pictorial essay uri

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Katangian Ng Larawang Sanaysay – Kahulugan At Halimbawa Nito

Ano ang mga katangian ng larawang sanaysay (sagot).

LARAWANG SANAYSAY – Sa paksang ito, ating aalamin kung ano nga ba ang mga katangian ng isang larawang sanaysay at ang mga halimbawa nito.

Maraming halimbawa ng sanaysay. Depende sa iyong mga talento, estilo ng pagsulat, o pagpapahayay, may iba’t-ibang uri ng sanaysay na maaari mong gamitin. Isa sa mga halimbawa nito ay ang larawang sanaysay.

Ang mga larawang sanaysay ay matatawag rin na photo essay sa Ingles. Ito ay isang pagsasama na sining ng potograpiya at wika. Ang mga ito ay grupo ng mga laraway na isinasaayos ng magkakasunod para maipakita ang pangyayari, damdamin, o konsepto ng paksang tinatalakay.

Ito’y isang halimbawa ng sining na nagpapakita ng emosyong gamit ang  paghahanay ng mga larawan . Lahat ng mga larawan ay may maiikling o deskripsyon. Samantala ang  picture story  ay nakaayos ayon sa pagkakasunod-sunod ng mga pangyayari upang magsalaysay o magkwento.

Heto ang mga katangian:

• Malinaw na Paksa
• Orihinalidad
• Lohikal na Estruktura
• Komposisyon
• Mahusay na Paggamit ng Wika

Salamat sa inyong maiiging pagbabasa. Aming sinisiguro ang pagserbisyo ng bago at pinaka-tinatangkilik na balita. Hanggang sa susunod na mga bagong balita mula dito lamang sa Philnews.

BASAHIN DIN: Paano Ginagamit Ang Modal Sa Mga Pangungusap? (Sagot)

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Writing a pictorial essay

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• 1 Singapore Medical Journal, 2 College Road, Singapore 169850. [email protected]
• PMID: 20428738

A pictorial essay is a type of educational article that aims to provide both textual and visual portrayals of a topical issue. It usually consists of a short unstructured abstract, brief introduction, subheadings to organise the material and a summary. The number of references is limited to a few key articles, typically, eight to 15, or fewer. The text is usually short, often approximately 1,000 to 2,000 words in length, with much of the message contained in the figure legends. This type of article allows for a large number of figures, typically up to 20 figures or 30 figure parts. The main criteria for publication are currency, educational value and high quality of illustrations.

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The complete guide about writing a pictorial essay

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Writing a pictorial essay

Peh, W.C.G. and Ng, K.H. (2010) Writing a pictorial essay. Singapore Medical Journal, 51 (3). pp. 186-189.

A pictorial essay is a type of educational article that aims to provide both textual and visual portrayals of a topical issue. It usually consists of a short unstructured abstract, brief introduction, subheadings to organise the material and a summary. The number of references is limited to a few key articles, typically, eight to 15, or fewer. The text is usually short, often approximately 1,000 to 2,000 words in length, with much of the message contained in the figure legends. This type of article allows for a large number of figures, typically up to 20 figures or 30 figure parts. The main criteria for publication are currency, educational value and high quality of illustrations.

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NPR defends its journalism after senior editor says it has lost the public's trust

David Folkenflik

NPR is defending its journalism and integrity after a senior editor wrote an essay accusing it of losing the public's trust. Saul Loeb/AFP via Getty Images hide caption

NPR is defending its journalism and integrity after a senior editor wrote an essay accusing it of losing the public's trust.

NPR's top news executive defended its journalism and its commitment to reflecting a diverse array of views on Tuesday after a senior NPR editor wrote a broad critique of how the network has covered some of the most important stories of the age.

"An open-minded spirit no longer exists within NPR, and now, predictably, we don't have an audience that reflects America," writes Uri Berliner.

A strategic emphasis on diversity and inclusion on the basis of race, ethnicity and sexual orientation, promoted by NPR's former CEO, John Lansing, has fed "the absence of viewpoint diversity," Berliner writes.

NPR's chief news executive, Edith Chapin, wrote in a memo to staff Tuesday afternoon that she and the news leadership team strongly reject Berliner's assessment.

"We're proud to stand behind the exceptional work that our desks and shows do to cover a wide range of challenging stories," she wrote. "We believe that inclusion — among our staff, with our sourcing, and in our overall coverage — is critical to telling the nuanced stories of this country and our world."

NPR names tech executive Katherine Maher to lead in turbulent era

She added, "None of our work is above scrutiny or critique. We must have vigorous discussions in the newsroom about how we serve the public as a whole."

A spokesperson for NPR said Chapin, who also serves as the network's chief content officer, would have no further comment.

Praised by NPR's critics

Berliner is a senior editor on NPR's Business Desk. (Disclosure: I, too, am part of the Business Desk, and Berliner has edited many of my past stories. He did not see any version of this article or participate in its preparation before it was posted publicly.)

Berliner's essay , titled "I've Been at NPR for 25 years. Here's How We Lost America's Trust," was published by The Free Press, a website that has welcomed journalists who have concluded that mainstream news outlets have become reflexively liberal.

Berliner writes that as a Subaru-driving, Sarah Lawrence College graduate who "was raised by a lesbian peace activist mother ," he fits the mold of a loyal NPR fan.

Yet Berliner says NPR's news coverage has fallen short on some of the most controversial stories of recent years, from the question of whether former President Donald Trump colluded with Russia in the 2016 election, to the origins of the virus that causes COVID-19, to the significance and provenance of emails leaked from a laptop owned by Hunter Biden weeks before the 2020 election. In addition, he blasted NPR's coverage of the Israel-Hamas conflict.

On each of these stories, Berliner asserts, NPR has suffered from groupthink due to too little diversity of viewpoints in the newsroom.

The essay ricocheted Tuesday around conservative media , with some labeling Berliner a whistleblower . Others picked it up on social media, including Elon Musk, who has lambasted NPR for leaving his social media site, X. (Musk emailed another NPR reporter a link to Berliner's article with a gibe that the reporter was a "quisling" — a World War II reference to someone who collaborates with the enemy.)

When asked for further comment late Tuesday, Berliner declined, saying the essay spoke for itself.

The arguments he raises — and counters — have percolated across U.S. newsrooms in recent years. The #MeToo sexual harassment scandals of 2016 and 2017 forced newsrooms to listen to and heed more junior colleagues. The social justice movement prompted by the killing of George Floyd in 2020 inspired a reckoning in many places. Newsroom leaders often appeared to stand on shaky ground.

Leaders at many newsrooms, including top editors at The New York Times and the Los Angeles Times , lost their jobs. Legendary Washington Post Executive Editor Martin Baron wrote in his memoir that he feared his bonds with the staff were "frayed beyond repair," especially over the degree of self-expression his journalists expected to exert on social media, before he decided to step down in early 2021.

Since then, Baron and others — including leaders of some of these newsrooms — have suggested that the pendulum has swung too far.

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New York Times publisher A.G. Sulzberger warned last year against journalists embracing a stance of what he calls "one-side-ism": "where journalists are demonstrating that they're on the side of the righteous."

"I really think that that can create blind spots and echo chambers," he said.

Internal arguments at The Times over the strength of its reporting on accusations that Hamas engaged in sexual assaults as part of a strategy for its Oct. 7 attack on Israel erupted publicly . The paper conducted an investigation to determine the source of a leak over a planned episode of the paper's podcast The Daily on the subject, which months later has not been released. The newsroom guild accused the paper of "targeted interrogation" of journalists of Middle Eastern descent.

Heated pushback in NPR's newsroom

Given Berliner's account of private conversations, several NPR journalists question whether they can now trust him with unguarded assessments about stories in real time. Others express frustration that he had not sought out comment in advance of publication. Berliner acknowledged to me that for this story, he did not seek NPR's approval to publish the piece, nor did he give the network advance notice.

Some of Berliner's NPR colleagues are responding heatedly. Fernando Alfonso, a senior supervising editor for digital news, wrote that he wholeheartedly rejected Berliner's critique of the coverage of the Israel-Hamas conflict, for which NPR's journalists, like their peers, periodically put themselves at risk.

Alfonso also took issue with Berliner's concern over the focus on diversity at NPR.

"As a person of color who has often worked in newsrooms with little to no people who look like me, the efforts NPR has made to diversify its workforce and its sources are unique and appropriate given the news industry's long-standing lack of diversity," Alfonso says. "These efforts should be celebrated and not denigrated as Uri has done."

After this story was first published, Berliner contested Alfonso's characterization, saying his criticism of NPR is about the lack of diversity of viewpoints, not its diversity itself.

"I never criticized NPR's priority of achieving a more diverse workforce in terms of race, ethnicity and sexual orientation. I have not 'denigrated' NPR's newsroom diversity goals," Berliner said. "That's wrong."

Questions of diversity

Under former CEO John Lansing, NPR made increasing diversity, both of its staff and its audience, its "North Star" mission. Berliner says in the essay that NPR failed to consider broader diversity of viewpoint, noting, "In D.C., where NPR is headquartered and many of us live, I found 87 registered Democrats working in editorial positions and zero Republicans."

Berliner cited audience estimates that suggested a concurrent falloff in listening by Republicans. (The number of people listening to NPR broadcasts and terrestrial radio broadly has declined since the start of the pandemic.)

Former NPR vice president for news and ombudsman Jeffrey Dvorkin tweeted , "I know Uri. He's not wrong."

Others questioned Berliner's logic. "This probably gets causality somewhat backward," tweeted Semafor Washington editor Jordan Weissmann . "I'd guess that a lot of NPR listeners who voted for [Mitt] Romney have changed how they identify politically."

Similarly, Nieman Lab founder Joshua Benton suggested the rise of Trump alienated many NPR-appreciating Republicans from the GOP.

In recent years, NPR has greatly enhanced the percentage of people of color in its workforce and its executive ranks. Four out of 10 staffers are people of color; nearly half of NPR's leadership team identifies as Black, Asian or Latino.

"The philosophy is: Do you want to serve all of America and make sure it sounds like all of America, or not?" Lansing, who stepped down last month, says in response to Berliner's piece. "I'd welcome the argument against that."

"On radio, we were really lagging in our representation of an audience that makes us look like what America looks like today," Lansing says. The U.S. looks and sounds a lot different than it did in 1971, when NPR's first show was broadcast, Lansing says.

A network spokesperson says new NPR CEO Katherine Maher supports Chapin and her response to Berliner's critique.

The spokesperson says that Maher "believes that it's a healthy thing for a public service newsroom to engage in rigorous consideration of the needs of our audiences, including where we serve our mission well and where we can serve it better."

Disclosure: This story was reported and written by NPR Media Correspondent David Folkenflik and edited by Deputy Business Editor Emily Kopp and Managing Editor Gerry Holmes. Under NPR's protocol for reporting on itself, no NPR corporate official or news executive reviewed this story before it was posted publicly.

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PICTORIAL ESSAY

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Sa paggawa ng larawang-sanaysay ay nararapat na naaayon sa iyong interest.

Ang paggawa ng photo essay ay hindi na nangangailangan ng anumang pananaliksik sa paksang gagawin.

Ang isaalang-alang ang kawilihan at uri ng iyong mambabasa ay isa sa mga tuntunin sa pagsasagawa ng pictorial esssay.

Nararapat na tandaan na ang isang istoryang nakatuon sa mga pagpapahalaga o emosyon ay madaling nakakapukaw sa damdamin ng mambabasa sa isang larawang-sanaysay.

Isang paglabag sa tuntunin ng pagsulat ng larawang-sanaysay ang paggawa ng kwento bago ang pagkuha ng larawan.

Ang pagkakasunod ng larawan ay nararapat na nagsasalaysay ng isang kwento o mensahe.

Mainam na limitahan sa 5-10 pangungusap ang caption sa isang pictorial essay

Nararapat na mangibabaw ang larawan kaysa sa mga salita sa paggawa ng pictorial essay.

Ang larawang sanaysay ay maaaring maglahad ng isyung panlipunan.

Mainam na gumamit ng content words para sa caption ng isang larawan upang maging mabisa ang paghahatid ng mensahe.

Ang pagkuha ng larawan sa mga websites at hindi pagkilala sa kumuha nito ay lumalabag sa Intellectual Property Rights tulad ng plagiarism.

Karaniwan ding makikita ang mga pang-akademikong pictorial essay sa mga pahayagan o tabloid, journals at magasina.

Nakapang-aakit at nagiging mabisa ang isang larawang-sanaysay kung ito ay gumagamit ng abstraksiyon sa presentasyon ng larawan.

Kung ipapalagay na makatatayo nang walang suportang teksto ang mga larawan, hindi na kinakailangan pang magsulat ng maikling pagpapaliwanag.

Ang mga larawan sa gawing photo essay ay nararapat na may kaisahan at katuturan.

Maaaring gawan ng isang pagbabalangkas ng mga ideya ang gawaing pictorial essay.

Ang larawang minanipula o sinadyang ayusin upang mapalabas lamang ang gustong imahen ay maaaring isagawa upang matamo ang layunin ng isang photo essay.

Ang mga larawan ang pangunahing nagkukuwento samantalang ang teksto ay nagsisilbi lamang suporta o karagdagang paliwanag.

Tiyaking may kaugnayan ang mga larawan at teksto sa isa't isa at matibay na sinusuportahan ng una ang huli, bise-bersa.

Sa unang basa o tingin pa lang ay kailangang malinaw na kung ano ang mensahe ng photo essay.

Isang kababawan sa isang tagakuha ng larawan kung madali lamang naiintindihan ang kanyang mga larawan at di na napapaisip ang tumitingin dito.

Ang pictorial essay ay isa ring dokumentasyon ng mga pangyayari o kaganapan.

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NPR Editor Speaks Out: How National Public Radio Lost Americans' Trust Honestly with Bari Weiss

• Society & Culture

Uri Berliner is a senior business editor at NPR. In his 25 years with NPR, his work has been recognized with a Peabody Award, a Gerald Loeb Award, an Edward R. Murrow Award, and a Society of Professional Journalists New America Award, among others. Today, we published in The Free Press his firsthand account of the transformation he has witnessed at National Public Radio. Or, as Uri puts it, how it went from an organization that had an “open-minded, curious culture” with a “liberal bent” to one that is “knee-jerk, activist, scolding,” and “rigidly progressive.”  Uri describes a newsroom that aimed less to cover Donald Trump but instead veered towards efforts to topple him; a newsroom that reported the Russia collusion story without enough skepticism or fairness, and then later largely ignored the fact that the Mueller report found no credible evidence of collusion; a newsroom that purposefully ignored the Hunter Biden laptop story—in fact, one of his fellow NPR journalists approved of ignoring the laptop story because “covering it could help Trump.” A newsroom that put political ideology before journalism in its coverage of Covid-19. And, he describes a newsroom where race and identity became paramount in every aspect of the workplace and diversity became its north star.  In other words, NPR is not considering all things anymore.  On today’s episode: How did NPR lose its way? Why did it change? And why does this lone journalist feel obligated to speak out? Learn more about your ad choices. Visit megaphone.fm/adchoices

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• © 2021 Honestly with Bari Weiss

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NPR whistleblower essay exposed 'reluctance' by journalists to admit mistakes, argues Chicago editorial board

The NPR bombshell essay spotlighted things worse than liberal bias, the Chicago Tribune claimed. It exposed a refusal to be wrong. On Tuesday, NPR editor Uri Berliner issued a lengthy rebuke of NPR's media coverage of major news stories over the last few years, such as the Hunter Biden laptop and the COVID lab leak theory, and called out the outlet's "efforts to damage" Trump's presidency. The article caused a scandal at NPR, as several people claimed this exposed the outlet as a den of liberal bias despite presenting itself...

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NPR whistleblower Uri Berliner claims colleagues ‘confidentially’ agree with him about broadcaster’s hard-left bias

T he veteran National Public Radio journalist who blew the whistle on the broadcaster’s overt liberal bias said that he has heard from colleagues who secretly agree with him but can’t go public with their criticisms.

Uri Berliner, an award-winning business editor and reporter during his 25-year career at NPR, said his essay in Bari Weiss’ online news site The Free Press generated “a lot of support from colleagues, and many of them unexpected, who say they agree with me.”

“Some of them say this confidentially,” Berliner told NewsNation anchor Chris Cuomo on Tuesday.

Berliner said that he wrote the essay partly because “we’ve been too reluctant, too frightened to, too timid to deal with these things.”

“And I think that this is, this is the right opportunity to bring it all out in the open.”

In the essay — titled “I’ve Been at NPR for 25 years. Here’s How We Lost America’s Trust” — Berliner said that among editorial staff at NPR’s Washington, DC, headquarters, he counted 87 registered Democrats and no Republicans.

He wrote that he presented these findings to his colleagues at a May 2021 all-hands editorial staff meeting.

“When I suggested we had a diversity problem with a score of 87 Democrats and zero Republicans, the response wasn’t hostile,” Berliner wrote.

“It was worse.”

Berliner wrote that his colleagues reacted with “profound indifference.”

“I got a few messages from surprised, curious colleagues,” he wrote. “But the messages were of the ‘oh wow, that’s weird’ variety, as if the lopsided tally was a random anomaly rather than a critical failure of our diversity North Star.”

Berliner accused his bosses at NPR of allowing their pro-Democrat political leanings to seep into editorial judgments, including its decision to turn a blind eye to the Hunter Biden laptop story.

The Post was the first to report on the existence of the laptop , which contained emails that shed light on Hunter Biden’s business relationships overseas.

Former national security officials opposed to Trump signed a letter claiming that the laptop story was the product of Russian disinformation. Still, independent investigators and the FBI later confirmed that the emails and the contents of the computer were authentic — confirming The Post’s reporting.

According to Berliner, senior editors at NPR refused to cover the Hunter Biden story for fear that it would help Trump’s re-election chances just weeks before voters cast their ballots in the fall of 2020.

He wrote that NPR had skewed so far to the left that it played up Russia collusion allegations against Donald Trump while giving scant attention to the findings by special counsel Robert Mueller, who recommended no criminal charges against the Trump campaign.

When asked by Cuomo if he fears for his job given the fact that he’s a “white guy” who’s “not 18 [years old],” Berliner said: “I’m not worried.”

“I think people want open dialogue…[and] honest debates,” Berliner told Cuomo. “There’s a hunger for this. Most people are not locked into ideologies, and I think many people are just sick of it.”

Berliner said that while NPR reporters were always liberal, it was never as evident in their work as it has been in recent years.

“We were kind of nerdy and really liked to dig into things and understand the complexity of things, I think, that’s evolved over the years into a much narrower kind of niche thinking,” he told Cuomo.

Berline said that NPR has been plagued by “a group think that’s really clustered around very selective, progressive views that don’t allow enough air enough, enough spaciousness to consider all kinds of perspectives.”

Berliner’s bosses responded to the claims of bias, saying they “strongly disagree” with his take that NPR suffered from “the absence of viewpoint diversity.”

“We’re proud to stand behind the exceptional work that our desks and shows do to cover a wide range of challenging stories,” NPR’s chief news executive, Edith Chapin, wrote to employees.

Chapin wrote that “none of our work is above scrutiny or critique.”

“We must have vigorous discussions in the newsroom about how we serve the public as a whole,” she told employees in a memo.

A spokesperson for NPR said the agency would have no further comment.

When asked by Cuomo about management’s memo, Berliner said he was “not surprised” by the response, which came from “the same managers that I’ve been making a lot of these points about.”

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Senior NPR editor claims public broadcaster lacks ‘viewpoint diversity’

Uri Berliner said in a letter that Americans no longer trusted broadcaster because of its ‘distilled worldview’ and liberal bent

A debate about media bias has broken out at National Public Radio after a longtime employee published a scathing letter accusing the broadcaster of a “distilled worldview of a very small segment of the US population” and “telling people how to think”, prompting an impassioned defense of the station from its editor-in-chief.

In the letter published on Free Press , NPR’s senior business editor Uri Berliner claimed Americans no longer trust NPR – which is partly publicly funded – because of its lack of “viewpoint diversity” and its embrace of diversity, equity and inclusion (DEI) initiatives.

Berliner wrote that “an open-minded spirit no longer exists within NPR , and now, predictably, we don’t have an audience that reflects America”. He acknowledged that NPR’s audience had always tilted left, but was now no longer able to make any claim to ideological neutrality.

In the piece on Free Press, a site run by Bari Weiss, a former opinion editor at the New York Times, Berliner noted that in 2011 the public broadcaster’s audience identified as 26% conservative, 23% as middle of the road and 37% liberal. Last year it identified as 11% very or somewhat conservative, 21% as middle of the road, and 67% very or somewhat liberal.

“We weren’t just losing conservatives; we were also losing moderates and traditional liberals,” Berliner wrote, and described a new listener stereotype: “EV-driving, Wordle-playing, tote bag–carrying coastal elite.”

This would not be a problem, he said, if the radio broadcaster was an “openly polemical news outlet serving a niche audience”, but for a public broadcaster, “which purports to consider all things, it’s devastating both for its journalism and its business model”.

“I’ve become a visible wrong-thinker at a place I love,” he wrote.

The letter, which mirrors a recent critique of the New York Times by former editor James Bennet in the Economist and aspects of a recent lecture by the paper’s publisher, AG Sulzberger , has provoked a fierce backlash from NPR editorial staff.

NPR’s editor-in-chief, Edith Chapin, wrote in a memo to staff that she “strongly disagreed” with Berliner’s assessment, stood behind the outlet’s “exceptional work” and said she believed that “inclusion – among our staff, with our sourcing, and in our overall coverage – is critical to telling the nuanced stories of this country and our world”.

Chapin added that the radio broadcasters’ work was not above scrutiny or critique. “We must have vigorous discussions in the newsroom about how we serve the public as a whole, fostering a culture of conversation that breaks down the silos that we sometimes end up retreating to,” she said.

Chapin was appointed editor last year after a period of turbulence at NPR over what it acknowledged were clashes between its news and programming divisions over “priorities, resources and need to innovate”.

“We all aim every day to serve our audience with information and moments of joy that are useful and relevant,” Chapin said at the time.

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Berliner identified the station’s coverage of the Covid-19 lab leak theory, Hunter Biden’s laptop and allegations that Donald Trump colluded with Russia in the 2016 election as all examples of how “politics were blotting out the curiosity and independence that ought to have been driving our work”.

He also identified DEI and use of language advanced by affiliated groups as evidence that “people at every level of NPR have comfortably coalesced around the progressive worldview”. Berliner said that when he brought up his survey of newsroom political voter registration at a 2021 all-staff meeting, showing there were no Republicans, he claimed he was met with “profound indifference”.

“The messages were of the ‘Oh wow, that’s weird’ variety, as if the lopsided tally was a random anomaly rather than a critical failure of our diversity North Star,” he wrote.

Berliner later told the NewsNation host Chris Cuomo that he was not surprised by the negative response he had received from NPR editorial management, saying, “they’re certainly entitled to their perspective.”

But, he added, “I’ve had a lot of support from colleagues, and many of them unexpected, who say they agree with me. Some of them say this confidentially, but I think there’s been a lot of response saying, look, these are things that need to be addressed.”

In her letter to staff, Chapin wrote that NPR’s efforts to expand the diversity of perspectives and subjects now included tracking sources. “We have these internal debates, enforce strong editorial standards, and engage in processes that measure our work precisely because we recognize that nobody has the ‘view from nowhere.’”

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