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Analysis of Emily Brontë’s Wuthering Heights

By NASRULLAH MAMBROL on March 25, 2019 • ( 3 )

Wuthering Heights is constructed around a series of dialectic motifs that interconnect and unify the elements of setting, character, and plot. An examination of these motifs will give the reader the clearest insight into the central meaning of the novel. Although Wuthering Heights is a “classic,” as Frank Kermode has noted, precisely because it is open to many different critical methods and conducive to many levels of interpretation, the novel grows from a coherent imaginative vision that underlies all the motifs. That vision demonstrates that all human perception is limited and failed. The fullest approach to Emily Brontë’s novel is through the basic patterns that support this vision.

Wuthering Heights concerns the interactions of two families, the Earnshaws and Lintons, over three generations. The novel is set in the desolate moors of Yorkshire and covers the years from 1771 to 1803. The Earnshaws and Lintons are in harmony with their environment, but their lives are disrupted by an outsider and catalyst of change, the orphan Heathcliff. Heathcliff is, first of all, an emblem of the social problems of a nation entering the age of industrial expansion and urban growth. Although Brontë sets the action of the novel entirely within the locale familiar to her, she reminds the reader continually of the contrast between that world and the larger world outside.

Aside from Heathcliff’s background as a child of the streets and the description of urban Liverpool, from which he is brought, the novel contains other reminders that Yorkshire, long insulated from change and susceptible only to the forces of nature, is no longer as remote as it once was. The servant Joseph’s religious cant, the class distinctions obvious in the treatment of Nelly Dean as well as of Heathcliff, and Lockwood’s pseudosophisticated urban values are all reminders that Wuthering Heights cannot remain as it has been, that religious, social, and economic change is rampant. Brontë clearly signifies in the courtship and marriage of young Cathy and Hareton that progress and enlightenment will come and the wilderness will be tamed. Heathcliff is both an embodiment of the force of this change and its victim. He brings about a change but cannot change himself. What he leaves behind, as Lockwood attests and the relationship of Cathy and Hareton verifies, is a new society, at peace with itself and its environment.

It is not necessary, however, to examine in depth the Victorian context of Wuthering Height s to sense the dialectic contrast of environments. Within the limited setting that the novel itself describes, society is divided between two opposing worlds: Wuthering Heights, ancestral home of the Earnshaws, and Thrushcross Grange, the Linton estate. Wuthering Heights is rustic and wild; it is open to the elements of nature and takes its name from “atmospheric tumult.” The house is strong, built with narrow windows and jutting cornerstones, fortified to withstand the battering of external forces. It is identified with the outdoors and nature and with strong, “masculine” values. Its appearance, both inside and out, is wild, untamed, disordered, and hard. The Grange expresses a more civilized, controlled atmosphere. The house is neat and orderly, and there is always an abundance of light—to Brontë’s mind, “feminine” values. It is not surprising that Lockwood is more comfortable at the Grange, since he takes pleasure in “feminine” behavior (gossip, vanity of appearance, adherence to social decorum, romantic self-delusion), while Heathcliff, entirely “masculine,” is always out of place there.

Even Cathy’s passionate cry for Heathcliff, “Nelly, I am Heathcliff,” is less love for him as an individual than the deepest form of self-love. Cathy cannot exist without him, but a meaningful relationship is not possible because Cathy sees Heathcliff only as a reflection of herself. Heathcliff, too, has denied an important aspect of his personality. Archetypally masculine, Heathcliff acts out only the aggressive, violent parts of himself.

The settings and the characters are patterned against each other, and explosions are the only possible results. Only Hareton and young Cathy, each of whom embodies the psychological characteristics of both Heights and Grange, can successfully sustain a mutual relationship.

This dialectic structure extends into the roles of the narrators as well. The story is reflected through the words of Nelly Dean—an inmate of both houses, a participant in the events of the narrative, and a confidant of the major characters—and Lockwood, an outsider who witnesses only the results of the characters’ interactions. Nelly is a companion and servant in the Earnshaw and Linton households, and she shares many of the values and perceptions of the families. Lockwood, an urban sophisticate on retreat, misunderstands his own character as well as the characters of others. His brief romantic “adventure” in Bath and his awkwardness when he arrives at the Heights (he thinks Cathy will fall in love with him; he mistakes the dead rabbits for puppies) exemplify his obtuseness. His perceptions are always to be questioned. Occasionally, however, even a denizen of the conventional world may gain a glimpse of the forces at work beneath the surface of reality. Lockwood’s dream of the dead Cathy, which sets off his curiosity and Heathcliff’s final plans, is a reminder that even the placid, normal world may be disrupted by the psychic violence of a willful personality.

The presentation of two family units and parallel brother-sister, husband-wife relationships in each also emphasizes the dialectic. That two such opposing modes of behavior could arise in the same environment prevents the reader from easy condemnation of either pair. The use of flashback for the major part of the narration—it begins in medias res—reminds the reader that he or she is seeing events out of their natural order, recounted by two individuals whose reliability must be questioned. The working out of the plot over three generations further suggests that no one group, much less one individual, can perceive the complexity of the human personality.

Taken together, the setting, plot, characters, and structure combine into a whole when they are seen as parts of the dialectic nature of existence. In a world where opposing forces are continually arrayed against each other in the environment, in society, in families, and in relationships, as well as within the individual, there can be no easy route to perception of another human soul. Wuthering Heights convincingly demonstrates the complexity of this dialectic and portrays the limitations of human perception.

Bibliography Barnard, Robert. Emily Brontë. New York: Oxford University Press, 2000. Benvenuto, Richard. Emily Brontë. Boston: Twayne, 1982. Berg, Maggie. “Wuthering Heights”: The Writing in the Margin. New York: Twayne, 1996. Davies, Stevie. Emily Brontë: Heretic. London: Women’s Press, 1994. Frank, Katherine. A Chainless Soul: A Life of Emily Brontë. Boston: Houghton Mifflin, 1990. Glen, Heather, ed. The Cambridge Companion to the Brontës. New York: Cambridge University Press, 2002. Liddell, Robert. Twin Spirits: The Novels of Emily and Anne Brontë. London: Peter Owen, 1990. Miller, Lucasta. The Brontë Myth. London: Jonathan Cape, 2001. Pykett, Lyn. Emily Brontë. Savage, Md.: Barnes & Noble, 1989. Rollyson, Carl, and Lisa Paddock. The Brontës A to Z: The Essential Reference to Their Lives and Work. New York: Facts On File, 2003. Vine, Steve. Emily Brontë. New York: Twayne, 1998. Winnifrith, Tom, ed. Critical Essays on Emily Brontë. NewYork: G. K. Hall, 1997.

Major works Poetry: Poems by Currer, Ellis, and Acton Bell, 1846 (with Charlotte Brontë and Anne Brontë); The Complete Poems of Emily Jane Brontë, 1941 (C. W. Hatfield, editor); Gondal’s Queen: A Novel in Verse by Emily Jane Brontë, 1955 (Fannie E. Ratchford, editor). Nonfiction : Five Essays Written in French, 1948 (Lorine White Nagel, translator); The Brontë Letters, 1954 (Muriel Spark, editor).

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I found it very informative. Representation of the two worlds is amazing. Thanks a lot.

VERY NICE;I LIKED THE WAY OF ANALYSIS OF WHOLE NOVEL AND DESCRIBE EVERY THING,

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In 1847, when a novel by Emily Brontë Wuthering Heights was published, feminism or gender equality was an unknown concept, and it was just beginning to emerge as it seemed to be a radical idea to many people. Brontë can be therefore considered a proto-feminist. Women in the Victorian period belonged mainly to the domestic sphere, and the public sphere was for their husbands. All characters in the novel live in a patriarchal society, in women are submissive to men […]

Wuthering Heights Reading Journal: Chapter 29

Chapter 29 Edgar has passed away, leaving the title of Thrushcross Grange master unfilled. Nelly, Edgar’s servant, seeks a new job at Wuthering Heights as a servant for Heathcliff but he denies. Right before the death of Edgar, his daughter Cathy forcedly marries Linton, Heathcliff’s son. The marriage gives Linton and Heathcliff say over the Grange estate after Edgar’s death, therefore making Heathcliff the new master, replacing Edgar. Now the master, Heathcliff use the Grange as a space to rent […]

Wuthering Heights Novel

The five examples that I have come across with, that represent the gothic theme in the novel from chapter 1 through 10 are weather, supernatural, revenge, suffering, and death. One day a huge snowstorm has approached that prevent Mr. Lockwood from leaving, and no one seems to be interested in helping him to reach home, Mr. Heathcliff shows no hospitality and “Gnasher and Wolf—become so excited by the scene that they floor Lockwood, giving him a bloody nose”(chapter 2). Weather […]

Essay about Abuse Cycle

Each person has a different personality. Some people are influential, impulsive, perfectionist, and/or strong-willed. One of the components that influence someone’s personalities is their environment. Just like in “Wuthering Heights” Heathcliff’s abusive environment at such a young age leads him to have an aggressive abusive behavior towards others. When most people think of the word environment they usually just think about their home they live in. But this word actually mean way more than that. According to the Merriam-Webster dictionary […]

Novel “Wuthering Heights” by Emily Bronte

Wuthering Heights takes place in the early 19th century. During this time, women were considered second-class citizens. They had the responsibility for the care of their family, as a wife and a mother, and the household. Outside of the home setting, women had no real significance as they were only expected to have a minimum education and were not encouraged to pursue a professional career. Men were highly relied on by women to be the ""power force."" Women did not […]

Wuthering Heights Reading Journal: Chapter 11

Chapter 11 Nelly, the servant from Thrushcross Grange heads over to Wuthering Heights hoping to talk to Hindley, Heathcliff’s ultimate enemy but cannot. The next day at the Grange she, along with Catherine see Heathcliff with his new “lover” Isabella. Catherine, who loves Heathcliff but is married to Edgar Linton, confronts him asking for her true feelings and offers to allow the marriage if their love is true. Heathcliff becomes disgusted at the idea of marrying Isabella, confessing his hate […]

Heathcliff in “Wuthering Heights”

Symbols - mostly settings Wuthering Heights - an old farmhouse that Heathcliff and Catherine grew up together symbolizes energy, excitement and affection. Thrushcross Grange is the house owned by the Lintons and later visited by Lockwood. It symbolizes a place with disciplined, elevated and civilized culture. Moors- A place where great adventures dwell in Catherine’s and Heathcliff’s memories. It symbolizes ferocious tendencies and exciting and mysterious mood of the unknown. The moor helps establish a certain mood in the novel […]

The Analysis of Heathcliff in Wuthering Heights

Wuthering Heights is a remarkable piece of literature, the books character development is one of it’s most appealing features. For example, we all know about Heathcliff, the young boy taken in by Mr. Earnshaw who he raised as his own son and grew to love him more than his actual son. Initially, only Mr. Earnshaw cared for Heathcliff, but soon, his daughter would madly with him, and he with her. There love for one another grew as they did, they […]

Novels – Plot of the Story

"The majority of the time, novels will use hate to create havoc in the plot of the story. Wuthering Heights uses Heathcliff’s hate toward the other characters to insert conflict in the story. Wuthering Heights illuminates the source of Heathcliff’s hate as well as the effect it has on the other characters throughout the story. Heathcliff’s relationships with other characters also suggest the theme that hate only breeds hate. Heathcliff never finds peace through his revenge. With every act of […]

Emily Bronte – Facts of Life

"Emily Bronte was born on July 30, 1818, in a village located in Thornton, Yorkshire, England. She had five other siblings but sadly lost her mother to cancer when she was only three years old. Emily was extremely shy and loved animals. She had a passionate nature and wrote several poems with her two sisters in 1845. They published the poems under pseudonyms, which began her literary endeavors. Emily began her teaching career at Law Hill School in November of […]

Devon Komar Honors English

The book is set in an extremely secluded area within England. This suits Lockwood extremely well, as he defines himself as a “misanthropist”. Lockwood states, “‘Wuthering’ being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather. Pure, bracing ventilation they must have up there at all times, indeed: one may guess the mower of the north wind blowing over the edge…” (2). This shows that the property is often exposed to harsh […]

The Extraordinary Life of Novelist and Poet Emily Brontë

“Emily Brontë has become mythologized both as an individual and as one of the Brontë sisters” ("Overview of Emily Brontë"). Emily made her way as an individual with the release of her best selling and only novel, Wuthering Heights, in 1847. Life before Emily found her passion in writing was chaotic. Emily’s life was unusual and often unhappy, but everything changed when she learned how to sit down and write ("Overview of Emily Brontë"). Emily Brontë is an English novelist […]

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Wuthering Heights Essay

Wuthering Heights is a book by Emily Bronte. It is a story of love and revenge, and is set on the Yorkshire moors. Wuthering Heights is often seen as a classic novel, and is widely studied in schools.

Wuthering Heights is a book by Emily Bronte. It was published in 1847, and is generally considered to be her masterpiece. The story is set on the Yorkshire moors, and tells the tale of love and revenge. Wuthering Heights is now seen as a classic novel, and is still studied by students all over the world. Emily Bronte is considered to be one of the greatest English authors of all time.

If you’re looking for a great book to read, then Wuthering Heights is definitely worth a look. It’s a complex story, but it’s well worth the effort. Emily Bronte is an excellent author, and Wuthering Heights is sure to captivate you from beginning to end. So if you’re looking for something exciting and engrossing, be sure to check out Wuthering Heights! You won’t regret it.

Wuthering Heights is the tragic story of Heathcliff, an orphaned boy who becomes obsessed with Catherine Earnshaw and her wealthy guardian.

Wuthering Heights is a book that you can’t help but be pulled into, with its powerful descriptions of the bleak Yorkshire moors and the passionate characters who inhabit them.

Emily Bronte wrote Wuthering Heights when she was just nineteen years old, and the book is considered to be one of the most original and accomplished of all Victorian novels. Wuthering Heights has been banned, admired, dissected, and adapted countless times, and it still remains one of the most loved – and most hated – books in the world. If you’re looking for a book that will keep you engrossed from beginning to end, Wuthering Heights is definitely it. So if you’re ready to be taken on a dark and twisting journey, then buckle up and prepare to read Wuthering Heights.

The love between Catherine and Hareton Hindley’s son, which is a more delicate and kind version of the love between Cathy and Heathcliff, is poised to have a happy conclusion.

Wuthering Heights is a story of love and revenge, and tells the tale of two families, the Earnshaws and the Lintons. The love that develops between young Catherine and Hindley’s son, Hareton, is a paler and gentler version of the love between Cathy and Heathcliff, and it’s poised for a happy ending. However, Heathcliff returns after many years away, seeking revenge on those who have wronged him. Wuthering Heights is a rich and dark novel, full of passion and violence.

Although Heathcliff still loves as fiercely as he once loved Cathy, his actions are now driven by a thirst for vengeance. He resorts to exacting some form of retribution from everyone who, in his opinion, has wronged him: Hindley (and his descendants) for mistreating him, and the Lintons (Edgar and Isabella) for taking Cathy away from him.

Wuthering Heights is a novel of passion, mystery, and revenge. It tells the story of two families, the Earnshaws and the Lintons, who live on opposite sides of Wuthering Heights, an isolated house on the Yorkshire moors. The Earnshaws are a poor family; the Lintons are wealthy landowners.

Heathcliff, an orphan brought up by Hindley Earnshaw, falls in love with Cathy Linton and they run away together. When Cathy returns to Wuthering Heights after four years away, she finds that she is now married to Edgar Linton. Heathcliff plots to destroy his rival and take Cathy back for himself. Wuthering Heights is a story of unrequited love, passion, and revenge.

The novel was written by Emily Bronte, who was born in 1818 and died in 1848, shortly after Wuthering Heights was published. It is one of three novels she wrote (the other two are The Tenant of Wildfell Hall and Agnes Grey), but it is the only one that was published during her lifetime. Wuthering Heights is considered to be a classic of English literature. It has been adapted for stage, television, and film many times.

Some famous adaptations include Wuthering Heights (1939), starring Laurence Olivier and Merle Oberon; Wuthering Heights (1970), starring Timothy Dalton and Anna Calder-Marshall; Wuthering Heights (1992), starring Ralph Fiennes and Juliette Binoche; and Wuthering Heights (2009), a three-part television adaptation starring Tom Hardy and Charlotte Riley.

The central theme of the book is the dualism of good and evil. She has emphasized this area through piety, love, vengeance, and obsession. At first, there appears to be a leaning toward either goodness or evil among various figures.

Heathcliff, for example, represents the dark side of human nature with his anger, jealousy, and thirst for revenge. On the other hand, Catherine Earnshaw is a good person with strong morals. However, as the novel progresses, Heathcliff manages to corrupt Cathy and Edgar Linton, making them just as wicked as he is. Wuthering Heights is a story about the fall of man and how evil can take over when people give in to their desires. Bronte has shown how good can eventually overcome evil if people are willing to fight for it.

Wuthering Heights contains a number of prominent themes, including revenge and justice, which represent significant experiences, personality flaws, and the path of devastation. Heathcliff starts his existence in Wuthering Heights with an open heart but grows enraged after being mistreated by Edgar and Hindley.

Wuthering Heights is a novel about passionate love, cruel revenge, and the power of nature to erode human happiness. Wuthering Heights is a novel full of passion and emotion. The characters in the novel are motivated by intense feelings such as love, hate, jealousy, and vengeance. Emily Bronte has written Wuthering Heights as if it were a poem. This makes the story more powerful and moving.

The language is descriptive and lyrical which helps to set the mood for the reader. Wuthering Heights is a timeless classic that has been enjoyed by readers for many years. It is a must-read for all fans of romance and mystery. Wuthering Heights will leave you with a feeling of sadness and happiness all at the same time. It is a beautiful story that will stay with you long after you have finished reading it.

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Home — Essay Samples — Literature — Wuthering Heights — Reading Wuthering Heights Through Psychoanalysis Theory

Analysis of Wuthering Heights Through Freud’s Personality Theory

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Published: Jun 29, 2018

Words: 1511 | Pages: 3.5 | 8 min read

Table of contents

Introduction, wuthering heights psychological analysis: id, ego, and super ego, heathcliff - id, edgar linton - super ego, catherine earnshaw - ego.

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