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How to Write a Book Review: The Complete Guide

by Sue Weems | 23 comments

If you've ever loved (or hated) a book, you may have been tempted to review it. Here's a complete guide to how to write a book review, so you can share your literary adventures with other readers more often! 

You finally reach the last page of a book that kept you up all night and close it with the afterglow of satisfaction and a tinge of regret that it’s over. If you enjoyed the book enough to stay up reading it way past your bedtime, consider writing a review. It is one of the best gifts you can give an author.

Regardless of how much you know about how to write a book review, the author will appreciate hearing how their words touched you.

But as you face the five shaded stars and empty box, a blank mind strikes. What do I say? I mean, is this a book really deserving of five stars? How did it compare to Dostoevsky or Angelou or Dickens?

Maybe there’s an easier way to write a book review.

Want to learn how to write a book from start to finish? Check out How to Write a Book: The Complete Guide .

The Fallacy of Book Reviews

Once you’ve decided to give a review, you are faced with the task of deciding how many stars to give a book.

When I first started writing book reviews, I made the mistake of trying to compare a book to ALL BOOKS OF ALL TIME. (Sorry for the all caps, but that’s how it felt, like a James Earl Jones voice was asking me where to put this book in the queue of all books.)

Other readers find themselves comparing new titles to their favorite books. It's a natural comparison. But is it fair?

This is honestly why I didn’t give reviews of books for a long time. How can I compare a modern romance or historical fiction war novel with Dostoevsky? I can’t, and I shouldn’t.

I realized my mistake one day as I was watching (of all things) a dog show. In the final round, they trotted out dogs of all shapes, colors, and sizes. I thought, “How can a Yorkshire Terrier compete with a Basset Hound?” As if he'd read my mind, the announcer explained that each is judged by the standards for its breed.

This was my “Aha!” moment. I have to take a book on its own terms. The question is not, “How does this book compare to all books I’ve read?” but “How well did this book deliver what it promised for the intended audience?”

A review is going to reflect my personal experience with the book, but I can help potential readers by taking a minute to consider what the author intended. Let me explain what I mean. 

How to Write a Book Review: Consider a Book’s Promise

A book makes a promise with its cover, blurb, and first pages. It begins to set expectations the minute a reader views the thumbnail or cover. Those things indicate the genre, tone, and likely the major themes.

If a book cover includes a lip-locked couple in flowing linen on a beach, and I open to the first page to read about a pimpled vampire in a trench coat speaking like Mr. Knightly about his plan for revenge on the entire human race, there’s been a breach of contract before I even get to page two. These are the books we put down immediately (unless a mixed-message beachy cover combined with an Austen vampire story is your thing).

But what if the cover, blurb, and first pages are cohesive and perk our interest enough to keep reading? Then we have to think about what the book has promised us, which revolves around one key idea: What is the core story question and how well is it resolved?

Sometimes genre expectations help us answer this question: a romance will end with a couple who finds their way, a murder mystery ends with a solved case, a thriller’s protagonist beats the clock and saves the country or planet.

The stories we love most do those expected things in a fresh or surprising way with characters we root for from the first page. Even (and especially!) when a book doesn’t fit neatly in a genre category, we need to consider what the book promises on those first pages and decide how well it succeeds on the terms it sets for itself.

When I Don’t Know What to Write

About a month ago, I realized I was overthinking how to write a book review. Here at the Write Practice we have a longstanding tradition of giving critiques using the Oreo method : point out something that was a strength, then something we wondered about or that confused us, followed by another positive.

We can use this same structure to write a simple review when we finish books. Consider this book review format: 

[Book Title] by [book author] is about ___[plot summary in a sentence—no spoilers!]___. I chose this book based on ________. I really enjoyed ________. I wondered how ___________. Anyone who likes ____ will love this book.

Following this basic template can help you write an honest review about most any book, and it will give the author or publisher good information about what worked (and possibly what didn’t). You might write about the characters, the conflict, the setting, or anything else that captured you and kept you reading.

As an added bonus, you will be a stronger reader when you are able to express why you enjoyed parts of a book (just like when you critique!). After you complete a few, you’ll find it gets easier, and you won’t need the template anymore.

What if I Didn’t Like It?

Like professional book reviewers, you will have to make the call about when to leave a negative review. If I can’t give a book at least three stars, I usually don’t review it. Why? If I don’t like a book after a couple chapters, I put it down. I don’t review anything that I haven’t read the entire book.

Also, it may be that I’m not the target audience. The book might be well-written and well-reviewed with a great cover, and it just doesn’t capture me. Or maybe it's a book that just isn't hitting me right now for reasons that have nothing to do with the book and everything to do with my own reading life and needs. Every book is not meant for every reader.

If a book kept me reading all the way to the end and I didn’t like the ending? I would probably still review it, since there had to be enough good things going on to keep me reading to the end. I might mention in my review that the ending was less satisfying than I hoped, but I would still end with a positive.

How to Write a Book Review: Your Turn

As writers, we know how difficult it is to put down the words day after day. We are typically voracious readers. Let’s send some love back out to our fellow writers this week and review the most recent title we enjoyed.

What was the last book you read or reviewed? Do you ever find it hard to review a book? Share in the comments .

Now it's your turn. Think of the last book you read. Then, take fifteen minutes to write a review of it based on the template above. When you're done, share your review in the Pro Practice Workshop . For bonus points, post it on the book's page on Amazon and Goodreads, too!

Don't forget to leave feedback for your fellow writers! What new reads will you discover in the comments?

Sue Weems is a writer, teacher, and traveler with an advanced degree in (mostly fictional) revenge. When she’s not rationalizing her love for parentheses (and dramatic asides), she follows a sailor around the globe with their four children, two dogs, and an impossibly tall stack of books to read. You can read more of her writing tips on her website .

23 Comments

The Ice Dragon by George R.R. Martin is about a girl that shows no emotion befriending a ice dragon.

I chose this book based on the cover that had a little girl riding a ice dragon, and wondered what is about.

I really enjoyed the interaction the little girl had with the dragon.

I wondered how how the girl’s bond with the dragon.

Anyone who likes a coming of age story set in a fantasy will love this book.

Thanks for sharing your practice, Azure!

You’re welcome.

A interesting, at times perplexing, subject! And one on my mind lately,as I’ve agreed to do a few. I do enjoy giving reviews and am delighted when I can say, “This was a great book!” Or even, “I enjoyed this book.” It gets perplexing when I agree to review a book — and simply don’t like it. Then what to say? I hate to disappoint the writer but I’ve promised to give my honest opinion.

I’ve found some books mediocre and yet I see a dozen other reviewers saying “A great story!” Tastes do vary. But when there are obvious flaws I tend to skip all the best-friend-and-cousin reviewers and find the first person who says, “This writer has a problem with…” Usually there’ll be a number of reviewers who spot the same problems I do.

I like upbeat main characters, but not aggressive, belligerent, and/or self-centered ones. I like to meet in a story the kind of people I’d like to meet in real life— not people I’d avoid if possible. I recently read a book where the main character came across as insipid and the story only mildly interesting. Other reviewers said it was great and I know for this specific audience — readers who want a certain slant to a story — it was quite suitable. So I tried to cut the book some slack. Everyone has their limit as to how much blood and gore, smooching and snuggling, they are willing to read about.

Once I agreed to review a book and would have tossed it after the first chapter — for several reasons. A lot of “writer inserting facts for reader’s benefit”; teach/preach paragraphs; excess of description; attitudes of MCs. Once it’s live on seller’s sites like Amazon, what can you say? The one thing good it had going for it was the story line or theme. With a pro editor’s help it could have been a great story.

As for a review, one book I read lately was “A Clue for the Puzzle Lady” by Parnell Hall. It’s one of those “Stayed up half the night to finish it” books; I think anyone who likes a compelling cozy mystery would probably like it. Downside: I didn’t care for the “Puzzle Lady.” She’s a lush, hangs out at the bar getting sloshed. The upside: her sensible niece has a starring role —trying to keep her aunt on the straight-and-narrow and the mystery keeps you guessing until the end.

Christine, Thanks for sharing your insight! It sounds like you are approached often to review new books. It does make it tricky if it’s a request, especially outside your own preferences. Thanks for chiming in about your process, as I’m sure others will appreciate the perspective too. I’ll have to take a look at the Puzzle Lady– I do enjoy cozy mysteries. Sue

Here’s another cozy mystery book review in case you’re interested. I’m not approached by writers that often, but there are the Story Cartel, Book Bub and Goodreads, all sites where authors ask for review volunteers.

Reel Estate Ripoff by Renee Pawlish

The detective Reed Ferguson is a fan of Humphry Bogart, movie memorabilia of that era, and fancies himself a bit of a Sam Slade. Though not your super-sleuth, rather inept at times, he’s a likeable character. Told in first person, the story has a Philip Marlowe tone to it, but much tamer. Dialogue and story line are well done, the story well plotted and believable. I’d gladly read more stories about this particular gumshoe.

If you like cozy mystery books, I’ll send you a list later, Sue. Love them too and I’ve met many authors who write in this genre. Back on topic– you inspire me again to add some reviews to my Blog. I have been reading and writing many middle grade mysteries for a project! My latest favorite: “The World’s Greatest Detective” by Caroline Carson (who I hope to meet tomorrow in Arlington, VA!) My 12 year old grandson borrowed it and finished it before I could. “It’s the best mystery I ever read, Grandma! You’ ll never guess the ending with unpredictable twists!” What better review could we read. The target audience and I both highly recommend this 2017 mystery.

Adding it to my stack, Beth. Thanks!

Not wanting to sound life an idiot, but willing to risk it here among friends: What exactly is a cozy mystery?

Glad you asked! It’s a subgenre of mystery. The best examples of cozy mysteries are those by Agatha Christie. They usually avoid profanity, excessive gore/ violence, and sex. They focus more on the puzzle, sleuth, and their smaller world. Hope that helps!

Thanks, Sue.

Wonderful article. The first I have read by you. It especially gets those of us who don’t feel we have the formula down for review writing to be introduced to a form we can build upon with experience. You’ve kept it simple but you have given us the main ingredients needed for a good review. I printed this one off to look at the next few times I write reviews. Thank you.

Glad you found it helpful. Thanks for reading and commenting!

I haven’t gone into all this. It’s a matter of time, Joe. I gad about all over the place, not knowing where I am or where I’m going. Within weeks, I’ll be 87. I’ve books of my own that I’d like to see reviewed. Even sorting them out, however, even finding where any of them are, would be a time burden. You see the fix?

Hi Dave, You aren’t alone in feeling the press of time for getting your stories out into the world. May I gently offer this: start with finding and sorting one. If you can’t find it, write it anew. You’ve probably grown in time and perspective since you wrote the first draft, which will make for a stronger story. Good luck. I’m cheering you on!

This is an article for me, because I am happy to receive a rating. I haven’t sold many books. But, at least some thinks that it was worth the time to read. That was refreshing. And, I think I wrote two reviews, so far. It was on Amazon.com. Thank you.

You’re welcome!

Hi, Sue. Thanks for the helpful advice. I did a review on Amazon for the first of a 7-part thriller titled ‘Mosh Pit (The Rose Garden Incident)’ by Michael Hiebert. [Here it is.]

“5.0 out of 5 stars Advance copy review. By A fellow author on September 18, 2016 Format: Kindle Edition I Recommend This Book Strongly

I enjoyed reading this first part of the thriller. The author’s opening chapter/prologue was fast paced, and set me in the middle of the inciting incident along with two of the main characters. After that thrilling opening, I felt the ensuing chapters moved at a more leisurely pace, and was about to grade them as less praiseworthy when I watched a lecture by Brandon Sanderson on YouTube about building three dimensional characters and realised Michael Hiebert had done exactly that by introducing the reader to the minutiae of other characters who had parts to play in the development of the story. So, instead of cardboard cutouts of bland stock characters, the author shows us real people with real concerns that the reader can relate to.and actually care about. I look forward to reading the rest of this intriguing thriller, and highly recommend it to all lovers of well-written, and well-crafted thrillers.”

I also reviewed Part 2 of the series, but that review is too long to post here.

Footnote: The author, Michael Hiebert, was so pleased with my reviews, he recently asked me to beta-read a short story collection he plans to publish in November.

Great review, John! I like how you shared a bit of your process as a reader too, in recognizing what the writer was doing with their characterization. Thanks!

Thank you, Sue.

Five out of five stars When I picked up a copy of “The Girl with All the Gifts,” by M R Carey, at the used book store, I somehow had it in my head that it was a YA dystopian novel along the lines of “Divergent” or “The Hunger Games.” While I would definitely say that I was not right about that, I wouldn’t say that I was completely wrong. I was, however, completely unprepared for a zombie novel–which is a good thing, cause I wouldn’t have read it, and I’m glad I did. Think “The Walking Dead” meets (why do I want to say ‘The Curious Incident of the Dog in the Night”?) “Peter Pan.” I really enjoyed seeing things from, the main character, Melanie’s point of view. Her limited knowledge of her own situation was intriguing, to say the least (and probably why I thought of “The Curious Incident”). I was a bit disappointed when the POV changed to another character’s, but, as the novel progressed, I found myself sympathizing with nearly all the characters–with one exception, and I’ll leave that for you to ponder when you read it. I wondered how much of the science was real, but not enough for me to research it myself. Although, based on other reviews, I guess most of the science about the fungus is real. I also wondered about the fate of the remaining ‘lost boys’ of the cities. If you liked…. well, I don’t know. I’m not typically a fan of things zombie, so I don’t have a comparison, but the book was somewhat similar to “Divergent” and “The Hunger Games” in that the main character goes through a hellluva time and comes out the other side with a plan for her future.

“Tuesdays with Morrie” by Mitch Albom is a true story about how one man found meaning in life when his doctors gave him a death sentence. Morrie was a college professor who passed on his new found wisdom in the last year of his life to a favorite student, the author, who chronicled his professor’s perspectives on death and dying.

I chose this book because of its philosophical topic, and because it is so well written that the words just jump off the page.

Knowing we are all mortal beings, I especially liked the insights, the tidbits of wisdom imparted by the dying man. Death is a subject that few, if any of us, ever talk about seriously with friends and family. The subject of death is verboten. We deny its existence. And, if we are religious, we pretend we will not really die, but we deceive ourselves and think we will live on in some afterlife existence for all eternity. But the professor, Morrie, learns some valuable life lessons from his impending death, and Mitch Albom was gracious enough to capture them in this short but eminently readable book.

I really liked the book because it is timeless. This true story will impart serious life lessons for all future generations, and will help us gain perspectives on our lives and the relationships with those we love the most.

R. Allan Worrell

Sue, I’ve been meaning to come back since this was first posted to tell you thanks for a great article. I seldom review books for alllllll the reasons you listed. This is a perfect tool and I’ll surely use it. Cathy

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How to Write a Book Review: A Comprehensive Tutorial With Examples

You don’t need to be a literary expert to craft captivating book reviews. With one in every three readers selecting books based on insightful reviews, your opinions can guide fellow bibliophiles toward their next literary adventure.

Learning how to write a book review will not only help you excel at your assigned tasks, but you’ll also contribute valuable insights to the book-loving community and turn your passion into a professional pursuit.

In this comprehensive guide,  PaperPerk  will walk you through a few simple steps to master the art of writing book reviews so you can confidently embark on this rewarding journey.

What is a Book Review?

A book review is a critical evaluation of a book, offering insights into its content, quality, and impact. It helps readers make informed decisions about whether to read the book.

Writing a book review as an assignment benefits students in multiple ways. Firstly, it teaches them how to write a book review by developing their analytical skills as they evaluate the content, themes, and writing style .

Secondly, it enhances their ability to express opinions and provide constructive criticism. Additionally, book review assignments expose students to various publications and genres, broadening their knowledge.

Furthermore, these tasks foster essential skills for academic success, like critical thinking and the ability to synthesize information. By now, we’re sure you want to learn how to write a book review, so let’s look at the book review template first.

Table of Contents

Book Review Template

How to write a book review- a step by step guide.

Check out these 5 straightforward steps for composing the best book review.

Step 1: Planning Your Book Review – The Art of Getting Started

You’ve decided to take the plunge and share your thoughts on a book that has captivated (or perhaps disappointed) you. Before you start book reviewing, let’s take a step back and plan your approach. Since knowing how to write a book review that’s both informative and engaging is an art in itself.

Choosing Your Literature

First things first, pick the book you want to review. This might seem like a no-brainer, but selecting a book that genuinely interests you will make the review process more enjoyable and your insights more authentic.

Crafting the Master Plan

Next, create an  outline  that covers all the essential points you want to discuss in your review. This will serve as the roadmap for your writing journey.

The Devil is in the Details

As you read, note any information that stands out, whether it overwhelms, underwhelms, or simply intrigues you. Pay attention to:

• The characters and their development
• The plot and its intricacies
• Any themes, symbols, or motifs you find noteworthy

Remember to reserve a body paragraph for each point you want to discuss.

The Key Questions to Ponder

When planning your book review, consider the following questions:

• What’s the plot (if any)? Understanding the driving force behind the book will help you craft a more effective review.
• Is the plot interesting? Did the book hold your attention and keep you turning the pages?
• Are the writing techniques effective? Does the author’s style captivate you, making you want to read (or reread) the text?
• Are the characters or the information believable? Do the characters/plot/information feel real, and can you relate to them?
• Would you recommend the book to anyone? Consider if the book is worthy of being recommended, whether to impress someone or to support a point in a literature class.
• What could improve? Always keep an eye out for areas that could be improved. Providing constructive criticism can enhance the quality of literature.

Step 2 – Crafting the Perfect Introduction to Write a Book Review

In this second step of “how to write a book review,” we’re focusing on the art of creating a powerful opening that will hook your audience and set the stage for your analysis.

Identify Your Book and Author

Begin by mentioning the book you’ve chosen, including its  title  and the author’s name. This informs your readers and establishes the subject of your review.

Ponder the Title

Next, discuss the mental images or emotions the book’s title evokes in your mind . This helps your readers understand your initial feelings and expectations before diving into the book.

Judge the Book by Its Cover (Just a Little)

Take a moment to talk about the book’s cover. Did it intrigue you? Did it hint at what to expect from the story or the author’s writing style? Sharing your thoughts on the cover can offer a unique perspective on how the book presents itself to potential readers.

Present Your Thesis

Now it’s time to introduce your thesis. This statement should be a concise and insightful summary of your opinion of the book. For example:

“Normal People” by Sally Rooney is a captivating portrayal of the complexities of human relationships, exploring themes of love, class, and self-discovery with exceptional depth and authenticity.

Ensure that your thesis is relevant to the points or quotes you plan to discuss throughout your review.

Incorporating these elements into your introduction will create a strong foundation for your book review. Your readers will be eager to learn more about your thoughts and insights on the book, setting the stage for a compelling and thought-provoking analysis.

How to Write a Book Review: Step 3 – Building Brilliant Body Paragraphs

You’ve planned your review and written an attention-grabbing introduction. Now it’s time for the main event: crafting the body paragraphs of your book review. In this step of “how to write a book review,” we’ll explore the art of constructing engaging and insightful body paragraphs that will keep your readers hooked.

Summarize Without Spoilers

Begin by summarizing a specific section of the book, not revealing any major plot twists or spoilers. Your goal is to give your readers a taste of the story without ruining surprises.

Support Your Viewpoint with Quotes

Next, choose three quotes from the book that support your viewpoint or opinion. These quotes should be relevant to the section you’re summarizing and help illustrate your thoughts on the book.

Analyze the Quotes

Write a summary of each quote in your own words, explaining how it made you feel or what it led you to think about the book or the author’s writing. This analysis should provide insight into your perspective and demonstrate your understanding of the text.

Structure Your Body Paragraphs

Dedicate one body paragraph to each quote, ensuring your writing is well-connected, coherent, and easy to understand.

For example:

• In  Jane Eyre , Charlotte Brontë writes, “I am no bird; and no net ensnares me.” This powerful statement highlights Jane’s fierce independence and refusal to be trapped by societal expectations.
• In  Normal People , Sally Rooney explores the complexities of love and friendship when she writes, “It was culture as class performance, literature fetishized for its ability to take educated people on false emotional journeys.” This quote reveals the author’s astute observations on the role of culture and class in shaping personal relationships.
• In  Wuthering Heights , Emily Brontë captures the tumultuous nature of love with the quote, “He’s more myself than I am. Whatever our souls are made of, his and mine are the same.” This poignant line emphasizes the deep, unbreakable bond between the story’s central characters.

By following these guidelines, you’ll create body paragraphs that are both captivating and insightful, enhancing your book review and providing your readers with a deeper understanding of the literary work. 

How to Write a Book Review: Step 4 – Crafting a Captivating Conclusion

You’ve navigated through planning, introductions, and body paragraphs with finesse. Now it’s time to wrap up your book review with a  conclusion that leaves a lasting impression . In this final step of “how to write a book review,” we’ll explore the art of writing a memorable and persuasive conclusion.

Summarize Your Analysis

Begin by summarizing the key points you’ve presented in the body paragraphs. This helps to remind your readers of the insights and arguments you’ve shared throughout your review.

Offer Your Final Conclusion

Next, provide a conclusion that reflects your overall feelings about the book. This is your chance to leave a lasting impression and persuade your readers to consider your perspective.

Address the Book’s Appeal

Now, answer the question: Is this book worth reading? Be clear about who would enjoy the book and who might not. Discuss the taste preferences and circumstances that make the book more appealing to some readers than others.

For example:  The Alchemist is a book that can enchant a young teen, but those who are already well-versed in classic literature might find it less engaging.

Be Subtle and Balanced

Avoid simply stating whether you “liked” or “disliked” the book. Instead, use nuanced language to convey your message. Highlight the pros and cons of reading the type of literature you’ve reviewed, offering a balanced perspective.

Bringing It All Together

By following these guidelines, you’ll craft a conclusion that leaves your readers with a clear understanding of your thoughts and opinions on the book. Your review will be a valuable resource for those considering whether to pick up the book, and your witty and insightful analysis will make your review a pleasure to read. So conquer the world of book reviews, one captivating conclusion at a time!

How to Write a Book Review: Step 5 – Rating the Book (Optional)

You’ve masterfully crafted your book review, from the introduction to the conclusion. But wait, there’s one more step you might consider before calling it a day: rating the book. In this optional step of “how to write a book review,” we’ll explore the benefits and methods of assigning a rating to the book you’ve reviewed.

Why Rate the Book?

Sometimes, when writing a professional book review, it may not be appropriate to state whether you liked or disliked the book. In such cases, assigning a rating can be an effective way to get your message across without explicitly sharing your personal opinion.

How to Rate the Book

There are various rating systems you can use to evaluate the book, such as:

• A star rating (e.g., 1 to 5 stars)
• A numerical score (e.g., 1 to 10)
• A letter grade (e.g., A+ to F)

Choose a rating system that best suits your style and the format of your review. Be consistent in your rating criteria, considering writing quality, character development, plot, and overall enjoyment.

Tips for Rating the Book

Here are some tips for rating the book effectively:

• Be honest: Your rating should reflect your true feelings about the book. Don’t inflate or deflate your rating based on external factors, such as the book’s popularity or the author’s reputation.
• Be fair:Consider the book’s merits and shortcomings when rating. Even if you didn’t enjoy the book, recognize its strengths and acknowledge them in your rating.
• Be clear: Explain the rationale behind your rating so your readers understand the factors that influenced your evaluation.

Wrapping Up

By including a rating in your book review, you provide your readers with an additional insight into your thoughts on the book. While this step is optional, it can be a valuable tool for conveying your message subtly yet effectively. So, rate those books confidently, adding a touch of wit and wisdom to your book reviews.

Additional Tips on How to Write a Book Review: A Guide

In this segment, we’ll explore additional tips on how to write a book review. Get ready to captivate your readers and make your review a memorable one!

Hook ’em with an Intriguing Introduction

Keep your introduction precise and to the point. Readers have the attention span of a goldfish these days, so don’t let them swim away in boredom. Start with a bang and keep them hooked!

Embrace the World of Fiction

When learning how to write a book review, remember that reviewing fiction is often more engaging and effective. If your professor hasn’t assigned you a specific book, dive into the realm of fiction and select a novel that piques your interest.

Opinionated with Gusto

Don’t shy away from adding your own opinion to your review. A good book review always features the writer’s viewpoint and constructive criticism. After all, your readers want to know what  you  think!

Express Your Love (or Lack Thereof)

If you adored the book, let your readers know! Use phrases like “I’ll definitely return to this book again” to convey your enthusiasm. Conversely, be honest but respectful even if the book wasn’t your cup of tea.

Templates and Examples and Expert Help: Your Trusty Sidekicks

Feeling lost? You can always get help from formats, book review examples or online  college paper writing service  platforms. These trusty sidekicks will help you navigate the world of book reviews with ease. 

Be a Champion for New Writers and Literature

Remember to uplift new writers and pieces of literature. If you want to suggest improvements, do so kindly and constructively. There’s no need to be mean about anyone’s books – we’re all in this literary adventure together!

Criticize with Clarity, Not Cruelty

When adding criticism to your review, be clear but not mean. Remember, there’s a fine line between constructive criticism and cruelty. Tread lightly and keep your reader’s feelings in mind.

Avoid the Comparison Trap

Resist the urge to compare one writer’s book with another. Every book holds its worth, and comparing them will only confuse your reader. Stick to discussing the book at hand, and let it shine in its own light.

Top 7 Mistakes and How to Avoid Them

Writing a book review can be a delightful and rewarding experience, especially when you balance analysis, wit, and personal insights. However, some common mistakes can kill the brilliance of your review. 

In this section of “how to write a book review,” we’ll explore the top 7 blunders writers commit and how to steer clear of them, with a dash of  modernist literature  examples and tips for students writing book reviews as assignments.

Succumbing to the Lure of Plot Summaries

Mistake: Diving headfirst into a plot summary instead of dissecting the book’s themes, characters, and writing style.

Example: “The Bell Jar chronicles the life of a young woman who experiences a mental breakdown.”

How to Avoid: Delve into the book’s deeper aspects, such as its portrayal of mental health, societal expectations, and the author’s distinctive narrative voice. Offer thoughtful insights and reflections, making your review a treasure trove of analysis.

Unleashing the Spoiler Kraken

Mistake: Spilling major plot twists or the ending without providing a spoiler warning, effectively ruining the reading experience for potential readers.

Example: “In Metamorphosis, the protagonist’s transformation into a monstrous insect leads to…”

How to Avoid: Tread carefully when discussing significant plot developments, and consider using spoiler warnings. Focus on the impact of these plot points on the overall narrative, character growth, or thematic resonance.

Riding the Personal Bias Express

Mistake: Allowing personal bias to hijack the review without providing sufficient evidence or reasoning to support opinions.

Example: “I detest books about existential crises, so The Sun Also Rises was a snoozefest.”

How to Avoid: While personal opinions are valid, it’s crucial to back them up with specific examples from the book. Discuss aspects like writing style, character development, or pacing to support your evaluation and provide a more balanced perspective.

Wielding the Vague Language Saber

Mistake: Resorting to generic, vague language that fails to capture the nuances of the book and can come across as clichéd.

Example: “This book was mind-blowing. It’s a must-read for everyone.”

How to Avoid: Use precise and descriptive language to express your thoughts. Employ specific examples and quotations to highlight memorable scenes, the author’s unique writing style, or the impact of the book’s themes on readers.

Ignoring the Contextualization Compass

Mistake: Neglecting to provide context about the author, genre, or cultural relevance of the book, leaving readers without a proper frame of reference.

Example: “This book is dull and unoriginal.”

How to Avoid: Offer readers a broader understanding by discussing the author’s background, the genre conventions the book adheres to or subverts, and any societal or historical contexts that inform the narrative. This helps readers appreciate the book’s uniqueness and relevance.

Overindulging in Personal Preferences

Mistake: Letting personal preferences overshadow an objective assessment of the book’s merits.

Example: “I don’t like stream-of-consciousness writing, so this book is automatically bad.”

How to Avoid: Acknowledge personal preferences but strive to evaluate the book objectively. Focus on the book’s strengths and weaknesses, considering how well it achieves its goals within its genre or intended audience.

Forgetting the Target Audience Telescope

Mistake: Failing to mention the book’s target audience or who might enjoy it, leading to confusion for potential readers.

Example: “This book is great for everyone.”

How to Avoid: Contemplate the book’s intended audience, genre, and themes. Mention who might particularly enjoy the book based on these factors, whether it’s fans of a specific genre, readers interested in character-driven stories, or those seeking thought-provoking narratives.

By dodging these common pitfalls, writers can craft insightful, balanced, and engaging book reviews that help readers make informed decisions about their reading choices.

These tips are particularly beneficial for students writing book reviews as assignments, as they ensure a well-rounded and thoughtful analysis.!

Many students requested us to cover how to write a book review. This thorough guide is sure to help you. At Paperperk, professionals are dedicated to helping students find their balance. We understand the importance of good grades, so we offer the finest writing service , ensuring students stay ahead of the curve. So seek expert help because only Paperperk is your perfect solution!

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Book Reviews

What this handout is about.

This handout will help you write a book review, a report or essay that offers a critical perspective on a text. It offers a process and suggests some strategies for writing book reviews.

What is a review?

A review is a critical evaluation of a text, event, object, or phenomenon. Reviews can consider books, articles, entire genres or fields of literature, architecture, art, fashion, restaurants, policies, exhibitions, performances, and many other forms. This handout will focus on book reviews. For a similar assignment, see our handout on literature reviews .

Above all, a review makes an argument. The most important element of a review is that it is a commentary, not merely a summary. It allows you to enter into dialogue and discussion with the work’s creator and with other audiences. You can offer agreement or disagreement and identify where you find the work exemplary or deficient in its knowledge, judgments, or organization. You should clearly state your opinion of the work in question, and that statement will probably resemble other types of academic writing, with a thesis statement, supporting body paragraphs, and a conclusion.

Typically, reviews are brief. In newspapers and academic journals, they rarely exceed 1000 words, although you may encounter lengthier assignments and extended commentaries. In either case, reviews need to be succinct. While they vary in tone, subject, and style, they share some common features:

• First, a review gives the reader a concise summary of the content. This includes a relevant description of the topic as well as its overall perspective, argument, or purpose.
• Second, and more importantly, a review offers a critical assessment of the content. This involves your reactions to the work under review: what strikes you as noteworthy, whether or not it was effective or persuasive, and how it enhanced your understanding of the issues at hand.
• Finally, in addition to analyzing the work, a review often suggests whether or not the audience would appreciate it.

Becoming an expert reviewer: three short examples

Reviewing can be a daunting task. Someone has asked for your opinion about something that you may feel unqualified to evaluate. Who are you to criticize Toni Morrison’s new book if you’ve never written a novel yourself, much less won a Nobel Prize? The point is that someone—a professor, a journal editor, peers in a study group—wants to know what you think about a particular work. You may not be (or feel like) an expert, but you need to pretend to be one for your particular audience. Nobody expects you to be the intellectual equal of the work’s creator, but your careful observations can provide you with the raw material to make reasoned judgments. Tactfully voicing agreement and disagreement, praise and criticism, is a valuable, challenging skill, and like many forms of writing, reviews require you to provide concrete evidence for your assertions.

Consider the following brief book review written for a history course on medieval Europe by a student who is fascinated with beer:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600, investigates how women used to brew and sell the majority of ale drunk in England. Historically, ale and beer (not milk, wine, or water) were important elements of the English diet. Ale brewing was low-skill and low status labor that was complimentary to women’s domestic responsibilities. In the early fifteenth century, brewers began to make ale with hops, and they called this new drink “beer.” This technique allowed brewers to produce their beverages at a lower cost and to sell it more easily, although women generally stopped brewing once the business became more profitable.

The student describes the subject of the book and provides an accurate summary of its contents. But the reader does not learn some key information expected from a review: the author’s argument, the student’s appraisal of the book and its argument, and whether or not the student would recommend the book. As a critical assessment, a book review should focus on opinions, not facts and details. Summary should be kept to a minimum, and specific details should serve to illustrate arguments.

Now consider a review of the same book written by a slightly more opinionated student:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 was a colossal disappointment. I wanted to know about the rituals surrounding drinking in medieval England: the songs, the games, the parties. Bennett provided none of that information. I liked how the book showed ale and beer brewing as an economic activity, but the reader gets lost in the details of prices and wages. I was more interested in the private lives of the women brewsters. The book was divided into eight long chapters, and I can’t imagine why anyone would ever want to read it.

There’s no shortage of judgments in this review! But the student does not display a working knowledge of the book’s argument. The reader has a sense of what the student expected of the book, but no sense of what the author herself set out to prove. Although the student gives several reasons for the negative review, those examples do not clearly relate to each other as part of an overall evaluation—in other words, in support of a specific thesis. This review is indeed an assessment, but not a critical one.

Here is one final review of the same book:

One of feminism’s paradoxes—one that challenges many of its optimistic histories—is how patriarchy remains persistent over time. While Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 recognizes medieval women as historical actors through their ale brewing, it also shows that female agency had its limits with the advent of beer. I had assumed that those limits were religious and political, but Bennett shows how a “patriarchal equilibrium” shut women out of economic life as well. Her analysis of women’s wages in ale and beer production proves that a change in women’s work does not equate to a change in working women’s status. Contemporary feminists and historians alike should read Bennett’s book and think twice when they crack open their next brewsky.

This student’s review avoids the problems of the previous two examples. It combines balanced opinion and concrete example, a critical assessment based on an explicitly stated rationale, and a recommendation to a potential audience. The reader gets a sense of what the book’s author intended to demonstrate. Moreover, the student refers to an argument about feminist history in general that places the book in a specific genre and that reaches out to a general audience. The example of analyzing wages illustrates an argument, the analysis engages significant intellectual debates, and the reasons for the overall positive review are plainly visible. The review offers criteria, opinions, and support with which the reader can agree or disagree.

Developing an assessment: before you write

There is no definitive method to writing a review, although some critical thinking about the work at hand is necessary before you actually begin writing. Thus, writing a review is a two-step process: developing an argument about the work under consideration, and making that argument as you write an organized and well-supported draft. See our handout on argument .

What follows is a series of questions to focus your thinking as you dig into the work at hand. While the questions specifically consider book reviews, you can easily transpose them to an analysis of performances, exhibitions, and other review subjects. Don’t feel obligated to address each of the questions; some will be more relevant than others to the book in question.

• What is the thesis—or main argument—of the book? If the author wanted you to get one idea from the book, what would it be? How does it compare or contrast to the world you know? What has the book accomplished?
• What exactly is the subject or topic of the book? Does the author cover the subject adequately? Does the author cover all aspects of the subject in a balanced fashion? What is the approach to the subject (topical, analytical, chronological, descriptive)?
• How does the author support their argument? What evidence do they use to prove their point? Do you find that evidence convincing? Why or why not? Does any of the author’s information (or conclusions) conflict with other books you’ve read, courses you’ve taken or just previous assumptions you had of the subject?
• How does the author structure their argument? What are the parts that make up the whole? Does the argument make sense? Does it persuade you? Why or why not?
• How has this book helped you understand the subject? Would you recommend the book to your reader?

Beyond the internal workings of the book, you may also consider some information about the author and the circumstances of the text’s production:

• Who is the author? Nationality, political persuasion, training, intellectual interests, personal history, and historical context may provide crucial details about how a work takes shape. Does it matter, for example, that the biographer was the subject’s best friend? What difference would it make if the author participated in the events they write about?
• What is the book’s genre? Out of what field does it emerge? Does it conform to or depart from the conventions of its genre? These questions can provide a historical or literary standard on which to base your evaluations. If you are reviewing the first book ever written on the subject, it will be important for your readers to know. Keep in mind, though, that naming “firsts”—alongside naming “bests” and “onlys”—can be a risky business unless you’re absolutely certain.

Writing the review

Once you have made your observations and assessments of the work under review, carefully survey your notes and attempt to unify your impressions into a statement that will describe the purpose or thesis of your review. Check out our handout on thesis statements . Then, outline the arguments that support your thesis.

Your arguments should develop the thesis in a logical manner. That logic, unlike more standard academic writing, may initially emphasize the author’s argument while you develop your own in the course of the review. The relative emphasis depends on the nature of the review: if readers may be more interested in the work itself, you may want to make the work and the author more prominent; if you want the review to be about your perspective and opinions, then you may structure the review to privilege your observations over (but never separate from) those of the work under review. What follows is just one of many ways to organize a review.

Introduction

Since most reviews are brief, many writers begin with a catchy quip or anecdote that succinctly delivers their argument. But you can introduce your review differently depending on the argument and audience. The Writing Center’s handout on introductions can help you find an approach that works. In general, you should include:

• The name of the author and the book title and the main theme.
• Relevant details about who the author is and where they stand in the genre or field of inquiry. You could also link the title to the subject to show how the title explains the subject matter.
• The context of the book and/or your review. Placing your review in a framework that makes sense to your audience alerts readers to your “take” on the book. Perhaps you want to situate a book about the Cuban revolution in the context of Cold War rivalries between the United States and the Soviet Union. Another reviewer might want to consider the book in the framework of Latin American social movements. Your choice of context informs your argument.
• The thesis of the book. If you are reviewing fiction, this may be difficult since novels, plays, and short stories rarely have explicit arguments. But identifying the book’s particular novelty, angle, or originality allows you to show what specific contribution the piece is trying to make.
• Your thesis about the book.

Summary of content

This should be brief, as analysis takes priority. In the course of making your assessment, you’ll hopefully be backing up your assertions with concrete evidence from the book, so some summary will be dispersed throughout other parts of the review.

The necessary amount of summary also depends on your audience. Graduate students, beware! If you are writing book reviews for colleagues—to prepare for comprehensive exams, for example—you may want to devote more attention to summarizing the book’s contents. If, on the other hand, your audience has already read the book—such as a class assignment on the same work—you may have more liberty to explore more subtle points and to emphasize your own argument. See our handout on summary for more tips.

Analysis and evaluation of the book

Your analysis and evaluation should be organized into paragraphs that deal with single aspects of your argument. This arrangement can be challenging when your purpose is to consider the book as a whole, but it can help you differentiate elements of your criticism and pair assertions with evidence more clearly. You do not necessarily need to work chronologically through the book as you discuss it. Given the argument you want to make, you can organize your paragraphs more usefully by themes, methods, or other elements of the book. If you find it useful to include comparisons to other books, keep them brief so that the book under review remains in the spotlight. Avoid excessive quotation and give a specific page reference in parentheses when you do quote. Remember that you can state many of the author’s points in your own words.

Sum up or restate your thesis or make the final judgment regarding the book. You should not introduce new evidence for your argument in the conclusion. You can, however, introduce new ideas that go beyond the book if they extend the logic of your own thesis. This paragraph needs to balance the book’s strengths and weaknesses in order to unify your evaluation. Did the body of your review have three negative paragraphs and one favorable one? What do they all add up to? The Writing Center’s handout on conclusions can help you make a final assessment.

Finally, a few general considerations:

• Review the book in front of you, not the book you wish the author had written. You can and should point out shortcomings or failures, but don’t criticize the book for not being something it was never intended to be.
• With any luck, the author of the book worked hard to find the right words to express her ideas. You should attempt to do the same. Precise language allows you to control the tone of your review.
• Never hesitate to challenge an assumption, approach, or argument. Be sure, however, to cite specific examples to back up your assertions carefully.
• Try to present a balanced argument about the value of the book for its audience. You’re entitled—and sometimes obligated—to voice strong agreement or disagreement. But keep in mind that a bad book takes as long to write as a good one, and every author deserves fair treatment. Harsh judgments are difficult to prove and can give readers the sense that you were unfair in your assessment.
• A great place to learn about book reviews is to look at examples. The New York Times Sunday Book Review and The New York Review of Books can show you how professional writers review books.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Drewry, John. 1974. Writing Book Reviews. Boston: Greenwood Press.

Hoge, James. 1987. Literary Reviewing. Charlottesville: University Virginia of Press.

Sova, Dawn, and Harry Teitelbaum. 2002. How to Write Book Reports , 4th ed. Lawrenceville, NY: Thomson/Arco.

Walford, A.J. 1986. Reviews and Reviewing: A Guide. Phoenix: Oryx Press.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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How To Write A Book Review: 6 Steps To Take

Adiba Jaigirdar

Adiba Jaigirdar is an Irish-Bangladeshi writer, poet, and teacher. She resides in Dublin, Ireland and has an MA in postcolonial studies. She is currently working on her own postcolonial novel and hopes that someday it will see the light of day outside of her computer screen. Twitter:  @adiba_j

View All posts by Adiba Jaigirdar

Whether you’re a student, a novice blogger, or just someone looking to become a more active user of Goodreads, writing a book review is an important skill to have! Here are six steps for how to write a book review for school and beyond. 

1. Begin with a brief summary of the book

This is probably the best way to introduce any review because it gives context. But make sure to not go into too much detail. Keep it short and sweet since an official summary can be found through a quick google search!

2. Pick out the most important aspects of the book

I usually break this down with character, world-building, themes, and plot. But this might vary between books, genres, and your tastes!

Dedicate a paragraph to each of these important aspects, discussing how well the author dealt with it, along with what you enjoyed and what you didn’t enjoy.

3. Include brief quotes as examples

Including quotes is always a great idea, because it gives examples for everything that you’re saying! If your review talks about a character being particularly witty, a witty line from the character lets your readers see exactly what kind of witty character you’re dealing with here.

But be careful: lengthy quotes can take up big chunks of space and overpower your review. Short quotes will usually get your points across while letting your work shine through.

4. Write a conclusion that summarises everything

Like your introduction, keep your conclusion short and sweet! It should bring up the main points of your review, along with your overall opinion of the book.

5. Find similar books

A great way to wrap up a review is to find similar books to the one you’re reviewing. So you can say, “if you were a fan of X book, I think you’ll definitely like this one!”

You can also be more specific, looking at the exact things that might make two books similar. So you can suggest something like…“if you liked that the main character in X book was a kick-ass superhero, then you’ll love the main character of this book!”

6. Give it a star rating

A star rating is obviously encouraged in a lot of review sites, but they’re not necessary! If you do want to give a star rating, you can go the conventional “out of five/ten” route. You could also try something slightly less conventional, and break down your star-rating into different categories for character/plot/world-building, etc.

Now go forth and review! And share any tips you have for how to write a book review in the comments.

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How to Write a Book Review: The Ultimate Guide

WHAT IS A BOOK REVIEW?

Traditionally, book reviews are evaluations of a recently published book in any genre. Usually, around the 500 to 700-word mark, they briefly describe a text’s main elements while appraising the work’s strengths and weaknesses. Published book reviews can appear in newspapers, magazines, and academic journals. They provide the reader with an overview of the book itself and indicate whether or not the reviewer would recommend the book to the reader.

WHAT IS THE PURPOSE OF A BOOK REVIEW?

There was a time when book reviews were a regular appearance in every quality newspaper and many periodicals. They were essential elements in whether or not a book would sell well. A review from a heavyweight critic could often be the deciding factor in whether a book became a bestseller or a damp squib. In the last few decades, however, the book review’s influence has waned considerably, with many potential book buyers preferring to consult customer reviews on Amazon, or sites like Goodreads, before buying. As a result, book review’s appearance in newspapers, journals, and digital media has become less frequent.

WHY BOTHER TEACHING STUDENTS TO WRITE BOOK REVIEWS AT ALL?

Even in the heyday of the book review’s influence, few students who learned the craft of writing a book review became literary critics! The real value of crafting a well-written book review for a student does not lie in their ability to impact book sales. Understanding how to produce a well-written book review helps students to:

●     Engage critically with a text

●     Critically evaluate a text

●     Respond personally to a range of different writing genres

●     Improve their own reading, writing, and thinking skills.

Not to Be Confused with a Book Report!

WHAT’S THE DIFFERENCE BETWEEN A BOOK REVIEW AND A BOOK REPORT?

While the terms are often used interchangeably, there are clear differences in both the purpose and the format of the two genres. Generally speaking, book reports aim to give a more detailed outline of what occurs in a book. A book report on a work of fiction will tend to give a comprehensive account of the characters, major plot lines, and themes in the book. Book reports are usually written around the K-12 age range, while book reviews tend not to be undertaken by those at the younger end of this age range due to the need for the higher-level critical skills required in writing them. At their highest expression, book reviews are written at the college level and by professional critics.

Learn how to write a book review step by step with our complete guide for students and teachers by familiarizing yourself with the structure and features.

BOOK REVIEW STRUCTURE

ANALYZE Evaluate the book with a critical mind.

THOROUGHNESS The whole is greater than the sum of all its parts. Review the book as a WHOLE.

COMPARE Where appropriate compare to similar texts and genres.

THUMBS UP OR DOWN? You are going to have to inevitably recommend or reject this book to potential readers.

BE CONSISTENT Take a stance and stick with it throughout your review.

FEATURES OF A BOOK REVIEW

PAST TENSE You are writing about a book you have already read.

EMOTIVE LANGUAGE Whatever your stance or opinion be passionate about it. Your audience will thank you for it.

VOICE Both active and passive voice are used in recounts.

A COMPLETE UNIT ON REVIEW AND ANALYSIS OF TEXTS

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ELEMENTS OF A BOOK REVIEW

As with any of the writing genres we teach our students, a book review can be helpfully explained in terms of criteria. While there is much to the ‘art’ of writing, there is also, thankfully, a lot of the nuts and bolts that can be listed too. Have students consider the following elements before writing:

●     Title: Often, the title of the book review will correspond to the title of the text itself, but there may also be some examination of the title’s relevance. How does it fit into the purpose of the work as a whole? Does it convey a message or reveal larger themes explored within the work?

●     Author: Within the book review, there may be some discussion of who the author is and what they have written before, especially if it relates to the current work being reviewed. There may be some mention of the author’s style and what they are best known for. If the author has received any awards or prizes, this may also be mentioned within the body of the review.

●     Genre: A book review will identify the genre that the book belongs to, whether fiction or nonfiction, poetry, romance, science-fiction, history etc. The genre will likely tie in, too with who the intended audience for the book is and what the overall purpose of the work is.

●     Book Jacket / Cover: Often, a book’s cover will contain artwork that is worthy of comment. It may contain interesting details related to the text that contribute to, or detract from, the work as a whole.

●     Structure: The book’s structure will often be heavily informed by its genre. Have students examine how the book is organized before writing their review. Does it contain a preface from a guest editor, for example? Is it written in sections or chapters? Does it have a table of contents, index, glossary etc.? While all these details may not make it into the review itself, looking at how the book is structured may reveal some interesting aspects.

●     Publisher and Price: A book review will usually contain details of who publishes the book and its cost. A review will often provide details of where the book is available too.

BOOK REVIEW KEY ELEMENTS

As students read and engage with the work they will review, they will develop a sense of the shape their review will take. This will begin with the summary. Encourage students to take notes during the reading of the work that will help them in writing the summary that will form an essential part of their review. Aspects of the book they may wish to take notes on in a work of fiction may include:

●     Characters: Who are the main characters? What are their motivations? Are they convincingly drawn? Or are they empathetic characters?

●     Themes: What are the main themes of the work? Are there recurring motifs in the work? Is the exploration of the themes deep or surface only?

●     Style: What are the key aspects of the writer’s style? How does it fit into the wider literary world?

●     Plot: What is the story’s main catalyst? What happens in the rising action? What are the story’s subplots? 

A book review will generally begin with a short summary of the work itself. However, it is important not to give too much away, remind students – no spoilers, please! For nonfiction works, this may be a summary of the main arguments of the work, again, without giving too much detail away. In a work of fiction, a book review will often summarise up to the rising action of the piece without going beyond to reveal too much!

The summary should also provide some orientation for the reader. Given the nature of the purpose of a review, it is important that students’ consider their intended audience in the writing of their review. Readers will most likely not have read the book in question and will require some orientation. This is often achieved through introductions to the main characters, themes, primary arguments etc. This will help the reader to gauge whether or not the book is of interest to them.

Once your student has summarized the work, it is time to ‘review’ in earnest. At this point, the student should begin to detail their own opinion of the book. To do this well they should:

i. Make It Personal

Often when teaching essay writing we will talk to our students about the importance of climbing up and down the ladder of abstraction. Just as it is helpful to explore large, more abstract concepts in an essay by bringing it down to Earth, in a book review, it is important that students can relate the characters, themes, ideas etc to their own lives.

Book reviews are meant to be subjective. They are opinion pieces, and opinions grow out of our experiences of life. Encourage students to link the work they are writing about to their own personal life within the body of the review. By making this personal connection to the work, students contextualize their opinions for the readers and help them to understand whether the book will be of interest to them or not in the process.

ii. Make It Universal

Just as it is important to climb down the ladder of abstraction to show how the work relates to individual life, it is important to climb upwards on the ladder too. Students should endeavor to show how the ideas explored in the book relate to the wider world. The may be in the form of the universality of the underlying themes in a work of fiction or, for example, the international implications for arguments expressed in a work of nonfiction.

iii. Support Opinions with Evidence

A book review is a subjective piece of writing by its very nature. However, just because it is subjective does not mean that opinions do not need to be justified. Make sure students understand how to back up their opinions with various forms of evidence, for example, quotations, statistics, and the use of primary and secondary sources.

EDIT AND REVISE YOUR BOOK REVIEW

As with any writing genre, encourage students to polish things up with review and revision at the end. Encourage them to proofread and check for accurate spelling throughout, with particular attention to the author’s name, character names, publisher etc. 

It is good practice too for students to double-check their use of evidence. Are statements supported? Are the statistics used correctly? Are the quotations from the text accurate? Mistakes such as these uncorrected can do great damage to the value of a book review as they can undermine the reader’s confidence in the writer’s judgement.

The discipline of writing book reviews offers students opportunities to develop their writing skills and exercise their critical faculties. Book reviews can be valuable standalone activities or serve as a part of a series of activities engaging with a central text. They can also serve as an effective springboard into later discussion work based on the ideas and issues explored in a particular book. Though the book review does not hold the sway it once did in the mind’s of the reading public, it still serves as an effective teaching tool in our classrooms today.

Teaching Resources

Use our resources and tools to improve your student’s writing skills through proven teaching strategies.

BOOK REVIEW GRAPHIC ORGANIZER (TEMPLATE)

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Book and Movie review writing examples (Student Writing Samples)

Below are a collection of student writing samples of book reviews.  Click on the image to enlarge and explore them in greater detail.  Please take a moment to both read the movie or book review in detail but also the teacher and student guides which highlight some of the key elements of writing a text review

Please understand these student writing samples are not intended to be perfect examples for each age or grade level but a piece of writing for students and teachers to explore together to critically analyze to improve student writing skills and deepen their understanding of book review writing.

We would recommend reading the example either a year above and below, as well as the grade you are currently working with to gain a broader appreciation of this text type .

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How to Write a Book Review in 10 Steps – Beginner’s Guide

So, you want to get into writing book reviews.

Maybe you discovered that it’s harder than it seems - along with everyone else who’s tried before you.

Maybe you like to do some research before jumping headfirst into any new endeavour.

Whatever the reason you've happened upon this article, you will find out how to navigate the intricate and enthralling world of book reviews. There’s a long road ahead, but it’s a fulfilling and delightful road so hop right in and get started!

In 10 Steps to a Great Book Review

Read the Entire Book

Take Notes of Said Book

Give an Idea of the Book Outline

Don’t Forget the Author

Evaluate the Book Thoroughly

Don’t Beat Around the Bush

Don’t Be Afraid of Adverse Feedback

Support Your Views

Draw a Conclusion

Read Other Reviews

1. Read the Entire Book

I’m not insulting your intelligence with this one – there are many DNF (did not finish) book reviews flitting around. Any review on a half-read book is automatically a half-written review, and no one wants to read a half-written review.

You’ll not only do your review a disservice but any potential reader and the author of the book. It is impossible to paint a full, all-inclusive picture of the book if you have not reached its final page. Though you may want to fling the thing out of the nearest window you must remember that every page is vital to a fully-fledged and professional review. Tough it out, knuckle down, and just think of the cathartic relief as you spill your overflowing criticism into your scathing book review.

Or just DNF that thing and don't write one.

If you absolutely have to write a book review for a book you didn’t finish, make sure you are super transparent about the fact that you haven’t read the whole book and can’t paint a full picture.

2. Take Notes of Said Book

Does something catch your eye? Makes you ponder? Strikes you as crucial to the book’s flow? Don’t assign it to memory – it’s not always as reliable as we like to think.

Notes will keep your mind fresh and ensure you don’t lose any vital perspective along the way. You may even begin to notice some themes, patterns or connections throughout your notes thus making your review an in-depth and hashed out one.

If recoil at the idea of writing on a book and are appalled by the thought of carrying around a notebook – you can pick yourself up some sticky notes or tags to place throughout the book. This sticky method is highly recommended as it helps you find exactly what section of the book you were commenting on.

3. Give an Idea of the Book Outline

There’s really no need for an extensive run-through of the book. Summary writers have already done that for you. You’re here to write a book review and people need to know what you’re reviewing.

Keep that in mind as you introduce your piece. The introduction should be concise and to the point . You don’t want to lose people before you’ve even given one opinion on the book at hand. Keep your eye on the prize at all times – your readers are here to discover your insight and opinion on a book. A story can become good or bad depending on how it is written – that’s what your readers really want to know.

This is also your chance to set the tone for the review – let readers know how you will be continuing throughout, don’t leave them waiting!

4. Don’t Forget the Author

You must give credit where credit is due. Writing a book is a laborious task that can take years of work on just the editing alone!

Reference any milestones the author may have achieved throughout their lifetime. Let the reader know about any life experiences they had that could possibly have influenced their writing. If they have a degree – mention it. Exercise a literary profession? Shout it from the rooftops.

Three or four lines should suffice for giving the reader an idea of who is behind the book. In this section, you should also include the publisher, translator and any other essential information pertaining to the book.

5. Evaluate the Book Thoroughly

It’s all fine and dandy to go on a personal diatribe against a book or weave together an ode for your favourite book, but there is so much more to a proper book review than this. Make sure to elaborate on the themes behind the book. Delve into the characters without giving away too much of their storyline, show how the character dynamics develop and interweave throughout the book. During this part of the review, it is possible to perform character analysis ’ and opine on whether you found the character to be sufficiently developed and realistic. During the evaluation any possible tropes such as a ‘Mary Sue’ character should be noted and reviewed – take into account whether the trope is appropriate for the storyline or if it is utilized due to lazy writing. Be sure to direct attention towards the writing style of the author – whether it be flippant, conversational or formal – the tone and style can completely change a reader’s experience of a book. This point also ties into the importance of pointing towards a specific genre for the book. The reader wants to know what they’re in for. If there’s an overuse of a particular trope, plot device or the characters all have suspiciously similar dialogue – be sure to mention it. Don’t forget to sing the praises of all the beautiful aspects of the book that you might find, maybe even quoting some particularly striking lines from the book to provide your reader with insight into the book. Even share what you have learned from your reading . If you have learned how to simultaneously let go of the past and remember it from “The Picture of Dorian Gray” or how completely changing who you truly are for someone else doesn’t benefit anyone from “The Great Gatsby”, then let the reader know. Sharing the knowledge and lessons you have garnered from a book despite your opinions can be incredibly beneficial to the reader, giving them the opportunity to follow in your footsteps. This is only one part of what makes reviewing books so rewarding.

6. Don’t Beat Around the Bush

Take a moment to shake off any social restraints before you write. A good reviewer will do the book justice, whether that means sending it to literary jail or completely absolving it of any literary crimes.

You must try to call it as it is . After completing that task (particularly challenging for beginners) you then must give your opinion on it. Holding back will only serve as a hindrance to your reviewing capabilities. No one reads book reviews for their impartial and incomplete viewpoints, and even if your opinion is that the book is middle of the road, then let the reader know why. Readers and the entire literary world will thank you.

Remember that reading tastes differ. What you may list as a book’s flaw some other reader could have a particular interest in. I’ve discovered some of my favourite books from reading “bad” reviews.

7. Don’t Be Afraid of Adverse Feedback

Speaking of not being afraid, you’re going to come across people who don’t agree with you. Though this stands for every aspect of life – readers can be particularly opinionated and sentimental about certain books. Remember your opinion is as good as any .

Reading is completely subjective . The writer creates a world on paper and then opens it up to you, fully aware that the world will not appear the same to you. That’s a risk all writers take. Don’t back down on your stance despite what people may say. Be open and honest about your opinions - that’s a risk that reviewers take.

8. Support Your Views

You’ve dug the foundations now build the building. Convincing the reader of your views is the majority of the battle. Your argument will not stand if you don’t provide it with substance and armour.

Elaborate on why you think the way you do . Say, for example, you just couldn’t relate to a character that was intended by the writer to be relatable. You might feel that the author focused far too much on this aspect of the character to the point that it was unrealistic. Don’t let the reader jump to a conclusion – lead them to it.

9. Draw a Conclusion

It is imperative that you sum up everything you learned from the book. Pack your final punch and don’t leave any loose ends .

The conclusion is used as a time to reflect back over what you’ve written, to solidify your ideas into the minds of anyone who could be thinking of potentially purchasing the book you are reviewing.

You are looking to leave your readers with a lasting view of the book , letting them know that you are certain about your views and the whole review wasn’t just written hastily without any real interest. So, as you could’ve guessed, the conclusion is not the time for tiptoeing around the subject or taking back your opinions. There is no room for “maybe ifs” and “buts” in the conclusion – stick to your guns!

10. Read Other Book Reviews

Generally, there are two things that most professional writers will recommend to people looking to get into the field: Read a lot and write a lot .

Perpetual reading and writing are the hallmarks of all good writers. You may think that since you can already read and write that it’s not of much importance but the knowledge and tidbits you glean from simply exercising your literary muscles every day is indispensable. It doesn’t have to be overwhelming and can even be enjoyable.

Look up reviews of your favourite book, read through a number of them, and then write your own review. Experiencing a mix of writing styles will only enrich your own and make it more unique.

So, there you have it – helpful guidelines on how to write either your first book review or to hone your book reviewing skills.

BEST OF LUCK ON YOUR REVIEWING JOURNEY!

If you’re not sure where to start and just need a push, or are looking to improve your reviews why not try out my easy-to-follow  book review guide . You won’t even run the risk of forgetting crucial steps while reviewing due to its checklist formatting, ensuring that you’ve included all essential information. So, what are you waiting for?

Refine and enhance your reviews by downloading the free guide now.

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How to Write A Book Review: Definition, Structure, Examples

• July 2, 2023

Table of Contents:

Understanding the purpose of a book review, telling possible readers, providing constructive feedback, building a community of readers, increasing visibility, the structure of a book review, introduction, summary of the book, critical analysis, style of writing, plot and structure, messages and main ideas, difference and effect, examples and supporting evidence, examples of well-written book reviews, example 1: non-fiction book review, example 2: fiction book review, to kill a mockingbird by harper lee, essential elements, strategy and detailed insights.

Every writer must know to write a book review. It is an important skill for people who love to read and want to become writers. Not only does it help writers, but it also helps other users choose what to read.

It’s important to know why you write a book review before you get started on the actual process of doing so. A book review is important for many reasons, such as:

A well-written review summarizes the book, its main ideas, and what the reader should take from it. This helps potential readers decide if they want to read the book.

Reviews help writers figure out what worked and what didn’t in their book by telling them what worked and what didn’t. Helpful critiques can help writers improve their writing skills and improve their next works.

Book reviews help readers talk about what they’ve read, which builds a sense of community and shared experiences. American Author House help people talk about books and see them from different points of view.

Good reviews can greatly affect how well-known and sold a book is. They change how online sites work and help get the author’s work in front of more people.

Now that we know how important book reviews are, let’s look at how they are put together and what they should include.

The opening should immediately grab the reader’s attention and set the stage for your review. Most of the time, writing a book review has the following parts:

• Information about the book: Give the title, author’s name, release date, and subject as your first information. This helps people know which book you are talking about.
• Hook: Engage your readers with a catchy line that shows what the book is about or what makes it special. This could be a question that makes you think, an interesting quote, or a short story.
• Thesis Statement: Give a short and convincing summary of your feelings about the book. This gives the rest of your review a sense of direction.

Give a summary of the book’s plot, major ideas, and main characters in this part. Don’t give away details that could ruin the story for the reader. Focus on giving people a general idea of the book and how it feels.

The critical analysis is the heart of your book review, where you provide your thoughts and opinions. Think about how to write a book review. Read some of the following tips:

Evaluate the author’s writing style, including how they use words, pace, and tell a story. Talk about how well it tells the story and keeps the reader interested.

Look at how the story goes and how the book is put together. Comment on how well the story makes sense, moves along, and flows. Talk about whether the story keeps readers interested and whether the framework makes it easier to follow.

Analyze the major characters, how they change, and how they are important to the story. Talk about their good points, bad points, and general trustworthiness. Talk about the connections between the characters and how they affect the story.

Check out the book’s core ideas, messages, or social comments. Talk about how well the author handles these topics and if they make sense to the reader.

Think about how original the book is and how it affects the reader. Talk about whether the story shows something new or gives you new ideas. Then write a book review. Discuss how the book made you feel, what it taught you, and how it changed your morals.

Give specific examples and quotes from the book to back up your reasoning. These examples should back your arguments and help readers understand your view. Choose parts that are especially moving, well-written, or show how good the book is.

You can write a book review and conclude by combining your general opinion and summarizing your main points. Give a final suggestion to the people based on what you’ve learned. Use this part to leave a strong impact and get people interested in reading the rest of the book.

The Power of Habit: Why We Do What We Do in Life and Business by Charles Duhigg If you want to explore more examples of well-written book reviews and gain inspiration, you can check out our article on The Pros and Cons of Self-Publishing on Amazon .

In The Power of Habit, Charles Duhigg explores the science behind habits and their impact on our lives. Using real-life examples and engaging anecdotes, Duhigg provides a fascinating look into how habits are formed, how they can be changed, and their influence on personal and professional success.

Duhigg’s writing style is informative and engaging, making complex concepts accessible to many readers. His meticulous research is evident throughout the book, as he presents compelling case studies and scientific findings to support his claims. The book’s structure seamlessly guides readers through exploring habit formation, change, and its applications in various domains.

By dissecting the underlying psychology of habits, Duhigg sheds light on the power of routine and the potential for personal transformation. The book offers actionable insights and practical strategies to help readers harness the power of habits in their own lives.

The Power of Habit is a must-read for anyone interested in understanding the influence of habits on personal and professional development. Duhigg’s compelling storytelling and evidence-based approach make this book a valuable resource for individuals seeking to make positive life changes.

Summary: To Kill a Mockingbird is a classic novel set in the racially-charged atmosphere of the 1930s Deep South. Harper Lee’s timeless masterpiece explores themes of racial inequality, justice, and the loss of innocence through the eyes of Scout Finch, a young girl growing up in the fictional town of Maycomb, Alabama.

Lee’s evocative writing transports readers to a bygone era, vividly depicting the social complexities and prejudices of the time. Through Scout’s innocent perspective, the reader witnesses the profound impact of racism and intolerance on the community. The memorable characters, such as Atticus Finch and Boo Radley, are flawlessly developed, each contributing to the overarching narrative with depth and nuance.

The novel’s exploration of moral courage, empathy, and the pursuit of justice resonates as powerfully today as it did upon its publication. Lee’s ability to tackle sensitive subjects with sensitivity and authenticity sets To Kill a Mockingbird apart as a timeless work of literature.

Conclusion:

To Kill a Mockingbird is a literary masterpiece that confronts the complexities of racial injustice with grace and insight. Harper Lee’s remarkable storytelling and profound themes. If you’re interested in exploring more classic literature and book reviews, you can find valuable insights in our article about Fantastic Fiction: Discovering the Best Fantasy and Sci-Fi Books .

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Blog – Posted on Friday, Apr 02

The 35 best book club books to get you talking in 2024.

It seems that everybody and their dog has a book club these days. But whether you’re a seasoned old-timer, or you started up an online book club in 2020, you’re probably facing the same question: “What should we read next”?

When decision fatigue sets in, picking the next group read can be the hardest part of the process. But fear not, because we’re here to help. Whether you’re looking for cutting-edge releases new for 2021 or classic recommendations, we’ve selected 35 of the very best book club books sure to spark conversation. So get that coffee brewing and have your page tabs handy, because we’re ready to dive in.

If you're feeling overwhelmed by the number of great book club books out there, you can also take our 30-second quiz below to narrow it down quickly and get a personalized book recommendation for your club 😉

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2021 releases your book club will lap up

If your book club prides itself on being on top of the latest literary releases, we’ve got you covered. Here are 12 book club books we think you’ll love that are new in 2021. Pencil them into your TBR and you’ll be set for the rest of the year.

1. Klara and the Sun by Kazuo Ishiguro

In this year’s most anticipated sci-fi release , Booker-winner Kazuo Ishiguro returns with gusto and sensitivity to the theme of personhood and what it means to be human — his bread and butter. Klara is a humanoid robot built to be an “Artificial Friend”. When chosen as a companion for a gravely ill 14-year old, Klara is confronted by aspects of the human condition to which she’d previously been naïve: love, loneliness, and mortality. Tackling major questions regarding AI and the ethics of technology, Klara and the Sun is fuel for a fascinating book club discussion.

2. Girl A by Abigail Dean

Is there a member of your book club who, despite their best efforts, never gets around to finishing the book? (And hey, no judgement! We all have busy lives!). Well, fear not: we have the answer. Abigail Dean’s debut novel Girl A is a gripping thriller guaranteed to get even the most sluggish reader racing to the end . The novel follows Lex, the titular Girl A, who escapes her abusive home — dubbed the “house of horrors” by the media — and tries to put the past behind her. But when Lex’s mother dies in prison, leaving the house to her and her siblings, it becomes apparent that she can’t outrun her past. An unflinching look at the aftermath of trauma, Girl A is one of those much-hyped book club books that your own club is guaranteed to devour.

3. Fake Accounts by Lauren Oyler

Of Fake Accounts , Zadie Smith wrote: “This novel made me want to retire from contemporary reality. I loved it.” And we couldn’t agree more. A cutting-edge look at internet culture, social media, and the malleability of identity in the modern age, Fake Accounts is a challenging but timely debut from author Lauren Oyler. The narrator, an unnamed young woman, is snooping through her boyfriend’s phone on the night of Donald Trump’s inauguration when she makes a startling discovery: he’s a notorious online conspiracy theorist. A series of incredible revelations leads the narrator to Berlin, where the story is only just beginning. Oyler clearly has her finger on the pulse of 2020s culture, and the stark truths in Fake Accounts are sure to spark heated debate among your reading group. 

4. Aquarium by Yaara Shehori

The Ackermans live in a world of their own, entirely by choice. Father Alex, mother Anna, and daughters Lili and Dori are all deaf — avoiding “the hearing” at all costs. Instead, they live an alternative lifestyle, only observing outsiders from afar. But when an earth-shattering secret is revealed, the family unit is torn apart, and the girls are forced to navigate the world of the hearing alone. A beautiful exploration of love and sisterhood, Aquarium raises fascinating questions about the nature of disability and identity.

5. Filthy Animals by Brandon Taylor

If you’re looking for a palate cleanser after a string of dense novels, you could do far worse than Filthy Animals. A series of interlinked vignettes from critically acclaimed author Brandon Taylor, Filthy Animals provides a snapshot of life in the American Midwest from a number of perspectives, including a young woman fighting cancer, a young man navigating an open relationship, and a group of teenagers whose tensions reach boiling point. Your book club will delight in untangling this complex web of relationships, and the breadth of stories guarantees there’ll be something for everyone.

6. Outlawed by Anna North

Ada’s running out of time. In a frontier town where women who can’t have children are hanged for witchcraft, she’s still not pregnant — and quickly approaching her first wedding anniversary. As panic sets in, Ada realizes her hometown is no longer safe, so she goes on the run. She joins up with the notorious Hole in the Wall Gang,  a group of female and non-binary outlaws who dream of setting up a safe haven for women on the frontier — but the risks they’ll have to take to get there are steep. Unlike anything your book club has read before, this wild wild Western piece of feminist fiction is a little bit True Grit , a little bit The Handmaid’s Tale , and a whole lot of adventure.

7. How the One-Armed Sister Sweeps Her House by Cherie Jones

In Cherie Jones’ much-hyped debut novel, a murder brings two very different couples crashing into each other’s orbits . Set on Barbados, this thriller shatters our conceptions of the island paradise and exposes the dark underbelly lurking beneath even the most picturesque communities. We follow two women: pregnant hairdresser Lala, trapped in a violent marriage, and the wealthy Mira, who has left her life of luxury in London and returned home to Baxter’s Beach. When Lala knocks on Mira’s front door late at night, in labor and alone, what unfurls is as brutal as it is shocking. A searing study of class and crime, there’s no chance you’ll put this book club book down before the final page.

8. One of the Good Ones by Maika and Maritza Moulite

When teenage activist Kezi is tragically killed after a social justice rally, the public outrage is overwhelming. Her sisters Happi and Genny, while dealing with their own grief, must also reckon with an unexpected outcome: their brilliant, but ultimately very human sister’s elevation as an infallible martyr. As the public stamps Kezi’s memory with the label “one of the good ones”, her sisters struggle to reconcile the real-life Kezi with the angelic figure she’s become. They confront uncomfortable questions about legacy, fallibility, and who “deserves” to be mourned — and by implication, who doesn’t. Deeply timely and edifying, One of the Good Ones is a certified must-read by a powerhouse sister duo.

10. Let Me Tell You What I Mean by Joan Didion

Another great option for any book club facing novel fatigue, fans of the essay form will be delighted to hear that 2021 is bringing a whole new arrangement of writings by the incomparable Joan Didion. This timeless collection of pieces — spanning the breadth of her career — tackles insecurity, femininity, and the wider culture. A colorful array of characters and situations populate the pages of this carefully curated anthology, meaning you’ll be spoiled for choice when it comes to talking points.

11. With Teeth: A Novel by Kristen Arnett

 Sammie is losing her grip on life. Her troubled son has become increasingly threatening and she’s started to resent her absent wife. As tensions reach boiling point, she’s forced to reckon with her own failings as she attempts to figure out where things went wrong. Peppered with surprising moments of dry humor despite the challenging subject matter, Kristen Arnett’s latest novel is a profoundly honest examination of family dynamics and the trials and tribulations of parenthood.

12. A Pho Love Story by Loan Le

It’s a tale as old as time: young lovers from feuding families are forced to battle against the odds to make their star-crossed romance work. But Loan Le’s 21st-century reimagining has a (not so) secret ingredient — a whole lot of noodle soup. Bao and Linh’s families run rival Vietnamese restaurants, so when a romance sparks between them, they’ll need to decide what they’re willing to risk to follow their hearts’ desire. A nourishing, savory rom-com that’s guaranteed to delight, this debut novel is the heaping portion of comfort your book club has been craving. (Noodle soup for the soul, anyone?)

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Evergreen classics for book club books

If you’re not in the mood for a new release and want to go for some tried-and-true reads, here are some we’ve hand-selected for their ability to spark conversation. These much-discussed volumes range from the oldest of the old (we’re talking 800BC ) to hyped recent releases that your book club may have missed and we think are worth circling back round to.

13. The Secret History by Donna Tartt

If you still haven’t picked up this cult classic, it’s definitely time to suggest The Secret History to the group. A heady, atmospheric mystery that spawned an entire subculture (“dark academia”, anyone?), The Secret History is a coming-of-age novel like no other. Following a group of classics students at an elite college, the story details their gradual unraveling — a downward spiral that ends with a death amongst their ranks. As you’ll know if you’ve ever met one of the novel’s devoted fanbase, it’s a book people simply cannot stop talking about  — perfect book club fodder.

14. Frankenstein by Mary Wollstonecraft Shelley

More than 200 years after its release, the questions raised by Mary Shelley’s Frankenstein remain as pressing as ever. Considering its enduring relevance in popular culture, you probably know the plot already, so we won’t bore you; but suffice to say, this seminal story about a scientist creating a sentient creature still holds up today. Frankenstein will have your book group up until the wee hours discussing issues of personhood, humanity, and the ethics of science —not least because this horror classic will leave you more than a little spooked. 

16. The Curious Incident of the Dog in the Night-Time by Mark Haddon

There’s a certain amount of snobbery around including YA and children’s literature within a book club reading list. However, even the most sceptical reader will find their preconceptions challenged by Mark Haddon’s superlative coming-of-age mystery novel. The Curious Incident of the Dog in the Nighttime follows Christopher, a boy with autism who investigates the mysterious death of his neighbor’s pet dog, only to stumble across a number of unexpected and uncomfortable truths about his family. Raising important discussions about identity, and providing insight into both the challenges and possibilities of neurodivergence, The Curious Incident is deeply thoughtful YA. Moral of the story: don’t think kidlit can’t be serious!

17 . Shuggie Bain by Douglas Stuart

A word of warning: this 2020 Booker winner isn’t an easy one to stomach. The heartbreaking tale of Shuggie, a working class boy in Thatcher-era Glasgow, is relentlessly harrowing, touching on themes of addiction, abuse, sexual assault, and suicide. This brutal examination of a toxic mother-son bond shocked readers and critics, yet captured something universal in its authentic depiction of family life in impossible circumstances. If your club is looking for a critically acclaimed read that tackles serious topics, Shuggie is an important recent release to get under your belt.

18. The Odyssey by Homer

Ancient Greek literature might sound dry, but there’s a reason readers have been attracted to The Odyssey’s siren song for millenia. The story of Odysseus’ voyage home to his faithful wife Penelope is a foundational text — one that you’ll find echoes of in many of your favorite modern titles. So if you want to dig down into literary history, or have a greater appreciation for some of your modern picks by way of better understanding their ancient allusions, treat your book club to this blast from the past. 

19. The Da Vinci Code by Dan Brown

Some people love it, some people hate it, and some people call it “the intellectual equivalent of Kraft macaroni and cheese” (and by “some people” we mean Stephen King). Wherever you land, it’s undeniable that Dan Brown’s blockbusting bestseller The Da Vinci Code is divisive enough to get conversation flowing. This art-historical thriller follows a twisting tale of murder and code-cracking, steeped in art history and religion, and it’s literally impossible to have nothing to say about it — for better or worse.

20. The War of the Worlds by H.G. Wells

Your book club might usually stick to literary fiction, but if you want a well-rounded diet, you shouldn’t neglect genre fiction! For those in the market for a healthy helping of sci-fi , you might want to start with HG Wells’ 1897 classic, War of the Worlds . Beyond the surface-level plot, which chronicles the traumatic arrival of Martians on Earth, you’ll find deftly crafted social commentary, exploring the devastating effects of colonialism in allegorical terms. Careful reading and close examination are rewarded here, making it a book club staple.

21. Girl, Woman, Other by Bernardine Evaristo

The great book club books often pose one overarching question and challenges its reader to discern an answer. In the case of Girl, Woman, Other, that question is clear : What does it mean to be a girl, a woman, or a gender-nonconforming person in Black Britain? This breathtaking portrait of twelve female and nonbinary people across the African diaspora is as vividly realized as it is absorbing. Evaristo’s mastery in the field of the short story ensures  every section is a self-contained gem, each following one of our twelve leads, whose intersecting lives cross lines of class and identity. As beautiful as it is important, if you haven’t read it already you’ll want to pick this one up sooner rather than later.

22. The Book Thief by Markus Zusak

For a stylish slice of historical fiction, Markus Zusak’s Book Thief is a go-to choice for many book clubs. Covering broad thematic ground, this WWII novel tells the story of Liesel, a young girl coming of age in Nazi Germany. Perhaps best-known for being a book narrated by Death, this might sound a little out there for some readers. But far from being bleak or gimmicky, the beautiful prose and moments of joy make this expertly executed and unique narrative perspective a delight to analyze.

23. My Life in Middlemarch by Rebecca Mead

If there’s one thing book lovers love reading about, it’s book lovers. For those who want to get a little self-indulgent, My Life in Middlemarch is a beautiful reflection on the importance of reading that bookworms are guaranteed to enjoy. Part memoir, part ode to literature, author Rebecca Mead leads us through the story of her life-long, evolving relationship with George Eliot’s Middlemarch (another book club classic, if you don’t mind your books running long). An ideal pick if your club’s motivation is flagging and you need a reminder of the life changing magic of a good book.

24. Lord of the Flies by William Golding

While we might instinctively resist the books we’ve always been told to read, sometimes, there’s a reason the classics are classics. As brilliant as it is controversial ( it’s the eighth most banned book in American libraries ), The Lord of the Flies is shocking, visceral, and a guaranteed conversation starter. A tale about a group of boys left to their own devices on a desert island, and their ensuing struggle to find order among chaos, Golding’s book is a brutal look at humanity, community, and civilization. It’s a staple for any book club due to the timelessness of its themes, but be warned: it isn’t for the faint of heart.

25. My Sister, the Serial Killer by Oyinkan Braithwaite

If you had to pick between saving the man you love's life, or preserving your sister's freedom, which would you choose? Or, to put it another way, is blood thicker than water when actual blood is involved? Okinyan Braithwaite's searingly tense yet darkly humorous debut novel asks this among many other questions: not least, where the line between comedy and horror lies. One of our picks for must-read books by black authors , My Sister, the Serial Killer will produce heated debate and nervous giggles in equal parts .

26 . Fleishman is in Trouble by Taffy Brodesser-Akner

Released to incessant buzz in 2019, Fleishman is in Trouble tells the story of an acrimonious divorce, a forty-something man navigating the world of online dating, and a sudden disappearance. The tale of Fleishman and his ex-wife’s vanishing act has a lot to say about 21st-century marriage and the anxieties that underpin middle-class life, meaning there’s every chance it’ll hit a little close to home for some readers (in a way only a truly incisive book can). But if you can wince through the pain, you won’t be disappointed by this blisteringly funny, yet fiercely moving, page-turner that stealthily packs a powerful feminist punch. 

27. Animal Farm by George Orwell

It might seem to have become the reserve of high school English classes over time, but there’s still a lot to unpack in George Orwell’s 1945 novella. This allegorical tale of political power, democracy, and communism — all explored through the lens of farm animals — is an enduring statement that never fails to leave us reeling, and therefore a guaranteed big hitter for any discussion group. Even if your knowledge of WWII and the era of Stalin is a little rustier than you’d like, Orwell’s prose is so sharp, compelling, and clear that you can’t fail to hear something of what he’s saying in Animal Farm — and feel a little blinded by its brightness. Packed with wit and humor, this is a book for everyone.

28. The Midnight Library by Matt Haig

Another book that explores literature’s power to transport and transform us, The Midnight Library makes poignant fodder for the kind of avid readers that make up a book club. The premise is an intriguing one: imagine you could retrace every fork in the road over the course of your life, and lead any of the lives you might have lived if you’d made different choices. What would you change? Well, reading the books that stock the shelves of the Midnight Library allows you to do just that. A delightful dose of magical realism, The Midnight Library posits questions about regret and fate that won’t fail to get you reminiscing.

29. Go Set a Watchman by Harper Lee

Sometimes, the best book discussions are thinly veiled arguments. If you want to throw a cat among the pigeons, suggest this Harper Lee’s deeply controversial first draft of To Kill a Mockingbird to your book club . Divisive among casual readers as it has among critics and literary historians, this book offers an unexpected divergence from the civil rights classic we are more familiar with. It’ll spark interesting discussions around authorship, ownership, and how much a book can belong to its readers. And hey, if you’re happy to do a double bill, why not read both Watchman and Mockingbird — the comparison between the two is where the debate really heats up.

30. Three Women by Lisa Taddeo

If you’re looking to broaden your genre horizons, why not give narrative nonfiction books a try? Lisa Taddeo’s breathtaking Three Women is a great way to dip your toes into the waters of creative journalism. Following the true stories of (surprise, surprise) three women, Taddeo chronicles their sexual and emotional lives in stunning detail. A complex snapshot of the internal worlds and sexuality of American women in the 21st century, this book will challenge your preconceptions of what nonfiction should look like.

31. Brave New World by Aldous Huxley

Aldous Huxley’s classic masterpiece is an uncanny prediction of a future that arrived far quicker than he expected. Reading this 1932 novel only gets more rewarding as the decades pass, and we’re able to read with one foot firmly in the present, spotting the eerie parallels between Huxley’s speculative future and our own modern world. A prescient and brilliant work of dystopian sci-fi, Brave New World is a must-read — so why not kill two birds with one stone, and tick off a book club read and one of the books you should read before you die in one go?

32 . The Golden Compass by Philip Pullman

Another SFF classic that sparks fascinating discussion, Philip Pullman’s fantasy series is so thematically rich that the fantastical elements are just the cherry on top — although, talking polar bears and shape-shifting daemons are quite the cherry. For those who enjoy drawing out parallels between fiction and the real world, Pullman’s presentation of an alternative Oxford touches astutely upon religious and political power in a world far closer to our own than initial impressions might suggest, creating ample room for debate and analysis as a group.

33. Kafka on the Shore by Haruki Murakami

He's undeniably one of the most influential authors of all time, but the deeply idiosyncratic Haruki Murakami's work is deeply challenging, and usually provokes either an ecstatically positive, or strongly negative reaction. His sparse style is divisive, and his often bizarre narrative structures are deliberately posing a riddle to his readers. Kafka on the Shore is our recommended starting point for this extraordinary author : it's one you’ll want to talk out the second you’re finished with it, so it’s best to rope a whole book club into doing it with you.

34 . Little Fires Everywhere: A Novel by Celeste Ng

Celeste Ng’s gripping 2017 psychological thriller explores unnervingly familiar territory for most readers. This domestic drama details the anxieties of a mother, and the dangers of hanging on to your children too tightly, drawing relatable concerns out to their most extreme conclusions. Also bringing important conversations about race and class to the table, Ng’s second novel became a book club classic immediately upon launch. If you skipped it the first time around, it’s well worth circling back to.

35. The Lion, the Witch and the Wardrobe by C. S. Lewis

Children’s books may seem like a thing of your literary past, but don’t forget that there’s often more than meets the eye in some of your childhood favorites. One classic that’s well worth revisiting is The Lion, the Witch and the Wardrobe : CS Lewis’ biblical allegory may have gone over your head when you were a kid, but it’s a masterpiece of symbolism that you’ll appreciate on a whole new level as an adult. Plus, it gets extra points for nostalgia, making it a surefire crowd-pleaser at any book club night. 

Hungry for more recommended reads? Check out our list of the 115 best books of all time .

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Book Reviews

'the familiar' is a romance, coming-of-age tale, and a story about fighting for more.

Gabino Iglesias

Leigh Bardugo's The Familiar is an entertaining slice of speculative fiction wrapped in historical fiction and delivered with heavy doses of magic and wit.

At once a love story, a coming-of-age tale full of secrets and tension, and a narrative about wanting more and doing anything to get it, The Familiar is a solid entry into Bardugo's already impressive oeuvre.

Luzia Cotado is a scullion with callused hands who sleeps on a grimy floor and constantly dreams of a better life where she has more money, complete freedom, and love. Luiza works for a couple who are struggling to maintain their social status, so she doesn't make much and owns almost nothing. To help her get through her days and take care of menial tasks, Luzia uses a bit of magic, which she keeps secret from everyone.

On Netflix, Leigh Bardugo's 'Shadow And Bone' Celebrates A Diverse Grishaverse

Luzia learned how to perform little miracles from her aunt, a strange woman and the lover of a very powerful man. When Luzia's mistress discovers her servant can perform "milagritos," she sees it as the perfect opportunity to improve her social status and forces Luzia to work her magic for their dinner guests. But what begins as entertainment soon turns into something much more serious when Antonio Pérez, the disgraced secretary to Spain's king, enters the scene and sees Luzia's magic as an opportunity for himself.

The king is desperate to improve his military prowess, and Pérez thinks Luzia's powers might be the thing that puts him, once again, in the king's good graces. There will be a competition, and if Luzia wins, everyone around her might gain something. But winning won't be easy, and Luzia fears her newfound fame will get her and her Jewish blood in the Inquisition's crosshairs. Surrounded by people with secret agendas, learning to use her magic, caught in a new romance with a mysterious undead man, and an unknown pawn in a plethora of self-serving machinations, Luzia will soon need more than a bit of magic to survive.

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The Familiar drags readers into a world of servitude, magic, power struggles, and intrigue. There isn't a single character in this story that doesn't have a secret agenda or something to win—or lose!—that's directly tied to Luzia. The desires of some clash with those of others, and those battles slowly make the narrative more complex while simultaneously increasing the tension and the sense of doom. Despite the many elements at play and the bafflingly large cast of characters she juggles here, Bardugo delivers every twist and turn with clarity, plenty of humor, and charming wittiness, the latter of which fills the novel with superb, snappy dialogue that shows Luzia lacks everything except a quick intelligence and a sharp tongue. Also, while many of the plot elements here like the magic battle, someone being trapped by a curse, and an impossible love are far from new, Bardugo mixes them well together and manages to make them feel fresh.

Known mostly for her Shadow and Bone trilogy, the Six of Crows duology, and the King of Scars duology—all of which are part of her Grishaverse universe—Bardugo delivers an entertaining standalone here with a strong female protagonist that's very easy to root for. Through Luzia, we get a critique of religion, a look into the lives of those who have no option but to serve to survive, and a romance that's as full of passion and sensuality as well as lies and treachery. Lastly, the magic system Bardugo created, which is Jewish magic based on phrases sung or spoken in mixed languages, is interesting and allows the author to talk about otherness without straying from the core of her narrative.

While Bardugo accomplishes a lot in this novel, the crowning jewel of The Familiar is Luzia, a memorable character whose most personal aspirations possess an outstanding universality. We watch her suffer, emerge from her cocoon, fall in love, and then receive her ultimatum: "Your life, your aunt's life, your lover's future all hang in the balance. So do your best or I will be forced to do my worst." Through every single one of those steps, we want her to triumph and to learn to hone her powers, and that connection keeps the pages turning.

At times the endless descriptions of clothing and the increasing number of characters and subplots—some with a satisfying arc and some that just fizzle out—seem a bit excessive and threaten the pacing of the story. But Bardugo is always in control and her masterful use of tension — and that, along with her talent for great dialogue, more than overpower the novel's small shortcomings.

The Familiar is full of "milagritos" and pain, of betrayal and resentment, of fear and desire. However, the novel's most powerful element is hope; Luzia is all about it, and her feelings are so powerful they're contagious. That connections makes this a book that's hard to put down.

Gabino Iglesias is an author, book reviewer and professor living in Austin, Texas. Find him on X, formerly Twitter, at @Gabino_Iglesias .

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What Should You Read Next? Here Are the Best Reviewed Books of the Week

Featuring new titles by leigh bardugo, alexandra fuller, anne lamott, and more.

Leigh Bardugo’s The Familiar , Alexandra Fuller’s Fi , and Anne Lamott’s Somehow all feature among the Best Reviewed Books of the Week.

Brought to you by Book Marks , Lit Hub’s home for book reviews.

1. The Familiar by Leigh Bardugo (Flatiron)

“Bardugo brilliantly explores the wavy line between the supernatural and the divine … When Bardugo chooses to venture further into the darkness, it’s that much more devastating because of how much fun the reader has been having. In fact, she is a master of anticlimax: She builds apprehension for huge events that do not come to pass, then blindsides the reader with something totally unexpected instead … A thrilling addition to her canon about oppression and liberation, and anyone interested in this historical period and the themes she’s exploring will find it engrossing.”

–Charlie Jane Anders ( The Washington Post )

2. The Sleepwalkers by Scarlett Thomas (Simon & Schuster)

6 Rave • 1 Positive

“For Thomas, nothing seems to be off the table. She shifts between erotic thrills, gothic drama, postmodern deconstruction and kitchen-sink realism. Through her bold storytelling, The Sleepwalkers becomes a work of peculiar, gonzo genius … Thomas takes a glamorous late-capitalist setting, with rosé and catamarans, and shreds, twists and warps it into a story that is surprising, humane and political to its bones.”

–Flynn Berry ( The New York Times Book Review )

3. The Limits by Nell Freudenberger (Knopf)

2 Rave • 5 Positive Read an excerpt from The Limits here

“Freudenberger is fluent in every realm, social conundrum, and crime against the earth she brings into focus, keenly attuned to science and emotion, tradition and high-tech, race and gender, greed and conscience, irony and tragedy. Each character’s challenges are significant on scales intimate and global and their wrestling with secrets, anger, and fear grows increasingly suspenseful in this lambent, deeply sympathetic, and thought-provoking novel.”

–Donna Seaman ( Booklist )

1. Fi: A Memoir of My Son by Alexandra Fuller (Grove Press)

“Fuller leaves nothing under the table, under the rug or under wraps … The last thing you expect to do when you read a book about a child dying is to laugh … The wit in this memoir is soul-piercing … Fuller is sagacious and perspicacious. She is a sublime writer. In the hands of another memoirist, the story of Fi might be unbearably sad, but this book is a mesmeric celebration of a boy who died too soon, a mother’s love and her resilience. It will help others surviving loss—surviving life.”

–David Sheff ( The New York Times Book Review )

=2. The Wives: A Memoir by Simone Gorrindo (Gallery/Scout Press)

3 Rave • 2 Positive

“Gorrindo’s memoir is a gorgeously rendered peek behind the curtain of military life, as she recounts reckoning with her husband’s participation in violence—and examining why his job exists at all.”

–Courtney Eathorne ( Booklist )

=2. Somehow: Thoughts on Love by Anne Lamott (Riverhead)

3 Rave • 2 Positive Read an essay by Anne Lamott here

“In her trademark godly yet snarky way, she extracts every life lesson from her latest new experience with the deft zeal of a chef reducing flour and fat to roux … At times, Somehow made me huffy about—by which I mean envious of—Lamott’s gift for writing powerfully, deeply, often radically, while appealing to, well, everyone … No matter one’s external descriptors, Lamott speaks to the human in all of us, challenging us to bear her beam of love, and our own.”

–Meredith Maran ( The Washington Post )

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6 New Books We Recommend This Week

Suggested reading from critics and editors at The New York Times.

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Our recommended books this week include two satirical novels — one about identity politics and victimization, the other about artificial intelligence and gender roles — along with Tana French’s second crime novel about a Chicago police officer who retired to the Irish countryside. In nonfiction, we recommend the story of a deadly avalanche, a philosopher’s exploration of the concept of giving up, and the gratifyingly intimate audio version of Barbra Streisand’s recent memoir, which she narrates herself. Happy listening, and happy reading. — Gregory Cowles

MY NAME IS BARBRA Barbra Streisand

Certain of the, shall we say, eccentricities (oh … the ellipses!) in Streisand’s 992-page doorstop of a memoir get wonderfully ironed out in audio form. Its sprawling a-star-is-born anecdotes seem to find their natural form in the towering performer’s 48-plus hours of discursive, disarming and often gloriously off-the-cuff narration.

“As Streisand recites the story of her life … she ad-libs off the written text, splices sentences, audibly shakes her head at dubious decisions, and altogether places us opposite her on the sofa with a cup of coffee for a two-day kibitz.”

From Zachary Woolfe’s review

Penguin Audio | 48 hours, 17 minutes

VICTIM Andrew Boryga

Boryga’s debut is a lively social satire about the fetishization of victimhood, following a young working-class student, Javi, who uses exaggerated stories of tragedy to earn attention and success. Boryga is having fun, and he’s inviting us to join in.

“Let’s be clear: Though Boryga is playing, he’s not playing around. Through Javi’s story, Boryga humorously and scathingly calls out the gluttonous consumption of stories of victimhood.”

From Mateo Askaripour’s review

Doubleday | $27

ANNIE BOT Sierra Greer

On the surface, “Annie Bot” is a story about an A.I. sex robot that grows more and more sentient, but underneath this high-tech premise is a sharp and smart exploration of misogyny, toxic masculinity, selfhood and self-determination.

“A brilliant pas de deux, grappling with ideas of freedom and identity while depicting a perverse relationship in painful detail.”

From Lydia Kiesling’s review

Mariner | $28

ON GIVING UP Adam Phillips

In his latest book, Phillips’s exploration of “giving up” covers the vast territory between hope and despair. We can give up smoking, sugar or a bad habit; but we can also give up on ourselves. Phillips proposes curiosity and improvisation as antidotes to absolute certainty.

“Phillips doesn’t try to prevent us from thinking whatever it is that we want to think; what he does is repeatedly coax us to ask if that’s what we really believe, and how we can be sure.”

From Jennifer Szalai’s review

Farrar, Straus & Giroux | $26

THE DARKEST WHITE: A Mountain Legend and the Avalanche That Took Him Eric Blehm

In January 2003, seven skiers and snowboarders were killed in an avalanche on a glacier in western Canada. Among them was the American snowboarder Craig Kelly, and the adventure writer Blehm turns this page-turner not just into a biography of the athlete, but a tribute to the sport itself: addictive, thrilling — sometimes deadly.

“Probably the most unremittingly exciting book of nonfiction I have come across in years. I found myself reading late into recent nights wholly transfixed by every paragraph, every word.”

From Simon Winchester’s review

Harper | $32

THE HUNTER Tana French

For Tana French fans, every one of the thriller writer’s twisty, ingenious books is an event. This one, a sequel to “The Searcher,” once again sees the retired Chicago cop Cal Hooper, a perennial outsider in the Irish west-country hamlet of Ardnakelty, caught up in the crimes — seen and unseen — that eat at the seemingly picturesque village.

“The novel’s greatest pleasures — genuine twists aside — reside in the specific intersection of outsider and native, and particularly the former’s determined need to idealize, to claim, to tint whole rivers green.”

From Sadie Stein’s review

Viking | $32

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The 30 greatest book series of all time.

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British writer J.K. Rowling signs copies of "Harry Potter and the Deathly Hallows" for public school ... [+] children at the Kodak Theater in Hollywood on October 15, 2007.

From fantasy bodies of work to epic sagas, the vast world of literature contains classic books that have had a significant impact on popular culture, people, and places. Many of these books, which have become series, have captured the hearts and imaginations of readers of all ages worldwide and remain some of the most intriguing—and lucrative—pieces of literature ever to be published. This article compiles a list of the 30 greatest book series of all time, highlighting the plots and characters that have fascinated us, annoyed us, or made us thoroughly loathe them.

Top Book Series

This article covers a range of genres from fantasy to science fiction, and rankings are based on specific factors, including critical acclaim, commercial success, mass appeal, and cultural impact among readers of all ages over the years. From J.K. Rowling’s magical wizarding world to George R.R. Martin’s epic to C.S. Lewis’s magical musings, these series and their authors have earned reputations as the world’s literary elite.

30. The Expanse Series By James S.A. Corey

James S.A. Corey is the joint pen name of authors Daniel Abraham and Ty Franck, and their The Expanse Series is a space opera body of work that sends readers to an otherworldly reality powered by escapism. In this futuristic reality, humanity is colonized by the solar system, giving rise to a complex web of conspiracy, political intrigue and the discovery of alien technology. The nine-book series, was originally published in 2011, and adapted into a hit TV show The Expanse, which adapted six out of the nine books in the series.

Who should read: Readers who are intrigued by epic space stories with complex characters, intricate plotting and high-stakes conflicts will be entertained by this series. It is available at Hachette Book Group .

29. The Southern Reach By Jeff VanderMeer

Jeff VanderMeer’s The Southern Reach Trilogy is set in the horrifying and surreal backdrop of Area X, an isolated location that has been isolated from the rest of civilization for years. The series follows a team of scientists and explorers as they venture into the heart of this mysterious territory. As they venture out deeper into Area X, they begin to experience strange physical transformations that challenge their understanding of reality and their own identities. There is no official television adaptation of The Southern Reach Trilogy, however, the first novel in the three-part series, Annihilation , was adapted into a film in 2018.

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Who should read: Readers who enjoy atmospheric and immersive storytelling, as well as those who appreciate horror will be drawn to this series. It is available at Macmillan Publishers .

28. Mistborn By Brandon Sanderson

Brandon Sanderson’s Mistborn Trilogy is proof that magic, intrigue and revolution can collide in ways that breathe life into stories. Sanderson tells the story of Vin, a young street thief with a troubled past, who discovers that she possesses rare and powerful allomantic abilities. As she makes her way through the rough and tumble streets of the Final Empire, she becomes involved in a rebellion against the tyrannical Lord Ruler that forces her to join forces with a group of skilled rebels to form a revolution. Sanderson’s apt storytelling in this series is an evergreen literary output that stays with readers long after they turn the final page.

Who should read: Fans of epic fantasy, heist stories and political intrigue will find much to love in Sanderson’s seasoned blend of magic and adventure. The Mistborn is series is currently available on the Macmillan Publishers website, and a feature film adaptation of the series is currently in the works.

27. The Red Rising Saga By Pierce Brown

These books, which eerily mirror real-life issues of discrimination and classism, is a gripping science fiction series that transports readers to a dystopian future where society is divided into color-coded castes, each with its own responsibilities and privileges. At the heart of the saga is the protagonist, Darrow, a young Red miner who embarks on a grueling journey of rebellion and redemption that will change the fate of humanity.

Who should read: This book is ideal for readers who are passionate about social justice and drawn to coming-of-age storylines. The series is available to readers on Penguin House . Brown published the series between 2014 and 2021, and the story unfolds across five novels, with a sixth installment in the works and available for pre-order.

26. Thursday Next Series By Jasper Fforde

Jasper Fforde’s Thursday Next Series is a body of work that readers have found delightfully quirky with an inventive collection of novels that transports readers to an alternate version of England. First published between 2001 and 2012, the series follows the adventures of a literary detective called Special Operative as she navigates a world where books are not just objects of leisure but important members of society, with serious consequences for tampering or altering them.

Who should read: This book is perfect for readers who are literature fans to the core. Fforde has plans to publish more books in this series but currently, the series contains seven books and is available on Penguin Books .

25. The Bartimaeus Trilogy By Jonathan Stroud

Writers like Jonathan Stroud are able to thrive in their careers as authors because their uncanny ability to intertwine multiple themes to create a richly layered narrative of intrigue, adventure and rebellion. His book The Bartimaeus Trilogy, which was released between 2003 and 2005, consists of four books and is set against the backdrop of an imaginative world ruled by powerful magicians. Stroud weaves together a body of work that explores complex themes of tyranny, corruption and the struggle for freedom. At the heart of the series is the witty and cunning Djinni Bartimaeus, whose sharp wit and quick tongue provide a refreshing perspective on the events around him. In 2019, Start Media optioned the film and television rights to the adult fantasy series, but there has been no word on the progress of the project.

Who should read: While the series is marketed as young adult fiction, its depth and sophistication make it a rewarding read for readers of all ages. The series is available on Random House .

24. The Kingkiller Chronicle By Patrick Rothfus

Fantasy series can often become boring after a while, with some readers losing interest after the first three books, but that is far from the case here. With The Kingkiller Chronicle, Patrick Rothus keeps readers’ eyes glued to the pages by employing some of the finest skills in an author’s arsenal. Kvothe, the primary character in the book, is a figure whose life story unfolds across the pages, revealing a tale of triumph and tragedy, love and loss, and the pursuit of knowledge and power. Rothus’ episodic storytelling comes alive through Kvothe, who recounts his life story to a scribe, making the series an immersive read. Although there have been attempts to adapt the series into a movie or TV show, there are reportedly some ongoing challenges with this.

Who should read: The Kingkiller Chronicle is an excellent read for a diverse range of audiences, including fans of episodic storytelling and fantasy. The first two books of the fantasy trilogy were published between 2007 and 2011, and the series is available on Penguin Random House .

23. Riyria Revelations By Michael J. Sullivan

Michael J. Sullivan’s Riyria Revelations is an epic series that complements fantasy literature with complex characters who draw in readers with their personal stories. The series follows two protagonists, Royce Melborn, a cunning thief with a checkered past, and Hadrian Blackwater, a talented swordsman, as they embark on a thrilling journey replete with intrigue, dark mystery and dangerous adversaries. The six-book series, published between 2011 and 2012, shows that Sullivan is a master of his craft who has the ability to bring the pages of a book to life with a diverse cast of characters ranging from noble knights to ruthless villains, each with complex personalities. Although the series does not have a TV adaptation, Audible has created dramatized adaptations of the series.

Who should read: Riyria Revelations is a good read for people who enjoy complex plots and complicated protagonists. The series is available on Hachette Book Group .

22. The Witcher Saga By Andrzej Sapkowski

Andrzej Sapkowski’s The Witcher Saga is a series of fantasy novels that has intrigued audiences with a plot that takes readers down the road of a dark and politically turbulent world, filled with magic, monsters and moral ambiguity. Sapkowski introduces readers to Geralt of Rivia, a skilled monster hunter (known as a Witcher), as he navigates his intricate and thrilling world. With its origins in Polish folklore and mythology, The Witcher Saga is comprised of six books, and gained a loyal fanbase for its vivid characters, rich storytelling and exploration of complex themes. Netflix adapted Sapkowski’s work for the silver screen a few years ago, and it got mixed reviews by critics.

Who should read: The Witcher Saga is a perfect book for readers who enjoy reading about complex characters and analyzing political themes. The Witcher Saga was published by Hatchette Book Group .

21. The Belgariad By David Eddings

At the heart of David Eddings’ The Belgariad lies the intriguing story of Garion, a small-town farm boy whose ordinary life takes a significant turn after he discovers his true identity as the heir to a legendary lineage of sorcerers. The coming-of-age books show Garion embarking on a journey of self-discovery, guided by the enigmatic sorcerer Belgarath and accompanied by a colorful cast of companions. Through Garion, Eddings thrusts readers into a world of magic, ancient prophecies, dark conspiracies and epic battles against the forces of darkness. The series is comprised of five books which Eddings wrote over the course of two years.

Who should read: The Belgariad is perfect for young readers and those looking for heroic storylines. The series can be found on the Grim Oak website.

20. The Earthsea Cycle By Ursula K. Le Guin

Ursula K. Le Guin’s The Earthsea Cycle is a remarkable series of fantasy books set in the archipelago of Earthsea, a fictional world characterized by vast seas, endless islands and magic. Although Le Guin intended the series to be a short story, she ended up turning the body of work into a series after realizing that she had grown as a writer and had more to say to share with her readers. Celebrated for its richly imagined world, philosophical depth and exploration of timeless themes, Le Guin’s The Earthsea is undoubtely a fan favorite . In 2006, the book was adapted into a movie called Tales from Earthsea.

Who should read: While The Earthsea Cycle is suitable for readers of all ages, young adult readers, in particular, may appreciate the series’ coming-of-age themes, relatable characters and moral dilemmas. The Earthsea Cycle is available on Simon & Schuster .

19. Crazy Rich Asians By Kevin Kwan

Kevin Kwan’s over-the-top trilogy Crazy Rich Asians is a body of work that is brimming with larger-than-life characters and their opulent lifestyles. The New York Times bestseller tells the story of protagonist Rachel Chu, a New Yorker, who falls madly in love with Nicholas Young, who happens to come from an affluent Singaporean family. Rachel is unaware of this fortune until she and Nick take a trip that reveals a lot of unexpected plot twists. This kicks off an exciting foray into wealth, exuberance and everything in between. In 2018, the series was adapted into a movie.

Who should read: This book is recommended for readers who like a good plot twist. The series is available on Penguin Random House .

Henry Golding and his wife Liv Lo attend the Singapore premiere of "Crazy Rich Asians" on August 21, ... [+] 2018.

18. Goosebumps By R. L. Stine

R.L. Stine revolutionized the world of fiction for young readers when he released the Goosebumps series . The spine-tingling saga was first released in 1992 with the release of Welcome to Dead House , Stine’s ominous invitation into a world lurking with darkness and mystery. Since the initial release, Stine has continued to publish a steady stream of new additions to the series, ensuring that the Goosebumps franchise remains as vibrant, evergreen and unsettling as ever. What makes Stine’s creation a timeless body of work is that it gives his audience a literary playground with which to explore the darker corners of their imaginations. Each tale is carefully crafted to deliver a powerful blend of suspense, mystery and spine-tingling horror, and all 240 books in the series have served their purpose. The series has inspired the 2015 American horror comedy film Goosebumps .

Who should read: This series is an especially good fit for young readers who enjoy the thrill of a good scare. It is available for purchase on Simon & Schuster .

17. The Dresden Files By Jim Butcher

Spanning an impressive 17 books (and counting) and written over the course of more than two decades, Jim Butcher’s Dresden Files is a spellbinding narrative collection with elements of noir mystery, supernatural intrigue and pulse-pounding action. The New York Times bestselling series has attracted readers because of its layered approach to the art of storytelling. At the heart of the series is Harry Dresden, a wizard and private investigator who operates in the shadows of modern-day Chicago. Butcher’s vivid prose comes alive through Dresden, who gives readers a vicarious insight into life in the windy metropolis, while navigating the gritty streets of the city and facing off vengeful vampires and malevolent creatures.

Who should read: Anyone who is intrigued by dark mystery and adventure would find this book fascinating. The 17-part series can be purchased on Penguin Random House .

16. Percy Jackson & the Olympians By Rick Riordan

Rick Riordan introduced readers to the Percy Jackson & the Olympians series with the 2005 debut of the series titled The Lightning Thief . The series underscores the modern-day world of demigods and Greek mythology through the perspective of Percy Jackson, a spirited teenager who discovers that he is the son of Poseidon, the sea god. Although the series centers on Greek mythology, Riordan weaves in elements like adventure, humor, and fantasy to give readers with a diverse palate a wide range of material. Riordan published five of the books in this series over the course of four years and all of the books have remained culturally appealing to young readers over the years. In 2023, Disney+ adapted the body of work into a TV series.

Who should read: This series is recommended for readers who are intrigued by greek mythology, thrillers and adventure. This series is available on Penguin Random House .

15. The Hardy Boys By Franklin W. Dixon (Pseudonym)

Since its first release in 1927, The Hardy Boys series has continued to captivate readers with over 190 thrilling installments, making it one of the longest-running and most beloved mystery series in literary history. Set in the fictional town of Bayport, the Hardy Boys series chronicles the daring adventures of two curious, intellectually sharp brothers, Frank and Joe Hardy. The two have a keen knack for solving mysteries that stump even the most seasoned adult detectives by confronting danger, outwitting cunning adversaries and upholding justice in each action-packed tale. The Hardy Boys series is a body of work that has spanned nearly a century, but has managed to maintain its popularity across generations. This has led to numerous adaptations for television, with the most recent offering being Hulu’s 2020 spin on the series.

Who should read: Fans of detective and mystery books would find this series appealing. The books can be purchased on Simon & Schuster ’s website.

14. The Foundation Series By Isaac Asimov

Published between 1951 and 1993, Isaac Asimov’s Foundation series is a cornerstone for classic science fiction. Set against the backdrop of a universe inhabited by countless worlds and civilizations, the story serves as the perfect opportunity for Asimov to bring the main characters to life as they explore political intrigue, scientific speculation, and philosophical inquiry with depth and complexity. The series follows a group of exiles who have taken it upon themselves to save humanity from the throes of the Galactic Empire. At the core of the story is Hari Seldon, whose uncanny theories of psychohistory allow him to predict the future with precision, foreseeing the inevitable collapse of the Galactic Empire and the onset of a dark age that will last thousands of years. The science fiction series has been adapted for television and is available on Apple TV Plus.

Who should read: This is a perfect book for readers who are curious about science fiction’s potential to explore complex ideas and intricate plots. The Foundation Series can be purchased on The Penguin Random House website.

13. The Hitchhiker’s Guide to the Galaxy By Douglas Adams

Douglas Adams’s Hitchhiker’s Guide to the Galaxy series is a comedic science fiction saga that follows the misadventures of Arthur Dent, his protagonist, who is swept off Earth just before its destruction and embarks on a journey through the cosmos with his eccentric alien friend, Ford Prefect. What sets Adams’ franchise apart is his unique concoction of irreverent humor and thought-provoking philosophical themes. At its core, Hitchhiker’s Guide to the Galaxy is more than just a series of zany escapades—it is a humorous journey of self-discovery and enlightenment. The series has since been adapted to various other formats. In 1981, BBC adapted the television show in the United Kingdom for TV.

Who should read: Readers who enjoy philosophy with a healthy dose of laughter will like the five-book series, which can be purchased on the Penguin Random House website.

12. His Dark Materials By Philip Pullman

In his book His Dark Materials , Philip Pullman leans into multiple genres and themes, including fantasy, adventure and philosophical inquiry to set a parallel universe in motion. In this series, the souls of humans manifest themselves as sentient animal companions, which Pullman refers to as daemons. Through his masterful ability to create characters that challenge and entertain the reader, Pullman brings Lyra Belacqua and Will Parry, his two spirited protagonists, to life as they embark on a journey of self-discovery and rebellion against oppressive forces. Pullman blurs the lines between dark adventure and philosophical depth, which is appealing to readers of all ages. He wrote the series between 1995 and 2000, and in 2019, BBC One and HBO premiered the fantasy drama series His Dark Materials based on this series.

Who should read: Fans of thought-provoking fantasy seeking more than just escapism will find His Dark Materials to be a rewarding and enriching experience. The four-book series can be purchased on the Scholastic website.

Jack Thorne, Jane Tranter, Dafne Keen, Ruth Wilson and Lin-Manuel Miranda of "His Dark Materials" ... [+] speak onstage during the HBO Summer TCA Panels on July 24, 2019 in Beverly Hills, California.

11. The Dark Tower By Stephen King

Stephen King’s The Dark Tower series is arguably his magnum opus. The body of work defies categorization, blending elements of fantasy, science fiction and horror into a seamless blend. As usual, King leans into his powerful storytelling abilities by introducing readers to Roland Deschain, the last gunslinger and a lone figure on a quest to reach the enigmatic Dark Tower — a mythical figure that holds the key to saving a world that is quickly becoming distinct. The book highlights Roland’s journey as it leads him to confront his inner demons and make sacrifices to reach his ultimate goal. The series spans eight novels, and as he always does, King finds a way to sweep readers into the fictional world of his characters in the most memorable and remarkable ways. In 2017, the series was adapted into a movie called The Dark Tower , featuring Idris Elba and Matthew McConaughey.

Who should read: Lovers of fiction, fantasy and adventure will find this book fascinating and entertaining. It can be purchased on the Simon & Schuster website.

10. Wheel of Time By Robert Jordan

Drawing from deep mythology and diverse cultures and traditions, The Wheel of Time series draws readers in with its epic scope and timeless themes of destiny, sacrifice and the nature of power. Robert Jordan’s body of work is not just a saga that ushers readers into its thick plot throughout fourteen volumes, it also immerses readers in a world where the forces of Light and Shadow collide in a power struggle for the fate of existence itself. At the core of the story is Rand al’Thor, a young man from a modest background who discovers he is the Dragon Reborn, a prophesied champion destined to confront the Dark One and change the course of the Wheel of Time. The series is reportedly being adapted into a movie trilogy that is in the works.

Who should read: This book is perfect for anyone who enjoys long reads and is committed to following the plot of a story, no matter how extended it is, to see it through to the end. The book can be found on Macmillan .

9. Discworld By Terry Pratchett

In Discworld , Terry Pratchett’s boundless whimsical imagination takes flight within the confines of a flat, disc-shaped world perched on the backs of four colossal elephants standing atop a giant turtle. In this fantastical world, magical wizards, mischievous dragons and eccentric characters bring the pages to life, inviting readers to embark on a journey that is a vivid exploration of both the absurd and the fantastical. Over the course of 32 years, the English author crafted 41 books, each brimming with its unique sense of sharp wit, satirical humor and idiosyncratic social commentary. Since its release, the series has garnered a loyal fanbase and critical acclaim for its unparalleled imagination and insightful exploration of societal norms. Although there have been some attempts to turn Discworld into a film adaptation, none has truly been successful.

Who should read: This book is a good fit for readers who are intrigued by fantasy and good humor. The book can be found on the Harper Collins website.

Author Sir Terry Pratchett leaves hand imprints and his signature in concrete while fans of his ... [+] "Discworld" novels look on at Kingwell Rise, Wincanton, England.

8. A Song of Ice and Fire By George R.R. Martin

George R.R. Martin’s A Song of Ice and Fire series is a powerful epic with unexpected plot twists and turns. The story is set in the fictional continents of Westeros and Essos, where noble houses vie for power and the threat of supernatural forces is ever looming. Through the series, Martin invites readers into a world where power is a double-edged sword, and loyalty can be a deadly flaw. Martin first published the first book in the series in 1996, and while five books have been released to date, he is reportedly working on the sixth novel, The Winds of Winter. His seventh novel in the series, A Dream of Spring, is allegedly also in the works. Thanks to its adaptation into the hit HBO television series Game of Thrones, Martin’s brain child has also become a TV fan-favorite.

Who should read: Lovers of fiction, fantasy and mystery would be happy with this book. Currently, it is available on Penguin Random House .

7. Outlander By Diana Gabaldon

Diana Gabaldon’s nine-book series Outlander is a treasure trove of creative mastery, time travel and apt storytelling. The historical romantic novels follow the story of British nurse Claire Randall, who time travels to 18th-century Scotland and finds love and adventure with the enigmatic Jamie Fraser. The encounter changes the course of Claire’s life and opens up her world to endless possibilities beyond anything she could have imagined. Gabaldon first published the first book in the nine-part series in 1991, and there are reports that she will publish a 10th sometime in the future. In 2014, the book series was adapted into a seven-season historical drama television series that premiered on Starz.

Who should read: This is a perfect book for readers who enjoy vivid imagery and are fans of complex characters. The series can be purchased on Simon & Schuster ’s website.

6. Fifty Shades By E. L. James

Cult classic Fifty Shades is an erotic six-book series by British author E. L. James that took the world by storm when he released the series, and fans soon fell in love with its provocative storyline and steamy romance. The series follows the intense relationship between literature student Anastasia Steele and mysterious billionaire Christian Grey as they navigate the complex nature of their relationship and the power dynamic within it. Set against the backdrop of Seattle, Washington, the Fifty Shades series explores themes of dominance and submission, boldly pushing the boundaries of what is accepted in conventional romance literature . In 2015, the books were adapted into an erotic romantic film series, which brought in a box office worldwide profit of $569.7 million against a budget of $40 million.

Who should read: Readers who are comfortable with intense character dynamics and are comfortable with explicit content will find Fifty Shades an engaging and provocative read. The series is available on Penguin Random House .

5. The Hunger Games By Suzanne Collins

In modern-day cult classic The Hunger Games , Suzanne Collins creates a dystopian trilogy that follows the main character, Katniss Everdeen, as she navigates the brutal Hunger Games, a televised fight to the death, and becomes a symbol of strength, courage and rebellion against the oppressive Capitol. As Katniss navigates the arena and all of the things that come with it, she is not only in survival mode, she transforms into a source of strength and hope for the oppressed districts, embodying the qualities of strength, courage and defiance in the face of tyranny. Collins plays into themes that rely on justice in the face of blatant injustice and advocacy for the oppressed when no one else will speak up for them. Collins’ body of work was adapted into the wildly popular The Hunger Games film series, featuring Jennifer Lawrence, who brought Katniss to life on the silver screen.

Who should read: This book is a perfect fit for fans of dystopian fiction, action-packed thrillers and strong female protagonists. The series is available for purchase on the Scholastic website.

Jennifer Lawrence attends the Spanish premiere of the film "The Hunger Games: Catching Fire" on ... [+] November 13, 2013 in Madrid.

4. Twilight Saga By Stephenie Meyer

Stephanie Meyer’s Twilight Saga is arguably one of the best fantasy storylines in modern history. The story unfolds in the small, rainy town of Forks, Washington, where Bella Swan, a reserved and introspective teenager, relocates to live with her father. There, she encounters the enigmatic Edward Cullen, a vampire with a compelling allure and a dangerous secret. As their forbidden romance blossoms, Bella becomes entangled in a world of immortal beings, werewolves and ageless supernatural conflicts. The book broaches several genres, inviting readers to explore several themes and sub themes, including romance, fantasy, suspense and horror. The book series inspired the mega-successful adaptation, The Twilight Saga , which spun five films and has grossed a staggering $5.28 billion worldwide.

Who should read: Fans of paranormal romance and supernatural drama will find themselves captivated by the Twilight Saga ’s storyline. This series is available through the series’ official publisher, Hachette Book Group .

3. The Chronicles of Narnia By C.S. Lewis

C.S. Lewis’s The Chronicles of Narnia is a classic series of seven fantasy novels, each with a self-contained story that contributes to the overarching narrative of Narnia’s philosophy and mythology. Through this series, Lewis guides readers on a mystical journey that begins with an enchanted wardrobe in The Lion, the Witch, and the Wardrobe and culminates in the final book, The Last Battle . In the series, Lewis explores themes of moral goodness, courage, sacrifice and redemption. The book has had a significant impact on readers of all ages, and some have even said that it carries themes that are arguably biblical. The classic was written between 1949 and 1954 and three out of the seven books in the series were adapted for the big screen, where they grossed $1.5 billion.

Who should read: Chronicles of Narnia is perfect for people who love philosophy and religion. The book’s timeless charm and captivating storytelling will enchant children and adults alike. Fans of fantasy, adventure and Christian allegory will also find a lot to appreciate in Lewis’s imaginative world. This series is available on Harper Collins .

A complete seven-book boxed set of C.S. Lewis' classic "Chronicles of Narnia" series.

2. The Lord of the Rings By J.R.R. Tolkien

Set in the fictional world of Middle-earth, J.R.R. Tolkien’s epic fantasy, The Lord of the Rings , has amassed a cult-like following for its intricate storytelling, complex characters and mass appeal. Tolkien’s masterpiece follows the quest to destroy the One Ring and defeat the Dark Lord Sauron, while leaning into universal feel-good themes like heroism, triumph over evil, and friendship. The series includes four books and is one of the most critical pieces of literature in the fantasy genre. Although Tolkien wrote the books between 1937 and 1949, it continues to be a a widely celebrated classic, even in the 21st century. To date, the body of work has sold over 150 million copies worldwide and has been translated into 40 languages. Because of its commercial success, it was adapted into six movies , collectively grossing over $2.9 billion worldwide.

Who should read: This series is perfect for intellectually curious readers who are interested in fantasy and complex characters. Harper Collins currently offers the series on its website.

1. Harry Potter Series By J.K. Rowling

Inarguably one of the most beloved book series of all time, J.K. Rowling struck gold with her multi-billion-dollar Harry Potter franchise. The series follows the journey of a young wizard, Harry Potter, who attends Hogwarts School of Witchcraft and Wizardry and battles the evil wizard Voldemort. Rowling’s vivid depiction of the complex characters in the story and the forces that shape their worlds, against the ultimate battle of good against evil, forms the backbone of the storyline. The series consists of seven books, published over a decade, from 1997 through 2007.

With over 600 million copies sold worldwide, the Harry Potter series has become a literary phenomenon, and has been translated into numerous languages, inspiring a generation of readers and an equally lucrative film franchise.

Who should read: Readers of all ages enjoy magical adventures and stories about timeless themes of friendship and courage in the face of adversity. To purchase the Harry Potter series, visit Scholastic .

What Are The Best Fantasy Book Series?

Robert Jordan kicked off The Wheel of Time series with his first release of The Eye of the World in 1990. This epic saga follows the journey of Rand al'Thor as he battles against the forces of the Dark One to save the world from destruction. Another fan-favorite is A Song of Ice and Fire by George R.R. Martin, which debuted with A Game of Thrones in 1996. Set in Westeros, the series is celebrated for its complex characters and epic battles for power.

What Are The Best Sci-Fi Book Series?

Suzanne Collins's The Hunger Games is a standout series that changed the trajectory of Science Fiction in the 21st century when it was published in 2008. Set in a dystopian future where children are forced to fight to the death in televised competitions, the series follows the story of Katniss Everdeen as she boldly navigates a revolution against the Capitol. Many literature critics have affirmed that The Hunger Games is a modern science fiction classic.

What Are The Best Romance Book Series? 

Set in the small town of Forks, Washington, Stephenie Meyer's Twilight is considered one of the most powerful romance stories of all time, and it follows the romance between Bella Swan, a teenage girl, and Edward Cullen, a vampire. Although their love is taboo, the story makes for an intriguing read and explores complex themes of love, sacrifice, and the supernatural as Bella and Edward navigate the challenges of their forbidden romance. 

Bottom Line

Some of the most best-selling book series of all time have gripping storylines that showcase epic fantasies, fascinating thrillers and feature multi-faceted characters that have left their imprint on literature.

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The best books to read this month

From gripping thrillers to literary gems, here are some brilliant reads out this month.

With longer, lighter days and several bank holidays on the horizon - hooray! - there's hopefully more time for reading. Whether you want a page-turning thriller , a gripping historical novel or a feel-good read , we've got some great choices out this month.

You Are Here by David Nicholls

As a longtime fan of Nicholls’ writing, I had huge expectations for this book and it absolutely delivered. Michael and Marnie are two lonely people who meet on a coast-to-coast hike. Both come with a lot of baggage, but as they walk, they begin to open up to each other and develop a tentative friendship. I’m calling it now – this will undoubtedly be one of my best books of 2024.

Mrs Quinn's Rise To Fame by Olivia Ford

Seventy-something Jenny Quinn and her husband have agreed it’s time to slow down, but when the opportunity to appear on TV show Britain Bakes comes up, she can’t turn it down. This warm-hearted book is full of delicious descriptions of food, and a powerful message about it never being too late to try new things.

Mrs Quinn's Rise to Fame by Olivia Ford

Hagstone by Sinéad Gleeson

When artist Nell is commissioned to create a piece for a mysterious community of women called the Inions (old Irish for ‘daughters’), who live on an isolated island, she uncovers some of their shocking practices. A hugely atmospheric novel, with sensuous descriptions of the landscape that are so beautiful, you’ll picture yourself there.

Hagstone by Sinead Gleeson

The Household by Stacey Halls

The winner of the 2022 Women’s Prize for Fiction and Good Housekeeping Futures award returns with her fourth historical novel. Based on the real-life Urania Cottage, the house set up by novelist Charles Dickens to rehabilitate women who’d been in prison, this is compelling and richly detailed.

Prepare to shed some tears while reading this gorgeously tender story about friendship and love in all its forms. Birdie is still grieving the death of her husband and twin sister when she receives a cancer diagnosis. Her illness throws her together with two neighbours, both also struggling in their own ways, who form a circle of support.

Goodbye Birdie Greenwing by Ericka Waller

The Sleepwalkers by Scarlett Thomas

After a chaotic wedding, Evelyn and Richard find themselves the only guests at a small Greek beach resort where a couple tragically drowned the previous summer. As Evelyn tries to piece together what happened, events take a more sinister turn. Told mostly through notes and letters, this original thriller has plenty of surprises.

The Night In Question by Susan Fletcher

Oh, how I loved 87-year-old Florrie, the charming armchair detective at the centre of this gentle mystery. When a member of staff at her care home falls from a window, it’s declared an accident, but Florrie is unconvinced. One for fans of Elizabeth Is Missing .

The Night in Question by Susan Fletcher

Day One by Abigail Dean

The author of Girl A returns with a thoughtful yet gripping drama that focuses on the aftermath of a school shooting in a small Lake District community. As the town tries to understand what happened, questions are raised and some begin to believe the whole thing was a hoax.

As Young As This by Roxy Dunn

Dunn’s debut novel, which combines lyrical writing with a very relatable main character, marks her out as a rising star. On the brink of a big decision, Margot reflects on the men she has loved and how each relationship has shaped her.

As Young as This by Roxy Dunn

The Hypocrite by Jo Hamya

The relationship between a father and his daughter is at the heart of this sharp, insightful read. In London in 2020, Sophia is debuting her first play, while in the audience her dad discovers he is its subject – and what unfurls before him is not flattering.

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The Best Books of 2024 (So Far)

The year may still be young, but 2024 has already brought a treasure trove of surprising new books. Multiple celebrated first-time authors have returned with highly anticipated, ambitious follow-up novels . Memoir and reportage are skillfully blended together for a collection of essays on the climate crises. A former Village Voice journalist delivers a vibrant oral history of the beloved alternative weekly. And we’d be remiss not to mention a brilliant debut novel that deftly brings humanity and humor to existential dread. Here are the titles that we already can’t stop thinking about.

Titles are listed by U.S. release date.

Headshot , by Rita Bullwinkel

In a shabby gym in Reno, Nevada, teenage girls face off in a youth boxing tournament under a shifting ray of daylight that “fills the whole space with a dull, dusty brightness” and surrounded by a sparse crowd of mostly uninterested coaches and parents. The novel enters deep into the girls’ minds as they assess one another’s weaknesses and coax themselves through the rounds, which are described in brutal, bloody detail. Each fighter has her own source of competitive energy, but they’re all realistically ambivalent, too — unsure about why, exactly, they’re drawn to a sport that gives them so little for their trouble. Rita Bullwinkel’s debut novel is as tense and disciplined as its characters, and she has a gift for capturing the way their minds wander far from the ring and back again: One girl counts off the digits of pi, while another obsesses over a death she witnessed as a lifeguard. There’s a mesmerizing sense of limitlessness to the narrative, which roams far into the future of these fighters even as they’re absorbing hits in the ring. — Emma Alpern

Lessons for Survival , by Emily Raboteau

Raboteau emerged on the scene some two decades ago as a writer of sharp, incisive fiction that mapped the contours of identity and race. In recent years, she has become a literary voice of consciousness about the ongoing climate crisis. Across a series of essays, book reviews, and conversations, Raboteau has charted the progression of the crisis, our shared culpability, and our responsibility to develop practical solutions. Lessons for Survival is, in many ways, a culmination and continuation of this work. Raboteau travels locally and abroad to capture stories about the impact of the environmental crisis, and the resilience of communities that find themselves on the front lines. She also writes authentically — her prose seamlessly melds slang and heightened language — about her own experiences as a Black mother, whose identity has shaped her understanding of these issues. This is scintillating work, an essential primer for our times. — Tope Folarin

Help Wanted , by Adelle Waldman

Set at a big-box store in upstate New York, Help Wanted recalls Mike White’s Enlightene d in its textured portrayal of how small humiliations and injustices at work inevitably boil over into righteous rage. It’s a novel that lingers in the imagination, by which I mean, after you read it you’ll think of it every time you shop at Target, forever. — Emily Gould

➽ Read Emily Gould’s interview with Help Wanted author Adelle Waldman on The Cut .

Stranger , by Emily Hunt

Emily Hunt’s second book of poems considers real intimacy mediated by apps. In “Company,” a long poem originally published as a chapbook, the speaker works for a flower delivery startup, gently pulling roots from soil, culling, clipping, and handing off arrangements. These moments are sensorily rich, slotted into 15-minute assembly-line shifts, and short lines. In “Emily,” Hunt uses messages from Tinder as her source material, not to mock (or not only to mock) the senders or the stilted situation of meeting online, but to construct a self in relief, as seen and spoken to by strangers. A funny and surprising interaction with dailiness, including our phones — the hardware and the relationships maintained through them — and whatever else is still tactile. — Maddie Crum

Dead Weight: Essays on Hunger and Harm, by Emmeline Clein

Emmeline Clein’s Dead Weight seems destined to fundamentally reshape how we think and write about the subject of eating disorders. What separates Clein’s book from others on the topic is her commitment to treating the sufferers of eating disorders with the kind of dignity that clinicians tend to withhold. She writes as an insider, telling both her personal story and sharing the stories of her “sisters,” which range from Tumblr accounts to clinical studies co-authored by their subjects. Throughout, she refrains from including the graphic details that have historically plagued books about the subject. “Too many people I love have misread a memoir as a manual,” she writes. The book she writes instead confronts the complicated entanglement between eating disorders, race, capitalism, and the ongoing erosion of social safety nets. Stereotypes about eating disorders commonly portray the illness as one rooted in control. Dead Weight not only exposes how little control patients have had over their own narratives and bodies, it returns the narrative to those who have suffered from the disease. This is a moving, brilliant, and important book. — Isle McElroy

The Freaks Came Out to Write , by Tricia Romano

If you were reading The Village Voice in the 1990s, as I was, it wasn’t as good as it used to be. That was also true ten years later, and 20 years before, and frankly it was probably what people started saying upon reading issue No. 2 in 1955. What the Voice was, inarguably, was shaggy, sometimes under-edited, alternately vigorous and undisciplined and brilliant and exhausting and fun. The infighting in its pages and in its newsroom was relentless, amped up by the very aggressiveness that made its reporters and editors able to do what they did. You’ll encounter more than one office fistfight in The Freaks Came Out to Write , this oral history by Tricia Romano, who worked there at the very end of its life. She got a huge number of Voice survivors to talk, including almost every living person who played a major role in this beloved, irritating paper’s life, and good archival interviews fill in the gaps. If you read the Voice in its glory days (whenever those were!) you’ll miss it terribly by the end of this book; if you weren’t there, you will be amazed that such a thing not only existed but, for a while, flourished. — Christopher Bonanos

Wandering Stars , by Tommy Orange

Orange’s Pulitzer-finalist debut, 2018’s There There , is a tightly constructed, polyphonic book that ends with a gunshot at a powwow. His follow-up, which shares the first one’s perspective-hopping structure (and several of its characters), is a different beast, an introspective novel about addiction and adolescence. The story begins in the 1860s, when a young Cheyenne man becomes an early subject in the U.S. government’s attempts to assimilate Native Americans. The consequences of this flurry of violence and imprisonment will reverberate through generations of his family, eventually landing in present-day Oakland, California, where three young brothers live with their grandmother and her sister. The oldest brother, Orvil, was shot at There There ’s powwow, and even though he survived, the heaviness of that day is weighing on him and his family. Prescribed opioids for the pain, he finds that — like several of his ancestors, though he has no way of knowing that — he likes the sense of removal they give him. Orange’s novel is unusually curious and gentle in its treatment of addiction; he lets his characters puzzle out why they’re drawn to intoxication, managing to balance a lack of judgment with an understanding of the danger they’re in. — E.A.

➽ Read Emma Alpern’s full review of Wandering Stars .

Come and Get It , by Kiley Reid

In Come and Get It , the second novel from the breakout author of Such a Fun Age , the University of Arkansas serves as the backdrop for Kylie Reid’s assessment of race, class, and social hierarchy on a college campus. Over the course of a semester that shifts between the perspectives of Millie, a meek yet dutiful R.A., Kennedy, a shy transfer student with a traumatic secret, and Agatha, a visiting professor out of her depths, the primary characters are forced to grapple with the heady concepts of desire, privilege, and the rules of social conduct in an environment where the the game is rigged and fairness is reserved for a select few. Light on plot and heavy on character development and social commentary, Come and Get It is the kind of book you put down and immediately want to discuss . But fair warning: If you ever lived in a college dorm in the U.S., this book might inflict a non-negligible amount of PTSD. — Anusha Praturu

Martyr! , by Kaveh Akbar

In Poet Kaveh Akbar’s debut novel, Cyrus Shams is a nexus of dissonant identities: He’s a 20-something Iranian-American, a straight-passing queer, a recovering addict, a depressive insomniac, and a writer who’s recently gotten some unflattering feedback. He’s also grieving his parents, who he considers to have died meaninglessly, his mother on a passenger flight out of Tehran that was accidentally shot down by the U.S. military (a real event that occurred in 1988), his father “anonymous[ly] after spending decades cleaning chicken shit on some corporate farm.” Martyr! traces Cyrus’s obsession with the idea of dying with a purpose, disrupting linear time and moving miraculously between worlds and perspectives. Sometimes, the dead speak for themselves; we hear from Cyrus’s mother and his uncle, who recounts his life as a soldier in the Iran-Iraq war. The book also shines with humor, including an imagined conversation between Cyrus’s mother and Lisa Simpson. Akbar’s prose courses with lyrical intelligence and offers an interrogation of whose pain matters — and what it means to live and die meaningfully — that is as politically urgent as it is deeply alive. — Jasmine Vojdani

The Rebel’s Clinic , by Adam Shatz

In these chaotic times, Franz Fanon’s work is constantly and enthusiastically referenced. A new generation of activists — as many before them — has repurposed Fanon’s words to describe our current travails, and to propose how we might move forward. Fanon persists in the activist imagination as a kind of radical soothsayer, an intellectual who can speak authoritatively about our moment because of his identity as a Black man and colonial subject who personally experienced the barbarity of a colonizing power. In The Rebel’s Clinic , Adam Shatz complicates our understanding of Fanon’s life and work, and persuasively conjures the human being who wrote the words that have inspired so many. Among Shatz’s most important interventions is to highlight Fanon’s vocation as a doctor who “treated the torturers by day and the tortured at night.” Shatz’s book is a chronicle of a man who, because of his identity and gifts, was obliged to constantly reconcile opposing ideas and ways of being. — T.F.

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