Swadesh

entertainment news

Maamannan Movie Review: Not Fahadh Faasil, Vadivelu Steals The Show In Mari Selvaraj's Political Drama

Updated Jun 29, 2023, 19:36 IST

Maamannan Movie Review (Image Credit: IMDb)

• Maamannan has released on June 29
• Directed by Mari Selvaraj
• Rating: 4/5

Navratri Day 4: This Day is dedicated to Maa Kushmanda, Know the Puja Vidhi, Auspicious Colors and offerings

Visiting Mysore for Vacation- 8 Must Try Dishes That You Cannot Miss In The City

Chaitra Navratri 2024: Know The Spiritual Significance Of Fasting During Navratri

Omo Kogi: Man's 'First Plane' Photo Goes Viral, Netizens Ask 'Why So Sweaty?'

2nd Year AP Intermediate Result 2024 Links: How to check AP Inter Results on bieap.apcfss.in

Rohit Sharma Lifts Jasprit Bumrah After MI Pacer Completes 5-Wicket Haul Against RCB, Video Goes Viral – WATCH

Reece Topley Grabs A One-Handed Blinder To Dismiss Rohit Sharma-WATCH

Tennis-Core Takes Over The Internet One Pleated Skirt At A Time

Anand Pandit's Daughter Wedding Reception: Shah Rukh Khan, Taapsee Pannu And Other Celebs Add Glam | PICS

Premalu Movie Review: Naslen, Mamitha Baiju Starrer Is A Rollercoaster Of Love, Laughter, And Surprises<a class='WlydOe' href='https://indianexpress.com/article/entertainment/movie-review/premalu-movie-review-rating-naslen-mamitha-baiju-charming-love-story-full-of-delightful-moments-9153471/'></a>

When Boney Kapoor Nearly Brought Priyanka Chopra And Diljit Dosanjh Together For A Film: We Had To Give Up Because

Nora Fatehi On Male Superstars Cornering Her: 'They Have Entitlement Of Being Bullies'

Sikandar: Salman Khan Plans To Team Up With Deepika Padukone For 'Strong Action' Film | EXCLUSIVE

Maamannan Movie Review & Analysis

• Kollywood Review

Gist of the Story

The affluent, haughty scion of a late politician is determined to ensure that an MLA and his son, who are from an oppressed community, bow to him. They are obliged to stand up against him.

Detailed Plot

In addition to being a member of a political party that supports social justice and equality, Maamannan holds the office of MLA for the Kasipuram seat. Adhiveeran, his son, runs a pig farm in his spare time in addition to being an Adimurai instructor. As the leader of the political party that Vadivelu is affiliated with, Rathnavel, a powerful politician in the same hamlet, is also a member of the local government. Rathnavel’s brother has threatened Leela since she runs a free coaching facility. Veeran receives this issue from Leela and her pals, and Maamannan and Rathnavel engage in a massive power struggle as a result. This is how Maamannan’s tale develops.

Artistes’ Performances

Vadivelu puts up a fantastic performance the entire time while playing a serious part, displaying an intense performance. With ease, Vadivelu’s character stands out among the others; the seasoned actor handles the title part with ease. The first-half sequence starring Fahadh Faasil and Udhay will undoubtedly be memorable since he is a film’s standout contribution. In the first half, Udhaynidhi gives a controlled and effective effort; however, in the second, he truly comes into his own and excels. Another appealing aspect of the film is Fahadh’s ominous portrayal of the rival. Keerthy plays a clean and well-defined part in the movie, and she does a great job of making her dialogues count.

Direction / Technical Side

Mari Selvaraj based the plot of Maamannan on true events, and Vadivelu’s figure of the ‘Maamannan’—from whom the narrative genuinely stems—is the focal point of the action. The film does a good job of conveying Mari Selvaraj’s goal of promoting equality concept to society. Although the background is unique and has new components to support it, the fundamental political narrative is well known. The story’s main conflict starts out on a brighter note. A savvy businessman demands that a group of young people cease providing free education to kids after becoming enraged by their actions. When they refuse, he assaults their workplace. Rathnavelu, a prominent politician and the brother of the merchant, and Athiveeran end themselves at odds over this. Everything we’ve come to anticipate from a Mari Selvaraj movie is in Maamannan’s first half, including horrifying depictions of discrimination in the form of assaults against helpless humans and animals, lingering guilt, a sweet romantic theme, inhuman villainy, and heroism that inspires cheering and whistles.

The movie features numerous excellent scenes that showcase Mari Selvaraj’s talent. These scenes don’t appear randomly throughout the movie, though. The film’s second half meanders since there isn’t much of a plot to be found there. While anticipating the story’s climax in the second half, you find yourself let down since there is not enough substance. The narrative and performers’ performances are propelled by Theni Eswar’s enticing visuals and AR Rahman’s impactful soundtrack. While the score is excellent throughout and never lets the tension waver, the songs let the movie’s enthusiasm soar.

Verdict; Maamannan tackles social issues and demonstrates change through belief in the democratic system. Despite minor shortcomings, the film offers engaging experiences with outstanding performances and thrilling first-half high points. ⭐ ⭐ ⭐ ⭐ Rating: 3.5 out of 5.

We've detected your location as Mumbai . Do you want to switch?

Accurate city detection helps us serve more contextual content

• You are in (Delhi) Change City
• ETimes Home
• Web Series Trailers
• Movie Reviews
• Movie Listings

Visual Stories

• Did You Know?
• Bigg Boss 17
• Relationships
• Health & Fitness
• Soul Search
• Home & Garden
• Women's Day Special

Entertainment

• Music Awards
• Bhubaneshwar
• humburgerIcon humburgerIcon humburgerIcon

• Cast & Crew
• Movie Review
• Users' Reviews

The film wants to show us that it is possible to create change by trusting our democratic set-up.

Maamannan Movie Review: An okayish, but hardly potent sociopolitical drama

• Times of India

Maamannan - Official Trailer

Maamannan | Song - Jigu Jigu Rail (Lyrical)

Maamannan | Song - Raasa Kannu

Maamannan | Song - Nenjame Nenjame (Lyrical)

Maamannan | Song - Veerane (Lyrical)

Maamannan | Song - Kodi Parakura Kaalam (Lyrical)

SUBSCRIBE NOW

Get reviews of the latest theatrical releases every week, right in your inbox every Friday.

Thanks for subscribing.

Please Click Here to subscribe other newsletters that may interest you, and you'll always find stories you want to read in your inbox.

Thangarajan 75 159 days ago

Average ��

Thangarajan 75 170 days ago

Matthew francis 1 257 days ago.

outstanding scene's every movement added with meaning watch closely

User RAGHU 113 259 days ago

Engaging Political Thriller.

durait 1 262 days ago

Super super

Sanjeeda Shaikh radiates doll-like charm in stunning pink lehenga

Mrunal Thakur celebrates Gudi Padwa with family

10 ideas for a perfect date night with your partner

Charming clicks of Aishwarya Lekshmi

​Creatures beginning with the letter 'I'​

Janhvi Kapoor's power girl look in a white pantsuit commands attention

15 saree looks of Sayantani Ghosh for Poila Baisakh

"Where's mom?" 10 reasons why kids turn to their mothers always

​Sai Pallavi's smile enchantingly charms​

​Shama Sikander's stunning lehenga sets steal the show​

• Entertainment /
• Movie Reviews /
• This film marks the first collaboration of uncle-nephew duo Anil Kapoor and Arjun Kapoor. Arjun is the son of Anil’s brother Boney Kapoor. Share
• This film marks the first collaboration of uncle-nephew duo Anil Kapoor and Arjun Kapoor. Arjun is the son of Anil’s brother Boney Kapoor.
• This is the second time Arjun Kapoor is playing a double role, the first being Aurangzeb (2013).
• The song ‘Yamma yamma’ from ‘Shaan’ is sampled in the song ‘Partywali Night' for the film.

Choose your reason below and click on the Submit button. This will alert our moderators to take action

• Foul language
• Inciting hatred against a certain community
• Out of context/Spam
• Copied from article

• Andhra Pradesh
• Lok Sabha Elections 2024
• South Shots
• In The News
• Dakshin Dialogues

• Opinion & Analysis

• Health & Wellness
• Community & Culture

• Home » Movies » Maamannan Movie Review

Maamannan review: Mari Selvaraj’s film is more than just a simple political thriller

Vadivelu and Fahadh Faasil put up an exceptional show; barring some minor issues, the movie leaves a mark on audiences.

Published:Aug 10, 2023

A poster of 'Maamannan'. (Mari Selvaraj/ Twitter)

A must-watch!

Maamannan (Tamil)

• Cast: Udhayanidhi Stalin, Vadivelu, Fahadh Faasil, and Keerthy Suresh
• Direction: Mari Selvaraj
• Producers: Red Giant Movies
• Music: AR Rahman
• Runtime: 2 hours 37 minutes
• Cast: Salman Khan, Katrina Kaif, Emraan Hashmi, and Revathy
• Director: Maneesh Sharma
• Producer: Aditya Chopra
• Music: Pritam Chakraborty
• Runtime: 2 hours 35 minutes

Director Mari Selvaraj, best known for having delivered two critically acclaimed superhit films — Pariyerum Perumal (2018) and Karnan (2021) — comes up with a political action drama in Maamannan .

Despite its flaws, the movie succeeds in its mission of making several significant points by the time it ends.

Make no mistake about it; this film too is deep.

To the untrained eye, it might come across as just a simple political thriller that talks about a man from the oppressed classes winning an election. However, Maamannan is much more than that.

Maamannan (Vadivelu), a man from the oppressed classes, is the MLA of a particular constituency. His son Adhiveeran (Udhayanidhi Stalin) is an exponent of the ancient Tamil martial art Adimurai.

‘Maamannan’ trailer poster. (Mari Selvaraj/ Twitter)

While both father and son are equally passionate about social justice and equality, they are not on talking terms. It’s been that way for the last 15 years and the incident that triggered this cold silence happened when Maamannan was an ordinary party worker.

Maamannan’s inability to bring to justice four upper-caste villagers who brutally stoned some lower-caste boys to death for taking a dip in the temple well makes Adhiveeran stop talking to his dad.

Now, 15 years later, MLA Maamannan believes he has power and can make a considerable difference.

It is under these circumstances that one day, Leela (Keerthy Suresh) — Adhiveeran’s classmate in college — and her friends seek Adhiveeran’s help in finding a place for them to conduct free coaching classes for students from the underprivileged sections appearing for several competitive exams.

Related: ‘Maamannan’ will be my last film, says Udhayanidhi Stalin

Leela’s institute, which offers free coaching to all those students who approach it, earns the ire of another popular coaching centre that’s looking to make money.

The coaching centre’s owner who happens to be the brother of Rathnavel (Fahadh Faasil), a powerful politician from Maamannan’s party, sends goons to ravage Leela’s institute. Leela and Adhiveeran respond in kind, triggering a huge clash between both parties.

A shrewd politician he is, when Rathnavel realises that Adhiveeran is the son of his own party man Maamannan, he looks to resolve the issue peacefully by holding talks. He sends for Maamannan and Adhiveeran to sort out the issue. What happens then is what Maamannan is all about.

Today 🤴 pic.twitter.com/lTINCTaVi9 — Mari Selvaraj (@mari_selvaraj) June 29, 2023

Showcases real power game

Like all of Mari Selvaraj’s other films, this film too deals with the bias and injustice being meted out to those from the oppressed classes. However, Maamannan is distinctly different from his earlier two films.

A poster of Mari Selvaraj ‘s ‘Maamannan’. (Mari Selvaraj/ Twitter)

The protagonists of his earlier films had no real power in society and therefore had to face social injustice. But here, Maamannan (Vadivelu) suffers humiliation and belittlement despite wielding considerable power.

The film’s plot is layered and it makes many significant points. First among these is that even if those from the oppressed classes occupy positions of power, they continue to be sidelined and looked down upon.

The next point that Mari Selvaraj makes, which eventually turns out to be the USP of Maamannan , is that people from the oppressed classes must assert themselves and claim their rights. They must not look at their rights as a favour being extended to them by those from the privileged classes.

The film beautifully shines the light on the intricacies of power and how it is wielded surreptitiously by those who have been enjoying it for generations on the one hand.

At the same time, it also shows how those from the present generation, who are more aware of their rights, will not forsake their self-respect and forgo their rights, even for the sake of their parents.

Also Read: Nikhil’s ‘Spy’ is marred by inadequacies and poor execution

Nothing like a blockbuster welcome. Thank you for all the love. #Maamannan in cinemas now, book your tickets soon. @mari_selvaraj @Udhaystalin @RedGiantMovies_ @KeerthyOfficial #Vadivelu @arrahman #FahadhFaasil @thenieswar @editorselva @dhilipaction @kabilanchelliah … pic.twitter.com/WDaqQcAsog — Red Giant Movies (@RedGiantMovies_) June 29, 2023

Outstanding performances

Two people deliver outstanding performances in Maamannan .

Fahad Faasil in ‘Maamannan’. (Mari Selvaraj/ Twitter)

Fahadh Faasil as Rathnavel impresses yet again. He comes up with a performance so sharp that it is hard to imagine another actor playing his part.

Vadivelu as Maamannan showcases a side he has not shown the world so far. Measured, dignified, polite and kind always, Vadivelu as Maamannan is just exceptional.

It is completely different from what we have seen Vadivelu perform before but it is as impressive if not better than all his previous roles.

Udhayanidhi Stalin, who delivered an admirable performance in his previous film Kalaga Thalaivan (2022), comes up with yet another neat performance as Adhiveeran.

Also Read: Fans save 7 Star Sultan, the fighter-actor sheep, from getting sacrificed on Bakrid in Karnataka

Minor flaws.

While Maamannan succeeds in putting across the message it intends to send out quite convincingly, certain not-so-significant portions seem out of place or inadequate.

For instance, the flashback portions of Adhiveeran do not give a complete picture and leave the audience guessing.

We know that the boy leaves his home and goes away, disillusioned by the turn of events. However, we are not given any adequate details on Adhiveeran’s teacher who finds him and brings him back.

Also, the romantic portions between Keerthy Suresh and Udhayanidhi Stalin don’t work.

Except for these minor issues, Maamannan works big time.

(Views expressed here are personal.)

Tags:  

• Entertainment
• Movie review
• tamil movie

Recommended For You

Geethanjali Malli Vachindi review: It neither rises from the dead nor has a superior comedy

Apr 11, 2024

Bade Miyan Chote Miyan review: Action and a swashbuckling Prithviraj Sukumaran are the highlights of Ali Abbas Zafar’s directorial

Romeo review: A no-frills love story anchored by an earnest Vijay Antony

Varshangalkku Shesham review: A nostalgic journey to the 80s’ Malayalam cinema with fine performances by lead actors

Maidaan review: A treat for football buffs and Ajay Devgn fans

Latest news.

How to cut down sugar without struggle? Read these tips from experts

‘The Kerala Story’ based on true narrative, says MoS Meenakshi Lekhi

BJP ‘rebel’ KS Eshwarappa to file papers from Shimoga

Karnataka BJP MLA Shivaram Hebbar’s son Vivek joins Congress

TDP will not contest Lok Sabha elections in Telangana

Tharoor pooh-poohs BJP claim of doing well in South India

BJP worker attacked in Karnataka, party blames Congress

‘quest for dominance of hindi, hindutva, hindustan’: shashi tharoor slams bjp.

‘The Kerala Story’ based on true narrative, says Meenakshi Lekhi

Bjp leader ks eshwarappa to file nomination from shimoga seat as ‘rebel candidate’ on 12 april, bjp mla shivaram hebbar’s son vivek joins congress.

Unseen burden

Dulquer steals the show in ‘Lucky Baskhar’ teaser

Tdp not to contest lok sabha elections in telangana.

Ground Report: Annamalai–present, Senthil Balaji–absent: What it means for BJP, DMK, AIADMK in Coimbatore

Congress showing same mindset as Sangh Parivar and BJP, hence silent on CAA: CPI(M)

'Maamannan' movie review: Fiery premise, flaky results

Much like  Karnan’s  protagonist,  Maamannan’s  Adhiveeran (Udhayanidhi Stalin) boils in rage. It’s all he can do not to smash things and punch people. He might walk and talk and eat and train like a normal man, but you can feel anger/stress/pressure/call-it- what-you-will eating him from within. Mari Selvaraj, in arguably his finest first half yet, shows mastery when he shares affecting information about these characters. We learn that it has been 15 years since Adhiveeran said a word to his father, Maamannan (Vadivelu), and once that powerful detail is registered, Mari goes on to show us in black and white, the event that led to this crushing family dynamic. More than  Pariyerum Perumal , more than  Karnan ,  Maamannan —in that first half—captures the depression and rage of being oppressed and stifled in a million different ways. You can’t drink water where everyone does. You can’t swim where everyone does. You can’t study where everyone does. You can’t sit. You can’t talk. You can’t look. And here’s how it gets even worse: You can’t even vent. When under such duress, how do you not implode into a flaming fireball of destruction?

And this is why the filmmaker won’t have Adhiveeran and friends cower in fear and docility. “Fight back!” as Adhiveeran, a martial arts trainer, tells his student. “Do not be a ‘kozhai’ to an ‘ayogyan’.” We saw this call for a fightback, through violent means if needed, in  Karnan  as well. While Adhiveeran is a martial arts trainer, the woman he’s interested in is a well-meaning upper-caste ally, Leela (Keerthy Suresh), who imparts education for free.  Balam  from Adhiveeran;  budhdhi  from Leela. The twin pillars of rebellion. And in case you don’t quite get the call for rebellion, there’s the quintessential Che Guevara tee.

I wish, however, that Adhiveeran’s martial arts prowess came in for sustained use in the film. As for Leela, I wish  she  came in for more sustained use. Towards the interval, when Adhiveeran rallies his allies for a vengeful act of vandalism, Leela joins in too—and I thought, “What an unusual visual to see a woman joining an angry group of self-righteous men as they smash some property about.” And yet—and this can be said of Mari’s previous two films as well—no one woman rises into the upper echelons of narrative importance, let alone match the significance of the main men. In  Pariyerum Perumal , the main woman is a metaphor. In  Karnan , she is a peripheral girlfriend. And now, in  Maamannan , despite some initial promise, she turns into a tag-along who might be a source of motivation to the hero at some point. This is a strange, consistent miss for this thinking filmmaker.

Mari Selvaraj’s use of animals as metaphors is, by now, an expectation in his films. The pigs and their plight, in this film, stand for Maamannan, Adhiveeran, and their trampled people. This time, the dogs seem to stand for oppressors, but even they cannot escape the ire of Rathnavel (Fahadh Faasil). The docility of pigs on one side and the ferocity of dogs on the other is a picture in contrast. While on painting, even Adhiveeran’s hand-drawn images tell a story. We see him sketch a ferocious dog and it seems a strange image coming from his pencil… But he plays with our perception by making a careful addition—and suddenly, we see the dog in a new light. It’s a wonderful touch and an extension of his wish that pigs would learn to save themselves—which is, of course, a metaphor.

Fahadh is fantastic as the casteist psychopath, Rathnavel. The way he’s dressed in white, the way his facial hair is designed, the name given to him… it’s hard not to wonder whether this is a reimagination of Sakthivel from Thevar Magan. There are some father-son dynamics as well, with Rathnavel striving to live up to his late father’s expectations.  Maamannan  could well be seen as a story of two fathers, and their sons. The big difference, of course, is how Maamannan is so full of remorse, while Rathnavel and father seem to be, like your garden-variety psychopath, remorseless. In fact, Rathnavel is worse than his father (as acknowledged by the Chief Minister, played by Lal).

His psychopathy is in full display, particularly in the best portion of the film—that interval scene in which Maamannan, Adhiveeran, and Rathnavel explode off each other, while backed by a terrific AR Rahman score. At the heart of this scene is the overtly simple idea of a man sitting down. At one point, Fahadh is distraught—and it’s not because he has just been kicked by a man he considers to be inferior. It’s because another man he considers to be inferior has taken a seat in his presence. The politics of it all lends itself to irresistible drama—and the politics over who should sit and who shouldn’t gets explored later as well, when Adhiveeran comes storming into the CM chamber. It’s all a searing takedown of every leader, who expects those below him in the pecking order to remain standing in obeisance. It's also a film critical of political parties that claim to work for the downtrodden while craftily never upsetting the status quo in order to preserve power.

These touches aside, it’s hard not to wonder what the casting of a political heir like Udhayanidhi Stalin (despite a no-problem performance) means in this film. It’s hard not to notice that when Udhayanidhi’s Adhiveeran is beckoned forward by a group of commoners—a scene shot and executed to communicate the sensations of a new leader—the sun features prominently in the shot. It’s hard not to notice how gentle the film is towards the Chief Minister portrayed in the film. It’s hard not to think about what it all means and why the film is as kind towards a powerful leader who seems to paint such a helpless portrait of himself.

Where the politics of the first half makes for such an entrancing, affecting experience, the same cannot be said about the journey the film takes post-interval. With the premise perfectly positioned for a clash of its pivotal three men, the film, in trying to present a larger solution, disassociates itself from these men and gets busy with capturing election shenanigans. Alliances are forged at the cost of dignity; news channels peddle their version of entertainment; and where I was, earlier, right inside the heads of these characters, I began to process the not-so-novel election charade from a distance. It all seems a tad convenient too. When some assistance comes Adhiveeran’s way, it feels a tad too orchestrated. When Maamannan records a video to fire up his campaign, the scene doesn’t feel as powerful as it should.  Even Rathnavel becomes a shadow of the menacing antagonist he was earlier. This means that despite Adhiveeran and Maamannan learning a crucial quality from each other—restraint and rebellion, respectively—there isn’t a whole lot of interpersonal drama to be experienced as the film tapers away to a tepid end.

Even if I walked out feeling like the film had gone astray, there are still enough powerful moments to make this a worthwhile experience. There are tasteful narrative echoes too. At various points, both Adhiveeran and Maamannan find themselves unable to understand how one person’s quest for justice ends up being derailed by a thousand opponents making it an issue of honour and pride. Another beautiful echo is how Maamannan, taking a moment to gather himself before resigning to his fate, finds a companion in Rathnavel doing something similar later.

I’ll remember the film for these tasteful details, sure, but if this film endures in my memory, it shall be mainly for how Mari Selvaraj has reimagined Vadivelu and reclaimed the dignity of his onscreen persona. Somewhere at the very beginning of this film, I was a tad wary of my own instinctive urge to laugh at the sight of Vadivelu, but I needn’t have worried at all, given how quickly the actor embodies this serious character. Mari Selvaraj doesn’t just stop by refusing to milk Vadivelu’s misery for humour; he makes us empathise and root for him. He utilises the actor’s singing prowess to fuel delicate emotional moments. He goes a step further and provides the actor with hero moments as well: Bringing out a gun in one scene, aiming it at Rathnavel in another, walking into an assembly… I could go on. But the most heroic is when Maamannan, the character, practises restraint. It’s a film in which Maamannan and his son, Adhiveeran, learn the difference between restraint and cowardice—and realise that they are both the better for it. The mere urge to fight, as advocated by Karnan and Adhiveeran, won’t do. It’s important to know the when and the how. Future Mari Selvaraj films will no doubt dig more about this—and there’s enough in the imperfect Maamannan to be excited by prospects.

Director: Mari Selvaraj

Cast: Vadivelu, Udhayanidhi Stalin, Fahadh Faasil, Keerthy Suresh

Rating: 3 out of 5 stars

(This review originally appeared on cinemaexpress.com )

Follow The New Indian Express channel on WhatsApp  

Download the TNIE app to stay with us and follow the latest

Related Stories

Maamannan Movie Review

Vadivelu, fahadh and udhay come together for a mostly gripping political drama. here goes our maamannan movie review..

Performances

Story & narration, technical aspects & music.

Very few filmmakers in Tamil cinema have the craft, knowledge and a note to current affairs built into their cinema. But Mari Selvaraj, with the two films he has delivered so far, has managed to strike a strong voice into their society, and also managed to make big inroads into caste politics and the inequality that exists in our society. Maamannan, his third outing, is a testament to the same.

Mari Selvaraj bases the storyline of Maamannan on real incidents, and the pivot of the proceedings is anyways Vadivelu’s character of the ‘Maamannan’ – where the story actually originates from. Supporting by good writing and solid filmmaking strokes, the film slowly sets itself up in the first half and then gives us a terrific interval scene which is easily the best part of the film. The bang that Mari Selvaraj manages to create at the halfway point of the film breaks a huge impact, and the film catches fire from thereon and begins to hold us emotionally throughout. However, things begin to slow down in the second half where the plot progression is cut down by half. The intensity and the emotional value that the first half presents is not there in the second, which the film feels a bit lightweight here.

What works best for Maamannan is in how Mari Selvaraj handles his actors – Vadivelu is utterly brilliant in a lifetime role that gives him so much do in such a different way. The extremity that he achieves with this heavy and solid role is something that will be remembered for centuries.

Fahadh Faasil is a powerhouse addition to the film, and his scene in the first half along with Udhay will be special for sure. Udhaynidhi delivers a measured and efficient performance in the first half, and the second half is where his acting really takes off and shines. Keerthy has a neat and tidy role in the film, and does deliver her dialogues brilliantly making it count. The film also has loads of other members in the cast, who are all handpicked and do their parts to the T.

Maamannan would not be the same without AR Rahman’s excellent score which is a big boost to the film. The songs amp up the energy of the film, while the score is topnotch throughout and does not let the intensity die down at any point. The visuals by Theni Eshwar is apt too, and captures the fiery frames with great precision.

Mari Selvaraj’s Maamannan does not have the continued intensity present in films such as Pariyerum Perumal and Karnan – the film does present itself superbly but cannot get rid of few dull moments popping up here and there. However, the director once again delivers an impactful and important film that talks about pressing issues and drives home a great debate on the same. Watch it for the fantastic performances, the rousing high moments in the first half and the packaging of politics in an immersive way.

Maamannan Movie Review Rating: 3.5/5

Harish kalyan gets a packed 2023-24 slate with five films across genres, lyca productions confirm release of chandramukhi 2 for ganesh chathurthi, related posts.

DeAr Movie Review

Kalvan Movie Review

Veppam Kulir Mazhai Movie Review

Hot Spot Movie Review

• entertainment

‘Jai Ganesh’ Twitter review: Netizens praise Unni Mukundan’s magnificent performance

Jai Ganesh - Official Trailer

• WEB STORIES New
• ENTERTAINMENT
• CAREER & CAMPUS
• INFOGRAPHICS
• ISL 2023-24

• Manorama Online
• Manorama News TV
• ManoramaMAX
• Radio Mango
• Subscription

• Entertainment

'Aavesham': Fahadh Faasil reigns supreme as 'Ranga' in Jithu Madhavan's comedy-entertainer | Movie Review

After the resounding success of 'Romancham', anticipation soared among Malayali cinephiles for Jithu Madhavan's follow-up, 'Aavesham', starring Fahadh Faasil. Now gracing the silver screen, the movie is a mass entertainer, quietly entering theatres but roaring with impact. It's evident that 'FaFa' and Jithu Madhavan have masterfully delivered yet again, ensnaring audiences with a power-packed performance and storyline.

Similar to 'Romancham', 'Aavesham' is also set in Bengaluru, revolving around three college students Bibi, Santhan and Aju who join Ranga's (Fahadh) gang to confront their intimidating seniors. The film boldly 'reintroduces' Fahadh as 'Ranga,' setting the tone for his dynamic portrayal. 'Aavesham' presents Fahadh in a riveting light, brimming with vigour and intensity.

As we follow the journey of these young men, we are given a unique perspective into the life of Ranga. Initially, he may seem like the quintessential roughneck in a metro city, sporting flashy gold ornaments and Ray-Ban glasses. Yet, as the story progresses, we are compelled to consider that there is much more depth to his character than meets the eye.

Age is just a number: 71-year-old Viji Venkatesh shatters age barriers in the film industry

Premalu's triumph leads SS Karthikeya to produce films with Fahadh Faasil

The film is a whirlwind of chaos, but in the most enjoyable sense. From the opening scene to the closing credits, there's a constant stream of hilarious and entertaining events unfurling. While we've witnessed numerous unique comedic characters in Malayalam cinema, such as Mammootty's Rajamanikyam or Veerendra Mallayya in Chattambinadu, it's definite that Fahadh's portrayal in 'Aavesham' seems to draw inspiration from the latter. However, Fahadh manages to wholly embody Ranga as a character, ensuring that he transcends any notion of being a mere imitation. Ranga truly stands out as a remarkable creation in his own right. Sajin Gopu's character, Amban, is a significant source of comedy in the movie. His performance is downright hilarious, serving as Ranga's comedic counterpart.

The plot isn't overly complicated, possibly summed up in a single line, which is a standout feature. Jithu avoids lengthy character establishment, relying instead on what's shown to convey who they are. Unlike typical thug-hero roles, there's no background story spoon-fed to sympathize with the hero. Instead, it's left to the audience to decipher Ranga's character.

Sushin Shyam's background score and music add tremendous depth to the film, blending power with funkiness seamlessly. Fahadh's performance is the driving force. Sajin Gopu skillfully complements Fahadh, making their scenes together a joy to watch. Youngsters Hipster, Roshan Shanavas, and Mithun Jai Sankar also shine in their roles.

The Bengaluru setting, with its blend of Malayalam and Kannada, adds authenticity to the film, and Ranga's "eda mone" is poised to become the next trending Malayalam cinema catchphrase.

While the second half may appear to lose some focus and pace, it never strays from its essence of delivering an entertaining experience. The meticulously choreographed action sequences further elevate the film's appeal, adding an adrenaline-pumping dimension to the movie.

Ranga emerges as a character with a lasting impact, destined to linger in the minds of audiences long after the credits roll. Such is his charm and depth that a sequel seems almost inevitable.

If you're seeking laughter and entertainment in equal measure, 'Aavesham' is the perfect choice.

• Movie Review
• Entertainment News
• Fahadh Faasil
• Malayalam Cinema
• Malayalam Films

'Varshangalkku Sesham' Review | A bittersweet tribute to tinsel town’s oddball residents

'The First Omen': A dark and refreshing prequel to a horror classic | Movie Review

‘Exit’ movie: Vishak Nair plays career-defining role in this bold, survival thriller | Review

Aadujeevitham Review | Prithviraj stars in an intense tale of survival

Anchakkallakokkan review | Chemban Vinod, Lukman Avaran star in an experimental police drama

'Yodha': Sidharth Malhotra probably the only saving grace of this typical formula film | Movie Review

Kiran Rao's 'Laapataa Ladies' is a powerful exploration of female agency and resilience

'J Baby' Review | Urvashi shines in this touching family drama

• Daily BO Update
• Daily Breakdown
• Hits & Flops
• All Time Grossers
• Highest Grossers
• Highest Openers
• Highest Weekend
• Best of Overseas
• Hollywood Highest
• Fact-o-meter
• Entertainment News
• Bollywood News
• Television & Web
• Fashion & Lifestyle
• Bigg Boss 17
• Hollywood News
• What To Watch
• Bollywood Movie Reviews
• Hollywood Movie Reviews
• All South Movie Reviews
• Tamil Movie Reviews
• Telugu Movie Reviews
• Kannada Movie Reviews
• Malayalam Movie Reviews
• Marathi Movie Reviews
• Web Series Reviews
• Music Reviews
• Box Office Reviews
• Trailer Reviews
• BO Filmometer
• Stars’ Power Index
• Directors’ Power Index
• 100 Crore Club
• Worldwide 200 Crores+
• Profitable Films
• Recommended Movies
• Upcoming Movies
• Released Movies
• Web Stories
• About Koimoi

Home » Reviews » Malayalam Movie Reviews

Aavesham Movie Review: Fahadh Faasil Starrer Blends Comedy, Action & Nostalgia

Aavesham delivers solid entertainment with its captivating storyline and stellar performances.

Star Cast: Fahadh Faasil , Sajin Gopu, Mansoor Ali Khan, Midhutty, Roshan Shanavas, Mithun Jai Shankar, Ashish Vidyarthi

Director: Jithu Madhavan

What’s Good: Aavesham delivers solid entertainment with its captivating storyline and stellar performances, particularly Fahadh Faasil’ s portrayal of Ranga. The movie expertly blends humor, action, and drama, keeping the audience engaged from start to finish.

What’s Bad: While the movie’s second half may slow down slightly, it stays focused on delivering an entertaining experience. Some viewers may find the plot straightforward, with little depth in the characters’ backstories.

Loo Break: The pacing keeps the audience hooked, so take advantage of the action!

Watch or Not?: For Malayalam cinema enthusiasts, Aavesham delivers a delightful blend of Fahadh Faasil’s versatile acting, comedy, and action. If you’ve experienced ragging in college, this film will resonate nostalgically. It’s a must-watch for those who appreciate Fahadh Faasil’s talent and relish a mix of humor and excitement on screen.

Language: Malayalam

Available On: Theatrical release

Runtime: 2 hours 30 minutes

Release date: 11/04/2024

Aavesham follows the story of three college students—Bibi, Santhan, and Aju—as they confront bullying and ragging at their new Bangalore college. Seeking revenge, they befriend Rangaa, a local goon played by Fahadh Faasil. Their alliance with Rangaa shifts the dynamics of their retaliation, blending humor, action, and drama to explore friendship and loyalty amidst adversity.

Aavesham Movie Review: Script Analysis

Aavesham’s script is notable for its simplicity and effectiveness in delivering a compelling narrative. Rather than relying on elaborate character backstories, the script focuses on brief yet impactful character introductions, allowing the audience to connect with the protagonists through their actions and interactions. This approach keeps the plot streamlined and emphasizes the importance of visual storytelling, as the characters’ motivations and personalities are revealed through their behaviors and choices rather than exposition.

Furthermore, the script balances humor, action, and drama, ensuring the audience remains engaged throughout the film. The witty dialogue and situational comedy add levity to the story, while well-executed action sequences ramp up the excitement. At the same time, moments of drama and tension provide depth to the characters and their relationships, creating a multifaceted viewing experience. Overall, Aavesham’s script demonstrates a keen understanding of storytelling fundamentals, resulting in a cohesive and entertaining cinematic journey.

Aavesham Movie Review: Star Performance

In Aavesham , the standout performance undoubtedly belongs to Fahadh Faasil, who mesmerizes audiences with his portrayal of Rangaa, the local goon with layers of complexity. Faasil effortlessly embodies the charisma and depth of Rangaa, bringing the character to life with his nuanced expressions and magnetic presence on screen. His versatility shines through as he navigates the character’s journey from being perceived as challenging to revealing his vulnerabilities and complexities. Faasil’s performance grounds the movie, anchoring it with a captivating portrayal that keeps viewers invested from start to finish.

Additionally, Sajin Gopu delivers a commendable performance, complementing Fahadh Faasil perfectly as he brings humor and charm to his role. Their on-screen chemistry adds depth to the dynamic between Rangaa and his companions, enhancing the viewing experience. Rising stars like Roshan Shanavas and Mithun Jai Sankar also leave a lasting impression with their vibrant performances, contributing to the ensemble cast’s stellar portrayal of their respective characters. The star performances in ‘Aavesham’ collectively elevate the film, making it a memorable cinematic experience for audiences.

Aavesham Movie Review: Direction, Music

Jithu Madhavan’s direction in Aavesham is commendable, as he skillfully combines elements of comedy, action, and drama to create a cohesive and engaging cinematic experience. Madhavan effectively captures the essence of Bangalore, blending Malayali and Kannada cultures seamlessly to add authenticity to the setting. His ability to balance the film’s pacing ensures that the audience remains engrossed, even during slower moments in the second half. Madhavan’s direction also shines in portraying the characters, allowing them to evolve naturally and showcasing their complexities through their interactions and choices.

The music and background score by Sushin Shyam elevate the film, adding depth and energy to critical moments. Shyam’s score seamlessly blends power with funkiness, complementing the narrative and enhancing the viewing experience. The music serves as a dynamic backdrop to the action on screen, effectively capturing the mood and tone of each scene. Together, Jithu Madhavan’s direction and Sushin Shyam’s music create a synergy that enhances the storytelling and leaves a lasting impression on audiences.

Aavesham Movie Review: The Last Word

Aavesham emerges as a must-watch mass entertainer, with Fahadh Faasil delivering a captivating performance. Jithu Madhavan’s direction, stellar performances, and lively soundtrack ensure a fun-filled cinematic experience for Malayali movie buffs.

Aavesham Trailer

Aavesham released on 11 April, 2024.

Share with us your experience of watching Aavesham.

Must Read: Madgaon Express Box Office Collection Day 20: Collects Decently Again, Will Put Up A Fight!

Follow Us: Facebook | Instagram | Twitter | Youtube | Google News

RELATED ARTICLES

Aavesham & Varshangalkku Shesham Box Office Collection Day 1 Prediction: Deliver Blockbuster Start, Boosting Vishu & Eid Festivities

Pushpa 2 Teaser With 53% Lesser Views Fails To Beat Salaar; KGF: Chapter 2 & Two Others Also Ahead In Race – 10 Most...

Fahadh Faasil’s Aavesham: From Release Date, Trailer, Cast & Crew, Here’s Everything You Need To Know About This Malayalam Action Comedy!

Check this out.

Manjummel Boys Box Office: Registers Biggest Ever Opening For A Malayalam...

Oscars 2025’s Date Revealed Amidst Monkey Man’s Buzz, Nomination Will Be...

Godzilla x Kong: The New Empire Box Office Collection Day 9...

Maidaan Box Office Day 1 Advance Booking (5 Days To Go):...

Bade Miyan Chote Miyan Box Office Day 1 Advance Booking (4...

Jr NTR Fans Spoil Tillu Square Success Party? Actress Anupama Parameswaran...

Don't miss.

Shark Tank India 3: Anupam Mittal Reveals He Lost All His...

Pushpa 2: Rashmika Mandanna Returns As Srivalli; Check Out Fans’ Reactions...

WWE: John Cena Refuses To Hang Up His Boots As He...

Bade Miyan Chote Miyan Movie Review: Take A Shot Every Time Akshay Kumar & Tiger Shroff Walk In Slo-Mo & You’ll Be Completely Drunk...

Joker: Folie à Deux Teaser Trailer Review: Joaquin Phoenix & Lady Gaga’s Passion & Madness Take Gotham by Storm

Heeramandi Trailer Review: Sanjay Leela Bhansali Shatters His Dreamy World To Enter The Reality, Turning Mujrewaalis Into Mulkwalis – Worth The Risk Or Out...

• Privacy Policy

Updated IST

• Click on the Menu icon of the browser, it opens up a list of options.
• Click on the “Options ”, it opens up the settings page,
• Here click on the “Privacy & Security” options listed on the left hand side of the page.
• Scroll down the page to the “Permission” section .
• Here click on the “Settings” tab of the Notification option.
• A pop up will open with all listed sites, select the option “ALLOW“, for the respective site under the status head to allow the notification.
• Once the changes is done, click on the “Save Changes” option to save the changes.

• Top Listing
• Upcoming Movies

Aavesham X Review: Fahadh Faasil Starrer Action Comedy Movie Promises To Be A High-Voltage Entertainer

Aavesham X Review: "Aavesham" is a Malayalam action comedy film helmed by director Jithu Madhavan. Jointly produced by Nazriya Nazim, Fahad Faasil, and Anwar Rasheed, the film features Fahadh Faasil in the lead role, supported by Ashish Vidyarthi, Sajin Gopu, and Mansoor Ali Khan. The cinematography is handled by Sameer Thahir, with music composed by Sushin Shyam. Aavesham hit theatres on April 11, 2024.

#Aavesham In Cinemas From Today 🎬🎉 pic.twitter.com/TBx2MwK7TI — MalayalamReview (@MalayalamReview) April 11, 2024

Aavesham was announced in March 2023, with Jithu Madhavan directing and Fahadh Faasil starring in the titular role as a gangster based in Bangalore. The movie is intended as a spin-off of Jithu Madhavan's debut film, Romancham. Co-produced by Nazriya Nazim, Fahadh Faasil, and Anwar Rasheed, it will be released under their respective banners, Anwar Rasheed Entertainment and Fahadh Faasil and Friends. Filming extensively took place in Bengaluru and wrapped up in November 2023.

#Aavesham : Super fun first half with a crazy Fafa. Comedies are good. Sajin and three of the boys 👍🏻 Interval 🔥 pic.twitter.com/vSW3Egr862 — ForumKeralam (@Forumkeralam2) April 11, 2024

Aavesham Synopsis

Three teenagers journey to Bangalore to pursue their engineering education, only to find themselves entangled in a feud with senior students. Driven by a desire for vengeance, they turn to a local gangster known as Ranga for help. Their interaction with Ranga sets the stage for the remainder of the narrative.

#Aavesham : Superb first half, decent second half. There's a bit of lag in second half but a terrific Fahadh and well executed climax makes up for it👏🏻Sajin Gopu is hilarious. Sushin🔥Winner 💯 pic.twitter.com/9MMCXzF8A0 — ForumKeralam (@Forumkeralam2) April 11, 2024

Aavesham Cast And Crew

The cast of Aavesham features Fahadh Faasil in the role of Ranga, alongside Ashish Vidyarthi, Sajin Gopu, and Mansoor Ali Khan. Directed and written by Jithu Madhavan, the film was produced by Nazriya Nazim, Anwar Rasheed, and Fahadh Faasil under Anwar Rasheed Entertainment and Fahadh Faasil and Friends. Cinematography was handled by Sameer Thahir, while Vivek Harsha took charge of editing. The music was composed by Sushin Shyam. A & A Release is distributing the movie.

#Aavesham - Very good first half followed by a decent second which dragged in between but climax portions are big time work out. Fafa,Sajin Gopu & Newbies🔥 Good amount of comedies 👍 Technically strong and Bgm elevates the film pretty much. Good Entertainer ! Go & Celebrate pic.twitter.com/3WNF6WXcSv — Friday Matinee (@VRFridayMatinee) April 11, 2024

The release of "Aavesham" is highly anticipated, promising an extraordinary cinematic experience for all film enthusiasts. Stay tuned for insightful X (formerly Twitter) reviews as audiences share their thoughts on this action comedy film.

#Aavesham - Another Banger movie from MALAYALAM 🥵🔥🔥 FahadhFaasil - What a performer 🛐 Climax was excellent filled with Goosebumps ❤️❤️ Yes Mollywood dropped another quality content....Blockbuster indeed 💯✅ pic.twitter.com/l0DdXIgvyh — AmuthaBharathi (@CinemaWithAB) April 11, 2024

Why Is Bigg Boss 17 Winner Munawar Faruqui Not Doing Khatron Ke Khiladi 14? Reason Is NOT Fees But...

Katha Ankahee Reunion: Adnan Khan-Aditi Dev Sharma Reunite 4 Months After Show Ends, Fans Demand Season 2

Advertisement

• Don't Block
• Block for 8 hours
• Block for 12 hours
• Block for 24 hours
• Dont send alerts during 1 am 2 am 3 am 4 am 5 am 6 am 7 am 8 am 9 am 10 am 11 am 12 pm 1 pm 2 pm 3 pm 4 pm 5 pm 6 pm 7 pm 8 pm 9 pm 10 pm 11 pm 12 am to 1 am 2 am 3 am 4 am 5 am 6 am 7 am 8 am 9 am 10 am 11 am 12 pm 1 pm 2 pm 3 pm 4 pm 5 pm 6 pm 7 pm 8 pm 9 pm 10 pm 11 pm 12 am

• India Today
• Business Today
• Reader’s Digest
• Harper's Bazaar
• Brides Today
• Cosmopolitan
• Aaj Tak Campus
• India Today Hindi

'Aavesham' Review: Fahadh Faasil hits it out of the park in Jithu Madhavan film

Director jithu madhavan's 'aavesham', starring fahadh faasil, is a zany action comedy. with fafa's exceptional performance and impeccable comedy timing, the film is a total winner, says our review..

Listen to Story

• 'Aavesham' released in theatres on April 11
• The film is directed by Jithu Madhavan of 'Romancham' fame
• Fahadh Faasil plays the lead role in the film

Release Date: 11 Apr, 2024

After the success of director 'Romancham', director Jithu Madhavan is back with 'Aavesham'. And this time, he teamed up with the one and only Fahadh Faasil. 'Aavesham' managed to pique everyone's curiosity. And the pre-release teaser where Fahadh Faasil, clad in a towel, did a fun dance, took the expectations to a crescendo. Did 'Aavesham' impress everyone? Let's find out!

Set in Bengaluru, 'Aavesham' revolves around three college students, Bibi, Santhan and Aju, who get enrolled in a college, where they get bullied and ragged by seniors. In order to take revenge, the college students join hands with a local goon Ranga (Fahadh Faasil). How Ranga's involvement in their lives brings a change forms the story.

Director Jithu Madhavan's 'Aavesham' is a mad-cap entertainer with exceptional performances. The action comedy deals with a simple storyline and that's where its beauty lies. The filmmaker doesn't waste time in showing how Ranga became a goon and concentrates on his unique character traits. It is the comedy that works to a major extent for the film.

The filmmaker concentrates on character arcs and makes them interesting for the audience. While the second half lags in terms of content, Jithu Madhavan redeems himself with the climax. Also, let's not forget the intermission, which was a perfect theatrical moment.

The title credits of 'Aavesham' 're-introduce' Fahadh as Ranga and you will know why. As Ranga, Fahadh Faasil has wonderfully portrayed the dynamic character. Initially, his character looks like a ruffian with a comedic sense. However, there is more than what meets the eye, and you will know as the story progresses. His 'eda mone' and many antics make this character quite enjoyable and entertaining.

Accompanying Ranga is Sanjin Gopu's character, Amban, whose one-liners become major contributors to comedy in 'Aavesham'. Together, they're a riot. Similarly, young actors Hipster, Roshan Shanavas and Mithun Jai Sankar ease into their roles, making the film intriguing.

If Fahadh Faasil's performance is a major asset to 'Aavesham', composer Sushin Shyam's music is yet another aspect that adds beauty to the wild ride. Cinematographer Sameer Thahir and editor Vivek Harshan complement each other in enhancing the effectiveness of 'Aavesham'.

'Aavesham' is truly an enjoyable affair with brilliantly choreographed action sequences and comedy sequences. If you're a fan of Fahadh Faasil, then 'Aavesham' will prove why you became his fan in the first place. 3.5 out of 5 stars for 'Aavesham'. Published By: K Janani Published On: Apr 11, 2024 ALSO READ | Watch: Fahadh Faasil dances with college students at 'Aavesham' promotions