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సమీక్ష : రెడ్ – స్లోగా సాగే సస్పెన్స్ డ్రామా !

విడుదల తేదీ : జనవరి 14, 2021

123తెలుగు.కామ్ రేటింగ్ :  2.75/5

నటీనటులు : రామ్ పోతినేని, మాల్వికా శర్మ, అమృత అయ్యర్, నివేదా పెతురాజ్, వెన్నెల కిషోర్, సత్య అక్కల, హెబా పటేల్, సోనియా అగర్వాల్

దర్శకత్వం : కిషోర్ తిరుమల

నిర్మాత‌లు : స్రవంతి రవికిషోర్

సంగీతం : మణి శర్మ

సినిమాటోగ్రఫర్ : సమీర్ రెడ్డి

ఎడిట‌ర్‌ : జునైద్ సిద్దిఖీ

‘ఇస్మార్ట్ శంకర్’ సూపర్ హిట్ అందుకున్న తరువాత రామ్, ఈ సంక్రాంతి పండక్కి ‘రెడ్’ సినిమాతో థియేటర్లలోకి వచ్చాడు. ఇందులో రామ్ సరసన నివేదా పేతురాజ్‌, మాళవికా శర్మ, అమృతా అయ్యర్‌ హీరోయిన్లుగా నటించారు. తిరుమల కిశోర్ దర్శకత్వం వహించిన ఈ చిత్రాన్ని శ్రీ స్రవంతి మూవీస్ పతాకం పై ‘స్రవంతి’ రవికిశోర్ నిర్మించారు. ఈ రోజు ప్రేక్షకులముందుకు వచ్చిన ఈ చిత్రం ఎలా ఉందొ ఇప్పుడు చూద్దాం.

ఈ రెడ్ కథలో రామ్ ఆదిత్య అండ్ సిద్ధార్థ్ గా రెండు పాత్రల్లో కనిపిస్తాడు. సిద్ధార్థ్ వృత్తిరీత్యా ఇంజనీర్ కాగా, ఆదిత్య ఒక దొంగ. అయితే, ఒక రోజు, ఆకాష్ అనే వ్యక్తి చంపబడతాడు. ఆ హత్య చేసింది, సిద్ధార్థ్ నే చెప్పి అతన్ని అరెస్టు చేస్తారు. కానీ, ఆదిత్య కూడా ఇదే కేసులో చిక్కుకున్నప్పుడు కథలోని అసలు పాయింట్ అండ్ ట్విస్ట్ తలెత్తుతుంది. ఇంతకీ, ఆకాష్‌ను ఎవరు చంపారు? అసలు ఆ హత్య వెనుక అలాగే కథలోని అసలు చిక్కు ముడి వెనుక మొత్తం ఫ్లాష్‌బ్యాక్ ఏమిటి? అది కథను ఎలా ముందుకు నడిపింది ? చివరకు ఆదిత్య అండ్ సిద్ధార్థ్ ఆ హత్య కేసు నుండి ఎలా బయటపడతారు ? అనేది మిగిలిన కథ.

ప్లస్ పాయింట్స్ :

సినిమాకు ప్రధానంగా ఆదిత్య, సిద్ధార్థ్ రెండు పాత్రలు మెయిన్ పిల్లర్స్ గా నిలిచాయి. పైగా ఆ రెండు పాత్రల్లో రామ్ చక్కగా ఒదిగిపోయాడు. సినిమా అంత రెండు పాత్రల మధ్య వెరీయేషన్స్ చూపిస్తూ చాలా సెట్టిల్డ్ పెర్ఫార్మెన్స్ తో ఆకట్టుకున్నాడు. రెండు పాత్రలలోని వైవిధ్యాలను రామ్, ప్రతి సీన్ లోనూ చక్కగా ప్రదర్శించిన విధానం మాత్రం మొత్తం సినిమాలోనే హైలైట్ గా నిలుస్తోంది

ఇక హీరోయిన్ మాలవికా శర్మ సినిమాలో అందంగా కనిపిస్తోంది. కాని ఈ చిత్రంలో ఆమెకు పెద్దగా స్కోప్ అండ్ స్క్రీన్ స్పెస్ కూడా లేదు. ఇక వెన్నెలా కిషోర్ కొన్ని సన్నివేశాల్లో కామెడీని పండించాడు. అలాగే హాస్యనటుడు సత్య తన పాత్రలో కూడా మంచి ఫన్ ను జనరేట్ చేశాడు. పోసాని అలాగే మిగిలిన నటీనటులు బాగానే నటించారు. ఇక ఈ చిత్రంలో పోలీసుల సెటప్ అండ్ సీన్స్ కూడా బాగున్నాయి.

ఇంటర్వెల్ బ్లాక్, దర్యాప్తులో వచ్చే కొన్ని సన్నివేశాలు కూడా బాగున్నాయి. ఇక నివేదా పెతురాజ్ తన పాత్రలో ఓకే అనిపించింది. డైరెక్టర్ డైరెక్షన్ సినిమాకు హైలైట్ గా నిలిచింది. సెకండ్ హాఫ్ ను ఎమోషన్స్ తో డీల్ చేసిన విధానం బాగుంది. ఆయన రాసిన డైలాగ్స్ కూడా బాగున్నాయి.

మైనస్ పాయింట్స్ :

ఈ సినిమాలో పెద్ద లోపం ఏమిటంటే, ఈ చిత్రం ఆకర్షణీయమైన ట్రీట్మెంట్ లేకపోవడం. ప్రొసీడింగ్స్‌పై పట్టు లేనందున మొదటి సన్నివేశం నుండే ఈ చిత్రం నిస్తేజంగానే సాగుతోంది. పైగా నివేదా పాత్ర బలహీనంగా ఉన్నందున దర్యాప్తు సీన్స్ కూడా సిల్లీగా అనిపిస్తాయి. దాంతో ఈ సినిమా ఎటువంటి ప్రభావాన్ని సృష్టించదు.

ఇది కాకుండా, సినిమా ప్లే కూడా చాలా నెమ్మదిగా ఉంటుంది. అసలు మెయిన్ కథ విరామం సమయంలో మాత్రమే ప్రారంభమవుతుంది. హీరోకి స్నేహితురాలను పోలీసులు తమ దర్యాప్తులో ఆమెను విస్మరిస్తారు. ఇలా లాజిక్ లేకుండా సాగింది ఇన్విస్టిగేషన్. అలాగే, హీరోకు నివేదా ఎందుకు సహాయం చేస్తుందో కూడా స్పష్టత లేదు. ఇలాంటి లాజిక్స్ లేనివి చాలా ఉన్నాయి. దీనికితోడు సినిమా వ్యవధి కూడా చాలా పొడవుగా ఉంది. చాలా సీన్స్ లో మీకు విసుగు తెప్పిస్తుంది.

సాంకేతిక విభాగం :

కెప్టెన్ అఫ్ ది షిప్ అయినా డైరెక్టర్ కిషోర్ తిరుమల ఈ చిత్రానికి సరైన అవుట్ ఫుట్ ను ఇవ్వలేకపోయాడు. ఎంగేజింగ్ కథనంతో ప్రేక్షకులను మెప్పించలేక పోయాడు. ఇక ఆకట్టుకునే మ్యూజిక్ ఈచిత్రంలో ఉంది. నేపథ్య సంగీతం ఓకే. ఎడిటింగ్ బాగుంది. ఛాయాగ్రహణం పర్వాలేదనిపిస్తుంది. ఇక ప్రముఖ నిర్మాత స్రవంతి రవి కిషోర్ నిర్మాణ విలువలు బాగున్నాయి. అలాగే సినిమాలో సంభాషణలు ఆకట్టుకుంటాయి మరియు ఈ చిత్రం సెటప్ కూడా బాగుంది. అయితే దర్యాప్తుకు ప్రాధాన్యత లేనందు వల్ల సినిమాలో ఇంట్రస్ట్ మిస్ అయింది.

మొత్తం మీద, ఈ రెడ్ ఒక సస్పెన్స్ థ్రిల్లర్, కథలోని మెయిన్ పాయింట్ బాగుంది. అయితే, కొత్త పాయింట్‌ తో వైవిద్యభరితమైన చిత్రంగా వచ్చినప్పటికీ ఈ సినిమా ఆకట్టుకోలేదు. ముఖ్యంగా రామ్ రెండు పాత్రలు, ఆ పాత్రల చుట్టూ అల్లుకున్న ఇన్సిడెంట్స్ అలాగే హత్యకు సంబంధించిన సీన్స్ మరియు కొన్ని సెంటిమెంట్ మూమెంట్స్ బాగున్నా.. కథాకథనాలు ఆసక్తికరంగా లేకపోవడం, యాక్షన్ సీన్స్ ఇంట్రస్ట్ గా సాగకపోవడం, అలాగే కథకు అవసరం లేని అనవసరమైన సన్నివేశాలు ఎక్కువైపోవడం వంటి అంశాలు సినిమా ఫలితాన్ని దెబ్బ తీశాయి. మొత్తంగా ఈ సినిమా తెలుగు ప్రేక్షకులకు కనెక్ట్ కాదు. కాకపోతే రామ్ ఫ్యాన్స్ కు సినిమాలోని రామ్ నటన మరియు కొన్ని అంశాలు నచ్చుతాయి.

123telugu.com Rating :  2.75/5

Reviewed by 123telugu Team

Click Here For English Review

సంబంధిత సమాచారం

యంగ్ హీరో సినిమాలో మీరా జాస్మిన్., ఓటిటిలో అదరగొడుతున్న బుజ్జి & భైరవ, “భారతీయుడు 2” లో ఈమె ఉండదట., వరుస సినిమాలతో బిజీగా రాహుల్ టైసన్.., అప్పుడే ఓటీటీ రిలీజ్ డేట్ ఫిక్స్ చేసుకున్న “లవ్ మీ”, “గేమ్ ఛేంజర్” షూట్ పై లేటెస్ట్ అప్డేట్., మహేష్ కోసం ఆ బ్యూటీని తీసుకొస్తారా.., ఆ నెలలో సిద్ధార్థ్, అధితి ల వివాహమట., 100 మందితో యుద్ధం చేస్తున్న ‘టైసన్ నాయుడు’, తాజా వార్తలు, ఫోటోలు : ప్రియా భవానీ శంకర్, కొత్త ఫోటోలు : ఆండ్రియా జెరెమియా, వీడియో : ఆ రోజులు మల్లి రావు లిరికల్ – కమిటీ కుర్రోళ్లు (నిహారిక కొణిదెల), ఫోటోలు: అమేజింగ్ ప్రియా బెనర్జీ, కొత్త ఫోటోలు : అమీషా పటేల్, ఫోటోలు: ఖుషీ కపూర్, ఫోటోలు : మానుషి చిల్లర్, వీక్షకులు మెచ్చిన వార్తలు.

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Red Movie Review : A thriller-romance-drama that tests your patience

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Review : Rams Red – Slow Thriller | 123telugu.com

Red movie telugu review

red is a movie that was delayed due to the lockdown. the movie was finally released during sankranthi and now let’s see what the movie is like.

ram plays the dual role of aditya and siddharth in red. While Siddharth is an engineer by profession, Aditya is a con man. one fine day a guy named akash is killed and siddharth is arrested. The twist in the story comes when Aditya also gets involved in the same case. who has killed akash? what is all the flashback behind this muder? what makes up the story?

positive points:

as always, ram does an excellent job and in this movie, it plays a dual role. the variations in both characters have been very well shown by the star hero. but, if you point it out, he was just as good as siddharth with the cool attitude and looks of him. Malavika Sharma looks pretty but she doesn’t have much to do in the movie.

Sampath is good as a cop and Vennela Kishore conjures up some comedy in some scenes. the comedian satya is also good in the role of him. posani was fine and so was the cop featured in the movie.

The second half is a bit better compared to the first. the interval block, the confusion in the investigation has been shown very well in some scenes. nivetha pethuraj is almost fine in the role of her.

negative points:

one of the biggest drawbacks is that the film is not attractive. from the very first scene, the movie is shown in a boring way as there is no control over the proceedings. the research seems silly since nivetha’s role is weak and doesn’t create any impact.

Other than that, the length of the movie is quite slow. the actual story begins only during the time slot. the hero has a girlfriend and the policemen ignore her in her investigation and this seems silly. Also, it is not clear why nivetha helps the hero. there are so many such logics that they are discarded.

technical aspects:

film production values ​​are acceptable. the camera work was good and it shows the film in a good light. the dialogues are impressive and so was the entire montage of the film. production design is good and so was mani sharma’s bgm.

referring to director kishore tirumala, he has done a boring job with this thriller. his script is weak and fails to make the viewer feel excited about knowing who the murderer is. he should have cast better actors as cops since the entire movie is set in a police station and investigation is a priority. but sadly, that doesn’t happen.

Overall, red is a suspenseful thriller that works here and there. the story idea is good and ram leads from the front with the impressive acting from him. but the script is weak, the twists and the narration are also jaded, which makes this movie a good choice to watch this weekend.

123telugu.com rating: 2.75/5

reviewed by 123telugu team

click here for telugu version

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RED Review – A Dull And Tedious Thriller

OUR RATING 2/5

CENSOR ‘U/A’ Certified, 2h 26m

What steps does Aditya take to repay the amount? How Siddharth gets entangled in the mess? Did they get out and how it plays out is what the movie is all about?

How Is Ram Pothineni’s Performance? Ram plays a dual role for the first time in his career. The makeover is good, and the styling is done neatly. And this is the best that one can talk about. It doesn’t mean he has done anything wrong, but nothing is new from him except the physical change.

If Siddharth is the typical Ram, then Aditya is the extension of the actor’s personality from Ismart Shankar. So, it is nothing unusual or different from him. He has done everything that needs to be done with sincerity. He is the reason one continues to watch the proceedings even when it is not engaging.

Every successful director develops a strong zone and genre, and not everyone is successful attempting different one’. There is a reason why it is so. When one watches Red, it is easy to understand why.

Red as a thriller offers a decent scope to thrill and has moments story-wise. It is not an original idea and is a remake of Tamil film Thadam. Despite having a blueprint and vision, Kishore Thirumala fails in execution.

It feels as if he didn’t have any interest in remaking the Tamil movie. We can sense that going by how the initial portions of Red take place. There is an urban love story at the start. The director fails in making it engagingly. It is his weakest writing-wise. We are here looking at it purely as a romantic drama, something that the director specialises.

If that is the case executing the parts which belong to Kishore Tirumala’s strength, imagine what happens when the actual content takes place. In the second half, we get a 90’s outdated drama kind of movie instead of a thrilling narrative.

The lack of thrills and the gripping narrative is where Red loses interest. For a thriller, it is sacrilege to have no gripping moment. We get a glimpse of that in the pre-interval and interval period. But, that is short-lived.

The tonal inconsistency is visible right from the start when there is an over the top drama happening at one end, and a romantic drama is taking shape at the other. It gives messy and going through the motions kind of feeling with nothing happening to hold the attention.

The changes brought in to give nativity touch further take away the thrilling factor associated with the narrative and the story. The needless comedy and some miscasting further aggravate the situation which continues that way until the end.

Overall, Red is a thriller with hardly any thrills. Nothing works in the movie except the pre-interval and interval stretch. The director’s inability to provide a gripping and consistent tone is the fault here. If you have seen the original skip Red. If you haven’t, the remake is a below-par thriller.

Malvika and Others?

Malvika Sharma is dull and lifeless lacking any screen presence. It dramatically affects the opening romantic thread.

Nivetha Pethuraj is a miscast entirely. The seriousness of the whole narrative goes for a toss with her presence. It doesn’t help her cause that few other characters are introduced along with her for fun sake. Nivetha and those additions are the primary reason for the dilution of the thrilling bits.

Amrita Aiyer is better among the female leads, but she gets limited screen time. Sampath Raj is loud and boisterous in his typical style. Pavitra Lokesh is wasted in a poorly treated role. Sathya fails to provide fun due to weak punches and writing. Posani and Vennela Kishore make no impact.

Drawbacks? Direction Tonal Inconsistency Jarring Narrative Weak Writing

Did I Enjoy It? No

Will You Recommend It? Yes, but With Huge reservations

Red Telugu Movie Review by Siddartha Toleti

— RED comes to an end. Stay tuned for our detailed review shortly.

— Finally, the twist is revealed and the movie is heading towards the end.

— Both Aditya (Ram) and Siddharth (Ram) sharing their childhood and what they had to go through to become what they are toady. The police interrogation is progressing at its own pace.

— RED second half started. Nivetha started to dig deeper into the case.

RED First Half Report:

RED first half is pretty slow. There’s nothing moving in the first hour. The love track and comedian Satya’s comedy tracks are very dull. The movie piques the interest towards the pre-interval. The second half is very crucial.

— CI Samapth Raj has two days to prove who committed the murder between the two suspects (Ram and Ram). Interval.

— Yamini (Nivetha Pethuraj) enters as a cop to investigate a murder. She reports to Sampath Raj. How is it connected to Aaditya (Ram) or Siddharth (Ram)?

— Pavitra Lokesh plays a con woman character who smokes in most of her scenes.

— Ram (Aditya) and Vema (comedian Satya) are struggling to earn money, while other Ram’s (Siddharth) love story with Malvika is progressing.

— Another Ram ( rough guy ) makes his entry, quickly followed by an item song. Ram’s dance is super energetic in this item number.

— RED show started. Engineer Siddharth (Ram) is in love with Mahima (Malavika).

Follow along for RED movie live updates. RED Review will be up right after the show.

There will be only a few movies that would be coming with a lot of decent buzz that it seems almost the movie is a blockbuster beyond doubt. Ram Pothineni’s RED belongs to that cadre and this movie rightly earned that credit. They waited really long without going for OTT release.

Director Kishore Tirumala’s previous movies with Ram Pothineni and the confidence he earned from Sravanthi Ravi Kishore and the hero are really commendable. Whenever a hero invests so much confidence in a director, it sure adds to the buzz.

The original movie from Tamil was a super hit movie and going by the trailer, it’s understood that they had tweaked the narration a bit and included commercial elements to it to make it commercially more viable for Ram’s market in Telugu.

All in all being a festival release, the audiences are in a mood to welcome every entertainer and watch the movies in theatres after staying at home for such a long period. RED, on the face of it has all the things well set for the theatrical release. Stay tuned for the unbiased RED movie review.

HT తెలుగు వివరాలు

Keechurallu OTT: తెలుగులోకి డ‌బ్ అవుతోన్న‌మ‌ల‌యాళం సైబ‌ర్ థ్రిల్ల‌ర్ మూవీ - డైరెక్ట్‌గా ఓటీటీలో రిలీజ్‌

Keechurallu OTT: రామారావు ఆన్ డ్యూటీ ఫేమ్ ర‌జిషా విజ‌య‌న్ హీరోయిన్‌గా న‌టించిన మ‌ల‌యాళం మూవీ కీడం తెలుగులో కీచురాళ్ళు పేరుతో డ‌బ్ అవుతోంది. ఈ సైబ‌ర్ థ్రిల్ల‌ర్ మూవీ ఈటీవీ విన్ ఓటీటీలో మే 30 నుంచి స్ట్రీమింగ్ కాబోతోంది.

Keechurallu OTT: ర‌జిషా విజ‌య‌న్ హీరోయిన్‌గా న‌టించిన మ‌ల‌యాళం సైబ‌ర్ థ్రిల్ల‌ర్ మూవీ కీడం థియేట‌ర్ల‌లో మంచి వ‌సూళ్ల‌ను రాబ‌ట్టింది. 2022లో రిలీజైన ఈ మ‌ల‌యాళం మూవీ వినూత్న‌మైన క‌థ‌, క‌థ‌నాల‌తో అభిమానుల‌ను మెప్పించింది. కీడం మూవీ కీచురాళ్ళు పేరుతో తెలుగు లోకి డ‌బ్ అవుతోంది.

డైరెక్ట్‌గా ఓటీటీలోకి...

కీడం తెలుగు డ‌బ్బింగ్ వెర్ష‌న్ డైరెక్ట్‌గా ఓటీటీలో స్ట్రీమింగ్ కాబోతోంది. ఈటీవీ విన్ ఓటీటీ మే 30న ఈ మూవీ రిలీజ్ కాబోతోంది. కీచురాళ్ళు మూవీ రిలీజ్ డేట్‌ను అనౌన్ చేసిన ఈటీవీ విన్ ఓటీటీ ర‌జిషా విజ‌య‌న్‌ పోస్ట‌ర్‌ను సోష‌ల్ మీడియాలో పోస్ట్‌చేసింది. ఈ పోస్ట‌ర్‌లో సీరియ‌స్ లుక్‌లో ర‌జిషా విజ‌య‌న్‌ క‌నిపిస్తోంది.ఆమె చుట్టూ వ‌ల‌యాకారంలో కంప్యూట‌ర్స్ స్క్రీన్స్, స్పై కెమెరాలు క‌నిపించ‌డం ఆస‌క్తిని పంచుతోంది.

కీచురాళ్ళు మూవీకి రాహుల్ రిజీ నాయ‌ర్ ద‌ర్శ‌క‌త్వం వ‌హించాడు. ర‌జిషా విజ‌య‌న్‌తో పాటు శ్రీనివాస‌న్‌, విజ‌య్ బాబు ఈ మూవీలో కీల‌క పాత్ర‌లు పోషించారు. కీచురాళ్ళు మూవీలో సైబ‌ర్ సెక్యూరిటీ ఎక్స్‌ప‌ర్ట్‌గా రాజీషా విజ‌య‌న్‌ క‌నిపించింది.

కీచురాళ్లు క‌థ ఇదే...

రాధికా బాల‌న్ (ర‌జిషా విజ‌య‌న్‌) ఓ సైబ‌ర్ సెక్యూరిటీ స్టార్ట‌ప్ కంపెనీని ర‌న్ చేస్తుంటుంది. సైబ‌ర్ క్రైమ్‌ను సాల్వ్ చేయ‌డంలో బాధితుల‌తో పాటు పోలీసుల‌కు సాయ‌ప‌డుతుంది. అనుకోకుండానే సైబ‌ర్ క్రైమ్ బాధితురాలిగా రాధిక మారిపోతుంది. ఓ వ్య‌క్తి ఆమెకు ఫోన్ చేసి బెదిరిస్తుంటాడు? అత‌డు ఎవ‌రు? అదృశ్య వ్య‌క్తిని త‌న తెలివితేట‌ల‌తో రాధిక ఎలా ప‌ట్టుకుంది? అన్న‌దే ఈ మూవీ క‌థ‌. సైబ‌ర్ మోసాల కార‌ణంగా మ‌హిళ‌లు ఎదుర్కొనే స‌మ‌స్య‌ల‌ను ద‌ర్శ‌కుడు సందేశాత్మ‌కంగా ఈ మూవీలో చూపించ‌న తీరుకు ప్ర‌శంస‌లు ద‌క్కాయి.

హ‌య్యెస్ట్ టీఆర్‌పీ రేటింగ్‌...

కీడం మూవీ కంటే ముందు ర‌జిషా విజ‌య‌న్‌, ద‌ర్శ‌కుడు రాహుల్ కాంబినేష‌న్‌లో ఖో - ఖో అనే స్పోర్డ్స్ డ్రామా మూవీ తెర‌కెక్కింది. ఖోఖో మూవీ మ‌ల‌యాళ‌ సినీ ఇండ‌స్ట్రీలోనే అత్య‌ధిక టీఆర్‌పీ రేటింగ్‌ను ద‌క్కించుకున్న మూవీగా రికార్డ్ క్రియేట్ చేసింది.

జై భీమ్‌సినిమాలో...

గ్లామ‌ర్‌కు దూరంగా న‌ట‌న‌కు ఆస్కార‌మున్న పాత్ర‌ల‌ను ఎంచుకుంటూ తెలుగు, త‌మిళ భాష‌ల్లో ప్ర‌తిభ‌ను చాటుకుంటోంది ర‌జిషా విజ‌య‌న్‌. త‌మిళంలో సూర్య జైభీమ్ పాత్ర‌లో అస‌మాన యాక్టింగ్‌తో మెప్పించింది. మ‌ల‌యాళంలో హీరోయిన్‌గా ఇర‌వైకిపైగా సినిమాలు చేసింది. ల‌వ్‌, మ‌ల‌యాన్ కుంజు, మ‌ధురమ‌నోహ‌ర మోహ‌న్ తో పాటు ప‌లు సినిమాల‌కు ర‌జిషా విజ‌య‌న్‌కు మంచి పేరుతెచ్చిపెట్టాయి.

రామారావు ఆన్ డ్యూటీలో...

తెలుగులో ర‌వితేజ హీరోయిన్‌గా న‌టించిన రామారావు ఆన్ డ్యూటీలో ఓ హీరోయిన్‌గా ర‌జిషా విజ‌య‌న్ క‌నిపించింది. బాక్సాఫీస్ వ‌ద్ద ఈ మూవీ డిజాస్ట‌ర్‌గా నిల‌వ‌డంతో తెలుగు ఎంట్రీ ఆమెకు అంత‌గా క‌లిసిరాలేదు.

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Stream It Or Skip It: ‘Colors of Evil: Red’ on Netflix, A Polish Thriller About A Mother’s Search For Answers In Her Daughter’s Murder

Where to stream:.

• Colors of Evil: Red

Stream It Or Skip It: ‘Birth/Rebirth’ on Hulu, a Frankensteiny Horror-Thriller Rooted in Feminine Dread

Stream it or skip it: ‘monster’ on netflix, a dialogue-free indonesian horror-thriller, stream it or skip it: ‘past lies’ on hulu, where a group of women’s lives are turned upside down by a pact they made in the ’90s, stream it or skip it: ‘eileen’ on hulu, a dark, sexy noir-thriller starring anne hathaway and thomasin mckenzie.

Colors of Evil: Red , now streaming on Netflix, is adapted from Kolory Zła: Czerwień , the first novel in a popular three-book series by Polish author Małgorzata Oliwia Sobczak. When a young woman is murdered in the coastal Baltic region of Poland, her mother, a prominent judge, teams with a prosecutor new to the area to discover what really happened. Because there are lots of questions that could seemingly be answered by the piles of evidence that nobody else is investigating. Colors of Evil: Red , directed by Adrian Panek and written by Panek and Łukasz M. Maciejewski, stars Maja Ostaszewski ( Broad Peak ), Jakub Gierszał ( The Getaway King ), and Zofia Jastrzębska ( Infamy ).      

COLORS OF EVIL: RED : STREAM IT OR SKIP IT? 

The Gist: When the manager of a Gdynia nightclub called Shipwreck asks why he should hire her as his new bartender, Monika (Jastrzębska) just says it’s because guys will line up to buy drinks – and drugs – from her. “On their knees.” It’s a bolt of confidence, and pretty soon she’s the club’s most popular attraction. But what she considers a lark – dating the manager, and helping him move party drugs on the side – just as quickly turns tragic. And when Monika’s mutilated body turns up on the beach, it’s up to rookie prosecutor Leopold Bilski (Gierszał) to not only break the bad news to her mother, Judge Helena Bogucka (Ostaszewski), but to try and build a case around Monika’s murder. And that’s damn difficult with his supervisor giving him the runaround and the assigned detectives going out of their way to be unhelpful.

Helena blames herself and her failing marriage to high-powered lawyer Roman (Andrzej Zieliński) for what befell Monika. They should have been more present in the life of their daughter. But the circumstances of her death are particularly grisly, and suggest she was the victim of a psychopath or sadistic serial killer. As Bilski works the case from his end, uncovering similarities between Monika’s murder and the deaths of other young women in Poland’s Tricity region, Helena’s frustrations with Roman boil over into suspicion. As it turns out, he’s listed as the legal counsel for Shipwreck, which is owned (through a shell company, of course) by a powerful local gangster named Łukasz (Przemyslaw Bluszcz). Why was her husband working for a mobster? And did Łukasz have something to do with Monika’s murder? 

Colors of Evil: Red builds in the pace of a police procedural as it moves along, and employs a flashback format that’s at its best when it helps us learn a little more about Monika as a person. There’s also a medical examiner (Andrzej Konopka) whose connection to Helena is more than professional, his creepy son who also knew Monika, and the matter of a red ruby ring, Helena’s mother’s, which Monika always wore in life. Now she’s dead, the ring is missing, nobody’s talking, and if Helena and Bilski aren’t careful, they might be next.

What Movies Will It Remind You Of? The 2021 film Operation Hyacinth featured a gritty period setting, solid procedural vibes, and a message in support of the Polish LGBTQ community. And The Plagues of Breslau echoed some of the mystery components and darker elements of the mayhem at work in Colors of Evil: Red .   

Performance Worth Watching: Maja Ostaszewski deserves more screen time in Colors of Evil , but she makes the most of what she has, with a ton of mileage earned from a series of ever more drawn looks. The specifics of Helena’s dissolving marriage to Roman go unspoken, but the mistakes they made are written all over Ostaszewski’s features.    

Memorable Dialogue: It is only in the terrible aftermath of their daughter’s murder that Helena and Roman can finally admit to each other how little they did to help her. “We failed her,” Helena tells him flatly. “We simply failed her.”  

Sex and Skin: Colors of Evil includes disturbing scenes of sexual violence and assault.

Our Take: As awful as Monika’s fate is in Colors of Evil: Red , her cause of death and the condition of her body are the kind of red flags that can signal a satisfying thriller/murder mystery. This film, though, is somewhat less than satisfying. It’s capably directed, and outside of its grim narrative, the shooting locations in Poland are spectacular. But while Helena and Bilski are each driven to solve the crime – justice for Monika, of course, but also because her death could very well be linked to larger patterns of police corruption – the characters are often left to simply react to whatever discoveries they make, and feed that information back into the same foreboding cul-de-sac. We go round and round with their investigation as they uncover bits of evidence and other intriguing morsels, but the fact is that what they uncover felt pretty obvious from the get-go. We want to root for them, and see that true justice gets done. But the payoffs in Colors of Evil: Red are too clear by far, and a couple of late twists make the whole thing feel protracted even further.    

Our Call: Skip It. Colors of Red: Evil is structurally sound as a thriller, and it includes a handful of good performances. But the primary colors of its plot bleed through too early for the suspense to really build.

Johnny Loftus ( @glennganges ) is an independent writer and editor living at large in Chicagoland. His work has appeared in The Village Voice, All Music Guide, Pitchfork Media, and Nicki Swift.   

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The ultimate film about Los Angeles, plus the week’s best movies

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Hello! I’m not Mark Olsen but Joshua Rothkopf, stepping in for an abbreviated taste of the best movies coming to your favorite L.A. repertory theaters this week. Welcome to another edition of your regular field guide to a world of Only Good Movies.

‘Big Trouble in Little China’

John Carpenter’s career will always be a subject of fascination for me, particularly his habit during the 1980s of taking big swings once he had gained — or, more accurately, regained — enough clout. After 1984’s “Starman” netted Jeff Bridges an acting Oscar nomination (rare for sci-fi), the director mounted a huge-hearted fantasy, inflected by his love of John Wayne westerns and martial arts movies. Fine, so it wasn’t the next “Raiders of the Lost Ark.” “Big Trouble in Little China” represents one of the decade’s more exhilarating dares. Plus, you can speculate on the alternate history of Kim Cattrall, Action Hero. It screens on Saturday at midnight at the New Beverly in 35mm (of course), and while online tickets have sold out, there will be some added availability on the night.

The ultimate movie about L.A.

I recently moved from an apartment that was a five-minute walk (I walk!) from the Academy Museum. Already I’m having withdrawal symptoms. Sunday’s midday screening of Thom Andersen’s “Los Angeles Plays Itself” would have been a perfect excuse for a stroll. A critical examination of L.A.’s onscreen history — evolving as office towers rise, neighborhoods recede and corporate interests expand — the film is both a record of lost evidence captured in the backgrounds of movies, as well as a major piece of cultural excavation à la Mike Davis’ landmark “City of Quartz.” Andersen’s documentary is trove of movie nods, everything from “The Exiles” to “Swordfish.” An April conversation at the Los Angeles Festival of Movies between musician Kim Gordon and author Rachel Kushner used the film as a critical point of reference. You can’t call yourself a real Angeleno without seeing it — but yes, Thom, of course we refer to the city as “L.A.”

Bleak Week returns in all its dark glory

Even though American Cinematheque’s beloved series is only in its third year, it already feels an essential part of the annual screening calendar. Kicking off June 1 for a week, the 43-film showcase is already enjoying robust ticket sales, but don’t give up hope. Standby lines will form and the devoted will find a way in. Plus, you’ll be able to see several Times staffers and freelancers in action: On Wednesday, Mark Olsen introduces the punishing “Ratcatcher” and speaks with director Lynne Ramsay; Katie Walsh chats with Ramsay on Thursday about her equally oppressive “Morvern Callar.” On Sunday, Carlos Aguilar will sit down with filmmaker Don Hertzfeldt to talk about his animated “World of Tomorrow” and a new short, “Me.” Don’t miss Tim Grierson in conversation with director Lynne Littman about “Testament,” a nightmarish film that, in no small sense, saved the world . And I’ll be there doing Q&As for “Seven” (with screenwriter Andrew Kevin Walker) and the extended cut of “Margaret” with director Kenneth Lonergan and actor J. Smith-Cameron.

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Joshua Rothkopf is film editor of the Los Angeles Times. He most recently served as senior movies editor at Entertainment Weekly. Before then, Rothkopf spent 16 years at Time Out New York, where he was film editor and senior film critic. His writing has appeared in the New York Times, Sight and Sound, Empire, Rolling Stone and In These Times, where he was chief film critic from 1999 to 2003.

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Mad Max Movies Ranked by Tomatometer

The original Mad Max , perennially set just a few years from right now, starred Mel Gibson as Max Rockatansky, an Australian officer patrolling a society in rapid decline from pollution and dwindling natural resources. Director George Miller keeps the exact details behind the dystopia in the margins, using the encroaching apocalypse as backdrop for high-flying action stunts and vehicular mayhem. Mad Max first released in 1979, deeply embedded in the Ozploitation era, when the country was pumping out grindhouse-allied movies like Wake in Fright , BMX Bandits , Dead End Drive-In , and The Cars That Ate Paris .

Miller and Gibson re-teamed for two sequels: 1981’s Mad Max 2 aka The Road Warrior , and Mad Max Beyond Thunderdome in 1985. Civilization has completely collapsed by the start of the first sequel, with Max turned taciturn survivalist as he prowls through barbaric communities that have sprouted across the wastelands. The leather scavenger chic of the sequels has influenced the look of just about ever desert post-apocalypse setting ever since. Though Miller considers the movies standalone stories, essentially as myths of a wanderer told over oil barrel camp fires, they easily form a trilogy with continuity across Max’s clothing, car, and obviously the actor portraying him.

While Beyond Thunderdome has its detractors for the relative sidelining of Max in favor a bunch of moppets and Tina Turner, it also had to follow up on Road Warrior , considered among the best action films ever made.

2015’s Mad Max: Fury Road was in development for decades, which gave Miller and his collaborators ample time to forge lore, worldbuilding, and deep backstories for Max, warlord Immortan Joe, his rogue lieutenant Furiosa, and War Boy underling Nux. Tom Hardy takes on the Max mantle, with Charlize Theron as Furiosa. Immortan Joe is played by Hugh Keays-Byrne, who was also the villain Toecutter in the first movie.

To avoid contradictions while reinforcing the conceptual mythmaking of Max’s world, Fury Road is part of a separate timeline. The events of the original trilogy have still occurred, but details are changed wherever the new story dictates it. Miller was involved with a 2015 four-issue comic book series that reveals Immortan Joe’s rise to power, Nux’s upbringing, Furiosa’s motives for rebelling, and how Max got his Interceptor car back between Thunderdome and Fury Road . (The open-world Mad Max video game is its own continuity.)

The protracted development of Fury Road was a cakewalk compared to the actual filming, which included flooded sets, long sun-scorched days in Namibia, and feuding lead actors. (The nightmarish shoot is all documented in the book Blood, Sweat & Chrome by Kyle Buchanan.) The result: A groundbreaking assault on the senses and pure action cinema with six Oscar wins, plus nominations for Best Picture and Best Director.

With Furiosa: A Mad Max Saga , mastermind Miller is pulling on the the straightest, strongest thread between films, as the 2024 film is explicitly set 15 years before Fury Road , with Anya Taylor-Joy sliding in.

Now, we’re ranking all the Mad Max movies by Tomatometer!

Mad Max (1979) 90%

Mad Max 2: The Road Warrior (1981) 94%

Mad Max Beyond Thunderdome (1985) 79%

Mad Max: Fury Road (2015) 97%

Furiosa: A Mad Max Saga (2024) 90%

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Overseas ticket sales are underway, and it has been confirmed that the IMAX version of Kalki 2898 AD will be released in UK theaters, with tickets already on sale. An official announcement from the production team is anticipated soon.

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