conflict in an inspector calls essay

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Exploring Generational Conflict in "An Inspector Calls"

Categories: An Inspector Calls

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Published: Aug 31, 2023

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Character analysis: the older generation, character analysis: the younger generation, generational divide in values and beliefs, impact of inspector goole's interrogation, evolution of character perspectives, social commentary through generational lens, family dynamics and generational impact, resolution and implications, conclusion: generational divide as a catalyst for change.

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An Inspector Calls Essays

One of the best things you can do to revise for any english exam is to read examples of essays. below you'll find a range of essays which you can read at your leisure., though there are always benefits in reading essays, becoming use to "active reading" is also important. to do this, use one of these strategies to help:, print the essay off and highlight key phrases or pieces of analysis that you like, keep some notes on the ways the essays use key vocabulary, cherry-picking the best phrases for use yourself, note down the structures of the essays but making a note of the focus of each paragraph, remember that there are hundreds of ways to write a successful essay, as the examples below will highlight. but they all manage to link the big ideas of the play with the language and structure; they all write about priestley's intentions and the audience's responses; they all recognise that this play is written to make a political point, not just to entertain the audience., a) how does priestley explore responsibility in an inspector calls , in the play, priestly wanted the audience to take responsibility for each other, to see that society was "one body." he wanted the audience in 1945 to recognise that although there had been positive changes since 1912, he didn't want them to regress and, in fact, wanted them to demand even more social reform., firstly , priestley uses the inspector to demonstrate to his audience that morality is a much more admirable quality in a person than mr birling's selfish manner. in act 3 mr birling offers "thousands" to help eva, though the inspector tells him that he is “offering money at the wrong time.” this shows that the inspector has the moral high ground and, although from a lower class, is holding all the power over the birling's treasured reputation. to the audience it would be obvious that birling should have given the money earlier, that it was inevitable that eva would end up costing him. it is also revealing that birling wouldn't give eva smith a small pay rise as it would have meant he couldn't "lower prices" but when it came to saving his status he was prepared to “give thousands.” by this stage, mr birling seems quite flustered and somewhat embarrassed as although in the outside world his authority is growing in his own home he can't control a man of “that class.” from a psychoanalytic perspective you could argue that this reflects birlings upbringing and the values that he was taught to respect as a younger man when he worked had and was kept poor in a way that taught him the value of hard work. in this way, mr birling feels that all the people who have money deserve it while the people who don't have money clearly don't deserve it. also, it is from his background that birling being taught to prioritise materialistic things could be the root of his difficult relationship with eric; he comes across as very cold and unforgiving which possibly reflected onto his son. this could easily be a subconscious cause of eric's addiction (looking for escape and comfort in the absence of his father's approval) and be linked to why eva viewed him to be more juvenile than gerald. the need for superficial things in his life like power and wealth is portrayed in the play as quite harmful and only something which will hold a person back, the inspector seems to be free from all these hindering social constructs and is definitely a much more favourable character because of this., in spite of their strong differences in beliefs, both mr birling and the inspector are very self-assured characters who are equally set in their ways . this is not mirrored in the younger characters like eric or sheila. priestly emphasizes a message directed towards the younger generations that they are the hope for change. throughout the play birling refuses to accept the need for reform or responsibility , he represents the stereotypical man of his age and class that priestley uses to contradict sheila's growing outward-looking empathy. when she promises the inspector that she will “never never do it again to anybody” she is acknowledging her privileges and shows that she understands how people must take responsibility for each other. i would say that her materialistic upbringing and the damage that has done makes her incredibly naive and impacts hugely on her opinion of others' worth. when talking about eva smith in act 1 one of the first things she asked was “is she pretty” from this line alone it is clear to the audience where her priorities lie and what kinds of values were instilled in her from a young age probably by her shallow mother. priestly highlights that it's the duty of the young to bring about reform and for this to happen they firstly need to realise the older generations won't do it for them. he also stresses that it's not ok for people like the birlings to take credit for their achievements but never accept responsibility for the consequences of their profit., priestley uses the contrast between age groups and class to explore universal divides caused by pride, reputation and lack of accountability, things that mr and mrs birling value highly but sheila is willing to let go of by accepting her mistakes and returning gerald's engagement ring (also rejecting her father's business interest in gerald.).

Examiners commentary:

The simple, clear first paragraph is fine.

The second paragraph, however, contains some interesting points that could be related to the question but which aren't. As a result, a lot of what's good in this paragraph is lost. This could have been easily fixed if the student had remembered to continually link their points back to the question.

The third paragraph is an improvement in that it does mention responsibility more often and has some interesting observations about the generation gap.

The third paragraph feels unfinished and unclear - it sounds like it's saying that Mr and Mrs Birling value accountability highly, or that the view a "lack of accountability" highly, neither of which are true.

AO1: Lots of AO1, though it isn't connected to the question often enough

AO2: Not enough AO2 at all - hardly any specific language analysis

AO3: Nothing of note outside of the first paragraph

Grade: This is a difficult essay to grade. There are lots of interesting points, especially about how our upbringings affect our outlook, but they're not always linked to the question which means they won't score as well as they should. Also, a complete lack of AO2 causes real problems. This is probably a G5 though with a few minor changes it could easily be pushed up two grades.

B) How does Priestley explore responsibility in An Inspector Calls ?

Priestley presents a strong message about responsibility throughout the play. he wants us all to take more responsibility for each other., firstly, he uses the character of mr birling to convey the ignorance of those who refuse to take responsibility. we can see this when mr birling says, “community and all that nonsense”. the use of the noun “nonsense” shows the audience that mr birling is mocking socialists and those who believe society should be a community. you can almost hear his sarcastic tone as if ‘community’ is an absurd idea. the word “all” also highlights his belief that anything to do with community, such as helping others and being responsible for one another, is ridiculous. this links to when he says, “a man has to mind his own business and look after himself and his own.” the repetition of the pronoun “his” emphasises that he only takes care of his possessions and doesn’t think twice about others. also, it exposes to the audience his sense of higher class entitlement linked to his lack of responsibility for things that are not directly his fault. the audience of 1945 would have been shocked because by this time, after the labour movement and war, people were becoming more open-minded about mixing social classes and community responsibility. this links to priestley’s message because he was a socialist and believed people should have equal rights., in contrast to mr birling, priestley uses the character of sheila to present those who are willing to take responsibility. we see this in the line, “i’ll never, never do it again to anyone”. the repetition of “never, never” reveals that sheila feels guilty and deeply regrets her actions. it also tells the audience that she is open-minded about changing how she behaves, regardless of her social class. the use of the noun “anyone” reveals that she doesn’t care if the person is upper class or lower class. she doesn’t want to put anyone in that position again and has taken full responsibility. if this play had been shown in 1912, the audience may have been more likely to agree with the birling’s ideas and would have thought sheila may be acting foolishly. however, the audience of 1945 would have been more sympathetic towards sheila because at this time, society was shifting towards the creation of the nhs, the introduction of education for all and the building of social housing. this reflected how society was coming together more and caring more for the poor instead of brushing them aside., similarly, the character of inspector goole is the main voice of responsibility in the play and is the voice of priestley himself as he is trying to show the birling family that being upper class doesn’t make them any less responsible for the community than the next person. this sense of responsibility is also reflected in the stage directions when the light goes from “pink and intimate” and “brighter and harder”, when the inspector enters. immediately, this tells us that the i nspector has a presence on the stage and that he has come to say something important. perhaps it is about bri nging light to the things that the upper classes like to hide in the shadows, or the harsh lighting works almost like he is interrogating the family. the spotlight is now on them and what they have done., additionally, priestley conveys a message of responsibility through the inspector when he says, “we are members of one body.” the noun “members” highlights that we are all joined together and if one member falls, then it brings everything down. furthermore, it links to the idea that community is like a family who should take care of each other no matter what. it could also have religious connotations because in the last supper jesus said, “this is my body that will be given up for you, take this in memory of me.” here, jesus said that people should eat the bread because it would bring everyone together and he always believed that people should be equal. in 1912, people were very divided and the poor would rarely move up to the higher classes. priestley was aiming to ensure that the shifts in society happening in 1945 were strengthened and that everyone felt that responsibility for others was important..

Really clear structure, with a clear target for each paragraph

Doesn't make a wide range of points but has a quote to backup each point and explores the quote in depth

Each section ends with something about the context

Though each point is presented with a quote attached, this could have been improved with some other references from the play even if those quotes or references weren't analysed in depth

AO1: Not much AO1 really, no real refernces to key moments of plot

AO2: Lots of great AO2 - quotes analysed in depth

AO3: Good AO3, all key points linked to context

Grade: A really neat, clear and well organised essay. A lack of AO1 is a problem, as is the fact that although each paragraph was linked to an idea connected to responsibility the link isn't always made clear. However, there's loads of AO2 and AO3 so it would be a comfortable G7. With a couple of sentences added to each paragraph which referenced a few key moments of plot it would go up to a G8.

C) How does Priestley explore responsibility in An Inspector Calls ?

Priestley explores ideas about responsibility through the way the birlings behave towards eva smith. arthur birling explains the family’s capitalist philosophy when he says ‘a man has to mind his own business and look after himself and his own’ which suggests that he feels that he only has responsibility for his own family and himself . this is reinforced by the way the birlings treat eva smith. first of all, arthur fires her from his factory to make an example of her because she asks for higher wages and dares to take responsibility for others by speaking up on their behalf. it is revealed that arthur’s prime motive is to keep wages down so that he could make more profits. priestley reinforces this through arthur’s constant repetition of ‘hard headed man of business’, to remind the audience that he is representative of capitalism and the damage it causes. the word ‘business’ is later used by birling to refer to the death of eva smith as he states how her death is ‘horrid business’ which emphasises the message that birling only sees people’s lives in terms of profit. priestley is showing the audience that a blind belief that generating profits and prosperity for the good of everyone is fundamentally wrong as it causes innocent people to suffer tragic consequences., although all the birlings are responsible for eva’s mistreatment and death in some way, they react differently when they find this out from the inspector. mr and mrs birling do not change and are only concerned about their reputation - the possible ‘scandal’ or arthur’s ‘knighthood’. however, priestley’s intention is give the audience a message of hope as sheila and eric do recognise that they have behaved badly by the end of the play and therefore he is suggesting that it is the younger generation that have the responsibility for adopting more socialist principles. through the younger birlings’ attitudes, priestley suggests that socialism is the modern way and that it is young people who will change society for the better., this change of views in the younger generation is also shown through the play’s structure as eric dramatically exits the stage at a crucial point suggesting he is struggling to contain his guilt over his mistreatment of eva smith. likewise, sheila is struggling with her guilt and tries to show that she has changed by directing others to realise their own responsibility in eva smith’s suicide. for example, sheila warns her mother not to ‘build up a wall’ this metaphor describes the separation of the social classes as mrs birling believes she is superior to the lower classes. the irony is that the opposite is true as priestley reveals how mrs birling’s behaviour is morally wrong – she punished a pregnant girl by refusing her charity when she needed it the most just because the girl used her name and in doing so angered mrs birling., through using the form of a morality play, priestley is able to identify what each family member’s sins and how it was these sins that they demonstrated and caused their mistreatment of eva smith. for instance, eric’s lust for eva smith meant that he forced himself upon eva and then his sloth – his inability to earn his own money meant he stole money from his father instead of facing up to his responsibility and earning money himself. by the end of the play, priestley shows that eric fully accepts his responsibility and describes how he cannot even remember his assault of eva as being a ‘hellish thing’. the use of this metaphor implies he is being tortured by his own guilt and knows he has been committed to hell due to his sins., priestley constructs the inspector’s role as that of a priest as he extracts all the confessions from the birlings and attempts to force them to accept their responsibilities through asking questions which challenge their capitalist way of life and challenges their edwardian values of social class and hierarchy. in addition, the inspector’s language has religious tones to it as he warns the birlings and gerald croft that if they do not stop exploiting the poor, they will learn their lesson with ‘fire, blood and anguish’. there is an inference that they will be punished in hell for not caring about the way those less fortunate are treated. through the inspector’s voice, the audience hear the socialist message that the birlings are being taught and we left knowing that this is a warning to us all – we need to accept responsibility and take better care of others around us., how does sheila change during an inspector calls, - summary paragraph, - stage directions, - confrontation with the inspector – she takes responsibility, - standing up to her parents, - the young are more impressionable, - ending – grown up, throughout inspector calls, sheila is the character who changes the most. at the beginning of the play she is a young, naïve girl who is happy to be told what to think and do; by the end she is the only character who really takes responsibility for the death of eva and is happy to tell her parents that she thinks they are wrong., the stage directions describe her as being “very pleased with life” a phrase which reflects her luxurious upbringing. she’s also described as being “excited” an adjective that suggests she is looking forward to her life. in both these respects she could be viewed as being ignorant to the reality of what her luxury costs others, or how difficult the times ahead will be., sheila refers to her parents as “mummy” and “daddy,” nouns that are associated with young children and not young adults; she is also told off by her mother for squabbling with her brother, a fact that reinforces our vision of her as being infantilised by her parents. sheila is then given a ring by her fiancé gerald. “is it the one you wanted me to have” she asks him, a phrase that suggests she wasn’t really interested in what she wanted but only what gerald wanted her to have. throughout the opening she is presented as a child, with no real desires or wishes of her own. in many respects, she is the traditional rich young woman – without a real mind of her own by virtue of her gender., when the inspector arrives, he explains how her spoilt behaviour in a shop led to eva being sacked. “then i’m really responsible,” she accepts, quickly recognising her role in the girl’s downfall. also, she observes that the inspector is getting ready to speak to gerald next and pushes this through, asking direct questions to gerald and working out the reasons why he wasn’t where he said he was the summer before. in both these cases, she is showing independent thought – by accepting responsibility even when others don’t and by pushing gerald against his wishes., during their time with the inspector, her parents and gerald repeatedly try to send sheila out of the room to protect her from his news – her mother argues that she is “looking tired,” something that we would only really say to a very small child. sheila repeatedly refuses, arguing that she will stay until “i know why that girl killed herself.” here, she clearly shows herself standing up to her parents, sticking to her desire to discover the truth of the situation., at one point arthur argues that the inspector is making “quite an impression” on sheila, suggesting that she’s coming around to the inspector’s way of thinking. “we often do on the young ones,” the inspector replies, suggesting that his socialist values are more affective on younger people. this reflects a view of priestley’s which was that socialism and left wing values are more impactful on younger people, a fact that’s often reflected in even modern opinion polls where right wing conservatives tend to be older. this is also shown in how, by the end of the play, mr and mrs birling remain unchanged by the arrival of the inspector, while their children change – even gerald admits that the events “affected him,” before he reverts back to his old ways., even after the inspector leaves, sheila continues to push his ideas trying to make sure that her family don’t forget him. she claims they are beginning to “pretend” that nothing has happened, clearly accepting that things won’t be the same again. her use of the verb is interesting as well, as games of “pretend” are really childish things. it seems that the girl who was once infantilised is now accusing her parents of playing make-believe. she also argues that her parents “don’t seem to have learnt anything,” behaving almost like a school mistress arguing that a lesson has been missed. she also says, in response to a speech from eric in which he accepts responsibility, that he makes her feel a little less “ashamed” of them, a word which really shows just how powerfully sheila sees her parents’ remorseless behaviour., her frustration is clear throughout the ending, where she says her parents’ behaviour “scares” her. this clearly references the inspectors closing words about “fire and blood and anguish” which referenced the years of war that would follow the period between the play being written and being performed. the audience at this point would doubtless be agreeing with sheila regarding her fear. her parents continue to ignore her desire to grow up, infantilising her again by suggesting that she’s just “tired” and “hysterical,” though they can’t ignore her final words when she refuses gerald’s ring again which clearly shows that she has grown up enough to express herself completely, how does priestley present mrs birling as an unlikeable character (high level response), priestley presents mrs birling as an unlikable character as she doesn’t change throughout the play. in acts 1 and 2 she doesn’t say much about the tragic death of eva at all, showing her lack of remorse., on the other hand, characters like sheila do realise the horror of the suicide. in act 2, gerald says “sorry, i’ve just realised a girl has died”. this is ironic [sic] as he had found out in act 1, but it had only sunken in in act 2. the word “sorry” shows he feels embarrassed about his emotional side, as many men of the time (1912) did., sheila also changes throughout, creating a stark contrast to her mother. in act 1 she refers to her mother as “mummy” like when she says “mummy, isn’t it a beauty” this shows she was dependant on her and worried about material things. she later says, “but these girls aren’t cheap labour, they’re people” to mr birling, showing his daughter isn’t afraid to voice her opinion but her mother is. in act 2, sheila says, “we really must stop these silly pretences”. the inclusive pronoun “we” not only presents sheila as the family member doing the right thing and trying to influence others, as her mother should, but also involves the audience, trying to give them a message. the noun “pretences” is significant as it was mrs birling who pretended not to remember eva smith., when she was shown the photo it was evident that mrs birling didn’t change throughout as at the end of the play in act 3 gerald suggests that “he’s been had”, and the birlings are keen to accept it, whilst sheila and gerald remain guilt-stricken. the audience of the time, in 1945, would have just experienced the war and realised everyone must start taking care of one another. they may have not been so quick to change, as, at the time, only rich, most-likely capitalist, people would have gone to the theatre to see the play, whereas a modern audience is more diverse and open., priestley also presents mrs birling as an unlikable character as she is dismissive towards many different groups. for example, she says “a girl of that class” when her part in the suicide is revealed. the noun “girls” shows mrs birling’s views that working class girls are undeserving of names. this derogatory comment would have infuriated an audience of 1945 as the working class were extremely beneficial during the war, though the class divide was massive in 1912. she is even misogynist, like mr birling, who says “clothes mean something different to women”. she says “sheila and i had better go to the drawing room”, which shows her views on women’s place in society, due to gender roles. she also says men have to spend a lot of time working away, but sheila challenges it and says she won’t get used to it. it is obvious priestley has used the younger generations as a symbol for more open-minded people as eric also challenges mr birling on war. mr birling says the titanic is “unsinkable, absolutely unsinkable”. the repetition and qualifiers enhance the dramatic irony as he was wrong about both of these things. it is almost as though priestley is mocking people like mr birling., mrs birling also has capitalist views which don’t change throughout the play. she believes in a social hierarchy as seen in the stage directions before the play begin, where the characters are placed around a rectangular table which gives power to those at the top and bottom, and when she says, “be quiet and let your father think of what we should do next”. the imperative verb “be” shows how she is even being rude towards her own children., this contrast with shelia’s feminism, which was popular due to the suffragette movement in 1912, significant after 1945 as many women helped the war effort and important to a modern audience who have achieved so much. mrs birling uses her powers for bad as she “influenced” the committee to refuse eva help., priestley uses the play as an allegory for his socialist views. by inducing a sense of hatred towards mrs birling he allows the audience to see the flaws in a capitalist mind-set. priestley, having served in the war himself, developed strong socialist views. this is reflected in the inspector, who is a mouthpiece for priestley as he uses the metaphor, “we are all part of one body” to imply everyone should look after one another. priestley had a popular radio programme which was cancelled for being too “left wing” by the bbc. as time progresses, the audience becomes more socialist and the play is more effective., priestley presents mrs birling as having double standard. this can be seen in the quotation, “i’m sorry eric… didn’t know”, after finding out it was her son she was talking about when she said he should take full responsibility for eva’s pregnancy., despite stage directions calling for pink, intimate lighting at the beginning, mrs birling never seems to be intimate with her children. when the inspector asks if eric drinks, she says “of course not, he’s only a boy”, which shows she is either lying or not close with her family. however, sheila says he’s been “steadily drinking for two years”, showing she is either trying to get him into trouble or is keen to get him help. either way, she is closer with him than his own mother. the siblings also exchange comments when she calls him “squiffy”. the colloquialism has mrs birling unaware of the changes and reluctant to change her mind-set. this also foreshadows the importance of alcohol in the play as it was the cause of eric’s behaviour., how does priestley present the views of the inspector in an inspector calls (high level response), inspector goole is presented as an omnipotent, powerful figure throughout the whole play; his presence immediately has the power to change the light and cheerful atmosphere of the birlings' dinner party. the lighting changes from "pink and intimate" to "brighter and harder" once the inspector arrives. here, priestley's use of the adjectives "pink and intimate" suggests a warm and happy atmosphere whereas the adjective "harder" opposes this. priestley uses the inspector as a dramatic device. not only could it be argued that the inspector is an immensely powerful figure but also that priestley uses the stage directions that inspector goole's arrival to act as a symbol for how he wants society to improve. the lighting before the inspector arrives suggests that the birling family – who are a stereotypical portrayal of a middle class family – were happy whilst they were ignorant to the working class. the lighting change tells us how priestley wants society to change; he wants society to stop being ignorant to the working class., furthermore, j. b. priestley uses the inspector to convey that he wants society to change and become more empathetic towards the working class instead of perceiving them as being disposable. when the inspector arrives, he tells the birling family about eva smith’s suicide in which she drank a lot of strong disinfectant that “burnt her inside out”. priestley’s language persuades the audience to feel immense sympathy not only for eva smith but also for all of the working class; it could be argued that eva smith’s suffering and suicide is used as a metaphor to highlight the continuous struggled faced by the working class, throwing into relief the issues within society and how these problems are ignored by the wealthier classes. priestley’s gory imagery alternately makes the audience feel guilty because they may realise how ignorant they have been to ignore the struggles of the working class and persuade them to change by being more empathetic., priestley suggests that a pressing issue with the twentieth century society is that people are reluctant to take responsibility for their actions. this view is encapsulated through the use of the elder members of the birling family, arthur birling and his wife mrs birling – who do not take responsibility for their actions towards eva smith. however, priestley uses the inspector to try to change this. the inspector states that if we share nothing else, “we have to share our guilt”. here priestley uses the personal pronoun “we” to give society a sense of unity, implying everyone must do the same and follow the inspector’s teachings. ‘an inspector calls’ was set in 1912, a time in which society was divided by not only gender but by social class. priestley wants the middle and upper classes to transform from abusing their power to dominate and exploit the working class to instead being more responsible for their actions and treating people more sympathetically ., priestley uses the inspector to convey the consequences of what will happen if members of society do not change. he states that we will be “taught” in “fire and blood and anguish”. priestley’s use of a triplet of nouns act as metaphors for the two world wars. the entire play is used as a motif for the wars; if society proceeds to not improve the way in which members of society treat each other, the world wars will repeat in an endless cycle until we learn. here, the inspector is presented as an omnipotent being. ‘an inspector calls’ was written and first performed at the end of the second world war therefore the contemporary audience will have experienced the perpetual suffering that comes with them. priestley uses the inspector to make the audience fearful as they are persuaded to think that the inspector is a god-like character imposing judgement on society. this will persuade all audiences to change their actions and embrace socialist ideologies of caring for other members of society which is what priestley intended them to do., priestley wants the middle and upper classes to stop being selfish and exploiting the poor for their own financial gain, but instead be more generous and empathetic towards other members of the working class. the inspector is almost an impartial figure in the play because he does not fit into the distinct levels of society. this gives the audience the impression that the inspector is an unbiased figure; they will be persuaded to listen to him and change their views., compare priestley’s presentation of eva smith and shelia birling., in the play ‘an inspector calls’ we see a family called the birlings that consist of many different characters, personalities and beliefs. we only begin to see these different aspects when the family begin to learn how each one of them was involved in causing the chain of events which led a girl, eva smith to commit suicide. there are two characters in particular who are very different in the way that they live their lives and their own outlook on life. these two characters are eva smith and shelia birling., shelia is the daughter of sybil and arthur birling. they are a well-known family in brumley and are in the public eye constantly because of the position her father holds within the town as he is on the bench and the owner of the big birling and company and is due to marry gerald croft whose parents are very well-known also., eva smith is almost the opposite of the social scale to shelia. she has no friends or family to rely on and is quite an independent woman. she struggles to get by and is unable to cope with the strains that she is forced to be under at her age., at the beginning of the play we see shelia at the table with her family and how she is influenced by her family’s thoughts. she was quite childish and used petty excuses for her actions ‘i told him that if they didn’t get rid of that girl, i’d never go near the place again’. this shows that shelia had the same approach about how to treat others of the lower class as her father, which is not a good quality that shelia and arthur birling share., when we first hear of eva smith in the play we learn about the time that she experienced while working at birling and company. she was outspoken, resilient and gutsy as she led a group of workers on strike in an attempt to get higher wages ‘she’d had a lot to say-far too much- so she had to go’., there we see the huge difference in the lives that each of them live, but it is the way that shelia changes as the play goes on and learns more about eva smith’s life., once shelia knows more about the family’s effect on eva’s life she becomes more defiant, and mature. she begins to stand up to her parents who still look down on eva. she realises that there is no need to treat a person the way that the birling family did, no matter whether it was the same girl or not ‘everything we said had happened really hadn’t happened. if it didn’t end tragically, then that’s lucky for us. but it might have done.’ she has a more compassionate approach to eva and her life as she learns about the suffering that this girl the same age as herself had to go through., priestly shows the importance of caring for others within your community by showing that if the birling’s had looked after eva smith and treated her with any respect then maybe it would have prevented her suicide, because she would have been in a lot happier state of mind. this also takes place near to every one of us. if you treat one person unacceptably then you never know what effect that may have on them and others around them, if you do your bit to treat every person with decency that you meet then you will have no regrets with what you have done., priestly also shows through shelia that she was the next generation, with the new ideas of how people of another class should be treated and how the other birling’s are still living in the old, traditional frame of mind, which is harsh and uncaring to others. whereas shelia would be a middle aged woman when priestly wrote the book, he wanted to show the difference of views between the younger and older generations of 1912., shelia birling and eva smith are very different characters, but it is the effect that they can have on each other’s lives which highlights priestley’s views about community., to what extent could you argue that mr birling is the most important character in an inspector calls , as the ‘head of the household’ mr birling is, arguably, the central character to an inspector calls. throughout the beginning of the play he displays the kind of arrogance that priestley expected to see from a selfish capitalist; throughout the exchange, he is completely unapologetic about the death of eva; and after the inspector leaves, he tries his hardest to get out of trouble. also, if you argued that an inspector calls is really a morality play, then you could see mr birling as representing the deadly sins of greed and pride, both things that priestly attacked capitalists for., at the beginning of the play, mr birling is described as “heavy looking” which immediately reminds us of a large, well fed, rich man, enjoying the luxuries of life. his “easy manners” but “provincial speech” remind us that although he is now rich (as symbolised by his knowledge of manners) he is from working class roots (provincial means from the country, or of a lower class.) mr birling is one of those men who had made money during the industrial revolution and, priestley argues, was then exploiting the working classes for his own profit., during the opening exchanges over dinner, birling shows off to gerald croft – his daughter’s new fiancé – by mentioning some rather expensive port he bought, and then gives a long and stuffy speech about how lucky his children are to be born into a time of such good fortune. throughout the speech priestley uses a lot of dramatic irony as he mentions birling’s belief that there would be no labour issues (despite the fact that the russian revolution was just five years away;) there would be no war in germany (despite two being on the horizon,) and – in a moment of comedy – that the titanic was “unsinkable.” throughout this speech, audience members are reminded of how little we know about the future, and how important it is that we prepare for the unexpected. birling is shown to be arrogant, small minded, and selfish; all features that a socialist like priestley would expect to see in a capitalist like birling., priestly times the inspector’s arrival so that he cuts birling off during one of his selfish rants: “a man has to mind his own business and look after himself,” he is saying as the doorbell rings. his initial response to the inspector is immediately defensive: he delivers a short speech detailing the members of the local police force that he knows, and the fact that he used to be mayor. the inspector seems uninterested though. throughout their exchange birling makes it clear that he feels no responsibility saying a number of times that he had nothing to do with this “wretched” girl’s death. the use of this adjective is interesting as “wretched” can mean poor or downtrodden, but it can also mean disliked and disgusting; birling, we have to assume, feels both are true. at one point he argues, perfectly summarising priestley’s feelings about the attitude of people like birling: “i can't accept any responsibility. if we were all responsible for everything that happened to everybody we’d had anything to do with, it would be very awkward.”, during the remainder of the play, mr birling continues to reveal himself as being selfish and without regret. he is continually worried about the threat to his dreamt of knighthood and, when the chance arises, is even happy to direct all the blame at his young son, eric. he also tries to bribe the inspector, offering him “thousands” now it has all gone wrong, despite the fact that he wouldn’t pay her even a few shillings more at the time. throughout act 3, it is mr birling who leads the campaign to recognise the inspector as being a fraud and he is the most relieved when it turns out that there is no dead girl. however, unlike sheila, he isn’t relieved that no-one had died but is simply pleased to have saved his own hide., however, as the main character in the play mr birling receives both the opening and closing lines. in the end, it is him who is stuck, holding the phone and revealing that there is and “inspector on the way,” and in many ways it is him that the audience will be most pleased to see get his just deserts., what is the role of the inspector in an inspector calls , an inspector calls is a parable that was set during the belle époque (meaning the beautiful period) which lasted from 1870-1914. in the play, a family have their dinner party interrupted by an inspector who comes to visit. though this is a morality play in the traditional sense, its moral compass is very much set by the author’s belief in socialism ., the inspector arrives at a critical point. mr birling, the patriarch of his family, is delivering a lecture to his son and future son-in-law, about how “men must look after themselves…” in this way he is exposing his deep selfishness – one that priestly believed was at the heart of all capitalists. at this point there is a “sharp ring on the doorbell,” the adverb perhaps foreshadowing how the inspectors arrival will cut through the birlings’ veneer of respectability ., almost as soon as he arrives, mr birling reminds him of his own social standing – that he used to be mayor and has played golf with the chief inspector. the fact that mr birling is threatening the inspector is barely concealed , though the inspector brushes it aside. as a morality play, all the characters in an inspector calls represent something else - an ideal or social group or class. here, the birlings represent the wealthy and privileged elite while the inspector represents the newly educated middle classes, who would rise up and form a bridge between the elite and the working classes below them. the inspector, as becomes clear, is here to ensure that the birlings do not get away with how they treated eva smith., the inspector is described as giving an “impression of massiveness.” this is interesting as it makes it clear that he isn’t massive but should give that “impression.” as a direction this is a bit of a nightmare for a casting agent . he shouldn’t be big, but should have a gravitas that makes him seem huge. fortunately, however, priestley has written a part that gives every opportunity for moral superiority for an actor., also, from the moment he arrives the stage directions call for the lighting to change from “pink and intimate” – perhaps reflecting the rose - tinted spectacles through which the birlings view the world – and to something more “harsh.” perhaps this change is designed to highlight how the inspector’s arrival puts the birlings behaviour in the spotlight or exposes the lies they kept hidden in the shadows ., the first to fall to his inspection is mr birling, who sacked eva after she arranged for a strike amongst his workers while they demanded more pay. though birling admitted that she was a good worker, he clearly saw his profits threatened by her behaviour and made an example of her. mr birling’s children, however, do not share his selfishness and, as his son points out, “why shouldn’t they try for higher wages we try for bigger profits.” in many ways this quote exposes the selfish, unreasonable nature of capitalists : that they see their own right to desire more profits as god given , while those who resist are “troublemakers” and “cranks.”, after mr birling, the inspector turns to sheila, who had eva sacked from her job in a local department store. it is clear from the story – which sheila tells – that she was jealous of eva’s good looks. it is also clear, however, that sheila deeply regrets her actions. not long after this, mrs birling comments that sheila’s feelings have been changed and claims that the inspector has made an “impression” on her. this is a telling word – an “impression” is something that is the result of pressure, as though she’s been bullied into seeing things differently; but it is also something that often disappears over time. mrs birling’s feelings are clear: that the inspector’s ideas have affected sheila, but only fleetingly . the inspector replies dryly , acknowledging that he will often have an effect on the young. in many ways this reflects the old adage that young people are more socialist by nature, gradually turning to the more self-centred right as they grow. this is certainly the point that is being made by priestley, as the inspector affects the younger generation far more than their elders., after sheila, he turns to gerald who, again, reveals his own role in the death of eva. by this stage she is known as daisy renton – a name that perhaps reflects the fact her position: daisies are simple flowers that call to mind the innocence of daisy chains; while the appearance of “rent” in her name reminds us of what she did to her body in order to survive., the play continues to get darker as the inspector turns to mrs birling. under pressure she tells the inspector, and the audience, about how she turned away a young pregnant woman and that if the inspector was doing his job properly he should be chasing down the father. at this point, the audience know that she is talking about eric and are tensely waiting for the big reveal. in many respects it is also at this point that the audience is forced to reflect on the nature of this play: up until this moment, the action seems relatively realistic and, although the focus has been on only one character at any time, the focus has shifted around the room without any seeming construction . this time, however, the structure is too neat to be believed; it’s too well constructed to maintain the illusion of realism , and we know that we are watching a parable in which the inspector has an almost divine control over the action., after exposing the family’s “crimes” the inspector finally delivers his closing speech, which has all the hallmarks of a sermon that is delivered to the audience as much as it is to the family. in it, he reminds us of all the eva smiths and john smiths there are in the world, and that we are “one body.” here, the inspector is addressing both the audience in 1945 and the audience in 1912. the telling difference was the two world wars, during which the working classes proved themselves to be every bit as strong and resilient as their “social superiors.” the sense of national bonding that took place during the wars led to significant social changes in the uk, not least the creation of the nhs and the welfare state, and it was characters like the inspector (and priestley) who made sure this happened., his final warning, however, that “if we do not learn this lesson we will be taught it in fire and blood and anguish,” has a slightly different meaning in the two time periods. for the family in 1912 it was prophetic ; but for an audience in 1945 it would have been suggesting that the wars were almost a punishment for their behaviour, and a way of suggesting that if they didn’t embrace socialism now then the wars, and all the horrors that came with them, would return again., at the end of the play, the birlings receive a phone call which tells them that a real police inspector is on the way, to talk about a girl who has recently died. this final moment raises questions about the role of the inspector goole we’ve just watched, and it is at this point that his name seems important: is he a goole, or a ghoul, or something else from some other world is he some angelic messenger send to bring divine judgement that question is never answered, though the audience – or the young ones at least – should have no doubts that his understanding of the world is from a “higher” place., another essay on the role of the inspector in an inspector calls ., this essay's structure is as follows:, a summary paragraph, how the inspector is introduced, mr birling and the inspector – good for ao2, a “panic” paragraph – without quotes – that picks up on some key moments from the rest of the play – good for ao1, the inspector at the end, in the play an inspector calls, a police inspector brings judgement to a rich family who live in 1912. the play is a morality play, in which each of the characters represents a particular role or opinion. in this morality play, the inspector promotes a socialist understanding of the world in a way that reflects the views of the play’s author jb priestley., when the inspector arrives he cuts off mr birling’s lecture when he is saying that “ a man must look after himself and his family …” this interruption symbolises the way that inspector is going to stop mr birling’s views. also, it says that there is a “ sharp ring on the doorbell .” the word “ sharp ” suggests that the inspector will cut through mr birling’s selfish ideas. also, from the moment he arrives the stage directions call for the lighting to change from “ pink and intimate ” to something more “ harsh .” this is because the birlings see the world through as being nice and friendly while the inspector will bring a “ harsh ” judgement on them., in the play, the inspector works as a foil to mr birling’s selfish capitalism. at the beginning of the play, mr birling calls socialists “ cranks ” – which means crazy – and says that if we all listened to socialists we’d be like “ bees in a hive .” this remark criticises socialists as bees lack individuality, they work almost like a big machine, and only do what they’re told and mr birling doesn’t want the world to be like this. the inspector, however, believes that we are “ members of one body ” and that we are “ responsible for each other .” in this way, the inspector is talking about the socialist ideas which suggest that because we all live together we should look after each other. in fact, he goes on to suggest that if we don’t learn to do this we will “ taught it in fire and blood and anguish .” this is clearly a reference to the two world wars which were fought between the time the play was set and when it was written. it is also telling that mr birling didn’t think the wars would happen – he would probably have referred to that as being an idea from some kind of “ crank .”, at the beginning of the play mr birling threatens the inspector by saying that he plays golf with the chief inspector. the inspector, however, doesn’t care and carries on his investigation. throughout the play, the inspector acts like he doesn’t care about the characters social standings and only wants to focus on the facts. he is someone logical and he doesn’t care what people think of him. he just wants the truth about eva’s death. he also has a habit of looking “hard” at the person he is addressing. this is because he is inspecting them, almost as though he’s looking through them and into their soul., in the end the inspector leaves and we are left unsure as to whether he was real or not. however, because his name is inspector goole – which sounds similar to ghoul (which is a kind of spirit or ghost) – the audience would be within their rights to think of him as a kind of spiritual prophet or divine messenger., a third essay on the role of the inspector in an inspector calls , jb priestley uses the story of an inspector calls to contrast the differences between upper/upper-middle and working class people in society during the edwardian times. the inspector questions the birling family to think about the consequences of their actions on others – predominately the working class and people whom they believe to be inferior to them. priestley uses the inspector to make society question their morals and think about accepting responsibility for their actions. each character reacts differently to the inspector and priestley uses this to represent capitalist vs socialist ideals., - nice opening – clear and specific and leaves the examiner comfortable that you know what you’re doing. may be a bit long – though it is all meaningful, when the inspector enters the birling household, the stage directions states that the lights change from ‘pink and intimate’ to ‘brighter and harder’. this shows how the presence of the inspector changes the atmosphere and how he is here for a purpose. the lighting change from ‘pink and intimate’ to ‘brighter and harder’ almost shows how the inspector is going to burst the birling’s protected, capitalist bubble. the idea of the lights being ‘brighter and harder’ create the idea of a spotlight shining on the birling family and how the inspector is there to expose them to the truth. in the stage directions, it also says that the inspector ‘creates an impression of massiveness’. this shows that although the birling’s are superior to him in class, the inspector still holds the authority over them all. it could also be foreshadowing that the inspector is going to create a lasting ‘impression’ over the birling family and impact their lives hopefully for the better., - super cool lots of detail, specific things being said and focusing on sections of the text. this is what you want to do, in act one, mr birling makes several threats to the inspector about his connections with the chief constable. this shows how mr birling feels threatened and uncomfortable with the inspectors presence. he tries to assert his authority over the inspector to protect himself and his pride as he’s being questioned by someone who is inferior to himself. he doesn’t want to damage his reputation and all he is thinking about is himself. this represents the capitalist society and how they refuse to think of any but themselves and how they will go to any measure to protect their reputation. mr birling also tries to emphasise his importance to the inspector by mentioning gerald and his family name. he says, “perhaps i ought to explain first that this is mr gerald croft – the son of sir george croft – you know, crofts limited.” by mentioning gerald’s family name, it shows how mr birling is trying to intimidate the inspector. also, mr birling could be mentioning the croft name to try to make himself feel more in control of the situation and back in the superior position in the room. priestley uses the reaction of mr birling to the inspector to represent how people of the upper capitalist class use their positions of power as an excuse to be ignorant to their actions. priestley wanted make people aware of this to questions their own ignorance., - again, this is great. you show a clear understanding of the relationship between birling and the inspector and clearly explain the power dynamic in the room, at the end of the play, the inspector makes a big final speech to the birling family. it opens with a reminder that there are thousands of “john smiths and eva smiths” in the world. this reminds the audience that we all have to accept responsibility for our actions and realise it is not enough to only think of ourselves but we must think of others as well. the inspector then goes on to say that “we don't live alone. we are members of one body. we are responsible for each other.” these three concise sentences summarise the lesson priestley was trying to convey to the audience. by keeping the sentences short but powerful, it leaves a lasting impression on the birling family but more importantly, the audience. this links to the beginning stage direction of the inspector creating an ‘impression of massiveness’. he then warns the family (and audience) that if ‘men don’t soon learn their lesson they will be taught in fire and blood and anguish’. this is a reference to the many years of war that had taken place between when the play was set and when it was performed. it could be seen to be served as a warning to the people that they need to change their actions or history will repeat itself., - really good as well. you’ve focused in on specific techniques here and shown a clear understanding of how those techniques have effects., overall, this is a very good essay – it’s got a wide range of detailed quotes, points and pieces of analysis. it could be improved with a few moments where you zoom in on specific words and explore the meaning of them – think about mr birling saying he “can’t” take responsibility, or mrs birling saying she “won’t” take responsibility and the inspector saying “we are responsible.” this kind of link will push this essay up into the 8-9 category., what is the significance of the ending in an inspector calls , in effect, ‘an inspector calls’ has arguably three endings, or climaxes. the first is the final speech of the inspector, before he exits dramatically, walking ‘straight out’. the second is as the family think it all may have been a ‘fake’. the third represents the justice in the final words of the play., priestly ensures that the inspector says little in the way of moral judgment until just before he exits. this in itself increases dramatic tension – the audience is waiting for a confrontation which is dependent on all the facts of the story finally emerging. his final speech is based on the great moral authority he has gained through the entirety of the play and is in a sense cathartic. as an ‘inspector’, he is symbolic of the moral and legal authority of the police force. ‘inspecting’ carries the idea of sifting carefully though the actions of the birlings in a detailed and objective manner. priestley adds objectivity and legal precision to the inspector’s character; thus by the climax of his investigation, we, the audience, instinctively trust his moral conclusions also. there is a sense of relief in hearing the birlings finally being condemned for their actions., the inspector’s final speech is, in tone, almost a sermon. the frequent use of blunt, short diction is combined with imperatives which make him seem almost a preacher or a prophetic figure, as he tells the birlings to “remember this”, and tells them that “we are responsible for each other.” although he uses often the first person plural to emphasise their common humanity, he is also accusatory with his use of ‘you’ as he threatens them with what will come if they fail to learn this lesson. the imagery priestley draw from is biblical by nature. from the eucharist service, the inspector uses the biblical metaphor that we are all “members of one body”. the well-known nature of this metaphor makes it seemingly self-evidently true to the audience. the apocalyptic imagery that follows is equally well-known, as the inspector promises “fire and blood and anguish”. the tricolon is heavily emphatic and emotive – the birlings’ rejection of it, which follows swiftly, creates a further sense of their moral vacuity. this sermonic end to the inspector’s presence onstage makes him seem a didactic mouthpiece for the play – he speaks in effect as much to the audience as to the birlings. although it is a relatively brief and restrained speech, nonetheless it is a powerful end – it seems – to the drama., birling’s absence of moral epiphany is enacted in the second ‘ending’ of the play in the ‘huge sigh of relief’ he emits when he discovers that the inspector is not actually from the police station. he rejects the inspector’s final words through this stage direction which creates a dramatic hyperbole that it is impossible for the audience to miss. eva smith’s name suggests that she represents all of the ordinary humanity, eva suggesting eve of genesis, symbolically the mother of humanity, and smith being a stereotypical working-class surname. thus birling’s ‘huge’ indifference is, symbolically, to the suffering of any human being, particularly those who are his socially inferior. indeed, his estimations of people’s worth have been entirely based on their money or their social connections; early on in the play he attempts at first to threaten the inspector by explicitly ‘warning him that the chief constable, colonel roberts, is an ‘old friend’ of his. birling’s ‘relief’ therefore is that his place in society is not damaged after all – even though it is based on corruption and inhumanity towards whose who are weaker and more socially vulnerable than him. thus birling has learned nothing at all in the play., further, birling is ‘triumphant’ when he decides that the story is nothing more than ‘moonshine’. ‘triumph’ suggests victory and winning – birling’s delight is based on his perception that he will not be in any way held to account for his misdeeds. ‘moonshine’ is a dismissive colloquialism – priestley uses this to emphasise that there is no emotional impact whatsoever on birling for the suffering of eva smith and those whom she represents. this is accentuated by mrs birling’s suggestion that in the morning eric and sheila will be as ‘amused’ as they are. the tragedy of what happened to eva through her circumstances and through the undeserved actions of others is in effect diminished to a joke. priestley ensures that this anticlimactic interpretation of the play’s events by mrs birling is morally repugnant to the audience. the older birlings and gerald are villainesque, antagonistic figures., sheila is partly redeemed from the birling’s self-seeking immorality. sheila’s response to birling’s ‘relief’ is to accuse him of ‘pretending’ that all is well. this accusation of play-acting creates an ironic role-reversal, as though birling is the one childishly refusing to engage with reality, and she becomes the parent-figure who rebukes him for his immaturity. this childishness is not an indication of birling’s innocence, but of his lack of responsibility. sheila is the youthful one in the conversation, but she is the one who is vulnerable to the corruption of her parents, and she lacks meaningful power. partly also because of her gender, she is, like eva, the victim of birling’s philosophy of greed – and yet the awakening of her moral awareness is presented as a coming-of-age epiphany. she learns to reject the selfishness and inhumanity of her parents as she realises that all the working-class are intrinsically human beings. she absorbs the relatively complex moral didacticism the inspector represents with regards to the interconnectedness of human society. this is particularly shown by her quoting the exact words of the inspector’s apocalyptic list of consequences if the rich fail to heed the social situation: she quotes his words of ‘fire and blood and anguish’. although she shows no explicit awareness of the social apocalypse of which the inspector warns, she recalls what ‘he made me feel’. her emotional engagement is presented in ironic juxtaposition with her parents’ emotional disengagement. priestley redeems her partly to show the morally repugnant nature of the birlings’ lack of redemption, through juxtaposing their response with hers., the unrepentant birlings are presented by priestley as grotesque not only through their failure to realise their wrong-doing, but also, and more importantly in their seeking of moral superiority over eva smith and the workers she represents. the callous self-righteousness they exhibit is best portrayed in mrs birling’s rhetorical question, ‘why shouldn’t we’ when sheila asks how they possibly can continue as they were before. the fact she considers the question to need no actual answer indicates her moral blindness – it indicates her assumption that the rightr of the powerful to abuse the poor is irrefutable and self-evident. priestley, through the drama, shows how society creates moral indifference to the working-class., the superficiality is also epitomised in gerald’s statement that ‘everything is all right now.’ this bland cliché becomes ironically extremely emotive for the audience as we know that the lack of a moral compass for the birlings and gerald means that others will be treated just as eva was. the superficiality of this analysis has great dramatic power to repulse the audience – and perhaps to begin to effect the social change priestley desired., the third and final ‘ending’ is mysterious. at one level, it satisfies the audience’s hope that there will be justice for eva. by instructing the actors to look ‘guiltily’ around, priestly ensures that the moral indifference of the second ending is not the concluding note of the play. birling speaking on the phone when the person has ‘rung off’ indicates also that his social authority is over; creating the sense that there is justice has lost what he really cared about. the inspector’s semi-comical surname, ‘goole’ also seems relevant right at the play’s climax. there is the suggestion that he did indeed in some way represent supernatural forces intervening in the birlings’ lives to bring justice for eva. however, the play by its nature ends inconclusively. in effect, we are left on a cliffhanger wondering what the ‘real’ police inspector will do. perhaps this reflects priestley’s aim for the audience to think about the play’s social message. the ending of ‘an inspector calls’ is a strong statement of the responsibility of those who seek money and social rank at the expense of humanity. it is strongly didactic and powerful., check this essay.

There are drastic differences that are seen in people who are born in different generations. One may argue that the younger generations are more impressionable and naive while the older generations are very hardheaded and assertive. By creating characters like Sheila and Eric with a large age gap between Mr. and Mrs. Birling in the play An Inspector Calls, tension is created through their differences clashing. J.B. Priestley’s use of contrasting characterization within the Birling family in the play An Inspector Calls creates tension and communicates his theme that one must take into consideration the consequences of their actions and take responsibility for them.

The Birling’s children, Erica and Sheila, are presumed to be very naive and still listening and agreeing with their parent’s words due to their ages. Yet, thought the play both Eric and Sheila prove to be mentally mature and responsible while directly reflect the inspector’s message. Eric Birling was caught up in the complicated situation relating to the death of Eva Smith through his role in impregnating her. Although he is ashamed, he steps up to the plate and confesses his actions and even admits to the fact that “I wasn’t in love with her or anything”, yet he understands that his actions did produce consequences and he takes responsibility for them. He insists on giving her enough money to keep her going, even though it included stealing money from his father (Priestley 50). This action was done unjustly, yet it shows how determined Eric was in order to fix his mistake and take responsibility for his actions- exactly what the Inspector teaches. Sheila Birling, the sister of Eric, also starts out by admitting to her role in the death of Eva. She expresses her sorrow and regret for her actions stating how “It was my own fault… and if I could help her now, I would” right away (24-25). Even though she did not take action like Eric did, she still takes responsibility for her actions and shows that she really does care about the consequences she was unable to attend to. As the play continues and everyone finds out that inspector Goole was a fake, the parents of Sheila and Eric both start to downplay the events of that evening. Suddenly the tension starts to rise as soon as the children speak directly against their parents stating “if you must know it’s you two who are being childish” (55). Sheila is so disgusted by the actions of her parents, that her character takes an unpredictable turn and she evolves into a brave young woman annoyed enough to scold her own parents. Even Eric states directly to his parents that “well, I don’t blame you. But don’t forget i’m ashamed of you as well. Yes- both of you” (54). The characters Sheila and Eric create tension in the play through their differences regarding their view on taking responsibility that contrasts greatly with their parents. The fact that the younger generation is standing up to the older generation and doing unconventional actions like scolding them, the main theme of the novel is clearly represented.

The older generation in the Birling family consists of strong characters: unlikely to sway in their ideas easily, hard headed, and arrogant. Arthur too is confronted about his dealings with Eva Smith, but immediately states that “the girl has been causing trouble in the works. I was quite justified (19). Here, he is seemingly ok knowing that she was forced to kill herself all because of something that started out with him originally and a sign of regret is not to be found. The younger generation, prominently Sheila is verbally pointing out her contrasting viewpoint directly saying (to Mr. Birling) “I think it was a mean thing to do” (21). Tension is created as a result of her comment, but in a way she forces her father to re-examine at his actions by him hearing an opposite viewpoint and internally contemplate her and the Inspector’s message. Another situation that increases the tension overall is when Sheila hears her father describe Eva as cheap labour, and automatically she jumps in stating “but these girls aren’t cheap labour – they’re people” clearly showcasing the differences in the mindset of the two generations (19). Lastly, Mrs. Birling gets confronted with her mistake and does admit to her actions. Her arrogance shows through when she plainly lays out her thoughts to the inspector that “if you think you can bring any pressure to bear upon me, Inspector, you’re quite mistaken. Unlike the other three, I did nothing I’m ashamed of or that won’t bear investigation… You have no power to change my mind” and like Mr. Birling does not have a hint of regret in her (44). Sybil Birling is blinded to the problems within her household and herself, and therefore tension is created when she directly contradicts the viewpoints of her children. The theme of the play is brought out because of this, when the children start to argue their point about accepting responsibility for their actions’ consequences.

Through tension between the characters, the main theme that we don’t live alone, are members of one body, and are responsible for each other is revealed. Sadly for this to be revealed, tension is built greatly dividing the Birling family- the younger vs the older generation. The children desperately try to get their parents to accept what they believe is the inspector’s lesson and purpose for visiting, yet Arthur and Sybil are set on the idea that they are just “the famous younger generation who know it all. And they can’t even take a joke” (72). Although it may be true that the inspector is not real and the older generation will never learn, the main theme is being communicated successfully to the audience. By looking at Mr. and Mrs. Birling and the way they instigate an attack on themselves by their children, the audience feels disgusted by them and the theme reaches the audience.

An Inspector Calls

J. b. priestley, ask litcharts ai: the answer to your questions.

Welcome to the LitCharts study guide on J. B. Priestley's An Inspector Calls . Created by the original team behind SparkNotes, LitCharts are the world's best literature guides.

An Inspector Calls: Introduction

An inspector calls: plot summary, an inspector calls: detailed summary & analysis, an inspector calls: themes, an inspector calls: quotes, an inspector calls: characters, an inspector calls: symbols, an inspector calls: theme wheel, brief biography of j. b. priestley.

Historical Context of An Inspector Calls

Other books related to an inspector calls.

Full Title: An Inspector Calls
When Written: 1945
Where Written: England
When Published: 1945 (play premiered in Soviet Union)
Literary Period: mid-20th century British drama, social realism
Genre: Mystery drama
Setting: 1912; a comfortable home in Brumley, England
Climax: Gerald returns to the Birling home after Goole has left, to report that the Inspector wasn’t actually a real inspector, and to hypothesize that the whole thing was a hoax—that there was no single girl that all of the Birlings had offended, and no suicide that they precipitated.

Extra Credit for An Inspector Calls

Ghoulish Goole. Many interpretations of the text consider the Inspector’s ghostly name to be symbolic of the mystery that surrounds his character.

An Inspector Calls

By j. b. priestley, an inspector calls essay questions.

Trace the different levels of tension throughout the play. How does Priestley create tension?

To answer this question, you might want to consider some factors associated with tension: twists, pace, momentum, and so on. It is important to consider what the audience knows and does not know at any given point, as well as the clues that Priestley drops. Note that some tension can be found within a character and that some can be found between characters. You can consider tension similarly to the way you consider conflict, but do not just name the conflicts; this question asks you to examine the different levels or magnitudes of tension and how Priestley produces tension for the characters and for the audience.

The Inspector is nothing more than a perfectly human hoaxer, and Priestley makes it clear. Do you agree?

This question asks you to focus on the role of the Inspector. You might begin by explaining how you might justify the premise in the question, noting the evidence that suggests he is a human hoaxer, then opening your answer out to take in some other points of view. Consider that Priestley might have left the Inspector's identity ambiguous on purpose.

How are Birling and the Inspector coming from "opposite ideological points of view"?

This question asks you to focus on two characters and how their political and social views differ. Use a lot of quotations from the play to develop an understanding of the different standpoints of each character. Consider what each one seems to believe about the role of an individual in society, and use the theme of responsibility as a major guide. It might also be helpful to consider a few similarities.

Delineate the "chain of events" that allegedly led to Eva Smith's death.

This question simply asks you to explain the chain of events that led to Eva Smith's death, from the point of view of the Inspector. A good answer to this question might go further and look at the idea of the "chain of events" itself, who believes in it, and its relevance as a metaphor.

Write a character analysis of Gerald Croft.

Outline his characteristics based on what he says and what he does, both during the play and before it begins. Try to assess both the good and the bad things about him before drawing a conclusion.

Why is time an important theme in Priestley's play?

Focus not only on time as a concept (consider what Priestley thought and wrote about time) but also on the pecularities of time as it applies to this play in particular. Think about how the Inspector in particular has to do with this theme, and consider how the past actions of individual characters build the scenario of Eva's death, the interrogations and judgments of the present, and the Inspector's warning about the future.

J.L. Styan has written that the play's final twist gives a "spurious emphasis irrelevant to the substance of the play." Might he be wrong?

This question asks you to engage with a critical opinion regarding the final twist of the play. First, outline your view of the final moments of the play, focusing on the strange news and the themes involved. Do these themes intensify or distract from the play thus far and the play as a whole? Does the news put a kind of bracket around the rest of the play that gives the whole episode with the Inspector a new meaning? If so, does this put us in the place of Mr. Birling, such that the theme of responsibility no longer has as much weight if it was all a hoax or a weird supernatural event--or does the prospect of it having been a supernatural event invest the idea of responsibility with even greater import?

Make the case for Edna being the play's most important character.

This question asks you to look at the role of Edna and consider how she, perhaps more than anyone else, might be central to the play and its themes. If Edna represents the living objects of all of the characters' present social responsibilities, she may be even more important than the deceased Eva. If in some sense the rich have a social responsibility toward the poor, then perhaps Edna embodies the central message of the play regarding the need to look out for one another. A good essay also will examine the counter-evidence: perhaps at best she is a symbol of the play's message and in that sense only a minor character. And isn't social responsibility really about each person's responsibility to all others, rather than the one-sided class-based responsibility, drawing on old notions of a social elite, that would narrowly see the class issue as central to the play?

Compare An Inspector Calls to another play by Priestley that you have read.

This play asks you to look at An Inspector Calls against another play by Priestley. Time and the Conways or I Have Been Here Before might be good choices. Consider the similarities and differences in the plays' plots, characters and, of course, dominant or important themes and apparent messages. Also consider the historical context of the plays.

To what extent is Birling essentially a comic character, lacking a serious or ominous side?

This question puts forward quite a provocative view of Birling. Most readers will disagree with the idea that there is no serious dimension to Birling's actions and words or that there is nothing ominous presented about his allegedly selfish views and politics. Yet, keen readers will notice the moments at which an audience might find Priestley's presentation of him and his views comic, especially for the sake of making his views seem ludicrous. Weigh both sides of the issue before drawing a conclusion for your essay.

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An Inspector Calls Questions and Answers

The Question and Answer section for An Inspector Calls is a great resource to ask questions, find answers, and discuss the novel.

Why does Mrs Birling initially deny that she recognized the girl in the photograph?

Mrs. Birling denies recognizing the girl in the photograph because she recently denied her appeal for help. It was, in fact, Mrs. Birling's influence that left Eva without assistance.

what does birling tell gerald that he hopes will impress lady croft? act one

sheila's character

Sheila Birling is engaged to be married to Gerald. Daughter of Arthur Birling and Sybil Birling, and sister of Eric. Priestley describes her as "a pretty girl in her early twenties, very pleased with life and rather excited," which is precisely...

Study Guide for An Inspector Calls

An Inspector Calls study guide contains a biography of J.B. Priestley, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

About An Inspector Calls
An Inspector Calls Summary
Character List

Essays for An Inspector Calls

An Inspector Calls essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of An Inspector Calls by J.B. Priestley.

How J.B. Priestley Creates Sympathy for Eva Smith in "An Inspector Calls"
Sheila's Evolution in An Inspector Calls
What is the importance of the characters Sheila and Eric?
Generation vs Generation
The Interconnected Nature of Society in An Inspector Calls

Lesson Plan for An Inspector Calls

About the Author
Study Objectives
Common Core Standards
Introduction to An Inspector Calls
Relationship to Other Books
Bringing in Technology
Notes to the Teacher
Related Links

Wikipedia Entries for An Inspector Calls

Introduction
Reception and interpretation
Productions

An Inspector Calls – Full Mark Essay L9 / A* grade

This is an example of a high grade A* / L9 essay for ‘An Inspector Calls’.

It was completed by myself, not in timed conditions, to set an example for high achieving students, so it is beyond the requirement of a high grade for GCSE. However, students are encouraged to read it and deconstruct it to get ideas for their own essays and structuring – it is also useful in terms of learning how to develop a sophisticated approach to essay phrasing, techniques, and vocabulary. I hope you enjoy reading it and find it helpful!

If you find this page useful you can take a look at our full ‘An Inspector Calls’ course here .

How does Priestley explore the issue of class in An Inspector Calls?

Class is arguably one of the central issues presented in the play, as it is because of her lower-class that Eva Smith is able to be so badly exploited, which leads to her tragic suffering and eventual suicide despite her intelligence, beauty, and kindness. We are exposed to the privileges that upper and middle-class men and women have, as well as the fact that they don’t always realise that they have greater opportunities and stability. As a socialist, Priestley certainly viewed the division between classes as a serious issue in his postwar society; the play ultimately tries to convey his message of social responsibility in order to minimise these rifts between the different classes.

According to Priestley, the upper classes cause issues in society due to their blind privilege. Gerald Croft, for instance, is an aristocrat whom Priestley describes as an ‘easy well-bred young man-about-town’. Priestley depicts Gerald as having an ‘easy’ lifestyle and demeanor due to his privileged social position; as a prominent up and coming businessman whose family are successful business owners, it could be argued that he has been handed his freedom and success without much effort or difficulty. The compound adjective ‘well-bred’ in particular displays Priestley’s socialist beliefs, as it implies that he is aware of yet disagrees with the fact that breeding is highly valued by the postwar British society and perhaps that family connections are more important than a person’s own character or intelligence; Sheila is only engaged to Gerald, after all, because Mr. Birling wants to secure business connections. Gerald’s flagrant exploitation of Eva’s kindness and beauty whilst being engaged to Sheila creates a layer of dramatic irony which criticises the idea that marriage for business purposes or family reasons is ever a positive or viable option. Though it could be argued that Gerald is a more sympathetic character than Sybil, he still demonstrates how the upper classes are so privileged and used to manipulate those around them that they are not even fully conscious of their behaviour. His excuse of continuing the affair with Eva because he felt ‘sorry for her’ could be interpreted as sensitivity, but it is likely that Priestley wanted to show instead how it demonstrates false sympathy, as he was only prepared to help Eva so long as she provided him with the affection that he craved. Additionally, Sybil as another upper-class figure demonstrates a different kind of high-class privilege: under the pretense of being charitable as she works for the ‘Brumley Women’s Charity’, using her prominent position in society to help only those she feels are deserving because they align with her own beliefs and values. She refuses to help Eva because she did not agree with Eva’s ‘elaborate fine feelings … that were simply absurd for a girl in her position’. The alliteration of ‘fine feelings’ emphasises Sybil’s snide superiority in that she is prejudiced towards Eva’s sensitivity and considers herself able to feel and experience more complex emotions than a lower class ‘girl’, a further diminutive term that underscores Sybil’s authoritative position and Eva’s own powerlessness in the situation where she is forced to finally seek charitable help after being thrown into a series of increasingly unfortunate positions. Therefore, whether they are consciously or unconsciously aware of their actions, the upper-class characters in the play are shown to manipulate the lower classes by abusing their privileged position; this demonstrates an inherent hierarchical structure in mid 20th-century British society which Priestley challenges and rejects. As a social realist play, the narrative represents a real-life situation that is familiar and known to the audience, so Priestley’s audience would have been aware of people holding the same values as Sybil and Gerald, looking down on lower classes or feeling like they could just exploit them as they pleased. In this way, Priestley asks his audience to question the fundamental beliefs of his society, by showing that they are not based on kindness and empathy, but instead superiority and oppression.

An Inspector Calls: Character Revision

Although Priestley exposes the problems with the upper classes in the play, he also draws equal attention to the plight of the lower classes. This is primarily shown through the character of Eva Smith, who is arguably less of an individual person and more of an everywoman or symbol for the exploited lower class workers: her name ‘Eva’ is a Biblical allusion to Eve, the first woman created by God in the book of Genesis, and her surname ‘Smith’ is the most common surname in Britain. The symbolism of Eva’s name also shifts as her situation deteriorates; being forced out of work several times, she changes her name to ‘Daisy Renton’, the surname perhaps suggesting the idea of a ‘rent girl’ or prostitute. Interestingly, the Inspector describes Eva as a ‘young woman’; the concrete noun ‘woman’ implies his respect for her regardless of her lower-class position. In contrast, the other characters refer to her using belittling or derogatory language, Sybil calls her a ‘wretched girl’, the adjective ‘wretched’ perhaps implying a double meaning of ‘doomed’ but also ‘repulsive’, once again highlighting Sybil’s upper-class snobbery. Arthur Birling also refers to her patronisingly as a ‘lively good-looking girl’ who ultimately ‘only had herself to blame’. Though the compound adjective ‘good-looking’ could be interpreted as a compliment, the audience feels that it is somewhat off-putting and patronising coming from a character such as Mr. Birling, who is in such a position of authority and privilege as a business owner relative to Eva being a mere worker who is replaceable and expendable in his eyes. The concept of ‘blame’ is pushed increasingly away from the lower classes as the play progresses when the Inspector, acting as a mouthpiece for Priestley’s own socialist views, exposes all of the Birling family and Gerald too to be partially culpable, doing so through the prop of the ‘photograph’ which he shows, in turn, to each family member before exposing their encounters with Eva. The fact that nobody sees the photograph at the same time heightens the dramatic tension of the play, and its importance as a plot device is underscored at the end when Gerald points out that ‘There were probably four or five different girls’, ironically failing to recognise that the statement is irrelevant because it still demonstrates that each family member acted exploitatively towards a lower-class person, even if they were different people in the end. Ultimately the Inspector’s fire-and-brimstone speech where he declares that there are ‘millions and millions of Eva Smiths and John Smiths’ reinforces to Priestley’s audience the irrelevance of whether Eva is an individual or a symbol, as the point remains that the continual exploitation of lower-class workers by upper and middle classes results in mass suffering and oppression.

However, Priestley does not only criticise the upper and middle classes, as his audience is educated and themselves part of those upper levels in society, he instead demonstrates their potential for change. Both Sheila and Eric certainly affect Eva’s life negatively, but crucially they demonstrate an acceptance of those and show remorse as well as a willingness to be more socially conscious in the future. Sheila outwardly admits her faults to the Inspector: ‘I know I’m to blame – and I’m desperately sorry’, causing the audience to sympathise with her and realise that as she was young, she was perhaps merely copying the behaviour of her mother when showing jealousy and cruelty towards Eva in the department store. Eric arguably is one of the worst characters in terms of his effect on Eva’s life; as an alcoholic who likes to get ‘squiffy’, he is shown to be irresponsible and selfish, to the point where he impregnates Eva and then abandons her. Yet he also shows maturity at the end, stating ‘The fact remains, I did what I did’ – the repetition of ‘did’ in the past tense perhaps emphasises that he is now going to change for the better and become a more considerate man rather than a selfish boy. Overall, the younger generation’s willingness to engage with the Inspector’s message is presented as positive, and they symbolically represent Priestley’s hope that future generations will be more kind and considerate towards one another.

Finally, Priestley uses the tensions between classes as a way of promoting his wider anti-capitalist and pro-socialist political stance. As a socialist, he believes that the typical views of a capitalist society where, as Arthur puts it, ‘a man must look after himself and his own’ are outdated and damaging to the population as a whole, because individuals feel no greater sense of responsibility to the wider community. The reflexive pronoun ‘himself’ and the possessive pronoun ‘his’ also underscore the selfishness that Priestley feels is inherent within capitalism, as in his view it encourages an individualist and anti-collectivist mentality that rewards people for selfish behaviour and discourages them from altruistic or compassionate behaviour. Arthur’s views are directly juxtaposed with the Inspector’s own, particularly towards the end of the play when he becomes more forceful with his opinions. He concludes that ‘we are all members of one body’, using the collective pronoun ‘we’ to reflect his universal perspective of being interconnected with all other individuals in society. The metaphor ‘members of one body’ further reinforces his socialist perspective, as it suggests that each individual is connected to a greater whole – perhaps also referencing Priestley’s own Christian beliefs about harmony within communities and taking care of others, particularly those less fortunate than ourselves. Though in modern British society it is common to be equally exposed to both capitalist and socialist perspectives, when the play was written in 1945 the Labour Party – of whom Priestley himself was a prominent member – had just won over the Conservative Party for the first time in history. Therefore, Priestley’s audience themselves were less accustomed to socialist opinions, and many of them continued to uphold the prewar Edwardian and even Victorian attitudes of class separation, rather than wanting to create a progressive society that encouraged equality between classes. By setting the play in 1912 but writing and performing it in 1945, Priestley also uses this time difference to demonstrate that views such as Mr and Mrs Birling’s are outdated in the modern world, encouraging his audience to distance themselves from a capitalistic mentality and instead embrace a more socialist and equalist approach to life. This double setting also allows Priestley to reinforce the absurdness of some of Arthur’s views – for instance, he declares that the Titanic is ‘absolutely unsinkable’; his assertive and confident tone is entirely undermined for Priestley’s audience by the situational irony that the Titanic sank soon after Mr. Birling made that statement. The effect is to demonstrate Mr. Birling’s idiocy as a whole and to deter the audience from believing his capitalist attitudes, as he is clearly so wrong about his other beliefs.

In summary, Priestley treats the issue of class as integral to the plot of ‘An Inspector Calls’. He criticises the upper and middle classes for their lack of awareness of their privileges and their misinformed judgment of the lower classes in an effort to create a harmonious future society where the problems of class difference and class oppression are greatly minimised, or ideally no longer exist. This is demonstrated within a political framework, in which the Inspector’s socialist views are encouraged in the audience, whereas Mr. Birling’s capitalist views are discouraged. Finally, Sheila and Eric, as younger generation characters, exemplify Priestley’s hope for the future as they show the potential to think for themselves and no longer just copy the entrenched values of their parents.

Thanks for reading! If you found this page useful you can take a look at our full ‘An Inspector Calls’ course , as well as ‘ An Inspector Calls: Story Summary ‘, where we break down Act by Act for easier understanding!

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Exemplar Essay: Inspector

How does Priestley use the character of the Inspector to suggest that society needed to change?

An Inspector Calls is about responsibility. Priestley uses the inspector to expose the lack of responsibility that many people took for the working classes. He hopes his audience will realise that they need to take action to build a fairer and more equality society for everyone.

During the inspector’s questioning of Arthur Birling , Priestley makes clear wealthy men in 1912 needed to change. When the inspector questions Arthur Birling about Eva Smith’s request for a payrise, Priestley has Arthur Birling state ‘I refused, of course’. In other words, Arthur Birling is proud to admit that he denied his workers a small pay rise. Priestley’s use of the words ‘of course’ not only indicate that Birling feels he was right to refuse a pay rise, but also that he doesn’t expect to be questioned about his actions. Later in the play, Priestley demonstrates that Arthur Birling is very selfish with his money by having him say ‘I’d give thousands ’. In other words, Birling is happy to pay thousands of pounds to the inspector in order to keep him quiet about the scandal with Eva Smith . The contrast between the thousands of pounds that Birling is willing to pay and the small pay rise that Eva Smith asked for demonstrates how selfish Birling is because he clearly had the money to give the pay rise but only wants to use the money for himself. Priestley hoped his 1945 audience would feel angry towards selfish Capitalist businessmen like Arthur Birling.

During the inspector’s questioning of Sybil Birling, Priestley makes clear wealthy women in 1912 needed to change. When the inspector questions Sybil about how she knew Eva Smith, Priestley presents Sybil as prejudiced by having her refer to the working classes as ‘girls of that class’. Priestley’s use of the words ‘that class ’ suggest that Sybil is snobbish and superior, looking down on the working classes. It is clear that she allows her prejudice to influence her decisions about who to help. Priestley uses Sybil Birling’s attitude to criticise private charities in 1912. He hoped his 1945 audience would feel angry t hat man wealthy people ran charities to make themselves look good, while denying help to people who needed it most. Priestley also hoped his 1945 audience would realise that they needed help from the welfare state, like the NHS, which would mean that the poorest people in society could access help when they most needed it.

During the inspector’s questioning of Sheila and Eric, Priestley presents younger characters as willing to learn. When Sheila is questioned by the inspector about the way she treated Eva Smith, Priestley makes clear she feels responsible by having her state ‘I started it’. In other words, Sheila admits that her actions triggered a chain of events that led to Eva Smith’s death. Similarly, Priestley has Eric refer to his actions as ‘hellish’ , which suggests he feels extremely guilty about the way he forced himself upon Eva Smith while he was drunk. Whereas Sheila and Eric feel guilty and admit their part in Eva Smith’s death, Arthur and Sybil do not. During their dialogue with the inspector, Priestley has Arthur state ‘I can’t accept any responsibility’ and Sybil say repeatedly that she was ‘perfectly justified’. Priestley hoped his 1945 audience would feel surprised by the difference in attitudes between the older and younger characters and realise that they needed to behave more like Sheila and Eric in order to build a fairer, more equal society.

Throughout the play, Priestley presents the inspector as powerful and moral. Within the stage directions, Priestley makes clear how powerful the inspector is by writing that he should ‘cut in massively’ over the Birlings. This demonstrates that the inspector is not afraid of the Birlings simply because they are a higher class than him. Priestley uses the inspector to cut through traditional class barriers and show that people should be treated equally. As a socialist, this is what Priestley believed. During the inspector’s dialogue with the Birlings, Priestley has the inspector state ‘we are all members of one body. We are all responsible for each other’. Priestley’s repetition of the word ‘we’ indicates that he believes that people should not only think about themselves. Priestley’s use of the word ‘we’ also contrasts Arthur Birling’s use of the words ‘him’ and ‘himself’, demonstrating the difference between Birling’s selfishness and the inspector’s morality. Priestley’s use of the words ‘one body’ demonstrate that he believes everyone should work together. The inspector acts as Priestley’s mouthpiece, offering the Birlings and Gerald ideas about a new society, in which everyone takes responsibility for each other in an effort to reduce inequality. Priestley hoped that his 1945 audience would realis e that they needed to take more responsibility for others.

‘An Inspector Calls’ is about how people should be more responsible. Priestley uses the Inspector as his mouthpiece, to challenge the selfish capitalist views of many of the middle and upper classes and to promote his belief in greater equality for everyone. Through the Inspector’s questioning of each of the characters, Priestley demonstrates how a lack of responsibility for others can have tragic consequences. Eric and Sheila’s ability to take responsibility for their actions conveys Priestley’s belief in the chance for a better society for the future.

The Inspector’s questioning of Arthur Birling reveals how poorly some of the working classes were treated by wealthy business owners. Early in the play, Arthur Birling proudly boasts that ‘a man has to mind his own business, look after himself and his own’. Priestley makes it clear that Arthur Birling prioritises his own interests above the interests of his workers. When questioned by the Inspector about how he responded to his workers’ request for a payrise, Birling responds with the words ‘I refused of course’. The words ‘of course’ demonstrate the arrogance in Arthur Birling’s character; he feels entirely justified in behaving in the way he did and does not wish to be questioned by the Inspector. The fact that Birling ‘refused’ without even discussing the payrise with his workers, and went as far as firing the person leading the strike, demonstrates how few rights the working classes had in 1912. Priestley deliberately presents Arthur Birling as a character who is unable to accept any responsibility for his actions and who remains concerned with his own reputation throughout, even offering the Inspector ‘thousands’ in order to keep quiet. Priestley does this in order to demonstrate to his audience that society will only improve if wealthy business owners like Arthur Birling admit their mistakes and try to take more responsibility for their workers.

Priestley uses the Inspector’s questioning of Sybil Birling to demonstrate the need for a welfare system to help the working classes. When questioned about her actions, Priestley makes it clear that Sybil Birling was prejudiced towards Eva Smith. Priestley has Sybil refer to the working classes as ‘girls of that class’ and ‘of that sort’, which demonstrates that she is snobbish and looks down on the working classes. He also has Sybil proudly say she was ‘perfectly justified’ in doing what she did, admitting that she was prejudiced against Eva Smith due to her ‘impertinent’ use of the Birling name. Priestley deliberately chooses to have Sybil Birling run a private charity as he is able to use her character to suggest that charities run by wealthy people would never offer the help that society needed. Priestley wanted to make the case for a welfare state, which would offer more help to the working classes. Many of Priestley’s 1945 audience would have voted for the Labour Party, who came into power in 1945 and established the NHS, thus would have felt equally critical of Sybil Birling’s actions.

Through the Inspector’s questioning of Sheila and Eric, Priestley demonstrates that the younger generation may be able to change society for the better. Whereas Sybil and Arthur Birling are relieved and delighted when they realise the Inspector wasn’t real, Sheila and Eric remain guilty and remorseful for their actions. Eric challenges his parents for pretending that ‘nothing really happened at all’, which highlights the difference in the way the characters take responsibility for their actions. Priestley wanted to propose to the audience that the younger generation, many of whom may have voted for the recently elected Labour Party in 1945, would be able to change society for the better, as they were more willing to recognise their mistakes.

The Inspector is Priestley’s mouthpiece throughout, challenging capitalist views and proposing different ways of thinking. Priestley uses stage directions to indicate that the inspector is willing to interrupt the Birling’s capitalist views by having the inspector cut ‘in massively’ while the Birlings are talking. Whereas Sybil and Arthur Birling believe themselves to be superior, Priestley makes clear it is in fact the inspector that is more powerful. Priestley’s choice to have the inspector ‘cutting in’ on Birling’s and Sybil’s speeches conveys that the inspector is not intimidated by their superior class. Priestley could have decided to have the inspector cut in on the Birlings to show that capitalist viewpoints deserve to be interrupted and ended. Furthermore, the adverb ‘massively’ demonstrates that what the inspector has to say is more important than what the Birlings have to say. The audience is therefore encouraged to trust the Inspector and to believe the things he is saying to the Birlings. Priestley has the Inspector promote socialist ideals when he says to the Birlings ‘We are all members of one body. We are all responsible for each other’. Priestley’s repetition of the pronoun ‘we’ when the Inspector talks contrasts with the way Arthur and Sybil Birling speak, as they more often say the word ‘I’, seeming more preoccupied with their own interests. This demonstrates Priestley’s belief in the clear distinction between socialism, which focuses on the many, and capitalism, which focuses on self-interest.

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Guest Essay

The Two-State Solution Is an Unjust, Impossible Fantasy

A photo illustration showing Israeli workers building a wall on one side, and a Palestinian child playing by a separation wall on the other.

By Tareq Baconi

Mr. Baconi is the author of “Hamas Contained” and the president of the board of al-Shabaka, the Palestinian Policy Network.

After 176 days, Israel’s assault on Gaza has not stopped and has expanded into what Human Rights Watch has declared to be a policy of starvation as a weapon of war. More than 32,000 Palestinians have been killed, and the international community has reverted to a deeply familiar call for a two-state solution, under which Palestinians and Israelis can coexist in peace and security. President Biden even declared “the only real solution is a two-state solution” in his State of the Union address last month.

But the call rings hollow. The language that surrounds a two-state solution has lost all meaning. Over the years, I’ve encountered many Western diplomats who privately roll their eyes at the prospect of two states — given Israel’s staunch opposition to it, the lack of interest in the West in exerting enough pressure on Israel to change its behavior and Palestinian political ossification — even as their politicians repeat the phrase ad nauseam. Yet in the shadow of what the International Court of Justice has said could plausibly be genocide, everyone has returned to the chorus line, stressing that the gravity of the situation means that this time will be different.

It will not be. Repeating the two-state solution mantra has allowed policymakers to avoid confronting the reality that partition is unattainable in the case of Israel and Palestine, and illegitimate as an arrangement originally imposed on Palestinians without their consent in 1947. And fundamentally, the concept of the two-state solution has evolved to become a central pillar of sustaining Palestinian subjugation and Israeli impunity. The idea of two states as a pathway to justice has in and of itself normalized the daily violence meted out against Palestinians by Israel’s regime of apartheid.

The circumstances facing Palestinians before Oct. 7, 2023, exemplified how deadly the status quo had become. In 2022, Israeli violence killed at least 34 Palestinian children in the West Bank, the most in 15 years, and by mid-2023, that rate was on track to exceed those levels. Yet the Biden administration still saw fit to further legitimize Israel, expanding its diplomatic relations in the region and rewarding it with a U.S. visa waiver . Palestine was largely absent from the international agenda until Israeli Jews were killed on Oct. 7. The fact that Israel and its allies were ill prepared for any kind of challenge to Israeli rule underscores just how invisible the Palestinians were and how sustainable their oppression was deemed to be on the global stage.

This moment of historical rupture offers blood-soaked proof that policies to date have failed, yet countries seek to resurrect them all the same. Instead of taking measures showing a genuine commitment to peace — like meaningfully pressuring Israel to end settlement building and lift the blockade on Gaza or discontinuing America’s expansive military support — Washington is doing the opposite. The United States has aggressively wielded its use of its veto at the United Nations Security Council, and even when it abstains, as it did in the recent vote leading to the first resolution for a cease-fire since Oct. 7, it claims such resolutions are nonbinding. The United States is funding Israel’s military while defunding the U.N. Relief and Works Agency, a critical institution for Palestinians, bolstering the deeply unpopular and illegitimate Palestinian Authority, which many Palestinians now consider to be a subcontractor to the occupation, and subverting international law by limiting avenues of accountability for Israel. In effect, these actions safeguard Israeli impunity.

The vacuity of the two-state solution mantra is most obvious in how often policymakers speak of recognizing a Palestinian state without discussing an end to Israel’s occupation of Palestinian territory. Quite the contrary: With the United States reportedly exploring initiatives to recognize Palestinian statehood, it is simultaneously defending Israel’s prolonged occupation at the International Court of Justice, arguing that Israel faces “very real security needs” that justify its continued control over Palestinian territories.

What might explain this seeming contradiction?

The concept of partition has long been used as a blunt policy tool by colonial powers to manage the affairs of their colonies, and Palestine was no exception. The Zionist movement emerged within the era of European colonialism and was given its most important imprimatur by the British Empire. The Balfour Declaration, issued by the British in 1917, called for a “national home for the Jewish people” in Palestine without adequately accounting for the Palestinians who constituted a vast majority in the region and whom Balfour referred to simply as “non-Jewish communities.” This declaration was then imposed on the Palestinians, who by 1922 had become Britain’s colonized subjects and were not asked to give consent to the partitioning of their homeland. Three decades later, the United Nations institutionalized partition with the passage of the 1947 plan, which called for partitioning Palestine into two independent states, one Palestinian Arab and the other Jewish.

All of Palestine’s neighboring countries in the Middle East and North Africa that had achieved independence from their colonial rulers and joined the United Nations voted against the 1947 plan. The Palestinians were not formally considered in a vote that many saw as illegitimate; it partitioned their homeland to accommodate Zionist immigration, which they had resisted from the onset. The Palestine Liberation Organization, established more than a decade later, formalized this opposition, insisting that Palestine as defined within the boundaries that existed during the British Mandate was “an indivisible territorial unit”; it forcefully refused two states and by the late 1970s was fighting for a secular, democratic state. By the 1980s, however, the P.L.O. chairman, Yasir Arafat, along with most of the organization’s leadership, had come to accept that partition was the pragmatic choice, and many Palestinians who had by then been ground down by the machinery of the occupation accepted it as a way of achieving separateness from Israeli settlers and the creation of their own state.

It took more than three decades for Palestinians to understand that separateness would never come, that the goal of this policy was to maintain the illusion of partition in some distant future indefinitely. In that twilight zone, Israel’s expansionist violence increased and became more forthright, as Israeli leaders became more brazen in their commitment to full control from the Jordan River to the Mediterranean Sea. Israel also relied on discredited Palestinian leaders to sustain their control — primarily those who lead the Palestinian Authority and who collaborate with Israel’s machinations and make do with nonsovereign, noncontiguous Bantustans that never challenge Israel’s overarching domination. This kind of demographic engineering, which entails geographic isolation of unwanted populations behind walls, is central to apartheid regimes. Repeating the aspiration for two states and arguing that partition remains viable presents Israel as a Jewish and democratic state — separate from its occupation — giving it a veneer of palatability and obfuscating the reality that it rules over more non-Jews than Jews .

Seen in this light, the failed attempts at a two-state solution are not a failure for Israel at all but a resounding success, as they have fortified Israel’s grip over this territory while peace negotiations ebbed and flowed but never concluded. In recent years, international and Israeli human rights organizations have acknowledged what many Palestinians have long argued: that Israel is a perpetrator of apartheid. B’Tselem, Israel’s leading human rights organization, concluded that Israel is a singular regime of Jewish supremacy from the river to the sea.

Now, with international attention once again focused on the region, many Palestinians understand the dangers of discussing partition, even as a pragmatic option. Many refuse to resuscitate this hollowed-out policy-speak. In a message recently published anonymously, a group of Palestinians on the ground and in the diaspora state wrote: “The partition of Palestine is nothing but a legitimation of Zionism, a betrayal of our people and the final completion of the nakba,” or catastrophe, which refers to the expulsion and flight of about 750,000 Palestinians with Israel’s founding. “Our liberation can only be achieved through a unity of struggle, built upon a unity of people and a unity of land.”

For them, the Palestinian state that their inept leaders continue to peddle, even if achievable, would fail to undo the fact that Palestinian refugees are unable to return to their homes, now in Israel, and that Palestinian citizens of Israel would continue to reside as second-class citizens within a so-called Jewish state.

Global powers might choose to ignore this sentiment as unrealistic, if they even take note of it. They might also choose to ignore Israeli rejection of a two-state solution, as Israeli leaders drop any pretenses and explicitly oppose any pathway to Palestinian statehood. As recently as January, Prime Minister Benjamin Netanyahu said that Israel “must have security control over the entire territory west of the Jordan River.” He added, “That collides with the idea of sovereignty. What can we do?”

And yet the two-state solution continues to be at the forefront for policymakers who have returned to contorting the reality of an expansionist regime into a policy prescription they can hold on to. They cycle through provisions that the Palestinian state must be demilitarized, that Israel will maintain security oversight, that not every state in the world has the same level of sovereignty. It is like watching a century of failure, culminating in the train wreck of the peace process, replay itself in the span of the past five months.

This will not be the first time that Palestinian demands are not taken into account as far as their own future is concerned. But all policymakers should heed the lesson of Oct. 7: There will be neither peace nor justice while Palestinians are subjugated behind walls and under Israeli domination.

A single state from the river to the sea might appear unrealistic or fantastical or a recipe for further bloodshed. But it is the only state that exists in the real world — not in the fantasies of policymakers. The question, then, is: How can it be transformed into one that is just?

Source photographs by Jose A. Bernat Bacete, Daily Herald Archive and Lior Mizrahi, via Getty Images.

The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips . And here’s our email: [email protected] .

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2024 Predicted English Lit exams: Macbeth, A Christmas Carol, An Inspector Calls, Power & Conflict, Unseen Poetry (AQA)

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8 April 2024

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2024 AQA Power & Conflict: Predicted Exams

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2024 An Inspector Calls Predicted Exams (GCSE)

AQA Unseen Poetry Exam Papers - GCSE English Literature Paper 2 Section C

AQA style GCSE English Literature exam papers on Macbeth, A Christmas Carol, An Inspector Calls, Power & Conflict and Unseen Poetry, based on what I anticipate might come up this year - all past extracts/poems are excluded.

I have no inside knowledge in terms of what will be on the exams - this is done by considering aspects such as typical extract length, question styles etc. that AQA use and eliminating anything that has already appeared on their published SAMS and past papers.

Extremely useful if you want full sets of English Literature exam papers that don’t cover past content that clearly won’t come up again!

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An Inspector Calls GCSE Literature example essay
An Inspector Calls Responsibility in Act Two essay
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Grade 9 essay on Inspector Goole in 'An Inspector Calls' including
An inspector calls

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An Inspector Calls
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Exploring Generational Conflict in "An Inspector Calls"
The generational conflict arises from the clash of values and beliefs between the older and younger characters. The older generation's emphasis on self-interest and disregard for collective responsibility stands in stark contrast to the younger generation's recognition of societal injustices. The tension between these perspectives underscores ...
Conflict Between Characters Theme, An Inspector Calls: GCSE English
Conflict includes disagreements, arguments and battles between characters. Priestley shows that conflict is at the heart of the Birling family by making characters in the same family have opposing views and making them stand up to each other, conveying conflict is present in upper class even though the upper class hid it from society.
AQA English Revision
An Inspector Calls Essays. One of the best things you can do to revise for any English exam is to read examples of essays. Below you'll find a range of essays which you can read at your leisure. Though there are always benefits in reading essays, becoming use to "active reading" is also important. To do this, use one of these strategies to help:
Theme Of Conflict In An Inspector Calls
The inspector implies that everyone is responsible for one another, utterly contradicting Mr. Birling's speech before he came in. The inspector is the most conflicting character in the entire play as he stands cool and hard before the Birlings and the audience and unveils the consequences of their actions on those below them. The dramatic ...
An inspector calls
In conclusion, 'an inspector calls' is an appealing and controversial play, in which Priestley presents a conflict between the characters of mr Birling and inspector goole. Through his effective use of techniques such as symbolism, characterisation, stage directions and dialogue, Priestley shows the development and outcome of the conflict ...
PDF An Inspector Calls
GCSE English Literature for AQA: An Inspector Calls Student Book, with a focus on differentiated tasks and attainment for setting student targets. The emphasis throughout, as with the Student Books, is on engaging the reader as an active interrogator of the text and on helping them to reflect on the text's relevance to themselves and others.
An Inspector Calls Study Guide
Full Title: An Inspector Calls. When Written: 1945. Where Written: England. When Published: 1945 (play premiered in Soviet Union) Literary Period: mid-20th century British drama, social realism. Genre: Mystery drama. Setting: 1912; a comfortable home in Brumley, England. Climax: Gerald returns to the Birling home after Goole has left, to report ...
An Inspector Calls: Inter-generational conflict essay
docx, 18.6 KB. This is a model essay about inter-generational conflict in An Inspector Calls. It develops a detailed argument, using a range of contextual and analytical ideas to develop important points. It has been written with the AQA English Literature exam in mind, but could be used to help any GCSE student who will write about this text.
An Inspector Calls Essay Questions
4. Delineate the "chain of events" that allegedly led to Eva Smith's death. This question simply asks you to explain the chain of events that led to Eva Smith's death, from the point of view of the Inspector. A good answer to this question might go further and look at the idea of the "chain of events" itself, who believes in it, and its ...
An Inspector Calls: Mini Essays
It is disturbing to think that someone could have died on account of what they have done. But someone could still die on account of things they are yet to do, if they do not change their worldview. Sheila attempts to tell her father this when she is convinced that he has begun to learn what is going on in the family, only to turn back and feel ...
An Inspector Calls
Paper 2 is worth 96 marks and accounts for 60% of your overall GCSE grade. The An Inspector Calls essay is worth 34 marks in total, because it also includes 4 marks for spelling, punctuation and grammar. Section A of Paper 2 contains the An Inspector Calls question and you are required to answer one question on the play from a choice of two.
PDF Question Bank
01) How does Priestley use Gerald Croft to explore the conflict between an individual's public and private lives in An Inspector Calls ? Write about: • what Gerald says and does throughout the play • the conflict between public and private lives [30 marks] AO4 [4 marks] 3 https: bit.ly pmt cc https: bit.ly pmt cc
An Inspector Calls
5.0 (1 review) -''An Inspector Calls'' by J.B. Priestley is a captivating play based around the tragic death of Eva Smith. -This celebration is interrupted by conflict upon the arrival of the inspector. -Different views around social responsibility sparks disagreements between Mr Birling and Inspector Goole.
PDF 'An Inspector Calls'
'GE' essay). This guide is for Section A, modern drama: 'An Inspector Calls' You will need to write two short essays on the play. Each essay will be marked out of a total of 20. The highest mark band is a level 6, the lowest a level 1. Please do not confuse these with grade levels 9-1: a level 6 response will indicate those working at
An Inspector Calls
An Inspector Calls - Full Mark Essay L9 / A* grade. This is an example of a high grade A* / L9 essay for 'An Inspector Calls'. It was completed by myself, not in timed conditions, to set an example for high achieving students, so it is beyond the requirement of a high grade for GCSE. However, students are encouraged to read it and ...
JAC English Revision
Priestley hoped his 1945 audience would feel angry towards selfish Capitalist businessmen like Arthur Birling. During the inspector's questioning of Sybil Birling, Priestley makes clear wealthy women in 1912 needed to change. When the inspector questions Sybil about how she knew Eva Smith, Priestley presents Sybil as prejudiced by having her ...
an inspector calls (conflict)
an inspector calls (conflict) 'An Inspector calls' is a play by JB Preistly that was written in 1912 and was intended to open the eyes of his 1946 audiences to a brighter future founded on community, responsibility, equality, peace and respect for all. Inspector Goole and Mr Birling are two of the main characters and have perhaps the most ...
An Inspector Calls
Of course he knows. And I hate to think how much he knows that we don't yet. - Sheila to Gerald when he insists they hide his affair from him. I don't like your tone nor the way you're handling this inquiry. - Mr B. is losing his temper the more the Inspector asserts his authority over him.
An Inspector Calls
pdf, 30.72 KB. A range of key quotations and stage directions from the play, organised clearly so that students can use them for essays and analysis tasks. This document also includes a breakdown of the symbolism of the names 'Eva Smith' vs 'Daisy Renton', and example analyses for students to use as a model for their own writing.
AQA An Inspector Calls 2024 Walking Talking Mock (WTM) with ...
A Walking talking mock that uses the AQA examiner feedback from summer 2023 to guide students through a process of planning and then writing answers/essays to the 'An Inspector Calls' question. Power point (40 slides) and student work booklet included. This resource focuses on helping students to: plan their response
Opinion
This will not be the first time that Palestinian demands are not taken into account as far as their own future is concerned. But all policymakers should heed the lesson of Oct. 7: There will be ...
2024 An Inspector Calls Predicted Exams (GCSE)
2024 Predicted English Lit exams: Macbeth, A Christmas Carol, An Inspector Calls, Power & Conflict, Unseen Poetry (AQA) AQA style GCSE English Literature exam papers on Macbeth, A Christmas Carol, An Inspector Calls, Power & Conflict and Unseen Poetry, based on what I anticipate might come up this year - all past extracts/poems are excluded.
2024 Predicted English Lit exams: Macbeth, A Christmas Carol, An
2024 An Inspector Calls Predicted Exams (GCSE) AQA Unseen Poetry Exam Papers - GCSE English Literature Paper 2 Section C AQA style GCSE English Literature exam papers on Macbeth, A Christmas Carol, An Inspector Calls, Power & Conflict and Unseen Poetry, based on what I anticipate might come up this year - all past extracts/poems are excluded.

Exploring Generational Conflict in "An Inspector Calls"

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2024 Predicted English Lit exams: Macbeth, A Christmas Carol, An Inspector Calls, Power & Conflict, Unseen Poetry (AQA)

Resources included (5)

2024 AQA Power & Conflict: Predicted Exams

2024 AQA Christmas Carol Predicted Exams

2024 AQA Macbeth Predicted Exams

2024 An Inspector Calls Predicted Exams (GCSE)

AQA Unseen Poetry Exam Papers - GCSE English Literature Paper 2 Section C

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