weekly photography assignments

10 Photo Assignments to Inspire and Challenge Your Skills

Liz Masoner is a professional photographer and she shares her tips and techniques on photo editing and how to photograph nature, portraits, and events with film and digital cameras. Liz has over 30 years of experience and she is the author of three books on photography.

The best way to learn photography is to practice, though sometimes you can get stuck in a rut and not know what to shoot. That is why photographers love assignments; they give us a purpose and an idea of what to photograph. 

Why Are Assignments Important?

Self-assignments are key to any photographer's growth. Even professionals with decades of experience will work on personal assignments that they may never get paid for. The goal of any self-assignment is to spur creativity, solve problems, learn new techniques, and challenge yourself.

As you start out in photography, you're probably filled with excitement and ready to shoot anything you can. That being said, sometimes a little direction and guidance are necessary.

Below, you will find ten photography assignments. Each covers a new topic, skill, or concept and they were chosen to help you learn how to see as a photographer. They are meant to be a personal challenge that you can complete at your own pace and with no outside judgment, simply as a means to practice and improve your photography. Hopefully, you will learn something new with each assignment and be able to use that in every photograph you take in the future.

Remember when composing your images to keep in mind the basics: the rule of thirds,  shutter speed , aperture,  depth of field , and  exposure .

Assignment #1: Up Close

This assignment encourages you to get close and personal with your subject. It is an exercise in viewing a common object in a new way and examining its finer details.

• Choose an object that you see or interact with every day.
• Focus on a small part of it, get as close as your camera will allow you to focus, and shoot away.
• Try to capture different angles and unusual lighting to add to the mystery of this tiny world.

From the whiskers of your cat to a fragile Christmas ornament, and even common soap bubbles, there is an entire world that we often overlook because we don't get close enough.

Assignment #2: Motion

Photography is a static medium which means that it doesn't move. Conveying a sense of motion is often crucial to capturing a scene or emotion and it is an essential skill for photographers to practice.

The goal of this exercise is to understand how shutter speeds can be used to convey motion.

• Choose a subject or series of subjects that will allow you to convey motion in your images.
• It can be slow motions, like that of a turtle, or fast motion, like a speeding train.
• Blur it, stop it, or simply suggest that there is motion in the photograph.

Challenge yourself to capture the same motion in different ways. For instance, you might go to a race track and stop the movement of the cars completely in one image, then leave the shutter open and allow them to blur out of the frame in the next. 

Assignment #3: Shadows

Shadows are everywhere and they are vital to photography because this is the art of capturing light. With light comes shadows and when you begin to look at shadows as a photographer, your world will open up.

• Take a look around for shadows and record them with your camera.
• You could show the shadow as the total focus of the image. Perhaps the shadow is incidental to the subject.
• Is the shadow natural or created by flash?

Shadows are integral to creating depth in a two-dimensional medium such as photography. Take some time to seriously explore the "dark side" of the light.

Assignment #4: Water

Water is everywhere in photography and it presents many challenges. There are reflections and movements to work with and in this exercise, you will take a deeper look at water.

• Find water anywhere: lakes, streams, puddles, even the glass on your kitchen table.
• Pay attention to reflections and use them to your advantage in the photographs. Use this opportunity to get familiar with a polarizing filter (a very useful tool in your camera kit) so you can accentuate or eliminate reflections.
• Play with the motion of a stream or the crashing waves. Notice the difference between stopping the flow of water and allowing it to blur to create a real sense of movement.

Be sure to make water the subject and not an accent to the image. Water alone is beautiful and mysterious and your challenge is to explore all of its potential as a subject.

Assignment #5: Leading Lines

A classic assignment in photography schools, 'leading lines ' is a popular and fun subject. The goal of this assignment is to learn how to direct the viewer to your subject using lines.

• Choose a subject then look around for lines in the scene that you can use to 'lead' the viewer to the subject. 
• Find an interesting line then determine what the subject of your photograph is.
• Remember that lines can be man-made or natural. For instance, the yellow line down the middle of the road or a tree branch. Even a person's arm can be a leading line of their face.

Use this assignment as an excuse to take an afternoon photo excursion. Walk downtown or in the woods and look around you for interesting lines that lead the eye to a subject. There is an amazing assortment of lines out there in the world and once you begin to see them, you won't be able to stop. 

Assignment #6: Perspective

How do you normally stand when you shoot? If your answer is straight up like a 5-foot-something human being then this assignment is for you. The perspective assignment challenges you to view the world from an entirely new perspective, which in turn gives the viewer a new look at the ordinary.

• Take another afternoon or evening for a photo excursion wherever you like.
• This time, every time you find something to photograph, stop!
• Ask yourself: How would a squirrel see that tree? How would a robin view that birdbath? How would a snake view that log?
• Take your photographs from very high or very low angles. Get on your belly or stand on a chair, whatever you have to (safely) do to get the 'right' angle on your subject.

If you pay attention to professional photographs, many of the images that have the WOW factor are photographed from extreme angles. People enjoy these photos because they've never seen an object from that viewpoint. It is new and unique, and you can train yourself to shoot with this in mind.

Assignment #7: Texture

You may have captured a few textural details in the 'Up Close' assignment, but this assignment takes that to the next level. The goal in this one is to study textures and forget about the object itself: the texture becomes the subject. You will also begin to realize how light affects the appearance of texture.

• Find a few objects that have very detailed textures like trees or rocks, even knit sweaters or woven rugs.
• Photograph them as close as your lens will allow.
• Use different angles and capture the same texture as the light changes. Notice how the different lighting directions and camera angles can change how much texture appears.

Textures are all around us and many of the best photographs in the world play up the textural element. This assignment should teach you how to recognize and accentuate those elements in your photos.

Assignment #8: Color Harmony

Color is important to photography because the world is full of color. This exercise requires a bit of study in color theory, which you will then put into practice in your photographs.

Do you remember art class in elementary school? You may have learned that yellow and blue make green, but color theory goes beyond that. There are cool and warm colors, complementary and contrasting colors, neutral colors, and bold colors.

It can get quite complicated, and photographers should have a basic understanding of color so you can use that when composing photographs. You don't have to study color like a painter would but can use tricks used by interior designers to influence your color decisions.

• Once you have an idea of color theory, take another photo excursion and put what you've learned into practice.
• Capture photographs with the primary or tertiary colors.
• Look for complementary colors then contrasting colors to photograph.
• Try finding a scene to photograph that is filled with neutral colors, then one that uses a bold color to 'pop' from the scene.

This is an advanced lesson, but one that any photographer working with color images will find useful. As you practice working with colors, it will become second nature and you will know how to work with color to change the feel of your images.

Assignment #9: Emotions

Take a photo of a person smiling or scowling, right? Not so. The intent of this assignment is to convey emotion in photographs  without  a face.

• Take photographs that express each of the basic emotions: happy, sad, and mad.
• How would you express the feeling of anger with no person? What about happiness? Sadness?

This is a purely conceptual assignment, but it is important to be able to relay emotion in your photographs and you might not always have a person available to do that with. Challenge yourself to think deeper about this one.

Assignment #10: Don't Look!

Are you ready to put your photography skills to the test? In today's world of digital cameras and the ability to see image captures right there on the LCD screen, photographers are losing some of the skills needed to visualize a photograph.

In this assignment, your challenge is to shoot as if you were using a film camera. That means that you will not look at the photographs you've taken until they are downloaded on your computer. Instead of relying on the camera's screen to see if you 'got the shot' you will rely on your instinct and knowledge, just like photographers did before digital photography. Can you do it?

• Plan a photo excursion to a particular location and permit yourself to photograph only 36 images (a roll of 35mm film).
• Turn off your camera's LCD screen so it does not show you the image after you have taken it.
• If you cannot turn off the camera's screen, cut a piece of thick paper and tape it over the screen. Use masking or painter's tape so you don't leave a residue on the back of your camera.
• Go out and shoot your 36 frames, thinking carefully about each image because you don't have an endless number of shots. Bonus points if you turn your camera to completely manual settings for focus and exposure.
• Don't peek at your photos until you get home and download them.

How did you do? Were you able to get good exposures on your own? How did it feel to be 'blind' and not know how your image turned out right away? 

This is similar to what it is like to shoot with film and it does require you to think harder about every image you take. Next time you shoot, slow down and pay attention, pretend that the screen is not there and rely on your own skills to create a great image. You will be a better photographer in the end.

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52 photography projects: a great technique to try every week of the year

Our pick of the perfect weekend photography projects

• Home photography projects
• Outdoor photography projects
• More outdoor photography projects
• Long-term photography projects

Looking for photography projects to stimulate your creativity? Whether you’re a beginner who’s just learning the ropes or a seasoned snapper in need of inspiration, trying out a new technique can help you grow as a photographer. That’s why the list below features our pick of the best ideas to try with your camera.

From painting with light trails to capturing twilight landscapes, there are countless creative ways to use your camera and its lens. This round-up of our favorite weekend projects features suggestions to suit every skill level – whether you’re shooting with a smartphone or a ‘proper’ camera like a DSLR.

Some you can do from the comfort of you home, while others will have you heading out in search of specific scenes. Whether it’s a novel technique or an inventive suggestion for finding fresh subjects, every idea below has one thing in common: it should challenge you to try something different and find a fresh perspective.

Most of the projects can be attempted using the equipment you already own. Those that do require additional materials should all be achievable with pocket-money purchases – and if there’s any crafting involved, it should be well worth the effort when you see the results.

We’ve shared 52 of our favorite suggestions to do in 2022 below. Try them all and, in a year’s time, there’s a good chance you’ll be a better photographer, with a keener understanding of your camera and what it’s capable of. Plus you’ll be all set to attempt the final project: self-publishing a photo book.

The best home photography projects:

1. water drop art.

The basic idea with this project is to suspend a container of liquid and let drops fall through a small hole, then capture the resulting splash. Timing the shutter as the splash is created is everything. We achieved good results using two flashguns set to their lowest power (1/128th), an aperture of f/22 and water mixed with Xanthan gum to make a more viscous solution. We also used a SplashArt water drop kit from PhotoTrigger , which helped to regulate the size and frequency of the drops.

2. Indoor splash shots

For this project you'll need a flashgun that you can fire remotely, a container with clear sides for your water, a coloured background and a tripod. Set up the container and backdrop, then position the flash over the container. With the camera on a tripod and set to manual focus and exposure - f/8, ISO200 and the fastest shutter speed that will work with your flash - drop the object into the water and fire the shutter as it hits.

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3. Shapes of bokeh

Out-of-focus orbs of light can add magic to any image, but the bokeh effect needn’t be limited to standard circles. From love hearts to stars, a simple cutout filter can transform background sparkles into brilliant shapes. 

Using your lens cap as a guide, draw a circle on a piece of card. Cut out the circle, score a small shape in the centre using scissors or a craft knife, then push the card onto the front of your lens (or attach it with an elastic band). When you next shoot a scene, any unfocused light will take the form of your shape. 

Use a wide aperture to maximize the effect and remember that, as the filter restricts the amount of light entering your lens, you’ll want to set a longer exposure or higher ISO. Try simple shapes such as triangles to get started, before progressing to stars, hearts, crosses and more.

4. Create smoke art

Smoke trails are a firm favourite among still-life photographers. But how about taking it to the next level and using the shapes in a creative Photoshop project. Once you've taken a few good smoke art photos, make a blank document in Photoshop, then copy and paste one of the smoke images into it. Set the blending mode to Screen and use Warp Transform to reshape it. Continue the process to combine a range of smoke shots into a new image.

5. DIY lightbox

Lightboxes are used to illuminate objects evenly against a plain background, often for the purposes of product or food photography. Luckily, you don’t have to have a pro budget to make one at home. All you need is a cardboard box, some white paper and a table lamp. 

Remove the top flaps, stand the box on one end and cut window holes in either side. Line the box with a single, seamless piece of white paper and cover the holes with thin paper or fabric, taped in place. Then it’s as simple as positioning a desk lamp on one or both sides: the paper will diffuse the light, evenly illuminating whatever object you put inside. 

Or for an even simpler setup, use a single piece of paper as the backdrop, with one white wall made from card, and position near a window (as pictured). Experiment with aperture and shutter speed to shoot subjects with totally white backgrounds or some shadow for a sense of perspective. Then mix things up with color backgrounds. If the quality is high enough, you could list your images for sale on a stock photography website to earn some lockdown pocket money.

6. Lubricate your lens

Want to give your housebound portraits added glow? If you have a spare lens filter lying around, try an old Hollywood trick: smear a layer of Vaseline on the glass to give your images a soft, dreamy look, keeping aperture wide to emphasize the ethereal effect with a shallow depth of field. 

Get experimental by leaving the middle of the filter free from Vaseline to create a halo effect, with the centre in clear focus but the outer elements blurry and soft. Don’t want to sacrifice a filter? Stretch cling-film tight across the lens and keep it in place with an elastic band, before using the Vaseline in the same way. If you’re not into portraits, try the effect when shooting a light source for a unique style of diffusion.

7. Make your own filters

It’s no secret that color is a major element of any image, but you don’t need expensive filters or editing software to experiment with saturation. In fact, you don’t even need to leave your home: all manner of household objects can function as color filters to bring new hues to your photography – and to transform mundane moments into brighter snaps. 

Attach tissue paper to your lens with an elastic band for an instant change of scene, or try shooting through thin fabric with a light source placed behind. Too easy? Take a snap through a laundry capsule for a liquid tone adjustment or use a whisky bottle for sepia shades with a hint of distortion. Petals are pretty effective, too, as are translucent sweet wrappers.

8. Try cross-polarization

This fun project exploits the effect that polarised light has on some plastics. You'll need two polarising filters - ideally one of these should be a sheet of polarising film. You can pick up an A4 sheet of Lee 239 polarising film for £50 (try www.robertwhite.co.uk or www.pnta.com ). The sheet of film should be placed on a lightbox or in front of the only light source. An iPad screen and most computer screens have a polarising filter built in, so if you don't have a sheet of polarising film you can always experiment by creating a white document to fill the screen. Simply attach the circular polariser to the camera lens and rotate it to make the colours appear in clear plastic items

9. Food landscapes

Spice up your food photography! All you need is a set of model figures - Hornby 00 gauge figures are perfect, as they're available in a wide range of poses. Preiser has a great range too. The most important aspect is to establish a sense of narrative. Here you can see that there's a conversation between the characters, with the mountaineer on the 'mash face' being helped by his colleagues on the ground.

10. Fine-art food

Try turning your dinner ingredients into photo art using just a lightbox and a very sharp knife. Slice fruit and vegetables as thinly and evenly as possible, then place them on the lightbox. With the camera positioned directly above, use Live View to focus manually on the details. Set an aperture of f/8 to give adequate depth of field, and dial in some exposure compensation of +1 to +3 stops as the bright light can fool the camera's meter into underexposure.

11. Flowers in ice

A relatively inexpensive way of taking 'kitchen sink' close-ups that look great blown up as wall art. Freeze flowers in plastic containers of distilled or de-ionised water (available through your local auto or hardware store). The flowers will float, so try to weigh them down or fasten them in place so that they freeze under the water. Place the block of ice on top of a clear bowl or glass in a white sink or plate, so that the light can bounce through from below. Position a flashgun off to one side, angled down towards it, and shoot from the opposite side.

12. Abstracts in oil

Oil floating on the surface of water is a great way to make striking abstracts. This table-top photo project exploits the refractive quality of oil and bubbles to accentuate and distort colours. All you need to do is place a few drops of cooking oil on the surface of water in a glass dish. Make sure the dish is supported about 25cm about the table top, then place coloured paper under it and use an anglepoise lamp or flashgun to light the paper.

13. Play with fire

It doesn’t take a pyromaniac to see the photographic potential of fire, but it does take patience, skill and plenty of precautionary measures to capture a stunning action shot of a match igniting. If you’d rather not risk singeing your fingertips, try a different type of flame photography.

Shooting by candlelight alone can lead to magical results. As with any single source of light, it allows you to experiment extensively with shadows – especially if you’re capturing a portrait – while the soft, warm tone and flicker of the flame both contribute to an especially ethereal effect.

In a darkened room, try shooting with a medium-high ISO and a relatively slow shutter speed. Start with just a candle and your subject, before introducing additional elements and playing with positioning. A nearby wall, for example, will throw the candlelight back in different ways, while glass will add to the magic with fiery reflections

Tweak shutter speed to affect the strength of shadows or try adding further flames – though you might need to adjust the white balance if things look more yellow than mellow.

14. Repaint the walls with camera obscura

Familiar with pinhole photography? That technique relies on camera obscura – a natural optical effect that occurs when a small hole in an otherwise sealed space (such as a box) projects an inverted image of the world outside onto the opposite wall. You could make a pinhole camera as an at-home project, or you could go even bigger: with the right setup, you can create the camera obscura phenomenon in an entire room. 

First, you’ll need to black out a room – for example, by taping opaque sheets over your windows. Then you’ll need to make an aperture through which light can enter; the smaller the hole, the sharper but dimmer the image. Camera obscura works best in small/medium rooms, with an aperture of around 10-15mm diameter. Allow your eyes to adjust and determine whether you need to brighten the image by making a larger hole, then marvel as an inverted version of the outside world appears on the wall. 

Capture the entirety of this remarkable natural effect using a wide angle, a relatively long exposure and a tripod, or focus on specific elements of your room to emphasis the effect – such as houses appearing to float upside down on your mantelpiece.

15. Camera tossing

Chucking your precious photographic equipment into the air might sound like something designed to void the warranty, but – provided you’re not too clumsy – camera tossing can deliver some truly spectacular results. Try it in a dark room with a single light source. Set a shutter speed of around one second (roughly the length of time it’ll be in the air) and, as the timer hits zero, launch it upwards. Catching it is the important part, but once you’re comfortable with the technique you can experiment with multiple light sources, different colors and even spinning your camera as you release it.

16. Psychedelic soap film

This is a wonderful project that makes for vibrant desktop wallpaper or abstract wall art. You'll need liquid soap mixed with glycerine for long-lasting soap film, plus a wire loop, a black cloth background and a macro lens of at least 100mm. The colours created by soap film only appear when hit by light from a certain angle, so set up near a north-facing window and shoot from around 45 degrees.

17. Refractive art

Light bends when it passes through water, causing the objects behind to change appearance. This is called refraction, and you'll make use of this phenomenon in this arty photo project. All you need is a few glasses, a flashgun, a tripod and a black-and-white pattern print. Simply place the pattern in the background with the glasses in front. Fill them with different levels of water and move the pattern backwards or forwards to fine-tune the effect.

18. Kitchen close-ups

Your kitchen is an ideal location for shooting a macro project. Its reflective surfaces can be used to create interesting backgrounds for your shots, and a shallow depth of field can transform the most mundane of objects you'll find there. Creating a triptych of images can result in a piece of fantastic wall art for your kitchen too, although it's important to think about how they're going to work together before you start shooting. Here, 3 objects - a fork, a bowl of cereal and coffee granules - were all shot from a similar angle, with the impression of height linking the sequence.

19. Invert the world with a crystal ball

Shoot through a crystal ball and, while you won’t see into the future, you will capture an inverted version of the scene behind the orb. Just as light is refracted when it passes through the glass elements of a lens, the same thing happens with a glass sphere. There are dedicated photography balls on the market, but the effect can often be achieved using a clear marble or even a paperweight. Nothing suitable? A water-filled wine glass can also work. 

All sorts of subjects look good through an orb, from sunsets and cityscapes to abstract items and even portraits. Try shooting with a macro lens to fill the frame with the sphere, or with a wider angle to include some of the scene behind. To really play with perspectives, rotate the image with editing software so that the background is inverted but the scene in the orb is the right way up.  You can also incorporate elements that support the ball into the image, such as hands, bowls or miscellaneous objects.

20. Still-life bokeh

Something as simple as a crumpled piece of foil can be the basis for a creative photo project. Position a still-life subject on a sheet of glass with a piece of dark material underneath it. Scrunch up the kitchen foil then smooth it back out and place it in the background. Shine a table lamp or torch on the foil and, with a tripod mounted camera, dial in the lens's widest aperture to create some beautiful ' bokeh '. During the exposure, shine a flashlight onto the subject.

21. Play with shadows

Photography is fundamentally about capturing light, which is exactly why shadows can be so powerful. They can create contrast with lighter parts of a composition or add texture to an otherwise plain subject. They can even be manipulated to tell a story. Incorporating shadows into your images will challenge you to think not just about the objects within a scene, but how things outside of the frame can affect the light that falls within it.

To play with shadows, all you need is a light source and a solid object to block it. This could be something natural, such as the shadow of a tree cast by sunlight. Equally, it could be something man-made, such as the outline of a street sign created by a car’s headlights. Or it could be something you create yourself: try playing puppet-master by shining a torch and dancing your hand in front of it. 

You can also invert this idea by shooting a subject which is predominantly in shadow and experimenting with how splashes of light fall upon it.

22. Still life light trails

Light trails can be used in all kinds of photography, but they're perfect for a creative still life project. You can use a regular Maglite torch, but try removing the end to reveal the bulb and make the light more direct. Use some electrical tape to attach a coloured sweet wrapper, which you can use as a makeshift 'gel'. Set the canera's shutter speed to around 30 secs with an aperture of around f/8, then start moving the torch within the frame before pressing the shutter. Continue the movement throughout the exposure. Here, we suspended the torch from a piece of string and made a gentle circular movement to create a spiral around the bottle.

23. Light spirals

You'll need to attach a torch, suspended by string, to an open area of ceiling. Fit the widest lens you have on your camera, and mount it on a tripod pointing straight up. With the light turned on, autofocus on the tip of the torch and set the lens to manual focus to lock the setting in. With an aperture of f/11 or f/16 dialled in, use Bulb mode and a remote release to keep the shutter open for a minute or so as you send the torch spinning in the dark…

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Current page: Home photography projects

Phil Hall is an experienced writer and editor having worked on some of the largest photography magazines in the UK, and now edit the photography channel of TechRadar, the UK's biggest tech website and one of the largest in the world. He has also worked on numerous commercial projects, including working with manufacturers like Nikon and Fujifilm on bespoke printed and online camera guides, as well as writing technique blogs and copy for the John Lewis Technology guide.

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Lesson Plan

Five Photography Assignments That Invite You to Look Closely at the World

Students, try one of these exercises inspired by the visual series The Take. What can you learn about the world by looking at it through a particular lens?

By Natalie Proulx

How often do you look — really look — at the world around you? Below, we offer five photography assignments that challenge students to do just that, all inspired by The New York Times visual series The Take .

In this series, The Times asks photographers to explore different cultural themes through images — for example, to document what they see when they look up, to capture the sounds they hear in New York City or to find dance in everyday movements.

What can you learn about the world by looking at it through a particular lens? Choose one (or more) of the five assignments below to try out. For each, we’ll guide you through a warm-up activity, a reading of the Take article that inspired the exercise and your own photo shoot. When you’re done, you can create your own visual article by putting together a gallery of your images and writing a short commentary on what they mean to you.

These exercises are meant to be accessible to anyone with a camera or smartphone, whether you’re an experienced photographer or you’re just looking for a fun visual challenge. If you’d like to experiment with some composition and editing techniques, see our related photography lesson plan .

And if none of these projects inspires you, look through The Take’s archives for more ideas.

Assignment No. 1

Most of us spend our days looking down: at our phones, computers, homework, meals. What would you see if you looked up instead? For this assignment, we invite you to photograph what you see when you turn your gaze to the sky.

Warm-up: Wherever you are right now, look up. What do you see?

Spend some time studying the images, shapes, patterns, colors, lines, light, shadows, angles or movements above you. What catches your attention? What have you never noticed before? How is this angle different from looking at something straight on, straight down or from the side? Is there anything you see that strikes you as artistic, that might make for an interesting photograph?

How often do you look up? What does this quick exercise tell you about what might happen when you do?

Read “ When 4 Photographers Looked Up, This Is What They Saw .”

For this assignment, The Take simply asked photographers to look up. View the photos they made and their commentary on them. Then choose one that stands out to you. What did the photographer want to capture in it? Was the photo successful in your opinion? What does the image say to you? What does it show us about looking up?

Your turn: Photograph what you see when you look up.

You might approach this assignment in two ways: 1) You can carry your camera around with you for a day or several days and photograph anything interesting you see when you look up, as the photographer Ali Cherkis did venturing around New York City. 2) Or you might start with a specific place and idea in mind that you want to photograph, as Stella Blackmon did when she wanted to capture the “sense of wonder” she felt from seeing children climbing in the trees at her great-aunt’s home in Ozark, Mo.

Assignment No. 2

Capture the Sounds of a Place

Photography might seem like it’s all about sight, but it can evoke other senses, too. The Take challenged four photographers to try to capture the sounds of New York City in images. How can you show what the place you live sounds like?

Warm-up: What sounds can you hear in this photograph?

Study the photograph above closely. What might you hear if you were in the scene? Which elements of the image help convey those sounds? What senses or emotions does the photograph evoke in you? What story does it tell about New York City?

Read “ Sounds of the City .”

For this assignment, The Take sent four photographers to capture New York’s soundscape in images. Spend some time with the photos and the photographers’ commentary on them. Which images most strongly and clearly imply sound to you? Which ones surprise you or perhaps challenge an assumption you have about life in New York City? Choose one of these photos and repeat the exercise you did in the warm-up.

Your turn: Photograph the sounds of a place.

For this assignment, you might travel around your city or town and photograph the sounds you find. Or you might focus on a more contained space, such as your school, the skate park, your neighborhood or any other place where you spend time. You might try to capture many disparate sounds — quiet ones, loud ones, harsh ones, pleasant ones — as Daniel Arnold did in his photos of various corners of New York City. Or you can try to capture a particular type of sound, as Ike Edeani did in his photos of the subway stations’ “mini concerts.”

Assignment No. 3

Find Art Wherever You Go

Four photographers went in search of candid moments and images that struck them — impressionistically, conceptually or naturally — as art. Where can you spot art in the world around you?

Warm-up: What does art look like?

How do you know when you see something that is art? What elements make it so? What does it do to you, the viewer?

Look around the space you are in right now. Is there anything that strikes you as art? Perhaps it’s the way your jacket is draped over a chair, how light is coming in through a window, the interesting pattens created by a shadow on your desk or the shape someone’s face makes when they smile or frown. What about this thing makes it seem artistic to you?

Read “ Art Is Everywhere. Just Look to the Streets. ”

The Take invited four photographers to look for art in the streets of New York. Spend some time looking at all of the photographs and reading the commentary. Then, focus on one photographer’s images. How does this photographer conceptualize art? How does that idea come through in one of his or her photos? What do you think makes this photo artistic — impressionistically, conceptually or naturally?

Your turn: Photograph candid moments and images that look like art to you.

Where can you find art in the world around you? You might take your camera out for a day and start shooting anything that strikes you as art. Or you might shoot with a particular vision in mind, such as Sabrina Santiago who was “interested in what people are saying from the back,” or Trevor Wisecup who looked for “abnormalities in our day-to-day life, glitches in the matrix if you will.” Challenge yourself to capture candid moments, rather than trying to stage images.

Assignment No. 4

Explore the Ways We Move

The Take asked four photographers to find dance in our everyday gestures, whether reaching for a jug of milk, hugging a loved one or scaling a rock wall. How can you find beauty in how we physically navigate the world?

Warm-up: Can you see beauty in the ways that people move, even when there is no music?

Can you find dance in people’s everyday rituals and routines? To answer this question you might go somewhere crowded — your school’s hallway, a park, a basketball game — and spend a few minutes just observing people. Do any gestures look like dance to you? What is it about these movements that resemble those that dancers might make?

Read “ There’s Dance All Over, No Matter Where You Look .”

During the height of the coronavirus pandemic in the United States, The Take asked photographers to show how people were physically navigating a world in which awareness of our bodies — how much space we took up, whether we were six feet from our neighbor — had become the norm. What they found was a kind of dance in these everyday movements.

Spend some time with the images and photographers’ commentary. Then choose one photograph to look at more closely. Why does this image speak to you? How does it represent dance? What emotion, experience or idea do you think the photographer wanted to capture in it?

Your turn: Photograph how people move through the world.

For this assignment, you can take your camera around with you for a day or two and snap a photo anytime you see a movement, posture or gesture that looks like dance to you. Or, you can go to a specific place. For example, the photographer Camilo Fuentealba went to Costco to document “the daily rituals we must partake in just to survive,” while Noah Sahady went to the San Bernardino National Forest to capture “the harmony of rock climbers and nature.” You might play with taking both candid and staged shots, or, like Jillian Freyer, shooting the “fragments in between.”

Assignment No. 5

Show Us What Fun Looks Like

Three artists photographed the many forms fun can take. An end-of-day ice cream ritual. Caring for rescued chickens. A bubble bath for an inanimate friend. What does a good time look like to you?

Warm-up: What do you do for fun?

Brainstorm a big list of everything you’re doing for fun these days. Do you play video games? Hang out with friends? Play sports? Make things? Write down everything you can think of, whether it’s an everyday ritual or a special event.

Then go through your list. Which of these activities feels most compelling or unique to you and your friends? Which might make interesting photographs?

Read “ Making Your Own Fun .”

The Take asked three photographers to document how they were having fun during the lockdown period of the coronavirus pandemic. Spend a few minutes looking at the photos and reading the commentary. Then choose one photographer’s images to focus on. What do you notice about their artistic choices — about their composition, the photographic style, how they were made? What do you wonder? What can we learn about fun from these photos?

Your turn: Photograph your fun.

Return to the list you made in the warm-up and choose one or several things from it to photograph. You might consider how you can get creative with your photographic style and composition, as the photographers in the article did. You can stage photos, as Sheida Soleimani did, or you can try to capture more candid moments.

Going Further

Make a Visual Article

Put together your photos with a written reflection to create your own The Take-inspired piece.

Related Article

Once you have completed one of the exercises above, choose three to six photos from your shoot and create a gallery of images that speaks to the theme of the assignment. Then, write a short commentary reflecting on the assignment and what you learned from it, just as the photographers and Times editors do in The Take.

Here are some questions that can help guide your reflection:

Who or what inspired you? Did you stage your photos or seek out candid moments? What composition and editing techniques did you use, and why?

Is there a thread — some theme, emotion or experience — that connects your images? Was it something you set out to capture? Or something you discovered during the shoot or after seeing your finished photos? Taken together, what do your photos reveal about the subject of the assignment?

What is something new you discovered or learned through this exercise? How, if at all, did it make you look at the world or the people around you differently?

How challenging did you find this assignment? Why?

You can put your images and commentary together using a digital program like Google Slides or Canva . Teachers might invite students to share their work via a gallery walk , whether in the classroom or online.

Find more lesson plans and teaching ideas here.

Natalie Proulx joined The Learning Network as a staff editor in 2017 after working as an English language arts teacher and curriculum writer. More about Natalie Proulx

52 Week Photography Project

Whether you’re looking to start a new hobby or pursue a photography career, this course will give you the skills and confidence to take your photography to the next level.

What is the 52 Week Project?

The 52 Week Project is a photography challenge that encourages photographers to take 1 photograph every week for 52 weeks. Some people work on this project alone, while others collaborate with friends.

At PhotographyCourse.net, we believe in the power of community and motivation . This is why we created a dedicated forum where you can get all the inspiration and knowledge you need to have a successful 52 Week Project experience! Every week, you’ll be introduced to educational resources that will help you grow in different areas of photography. No matter who you are or where you live, you’re welcome to join us at any time.

Get your 52 Week Photography Project Excellence Certificate

Receive a digital certificate that includes:

This Challenge is Perfect for You If...

You're curious about different photography genres.

Photography is a big, big world that’s full of interesting things to explore. If you want to learn something new and get creative on a weekly basis, this challenge is perfect for you!

You want to make your photography portfolio stand out.

If you feel that something is missing in your portfolio, you might need to develop your skills and try something new. This challenge will encourage you to leave your comfort zone and experiment with different techniques. Every week, you’ll be challenged to think about photography from a different perspective and to use your camera in creative ways. By the end of this challenge, you’ll have a stronger and more eye-catching portfolio.

You can't take photos every day.

For this challenge, you just need to have one photoshoot every week. If you have more time to take photos, great! If not, don’t worry about having to catch up on hundreds of assignments.

How the 52 Week Project Will Help You Succeed

Course overview.

Weekly Photography Themes

Week 1: Introduction

Week 2: nature.

Week 3: Food

Week 4: motion blur, week 5: one colour, week 6: silhouette, week 7: golden hour, week 8: wide aperture, narrow aperture, week 9: moody, week 10: animals, week 11: diptych, week 12: abstract, week 13: double exposure, week 14: book cover, week 15: product photography, week 16: daily routine, week 17: creative smartphone photography, week 18: shadows, week 19: my favourite photographer, week 20: black & white, week 21: nighttime, week 22: close-up, week 23: long exposure, week 24: underwater, week 25: negative space, week 26: bokeh, week 27: out of your comfort zone, week 28; candid, week 29: still life, week 30: panorama, week 31: perspective, week 32: rule of thirds, week 33: architecture, week 34: timelapse, week 35: analogue effect, week 36: cinematic, week 37: cold, week 38: from where i stand, week 39: your worst photo, week 40: fill the frame, week 41: levitation, week 42: before & after, week 43: headshot, access at all times via our mobile application.

Follow the course from anywhere!

This course will be available through our very own app on Android and iOS.

Welcome to our 52 Week Project!

Don't just take our word for it....

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Frequently Asked Questions

• About the course

When can I join?

There's no fixed start date. Anyone can join at any time. Our themes are evergreen, no matter when you join.

Do I have to submit a photograph every single week?

You don't have to. However, if you want to make progress and develop your skills, we highly recommend taking photos every week. If life gets in the way and you can't keep up, feel free to take a break. The project will always be waiting for you in our community, so there's no rush.

How many photographs can I submit every week?

You can submit as many photographs as you like for each theme. We encourage you to share your best photos to avoid spamming the feed, though. :)

Will I receive a certificate when I complete this project?

Yes, you’ll receive a digital certificate when you complete this project.

Can I use a smartphone for this project?

You can use any equipment that you like for this project. However, many of our lessons focus on settings that are available in DSLR and mirrorless cameras. This doesn’t mean that you can’t use a smartphone camera to take photos for this project. We believe that it’s possible to improve no matter what kind of camera you have. If you need guidance, let us know and we’ll help you out!

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🎙️ Tune in to our latest episode featuring food photography expert Francesco Sapienza! Discover top tips and secrets behind stunning food shots. 📸🍽️

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Learn Photography in 365 Days?

Hello everyone! My name is Penny and i’m a 23 year old photographer from Portugal. This community has helped me grow in my photography ever since I started. The challenges are super interesting and a boost to my creativity and I love seeing everyone’s work.

We’re going to  guide you  through the process and  help you develop all kinds of photography skills . Our weekly videos will focus on a specific theme. Some of our themes are specific, like food photography, while others are more abstract, like “introduction”. Regardless of how specific or abstract the themes are, we’ll teach you how to take photos that don’t just look good but also tell a story .

Who Can Join the 52 Week Project?

Typically, photography challenges have specific requirements. Our 52 Week Project is the exception.  Everyone is welcome to join.

You don’t need to worry about:

Your location  – All you need is a strong Internet connection that allows you to watch videos. We care about helping photographers around the world. If you’re passionate about what you do, don’t worry about your geographical location. We don’t discriminate. 🙂

Timing  – Whether you join us when the 52 Week Project is at Week 10 or at Week 52, you don’t need to worry about timing. Our themes are evergreen. They’re always going to stay relevant, no matter when you join us.

Your level of experience  – This project is ideal for photographers who want to get more creative and learn new things. Even if you’re familiar with the things we teach in our videos, you can still join us and share your interpretation of our themes. If you’re a beginner and something doesn’t make sense, you’re more than welcome to let us know. We’re here to help at any time!

Social media presence  – Whether you have thousands of followers or aren’t present on social media at all, we’re here to help you learn and grow! Our community is a great place to get exposure and meet new people. As you make progress in the 52 Week Project, you might make new friends and build an online following of your own.

Equipment  – You don’t need to have the latest camera equipment to participate in this challenge. In our weekly videos, we’ll teach you how to make the most of what you have. You’ll discover practical solutions to seemingly complicated problems, all in one neat space. If you’d like to have the best possible experience while participating in this challenge, you can purchase a basic DSLR camera.

Over the years, Kevin’s photos have won numerous awards, whilst he has branched into documentary filmmaking as well. Since moving to northern Thailand, Kevin has served on the advisory board of TIPS (Thailand International Photography Society). Regardless of his successes, Kevin has never forgotten his first experiences; as a photojournalist who relished (but didn’t always get) mentorship from those more experienced than him. As a result, Kevin now dedicates himself to teaching others the art of creating images that will change the world. To date, Kevin has successfully mentored over 10 000 students.

Give Someone Special the Gift of Photography.

We’d love to know what you think.

We’ve put a whole lot into creating the Course and making it work for you. We’d love to know your thoughts and how your experience with the course is so far. Your genuine reviews will help us continue to improve this course and others we are creating. Without your feedback it’s impossible to know how effective the teaching is and what your experience of it is. We’d also love to know how it is for you to access the lessons and share your thoughts and photos from the challenges. Because we truly value your time and what you have to offer us by way of reviews, we’re providing you with some incentives if you help us out.

Level 1: A Standard Review

For this type of review, simply write down your experience and comments about the Course and how you’re finding it. Tell us about the lesson content, the video quality and your overall impressions.

A Photographycourse.net free t-shirt!

Level 2: A Shared Review

This can be the same as a Standard Review, but we want you to share it with your social media contacts. Simply write a review and post it to Facebook, Twitter, Pinterest, Instagram and on any other social media where you have an account.

Professional Camera Cleaning Kit for DSLR Cameras

Level 3: A video Review

Write down your thoughts about your experience and then record a video of yourself using your talking points. Video is a great way to be able to really express how you are finding the lessons, what you’re learning and how your overall experience. We’d love so much for you to make us a video review the incentive we’re offering for this is the chance of a half hour video call with the Author.

a half hour video call with Author.

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Restaurant Globus

RESTAURANT GLOBUS, Elektrostal - Restaurant Reviews & Photos - Tripadvisor

• About company
• GENERAL CONTRACTOR

+7 (495) 526-30-40 +7 (49657) 0-30-99

THE HISTORY OF THE COMPANY CREATION

1993 how the construction company remstroy was created   the year 1993 was a period when a lot of construction companies, which had been working successfully during the soviet times and had rich staff capacity, were forced to cease their activity for various reasons. a lot of capable specialists either had to look for another job or change their field. but there were also those who were willing to realise their potential in the field of construction in accordance with the received degree and the experience they had accumulated. thus, in 1993 in elektrostal (moscow oblast) a group of specialists and people sharing each other’s ideas, who had enormous educational background and the highest degree in architecture, organized and registered ooo firm erg which began its rapid development and successful work, offering its service both on the construction market and other areas. 2000 industrial construction is the main area   seven years of successful work have shown that combining different types of activities in the same company is not always convenient. and in the year 2000 the founders of ooo firm erg decided to create and register a monoprofile construction company ooo remstroy construction company. industrial construction was chosen as the priority area. it was in this area that the directors of ooo sk remstroy began their working life and grew as specialists. in order to achieve the set goal, they selected a mobile team of professionals in the field of industrial construction, which allows us to cope with the tasks assigned to ooo sk remstroy throughout russia and the near abroad. 2010 manufacturing of metal structures   we possess modern equipment that allows us to carry out the entire cycle of works on the manufacture of metal structures of any complexity without assistance. designing – production – installation of metal structures. a staff of professionals and well-coordinated interaction of the departments let us carry out the work as soon as possible and in accordance with all customer’s requirements.” extract from the list of members of self-regulatory organizations, construction.

LICENSE OF MINISTRY OF EMERGENCY SITUATIONS

Certificates, system of managing quality.

SYSTEM OF ECOLOGIAL MANAGEMENT

SYSTEM OF OCCUPATIONAL SAFETY AND HEALTH MANAGEMENT

LETTERS OF RECOMMENDATION

THE GEOGRAPHY OF CONSTRUCTION SITES

YOU CAN FIND MORE INFORMATION ON THE CONSTRUCTION SITES OF OOO REMSTROY ON THE PAGE OF THE SITE

OUR CLIENTS

http://remstroi.pro/yandex-promyshlennoe-stroitelstvo