english language essay in english

Importance Of English Language Essay

500 words importance of english language essay.

The English Language is becoming more and more common in the world. As a result, increasingly people are dedicating time to study English as their second language. In fact, many countries include it in their school syllabus to teach children this language from a young age. However, the true value of this language is that it helps remove many barriers from our life. Whether it is to find a new job or travel the world. In other words, it helps to progress in life both on a personal and professional level. Thus, the Importance of English Language Essay will help you understand all about it.

Importance Of English Language

Language is our major means of communication; it is how we share our thoughts with others. A language’s secondary purpose is to convey someone’s sentiments, emotions, or attitudes. English is one such language in the world that satisfies both the above purposes. English has been regarded as the first global Lingua Franca. It has become part and parcel of almost every existing field. We use it as the international language to communicate in many fields ranging from business to entertainment.

Many countries teach and encourage youngsters to acquire English as a second language. Even in nations where English is not an official language, many science and engineering curriculum are written in English.

English abilities will most certainly aid you in any business endeavours you choose to pursue. Many large corporations will only hire professional employees after determining whether or not they speak good English. Given the language’s prominence, English language classes will be advantageous to you if you want to work for a multinational organization and will teach you the communication skills needed to network with professionals in your area or enhance your career.

The English Language opens an ocean of career opportunities to those who speak this language anywhere in the world. Similarly, it has turned into an inevitable requirement for various fields and professions like medicine , computing and more.

In the fast-evolving world, it is essential to have a common language that we can understand to make the best use of the data and information available. As a result, the English Language has become a storehouse of various knowledge ranging from social to political fields.

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Reasons to Learn the English Language

As the importance of the English Language is clear now, we move on to why we must learn the English Language. First of all, it is a global language. It is so common that one out of five people can speak or understand this language.

Further, learning the English Language can help in getting a job easily. As it has become the language of many fields, it automatically increases the chances of landing a good job in a good company.

In addition, it helps with meeting new people. As it is the official language of 53 countries, learning it helps to break the language barriers. Most importantly, it is also the language of the Internet.

Another important reason to learn this language is that it makes travelling easier. Being a widely used language globally, it will help you connect with people easily. Similarly, it is also essential in the world of business.

It does not matter whether you are an employee or employer, it benefits everyone. Students who wish to study abroad must definitely study this language. Many countries use their schools and universities. So, it can offer a good opportunity for students.

Why and where do we need the English language?

• Use of English on the Internet – Because of the tremendous rise of information technology, particularly the internet, English is the language of choice for Internet users. The internet has also played an important role in promoting and spreading the English language throughout the world, as more and more people are exposed to it, and English has also become the language of the internet.
• Use of English in Education – English has become one of the majorly used languages to understand, learn and explain concepts from various fields of knowledge. The majority of instructional tools, materials, and texts are written in English. The global educational systems at colleges all over the world need English as a foreign language.
• Use of English for Travel purposes – As we all know, English has been named as the official language of 53 countries and over 400 million people in the world speak English, the English language comes in handy for communicating with everyone when anyone travels around the world be it for tourism, job opportunity, settlement, casual visits, etc.
• Use of English for Communication – The most important function of a language is to allow people to communicate effectively. For many years, English has been the most widely known and valued language on the planet. In other words, English becomes an efficient tool for communicating with people all over the world.

Conclusion of Importance Of English Language Essay

We use the English Language in most of our international communications. While it is not the most spoken language in the world, 53 countries have named it their official language. Moreover, about 400 million people globally use it as their first language. Thus, being the most common second language in the world, it will be beneficial to learn this language to open doors to new opportunities.

FAQ on Importance Of English Language Essay

Question 1: How does the English Language help you get a job?

Answer 1: the  English Language is the language of many things like science, aviation, computers, diplomacy, and tourism. Thus, if you know English, it will increase your chances of landing a good job in an international company.

Question 2: Does the English Language help in connecting with people globally?

Answer 2: Yes, it does. It is because English is the official language of 53 countries and we use it as a lingua franca (a mutually known language) by people from all over the world. This means that studying English can help us have a conversation with people on a global level.

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8 Tips to Write Better Essays in English

Learning a foreign language is an overwhelming experience, especially if it’s one of the most widely spoken languages in the world – English.

Many people are under the impression that learning to read and speak in English is enough without realizing that written English skills are an equally vital asset to have.

From improving academics to boosting career prospects – the ability to write in English not only lets you communicate and express yourself better in today’s globalized world but also makes you more confident.

An effective way to improve your writing skills is to write essays. Wondering where to begin? We bring you eight useful tips to write better essays in English.

1. Keep a Vocabulary Notebook

Using the right vocabulary is an essential element of writing essays. When you make efforts to expand your vocabulary, you will be able to pick accurate words to take your writing to the next level.

Instead of coming across new words and forgetting about them, it’s a good idea to make a note of them in your vocabulary notebook. Doing this helps you remember the meanings of new words and you can also refer to it while writing essays.

So, give yourself a target to learn at least ten new words every day, which you can jot down in your diary and take baby steps in building a strong vocabulary.

2. Refer to Credible Sources

Research forms the first step in writing any kind of essay. The stronger your research, the better is the quality of your essay.

At a time when we have access to a wide range of data, it’s important to evaluate research sources carefully and only refer to credible ones. For example, Wikipedia is not a reliable source and should not be attributed to while writing essays.

Take the effort to read through published journals, research studies, scholarly papers, academic databases, and encyclopedias published within the last 10-15 years. It’s also important to assess the credibility of the author while evaluating the source.

3. Draft a Basic Outline

Once you’ve done your research, don’t rush to write. Take a moment to draft a basic outline for your essay and organize your research and findings.

“Is that necessary,” you ask? Very much.

Working on an outline lets you approach the essay in an organized manner. It serves as the skeleton of your paper while ensuring you’re not missing out on any information and that your points flow logically.

Most essays are categorized into – introduction, body, and conclusion.

The introduction is where you introduce the topic and give context. The body paragraphs need to include your arguments and research methodology (if any). The conclusion needs to reiterate the thesis statement and tie all the points together.

4. Hook the Reader

With attention spans getting shorter with time, it’s become all the more important to start with a bang and hook the reader from the beginning to ensure they are invested in your writing.

Essay hooks refer to the first one or two sentences of your essay which have the power to make or break the reader’s interest. The key is to write a hook that grabs the reader’s attention and reels them in.

From an alarming statistic and relevant quote to using humor and asking a rhetoric question – there are various tactics you can employ to keep the reader engaged.

If you’re unable to think of an impactful essay hook, don’t waste too much time on it. Finish the rest of your essay and come back to write a compelling hook later.

5. Use the Pomodoro Technique

It’s not easy to write an essay in one go, especially if it’s not in your first language.

A smart way to approach essay writing is to use the Pomodoro technique. This technique asks you to set a timer for 25 minutes to finish your task in question and then take a 5-minute break. After four cycles of repeating this, you get to take an extended 20-minute break.

So, start with breaking down the assignment into smaller tasks such as research, outlining, writing the different paragraphs, citing references and proofreading. You can then set the timer, start working on the essay as per the technique and track your progress.

Using this technique keeps distractions at bay and helps you stay more focused.

6. Pay Attention to Grammar Rules

You may raise interesting points in your essay, but poor grammar disrupts the reading experience and should be avoided at all costs.

Be careful when adding punctuations, check your sentence formations, avoid passive voice as much as possible and know the difference between adjectives, adverbs, nouns and verbs.

So  abide by grammar rules to deliver a well-written and cohesive essay.

7. Write with Clarity

You might be tempted to use complex metaphors and jargons to impress the reader, but the truth is, none of that guarantees “good” writing.

One of the most important ingredients of effective writing is clarity. You don’t want to leave the reader confused and puzzled after reading your essay. So, use simple words, stop beating around the bush and explain concepts with the help of examples because clear writing always wins.

8. Reread the Essay

Finally, make it a point to proofread your essay (multiple times) to ensure you have covered all the aspects, cited references accurately and not made any silly errors.

It’s a good idea to read your essay out loud so you’re able to identify errors and awkwardly formed sentences with ease. You should also get a friend or family member to read your essay, to spot mistakes or discrepancies that you may have overlooked.

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35 comments

Thanks a lot all we can derive from reading is the technique to write with clarity, good research and involvement of readers in writing.

Thank a lot dear EnglishClub, it’s help me a lot

I think it is very good site for learn essay writing

As a teacher trainer this contribution is helpful

Thanks for the tips! I’ll have an essay tomorrow and this will surlely prepare me!

Thank you so much

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Nice one but I don’t understand yet

Knowledge supporter is who u are, keep d good work nd ur reward is from God nd thanks.

thanks alot for your tips…your tips will help me alot while examss!!!

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ur intentinon and thoughts was very nce its useful to somny pepole to learn english tysomuch adela belin

Thanks you for helping

This did help a lot! Thank you very much 🥰

Good tips, I should give it a try, after all, we all improve by exercising hard so I’ll just do the same thing, but right now I gotta focus on what matters, and what I need now is to read as much as I can to know how to spell the words right. Is grammar so important in this task, I mean can’t I just pick the things up because of my experience in listening skill ?

Thanks for the information!

This is a nice explanation ,,,,,proud of you!

Is very interesting for me I really apreicete you help

Thanks so much for these useful tips!! Now, I need to start preparing my essay (“starting” has been always the stone on my way :$)

Please, what is the difference between an essay and an article?

Are they same?

Thanks in advance,

Thanks & best regards English Club

Helpful updated tips to share with our students!! thankssss

I want to know if it is only at the University or if we may take the course online.

Thank you verry much for important advices

thank for your key points, this is really helpful

Thank you and best wishes,

Very pragmatic and helpful essay. Thank so much English club

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How to write an essay in English

By ielts expert, 29 june 2023 - 16:00.

Many students say writing is the worst part of their English, but it’s often just a case of confidence. With practice, and the tips in this post, you can gain the confidence you need to maximise your English and really show it off. This post will look at the three stages of writing - planning, writing the text and reading it back.

If you are preparing for an exam, please be aware that for the latest information on exam format you should always go straight to the source – IELTS website . You can practice free online IELTS Academic Writing tests or General Training Writing tests . You can also practice writing your answer by downloading an IELTS Writing Answer Sheet .

Planning is an integral part of your writing. You might say “I don’t plan”, but somewhere in your subconscious, you do! By raising your awareness of your own planning process you can improve enormously. As a teacher, I see many students who plan and many who don’t. In general, the students that plan produce much better work, so if you are in the “no plan” camp, you should at least experiment with some of the ideas coming up.

Planning 1: Address the question

If you are writing for a class assignment or an exam, it is crucial that you address the question given. Adequate planning (five minutes is better than nothing) will keep you on track. 

Start by breaking the question down into its parts. There will usually be two or three aspects to the question. You want not only to cover all aspects of the question, but also make it obvious to your teacher or the examiner that you have done so, and the best way to demonstrate this is to give each aspect its own paragraph.

Planning 2: Brainstorm vocabulary as well as ideas

Once you have identified your paragraphs, think about what vocabulary you have at your disposal. Perhaps you would like to write one paragraph from a particular angle, but when you start planning you might find there are holes in your vocabulary and you are better able to write from a different angle. Choose ideas which best overlap with what you can clearly state in English.

Planning 3: Write chunks of language

Even with all the vocabulary in the world, some ideas are complex to express in writing. Causality, speculation and hypothetical scenarios are all abstract concepts which make it more challenging to say exactly what you want, but these are also an opportunity to push your English ability to the max and show your grammatical range. 

Sound out in your head how you will make your arguments, and when you get stuck, try writing this part down in your plan. It might be a whole sentence of just a clause. This will help you decide if you have enough English ability to get across a really impressive idea, or if you need to simplify your thoughts in order to remain clear to the reader.

Writing the text 1: Use your plan!

I have seen many students write logical, competent plans that address the question, only to go off on a random tangent when they start writing! 

Of course, you might change some things as you go along, for example if you have a new idea, but keeping an eye on your plan will prevent you from getting distracted and bring you back to the question you must answer. It will also keep you aware of how you are doing for word count and time.

Writing the text 2: Write your introduction last

You should at least consider this idea. The purpose of an introduction is to tell the reader what they are going to read, so how can you write the introduction when you haven’t written the content yet?

Introductions are fiddly to write on a blank canvas, but much easier when we already have the content written in front of us.

If you are writing on paper, it is still possible to write the introduction last - you just need to leave a few lines for it.

Writing the text 3: Make sure your introduction and conclusion match

Your introduction and conclusion should also match the content of your main body paragraphs. This might seem obvious, but I wish I had a euro for every time I have seen an introduction passionately in favour of something followed by body paragraphs and a conclusion that were passionately against.

This problem can be avoided by writing your conclusion last, as suggested above. It will also be avoided by planning, and thinking a little more deeply how you feel about the question before you start. When I say a little more deeply, I’m talking about a minute or so, not hours.

Writing the text 4: Use linkers

Linkers are often misunderstood as simply a way of showing “formal English” but in fact, we use linkers all the time, even when chatting with friends. We use them in speech and in writing to indicate “I’m going to add to what was just said,”  “I’m going to contradict what was just said,” and generally to help the listener or reader understand where we are going next.

After writing the text

This is another area where many students are very reluctant - you need to read what you wrote! 

Check for spelling errors, missing third person s, capital letters, whatever errors you are prone to make… and if you don’t know what errors you are prone to make, it’s because you aren’t checking your writing, so you need to start today! You can be the expert on your own writing strengths and weaknesses, and this will just make you better and better.

Moreover, you should read back your text because it’s enjoyable to see how skillfully you put your ideas down and how convincing your arguments are. You did it! Well done! Enjoy the moment with some positivity!

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10 Tips to Write Better Essays in English

If writing an essay sounds a little bit scary, just think of it as a chance to improve your writing skills .

Nobody expects your first essay to be perfect. Just make sure you learn something new every time you write an essay, and you will  grow your abilities.

We’re going to help you out with ten tips for writing better essays while you’re learning English .

1. Create a Word Bank

2. act like a reporter, 3. create topic sentences, 4. argue both sides, 5. read backwards, 6. use an online thesaurus and a dictionary, 7. combine and separate sentences, 8. have a native english speaker edit your essay, 9. review the whole essay with your friend, then rewrite it, 10. use online apps, and one more thing....

Download: This blog post is available as a convenient and portable PDF that you can take anywhere. Click here to get a copy. (Download)

This is an interesting approach to writing your essay. First, choose a topic and write a thesis . A thesis is the main argument of your essay. For instance, if your topic is reading, your thesis might be “Reading makes you smarter.”

Once you have a thesis, think about your main topic and find words that relate to it in different ways. Then, branch out (broaden, diversify) your list to words that aren’t as closely related to your main topic.

For the example above, your primary list might include words like “books,” “reading” and “intelligent.” Your other “branched out” list might include “Harry Potter,” “reading by a fire” or “test scores.”

This process will help expand your vocabulary over time. Using these words when you write will also make your essay more vibrant (energetic, colorful).

When you are first assigned the topic, go ahead and really explore the possible options for your thesis. Ask questions. Get curious. The more questions you ask before you start writing, the more information you will have to use in the essay.

A strong essay is one that covers a lot of content in a succinct (short, to-the-point) way. This process of acting like a reporter will give you valuable quotes, resources and vocabulary to begin the writing process.

For instance, if you’re writing about a new diet plan , you might ask questions like, “Who is the best candidate for this diet plan?,” “How can someone get started?” and “What is the hardest part of this plan?”

A topic sentence is the first sentence in a paragraph, and it summarizes the rest of the paragraph. You can create them first to help you stay on track when writing your essay.

For the thesis “Reading makes you smarter,” one paragraph’s topic sentence might be, “Newspapers make you more aware of current events.” Another paragraph’s topic sentence could be, “Reading plays and classic literature will make you more cultured.”

If you’re writing about the three main issues facing writers today, you could write three full sentences that each address one main issue. Set these aside. Then, when you start writing the essay, refer to your topic sentences to create a solid structure that begins at point A and ends at point C.

If you have to write a longer or more complex essay, it might help to outline both sides of the argument before you start writing. When you write the essay, you will need to choose one side to focus on. But as you prepare, having a side-by-side list of points can be helpful in developing your thesis.

Also, by arguing for the opposite side of your opinion, you will learn which points you need to better address in your essay. You will learn more about the topic, and you will gain more vocabulary words to enrich the essay.

As an example, you might be writing an essay arguing that people should drink less coffee. To argue both sides, you’ll need to consider the opposite side: the benefits of coffee. How will people quit if they are addicted? What about the antioxidants in coffee? Aren’t those good for you? Really explore the entire concept (both sides of the argument) before you write.

Proper grammar is difficult for even the most fluent English speakers. Because you are learning English, you actually have an advantage. Many native speakers learned improper grammar from the start. It’s difficult to undo the damage caused by a lifetime of writing improperly.

As you learn the English language, make a serious effort to practice your grammar and sentence structure. One way to spot improper grammar in your own English writing is to read each sentence backwards (start with the last word and end with the first). This way, you won’t be fooled by how the words sound when you read them in your head.

Is everything in the correct tense (past, present, future, etc.)? If you’re writing about plurals, are the possessive nouns plural? Are the apostrophes in the right places? Does every sentence end with a punctuation mark (period, question mark, exclamation point)? Reading the text backwards makes you focus on the rules of grammar instead of the flow of the sentence.

You might have learned a large number of fancy words when studying for an entrance exam. But before you start using them in academic essays, be very sure you know what they mean in the context of your essay. This is where the dictionary can come in handy .

A thesaurus is another valuable tool when writing an essay. A thesaurus tells you synonyms, or words that have the same or a similar meaning to the word you look up. It’s important because it can add some volume to your essay and increase the impact of your words.

For example, if you’re writing about cooking, the words “stir” and “add” might come up a lot. This repetition is boring for a reader.

So instead of constantly saying, “Add the tomato” and “add the eggs,” a thesaurus will teach you to say things like “whisk in the eggs” or “gently fold in the tomatoes.” See? It sounds a lot better and adds interest to your essay.

Visual Thesaurus is a resource that works just like a regular thesaurus, but it also shows you the connections between the words. For example, if you type in the word “stir,” you’ll immediately see a whole circle of other words connected to “stir” with lines. From there, you can click on any of the words in the circle (like “move,” in this case) and then see all the words related to that word. This helps you find and learn new words quickly, and it’s also fun!

Once the essay is written, go back through the writing to find any sentences that seem too long or wordy. Break these into two or more sentences.

For example, the following sentence is too long, which makes it unclear:

If you want to write in another language, you need to practice writing in creative ways, like writing on a blog, writing fun poems or texting a friend who speaks the language you’re learning every day.

Instead, you could write it as two clearer sentences (with less repetition of the word “writing”):

If you want to write in another language, you need to practice in creative ways every day. For example, you could start a blog, create fun poems or text a friend.

Do the opposite with sentences you find too short.

Also, look for sentences that are very closely related to one another. If two sentences seem like the thoughts are connected, you can combine them with a semicolon ( ; ).

For example, the following sentences are very closely related:

Learning to write in another language can be really difficult, especially when you’re first getting started. That’s why it helps to practice every day.

That’s why you could write it this way:

Learning to write in another language can be really difficult, especially when you’re first getting started; daily practice is helpful.

Meet up with a friend who is fluent in English (or, at least, more fluent than you). This friend can edit your essay and point out any repetitive errors.

If they find mistakes that you make often, you will be able to watch more closely for that error as you write future essays. This friend will also be able to point out grammatical or spelling errors that you might have missed.

If you don’t have any friends who are fluent in English, you can use a website like Conversation Exchange . This is a free site where native English speakers will correct your writing. In exchange, you correct the writing of someone learning your native language.

Once you and your friend have both reviewed your essay and marked any mistakes, rewrite the whole thing. This step is important. Just noting that you made some mistakes will not help you learn how to avoid them in the future.

By rewriting the essay with the corrections in mind, you will teach yourself how to write those sections properly. You will create a memory of using proper grammar or spelling a word correctly. So, you will be more likely to write it correctly next time.

Lastly, there are some fantastic online resources that can help improve your writing. For instance,  Hemingway Editor  can review your document to find any confusing or wordy sentences. You can rewrite these to make them easier to understand.

You could also head over to  Essay Punch  to find resources, tools and support that can help improve your writing skills.  Grammar Book  is a great resource for practicing proper grammar and spelling.

FluentU takes authentic videos—like music videos, movie trailers, news and inspiring talks—and turns them into personalized language learning lessons.

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Since many online resources are readily accessible, feel free to experiment with your options. Try to find the ones that cater best to your learning habits and needs.

The advice in this post is mainly for improving your essay writing over time. However, if you want a more professional opinion for an important essay, you can also use Scribendi . Scribendi is an online essay editing resource that helps with academic and admissions essays. If you’re applying to a school or are writing an important paper, you may want to consider their services to make sure your essay is the best it can be.

Learning a new language is certainly an ambitious (challenging) task. There are so many small details to learn, and the process takes a lot of time and commitment. But with practice and study, you will improve.

It takes even more effort to become a strong writer in a new language, but these tips will help you get started.

Hopefully, you were able to find one or two tips that you believe will help you improve your essay writing abilities. Over time, try to use all of these strategies (or at least more than one) in your writing routine. Good luck!

If you like learning English through movies and online media, you should also check out FluentU. FluentU lets you learn English from popular talk shows, catchy music videos and funny commercials , as you can see here:

If you want to watch it, the FluentU app has probably got it.

The FluentU app and website makes it really easy to watch English videos. There are captions that are interactive. That means you can tap on any word to see an image, definition, and useful examples.

FluentU lets you learn engaging content with world famous celebrities.

For example, when you tap on the word "searching," you see this:

FluentU lets you tap to look up any word.

Learn all the vocabulary in any video with quizzes. Swipe left or right to see more examples for the word you’re learning.

FluentU helps you learn fast with useful questions and multiple examples. Learn more.

The best part? FluentU remembers the vocabulary that you’re learning. It gives you extra practice with difficult words—and reminds you when it’s time to review what you’ve learned. You have a truly personalized experience.

Start using the FluentU website on your computer or tablet or, better yet, download the FluentU app from the iTunes or Google Play store. Click here to take advantage of our current sale! (Expires at the end of this month.)

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How to Write an English Essay

Last Updated: March 31, 2024 Fact Checked

This article was co-authored by Jake Adams . Jake Adams is an academic tutor and the owner of Simplifi EDU, a Santa Monica, California based online tutoring business offering learning resources and online tutors for academic subjects K-College, SAT & ACT prep, and college admissions applications. With over 14 years of professional tutoring experience, Jake is dedicated to providing his clients the very best online tutoring experience and access to a network of excellent undergraduate and graduate-level tutors from top colleges all over the nation. Jake holds a BS in International Business and Marketing from Pepperdine University. There are 14 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 1,605,480 times.

When taking English courses in high school and college, you'll likely be assigned to write essays. While writing an essay for an English class may seem overwhelming, it does not have to be. If you give yourself plenty of time to plan out and develop your essay, however, then you will not have to stress about it.

Sample Essays

Getting Started

• Your instructor will expect to see a well-crafted thesis early on in your essay. Place your thesis at the end of your first paragraph.
• If you don't understand how to write a thesis, ask your instructor for help. This is an important concept that will keep coming up in courses where you have to write papers.

• Telling a personal anecdote
• Citing a surprising fact or statistic
• Overturning a common misconception
• Challenging the reader to examine her own preconceptions

• You can create a numbered outline using a word processor or just put it on paper.
• Don’t worry about being too detailed when you create your outline. Just try to get the major ideas on paper.
• A really solid outline helps you figure out how you're going to put all the pieces of the puzzle together.

Drafting the Essay

• Make sure that you have your outline handy as well. You can build on your outline by expanding on each of the points in the order that they are listed in.

• Think of the topic sentence as a way to tell readers what you'll talk about in the rest of the paragraph. You don’t need to summarize the whole paragraph—just provide readers with a taste.
• For example, in a paragraph that describes Okonkwo’s rise and fall in Things Fall Apart, you might begin with something like: “Okonkwo starts out as a poor young man, but then rises to a position of wealth and status.”

• Returning to the invention stage . This includes exercises such as freewriting, listing, or clustering. You can also revisit your notes and books to see if there's anything you missed or forgot.
• Visiting your school’s writing lab . You can find a writing lab on most college campuses. They are free to students and can help you improve your writing at any stage in the writing process.
• Talking to your instructor . Take advantage of your professor's office hours or one-on-one appointments. Meet with them and discuss ways that you can improve your essay before you hand it in.

• An MLA style works cited page starts on a new page at the end of the essay. Provide entries for each of the sources that you used. These entries should include the information necessary to allow the reader to find the source with ease. [7] X Trustworthy Source Purdue Online Writing Lab Trusted resource for writing and citation guidelines Go to source
• MLA style in-text (also called parenthetical) citations provide readers with the author’s last name the page number for the information. It's necessary to include an in-text citation for any information that you quote, summarize, or paraphrase from a source. It comes right after the sourced information, and it includes the author’s last name and page number in parentheses. [8] X Trustworthy Source Purdue Online Writing Lab Trusted resource for writing and citation guidelines Go to source

• Qualify or complicate the information in your essay
• Suggest a need for further research
• Speculate on how the future will change the current situation

Revising the Essay

• If possible, give yourself at least 5 days to work on your essay. Dedicate separate days to researching, crafting your thesis, outlining your ideas, drafting your paper, and making revisions.

• Have I answered the question in a satisfactory way?
• Do I have a clear thesis? Is my thesis the focus of my essay?
• Do I include adequate support for my argument? Is there anything else I could add?
• Is there a logic to my essay? Does one idea follow the next? If not, how might I improve the logic of my essay?

• Try swapping essays with a friend from class. You can read and comment on each other’s essays to make sure that both of you have done the best work possible.
• Make sure that you swap papers at least one day before the paper is due so that you will have time to correct any errors that your friend finds.

• As you read, correct any errors that you find and make a note of anything that you think could be improved, such as adding more details or clarifying the language.

Planning Your Essay

• Always ask your professor if you don't understand the assignment. It's important to have a clear idea of what they want before you start working on the assignment.

Aly Rusciano

“Think of your thesis as the point you're trying to prove in your essay. If the essay came with a prompt question, your one-sentence answer is your thesis.”

• A well-detailed answer that satisfies the assignment requirements
• A clear and direct piece of writing that is easy to follow
• A polished paper with no minor errors, such as typos or misspellings

• For example, if you are tasked with writing about a character in a book, then you will need to provide lots of details about that character. This will probably require rereading some passages of your book as well as revisiting your notes from class. [16] X Research source
• To ensure that your paper is easy to follow, you'll need to make sure that there's a logical order to your essay. Do this by creating an outline and checking your work for logic.
• Start early and give yourself lots of time for revision. Try to complete your first draft about one week before the paper is due.

• Freewriting . Write as much as you can without stopping. If you can’t think of anything, write “I can’t think of anything to write,” until something comes to mind. After you finish, go over what've written and underline or highlight any useful information for your essay.
• Listing . Make a list of all of the details and information that are relevant to the essay prompt. After you have listed everything that you can think of, read over it and circle the most important information for your essay.
• Clustering . Write your topic in the middle of the page, then branch out with other connected ideas. Circle the ideas and connect them to the main one with lines. Keep going until you can't do any more.

• Good sources to use for English essays include books, articles from scholarly journals, articles from trustworthy news sources (NY Times, Wall Street Journal, etc.), and government or university sponsored web pages.
• Many instructors include “research quality” in their grading criteria, so including poor sources, such as blogs, may result in a poor grade.
• If you are not sure if a source is of good quality, ask your instructor or a librarian.

Expert Q&A

• If you choose to have someone critique your essay, try to find someone who fits your essay's target audience. You won't be able to improve your literary analysis of "To Kill a Mockingbird" if you hand it to someone who's never read it. Thanks Helpful 17 Not Helpful 5

• Don’t procrastinate on starting and developing your essay. Good writing takes time and careful planning. Thanks Helpful 7 Not Helpful 1

You Might Also Like

• ↑ https://owl.purdue.edu/owl/general_writing/the_writing_process/thesis_statement_tips.html
• ↑ http://writingcenter.unc.edu/handouts/introductions/
• ↑ https://owl.purdue.edu/owl/general_writing/the_writing_process/developing_an_outline/types_of_outlines.html
• ↑ https://owl.purdue.edu/owl/general_writing/academic_writing/paragraphs_and_paragraphing/index.html
• ↑ https://opentextbc.ca/writingforsuccess/chapter/chapter-11-developing-a-convincing-argument/
• ↑ https://guides.libraries.psu.edu/mlacitation/intext
• ↑ https://owl.purdue.edu/owl/research_and_citation/mla_style/mla_formatting_and_style_guide/mla_works_cited_page_basic_format.html
• ↑ https://owl.purdue.edu/owl/research_and_citation/mla_style/mla_formatting_and_style_guide/mla_in_text_citations_the_basics.html
• ↑ https://owl.purdue.edu/owl/general_writing/common_writing_assignments/argument_papers/index.html
• ↑ https://owl.purdue.edu/owl/general_writing/the_writing_process/proofreading/index.html
• ↑ https://owl.purdue.edu/owl/general_writing/academic_writing/essay_writing/argumentative_essays.html
• ↑ https://owl.purdue.edu/owl/general_writing/common_writing_assignments/understanding_writing_assignments.html
• ↑ http://www2.warwick.ac.uk/fac/arts/english/currentstudents/undergraduate/modules/fulllist/second/en228/how_to_write_an_essay/
• ↑ http://writing.ku.edu/prewriting-strategies

About This Article

To write an English essay, start by collecting your notes and sources to brainstorm a thesis, also known as your main argument. Once you have an argument, begin your essay by writing a paragraph that introduces your topic and thesis. After the introduction, write out body paragraphs, which should each start with a topic sentence and develop your thesis by providing specific examples. Finally, finish your essay with a conclusory paragraph, then, edit it for grammar, clarity, and any filler content. For more, like how to write an outline, read on! Did this summary help you? Yes No

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• Importance Of English Language Essay

Importance of English Language Essay

500+ words essay on the importance of the english language.

English plays a dominant role in almost all fields in the present globalized world. In the twenty-first century, the entire world has become narrow, accessible, sharable and familiar for all people as English is used as a common language. It has been accepted globally by many countries. This essay highlights the importance of English as a global language. It throws light on how travel and tourism, and entertainment fields benefit by adopting English as their principal language of communication. The essay also highlights the importance of English in education and employment.

Language is the primary source of communication. It is the method through which we share our ideas and thoughts with others. There are thousands of languages in the world, and every country has its national language. In the global world, the importance of English cannot be denied and ignored. English serves the purpose of the common language. It helps maintain international relationships in science, technology, business, education, travel, tourism and so on. It is the language used mainly by scientists, business organizations, the internet, and higher education and tourism.

Historical background of the English Language

English was initially the language of England, but due to the British Empire in many countries, English has become the primary or secondary language in former British colonies such as Canada, the United States, Sri Lanka, India and Australia, etc. Currently, English is the primary language of not only countries actively touched by British imperialism, but also many business and cultural spheres dominated by those countries. 67 countries have English as their official language, and 27 countries have English as their secondary language.

Reasons for Learning the English Language

Learning English is important, and people all over the world decide to study it as a second language. Many countries have included English as a second language in their school syllabus, so children start learning English at a young age. At the university level, students in many countries study almost all their subjects in English in order to make the material more accessible to international students. English remains a major medium of instruction in schools and universities. There are large numbers of books that are written in the English language. Many of the latest scientific discoveries are documented in English.

English is the language of the Internet. Knowing English gives access to over half the content on the Internet. Knowing how to read English will allow access to billions of pages of information that may not be otherwise available. With a good understanding and communication in English, we can travel around the globe. Knowing English increases the chances of getting a good job in a multinational company. Research from all over the world shows that cross-border business communication is most often conducted in English, and many international companies expect employees to be fluent in English. Many of the world’s top films, books and music are produced in English. Therefore, by learning English, we will have access to a great wealth of entertainment and will be able to build a great cultural understanding.

English is one of the most used and dominant languages in the world. It has a bright future, and it helps connect us to the global world. It also helps us in our personal and professional life. Although learning English can be challenging and time-consuming, we see that it is also very valuable to learn and can create many opportunities.

Frequently Asked Questions on English language Essay

Why is the language english popular.

English has 26 alphabets and is easier to learn when compared to other complex languages.

Is English the official language of India?

India has two official languages Hindi and English. Other than that these 22 other regional languages are also recognised and spoken widely.

Why is learning English important?

English is spoken around the world and thus can be used as an effective language for communication.

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Home — Essay Samples — Science — English Language — The importance of English language

The Importance of English Language

• Categories: English Language

About this sample

Words: 1323 |

Published: Oct 22, 2018

Words: 1323 | Pages: 3 | 7 min read

• It’s the most commonly spoken language in the world
• It’s the language of international business
• Most movies are in English:
• It’s easy to learn:
• It helps you understand other languages
• You can say things in a hundred different ways:
• It can be used around the world:
• It’s is the language of Sports:
• It’s the language of the internet:
• It continues to change:
• Most countries know how to speak English. Out of one, five people can speak or at least understand English
• English is the language of Science computers etc. So if you want to do the job in such fields you must learn English.
• English is the official language of 53 countries. That’s why it is important to learn English.
• English is spoken as a first language by around 400 million people around the world.
• English is the language of the media industry. So if you learn English you don’t have to rely on subtitle or dubbing to enjoy your favorite shows.
• English is also the language of the Internet. Many websites are in English. So you must learn English.
• English is based on a simple alphabet and has a simple vocabulary so it requires little effort to learn English
• English is not only useful – it gives you a lot of satisfaction. Making progress feels great. You will enjoy learning English if you remember that every hour you spend gets you closer to perfection.
• Since English is spoken in so many different countries there are thousands of schools around the world that offer programs in English. If you speak English, you have a lot of opportunities to work in schools and you may able to apply somewhere for a job.
• By learning English you can also learn about cultures. And English is also known as the language of freedom. You can also enjoy a lot of quotes and inspirational writings in English so it is also the source of motivation.

Works Cited

• Crystal, D. (2003). English as a Global Language. Cambridge University Press.
• Graddol, D. (2010). English Next: Why Global English May Mean the End of 'English as a Foreign Language'. British Council.
• Jenkins, J. (2015). Global Englishes: A Resource Book for Students. Routledge.
• McKay, S. L., & Bokhorst-Heng, W. D. (2008). International English in Its Sociolinguistic Contexts: Towards a Socially Sensitive EIL Pedagogy. Routledge.
• Pennycook, A. (2017). The Cultural Politics of English as an International Language. Routledge.
• Crystal, D. (2012). English as a Global Language : Implications for Translation Studies. In Translation: A Multidisciplinary Approach (pp. 97-113). Palgrave Macmillan.
• Seidlhofer, B. (2011). Understanding English as a Lingua Franca. Oxford University Press.
• Kachru, B. B. (1992). The Other Tongue: English across Cultures. University of Illinois Press.
• Modiano, M. (2016). English as a Lingua Franca: Theorizing and Teaching English. Modern Language Journal, 100(3), 676-691.
• McKay, S. L. (2002). Teaching English as an International Language: Rethinking Goals and Approaches. Oxford University Press.

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A Summary and Analysis of George Orwell’s ‘Politics and the English Language’

By Dr Oliver Tearle (Loughborough University)

‘Politics and the English Language’ (1946) is one of the best-known essays by George Orwell (1903-50). As its title suggests, Orwell identifies a link between the (degraded) English language of his time and the degraded political situation: Orwell sees modern discourse (especially political discourse) as being less a matter of words chosen for their clear meanings than a series of stock phrases slung together.

You can read ‘Politics and the English Language’ here before proceeding to our summary and analysis of Orwell’s essay below.

‘Politics and the English Language’: summary

Orwell begins by drawing attention to the strong link between the language writers use and the quality of political thought in the current age (i.e. the 1940s). He argues that if we use language that is slovenly and decadent, it makes it easier for us to fall into bad habits of thought, because language and thought are so closely linked.

Orwell then gives five examples of what he considers bad political writing. He draws attention to two faults which all five passages share: staleness of imagery and lack of precision . Either the writers of these passages had a clear meaning to convey but couldn’t express it clearly, or they didn’t care whether they communicated any particular meaning at all, and were simply saying things for the sake of it.

Orwell writes that this is a common problem in current political writing: ‘prose consists less and less of words chosen for the sake of their meaning, and more and more of phrases tacked together like the sections of a prefabricated hen-house.’

Next, Orwell elaborates on the key faults of modern English prose, namely:

Dying Metaphors : these are figures of speech which writers lazily reach for, even though such phrases are worn-out and can no longer convey a vivid image. Orwell cites a number of examples, including toe the line , no axe to grind , Achilles’ heel , and swansong . Orwell’s objection to such dying metaphors is that writers use them without even thinking about what the phrases actually mean, such as when people misuse toe the line by writing it as tow the line , or when they mix their metaphors, again, because they’re not interested in what those images evoke.

Operators or Verbal False Limbs : this is when a longer and rather vague phrase is used in place of a single-word (and more direct) verb, e.g. make contact with someone, which essentially means ‘contact’ someone. The passive voice is also common, and writing phrases like by examination of instead of the more direct by examining . Sentences are saved from fizzling out (because the thought or idea being conveyed is not particularly striking) by largely meaningless closing platitudes such as greatly to be desired or brought to a satisfactory conclusion .

Pretentious Diction : Orwell draws attention to several areas here. He states that words like objective , basis , and eliminate are used by writers to dress up simple statements, making subjective opinion sound like scientific fact. Adjectives like epic , historic , and inevitable are used about international politics, while writing that glorifies war is full of old-fashioned words like realm , throne , and sword .

Foreign words and phrases like deus ex machina and mutatis mutandis are used to convey an air of culture and elegance. Indeed, many modern English writers are guilty of using Latin or Greek words in the belief that they are ‘grander’ than home-grown Anglo-Saxon ones: Orwell mentions Latinate words like expedite and ameliorate here. All of these examples are further proof of the ‘slovenliness and vagueness’ which Orwell detects in modern political prose.

Meaningless Words : Orwell argues that much art criticism and literary criticism in particular is full of words which don’t really mean anything at all, e.g. human , living , or romantic . ‘Fascism’, too, has lost all meaning in current political writing, effectively meaning ‘something not desirable’ (one wonders what Orwell would make of the word’s misuse in our current time!).

To prove his point, Orwell ‘translates’ a well-known passage from the Biblical Book of Ecclesiastes into modern English, with all its vagueness of language. ‘The whole tendency of modern prose’, he argues, ‘is away from concreteness.’ He draws attention to the concrete and everyday images (e.g. references to bread and riches) in the Bible passage, and the lack of any such images in his own fabricated rewriting of this passage.

The problem, Orwell says, is that it is too easy (and too tempting) to reach for these off-the-peg phrases than to be more direct or more original and precise in one’s speech or writing.

Orwell advises every writer to ask themselves four questions (at least): 1) what am I trying to say? 2) what words will express it? 3) what image or idiom will make it clearer? and 4) is this image fresh enough to have an effect? He proposes two further optional questions: could I put it more shortly? and have I said anything that is avoidably ugly?

Orthodoxy, Orwell goes on to observe, tends to encourage this ‘lifeless, imitative style’, whereas rebels who are not parroting the ‘party line’ will normally write in a more clear and direct style.

But Orwell also argues that such obfuscating language serves a purpose: much political writing is an attempt to defend the indefensible, such as the dropping of the atomic bomb on Japan (just one year before Orwell wrote ‘Politics and the English Language’), in such a euphemistic way that the ordinary reader will find it more palatable.

When your aim is to make such atrocities excusable, language which doesn’t evoke any clear mental image (e.g. of burning bodies in Hiroshima) is actually desirable.

Orwell argues that just as thought corrupts language, language can corrupt thought, with these ready-made phrases preventing writers from expressing anything meaningful or original. He believes that we should get rid of any word which has outworn its usefulness and should aim to use ‘the fewest and shortest words that will cover one’s meaning’.

Writers should let the meaning choose the word, rather than vice versa. We should think carefully about what we want to say until we have the right mental pictures to convey that thought in the clearest language.

Orwell concludes ‘Politics and the English Language’ with six rules for the writer to follow:

i) Never use a metaphor, simile or other figure of speech which you are used to seeing in print.

ii) Never use a long word where a short one will do.

iii) If it is possible to cut a word out, always cut it out.

iv) Never use the passive where you can use the active.

v) Never use a foreign phrase, a scientific word or a jargon word if you can think of an everyday English equivalent.

vi) Break any of these rules sooner than say anything outright barbarous.

‘Politics and the English Language’: analysis

In some respects, ‘Politics and the English Language’ advances an argument about good prose language which is close to what the modernist poet and thinker T. E. Hulme (1883-1917) argued for poetry in his ‘ A Lecture on Modern Poetry ’ and ‘Notes on Language and Style’ almost forty years earlier.

Although Hulme and Orwell came from opposite ends of the political spectrum, their objections to lazy and worn-out language stem are in many ways the same.

Hulme argued that poetry should be a forge where fresh metaphors are made: images which make us see the world in a slightly new way. But poetic language decays into common prose language before dying a lingering death in journalists’ English. The first time a poet described a hill as being ‘clad [i.e. clothed] with trees’, the reader would probably have mentally pictured such an image, but in time it loses its power to make us see anything.

Hulme calls these worn-out expressions ‘counters’, because they are like discs being moved around on a chessboard: an image which is itself not unlike Orwell’s prefabricated hen-house in ‘Politics and the English Language’.

Of course, Orwell’s focus is English prose rather than poetry, and his objections to sloppy writing are not principally literary (although that is undoubtedly a factor) but, above all, political. And he is keen to emphasise that his criticism of bad language, and suggestions for how to improve political writing, are both, to an extent, hopelessly idealistic: as he observes towards the end of ‘Politics and the English Language’, ‘Look back through this essay, and for certain you will find that I have again and again committed the very faults I am protesting against.’

But what Orwell advises is that the writer be on their guard against such phrases, the better to avoid them where possible. This is why he encourages writers to be more self-questioning (‘What am I trying to say? What words will express it? What image or idiom will make it clearer? Is this image fresh enough to have an effect?’) when writing political prose.

Nevertheless, the link between the standard of language and the kind of politics a particular country, regime, or historical era has is an important one. As Orwell writes: ‘I should expect to find – this is a guess which I have not sufficient knowledge to verify – that the German, Russian and Italian languages have all deteriorated in the last ten or fifteen years, as a result of dictatorship.’

Those writing under a dictatorship cannot write or speak freely, of course, but more importantly, those defending totalitarian rule must bend and abuse language in order to make ugly truths sound more attractive to the general populace, and perhaps to other nations.

In more recent times, the phrase ‘collateral damage’ is one of the more objectionable phrases used about war, hiding the often ugly reality (innocent civilians who are unfortunate victims of violence, but who are somehow viewed as a justifiable price to pay for the greater good).

Although Orwell’s essay has been criticised for being too idealistic, in many ways ‘Politics and the English Language’ remains as relevant now as it was in 1946 when it was first published.

Indeed, to return to Orwell’s opening point about decadence, it is unavoidable that the standard of political discourse has further declined since Orwell’s day. Perhaps it’s time a few more influential writers started heeding his argument?

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9 thoughts on “A Summary and Analysis of George Orwell’s ‘Politics and the English Language’”

• Pingback: 10 of the Best Works by George Orwell – Interesting Literature
• Pingback: The Best George Orwell Essays Everyone Should Read – Interesting Literature

YES! Thank you!

A great and useful post. As a writer, I have been seriously offended by the politicization of the language in the past 50 years. Much of this is supposedly to sanitize, de-genderize, or diversity-fie language – exactly as it’s done in Orwell’s “1984.” How did a wonderfully useful word like gay – cheerful or lively – come to mean homosexual? And is optics not a branch of physics? Ironically, when the liberal but sensible JK Rowling criticized the replacement of “woman” with “person who menstruates” SHE was the one attacked. Now, God help us, we hope “crude” spaceships will get humans to Mars – which, if you research the poor quality control in Tesla cars, might in fact be a proper term.

And less anyone out there misread, this or me – I was a civil rights marcher, taught in a girls’ high school (where I got in minor trouble for suggesting to the students that they should aim higher than the traditional jobs of nurse or teacher), and – while somewhat of a mugwump – consider myself a liberal.

But I will fight to keep the language and the history from being 1984ed.

My desert island book would be the Everyman Essays of Orwell which is around 1200 pages. I’ve read it all the way through twice without fatigue and read individual essays endlessly. His warmth and affability help, Even better than Montaigne in this heretic’s view.

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I’ll go against the flow here and say Orwell was – at least in part – quite wrong here. If I recall correctly, he was wrong about a few things including, I think, the right way to make a cup of tea! In all seriousness, what he fails to acknowledge in this essay is that language is a living thing and belongs to the people, not the theorists, at all time. If a metaphor changes because of homophone mix up or whatever, then so be it. Many of our expressions we have little idea of now – I think of ‘baited breath’ which almost no one, even those who know how it should be spelt, realise should be ‘abated breath’.

Worse than this though, his ‘rules’ have indeed been taken up by many would-be writers to horrifying effect. I recall learning to make up new metaphors and similes rather than use clichés when I first began training ten years ago or more. I saw some ghastly new metaphors over time which swiftly made me realise that there’s a reason we use the same expressions a great deal and that is they are familiar and do the job well. To look at how to use them badly, just try reading Gregory David Roberts ‘Shantaram’. Similarly, the use of active voice has led to unpalatable writing which lacks character. The passive voice may well become longwinded when badly used, but it brings character when used well.

That said, Orwell is rarely completely wrong. Some of his points – essentially, use words you actually understand and don’t be pretentious – are valid. But the idea of the degradation of politics is really quite a bit of nonsense!

Always good to get some critique of Orwell, Ken! And I do wonder how tongue-in-cheek he was when proposing his guidelines – after all, even he admits he’s probably broken several of his own rules in the course of his essay! I think I’m more in the T. E. Hulme camp than the Orwell – poetry can afford to bend language in new ways (indeed, it often should do just this), and create daring new metaphors and ways of viewing the world. But prose, especially political non-fiction, is there to communicate an argument or position, and I agree that ghastly new metaphors would just get in the way. One of the things that is refreshing reading Orwell is how many of the problems he identified are still being discussed today, often as if they are new problems that didn’t exist a few decades ago. Orwell shows that at least one person was already discussing them over half a century ago!

Absolutely true! When you have someone of Orwell’s intelligence and clear thinking, even when you believe him wrong or misguided, he is still relevant and remains so decades later.

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From year 7-10 the traditional essays we have written have had an introduction, three body paragraphs and a conclusion. In these essays we write about characters, plot points and themes. Hence, it is understandable that upon entering English Language in year 11 or 12, it can be difficult to grasp a hold on how to write an essay without characters, plots or themes. To be precise, the requirement in an English Language essay is to ‘use key linguistic concepts and metalanguage appropriately to discuss/analyse/investigate…in an objective and systematic way” (English Language Study Design) .

What does this mean?

Essentially, in section C of the exam, you are required to present a discussion of a given idea. The word ‘discussion’ is defined as ‘a conversation or debate about a specific topic.’ In this sense, your essay is effectively a written conversation which needs to display an understanding of both sides of the topic.

In saying that, it is still important to form a contention, such as ‘indeed non-standard varieties are more acceptable in speaking than in writing in the Australian context’ however in arguing this contention, you must to explore both sides to show the examiner your understanding of language in Australian society.

The overarching idea of the essay is presented to you in the form of a prompt. For example, in the 2016 VCAA exam, a possible essay prompt given was: “In Australia today, variations from the standard tends to be more acceptable in speaking than in writing.”

In this prompt, the idea to be discussed is standard vs. non-standard Australian English. The main idea or topic forms an umbrella under which the essay is formed. This is the foundation of your essay. Each main argument will relate to this topic. In this example, standard vs non-standard Australian English is a topic from which an array of sub-topics can be extracted, the choice of which is to your discretion.

The sub-topics you choose to delve into will depend on your preferences and strengths. You may choose to discuss online-speak, ethnolects or Australian slang in relation to non-standard English, or legal and political jargon in relation to standard English.

Regardless of the choice of sub-topic, each body paragraph must explicitly link to three things; the prompt, the topic sentence and the contention. This is the criteria for your discussion. Ensuring clear links to these three will assure the examiner that you have confidence in the material you are discussing.

Your body paragraphs should be used to show the examiner how the ideas you have chosen to talk about relate to the prompt provided. Here it is necessary to use a combination of contemporary media examples, personal examples and linguist quotes as a means to prove the link between your chosen paragraph idea, your contention and the prompt. Try to find the most relevant examples which clearly demonstrate your line of thinking to the examiner. You don’t want to give them a reason to question the arguments you choose to present.

It is also important to be wary of this so that your essay flows in an orderly, sequential manner. Each idea presented within a paragraph and across the essay itself should follow a pathway, one leading into another. Use the ending of each body paragraph to come back to your essay prompt and reiterate your contention. This ensures you stay on topic and the examiner can clearly visualize your understanding of your topic.

In the end, your job in your essay is to present a discussion of a given prompt; an understanding of both sides. Use examples and explanations to show your examiner that you comprehend how the prompt can be debated.

Helpful Hints:

• Writing the very first sentence of your essay can be difficult. Sometimes, to get yourself into the flow of writing, it can be helpful to integrate a linguistic quote into your first sentence. This also helps solidify your contention. For example:
• “One’s idiolect, particularly lexical choices and accent can be strongly indicative of their unique identity and the social groups to which they belong; it is the most natural badge of symbol of public and private identity (David Crystal)”
• Your topic sentence for each paragraph should contain a link to the essay prompt, to the topic of your paragraph and to your contention. A link to all three elements should be identifiable. Below is an example of a topic sentence for the given essay prompt. “The language we use is the best indicator of who we are, individually, socially and culturally. Discuss.”
• Ethnolects are a quintessential indicator of cultural identity as they are strongly identifiable by their unique phonological characteristics.
• This topic sentence shows a clear identification of the topic of the paragraph (ethnolects), a connection with the prompt, (cultural belonging) and a contention, (ethnolects are indeed indicative of cultural identity)
• Rather than introducing linguist quotes with expressions such as “in the words of…” or “as said by…” using linguist quotes discretely where they are integrated as part of the sentence will improve the flow of your essay. Consider this example.
• “The use of the interjectory ‘reh’ expresses the cultural identity individuals associate themselves with and is part of the language they use as ‘a means to an end of understanding who [they] are and what society is like (David Crystal).”
• Not all your contemporary essay examples need to come from news articles or social media. Students can often get caught up doing aimless research trying to find examples through research which really isn’t all that necessary. You should try to find examples of language use in every-day life. Perhaps consider other school subjects you study and the jargon you used within these subjects. You can quite easily discuss this use of language in your essays. Here is an example of a student using the metalanguage from VCE Accounting as an example for their essay.
• Jargon and taboo language are often used to express social identity as they are demonstrative of social groups one wishes to belong to. Jargon terms such as, ‘equity,’ ‘profit margin’, ‘cash flow statement,’ ‘debt ratio’ and ‘accrued’ belong to the financial and accounting semantic field. Their use suggests the individual is knowledgeable in business and finance and further suggests they are likely to be working in the business sector. The use of jargon in one’s vernacular can therefore provide hints of the individual’s social identity and is significant to their individual identity.

Link to David Crystal interviews to pick out quotes and ideas for your essays:

Link to Kate Burridge on TED Talk talking about Euphemisms; a good source for examples of euphemisms and how they are used in society. This can be used as foundation for a paragraph in your essays:

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Finding out that your school has selected to study a Shakespeare play as your section A text can be a pretty daunting prospect. If I’m honest, I wasn’t all too thrilled upon discovering this either...it seemed as though I now not only had to worry about analysing my text, but also understanding what Shakespeare was saying through all of his old-fashioned words. 

However, let’s not fret - in this post, I’ll share with you some Measure for Measure specific advice and tactics, alongside excerpts of an essay of mine as a reference. 

Before you start reading, How To Approach Shakespeare: A Guide To Studying Shakespeare is a must read for any student studying Shakespeare.

Historical Context 

Having a basic understanding of the historical context of the play is an integral part of developing your understanding of Measure for Measure (and is explored further in Measure for Measure by William Shakespeare ). For example, for prompts that open with “What does Shakespeare suggest about…?” or “How does Measure for Measure reflect Shakespeare’s ideas about…?” it can be really helpful to understand Shakespeare’s own position in society and how that influenced his writing. 

There’s no need to memorise certain parts of Shakespeare’s history - as that would serve no purpose - just try to gauge an understanding of what life was like in his time. Through understanding Shakespeare’s position in society, we are able to infer his stances on various characters/ideologies in the play. 

• Measure for Measure is often regarded as an anti-Puritan satire. Although Shakespeare’s religion has been a subject of much debate and research, with many theories about his faith being brought forward, many believe that he was a secret Catholic. He is believed to be a ‘ secret’ Catholic, as he lived during the rise of the Puritans - those who wished to reform the Church of England and create more of a focus on Protestant teachings, as opposed to Catholic teachings. It was often difficult for Catholics to practice their faith at this time. 
• Angelo and Isabella - particularly Angelo, are believed to embody puritanism, as shown through their excessive piety. By revealing Angelo to be “yet a devil,” though “angel on the outward side,” Shakespeare critiques Puritans, perhaps branding them as hypocritical or even unhuman; those “not born of man and woman.” Thus, we can assume that Shakespeare would take a similar stance to most of us - that Angelo wasn’t the greatest guy and that his excessive, unnatural and puritanical nature was more of a flaw than a virtue. 

Tips for Moving Past the Generic Examples/Evidence Found in the Play 

It’s important to try and stand out with your examples in your body paragraphs. If you’re writing the same, simple ideas as everyone else, it will be hard for VCAA assessors to reward you for that. Your ideas are the most important part of your essay because they show how well you’ve understood and analysed the text - which is what they are asking from you, it’s called an ‘analytical interpretation of a text,’ not ‘how many big words can you write in this essay.’ You can stand out in Measure for Measure by: 

1. Taking Note of Stage Directions and Structure of Speech

Many students tend to simply focus on the dialogue in the play, but stage directions can tell you so much about what Shakespeare was really trying to illustrate in his characters. 

• For example, in his monologue, I would often reference how Angelo is alone on stage, appearing at his most uninhibited, with his self-interrogation revealing his internal struggle over his newfound lust for Isabella. I would also reference how Shakespeare’s choice of syntax and structure of speech reveal Angelo’s moral turmoil as he repetitively asks himself “what’s this?” indicating his confusion and disgust for his feelings which “unshapes” him. 
• Isabella is shown to “[kneel]” by Mariana at the conclusion of the play, in order to ask for Angelo’s forgiveness. This detail is one that is easily missed, but it is an important one, as it is an obvious reference to Christianity, and symbolises Isabella’s return to her “gentle and fair” and “saint” like nature. 

2. Drawing Connections Between Characters - Analyse Their Similarities and Differences. 

Drawing these connections can be a useful way to incorporate other characters not necessarily mentioned in your prompt. For example, in my own English exam last year, I chose the prompt “ ...Power corrupts both Angelo and the Duke. Do you agree? ” and tried to pair Angelo and Isabella, in order to incorporate another character into my essay (so that my entire essay wasn’t just about two characters).

• A favourite pair of mine to analyse together was Angelo and Isabella. Although at first glance they seem quite different, when you read into the text a little deeper you can find many similarities. For example, while Angelo lives alone in his garden, “succumbed by brick,” requiring “two keys” to enter, “nun,” Isabella, wishes to join the nuns of Saint Clare where she “must not speak with men” or “show [her] face.” Shakespeare’s depiction of the two, stresses their seclusion, piety and restriction from the “vice” plaguing Vienna. What’s important about this point is that you can alter your wording of it to fit various points that you may make. For example, you could use this example to prove to your assessor how Isabella’s alignment with Angelo signals Shakespeare’s condemnation of her excessive puritanical nature (as I did in my body paragraph below) or, you could use these same points to argue how Angelo was once indeed a virtuous man who was similar to the “saint” Isabella, and that it was the power that corrupted him (as you could argue in the 2019 prompt). 
• Another great pair is the Duke and Angelo. Although they certainly are different in many ways, an interesting argument that I used frequently, was that they both were selfish characters who abused their power as men and as leaders in a patriarchal society. It is obvious where Angelo did this - through his cruel bribery of Isabella to “lay down the treasures of [her] body,” however the Duke’s behaviour is more subtle. The Duke’s proposal to Isabella at the conclusion of the play, as he asks her to “give [him her] hand,” in marriage, coincides with the revelation that Claudio is indeed alive. It appears that the Duke has orchestrated the timing of his proposal to most forcefully secure Isabella and in this sense, his abuse of power can be likened to Angelo’s “devilish” bribery. This is as, through Shakespeare’s depiction of Isabella, it is evident that she has little interest in marriage; she simply wishes to join a convent where she “must not speak with men,” as she lives a life of “strict restraint.” The Duke is aware of this, yet he demands Isabella to “be [his]”-  wishing to take her from her true desire and Shakespeare is able to elucidate Isabella’s distaste through her response to this: silence. By contrasting Isabella’s once powerful voice - her “speechless dialect” that can “move men” - with her silence in response to the Duke’s proposal, Shakespeare is able to convey the depth of the Duke’s selfishness and thus his similarity to Angelo.

We've got a character list for you in Measure for Measure by William Shakespeare (just scroll down to the Character section).

What’s important to realise about these bits of evidence is that you can use them in so many different prompts, provided that you tailor your wording to best answer the topic. For example, you could try fitting at least one of the above examples in these prompts: 

• ‘Give me your hand and say you will be mine…’ The characters in ‘ Measure for Measure’ are more interested in taking than giving. Discuss. 
• ‘More than our brother is our chastity.' Explore how Shakespeare presents Isabella's attitude to chastity throughout Measure for Measure .
• ‘I have seen corruption boil …' To what extent does Shakespeare explore corruption in Measure for Measure , and by what means? 
• ‘Measure or Measure presents a society in which women are denied power.’ Discuss.

How To Kick Start Your Essay with a Smashing Introduction

There’s no set way on how to write an introduction. Lots of people write them in many different ways and these can all do well! This is the best part about English - you don’t have to be writing like the person sitting next to you in order to get a good mark. I personally preferred writing short and sweet introductions, just because they were quick to write and easy to understand. 

For example, for the prompt...

“...women are frail too.” 

To what extent does ‘Measure for Measure’ examine the flaws of Isabella? 

...my topic sentences were...

• Isabella is depicted as a moral, virtuous and pious woman, but it is this aspect of her nature that paradoxically aligns her with the “tyrannous” Angelo. 
• Shakespeare explores the hypocrisy and corruption of Isabella as a flaw, as she deviates from her initially “gentle and fair” nature.
• Despite exploring Isabella’s flaws to a large degree, Shakespeare does indeed present her redemption at the denouement of the play. 

...and my introduction was: 

William Shakespeare’s play, ‘Measure for Measure’ depicts a seventeenth century Viennese society in which disease, misconduct and licentiousness are rife. It is upon a backdrop of such ordeals that Shakespeare presents the character of Isabella, who is initially depicted as of stark contrast to the libertine populate of Vienna. To a considerable extent, ‘Measure for Measure’ does indeed examine the flaws of the “gentle and fair” Isabella, but Shakespeare suggests that perhaps she is not “saint” nor “devil,” rather that she is a human with her own flaws and with her own redeeming qualities. 

Instead of rewording my topic sentences, I touched on them more vaguely, because I knew that I wouldn’t get any ‘extra’ points for repeating them twice, essentially.  However, if you feel more confident in touching on your topic sentences more specifically - go ahead!! There are so many different ways to write an introduction! Do what works for you! 

Body Paragraphs 

This body paragraph included my pairing between Angelo and Isabella. My advice would be to continue to incorporate the language used in the prompt. In this paragraph, you can see me use the word “flaw” quite a bit, just in order to ensure that I’m actually answering the prompt , not a prompt that I have studied before. 

Isabella is depicted as a moral, virtuous and pious woman, but it is this aspect of her nature that paradoxically aligns her with the “tyrannous” Angelo. Where Angelo is “of ample grace and honour,” Isabella is “gentle and fair.” Where Angelo believes in “stricture and firm abstinence,” Isabella too believes that “most desire should meet the full blow of justice.” This similarity is enhanced by their seclusion from the lecherous society in which they reside. Angelo lives alone in his garden, “succumbed by brick,” requiring “two keys” to enter, whilst Isabella desires the life of a nun where she “must not speak with men” or “show [her] face.” This depiction of both Angelo and Isabella stresses their seclusion, piety and restriction from the “vice” that the libertine populate is drunk from. However, Shakespeare’s revelation that Angelo is “yet a devil” though “angel on the outward side,” is perhaps Shakespeare’s commentary on absolute stricture being yet a facade, a flaw even. Shakespeare presents Isabella’s chastity and piety as synonymous with her identity, which ultimately leaves her unable to differentiate between the two, as she states that she would “throw down [her] life,” for Claudio, yet maintains that “more than our brother is our chastity.” Though virtuous in a sense, she is cruel in another. Although at first glance, Shakespeare’s depiction of Isabella’s excessive puritanical nature appears to be her virtue, by aligning her with the “devil” that is Angelo, it appears that this is indeed her flaw. 

Conclude Your Essay by Dazzling Your Assessor!  

My main tip for a conclusion is to finish it off with a confident commentary of the entire piece and what you think that the author was trying to convey through their words (in relation to the topic). For example, in pretty much all of my essays, I would conclude with a sentence that referenced the entire play -  for example, how it appeared to be such a polarising play, with largely exaggerated, polarising characters/settings (eg. Angelo and the Duke, or the brothels that stood tall next to the monastery): 

Ultimately, Shakespeare’s play ‘Measure for Measure,’ depicts Isabella as a multifaceted character. She is not simply one thing - not simply good nor bad -  her character’s depiction continues to oscillate between the polar ends of the spectrum. Although yes, she does have flaws, so too does she have redeeming qualities. Though at times deceitful and hypocritical, she too is forgiving and gentle. Thus, as Shakespeare’s play, ‘Measure for Measure,’ does centre on polarising characters in a polarising setting, perhaps through his exploration of Isabella’s flaws alongside her virtues, he suggests that both the good and the bad inhabit us.

Measure for Measure is usually studied in the Australian curriculum under Area of Study 1 - Text Response. For a detailed guide on Text Response, check out our Ultimate Guide to VCE Text Response .

• What Is English Language?
• VCE English Language Study Design
• What's Involved in the Exam?
• How To Study for English Language
• Metalanguage List
• Sample Essay
• Year 12 Essay Topic Categories

1. What Is English Language?

Study design stuff.

English Language is 1 of the 4 different English subjects that are offered as part of the Victorian Certificate of Education (VCE). In this subject, you’ll explore how individuals and groups of various identities use different varieties of English, and how this ties in with reflecting their values and beliefs. English Language will provide you with a substantial understanding of the impact language has on societies, what it communicates about ourselves and the groups that we identify with, and how societies in turn can also influence language.

If you’re feeling uncertain about what exactly this subject entails, don’t worry! Let’s go through what’s involved in each unit, and what you’re expected to do in each.

2. VCE English Language Study Design 

Note: The study design contains a metalanguage list for Units 1 & 2 and for Units 3 & 4. They’re pretty similar, except the Units 3 & 4 list includes several new features, such as the addition of patterning (phonological, syntactic, and semantic), as well as a significant addition to the discourse subsystem (coherence, cohesion, features of spoken discourse, and strategies of spoken discourse). ‍

Area of Study (AoS1) 

AoS1 is called ‘the nature and function of language’. You’ll learn about the functions of different types of texts, the differences between spoken and written texts, how situational and contextual factors can influence texts, and most importantly, you’ll learn about metalanguage as per the Units 1 & 2 metalanguage list. 

Area of Study (AoS2) 

AoS2 is called ‘language acquisition.’ Here, you’ll learn about theories various linguistics and sociologists have proposed regarding how children acquire languages. Furthermore, you’ll also cover how second languages are acquired. One of the most important skills you’ll pick up in this AoS is how to apply metalanguage in discussions and essays.

English Across Time’, will provide you with a historical context for how we have achieved the form of English that we use today. You’ll learn about the processes which led to the development of Modern English from Old English, the changes this had on all the subsystems ( learn about the syntax subsystem here ), and the various attitudes that are held towards linguistic change.

‘Englishes in contact’, you will learn about the processes which have led to the global spread of English, the intersections between culture and language, and the distinctive features of pidgins, creoles and English as a lingua franca. 

‘Informal language’, will give you an understanding of the roles of informal language in the contemporary Australian context. You’ll learn about what makes texts informal, how this differs for spoken and written texts, and what social purposes can be achieved through informal language - such as maintaining or threatening face needs, building intimacy or solidarity, creating an in-group, or supporting linguistic innovation. 

‘Formal language,’ will provide you with a detailed insight of what makes texts formal, distinguishing features for spoken and written texts, and what social purposes can be achieved through formal language - such as reinforcing authority, establishing expertise, clarifying, obfuscating, or maintaining and challenging positive and negative face needs. 

In both of these AoS, you’ll be applying the Units 3 & 4 Metalanguage in your short answer responses and analytical commentaries. The additional metalanguage is typically taught in Term 1 of year 12, while you learn the content for Unit 3.

‘Language variation in Australian society,’ is a detailed study on how both standard and non-standard Australian English are used within contemporary society. You’ll learn about how identity is constructed through language, how varieties of English vary by culture (such as ethnolects or Australian Aboriginal English), and the attitudes that are held towards different varieties by different groups. 

In ‘Individual and group identities’, you’ll look at how language varies by different factors, such as age, gender, occupation, interests, aspirations, or education, and how these factors all contribute to our identities. You’ll learn more about in-groups and out-groups, and how they can be created and maintained through language. Furthermore, you’ll learn about the relationship between social attitudes with language, and how language can be shaped by, but also influence, social attitudes and community expectations. 

For more information, have a look at the study design . 

3. What's Involved in the Exam?

The Year 12 Exam involves 2 hours of writing time and 15 minutes of reading time. It has three sections:

• Section A: 15 marks (It is recommended that you spend approximately 20-25 mins in this section)
• Section B: 30 marks (It is recommended that you spend approximately 40-45 mins, and write 600-700 words)
• Section C: 30 marks (It is recommended that you spend approximately 45-50 mins, and write 700-800 words)

Make sure you have a read through of the assessment criteria for each section.

Section A is 15 marks of short answer questions. You are given a text, and you’re required to respond to questions about the stylistic and discourse features used in the text, while ensuring that you’re demonstrating a detailed knowledge of metalanguage through carefully selecting relevant examples from the text. 

A strong understanding of the metalanguage is really important, both in terms of knowing the meanings of each metalinguistic term, and also in knowing which category each term fits under (For example, knowing that inference is part of coherence and not cohesion). Therefore, it is important that you learn your metalanguage in terms of what each terminology means, and also in terms of which category each term fits into.

As a general guide:

• 1 mark – one idea or one example or one explanation
• 2 marks – one idea plus one or two examples with explanations
• 3 marks – two ideas plus one or two examples of each with explanations
• 4 marks – two or three ideas plus one or two examples of each with explanations
• 5 marks – three ideas plus one or two examples of each with explanations

One of the biggest mistakes students make here is not reading the questions properly. Students sometimes miss how many examples the questions specifies to identify (this information is often given as ‘identify 2 examples’ or ‘identify the purposes’ as plural), forget to check how many marks a question is, or mix up certain metalanguage terms, such as confusing sentence types with sentence structures. So, be very careful in answering these questions.

Here are some examples of short answer questions that have come up in past VCAA exams:

[Question 2, 2017 VCAA] - Identify and comment on the use of two different prosodic features. (4 marks).

‍ Here, you would identify 2 different prosodic features (pitch, stress, volume, intonation, or tempo), and discuss what effect they have on the text, taking contextual factors into consideration. For example, stress could be used to draw emphasis, or intonation could influence the emotion conveyed. 

[Question 1, 2015 VCAA] - What sentence types are used in lines 15 to 36? How do they reinforce the purposes of this text? (3 marks)

‍ Here, you would identify the relevant sentence types (declaratives, imperatives, interrogatives, and exclamatives), and explain their role in the text. You would also want to ensure that your explanations are specific to the context of the text.

[Question 9, 2010 VCAA] - Discuss the function of two different non-fluency features between lines 70 and 96. (4 marks)

‍ Here, you would identify two non fluency features (such as pauses, false starts, repairs, repetition) and give a 1 sentence explanation of its role or what it indicates.

[Question 1, 2012 VCAA] - Identify the register of the text. (1 mark)

‍ This question is quite straightforward, and you could use terms such as formal, informal, predominantly formal/informal in your response.

[Question 4, 2012 VCAA] - How does the verb tense in lines 9–34 support the purpose of this section of the text? (2 marks)

‍ Here you would identify whether the verb tense is in past, present, or future tense, and explain why it has been used in that way based on the contextual factors.

[Question 3, 2017 VCAA] - Using appropriate metalanguage, identify and explain two specific language features that reflect the speaker’s identity.(4 marks)

‍ Here, you can pick examples from any subsystem that relate to the speaker’s identity, such as jargon, colloquialisms, semantics of certain jokes, expletives, or pejoratives.

Note: The exams prior to 2012 have 2 sets of short answer questions, because analytical commentaries weren’t a part of the exam back then. This leaves you with lots of practice questions! However, do keep in mind that the metalanguage lists differed and certain features were categorised in different ways. For example, Question 2 from the VCAA 2013 exam asks you to talk about prosodic features, however, in the examiner’s report, pauses are suggested as an option. We know that in the present study design, pauses are classified as features of spoken discourse, under the discourse subsystem, whereas prosodic features are classified under the subsystem of phonetics and phonology.

Check out How To Respond to Short Answer Questions in VCE English Language if you need more help tackling Section A of the exam.

Section B is an analytical commentary (AC) worth 30 marks. The introduction for an AC is an explanation of the contextual factors, the social purpose, and the register, of the text. In the body paragraphs (generally three), you group your examples from the text by themes, and explain their roles. 

There are two main approaches for body paragraphs; the sub-system approach, and the holistic approach. In the sub-system approach, you would organise your examples so that each paragraph is addressing a specific subsystem. For example, your AC could be composed of the introduction, and then a paragraph on lexicology, one on syntax, and one on discourse. This approach is easier for when you’re starting out with ACs, but one of the issues with it is that you end up limiting yourself to just one portion of the text for the one paragraph. In the holistic approach, you would typically do a paragraph on social purpose, register, and discourse. In this approach, you are able to group examples from multiple subsystems and talk about how they work together in achieving specific roles in the texts. 

Make sure you’re attempting a range of different types of texts, such as, opinion pieces, recipes, oaths, editorials, advertisements, eulogies, social media posts, public notices, television transcripts, radio transcripts, letters, speeches, legal contracts, conversations, narratives, and more.

For more information, have a look at this video:

Section C is an essay worth 30 marks. There are a range of topics that can potentially come up in the exam, and it is really important that you practice writing a variety of essays. 

In essays, it is really important to ensure that you set out a clear contention in your introduction. This will basically tell the assessor what point you’re making in your essay, and it’ll also help you remember which direction to take your essay. After your contention, you need to signpost your ideas. This means that you need to summarise what 3 points you are stating in your body paragraphs. 

Here’s an exercise which is really helpful in refining introductions - When you’re writing your contention, write “In this essay, I will argue that [Insert contention]. I will do this by stating the following points [Insert signposting].” When you’re happy with your introduction, you can remove the underlined parts. This will help you really understand how the roles for contentions and signposting differ. You’ll also thoroughly understand what position you’re taking in the essay.

The body paragraphs follow TEEL structure. You begin with your topic sentence, state your evidence, explain it, and then link it back to your contention. You have three options for the type of evidence that you’ll use (stimulus material, contemporary examples, and linguist quotes), and it's important to use a combination of them. According to the exam rubric, you have to be using at least 1 piece of stimulus material. Contemporary examples should ideally be from the current year and the previous. Linguist quotes don’t have time restrictions but it’s a good idea to try and find recent ones.

One of the most important things in body paragraphs is to make sure that you’re able to link your example back to your contention. If you’re unable to do this, it means that your examples aren't relevant to the points that you’re trying to make. 

In your conclusion, you need to ensure that you don’t introduce any new examples or points. The role of the conclusion is to summarise and reinforce your points and your overall contention. 

If you would like further clarification, have a look at this post on English Language Essays.

4. How To Study for English Language

Time management and organisation.

Having a study timetable will make studying much less stressful than it needs to be. In your timetable, make sure you are allocating enough time for all of your subjects, as well as time for rest, extra-curricular activities, work, and socialising. A realistic time-table will also mean that you’re less likely to waste time trying to decide which subjects to study for. For example, every Sunday, you could spend 15 minutes planning out your week based on which assessments you have, and which subjects you would like to give time to. This becomes especially useful in SWOTVAC, where you’ll be responsible for ensuring you’re spending enough time on each subject whilst also balancing everything else outside of school. 

Here are some extra resources to help you with time management:

SWOTVAC: Planning Your Life

10 Hacks For Time Management

How to survive VCE - motivation and approach

Revising Metalanguage

Consistently revising metalanguage is one of the most important study methods for English Language. 

The basics of metalanguage are covered in Unit 1. Make sure you keep a clear set of notes for this content so that you’re able to look back on it to revise throughout the year. Before the year 12 year begins, you want to make sure that everything in the year 11 metalanguage list makes sense to you. Spending the summer holidays before year 12 begins in reinforcing the basics will help you throughout year 12, as you’ll be able to pick up on the new metalanguage much faster. One of the first things you'll cover is coherence and cohesion, so if you would like to get a head start, have a look at this post.

Throughout year 12, consistently revising metalanguage will be your responsibility. It is likely that you’ll be spending a greater proportion of class time in learning content, and writing short answer responses, analytical commentaries, or essays. Therefore, it’s really important to figure out a way that works best for you in being able to frequently revise metalanguage. Flashcards are pretty useful for revision, as well as making mind maps so that you’re able to visualise how everything is set out in the study design.

One issue students run into is that they’re able to define and give examples for metalanguage terms, however, they are unable to understand how it fits in in terms of the categories under each subsystem. For example, a student is able to remember what a metaphor is, but unable to recall that it fits under semantic patterning. Similarly, a student may know what a pause is, but not know if it’s part of prosodic features or discourse features. It’s important to know what all the categories are, because the short answer questions usually ask for you to identify features under a particular category. Therefore, spending time on just revising the definitions alone isn’t sufficient in learning metalanguage. You also need to be able to ensure that you can recall which category each term fits under.

Reading the News

For the essay, you’re required to use contemporary media examples as evidence (alongside stimulus material and linguist quotes). It’s really important for you to begin this process early so that you’re able to start using examples in essays as early as possible. For tips on how to find, analyse and store your examples, see our post on Building Essay Evidence Banks for English Language .

Having an awareness of Australia’s historical, political, and social context, will provide you with a more comprehensive perspective of the contemporary examples. So, if you don’t already do this, try to develop a habit of reading the news (The Conversation or The Guardian are a good place to start). Television programs like Q and A, The Drum, and Media Watch, will help you understand the Australian context, and often these programs will also discuss the roles of language, which directly links with what you're looking for as essay examples. It’s especially important to start early, and to build these skills over time, so that you are able to develop a holistic foundation. 

Extra Practice Pieces and Seeking Feedback

Doing extra practice pieces is a really effective way to develop and refine your analytical skills. Make sure you receive feedback for all your work from your teacher or tutor, as it’s the only way you'll know if you’re going in the right direction.

If you’re short on time, even writing up AC or essay plans, or just doing 1 paragraph, is an effective way to revise.

Learning Quotes and Examples

Memorising several pages full of linguist quotes and contemporary examples may seem daunting at first, but once you begin using them in essays, they’ll become much easier to remember. Right from the beginning of yr12, make sure you set up a document to compile your linguist quotes and examples into subheadings. For example subheadings such as ‘cultural identity,’ ‘jargon,’ ‘hate speech,’ ‘free speech,’ or ‘Australian values’ will make it easier for you to navigate your notes when you're planning your essays.

If you start early, you’ll be able to remember everything bit by bit as you progress through the year, which is definitely easier than trying to remember the evidence the night before the assessment. Additionally, you’ll be ready with quotes and examples as soon as you begin essays in class, so you’ll be able to use your examples earlier, hence learn them earlier, and therefore be able to memorise your quotes and examples in advance. If you’re in year 12 and you’re nearing the end of the year and still struggling to memorise your examples and quotes, try using flashcards to remember your evidence.  Make sure you’re doing a range of essays on different topics so that you’re able to apply and analyse your evidence. 

Learning From Your Mistakes

It can be pretty disheartening to make the same mistakes repeatedly and continue to lose marks. So, compiling the mistakes that you make throughout the year in a separate notebook or document is a fantastic way to keep track of the key things you need to remember. You’ll also be less likely to repeat those mistakes.

Group Studies

Studying in groups for English Language is a highly effective way to refine your understanding of the content, and see different perspectives in the way certain ideas can be applied. Revising metalanguage and testing your friends on their knowledge can be a light and engaging way to ensure you and your friends are on the right track. Sharing the ways you and your group have approached a specific AC is also an effective way to learn about different approaches. Discussing essay topics is a useful way in refining your arguments, as you’ll be exposed to different opinions and be able to work on ensuring that your arguments are relevant and strong.

See How To Extend Yourself in VCE English Language for more tips!

5. Metalanguage List

Please refer to pages 9-10 for the Year 11 list, and 17-18 for the Year 12 list !

6. Sample Essay

Language is fundamental to identity and consequently we draw on our linguistic repertoire to project different aspects of our identity according to context. Discuss this statement in the contemporary Australian context with reference to at least two subsystems in your response.

(This essay topic relates to Unit 4 - AoS1, ‘Language variation in Australian society.’) 

Introduction

Language plays a pivotal role in establishing and communicating various facets of identity. As such, individuals can alter their linguistic repertoire to establish in-group membership. Teenspeak is an effective mechanism in expressing teenage identity, but can also be used by the older generation to appeal to young people. Code switching between ethnolects and standard Australian English further illustrates how individuals can manipulate their linguistic choices to suit their environment, whilst simultaneously reflecting ethnic identity . Furthermore, jargon plays a critical role in establishing professional identity and signifying expertise or authority. Consequently, linguistic choices are capable of expressing diverse and multifaceted identities.

Body Paragraph

Teenspeak is capable of expressing identity and establishing in group membership amongst teenages, however it can also be used by those in the out-group to appeal to teenagers. Professor Pam Peters asserts that “Teenagers use language as a kind of identity badge that has the effect of excluding adults." Consequently, teenagers are able to establish exclusivity and in-group membership. Bakery owner Morgan Hipworth, who largely has a teenage following and is a teenager himself, employs teenspeak in a video recipe, where he responds to the question ‘Can you make a 10 layer cheese toastie?’ with ‘Bet, let’s go.’ Through using the teenspeak term ‘bet,’ Hipworth is able to relate and connect with his young audience while further asserting his identity as a teenager. This demonstrates how teenspeak can be effective in both establishing in-group membership, and expressing identity. Similarly, Youtuber Ashley Mescia’s extensive use of teenspeak initialisms in Instagram captions, such as ‘ootd’ for ‘outfit of the day,’ ‘grwm’ for ‘get ready with me,’ and ‘ngl’ for ‘not gonna lie,’ allows her to connect with her predominantly teenage following, thus allowing her to establish solidarity and in-group membership. This further indicates that teenspeak is an effective mechanism in expressing identity and building in-group membership. In contrast, teenspeak can also be used by older people in an effort to appeal to teenages. For example, in 2019, ABC’s Q and A host Tony Jones ended a promotional video for an opportunity for high-school students to appear on the panel with ‘It’s gonna be lit fam.’ This was done in an effort to appeal to younger people by exploiting the notion that it is often seen as cringeworthy when older people use teenspeak. Linguist Kate Burridge asserts that “older people using contemporary teen slang often sounds insincere and phoney,” and Jones was aware of this, however his purpose was to appeal to this to be able to further promote the video. Therefore, teenspeak is effective in both establishing in-group membership and expressing identity, and also appealing to the in-group and a member of the out-group.  

7. Year 12 Essay Topic Categories

1: australian english.

• Australian English differs from other national varieties – this theme looks at what makes Australian English unique and the factors that have contributed to its development over time. You can learn more by checking out our blog post on Australian Cultural Values
• What makes this variety unique as a national variety
• Broad, General, Cultivated accents
• Aboriginal English
• Attitudes towards Australian language varieties
• Standard Australian English and its prestige value
• Non-standard varieties operating in Australia
• Regional variation within Australia
• The role of language in constructing national identity
• Face needs (read blog)

2: Individual and Group Identity

• Social and personal variation (age, gender, occupation, interests, education, background, aspiration)
• Individual identity and group membership
• Standard and non-standard English and prestige varieties
• In-groups and exclusion
• Social attitudes to non-standard accents and dialects

3: Register

• Relationships between speaker/writer and interlocutors/audience
• Physical setting, situational and cultural contexts
• Subject matter/topic/domain/field
• Mode (spoken, written, electronic)
• Purpose/function of the interaction
• Social attitudes and beliefs of participants

4: Social Purpose of Language

• Inclusion and exclusion; in-groups and out-groups; social distance and intimacy
• How language can be used to uphold or threaten positive or negative face needs (read blog)
• Prestige forms of language
• Political correctness (read blog)
• Discrimination and hatespeech
• Euphemism and dysphemism (watch video)
• Taboo, pejoratives, and swearing
• Jargon, and how language establishes expertise
• Slang and colloquialisms
• Manipulation of language (obfuscation, doublespeak, gobbledegook)
• Politeness strategies and social harmony
• Language in the public domain; public language
• Linguistic innovation
• How language represents or shapes social and cultural, values, beliefs, attitudes
• How language can express identity 
• Other functions of language, such as recording, clarifying, entertaining, promoting, persuading, commemorating, celebrating, instructing, informing

5: Attitudes to the Varieties

6: Language Change

Although language change features more heavily in Units 1 & 2, it is still important to be aware of how language is changing in everyday lives to reflect social needs, attitudes and values. Consider the following:

• Australian English and its development and evolution over time
• Taboo, swearing and dysphemism and the role of changing social values
• Political correctness , non-discriminatory language and changing social values
• Linguistic innovation and informal language
• Technological advances and their impact on language - this includes emojis and text speak
• Global contact and other social changes and their impact on contemporary Australian English
• Migrant ethnolects and Aboriginal English

The idea of VCE English assessments can sometimes be a bit daunting. Always so much you want to write, never as much time as you need and they always seem to come around sooner than you think. But there is never as much cause for alarm as you think and I’m willing to guarantee that almost everyone reading this is so much better than they think at English . 

You’ve already come so far from where you started in your high school English journey. I’d like to challenge anyone reading this to go and find the earliest English essay you’ve got tucked away somewhere. I’ve done this myself and, if yours is anything like mine, you’ll be almost disgusted by what you find. Year-7-me just loved to retell the story, cling to my rigid TEEL formulas and leave my quotes just dangling, write the same basic paragraph three times and call it a complete essay. Not a pretty read and I’m sure a couple of you can relate. But, this exercise does at least prove a very valuable point: you are capable of improving at English .

So let’s start thinking about that essay you’ve got coming up again. You’ve just given yourself a nice confidence booster with that walk down memory lane, reminding yourself that you are a more-than-capable English student these days. But all you now want to do is your very best for this next essay. But how do you keep improving between now and then? After all, if you knew what you had to do to improve your English, you’d already be doing it, right? So what we’re going to do now is to have a look at what taking your essays to that next level really looks like; how you can improve your writing between now and then, whenever that might be. 

So to do this, we’re going to take an already good paragraph and improve it together. Take this one, one that I conveniently prepared earlier to a Station Eleven prompt that has to do with the theme of memory/history.

Part 1: The Good Paragraph

Q: Mandel shows the importance of remembering the past. To what extent is this true?

A: In Station Eleven, the characters often find meaning from the creation of enduring legacies. Mandel demonstrates this idea through the naming of Jeevan’s son after his brother, Frank. By creating such an enduring legacy for a character who believes in the power of such legacies - 'they’re all immortal to me' - Mandel implies that characters like this are able to achieve meaning and fulfilment by preserving these legacies. Mandel also uses the character of Miranda to highlight the importance of legacies to provide meaning where Miranda lacks it in her day-to-day life. Even though Miranda’s life is left incomplete by her sudden death, the beauty in the scene of her death suggests that a sense of fulfilment has been achieved despite the emptiness of her life relative to other characters: 'its extravagant sunsets and its indigo sea'. Hence, the meaning in her life comes from the legacy that she creates from the art she makes in her 'independent' life. This is contrasted against the character of Arthur, whose legacy does not influence any events in the post-flu world, because of his failure to create legacy or meaning beyond his day-to-day life. Further, Arthur’s death in the hectic Elgin Theatre has far less beauty than that of Miranda, implying less fulfilment in his life. Therefore, Mandel uses her text to demonstrate the value of creating legacies that allow others to remember the past.

Let’s call this our good paragraph. I’ve modelled this off of an essay I found from my Year 10 self, as happy as Year-10-me would have been with this performance, it’s far from perfect. But, it is a very functional paragraph that does all that a paragraph really needs to do. It introduces an idea, justifies it with evidence, links back at the end and doesn’t waste too much time retelling the story. So now we get to the fun bit: we’re going to take this already good paragraph, and turn it into a better paragraph.

So how do we make a good paragraph better ? 

Well, for a start, we can integrate our quotes so that the paragraph reads better . You’ll see in just a second how much of a difference this can make. This is something I learnt to do between Years 10 and 11. Other improvements that could be made include answering the prompt more directly and using some of the language of the prompt within our answers. So let’s change this and see now what these small differences do to our paragraph.

Part 2: The Better Paragraph

A: In Station Eleven, the characters often find meaning from the creation of enduring legacies that allow others to remember the individuals who came before. Mandel demonstrates this idea through the naming of Jeevan’s son after his brother, Frank. By creating this symbolic memorial for a character who believes that such legacies can allow individuals such as actors to become 'immortal', Mandel implies that characters like this are able to achieve meaning and fulfilment through their legacies. Furthermore, Mandel also uses the character of Miranda to highlight the importance of creating a legacy through one’s art to provide meaning where Miranda lacks it in her day-to-day life. Although abruptly killed off in the middle of the text, Mandel imbues her death with a certain beauty through its 'extravagant sunsets and indigo sea'. In doing so, Mandel provides a sense of completion about Miranda’s life and suggests that a sense of fulfilment has been achieved despite the emptiness of her life relative to other characters. Hence, the meaning in her life comes from the legacy that she creates from the art she makes in her 'independent' life. This is contrasted against the character of Arthur, whose legacy does not influence any events in the post-flu world, because of his failure to create legacy or meaning beyond his day-to-day life. Further, Arthur’s death in the hectic Elgin Theatre has far less beauty than that of Miranda, implying less fulfilment in his life. Therefore, Mandel uses her text to demonstrate the importance of creating legacies that allow others to remember the past.

There we have it. The paragraph has been rewritten based on the ones I wrote in Year 11 and we have the first signs of improvement. The topic sentence now references the ‘remembering the past’ aspect of the prompt. The linking sentence now uses the ‘importance’ part of the prompt. All of the same quotes are used but are now integrated (check out How To Embed Quotes in Your Essay Like a Boss if you need more help with this). 

We’ve made sure not to have more than one sentence starting with Mandel (a small nitpick but still a nice addition). It flows better. It answers the prompt more directly and suddenly we have a better paragraph . Year-11-me has shown improvement and with this comes better scores and more confidence: something that’s very important for success in English. If you’re confident and proud of what you’re writing, then you’ll have higher marks and, even better, more fun!

We haven’t changed much and the paragraph is already better . But it’s not my best paragraph. Between Years 11 and 12, I learnt even more things. I was taught to write about not only the world of the text but also the world around us that we and Mandel live in: you’ll notice that this better paragraph talks more about ‘characters’ that live ‘in the text’ whereas my best paragraph would talk more about the text in the context of the world you and I live in . I learnt to make my topic sentences more abstract and broad so that they relate more to our own world and less to the world of the text and remind whoever’s assessing that my ideas apply to everyone and not just within the texts. I learnt to respond more directly to different types of prompts (Discuss, To what extent is this true?, How does Mandel… and others) and I learnt to be more direct in discussing the views and values of Mandel (what she likes, what she doesn’t like, what she wants to see more of in the world)

So let’s apply some final changes, and see what our paragraph looks after two more years of refining English. This final paragraph is almost exactly the same as one I wrote in timed conditions before my final exam.

The Final Part: The Best Paragraph

A: Mandel explores the importance of legacies, not only as sources of meaning for their creators, but also for their roles in allowing others to remember the roles of those who came before. Such an idea is explored through the naming of Jeevan’s son, securing the legacy of Frank. By affording such a permeating influence to an individual who writes of and appreciates the 'immortal[ity]' of long-dead actors, Mandel implies that an appreciation of the inherent value in a legacy and its ability to influence future events is a key quality in individuals. Furthermore, Mandel uses the character of Miranda to highlight the importance of creating a legacy that outlives oneself to provide meaning. Although abruptly killed off in the middle of the text, Mandel imbues her death with a certain beauty through its 'extravagant sunsets and indigo sea'. In doing so, Mandel provides a sense of completion about Miranda’s life and suggests that a sense of fulfilment has been achieved despite the emptiness of her life relative to other characters. Hence, Mandel suggests that the meaning in Miranda’s life comes from the legacy that is the art she makes in her 'independent' life that continues to influence events and allow others to remember the past long after her death. Mandel provides contrast through her exploration of Arthur, whose legacy does not influence any events in the post-flu world because of his failure to create legacy or meaning beyond his day-to-day life. Further, Arthur’s death in the hectic Elgin Theatre has far less beauty than that of Miranda, reinforcing Mandel’s view that individuals who forfeit control of their own legacies, as Arthur does, lead far less completed and fulfilled lives. Therefore, Mandel highlights the immense importance of creating legacies that allow others to remember the past and encourages greater appreciation of the value of legacies in contemporary society.

So, two years later, and we’ve got what is still essentially the same paragraph, just brushed up to an even better, or best , standard. So if we’re using the same evidence, exploring the same characters and introducing the same ideas, why is this paragraph better than the last two?  

Well, if you study the topic and linking sentences, they discuss the concept of a legacy being a means of allowing others to remember the past and the importance of such a thing and everything in-between links this concept to the text. ' Mandel highlights the immense importance' represents a subtle but nice nod to the wording of the prompt by giving an ‘extent’ to which Mandel ‘shows’ or highlights. Every piece of evidence is discussed in reference to what Mandel believes about the world around us and how individuals should act in modern society. 

And there’s something very nice that we can now reflect on. This paragraph has gone from good to much better without having to introduce any new ideas. There are no overly complex interpretations of the text, we’ve just taken the same skeleton of a paragraph and made it look better without changing its real substance. 

And one of the wonderful things about making efforts to improve the quality of your writing is all the confidence that comes with this, whether this be from getting better at discussing views and values , learning to integrate your quotes or any achievement like this. I know that my confidence surged as my English got better and, as I got more confidence in my writing, I got more confidence in what I wrote about. My interpretations of the text became more and more obscure and a bit whacky at times and I had fun writing about these things. If you improve your writing, you’ll improve what you’re writing about which will mean you’ll have more fun writing and the cycle of improvement will just continue.  

So to cap off, I thought it might be nice to have a checklist of sorts that you might be able to put against your own writing.

What’s the next step I could take in improving my English?

• Are all my quotes properly integrated ? (Hint: if the sentence doesn’t make sense without quotation marks, the answer is no)
• Have I got more than a couple of sentences starting the same way or could I vary my sentence structure a bit more?
• Have I explicitly used some parts of the prompt in my own writing so that I can directly answer the question in my essays?
• Am I writing about both the world of the text and the world we live in outside of the text instead of just the characters and relationships within the text?
• Are my topic and linking sentences describing a concept that relates to the prompt with everything in-between relating this concept to the text? (I found this a very useful way of thinking of paragraphs)
• Is all of my evidence being discussed in relation to the views of the author ?
• Does my essay/paragraph explain what the author would like to see more of/less of in modern society based on what is explored in the text?
• Is my essay/paragraph specific to the exact wording and type of prompt?

And these are just some of the improvements that could be made. I’m sure each of you could ask teachers and past students and find many, many more tips on improvement. Just as long as you’re thinking about what the next step in your English might be, then you’re already headed in the right direction. So good luck and happy writing!

This blog was updated on 28/10/2021.

Essay Topic Breakdown

• Sample Essay Topics
• Useful Resources

Themes (Similarities and Differences)

[Video Transcription]

We’ll be applying the CONVERGENT and DIVERGENT strategy from LSG’s How To Write A Killer Comparative and at how ideas are developed in similar or different thematic directions in these texts. CONVERGENT ideas lead to similar conclusions and messages, while DIVERGENT ideas take us to different conclusions. If you’d like to learn more about this strategy which can help you build more insightful discussions of the text by finding unique points of comparison, then I’d recommend you check out the LSG’s How To Write A Killer Comparative study guide. In the meantime, let’s start with some CONVERGENT ideas. 

Power, Race and Oppression

In both texts, we see racial systems that take power away from Bla(c)k people. In the play, settler-colonialism is a big one. It’s depicted as a home invasion, a ship taking up a whole harbour, and as a process of devaluing land and ignoring its custodians. This trickles into contemporary institutions (widely understood patterns, rules or structures within society) which perpetuate these dynamics of race and power, such as the police and the media. Oppression is similarly maintained in  The Longest Memory , where physical violence, and even just the threat of possible physical violence, is used to enslave African Americans. Plus, all of this racial violence was justified by the socio-economic interests of enslavers . Both texts see Bla(c)k people disempowered by a range of white institutions. 

Check out our comparative scene analysis where we explore this theme in more depth.

Family and Community

On the other hand, family and the wider community are depicted as a galvanising or healing force in both texts. In  The 7 Stages of Grieving , we see how death can bring together entire communities to commiserate, dance and mourn collectively, drawing on one another’s strength. Depictions of families in projections of photographs also outline how joy and solidarity can be drawn from community. In the novel, family ties are also important. Whitechapel and Cook build a committed relationship to one another; she even says, “he proves he loves me every day.” At the same time, Cook also provides her unconditional love and support to Chapel, whose education and eventual relationship with Lydia are facilitated by her.

Memory and Grief

Both texts show how memory and grief are significant burdens for Bla(c)k people and operate at multiple dimensions. The play is sort of built around the five stages of grief but demonstrates how First Nations grief isn’t neat or linear. It can go from highly expressive to numb in moments. It also has roots in Australia’s genocidal history such that the death of any First Nations person—but especially elders—is felt widely. In  The Longest Memory , there’s a physical dimension to Whitechapel’s grief. He earns the name “Sour-face” because of the worry lines that developed after Chapel’s death. He feels extremely guilty and only after Chapel dies does he realise why Chapel disagreed with him so stubbornly in life. He actually learned the tough lesson that he’d been hoping to teach Chapel.

What about divergent ideas? Let’s break down two now.

Struggle and resistance.

Both texts offer ideas about what the fight against racism might look like, but at times these ideas are more different than similar. In  The 7 Stages of Grieving , the main struggle is to be heard and understood . In the play and in real life even, we can see how the media is stacked against First Nations peoples, so their fight is about cutting through the bias and making sure they are fairly represented. In  The Longest Memory , the fight against slavery is portrayed quite differently. In a scenario where physical violence was used the way it was in order to oppress, self-emancipation was seen by many as the only path out. Enslaved workers weren’t fighting to be heard, they were fighting to survive. It’s also worth bearing in mind the history of abolition, which happened in Northern states first. This gave them a destination, as well as hope. 

The Generation Gap

The other thing that the texts diverge on is the relationship between parents and children. In the play, family is consistently shown to provide support and community. As the woman speaks about her father and brother, the unconditional love and support between them is palpable. However, the novel depicts a bit more conflict— Whitechapel argued with Chapel based on his lived experience, and the many young people he had seen be killed for trying to free themselves. However, Chapel was far more committed to freedom than to survival. There isn’t necessarily a ‘right’ answer either way, but this definitely isn’t a tension that we see in the play.

I discuss all these themes in further detail in A Killer Comparative Guide: The 7 Stages of Grieving & The Longest Memory . In this guide, I offer you a deep dive into these two texts through plot summaries and analyses, structural features, critical readings, and best of all, 5 sample A+ essays fully annotated so you can understand exactly how to achieve better marks in your own essays.

As with all our essay topic breakdowns, we'll follow LSG's THINK and EXECUTE technique, as taught in our How To Write A Killer Text Response . The LSG's THINK and EXECUTE technique follows three steps in the THINK phase - A nalyse, B rainstorm, and C reate a Plan. Learn more about this technique in this video:

Let's use essay topic #1 from the section below.

Compare the ways in which the two texts explore the possibility of social change.

Step 1: Analyse

‘Social change’ is a key term here, but the word ‘possibility’ also stands out to me. Social change—probably towards equality—isn’t something that just happens, so the prompt also wants us to think about how to get there, and whether that seems achievable in the contexts of these stories. The prompt is phrased as an instruction (“Compare”) which invites you to analyse both texts together, but you totally knew that already!

Step 2: Brainstorm

I’d probably start by brainstorming what exactly needs to be changed. In each text, we see institutions and structures which are violent and harmful—from the play, police and the media, and from the novel, the economy itself. However, these institutions are upheld in different ways, and require different mechanisms of change—while the play emphasises grieving and unity, the novel focuses more on emancipation.

Step 3: Create a Plan

Because we’ve got two sets of ideas for each text, let’s alternate the texts (Essay Structure 1, as discussed in How To Write A Killer Comparative ) to cover these ideas in four paragraphs.

P1: Starting with The 7 Stages of Grieving , social change is required at the institutional level. Police and the media are racially biased, and Aboriginal people aren’t given a platform to tell their stories. Reconciliation needs to include Aboriginal voices.

P2: With The Longest Memory , social change is required across the economy that depends on enslaving people and stealing their labour, while others have an economic interest in the status quo.

P3: Because of this, change seems more possible in the play, and we start seeing it happen towards the end, as the ice thaws and people, Bla(c)k and white, march across the bridge together.

P4: On the other hand, emancipation is seen as the only path to change in the novel, as intergenerational social pressures among the enslaving class in the South are insurmountable.

So our contention will probably revolve around the idea that ‘social change’ means different things in each text as social inequalities exist at different levels (Paragraph 1&2)—as such, the ‘possibilities’ for that change look different as well (P3&4), particularly the extent to which white people can be involved in that change.

If you'd like to see the sample A+ essay we wrote up for this essay topic, then you might want to check out our A Killer Comparative Guide: The 7 Stages of Grieving & The Longest Memory!

Sample Essay Topics 

Now it's your turn! Give these essay topics a go.

1. Compare the ways in which the two texts explore the possibility of social change.

2. How do The 7 Stages of Grieving and The Longest Memory present the emotional pain of racism? 

3. What do Aunty Grace and Chapel illustrate about the complexities of belonging to a racial minority?

4. Compare how the narrative structures of The 7 Stages of Grieving and The Longest Memory enhance their storytelling effect.

5. “People called him Boonie! He was known as Boonie…” (The 7 Stages of Grieving)

6. “I literally saw the boy surrender to that whip …” (The Longest Memory)  ‍

7. Compare how the two texts explore innocence.

If you're interested in reading a 50 study scorer's completed essays, along with annotations so you can understand my thinking process, then I would highly recommend checking out LSG's A Killer Comparative Guide: The 7 Stages of Grieving & The Longest Memory.

Useful Resources

How To Write A Killer Comparative study guide

The Ultimate Guide to VCE Comparative

Compare the Pair- A guide to structuring a reading and comparing essay

The link between your contention and topic sentences in relation to the prompt

‍ ‍ A Guide to Structuring a Reading and Comparing Essay

Reading and Comparing Essays

Last updated 20/10/19

Planning is an essential part of any successful text response essay. It helps you ensure that you’re answering the prompt, utilising enough quotes and writing the most unique and perceptive analysis possible! The hard part of this is that you only have about FIVE MINUTES to plan each essay in the Year 12 English exam… (more info on the best way to tackle that challenge in this video !)

So, I developed the FIVE TYPES of essay prompts to help students streamline their planning process and maximise every minute of their SACs and exams.

By identifying the type of prompt you’re being challenged with immediately, a number of parameters or guidelines are already set in place. For a specific type of prompt, you have specific criteria to meet – for example, in a metalanguage-based prompt , you immediately know that any evidence you brainstorm in your planning stage should be based around the literary techniques used in your given text.

If you’d like the full picture on our best FREE advice on Text Response, check out our Ultimate Guide to VCE Text Response here .

1. Theme-Based Prompt

‘Ambition in the play Macbeth leads to success.’ Discuss. ( Macbeth )

When you’re presented with a theme-based prompt, you can automatically shift your brainstorming and planning towards the themes mentioned in the prompt along with any others that you can link to the core theme in some way.

In regard to this Macbeth prompt, for example, you could explore the different ways the theme of ambition is presented in the text. Additionally, the themes of guilt and power are intimately related to ambition in the text, so you can use those other ideas to aid your brainstorming and get you a step ahead of the rest of the state come exam day.

2. Character-Based Prompt

‘Frankenstein’s hubris is what punishes him.’ Discuss. ( Frankenstein )

These prompts are pretty easy to spot – if you see a character’s name in the prompt, there you have it; you have a character-based prompt on your hands.

Once you know this, you can assume that each example you brainstorm has to be relevant to the specific character named in the prompt in some way. Also, you can explore how the actions of characters don’t occur in isolation – they’re almost always interrelated. Remember, however, that the actions of characters are always connected to the themes and ideas the author is trying to convey.

This type of prompt also grants you some freedoms that other types don’t give. For example, unlike a Theme-based prompt, a character-based prompt means that it’s perfectly fine to write about characters in the topic sentences of your body paragraphs.

3. How-Based Prompt

‘How does Grenville showcase Rooke’s inner conflict in The Lieutenant ?’ ( The Lieutenant )

Unlike other prompts, the ‘How’ positions you to focus more on the author’s writing intentions. This can be achieved by discussing metalanguage – language that describes language (read my blog post about it here ). These prompts tell you immediately that you need to be thinking about the literary techniques explored in the text and explain how they affect the narrative.

Rather than using specific techniques to frame your specific arguments, it’s best to use them as evidence to support arguments that attack the main themes/ideas mentioned in the prompt.

4. Metalanguage or Film-Technique-Based Prompt

‘Hitchcock’s use of film techniques offers an unnerving viewing experience’. Discuss. ( Rear Window )

This type of prompt is very similar to How-based prompts, specifically in the fact that the discussion of literary techniques is essential.

For this type of prompt specifically, however, the actual techniques used can form more of a basis for your arguments, unlike in How-based prompts .

5. Quote-Based Prompt

“Out, damned spot!” How does Shakespeare explore the burden of a guilty conscience in Macbeth ? ( Macbeth )

Countless students ask me every year, “What do I do when there’s a quote in the prompt?!” My reply to these questions is actually fairly straightforward!

There are two main things that you should do when presented with this type of prompt. Firstly, contextualise the quote in your essay and try to use it in your analysis in some way. Secondly, interpret the themes and issues addressed in the quote and implement these into your discussion. The best place to do both of these is in a body paragraph – it weaves in seamlessly and allows for a good amount of analysis, among other reasons!

When faced with unknown prompts in a SAC or your exam, it's reassuring to have a formulaic breakdown of the prompt so that your brain immediately starts categorising the prompt - which of the 5 types of prompts does this one in front of me fall into? To learn more about brainstorming, planning, essay structures for Text Response, read our Ultimate Guide to VCE Text Response .

Have a read of our Ultimate Guide to English Language if you haven't already done so!

[Modified Video Transcription]

Prescriptivism Versus Descriptivism - GIF or JIF?

Ever since the inception of the format, we have been arguing with each other over whether we should say 'gif' or 'jif'. This debate has raged both online and offline, but does it really matter? On one side, supporters of 'gif' claim that because the acronym stands for Graphics Interchange Format , the G sound in 'graphics' should be maintained. Whereas the 'jif' camp argues that because the inventor of the format, Steve Wilhite, says 'jif', so should we all. However, a far more sane argument is that as long as what someone says (whether it be 'gif' or 'jif') is understood, it shouldn't matter how they say it. 

As students of English language, we should aim to primarily take this descriptive approach to studying language. We identify and describe what people are saying or writing, and the effects this has, but we don't then ascribe our own judgement. Language exists to be a vessel for our communication, and so, as long as it is transferring meaning between its users, it's serving its purpose. There is no correct way of speaking or writing because there isn't really a good way of determining what this correct way is. 

What Are Prescriptivism and Descriptivism? 

Simply put, prescriptivism is an attitude that prescribes how language should be and how you, as its speaker, must use it. A prescriptivist most often promotes Standard English or a similar variety. This is the variety of English you will find in most textbooks, government letters and notices and in your English classroom. 

Descriptivism on the other hand, is a non-judgemental approach to looking at language. As descriptivists, we place more importance on how English is actually being written and spoken rather than trying to identify a correct way. The vast majority of linguists, dictionaries and other English language authorities consider themselves to be descriptive and not prescriptive, and this is a really important distinction. 

If the way that we as English speakers use or spell a word changes, the dictionary will change too, in order to reflect this. The Macquarie Dictionary made one such change in 2012, which entered the public spotlight. The word 'misogyny' has been used for many years to mean 'an entrenched prejudice against women' and not necessarily 'a hatred of women', as it says in the dictionary. So, when Julia Gillard used the word in her speech on the topic, it seemed to conflict with what it said in the dictionary. Yet, we all knew what she meant. And so, The Macquarie Dictionary updated its entry for the word to better reflect how we actually are using it. That's all well and good in the academic world, but why is this distinction important outside of a video about language? 

Language Prejudice

Throughout history, and still to this day, prejudice exists against people who speak differently.

For example, for much of the 20th century, and to some extent still to this day, Aboriginal Englishes have been deemed substandard and inferior to varieties used by people with European heritage. This has led to demonstrable discrimination in places like courts and hospitals, but often the time and care is not taken to actually interpret what Aboriginal people mean when they speak. By seeing that prescribing how a language ‘should’ be doesn't actually do anything to improve its effect or usefulness, we can be far more accepting of the fact that language varies depending on who is speaking and that it changes with time. 

We have the option of either allowing the people to define how a language is used or allowing a linguistic academy like the Council for German Orthography in Germany, or the French Academy in France, to prescribe how we should speak.

Language Shift

So, where can we find relevant examples in today's society? We're seeing a shift to prescriptive attitudes in the realm of teen-speak and text-speak, with people like David Crystal saying that creating new words and new ways of speaking is a rite of passage for young people. In the rapidly evolving fields of technology, social media or even politics these days, we are seeing new words and phrases and even entire new ways of constructing sentences being coined every day. But, not everyone is accepting of this and plenty of people still cringe when they hear a hashtag used in regular speech. We're also experiencing a shift to the normalization of informal language, Australian slang and hypocorisms, even in social and situational contexts where traditionally we would use a more formal register. Just how many times have we heard the likes of Scott Morrison and Malcolm Turnbull used the phrase ‘fair dinkum’?

But when does this matter in English language? We should be careful not to say that certain ways of speaking or certain varieties of language are inherently wrong and instead, describe what makes them 'non-standard uses' of language. This description is far more interesting than a subjective judgment of a particular way of using English. 

Descriptivism and Prescriptivism as Metalinguistic Tools

The terms descriptivism and prescriptivism can also be good metalinguistic tools when we are analysing opinions about language. Look out for segments on the radio, television or even the opinion columns of newspapers for discussions about varieties of English. People can identify very strongly with certain varieties of language, so a prescriptive attitude can often also indicate other beliefs. This can be important when identifying the social and cultural context of a text . We can also employ this knowledge in our own writing and speaking. Instead of trying to use correct language, we can instead focus on using appropriate language. This doesn't mean that you can start spelling words however you want, and giving your essays a generous sprinkling of commas and apostrophes where they don't belong (because these will often get in the way of you being easily and clearly understood), but the next time you're writing and you see a red line under that word that you're a hundred percent sure is correct, you can be safe in knowing that it's probably the dictionary, and not you, that needs an update.

Understanding the Syntax Subsystem for English Language

One of the most common areas of difficulty and confusion in English Language is the syntax subsystem , so you are not alone if you find this difficult. You will already have an intuitive understanding of how syntax in English works (you speak the language after all), but being able to effectively analyse and parse sentences and utterances can be tricky. It is important that you understand what the following word classes (aka parts of speech ) are, and what their role is in a sentence, you may need to revise them from Unit 1/2.

• Preposition
• Conjunction
• Interjection

There are innumerable online and physical resources, such as Sara Thorne’s fantastic Mastering Advanced English Language , which you can look at to revise these word classes. These are the fundamental building blocks that we have at our disposal when building up a sentence and are vital for understanding syntax. Syntax is how we arrange these building blocks into phrases , which we combine to form clauses , which in turn create sentences .

What Is a Phrase?

Phrases are words or groups of words that function together in a clause . Often we class phrases in terms of what role they are playing: we might have a noun phrase, a verb phrase, or an adverbial phrase, for example. Look at the example below to get a feel for what is meant by a phrase.

Authorised Officers are here to help keep your public transport running smoothly and make sure everyone is paying their way.

The main phrases are:

• 'Authorised Officers', 'your public transport', 'everyone', 'their way' (noun phrases)
• 'are', 'to help keep…running', 'make sure', 'is paying' (verb phrases)
• 'here’, 'smoothly' (adverbial phrases)
• ’and’ (coordination conjunction)

What Is a Clause?

Clauses can be entire sentences or be one of several parts of a sentence. At a minimum, standard clauses must contain a subject and a verb , but usually have other components too. To help us understand what makes up a clause, it is important to re-familiarise yourself with the five clause elements :

Clauses must contain a verb, or else we class them as fragments . The following is a clause:

They watched the sunset together.

But this is a fragment :

What a sunset!

Note that the clause above contains a subject (They) , verb (watched) , object (the sunset) and adverbial (together), whereas it is not entirely clear how to classify the elements of the fragment, because there is no verb telling us how the words relate to each other.

There are two types of clauses we need to be concerned about: independent (main) clauses and dependent (subordinate) clauses. An independent clause can stand by itself as a simple sentence, whereas a dependent clause sits inside another clause and usually adds extra or supporting information.

Sentence Structures

Now for one of the key skills that is assessed in short answer questions and analytical commentaries : understanding how we combine clauses to create different structures.

Simple Sentences & Utterances

The first sentence structure is the simple sentence , which contains only one clause . Often these are seen as “short” sentences, but this is not always the case. For instance below is an example of a simple sentence:

All the school children, their families and their teachers were at the carnival for a day of fun and competition.

Compound Sentences & Utterances

Compound sentences consist of at least two independent clauses (ones that have a subject, a verb and form a complete idea on their own), joined by a comma, semicolon or a coordinating conjunction . Take for example the following compound sentence comprised of three clauses:

She swam and she surfed, but her thoughts inevitably returned to the dangers of the sea.

Complex Sentences & Utterances

Complex sentences, on the other hand, contain one independent or “main” clause, as well as one or several subordinate clauses . To identify a subordinate clause, you need to think about whether the clause you have identified stands as a complete thought, or whether it relies on the rest of the sentence to make sense. An example is included below, where only the main clause is bolded.

Now, if you turn to your right, you’ll see the gallery , which was constructed in 1968.

Compound-Complex Sentences & Utterances

Compound-complex sentences, exactly as one would expect, are a combination of several independent and subordinate clauses , to form what is most often quite a long sentence . If you know how to identify compound and complex sentences, this one should not pose much difficulty. Here is an example, where only the dependent clause is bolded.

Now it wouldn’t matter how fast he ran, he would never make it there in time, nor would he have anyone to blame but himself.

Give me a ring if you’re coming , or tell Max on his way home from work.

Sentence Fragments (Minor Sentences)

It may occur to you that not every sentence or bit of language that you ever come across fits neatly into one of the above categories, especially if there is not any identifiable independent clause. These we class as sentence fragments , and they are often found in informal spontaneous discourses .

Too easy mate, good on ya, etc.

Like any skill in English Language, getting good at syntax takes practice. To build your confidence, try parsing any of the texts you come across in school, or even texts you see in a magazine or newspaper. Check with a teacher, friend or tutor to see if you got it right, and where you might still need a little bit of work. And, come back to this blog post anytime you need a refresher!

Be sure to read our Ultimate Guide to English Language for an overview of the study design, what’s involved in the exam, how to study for the subject and more!

When it comes to planned, non-spontaneous texts including written discourse and speeches, the manner in which the text is put together can be explained by elements of coherence and cohesion. While spontaneous discourse will also display coherence and cohesion, it is emphasized in planned texts because there is a greater deal of thought and intention behind the use of cohesive ties and devices of coherence.

They can however often be difficult concepts to grasp. For starters, it is essential to understand the difference between the two terms.

Coherence is defined as the quality of being logical, consistent and able to be understood. Imagine coherence as a building (It’s an analogy, go with it).

Cohesion on the other hand refers to the act of forming a whole unit. It is effectively a subset of coherence. Picture cohesion as the bricks and cement which make up the building.

Bricks and cement can be put together to create any form of structure. However, it is only when they are laid together properly that they form a building. Similarly, a text will be cohesive if cohesive ties are used however it will only be coherent if the cohesive ties are used appropriately to create meaning.

You can have cohesion without coherence but you cannot have coherence without cohesion. The picture does not make sense unless the correct pieces are placed in the correct order, even if certain pieces may be the same size and shape.

“I bought some hummus to eat with celery. Green vegetables can boost your metabolism. The Australian Greens is a political party. I couldn’t decide what to wear to the new year’s party.”

In the example above, there are lexical links from one sentence to the next; cohesive ties are used to join the sentences. There is evidence of lexical repetition, ‘green’ ‘party’ and collocations, ‘new years’. 

However, this string of sentences do not make any sense; there is no binding semantic link. This is an example of cohesion without coherence.

Cohesive devices effectively help the discourse flow. They include collocations, lexical repetition, linking adverbials, substitution, ellipsis, conjunctions, synonymy/antonymy, hypernyms/hyponyms and referencing (anaphoric, cataphoric, deictic). These devices create physical links between the words in a discourse.

Coherence which we previously defined as understanding can be achieved through devices such as cohesive ties, formatting techniques, inference, logical ordering of information, semantic patterning and consistency.

These all enhance the ability of a text to be successfully interpreted and understood. Recipes, terms and condition documents, informative brochures all make use of formatting in the form of headings, bolding, underlines etc. to emphasis certain aspects of the text and draw audience attention to the most important elements.

The focus of coherence factors is determined by the social purpose of the text. Is the text made to entertain? Inform? Persuade? Celebrate? If so, why? What is the overarching intention of the text? Answering such questions can help explain the purpose of coherence factors and cohesive devices within a discourse.

This is effectively what you are aiming to do in your analytical commentaries and short answer questions in the exam. Identify the social purposes of the text and use them to explain the role of coherence and cohesion within the discourse.

The other major factor of consideration is the intended audience of the text. Is the text aimed at teenagers? the Australian public? Or specifically to “bogan” Australians? The language choices and ideas implied in the text will reflect the intended audience. If a text is aimed at Victorian’s it may include lexemes such as “Mornington Peninsula” or “Shepparton” which Victorian’s can infer as locations within Victoria, however these terms would need to be further explained to those who reside outside this state. Lexical choices which require outside inference would be included if it can be reasonably interpreted that the intended audience would be aware of their meaning. Finding examples of inference in texts can be useful in identifying the social purpose of the text.

The main thing to be mindful of is that finding cohesive devices and evidence of coherence in texts alone is not enough. You will gain your marks in your exam for linking these fragments of evidence to the wider social purposes of the text.

For an overview of English Language, the study design, what’s involved in the exam and more, take a look at our Ultimate Guide to English Language .

What Is a Short Answer Question? 

The English Language exam is split into three sections - Short Answer Questions, Analytical Commentary and an Essay (see here for an explanation of what’s involved in the Essay component). The Short Answer Questions (SAQs) are at the very start of the exam and include 15 marks in total, usually consisting of 3-5 questions that are in response to a text. SAQs are designed to test your knowledge of metalanguage and your ability to elaborate on the situational and social context of the text in a concise manner. 

As SAQs only have 15 marks, you should aim to spend 20-25 mins on this section in the exam. Because there are only about 25 minutes available to allocate to this section, they are also a test of your ability to quickly identify key features in a text. 

The good thing about SAQs is that because there are specific mark allocations for each question, there’s a formula that you can apply to every question to help you obtain all the marks possible - and that’s what we’ll go through in this blog post, so you can ace every SAQ you come across :) 

Common Command Words and What They Mean 

The first thing you should do when approaching an SAQ is to recognise (and even better, highlight) the command words in each question in order to help you understand exactly what is required. 

Here is a list of commonly seen command words and what they entail:

Identify ‍ In response to this command word, you should state the example using metalanguage and line numbers.

Describe   If you are asked to ‘describe’, you should state the example with metalanguage and also give some details about it, such as how it links to the context of the text and/or its functions and social purposes. 

Analyse, comment on, explain, discuss  ‍ Now we get to the heavier words that require a lot more elaboration and analysis. For these types of words, you should state the example with metalanguage, describe the immediate impact it creates and then link it to the broader context of the text (whether that be situational or social). So, you can think of these questions as a combination of ‘identify’ and ‘describe’ questions, with a bit of further elaboration attached to them. 

Mark Allocations

SAQs usually range from 1-6 marks each and the way you should answer the question depends on how many marks are available. 

As a general rule of thumb, do as the question says. 

For example, if we look at this question:

‘Give one function of this text. Using appropriate metalanguage, identify two different language features that support this function.’ (3 marks) 

The key phrase here that would distinguish a 2/3 from a 3/3 response is ‘that support this function’. Rather than simply stating two different language features, you should explain how they support the function of the text. It doesn’t have to be long, but at least 1 sentence of elaboration would be required to get full marks.

So, the overall mark allocation for this question is: 

1/3: Stating the function  2/3: Identifying two language features  3/3: Linking the language features to the function

A question with a higher mark allocation might be:

‘Using appropriate metalanguage, analyse at least three stylistic and discourse features that contribute to the cohesion of this text. Refer to line numbers in your response.’ (5 marks)

This question has 5 marks, but only one command term (analyse). As such, in response to this question you would have to elaborate on each example - in this case, stylistic and discourse features - and link to how they contribute to the cohesion of the text. 

Each example should be followed by at least 1 sentence that explains how it contributes to the text’s cohesion. You could also link the examples to their social purpose/function if this is relevant. 

As a general rule, any sort of ‘analyse’ or ‘discuss’ question can follow this template: 

1) Identify the example using appropriate metalanguage 2) Describe the immediate effect of that example (e.g. if it creates a humorous effect, if it makes the text hard to understand) 3) Provide further elaboration such as linking to social purpose/function/identity

If you think back to what we covered in the earlier section of this blog, you’ll see that this template follows the rule that higher-order command words (like ‘analyse’ and ‘discuss’) are a combination of ‘identify’ and ‘describe’ questions, with a bit of further elaboration also required.

General Tips

Finally, here are some general tips to keep in mind when answering SAQs:

• Use precise, specific metalanguage (e.g. ‘first-person subject pronoun’ instead of just ‘pronoun’)
• Always link to the broader context for questions with more than 1 mark (whether that be situational or cultural)
• Highlight keywords and/or line numbers to help you avoid silly mistakes
• Always include line numbers when quoting examples 
• If you’re unsure as to how much you are expected to write, the amount of space given to you in the answer section is usually a good indicator. 

For more about how you can boost your marks in English Language, see this blog post about how to extend your skills further.

A focal point of the English Language Study Design, specifically Unit 4 Area of Study 1, is the construction of the Australian identity through language. In order to understand how language is used to reflect the Australian identity, it is important to first understand what values or standards of behaviour an Australian identity is comprised of.

When it comes to constructing essays, it is important to find contemporary examples from Australian media and link them to Australian cultural values. These examples must be explained using subsystems to display their linguistic relevance.

Australian cultural values are influenced by Australia’s history. Convict settlement, the influence of the British monarchy, an influx of new migrants and globalization of language have all influenced the cultural values Australian’s hold today. These events in history have enabled Australians to develop values by which they hold themselves, including egalitarianism, mateship, antiauthoritarianism and larrikinism.

The most significant value is that of egalitarianism. This is the doctrine that all people are equal and deserving of equal rights and opportunities. Class distinctions are far less significant in Australian society compared to the United Kingdom where social circles have been constructed around rigid hierarchies. In contrast, Australians of lower socio-economic standing typically do not see themselves as being less equal than privileged Australians.

This notion is reflected in the language used in Australian society. Addressing individuals as ‘mate’ and using colloquialisms such as ‘pollies’ to refer to politicians demonstrates that Australians value one another on an equal ground, irrespective of socio-economics or class.

This value extends into Australia’s sense of multiculturalism. Australia houses citizens with diverse ethnic backgrounds and prides itself on this cultural diversity. Many ethnolects have established themselves within Australian culture overtime and spread across society. These ethnolects are also finding their way onto platforms such as television to reflect present Australian society. Comedians such as Nazeem Hussain or the Channel Nine show, ‘Here come the Habibs’ use phonological, lexical, syntactical and semantic features of their respective ethnolects in a comedic manner to portray cultural diversity in a public space and celebrate the Australian value of multiculturalism.

Ethnolect speakers express their multicultural identity by molding Australian English along with their ethnic language to create their unique ethnolect. This is particularly evident with Greek and Lebanon English speakers who adopt Australian colloquialisms but retain their ethnic accent. They also often insert an interjectory such as ‘reh’ into everyday discourse as a way of promoting solidarity with others within the ethnic society.

The Australian value of anti-authoritarianism is largely reflected through the lexical choices of individuals. This value is derived from the Australian notion of egalitarianism. Australians have a far greater tendency to use expletives than those from other English speaking countries. The relaxed manner in which the Australian society perceives language use is indicative of their disregard for social hierarchies and authority figures.

The ease with which comedic remarks can be made about influential figures and politicians in the Australian media, indicates this very idea. The SBS series, The Feed recently released a facebook video “How Politicians Speak” mocking politicians by imitating political language in everyday conversations, using excessive hedging and obfuscation and a highly formal register. This Facebook video can be further explained using the subsystem of semantics. The meaning of the video is greater than the literal words being spoken by the actors. There is cultural context required to understand the humorous intent of the video. Through this cultural context, the video is able to reach out to its audience and express this anti- authoritarian way of thinking.

The tendency to ridicule politicians and authoritative figures can be explained by a phenomenon known as ‘tall-poppy syndrome’ which describes the tendency to degrade, attack or cut down individuals because they have risen in the social hierarchy. As a country which deeply values humility and embodies the ‘battler’ persona, Australians automatically become critical when those around them climb the social ladder. Snide comments and banter are tools used to remind those rising through the ranks that they are not better than anyone else. Furthermore, the tall-poppy syndrome is an explanation for why Australians consistently ridicule and mock their politicians. Comedian, Tim Minchin recently gave a speech to a graduating class at the University of Western Australia. In this speech, he used crude language and blunt remarks to give advice to the students while simultaneously deflating their sense of self with phrases such as, ‘opinions are like assholes, in that everyone has one’. Embossed within this simile is the concept of humility and egalitarianism that depict the tall-poppy syndrome.

Most examples of Australian language will ultimately tie back to these values. This includes the general Australian accent, Australian colloquialisms, phonological features of Australian English such as assimilation and the use of high rising terminal. The features of this language are linked to the values this language is used to express.

This link is particularly evident in political speeches, debates and comedic material. In relation to essay writing, there are a few steps to be conscious of when showing these links. Try to understand your examples using subsystems and which subsystems are relevant for the given example. Is the language-use significant on a phonological level, morphological level, lexical level, syntactic level or semantic level?

Throughout the year, you will be required to research and collect such contemporary examples which reflect Australian values. In your essay, you are required to demonstrate the significance of your example, use metalanguage to explain the example and then link this example to the values it reflects in Australian society and finally explain what this means for the essay prompt. Following this sequence of steps will ensure that you are able to discuss Australian Identity and Language in a holistic manner.

Link to “How Politicians Speak” Facebook video:

Link To clippings of Nazeem Hussain’s SBS show “Legally Brown” which turns Political Incorrectness on its head:

Link to Kate Burridge interview on Studio 10 explaining the trend towards the General Australian Accent:

There are several strategies you can use to your advantage to extend yourself in VCE English Language. 

Make Finding Examples a Habit

One simple way to expose yourself to more examples is to follow news pages on social media so that you can see regular updates about current affairs. Have a read through of point 7: Year 12 Essay Topic Categories in our Ultimate Guide to English Language so that you can understand what types of examples you should be keeping an eye out for. 

Right from the start of the school year, make sure you set up a system to keep track of your examples. You could do this by setting up a document with headings (such as ‘free speech’, ‘egalitarianism’, ‘ political correctness ’, ‘double-speak’, ‘ethnolects’ and ‘ Australian identity ’) and adding examples to this document throughout the year as you find them. For more information about the potential headings you could use, have a look at the dot points in the VCE English Language Study Design from page 17 onwards. 

I’d also highly recommend checking out Building Essay Evidence Banks for English Language as it teaches you a great table method for storing and analysing your examples. 

The advantage of creating an example/evidence bank of some sort is that if you start looking for examples right at the start of the year, you’ll have more time to analyse and memorise them. Additionally, you’ll also be able to use them far earlier in your essays, which means that the quotes and examples you select will become much easier to remember for the final exam.

Have a Basic Understanding of Australian History, Politics and Social Issues

Having a basic understanding of Australian history, politics and social issues is highly beneficial for enhancing your analytical skills for English Language. This is essential in developing strong contentions for your essays. Some key issues that would be worth having some background information on include the following:

Australia’s colonial history and treatment of Indigenous communities, racism, and the language surrounding these matters.

 Look into the following: 

• How does language reflect or perpetuate prejudice? 
• How does hate speech affect social harmony? 
• How can language be used to establish in-group solidarity?

Sexism, racism, ableism, homophobia and transphobia.

• How can bias and prejudice be conveyed through language? 
• What are some examples of implicit and explicit bias? 
• What role does political correctness play in this context? 
• Does political correctness create benefits or does it restrict societies? 

Environmental issues, and the way this intersects with politics. 

• How can euphemisms , doublespeak, and bureaucratic language be used to obfuscate or mitigate blame? 

Immigration and refugee policy related discourse. 

• What are the origins of pejoratives such as ‘boat people’ and ‘queue jumper’ that are frequently used against refugees? 
• How does this influence the values or beliefs of a society? 

Business and economic issues, labour exploitation 

• How can bureaucratic language and jargon be used to mislead and manipulate?

Political affairs (historical and recent)

• How can formal language be used to mitigate blame and responsibility, negotiate social taboos, or establish national identity? 

Having an awareness of key events and social issues in Australia, an understanding of the groups that make up Australia, and exposing yourself to a diverse set of media is really important in developing your essay writing skills. It does take time, but what will ultimately happen is that your discussions in your essays will be much more insightful and demonstrate a well thought out argument.

Apply Your Critical Thinking Skills

When writing essays, try your best to apply your critical thinking skills . Identify the assumptions you’re making when you present a certain point, and try to develop arguments against your position so that you can better understand why you have chosen your side. Developing a holistic and detailed contention is far better than just picking one side out of simplicity, as it allows you to demonstrate consideration and analysis of a range of factors that affect a certain issue. Use your evidence (contemporary examples, linguist quotes and stimulus material) to develop your points, and position yourself to be mindful of any biases you may have by continuously asking yourself what has influenced your way of thinking. Above all, try to discuss your essay prompts with your peers, as this will provide you with different perspectives and help you strengthen your own point. 

Consistently Revising Metalanguage

Consistently revising metalanguage is crucial for doing well in English Language. Throughout Year 12, consistently revising metalanguage will be your responsibility. It is likely that you’ll be spending a greater proportion of class time in learning content, and writing practice pieces. Therefore, it’s really important to figure out a way that works best for you in being able to frequently revise metalanguage. Flashcards are useful for revision on the go, as well as making mind maps so that you’re able to visualise how everything is set out in the study design. 

One issue students run into when it comes to learning metalanguage is that they’re able to define and give examples for metalanguage terms, however, they are unable to understand how those terms fit into the categories under each subsystem. For example, a student is able to remember what a metaphor is, but unable to recall that it fits under semantic patterning. Similarly, a student may know what a pause is, but not know if it’s part of prosodic features or discourse features. 

It’s important to know what all the categories are because the short answer questions usually ask you to identify features under a particular category (e.g. you’d be asked to talk about semantic patterning, not metaphor or pun). Therefore, spending time on just revising the definitions alone isn’t sufficient in learning metalanguage. You also need to be able to ensure that you can recall which category each term fits under. Refer to the study design (pages 17-18) , for a list of categories you need to remember; these include: 

• Prosodic features
• Vocal effects
• Phonological patterning
• Processes in connected speech
• Word classes, word formation processes
• Sentence types
• Sentence structures
• Syntactic patterning
• Features of spoken discourse
• Strategies of spoken discourse
• Semantic patterning
• Sense relations/other semantics

Using Meaningful Examples in Essays

When you talk about a certain variety of English, say for example ethnolects or teen speak, rather than just providing a lexical example or translation, try to find a contemporary example of the term being used in the media, online or by a prominent individual. For example, rather than saying:

  ‘The lexeme ‘bet’ is an example of teen speak which allows young people to establish solidarity ’,

you could say:

 ‘ Bakery owner Morgan Hipworth, who largely has a teenage following and is a young person himself, employs teenspeak in a video recipe, where he responds to the question “Can you make a 10 layer cheese toastie?” with “Bet, let’s go. ”’ 

This will provide you with a better opportunity to talk about in-groups and identity, rather than just defining and identifying an example as part of a particular variety. In doing so, you’re better able to address the roles of different linguistic examples in a contextualised and detailed manner. 

In Building Essay Evidence Banks for English Language you’ll see that a short analysis for each of your examples (the ones you are collecting throughout the year) is encouraged, but, you could take things one step further - add on an extra column and combine your analysis and example in a practice sentence. Head to the blog to learn more about building evidence banks .

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Importance Of English Essay - 100, 200, 500 Words

Language is the primary asset and medium for conveying our ideas, thoughts and recognising others' perceptions and opinions . We all know that English is the global language to communicate internationally with different organisations and institutes. That’s why English is known as “Lingua Franca” which means a mutual language of communication used by speakers of different languages. Here are a few sample essays on the importance of English.

100 Words Essay on The Importance of English

200 words essay on the importance of english, 500 words essay on the importance of english.

English is the international standard language of communication. In our daily life, it is impossible to communicate and expand our knowledge without English. The majority of books, magazines, journals and newspapers are printed in English . Most colleges and universities provide their courses in English. It is in fact quite difficult to access and use the internet without the English language. More job opportunities are available for a person who can speak English well. English language also widens the scope of expanding the business at the International level. In the field of research, English plays a very crucial role. It gives opportunity to communicate and collaborate with scientists from all over the world. USA, UK and Canada are among the top English speaking countries.

Learning different languages enhances the analytical and cognitive abilities of the brain. English is a widely spoken language all over the world. In today’s era of Science and the Internet, it is very essential to learn English. Because it is not only the medium of communication but also the resource to get employment in many multinational companies and to get an education from different corners of the world. English is the mother Language of 53 countries and the second language of 118 countries . So it gives access to travel easily around these countries. Train timetables, street direction signs, and airport announcements are mostly available in the English Language.

For International Affairs, Diplomatic relationships, and conferences, English is the salient medium. Nowadays, there is a craze for English music and movies everywhere. World News and current affairs are largely accessible in the English Language. English is the medium of many exam papers worldwide. Primarily, English breaks the language barrier between different countries and gives access to meet new people, communicate with them and understand their cultures and heritages. Also, it is the medium to grow business companies at International levels. In this modern era, It is very important to learn the English language for self-growth.

There are more than 7100 languages spoken all around the world. English is one of the most spoken languages around the world. 67 countries and 27 non-sovereign entities consider English as their official language and it is spoken by more than 400 million people. The USA, the UK, Australia, New Zealand, and Canada are some of the native English-speaking countries .

History of the English Language

The English language has its roots in the West Germanic language spoken by the Anglo-Saxons in early medieval England. It evolved over time, influenced by Latin and French, as well as other languages during periods of colonization and trade. During the Middle Ages, the English language was shaped by the Norman Conquest, which brought Norman French as the language of the ruling classes, and Old English evolved into Middle English. During the Renaissance, the Great Vowel Shift took place and Modern English began to emerge . In the 17th and 18th centuries, English became a global language through British imperialism, trade, and the spread of the British Empire. Today, English is widely spoken as a first or second language by over 1.5 billion people worldwide.

It would be a fact to say that the modern fast-growing life is impossible to live without the English Language. From education, job opportunities, media, entertainment, business, and travel every domain is incomplete without the English Language.

Education Sector | In schools, colleges majority of courses are provided in English. Most of the books and novels are printed in English. A heavy mass of the population is showing interest to study English poems, stories, and novels, to learn about English literature. For studying abroad, English is very essential.

Job Opportunity | English widens the chances to get a job in multinational companies. It gives the confidence to stand among people in corporate sectors. Career growth amplifies due to mastery of English language.

Entertainment | English music culture, movies, and shows are getting a heavy number of viewers every day. With increasing web channels, people are attracted towards English shows and music.

Media | World affairs, and news can be visualised through the English language. We can get news directly through the Internet from all over the world. Worldwide conferences among leaders occur in the English language.

Business | English generates more chances to grow business worldwide. That also helps to increase the economy of a country.

Travel | The English language pushes the barrier among countries so that people can travel to different countries without the fear of communication issues.

Personal Experience

During my Master's program, I was given the opportunity to participate in an industrial lab training program in Bangalore along with my classmates. Upon arrival, we encountered a communication issue as many locals in South Indian states either spoke their regional language or English, but not Hindi, which we were familiar with. This was a new experience for us as none of us had ever visited South Indian states before. Feeling nervous and puzzled about reaching our destination, we approached a few locals for directions. However, our attempts at communication were unsuccessful as they were unable to understand Hindi. We found ourselves in a bewildering situation and felt panicked.

Just then, a gentleman appeared and offered to help. He communicated with us in English and provided clear explanations of the route and destination. Thanks to his assistance, we were able to reach our destination smoothly. This experience taught us the importance of learning and improving our English-speaking skills, especially when traveling to new places where our native language may not be widely understood.

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Essay on English Language in 500 Words

• Updated on  
• Mar 22, 2024

Essay on English Language: English is one of the most spoken languages in the world. English is the native language of England. During the colonial period, the British Empire ruled around 105 colonies, spread over all 7 continents. Today, English is one of the 5 official languages of the United Nations Security Council.

The use of the English language is growing all around the world. Because of this, more and more people are choosing to learn English as their second language. In India and other countries, English is included in the school curriculum to teach kids from a young age.

Checkout Our 200+ Essay Topics for Students

Why is English Important?

English goes beyond just learning a new language. A person proficient in English can land a job abroad, explore new opportunities for personal and professional growth, etc. The importance of English can be seen from the fact that it is the most spoken language in the world. However, there is more to this.

• The English language serves as a bridge for cultural exchange and understanding people from different backgrounds. In International summits and conferences, English is mostly used as a medium of communication, making us understand different people’s views and thoughts. 
• English is a global language of communication. More than a billion people in the world speak English, making it a common medium for international business, diplomacy, travel, and education. 
• Knowing English allows us to communicate effectively with people from diverse linguistic backgrounds.
• Top international universities like Harvard, Oxford, Cambridge, MIT, etc. use English for their academic and professional purposes. English proficiency exams are conducted, such as IELTS, PTE, DUOLINGO, etc, to measure English proficiency.
• Much of the world’s information, including literature, scientific research, technology, and entertainment, is available in English. Proficiency in English allows us to understand this valuable information.

Benefits of Learning English Language

Being a global language, English offers us many opportunities and benefits. However, the benefits of learning the English language can vary from person to person. 

• English proficiency allows us to effectively communicate internationally.
• As a professional in English, we can get a job in our dream company.
• English can help us learn about different cultures and people.
• English can help us expand our business globally.
• English fluency can make our travelling experiences enjoyable and enriching.
• English proficiency can offer us admission to our dream university.
• We can watch English movies, and TV shows and read books without any difficulties.

How to Learn English Language?

Learning English can be a beautiful and interesting experience. There are several online and offline English teaching courses available. 

Online sources include applications, YouTube videos, blogs, websites and paid and free courses. One of the best applications to learn English is the Duolingo app. It’s an EdTech application that not only provides access to more than 200 languages but has several certification courses also.

Offline sources to learn English are coaching centres, libraries, newspapers, etc. These sources are very important for self-study and individuals who want to learn English from the grassroots level.

English has become a global language. From our academic realm to international conferences, English is recognized as a medium of communication. As an English-speaking individual, we can share ideas, collaborate on projects, and contribute to global initiatives. Therefore, learning English is very important. 

10 Lines Essay on English

Essay Topics Related to English Language:

Ans: English is one of the most spoken languages in the world. English is the native language of England. During the colonial period, the British Empire ruled around 105 colonies, spread over all 7 continents. Today, English is one of the 5 official languages of the United Nations Security Council. The use of the English language is growing all around the world. Because of this, more and more people are choosing to learn English as their second language.

Ans: English has become a global language. From our academic realm to international conferences, English is recognized as a medium of communication. As an English-speaking individual, we can share ideas, collaborate on projects, and contribute to global initiatives. Therefore, learning English is very important. Top international universities like Harvard, Oxford, Cambridge, MIT, etc. use English for their academic and professional purposes. English proficiency exams are conducted, such as IELTS, PTE, DUOLINGO, etc, to measure English proficiency.

Ans: The United Kingdom, the United States of America, Australia, New Zealand, Canada, etc. have English as their native language.

Check out our Popular Essay Topics for Students

For more information on such interesting topics, visit our essay writing page and follow Leverage Edu.

Shiva Tyagi

With an experience of over a year, I've developed a passion for writing blogs on wide range of topics. I am mostly inspired from topics related to social and environmental fields, where you come up with a positive outcome.

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Politics and the English Language

This material remains under copyright in some jurisdictions, including the US, and is reproduced here with the permission of the Orwell Estate . If you value these resources, please consider making a donation or joining us as a Friend to help maintain them for readers everywhere. 

Most people who bother with the matter at all would admit that the English language is in a bad way, but it is generally assumed that we cannot by conscious action do anything about it. Our civilization is decadent and our language – so the argument runs – must inevitably share in the general collapse. It follows that any struggle against the abuse of language is a sentimental archaism, like preferring candles to electric light or hansom cabs to aeroplanes. Underneath this lies the half-conscious belief that language is a natural growth and not an instrument which we shape for our own purposes.

Now, it is clear that the decline of a language must ultimately have political and economic causes: it is not due simply to the bad influence of this or that individual writer. But an effect can become a cause, reinforcing the original cause and producing the same effect in an intensified form, and so on indefinitely. A man may take to drink because he feels himself to be a failure, and then fail all the more completely because he drinks. It is rather the same thing that is happening to the English language. It becomes ugly and inaccurate because our thoughts are foolish, but the slovenliness of our language makes it easier for us to have foolish thoughts. The point is that the process is reversible. Modern English, especially written English, is full of bad habits which spread by imitation and which can be avoided if one is willing to take the necessary trouble. If one gets rid of these habits one can think more clearly, and to think clearly is a necessary first step toward political regeneration: so that the fight against bad English is not frivolous and is not the exclusive concern of professional writers. I will come back to this presently, and I hope that by that time the meaning of what I have said here will have become clearer. Meanwhile, here are five specimens of the English language as it is now habitually written.

These five passages have not been picked out because they are especially bad – I could have quoted far worse if I had chosen – but because they illustrate various of the mental vices from which we now suffer. They are a little below the average, but are fairly representative examples. I number them so that I can refer back to them when necessary:

1. I am not, indeed, sure whether it is not true to say that the Milton who once seemed not unlike a seventeenth-century Shelley had not become, out of an experience ever more bitter in each year, more alien ( sic ) to the founder of that Jesuit sect which nothing could induce him to tolerate. Professor Harold Laski ( Essay in Freedom of Expression ). 2. Above all, we cannot play ducks and drakes with a native battery of idioms which prescribes egregious collocations of vocables as the Basic put up with for tolerate , or put at a loss for bewilder . Professor Lancelot Hogben ( Interglossia ). 3. On the one side we have the free personality: by definition it is not neurotic, for it has neither conflict nor dream. Its desires, such as they are, are transparent, for they are just what institutional approval keeps in the forefront of consciousness; another institutional pattern would alter their number and intensity; there is little in them that is natural, irreducible, or culturally dangerous. But on the other side, the social bond itself is nothing but the mutual reflection of these self-secure integrities. Recall the definition of love. Is not this the very picture of a small academic? Where is there a place in this hall of mirrors for either personality or fraternity? Essay on psychology in Politics (New York). 4. All the ‘best people’ from the gentlemen’s clubs, and all the frantic Fascist captains, united in common hatred of Socialism and bestial horror at the rising tide of the mass revolutionary movement, have turned to acts of provocation, to foul incendiarism, to medieval legends of poisoned wells, to legalize their own destruction of proletarian organizations, and rouse the agitated petty-bourgeoise to chauvinistic fervor on behalf of the fight against the revolutionary way out of the crisis. Communist pamphlet. 5. If a new spirit is to be infused into this old country, there is one thorny and contentious reform which must be tackled, and that is the humanization and galvanization of the B.B.C. Timidity here will bespeak canker and atrophy of the soul. The heart of Britain may be sound and of strong beat, for instance, but the British lion’s roar at present is like that of Bottom in Shakespeare’s A Midsummer Night’s Dream – as gentle as any sucking dove. A virile new Britain cannot continue indefinitely to be traduced in the eyes or rather ears, of the world by the effete languors of Langham Place, brazenly masquerading as ‘standard English’. When the Voice of Britain is heard at nine o’clock, better far and infinitely less ludicrous to hear aitches honestly dropped than the present priggish, inflated, inhibited, school-ma’amish arch braying of blameless bashful mewing maidens! Letter in Tribune .

Each of these passages has faults of its own, but, quite apart from avoidable ugliness, two qualities are common to all of them. The first is staleness of imagery; the other is lack of precision. The writer either has a meaning and cannot express it, or he inadvertently says something else, or he is almost indifferent as to whether his words mean anything or not. This mixture of vagueness and sheer incompetence is the most marked characteristic of modern English prose, and especially of any kind of political writing. As soon as certain topics are raised, the concrete melts into the abstract and no one seems able to think of turns of speech that are not hackneyed: prose consists less and less of words chosen for the sake of their meaning, and more and more of phrases tacked together like the sections of a prefabricated hen-house. I list below, with notes and examples, various of the tricks by means of which the work of prose-construction is habitually dodged.

Dying metaphors . A newly invented metaphor assists thought by evoking a visual image, while on the other hand a metaphor which is technically ‘dead’ (e. g. iron resolution ) has in effect reverted to being an ordinary word and can generally be used without loss of vividness. But in between these two classes there is a huge dump of worn-out metaphors which have lost all evocative power and are merely used because they save people the trouble of inventing phrases for themselves. Examples are: Ring the changes on , take up the cudgels for , toe the line , ride roughshod over , stand shoulder to shoulder with , play into the hands of , no axe to grind , grist to the mill , fishing in troubled waters , on the order of the day , Achilles’ heel , swan song , hotbed . Many of these are used without knowledge of their meaning (what is a ‘rift’, for instance?), and incompatible metaphors are frequently mixed, a sure sign that the writer is not interested in what he is saying. Some metaphors now current have been twisted out of their original meaning without those who use them even being aware of the fact. For example, toe the line is sometimes written as tow the line . Another example is the hammer and the anvil , now always used with the implication that the anvil gets the worst of it. In real life it is always the anvil that breaks the hammer, never the other way about: a writer who stopped to think what he was saying would avoid perverting the original phrase.

Operators, or verbal false limbs . These save the trouble of picking out appropriate verbs and nouns, and at the same time pad each sentence with extra syllables which give it an appearance of symmetry. Characteristic phrases are: render inoperative , militate against , prove unacceptable , make contact with , be subject to , give rise to , give grounds for , have the effect of , play a leading part ( role ) in , make itself felt , take effect , exhibit a tendency to , serve the purpose of , etc. etc. The keynote is the elimination of simple verbs. Instead of being a single word, such as break , stop , spoil , mend , kill , a verb becomes a phrase , made up of a noun or adjective tacked on to some general-purposes verb such as prove , serve , form , play , render . In addition, the passive voice is wherever possible used in preference to the active, and noun constructions are used instead of gerunds ( by examination of instead of by examining ). The range of verbs is further cut down by means of the -ize and de- formations, and banal statements are given an appearance of profundity by means of the not un- formation. Simple conjunctions and prepositions are replaced by such phrases as with respect to , having regard to , the fact that , by dint of , in view of , in the interests of , on the hypothesis that ; and the ends of sentences are saved from anticlimax by such resounding commonplaces as greatly to be desired , cannot be left out of account , a development to be expected in the near future , deserving of serious consideration , brought to a satisfactory conclusion , and so on and so forth.

Pretentious diction . Words like phenomenon , element , individual (as noun), objective , categorical , effective , virtual , basic , primary , promote , constitute , exhibit , exploit , utilize , eliminate , liquidate , are used to dress up simple statements and give an air of scientific impartiality to biassed judgements. Adjectives like epoch-making , epic , historic , unforgettable , triumphant , age-old , inevitable , inexorable , veritable , are used to dignify the sordid processes of international politics, while writing that aims at glorifying war usually takes on an archaic colour, its characteristic words being: realm , throne , chariot , mailed fist , trident , sword , shield , buckler , banner , jackboot , clarion . Foreign words and expressions such as cul de sac , ancien régime , deus ex machina , mutatis mutandis , status quo , Gleichschaltung , Weltanschauung , are used to give an air of culture and elegance. Except for the useful abbreviations i.e ., e.g. , and etc. , there is no real need for any of the hundreds of foreign phrases now current in English. Bad writers, and especially scientific, political and sociological writers, are nearly always haunted by the notion that Latin or Greek words are grander than Saxon ones, and unnecessary words like expedite , ameliorate , predict , extraneous , deracinated , clandestine , sub-aqueous and hundreds of others constantly gain ground from their Anglo-Saxon opposite numbers[1]. The jargon peculiar to Marxist writing ( hyena , hangman , cannibal , petty bourgeois , these gentry , lackey , flunkey , mad dog , White Guard , etc.) consists largely of words translated from Russian, German, or French; but the normal way of coining a new word is to use a Latin or Greek root with the appropriate affix and, where necessary, the -ize formation. It is often easier to make up words of this kind ( deregionalize , impermissible , extramarital , non-fragmentatory and so forth) than to think up the English words that will cover one’s meaning. The result, in general, is an increase in slovenliness and vagueness.

Meaningless words . In certain kinds of writing, particularly in art criticism and literary criticism, it is normal to come across long passages which are almost completely lacking in meaning[2]. Words like romantic , plastic , values , human , dead , sentimental , natural , vitality , as used in art criticism, are strictly meaningless, in the sense that they not only do not point to any discoverable object, but are hardly even expected to do so by the reader. When one critic writes, ‘The outstanding feature of Mr. X’s work is its living quality’, while another writes, ‘The immediately striking thing about Mr. X’s work is its peculiar deadness’, the reader accepts this as a simple difference of opinion. If words like black and white were involved, instead of the jargon words dead and living , he would see at once that language was being used in an improper way. Many political words are similarly abused. The word Fascism has now no meaning except in so far as it signifies ‘something not desirable’. The words democracy , socialism , freedom , patriotic , realistic , justice , have each of them several different meanings which cannot be reconciled with one another. In the case of a word like democracy , not only is there no agreed definition, but the attempt to make one is resisted from all sides. It is almost universally felt that when we call a country democratic we are praising it: consequently the defenders of every kind of régime claim that it is a democracy, and fear that they might have to stop using that word if it were tied down to any one meaning. Words of this kind are often used in a consciously dishonest way. That is, the person who uses them has his own private definition, but allows his hearer to think he means something quite different. Statements like Marshal Pétain was a true patriot , The Soviet press is the freest in the world , The Catholic Church is opposed to persecution , are almost always made with intent to deceive. Other words used in variable meanings, in most cases more or less dishonestly, are: class , totalitarian , science , progressive , reactionary , bourgeois , equality .

Now that I have made this catalogue of swindles and perversions, let me give another example of the kind of writing that they lead to. This time it must of its nature be an imaginary one. I am going to translate a passage of good English into modern English of the worst sort. Here is a well-known verse from Ecclesiastes :

I returned and saw under the sun, that the race is not to the swift, nor the battle to the strong, neither yet bread to the wise, nor yet riches to men of understanding, nor yet favour to men of skill; but time and chance happeneth to them all.

Here it is in modern English:

Objective consideration of contemporary phenomena compels the conclusion that success or failure in competitive activities exhibits no tendency to be commensurate with innate capacity, but that a considerable element of the unpredictable must invariably be taken into account.

This is a parody, but not a very gross one. Exhibit 3 above, for instance, contains several patches of the same kind of English. It will be seen that I have not made a full translation. The beginning and ending of the sentence follow the original meaning fairly closely, but in the middle the concrete illustrations – race, battle, bread – dissolve into the vague phrase ‘success or failure in competitive activities’. This had to be so, because no modern writer of the kind I am discussing – no one capable of using phrases like ‘objective’ consideration of contemporary phenomena’ – would ever tabulate his thoughts in that precise and detailed way. The whole tendency of modern prose is away from concreteness. Now analyse these two sentences a little more closely. The first contains 49 words but only 60 syllables, and all its words are those of everyday life. The second contains 38 words of 90 syllables: 18 of its words are from Latin roots, and one from Greek. The first sentence contains six vivid images, and only one phrase (‘time and chance’) that could be called vague. The second contains not a single fresh, arresting phrase, and in spite of its 90 syllables it gives only a shortened version of the meaning contained in the first. Yet without a doubt it is the second kind of sentence that is gaining ground in modern English. I do not want to exaggerate. This kind of writing is not yet universal, and outcrops of simplicity will occur here and there in the worst-written page. Still if you or I were told to write a few lines on the uncertainty of human fortunes, we should probably come much nearer to my imaginary sentence than to the one from Ecclesiastes .

As I have tried to show, modern writing at its worst does not consist in picking out words for the sake of their meaning and inventing images in order to make the meaning clearer. It consists in gumming together long strips of words which have already been set in order by someone else, and making the results presentable by sheer humbug. The attraction of this way of writing is that it is easy. It is easier – even quicker, once you have the habit – to say In my opinion it is not an unjustifiable assumption that than to say I think . If you use ready-made phrases, you not only don’t have to hunt about for the words; you also don’t have to bother with the rhythms of your sentences, since these phrases are generally so arranged as to be more or less euphonious. When you are composing in a hurry – when you are dictating to a stenographer, for instance, or making a public speech – it is natural to fall into a pretentious, latinized style. Tags like a consideration which we should do well to bear in mind or a conclusion to which all of us would readily assent will save many a sentence from coming down with a bump. By using stale metaphors, similes and idioms, you save much mental effort, at the cost of leaving your meaning vague, not only for your reader but for yourself. This is the significance of mixed metaphors. The sole aim of a metaphor is to call up a visual image. When these images clash – as in The Fascist octopus has sung its swan song , the jackboot is thrown into the melting pot – it can be taken as certain that the writer is not seeing a mental image of the objects he is naming; in other words he is not really thinking. Look again at the examples I gave at the beginning of this essay. Professor Laski (1) uses five negatives in 53 words. One of these is superfluous, making nonsense of the whole passage, and in addition there is the slip alien for akin, making further nonsense, and several avoidable pieces of clumsiness which increase the general vagueness. Professor Hogben (2) plays ducks and drakes with a battery which is able to write prescriptions, and, while disapproving of the everyday phrase put up with , is unwilling to look egregious up in the dictionary and see what it means. (3), if one takes an uncharitable attitude towards it, is simply meaningless: probably one could work out its intended meaning by reading the whole of the article in which it occurs. In (4) the writer knows more or less what he wants to say, but an accumulation of stale phrases chokes him like tea-leaves blocking a sink. In (5) words and meaning have almost parted company. People who write in this manner usually have a general emotional meaning – they dislike one thing and want to express solidarity with another – but they are not interested in the detail of what they are saying. A scrupulous writer, in every sentence that he writes, will ask himself at least four questions, thus: What am I trying to say? What words will express it? What image or idiom will make it clearer? Is this image fresh enough to have an effect? And he will probably ask himself two more: Could I put it more shortly? Have I said anything that is avoidably ugly? But you are not obliged to go to all this trouble. You can shirk it by simply throwing your mind open and letting the ready-made phrases come crowding in. They will construct your sentences for you – even think your thoughts for you, to a certain extent – and at need they will perform the important service of partially concealing your meaning even from yourself. It is at this point that the special connection between politics and the debasement of language becomes clear.

In our time it is broadly true that political writing is bad writing. Where it is not true, it will generally be found that the writer is some kind of rebel, expressing his private opinions, and not a ‘party line’. Orthodoxy, of whatever colour, seems to demand a lifeless, imitative style. The political dialects to be found in pamphlets, leading articles, manifestos, White Papers and the speeches of Under-Secretaries do, of course, vary from party to party, but they are all alike in that one almost never finds in them a fresh, vivid, home-made turn of speech. When one watches some tired hack on the platform mechanically repeating the familiar phrases – bestial atrocities , iron heel , blood-stained tyranny , free peoples of the world , stand shoulder to shoulder – one often has a curious feeling that one is not watching a live human being but some kind of dummy: a feeling which suddenly becomes stronger at moments when the light catches the speaker’s spectacles and turns them into blank discs which seem to have no eyes behind them. And this is not altogether fanciful. A speaker who uses that kind of phraseology has gone some distance toward turning himself into a machine. The appropriate noises are coming out of his larynx, but his brain is not involved as it would be if he were choosing his words for himself. If the speech he is making is one that he is accustomed to make over and over again, he may be almost unconscious of what he is saying, as one is when one utters the responses in church. And this reduced state of consciousness, if not indispensable, is at any rate favourable to political conformity.

In our time, political speech and writing are largely the defence of the indefensible. Things like the continuance of British rule in India, the Russian purges and deportations, the dropping of the atom bombs on Japan, can indeed be defended, but only by arguments which are too brutal for most people to face, and which do not square with the professed aims of political parties. Thus political language has to consist largely of euphemism, question-begging and sheer cloudy vagueness. Defenceless villages are bombarded from the air, the inhabitants driven out into the countryside, the cattle machine-gunned, the huts set on fire with incendiary bullets: this is called pacification . Millions of peasants are robbed of their farms and sent trudging along the roads with no more than they can carry: this is called transfer of population or rectification of frontiers . People are imprisoned for years without trial, or shot in the back of the neck or sent to die of scurvy in Arctic lumber camps: this is called elimination of unreliable elements . Such phraseology is needed if one wants to name things without calling up mental pictures of them. Consider for instance some comfortable English professor defending Russian totalitarianism. He cannot say outright, ‘I believe in killing off your opponents when you can get good results by doing so’. Probably, therefore, he will say something like this:

While freely conceding that the Soviet régime exhibits certain features which the humanitarian may be inclined to deplore, we must, I think, agree that a certain curtailment of the right to political opposition is an unavoidable concomitant of transitional periods, and that the rigours which the Russian people have been called upon to undergo have been amply justified in the sphere of concrete achievement.

The inflated style is itself a kind of euphemism. A mass of Latin words falls upon the facts like soft snow, blurring the outlines and covering up all the details. The great enemy of clear language is insincerity. When there is a gap between one’s real and one’s declared aims, one turns as it were instinctively to long words and exhausted idioms, like a cuttlefish spurting out ink. In our age there is no such thing as ‘keeping out of politics’. All issues are political issues, and politics itself is a mass of lies, evasions, folly, hatred and schizophrenia. When the general atmosphere is bad, language must suffer. I should expect to find – this is a guess which I have not sufficient knowledge to verify – that the German, Russian and Italian languages have all deteriorated in the last ten or fifteen years, as a result of dictatorship.

But if thought corrupts language, language can also corrupt thought. A bad usage can spread by tradition and imitation, even among people who should and do know better. The debased language that I have been discussing is in some ways very convenient. Phrases like a not unjustifiable assumption , leaves much to be desired , would serve no good purpose , a consideration which we should do well to bear in mind , are a continuous temptation, a packet of aspirins always at one’s elbow. Look back through this essay, and for certain you will find that I have again and again committed the very faults I am protesting against. By this morning’s post I have received a pamphlet dealing with conditions in Germany. The author tells me that he ‘felt impelled’ to write it. I open it at random, and here is almost the first sentence that I see: ‘(The Allies) have an opportunity not only of achieving a radical transformation of Germany’s social and political structure in such a way as to avoid a nationalistic reaction in Germany itself, but at the same time of laying the foundations of a co-operative and unified Europe.’ You see, he ‘feels impelled’ to write – feels, presumably, that he has something new to say – and yet his words, like cavalry horses answering the bugle, group themselves automatically into the familiar dreary pattern. This invasion of one’s mind by ready-made phrases ( lay the foundations , achieve a radical transformation ) can only be prevented if one is constantly on guard against them, and every such phrase anaesthetizes a portion of one’s brain.

I said earlier that the decadence of our language is probably curable. Those who deny this would argue, if they produced an argument at all, that language merely reflects existing social conditions, and that we cannot influence its development by any direct tinkering with words and constructions. So far as the general tone or spirit of a language goes, this may be true, but it is not true in detail. Silly words and expressions have often disappeared, not through any evolutionary process but owing to the conscious action of a minority. Two recent examples were explore every avenue and leave no stone unturned , which were killed by the jeers of a few journalists. There is a long list of fly-blown metaphors which could similarly be got rid of if enough people would interest themselves in the job; and it should also be possible to laugh the not un- formation out of existence[3], to reduce the amount of Latin and Greek in the average sentence, to drive out foreign phrases and strayed scientific words, and, in general, to make pretentiousness unfashionable. But all these are minor points. The defence of the English language implies more than this, and perhaps it is best to start by saying what it does not imply.

To begin with it has nothing to do with archaism, with the salvaging of obsolete words and turns of speech, or with the setting up of a ‘standard English’ which must never be departed from. On the contrary, it is especially concerned with the scrapping of every word or idiom which has outworn its usefulness. It has nothing to do with correct grammar and syntax, which are of no importance so long as one makes one’s meaning clear or with the avoidance of Americanisms, or with having what is called a ‘good prose style’. On the other hand it is not concerned with fake simplicity and the attempt to make written English colloquial. Nor does it even imply in every case preferring the Saxon word to the Latin one, though it does imply using the fewest and shortest words that will cover one’s meaning. What is above all needed is to let the meaning choose the word, and not the other way about. In prose, the worst thing one can do with words is to surrender to them. When you think of a concrete object, you think wordlessly, and then, if you want to describe the thing you have been visualising, you probably hunt about till you find the exact words that seem to fit it. When you think of something abstract you are more inclined to use words from the start, and unless you make a conscious effort to prevent it, the existing dialect will come rushing in and do the job for you, at the expense of blurring or even changing your meaning. Probably it is better to put off using words as long as possible and get one’s meanings as clear as one can through pictures and sensations. Afterward one can choose – not simply accept – the phrases that will best cover the meaning, and then switch round and decide what impression one’s words are likely to make on another person. This last effort of the mind cuts out all stale or mixed images, all prefabricated phrases, needless repetitions, and humbug and vagueness generally. But one can often be in doubt about the effect of a word or a phrase, and one needs rules that one can rely on when instinct fails. I think the following rules will cover most cases:

i. Never use a metaphor, simile or other figure of speech which you are used to seeing in print. ii. Never use a long word where a short one will do. iii. If it is possible to cut a word out, always cut it out. iv. Never use the passive where you can use the active. v. Never use a foreign phrase, a scientific word or a jargon word if you can think of an everyday English equivalent. vi. Break any of these rules sooner than say anything outright barbarous.

These rules sound elementary, and so they are, but they demand a deep change of attitude in anyone who has grown used to writing in the style now fashionable. One could keep all of them and still write bad English, but one could not write the kind of stuff that I quoted in those five specimens at the beginning of this article.

I have not here been considering the literary use of language, but merely language as an instrument for expressing and not for concealing or preventing thought. Stuart Chase and others have come near to claiming that all abstract words are meaningless, and have used this as a pretext for advocating a kind of political quietism. Since you don’t know what Fascism is, how can you struggle against Fascism? One need not swallow such absurdities as this, but one ought to recognize that the present political chaos is connected with the decay of language, and that one can probably bring about some improvement by starting at the verbal end. If you simplify your English, you are freed from the worst follies of orthodoxy. You cannot speak any of the necessary dialects, and when you make a stupid remark its stupidity will be obvious, even to yourself. Political language – and with variations this is true of all political parties, from Conservatives to Anarchists – is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind. One cannot change this all in a moment, but one can at least change one’s own habits, and from time to time one can even, if one jeers loudly enough, send some worn-out and useless phrase – some jackboot , Achilles’ heel , hotbed , melting pot , acid test , veritable inferno or other lump of verbal refuse – into the dustbin where it belongs.

Horizon, April 1946

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Letter of Recommendation

What I’ve Learned From My Students’ College Essays

The genre is often maligned for being formulaic and melodramatic, but it’s more important than you think.

By Nell Freudenberger

Most high school seniors approach the college essay with dread. Either their upbringing hasn’t supplied them with several hundred words of adversity, or worse, they’re afraid that packaging the genuine trauma they’ve experienced is the only way to secure their future. The college counselor at the Brooklyn high school where I’m a writing tutor advises against trauma porn. “Keep it brief , ” she says, “and show how you rose above it.”

I started volunteering in New York City schools in my 20s, before I had kids of my own. At the time, I liked hanging out with teenagers, whom I sometimes had more interesting conversations with than I did my peers. Often I worked with students who spoke English as a second language or who used slang in their writing, and at first I was hung up on grammar. Should I correct any deviation from “standard English” to appeal to some Wizard of Oz behind the curtains of a college admissions office? Or should I encourage students to write the way they speak, in pursuit of an authentic voice, that most elusive of literary qualities?

In fact, I was missing the point. One of many lessons the students have taught me is to let the story dictate the voice of the essay. A few years ago, I worked with a boy who claimed to have nothing to write about. His life had been ordinary, he said; nothing had happened to him. I asked if he wanted to try writing about a family member, his favorite school subject, a summer job? He glanced at his phone, his posture and expression suggesting that he’d rather be anywhere but in front of a computer with me. “Hobbies?” I suggested, without much hope. He gave me a shy glance. “I like to box,” he said.

I’ve had this experience with reluctant writers again and again — when a topic clicks with a student, an essay can unfurl spontaneously. Of course the primary goal of a college essay is to help its author get an education that leads to a career. Changes in testing policies and financial aid have made applying to college more confusing than ever, but essays have remained basically the same. I would argue that they’re much more than an onerous task or rote exercise, and that unlike standardized tests they are infinitely variable and sometimes beautiful. College essays also provide an opportunity to learn precision, clarity and the process of working toward the truth through multiple revisions.

When a topic clicks with a student, an essay can unfurl spontaneously.

Even if writing doesn’t end up being fundamental to their future professions, students learn to choose language carefully and to be suspicious of the first words that come to mind. Especially now, as college students shoulder so much of the country’s ethical responsibility for war with their protest movement, essay writing teaches prospective students an increasingly urgent lesson: that choosing their own words over ready-made phrases is the only reliable way to ensure they’re thinking for themselves.

Teenagers are ideal writers for several reasons. They’re usually free of preconceptions about writing, and they tend not to use self-consciously ‘‘literary’’ language. They’re allergic to hypocrisy and are generally unfiltered: They overshare, ask personal questions and call you out for microaggressions as well as less egregious (but still mortifying) verbal errors, such as referring to weed as ‘‘pot.’’ Most important, they have yet to put down their best stories in a finished form.

I can imagine an essay taking a risk and distinguishing itself formally — a poem or a one-act play — but most kids use a more straightforward model: a hook followed by a narrative built around “small moments” that lead to a concluding lesson or aspiration for the future. I never get tired of working with students on these essays because each one is different, and the short, rigid form sometimes makes an emotional story even more powerful. Before I read Javier Zamora’s wrenching “Solito,” I worked with a student who had been transported by a coyote into the U.S. and was reunited with his mother in the parking lot of a big-box store. I don’t remember whether this essay focused on specific skills or coping mechanisms that he gained from his ordeal. I remember only the bliss of the parent-and-child reunion in that uninspiring setting. If I were making a case to an admissions officer, I would suggest that simply being able to convey that experience demonstrates the kind of resilience that any college should admire.

The essays that have stayed with me over the years don’t follow a pattern. There are some narratives on very predictable topics — living up to the expectations of immigrant parents, or suffering from depression in 2020 — that are moving because of the attention with which the student describes the experience. One girl determined to become an engineer while watching her father build furniture from scraps after work; a boy, grieving for his mother during lockdown, began taking pictures of the sky.

If, as Lorrie Moore said, “a short story is a love affair; a novel is a marriage,” what is a college essay? Every once in a while I sit down next to a student and start reading, and I have to suppress my excitement, because there on the Google Doc in front of me is a real writer’s voice. One of the first students I ever worked with wrote about falling in love with another girl in dance class, the absolute magic of watching her move and the terror in the conflict between her feelings and the instruction of her religious middle school. She made me think that college essays are less like love than limerence: one-sided, obsessive, idiosyncratic but profound, the first draft of the most personal story their writers will ever tell.

Nell Freudenberger’s novel “The Limits” was published by Knopf last month. She volunteers through the PEN America Writers in the Schools program.