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12.14: Sample Student Literary Analysis Essays

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• Page ID 40514

• Heather Ringo & Athena Kashyap
• City College of San Francisco via ASCCC Open Educational Resources Initiative

The following examples are essays where student writers focused on close-reading a literary work.

While reading these examples, ask yourself the following questions:

• What is the essay's thesis statement, and how do you know it is the thesis statement?
• What is the main idea or topic sentence of each body paragraph, and how does it relate back to the thesis statement?
• Where and how does each essay use evidence (quotes or paraphrase from the literature)?
• What are some of the literary devices or structures the essays analyze or discuss?
• How does each author structure their conclusion, and how does their conclusion differ from their introduction?

Example 1: Poetry

Victoria Morillo

Instructor Heather Ringo

3 August 2022

How Nguyen’s Structure Solidifies the Impact of Sexual Violence in “The Study”

Stripped of innocence, your body taken from you. No matter how much you try to block out the instance in which these two things occurred, memories surface and come back to haunt you. How does a person, a young boy , cope with an event that forever changes his life? Hieu Minh Nguyen deconstructs this very way in which an act of sexual violence affects a survivor. In his poem, “The Study,” the poem's speaker recounts the year in which his molestation took place, describing how his memory filters in and out. Throughout the poem, Nguyen writes in free verse, permitting a structural liberation to become the foundation for his message to shine through. While he moves the readers with this poignant narrative, Nguyen effectively conveys the resulting internal struggles of feeling alone and unseen.

The speaker recalls his experience with such painful memory through the use of specific punctuation choices. Just by looking at the poem, we see that the first period doesn’t appear until line 14. It finally comes after the speaker reveals to his readers the possible, central purpose for writing this poem: the speaker's molestation. In the first half, the poem makes use of commas, em dashes, and colons, which lends itself to the idea of the speaker stringing along all of these details to make sense of this time in his life. If reading the poem following the conventions of punctuation, a sense of urgency is present here, as well. This is exemplified by the lack of periods to finalize a thought; and instead, Nguyen uses other punctuation marks to connect them. Serving as another connector of thoughts, the two em dashes give emphasis to the role memory plays when the speaker discusses how “no one [had] a face” during that time (Nguyen 9-11). He speaks in this urgent manner until the 14th line, and when he finally gets it off his chest, the pace of the poem changes, as does the more frequent use of the period. This stream-of-consciousness-like section when juxtaposed with the latter half of the poem, causes readers to slow down and pay attention to the details. It also splits the poem in two: a section that talks of the fogginess of memory then transitions into one that remembers it all.

In tandem with the fluctuating nature of memory, the utilization of line breaks and word choice help reflect the damage the molestation has had. Within the first couple of lines of the poem, the poem demands the readers’ attention when the line breaks from “floating” to “dead” as the speaker describes his memory of Little Billy (Nguyen 1-4). This line break averts the readers’ expectation of the direction of the narrative and immediately shifts the tone of the poem. The break also speaks to the effect his trauma has ingrained in him and how “[f]or the longest time,” his only memory of that year revolves around an image of a boy’s death. In a way, the speaker sees himself in Little Billy; or perhaps, he’s representative of the tragic death of his boyhood, how the speaker felt so “dead” after enduring such a traumatic experience, even referring to himself as a “ghost” that he tries to evict from his conscience (Nguyen 24). The feeling that a part of him has died is solidified at the very end of the poem when the speaker describes himself as a nine-year-old boy who’s been “fossilized,” forever changed by this act (Nguyen 29). By choosing words associated with permanence and death, the speaker tries to recreate the atmosphere (for which he felt trapped in) in order for readers to understand the loneliness that came as a result of his trauma. With the assistance of line breaks, more attention is drawn to the speaker's words, intensifying their importance, and demanding to be felt by the readers.

Most importantly, the speaker expresses eloquently, and so heartbreakingly, about the effect sexual violence has on a person. Perhaps what seems to be the most frustrating are the people who fail to believe survivors of these types of crimes. This is evident when he describes “how angry” the tenants were when they filled the pool with cement (Nguyen 4). They seem to represent how people in the speaker's life were dismissive of his assault and who viewed his tragedy as a nuisance of some sorts. This sentiment is bookended when he says, “They say, give us details , so I give them my body. / They say, give us proof , so I give them my body,” (Nguyen 25-26). The repetition of these two lines reinforces the feeling many feel in these scenarios, as they’re often left to deal with trying to make people believe them, or to even see them.

It’s important to recognize how the structure of this poem gives the speaker space to express the pain he’s had to carry for so long. As a characteristic of free verse, the poem doesn’t follow any structured rhyme scheme or meter; which in turn, allows him to not have any constraints in telling his story the way he wants to. The speaker has the freedom to display his experience in a way that evades predictability and engenders authenticity of a story very personal to him. As readers, we abandon anticipating the next rhyme, and instead focus our attention to the other ways, like his punctuation or word choice, in which he effectively tells his story. The speaker recognizes that some part of him no longer belongs to himself, but by writing “The Study,” he shows other survivors that they’re not alone and encourages hope that eventually, they will be freed from the shackles of sexual violence.

Works Cited

Nguyen, Hieu Minh. “The Study” Poets.Org. Academy of American Poets, Coffee House Press, 2018, https://poets.org/poem/study-0 .

Example 2: Fiction

Todd Goodwin

Professor Stan Matyshak

Advanced Expository Writing

Sept. 17, 20—

Poe’s “Usher”: A Mirror of the Fall of the House of Humanity

Right from the outset of the grim story, “The Fall of the House of Usher,” Edgar Allan Poe enmeshes us in a dark, gloomy, hopeless world, alienating his characters and the reader from any sort of physical or psychological norm where such values as hope and happiness could possibly exist. He fatalistically tells the story of how a man (the narrator) comes from the outside world of hope, religion, and everyday society and tries to bring some kind of redeeming happiness to his boyhood friend, Roderick Usher, who not only has physically and psychologically wasted away but is entrapped in a dilapidated house of ever-looming terror with an emaciated and deranged twin sister. Roderick Usher embodies the wasting away of what once was vibrant and alive, and his house of “insufferable gloom” (273), which contains his morbid sister, seems to mirror or reflect this fear of death and annihilation that he most horribly endures. A close reading of the story reveals that Poe uses mirror images, or reflections, to contribute to the fatalistic theme of “Usher”: each reflection serves to intensify an already prevalent tone of hopelessness, darkness, and fatalism.

It could be argued that the house of Roderick Usher is a “house of mirrors,” whose unpleasant and grim reflections create a dark and hopeless setting. For example, the narrator first approaches “the melancholy house of Usher on a dark and soundless day,” and finds a building which causes him a “sense of insufferable gloom,” which “pervades his spirit and causes an iciness, a sinking, a sickening of the heart, an undiscerned dreariness of thought” (273). The narrator then optimistically states: “I reflected that a mere different arrangement of the scene, of the details of the picture, would be sufficient to modify, or perhaps annihilate its capacity for sorrowful impression” (274). But the narrator then sees the reflection of the house in the tarn and experiences a “shudder even more thrilling than before” (274). Thus the reader begins to realize that the narrator cannot change or stop the impending doom that will befall the house of Usher, and maybe humanity. The story cleverly plays with the word reflection : the narrator sees a physical reflection that leads him to a mental reflection about Usher’s surroundings.

The narrator’s disillusionment by such grim reflection continues in the story. For example, he describes Roderick Usher’s face as distinct with signs of old strength but lost vigor: the remains of what used to be. He describes the house as a once happy and vibrant place, which, like Roderick, lost its vitality. Also, the narrator describes Usher’s hair as growing wild on his rather obtrusive head, which directly mirrors the eerie moss and straw covering the outside of the house. The narrator continually longs to see these bleak reflections as a dream, for he states: “Shaking off from my spirit what must have been a dream, I scanned more narrowly the real aspect of the building” (276). He does not want to face the reality that Usher and his home are doomed to fall, regardless of what he does.

Although there are almost countless examples of these mirror images, two others stand out as important. First, Roderick and his sister, Madeline, are twins. The narrator aptly states just as he and Roderick are entombing Madeline that there is “a striking similitude between brother and sister” (288). Indeed, they are mirror images of each other. Madeline is fading away psychologically and physically, and Roderick is not too far behind! The reflection of “doom” that these two share helps intensify and symbolize the hopelessness of the entire situation; thus, they further develop the fatalistic theme. Second, in the climactic scene where Madeline has been mistakenly entombed alive, there is a pairing of images and sounds as the narrator tries to calm Roderick by reading him a romance story. Events in the story simultaneously unfold with events of the sister escaping her tomb. In the story, the hero breaks out of the coffin. Then, in the story, the dragon’s shriek as he is slain parallels Madeline’s shriek. Finally, the story tells of the clangor of a shield, matched by the sister’s clanging along a metal passageway. As the suspense reaches its climax, Roderick shrieks his last words to his “friend,” the narrator: “Madman! I tell you that she now stands without the door” (296).

Roderick, who slowly falls into insanity, ironically calls the narrator the “Madman.” We are left to reflect on what Poe means by this ironic twist. Poe’s bleak and dark imagery, and his use of mirror reflections, seem only to intensify the hopelessness of “Usher.” We can plausibly conclude that, indeed, the narrator is the “Madman,” for he comes from everyday society, which is a place where hope and faith exist. Poe would probably argue that such a place is opposite to the world of Usher because a world where death is inevitable could not possibly hold such positive values. Therefore, just as Roderick mirrors his sister, the reflection in the tarn mirrors the dilapidation of the house, and the story mirrors the final actions before the death of Usher. “The Fall of the House of Usher” reflects Poe’s view that humanity is hopelessly doomed.

Poe, Edgar Allan. “The Fall of the House of Usher.” 1839. Electronic Text Center, University of Virginia Library . 1995. Web. 1 July 2012. < http://etext.virginia.edu/toc/modeng/public/PoeFall.html >.

Example 3: Poetry

Amy Chisnell

Professor Laura Neary

Writing and Literature

April 17, 20—

Don’t Listen to the Egg!: A Close Reading of Lewis Carroll’s “Jabberwocky”

“You seem very clever at explaining words, Sir,” said Alice. “Would you kindly tell me the meaning of the poem called ‘Jabberwocky’?”

“Let’s hear it,” said Humpty Dumpty. “I can explain all the poems that ever were invented—and a good many that haven’t been invented just yet.” (Carroll 164)

In Lewis Carroll’s Through the Looking-Glass , Humpty Dumpty confidently translates (to a not so confident Alice) the complicated language of the poem “Jabberwocky.” The words of the poem, though nonsense, aptly tell the story of the slaying of the Jabberwock. Upon finding “Jabberwocky” on a table in the looking-glass room, Alice is confused by the strange words. She is quite certain that “ somebody killed something ,” but she does not understand much more than that. When later she encounters Humpty Dumpty, she seizes the opportunity at having the knowledgeable egg interpret—or translate—the poem. Since Humpty Dumpty professes to be able to “make a word work” for him, he is quick to agree. Thus he acts like a New Critic who interprets the poem by performing a close reading of it. Through Humpty’s interpretation of the first stanza, however, we see the poem’s deeper comment concerning the practice of interpreting poetry and literature in general—that strict analytical translation destroys the beauty of a poem. In fact, Humpty Dumpty commits the “heresy of paraphrase,” for he fails to understand that meaning cannot be separated from the form or structure of the literary work.

Of the 71 words found in “Jabberwocky,” 43 have no known meaning. They are simply nonsense. Yet through this nonsensical language, the poem manages not only to tell a story but also gives the reader a sense of setting and characterization. One feels, rather than concretely knows, that the setting is dark, wooded, and frightening. The characters, such as the Jubjub bird, the Bandersnatch, and the doomed Jabberwock, also appear in the reader’s head, even though they will not be found in the local zoo. Even though most of the words are not real, the reader is able to understand what goes on because he or she is given free license to imagine what the words denote and connote. Simply, the poem’s nonsense words are the meaning.

Therefore, when Humpty interprets “Jabberwocky” for Alice, he is not doing her any favors, for he actually misreads the poem. Although the poem in its original is constructed from nonsense words, by the time Humpty is done interpreting it, it truly does not make any sense. The first stanza of the original poem is as follows:

’Twas brillig, and the slithy toves

Did gyre and gimble in the wabe;

All mimsy were the borogroves,

An the mome raths outgrabe. (Carroll 164)

If we replace, however, the nonsense words of “Jabberwocky” with Humpty’s translated words, the effect would be something like this:

’Twas four o’clock in the afternoon, and the lithe and slimy badger-lizard-corkscrew creatures

Did go round and round and make holes in the grass-plot round the sun-dial:

All flimsy and miserable were the shabby-looking birds

with mop feathers,

And the lost green pigs bellowed-sneezed-whistled.

By translating the poem in such a way, Humpty removes the charm or essence—and the beauty, grace, and rhythm—from the poem. The poetry is sacrificed for meaning. Humpty Dumpty commits the heresy of paraphrase. As Cleanth Brooks argues, “The structure of a poem resembles that of a ballet or musical composition. It is a pattern of resolutions and balances and harmonizations” (203). When the poem is left as nonsense, the reader can easily imagine what a “slithy tove” might be, but when Humpty tells us what it is, he takes that imaginative license away from the reader. The beauty (if that is the proper word) of “Jabberwocky” is in not knowing what the words mean, and yet understanding. By translating the poem, Humpty takes that privilege from the reader. In addition, Humpty fails to recognize that meaning cannot be separated from the structure itself: the nonsense poem reflects this literally—it means “nothing” and achieves this meaning by using “nonsense” words.

Furthermore, the nonsense words Carroll chooses to use in “Jabberwocky” have a magical effect upon the reader; the shadowy sound of the words create the atmosphere, which may be described as a trance-like mood. When Alice first reads the poem, she says it seems to fill her head “with ideas.” The strange-sounding words in the original poem do give one ideas. Why is this? Even though the reader has never heard these words before, he or she is instantly aware of the murky, mysterious mood they set. In other words, diction operates not on the denotative level (the dictionary meaning) but on the connotative level (the emotion(s) they evoke). Thus “Jabberwocky” creates a shadowy mood, and the nonsense words are instrumental in creating this mood. Carroll could not have simply used any nonsense words.

For example, let us change the “dark,” “ominous” words of the first stanza to “lighter,” more “comic” words:

’Twas mearly, and the churly pells

Did bimble and ringle in the tink;

All timpy were the brimbledimps,

And the bip plips outlink.

Shifting the sounds of the words from dark to light merely takes a shift in thought. To create a specific mood using nonsense words, one must create new words from old words that convey the desired mood. In “Jabberwocky,” Carroll mixes “slimy,” a grim idea, “lithe,” a pliable image, to get a new adjective: “slithy” (a portmanteau word). In this translation, brighter words were used to get a lighter effect. “Mearly” is a combination of “morning” and “early,” and “ringle” is a blend of “ring” and "dingle.” The point is that “Jabberwocky’s” nonsense words are created specifically to convey this shadowy or mysterious mood and are integral to the “meaning.”

Consequently, Humpty’s rendering of the poem leaves the reader with a completely different feeling than does the original poem, which provided us with a sense of ethereal mystery, of a dark and foreign land with exotic creatures and fantastic settings. The mysteriousness is destroyed by Humpty’s literal paraphrase of the creatures and the setting; by doing so, he has taken the beauty away from the poem in his attempt to understand it. He has committed the heresy of paraphrase: “If we allow ourselves to be misled by it [this heresy], we distort the relation of the poem to its ‘truth’… we split the poem between its ‘form’ and its ‘content’” (Brooks 201). Humpty Dumpty’s ultimate demise might be seen to symbolize the heretical split between form and content: as a literary creation, Humpty Dumpty is an egg, a well-wrought urn of nonsense. His fall from the wall cracks him and separates the contents from the container, and not even all the King’s men can put the scrambled egg back together again!

Through the odd characters of a little girl and a foolish egg, “Jabberwocky” suggests a bit of sage advice about reading poetry, advice that the New Critics built their theories on. The importance lies not solely within strict analytical translation or interpretation, but in the overall effect of the imagery and word choice that evokes a meaning inseparable from those literary devices. As Archibald MacLeish so aptly writes: “A poem should not mean / But be.” Sometimes it takes a little nonsense to show us the sense in something.

Brooks, Cleanth. The Well-Wrought Urn: Studies in the Structure of Poetry . 1942. San Diego: Harcourt Brace, 1956. Print.

Carroll, Lewis. Through the Looking-Glass. Alice in Wonderland . 2nd ed. Ed. Donald J. Gray. New York: Norton, 1992. Print.

MacLeish, Archibald. “Ars Poetica.” The Oxford Book of American Poetry . Ed. David Lehman. Oxford: Oxford UP, 2006. 385–86. Print.

Attribution

• Sample Essay 1 received permission from Victoria Morillo to publish, licensed Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International ( CC BY-NC-SA 4.0 )
• Sample Essays 2 and 3 adapted from Cordell, Ryan and John Pennington. "2.5: Student Sample Papers" from Creating Literary Analysis. 2012. Licensed Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported ( CC BY-NC-SA 3.0 )

Writing a Summary or Rhetorical Précis to Analyze Nonfiction Texts

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Academic writers across all disciplines analyze texts. They summarize and critique published articles, evaluate papers’ arguments, and reflect on essays. In order to do these things, they have to read complex texts carefully and understand them clearly.

This page is about how you can read and analyze nonfiction texts. When you’ve read a text well, you can then discuss it in class, think critically about it, incorporate it into your writing, consider it in light of other texts, and advance or push against its ideas. We believe two productive strategies for approaching this kind of reading and analysis are active reading and rhetorical précis writing. This page provides a guide to these strategies and practical ways to help you evaluate, compare, and reflect upon nonfiction texts.

Active Reading

Introduction to the rhetorical précis, parts of a rhetorical précis, using a rhetorical précis to guide analysis.

Active reading requires you to slow your reading down, engage more intentionally with the text, think about it, and focus your attention on its ideas. When you read actively, you can’t just flip pages and daydream about tomorrow’s plans. Much has been written about active reading, but generally we recommend that when you read you:

• Skim over the text before reading it. Look to see how long it is, where it’s published, how it may be divided into sections, what kind of works cited list it has, whether there are appendices, etc. Use the title to help you predict what the text is about and what it argues. This overview will help you to understand the context, genre, and purpose of this piece as well as help you gauge how long it will take you to read it and how it might be relevant to your class, paper, or project.
• Take notes about the text’s key ideas and your responses to those ideas. Depending on the text and your preferences, these notes could be made on your copy of the text or article or in a separate place. Notes will help you remember and process what the text is about and what you think about it.

In addition to these strategies, we firmly believe that one of the best ways to understand a book, article, essay, blog post, etc. is to write a summary of it. Specifically, we recommend that you use your reading to generate a rhetorical précis.

“Précis” is French for “specific” or “precise.” It’s also a particular kind of writing. When you write a précis you have to exactly and succinctly account for the most important parts of a text. If you write a successful précis, it is a good indication that you’ve read that text closely and that you understand its major moves and arguments. Writing a précis is an excellent way to show that you’ve closely read a text.

Disclaimer: There are different kinds of précis for different contexts. A legal précis is different from what we’re talking about here. Some précis are longer or shorter than others. If you are writing a précis as a course assignment, be sure to follow your instructor’s guidance on what this should consist of and how it should be formatted.

Sometimes rhetorical précis writing is a course requirement. However, even if you aren’t required to write a précis for a class, writing one can help you in a number of ways. Writing a précis guides your reading and directs your attention to the key aspects of a text. Précis writing prepares you to discuss a text and sets you up for that important next step: analysis. A rhetorical précis can even help you structure your annotated bibliography annotations or provide you with summary sentences to include in a paper as you account for your sources.

A rhetorical précis, as developed by Margaret K. Woodworth and described in her 1988 article “The Rhetorical Précis” (published by Rhetoric Review), consists of four dense but direct sentences.

• The first sentence identifies who wrote the text, where and when it was published, and what its topic and claim are.
• The second sentence explores how the text is developed and organized.
• The third sentence explains why the author wrote this, her purpose or intended effect.
• The fourth and final sentence describes the “for whom” of the text by clarifying who the intended or assumed audience of this text is.

Let’s look more closely at those four parts.

First Sentence: Who, Where, When, and What?

Start by identifying the author and offering any information that might help clarify who this person is in relation to this text. Is this a scholar? If so, what is her field? Is she a public official or a prominent blogger? Is he a public intellectual? A reporter? A spokesperson? Has he written other stuff? Locate a bio in the journal or the book cover. Do a quick internet search. Figuring out who the writer is will help you understand some of the texts’ context.

Next up, the publication. What is its title? Is it a book in a series or an article in a special collection? Does it appear in the leisure section of a local newspaper? Sometimes the title of the journal is self-explanatory, but at other times it’s unfamiliar or not clearly connected to a specific discipline. Explain it as necessary. Add the date in parentheses after the title of the text. Unless it’s a newspaper, magazine, or time-sensitive online article, usually just the year will suffice.

The rest of the sentence should be about the article’s topic—what it is about. In order to make this part particularly precise, use a rhetorically strong verb to describe the author’s claim. For example, the author may suggest, argue, analyze, imply, urge, contrast, or claim something.

Second Sentence: How?

In this sentence, provide a very condensed outline of how the author develops, structures, and supports the argument. What kind of evidence does the article draw upon? How is the case built? Perhaps by comparing and contrasting, illustrating, defining, or providing context? Perhaps the text starts out with a narrative and then moves into a description of several research studies? This sentence should account for all the most important moves made across this piece.

Third Sentence: Why?

What does the writer want the reader to do, believe, feel, or think about all this? What was the purpose of this text? In the first sentence, you told us what that author is arguing; now it is time to consider why the author has done all of this. Use an “in order to” phrase in this sentence to very clearly indicate the purpose.

Fourth Sentence: For Whom?

In the final sentence, identify the author’s intended audience and offer some rationale for how you know that to be the audience. Look back at the publication and think about who is likely to read this kind of magazine, journal, or book. Pay attention to the language used in this piece and how much background the writer provides. What does the writer assume readers believe, know, or value? Identifying the audience helps you consider how rhetorically effective this text is.

An Annotated Sample of a Rhetorical Précis

Take a look at this annotated précis of William Cronon’s 1995 article “The Trouble with Wilderness: Or, Getting Back to the Wrong Nature.” It closely follows the précis structure outlined above.

In “The Trouble With Wilderness: Or, Getting Back to the Wrong Nature” (1995), the opening essay of the edited collection Uncommon Ground: Rethinking the Human Place in Nature, renowned environmental historian William Cronon [Comment: The information about who Cronon is was very easily located at the end of the article and through a quick internet search.] critiques the romantic idolization of supposedly untouched, vast wilderness and argues that such a perspective of wilderness negatively affects humankind’s relationship with nature. Cronon builds a historical case for wilderness as a human construct, explores the cultural and literary foundations for the belief that wilderness is a sublime frontier, identifies the problematic paradoxes inherent in this belief, and outlines the detriments of and possible paradigm–shifting solutions to this environmental problem. [Comment: One of the challenges of the second sentence is to decide what not to include. In this case, more could be said about what those paradoxes and detriments are, but since the focus here is on the “how” instead of the “what,” they have been left out. If those kinds of unidentified details are important enough, there is room to mention them more thoroughly in the third sentence.] Cronon opposes the perspective of wilderness as an idealized, non–human space in order to persuade his readers to live rightly in relationship to nature and embrace the reality that “home” as a welcoming, responsibility–requiring place encompasses both “wilderness” and “civilization.” [Comment: Often there is more than one “why,” so be on the look out for this as you actively read.] According to his specific identification, scholarly presentation, and publication venue, Cronon’s primary audience includes American environmentalist academics. [Comment: In the later third of this essay, Cronon uses the pronoun “we” to identify himself and his assumed readership. Often authors aren’t this useful in helping to identify an audience.]

Writing a good précis is a lot of work. It takes dedicated time and consideration. But, it can be useful in and of itself and productive in the development of additional academic writing. Of course, the most obvious application of a précis is connected to its function as a summary. In academic writing, we summarize sources all the time. Once you have written a précis, you can incorporate some of its sentences or ideas into your writing when you need to quickly account for a text’s argument, content, or purpose.

But a rhetorical précis is even more powerfully useful for writing analysis.

Etymologically, “analysis” comes from the Ancient Greek terms for “throughout” and “loosening.” When you analyze something, you deconstruct it, extract its parts, peer inside to see how everything fits together. You thoroughly loosen it in order to understand it better. When you’ve used a précis to lay out the primary elements of this text (the author; the argument’s what, how, and why; and the audience) in front of you, you’re ready to move on with your analysis. Analysis of nonfiction texts can take several forms, but three common ones are: evaluation and critique, comparison, and reflection.

Evaluation and Critique

Evaluating a text requires you to use your analysis to consider and critique the strengths and weaknesses of that piece of writing. Look back at the argument and audience and ask yourself some of these questions:

• Is this a persuasive argument for this group of readers?
• How well is the author’s argument developed and clarified through the structure of the text?
• Where does the logic of the argument and its supporting evidence cohere or fall apart?
• Do the author’s background, tone, evidence, and assumptions foster credibility?
• Does the piece achieve what the author intended?

Detailed answers—with examples—to any of these or similar questions could generate enough material for a close, analytical evaluation. Make sure that you are connecting your assertions about what works and doesn’t work in this text to the author, the argument’s development and purpose, and the audience. Make sure that you are looking deeply at how and why various elements of the text and its argument succeed or falter.

Through comparison, you bring together an analysis of more than one text. Start by writing a précis for each piece you have to compare. Then look at each précis side–by–side and ask yourself about how a sentence in one précis relates to the corresponding sentence in the other précis. Here are some questions to guide your thinking:

• Are all texts addressing a parallel idea?
• Are they making similar or different arguments?
• Have they employed similar methods to arrive at their arguments?
• Are they using the same kind of structure to develop those arguments?
• What is different about their intended audiences?
• Is one more or less successful or persuasive than the other?

Let what you identify as being similar and different about these texts guide your comparative analysis.

Reflection provides you with space to analyze a text in light of your experiences, perspectives, and ideas. In this kind of writing, you get to talk about yourself. In a way, a reflective analysis is kind of like a comparative analysis where the second text is you. Look back at that rhetorical précis and ask yourself questions like these, or other questions that connect what you know and have experienced with the text you have read:

• What else have you read or experienced that furthers or complicates the argument made by this text?
• How do you see that these ideas fit into the larger context of what you’ve been studying in this course?
• Why do you have a particular opinion or response towards this piece of writing?
• Moving forward, how can this text, its argument, or its presentation be influential in shaping your thinking or research?

In order to analyze a text, you need to understand key elements of it. Closely reading that text and summarizing it through a rhetorical précis can help you understand it better. In large part, the quality of your analysis will be dependent on the quality of your comprehension. So, give yourself the time you need to read carefully, think deeply, and analyze effectively.

Works Cited

Cronon, William. “The Trouble with Wilderness: Or, Getting Back to the Wrong Nature.” Environmental History , vol. 1, no. 1, pp. 7–28.

Woodworth, Margaret K. “The Rhetorical Précis.” Rhetoric Review , vol. 7, no. 1, pp. 156–64.

Academic and Professional Writing

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A Short Guide to Close Reading for Literary Analysis

Using Literary Quotations

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Writing a Rhetorical Précis to Analyze Nonfiction Texts

Incorporating Interview Data

Grant Proposals

Planning and Writing a Grant Proposal: The Basics

Additional Resources for Grants and Proposal Writing

Job Materials and Application Essays

Writing Personal Statements for Ph.D. Programs

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Introduction

Most of your familiarity with essays probably comes from your own coursework. When you are assigned an essay for a class, perhaps you’ve been assigned an expository essay or a persuasive essay. In other words, you may have been assigned an essay with a clear purpose.

Literary essays are an exciting departure from those essays that many of us have been assigned. Employing techniques akin to those used by novelists, poets, and short story writers, essayists work to explore an idea. In fact, the word “essay” is etymologically linked to the notion of experimenting, weighing, or testing out. Essayists rarely produce straightforward manifestos or polemics. Instead, they entice the reader to care or understand or learn by using elements and techniques common to and found in literature. The more adept you are at recognizing those elements, the better you’ll be able to appreciate a work of creative nonfiction.

In order to analyze creative nonfiction, you should be aware of the different rhetorical structures writers use. Most of these structures will be familiar to you. What is important to consider, though, is how creative nonfiction writers use literary structures and techniques to achieve a particular effect.

Analyzing Nonfiction

Analysis of Nonfiction

Like analysis of fiction, poetry, and drama, analysis of a nonfiction requires more than understanding the point or the content of a nonfiction text. It requires that we go beyond what the text says explicitly and look at such factors as implied meaning, intended purpose and audience, the context in which the text was written, and how the author presents his/her argument. Before you can analyze, however, you must first comprehend the text and be able to provide an objective summary.

When working with a complex text, it is best to start with short excerpts, go through several reads of the piece if possible, and focus on moving from basic comprehension on the first read, to deeper, more complex understandings with each subsequent reading. For an example of an effective strategy, use the “SOAPSTone” strategy, which consists of a series of questions that provide a basis for analysis. Remember that regardless of analysis strategy, you must always provide evidence taken directly from the text to prove their point.

Subject: What is the subject? This is the general topic, content, and ideas contained in the text. Try to state the subject in only a few words or a short phrase so as to concisely summarize the topic for your own comprehension purposes.

Occasion: What is the occasion? It is the time and place of the piece; the context that encouraged the writing to happen. This can be a large occasion (an environment of ideas and emotions that swirl around a broad issue) or an immediate occasion or specific event.

Audience: Who is the audience? The audience is the group of readers to whom the piece is directed. The audience may be an individual, a small group, or a large group of people. It may be specific or more general.

Purpose: What is the purpose? It is the reason behind the text. What does the author want the audience to think or do as a result of this text? Does the author call for some specific action or is the purpose to convince the reader to think, feel or believe in a certain way? Too often readers do not consider this question, yet understanding the purpose of a nonfiction text is crucial in order to critically analyze the text.

Speaker: Who is the speaker? This is the voice that tells the story. What is their background? Is there a bias? Does that impact how the text is written and the points being made? Typically in nonfiction, the speaker and the author are the same; however, when we approach fiction, we must realize that the speaker and the author are often NOT the same. In fiction the author may choose to tell the story from any number of different points of view. In fact, the method of narration and the character of the speaker may be a crucial piece in understanding the work, particularly in satire. However, in nonfiction, the speaker and the author of the text are most likely going to be the same, which allows us a different avenue for analysis, as we can critique a text alongside what we know about the author.

Tone: What is the tone? This is the attitude a writer takes towards the subject or character: It can be serious, humorous, sarcastic, or even objective. Examine the author’s choice of words, sentence structure, and imagery. Consider providing students with a list of tone words to help them find the exact word. Often in informational text, the tone is objective because the author is simply relaying information and is not trying to sway the audience; however, in literary nonfiction as with fiction, the author may want his/her audience to feel a certain way about the situation, characters, etc.

“Text-Dependent Analysis: Nonfiction.” Licensed under Standard Youtube License https://www.youtube.com/watch?v=VzMzHrroZGM

“Analyzing Nonfiction.” Licensed under Standard Youtube License https://www.youtube.com/watch?v=f_k6RXWMHas

“How to Analyze Non-Fiction.” Licensed under CC BY SA 4.0 http://www.rpdp.net/literacyFiles/literacy_101.pdf

The world of creative nonfiction is broad, but learning to analyze the techniques used by literary and personal essayists is a good way to understand how much crafting goes into making a true story, told well. And though the word “essay” may have once been associated with homework assignments and tests, rest assured, there’s much more to the form.

Like fiction, creative nonfiction relies on the careful choices made by a writer. What separates creative nonfiction from fiction, of course, is the writer’s tacit promise to be conveying a story or set of events that is purported to be true. In order to accentuate that truth or present it in its most compelling fashion, creative nonfiction writers use a variety of literary elements and techniques. Everything from the structure of an essay to its shape to its tone influences how a reader makes sense of the content.

ENG134 – Literary Genres Copyright © by The American Women's College and Jessica Egan is licensed under a Creative Commons Attribution 4.0 International License , except where otherwise noted.

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The Ultimate Guide to Analytical Essay Writing: How to Craft an A-Grade Paper?

25 January, 2021

17 minutes read

Author:  Kate Smith

An analytical essay is often considered the most challenging piece of writing. However, those who have dealt with it at least once are a step closer to calling themselves masters of essay writing. This type of paper requires plenty of analytical skills to carry out an in-depth analysis of the assigned topic. Yet, the main goal of an analytical essay is not only to demonstrate your ability to learn the basics of the theme.

You also need to think critically, analyze facts, express your standpoint, and clearly show a deep understanding of key concepts. In short, your main task as an author is to prove the validity of your views by coming up with strong arguments that do not beg any questions.

The given guide provides a full analytical essay definition, as well as specifies its features and structural aspects. The following information will help you properly start your paper, choose a relevant topic, and come up with compelling conclusions. 

What is an Analytical Essay?

An analytical essay is a piece of writing aimed to provide a thorough analysis of a definite phenomenon using persuasive arguments and supporting assertions. Analysis in the analytical essay writing process stands for a method of research that allows one to study specific features of an object. Analytical papers also have to do with analysis of a specific problem; that is consideration of the problem itself and identification of its key patterns. The subject matter of analysis can be a well-known or little-studied scientific phenomenon, artistic work, historical event, social problem, etc.

The content of an analytical essay will totally depend on the object that has been chosen for analysis. Thus, when shedding light on any kind of scientific work, an analytical essay can be devoted to the analysis of research credibility, its relevance, or the adequacy of conclusions. When considering a work of art, an essay writer can focus on the analysis of the author’s artistic techniques or issues raised in the book. For this reason, it is essential to accurately determine the topic and subject matter of your future analytical essay.

Steps to Take Before Writing

The preparational stage of analytical essay writing cannot be omitted. It lays the basis for the A-grade paper and should be carefully completed. If you don’t know how to start an analytical essay, read a few handy tips that will ensure a solid foundation for your paper.  

Define a subject matter

You first need to clearly understand the issue you will base your essay on. Since analytical essays imply an in-depth analysis of a specific problem, you need to define its core. Try to split the analysis into several components and provide arguments taken either from a book, a research, a scientific work, or a movie (depending on the subject matter of your analysis), and support your views comprehensively.

Decide on the content of your analytical essay

If you are a student who was given an analytical essay topic, read the task several times before you are 100% sure that you clearly understand the requirements as to the analytical essay format. In case you were lucky to choose the topic of the analytical paper by yourself, make sure the theme you will be dealing with is familiar or at least seems interesting to you. 

Remember that different subject matters require a different approach to their analysis. If you examine some literature work, you can prove your opinion based on the deeds of a certain or several characters. But if you have been assigned the task to elaborate on some historic events, analyze their main causes, driving forces that have affected their course, and their global consequences.  

Take care of the proper start

Don’t forget to start your analytical essay with a thesis statement. It is a sentence or a couple of sentences that aim to summarize the key statements of your paper. A thesis statement should provide readers with a preliminary idea of what your essay is all about.  

Find extra reasoning

Make sure your thesis is supported by compelling arguments. To find enough evidence, you should carry out a thorough analysis of the assigned topic. List the crucial points of your research and ponder over the ways they can be used to prove your final opinion. 

Elaborate the outline

A sound outline elaborated at the preparation stage will help you ensure a proper analytical essay structure and make the overall writing process easier. As a rule, an analytical essay consists of an introduction, three body paragraphs, and a conclusion. Your outline plan should include the key arguments you want to discuss in each paragraph. 

Analytical Essay Thesis

A thesis statement represents the central idea of your paper and must serve as strong proof of your standpoint. While elaborating your thesis statement, it is crucial to include it at the end of the first paragraph and thus set a direction for the overall paper. 

Analytical Essay Outline

An outline is not a required element of analytical essays writing and should not be included in the text, but it can greatly facilitate the whole process of paper writing.

The analytical essay structure looks as follows:

Introduction

In the introduction of an analytical essay, you will need to identify your paper’s subject matter. Mention the purpose of your work and specify its scope of research. Don’t forget to include a thesis to let readers know what your work is about.

Body Section

As has already been mentioned, the body section covers three or more main paragraphs, each being supported with arguments and details. Besides, you need to provide a small conclusion to each statement to make your essay sound professional and persuasive. 

At this stage, you need to summarize the points elucidated in your paper and make sure there is a smooth and logical transition from the body section to the concluding part of the text. If you don’t know how to conclude an analytical essay, try to restate the thesis statement without copying it word for word.  

Analytical Essay Examples

Writing an analytical essay may seem to be a thorny way. If you are still not sure how to properly craft one, try to find some examples that will help you go in the right direction. Below, there are some great examples of analytical essays. Take a look at their structure and try to write something similar based on your views and ideas:

https://drive.google.com/file/d/1JeR4i4RIZIj448W3KVFyHP-eS3QPN7gW/view

https://stlcc.edu/docs/student-support/academic-support/college-writing-center/rhetorical-analysis-sample-essay.pdf

https://www.germanna.eduhttp://handmadewriting.com/wp-content/uploads/tutoring/handouts/Literary-Analysis-Sample-Paper.pdf

30 Analytical Essay Topics

If you were allowed to choose the theme for your paper by yourself, check on the following analytical essay topics. Each of them can bring you the highest score:

General topics

• The influence of social networks on the life of teens
• Are salaries of football players too high?
• Wearing uniforms in schools should be banned
• A person in society: the problems of loneliness and privacy
• Sociology of corporate relationships
• Does the observation of space need more investments?
• Should the voting age in the UK be decreased?
• Reasons why capital punishment should be brought back in the UK
• A world with no rules: a new human era or a road to the global collapse?
• Life without technologies: will modern people survive?
• Should scientists test drugs on animals to fight cancer?
• The problem of keeping the balance between career and family life
• The importance of listening to your body 
• Problems caused by the lack of communication
• Food addiction and the problems it causes
• Problems of vaccination in the XXI century
• Does evil really rule the world?
• How does body size affect life quality?
• Pros and cons of video games 
• The role of a family model in the life and career of a person

Analytical Essay Topics on Literature

• “Robinson Crusoe”: fantasy vs reality
• Observation of the artistic uniqueness in the comedy by W. Shakespeare “A Midsummer Night’s Dream” 
• Observe the social problems in the novel by John Steinbeck “The Grapes of Wrath”
• Convulsions and death of the “little man” in the networks of impersonal, alienated forces in the novel “The Metamorphosis”
• Observation of the problems of a man on a plagued land in the novel “The Plague”
• Revolt of the protagonist in the novel by J. Salinger “The Catcher in the Rye”
• Observation of friendship and love in the fate of humanity in the XX century
• The triumph of immorality in the novel by F. Sagan “Hello Sadness”
• Observation of the personality of an American student in the novel by J. Salinger “The Catcher in the Rye”
• Eternal tragedies of humanity in the tragedy by W. Shakespeare “The Tragedy of Hamlet, Prince of Denmark”

How to Write a Well-Structured Analytical Essay With a Solid Argument

Writing an analytical essay with a clear structure might be challenging unless you are thoroughly prepared. We decided to help you out and create a detailed guide listing the main things to consider when creating an analytical essay outline. You need to explain your main idea in a concise way to bring your point across. As analytical writing has high requirements, it pays off to find an analytical essay example and analyze how this text was written. It will allow you to understand the analytical essay format better and learn how to provide substantive analysis on various topics. Read on to learn how to write a top-level analytical paper and submit it on time.

Main Tips for Writing an Analytical Essay

An analytical essay should provide a comprehensive analysis of a chosen topic. What makes an analysis essay different from other assignments is that it includes a personal opinion of an author. This is why analytical writing should be persuasive.

Below, we have rounded up the key tips you need to follow when producing an analytical essay outline and the main body of your text. Read on to learn more about the analytical essay format and create a text that will fully meet the requirements.

Select an Analytical Essay Topic

Before creating an analytical essay outline, make sure to pick a topic that you are interested in. It should be provocative enough to engage your readers. A widely-debated topic will help you write an analytical essay that grabs the attention of a wide audience.

Consider your goals and conduct thorough research to see if you have enough sources to support the main thesis of your analysis essay.

Come Up With a Strong Analytical Thesis Statement

When writing an analytical essay, start by formulating a thesis statement that includes the topic and the main goal of your text. It will help you create an analytical essay outline and show your readers what you will discuss in your analysis essay.

Add it to the last paragraph of your analytical essay introduction. Due to this, your analytical essay outline will look better structured. Look at any analytical essay example to see how you can introduce your subject. In most cases, one sentence will suffice to state your analysis essay’s goal. However, a complex analytical essay outline might require you to use two sentences for a thesis statement.

Write an Analytical Essay Body with a Clear Structure

Your analytical essay outline should include 3-4 paragraphs. However, a literary analysis essay usually consists of 5 paragraphs. When it comes to analytical writing, it is important to cover a different point in each section of the main body of an analysis paper.

After writing an analytical essay, check whether each paragraph contains an introduction and the main point. Besides, it should contain evidence. An expertly written analytical essay outline will help you reach out to your target audience more effectively.

Conduct Research Before Writing an Analytical Essay Outline

While this step is preparatory, it is a must for those who want to write a well-grounded analytical paper.

• First, select the best ideas for your essay
• Then, emphasize the problems with works written by other researchers
• Finally, write your analytical essay outline to demonstrate what approach you want to take

Examine the context and find examples to illustrate the scope of the issue. You may draw parallels to emphasize your point and make your topic more relatable.

Analyze the Implications of the Evidence

After listing your pieces of evidence and demonstrating how it is related to your thesis, show why it is important. You need to explore it deeply and use it to support your argument. It will make your analytical essay outline well-grounded facts.

Write an Analytical Essay Conclusion

Whether you write a literary analysis essay or other types of assignments, there is no need to add any new data at the end of your analysis paper. Instead, summarize the arguments you mentioned in your analytical essay outline. The conclusion of your analysis essay should be short and clear. Here, you need to demonstrate that you have achieved your goals.

Analytical Essay Writing Tips

If you want to get the highest grade for your analytical essay, you need to know a little bit more than just the basics of paper writing. Read these handy tips to write a perfect essay you will be proud of:

• Double-check your paper for spelling and grammar mistakes. In case your essay contains too many errors, neither an in-depth analysis nor the elaborate writing style will make it look any better. Situations when essays of great value in terms of research and a message they convey are poorly assessed because of the abundance of mistakes are not rare. Make sure you have enough time to proofread your paper before submission. Also, you may consider asking somebody to take a fresh look at your essay and check it for you.
• Reading your analytical essay out loud helps you discover all types of errors or weak phrases. This method might seem a bit uncomfortable, but it has proved to be very effective for many students. Note that silent reading of your paper isn’t even half as helpful as reading it aloud. 
• Another great idea to check on the rhythm and flow of your paper is to ask someone to read it for you. While listening to the text, you could perceive it from another perspective and discover even more inconsistencies and mistakes.  
• Double-check the facts you use in your analytical essay. The names of people, books, research, publications, as well as dates of historical events are too important to be misspelled. Things like these show your professionalism and the way you treat your readers.

Write an Analytical Essay with HandmadeWriting

Writing an analytical essay requires time, strong writing skills, great attention to detail, and a huge interest in the assigned topic. However, life can be unpredictable sometimes, and students might find themselves at risk of failing their creative assignments. Stress, family issues, poor health, and even unwillingness to work on a certain topic may become significant obstacles on their way to the A-grade work.

If you have similar problems, there is no need to compromise your reputation and grades. You can always refer to HandmadeWriting professionals who are ready to help you with a paper of any type and complexity. They will understand your individual style and totally devote themselv

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Literary analysis: sample essay.

We turn once more to Joanna Wolfe’s and Laura Wilder’s  Digging into Literature: Strategies for Reading, Writing, and Analysis  (Boston: Bedford/St. Martin’s, 2016) in order to show you their example of a strong student essay that has a strong central claim elucidated by multiple surface/depth arguments supported by patterns of evidence.

Paragraph 1

Sylvia Plath’s short poem “Morning Song” explores the conflicted emotions of a new mother. On the one hand, the mother recognizes that she is expected to treasure and celebrate her infant, but on the other hand, she feels strangely removed from the child. The poem uses a combination of scientific and natural imagery to illustrate the mother’s feelings of alienation. By the end of the poem, however, we see a shift in this imagery as the mother begins to see the infant in more human terms.

Paragraph 2

There are several references to scientific imagery in “Morning Song” that suggest that mother is viewing the baby in clinical, scientific terms rather than as a new life. The poem refers to magnification (4) and reflection (8), both of which are scientific methods. The word “distills” (8) refers to a scientific, chemical process for removing impurities from a substance. The baby’s cry is described as taking “its place among the elements” (3), which seems to refer to the periodic table of elements, the primordial matter of the universe. The watch in the first line is similarly a scientific tool and the gold the watch is made of is, of course, an element, like the baby’s cry. Even the balloons in the last line have a scientific connotation since balloons are often used for measurements and experiments in science. These images all serve to show how the speaker feels distanced from the baby, who is like a scientific experiment she is conducting rather than a human being.

Paragraph 3

Natural imagery also seems to further dehumanize the baby, reducing it to nothing more than its mouth. The baby’s breathing is compared to a moth in line 10, suggesting that the speaker feels the infant is fragile and is as likely to die as a moth dancing around candlelight. A few lines later, the baby’s mouth is compared to another animal—a cat—who greedily opens its mouth for milk. Not only does the speaker seem to feel that the baby is like an animal, but she herself is turned into an animal, as she arises “cow-heavy” (13) to feed the infant. These images show how the speaker sees both the baby and herself as dumb animals who exist only to feed and be fed. Even the morning itself seems to be reduced to another mouth to feed as she describes how the dawn “swallows its dull stars” (16). These lines suggest that just as the sun swallows up the stars, so the baby will swallow up this mother.

Paragraph 4

However, in the last few lines the poem takes a hopeful turn as the speaker begins to view the baby as a human being. The baby’s mouth, which has previously been greedy and animal-like, now becomes a source of music, producing a “handful of notes” (17) and “clear vowels” (18). Music is a distinctly human sound. No animals and certainly not the cats, cows, or moths mentioned earlier in the poem, make music. This change in how the speaker perceives the baby’s sounds—from animalistic cry to human song—suggest that she is beginning to relate the baby as an individual. Even the word “handful” in the phrase “handful of notes” (17) seems hopeful in this context since this is the first time the mother has referred to the baby as having a distinctly human body part. When the baby’s notes finally “rise like balloons” (18), the speaker seems to have arrived at a place where she can celebrate the infant. For the first time, the infant is giving something to the speaker rather than threatening to take something away. The mother seems to have finally accepted the child as an independent human being whose company she can celebrate.

Works Cited

Choose Your Test

Sat / act prep online guides and tips, 5 steps to write a great analytical essay.

General Education

Do you need to write an analytical essay for school? What sets this kind of essay apart from other types, and what must you include when you write your own analytical essay? In this guide, we break down the process of writing an analytical essay by explaining the key factors your essay needs to have, providing you with an outline to help you structure your essay, and analyzing a complete analytical essay example so you can see what a finished essay looks like.

What Is an Analytical Essay?

Before you begin writing an analytical essay, you must know what this type of essay is and what it includes. Analytical essays analyze something, often (but not always) a piece of writing or a film.

An analytical essay is more than just a synopsis of the issue though; in this type of essay you need to go beyond surface-level analysis and look at what the key arguments/points of this issue are and why. If you’re writing an analytical essay about a piece of writing, you’ll look into how the text was written and why the author chose to write it that way. Instead of summarizing, an analytical essay typically takes a narrower focus and looks at areas such as major themes in the work, how the author constructed and supported their argument, how the essay used literary devices to enhance its messages, etc.

While you certainly want people to agree with what you’ve written, unlike with persuasive and argumentative essays, your main purpose when writing an analytical essay isn’t to try to convert readers to your side of the issue. Therefore, you won’t be using strong persuasive language like you would in those essay types. Rather, your goal is to have enough analysis and examples that the strength of your argument is clear to readers.

Besides typical essay components like an introduction and conclusion, a good analytical essay will include:

• A thesis that states your main argument
• Analysis that relates back to your thesis and supports it
• Examples to support your analysis and allow a more in-depth look at the issue

In the rest of this article, we’ll explain how to include each of these in your analytical essay.

How to Structure Your Analytical Essay

Analytical essays are structured similarly to many other essays you’ve written, with an introduction (including a thesis), several body paragraphs, and a conclusion. Below is an outline you can follow when structuring your essay, and in the next section we go into more detail on how to write an analytical essay.

Introduction

Your introduction will begin with some sort of attention-grabbing sentence to get your audience interested, then you’ll give a few sentences setting up the topic so that readers have some context, and you’ll end with your thesis statement. Your introduction will include:

• Brief background information explaining the issue/text
• Your thesis

Body Paragraphs

Your analytical essay will typically have three or four body paragraphs, each covering a different point of analysis. Begin each body paragraph with a sentence that sets up the main point you’ll be discussing. Then you’ll give some analysis on that point, backing it up with evidence to support your claim. Continue analyzing and giving evidence for your analysis until you’re out of strong points for the topic. At the end of each body paragraph, you may choose to have a transition sentence that sets up what the next paragraph will be about, but this isn’t required. Body paragraphs will include:

• Introductory sentence explaining what you’ll cover in the paragraph (sort of like a mini-thesis)
• Analysis point
• Evidence (either passages from the text or data/facts) that supports the analysis
• (Repeat analysis and evidence until you run out of examples)

You won’t be making any new points in your conclusion; at this point you’re just reiterating key points you’ve already made and wrapping things up. Begin by rephrasing your thesis and summarizing the main points you made in the essay. Someone who reads just your conclusion should be able to come away with a basic idea of what your essay was about and how it was structured. After this, you may choose to make some final concluding thoughts, potentially by connecting your essay topic to larger issues to show why it’s important. A conclusion will include:

• Paraphrase of thesis
• Summary of key points of analysis
• Final concluding thought(s)

5 Steps for Writing an Analytical Essay

Follow these five tips to break down writing an analytical essay into manageable steps. By the end, you’ll have a fully-crafted analytical essay with both in-depth analysis and enough evidence to support your argument. All of these steps use the completed analytical essay in the next section as an example.

#1: Pick a Topic

You may have already had a topic assigned to you, and if that’s the case, you can skip this step. However, if you haven’t, or if the topic you’ve been assigned is broad enough that you still need to narrow it down, then you’ll need to decide on a topic for yourself. Choosing the right topic can mean the difference between an analytical essay that’s easy to research (and gets you a good grade) and one that takes hours just to find a few decent points to analyze

Before you decide on an analytical essay topic, do a bit of research to make sure you have enough examples to support your analysis. If you choose a topic that’s too narrow, you’ll struggle to find enough to write about.

For example, say your teacher assigns you to write an analytical essay about the theme in John Steinbeck’s The Grapes of Wrath of exposing injustices against migrants. For it to be an analytical essay, you can’t just recount the injustices characters in the book faced; that’s only a summary and doesn’t include analysis. You need to choose a topic that allows you to analyze the theme. One of the best ways to explore a theme is to analyze how the author made his/her argument. One example here is that Steinbeck used literary devices in the intercalary chapters (short chapters that didn’t relate to the plot or contain the main characters of the book) to show what life was like for migrants as a whole during the Dust Bowl.

You could write about how Steinbeck used literary devices throughout the whole book, but, in the essay below, I chose to just focus on the intercalary chapters since they gave me enough examples. Having a narrower focus will nearly always result in a tighter and more convincing essay (and can make compiling examples less overwhelming).

#2: Write a Thesis Statement

Your thesis statement is the most important sentence of your essay; a reader should be able to read just your thesis and understand what the entire essay is about and what you’ll be analyzing. When you begin writing, remember that each sentence in your analytical essay should relate back to your thesis

In the analytical essay example below, the thesis is the final sentence of the first paragraph (the traditional spot for it). The thesis is: “In The Grapes of Wrath’s intercalary chapters, John Steinbeck employs a variety of literary devices and stylistic choices to better expose the injustices committed against migrants in the 1930s.” So what will this essay analyze? How Steinbeck used literary devices in the intercalary chapters to show how rough migrants could have it. Crystal clear.

#3: Do Research to Find Your Main Points

This is where you determine the bulk of your analysis--the information that makes your essay an analytical essay. My preferred method is to list every idea that I can think of, then research each of those and use the three or four strongest ones for your essay. Weaker points may be those that don’t relate back to the thesis, that you don’t have much analysis to discuss, or that you can’t find good examples for. A good rule of thumb is to have one body paragraph per main point

This essay has four main points, each of which analyzes a different literary device Steinbeck uses to better illustrate how difficult life was for migrants during the Dust Bowl. The four literary devices and their impact on the book are:

• Lack of individual names in intercalary chapters to illustrate the scope of the problem
• Parallels to the Bible to induce sympathy for the migrants
• Non-showy, often grammatically-incorrect language so the migrants are more realistic and relatable to readers
• Nature-related metaphors to affect the mood of the writing and reflect the plight of the migrants

#4: Find Excerpts or Evidence to Support Your Analysis

Now that you have your main points, you need to back them up. If you’re writing a paper about a text or film, use passages/clips from it as your main source of evidence. If you’re writing about something else, your evidence can come from a variety of sources, such as surveys, experiments, quotes from knowledgeable sources etc. Any evidence that would work for a regular research paper works here.

In this example, I quoted multiple passages from The Grapes of Wrath  in each paragraph to support my argument. You should be able to back up every claim you make with evidence in order to have a strong essay.

#5: Put It All Together

Now it's time to begin writing your essay, if you haven’t already. Create an introductory paragraph that ends with the thesis, make a body paragraph for each of your main points, including both analysis and evidence to back up your claims, and wrap it all up with a conclusion that recaps your thesis and main points and potentially explains the big picture importance of the topic.

Analytical Essay Example + Analysis

So that you can see for yourself what a completed analytical essay looks like, here’s an essay I wrote back in my high school days. It’s followed by analysis of how I structured my essay, what its strengths are, and how it could be improved.

One way Steinbeck illustrates the connections all migrant people possessed and the struggles they faced is by refraining from using specific titles and names in his intercalary chapters. While The Grapes of Wrath focuses on the Joad family, the intercalary chapters show that all migrants share the same struggles and triumphs as the Joads. No individual names are used in these chapters; instead the people are referred to as part of a group. Steinbeck writes, “Frantic men pounded on the doors of the doctors; and the doctors were busy.  And sad men left word at country stores for the coroner to send a car,” (555). By using generic terms, Steinbeck shows how the migrants are all linked because they have gone through the same experiences. The grievances committed against one family were committed against thousands of other families; the abuse extends far beyond what the Joads experienced. The Grapes of Wrath frequently refers to the importance of coming together; how, when people connect with others their power and influence multiplies immensely. Throughout the novel, the goal of the migrants, the key to their triumph, has been to unite. While their plans are repeatedly frustrated by the government and police, Steinbeck’s intercalary chapters provide a way for the migrants to relate to one another because they have encountered the same experiences. Hundreds of thousands of migrants fled to the promised land of California, but Steinbeck was aware that numbers alone were impersonal and lacked the passion he desired to spread. Steinbeck created the intercalary chapters to show the massive numbers of people suffering, and he created the Joad family to evoke compassion from readers.  Because readers come to sympathize with the Joads, they become more sensitive to the struggles of migrants in general. However, John Steinbeck frequently made clear that the Joads were not an isolated incident; they were not unique. Their struggles and triumphs were part of something greater. Refraining from specific names in his intercalary chapters allows Steinbeck to show the vastness of the atrocities committed against migrants.

Steinbeck also creates significant parallels to the Bible in his intercalary chapters in order to enhance his writing and characters. By using simple sentences and stylized writing, Steinbeck evokes Biblical passages. The migrants despair, “No work till spring. No work,” (556).  Short, direct sentences help to better convey the desperateness of the migrants’ situation. Throughout his novel, John Steinbeck makes connections to the Bible through his characters and storyline. Jim Casy’s allusions to Christ and the cycle of drought and flooding are clear biblical references.  By choosing to relate The Grapes of Wrath to the Bible, Steinbeck’s characters become greater than themselves. Starving migrants become more than destitute vagrants; they are now the chosen people escaping to the promised land. When a forgotten man dies alone and unnoticed, it becomes a tragedy. Steinbeck writes, “If [the migrants] were shot at, they did not run, but splashed sullenly away; and if they were hit, they sank tiredly in the mud,” (556). Injustices committed against the migrants become greater because they are seen as children of God through Steinbeck’s choice of language. Referencing the Bible strengthens Steinbeck’s novel and purpose: to create understanding for the dispossessed.  It is easy for people to feel disdain for shabby vagabonds, but connecting them to such a fundamental aspect of Christianity induces sympathy from readers who might have otherwise disregarded the migrants as so many other people did.

The simple, uneducated dialogue Steinbeck employs also helps to create a more honest and meaningful representation of the migrants, and it makes the migrants more relatable to readers. Steinbeck chooses to accurately represent the language of the migrants in order to more clearly illustrate their lives and make them seem more like real paper than just characters in a book. The migrants lament, “They ain’t gonna be no kinda work for three months,” (555). There are multiple grammatical errors in that single sentence, but it vividly conveys the despair the migrants felt better than a technically perfect sentence would. The Grapes of Wrath is intended to show the severe difficulties facing the migrants so Steinbeck employs a clear, pragmatic style of writing.  Steinbeck shows the harsh, truthful realities of the migrants’ lives and he would be hypocritical if he chose to give the migrants a more refined voice and not portray them with all their shortcomings. The depiction of the migrants as imperfect through their language also makes them easier to relate to. Steinbeck’s primary audience was the middle class, the less affluent of society. Repeatedly in The Grapes of Wrath , the wealthy make it obvious that they scorn the plight of the migrants. The wealthy, not bad luck or natural disasters, were the prominent cause of the suffering of migrant families such as the Joads. Thus, Steinbeck turns to the less prosperous for support in his novel. When referring to the superior living conditions barnyard animals have, the migrants remark, “Them’s horses-we’re men,” (556).  The perfect simplicity of this quote expresses the absurdness of the migrants’ situation better than any flowery expression could.

In The Grapes of Wrath , John Steinbeck uses metaphors, particularly about nature, in order to illustrate the mood and the overall plight of migrants. Throughout most of the book, the land is described as dusty, barren, and dead. Towards the end, however; floods come and the landscape begins to change. At the end of chapter twenty-nine, Steinbeck describes a hill after the floods saying, “Tiny points of grass came through the earth, and in a few days the hills were pale green with the beginning year,” (556). This description offers a stark contrast from the earlier passages which were filled with despair and destruction. Steinbeck’s tone from the beginning of the chapter changes drastically. Early in the chapter, Steinbeck had used heavy imagery in order to convey the destruction caused by the rain, “The streams and the little rivers edged up to the bank sides and worked at willows and tree roots, bent the willows deep in the current, cut out the roots of cottonwoods and brought down the trees,” (553). However, at the end of the chapter the rain has caused new life to grow in California. The new grass becomes a metaphor representing hope. When the migrants are at a loss over how they will survive the winter, the grass offers reassurance. The story of the migrants in the intercalary chapters parallels that of the Joads. At the end of the novel, the family is breaking apart and has been forced to flee their home. However, both the book and final intercalary chapter end on a hopeful note after so much suffering has occurred. The grass metaphor strengthens Steinbeck’s message because it offers a tangible example of hope. Through his language Steinbeck’s themes become apparent at the end of the novel. Steinbeck affirms that persistence, even when problems appear insurmountable, leads to success. These metaphors help to strengthen Steinbeck’s themes in The Grapes of Wrath because they provide a more memorable way to recall important messages.

John Steinbeck’s language choices help to intensify his writing in his intercalary chapters and allow him to more clearly show how difficult life for migrants could be. Refraining from using specific names and terms allows Steinbeck to show that many thousands of migrants suffered through the same wrongs. Imitating the style of the Bible strengthens Steinbeck’s characters and connects them to the Bible, perhaps the most famous book in history. When Steinbeck writes in the imperfect dialogue of the migrants, he creates a more accurate portrayal and makes the migrants easier to relate to for a less affluent audience. Metaphors, particularly relating to nature, strengthen the themes in The Grapes of Wrath by enhancing the mood Steinbeck wants readers to feel at different points in the book. Overall, the intercalary chapters that Steinbeck includes improve his novel by making it more memorable and reinforcing the themes Steinbeck embraces throughout the novel. Exemplary stylistic devices further persuade readers of John Steinbeck’s personal beliefs. Steinbeck wrote The Grapes of Wrath to bring to light cruelties against migrants, and by using literary devices effectively, he continuously reminds readers of his purpose. Steinbeck’s impressive language choices in his intercalary chapters advance the entire novel and help to create a classic work of literature that people still are able to relate to today. 

This essay sticks pretty closely to the standard analytical essay outline. It starts with an introduction, where I chose to use a quote to start off the essay. (This became my favorite way to start essays in high school because, if I wasn’t sure what to say, I could outsource the work and find a quote that related to what I’d be writing about.) The quote in this essay doesn’t relate to the themes I’m discussing quite as much as it could, but it’s still a slightly different way to start an essay and can intrigue readers. I then give a bit of background on The Grapes of Wrath and its themes before ending the intro paragraph with my thesis: that Steinbeck used literary devices in intercalary chapters to show how rough migrants had it.

Each of my four body paragraphs is formatted in roughly the same way: an intro sentence that explains what I’ll be discussing, analysis of that main point, and at least two quotes from the book as evidence.

My conclusion restates my thesis, summarizes each of four points I discussed in my body paragraphs, and ends the essay by briefly discussing how Steinbeck’s writing helped introduce a world of readers to the injustices migrants experienced during the dust bowl.

What does this analytical essay example do well? For starters, it contains everything that a strong analytical essay should, and it makes that easy to find. The thesis clearly lays out what the essay will be about, the first sentence of each of the body paragraph introduces the topic it’ll cover, and the conclusion neatly recaps all the main points. Within each of the body paragraphs, there’s analysis along with multiple excerpts from the book in order to add legitimacy to my points.

Additionally, the essay does a good job of taking an in-depth look at the issue introduced in the thesis. Four ways Steinbeck used literary devices are discussed, and for each of the examples are given and analysis is provided so readers can understand why Steinbeck included those devices and how they helped shaped how readers viewed migrants and their plight.

Where could this essay be improved? I believe the weakest body paragraph is the third one, the one that discusses how Steinbeck used plain, grammatically incorrect language to both accurately depict the migrants and make them more relatable to readers. The paragraph tries to touch on both of those reasons and ends up being somewhat unfocused as a result. It would have been better for it to focus on just one of those reasons (likely how it made the migrants more relatable) in order to be clearer and more effective. It’s a good example of how adding more ideas to an essay often doesn’t make it better if they don’t work with the rest of what you’re writing. This essay also could explain the excerpts that are included more and how they relate to the points being made. Sometimes they’re just dropped in the essay with the expectation that the readers will make the connection between the example and the analysis. This is perhaps especially true in the second body paragraph, the one that discusses similarities to Biblical passages. Additional analysis of the quotes would have strengthened it.

Summary: How to Write an Analytical Essay

What is an analytical essay? A critical analytical essay analyzes a topic, often a text or film. The analysis paper uses evidence to support the argument, such as excerpts from the piece of writing. All analytical papers include a thesis, analysis of the topic, and evidence to support that analysis.

When developing an analytical essay outline and writing your essay, follow these five steps:

Reading analytical essay examples can also give you a better sense of how to structure your essay and what to include in it.

What's Next?

Learning about different writing styles in school? There are four main writing styles, and it's important to understand each of them. Learn about them in our guide to writing styles , complete with examples.

Writing a research paper for school but not sure what to write about? Our guide to research paper topics has over 100 topics in ten categories so you can be sure to find the perfect topic for you.

Literary devices can both be used to enhance your writing and communication. Check out this list of 31 literary devices to learn more !

Christine graduated from Michigan State University with degrees in Environmental Biology and Geography and received her Master's from Duke University. In high school she scored in the 99th percentile on the SAT and was named a National Merit Finalist. She has taught English and biology in several countries.

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Reading Skills

Analyzing the text structure of non-fiction texts.

• The Albert Team
• Last Updated On: June 26, 2023

Introduction

Exploring the world of non-fiction is like embarking on an exciting treasure hunt. Each piece of non-fiction literature presents a wealth of knowledge and perspectives to uncover. A crucial tool on this quest? Understanding non-fiction text structure. Grasping this concept can transform your reading experience, providing you a map to navigate the text’s content more efficiently.

What is Text Structure?

Text structure is how an author sets up what they’re writing. Think of it like a builder using a plan to make a house. An author uses a certain structure to share their thoughts in a clear way. This could be telling events in order they happened for a history story, showing a cause and then its effect for a science paper, laying out a problem and then its solution for a persuasive article, or looking at similarities and differences in a critical review.

Authors use these structures to make their text make sense and guide their readers. Knowing the text structure helps readers guess what comes next, understand complex ideas, and connect better with the text. It’s like a hidden support that keeps a text together and gives it its aim and meaning.

Why Should Readers Analyze Text Structure?

Analyzing text structure is like looking under the hood of a car; it shows us how things work and lets us see the hard work that goes into making it. When we look into how a text is structured, we get a chance to understand how the author thinks and how they built their story or argument. This doesn’t just help us understand the text better; it also improves our ability to think critically and relate to others

By spotting patterns, picking out main ideas, and getting the flow of thoughts, readers can feel more connected to the text, making reading more enjoyable. Plus, analyzing text structure helps readers have good conversations, write better essays, and, in a bigger sense, be more critical when they take in information. So, looking at text structure gives readers useful skills that they can use not just in school, but also in their daily life.

Common Text Structures

Understanding non-fiction texts involves recognizing their underlying structure. Let’s explore five of the most common text structures found in non-fiction:

• Cause and Effect
• Problem and Solution
• Description
• Compare and Contrast

Cause and Effect Text Structure

This kind of text shows how one thing leads to another. The cause is why something happened, and the effect is what happened as a result. You might see this in science or history books. These books carefully link an action or event (the cause) with what changed or happened afterward (the effect). Spotting this structure helps you understand the reason behind different events and processes.

Problem- Solution Text Structure

Texts using the problem-solution structure talk about a problem, then suggest ways to solve it. You’ll see this a lot in work about social, political, or environmental problems. These texts discuss a problem and then suggest possible ways to fix it. Knowing this structure lets you think critically about the suggested solutions to different problems

Sequence Text Structure

The sequence structure puts information in a certain order, often the order things happened. This structure is used a lot in history books, biographies, how-to guides, or instructions. It gives readers a step-by-step rundown or timeline of events. Spotting this structure can help you follow the chain of events or steps accurately.

Description Text Structure

Texts with a description structure give lots of information about a topic, often using words that paint a picture for the reader. These texts can be about anything from scientific ideas to historical events. They dive into the details to give readers a full understanding of the subject. Knowing this structure helps you visualize and understand complex ideas.

Compare and Contrast Text Structure

This structure analyzes the similarities and differences between two or more topics. It’s used to provide nuanced perspectives on multiple subjects. Non-fiction authors often use this structure to compare different theories, concepts, events, or entities. Understanding this structure can help you see different perspectives and make informed comparisons.

How to Analyze the Structure of Non-Fiction Texts

Now that you’ve learned about the different types of text structures, it’s important to understand how to determine the structure of a particular text. Analyzing the structure of non-fiction texts involves a few important steps.

Step 1 : Begin with an open mind and read through the text. Try to understand the big picture without focusing too much on little details.

Step 2 : Pay attention to how the author shares information. Are events told in the order they happened? Does the author talk about a problem and then suggest a solution? Or maybe the text gives a lot of information about one subject? Spotting these patterns will help you figure out the text’s structure.

Step 3: Try to think about why the author picked this structure. How does it help get the main ideas and themes across? How does it change how you understand the text as a reader?

Step 4: Link the text structure to the author’s goal or point of view. Ask yourself, “How does this structure support what the author is trying to say or do?”

By following these steps, you’ll get a deeper understanding of the text, which will help you understand what you’re reading and think critically about it. If you do this often, you’ll become a stronger, more analytical reader.

How Text Structure Contributes to the Author’s Purpose

A non-fiction author’s purpose or point of view can shape their text structures. For instance, Martin Luther King Jr.’s “Letter from a Birmingham Jail” is a complex piece of non-fiction writing that integrates various text structures, as it addresses different aspects of the civil rights struggle. King’s purpose is shaped by the use of two primary text structures: problem-solution and cause and effect.

• Problem-Solution: Throughout the letter, King identifies various problems related to racial injustice and segregation. For instance, he discusses the problem of unjust laws and racial discrimination. He then proposes nonviolent resistance and civil disobedience as solutions to these problems.
• Cause and Effect: King also uses the cause and effect structure to demonstrate the relationship between racial discrimination (cause) and the resulting civil unrest and protest (effect). He explains how systemic oppression leads to nonviolent resistance and protests, emphasizing that these actions are the effects of ongoing racial prejudice and inequality.

Understanding the structure of non-fiction texts allows you to appreciate these nuances and gain a more profound insight into the author’s message. Just like each author’s personal background and purpose shape a novel, these factors influence the structure and presentation of non-fiction works, making each one a unique contribution to our collective knowledge.

Text Structure Practice: Analyzing George Bush’s 9/11 Speech

Let’s use what we know about text structures to look at George W. Bush’s speech after the 9/11 attacks.

Read through the speech carefully. While you read, underline or mark important points and transitions.

Think about possible text structures. Think about whether ‘Cause and Effect’ or ‘Chronological’ structures might apply. In ‘Cause and Effect’, we would expect the text to talk about a cause (like the terrorist attacks) and then focus on what happened because of it. In a ‘Chronological’ structure, the speech would mostly be organized by time. However, while there are pieces of these structures, the speech doesn’t mainly follow them.

Confirm the text structure. Based on what you’ve looked at, figure out the main text structure. In this case, the speech’s focus on a problem (the attacks) and the suggested solution (actions for safety and unity) fits the ‘Problem and Solution’ structure.

Spot the ‘Problem’. In Bush’s speech, this is the 9/11 attacks. Pay attention to how he talks about the events and how they’ve affected the country. For example, the quote “Today, our fellow citizens, our way of life, our very freedom came under attack in a series of deliberate and deadly terrorist acts.” identifies the problem.

Look for the ‘Solution’. Bush talks about this when he shares the steps being taken for the country’s safety and his call for unity and strength. A good example of this is in the line: “We go forward to defend freedom and all that is good and just in our world.” This is where Bush is discussing bringing the country together, promoting unity, and encouraging strength.

By following these steps, you can dissect the ‘Problem and Solution’ structure of Bush’s speech. This approach will help you understand the speech’s purpose, see how it was designed to reassure a shocked nation, and grasp how the speaker encouraged unity and resilience in a time of crisis. Applying these steps to other non-fiction texts will enhance your comprehension and analytical skills, revealing deeper layers of understanding.

In this digital age, understanding how to analyze and comprehend non-fiction text structures is a crucial skill for students. By recognizing and understanding structures like Cause and Effect, Problem- Solution, Sequence, Description, and Compare and Contrast, you can unlock a deeper understanding of the texts you encounter.

Whether it’s a novel by a renowned author, an informative article, or a powerful speech like George W. Bush’s 9/11 address, recognizing these structures will empower you to grasp an author’s purpose, viewpoint, and strategy more fully.

Practice Makes Perfect

By analyzing non-fiction texts, you not only develop your reading comprehension skills but also gain a deeper understanding of the underlying ideas and themes. However, just like any skill, effective analysis of text structure requires regular practice.

Here at Albert, we offer engaging and comprehensive resources to help you perfect this skill. Our practice questions and reading exercises are specifically designed to hone your understanding of different non-fiction text structures.

For more practice with this essential skill, check out our Text Structure Practice Questions in our Short Readings course , designed to provide thorough, step-by-step practice. Readers at all ability levels may enjoy our  Leveled Readings  course, which offers Lexile® leveled passages focused on a unifying essential question that keeps all students on the same page regardless of reading level. Learn more about the Lexile Framework  here !

So, keep practicing, keep breaking down texts, and keep working on this important skill. Remember, every new text you read is a chance to get even better at analyzing.

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51 Writing About Creative Non-Fiction: The Literary Comparison Essay

You began the process of writing your literary comparison paper in the Introduction to Creative Nonfiction chapter by choosing an essay, reading it carefully, and writing a personal response. In this chapter, we will move through the remaining steps of writing your paper.

Step 3: Choose a Second Piece for Comparison

The key to a good comparison essay is to choose two subjects that connect in a meaningful way. The purpose of conducting the comparison is not to state the obvious, but rather to illuminate subtle differences or unexpected similarities.

When writing a literary comparison paper, the point is to make an argument that will make your audience think about your topic in a new and interesting way. The best comparison papers come from an analysis of two works similar enough to illuminate each other. For example, perhaps reading one helps you to better understand the other.

To this end, your next goal is to choose a second piece of literature from our text that you think can illuminate the point being made in the essay you’ve chosen. For example, if you’ve chosen “Mother Tongue,” by Amy Tan, you might choose her short story, “Two Kinds” to highlight the two sides of the mother-daughter relationship. If you’ve chosen “Complexion,” by Richard Rodriguez, you might choose Marge Piercy’s poem “To Be of Use” to highlight the authors’ focus on the  importance of hard work. Or, you might want to look at two essays to see how different authors highlight a different aspect of the same topic, like Orwell’s and Didion’s essays both entitled, “Why I Write.”

Step 4: Research

Once you’ve chosen a second piece, it’s time to enter into the academic conversation to see what others are saying about the authors and the pieces you’ve chosen.

Regardless of the focus of your essay, discovering more about the authors of the texts you’ve chosen can add to your understanding of the texts and add depth to your argument. Author pages are located in the Literature Online ProQuest database. Here, you can find information about an author and his/her work, along with a list of recent articles written about the author. This is a wonderful starting point for your research.

The next step is to attempt to locate articles about the texts themselves. For poems and short stories, it’s important to narrow down your database choices to the Literature category. For essays, you might have better luck searching the whole ProQuest library with the ProQuest Research Library Article Databases or databases like Flipster that include publications like newspapers and magazines.

Finally, you might look for articles pertinent to an issue discussed in the essay. For example, “Learning to Fall” is about dealing with a terminal illness. An article about how to help people deal with this issue could be a valuable addition to your argument.

Remember, it is helpful to keep a Research Journal to track your research. Your journal should include, at a minimum, the correct MLA citation of the source, a brief summary of the article, and any quotes that stick out to you. A note about how you think the article adds to your understanding of the topic or might contribute to your project is a good addition, as well.

Step 5: Thesis & Outline

Similar to other academic essays, the literary comparison essay starts with a thesis that clearly introduces the two subjects that are to be compared and the reason for doing so.

Begin by deciding on your basis for comparison. The basis of comparison could include items like a similar theme, the way the authors use literary elements, or the way both pieces represent an important issue.

Once you’ve decided on the basis of comparison, you should focus on the points of comparison between the two pieces. For example, if you are focusing on how the literary elements used impact the message, you might make a table of each of the literary elements. Then, you’d find examples of each element from each piece. Remember, a comparison includes both similarities and differences.

By putting together your basis of comparison and your points of comparison, you’ll have a thesis that both makes an argument and gives readers a map of your essay.

A good thesis should be:

• Statement of Fact: “Both ‘Salvation’ and ‘Falling’ talk about faith.”
• Arguable: “Simmons provides a perspective on faith that would have helped Hughes work through his own dilemma.”
• Personal Opinion: “‘Mother Tongue’ is an amazing essay.”
• Provable by the Text: “Tan uses similar strategies in both ‘Mother Tongue’ and ‘Two Kinds’ to create her message.”
• Obvious: “The daughter in ‘Two Kinds’ has a different view of her mother than Tan’s adult perspective in ‘Mother Tongue.'”
• Surprising: “Like the second half of the musical piece at the end of ‘Two Kinds,’ ‘Mother Tongue’ provides readers with the rest of the story, showing how the author has deepened her understanding of her mother and created a relationship that both honors her own values and the traditions of her mother.”
• General: “Both ‘Ain’t I a Woman’ and ‘If Shakespeare had a Sister’ highlight the plight of women.”
• Specific: “Though written by women of two very different experiences, both Truth and Woolf use similar strategies to convince their audiences that women deserve to be treated equally.”

The organizational structure you choose depends on the nature of the topic, your purpose, and your audience. You may organize compare-and-contrast essays in one of the following two ways:

• Block: Organize topics according to the subjects themselves, discussing one piece and then the other.
• Woven: Organize according to individual points, discussing both pieces point by point.

Exercises: Create a Thesis and Outline

You’ll want to start by identifying the theme of both pieces and deciding how you want to tie them together. Then, you’ll want to think through the points of similarity and difference in the two pieces.

In two columns, write down the points that are similar and those that are different. Make sure to jot down quotes from the two pieces that illustrate these ideas.

Following the tips in this section, create a thesis and outline for your literary comparison paper.

Here’s a sample thesis and outline:

Step 6: Drafting Tips

Once you have a solid thesis and outline, it’s time to start drafting your essay. As in any academic essay, you’ll begin with an introduction. The introduction should include a hook that connects your readers to your topic. Then, you should introduce the topic. In this case, you will want to include the authors and titles of both pieces. Finally, your introduction should include your thesis. Remember, your thesis should be the last sentence of your introduction.

In a literary comparison essay, you may want to follow your introduction with background on both pieces. Assume that your readers have at least heard of the author or the piece, but that they might not have read the essay in awhile. For example, if you were writing about “Learning to Fall,” you might include a brief introduction to Simmons and a short summary of the essay. The background section should be no more than two short paragraphs.

In the body of the paper, you’ll want to focus on supporting your argument. Regardless of the organizational scheme you choose, you’ll want to begin each paragraph with a topic sentence. This should be followed by the use of quotes from your two texts in support of your point. Remember to use the quote formula–always introduce and explain each quote and the relationship to your point! It’s very important that you address both literary pieces equally, balancing your argument. Finally, each paragraph should end with a wrap up sentence that tells readers the significance of the paragraph.

Here are some transition words that are helpful in tying points together:

Finally, your paper will end with a conclusion that brings home your argument and helps readers to understand the importance/significance of your essay.

In this video, an instructor explains step by step how to write an essay comparing two films. Though you will be writing about literature, the same information applies.

Here’s another instructor explaining how to write a comparison essay about two poems. Note the similarities between the two videos.

Here’s a sample paper:

Attributions:

• Content created by Dr. Karen Palmer. Licensed under CC BY NC SA .
• Content adapted from “Comparison and Contrast” from the book Successful Writing licensed CC BY NC SA .

The Worry Free Writer Copyright © 2020 by Dr. Karen Palmer is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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Analytical essay writing can be hard for students because it demands a thorough grasp of a subject and the skill to break it into smaller pieces.

This can lead to stress, lower grades, and a sense of frustration.

No need to fret! MyPerfectWords.com has a solution for you.

In this blog, we'll provide you with excellent analytical examples and easy-to-follow tips for writing outstanding analytical essays.

Are you ready to conquer the analytical essay? Let's dive in!

• 1. Analytical Essay -Definition 
• 2. Analytical Essay Examples
• 3. Analytical Essay Outline Example
• 4. Analytical Essay Topics Examples
• 5. Tips to Write an Effective Analytical Essay

Analytical Essay -Definition 

An analytical essay is a type of academic writing that dives deep into a specific subject, dissecting it into its various components and examining how they interrelate.

It requires the writer to not only present a clear understanding of the topic but also to analyze and evaluate it critically. 

Unlike a descriptive essay , an analytical essay demands a more in-depth exploration, often involving an argument or thesis statement that guides the analysis. 

Analytical Essay Examples

To truly understand the art of analytical essay writing, one of the most effective methods is to examine practical examples. 

Analytical essay examples provide a clear blueprint of how to approach this challenging task successfully.

Take a look at these examples to find inspiration for writing a compelling analytical essay.

Analytical Essay Example (Pdf)

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Short Analytical Essay Example

IHere are some more examples of analytical essays to help you get inspired.

Thesis Statement For An Analytical Essay Example

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Analytical Essay Outline Example

When tackling an analytical essay, having a well-structured outline is your key to success. This outline serves as a roadmap, guiding you through the essay-writing process, ensuring you don't miss vital elements.

Let's break down the essential sections of an analytical essay outline :

Introduction - Setting the Stage

In the introduction , your aim is to set the stage for your analysis. This section should introduce the topic, provide context, and present a clear thesis statement that outlines the main argument or focus of your essay.

Body - Analyzing Key Points

The body paragraphs of your analytical essay are where the real analysis takes place. This section can be divided into multiple paragraphs, each addressing a specific point or aspect related to your thesis. 

Here, you should provide evidence, examples, and critical analysis to support your argument.

Conclusion - Summing It Up

As you reach the essay conclusion , it's time to tie it all together. Summarize your main points, restate your thesis statement, and underscore the importance of your analysis. 

Remember, this is not the place to introduce new background information. Instead, offer a succinct and impactful recap of your discoveries.

Here's a sample outline for your reference to simplify the process.

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Analytical Essay Topics Examples

Choosing the right type of essay topic is a crucial first step when writing an analytical essay. The topic you select should be engaging, relevant, and suitable for in-depth analysis. 

Here are some thought-provoking analytical essay topics to consider:

• The Symbolism of the "Green Light" in F. Scott Fitzgerald's "The Great Gatsby"
• The Impact of Social Media on Mental Health
• Analyzing the Causes and Consequences of Income Inequality
• The Role of Nature in Shakespeare's Sonnets
• Analyzing the Historical Significance of the Industrial Revolution
• The Influence of Technology on Education
• The Psychology of Marketing and Consumer Behavior
• The Impact of Globalization on Cultural Identity
• Analyzing the Ethical Dilemmas in Artificial Intelligence
• The Evolution of Environmental Policies and Their Impact on Conservation

Are you still having trouble coming up with a good analytical essay topic? Check out this blog for more than 150 compelling analytical essay topics .

Tips to Write an Effective Analytical Essay

Writing an effective analytical essay requires a structured approach and attention to detail. Here are some valuable tips to help you craft a compelling analytical essay:

• Focus Your Topic : Select a specific topic or aspect for in-depth analysis rather than a broad subject.
• Research Thoroughly : Gather reliable sources and evidence to support your analysis.
• Create a Well-Structured Outline : Plan your essay with a clear introduction, body, and conclusion.
• Analyze, Don't Summarize : Avoid summarizing the subject; instead, critically evaluate and interpret it.
• Use Clear Topic Sentences : Start each paragraph with a clear topic sentence that relates to your thesis.
• Provide Evidence : Support your analysis with quotes, examples, and data from your research.
• Critical Thinking : Engage in critical thinking to question assumptions and explore alternative perspectives.
• Maintain Clarity : Use clear and concise language to convey your points effectively.

In conclusion, the analytical essay stands as a potent tool for honing your skills and conveying your understanding of complex subjects.

Through this guide, we've explored the essence of analytical essays and the essential steps to compose a compelling piece.

If you are assigned to write an analytical essay, take help from the above-mentioned examples. Another option is to get assistance from a professional analytical essay writer. 

The top  analytical essay writing service  at MyPerfectWords.com can assist you and provide customized written essays and papers for every academic level. We offer the best essay writing service.

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Nova Allison is a Digital Content Strategist with over eight years of experience. Nova has also worked as a technical and scientific writer. She is majorly involved in developing and reviewing online content plans that engage and resonate with audiences. Nova has a passion for writing that engages and informs her readers.

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Keep reading

25 Great Nonfiction Essays You Can Read Online for Free

Alison Doherty

Alison Doherty is a writing teacher and part time assistant professor living in Brooklyn, New York. She has an MFA from The New School in writing for children and teenagers. She loves writing about books on the Internet, listening to audiobooks on the subway, and reading anything with a twisty plot or a happily ever after.

View All posts by Alison Doherty

I love reading books of nonfiction essays and memoirs , but sometimes have a hard time committing to a whole book. This is especially true if I don’t know the author. But reading nonfiction essays online is a quick way to learn which authors you like. Also, reading nonfiction essays can help you learn more about different topics and experiences.

Besides essays on Book Riot,  I love looking for essays on The New Yorker , The Atlantic , The Rumpus , and Electric Literature . But there are great nonfiction essays available for free all over the Internet. From contemporary to classic writers and personal essays to researched ones—here are 25 of my favorite nonfiction essays you can read today.

“Beware of Feminist Lite” by  Chimamanda Ngozi Adichie

The author of We Should All Be Feminists  writes a short essay explaining the danger of believing men and woman are equal only under certain conditions.

“It’s Silly to Be Frightened of Being Dead” by Diana Athill

A 96-year-old woman discusses her shifting attitude towards death from her childhood in the 1920s when death was a taboo subject, to World War 2 until the present day.

“Letter from a Region in my Mind” by James Baldwin

There are many moving and important essays by James Baldwin . This one uses the lens of religion to explore the Black American experience and sexuality. Baldwin describes his move from being a teenage preacher to not believing in god. Then he recounts his meeting with the prominent Nation of Islam member Elijah Muhammad.

“Relations” by Eula Biss

Biss uses the story of a white woman giving birth to a Black baby that was mistakenly implanted during a fertility treatment to explore racial identities and segregation in society as a whole and in her own interracial family.

“Friday Night Lights” by Buzz Bissinger

A comprehensive deep dive into the world of high school football in a small West Texas town.

“The Case for Reparations” by Ta-Nehisi Coates

Coates examines the lingering and continuing affects of slavery on  American society and makes a compelling case for the descendants of slaves being offered reparations from the government.

“Why I Write” by Joan Didion

This is one of the most iconic nonfiction essays about writing. Didion describes the reasons she became a writer, her process, and her journey to doing what she loves professionally.

“Go Gentle Into That Good Night” by Roger Ebert

With knowledge of his own death, the famous film critic ponders questions of mortality while also giving readers a pep talk for how to embrace life fully.

“My Mother’s Tongue” by Zavi Kang Engles

In this personal essay, Engles celebrates the close relationship she had with her mother and laments losing her Korean fluency.

“My Life as an Heiress” by Nora Ephron

As she’s writing an important script, Ephron imagines her life as a newly wealthy woman when she finds out an uncle left her an inheritance. But she doesn’t know exactly what that inheritance is.

“My FatheR Spent 30 Years in Prison. Now He’s Out.” by Ashley C. Ford

Ford describes the experience of getting to know her father after he’s been in prison for almost all of her life. Bridging the distance in their knowledge of technology becomes a significant—and at times humorous—step in rebuilding their relationship.

“Bad Feminist” by Roxane Gay

There’s a reason Gay named her bestselling essay collection after this story. It’s a witty, sharp, and relatable look at what it means to call yourself a feminist.

“The Empathy Exams” by Leslie Jamison

Jamison discusses her job as a medical actor helping to train medical students to improve their empathy and uses this frame to tell the story of one winter in college when she had an abortion and heart surgery.

“What I Learned from a Fitting Room Disaster About Clothes and Life” by Scaachi Koul

One woman describes her history with difficult fitting room experiences culminating in one catastrophe that will change the way she hopes to identify herself through clothes.

“Breasts: the Odd Couple” by Una LaMarche

LaMarche examines her changing feelings about her own differently sized breasts.

“How I Broke, and Botched, the Brandon Teena Story” by Donna Minkowitz

A journalist looks back at her own biased reporting on a news story about the sexual assault and murder of a trans man in 1993. Minkowitz examines how ideas of gender and sexuality have changed since she reported the story, along with how her own lesbian identity influenced her opinions about the crime.

“Politics and the English Language” by George Orwell

In this famous essay, Orwell bemoans how politics have corrupted the English language by making it more vague, confusing, and boring.

“Letting Go” by David Sedaris

The famously funny personal essay author , writes about a distinctly unfunny topic of tobacco addiction and his own journey as a smoker. It is (predictably) hilarious.

“Joy” by Zadie Smith

Smith explores the difference between pleasure and joy by closely examining moments of both, including eating a delicious egg sandwich, taking drugs at a concert, and falling in love.

“Mother Tongue” by Amy Tan

Tan tells the story of how her mother’s way of speaking English as an immigrant from China changed the way people viewed her intelligence.

“Consider the Lobster” by David Foster Wallace

The prolific nonfiction essay and fiction writer  travels to the Maine Lobster Festival to write a piece for Gourmet Magazine. With his signature footnotes, Wallace turns this experience into a deep exploration on what constitutes consciousness.

“I Am Not Pocahontas” by Elissa Washuta

Washuta looks at her own contemporary Native American identity through the lens of stereotypical depictions from 1990s films.

“Once More to the Lake” by E.B. White

E.B. White didn’t just write books like Charlotte’s Web and The Elements of Style . He also was a brilliant essayist. This nature essay explores the theme of fatherhood against the backdrop of a lake within the forests of Maine.

“Pell-Mell” by Tom Wolfe

The inventor of “new journalism” writes about the creation of an American idea by telling the story of Thomas Jefferson snubbing a European Ambassador.

“The Death of the Moth” by Virginia Woolf

In this nonfiction essay, Wolf describes a moth dying on her window pane. She uses the story as a way to ruminate on the lager theme of the meaning of life and death.

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11 Chapter 11 – Sample Student Analytic Essays

Sample Student Analytic Essays

The following two essays were written by sophomore students at St. Peter’s University for their common core Introduction to Fiction class. They represent excellent examples of undergraduate academic essays that advance an analysis of a work of fiction. Take note, in particular, of the clear, sophisticated interpretive arguments driving both, the seamless ways that they integrate their research to move forward their analysis, and the formal, objective academic tone that they maintain throughout. Each essay is formatted in accordance with current Modern Language Association (MLA) formatting standards (though the page breaks in the original essays have been lost due to the way Pressbooks is formatted). If you are to use this style for your own essays, you can also use these essays as models for how your headings, title, parenthetical citations, and works cited page should be set up.

Ace Bautista

Dr. Walonen

25 March 2022

How Baldwin’s “Sonny’s Blues” Deals with Suffering as a Creative Force

       There are few pieces of literature that capture one’s inner conflict with taboo subjects such as drug addiction while still reaffirming the person’s humanity. Be that as it may, James Baldwin navigated the subject in his short story “Sonny’s Blues” with grace, compounding the narrative with artistic expression. Even though decades later, the “War on Drugs” in America would demonize drug users, Baldwin’s efforts to retain the character’s dignity as a human being showed understanding of social problems as a universal human experience, transcending drug literature as only being a counterculture. Therefore, James Baldwin in “Sonny’s Blues” dramatizes empathy as the figurative bridge between not only two brothers, but also between a person’s suffering and their redemption, by emphasizing forgiveness and compassion as instrumental in the narrative’s resolution.

The most telling aspect of this exploration of redemptive suffering was Baldwin’s usage of motifs and symbols representing Sonny’s struggle. The juxtaposition of light and darkness shows up throughout the story and is demonstrated by the objects, people, and environments surrounding Sonny. When the narrator of “Sonny’s Blues” recounted a flashback from childhood, the readers looked at a child “filled with darkness” after the elders had talked about “​​where they’ve come from, and what they’ve seen, and what’s happened to them and their kinfolk” (Baldwin 58). It was important to contextualize the “darkness” or the pain and trauma that the child–who could have been the narrator, Sonny, or any anonymous child at the time–was experiencing as one that his family has gone through before. Continuing with the scene, the next sentence states that “everytime this happens he is moved just a little closer to that darkness outside. The darkness outside is what the old folks have been talking about” (Baldwin 58). This passage then is a commentary about the inevitability of suffering and the darkness stemming from generational trauma, especially for the narrator and Sonny who, throughout the story, could not seem to grow out of that deep, dark place that Harlem had thrown them and their family into. Sonny, the more musically-inclined and bohemian of the brothers, felt this just as strongly as the narrator had, and especially considering that, as Clark says, “Sonny is a person who finds his life a living hell, but he knows enough to strive for the ‘light.’ …  his quest is for regaining something from the past – from his own childhood and from the pasts of all who have come before him” (203). Sonny’s attempts from trying to escape the neighborhood and his past have led to him confiding to the narrator: “I feel like a man who’s been trying to climb up out of some deep, real deep and funky hole and just saw the sun up there, outside. I got to get outside” (Baldwin 55). He is aware of the darkness chasing him; in fact, by sinking into addiction, getting arrested for drug use, and figuratively being dunked into an ice-cold bath of reality’s suffering, Sonny had festered in that darkness for a long while. Even then, he still wanted to try and overcome that darkness, that pain and suffering, by going “outside” towards the “sun.” Darkness was Baldwin’s manifestation of the suffering in the narrative, which the characters struggled against in order to find their inner peace.

Music, then, was the “light” to Sonny’s suffering as the one thing that made life all the more bearable for him and helped him be understood. Throughout the story, music has been described as having light imagery and was all the more important in the climax of the narrative: When the narrator watched Sonny and Creole start playing, the narrator “realizes that this music is important, [that] music is central to the experience of the black experience,” all while he was seated in his dark corner (Clark 204). Later in this scene, the playing of jazz at the club functioned as a “space in which to develop such a conversation, …  the unspoken but manifest shared knowledge of the ‘deep water’ of life, of heroin, and of music,” and in this, “Sonny can venture into it and return… [reconciling] his need to be in the world and his tendency to, as he puts it ‘shake to pieces’” (Kowalska 3). Again, the music represents a turning point for the narrator and Sonny to understand each other. All this time, Sonny was looking for a way to cope with life’s troubles, whether it be heroin or music, which was the point that the narrator never quite comprehended before this point. However, the narrator, now that he was forced to process his suffering after his daughter’s death, could clearly see the way that Sonny expresses his grief and the grief of generations before him by leaning into the blues. It was then that the narrator understood why Sonny fought so hard to keep on practicing his craft, that it was Sonny’s way to “make sense of not just his own suffering and joy but of these emotional experiences on a universal human level” (Kowalska 3). Thus, music was the way that Sonny redeemed himself, and for the narrator and Sonny to finally see each other as the same person, fundamentally.

From a narrative standpoint, one can say that Sonny’s tale of struggle and redemption emulates a hero’s journey and, more importantly, the fight against his inner demons. That is to say, Sonny is “a young man who tries to escape from the terrors of his life by creating music. For Sonny, music becomes a haven from the world of violence and drugs that lies outside his Harlem apartment, and it is a passion he tries to share with those whom he loves” (Jones 469). Sonny is the prodigal son–designated not by himself but by the world–and is separated from his home because he cannot reconcile with the pain just yet. This was partly due to the narrator and his family lacking the empathy that Sonny sought, which, coupled with his addiction, impeded him from his revelation through music. However, Sonny comes home and invites the narrator to listen to him play at the club, serving as the culmination of Sonny’s journey and is “crucial to the construction of the artist as a hero, … Finding the courage to listen to his own pain, particularly after avoiding it, is the ultimate achievement of Baldwin’s artist-hero” (Jones 470). It is interesting to note that Baldwin used the character of an artist to show that artistic integrity was key to Sonny changing his destiny, as this artistic integrity allowed even the narrator to feel Sonny’s pain and to seek peace. The drink that the narrator orders Sonny is characteristic of this change of heart, in which “the drink, symbolizing love and understanding between the brothers, is a celebration of the older brother’s recognition of Sonny as an artist” (Jones 474). To see Sonny change to finally embrace his music as his own and to “come home” like Odysseus from his journey is pivotal from the narrator’s view, who was only privy to his narrow machinations of black and white. Therefore, by mutual understanding, Baldwin puts forward the idea that a hero can be one who emerges from the gray.

All in all, with “Sonny’s Blues,” Baldwin maintains the idea that the darkness associated with drugs and corruption can finally be shunned away by the light of a man who has rekindled his art and is understood fundamentally by those closest to him. The narrative, as a result, moves past being drug literature. “Sonny’s Blues” is also a story about the estrangement of a man from his home and family; in losing his identity, he has lost his home, drifting wherever he can go to escape the suffering. The suffering still lingered of course, but through careful writing, Baldwin eventually led Sonny to find that home was still achievable. How was this possible? Sonny saw that home was where comfort and peace were, where grief and suffering were, where compassion and love were. Hence, Sonny’s story demonstrates that home can be found once again by means of empathy and understanding – by finding where one belongs.

Works Cited

Baldwin, James. “Sonny’s Blues.” An Introduction to Fiction , edited by Kennedy and Gioia, 11th edition, Longman,                 2009, pp. 51-73.

Clark, Michael. “JAMES BALDWIN’S ‘SONNY’S BLUES’: CHILDHOOD, LIGHT AND ART.” CLA Journal , vol. 29, no. 2,                 College Language Association, 1985, pp. 197–205, http://www.jstor.org/stable/44322387.

Jones, Jacqueline C. “FINDING A WAY TO LISTEN: THE EMERGENCE OF THE HERO AS AN ARTIST IN JAMES                          BALDWIN’S ‘SONNY’S BLUES.’” CLA Journal , vol. 42, no. 4, College Language Association, 1999, pp. 462–82,                    http://www.jstor.org/stable/44323260.

Kowalska, Eva. “Troubled reading: ‘Sonny’s blues’ and empathy.” Literator , vol. 36, no. 1, 2015, pp. 1-6 . ProQuest ,                     http://library.saintpeters.edu/login?url=https://www.proquest.com/scholarly-journals/troubled-reading-sonnys-             blues-empathy/docview/1707035853/se-2.

Ada I Andrade

May 5, 2023

The Story of an Hour: Analysis of the Thematics of Gender

       Kate Chopin’s 1894 short story, The Story of an Hour has become one of the most  critically acclaimed short stories of her time and remains so to this day. The story follows  Mrs. Louise Mallard, who suffers from a “weak heart,” as she is informed that her husband  Mr. Brently Mallard has died in a train accident. Mrs. Mallard is overtaken by grief and retires upstairs to her room. Here her health takes a turn for the better as she encounters for  the first time the possibility of living for herself. There is a sudden surge of energy within her as the result of this newfound freedom despite the unfortunate death of her husband, and later  joins her sister and family friend Richards downstairs. At that moment, her husband walks in, alive and hale. Mrs. Mallard heart fails her, and she dies, of the “joy that kills”. This 19th century short story is among Chopin’s most notable work, where she emphasizes the female  perspective and themes of freedom and confinement. Chopin, in The Story of an Hour  utilized Mrs. Mallard’s awakening and repressed emotions to critique the encroachment of  women’s freedom and identity that is perpetuated and justified by social conventions.

The setting of the story is vague, with details such as the telegram and railroads being mentioned, cluing in that the story takes place in the latter half of the 19th century. The unclear setting of both time and place serves to establish the possibility that the circumstances of the story could happen anywhere to any wife. Which leads to the question, what could be so powerful or so prevalent that it can exist through any space, time or medium? The story hints that such powerful and prevalent force is societal conventions. Western society in the 19th century “mandated the complete dependence of wives on husbands”, which some could take to

be a more socially accepted “form of slavery” (Basch 349,355). Societal conventions are  taught and learnt and while they are not concrete law, they influence the governing  institutions. These institutions were fueled by the male-centric idea that women were in fact the weaker sex, incapable of survival without a male figure. Therefore when Mrs. Mallard  hears of the news of her husband’s death there is a realization that she has a newfound  freedom that she never had before.

Women in this society tend to have limited roles, they are confined to the domestic  roles of daughter, wife, and mother. The very fact that Louise Mallard had never even  thought that such freedom was possible in her life is demonstrated when she “She breathed a  quick prayer that life might be long. It was only yesterday she had thought with a shudder  that life might be long” and when she expressed that now that her husband has died “There  would be no powerful will bending hers in that blind persistence with which men and women  believe they have a right to impose a private will upon a fellow-creature” (Chopin 583). This “powerful will” that others impose can be attributed to societal conventions which weaken  the individual and in fact prevent any sort of genuine interaction. Societal conventions and  expectations are akin to following a script for a play, every situation has a rule and expected  outcome and any deviation from that is frowned upon. It could also be argued that if every situation and role in society is defined, especially for women, then no real individual exists if  their will and freedom is being imposed on by empty conventions.

Yet it is not only in private that Mrs. Mallards free will and individuality is  encroached by the reach of society: “so insistent is this artificial life of empty conventions for  Mrs. Mallard that it tries to assert itself even after its barriers are broken, as she sits in her  room and begins to comprehend the freedom that awaits her as a widow: ‘She was beginning  to recognize this thing that was approaching to possess her, and she was striving to beat it  back with her will’ ”(Jamil 216). Here it is posited that despite relishing her newfound

freedom, her first instinct is to subdue it, due to the ingrained societal conventions that have  been taught to her and are prevalent in her surrounding society and company. In her own  home by herself she is not able to be free of these expectations, there is no relief or space for  her individuality to express itself or bloom since it has been stifled for so long that it has impaired.

Societal conventions seemed to have the final say on all types of roles and institutions in western society, and the institution of marriage is no exception, and it is particularly  highlighted in the short story. Mrs. Mallard, in speaking about her alleged late husband expressed that “she had loved him-sometimes. Often she had not. What did it matter! Why could love, the unsolved mystery, count for in this possession of self-assertion which she  suddenly recognized as the strongest pulse of her being” (Chopin 583). Here Mrs. Mallard,  despite having some affection for her husband, cannot find that her grief or love for him in  any way or form can match the new surge of free will and autonomy that his death has  produced. It might seem puzzling at first as to why Mrs. Mallard feels what she feels at the  end of her marriage and beginning of widowhood, but it is “because her husband, the source  of her suppressed and repressed emotions, suddenly seems to have disappeared, her bottled  emotions gush out to taste freedom just as the world of nature (“the sounds, the scents, the  color that that fills the air”) breaks out spontaneously” (Jamil, 218). There is no indication  given that Mr. Mallard was a despicable man or that their marriage was a disaster; in fact, he  was described as quite pleasant. Yet it is not Mr. Mallard that is the issue here but rather what  he represents . Mr. Mallard represents a male-centric society, where the man is the provider  and a woman’s worth was almost exclusively tied to the central male figure in her life usually  a father or husband.

In this point in time women; whether poor or wealthy, were still relegated to these  domestic positions in society and so Mr. Mallard; despite being a loving husband, was

complicit in the institution that suppresses the will and identity of women. At the time,  women were under “coverture,” where both husband and wife were one person legally.  “Thus, all women’s rights were essentially swallowed by their husbands” (Maddock). Society  and the government had this idea that marriage and motherhood was the ultimate happiness  and satisfaction a woman could achieve, that it was enough to cover all their needs and wants.  Yet Mrs. Mallard herself feels hollow and unfulfilled, love was not enough to fill, marriage  was seen as two halves’ becoming one, when it is two individuals choosing to walk side by  side. And so, in an unfulfilled marriage, she is trapped in an unstimulating environment that  deprives her of any individuality and growth.

With the death of Mr. Mallard, Mrs. Mallard has a spiritual awakening or rebirth, that for that moment in time frees her from the societal obligations that come with being a woman. Until now Mrs. Mallard, like many women of her seems to have only been defined by the status of  daughter and wife and eventually mother. These are the only roles that society has deemed fit  for women as caretakers and wards, not individuals. The status of daughter, wife and mother  all have a connotation of dependency on others, particularly men. Leaving women with the  impression that their life is only of value if they are attached to a male figure. As a daughter  she is attached to her father, as a wife to her husband and a mother to her children, effectively  being in a position of servitude from birth to death. It appears that

Mrs. Mallard seems to realize it’s impossible for her to keep both her spirit and body free in the traditional society. After the sudden death, Mrs. Mallard gains the eternal spiritual freedom, melting into the universe. To some extent, she is not tragic and has taken fate in her own hands, making the supreme mastery over her destiny. From this point of view, maybe the doctor’s diagnosis is right that Mrs. Mallard did die of joy, but the delight is not from the good news that her husband is still alive, but from the death in which she acquires an immortal freedom. (Wan 169)

Chopin decides to end the story with Mrs. Mallard dying after seeing her husband alive. The  ironic ending serves to demonstrate that in society, women’s individuality is treated as a cruel  joke, with no way out save death. With Mrs. Mallard’s death, she becomes a tragic martyr  representing all those women confined by the institution of the patriarchy.

There are three deaths within the story. First the alleged death of Mr. Mallard,  followed quickly by the death of Mrs. Mallards’ passiveness, and then finally the death of  Mrs. Mallard. Her death was the most impactful of all, as it sends a clear message that patriarchy will prevail if they continue suppress the free will and identity of women, because despite the end of Mrs. Mallard’s passiveness, it was not enough to heal years of smothering  that rendered her heart weak. Yet despite how short-lived Mrs. Mallard’s true self and autonomous life was, it is still valid and beautiful, as the saying goes “nothing gold can stay,”  but for that moment she rebelled against her patriarchal society. In two ways the irony in her  death proves to be symbolic. She in the public sphere among her family and friends dies as devoted wife of the “joy that kills” seeing her husband alive and well, which immortalizes her  in the patriarchy like a saint. But in private, she is more of an unexpected martyr for a  freedom that she; for a few moments, could feel. Mrs. Mallard represents the common  woman who is confined in every which way by a society that has rendered her inferior to  men.

It is not until the death of her husband that Mrs. Mallard can comprehend that there is  a future that belong to her, prior to this she was in a passive state, aimlessly living with no  real sense of autonomy or self. The death of Mr. Mallard forces Mrs. Mallard to awaken her  as an individual at first unconsciously and then with comprehension. Mrs. Mallard is “roused  from her passivity by an uncontrollable flood of emotion. This “storm” that “haunt[s] her  body and seem[s] to reach into her soul” (193) ultimately purges her of the sufferance of a  meaningless life, as it becomes the impetus for the revelation that leads to her new freedom”

(Jamil, 216). This awakening was unconscious at first, as if her own body and soul realized  her freedom before she did. If this is so, then it must have also been aware that her free will and identity was being suppressed before Mrs. Mallard was consciously aware of the fact and  in “purging her repressed emotions, she awakens to all the individual elements of her natural  environment…Because her emotions are no longer bottled… they teach her of the particular  combination of attributes within her soul that make her a unique individual. Clearly, her new  emotional freedom leads to the awakening of her mind” (Jamil, 217). This awakening of her  mind serves to awaken the real Mrs. Mallard, the one that does not have to answer to anyone  but herself, who is autonomous and independent.

If the previous repression of emotions and free will was not conscious, then what can  it be attributed to? Mrs. Mallard had lived in the same house and must have been in the same  room countless times before and heard all the sounds outside her window repeatedly, yet why  until now did she not have such an emotive response? At some point, the oppression from  society longer needs to have a heavy hand and the individual submits to the exhaustion. And  so, it is societal conventions and norms that suppress and subdue the individual, particularly  women but it is the emotions and sentiments that reawaken the individual with clarity.

Considering all of this, Chopin used Mrs. Mallard’s moment of anguish and liberation to critique society’s oppression of women’s free will and identity. Mrs. Mallard’s passive  nature is overtaken by her emotional and mental awakening at the death of her husband who  symbolizes the patriarchy and societal conventions that do not allow women to be individuals. Effectively utilizing Mrs. Mallard as a martyr to emphasize the oppressed nature of the 19th-century woman. Ultimately leaving a testament that society and its institutions act against the interest of women.

Basch, Norma. ‘Invisible Women: The Legal Fiction of Marital Unity in Nineteenth Century America.’ Domestic                        Relations and Law, DE GRUYTER SAUR, 1992, pp.  132–152, https://doi.org10.1515/978

Chopin, Kate. The Norton Introduction to Literature. Edited by Kelly J. Mays and W. W. Norton,  2022, pp. c582–584.

Jamil, S. Selina. “Emotions in the Story of an Hour.” The Explicator 67.3 (2009): 215-220.

Maddock, Nicole. “Feminism in the 19th Century.” Study.com , https://study.com/learn/lesson/feminism 19th-century-          womens-rights-roles-limitations.html.

Wan, Xuemei. “Kate Chopin’s View on Death and Freedom in” The Story of an  Hour”.” English Language Teaching 2.4          (2009): 167-170.3110968941.132.

An Introduction to the Analysis of Fiction Copyright © 2023 by Michael K. Walonen is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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Writing About Non-Fiction Books

TIP Sheet WRITING ABOUT NON-FICTION BOOKS

At some point in your college career you may be asked to review a non-fiction book to enable you to learn more about some aspect of your course work. The assignment is demanding because you are required to describe and evaluate an author's contribution to a subject that you may know little about. How should you proceed?

Your instructor will usually offer some guidance, such as a suggested list of books or some guidelines to follow in selecting a work. Generally, you should try to find a relatively recent work of about 200-350 pages on some aspect of the course that particularly interests you.

Describe and evaluate You are expected to describe the book, that is, to summarize some major points of interest, and to evaluate it, that is, to make judgments about it. The areas to address include the following:

Description

• Information about the author
• Background information about the book
• Author's purpose-to inform? Entertain? Persuade?
• Author's thesis
• Organization
• Other reviews
• Scholarship
• Strengths and weaknesses

Later you may decide to omit some of these points. Their order may be changed, with more important or striking matters appearing first. Usually the descriptive section appears first in non-fiction reviews, especially in scholarly journals. All these organizational decisions are subjective and can be revised as needed.

While reading the book, take notes of the passages and their page numbers that relate to how you can describe and evaluate the work. In particular, be on the lookout for thesis statements, chapter summaries, striking quotations, discussions of methodology, conclusions, and author's recommendations. If you question whether or not to take a particular note, remember that it would be wiser to err on the side of having too many, rather than too few. You can always eliminate notes that appear unnecessary.

Points of description Information about the author may appear on the book jacket or may be obtained or inferred from what is written in the preface. In order to determine to what extent the author is an authority on the subject, you should do some library research into the author's present position, background, experience, and qualifications. Biographical sources such as the Biography Center in the GaleNet database will help you find this information. It need not be much, perhaps just a sentence; at most, it might consist of a short paragraph.

Background information about a book consists of the historical, sociological, economic, scientific or other circumstances that may have influenced or contributed to its publication. This information may have some bearing on the book's importance or interest.

Often the author's purpose –to amuse, inform, persuade-will be apparent from the preface or introduction.

The thesis or central idea of the book will probably be stated in the introduction or the conclusion. To gain an overview of the book that will help you realize its purpose and main ideas, read the preface and the introductory and concluding chapters first.

The organization of non-fiction depends partly on what kind of non-fiction it is-philosophy? Biology?–and partly on the author's purpose. History, for example, might be organized either chronologically or around central issues. Or, if the author's purpose is to challenge a widely-held position, he may choose to refute ideas point-by-point. Look at the table of contents and, as you read, refer back to it.

Because so much depends on your audience, the summary may be one of the most difficult parts of the review to write. Are you writing only for your instructor who has probably already read, or is familiar with, the book? Are you writing for your classmates who have not read it? Or are you writing for other people who are not in the course and are therefore unfamiliar with the subject? Your instructor can tell you what audience the paper should address. Then you will be able to judge how thorough your summary should be and whether or not terms should be defined and points explained in detail.

Points of evaluation At the same time that you gather information to describe the work, you should be thinking about your evaluation of it. Read a few other reviews of this book to inform your own opinion–what points did other reviewers address? Were professional reviewers unanimous in their evaluations, or did their opinions differ? Of course, any ideas or quotations obtained from these reviews should be attributed to their owners in your paper. To consult published reviews of the book, ask the reference librarian to help you find an appropriate index, or check an online database. Following is a partial list of the databases available to Butte College students:

• Proquest Direct–for general disciplines including health, humanities, sciences, social sciences, arts, business, education, women's and multicultural issues.
• SIRS Researcher–for topics including science, history, politics, and global issues.
• Wilson Web–for biographies, obituaries, science, education, current events, and social science.
• GaleNet–for biographies, authors, history, science, and literature.
• Health Reference Center–for topics in health, medicine, and nursing.

Some online databases offer full text articles; others offer abstracts (summaries) and information on how to find the full text in other publications; you can quickly scan abstracts to determine which articles are most likely to be useful to you. Advanced search features allow you to search using Boolean operators (and, or, not) for either full texts or abstracts. You can also narrow your search to scholarly journals for better search results. (From the Butte College home page, http://www.butte.edu, use the library links-search For Articles and select a database from the alphabetical list.)

The print-version Reader's Guide to Periodical Literature (in the Butte College Library, 1959 to the present) may also be helpful. This index also summarizes and tells you where to find the texts. The names and dates of the publications in which they appear are listed, and you should be able to refer to your selected reviews with little effort. The different indexes are usually organized by year, but keep in mind that a work published late in the year might not be reviewed until the following year.

You may find it difficult to judge the scholarship of a work or an author's expertise because of your limited understanding of the subject. But it does not require highly specialized knowledge to note what sources the author uses (look for the notes or bibliography sections), how much and what kind of evidence he provides, or how he analyzes data and justifies his conclusions. Read carefully to identify omissions, discernible bias, or unsupported generalizations. For example, someone reviewing a work entitled War in the Falklands would have little difficulty pointing out that this account of the 1982 war between Britain and Argentina is pro-British, containing little information about the Argentine politicians, participants, and purposes.

When considering a book's strengths and weaknesses , discuss the following points:

• The tone and style of the writing
• The importance of the book in its field
• The value of the book for its intended audience
• The effectiveness of the author's argument
• The soundness of the author's conclusions
• The practicality of the author's recommendations.

Your discussion the book's strengths and weaknesses may overlap with your discussion of scholarship. Plan to sort this out when revising your review so that your paper concludes with your general reaction. If your overall evaluation is favorable, admit the book's few weaknesses first and conclude with its many strong areas. If unfavorable, name the book's strengths first and conclude with its numerous weaknesses.

Mention any particularly interesting or memorable points or passages, and support your opinions with references to the book, but use quotations sparingly.

In your evaluation, you might reflect on how the book relates to your course. Consider what issues, ideas, or institutions the author criticizes or defends. Note the methodology and evaluate how it shapes or restricts the topic. Also, evaluate how well the author has added to your knowledge and understanding of the subject, particularly how it supplements the ideas in the textbook and the views of your instructor.

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Nonfiction Essay

While escaping in an imaginary world sounds very tempting, it is also necessary for an individual to discover more about the events in the real world and real-life stories of various people. The articles you read in newspapers and magazines are some examples of nonfiction texts. Learn more about fact-driven information and hone your essay writing skills while composing a nonfiction essay.

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What Is a Nonfiction Essay?

Nonfiction essay refers to compositions based on real-life situations and events. In addition, it also includes essays based on one’s opinion and perception. There are different purposes for writing this type of essay. Various purposes use different approaches and even sometimes follow varying formats. Educational and informative essays are some examples of a nonfiction composition. 

How to Compose a Compelling Nonfiction Essay

When you talk about creative writing, it is not all about creating fictional stories. It also involves providing a thought-provoking narrative and description of a particular subject. The quality of writing always depends on how the writers present their topic. That said, keep your readers engaged by writing an impressive nonfiction paper.

1. Know Your Purpose

Before you start your essay, you should first determine the message you want to deliver to your readers. In addition, you should also consider what emotions you want to bring out from them. List your objectives beforehand. Goal-setting will provide you an idea of the direction you should take, as well as the style you should employ in writing about your topic on your essay paper.

2. Devise an Outline

Now that you have a target to aim for, it is time to decide on the ideas you want to discuss in each paragraph. To do this, you can utilize a blank outline template. Also, prepare an essay plan detailing the structure and the flow of the message of your essay. Ensure to keep your ideas relevant and timely.

3. Generate Your Thesis Statement

One of the most crucial parts of your introduction is your thesis statement . This sentence will give the readers an overview of what to expect from the whole document. Aside from that, this statement will also present the main idea of the essay content. Remember to keep it brief and concise.

4. Use the Appropriate Language

Depending on the results of your assessment in the first step, you should tailor your language accordingly. If you want to describe something, use descriptive language. If you aim to persuade your readers, you should ascertain to use persuasive words. This step is essential to remember for the writers because it has a considerable impact on achieving your goals.

What are the various types of nonfiction articles?

In creatively writing nonfiction essays, you can choose from various types. Depending on your topic, you can write a persuasive essay , narrative essay, biographies, and even memoirs. In addition, you can also find nonfiction essay writing in academic texts, instruction manuals, and even academic reports . Even if most novels are fiction stories, there are also several nonfictions in this genre.

Why is writing nonfiction essays necessary?

Schools and universities use nonfiction essays as an instrument to train and enhance their students’ skills in writing. The reason for this is it will help them learn how to structure paragraphs and also learn various skills. In addition, this academic essay can also be a tool for the teachers to analyze how the minds of their students digest situations.

How can I write about a nonfiction topic?

A helpful tip before crafting a nonfiction essay is to explore several kinds of this type of writing. Choose the approach and the topic where you are knowledgeable. Now that you have your lesson topic, the next step is to perform intensive research. The important part is to choose a style on how to craft your story.

Each of us also has a story to tell. People incorporate nonfiction writing into their everyday lives. Your daily journal or the letters you send your friends all belong under this category of composition. Writing nonfiction essays are a crucial outlet for people to express their emotions and personal beliefs. We all have opinions on different events. Practice writing nonfiction articles and persuade, entertain, and influence other people. 

Nonfiction Essay Generator

Text prompt

• Instructive
• Professional

Write about the influence of technology on society in your Nonfiction Essay.

Discuss the importance of environmental conservation in your Nonfiction Essay.