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What is Theme? A Look at 20 Common Themes in Literature

Sean Glatch  |  May 7, 2024  |  18 Comments

When someone asks you “What is this book about?” , there are a few ways you can answer. There’s “ plot ,” which refers to the literal events in the book, and there’s “character,” which refers to the people in the book and the struggles they overcome. Finally, there are themes in literature that correspond with the work’s topic and message. But what is theme in literature?

The theme of a story or poem refers to the deeper meaning of that story or poem. All works of literature contend with certain complex ideas, and theme is how a story or poem approaches these ideas.

There are countless ways to approach the theme of a story or poem, so let’s take a look at some theme examples and a list of themes in literature. We’ll discuss the differences between theme and other devices, like theme vs moral and theme vs topic. Finally, we’ll examine why theme is so essential to any work of literature, including to your own writing.

But first, what is theme? Let’s explore what theme is—and what theme isn’t.

Common Themes in Literature: Contents

• Theme Definition

20 Common Themes in Literature

• Theme Examples

Themes in Literature: A Hierarchy of Ideas

Why themes in literature matter.

• Should I Decide the Themes of a Story in Advance?

Theme Definition: What is Theme?

Theme describes the central idea(s) that a piece of writing explores. Rather than stating this theme directly, the author will look at theme using the set of literary tools at their disposal. The theme of a story or poem will be explored through elements like characters , plot, settings , conflict, and even word choice and literary devices .

Theme definition: the central idea(s) that a piece of writing explores.

That said, theme is more than just an idea. It is also the work’s specific vantage point on that idea. In other words, a theme is an idea plus an opinion: it is the author’s specific views regarding the central ideas of the work. 

All works of literature have these central ideas and opinions, even if those ideas and opinions aren’t immediate to the reader.

Justice, for example, is a literary theme that shows up in a lot of classical works. To Kill a Mockingbird contends with racial justice, especially at a time when the U.S. justice system was exceedingly stacked against African Americans. How can a nation call itself just when justice is used as a weapon?

By contrast, the play Hamlet is about the son of a recently-executed king. Hamlet seeks justice for his father and vows to kill Claudius—his father’s killer—but routinely encounters the paradox of revenge. Can justice really be found through more bloodshed?

What is theme? An idea + an opinion.

Clearly, these two works contend with justice in unrelated ways. All themes in literature are broad and open-ended, allowing writers to explore their own ideas about these complex topics.

Let’s look at some common themes in literature. The ideas presented within this list of themes in literature show up in novels, memoirs, poems, and stories throughout history.

Theme Examples in Literature

Let’s take a closer look at how writers approach and execute theme. Themes in literature are conveyed throughout the work, so while you might not have read the books in the following theme examples, we’ve provided plot synopses and other relevant details where necessary. We analyze the following:

• Power and Corruption in the novel Animal Farm
• Loneliness in the short story “A Clean, Well-Lighted Place”
• Love in the poem “How Do I Love Thee”

Theme Examples: Power and Corruption in the Novel Animal Farm

At its simplest, the novel Animal Farm by George Orwell is an allegory that represents the rise and moral decline of Communism in Russia. Specifically, the novel uncovers how power corrupts the leaders of populist uprisings, turning philosophical ideals into authoritarian regimes.

Most of the characters in Animal Farm represent key figures during and after the Russian Revolution. On an ailing farm that’s run by the negligent farmer Mr. Jones (Tsar Nicholas II), the livestock are ready to seize control of the land. The livestock’s discontent is ripened by Old Major (Karl Marx/Lenin), who advocates for the overthrow of the ruling elite and the seizure of private land for public benefit.

After Old Major dies, the pigs Napoleon (Joseph Stalin) and Snowball (Leon Trotsky) stage a revolt. Mr. Jones is chased off the land, which parallels the Russian Revolution in 1917. The pigs then instill “Animalism”—a system of government that advocates for the rights of the common animal. At the core of this philosophy is the idea that “all animals are equal”—an ideal that, briefly, every animal upholds.

Initially, the Animalist Revolution brings peace and prosperity to the farm. Every animal is well-fed, learns how to read, and works for the betterment of the community. However, when Snowball starts implementing a plan to build a windmill, Napoleon drives Snowball off of the farm, effectively assuming leadership over the whole farm. (In real life, Stalin forced Trotsky into exile, and Trotsky spent the rest of his life critiquing the Stalin regime until he was assassinated in 1940.)

Napoleon’s leadership quickly devolves into demagoguery, demonstrating the corrupting influence of power and the ways that ideology can breed authoritarianism. Napoleon uses Snowball as a scapegoat for whenever the farm has a setback, while using Squealer (Vyacheslav Molotov) as his private informant and public orator.

Eventually, Napoleon changes the tenets of Animalism, starts walking on two legs, and acquires other traits and characteristics of humans. At the end of the novel, and after several more conflicts , purges, and rule changes, the livestock can no longer tell the difference between the pigs and humans.

Themes in Literature: Power and Corruption in Animal Farm

So, how does Animal Farm explore the theme of “Power and Corruption”? Let’s analyze a few key elements of the novel.

Plot: The novel’s major plot points each relate to power struggles among the livestock. First, the livestock wrest control of the farm from Mr. Jones; then, Napoleon ostracizes Snowball and turns him into a scapegoat. By seizing leadership of the farm for himself, Napoleon grants himself massive power over the land, abusing this power for his own benefit. His leadership brings about purges, rule changes, and the return of inequality among the livestock, while Napoleon himself starts to look more and more like a human—in other words, he resembles the demagoguery of Mr. Jones and the abuse that preceded the Animalist revolution.

Thus, each plot point revolves around power and how power is wielded by corrupt leadership. At its center, the novel warns the reader of unchecked power, and how corrupt leaders will create echo chambers and private militaries in order to preserve that power.

Characters: The novel’s characters reinforce this message of power by resembling real life events. Most of these characters represent real life figures from the Russian Revolution, including the ideologies behind that revolution. By creating an allegory around Lenin, Trotsky, Stalin, and the other leading figures of Communist Russia’s rise and fall, the novel reminds us that unchecked power foments disaster in the real world.

Literary Devices: There are a few key literary devices that support the theme of Power and Corruption. First, the novel itself is a “satirical allegory.” “ Satire ” means that the novel is ridiculing the behaviors of certain people—namely Stalin, who instilled far-more-dangerous laws and abuses that created further inequality in Russia/the U.S.S.R. While Lenin and Trotsky had admirable goals for the Russian nation, Stalin is, quite literally, a pig.

Meanwhile, “allegory” means that the story bears symbolic resemblance to real life, often to teach a moral. The characters and events in this story resemble the Russian Revolution and its aftermath, with the purpose of warning the reader about unchecked power.

Finally, an important literary device in Animal Farm is symbolism . When Napoleon (Stalin) begins to resemble a human, the novel suggests that he has become as evil and negligent as Mr. Jones (Tsar Nicholas II). Since the Russian Revolution was a rejection of the Russian monarchy, equating Stalin to the monarchy reinforces the corrupting influence of power, and the need to elect moral individuals to posts of national leadership.

Theme Examples: Loneliness in “A Clean, Well-Lighted Place”

Ernest Hemingway’s short story “A Clean, Well-Lighted Place” is concerned with the theme of loneliness. You can read this short story here . Content warning for mentions of suicide.

There are very few plot points in Hemingway’s story, so most of the story’s theme is expressed through dialogue and description. In the story, an old man stays up late drinking at a cafe. The old man has no wife—only a niece that stays with him—and he attempted suicide the previous week. Two waiters observe him: a younger waiter wants the old man to leave so they can close the cafe, while an older waiter sympathizes with the old man. None of these characters have names.

The younger waiter kicks out the old man and closes the cafe. The older waiter walks to a different cafe and ruminates on the importance of “a clean, well-lighted place” like the cafe he works at.

Themes in Literature: Loneliness in “A Clean, Well-Lighted Place”

Hemingway doesn’t tell us what to think about the old man’s loneliness, but he does provide two opposing viewpoints through the dialogue of the waiters.

The younger waiter has the hallmarks of a happy life: youth, confidence, and a wife to come home to. While he acknowledges that the old man is unhappy, he also admits “I don’t want to look at him,” complaining that the old man has “no regard for those who must work.” The younger waiter “did not wish to be unjust,” he simply wanted to return home.

The older waiter doesn’t have the privilege of turning away: like the old man, he has a house but not a home to return to, and he knows that someone may need the comfort of “a clean and pleasant cafe.”

The older waiter, like Hemingway, empathizes with the plight of the old man. When your place of rest isn’t a home, the world can feel like a prison, so having access to a space that counteracts this feeling is crucial. What kind of a place is that? The older waiter surmises that “the light of course” matters, but the place must be “clean and pleasant” too. Additionally, the place should not have music or be a bar: it must let you preserve the quiet dignity of yourself.

Lastly, the older waiter’s musings about God clue the reader into his shared loneliness with the old man. In a stream of consciousness, the older waiter recites traditional Christian prayers with “nada” in place of “God,” “Father,” “Heaven,” and other symbols of divinity. A bartender describes the waiter as “otro locos mas” (translation: another crazy), and the waiter concludes that his plight must be insomnia.

This belies the irony of loneliness: only the lonely recognize it. The older waiter lacks confidence, youth, and belief in a greater good. He recognizes these traits in the old man, as they both share a need for a clean, well-lighted place long after most people fall asleep. Yet, the younger waiter and the bartender don’t recognize these traits as loneliness, just the ramblings and shortcomings of crazy people.

Does loneliness beget craziness? Perhaps. But to call the waiter and old man crazy would dismiss their feelings and experiences, further deepening their loneliness.

Loneliness is only mentioned once in the story, when the young waiter says “He’s [the old man] lonely. I’m not lonely. I have a wife waiting in bed for me.” Nonetheless, loneliness consumes this short story and its older characters, revealing a plight that, ironically, only the lonely understand.

Theme Examples: Love in the Poem “How Do I Love Thee”

Let’s turn towards brighter themes in literature: namely, love in poetry . Elizabeth Barrett Browning’s poem “ How Do I Love Thee ” is all about the theme of love.

Themes in Literature: Love in “How Do I Love Thee”

Browning’s poem is a sonnet , which is a 14-line poem that often centers around love and relationships. Sonnets have different requirements depending on their form, but between lines 6-8, they all have a volta —a surprising line that twists and expands the poem’s meaning.

Let’s analyze three things related to the poem’s theme: its word choice, its use of simile and metaphor , and its volta.

Word Choice: Take a look at the words used to describe love. What do those words mean? What are their connotations? Here’s a brief list: “soul,” “ideal grace,” “quiet need,” “sun and candle-light,” “strive for right,” “passion,” “childhood’s faith,” “the breath, smiles, tears, of all my life,” “God,” “love thee better after death.”

These words and phrases all bear positive connotations, and many of them evoke images of warmth, safety, and the hearth. Even phrases that are morose, such as “lost saints” and “death,” are used as contrasts to further highlight the speaker’s wholehearted rejoicing of love. This word choice suggests an endless, benevolent, holistic, all-consuming love.

Simile and Metaphor: Similes and metaphors are comparison statements, and the poem routinely compares love to different objects and ideas. Here’s a list of those comparisons:

The speaker loves thee:

• To the depths of her soul.
• By sun and candle light—by day and night.
• As men strive to do the right thing (freely).
• As men turn from praise (purely).
• With the passion of both grief and faith.
• With the breath, smiles, and tears of her entire life.
• Now in life, and perhaps even more after death.

The speaker’s love seems to have infinite reach, flooding every aspect of her life. It consumes her soul, her everyday activities, her every emotion, her sense of justice and humility, and perhaps her afterlife, too. For the speaker, this love is not just an emotion, an activity, or an ideology: it’s her existence.

Volta: The volta of a sonnet occurs in the poem’s center. In this case, the volta is the lines “I love thee freely, as men strive for right. / I love thee purely, as they turn from praise.”

What surprising, unexpected comparisons! To the speaker, love is freedom and the search for a greater good; it is also as pure as humility. By comparing love to other concepts, the speaker reinforces the fact that love isn’t just an ideology, it’s an ideal that she strives for in every word, thought, and action.

“Theme” is part of a broader hierarchy of ideas. While the theme of a story encompasses its central ideas, the writer also expresses these ideas through different devices.

You may have heard of some of these devices: motif, moral, topic, etc. What is motif vs theme? What is theme vs moral? These ideas interact with each other in different ways, which we’ve mapped out below.

Theme vs Topic

The “topic” of a piece of literature answers the question: What is this piece about? In other words, “topic” is what actually happens in the story or poem.

You’ll find a lot of overlap between topic and theme examples. Love, for instance, is both the topic and the theme of Elizabeth Barrett Browning’s poem “How Do I Love Thee.”

The difference between theme vs topic is: topic describes the surface level content matter of the piece, whereas theme encompasses the work’s apparent argument about the topic.

Topic describes the surface level content matter of the piece, whereas theme encompasses the work’s apparent argument about the topic.

So, the topic of Browning’s poem is love, while the theme is the speaker’s belief that her love is endless, pure, and all-consuming.

Additionally, the topic of a piece of literature is definitive, whereas the theme of a story or poem is interpretive. Every reader can agree on the topic, but many readers will have different interpretations of the theme. If the theme weren’t open-ended, it would simply be a topic.

Theme vs Motif

A motif is an idea that occurs throughout a literary work. Think of the motif as a facet of the theme: it explains, expands, and contributes to themes in literature. Motif develops a central idea without being the central idea itself .

Motif develops a central idea without being the central idea itself.

In Animal Farm , for example, we encounter motif when Napoleon the pig starts walking like a human. This represents the corrupting force of power, because Napoleon has become as much of a despot as Mr. Jones, the previous owner of the farm. Napoleon’s anthropomorphization is not the only example of power and corruption, but it is a compelling motif about the dangers of unchecked power.

Theme vs Moral

The moral of a story refers to the story’s message or takeaway. What can we learn from thinking about a specific piece of literature?

The moral is interpreted from the theme of a story or poem. Like theme, there is no single correct interpretation of a story’s moral: the reader is left to decide how to interpret the story’s meaning and message.

For example, in Hemingway’s “A Clean, Well-Lighted Place,” the theme is loneliness, but the moral isn’t quite so clear—that’s for the reader to decide. My interpretation is that we should be much more sympathetic towards the lonely, since loneliness is a quiet affliction that many lonely people cannot express.

Great literature does not tell us what to think, it gives us stories to think about.

However, my interpretation could be miles away from yours, and that’s wonderful! Great literature does not tell us what to think, it gives us stories to think about, and the more we discuss our thoughts and interpretations, the more we learn from each other.

The theme of a story affects everything else: the decisions that characters make, the mood that words and images build, the moral that readers interpret, etc. Recognizing how writers utilize various themes in literature will help you craft stronger, more nuanced works of prose and poetry .

“To produce a mighty book, you must choose a mighty theme.” —Herman Melville

Whether a writer consciously or unconsciously decides the themes of their work, theme in literature acts as an organizing principle for the work as a whole. For writers, theme is especially useful to think about in the process of revision: if some element of your poem or story doesn’t point towards a central idea, it’s a sign that the work is not yet finished. 

Moreover, literary themes give the work  stakes . They make the work stand for something. Remember that our theme definition is an idea plus an opinion. Without that opinion element, a work of literature simply won’t stand for anything, because it is presenting ideas in the abstract without giving you something to react to. The theme of a story or poem is never just “love” or “justice,” it’s the author’s particular spin and insight on those themes. This is what makes a work of literature compelling or evocative. Without theme, literature has no center of gravity, and all the words and characters and plot points are just floating in the ether. 

Should I Decide the Theme of a Story or Poem in Advance?

You can, though of course it depends on the actual story you want to tell. Some writers certainly start with a theme. You might decide you want to write a story about themes like love, family, justice, gender roles, the environment, or the pursuit of revenge.

From there, you can build everything else: plot points, characters, conflicts, etc. Examining themes in literature can help you generate some strong story ideas !

Nonetheless, theme is not the only way to approach a creative writing project. Some writers start with plot, others with character, others with conflicts, and still others with just a vague notion of what the story might be about. You might not even realize the themes in your work until after you finish writing it.

You certainly want your work to have a message, but deciding what that message is in advance might actually hinder your writing process. Many writers use their poems and stories as opportunities to explore tough questions, or to arrive at a deeper insight on a topic. In other words, you can start your work with ideas, and even opinions on those ideas, but don’t try to shoehorn a story or poem into your literary themes. Let the work explore those themes. If you can surprise yourself or learn something new from the writing process, your readers will certainly be moved as well. 

So, experiment with ideas and try different ways of writing. You don’t have think about the theme of a story right away—but definitely give it some thought when you start revising your work!

Develop Great Themes at Writers.com

As writers, it’s hard to know how our work will be viewed and interpreted. Writing in a community can help. Whether you join our Facebook group or enroll in one of our upcoming courses , we have the tools and resources to sharpen your writing.

Sean Glatch

18 comments.

Sean Glatch,Thank you very much for your discussion on themes. It was enlightening and brought clarity to an abstract and sometimes difficult concept to explain and illustrate. The sample stories and poem were appreciated too as they are familiar to me. High School Language Arts Teacher

Hi Stephanie, I’m so glad this was helpful! Happy teaching 🙂

Wow!!! This is the best resource on the subject of themes that I have ever encountered and read on the internet. I just bookmarked it and plan to use it as a resource for my teaching. Thank you very much for publishing this valuable resource.

Hi Marisol,

Thank you for the kind words! I’m glad to hear this article will be a useful resource. Happy teaching!

Warmest, Sean

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What is Theme? A Look at 20 Common Themes in Literature | writers.com

Hello! This is a very informative resource. Thank you for sharing.

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This presentation is excellent and of great educational value. I will employ it already in my thesis research studies.

John Never before communicated with you!

Brilliant! Thank you.

[…] THE MOST COMMON THEMES IN LITERATURE […]

marvellous. thumbs up

Thank you. Very useful information.

found everything in themes. thanks. so much

In college I avoided writing classes and even quit a class that would focus on ‘Huck Finn’ for the entire semester. My idea of hell. However, I’ve been reading and learning from the writers.com articles, and I want to especially thank Sean Glatch who writes in a way that is useful to aspiring writers like myself.

You are very welcome, Anne! I’m glad that these resources have been useful on your writing journey.

Thank you very much for this clear and very easy to understand teaching resources.

Hello there. I have a particular question.

Can you describe the exact difference of theme, issue and subject?

I get confused about these.

I love how helpful this is i will tell my class about it!

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200 Common Themes in Literature

Sarah Oakley

Table of Contents

What is the theme of a story, common themes in literature, universal themes in literature, full list of themes in literature, theme examples in popular novels.

The theme of a novel is the main point of the story and what it’s really about. As a writer, it’s important to identify the theme of your story before you write it.

Themes are not unique to each novel because a theme addresses a common feeling or experience your readers can relate to. If you’re aware of what the common themes are, you’ll have a good idea of what your readers are expecting from your novel .

In this article, we’ll explain what a theme is, and we’ll explore common themes in literature.

The theme of a story is the underlying message or central idea the writer is trying to show through the actions of the main characters. A theme is usually something the reader can relate to, such as love, death, and power.

Your story can have more than one theme, as it might have core themes and minor themes that become more apparent later in the story. A romance novel can have the central theme of love, but the protagonist might have to overcome some self-esteem issues, which present the theme of identity.

Themes are great for adding conflict to your story because each theme presents different issues you could use to develop your characters. For example, a novel with the theme of survival will show the main character facing tough decisions about their own will to survive, potentially at the detriment of someone else they care about.

Sometimes a secondary character will represent the theme in the way they are characterized and the actions they take. Their role is to challenge the protagonist to learn what the story is trying to say about the theme. For example, in a novel about the fear of failure, the antagonist might be a rival in a competition who challenges the protagonist to overcome their fear so they can succeed against them.  

It’s important to remember that a theme is not the same as a story’s moral message. A moral is a specific lesson you can teach your readers, whereas a story’s theme is an idea or concept your readers interpret in a way that relates to them.

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Common literary themes are concepts and central ideas that are relatable to most readers. Therefore, it’s a good idea to use a common theme if you want your novel to appeal to a wide range of readers.  

Here’s our list of common themes in literature:

Love : the theme of love appears in novels within many genres, as it can discuss the love of people, pets, objects, and life. Love is a complex concept, so there are still unique takes on this theme being published every day.

Death/Grief : the theme of death can focus on the concept of mortality or how death affects people and how everyone processes grief in their own way.

Power : there are many books in the speculative fiction genres that focus on the theme of power. For example, a fantasy story could center on a ruling family and their internal problems and external pressures, which makes it difficult for them to stay in power. 

Faith : the common theme of faith appears in stories where the events test a character’s resolve or beliefs. The character could be religious or the story could be about a character’s faith in their own ability to succeed.

Beauty : the theme of beauty is good for highlighting places where beauty is mostly overlooked by society, such as inner beauty or hard work that goes unnoticed. Some novels also use the theme of beauty to show how much we take beauty for granted.

Survival : we can see the theme of survival in many genres, such as horror, thriller, and dystopian, where the book is about characters who have to survive life-threatening situations.

Identity : there are so many novels that focus on the common theme of identity because it’s something that matters to a lot of readers. Everyone wants to know who they are and where they fit in the world.

Family : the theme of family is popular because families are ripe with opportunities for conflict. The theme of family affects everyone, whether they have one or not, so it’s a relatable theme to use in your story.

Universal themes are simply concepts and ideas that almost all cultures and countries can understand and interpret. Therefore, a universal theme is great for books that are published in several languages.

If you want to write a story you can export to readers all over the world, aim to use a universal theme. The common themes mentioned previously are all universal literary themes, but there are several more you could choose for your story.

Here are some more universal literary themes:

Human nature

Self-awareness

Coming of age

Not all themes are universal or common, but that shouldn’t put you off from using them. If you believe there is something to be said about a particular theme, your book could be the one to say it.

Your book could become popular if the theme of your book addresses a current issue. For example, a theme of art is not as common as love, but in a time when AI developments are making people talk about how AI affects art, it’s a theme people will probably appreciate.

Here’s a full list of themes you can use in your writing:

Abuse of power

American dream

Celebration

Change versus tradition

Chaos and order

Circle of life

Climate change

Colonialism

Common sense

Communication

Companionship

Conservation

Convention and rebellion

Darkness and light

Disappointment

Disillusionment

Displacement

Empowerment

Everlasting love

Forbidden love

Forgiveness

Fulfillment

Gay, lesbian, bisexual, and transgender rights

Good vs evil

Imagination

Immortality

Imperialism

Impossibility

Individuality

Inspiration

Manipulation

Materialism

Nationalism

Not giving up

Opportunity

Peer pressure

Perseverance

Personal development

Relationship

Self-discipline

Self-reliance

Self-preservation

Subjectivity

Surveillance

Totalitarianism

Unconditional love

Unrequited love

Unselfishness

Winning and losing

Working class struggles

If you’ve decided on a literary theme but you’re not sure how to present it in your novel, it’s a good idea to check out how other writers have incorporated it into their novels. We’ve found some examples of themes within popular novels that could help you get started.

The Great Gatsby by F. Scott Fitzgerald

The Great Gatsby is famous for the theme of the American dream, but it also includes themes of gender, race, social class, and identity. We experience the themes of the novel through the eyes of the narrator, Nick Carraway, who gradually loses his optimism for the American dream as the narrative progresses.

Romeo and Juliet by William Shakespeare

It’s well known that Shakespeare was a connoisseur of the theme of tragedy in his plays, and Romeo and Juliet certainly features tragedy. However, forbidden love and family are the main themes.

Charlotte’s Web by E. B. White

Charlotte’s Web is a classic children’s book that features the themes of death and mortality. From the beginning of the book, the main characters have to come to terms with their own mortality. Charlotte, the spider, does what she can to prevent the slaughter of Wilbur, the pig.

Nineteen Eighty-Four by George Orwell

George Orwell’s novel, Nineteen Eighty-Four , focuses on themes of totalitarianism, repression, censorship, and surveillance. The novel is famous for introducing the concept of Big Brother, which has become synonymous with the themes of surveillance and abuse of power.

A Game of Thrones by George R. R. Martin

The fantasy novel, A Game of Thrones , is popular for its complex storylines that present themes of family, power, love, and death. The novel has multiple points of view, which give an insight into how each main character experiences the multiple themes of the story.

The Hunger Games by Suzanne Collins

The Hunger Games is a popular teen novel that focuses on themes of poverty, rebellion, survival, friendship, power, and social class. The novel highlights the horrifying consequences of rebellion, as the teenage competitors have to survive the Hunger Games pageant.

Wolf Hall by Hilary Mantel

Wolf Hall features themes of power, family, faith, and a sense of duty. It’s a historical novel about the life of Oliver Cromwell and how he became the most powerful minister in King Henry VIII’s council.

As you can see, the literary theme of a novel is one of the most important parts, as it gives the reader an instant understanding of what the story is about. Your readers will connect with your novel if you have a theme that is relatable to them.

Some themes are more popular than others, but some gain popularity based on events that are happening in the world. It’s important to consider how relevant your literary theme is to your readers at the time you intend to publish your book.

We hope this list of common themes in literature will help you with your novel writing.

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25 Themes Examples (In Literature)

In literature, a theme is a central topic, subject, or message that the author is presenting for us to ponder.

It represents the underlying meaning or main idea that the writer explores in the book.

In my last article, I explored the six types of conflict in literature , and these represent six key literary themes as well:

• Man vs Nature
• Man vs Society
• Man vs Technology
• Man vs Self
• Man vs Destiny

But, of course, we can tease out many more themes in literature.

Themes can be as simple as love, friendship, or survival, or they can be more complex, such as the critique of societal norms, exploration of human mortality, or the struggle between individual desires and societal expectations. They often provoke thought and offer insight into the human condition.

So, in this article, I want to present 25 of them to you (which include some of those listed above, of course). For each theme, I hope to present you with an example within literature that you’ll likely be familiar with.

Themes Examples

1. love and sacrifice.

Love, as one of the most intense of human emotions, also features as a core theme in not only literature, but also music, film, and theater.

This theme can go in a variety of directions, but often examines the extent to which we will go in order to experience and maintain love (often at great personal cost), the way love makes us irrational or conduct extraordinary deeds of both good and evil, and of course, the experience of heartbreak.

Examples in Literature

Notable examples include “Romeo and Juliet” by William Shakespeare, where the two main characters sacrifice their lives for their love, and “The Gift of the Magi” by O. Henry, where a couple each sacrifice their most prized possessions to buy a gift for the other.

2. The Individual versus Society

The individual vs society theme – one of the six key types of conflict in literature – occurs when one person grapples with and stands up against established social norms, mores, and powers-that-be.

It may be just one person or a group who stands up against society. An example of the former is Katniss Everdeen in The Hunger Games who starts off as a solo fighter against a dystopian government, when no one else is willing. An example of the later is the group of children in Tomorrow When the War Began who form a band of friends standing up as a guerilla group against an occupying army.

“To Kill a Mockingbird” by Harper Lee is a strong example, with Atticus Finch standing up against societal racism. He is an outcast lawyer who is the only man willing to represent a Black man who is framed for a crime in a deeply racist town.

3. The Hero’s Journey

This theme, derived from Joseph Campbell’s monomyth theory, features characters undertaking great journeys or quests.

According to the monomyth theory, there is a common motif throughout stories – both historical and fabricated – that gain currency in the social imagination. In these theories, the journey sets out on an adventure, faces challenges that lead to a dramatic personal transformation for the better, and returns home anew.

A quintessential example of the hero’s journey can be seen in “The Lord of the Rings” by J.R.R. Tolkien, where Frodo sets out a shy hobbit having never left his shire. He goes on a journey where he develops self-belief and gains the respect of powerful people, before returning home.

4. Coming of Age

This theme, also known as the Bildungsroman, focuses on the growth and maturation of a young protagonist, usually a teenager.

Over the course of the story, they confront and overcome personal or societal hurdles, ultimately leading to self-discovery and self-acceptance.

Oftentimes, such storylines explore the unique experience of teenagers as they are developing cognitively and emotionally. Indeed, as my wife often tells me when we watch this storyline on television: “only a teenager would ever do that!”

These storylines do also have important place in society because they offer young people empathetic and supportive stories that can help young people through the important coming-of-age period of life.

“The Catcher in the Rye” by J.D. Salinger is a key example, where the main character, Holden Caulfield, goes on a journey on his own after being kicked out of school. The journey ends with him learning that he does truly value his education and family, leading him to professing he will attend school again in the Fall.

5. Power and Corruption

This theme explores how power can corrupt individuals and societies, and the destructive consequences that can result.

This theme generally tells an important story about how power operates in society, makes commentary about injustice, and the ways in which power can bring out the worst (and best) in people.

This theme is often seen in political or dystopian literature, such as “Animal Farm” and “1984” by George Orwell. Similarly, in Shakespeare’s “Macbeth”, the titular character’s quest for power leads to his tragic downfall.

6. Redemption and Forgiveness

Another common theme is the exploration of the human capacity for making mistakes and the subsequent need for redemption or forgiveness.

Characters may be haunted by their past actions, seeking atonement, or striving to make amends.

We see this, for example, in the trope of the ghost who is stuck in this life until they achieve some degree of inner peace and redeption.

It is also seen in Christian literature, where forgiveness following repentance is an important moral underpinning of the faith.

Similarly, as with in the man vs self conflict trope, the character is seeking self-forgiveness and self-atonement.

Khaled Hosseini’s “The Kite Runner” is a powerful exploration of this theme, where the protagonist, Amir, spends a significant portion of his life seeking to redeem himself for his past betrayal of his friend Hassan.

7. War and Peace

Literature that explores war and peace might depict the physical and psychological impact of war on individuals and societies, the politics of war, or the tireless pursuit of peace.

They may also explore the aftermath of war on people’s lives. It can follow people’s struggles to achieve inner peace after a conflict and the trouble of returning to civilian life.

Or, they may explore the deep brotherhood forged in battle, such as in the epic Band of Brothers storyline.

Of course, there are many directions we can take with this theme, but at the center is the extraordinariness of wartime, which opens the door for exploration of intense aspects of humanity.

“All Quiet on the Western Front” by Erich Maria Remarque provides a harrowing look at the physical and emotional trauma endured by soldiers in World War I. On the other hand, Leo Tolstoy’s “War and Peace” is an expansive work that explores war from various perspectives, including the experiences of soldiers, families, and politicians.

8. Death and Mortality

Literature is at its best when it grapples with the themes at the core of the human experience – and the inevitability of death is certainly one of these.

Some works might meditate on the grief and loss associated with death, while others might use the prospect of death as a device to reflect on the meaning of life, or to explore how people live knowing they will die.

Oftentimes, this theme overlaps with religiosity, or themes about seeking meaning in life.

“The Death of Ivan Ilyich” by Leo Tolstoy explores the protagonist’s confrontation with his own mortality, leading him to reflect on the life he has lived and the value of genuine human connection.

9. Nature and Environment

With the rising threat of climate change, this theme has seen renewed attention in recent decades.

Environmental themes often explore humanity’s relationship with the natural world (oftentimes, for example, showing how small and insignificant we are in comparison to nature).

At the same time, other themes examine the environmental consequences of human action during the age of the anthroposcene.

Themes that explore conflict between man and nature represent one of the key conflicts in literature, such as when a person is challenged by being stuck in the desert or isolated from civilization and nature becomes the main antagonist or challenge to overcome.

Some literature might emphasize the spiritual or therapeutic aspects of nature, as seen in “Walden” by Henry David Thoreau, where Thoreau embarks on a two-year retreat to a cabin in the woods to explore simple living and the natural world. Alternatively, environmental literature, like “The Lorax” by Dr. Seuss, uses storytelling to convey warnings about environmental destruction and the importance of conservation.

10. Identity and Belonging

This theme delves into the exploration of the protagonist’s place in society and their personal identity.

The earlier theme of coming of age overlaps significantly here, and so too does the hero’s journey, which commonly examines a hero’s developing sense of self.

Characters in this type of theme might struggle with societal expectations, personal self-discovery, or feelings of alienation, seeking a place or group where they feel they belong.

“Invisible Man” by Ralph Ellison, for instance, explores the protagonist’s struggle to define his identity within a society that refuses to see him as an individual rather than a racial stereotype. Similarly, “The Joy Luck Club” by Amy Tan navigates the complexities of cultural identity and generational differences among a group of Chinese-American women and their immigrant mothers.

11. Good versus Evil

One of the most fundamental themes in literature, good vs evil features a clear conflict between forces of good and forces of evil.

This theme often pits heroes against villains in a struggle that often represents larger moral, philosophical, or societal issues.

One of my complaints about many contemporary ‘pop lit’ and blockbuster films is that they fail to adequately examine the subjectivity of this false dichotomy – good vs evil themes are at their best when ‘evil’ is an elusive concept, and where we even are able to empathize with the evil character while still seeing the wrongs in their views.

J.K. Rowling’s “Harry Potter” series is a prime example, with Harry Potter and his friends constantly fighting against the dark wizard Lord Voldemort and his followers. The struggle between good and evil also underlies C.S. Lewis’s “The Chronicles of Narnia.”

12. Freedom and Confinement

This theme highlights the dichotomy between the desire for freedom and the reality of confinement.

Confinement might be physical, such as imprisonment or slavery, or it could be psychological, stemming from societal expectations or personal fears.

The ‘freedom’ element might emerge as a wistful theme, as in many coming-of-age narratives about the young character wanting to escape their hometown confines and beat culture narratives of the 1950s; or it might emerge as a struggle with physical constraint, such as themes surrounding imprisoned POWs.

“The Shawshank Redemption” by Stephen King, for example, explores both the physical confinement of prison and the ways in which characters can find freedom despite their circumstances. Similarly, “One Flew Over the Cuckoo’s Nest” by Ken Kesey features characters confined in a mental institution, highlighting their struggle for autonomy against oppressive authority.

13. Rebellion and Conformity

This theme centers on the tension between individual freedom and societal norms.

Characters might challenge authority, resist societal expectations, or fight against oppressive systems. (Here, we’re looking at strong overlap with the man vs society conflict narrative).

The theme may also explore an individual’s rebellion against a cult or religious group which they wish to escape, rebellion against parents, or search for an extraordinary life in an ordinary world. Sometimes, characters return to their roots, embracing conformity, while others escape the orbit or their cultural norms , achieving freedom through rebellion.

In Ray Bradbury’s “Fahrenheit 451,” the protagonist, Guy Montag, rebels against a dystopian society that has outlawed books and free thought. Montag’s transformation from a conformist fireman who burns books to a rebel who seeks knowledge demonstrates the struggle between conformity and rebellion.

14. Innocence and Experience

The theme of innocence vs experience often demonstrates a transition from a naive idealism to wisdom earned through experience .

For example, this theme may also explore the transition from the naivety of childhood to the disillusionment of adulthood.

Characters often face harsh realities or undergo experiences that shatter their innocence and lead them towards a more complex understanding of the world.

In “Lord of the Flies” by William Golding, a group of boys stranded on an uninhabited island gradually lose their innocence as their attempts at creating a society descend into savagery.

15. Reality versus Illusion

This theme investigates the nature of reality and the power of illusion.

Characters might grapple with distinguishing between what is real and what is not. In these situations, the story may play with the reader, not even allowing the reader an objective vision of what’s true and what not (such as in the unreliable narrator trope).

Similarly, the theme might explore how characters intentionally choose illusion over reality to escape unpleasant circumstances.

F. Scott Fitzgerald’s “The Great Gatsby” explores this theme through the character of Jay Gatsby, who constructs a grand illusion of wealth and social status to win the love of Daisy Buchanan. Similarly, in “A Streetcar Named Desire” by Tennessee Williams, Blanche DuBois often retreats into her fantasies, unable to cope with her harsh reality.

16. The Search for Self-Identity

The theme of self-identity revolves around the process of understanding oneself, and it often involves characters undergoing significant personal growth or change.

This theme often begins with characters experiencing a sense of unease or dissatisfaction with their present circumstances or sense of self.

This feeling of discomfort acts as a catalyst for the characters to embark on a quest for self-identity, an inner journey often mirrored by an outward physical journey or experience.

Example in Literature

In Franz Kafka’s “The Metamorphosis”, Gregor Samsa wakes up one day to find himself transformed into a monstrous insect. This shocking transformation forces him to reassess his identity, no longer defined by his role as a family provider, and navigate the alienation from his family and society.

17. The Injustice of Social Class

This theme explores the division of society into different social classes and the resulting inequity and conflict.

One of my favorite American authors, John Steinbeck, explores this theme in much of his literature. He takes the perspective of working-class Americans, examining how corporate interests make their life hard, how fellow Americans discriminate against them, and how they persevere through the relationships they build with other people in their social class.

In “Pride and Prejudice” by Jane Austen, the theme of social class is prevalent, influencing characters’ attitudes, behavior, and prospects for marriage. The story continually highlights the injustices of a rigid class system , such as the Bennet sisters’ limited prospects due to their lower social status and lack of dowries.

18. Isolation and Loneliness

The theme of isolation involves characters experiencing physical or emotional separation from others.

This isolation can be self-wrought, caused by an individual’s actions or decisions, or externally imposed, such as societal exclusion, geographical displacement, or unforeseen circumstances.

This theme explores the various forms and impacts of isolation, offering a deep dive into the psychological and emotional ramifications it has on individuals.

I am often compelled by storylines that use physical isolation as a metaphor for the sense of loneliness and isolatedness within the hearts and minds of the protagonists.

In Mary Shelley’s “Frankenstein,” the creature, despite his desire for companionship, is shunned and rejected by society because of his monstrous appearance. This isolation leads to profound loneliness and ultimately, a desire for revenge against his creator, Victor Frankenstein.

19. Survival

This theme is often explored in literature through characters facing extreme conditions or challenges that test their will to survive.

There is generally a conflict here, which could be man vs nature (surviving the elements), man vs man (surviving against a foe), or even man vs technology (fighting against rogue technology, such as in Terminator ).

Survival themes can be a window into exploration of the tenacity and resilience of the human spirit against the odds.

In “Life of Pi” by Yann Martel, the protagonist Pi Patel finds himself stranded in the Pacific Ocean on a lifeboat with a Bengal tiger. Pi must use his intelligence and faith to survive in this hostile environment, with the story exploring themes of resilience, faith, and the human will to live.

20. The Human Condition

This theme delves into the shared experiences of being human, exploring a wide range of emotions, relationships, and moral dilemmas .

This theme is an examination of the joys, sorrows, conflicts, and complexities that define the human experience.

This theme has been prevalent in literature across all ages and cultures, as it captures the universality of human experiences, making it timeless and deeply relatable.

The human condition looks at the constants in human life, such as birth, growth, emotionality, aspiration, conflict, mortality, and how these shape our individual and collective experiences.

Leo Tolstoy’s “Anna Karenina” provides a complex and insightful exploration of the human condition. Through its diverse cast of characters, the novel delves into various facets of humanity, such as love, infidelity, societal pressure, and the search for meaning in life.

21. The American Dream (Illusory or Real?)

This theme critiques the idealized vision of the American Dream — the belief that anyone can achieve success and prosperity through hard work.

Some all-American storylines (Like the film Pursuit of Happyness featuring Will Smith) show how the American dream is a worthy ideal .

Similarly, in politics (and even real life, for American nationalists), the American dream is something people hold onto as an ever-present fundamental truth: if you work hard and dream big, you’ll make it in the end. It just takes hard work.

But there are many texts that challenge this idea, demonstrating how the pursuit of the American dream can sometimes be a fickle and pointless task. Below are just two examples.

In F. Scott Fitzgerald’s “The Great Gatsby,” the protagonist Jay Gatsby’s pursuit of wealth and social status, driven by his love for Daisy, ultimately leads to his downfall. Similarly, in “Death of a Salesman” by Arthur Miller, Willy Loman’s obsession with success and social acceptance blinds him to his family’s love, leading to tragedy.

22. The Absurdity of Existence

This theme underpins most texts that emerge out of existentialism and absurdism.

At the core of this theme is the exploration of the idea that life really has no meaning behind it. This can create some engaging and post-modernist texts whose storylines tend to meander, cut back in on themselves, and leave us at the end thinking “what a wild ride!”

This theme will tend to bring to the fore the chaotic, irrational, and meaningless features of a storyline.

In “The Stranger” by Albert Camus, the protagonist Meursault’s indifferent reaction to his mother’s death, his senseless murder of an Arab, and his subsequent philosophical musings in prison all point to the absurdity and meaninglessness of life.

I explore 5 more examples of existential literature here.

23. The Power of Faith

This theme looks at the role of faith or belief systems in shaping our lives and experiences.

While generally based on religion, it could also more generally represent faith in oneself, the journey of life, or family and friends.

Commonly, the theme will explore how having faith – and releasing stress, anxiety, and discontent when faith underpins our worldview – can provide strength, and hope.

For example, we’ll commonly see this theme when exploring an unbelievably tough journey – either physically (e.g. crossing a desert) or psychologically (e.g. coming to terms with death).

A darker turn, however, may demonstrate how faiths can clash and cause conflict.

In “Life of Pi” by Yann Martel, the protagonist Pi maintains his religious belief despite his extraordinary circumstances. His faith provides him comfort, hope, and strength to survive his ordeal at sea.

24. The Struggle for Women’s Rights

This theme involves the fight for gender equality, focusing on the experiences, struggles, and triumphs of women in a patriarchal society.

This theme could fit into the category of “protagonist vs society”, or rather “woman vs society!” It generally attempts to reflect real social, cultural, and political circumstances to make a social commentary about current social inequalities and the underlying patriarchy.

It may explore a woman’s attempts to assert her place in society, her struggles with discrimination, or women’s solidarity in the face of an oppressive outside world.

There has been a resurgence of so-called “bonnet dramas” in recent years that explore this theme, harking back to times when the patriarchy was far more overt.

Nevertheless, it can still be used in contemporary literature because, of course, the patriarchy does still exist in many areas of society and women often feel this intensely.

In Margaret Atwood’s “The Handmaid’s Tale,” a dystopian future is depicted where women are reduced to their reproductive functions, stripped of their rights, and segregated according to their societal roles. The protagonist Offred’s experiences and memories underscore the theme of women’s subjugation and their struggle for autonomy. In contrast, “Little Women” by Louisa May Alcott explores this theme through the everyday experiences of the March sisters as they navigate societal expectations and strive for their dreams in 19th century America.

25. Fear of the Unknown

This theme plays on the inherent human fear of the unfamiliar or unknowable and is most commonly employed in horror, drama, and murder mysteries.

The fear of unknown motif is very effective for authors who want to create suspense, dread, or anticipation. By prolonging the mystery of an unknown threat, the author can compel the reader to keep on reading until the suspense is overcome.

This fear could stem from various sources: the future, death, the supernatural, or anything beyond human comprehension. A good example in film is the ongoing narrative of the ‘monster’ in the woods in the hit television series, Lost .

H.P. Lovecraft’s body of work, often grouped as Lovecraftian horror, prominently features this theme. His stories frequently involve characters who encounter cosmic horrors or ancient, malevolent beings that defy human understanding, highlighting the insignificance and vulnerability of humankind in the face of the unknown.

Some Closing Thoughts

There are a few notes worthy of providing as we wrap up this exploration of examples of themes in literature.

First, a theme isn’t usually stated explicitly . Instead, it is revealed gradually through elements such as the actions of characters, their thoughts and dialogue, the setting, and the plot. These elements come together to express the theme or themes of the work. So, as consumers of texts, themes might be bubbling under the surface, ready to surprise us toward the end of our experience, making us finally realize the message our author is presenting us about society or humanity.

Secondly, one literary work can, and often does, contain multiple themes . For example, George Orwell’s “1984” explores themes of totalitarianism, censorship, the manipulation of information, and the loss of individuality and privacy.

So, enjoy playing with themes – whether as a consumer or producer of literary content – and always remember to reflect on how those themes can help us dig ever deeper into an empathetic understanding of the complexity of the human condition.

Chris Drew (PhD)

Dr. Chris Drew is the founder of the Helpful Professor. He holds a PhD in education and has published over 20 articles in scholarly journals. He is the former editor of the Journal of Learning Development in Higher Education. [Image Descriptor: Photo of Chris]

• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd/ 15 Animism Examples
• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd/ 10 Magical Thinking Examples
• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd/ Social-Emotional Learning (Definition, Examples, Pros & Cons)
• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd/ What is Educational Psychology?

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Theme Definition

What is theme? Here’s a quick and simple definition:

A theme is a universal idea, lesson, or message explored throughout a work of literature. One key characteristic of literary themes is their universality, which is to say that themes are ideas that not only apply to the specific characters and events of a book or play, but also express broader truths about human experience that readers can apply to their own lives. For instance, John Steinbeck's The Grapes of Wrath (about a family of tenant farmers who are displaced from their land in Oklahoma) is a book whose themes might be said to include the inhumanity of capitalism, as well as the vitality and necessity of family and friendship.

Some additional key details about theme:

• All works of literature have themes. The same work can have multiple themes, and many different works explore the same or similar themes.
• Themes are sometimes divided into thematic concepts and thematic statements . A work's thematic concept is the broader topic it touches upon (love, forgiveness, pain, etc.) while its thematic statement is what the work says about that topic. For example, the thematic concept of a romance novel might be love, and, depending on what happens in the story, its thematic statement might be that "Love is blind," or that "You can't buy love . "
• Themes are almost never stated explicitly. Oftentimes you can identify a work's themes by looking for a repeating symbol , motif , or phrase that appears again and again throughout a story, since it often signals a recurring concept or idea.

Theme Pronunciation

Here's how to pronounce theme: theem

Identifying Themes

Every work of literature—whether it's an essay, a novel, a poem, or something else—has at least one theme. Therefore, when analyzing a given work, it's always possible to discuss what the work is "about" on two separate levels: the more concrete level of the plot (i.e., what literally happens in the work), as well as the more abstract level of the theme (i.e., the concepts that the work deals with). Understanding the themes of a work is vital to understanding the work's significance—which is why, for example, every LitCharts Literature Guide uses a specific set of themes to help analyze the text.

Although some writers set out to explore certain themes in their work before they've even begun writing, many writers begin to write without a preconceived idea of the themes they want to explore—they simply allow the themes to emerge naturally through the writing process. But even when writers do set out to investigate a particular theme, they usually don't identify that theme explicitly in the work itself. Instead, each reader must come to their own conclusions about what themes are at play in a given work, and each reader will likely come away with a unique thematic interpretation or understanding of the work.

Symbol, Motif, and Leitwortstil

Writers often use three literary devices in particular—known as symbol , motif , and leitwortstil —to emphasize or hint at a work's underlying themes. Spotting these elements at work in a text can help you know where to look for its main themes.

• Near the beginning of Romeo and Juliet , Benvolio promises to make Romeo feel better about Rosaline's rejection of him by introducing him to more beautiful women, saying "Compare [Rosaline's] face with some that I shall show….and I will make thee think thy swan a crow." Here, the swan is a symbol for how Rosaline appears to the adoring Romeo, while the crow is a symbol for how she will soon appear to him, after he has seen other, more beautiful women.
• Symbols might occur once or twice in a book or play to represent an emotion, and in that case aren't necessarily related to a theme. However, if you start to see clusters of similar symbols appearing in a story, this may mean that the symbols are part of an overarching motif, in which case they very likely are related to a theme.
• For example, Shakespeare uses the motif of "dark vs. light" in Romeo and Juliet to emphasize one of the play's main themes: the contradictory nature of love. To develop this theme, Shakespeare describes the experience of love by pairing contradictory, opposite symbols next to each other throughout the play: not only crows and swans, but also night and day, moon and sun. These paired symbols all fall into the overall pattern of "dark vs. light," and that overall pattern is called a motif.
• A famous example is Kurt Vonnegut's repetition of the phrase "So it goes" throughout his novel Slaughterhouse Five , a novel which centers around the events of World War II. Vonnegut's narrator repeats the phrase each time he recounts a tragic story from the war, an effective demonstration of how the horrors of war have become normalized for the narrator. The constant repetition of the phrase emphasizes the novel's primary themes: the death and destruction of war, and the futility of trying to prevent or escape such destruction, and both of those things coupled with the author's skepticism that any of the destruction is necessary and that war-time tragedies "can't be helped."

Symbol, motif and leitwortstil are simply techniques that authors use to emphasize themes, and should not be confused with the actual thematic content at which they hint. That said, spotting these tools and patterns can give you valuable clues as to what might be the underlying themes of a work.

Thematic Concepts vs. Thematic Statements

A work's thematic concept is the broader topic it touches upon—for instance:

• Forgiveness

while its thematic statement is the particular argument the writer makes about that topic through his or her work, such as:

• Human judgement is imperfect.
• Love cannot be bought.
• Getting revenge on someone else will not fix your problems.
• Learning to forgive is part of becoming an adult.

Should You Use Thematic Concepts or Thematic Statements?

Some people argue that when describing a theme in a work that simply writing a thematic concept is insufficient, and that instead the theme must be described in a full sentence as a thematic statement. Other people argue that a thematic statement, being a single sentence, usually creates an artificially simplistic description of a theme in a work and is therefore can actually be more misleading than helpful. There isn't really a right answer in this debate.

In our LitCharts literature study guides , we usually identify themes in headings as thematic concepts, and then explain the theme more fully in a few paragraphs. We find thematic statements limiting in fully exploring or explaining a the theme, and so we don't use them. Please note that this doesn't mean we only rely on thematic concepts—we spend paragraphs explaining a theme after we first identify a thematic concept. If you are asked to describe a theme in a text, you probably should usually try to at least develop a thematic statement about the text if you're not given the time or space to describe it more fully. For example, a statement that a book is about "the senselessness of violence" is a lot stronger and more compelling than just saying that the book is about "violence."

Identifying Thematic Statements

One way to try to to identify or describe the thematic statement within a particular work is to think through the following aspects of the text:

• Plot: What are the main plot elements in the work, including the arc of the story, setting, and characters. What are the most important moments in the story? How does it end? How is the central conflict resolved?
• Protagonist: Who is the main character, and what happens to him or her? How does he or she develop as a person over the course of the story?
• Prominent symbols and motifs: Are there any motifs or symbols that are featured prominently in the work—for example, in the title, or recurring at important moments in the story—that might mirror some of the main themes?

After you've thought through these different parts of the text, consider what their answers might tell you about the thematic statement the text might be trying to make about any given thematic concept. The checklist above shouldn't be thought of as a precise formula for theme-finding, but rather as a set of guidelines, which will help you ask the right questions and arrive at an interesting thematic interpretation.

Theme Examples

The following examples not only illustrate how themes develop over the course of a work of literature, but they also demonstrate how paying careful attention to detail as you read will enable you to come to more compelling conclusions about those themes.

Themes in F. Scott Fitzgerald's The Great Gatsby

Fitzgerald explores many themes in The Great Gatsby , among them the corruption of the American Dream .

• The story's narrator is Minnesota-born Nick Caraway, a New York bonds salesman. Nick befriends Jay Gatsby, the protagonist, who is a wealthy man who throws extravagant parties at his mansion.
• The central conflict of the novel is Gatsby's pursuit of Daisy, whom he met and fell in love with as a young man, but parted from during World War I.
• He makes a fortune illegally by bootlegging alcohol, to become the sort of wealthy man he believes Daisy is attracted to, then buys a house near her home, where she lives with her husband.
• While he does manage to re-enter Daisy's life, she ultimately abandons him and he dies as a result of her reckless, selfish behavior.
• Gatsby's house is on the water, and he stares longingly across the water at a green light that hangs at the edge of a dock at Daisy's house which sits across a the bay. The symbol of the light appears multiple times in the novel—during the early stages of Gatsby's longing for Daisy, during his pursuit of her, and after he dies without winning her love. It symbolizes both his longing for daisy and the distance between them (the distance of space and time) that he believes (incorrectly) that he can bridge. 
• In addition to the green light, the color green appears regularly in the novel. This motif of green broadens and shapes the symbolism of the green light and also influences the novel's themes. While green always remains associated with Gatsby's yearning for Daisy and the past, and also his ambitious striving to regain Daisy, it also through the motif of repeated green becomes associated with money, hypocrisy, and destruction. Gatsby's yearning for Daisy, which is idealistic in some ways, also becomes clearly corrupt in others, which more generally impacts what the novel is saying about dreams more generally and the American Dream in particular. 

Gatsby pursues the American Dream, driven by the idea that hard work can lead anyone from poverty to wealth, and he does so for a single reason: he's in love with Daisy. However, he pursues the dream dishonestly, making a fortune by illegal means, and ultimately fails to achieve his goal of winning Daisy's heart. Furthermore, when he actually gets close to winning Daisy's heart, she brings about his downfall. Through the story of Gatsby and Daisy, Fitzgerald expresses the point of view that the American Dream carries at its core an inherent corruption. You can read more about the theme of The American Dream in The Great Gatsby here .

Themes in Chinua Achebe's Things Fall Apart

In Things Fall Apart , Chinua Achebe explores the theme of the dangers of rigidly following tradition .

• Okonkwo is obsessed with embodying the masculine ideals of traditional Igbo warrior culture.
• Okonkwo's dedication to his clan's traditions is so extreme that it even alienates members of his own family, one of whom joins the Christians.
• The central conflict: Okonkwo's community adapts to colonization in order to survive, becoming less warlike and allowing the minor injustices that the colonists inflict upon them to go unchallenged. Okonkwo, however, refuses to adapt.
• At the end of the novel, Okonkwo impulsively kills a Christian out of anger. Recognizing that his community does not support his crime, Okonkwo kills himself in despair.
• Clanswomen who give birth to twins abandon the babies in the forest to die, according to traditional beliefs that twins are evil.
• Okonkwo kills his beloved adopted son, a prisoner of war, according to the clan's traditions.
• Okonkwo sacrifices a goat in repentence, after severely beating his wife during the clan's holy week.

Through the tragic story of Okonkwo, Achebe is clearly dealing with the theme of tradition, but a close examination of the text reveals that he's also making a clear thematic statement that following traditions too rigidly leads people to the greatest sacrifice of all: that of personal agency . You can read more about this theme in Things Fall Apart   here .

Themes in Robert Frost's The Road Not Taken

Poem's have themes just as plot-driven narratives do. One theme that Robert Frost explores in this famous poem,  The Road Not Taken ,  is the illusory nature of free will .

• The poem's speaker stands at a fork in the road, in a "yellow wood."
• He (or she) looks down one path as far as possible, then takes the other, which seems less worn.
• The speaker then admits that the paths are about equally worn—there's really no way to tell the difference—and that a layer of leaves covers both of the paths, indicating that neither has been traveled recently.
• After taking the second path, the speaker finds comfort in the idea of taking the first path sometime in the future, but acknowledges that he or she is unlikely to ever return to that particular fork in the woods.
• The speaker imagines how, "with a sigh" she will tell someone in the future, "I took the road less travelled—and that has made all the difference."
• By wryly predicting his or her own need to romanticize, and retroactively justify, the chosen path, the speaker injects the poem with an unmistakeable hint of irony .
• The speaker's journey is a symbol for life, and the two paths symbolize different life paths, with the road "less-travelled" representing the path of an individualist or lone-wolf. The fork where the two roads diverge represents an important life choice. The road "not taken" represents the life path that the speaker would have pursued had he or she had made different choices.

Frost's speaker has reached a fork in the road, which—according to the symbolic language of the poem—means that he or she must make an important life decision. However, the speaker doesn't really know anything about the choice at hand: the paths appear to be the same from the speaker's vantage point, and there's no way he or she can know where the path will lead in the long term. By showing that the only truly informed choice the speaker makes is how he or she explains their decision after they have already made it , Frost suggests that although we pretend to make our own choices, our lives are actually governed by chance.

What's the Function of Theme in Literature?

Themes are a huge part of what readers ultimately take away from a work of literature when they're done reading it. They're the universal lessons and ideas that we draw from our experiences of works of art: in other words, they're part of the whole reason anyone would want to pick up a book in the first place!

It would be difficult to write any sort of narrative that did not include any kind of theme. The narrative itself would have to be almost completely incoherent in order to seem theme-less, and even then readers would discern a theme about incoherence and meaninglessness. So themes are in that sense an intrinsic part of nearly all writing. At the same time, the themes that a writer is interested in exploring will significantly impact nearly all aspects of how a writer chooses to write a text. Some writers might know the themes they want to explore from the beginning of their writing process, and proceed from there. Others might have only a glimmer of an idea, or have new ideas as they write, and so the themes they address might shift and change as they write. In either case, though, the writer's ideas about his or her themes will influence how they write. 

One additional key detail about themes and how they work is that the process of identifying and interpreting them is often very personal and subjective. The subjective experience that readers bring to interpreting a work's themes is part of what makes literature so powerful: reading a book isn't simply a one-directional experience, in which the writer imparts their thoughts on life to the reader, already distilled into clear thematic statements. Rather, the process of reading and interpreting a work to discover its themes is an exchange in which readers parse the text to tease out the themes they find most relevant to their personal experience and interests.

Other Helpful Theme Resources

• The Wikipedia Page on Theme: An in-depth explanation of theme that also breaks down the difference between thematic concepts and thematic statements.
• The Dictionary Definition of Theme: A basic definition and etymology of the term.
• In this instructional video , a teacher explains her process for helping students identify themes.

• PDFs for all 136 Lit Terms we cover
• Downloads of 1929 LitCharts Lit Guides
• Teacher Editions for every Lit Guide
• Explanations and citation info for 40,694 quotes across 1929 books
• Downloadable (PDF) line-by-line translations of every Shakespeare play
• Dynamic Character
• Static Character
• Common Meter
• Extended Metaphor
• Falling Action
• Tragic Hero
• Anthropomorphism
• Understatement
• Climax (Figure of Speech)

• Literary Terms
• Definition & Examples
• When & How to Use Themes

I. What is Theme?

One of the first questions to ask upon hearing someone has written a story is, “What’s it about?” or “What’s the point?” Short answers may range from love to betrayal or from the coming of age to the haziness of memory. The central idea, topic, or point of a story, essay, or narrative is its theme .

II. Examples of Theme

A man, fueled by an urge for power and control due to his own pride, builds a supercomputer. That supercomputer then takes over the world, causing chaos and struggle galore.

This sci-fi style story contains many common themes. A few of its themes include:

• Danger of excessive pride
• The risky relationship between humankind and developing technology

A boy and a girl fall in love. The boy is forced to join the army and fights to survive in a war-torn country as his beloved waits at home. When he returns from war, the two are united and married.

The love story also has many common themes in literature:

• The power of true love
• Fate, which sometimes tears lovers apart and then joins them together

As can be seen from these examples, themes can range widely from ideas, as large as love and war, to others as specific as the relationship between humankind and technology.

III. Types of Theme

Just as a life is not constantly immersed in love, the pursuit of knowledge, or the struggle of the individual versus society, themes are not always constantly present in a story or composition. Rather, they weave in and out, can disappear entirely, or appear surprisingly mid-read. This is because there are two types of themes: major and minor themes.

a. Major Themes

Major themes are, just as they sound, the more important and enduring themes of the narrative. Major themes are the most significant themes of the story, and often they are a part of the entire story. A book on war would have the major theme of war’s effect on humanity, whereas a romance novel would have the major theme of love.

b. Minor Themes

Minor themes are, on the other hand, less important and less enduring. They may appear for part of the narrative only to be replaced by another minor theme later in the narrative. They provide discussion points for a chapter or two, but do not color the entire story. A book on war may have minor themes such as the home front’s reaction to war or the political aspects of war. A romance novel may have minor themes such as flirtation, marriage, and fidelity.

IV. The Importance of Using Theme

The importance of using theme in narrative is unparalleled. The theme is the underlining idea an author is trying to convey to an audience. A story without major ideas for the character and reader to experience, think through, and learn from is not a story at all. A story, by its very nature, must have a theme, sometimes many major and minor themes, all throughout. Themes are the ideas book clubs, poets, playwrights, literature students, film enthusiasts, movie-makers, and creative writers mull over in-depth. They are the meaning behind the entire story, the deeper reasons that the story has been written and shared.

V. Examples of Theme in Literature

Theme is a prominent element in literature. Here are a few examples of theme in poetry and prose:

“i carry your heart with me(i carry it in)” by E. E. Cummings:

i carry your heart with me(i carry it in my heart)i am never without it(anywhere i go you go,my dear;and whatever is done by only me is your doing,my darling)                                                       i fear no fate(for you are my fate,my sweet)i want no world(for beautiful you are my world,my true) and it’s you are whatever a moon has always meant and whatever a sun will always sing is you   here is the deepest secret nobody knows (here is the root of the root and the bud of the bud and the sky of the sky of a tree called life;which grows higher than soul can hope or mind can hide) and this is the wonder that’s keeping the stars apart   i carry your heart(i carry it in my heart)

This poem’s major theme is clear: love. Minor themes include fate, togetherness, and desire.

Atonement by Ian McEwan is an example of a novel whose theme is its title. Here are a few revealing excerpts:

How can a novelist achieve atonement when, with her absolute power of deciding outcomes, she is also God? There is no one, no entity or higher form that she can appeal to, or be reconciled with, or that can forgive There is nothing outside her. In her imagination she has set the limits and the terms. No atonement for God, or novelists, even if they are atheists. It was always an impossible task, and that was precisely the point. The attempt was all.

This section reveals the main theme of atonement along with other minor themes such as the life of the writer and forgiveness.

VI. Examples of Theme in Pop Culture

Just as literary narratives require themes, songs, movies, and television shows do as well. Here are a few examples of theme in pop culture:

The trailer shows that the main theme of Godzilla is nature, as a powerful and destructive force to be reckoned with. Other themes include the human effect on nature, fear of the unknown, and hubris.

Alexander and the Terrible, Horrible, No Good, Very Bad Day

The main theme of this movie is positivity in the face of a bad day, as they happen to all of us. Other themes include family, perseverance, and love.

VII. Related Terms

Because themes encompass main ideas in a narrative, they have many similar elements which do similar things for a narrative. Here are a few examples:

“And the moral of the story is…” As many fables and tales go, morals are a necessary element. They are the main message or lesson to be learned from reading a cautionary story. Although themes and morals are both major ideas in a story, they are different in that themes do not necessarily serve to teach a lesson, whereas morals always do. A theme is simply an idea to be examined, whereas a moral is a clear lesson to be learned. Here is an example of theme versus moral:

Love others the way you would like to be loved.

Whereas the theme is simply an idea, the moral is a message and instruction.

Motifs work in a story to emphasize the theme, and for this reason, is sometimes confused with the theme. Motifs are recurring images, objects, or ideas that highlight the theme. Here is one example of how motif works with theme:

A man is struggling with regret throughout a story. Motifs like dark dreams, repetitive thoughts, and dark lighting emphasize the mood and pervasiveness of the regret.

Whereas the theme is a larger idea, the motifs are smaller elements of a story which repeat in order to reflect that idea.

VIII. In Closing

Themes are the ideas that run through narratives, enlivening them with deeper meaning to be found in real life and fiction alike. They create stories that are not dull but compelling and emotional.

List of Terms

• Alliteration
• Amplification
• Anachronism
• Anthropomorphism
• Antonomasia
• APA Citation
• Aposiopesis
• Autobiography
• Bildungsroman
• Characterization
• Circumlocution
• Cliffhanger
• Comic Relief
• Connotation
• Deus ex machina
• Deuteragonist
• Doppelganger
• Double Entendre
• Dramatic irony
• Equivocation
• Extended Metaphor
• Figures of Speech
• Flash-forward
• Foreshadowing
• Intertextuality
• Juxtaposition
• Literary Device
• Malapropism
• Onomatopoeia
• Parallelism
• Pathetic Fallacy
• Personification
• Point of View
• Polysyndeton
• Protagonist
• Red Herring
• Rhetorical Device
• Rhetorical Question
• Science Fiction
• Self-Fulfilling Prophecy
• Synesthesia
• Turning Point
• Understatement
• Urban Legend
• Verisimilitude
• Essay Guide
• Cite This Website

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What is Theme? Definition & Examples of Theme in Literature

by Fija Callaghan

Often scholars will talk about theme in literature like it’s this highbrow, deeply intellectual feat of narrative engineering hiding between the lines of a novel or collection of poetry. “Theme,” they say, delicately sipping hundred-year-old brandy from crystal glasses, “is the intentional and philosophical confluence of story archetypes to convey a groundbreaking, politically or socially relevant ideal.” And you nod eagerly in agreement, because you would also like to try some hundred-year-old brandy.

Writers, on the other hand, will often talk about theme like it’s a clumsy animal that has somehow wandered into your story and, having proven itself to be only a minimal nuisance and actually kind of cute, has been allowed to stay and build itself a nest somewhere between your Midpoint and the first major plot point of Act Three .

Really, theme can be both of these things and more. Let’s look at what theme is in literature, how a strong theme can elevate a story, and how to discover the themes already brewing in your own work.

What is theme in literature?

Theme is the broad central idea supporting any narrative work. The work can be a novel, a short story, a poem, or even something like a song or visual art. In a story, each choice made by your characters and each turn of events will support this core underlying theme which you’re trying to convey to your readers.

Any medium that tells a story will have this underlying message—whether it was put there painstakingly by the artist layer by layer, or whether it grew organically from their unconscious experience as they created their literary work.

Literary themes can be concepts like redemption, sacrifice, true love, or family. Storytelling in particular has an enormous range of tools from which to draw themes, like setting, imagery, metaphor , conflict , and—most importantly of all— character . It’s through character that your readers will experience the underlying meaning of your story and come away with a new understanding.

Which comes first—theme or plot?

A question as old as the written word: Is it better to start with a meaningful theme or an engaging plot ? Do you choose a thematic concept and then build your story around it, or do you draft your story and then see what theme emerges? What if you have a story in mind but you don’t even know what the theme is?

Theme and plot are intertwined; neither one comes first, but rather they’re developed together. The moment you have an idea for a story, the theme of that story is already being born. The more you learn about the characters, motivations, and events of your story, the clearer its theme will become.

Writing a story is equal parts art, craft, and intuition. Theme is something that tends to reside in the latter category. While your cognitive mind is exploring roads of possibility in your plot, setting, and characters, your subconscious will be constantly reaching out and searching for deeper meaning in these things.

Ask yourself: Why is this story important? Why is this story happening here , now ? Who are the people in this story, and why do they matter to me? That’s theme at work.

Why does theme matter in storytelling?

Okay but do I need a theme? Isn’t it enough to have a fun story and a lovable hero and a dastardly villain and a happily ever after at the end of it?

Well, yes, but even the simplest of universal tales will have some sort of theme bubbling under the surface. Every story needs to communicate something with the reader.

This will usually be the same main idea that’s driving your protagonist towards their goal. It might be a simple developmental ideal such as the overt central morals in Aesop’s fables, or it might be a larger, more complex exploration of multi-faceted issues that we’re still facing in the world today (we’ll look at some theme examples of these later on).

Crafting a literary theme that resonates with readers on a deep, visceral level will help them feel connected to your characters and invested in what those characters are fighting for. A vibrant, engaging theme in a work of literature has the power to affect real change and make readers look at the world in a new way.

Classic themes in literature

Because stories are so universal, we’ll often see the same central themes being repeated over and over in different works. This doesn’t mean the stories that share these central ideas are unoriginal; rather, it means that they speak to deep universal truths that we all recognize and resonate with. That’s why we return to those stories again and again.

Most of these common themes will fall under two categories: one central idea, or a contrast or conflict between two opposing principles.

Here are some common themes in literature that you can explore in your own writing.

Love is something that we all recognize regardless of our background, language, age, class, ability, or understanding of the world. Love is the greatest unifier of the human species, and it can be as bright and empowering as it can be terrible.

Many works of literature deal with the theme of love, but Romeo and Juliet is one famous story in which the author explores the intensity and destructive qualities of undying love.

We most often associate love with romantic relationships, but focusing on love as a theme in your own work can also look at the deep, soulful love between two best friends, or even the journey towards discovering love for yourself.

Many of us have been betrayed in our lives by people we thought we could trust, whether that’s a friend, a family member, a partner, or someone we knew professionally. Just as antagonists are rarely single-faceted, betrayal is usually a very complex thing that can come from a wide range of different motivations.

What one person sees as betrayal might feel like a natural progression to another, and so this theme can be useful for exploring the complexity of human needs and desires. Shakespeare’s Macbeth is a famous work of literature that deals with strong themes of betrayal.

The theme of rebirth has figured into the mythological cycles of a variety of cultures, most famously the rebirth of Christ in the Christian bible.

On a microcosmic level, we often see rebirth as a dawn of hope and opportunity after a devastating experience such as a divorce, a failure, or the loss of a loved one. On a deep psychological level, we like to believe that there can be hope for us even when we ourselves have become lost.

There are many stories of rebirth, but Charles Dickens’ famous holiday piece A Christmas Carol explores the rebirth of its protagonist after a lifetime of avarice and misery.

Modern popular culture has seen a huge resurgence in redemptive character arcs, most famously in “anti-hero” type characters . There is something so satisfying about watching a rascally ne’er-do-well make mistakes, learn from them, and grow into someone we wouldn’t be embarrassed to introduce to our mothers.

Much like rebirth, redemption comes from a place of hope—the idea that there’s always room to grow, and that anyone can find the will to do better. Victor Hugo’s Les Misérables is a famous novel that uses this thematic concept to create a dynamic character arc.

For many of us, our relationships with our families are quite complex. And yet, the bond between family members is a very universal idea that can teach us a lot about other cultures, generations, and ways of life.

The relationship we have with our families can also teach us a lot about ourselves, and so this theme is very useful for character-driven stories and novels.

The Book Thief , a novel by Markus Zusak, explores our connection to our blood families as well as the families we build around us.

Prejudice has always been a major societal issue, and those issues are being brought into new light. Prejudice can be found through race, class, and ability both in literature and in the world around us. For this reason, art of all kinds is a powerful tool in fighting against these poisonous ideas and helping people understand them in a new way.

The novel Such a Fun Age , by Kiley Reid, is one of many powerful works that explore themes of racial and class-driven prejudice that is still prevalent today.

Disillusionment

Often we discover that growing and learning about ourselves and the world means letting go of precious ideals or perceptions we once had. Knowledge is never an inherently negative thing, but coming to terms with it can be a less than comfortable experience.

These themes often deal with the sacrifice of innocence and idealism in order to attain a greater understanding of ourselves and the world. The Great Gatsby is a tragic literary work that follows the central character’s disillusionment—and, by proxy, the reader’s—with the glittering party lifestyle that was once so seductive.

Closely related to prejudice, oppression is a very real problem in our world that has inspired a lot of powerful art and literature. Literary work that deals with this theme often seek to accomplish two things: the first, to enlighten people to a toxic situation that they may not have been aware of, and second, to show them that we can do something about it.

Although they deal with very negative and difficult subject matter, themes of oppression are often found in stories full of hope for a better future.

Margaret Atwood’s The Handmaid’s Tale is one such groundbreaking novel that uses a speculative lens to draw attention to some of the problems we have faced historically and are still fighting against today.

The desire for revenge is a universal human impulse, and watching those impulses play out in the safe arena of fiction is both riveting and cathartic. However, revenge left to ferment and fester can be a very damaging thing and many of these stories teach us just how damaging these desires can be.

Shakespeare’s Macbeth is a revenge-driven tale that shows two different characters undone by their need for revenge above all else. These themes are often useful for examining the contrast of human strength and weakness.

On the topic of human weakness, corruption is one of the most vicious poisons to enter a human heart. Most corruption comes from a place of fear and survival instinct, and feeds easily from one person to another.

George Orwell’s allegorical novel Animal Farm examines the way this theme takes root and spreads, turning the best intentions into destructive actions fueled by pride and greed.

On some small level, we all take little steps to try and make it through each day. But most of us have never been in a situation so extreme that we need to fight for our lives.

Stories that explore the theme of survival are often a beat or two removed from our day-to-day understanding of the world, but they help us learn a lot about what we are capable of in difficult circumstances. The famous novel Robinson Crusoe is an adventure story that follows the central character cast away on a deserted island, pitting his strength and intellect against the whims of nature and fate.

Death and mortality are constant underlying themes in all works of literature as they are in life. The battle against the inevitability of death has been present in stories from all cultures for as long as there have been storytellers.

Very often literature that deals with the theme of mortality doesn’t present death as something wholly antagonistic, but something with its own place in the cycle of the world. Sir Gawain and the Green Knight , from the classic Arthurian Legends, deals strongly with multiple themes of life, death, rebirth, and honoring our place within those themes.

Good vs. Evil

Themes that explore morality are some of the first themes that many readers are exposed to as children. The Chronicles of Narnia , among many others, is a story that shows us this polarity. This theme teaches us that we should always try to do good in the world, and that even when there are bad people doing scary things, we can overcome them by being true to our own best natures.

Even as we grow older and learn that the world and the people in it are more complex than we could have imagined, there is still some part of us that wants to believe in those ideals. We gather strength from believing that good can triumph over evil—whether that’s between two forces in the wider world, or deeper, more intimately, within ourselves.

Individual vs. Society

Tying into some of the popular themes we looked at above like prejudice, oppression, and corruption, this theme will often explore those ideas by placing an individual protagonist at odds with the world around them.

The reader will identify with the central character and use their journey as a way to examine the failings of the society in the story—which may, in turn, reflect some of the failings that the reader can see in their own world as well. The Hunger Games is a popular novel that places an individual in opposition with a seemingly insurmountable status quo.

Life vs. Death

While some stories include themes that seek to understand mortality and the place it has in our life’s journey, other stories may look at life and death as two opposing, contradictory forces.

In the Harry Potter series, all of the events of the story unfold because the primary antagonist is at constant war with death. He treats it as an enemy to be overcome, even domesticated.

Since death is unfortunately a very real part of our natural cycle, these sorts of themes rarely end well for those involved. However, fear of the unknown is also a very real part of our natural cycle and so this central topic has arisen again and again in stories throughout history.

Fate vs. Free Will

How much of our path do we truly choose, and how much is preordained? This is a question we have been asking as long as there has been human consciousness—and people are still debating it today. Stories that explore this theme will usually follow a character who has seen a glimpse of what the future holds for them… and doesn’t care for it at all.

Oedipus the King , a famous Greek tragic drama, follows a character who’s trying to dodge a terrible prophecy about his future. He removes himself from the situation completely, only to find that those very actions are what set his fate into motion.

This theme doesn’t have to be tragic, though; it works just as well if you give your characters the strength to choose their own destinies.

Tradition vs. Change

Tension has always existed between one generation and another, regardless of what culture, ethnicity, or era they might be from. Stories with this theme look at finding the right balance between honoring the traditions of those before us and allowing room to grow.

Neil Gaiman’s American Gods takes a fantastical approach to this theme by pitting the old world gods of popular mythology against the new world of worship that people bow down to today, including media, technology, and the stock market.

These themes teach us that there is wisdom to be learned from our predecessors as well as wisdom in new ideas.

Pride vs. Humility

Pride is one of the most seductive of human sins. It’s also one of the most difficult to break away from, even when we can see as well as anyone how quickly it’s tearing us apart.

Themes of pride and humility are usually character-driven examinations of how we are all susceptible to this weakness, and the ways in which we can find the strength to overcome it. The appropriately named Pride and Prejudice is a good example of a story that shows two characters overcoming their pride in order to find the happiness they truly deserve.

Justice vs. Depravity

Any work of literature that follows a judicial system knows what a knife edge the threat of corruption can be. James Ellroy’s novel L.A. Confidential is a famous modern noir story that explores the thin line between righteousness and corruption, heroes and villains.

Using this concept in your work is an excellent way to explore our strengths, weaknesses, and limitations as human beings in a fundamentally unjust world.

Morality vs. Fear

This is another staple theme of the “hero vs. villain” stories. We like heroes because they always try to do the right thing, but we sometimes forget that doing the right thing can be very difficult and scary. Stories with this theme show us that we all constantly battle between doing what is right and what is easy, and that choosing the brave or honorable path does not happen without fear—it happens in spite of it.

Kristin Harmel’s WWII novel The Room on Rue Amélie follows a brave protagonist determined to play her part in the war efforts, even when she has every reason to feel afraid of doing so. From stories like this we learn how to be brave in our own lives.

How to find the theme of your own story

Unlike plot, theme isn’t really something you build from the ground up. Once you begin to see glimmers of a story, your theme is already beginning to take shape under the surface. It’s your job to excavate it and bring it to life.

To find the theme of your story, decide what central message the story is trying to communicate with the reader. Try asking yourself why you’re writing it in the first place. Why does it matter to you? This can take time, and the answer may surprise you.

For example, if you’re writing about a girl who discovers she’s from a secret lineage of super spies, deep down you might be writing it as a way to understand your feelings about your own lineage.

What sort of conflict is your main character facing? Has someone in her family been kidnapped by a rival super spy faction? Has she discovered some shady business in her family history that has her questioning her own values and perception of herself? In these cases your theme might be things like the importance of family, or the contrasting values of independence and tradition.

Develop your thematic statement

Then, see if you can crystallize your idea into a thematic statement—a one-sentence summary of the concept you’re trying to convey. In the above examples, your thematic statement might be, “Family always comes first,” or “One is not bound by the mistakes of their parents.” This thematic statement then becomes the driving force of your plot.

It doesn’t matter how fantastical or far-removed your story is—its heart, its reason for existing, will be something that you’re exploring or working to understand through the filter of art. It may be conscious or unconscious. Then, once you know what your story is really trying to say, you can share it with people who need your story to help them explore or understand these ideas too.

How to strengthen the theme of a story

Once you’ve figured out what your theme is, it’s time to find ways to make it shine even brighter through the course of your plot points and narrative development. You can do this as you go, or you can go back and find ways to give it a nudge later in the editing process.

Every literary element in your story should help communicate your theme with the reader, and your protagonist’s journey should be a direct parallel to their relationship with the theme. If the theme of your story is “family,” you may need to put your protagonist through a series of obstacles to help them realize the importance of this idea and why it’s worth fighting for.

The types of conflicts your characters face might all be different, but they should all circle back to the relationship they have with this central idea and how that relationship evolves through each major plot point.

When your characters grow to understand the theme in a new way, your readers will too. Making your characters do this is an important way of strengthening the themes of your story.

A writer can use literary devices like motifs, symbolism, and repetition to emphasize the themes in your story. Adding in recurring colors, words, objects, places, numbers, or cultural symbols will help intensify the theme for your reader. See if you can find ways to add little details that make your story’s theme even more prominent.

For example, if your central theme is “corruption,” you could use these literary devices to show a metaphorical corruption, or corrosion, of positive things in the story. You might have your character buy a new pair of shoes which becomes steadily more worn down until they fall apart—this would be a repeated symbol for other things that are being “worn down,” such as the character’s hope, morals, or ideals.

Certain motifs can also bring to mind this idea of corruption, such as tarnished coins or dirty water, and you can drop images like these here and there throughout your story to make the theme even more powerful for your reader.

These sorts of symbols can be used to emphasize all kinds of themes. If your theme is “mortality” or “life vs. death” you may have your main character come across a dead animal early in the story, and have them take time to reflect on their feelings and understanding of this idea before their journey begins.

Conversely, if your theme is “family”, they might need to stop their car to let a family of animals cross the road in front of them. How do they feel about that? Enchanted? Annoyed? Frightened? Their reaction won’t necessarily be stated explicitly, but showing it on the page will give further depth to your theme.

Theme is the heart of storytelling

Theme is one of the most important building blocks of powerful storytelling, but it doesn’t need to be approached from a place of anxiety or stress. Theme is simply a statement of why your story exists and why you need to be the one to tell it.

Storytelling has a very real power to change the world for the better, and theme—sharing it, talking about it, helping people understand why it matters—is how we can begin doing that.

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How to Write a Theme Essay

Last Updated: January 4, 2024 Fact Checked

This article was co-authored by Jake Adams . Jake Adams is an academic tutor and the owner of Simplifi EDU, a Santa Monica, California based online tutoring business offering learning resources and online tutors for academic subjects K-College, SAT & ACT prep, and college admissions applications. With over 14 years of professional tutoring experience, Jake is dedicated to providing his clients the very best online tutoring experience and access to a network of excellent undergraduate and graduate-level tutors from top colleges all over the nation. Jake holds a BS in International Business and Marketing from Pepperdine University. There are 9 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 207,341 times.

Starting the Essay

• For example, an essay prompt may ask you to reflect on the theme of good versus evil in John Steinbeck's East of Eden .

• Make a list of everything you know about the topic. This can be information you learned in class, as well as information you found on your own.
• Write down keywords or key scenes in the text that respond to the essay prompt. Think about what words or scenes from the text come to mind when you think of a specific theme.
• For example, when you brainstorm ideas on East of Eden , you may write down any moments in the text that seem to speak to the theme of good and evil.

• Your thesis statement will need to address the theme, your primary example or examples, and the stance you will take on the topic.
• For example, your thesis might be: "In East of Eden , John Steinbeck rejects the Biblical idea of good and evil and instead focuses on the contradictions and complications found in good and evil."

• Introduction: Discuss landscape as metaphor, include thesis statement.
• Body: Describe mountains in opening scene, elaborate on how they symbolize good vs. evil, state how characters live between the mountains, showing how people are caught between good and evil.
• Conclusion: Restate thesis statement, return to landscape as metaphor.

Writing Your Essay

• Questions can make fun hooks for the reader. Ask a rhetorical question that relates to the theme of the essay, such as "How does one decide what is good and what is evil?"
• You can also use a quote from the text as the hook. Find a quote in the text that explores the themes and ideas you'll be discussing in your essay.

• For example, you may introduce the role of nature plays in the text to discuss the theme of good and evil. The first sentence of your body paragraph should discuss the role of nature. This will set up the paragraph and let the reader know what the focus of the paragraph will be.

• For example, you may discuss the use of nature in the text in one paragraph. The body of the paragraph should then use quotes and scenes in the text to support this idea.
• You might write,"The descriptions of the Gabilan Mountains in the text symbolize good and evil. The characters in the story live in the Salinas Valley, trapped in a gray area between these two extremes."

• Ask yourself, "What do I want my readers to have learned through this essay?"
• Remind readers about the essay's theme. Reference some of the arguments you made in the body of your essay, reinforcing how they support your original point.

Revising Your Essay

• Check that there are transitions between paragraphs. Look at the beginning of each paragraph to make sure they all flow well together.

• Print out your paper and proofread it. Oftentimes, errors are easier to catch on paper. If you can't print out your paper, try changing the size or type of the font. Anything that alters how the work looked when you wrote it can help alert you to errors. [13] X Trustworthy Source University of North Carolina Writing Center UNC's on-campus and online instructional service that provides assistance to students, faculty, and others during the writing process Go to source

• Be open to constructive feedback from friends and peers. This will only improve the essay and ensure it is at its best when you turn it in.

Expert Q&A

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• ↑ Jake Adams. Academic Tutor & Test Prep Specialist. Expert Interview. 20 May 2020.
• ↑ https://penandthepad.com/write-essay-theme-book-2200.html
• ↑ https://wts.indiana.edu/writing-guides/how-to-write-a-thesis-statement.html
• ↑ https://www.grammarly.com/blog/essay-outline/
• ↑ https://www.grammarly.com/blog/how-to-write-a-hook/
• ↑ https://libguides.newcastle.edu.au/how-to-write-an-essay/conclusion
• ↑ https://owl.purdue.edu/owl/general_writing/the_writing_process/proofreading/steps_for_revising.html
• ↑ https://owl.purdue.edu/owl/general_writing/the_writing_process/proofreading/proofreading_suggestions.html
• ↑ https://writingcenter.unc.edu/tips-and-tools/editing-and-proofreading/

About This Article

When writing a theme essay, you’ll need to explore a given theme in the text you’re studying. Before you start your essay, brainstorm some notes about your theme, which you can then build your essay from. For example, if you have the theme of good and evil, think about which characters are mostly good or evil, any good or evil actions they take, description that uses light and darkness, and any religious context. In your intro, state your thesis, which should summarize your essay’s main argument. Then, choose 4 or 5 examples of your theme and write a paragraph exploring each one. Make sure you support your points with quotes from the text. In your conclusion, link your ideas back to your thesis statement. For more tips from our English co-author, including how to revise your essay to polish it up, read on! Did this summary help you? Yes No

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How to Write a Thematic Essay

Every piece of writing ever written has its agenda. Whether it’s to teach a lesson or show the impact of a particular emotion or action, a central theme can be developed. The goal for us as readers is to uncover what the author was trying to tell us between the lines in their literature. When we do finally discover it, we’ve accomplished the first step of thematic essay writing! Let’s see below how to write a thematic essay with our papers writing service .

What Is a Thematic Essay?

Let’s look at the thematic essay definition; a thematic essay is a piece of writing in which an author develops the central theme in some literature using literary devices like foreshadowing, imagery, personification, etc.

A professional essay writer will uncover the primary subject, elaborate upon the literary devices employed, and express the overall significance of the theme. The primary challenge comes from the fact that although there are various subjects, finding the most meaningful and impactful one can be challenging.

Naturally, each person has their own varied interpretation, making it hard to agree on a central theme wholesomely. In short, a well written thematic essay comes from a healthy central idea that is conclusively proven via literary devices and logical arguments.

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How to Pick a Thematic Topic?

A crucial aspect of writing a good thematic essay is choosing a theme. Follow the hints listed below to help you create a thematic topic:

Brainstorm from your own experiences. Recall what you were talking about in class, with your mates or parents. Do some of these conversations remind you of some book, novel or another piece of literature?

Write down every idea that comes to mind. Sometimes, your most absurd ideas are the best way to go.

List your favourite literature pieces. Which literature piece was the most touching for you? Try to analyze its subject and problems the author built upon within the story; it might help you come up with your own ideas.

Look at the details of other literature pieces: You might find some interesting details within other literature that can help you come up with your theme.

Still have no idea what to write about? No worries, we have your back.

Thematic Essay Topics

• What is George Orwell’s deliberation in portraying a “Perfect Utopia” in his book 1984?
• What main idea is George Orwell painting about Communism in the book Animal Farm?
• What is Harper Lee saying about innocence in her novel To Kill A Mockingbird?
• What is John Steinbeck saying about loneliness and isolation in Of Mice and Men?
• What is F. Scott Fitzgerald saying about the American Dream in The Great Gatsby?

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How to Find and Explore the Central Theme

As stated before, uncovering the main subject and central theme respectively is the first significant step in a thematic paper. However, with so many things going on within the literature, it may be difficult to interpret the central theme accurately. To make sure you choose it correctly, follow these steps:

1. Summarize the literature: What main idea is the author trying to purvey? Usually, there will be many hints along the way, so choosing the right direction may not be so challenging.

2. Pick the most prevalent subject: One thing to note is the significant difference between a subject and a theme. A subject is the general topic of conversation—whether it be love, bravery, deception, etc. A theme is a specific point the author is making about said subject. So, find the talking point that is most commonly being brought up. This will be the focal point of the essay.

3. Read between the lines: After finding the most suitable subject, decipher what main point the author is trying to make. This will become clearer as you get deeper into the literature since clues and examples will appear frequently. After fully deciphering the central theme, there is one more significant step.

4. Overall significance: What is the overall significance that comes from the author’s point? What can be taken from this and applied to our personal lives? In other words, what is the lesson from all of this? What have we learned?

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Thematic Essay Outline

The thematic essay has several key components. First of all, it should be five paragraphs or more, depending on the depth of the theme. Next, it should have a concrete thesis statement, which, in other words, is the thematic statement that comes from the main subject. The introduction presents the reader with the subject and the thesis statement. The body paragraphs each discuss one literary element or more to defend the validity of your thesis, all the while providing many supporting details from the text itself. Lastly, the thematic essay conclusion summarizes the main points presented and finishes off with a statement of significance.

Follow the link to learn more about HOW TO CREATE A WINNING OUTLINE

The thematic essay introduction presents the main subject of discussion in a captivating way. The first sentence of the intro should be a hook statement that makes some intriguing claim about the subject of discussion. If done correctly, this will grab your reader's attention. Afterwards, provide any necessary background information from the literature that will help the audience understand your claims later on. Lastly, put together a well thought out thesis statement that reflects the central theme of the novel.

The body paragraphs follow a thematic essay format. Since each body paragraph’s purpose should be to present a literary device as evidence, the topic sentence should introduce the claim and gateway into the evidence. Every topic sentence must mention a literary device and its relationship to the literature.

Afterwards, to validate your claim, use examples from the book that strengthen the reasoning of your statement. These can be actions from the plot or quotations that are parallel with the central theme. It’s imperative to explain how the action/quote links back to your thesis statement, as it shows that you can support your logic.

Remember: each claim must use a literary device. It can not just be a random moment or inference. Thematic essays are all about proving thesis statements through the use of critical literary devices.

The thematic essay conclusion has three main objectives to complete before wrapping up the entire paper. It should not present any new information or facts, but should summarize the information already given. First of all, restate your thesis statement in a new way. Then, summarize the central claims you made within the body of your paper and their influence on the thesis statement. To finish off the entire work, present an overall concluding statement with a global analysis of the subject. Leave your reader with another hook, making him/her interested in digging deeper into the topic.

Try also read an article on poetry analysis essay , it could be useful and can give you new insights.

Thematic Essay Example

The best way to familiarise yourself with this type of writing is to learn from an example. ‍

Even though the ancient Greek cities of Athens and Sparta were geographically close to each other, they had very distinct cultures, lifestyles, values, and political systems that defined them. The following paper compares and contrasts the cultural impacts of the two cities by examining some of the duties and responsibilities of the citizenry as well as the different values that were deemed important. The paper further evaluates the impact of accomplishments that would have been left by both city-states on the history of western civilization.

Wrap Things Up

Before submitting your thematic essay, make sure to check a couple of things to correct any possible errors.

• Double-check and confirm that the central theme you have decided is the one that the author likely meant to focus on. Unless you can provide a secondary issue and present it strongly enough as a primary, validate the primary subject.
• Go through and proofread your entire paper. Nothing makes reading more irritating than grammatical mistakes, clean that stuff up as much as possible.
• Get a second pair of eyes to read through your paper. It’s best to ask a classmate for help, as they most likely have or had a similar assignment. Another great way to polish things up is to ask one of our writers to give you some helpful advice.

We also recommend reading about Jem Finch character traits , our readers find it very interesting.

Having a Trouble with Your Thematic Essay?

Having a hard time thinking up a proper topic to write about? Or, do you have one but are having a hard time deciphering the theme? Let our custom essay writing service do all the work for you. Check out our price calculator to estimate the cost of your assignment.

is an expert in nursing and healthcare, with a strong background in history, law, and literature. Holding advanced degrees in nursing and public health, his analytical approach and comprehensive knowledge help students navigate complex topics. On EssayPro blog, Adam provides insightful articles on everything from historical analysis to the intricacies of healthcare policies. In his downtime, he enjoys historical documentaries and volunteering at local clinics.

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How to write a theme statement

When you get done with a reading assignment for school, usually an essay, novel, or short story, you'll sometimes be asked to write a theme statement.

The definition of a theme statement can vary, but essentially it's asking you to state what the piece of writing was about — not the plot, but what sort of insight or perspective does it give on life/the world/human nature?

Theme is also sometimes known as the "main idea" of a story.

But how do you find the theme of a story? And how do you write a theme statement?

To write a theme statement, follow these 3 steps:

• Pick the main topic addressed in the story
• Pinpoint the author's view on the topic
• Format that perspective using a theme statement template

Let's dive a little deeper:

Finding the theme of a story using topics

After you're finished reading the book, story, or essay (you did read it, right?!), think back on the main character or characters.

Did they undergo some kind of change throughout the journey? Did their outlook on life evolve in some way?

That's usually a pretty good place to start looking for the theme.

For example, maybe the story deals with the broad topic of "love." Well "love" by itself isn't a theme, but a specific perspective on love could be.

Try this exercise once you've found your topic. Fill in the blank:

"This author believes _____ about (topic)."

In our example about love, maybe the story's about how love conquers all. Or maybe it's about how love is fleeting and fickle.

Your theme at this point might look something like this:

"The author believes that true love doesn't really exist."

(A little dark, but hey, it's just an example!)

Using a theme statement template

Every teacher or instructor is going to have their own way of wanting you to present your theme statement, so be sure to get clarity on that directly from them.

That said, there are some agreed upon "rules" of writing theme statements.

• Don't include specific characters or plot points. This perspective on life should apply to people and situations outside the story.
• Don't be obvious. "War is bad," is not a theme. Dig a little deeper using details from the story. (What specifically is bad about war? How does it negatively impact the characters or the world of the story?)
• Don't make it advicey. "You should always be there for your family," isn't a theme, it's a suggestion. Keep your theme statement objective and based solely on evidence from the story ("The bond between family can overcome any obstacle.")
• Don't use cliches. "Once a cheater, always a cheater," or "Actions speak louder than words," aren't themes. They're just expressions people use all the time and have very little power or real insight.

Here is a general template you can use based on what we learned above:

"The central theme of (piece of writing) is (author's position on topic) ."

Alternatively, you could try: "In (piece of writing), (author) presents the idea that (position on topic)."

You may also be asked to use supporting details from the story to back up your theme statement. In that case, your full theme statement might look something like this:

"The central theme of (piece of writing) is (author's position on topic). When (event from the story) happens, it results in (blank), which demonstrates (some element of the theme)."

You're going to have to tweak and adjust this based on how much detail the assignment calls for and which examples from the text you choose to use, but it should be a good starting point!

Theme statement examples

OK, so what does it look like in action?

Here are some example theme statements from stories you're probably already familiar with (I'm doing these mostly to demonstrate how to use the template. I hope you'll put a lot of thought into your own theme statements and play around with different ideas before committing to one) :

In 'The Dark Knight Rises', Christopher Nolan presents the idea that true heroism requires complete and utter selflessness.

The central theme of 'Finding Nemo' is that fear is sometimes more dangerous than danger itself.

In 'Romeo and Juliet', Shakespeare presents the idea that love is more powerful than hate.

Hope this helps! And good luck!

Questions? Let me know in the comments.

Now Read This: Every method imaginable for finding and fixing your typos

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A thematic essay is a type of writing assignment that focuses on a specific theme or topic. It requires you to identify a central theme, discuss it in detail, and make connections between various facts. Your main goal is to demonstrate understanding and interpretation of the given subject matter. This type of essay is commonly used in literature classes or history exams.

If you’ve got an assignment to write a theme essay, you might wonder where you should even start from. No worries, we’ve got you covered here! The first thing you must know about this specific type of paper is that it aims to analyze a certain well-known theme and make an interesting statement about it. Here, you must explain meaning and relevance or complexity of your topic. You should summarize details that support your conclusion. In this article, we will conduct a detailed review of theme essay concept. We will also provide you a step by step guide on how to write a proper one. Let's dive right into it!  

Thematic Essay Definition

Let’s start with defining what is a thematic essay and its purpose. In this type, one should select a thesis and form unique statement related to its aspects. You should write about it, explaining or elaborating to your audience the following:

• How is your statement related to your topic?
• Which important or interesting aspects does it highlight?
• What approaches and literary devices are you using for analysis ? How do you explain your general theme? This can be comparison, metaphor, personification etc.

When composing such an essay, you must formulate and defend your statement. Here, you will demonstrate abilities of analysis and literary devices usage. At least several paragraphs would be needed to display such skills properly.

Thematic Essay Outline: What's Inside

The best way to begin is creating a theme essay outline for your topic. An outline should contain all key parts, concepts and ideas of your paper. You should put it in a sketchy but logical manner. This way you'll quickly prepare a shortened version of your assignment. It will also help you in reviewing it. Adding missing points and correcting significant mistakes would be easier at this early stage. Outline should include all main essay parts:  

• Introduction
• Thesis statement
• Body section
• Conclusion.

Keeping it brief, you should not provide complete sentences to describe your statements, ideas and arguments. A few words would suffice for each important point. Purpose is to make it readable for yourself! You should review it quickly and spot any inconsistencies.

How to Write a Thematic Essay Step-By-Step

Now it is time to focus on how to write a theme analysis essay – the complete text from scratch. Is your goal to impress readers and achieve a good grade? Then it is important that you create a proper essay structure template and don't lose any of your key questions! Stay methodical and keep it logical! Make sure your audience is engaged and don’t disappoint them in the end. Below we’ll provide a general idea for each step of this process.

Step 1. Define the Topic for Your Thematic Essay

When it comes to choosing among thematic essay topics, it is important that you pick an interesting and maybe even a controversial one. At the same time, make sure you can actually provide some meaningful input about it. Your assignment should impress readers with detailed analysis and its author’s writing skills. That's why your chosen topic must provide enough material for that.  There is a diverse choice of topics. Choose the one you are really interested in whether it is  Bullying essay  or  Happiness essay . If you need some ideas for great essay topics, feel free to check out our other articles.  

Step 2. Create a Thematic Essay Outline

We've already covered the main points of theme essay outline concept. When writing it, include all the main parts of your future work. Keep it as short as possible, one paragraph per each key point will be enough. It isn’t even necessary to describe everything with complete sentences! A few words would suffice. Once done, review it first and make necessary corrections. It is advised to review an outline several times. That's how any noticeable gaps or mistakes would be spotted early.

Step 3. Start a Thematic Essay with a Hook

A good thematic essay introduction ought to captivate readers right from the start. That’s why it is always advised to add some ‘hook’ into it. You can begin with an unexpected statement, use wordplay or a plot twist. Then you can explain this in the main body part. This way your audience would be interested to hear those explanations. As a result, your paper will have better chances of success. Apart from that, introduction should contain the main statement and some information about its content.  

Step 4. Write Body Paragraphs for Your Theme Essay

Goal of thematic essay body is to answer all the questions stated in an introduction. You must elaborate the meaning of each key idea. Finally, display your usage of literary devices, as we’ve specified earlier. Common practice is to use at least one paragraph per a literary device disclosure. Besides, the main body is the right place to use all relevant sources that can support your analysis or provide you with helpful analogies. Keep the main body logical, so that every paragraph is somehow connected to the previous and the next ones.  

Step 5. Create a Thematic Essay Conclusion

A strong thematic essay conclusion should highlight all important points from tyourhe essay while avoiding adding new facts or evidence. Just restate your thesis, answer all questions and summarize your arguments. It might be also useful to leave some final note for readers with some deeper analysis of your topic. You can also highlight the need for further exploration of the chosen theme and thus to prepare readers for your future works on this topic.  

Step 6. Proofread Your Thematic Analysis Essay

After completing theme essay, it is highly recommended to review it thoroughly, even several times if possible. The goal is to find mistakes and to spot logical gaps or missing details. Even best essays typically have inconsistencies left at the early stage. Taking a fresh look at your text often reveals some issues. If possible, ask your friends or colleagues to review your text. They might notice something you could not.  

How to Format a Thematic Essay

When it comes to thematic essay format, you need to find out what are the requirements in your assignment or which format is common in the institution you will be presenting your essay for. In case no special requirements were made for you, just choose one of the most popular formats for scholarly papers:  

• APA paper format : typically used in natural sciences, education and psychology fields
• MLA: typically used for works in humanities
• Chicago: typically used in business, history, and fine arts fields.

Thematic Essay Example

Let’s illustrate the explanations above with a few theme essay examples. We’ll provide some real ones here so that your every question would be answered. Hopefully you’ll find some inspiration in these examples for your own winning paper! The examples can be found below. Please scroll down to find them.  

Thematic Essay: Final Thoughts

In this article we have explored the theme essay concept in detail. Its central purpose and main definition were examined and a step by step guide for writing a strong one was suggested. We’ve also provided a few working examples for your convenience. Hopefully, all this information will be useful for your scholarly endeavors!

Feel free to check out our  paper writing services ! We’ve got a team of skilled writers with expertise in different literary areas, ready to help you. They deliver high quality content, always on time.  

Daniel Howard is an Essay Writing guru. He helps students create essays that will strike a chord with the readers.

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Frequently Asked Questions About Theme Essay

1. what is the thematic statement.

A thematic statement typically takes the place of a thesis in a thematic essay. It consists of 1-2 complete sentences that express a theme which you have chosen for your work. This statement must convey the main message and also show what analysis will be done. It should be brief however as most of the details are to be provided in the main body.

2. What is the goal of thematic essay?

The thematic essay goal is to express an idea or some insights about the surrounding world and to change readers' minds about certain issues. As an author, you are expected to illustrate the team, provide all necessary explanations and conduct an analysis if needed. Besides, you typically should demonstrate familiarity with some literary interpretations and methods which are used to examine your theme.

3. How long should a theme essay be?

The minimum length of a theme essay is five paragraphs. One is for introduction, one for conclusion and remaining three for the main body. Of course, it can be more than that, depending on the depth of the theme that was chosen. The main rule is to keep your essay logical and concise, avoiding adding too many details. Otherwise your audience might get tired and the effect produced by your writing would be damaged.

4. What is a thematic essay history?

Thematic essay (history class) should be written to analyze some historical facts or significance of specific literary pieces. A typical case is examining different aspects of a controversial leader from the past or a political event that has produced a number of various important consequences. Or you might argue about a specific role of a certain book during a certain period or its influence on different nations or cultural groups.

A Huge List of Common Themes

Themes in literature are often varied and hidden. Sometimes you can get through an entire book and not realize what the author meant. However, this is a good basic list that you can build from. Remember that some books have multiple themes.

• Beauty of simplicity
• Capitalism – effect on the individual
• Change of power – necessity
• Change versus tradition
• Chaos and order
• Character – destruction, building up
• Circle of life
• Coming of age
• Communication – verbal and nonverbal
• Companionship as salvation
• Convention and rebellion
• Dangers of ignorance
• Darkness and light
• Death – inevitable or tragedy
• Desire to escape
• Destruction of beauty
• Disillusionment and dreams
• Displacement
• Empowerment
• Emptiness of attaining false dream
• Everlasting love
• Evils of racism
• Facing darkness
• Facing reality
• Fading beauty
• Faith versus doubt
• Family – blessing or curse
• Fate and free will
• Fear of failure
• Female roles
• Fulfillment
• Good versus bad
• Greed as downfall
• Growing up – pain or pleasure
• Hazards of passing judgment
• Heartbreak of betrayal
• Heroism – real and perceived
• Hierarchy in nature
• Identity crisis
• Illusion of power
• Immortality
• Individual versus society
• Inner versus outer strength
• Isolationism – hazards
• Knowledge versus ignorance
• Loneliness as destructive force
• Losing hope
• Loss of innocence
• Love and sacrifice
• Man against nature
• Manipulation
• Materialism as downfall
• Names – power and significance
• Nationalism – complications
• Nature as beauty
• Necessity of work
• Oppression of women
• Optimism – power or folly
• Overcoming – fear, weakness, vice
• Patriotism – positive side or complications
• Power and corruption
• Power of silence
• Power of tradition
• Power of wealth
• Power of words
• Pride and downfall
• Progress – real or illusion
• Quest for discovery
• Quest for power
• Role of men
• Role of Religion – virtue or hypocrisy
• Role of women
• Self – inner and outer
• Self-awareness
• Self-preservation
• Self-reliance
• Social mobility
• Technology in society – good or bad
• Temporary nature of physical beauty
• Temptation and destruction
• Totalitarianism
• Vanity as downfall
• Vulnerability of the meek
• Vulnerability of the strong
• War – glory, necessity, pain, tragedy
• Will to survive
• Wisdom of experience
• Working class struggles
• Youth and beauty

Movies generally have one or two themes, but not many more. The themes in movies are often said outright instead of hinted at. Some of the popular themes from movies today include:

• Abuse of power
• Beating the odds
• Celebration
• Common Sense
• Conservation
• Darkness and lightness
• Disillusionment
• Effects from the past
• Evils by humanity
• Gay, Lesbian, Bisexual, and Transgender rights
• Good vs Evil
• Human Nature
• Individuality
• Inner peace
• Man vs nature
• Man vs self
• Man vs machine
• Nationalism
• Opportunity
• Peer pressure
• Perseverance
• Segregation
• Self-discipline
• Social Construct
• Unselfishness
• Winning and losing

Themes in poetry are often quite apparent, but that isn’t always the case. Sometimes the theme doesn’t make itself apparent and is instead up to the reader. Reading a poem aloud often helps with understanding the theme. Here are some examples:

• Comfort after death
• Encouraging
• Forgiveness
• Imagination
• Impossibility
• Inner Peace
• Inspiration
• Life – purpose of
• Not Giving Up
• Unconditional love

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Definition and Examples of Theme-Writing

Glossary of Grammatical and Rhetorical Terms

• An Introduction to Punctuation
• Ph.D., Rhetoric and English, University of Georgia
• M.A., Modern English and American Literature, University of Leicester
• B.A., English, State University of New York

Theme-writing refers to the conventional writing assignments (including five-paragraph essays ) required in many composition classes since the late-19th century. Also called school writing .

In his book The Plural I: The Teaching of Writing (1978), William E. Coles, Jr., used the term themewriting  (one word) to characterize empty, formulaic writing that is "not meant to be read but corrected." Textbook authors, he said, present writing "as a trick that can be played, a device that can be put into operation . . . just as one can be taught or learn to run an adding machine, or pour concrete."

Examples and Observations:

• "The use of themes has been maligned and vilified in the history of writing instruction. They have come to represent what was bad about the Harvard model, including an obsession with 'correcting' the themes in red ink, but the women's colleges typically used themes to get students writing regular essays based on common topics . . . . Theme writing , as David Russell notes in Writing in the Academic Disciplines, 1870-1990 , continued to be a model for required composition courses at small liberal arts colleges much longer than it did in the larger universities, in large part because the universities could no longer keep up with the labor-intensive practice of having students write multiple essays over the course of a semester or year." (Lisa Mastrangelo and Barbara L'Eplattenier, "'Is It the Pleasure of This Conference to Have Another?': Women's Colleges Meeting and Talking About Writing in the Progressive Era." Historical Studies of Writing Program Administration , ed. by B. L'Eplattenier and L. Mastrangelo. Parlor Press, 2004)
• Camille Paglia on Essay Writing as a Form of Repression "[T]he present concentration on essay writing at the heart of the humanities curriculum is actually discriminatory against people of other cultures and classes. I think it's a game. It's very, very obvious to me, having been teaching for so many years as a part-timer, teaching factory workers and teaching auto mechanics and so on, the folly of this approach. You teach them how to write an essay. It's a game . It's a structure. Speak of social constructionism! It's a form of repression. I do not regard the essay as it's presently constituted as in any way something that came down from Mount Sinai brought by Moses." (Camille Paglia, "The M.I.T. Lecture."  Sex, Art, and American Culture . Vintage, 1992)
• English A at Harvard "Harvard's standard, required composition course was English A, first given in sophomore year and then, after 1885, moved to the first year. . . . In 1900-01 writing assignments included a mix of daily themes, which were brief two- or three-paragraph sketches, and more extended fortnightly themes; topics were up to the student and thus varied widely, but the dailies usually asked for personal experience while the longer ones covered a mix of general knowledge." (John C. Brereton, "Introduction." The Origins of Composition Studies in the American College, 1875-1925 . Univ. of Pittsburgh Press, 1995)
• Theme Writing at Harvard (Late 19th Century) "When I was an undergraduate at Harvard our instructors in English composition endeavored to cultivate in us a something they termed 'The daily theme eye.' . . . "Daily themes in my day had to be short, not over a page of handwriting. They had to be deposited in a box at the professor's door not later than ten-five in the morning. . . . And because of this brevity, and the necessity of writing one every day whether the mood was on you or not, it was not always easy--to be quite modest--to make these themes literature, which, we were told by our instructors, is the transmission through the written word, from writer to reader, of a mood, an emotion, a picture, an idea." (Walter Prichard Eaton, "Daily Theme Eye." The Atlantic Monthly , March 1907)
• The Chief Benefit of Theme-Writing (1909) "The chief benefit derived from theme-writing lies probably in the instructor's indication of errors in the themes and his showing how these errors are to be corrected; for by these means the student may learn the rules that he is inclined to violate, and thus may be helped to eliminate the defects from his writing. Hence it is important that the errors and the way to correct them be shown to the student as completely and clearly as possible. For instance, suppose that a theme contains the sentence 'I have always chosen for my companions people whom I thought had high ideals.' Suppose the instructor points out the grammatical fault and gives the student information to this effect: 'An expression such as he says, he thinks , or he hears interpolated in a relative clause does not affect the case of the subject of the clause. For example, "The man who I thought was my friend deceived me" is correct; "who" is the subject of "was my friend"; "I thought" is a parenthesis which does not affect the case of "who." In your sentence, "whom" is not the object of "thought," but the subject of "had high ideals"; it should therefore be in the nominative case .' From this information the student is likely to get more than the mere knowledge that the 'whom' in this particular case should be changed to 'who'; he is likely to learn a principle, the knowledge of which--if he will remember it--will keep him from committing similar errors in future. "But the theme from which one sentence is quoted above contains fourteen other errors; and the forty-nine other themes which the instructor is to hand back to-morrow morning contain among them about seven hundred and eighty-five more. How shall the instructor, as he indicates these eight hundred errors, furnish the information called for by each one? Obviously he must use some kind of shorthand." (Edwin Campbell Woolley, The Mechanics of Writing . D.C. Heath, 1909)
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12.14: Sample Student Literary Analysis Essays

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• Heather Ringo & Athena Kashyap
• City College of San Francisco via ASCCC Open Educational Resources Initiative

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The following examples are essays where student writers focused on close-reading a literary work.

While reading these examples, ask yourself the following questions:

• What is the essay's thesis statement, and how do you know it is the thesis statement?
• What is the main idea or topic sentence of each body paragraph, and how does it relate back to the thesis statement?
• Where and how does each essay use evidence (quotes or paraphrase from the literature)?
• What are some of the literary devices or structures the essays analyze or discuss?
• How does each author structure their conclusion, and how does their conclusion differ from their introduction?

Example 1: Poetry

Victoria Morillo

Instructor Heather Ringo

3 August 2022

How Nguyen’s Structure Solidifies the Impact of Sexual Violence in “The Study”

Stripped of innocence, your body taken from you. No matter how much you try to block out the instance in which these two things occurred, memories surface and come back to haunt you. How does a person, a young boy , cope with an event that forever changes his life? Hieu Minh Nguyen deconstructs this very way in which an act of sexual violence affects a survivor. In his poem, “The Study,” the poem's speaker recounts the year in which his molestation took place, describing how his memory filters in and out. Throughout the poem, Nguyen writes in free verse, permitting a structural liberation to become the foundation for his message to shine through. While he moves the readers with this poignant narrative, Nguyen effectively conveys the resulting internal struggles of feeling alone and unseen.

The speaker recalls his experience with such painful memory through the use of specific punctuation choices. Just by looking at the poem, we see that the first period doesn’t appear until line 14. It finally comes after the speaker reveals to his readers the possible, central purpose for writing this poem: the speaker's molestation. In the first half, the poem makes use of commas, em dashes, and colons, which lends itself to the idea of the speaker stringing along all of these details to make sense of this time in his life. If reading the poem following the conventions of punctuation, a sense of urgency is present here, as well. This is exemplified by the lack of periods to finalize a thought; and instead, Nguyen uses other punctuation marks to connect them. Serving as another connector of thoughts, the two em dashes give emphasis to the role memory plays when the speaker discusses how “no one [had] a face” during that time (Nguyen 9-11). He speaks in this urgent manner until the 14th line, and when he finally gets it off his chest, the pace of the poem changes, as does the more frequent use of the period. This stream-of-consciousness-like section when juxtaposed with the latter half of the poem, causes readers to slow down and pay attention to the details. It also splits the poem in two: a section that talks of the fogginess of memory then transitions into one that remembers it all.

In tandem with the fluctuating nature of memory, the utilization of line breaks and word choice help reflect the damage the molestation has had. Within the first couple of lines of the poem, the poem demands the readers’ attention when the line breaks from “floating” to “dead” as the speaker describes his memory of Little Billy (Nguyen 1-4). This line break averts the readers’ expectation of the direction of the narrative and immediately shifts the tone of the poem. The break also speaks to the effect his trauma has ingrained in him and how “[f]or the longest time,” his only memory of that year revolves around an image of a boy’s death. In a way, the speaker sees himself in Little Billy; or perhaps, he’s representative of the tragic death of his boyhood, how the speaker felt so “dead” after enduring such a traumatic experience, even referring to himself as a “ghost” that he tries to evict from his conscience (Nguyen 24). The feeling that a part of him has died is solidified at the very end of the poem when the speaker describes himself as a nine-year-old boy who’s been “fossilized,” forever changed by this act (Nguyen 29). By choosing words associated with permanence and death, the speaker tries to recreate the atmosphere (for which he felt trapped in) in order for readers to understand the loneliness that came as a result of his trauma. With the assistance of line breaks, more attention is drawn to the speaker's words, intensifying their importance, and demanding to be felt by the readers.

Most importantly, the speaker expresses eloquently, and so heartbreakingly, about the effect sexual violence has on a person. Perhaps what seems to be the most frustrating are the people who fail to believe survivors of these types of crimes. This is evident when he describes “how angry” the tenants were when they filled the pool with cement (Nguyen 4). They seem to represent how people in the speaker's life were dismissive of his assault and who viewed his tragedy as a nuisance of some sorts. This sentiment is bookended when he says, “They say, give us details , so I give them my body. / They say, give us proof , so I give them my body,” (Nguyen 25-26). The repetition of these two lines reinforces the feeling many feel in these scenarios, as they’re often left to deal with trying to make people believe them, or to even see them.

It’s important to recognize how the structure of this poem gives the speaker space to express the pain he’s had to carry for so long. As a characteristic of free verse, the poem doesn’t follow any structured rhyme scheme or meter; which in turn, allows him to not have any constraints in telling his story the way he wants to. The speaker has the freedom to display his experience in a way that evades predictability and engenders authenticity of a story very personal to him. As readers, we abandon anticipating the next rhyme, and instead focus our attention to the other ways, like his punctuation or word choice, in which he effectively tells his story. The speaker recognizes that some part of him no longer belongs to himself, but by writing “The Study,” he shows other survivors that they’re not alone and encourages hope that eventually, they will be freed from the shackles of sexual violence.

Works Cited

Nguyen, Hieu Minh. “The Study” Poets.Org. Academy of American Poets, Coffee House Press, 2018, https://poets.org/poem/study-0 .

Example 2: Fiction

Todd Goodwin

Professor Stan Matyshak

Advanced Expository Writing

Sept. 17, 20—

Poe’s “Usher”: A Mirror of the Fall of the House of Humanity

Right from the outset of the grim story, “The Fall of the House of Usher,” Edgar Allan Poe enmeshes us in a dark, gloomy, hopeless world, alienating his characters and the reader from any sort of physical or psychological norm where such values as hope and happiness could possibly exist. He fatalistically tells the story of how a man (the narrator) comes from the outside world of hope, religion, and everyday society and tries to bring some kind of redeeming happiness to his boyhood friend, Roderick Usher, who not only has physically and psychologically wasted away but is entrapped in a dilapidated house of ever-looming terror with an emaciated and deranged twin sister. Roderick Usher embodies the wasting away of what once was vibrant and alive, and his house of “insufferable gloom” (273), which contains his morbid sister, seems to mirror or reflect this fear of death and annihilation that he most horribly endures. A close reading of the story reveals that Poe uses mirror images, or reflections, to contribute to the fatalistic theme of “Usher”: each reflection serves to intensify an already prevalent tone of hopelessness, darkness, and fatalism.

It could be argued that the house of Roderick Usher is a “house of mirrors,” whose unpleasant and grim reflections create a dark and hopeless setting. For example, the narrator first approaches “the melancholy house of Usher on a dark and soundless day,” and finds a building which causes him a “sense of insufferable gloom,” which “pervades his spirit and causes an iciness, a sinking, a sickening of the heart, an undiscerned dreariness of thought” (273). The narrator then optimistically states: “I reflected that a mere different arrangement of the scene, of the details of the picture, would be sufficient to modify, or perhaps annihilate its capacity for sorrowful impression” (274). But the narrator then sees the reflection of the house in the tarn and experiences a “shudder even more thrilling than before” (274). Thus the reader begins to realize that the narrator cannot change or stop the impending doom that will befall the house of Usher, and maybe humanity. The story cleverly plays with the word reflection : the narrator sees a physical reflection that leads him to a mental reflection about Usher’s surroundings.

The narrator’s disillusionment by such grim reflection continues in the story. For example, he describes Roderick Usher’s face as distinct with signs of old strength but lost vigor: the remains of what used to be. He describes the house as a once happy and vibrant place, which, like Roderick, lost its vitality. Also, the narrator describes Usher’s hair as growing wild on his rather obtrusive head, which directly mirrors the eerie moss and straw covering the outside of the house. The narrator continually longs to see these bleak reflections as a dream, for he states: “Shaking off from my spirit what must have been a dream, I scanned more narrowly the real aspect of the building” (276). He does not want to face the reality that Usher and his home are doomed to fall, regardless of what he does.

Although there are almost countless examples of these mirror images, two others stand out as important. First, Roderick and his sister, Madeline, are twins. The narrator aptly states just as he and Roderick are entombing Madeline that there is “a striking similitude between brother and sister” (288). Indeed, they are mirror images of each other. Madeline is fading away psychologically and physically, and Roderick is not too far behind! The reflection of “doom” that these two share helps intensify and symbolize the hopelessness of the entire situation; thus, they further develop the fatalistic theme. Second, in the climactic scene where Madeline has been mistakenly entombed alive, there is a pairing of images and sounds as the narrator tries to calm Roderick by reading him a romance story. Events in the story simultaneously unfold with events of the sister escaping her tomb. In the story, the hero breaks out of the coffin. Then, in the story, the dragon’s shriek as he is slain parallels Madeline’s shriek. Finally, the story tells of the clangor of a shield, matched by the sister’s clanging along a metal passageway. As the suspense reaches its climax, Roderick shrieks his last words to his “friend,” the narrator: “Madman! I tell you that she now stands without the door” (296).

Roderick, who slowly falls into insanity, ironically calls the narrator the “Madman.” We are left to reflect on what Poe means by this ironic twist. Poe’s bleak and dark imagery, and his use of mirror reflections, seem only to intensify the hopelessness of “Usher.” We can plausibly conclude that, indeed, the narrator is the “Madman,” for he comes from everyday society, which is a place where hope and faith exist. Poe would probably argue that such a place is opposite to the world of Usher because a world where death is inevitable could not possibly hold such positive values. Therefore, just as Roderick mirrors his sister, the reflection in the tarn mirrors the dilapidation of the house, and the story mirrors the final actions before the death of Usher. “The Fall of the House of Usher” reflects Poe’s view that humanity is hopelessly doomed.

Poe, Edgar Allan. “The Fall of the House of Usher.” 1839. Electronic Text Center, University of Virginia Library . 1995. Web. 1 July 2012. < http://etext.virginia.edu/toc/modeng/public/PoeFall.html >.

Example 3: Poetry

Amy Chisnell

Professor Laura Neary

Writing and Literature

April 17, 20—

Don’t Listen to the Egg!: A Close Reading of Lewis Carroll’s “Jabberwocky”

“You seem very clever at explaining words, Sir,” said Alice. “Would you kindly tell me the meaning of the poem called ‘Jabberwocky’?”

“Let’s hear it,” said Humpty Dumpty. “I can explain all the poems that ever were invented—and a good many that haven’t been invented just yet.” (Carroll 164)

In Lewis Carroll’s Through the Looking-Glass , Humpty Dumpty confidently translates (to a not so confident Alice) the complicated language of the poem “Jabberwocky.” The words of the poem, though nonsense, aptly tell the story of the slaying of the Jabberwock. Upon finding “Jabberwocky” on a table in the looking-glass room, Alice is confused by the strange words. She is quite certain that “ somebody killed something ,” but she does not understand much more than that. When later she encounters Humpty Dumpty, she seizes the opportunity at having the knowledgeable egg interpret—or translate—the poem. Since Humpty Dumpty professes to be able to “make a word work” for him, he is quick to agree. Thus he acts like a New Critic who interprets the poem by performing a close reading of it. Through Humpty’s interpretation of the first stanza, however, we see the poem’s deeper comment concerning the practice of interpreting poetry and literature in general—that strict analytical translation destroys the beauty of a poem. In fact, Humpty Dumpty commits the “heresy of paraphrase,” for he fails to understand that meaning cannot be separated from the form or structure of the literary work.

Of the 71 words found in “Jabberwocky,” 43 have no known meaning. They are simply nonsense. Yet through this nonsensical language, the poem manages not only to tell a story but also gives the reader a sense of setting and characterization. One feels, rather than concretely knows, that the setting is dark, wooded, and frightening. The characters, such as the Jubjub bird, the Bandersnatch, and the doomed Jabberwock, also appear in the reader’s head, even though they will not be found in the local zoo. Even though most of the words are not real, the reader is able to understand what goes on because he or she is given free license to imagine what the words denote and connote. Simply, the poem’s nonsense words are the meaning.

Therefore, when Humpty interprets “Jabberwocky” for Alice, he is not doing her any favors, for he actually misreads the poem. Although the poem in its original is constructed from nonsense words, by the time Humpty is done interpreting it, it truly does not make any sense. The first stanza of the original poem is as follows:

’Twas brillig, and the slithy toves

Did gyre and gimble in the wabe;

All mimsy were the borogroves,

An the mome raths outgrabe. (Carroll 164)

If we replace, however, the nonsense words of “Jabberwocky” with Humpty’s translated words, the effect would be something like this:

’Twas four o’clock in the afternoon, and the lithe and slimy badger-lizard-corkscrew creatures

Did go round and round and make holes in the grass-plot round the sun-dial:

All flimsy and miserable were the shabby-looking birds

with mop feathers,

And the lost green pigs bellowed-sneezed-whistled.

By translating the poem in such a way, Humpty removes the charm or essence—and the beauty, grace, and rhythm—from the poem. The poetry is sacrificed for meaning. Humpty Dumpty commits the heresy of paraphrase. As Cleanth Brooks argues, “The structure of a poem resembles that of a ballet or musical composition. It is a pattern of resolutions and balances and harmonizations” (203). When the poem is left as nonsense, the reader can easily imagine what a “slithy tove” might be, but when Humpty tells us what it is, he takes that imaginative license away from the reader. The beauty (if that is the proper word) of “Jabberwocky” is in not knowing what the words mean, and yet understanding. By translating the poem, Humpty takes that privilege from the reader. In addition, Humpty fails to recognize that meaning cannot be separated from the structure itself: the nonsense poem reflects this literally—it means “nothing” and achieves this meaning by using “nonsense” words.

Furthermore, the nonsense words Carroll chooses to use in “Jabberwocky” have a magical effect upon the reader; the shadowy sound of the words create the atmosphere, which may be described as a trance-like mood. When Alice first reads the poem, she says it seems to fill her head “with ideas.” The strange-sounding words in the original poem do give one ideas. Why is this? Even though the reader has never heard these words before, he or she is instantly aware of the murky, mysterious mood they set. In other words, diction operates not on the denotative level (the dictionary meaning) but on the connotative level (the emotion(s) they evoke). Thus “Jabberwocky” creates a shadowy mood, and the nonsense words are instrumental in creating this mood. Carroll could not have simply used any nonsense words.

For example, let us change the “dark,” “ominous” words of the first stanza to “lighter,” more “comic” words:

’Twas mearly, and the churly pells

Did bimble and ringle in the tink;

All timpy were the brimbledimps,

And the bip plips outlink.

Shifting the sounds of the words from dark to light merely takes a shift in thought. To create a specific mood using nonsense words, one must create new words from old words that convey the desired mood. In “Jabberwocky,” Carroll mixes “slimy,” a grim idea, “lithe,” a pliable image, to get a new adjective: “slithy” (a portmanteau word). In this translation, brighter words were used to get a lighter effect. “Mearly” is a combination of “morning” and “early,” and “ringle” is a blend of “ring” and "dingle.” The point is that “Jabberwocky’s” nonsense words are created specifically to convey this shadowy or mysterious mood and are integral to the “meaning.”

Consequently, Humpty’s rendering of the poem leaves the reader with a completely different feeling than does the original poem, which provided us with a sense of ethereal mystery, of a dark and foreign land with exotic creatures and fantastic settings. The mysteriousness is destroyed by Humpty’s literal paraphrase of the creatures and the setting; by doing so, he has taken the beauty away from the poem in his attempt to understand it. He has committed the heresy of paraphrase: “If we allow ourselves to be misled by it [this heresy], we distort the relation of the poem to its ‘truth’… we split the poem between its ‘form’ and its ‘content’” (Brooks 201). Humpty Dumpty’s ultimate demise might be seen to symbolize the heretical split between form and content: as a literary creation, Humpty Dumpty is an egg, a well-wrought urn of nonsense. His fall from the wall cracks him and separates the contents from the container, and not even all the King’s men can put the scrambled egg back together again!

Through the odd characters of a little girl and a foolish egg, “Jabberwocky” suggests a bit of sage advice about reading poetry, advice that the New Critics built their theories on. The importance lies not solely within strict analytical translation or interpretation, but in the overall effect of the imagery and word choice that evokes a meaning inseparable from those literary devices. As Archibald MacLeish so aptly writes: “A poem should not mean / But be.” Sometimes it takes a little nonsense to show us the sense in something.

Brooks, Cleanth. The Well-Wrought Urn: Studies in the Structure of Poetry . 1942. San Diego: Harcourt Brace, 1956. Print.

Carroll, Lewis. Through the Looking-Glass. Alice in Wonderland . 2nd ed. Ed. Donald J. Gray. New York: Norton, 1992. Print.

MacLeish, Archibald. “Ars Poetica.” The Oxford Book of American Poetry . Ed. David Lehman. Oxford: Oxford UP, 2006. 385–86. Print.

Attribution

• Sample Essay 1 received permission from Victoria Morillo to publish, licensed Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International ( CC BY-NC-SA 4.0 )
• Sample Essays 2 and 3 adapted from Cordell, Ryan and John Pennington. "2.5: Student Sample Papers" from Creating Literary Analysis. 2012. Licensed Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported ( CC BY-NC-SA 3.0 )

Theme vs Main Idea: What’s the Difference?

Main idea. Theme. Central idea. Topic. Summary. These are all words we use when teaching literacy skills and talking about texts. The terms are all so closely related that it can be confusing for students (and sometimes even educators!) to remember what each term means or how and when to use it. In this article, we’re comparing two often confused terms, theme vs main idea, and discovering what makes them different. We’ll also look at other related terms and how they fit into the conversation:

What is the main idea?

What is a theme, differences between theme vs main idea, 6 tools and activities to help students distinguish between the theme and the main idea, 3 tips to teach students the difference between a theme and the main idea, help students learn the main idea with newsela ela.

The main idea of a text is a one-sentence summary of the key details of a story . It answers the question, What is the story mostly about ? The main idea is sometimes confused with other terms like central idea, purpose, summary, and theme. You can usually write the one-sentence main idea of a literary text by including the name of the main character, what problem they’re having, and how they solved or planned to solve it.

In this example, Aladdin is the main character, his problem is wanting to marry Princess Jasmine even though he can’t, and he solves the problem (more or less) by wishing to become a prince.

Is there a difference between the main idea and the central idea?

Both literary and informational texts can have a main idea. In an informational text, we often call the main idea the central idea. The titles of informational texts, for example, often summarize or give clues about the central idea.

While we may not get all the specific information we need to write a one-sentence central idea statement from this title , we do get clues about what to look for in the text to fill in the blanks. The title tells us we should look for the name of the Titanic discoverer, and what he did in the field of marine archaeology.

Is there a difference between the main idea and the purpose?

The main idea of a story summarizes the key points the author shares in the text. The purpose of the story is why the author wrote the piece.

In this example , you can see that the main idea tells us what the article is about, Taylor Swift’s tactics for engaging with her fans. The “why” of this article is to share that information with fans and analyze why it’s significant.

Is there a difference between the main idea and a summary?

The biggest difference between a summary and the main idea of a story is the length. The main idea summarizes the key points of a text in one sentence. It gives the top-level, most important highlights of a text. A summary, like one on the back of the book or at the beginning of a nonfiction article, is usually three to five sentences, or about a paragraph long. Traditional summaries may include more than just key details to provide the reader with more context before they dive into a text.

The theme of a text is a one-sentence recap of the general commonalities that appear throughout the text. It answers the question, What is the message, lesson, or moral of the story? Themes often appear multiple times throughout a text and run through the entire plot or structure of the story.

Variations of the word theme may also come up in other contexts during reading, writing, and analysis of texts. A theme statement or thematic statement gives the author’s viewpoint or opinion on a topic. For example, if the topic was summer vacation, the thematic statement of the piece may be, “Summer vacation is necessary for students to relax after nine months of consistent learning.”

Is there a difference between the theme and the topic of a text?

Similarly to the difference between the main idea and a summary, the difference between the theme and the topic of a text is also the length. Themes are full sentences that describe a one- or two-word topic more in-depth. Common topics for texts include:

These topics could serve as a starting point for a theme. For example:

There are multiple characteristics that highlight the differences between the theme and the main idea of a text. They include:

Literary or informational text

According to literacy expert and author Timothy Shanahan, theme is a literary term and doesn’t apply to informational text. You’ll only have students find the theme when studying a fictional work, like a novel, picture book, or short story. The main idea is most often used with literary texts, but its synonym, the central idea, is often used with informational texts. Therefore, both literary and informational texts have a main idea.

Specificity vs generality

The main idea always shares specifics from a story while the theme shares generalities. The main idea of a text only applies to that specific text. It lists the characters’ or subjects’ names and plot points that are unique to the story or article. Themes are general. The same theme could apply to different texts with different characters or plot points.

For example, let’s return to Disney’s “Aladdin.” Above, we listed the main idea for the story, but it shares common themes with other Disney princess stories, like “Beauty and the Beast” or “The Little Mermaid.” All three stories share themes like, It’s important to learn the true meaning of friendship and You can find love in unexpected situations .

Complexity of the skill

Most students learn how to find the main idea of a text earlier in their education before they’re introduced to the concept of a theme. That’s because finding the theme requires higher-order thinking. Most themes aren’t explicitly stated in the text. You have to read between the lines to find them. That’s more complicated than finding the explicitly stated points of a main idea, like a character name or problem.

Number of answers

A text will always have just one main idea. Students may write or phrase the main idea slightly differently from one another, but the concept will always be the same. The main idea of “Aladdin” will always include the main characters of Aladdin, Jasmine, and Genie. It will also contain the plot points of him wanting to marry Jasmine and wishing to become a prince. In contrast, one text could have multiple themes, especially if the text is longer. Some themes may be more obvious or more developed than others throughout the text, but that doesn’t mean others don’t exist. 

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Identifying questions

Students ask different questions to uncover themes and the main idea of a text. They can ask these questions before, during, or after reading in either case. Questions to ask to find the main idea include:

Questions to ask to find the theme include:

Use these tools and activities to help students understand the differences between the theme and the main idea:

1. Anchor charts

Anchor charts are visuals that illustrate the thoughts, ideas, and processes of a lesson in one place. Create a chart that lists the characteristics and examples of a theme on one side and the characteristics and examples of the main idea on the other. You can choose to create this chart as part of whole-class instruction to actively involve the students in brainstorming and providing examples. Or, you can create the chart before your lesson and hang it up in the classroom to reference as you teach and as students review and practice.

2. Close reading a well-known text

Having students close read a well-known, enjoyable text can make it easier for them to find the main idea and themes in a story. Choose a favorite picture book for them to use or another text they’ve read during the school year that they can read and reread as many times as they need to. Finding the main idea often happens on the first reading of a text, but finding the theme may come from a second or third reading, allowing students to look at it more critically.

3. Graphic organizers

Graphic organizers can help students keep track of details in the story that leads them to find the main idea and themes. A flowchart or web chart can help students note key details like a text’s title, recurring statements, character names, or other information that could help them find the main idea or themes.

4. Song lyrics

Lines and verses of songs are often shorter—and sometimes clearer—than a paragraph of text. Analyzing the lyrics of student-friendly songs can help reinforce the concept of themes and the main idea. Use printable lyrics sheets for nursery rhymes, Disney songs, or other school-appropriate tunes for this activity. You can do it as a whole-class, group, or individual activity.

Start by using just one song and have students read the lyrics. Encourage them to annotate the printed sheet or model and project your annotations for the students to see. On another sheet of paper, have students use their annotated notes to discover the main idea and at least one theme of the song. You can extend the lesson to have them analyze two songs and compare how the themes and main ideas for each song are similar to and different from each other.

If students are unfamiliar with the context of some of the songs you choose, such as the plots of the Disney movies they belong to, provide background knowledge on the story before you begin. If the songs have appropriate music or lyric videos, you can also show those before the lesson to introduce the students to the music, not just the lyrics.

5. Sorting and matching activities

Sorting and matching activities can help students understand the nuance of specificity and generality in themes and the main idea. You can create these activities with tangible manipulatives, like slips of paper. Or, you can use a digital tool like Formative to create activities students can access anywhere.

Include the definitions of theme and main idea in the activity for students to reference if they need help sorting or matching details. Have at least three general details or morals like “slow and steady wins the race” and at least three main ideas specific to a text the students have read, such as “the tortoise was the first one to cross the finish line.” 

You can do this activity as a whole class, in small groups or pairs, or have students complete it individually to sort out what details make up the theme and what details make up the main idea. No matter which delivery method you choose, come together as a whole class at the end of the activity to discuss which details go under each group.

6. Task cards

Task cards present students with a specific learning activity to complete. They’re popular for differentiating instruction because you can tailor the complexity of the same task for students at different ability levels. Use task cards as part of your group activity learning stations or as individual free-time activities to help students practice and reinforce literacy skills. 

Each card should include a short passage for students to read, either a text they’ve read before or a new text. The card should also contain at least three multiple-choice options, one that includes the theme, one with the main idea, and one that is a key detail from the passage. Ask students to match the correct multiple-choice answer with the correct category: main idea, theme, or key detail . You can scaffold up the complexity of the task by including just the passage and asking students to write the main idea, theme, and a key detail in their own words.

Still looking for more help to make sure your students understand the differences between theme and main idea? Use these tips when planning your literary skills lessons:

1. Start with shorter texts

Shorter, less complex texts can be more accessible starting points for learning new literacy skills. Whether you’re teaching the theme and main idea for the first time or reteaching and reinforcing the skill, starting with a shorter text for the first lesson can help. For younger students, this might mean using a short story for the first lesson. For older students, this may mean returning to a well-known favorite story, like “The Three Little Pigs.” Using a shorter text can help make learning and practicing the skills less intimidating for students.

2. Check for understanding

Add checks for understanding throughout the lesson to make sure students comprehend each step before moving on to the next. This allows you to scaffold lessons while modeling your thinking process for working through a text and finding the main idea and themes. You can also set up your activities, like task cards, in a way that forces students to complete the steps in order and check their understanding of the concept as they progress through the activity.

3. Reinforce the skill with every reading

Main idea and theme are two skills that are easy to practice with most content students read. Whether you’re reading as a whole class, using small reading groups, or having students read independently, they can always practice finding the main idea and themes in their texts. Encourage them to record these findings on special sheets, in a dedicated notebook, or on bookmarks they can place inside physical books to keep track of the themes and main ideas they find.

Finding the main idea in a text takes practice with a variety of texts of different genres and complexity levels. It’s more effective to teach this literacy skill with relevant, real-world engaging content rather than out-of-touch basal readers. That’s why teaching about the main idea with Newsela ELA is easy! You get access to a variety of helpful resources and scaffolds to help you teach literacy skills, like:

 A library of over 15,000 pieces of literary and informational texts you can use to help students find the main idea and theme.

Annotations that let you highlight key details to help determine the main idea and themes of a passage.

Texts published at five reading levels , which can help you show students how to find the main idea and themes in the same text as the complexity increases.

Interactive graphic organizers for any article that you can customize with the Formative and Newsela integration .

Assignment controls allow you to select which skills to teach and assess with each article. Use the checkboxes in the activities panel to toggle your choices on and off.

Explainer videos on topics like finding the main idea that help you bring a multimedia approach to teaching literacy skills in your classroom.

An updated ELA Standards and Skills collection that provides even more resources to help you teach the main idea in your lessons.

Custom collections that you can add to your Newsela knowledge and skill-building products that align with your academic priorities and instructional frameworks. Ask us how we can create a collection to teach the main idea that aligns with your curriculum and standards.

Coming for back-to-school ‘24:

Checks for understanding embedded within texts that allow students to slow down and make sure they understand what they’ve read before moving forward in a text.

Expanded search filters that let you search content by reading skill, grade and lexile level, topic, standard, and more.

Updated reporting features that help you identify classroom trends and patterns and look in on students’ skills progress with ease.

Not a Newsela customer yet? You can sign up for your free Newsela Lite account and get access to the content and skill-building scaffolds you need to teach students how to differentiate between themes and the main idea.

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The Intrigue of Villain Characters in Literature and Film

This essay is about the significance of villain characters in literature and film. It explores how villains add complexity to stories by presenting moral ambiguities and psychological depth. Villains highlight heroes’ virtues by challenging them, creating tension and suspense that keep audiences engaged. The essay discusses how well-crafted villains can evoke empathy, reflect societal fears, and explore themes like power, corruption, and redemption. It also notes the evolution of villains from simple evil figures to nuanced characters, demonstrating how they enrich narratives and provoke critical thinking about morality and human nature.

How it works

Villain characters have always captivated audiences, providing a compelling counterpoint to the heroes in stories. Their roles are crucial in driving plots, creating tension, and exploring complex themes. The fascination with villains stems from their multifaceted personalities, motivations, and the moral ambiguities they present. Unlike straightforward heroes, villains often embody the darker aspects of human nature, making them intriguing and memorable.

One of the primary reasons villains are so compelling is their complexity. While heroes are typically defined by their noble qualities, villains often possess a mix of traits that make them more relatable and human.

This complexity can be seen in characters like Shakespeare’s Iago from “Othello,” who is driven by jealousy and ambition, or Darth Vader from “Star Wars,” whose transformation from hero to villain adds depth to his character. These villains are not evil for the sake of being evil; their actions are motivated by personal grievances, desires, and flaws, which resonate with audiences on a psychological level.

Villains also play a vital role in highlighting the virtues of the heroes. By presenting significant obstacles and moral dilemmas, they force protagonists to grow and evolve. For instance, the Joker in “The Dark Knight” challenges Batman’s ethical boundaries, pushing him to confront the limits of his own moral code. Similarly, in “Harry Potter,” Voldemort’s relentless pursuit of power and immortality starkly contrasts with Harry’s values of friendship and self-sacrifice, emphasizing the themes of love and loyalty.

Moreover, the presence of a well-crafted villain enhances the narrative by adding layers of tension and suspense. The unpredictability of villainous actions keeps audiences engaged, as they wonder what the antagonist will do next and how the hero will respond. This dynamic is essential in maintaining the momentum of the story and ensuring that the conflict remains engaging. In J.K. Rowling’s “Harry Potter” series, the looming threat of Voldemort creates an atmosphere of suspense that permeates the entire storyline, keeping readers invested in the outcome.

The best villains often evoke a sense of empathy or understanding from the audience, despite their malicious actions. This ability to blur the lines between good and evil is a testament to the depth of their characterization. Characters like Walter White from “Breaking Bad” start as sympathetic figures whose descent into villainy is gradual and understandable. Viewers witness his transformation driven by circumstances and personal choices, making his character arc both tragic and compelling.

In addition to their narrative functions, villains often serve as a reflection of societal fears and issues. They can symbolize real-world anxieties, making stories resonate on a deeper level. For example, the character of Nurse Ratched in “One Flew Over the Cuckoo’s Nest” represents the oppressive nature of institutional power and the dehumanization of individuals within such systems. Her villainy is not just personal but also ideological, critiquing broader societal structures.

Villains also allow for the exploration of themes such as power, corruption, and redemption. Their stories can serve as cautionary tales about the dangers of unchecked ambition or the moral cost of revenge. The character of Macbeth, from Shakespeare’s play of the same name, illustrates how a once honorable man can be corrupted by ambition and the lust for power. His tragic downfall serves as a powerful commentary on the destructive nature of unchecked desires.

Furthermore, the evolution of villain characters over time reflects changing cultural attitudes and values. Early literary villains, like the straightforwardly evil characters in fairy tales, often lacked depth and complexity. However, modern storytelling tends to favor more nuanced portrayals, recognizing that real human motivations are rarely black and white. This shift allows for richer, more engaging stories that challenge audiences to think critically about morality and human nature.

In conclusion, villain characters are indispensable to storytelling, providing essential conflict, highlighting the hero’s qualities, and allowing for the exploration of complex themes. Their multifaceted personalities and moral ambiguities make them compelling and relatable, while their actions drive the narrative forward and keep audiences engaged. By reflecting societal fears and examining the darker aspects of human nature, villains add depth and richness to literature and film, ensuring their lasting appeal in the cultural imagination.

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The Intrigue of Villain Characters in Literature and Film. (2024, May 21). Retrieved from https://papersowl.com/examples/the-intrigue-of-villain-characters-in-literature-and-film/

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PapersOwl.com. (2024). The Intrigue of Villain Characters in Literature and Film . [Online]. Available at: https://papersowl.com/examples/the-intrigue-of-villain-characters-in-literature-and-film/ [Accessed: 22 May. 2024]

"The Intrigue of Villain Characters in Literature and Film." PapersOwl.com, May 21, 2024. Accessed May 22, 2024. https://papersowl.com/examples/the-intrigue-of-villain-characters-in-literature-and-film/

"The Intrigue of Villain Characters in Literature and Film," PapersOwl.com , 21-May-2024. [Online]. Available: https://papersowl.com/examples/the-intrigue-of-villain-characters-in-literature-and-film/. [Accessed: 22-May-2024]

PapersOwl.com. (2024). The Intrigue of Villain Characters in Literature and Film . [Online]. Available at: https://papersowl.com/examples/the-intrigue-of-villain-characters-in-literature-and-film/ [Accessed: 22-May-2024]

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