great gatsby tom essay

Choose Your Test

Sat / act prep online guides and tips, how to write a compare/contrast essay for the great gatsby.

Book Guides

These compare/contrast essays are an opportunity for you to tie the character similarities and differences to larger observations about society and class, the American Dream , or identity in the novel. They also allow you to practice standard English class skills: close reading, using lines from the text as evidence, and taking a stance and presenting a supporting argument in an essay.

We’ll go over some basic dos and don’ts for writing compare/contrast essays before diving into some analysis of the most asked-about character pairings. Keep reading if you have a Compare/Contrast assignment on the horizon!

Article Roadmap

• The do's of a compare and contrast essay
• The don'ts of a compare contrast essay
• Why some characters are paired for comparison more often than others
• Nick and Gatsby
• Tom and George
• Tom and Gatsby
• Daisy and Jordan
• Daisy and Myrtle

What to Do in a Compare/Contrast Essay

Like anything you write for English class, your essay should be clearly organized, with a thesis statement (a one-sentence summary of your argument), and topic sentences for each body paragraph.

And you should definitely have an overall argument! The point of the compare/contrast essay isn’t for you to just list the differences and similarities between two characters, you need to take those observations and make a larger argument about the novel as a whole . That larger argument allows you to practice writing an essay that contains an argument, which is a skill that nearly all English teachers are focused on building.

To take a quick example, don’t just list the differences between Tom Buchanan and Jay Gatsby. Instead, make an argument like, “Fitzgerald’s portrayal of wealthy New York society through Jay Gatsby and Tom Buchanan allows him to critique both old money and the newly rich, while reserving his most pointed critiques for the old money crowd.” (Obviously, that’s just one example, and there are dozens of potential arguments you could make while comparing and contrasting characters in Gatsby!)

Make sure to address your larger argument in each body paragraph as you draw out the similarities and differences between the two characters. Don’t get caught in the weeds as you tease out the many differences and similarities in each character pair. Always link back to the bigger picture.

Finally, analyze each quote you use – in other words, don’t stick a quote in your essay and do nothing with it. Make sure to explain how and why the quote demonstrates a key similarity or difference, and what that means for your bigger argument.

What to Avoid in a Compare/Contrast Essay

Don’t just list differences and similarities without an overarching argument . Although you can definitely start brainstorming by making a list of similarities and differences, just presenting that list in essay form won’t get you a good grade, since you need to go deeper and explain what the similarities/differences suggest about the novel as a whole.

And, on the other side, don’t make big claims without some evidence from the text to back them up . For example, don’t say “Tom is selfish while Gatsby cares about others.” Prove those two separate claims (Tom is selfish” and “Gatsby cares about others”) with relevant lines from the book. (And if you’re having a hard time locating good quotes, find a digital version of Gatsby you can search using the CTRL-F function. It’s a lifesaver when gathering relevant quotes for an essay!)

Why Are These Characters Paired Most Often?

We will tackle these major pairings in the next sections of this article:

Nick Carraway and Jay Gatsby

Tom buchanan and jay gatsby, tom buchanan and george wilson, daisy buchanan and jordan baker, daisy buchanan and myrtle wilson.

Before we dig into the analysis, you might be wondering: “why are we only comparing characters of the same gender?” or maybe “why not other pairings? Why not Jordan and Myrtle, or Nick and Tom?” We are focusing on these specific pairings because they are by far the most commonly asked about pairs in essay prompts and discussion topics for The Great Gatsby . And we want this guide, first and foremost, to be helpful to students as you work on assignments involving Gatsby!

Furthermore, these pairings help teachers get you to explore some of the novel’s larger themes . For example, comparing Daisy/ Myrtle or Tom/George can help you explore the differences between the wealthy and the working class . Comparing Daisy/Myrtle or Daisy/Jordan can help you explore the changing status of women during the 1920s. Comparing Tom and Gatsby can get at the old money/new money divide. Finally, differences between Nick and Gatsby raise some of the novel’s larger questions about the American Dream , repeating the past, and identity. In short, these pairings have become common because they each allow fairly easy access to one of the novel’s larger issues.

That’s not to say you couldn’t also explore some of those themes by comparing, say, Jordan and George, or Daisy and Gatsby, but cross-gender compare/contrast essays can be challenging because the status of women and men is so different in the novel. If you are interested in seeing how a particular male and female character are paired, you may be better off studying them through the lens of love, desire, and relationships in the novel, or through the way they relate to one of the novel's symbols or motifs.

With those thoughts in mind, let's jump into the top 5 pairings! For each pairing, we will suggest a few possible larger arguments you can either build from or disagree with, but these are far from comprehensive! You should add to our analysis of the characters and come up with an argument you’re excited about.

Quick Note on Our Citations

Our citation format in this guide is (chapter.paragraph). We're using this system since there are many editions of Gatsby, so using page numbers would only work for students with our copy of the book. To find a quotation we cite via chapter and paragraph in your book, you can either eyeball it (Paragraph 1-50: beginning of chapter; 50-100: middle of chapter; 100-on: end of chapter), or use the search function if you're using an online or eReader version of the text.

Although Jay Gatsby and Nick Carraway vary both in outlook and temperament, they are also alike in interesting ways. Despite somewhat similar desires, attitudes, and social positions, Nick and Gatsby make very different choices during the novel.

Love and Romance . Nick and Gatsby both want women that are out of their reach, although in different degrees. Daisy is miles above Gatsby in terms of social class. Jordan and Nick are of the same social status, but Jordan doesn't seem free to make her own decisions since an aunt controls her financial life. There is a significant passion gap between Gatsby and Nick as well. Gatsby obsesses over Daisy - he has thought of nothing else for five years, going as far as to buy a house across the bay from her just in case she notices. Nick, meanwhile, is attracted to Jordan's cool and self-sufficient demeanor, but he is clearly not in love with her, as he himself notes ("I wasn't actually in love, but I felt a sort of tender curiosity" (3.159)). 

Approach to Women.  Both men are not particularly interested in the inner lives of the women they want to be with. Gatsby is devastated when Daisy doesn't want to renounce her relationship with Tom completely. Similarly, Nick cavalierly discounts Jordan's penchant to lie, cheat, and generally be cynically uninterested in other people, and then is deeply disappointed when she acts this way after Myrtle's death.

Class and Social Standing.  Although both Gatsby and Nick are outsiders to the wealthy communities of East and West Egg, Nick is a much more in-between character socially than Gatsby. Nick is familiar with the ways of the old money crowd because of his own family's privilege and the fact that he is related to Daisy. Gatsby is not only self-made, but is a criminal who is desperate to pass as part of the old money elite without knowing its customs or rules of behavior. What isolates Nick from East Egg life is his Midwestern values and the importance he places on morality and decency. Gatsby is isolated from everyone by the fact that he can never actually be himself - he is always playing a role and putting on his "Oxford man" persona. It may be this sense of feeling out of place that connects them.

Outlook and Temperament.  Gatsby is an optimist (almost to a delusional degree) while Nick is a realist who finds Gatsby's idealism inspiring and admirable. Gatsby believes in his ability to shape his own life and future, which makes sense since he has managed to transform himself from a farmer to a successful gangster, to impersonate an "Oxford man," and to accumulate a fantastic amount of wealth in a very short time. This belief in his power translates to Gatsby being sure that he and Daisy can go back to their month of idyllic love ("'Can't repeat the past?', he cried incredulously. 'Why of course you can!'" (6.129). Nick tries his best to be an objective realist and to reign in his tendency to judge others. He is deeply in awe of self-directed men like Gatsby, and even Wolfshiem (Nick is amazed to think that one man could be behind a huge event like the rigged World Series). 

Ambition.  Gatsby dreams of greatness. As a young man his mind “romped like the mind of God,” and so as an adult, he seems to have made good on this promise by buying the most ridiculous mansion and throwing the most extravagant parties (6.134). Nick is much less ambitious in comparison. While he comes to New York seeking excitement, he doesn't want to be the wealthiest bond salesman on Wall Street or to have the biggest house. He is happy to be an observer at the edge of the drama rather than being in its midst.

Nick and Gatsby Essay Ideas

Here are potential arguments to build on or disagree with based our observations. These are certainly not the only possible arguments, so be creative! Make sure your essay considers what the similarities and differences between Nick and Gatsby reveal about the novel as a whole.

• Nick is a passive person and Gatsby is active, which is why Gatsby is the hero and Nick simply the observer.
• Nick has much more in common with Gatsby than he thinks he does, which explains why he becomes so enamored of him.
• Nick serves as a foil (someone who serves as a contrast) to Gatsby, which makes Nick the best possible observer of Gatsby.
• At the end of the novel, Tom says that Gatsby “threw dirt in [Nick’s] eyes, just like Daisy’s,” meaning that both Nick and Daisy were taken in and could never see the true Gatsby: a narcissist and a criminal. Tom is right - the whole novel is Nick trying to spin a negative character into a positive one.

As they battle over Daisy’s love, Tom Buchanan and Jay Gatsby sometimes seem surprisingly similar - particular in their self-centeredness, wealth, and concern with appearances. At the same time, these surface parallels point to major conflicts in their social class, and say a lot about the world of the novel.

Appearance.  Gatsby is driven by his materialism to be very invested having fashionable clothes, a beautiful mansion, and visually overwhelming parties - for him, the outfit is the thing that makes the Oxford man . Meanwhile because Tom doesn't have to dress the part of the moneyed elite to be one, he is instead very attuned to the behavior of others. This is why he immediately sees how fake Gatsby's persona is, both because of Gatsby's overly ostentatious clothes, and because of how much Gatsby misreads the fake invitation from the Sloanes. Tom is never fooled into thinking that Gatsby is anything other than an upstart, and mostly likely a criminal one.

Self-Centeredness.  Tom and Gatsby are both completely selfish, and fully convinced that their desires have to be acquiesced to by those around them. Tom, for example, starts his affair with Myrtle by pressing himself against her on a train platform - basically, his version of flirting is bodily assault. Gatsby, meanwhile, also thinks nothing of starting an affair with a married woman, assuming that his obsessive feelings are enough to justify any behavior.

Wealth.  Despite the fact that both are unimaginably rich, these men come from totally different sides of the big money divide. Tom comes from old money and is forever worried about the encroachment of the nouveau riche, minorities, and others onto what he thinks is his. At the same time, Gatsby is the most successful of the novel's many ambitious social climbers, using his lack of ethical scruples to parlay his criminal activity into a higher social status.

Power.  Tom loves being powerful and wields his power directly. He is physically aggressive and uses his body to threaten and intimidate (Nick, for one, is clearly very cowed by Tom's bulk). He is also quick to violence, whether it's socially sanctioned - like his football accomplishments - or not - like when he breaks Myrtle's nose without a second thought. Gatsby also holds significant power, but his methods are much more indirect. Still, whether he is offering Nick some illegal bond trading action, or showing off his get-out-of-a-ticket-free card to a cop on the highway, Gatsby is clearly happy to be in control of a situation.

Love. Tom and Gatsby both seem to be in love with Daisy. But what does that really mean to each of them? For Tom, Daisy is clearly partly appealing because she completes his horse-riding, East Egg, 350-thousand-dollar pearl necklace lifestyle. He cheats on her because he clearly has never denied himself anything, but he also understands Daisy as a person. He knows that she is too weak to leave him, but he also loves her enough to tolerate her affair with Gatsby and to stay with her after Myrtle's murder. Gatsby's love, on the other hand, is in some ways purer because he so idealizes Daisy and connects her to all of his other hopes and dreams. But this love is overly pure - he doesn't really seem to know Daisy as anything other than an idealized object, and is incapable of accepting that she has led a life apart from him for five years.

Tom and Gatsby Essay Ideas

In a compare/contrast essay, you can’t just present a list of similarities and differences. You also need to have an underlying argument you’re supporting. Feel free to take these at face value or as jumping-off points for your own thoughts.

• Tom loves Daisy as a person, Gatsby loves her as an idea.
• Both Tom and Gatsby’s tendency to control women and see them as prizes reveals the misogyny of the 1920s.
• Although Tom sees Gatsby as someone from an entirely different class than him, what they have in common (selfishness, affairs, obsession with appearances) makes a larger argument for an overall moral hollowness of the rich of any class.
• We see both Gatsby and Tom through the eyes of Nick, who worships one of them and hates the other. In reality, they are both much more similar than different, and their different treatment reveals Nick's insecurities and biases.

At first, most readers see Tom Buchanan and George Wilson  as opposites. But, these markedly different characters face very similar circumstances and offer two takes on masculinity and power in the novel.

Appearance and Presence.  Where Tom is strong and cowering, George is meek and shrinking. Tom exudes power and confidence while George tends to just fade into the background. These differences are borne out in the way these two men interact with the world. Tom is violent towards others, while George’s instinct is to be passive or to try and escape situations, the notable exceptions being his locking up of Myrtle and murder of Gatsby. Tom is confident, privileged, and assured while George is timid; George is “ruled by his wife” where Tom is selfish and acts on his own desires.

Reaction to Adversity. There is a dramatic difference in the way the two men react to the fact that their wives are cheating on them. Tom notices Daisy’s love for Gatsby and immediately starts making power plays. On the other hand, George discovers Myrtle’s affair and is undone by it. Nick compares the two men in a memorable description:

“the shock had made him physically sick. I stared at him and then at Tom, who had made a parallel discovery less than an hour before--and it occurred to me that there was no difference between men, in intelligence or race, so profound as the difference between the sick and the well. Wilson was so sick that he looked guilty, unforgivably guilty--as if he had just got some poor girl with child" (7.160).

In this description, Tom is “well” and George is “sick.” These are certainly arresting ways to describe Tom's more traditional masculinity and George's less overtly masculine character. Tom is self-assured in the face of adversity and immediately takes action to win Daisy back, insisting on driving Gatsby's car, bullying those around him into driving to Manhattan, and using his romance skills to remind Daisy of the pluses of their relationship. Meanwhile, George's weakness makes him look sick and guilty as he contemplates Myrtle's betrayal and is driven to violence to reassert his power over her.

Approach to Women.  Both Tom and George assume they know what’s best for their wives: Tom dismisses Daisy’s professed love for Gatsby despite their obvious closeness, while George is determined to take Myrtle out west once he learns about the affair. But, while it seems that Tom does fundamentally understand Daisy and is right about her unwillingness to leave their marriage, George is unable to hold on to Myrtle either emotionally or physically. She is killed trying to run away from him.

Tom and George Essay Ideas

Differences in attitude and outcome, despite a relatively similar situation, reveal some unexpected truths about the world of the novel. Argue the reverse of any of these topics for a really provocative essay!

• The fact that Tom manipulates George into killing Gatsby and then himself (which allows Tom and Daisy to walk away from the entire affair without consequence) shows the huge privileges of having money in the novel.
• Nick's approach to Tom and George shows his admiration of a physical, brutish, domineering kind of masculinity. 
• The fact that the relatively good guy turns into a murderer while the bad guy lives to cheat another day is a very cynical take on what happens in a world without a moral compass.

Despite Daisy Buchanan and Jordan Baker 's similar “white girlhoods” (1.140) in Louisville, their attitude and motivations are quite distinct, making them really interesting to compare and contrast.

Attitude and Outlook.  Both Daisy and Jordan display an entitled, bored attitude that’s typical of Fitzgerald’s depiction of the old money segment of wealthy New York society. The fact that they are introduced in tandem, both lying on the couches in their white dresses, speaks to their initially similar attitudes. But soon we see how different their takes on this kind of life are. Daisy is increasingly despondent, even nihilistic, asking in Chapter 7 , “what shall we do today, and tomorrow, and for the next thirty years?” (7.74).  Jordan meanwhile is a pragmatic opportunist, who sees possibilities everywhere, arguing that “life starts all over again when it gets crisp in the fall” (7.75). In other words, Daisy’s pessimistic attitude from Chapter 1 comes through again, while Jordan, despite coming across as cynical and sharp, actually still seems excited about the possibilities life has to offer.

Appearance and Personality.  Both Daisy and Jordan very alluring in their own way, though Daisy’s allure comes through her enchanting voice and feminine charms, while Jordan is masculine, “jaunty,” witty, sharp, and physical. Daisy maintains a squeaky-clean reputation despite moving with a fast crowd, while there are plenty of rumors about Jordan’s cheating in golf, and Nick comments on her dishonest attitude. More significantly, Daisy is incredibly self-absorbed while Jordan is very observant.

Role in Society.  Daisy seems caught between what society expects of her and some deeper, more powerful desires she can’t name, resulting in restlessness, depression, and her affair. Daisy is sticking to her prescribed societal role by marrying and having a child, while Jordan plays golf, “runs around town” and doesn’t seem to be in a hurry to marry, at least in the beginning of the novel. Perhaps Jordan is still somewhat optimistic about the possibilities of life since she hasn’t settled down yet, while Daisy realizes that nothing major in her life will change at this point. Jordan, meanwhile, is content to chase after fun and intrigue via other people’s bad behavior. And she doesn’t get dragged down by the tragedy in the book – on the contrary, she is callous in how little Myrtle’s death seems to shake her, coolly calling Nick the next day and asking him to meet like nothing has happened (8.50-61). Perhaps her motivations are a bit less accessible to the reader since her role was significantly downsized between some of Fitzgerald’s earlier drafts. But in any case, as we watch Daisy struggle in her marriage, what we see of Jordan is cool, calm, collected, and rather uncaring.

Daisy and Jordan Essay Ideas

So what are some possible conclusions we can draw from Daisy and Jordan’s characters? One of the most common strategies is to tie the differences between these women onto one of the book’s larger themes, like the role of society and class or the American Dream . Another is to think about an important feature of the novel, like Nick’s narration, and see what these two characters can reveal about it. With those strategies in mind, here are some potential arguments you could argue for or against!

• Jordan and Daisy, because they are generally disempowered, both use their sexuality in different ways to gain power, with different results.
• Despite Jordan’s overt cheating and lying, Daisy is, in fact, the more morally compromised person.
• The way Nick treats Jordan versus the way he describes Daisy reveals the novel’s preoccupation with Gatsby above all, to the detriment of the female characters.

While Daisy Buchanan and Myrtle Wilson obviously come from very different backgrounds and have conflicting motivations, they also have some surprising similarities.

Physical Appearance.  Daisy and Myrtle both derive power from their looks. Myrtle's comfort with her voluptuous body is clearly appealing to Tom, while Daisy's magnetic voice and ethereal presence obsess Gatsby. Throughout the novel, Myrtle is frequently reduced to being just a body - one to be used or violated by those around her. Tom sees little in Myrtle besides someone to either rub up against, have sex with, or punch at will; George resorts to imprisoning Myrtle while she eggs him on to "beat" her (7.314) the way Tom does; and finally, Daisy gruesomely rips Myrtle's body apart with a car. Meanwhile, Daisy's voice also serves to make her less of a person in her own right and more of an idealized, mythic figure from fairy tales. For Gatsby, Daisy's voice is appealing because it is "full of money" (7.105) - he is attracted to her not because of who she is, but because he sees her as a prize.

Social Standing.  Myrtle puts on the airs that Daisy has been born and raised with. This allows Myrtle to wield considerable social power within her group, as seen by how her guests fawn on her at the Manhattan party she throws. Daisy, in contrast, never exerts such overt power over a group – rather, she seems to move with crowds, doing what it expected of her (for instance marrying Tom despite still loving Gatsby). 

Love and Relationships.  Daisy and Myrtle’s marriages are strikingly quite different. Daisy and Tom are able to stay together even through serial affairs and murder. They end up loyal co-conspirators, protected by their wealth. Meanwhile, Myrtle has nothing but disdain for George despite his evident love for her. Still, both women use affairs with other men as a way to escape. Daisy wants to get away from an increasingly unhappy marriage and try to recapture the spontaneity and possibility of her youth, while Myrtle loves the status that her affair with Tom grants her. However, both learn that they can’t escape forever through their affairs. Obviously, their biggest difference is that Daisy gets to walk away from the novel unscathed, while Myrtle gets killed. 

Daisy and Myrtle Essay Ideas

Here are ways to write about these different women who face similar choices with dramatically opposite conclusions.

• Despite their similarities in action and motivation, Daisy is protected from any lasting harm by her wealth and old money status, while Myrtle is punished for the same behavior, revealing how the class system in America protects the wealthy.
• The novel refuses to give any inner life to women, and instead reduces them to their physical qualities no matter what social class they come from. Daisy and Myrtle's similar treatment by the narrator and by the men around them shows that gender trumps class when determining status. 
• Daisy and Myrtle’s similarities reveal how hollow the progress of the women’s movement really was at that point in time. Despite the big gains the movement made in the early twentieth century, including winning the right to vote and pushing for more freedom in how they could dress and act, both of these women’s lives aren’t vastly improved. They’re both trapped in unhappy marriages, they both rely on their looks/charms/sexuality to get what they want, and neither of them has even a chance of pursuing a fulfilling life through a career.

What’s Next?

Now that you’ve gone over the novel’s most popular compare/contrast pairings, check out our analysis of the novel’s romantic pairings in our guide to love, desire, and relationships in The Great Gatsby .

Have an essay about a symbol or motif? Get started with our symbols overview  and motifs overview.

Still a little hazy on some of the plot elements in Gatsby? Not to worry, we have you covered with our complete book summary !

Want to improve your SAT score by 160 points or your ACT score by 4 points?  We've written a guide for each test about the top 5 strategies you must be using to have a shot at improving your score. Download it for free now:

Anna scored in the 99th percentile on her SATs in high school, and went on to major in English at Princeton and to get her doctorate in English Literature at Columbia. She is passionate about improving student access to higher education.

Student and Parent Forum

Our new student and parent forum, at ExpertHub.PrepScholar.com , allow you to interact with your peers and the PrepScholar staff. See how other students and parents are navigating high school, college, and the college admissions process. Ask questions; get answers.

Ask a Question Below

Have any questions about this article or other topics? Ask below and we'll reply!

Improve With Our Famous Guides

• For All Students

The 5 Strategies You Must Be Using to Improve 160+ SAT Points

How to Get a Perfect 1600, by a Perfect Scorer

Series: How to Get 800 on Each SAT Section:

Score 800 on SAT Math

Score 800 on SAT Reading

Score 800 on SAT Writing

Series: How to Get to 600 on Each SAT Section:

Score 600 on SAT Math

Score 600 on SAT Reading

Score 600 on SAT Writing

Free Complete Official SAT Practice Tests

What SAT Target Score Should You Be Aiming For?

15 Strategies to Improve Your SAT Essay

The 5 Strategies You Must Be Using to Improve 4+ ACT Points

How to Get a Perfect 36 ACT, by a Perfect Scorer

Series: How to Get 36 on Each ACT Section:

36 on ACT English

36 on ACT Math

36 on ACT Reading

36 on ACT Science

Series: How to Get to 24 on Each ACT Section:

24 on ACT English

24 on ACT Math

24 on ACT Reading

24 on ACT Science

What ACT target score should you be aiming for?

ACT Vocabulary You Must Know

ACT Writing: 15 Tips to Raise Your Essay Score

How to Get Into Harvard and the Ivy League

How to Get a Perfect 4.0 GPA

How to Write an Amazing College Essay

What Exactly Are Colleges Looking For?

Is the ACT easier than the SAT? A Comprehensive Guide

Should you retake your SAT or ACT?

When should you take the SAT or ACT?

Stay Informed

Get the latest articles and test prep tips!

Looking for Graduate School Test Prep?

Check out our top-rated graduate blogs here:

GRE Online Prep Blog

GMAT Online Prep Blog

TOEFL Online Prep Blog

Holly R. "I am absolutely overjoyed and cannot thank you enough for helping me!”

The Great Gatsby

F. scott fitzgerald, ask litcharts ai: the answer to your questions.

Welcome to the LitCharts study guide on F. Scott Fitzgerald's The Great Gatsby . Created by the original team behind SparkNotes, LitCharts are the world's best literature guides.

The Great Gatsby: Introduction

The great gatsby: plot summary, the great gatsby: detailed summary & analysis, the great gatsby: themes, the great gatsby: quotes, the great gatsby: characters, the great gatsby: symbols, the great gatsby: literary devices, the great gatsby: quizzes, the great gatsby: theme wheel, brief biography of f. scott fitzgerald.

Historical Context of The Great Gatsby

Other books related to the great gatsby.

• Full Title: The Great Gatsby
• Where Written: Paris and the US, in 1924
• When Published: 1925
• Literary Period: Modernism
• Genre: Novel
• Setting: Long Island, Queens, and Manhattan, New York in the summer of 1922
• Climax: The showdown between Gatsby and Tom over Daisy
• Point of View: First person

Extra Credit for The Great Gatsby

Puttin' on the Fitz. Fitzgerald spent most of his adult life in debt, often relying on loans from his publisher, and even his editor, Maxwell Perkins, in order to pay the bills. The money he made from his novels could not support the high-flying cosmopolitan life his wife desired, so Fitzgerald turned to more lucrative short story writing for magazines like Esquire. Fitzgerald spent his final three years writing screenplays in Hollywood.

Another Failed Screenwriter. Fitzgerald was an alcoholic and his wife Zelda suffered from serious mental illness. In the final years of their marriage as their debts piled up, Zelda stayed in a series of mental institutions on the East coast while Fitzgerald tried, and largely failed, to make money writing movie scripts in Hollywood.

Tom Buchanan Character Analysis in The Great Gatsby Essay Example

In the novel The Great Gatsby, Tom Buchanan is a racist, sexist, and manipulative person and is one of the main antagonists. Tom Buchanan is a very important character in this novel as he played one of the main roles and contributed to a lot of the things that took place throughout the novel. He doesn't care about what anyone thinks about him. He is always the one who was causing most of the problems. He symbolizes a person who is very racist to everyone as well as being a person who takes advantage of people and women. He moves the plot a lot as he creates or causes a lot of problems throughout the text such as him abjecting and hating on Gatsby because he likes Daisy and Tom doesn't like the fact that Gatsby and Daisy are friends.

Tom Buchanan is one of the most important characters in the book called the Great Gatsby. When we first heard about Tom was in chapter one when Nick Carraway, another main character in the book, went over to tom's house because Tom is married to Daisy, who is Nick's cousin. Tom was described as a brute of a man and a great big hulking physical specimen. Which already probably tells you a lot about his personality. Tom is also a very important character because he is the one who is always causing most of the problems. For example, the reason why Gatsby was shot and framed for the murder of Myrtle Wilson was that when tom was coming back into town he was the one who told Mr.Wilson that that was gatsby in the yellow car. Which led Mr.Wilson to believe that Gatsby killed his wife and that he should get revenge by killing Gatsby.

When it comes to talking about Tom and what he symbolizes it's not very hard to tell what he symbolizes in the book. He symbolizes a very rich person who uses their money for bad and uses their money to do whatever they want, for example, him getting married to Daisy, Daisy only married him because he had money and she felt that he could provide a life for her. Another thing is that because he is super-rich he uses his money so that he can live above the law. He also symbolizes someone who is very racist sexist and abusive and is also a cheater. For example, he is constantly cheating on his wife Daisy with his girlfriend in the city of Myrtle Wilson who is also married. 

When it comes to talking about how Tom Buchanan moves or enhances the plot there are so many things that show how he moves the plot. For example, some of the things that make him move the plot are that he is a big contributor to one of the many reasons that Daisy left Tom to go be with Gatsby. One of those reasons is because Daisy never really liked Tom and she felt like she was forced to marry him. As well as the fact that Gatsby would not abuse Daisy-like Tom did and he would provide a better life for her. He also enhances the plot because he makes the book more interesting to read. After all, while reading it you aren't sure what he is going to do next and what trouble he might cause, like him being the main reason as to why Gatsby was killed.

In conclusion, Tom Buchnan is a racist, sexsist and manipulative person who is one of the main characters and antagonists in the novel The Great Gatsby. He contributes to most of the problems that take place throughout the novel and just makes the novel all around more interesting to read because you aren't sure what's going to happen next.

Related Samples

• Antonia Shimerda Character Analysis in My Antonia Essay Sample
• Book Analysis of In Defense of Food by Michael Pollan Essay Sample
• The Good Soldier Svejk Book Analysis Essay Example
• Good Me, Bad Me by Ali Land Book Analysis
• The Garden of Forking Paths by Jorge Luis Borges Book Analysis
• Theme of Grief in The Photograph by Jolyn Phillips (Essay Example)
• Why Haymitch Was A Splendid Teacher (The Hunger Games Book Analysis)
• The Count of Monte Cristo Happiness Essay Example
• Theme of Motherhood in Beloved by Toni Morrison Essay Sample
• Essay On The Masque Of The Red Death Symbolism

Didn't find the perfect sample?

You can order a custom paper by our expert writers

Home — Essay Samples — Literature — Books — The Great Gatsby

Essays on The Great Gatsby

The great gatsby essay topic examples.

Whether you want to analyze the American Dream, compare and contrast characters, vividly describe settings and characters, persuade readers with your viewpoints, or share personal experiences related to the story, these essay ideas provide a diverse perspective on the themes and complexities within the book.

Argumentative Essays

Argumentative essays require you to analyze and present arguments related to the novel. Here are some topic examples:

• 1. Argue whether the American Dream is achievable or illusory, as depicted in The Great Gatsby .
• 2. Analyze the moral ambiguity of Jay Gatsby and the consequences of his relentless pursuit of the American Dream.

Example Introduction Paragraph for an Argumentative Essay: F. Scott Fitzgerald's The Great Gatsby is a tale of ambition, decadence, and the elusive American Dream. This essay delves into the complex theme of the American Dream, exploring whether it remains attainable or has transformed into a tantalizing illusion, luring individuals like Jay Gatsby into its enigmatic embrace.

Example Conclusion Paragraph for an Argumentative Essay: In conclusion, the analysis of the American Dream in The Great Gatsby invites us to reevaluate our perceptions of success and fulfillment. As we contemplate the fate of Jay Gatsby and the characters entangled in his world, we are challenged to define our own version of the American Dream and the sacrifices it may entail.

Compare and Contrast Essays

Compare and contrast essays enable you to examine similarities and differences within the novel or between it and other literary works. Consider these topics:

• 1. Compare and contrast the characters of Jay Gatsby and Tom Buchanan, exploring their contrasting worldviews and motivations.
• 2. Analyze the similarities and differences between the portrayal of the Jazz Age in The Great Gatsby and Ernest Hemingway's The Sun Also Rises .

Example Introduction Paragraph for a Compare and Contrast Essay: The characters and settings in The Great Gatsby and other literary works offer a rich tapestry for comparison and contrast. This essay embarks on a journey to compare and contrast the enigmatic Jay Gatsby and the brash Tom Buchanan, delving into their contrasting values, aspirations, and roles within the novel.

Example Conclusion Paragraph for a Compare and Contrast Essay: In conclusion, the comparison and contrast of Jay Gatsby and Tom Buchanan illuminate the divergent paths individuals can take in pursuit of their desires. As we consider the consequences of their choices, we are prompted to reflect on the complexities of ambition and morality.

Descriptive Essays

Descriptive essays allow you to vividly depict settings, characters, or events within the novel. Here are some topic ideas:

• 1. Describe the opulent parties at Gatsby's mansion, emphasizing the decadence and extravagance of the Jazz Age.
• 2. Paint a detailed portrait of Daisy Buchanan, focusing on her beauty, charm, and the allure she holds for Gatsby.

Example Introduction Paragraph for a Descriptive Essay: The Great Gatsby immerses readers in the lavish world of the Roaring Twenties. This essay embarks on a descriptive exploration of the extravagant parties at Gatsby's mansion, capturing the opulence and hedonism of the era, as well as the illusions they create.

Example Conclusion Paragraph for a Descriptive Essay: In conclusion, the descriptive portrayal of Gatsby's parties serves as a vivid snapshot of the Jazz Age's excesses and the fleeting nature of indulgence. Through this exploration, we are reminded of the allure and transience of the materialistic pursuits that captivated the characters of the novel.

Persuasive Essays

Persuasive essays involve arguing a point of view related to the novel. Consider these persuasive topics:

• 1. Persuade your readers that Nick Carraway is the moral compass of the story, serving as the voice of reason and morality.
• 2. Argue for or against the idea that Gatsby's love for Daisy is genuine and selfless, despite his questionable methods.

Example Introduction Paragraph for a Persuasive Essay: The Great Gatsby presents a tapestry of characters with complex moral dilemmas. This persuasive essay asserts that Nick Carraway emerges as the moral compass of the story, guiding readers through the labyrinth of decadence and disillusionment in the Jazz Age.

Example Conclusion Paragraph for a Persuasive Essay: In conclusion, the persuasive argument regarding Nick Carraway's role as the moral compass underscores the importance of ethical navigation in a world characterized by excess and moral ambiguity. As we reflect on his influence, we are compelled to consider the enduring value of integrity and virtue.

Narrative Essays

Narrative essays offer you the opportunity to tell a story or share personal experiences related to the themes of the novel. Explore these narrative essay topics:

• 1. Narrate a personal experience where you encountered the allure of materialism and extravagance, similar to the characters in The Great Gatsby .
• 2. Imagine yourself as a character in the Jazz Age and recount your interactions with Jay Gatsby and Daisy Buchanan.

Example Introduction Paragraph for a Narrative Essay: The themes of The Great Gatsby resonate with the allure of a bygone era. This narrative essay delves into a personal encounter with the seductive pull of materialism and extravagance, drawing parallels to the characters' experiences in the novel.

Example Conclusion Paragraph for a Narrative Essay: In conclusion, the narrative of my personal encounter with the allure of materialism reminds us of the timeless nature of the themes in The Great Gatsby . As we navigate our own desires and ambitions, we are encouraged to contemplate the balance between aspiration and morality.

The Significance of Nick's Account in The Great Gatsby

Gatsbys view on the american dream, made-to-order essay as fast as you need it.

Each essay is customized to cater to your unique preferences

+ experts online

Corruption in The Great Gatsby Analysis

The delusion of the american dream in the great gatsby, a novel by f. scott fitzgerald, the theme of money in the great gatsby, the concept of american dream portrayed in the great gatsby, let us write you an essay from scratch.

• 450+ experts on 30 subjects ready to help
• Custom essay delivered in as few as 3 hours

"The Great Gatsby": Theme and Symbols

The main ideas of "the great gatsby" by f. scott fitzgerald, instability of love and desire in the great gatsby, sex talk: an analysis of the relationship between gatsby and nick, get a personalized essay in under 3 hours.

Expert-written essays crafted with your exact needs in mind

The Portrayal of Female Characters in F.s. Fitzgerald’s The Great Gatsby

The great gatsby: pursuing the american dream, the great gatsby by f. scott fitzgerald: book review, representation of the american dream in the great gatsby, the unpleasant character of tom buchanan in the great gatsby, a look at the character of daisy buchanan as depicted in the great gatsby, representation of the lost generation in the great gatsby, the symbolic use of eyes in the great gatsby, the theme of materialism in the great gatsby, a novel by f. scott fitzgerald, "love conquers all": analyzing romance and relationships within the great gatsby, symbolism of the yellow color in the great gatsby, the significance of color use in the great gatsby and the grapes of wrath, criticizing the american dream as shown in the great gatsby, the great gatsby: how the american greatness has decayed, beauty and foolishness: the role of pammy buchanan in the great gatsby, how women empower themselves in the great gatsby, the american dream obsession in the great gatsby, gatsby's transformation into the tragic hero in the great gatsby, the theme of temporariness in the great gatsby, depiction of america during prohibition in the great gatsby.

April 10, 1925, F. Scott Fitzgerald

Novel; Fiction, Tragedy

Jay Gatsby , Nick Carraway, Daisy Buchanan, Tom Buchanan, Myrtle Wilson, Jordan Baker, Meyer Wolfsheim, George B. Wilson, Trimalchio, Mr. Gatz

F. Scott Fitzgerald wrote "The Great Gatsby" with multiple motivations in mind. Firstly, he sought to critique the materialistic excesses and moral decay of the Roaring Twenties, a period of post-World War I prosperity. Fitzgerald aimed to expose the disillusionment and hollowness behind the glittering facade of the American Dream. Additionally, he drew inspiration from his own experiences and observations of the wealthy elite and their decadent lifestyles. Through the character of Jay Gatsby, Fitzgerald explored themes of unrequited love, longing, and the pursuit of an unattainable ideal. Ultimately, Fitzgerald's intent was to capture the essence of an era and offer a profound commentary on the human condition.

The story revolves around Jay Gatsby, a mysterious millionaire, and his pursuit of Daisy Buchanan, a married woman with whom he had a romantic past. Narrated by Nick Carraway, a young man from the Midwest, the novel delves into the opulent and extravagant lives of the wealthy elite in Long Island. As Gatsby throws lavish parties in the hope of rekindling his relationship with Daisy, the narrative explores themes of love, wealth, illusion, and the disillusionment that comes with the pursuit of the American Dream.

The American Dream , decadence, idealism, resistance to changes, social excess, caution.

The influence of "The Great Gatsby" extends far beyond its initial publication in 1925. F. Scott Fitzgerald's novel has become a literary classic, revered for its exploration of themes such as wealth, love, and the elusive American Dream. It remains relevant due to its timeless portrayal of human desires, societal decadence, and the consequences of relentless pursuit. The book's vivid characters and atmospheric prose have inspired countless writers and artists, shaping the landscape of American literature. With its commentary on the dark underbelly of the Jazz Age, "The Great Gatsby" continues to captivate readers, serving as a cautionary tale and a poignant reflection of the human condition.

1. During F. Scott Fitzgerald's lifetime, approximately 25,000 copies of the book were sold. However, since then, it has gained immense popularity, selling over 25 million copies and establishing itself as one of the most renowned American novels. 2. The Great Gatsby did not have its original title as the author considered various options, ranging from "Under the Red, White and Blue" to "The High-Bouncing Lover." These alternative titles were potentially revealing too much about the content prematurely. 3. In 1926, just a year after its publication, the book was adapted into a film, demonstrating its quick transition from page to screen. 4. Fitzgerald's cause of death is believed to have been tuberculosis rather than a heart attack. Sadly, he passed away at the age of 44. 5. The price of this famous novel at the time of its publication in 1925 was $2, representing its value in that era. 6. The Great Gatsby did not immediately receive critical acclaim upon release. However, it has since garnered recognition and praise, becoming a significant literary work.

"The Great Gatsby" has made a significant impact on various forms of media, captivating audiences across generations. The novel has been adapted into several films, with notable versions including the 1974 adaptation starring Robert Redford and the 2013 adaptation featuring Leonardo DiCaprio. These cinematic interpretations have brought the story to life visually, further immersing audiences in the opulent world of Jay Gatsby. Additionally, the novel has been referenced and alluded to in countless songs, television shows, and even video games, solidifying its cultural significance. Its themes of love, wealth, and the pursuit of the American Dream continue to resonate and inspire creative works in popular culture.

“In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since. ‘Whenever you feel like criticizing any one,’ he told me, ‘just remember that all the people in this world haven't had the advantages that you've had.’” “I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life.” “Let us learn to show our friendship for a man when he is alive and not after he is dead.” “So we drove on toward death through the cooling twilight.” “I hope she'll be a fool -- that's the best thing a girl can be in this world, a beautiful little fool.”

Studying "The Great Gatsby" holds great importance due to its enduring relevance and literary significance. The novel offers profound insights into themes such as wealth, love, social class, and the corruption of the American Dream. Its exploration of the Jazz Age exposes the allure and emptiness of a materialistic society, making it a compelling study of human desires and societal decay. F. Scott Fitzgerald's masterful prose and symbolic imagery provide rich material for analyzing character development, narrative techniques, and social commentary. Moreover, delving into the novel's historical context allows for a deeper understanding of the cultural and societal shifts of the 1920s.

The inclusion of "The Great Gatsby" as an essay topic for college students stems from its exploration of themes like the American Dream, the juxtaposition of poverty and wealth, and the destructive allure of corruption. The character of Gatsby embodies the American spirit and can be paralleled to contemporary individuals fixated on materialism and fame as measures of romantic success. Furthermore, this literary masterpiece holds a significant place in American literature, as F. Scott Fitzgerald skillfully weaves socio-cultural elements into each sentence, providing a timeless portrayal of American life that resonates across generations. The choice to analyze and write about "The Great Gatsby" allows students to delve into these thought-provoking themes and examine their relevance to society.

1. Stallman, R. W. (1955). Conrad and The Great Gatsby. Twentieth Century Literature, 1(1), 5–12. (https://doi.org/10.2307/441023) 2. John Jerrim, Lindsey Macmillan, (2015). Income Inequality, Intergenerational Mobility, and the Great Gatsby Curve: Is Education the Key?, Social Forces, Volume 94, Issue 2. (https://academic.oup.com/sf/article/94/2/505/2583794) 3. Robert C. Hauhart (2013) Religious Language and Symbolism in The Great Gatsby’s Valley of Ashes, ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 26:3 (https://www.tandfonline.com/doi/abs/10.1080/0895769X.2013.798233) 4. Burnam, T. (1952). The Eyes of Dr. Eckleburg: A Re-Examination of “The Great Gatsby.” College English, 14(1), 7–12. (https://www.jstor.org/stable/371821) 5. Tom Phillips (2018) Passing for White in THE GREAT GATSBY: A Spectroscopic Analysis of Jordan Baker, The Explicator, 76:3. (https://www.tandfonline.com/doi/full/10.1080/00144940.2018.1489769?scroll=top&needAccess=true&role=tab) 6. Matterson, S. (1990). The Great Gatsby and Social Class. In: The Great Gatsby. The Critics Debate. Palgrave, London. (https://link.springer.com/chapter/10.1007/978-1-349-20768-8_9) 7. Licence, A. (2008). Jay Gatsby: martyr of a materialistic society: Amy Licence considers religious elements in The Great Gatsby. The English Review, 18(3), 24+. (https://go.gale.com/ps/i.do?id=GALE%7CA173676222&sid=googleScholar&v=2.1&it=r&linkaccess=abs&issn=09558950&p=LitRC&sw=w&userGroupName=anon%7E5a84816e) 8. Khodamoradpour, Marjan and Anushiravani, Alireza, (2017) Playing the Old Tunes: A Fiskean Analysis of Baz Luhrmann's 2013 Cinematic Adaptation of the Great Gatsby. International Letters of Social and Humanistic Sciences, Volume 71. (https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3020752) 9. Anderson, H. (1968). THE RICH BUNCH IN" THE GREAT GATSBY". Southern Quarterly, 6(2), 163. (https://www.proquest.com/openview/6a9e704a476d873aada2d2529821b95a/1?pq-origsite=gscholar&cbl=2029886)

Relevant topics

• The Things They Carried
• A Rose For Emily
• The Yellow Wallpaper
• A Modest Proposal
• Frankenstein
• Lord of The Flies
• Into The Wild
• Of Mice and Men
• The Crucible

By clicking “Check Writers’ Offers”, you agree to our terms of service and privacy policy . We’ll occasionally send you promo and account related email

No need to pay just yet!

Bibliography

We use cookies to personalyze your web-site experience. By continuing we’ll assume you board with our cookie policy .

• Instructions Followed To The Letter
• Deadlines Met At Every Stage
• Unique And Plagiarism Free

Tom and Gatsby: Compare and Contrast Essay

Tom vs gatsby: introduction.

In The Great Gatsby, Fitzgerald pays attention to the relationships between both Jay Gatsby and Tom Buchanan and Daisy Buchanan. The expression of love for Daisy, as portrayed by Gatsby and Tom, are somewhat different. However, both of them are in dire need of owning the woman, which makes them quite similar. There are many similarities and differences shared by the two men in an equal measure.

Similarities between Tom and Gatsby

Scott Fitzgerald’s book is mainly focused on the relationship of Daisy with Gatsby and Tom, with particular attention paid to similarities and differences between the two men. The features they have in common and differ in eventually influence the woman’s choice regarding whom to choose to build a relationship.

Tom and Gatsby are similar in several ways. The similarities involve both the men seeking to have total control of the woman. Moreover, they are prosperous and hostile towards each other. Both men want to achieve financial success. They consider their upper-class status in society to be of great significance. At Yale, Tom shows off his wealth by riding high-class cars.

The urge for more money and wealth is evident in Gatsby when he quits his job as a janitor. He considers the janitorial job humiliating and opts to get into organized crime to make more money. Both men love Daisy dearly so they can do anything to have her for themselves. Gatsby works hard for Daisy’s love and uses even illegal means to become rich to make him likable. Gatsby willingly takes the blame upon himself when Daisy kills her husband’s mistress while driving his car.

Their dislike and hostility for each other is another apparent similarity shared between the two. At the Plaza hotel, the two men involve themselves in a fight, which illustrates their dislike for each other. Their faults come out during the argument to the surprise of their close friends who are there. The two also hurl insults at one another. For instance, Tom shouts, “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife” (Fitzgerald 137).

Even though Gatsby and Tom are similar in many ways, they are also different. First, Tom comes out to be brutal, though he has a powerful personality. Tom also resides at “East Egg” with people having old money. He went to Yale, and as a young boy, Tom did not have to work to earn a living since his parents were wealthy.

He uses extravagant things and lives lavishly to show off his wealth. He is shallow, cold-hearted, and does not care for other people. His carelessness comes out clearly at the time Tom “smashed up things and creatures and then retreated back into money” (Fitzgerald 187). What he feels for Daisy is not real love; it is instead a possessive kind of feeling.

It appeals to his pride that he can play with Daisy’s feelings. He does not even try to win her love, as shown by his lack of effort and determination. Whenever they are together, Tom does not show any romance to Daisy since he always has greed. Tom rarely gets disappointed because he has a realistic view of life. These features of his character are clear to the reader, and they indicate the unique characteristics of Tom as compared to Gatsby.

How Are Tom and Gatsby Different?

On the other hand, Gatsby differs from his counterpart Tom in different ways. Gatsby has a kind and passionate personality. This is clear when Gatsby lets people he does not know to attend joints at his home. Gatsby resides in West Egg, a place with people having new money.

Gatsby comes from a humble background, “his parents were shiftless and unsuccessful farm people” (Fitzgerald 104) in North Dakota. He had to struggle to ensure he finished college. Jay is a big-hearted individual and has a loyal personality with a sincere love for Daisy. He dreams of her genuine love.

He shows his readiness to do whatever it takes to make Daisy fall in love with him. Daisy’s desire becomes the principal motivation for Gatsby as he tries to get rich. Due to his sincere and strong feelings to Daisy, he refers to her as the Holy Grail. He attempts to win her love by “committing himself to the following of a grail” (Fitzgerald 156). Daisy cares more about wealth than romance. For this reason, she chooses Tom over Gatsby. Coupled with Gatsby’s unrealistic view of life, this makes him disappointed.

Gatsby and Tom: Conclusion

Both Tom and Gatsby share several similarities and differences in equal measure. The differences cause a significant fight in the end that shutters Gatsby’s lifetime dream. Due to this fight, it becomes clear how the disagreement between personalities can result in detrimental outcomes. Such an example calls for everyone to embrace one another and appreciate the shared differences for the greater good.

Works Cited

Fitzgerald, Scott F. The Great Gatsby. London: Urban Romantics, 2012. Print.

• Short Summary
• Summary (Chapter 1)
• Summary (Chapter 2)
• Summary (Chapter 3)
• Summary (Chapter 4)
• Summary (Chapter 5)
• Summary (Chapter 6)
• Summary (Chapter 7)
• Summary (Chapter 8)
• Summary (Chapter 9)
• Symbolism & Style
• Quotes Explained
• Essay Topics
• Essay Samples
• Questions & Answers
• F. Scott Fitzgerald’s Biography
• Chicago (A-D)
• Chicago (N-B)

IvyPanda. (2023, October 29). Tom and Gatsby: Compare and Contrast Essay. https://ivypanda.com/essays/the-great-gatsby-4/

"Tom and Gatsby: Compare and Contrast Essay." IvyPanda , 29 Oct. 2023, ivypanda.com/essays/the-great-gatsby-4/.

IvyPanda . (2023) 'Tom and Gatsby: Compare and Contrast Essay'. 29 October.

IvyPanda . 2023. "Tom and Gatsby: Compare and Contrast Essay." October 29, 2023. https://ivypanda.com/essays/the-great-gatsby-4/.

1. IvyPanda . "Tom and Gatsby: Compare and Contrast Essay." October 29, 2023. https://ivypanda.com/essays/the-great-gatsby-4/.

Bibliography

IvyPanda . "Tom and Gatsby: Compare and Contrast Essay." October 29, 2023. https://ivypanda.com/essays/the-great-gatsby-4/.

• Perceval’s Teachers in Troyes The Story of the Grail
• Daisy Buchanan: “I Did Love Him Once, but I Loved You, Too”
• "The Serpent and the Grail" by A.A. Attanasio
• Gatsby & Nick in The Great Gatsby
• Analysis of “The Crimson Grail” Musical Piece
• Why is Fitzgerald's The Great Gatsby a Satire?
• The Ethicality of an Action Jay Gatsby
• "The Great Gatsby" by Scott Fitzgerald
• The American Dream in The Great Gatsby
• “The Great Gatsby” Novel by Francis Scott Fitzgerald
• A&P and Hills Like White Elephants
• Elizer’s Struggle to Keep Faith in God
• Formal Analysis of John Steinbeck’s ‘The Chrysanthemums’
• Angels and Insects: Resisting Society's Perceptions of Femininity
• Aylmer's Obsession in "The Birth-Mark" by Nathaniel Hawthorne

Advertisement

Supported by

Review: A New ‘Great Gatsby’ Leads With Comedy and Romance

This musical adaptation, now on Broadway, is a lot of Jazz Age fun. But it forgot that Fitzgerald’s 1925 novel endures because it is a tragedy.

• Share full article

By Laura Collins-Hughes

Jay Gatsby — self-made enigma, party host extraordinaire and talk of the summer season in West Egg, Long Island — doesn’t carry his insecurities lightly. The facade of his wealth-drenched life is a grand and precarious creation, and propping it up requires constant vigilance.

His is new money, so he has to prove his worth to the snobberati. Thus his pathetic habit of showing that photo of himself in his Oxford days to people he has barely met. Or, more endearingly, his over-the-top insistence on glamming up the humble cottage of his neighbor, Nick Carraway, when the lost love of Gatsby’s life, the fabled Daisy Fay Buchanan, is coming over for tea.

In the new musical “ The Great Gatsby ,” which opened on Thursday night at the Broadway Theater, the grass outside the cottage is groomed, flowers are everywhere, and a fleet of servants is ferrying food. And Jeremy Jordan’s Gatsby is an adorably panicked basket case, second-guessing in charming comic song his plan to ambush Eva Noblezada’s Daisy with a reunion.

“She is late, so I’m off to go scream in a jar,” he sings, but Daisy arrives before he can flee. Unsuavely, he topples into some greenery.

It’s a perfectly winsome scene, and a highlight of this ultimately underwhelming new adaptation, which has a book by Kait Kerrigan (making her Broadway debut), music by Jason Howland (“Paradise Square”) and lyrics by Nathan Tysen (also “Paradise Square”). Comedy and romance are strong suits of this production by Marc Bruni (“Beautiful: The Carole King Musical”), which ran in the fall at the Paper Mill Playhouse in New Jersey.

There are plenty of big dance numbers, too (by Dominique Kelley), with some standout tap. The 1920s costumes (by Linda Cho) are fun to look at, Daisy’s in particular: all those handkerchief hemlines, wafting on air. Gatsby’s yellow Rolls-Royce and Tom’s blue coupe drive onstage, extravagantly. And while the fireworks we see in the distance are projections, other sparkling pyrotechnics are delightfully real.

The darker elements of “The Great Gatsby” prove more elusive, which blunts the impact overall. So does the show’s anodyne Broadway sound, which is poppy and pleasant without being memorable. It summons neither the Jazz Age, like the soundtrack to Jack Clayton’s 1974 movie adaptation did, nor a spirit of wild abandon, like the soundtrack to Baz Luhrmann’s 2013 take. The score to this “Great Gatsby” is missing a vital urgency.

This is not, by the way, the other high-profile musical adaptation you may have heard about since F. Scott Fitzgerald’s 1925 novel entered the public domain in 2021. Next month, the Tony Award winner Rachel Chavkin directs “ Gatsby ,” with a book by the Pulitzer Prize winner Martyna Majok and a score by Florence Welch and Thomas Bartlett, in Cambridge, Mass.

Bruni’s Broadway production has the tremendous asset of a terrific core cast, including Noah J. Ricketts as the decent, disillusioned narrator, Nick, who, in this telling, is for some unnecessary reason Gatsby’s tenant; Samantha Pauly as Jordan Baker, a famous golfer and anti-marriage New Woman who enjoys a screwball romance with Nick; and John Zdrojeski as Tom Buchanan, Daisy’s pampered, polo-playing bully of a husband.

She should of course be rid of him. Still, they are a handsome pair; their clothes, screaming silently of luxury, hang elegantly on them both. Their infant daughter, Pammy, wears less flattering clouds of lace. When Jordan objects to such little-girl outfits on principle, Daisy replies with absolute nonchalance: “But there’s nothing to be done about that. It’s how babies dress.”

Noblezada and Pauly are easy with humor, and Kerrigan has taken care to deepen Daisy and Jordan, who, with their talk of the limitations of life for women, sound practically “ Suffs ”-adjacent. Noblezada gives Daisy steel at her center that further ensures she isn’t a manic pixie dream girl, even if the incurably dreamy Gatsby perceives her through gauze.

As for theatrical illusion, it, too, is precarious; at Saturday’s matinee, technical glitches shattered it repeatedly in Act I. Projections, integral to Paul Tate dePoo III’s set design, would blink out and disappear, leaving vast expanses of matte black screen where a vision of splendor had been.

And so it was for Gatsby’s and Daisy’s reunion. There they stood in front of the cottage, laying eyes on each other for the first time in years, when much of the little house and its surrounding copse — the parts that aren’t three-dimensional scenery — abruptly vanished, along with the ambience. A bit on the nose for a show with mirages as a theme, and more than a bit distracting.

Even with flawless tech, the projections have a hyper-vividness reminiscent of video games. If that’s a deliberate attempt to question the solidity of all the sumptuousness — like the sozzled party guest in Fitzgerald’s novel who, wandering into Gatsby’s library, is astonished to find that the books are real — the aesthetic is nonetheless jarring, particularly for a show set a century ago.

The musical’s truly unbalancing trouble, though, is its rendering of Tom’s affair with the working-class Myrtle Wilson (Sara Chase), the one character the show doesn’t take seriously or treat with dignity. Even when tragedy befalls her, there’s a laugh line in the immediate aftermath. We know more about Myrtle’s husband, George (Paul Whitty), the gas station owner, than we do about her. And what we do know is so one-note tawdry that it’s difficult to believe Tom would set up an entire down-low life with her.

The implosion of the summer hinges not only on Daisy and Tom’s notorious, soul-corrupted carelessness, but also on the Wilsons. No matter how much this adaptation wants to riff on other elements, it needs to set up their part of the story so that the wider devastation lands.

But this “Great Gatsby,” which is not terribly bothered, either, with the moral shadings of its title character’s rise and fall, is principally interested in a good time. When Nick utters the novel’s sober final line, about “boats against the current,” the words have no heft. An ensemble of dancers is upstaging him anyway, wanting to give the audience one last moment at the party.

The Great Gatsby

At the Broadway Theater, Manhattan; broadwaygatsby.com . Running time: 2 hours 30 minutes.

Your English teacher would hate this ‘Great Gatsby’

A new broadway musical is all about jay gatsby’s decadence.

NEW YORK — The orgiastic delights of Jay Gatsby’s parties mostly lurk between the lines of F. Scott Fitzgerald’s clipped prose. But there is nothing coy about the extravagant stage musical that opened Thursday at the Broadway Theatre, where a cascade of visual splendors showers the eye like a fire hose. When actual sparks rain down on the first soiree, toss any hankering for subtlety out the window.

Directed by Marc Bruni with the broadness of a 10-lane highway, “The Great Gatsby” is a grand, crowd-pleasing spectacle: Tourists, Jazz Age enthusiasts and fans of its vocal-powerhouse stars Eva Noblezada and Jeremy Jordan are already lining up outside the stage door. And there is something to be said for a splashy night out, even if it casts off the author’s intended message.

The Style section

To the likely dismay of your high school English teacher, any critique of material excess, social disparities or the American Dream that has made the book a classroom staple gets stripped here in deference to a swoony and ill-fated love story. This isn’t a high-society tragedy set against the dawn of modernity but a rom-com that nose-dives into overwrought melodrama.

Midwestern fish-out-of-water Nick Carraway is a clear-eyed audience surrogate: Amid an assembly of mild caricatures, Noah J. Ricketts gives an admirable and firm-footed performance. The subjects of his narration, prose mostly lifted from Fitzgerald, all seem to know they are part of a Great Big Story, even as they appear to be plucked from a hodgepodge of genres.

His cousin Daisy (Noblezada) is fluttering and giggly but vaguely unhappy when we meet her in a lofty drawing room with windows overlooking Long Island Sound (the elaborate, projection-enhanced Art Deco set is by Paul Tate dePoo III). “God, I’ve made it,” Daisy sings, draped in a cropped and diaphanous cotton-candy dress, “I’m so sophisticated.” (The lavish costumes are by Linda Cho.) The lyrics by Nathan Tysen generally relay backstory and circumstance, whether or not they’re tinged with emotion.

Daisy’s husband Tom (John Zdrojeski), her ticket to this fabulous life, is the philandering brute she knows him to be. But the couple’s durable if brittle bond, forged in old-money breeding — so integral to the narrative’s structure — is imperceptible from the start. The audience is clearly meant to ask, “Why is she with this guy?” as a precursor to, “Now look at this dreamboat!”

That would be the debonair Gatsby (Jordan), sapped of mystery and crooning in wistful high registers about the one who slipped through his fingers but is now within reach. Jason Howland’s music, serviceable Broadway pop without much distinct flavor (not even jazz, that low-hanging fruit), excels at soaring ballads, allowing both Jordan and Noblezada to demonstrate considerable vocal gymnastics.

Book writer Kait Kerrigan exalts the central romance into a reunion of true loves torn apart by wartime, like something out of “ The Notebook .” Characters and their motivations are fleshed out for the purpose of moralizing infidelities and making their tragic ends feel less random. Gatsby is so smitten he can hardly stand upright; Daisy has a song about longing to remain faithful until she’s drawn over the edge.

Tom’s mistress Myrtle (Sara Chase) and her aggrieved husband George (Paul Whitty) are figured as cartoonish avatars of the working class with thick New Yawk accents whose fates are intertwined with the wealthy set by both love and money. There is even a juiced-up romantic plot between Nick and the steely Jordan Baker, played by Samantha Pauly (like Ricketts, another grounding presence). The two skeptics, vaguely queer-coded as in the novel, also can’t help but fall for each other.

Sharp. Witty. Thoughtful. Sign up for the Style Memo newsletter.

This revisionary attempt to turn “The Great Gatsby” into a clown car of passionate entanglements skids off the road when calamity is meant to strike. The second-act twists play out with the frenzy of a nighttime soap by Aaron Spelling, without any of the campy self-awareness. There is no ghastly reckoning with the follies of hedonism, just a rapid succession of abrupt ends.

Fitzgerald’s chic but sobering cautionary tale has been bubbling up frequently onstage since entering the public domain in 2021: There was an immersive take in a Manhattan hotel last year, and a pre-Broadway tryout of “ Gatsby ,” with music by Florence Welch, begins performances in Boston next month. There’s never been a bad time for the author’s sidelong glance at capitalism and the single-minded pursuit of pleasure — provided one isn’t already blinded by them.

The Great Gatsby , ongoing at the Broadway Theatre in New York. 2 hours, 30 minutes. broadwaygatsby.com .

• Tony Award nominations 2024: Full list and analysis April 30, 2024 Tony Award nominations 2024: Full list and analysis April 30, 2024
• Hey, Mom, would you like to help me translate Sophocles into Urdu? April 29, 2024 Hey, Mom, would you like to help me translate Sophocles into Urdu? April 29, 2024
• Yes, the messy musical ‘Hair’ can still be fun and relevant in 2024 April 27, 2024 Yes, the messy musical ‘Hair’ can still be fun and relevant in 2024 April 27, 2024

• International edition
• Australia edition
• Europe edition

The Great Gatsby review – a literary classic becomes a Broadway dud

The Broadway Theatre, New York

F Scott Fitzgerald’s novel makes an underwhelming transfer to the stage in a bombastic yet misfiring new production

The musical currently playing at the Broadway Theatre, twirling drunkenly in 1920s opulence, is The Great Gatsby.

Though, perhaps, the latest revival of F Scott Fitzgerald’s novel should be renamed The Gimmicky Gatsby. An attempt to evoke awe through hyper-extended dance intervals and flaccid sets, this remount prioritizes a good time over any purposeful recreation of the American classic.

This Gatsby, directed by Marc Bruni, still follows veteran Nick Carraway (Noah J Ricketts) as he moves near Long Island, New York, to chase the post-Great War high. It’s a chance to “misbehave” as the musical’s punchy opening number lays bare with music by Jason Howland.

Nick happens upon the Gatsby (a talented Jeremy Jordan), who has his sights set on Daisy (Eva Noblezada), his unrequited love. But Daisy is already married to Tom (John Zdrojeski), a hot-tempered brute drowning in old money.

The production splashes in excess, but of the Las Vegas residency kind. Golden-lacquered set pieces and a dizzying projection screen recreate the Gatsby mansion (and a bevy of other locations). The “nouveau riche” mansion isn’t as opulent or lush as one might imagine, feeling closer in spirit to a mega-church.

The book by Kait Kerrigan swings for laughs, which begin to thin by the musical’s second act. “Who knew Manhattan was so expensive,” Carraway says, slapstick-style. Kerrigan is also more interested in the Gatsby-Daisy love story than any rigorous analysis of class or the American dream, with songs bookending the colliding romances.

Nathan Tysen’s lyrics are mostly expositional, trying to fill gaps in the story. Gatsby’s ballad For Her about building his wealth to inevitably net Daisy doesn’t evoke love so much as justification.

All of Howland’s songs, a cascading list featuring the brassy fixtures of 20s jazz, are sung beautifully by Gatsby’s talented cast. Noblezada, fresh off a starring role in Hadestown, is a delicate Daisy, bringing powerhouse vocals when describing her commitment to marriage in For Better or Worse. But ultimately, much of Howland’s music melts together, not quite framing emotional hilltops.

Choreography by Dominique Kelley is apt, capturing the era’s giddy nature with the occasional Charleston. Missteps in story and direction would be more or less fine if the show itself was entertaining. But it’s only tepidly so.

Kerrigan’s book tries to capture all of Gatsby with a thudding recall. There’s the billboard featuring spectacles, the infamous Green Light, and, of course, the old v new money divide. There’s also a pointed underlining of Gatsby’s tango with the black market, set to a matrix-style, trench coat dance number titled Shady. But it all never quite blends together.

Under Bruni’s direction, Kerrigan jerks us through a rotary of locations and corresponding plot events, often leaving dead air as characters zoom away in their on-stage sports cars.

Hyper-fixation on the love story also doesn’t work in a world where Gatsby’s central characters are underdeveloped and rife with cliches. Kerrigan’s Gatsby punctuates every sentence with an “old sport”, a grating tagline.

Tom is an abusive antagonist through and through. But moments of his physical violence toward Daisy and his mistress Myrtle (Sara Chase) are sped through due to issues in Bruni’s pacing. When Myrtle’s nose is broken by Tom in a seedy uptown apartment, humor immediately plops in, a tonal bust.

Of course, the flatness of these characters could signal towards their glibness in Scott’s original text. They are vapidly bourgeois after all. But this revival doesn’t seem to be in on the joke, attempting to carve out a genuine spark and interest in Nick and Jordan (Samantha Pauly plays an old money golfer who waves off marriage). We know so little about either of them, it’s hard to truly care when their relationship veers off-course.

As the musical wraps with a flurry of the novel’s best quotes and the inevitable lesson that the rich are callous and horrible, it’s clear this Gatsby attempts to throw it all at the wall, indulge in more of everything.

Too bad none of it quite sticks.

• F Scott Fitzgerald

Most viewed